Podcasts about Dewolfe

Wendy de Wolfe is a Canadian Armed Forces veteran, fine artist and freelance graphic designer, and wargamer with a particular interest in kriegspiels.   For the past year, she's ben running a large Napoleonic kriegspiel set in 1806 in which James and I were among the players, only to recently discover that James was the Prussian CinC.  It was terrific fun.     In this Now It Can Be Told episode, James and I had a terrific time chatting with Wendy about this particular game, what we didn't know at the time, and how the game went.  Wendy talks about managing a game of this scale as the referee, and offers some thoughts on what how to run a KS for those interested in such a venture.   She also discusses her experience as a combat veteran and how her military service has influenced her gaming and game design. Notes About Our Guest: https://wendydewolfe.com http://wendydewolfe.blogspot.com/ Wendy's report on her KS game: https://youtu.be/jN388s17nD0 https://youtu.be/g23MaOtqMHg James' report on Wendy's KS game: http://rabbitsinmybasement.blogspot.com/2023/06/rabbitman-lost-in-fog-of-war.html Wendy's Contributions to the CWP Virtual Library: Donald E Graves, Redcoats and Grey Jackets, The Battle of Chippawa (Dundurn Press, 1966) Marc Milner, Stopping the Panzers (University Press of Kansas, 2017) Other Things What We Mentioned: Andrew Field, Grouchy's Waterloo: The Battles of Ligny and Wavre (Pen and Sword 2017) Zombiesmith and Quar: https://zombiesmith.com/ All Things Quar: https://rhyfler.com/ Ottomans by The Assailt Group: https://theassaultgroup.co.uk/product-category/renaissance/ottoman/ Event Horizons hobby store, Midland, ON: https://www.eventhorizonhobbies.com/ Warlord Games, Black Powder: https://us.warlordgames.com/collections/rules-books/black-powder Warlord Games, Hail Caesar: https://us.warlordgames.com/collections/rules-books/hail-caesar Upcoming Gaming Events in Ontario:  https://mustcontainminis.com/ontario-miniature-gaming-conventions Our Guest Wendy's Choice for PlayOut Music:   Light of Foot, Dismounted March of the Royal Canadian Dragoons: https://youtu.be/9f_HaWp_llk  

This week I'm joined on the podcast by Julia DeWolfe, talking all things cycle-syncing. Julia is a certified Cognitive Behavioral Therapy practitioner, Emotional Freedom Technique practitioner, and Trauma Informed Life Coach. She works with her clients to view the whole picture of themselves and to optimise their unique hormonal cycle, helping them prioritise their true wellness, rather than hustling to earn their existence. Cycle-syncing is all about understanding and having a radical acceptance of your motivational cycles and how to honour them. After 4 years in business I love to explore ways to refine and optimise how I feel and perform, and cycle-synching is something I recommend to all my female clients.Tune in to find out:Your hormonal cycle, and the predictable stages that impact your energy and mood throughout the monthHow embracing your cycle can feel incredibly liberatingThe 4 main parts of your cycle, and what happens in your body and mind during each stageThe types of work that are well-suited to the different stages of your cycleHow you can reliably track your cycleSynthetic hormones, and how they impact cycle-synchingCONNECT WITH JULIAwww.juliadewolfecoaching.com www.instagram.com/juliadewolfecoaching JULIA'S BOOK RECOMMENDATIONSThe Period Repair Manual by Lara BridenBeyond The Pill by Jolene BrightenThe Hormone Repair Manual by Lara BridenThe Dutch House by Ann PatchettThe Oura RingCONNECT WITH EMMA-LOUISEWebsite: http://www.emmalouiseparkes.com Instagram: https://www.instagram.com/emmalouparkesFacebook Group: The Ambitious Introvert® NetworkJoin the email list hereTHE QUIET POWER MASTERMINDIf you're looking to scale your business or perhaps you're close to being fully booked, The Quiet Power Mastermind could be for you. You can find the details here.PREMIUM SUPPORT Interested in working with me 1:1 or joining The Quiet Power Mastermind? Fill out this form to start the conversation! https://bit.ly/2QQAwcx

Mark DeWolfe aka The Gay Florida Man is interviewed by guest host Alex about his life, his career in corrections, the obsession with horror, and his experiences with film and acting.

På Livets Väg (Hyllning till Hansson de Wolfe United) - ARMSTRONG & MILLER by Sörmlandspodden med Pehr Flühr

Roland de Wolfe is one the highest staking punters in the UK, he came to prominence as a top poker player after a modest career started with him writing about it in gambling magazine ‘Inside Edge'. Roland circulates in high rolling circles where he's happy to make five figure side bets on live events with like minded friends. Feared by the bookmakers and up until now preferring to operate in anonymity, Roland has made the decision to show himself, answer some questions and dispel some myths. in four parts, our 250th #BettingPeople interview … with Simon Nott.

"I am going to make everything around me beautiful – that will be my life." Art by Hailey Russell Music from Pixabay I'm super grateful to you for liking and sharing this podcast, but if you'd also like to support me with a no-gift-too-small donation, you can do that by visiting my personal page.  

For the full show notes and access to resources mentioned in this episode visit: https://www.easyscaling.com/blog/episode18Tune in as we discuss syncing your business up with your cycle and how that can make everything in your business flow more effortlessly. We dive into what cycle syncing is, tips and tools for making cycle syncing easier, and practical examples to help you implement it in your life and business.My guest is Julia DeWolfe, she is one of my coaches, a certified Cognitive Behavioral Therapy practitioner, and what she calls an 'everything coach' for entrepreneurs.Julia is a regular guest on the podcast and together we explore the more emotional side of business ownership and dig into many of the things that I've personally struggled with or overcome in my own business.Topics discussed:Misconceptions around what cycle syncing isThe two main events of your cycle: Your period and ovulation The Luteal Crisis - what it is and when you can expect itWe don't need to be fixed, we need to be understoodHow you might potentially feel during each of the phases of your cycleThe best time to do sales calls, videos, podcasting, or trainingsTypes of tasks that might be a better fit for each part of your cycle The way that you feel as you get closer to your period is still validHow you can chunk tasks into categories for each phase of your cycleWhen in your cycle you're most creativeSurprising ways that your hormones can affect youWhat do people do if they aren't having a cycle?Links/Resources Mentioned:Oura Ring ($50 off)Natural Cycles (20% off)Do Less (Book)The Period Repair Manual (Book)Julia's FREE Cycle Syncing WorksheetJulia's Cycle Syncing Basics Mini-CourseConnect with Jordan Schanda King:Website: easyscaling.comInstagram: @jordanschandakingConnect with this week's guest Julia DeWolfeWebsite: juliadewolfecoaching.comInstagram: @juliadewolfecoaching*some links above are affiliate links which means I will get a small commission if you make a purchase with my link, but you will not pay any extra. I personally use and recommend these products!https://www.easyscaling.com/the-accelerator

In today's episode, we're talking about parting ways with clients. No matter the reason, this can be a stressful experience. We dive into the before, the during, and the aftermath of firing clients, including spotting red flags, issues that can come up with money in the process, and how you can take care of yourself after it happens. My guest is Julia DeWolfe, she is one of my coaches, a certified Cognitive Behavioral Therapy practitioner, and what she calls an 'everything coach' for entrepreneurs.Julia is a regular guest on the podcast, and together, we explore the more emotional side of business ownership and dig into many of the things that I've personally struggled with or overcome in my own business.For the full show notes and access to resources mentioned in this episode, visit https://www.easyscaling.com/blog/episode11 Topics discussed:Dealing with the icky feelings around firing a clientReasons why we ignore red flags (or don't even notice them)The importance of doing a postmortem when things don't work outConcrete examples of red flags when it comes to new or current clientsThe importance of solid contracts and navigating contract changesUnderstanding your communication style and other valid needsNavigating business changes and outgrowing your clientsWhat can happen when you finally do part ways with clients that don't fitMoney concerns when firing a client (money owed, refunds, chargebacks)Preparing for and managing accusations or complaintsHow to take care of your emotions and your nervous systemConnect with Jordan Schanda King:Website: easyscaling.comInstagram: @jordanschandakingFacebook: Easy Scaling with Jordan Schanda KingConnect with this week's guest Julia DeWolfeWebsite: juliadewolfecoaching.comInstagram: @juliadewolfecoachingLove what you heard. Reviews really help us out! As a thank you, you can get my 90-Day Planning Formula ($97 Value) by submitting a screenshot of your 5-star review at easyscaling.com/podcastreview

Tune in as we discuss the concept of boundaries in business, the fine line between personal and work boundaries, setting boundaries around client communication, and what happens if someone challenges a boundary.For the full show notes and access to resources mentioned in this episode visit https://www.easyscaling.com/blog/episode1In today's episode, we're talking about boundaries. We're talking about what they are, how to have them in your business, what happens when they're challenged, and so much more. My guest is Julia DeWolfe, she is one of my coaches, she is a certified Cognitive Behavioral Therapy practitioner, and she's what she calls an 'everything coach' for entrepreneurs.Julia is an absolute lifesaver for me. I cannot imagine doing what I do without her support, and she is going to be coming onto the podcast as a regular guest to discuss the more emotional side of running a business.Topics Discussed:The concept of boundaries (and the 3 types of boundaries)What a boundary is and is NOTWhy boundaries do not equal confrontationSetting boundaries around client communicationThe fine line between personal boundaries and work boundariesHow to create new boundariesWhat happens if someone challenges a boundarySigns that you need to work on your boundaries

Before Facebook, there was MySpace. People logged into a web page every day to write to friends, show off photos, and play music. Some of the things we still do on social networks. The world had been shifting to personal use of computers since the early days when time sharing systems were used in universities. Then came the Bulletin Board Systems of the 80s. But those were somewhat difficult to use and prone to be taken over by people like the ones who went on to found DefCon and hacking collectives.  Then in the 1990s computers and networks started to get easier to use. We got tools like AOL Instant Messenger and a Microsoft knockoff called Messenger. It's different ‘cause it doesn't say Instant. The rise of the World Wide Web meant that people could build their own websites in online communities. We got these online communities like Geocities in 1994, where users could build their own little web page. Some were notes from classes at universities; others how to be better at dressing goth. They tried to sort people by communities they called cities, and then each member got an address number in their community. They grew fast and even went public before being acquired by Yahoo! in 1999. Tripod showed up the year after Geocities came out and got acquired by Yahoo! competitor Lycos in 1998, signaling that portal services in a pre-modern search engine world would be getting into more content to show ads to eyeballs. Angelfire was another that started in 1996 and ended up in the Lycos portfolio as well. More people had more pages and that meant more eyeballs to show ads to. No knowledge of HTML was really required but it did help to know some. The GeoCities idea about communities was a good one. Turns out people liked hanging out with others like themselves online. People liked reading thoughts and ideas and seeing photos if they ever bothered to finish downloading. But forget to bookmark a page and it could be lost in the cyberbits or whatever happened to pages when we weren't looking at them.  The concept of six agrees of Kevin Bacon had been rolling around a bit, so Andrew Weinreich got the idea to do something similar to Angelfire and the next year created SixDegrees.com. It was easy to evolve the concept to bookmark pages by making connections on the site. Except to get people into the site and signing up the model appeared to be the flip side: enter real world friends and family and they were invited to join up. Accepted contacts could then post on each others bulletin boards or send messages to one another. We could also see who our connections were connected to, thus allowing us to say “oh I met that person at a party.” Within a few years the web of contacts model was so successful that it had a few million users and was sold for over $100 million. By 2000 it was shut down but had proven there was a model there that could work. Xanga came along the next year as a weblog and social networking site but never made it  to the level of success. Classmates.com is still out there as well, having been founded in 1995 to build a web of contacts for finding those friends from high school we lost contact with. Then came Friendster and MySpace in 2003. Friendster came out of the gate faster but faded away quicker. These took the concepts of SixDegrees.com where users invited friends and family but went a little further, allowing people to post on one another boards.  MySpace went a little further. They used some of the same concepts Geocities used and allowed people to customize their own web pages. When some people learned HTML to edit their pages, they got the bug to create. And so a new generation of web developers was created as people learned to layout pages and do basic web programming in order to embed files, flash content, change backgrounds, and insert little DHTML or even JavaScript snippets. MySpace was co-founded by Chris DeWolfe, Uber Whitcomb, Josh Berman, and Tom Anderson while working at an incubator or software holding company called eUniverse, which was later renamed to Intermix Media. Brad Greenspan founded that after going to UCLA and then jumping headfirst into the startup universe. He created Entertainment Universe, then raised $2M in capital from Lehman Brothers, another $5M from others and bought a young site called CD Universe, which was selling Compact Disks online. He reverse merged that into an empty public shell company, like a modern SPAC works, and was suddenly the CEO of a public company, expanding into online DVD sales. Remember, these were the days leading up to the dot com bubble. There was a lot of money floating around. They expanded into dating sites and other membership programs. We'd think of monthly member fees as Monthly Recurring Revenue now, but at the time there was so much free stuff on the internet that those most sites just gave it away and built revenue streams on advertising revenues. CDs and DVDs have data on them. Data can be shared. Napster proved how lucrative that could be by then. Maybe that was something eUniverse should get into. DeWolfe created a tool called Sitegeist, which was a site with a little dating, a little instant messaging, and a little hyper localized search. It was just a school project but got him thinking. Then, like millions of us were about to do, he met Tom. Tom was a kid from the valley who'd been tinkering with computers for years, as “Lord Flathead” who'd been busted hacking as a kid before going off to the University of California at Berkeley before coming home to LA to do software QA for an online storage company. The company he worked for got acquired as a depressed asset by eUniverse in 2002, along with Josh Berman. They got matched up with DeWolfe, and saw this crazy Friendster coming out of nowhere and decided to build something like it. They had a domain they weren't using called MySpace.com, which they were going to use for another online storage project. So they grabbed Aber Whitcomb, fired up a ColdFusion IDE and given the other properties eUniverse was sitting on had the expertise to get everything up and running fairly quickly. So they launched MySpace internally first and then had little contests to see who could get the most people to sign up. eUniverse had tens of millions of users on the other properties so they emailed them too. Within two years they had 20 million users and were the centerpiece of the eUniverse portfolio. Wanting in on what the young kids were doing these days, Rupert Murdoch and News Corporation, or NewsCorp for short, picked up the company for $580 Million in cash. It's like an episode of Succession, right? After the acquisition of Myspace by news corporation, Myspace continued its exponential growth. Later in the year, the site started signing up 200,000 new users every day. About a year later, it was registering approx. 320,000 users each day. They localized into different languages and became the biggest website in the US. So they turned on the advertising machine, paying back their purchase price by doing $800 million in revenue back to NewsCorp.  MySpace had become the first big social media platform that was always free that allowed users to freely express their minds and thoughts with millions of other users, provided they were 13 years or older. They restricted access to profiles of people younger than 16 years in such a way that they couldn't be viewed by people over 18 years old. That was to keep sexual predators from accessing the profile of a minor. Kids turned out to be a challenge. In 2006, during extensive research the company began detecting and deleting profiles of registered sex offenders which had started showing up on the platform.  Myspace partnered with Sentinel Tech Holdings Corporation to build a searchable, national database containing names, physical descriptions, and other identity details known as the Sentinel Safe which allowed them to keep track of over half a million registered sex offenders from  U.S. government records. This way they developed the first national database of convicted sex offenders to protect kids on the platform, which they then provided to state attorney generals when the sex offenders tried to use MySpace.  Facebook was created in 2004 and Twitter was created in 2006. They picked up market share, but MySpace continued to do well in 2007 then not as well in 2008. By 2009, Facebook surpassed Myspace in the number of unique U.S. visitors. Myspace began a rapid decline and lost members fast. Network effects can disappear as quickly as they are created. They kept the site simple and basic; people would log in, make new friends, and share music, photos, and chat with people. Facebook and Twitter constantly introduced new features for users to explore; this kept the existing users on the site and attracted more users. Then social media companies like twitter began to target users on Myspace.  New and more complicated issues kept coming up. Pages were vandalized, there were phishing attacks, malware got posted to the site, and there were outages as the ColdFusion code had been easy to implement but proved harder to hyperscale. In fact, few had needed to scale a site like MySpace had in that era. Not only were users abandoning the platform, but employees at Myspace started to leave. The changes to MySpace's executive ranks went down quicky in June 2009 by a layoff of 37.5% of its workforce reducing, the employees went down from 1,600 to 1,000. Myspace attempted to rebrand itself as primarily a music site to try and gain the audience they lost. They changed the layout to make it look more attractive but continued a quick decline just as Facebook and Twitter were in the midst of a meteoric rise. In 2011 News Corporation sold Myspace to Specific Media and Justin Timberlake for around $35 million. Timberlake wanted to make a platform where fans could go and communicate with their favorite entertainers, listen to new music, watch videos, share music, and connect with others who liked the same things. Like Geocities but for music lovers. They never really managed to turn things around. In 2016, Myspace and its parent company were acquired by Time Inc. and later Time inc. was in turn purchased by the Meredith Corporation. A few months later the news cycle on and about the platform became less positive. A hacker retrieved 427 million Myspace passwords and tried to sell them for $2,800. In 2019, Myspace accidentally deleted over 50 million digital files including photos, songs, and videos during a server migration. Everything up to 2015 was erased. In some ways that's not the worst thing, considering some of the history left on older profiles. MySpace continues to push music today, with shows that include original content, like interviews with artists. It's more of a way for artists to project their craft than a social network. It's featured content, either sponsored by a label or artist, or from artists so popular or with such an intriguing story their label doesn't need to promote them. There are elements of a social network left, but nothing like the other social networks of the day. And there's some beauty in that simplicity. MySpace was always more than just a social networking website; it was the social network that kickstarted the web 2.0 experience we know today. Tom was everyone who joined the networks first friend. So he became the first major social media star. MySpace became the most visited social networking site in the world, often surpassing Google in number of visitors. Then the network effect moved elsewhere, and those who inherited the users analyzed what caused them to move away from MySpace and either through copying features, out innovating, or acquisition, have managed to remain dominant for over a decade. But there's always something else right around the corner. One of the major reasons people abandoned MySpace was to be with those who thought just like them. When Facebook was only available to college kids it had a young appeal. It slowly leaked into the mainstream and my grandmother started typing the word like when I posted pictures of my kid. Because we grew up. They didn't attempt to monetize too early. They remained stable. They didn't spend more than they needed to keep the site going, so never lost control to investors. Meanwhile, MySpace grew to well over a thousand people to support a web property that would take a dozen to support today. Facebook may move fast and break things. But they do so because they saw what happens when we don't.

From Troma's website: "Childhood used to be about jumping rope and playing hopscotch…but in one little backwoods town it's now about slitting throats and eating flesh! While visiting Tromaville, the DeWolfe family discover a terrifying secret. God-fearing parents panic as their children mysteriously disappear. Little do they know that only thing worse than their children disappearing would be them coming back! Lured into a cannibalistic cult, doe-eyed innocents are transformed into mindless killing machines. Parents and children face off in the most stomach-churning finale of mutilated flesh to bloody the screen!"

Word of a monster ape ten stories tall living in the Himalayas reaches fortune hunters in Hong Kong. They travel to India to capture it, but most are dissuaded by the elements, except Johnny. Johnny finds the monster and discovers a scantily-clas woman, Samantha. Samantha has become apart of the jungle ever since surviving a plane crash years prior. In the idyllic jungle, Johnny and Samantha fall in love. Then Johnny asks Samantha to convince "Utam" to go to Hong Kong to become apart of a traveling expedition.Starring Danny Lee, Evelyn Kraft, Yao Hsiao, Ku Feng, Lin Wei-tu, and many more.Music by Chen Yung-Yu and DeWolfe.Cinematography by Tsao Hui-Chi and Wu Cho-Hua.Suit by Keizo Murase.Written by Ni Kuang.Directed by Ho Meng-Hua.

Hey Design Lovers, welcome to Episode Number 10 of The Daniel House Book Club, where we are working our way through the 8 Books Every Interiors Lover Should Have Read according to Architectural Digest. We're in our 4th of 6 episodes dedicated to Elsie ed Wolfe's The House in Good Taste. And let me tell you, I am feeling the burn. This book is so similar to the last one we read that I'm starting to be like, “yeah, I've heard that, and I've heard that and I know what you're going to say here…” Thank gosh we had our member Heather Martin of Metta Home as a guest last week or I'd be fast asleep. I'm just kidding, but…I'm excited to announce that for our final episode covering this book, we'll be joined by one of our industry's most interesting people, Susanna Salk. For those of you who may be unfamiliar, Susanna is the author of numerous design books with titles including Be Your Own Decorator and Dogs and Their Designers. She is also the host of Quintessence's “At Home With” series where she visits the homes of some of the world's most influential designers. I watch it on YouTube regularly and drool over the amazing places she goes. Our episode with Susanna will come out on December 13th, so be sure to listen!

This week the gals are joined by TikTok wizard and ADHD guru Connor DeWolfe! Can they get through the episode while staying on track? Can Jane make it 5 consecutive minutes without hitting on him? FIND OUT NOW.Follow Connor on TikTok: https://vm.tiktok.com/ZM8X7G3Ld/Follow us on Instagram: https://www.instagram.com/highschoolsucked/Follow us on Facebook:https://www.facebook.com/HighSchoolSuckedFollow Producer Dan on Instagram: https://www.instagram.com/lazerdoov/Follow Producer Alexi on Instagram: https://www.instagram.com/youngalexi_For more Darcy & Jane click here: https://beacons.page/highschoolsuckedpodcast See acast.com/privacy for privacy and opt-out information.

We all use self talk in some form or fashion. This is especially true for athletes. They are seen muttering to themselves after plays, analyzing what they did wrong, or even trying to hype themselves for a big game or play. What exactly is self talk and does it really help?In this episode, we look at three published studies from the Journal of Applied Sports Psychology (all cited below) that look into self talk. Will we find that self talk helps? Can we utilize negative self talk to our advantage? We will even see a comparison of self talk to other ways that athlete's attempt to improve performance such as the utilization of caffeine or the mysticism of that lucky article of clothing.Studies Cited:Cooper, K. B., Wilson, M. R., & Jones, M. I. (2020). Fast talkers? Investigating the influence of self-talk on mental toughness and finish times in 800-meter runners. Journal of Applied Sport Psychology, 33(5), 1–19. https://doi.org/10.1080/10413200.2020.1735574 DeWolfe, C. E. J., Scott, D., & Seaman, K. A. (2020). Embrace the challenge: Acknowledging a challenge following negative Self-Talk improves performance. Journal of Applied Sport Psychology, 33(5), 1–14. https://doi.org/10.1080/10413200.2020.1795951 Wolch, N. J., Arthur-Cameselle, J. N., Keeler, L. A., & Suprak, D. N. (2020). The effects of a brief mindfulness intervention on basketball free-throw shooting performance under pressure. Journal of Applied Sport Psychology, 33(5), 1–17. https://doi.org/10.1080/10413200.2020.1720044Support the show (https://www.patreon.com/MindFullSports)

This is an amazing hand where Timoshenko demonstrates how sometimes we may need to turn a strong hand into a bluff! In this hand we look at the epic battle between Timoshenko & De Wolfe from the 2010 partypoker live premier league IV! A lot has changed in the world of poker since this hand … WPH #375: How To EXECUTE A MASTERFUL RIVER BLUFF! Timoshenko vs De Wolfe on partypokerTV Read More » The post WPH #375: How To EXECUTE A MASTERFUL RIVER BLUFF! Timoshenko vs De Wolfe on partypokerTV first appeared on Jonathan Little.

When I was little with Eric Dewolfe.

Today, we continue listening to the stories of our Germany Mission Team as they share their experience serving Refugees 

This week on The Whin Big Podcast, Katie speaks with Avesha DeWolfe of Spiral Tide Pottery.In this week's episode, Katie and Avesha talk about the challenges of balancing Avesha's social work career with her pottery business and the importance of taking time to breathe, think and just be. They also talk about how traditional marketing advice doesn't always leave room for each business's unique personality and character. You can find all the links and resources from today's episode in the shownotes at thewhin.co/podcast

“Notice your own rhythms of motivation. Acknowledge that. See where you can find your pattern and work within that flow.” - Julia Dewolfe   Julia Dewolfe is a life coach and works with creative female entrepreneurs to help them escape toxic hustle culture, re-define success, optimize their hormonal wellness, and prioritize emotional healing. She utilizes various modalities like CBT (Cognitive Behavioral Therapy), EFT (Emotional Freedom Technique), and Aromatherapy.   Julia helps people dive deep into how to better use essential oils for wellness. She also provides consultations on specific protocols to support hormonal health and is an advocate for Cycle Awareness.   Follow Julia on Instagram. Sponsor Today's episode is sponsored by Aura Merchandising, a proud women-owned full-service brand marketing, and global sourcing agency. Visit them at www.auralimited.com Find Us Online! Website: www.iamjuliethahn.com Instagram: @iamjuliethahn Twitter: @iamjuliethahn LinkedIn: Juliet Hahn FB: Juliet Hahn Fireside: Juliet Hahn Clubhouse: @iamjuliethahn YouTube: Juliet Hahn

On today's show, we welcome special guests Chris DeWolfe, CEO & Co-Founder of Jam City, and Emil Michael, CEO of DPCM Capital. Jam City recently announced a merger with SPAC DPCM Capital in a $1.2 billion deal.   On the podcast, Chris and Emil discuss: - How their experience in the C-suite at MySpace and Uber helped them in their entrepreneurial journey - Keys to success in the mobile gaming industry - Insights into the future of mobile games - DPCM's thesis on Jam City as a merger partner - Jam City's growth plans and outlook on acquisitions - And more

CNBC's Mike Santoli joins us to talk the divergence in trading. Then, Morgan Stanley's Head of Global Auto & Shared Mobility Research Adam Jonas shares his thoughts on how to value Tesla now that it's caught up in the crypto craziness. Later, we hear from KeyBanc Managing Director John Vinh on his latest note upgrading Nvidia to overweight. Then, Pinboard Founder Maciej Ceglowski joins us to break down crypto's latest moves and Elon Musk's involvement. CNBC's Julia Boorstin has a First on CNBC interview with Jam City CEO and Myspace Co-Founder Chris DeWolfe on his most recent venture. We also hear from CNBC's Kate Rooney on Robinhood allowing investors to buy into IPOs. And later, CNBC's Seema Mody explains Cathie Wood's classification of Deere as a tech company.

On the latest special episode of the PokerNews Podcast, Sarah Herring, Jeff Platt, and Chad Holloway talk to Triple Crown winner Roland De Wolfe, who was big during the poker boom but disappeared nearly a decade ago. Where has he been? De Wolfe answers that question, talks about competing in the record-breaking WPT Seminole Hard Rock Showdown, and shares his thoughts on the game today. In addition, the crew breakdown Phil Hellmuth defeating Daniel Negreanu once again in the High Stakes Duel, highlights from both the MSPT Sycuan Casino and Lone Star Poker Series Champions Poker Club, Phil Ivey's appearance on the DAT Poker Podcast, and Plexiglass coming down at Wynn Las Vegas. Big thanks to the special sponsor this week in Elite Chip Care. Time Stamps *Time|Topic* 00:24 | Welcome to the show 00:48 | Jeff’s experience at the Lone Star Poker Series Champions 02:00 | Chad works hard and plays harder 04:13 | Phil Hellmuth defeats Daniel Negreanu… AGAIN! 12:05 | Sponsor: Elite Chip Care 13:05 | Phil Ivey on the DAT Poker Podcast 18:10 | What brought Tom Dwan & Phil Ivey back into the poker spotlight? 22:12 | Guest Roland De Wolfe joins the show 23:00 | Popping up for basically the first time in nearly 10 years! 23:30 | WPT in Florida for fun? 26:05 | What is he doing now? 29:05 | End Boss Erik Seidel 29:57 | Leaving Poker 35:30 | Proudest poker accomplishment 38:15 | Current state of poker 43:45 | Texas & South Florida the place to be for poker 46:05 | Future for Roland De Wolfe in poker 48:20 | Does new generation suffer from lack of life experience? 50:50 | Joon Park wins Lone Star Poker Series Champions for $271K 52:25 | Shawn Rice goes all in UTG after looking at just one card 53:20 | Viral hand from LSPS live stream 56:10 | Highlights from the 2021 PASCOOP 59:30 | Plexiglass coming down at Wynn Las Vegas 1:02:00 | Sponsor: GGPoker 1:02: 58 | Marle Cordeiro’s tweet draws ire of many women players 1:07:23 | A look at the WPT Seminole Showdown final table 1:08:50 | Brian Altman wins Hublot WPT Player of the Year 1:10:23 | Shout out to PN Pod fan Mark Feinberg 1:13:00 | Chad’s Tag Team event cash 115:15 | Jeff headed to see Chad in San Diego 1:17:32 | Sponsor: Run It Once

Det är dags att plocka upp en favorit i repris och denna vecka blir det en family affair verkligen. Elsa Billgren berättar om sin låååånga graviditet med Lynn och Elsas make Pontus de Wolfe berättar om sina tankar kring att vara någons förälder. Dubbelavsnitt alltså - både Vattnet Går och Barnet Går i ett - hur skoj! Nina Campioni är programledare och Gudrun Abascal är expert. Support till showen http://supporter.acast.com/vattnetgar. See acast.com/privacy for privacy and opt-out information.

Could also be titled "Evil, Sin, and Suffering", in this episode the brothers delve into the various shades of darkness we experience in the world--and in ourselves. Recommended and referenced resources include: Podcasts: The Well of Sound on Marvin Gaye (https://podcasts.apple.com/us/podcast/marvin-gaye/id1435720647?i=1000497531219) Movies: The Devil Rides Out, The Shining, The Exorcist, The Addiction Books: Dignity by Chris Arnade, The Haunting of Toby Jugg _by Dennis Wheatley, _The Stand by Stephen King, the ghost stories MR James, Astro City: Confession by Kurt Busiek Articles: "Hiding in Plain Sight: The Lost Doctine of Sin" (https://mbird.com/2018/10/hiding-in-plain-sight-the-lost-doctrine-of-sin/) by Simeon Zahl Quotations: Bad Spirits in Hunts Point (https://mbird.com/2019/06/none-without-faith-or-a-strong-belief-in-the-reality-of-evil/), Flannery O'Connor on the Action of Grace (https://mbird.com/2007/12/mystery-and-manners/), Gerhard Forde on the danger of Rolling Suffering into Evil (https://mbird.com/2015/03/the-danger-of-rolling-suffering-into-evil-according-to-gerhard-forde/), Richard Hooker on Crystal Tears (below), Frank Limehouse on the Devil (below) Songs: "Ain't No Mountain High Enough" by Marvin Gaye and Tami Terrell, "Lord You Bless Me" by The Elliotts, "Make Me Prada" by Asa Moto, "Millennium" by Dewolfe, "Devil Inside" by INXS Please note: the story of Martin Luther burying the child, while derived from his writings (and depicted to great effect in the movie Luther (https://www.youtube.com/watch?v=dhMuWn2dnUw)), is apocryphal. . Click here (https://open.spotify.com/playlist/1avwpuAHwUIVqM2BaNtMQ4?si=euSMGQIgQhiKb0l8vYXgWA) to listen to a playlist of the available tracks on Spotify. Richard Hooker: "My eager protestations, made in the glory of my ghostly strength, I am ashamed of; but those crystal tears, wherewith my sin and weakness was bewailed, have procured my endless joy; my strength hath been my ruin, and my fall my stay." Frank Limehouse (March 7, 2010): "I can't tell you what the Devil looks like. In my own mind he wears red tights, has horns and a tail and carries a pitchfork. Other than in the Garden of Eden, in which he is described as crafty and subtle; and Ezekiel, who tells us he was perfect in beauty, I cannot talk so much about what the devil looks like. But we can talk about how the devil operates. St. Peter said, “Your adversary the devil prowls around like a roaring lion, seeking some one to devour” (1 Peter 5:8). Interestingly, the devil doesn't come at you only where you're weak. He's very interested in your gifts and strengths. This is where we are most vulnerable. The woman with a charming smile is tempted to “get away with murder.” The salesman with the gift of persuasion, is often tempted to “take ‘em for what they're worth.” God, on the other hand, is most interested in what? Your weaknesses. The Lord said to Paul ‘My grace is sufficient for you, for my power is made perfect in weakness'…"

Episode 29 Sitars and Synthesizers   Playlist Vincent Bell With Orchestra, “Quiet Village,” from Pop Goes The Electric Sitar (1967 Decca). The Coral Electric Sitar with chorus and orchestra. Coral electric sitar, Vinnie Bell (its inventor). AKA Vincent Gambella, a popular session player, primarily on guitar. Big Jim Sullivan, “Flower Power,” from Sitar Beat (1967 Mercury). Sitar and electric guitar, Jim Sullivan. Ultimate Spinach, “Your Head is Reeling,” from Ultimate Spinach (1968 MGM). Vocals, Lead Guitar, Guitar Feedback, Sitar [Electric], Geoffrey Winthrop. A very brief introduction to this longer track, featuring the Coral Electric Sitar. Enoch Light And The Light Brigade, “Marrakesh Express,” from ‎Permissive Polyphonics (1970 Project 3 Total Sound). Coral Electric Sitar, Vinnie Bell; Moog Modular Synthesizer, Dick Hyman; Electric Alto Sax, Arnie Lawrence; Bass, Julie Ruggiero; Drums, Billy LaVorgna. Ami Dang, “Conch and Crow” from Parted Plains (2019 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ami Dang, “Souterrain” from Parted Plains (2019 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ami Dang, “Simplicity Mind Tool” from Meditations Mixtape Vol.1 (2020 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ananda Shankar, “Dance Indra,” from Ananda Shankar (1970 Reprise). Ananda Shankar is not related to Ravi Shankar, the great classical Indian sitar master. Sitar, Ananda Shankar; Keyboards, Moog Modular Synthesizer, Paul Lewinson; Tabla, Pranish Khan; Drums, Joe Pollard, Michael Botts; Bass, Jerry Scheff, Mark Tulin; Guitar, Dick Rosmini, Drake Levin. Trivia, produced by James Lowe and included Mark Tulin on bass, both members of the Electric Prunes from the late Sixties. Paul Lewison was playing a Moog owned by producer Alex Hassilev. Shankar wanted to combine Western and Indian music into a “new form” as he called it. Melodious, touching, combining modern electronics and traditional sitar. I think he succeeded. I have included two striking examples that stray a bit from the pop rock flavor of many of the tracks. Ananda Shankar, “Raghupati,” from Ananda Shankar (1970 Reprise). Sitar, Ananda Shankar; Keyboards, Moog Modular Synthesizer, Paul Lewinson; Tabla, Pranish Khan; Drums, Joe Pollard, Michael Botts; Bass, Jerry Scheff, Mark Tulin; Guitar, Dick Rosmini, Drake Levin. Okko Bekker, “East Indian Traffic,” Sitar & Electronics (1970 BASF). Sitar, Moog Modular Synthesizer, Tabla, Okko Bekker; Moog Modular Synthesizer, Simon Alcott (alias of British pop pianist Les Humphries); Flute, Herb Geller; Guitar, Peter Haesslein. Bekker is a Dutch sitarist, keyboardist, and producer. Indian influenced psychedelic music from the days of the Moog Modular, recorded in Germany. This came several years after the Beatles and Stones experimented with the sitar but was an early album to combine the sitar with a Moog modular synthesizer. I have no idea where he learned sitar but I do know whose Moog he used for this recording. The producer Simon Alcott had purchased some Moog modular units in 1970. Alcott is also the alias of Les Humphries. Most of the album consists of cover tunes of rock songs, such as The Beatles. I chose one of bolder Moog tunes. Okko Bekker, “Delphin, Makarasana,” from Yoga Für Millionen (1978? Maritim). A German album of yoga instruction with musical soloist Bekker playing Sitar, Tabla, Moog Synthesizer, Flute, and Percussion. The narrator is Ulrich Brockmann. Amon Duul II, “Wie Der Wind Am Ende Einer Strasse” from Wolf City (1972 United Artists). Bass, Lothar Meid; Drums, D. Secundus Fichelscher; Electric Guitar, John Weinzieri; Sitar, Al Sri Al Gromer; Tabla, Pandit Shankar; Tambura, Liz van Neienhoff; Organ, Synthesizer, Falk-U Rogner; Soprano Saxophone, Olaf Kübler; Timpani, Peter Leopold; Violin, Chris Karrer Paul Heyda. Yves Hayat, “Path to Ascension” from Conversation Between the East and The West (1976 DeWolfe). Composer, sitar, guitars, bass, synthesizers, Yves Hayat; keyboards, vocals, Diane Crisanti. Produced as a record for broadcast libraries. Cosmology, “Out of the Kiva,” from Cosmology (1977 Vanguard). Sitar, congas, percussion, Collin Walcott; Vocals, Percussion; Dawn Thompson; Acoustic Bass, Electric Bass, Rick Kilburn; Drums, Bells, Bob Jospé; Fender Rhodes, Piano, Oberheim Synthesizer, Armen Donelian; Trombone, Dave Glenn; Trumpet, Flugelhorn, Tin Whistle, Mayan Flute, Flageolet, John D'earth. Clearlight, “Full Moon Raga,” from Visions (1978 Polydor). Bass, Philippe Melkonian; Grand Piano, ARP Odyssey, Gong, Cyrille Verdeaux; Sitar, Patrick Depaumanou; Minimoog, Luc Plouton; Tabla, Mohamed Taha; Drums, Percussion, Jacky Bouladoux; Electric Guitar, Bottleneck Cosmique, Christian Boule; Flute, Tenor Saxophone, Soprano Saxophone, Didier Malherbe; Violin, Bass Violin, Didier Lockwood; Vocals, Gérard Aumont, Gérard Gustin. The fourth album from this French progressive rock group headed by Cyrille Verdeaux on keyboards and ARP Odyssey. I have two recordings of this album. The original from 1978 had much less synthesizer. In 1992 they remixed the LP and added more synthesizer and vocals to the tracks. We are hearing the remixed version. Electric Universe and Sitarsonic, “Dub Stanza” from Dub Stanza (2020 Sacred Technology). Electric Universe is an ambient electronic musician who teamed up with sitarist and electronic musician Sitarsonic (Paco Rodriguez) to produce this dub-flavored work. Paco is from Greece. Electric Universe is in Belgium. Acid Mothers Temple & The Melting Paraiso UFO, “Ziggy Sitar Dust Raga,” from Ziggy Sitar Dust Raga (2003 Important Records). Vocals, Sitar, Cotton Casino; Tambura, Kawabata Makoto; Synthesizer, Higashi Hiroshi; Vocals, Tsuyama Atsushi. A psychedelic, trance-inducing treat from this inventive group of Japanese improvisers.       Thanks to Ami Dang for helping me with this episode. You can explore releases of her music as well as check out her podcast at her website. Track played during the opening: The Folkswingers Featuring Harihar Rao ‎, “Paint it Black,” Sitar Beat (1966 Fontana). Sitar, Harihar Rao; Organ, Electric Piano, Larry Knechtel; Bass, Bill Pittman; Fender Bass, Lyle Ritz; Drums, Hal Blaine; 12-string Electric Guitar, Dennis Budimir; Guitar, Herb Ellis, Howard Roberts, Tommy Tedesco.   Track played during the opening: Lord Sitar, “I Am the Walrus,” from Lord Sitar (1968 Columbia). Sitar, Big Jim Sullivan. Track played behind the Ami Dang interview: Ami Dang, “Ajooni” from Meditations Mixtape Vol.1 (2020 Leaving Records). Also from Thom Holmes: My Book: Electronic and Experimental Music, sixth edition, Routledge 2020. My Blog: Noise and Notations.

Musikern och kompositören Pontus de Wolfe pratar om vikten av musik i livet och om paradoxen att all kultur för barn ju skapas av vuxna. Hur gör man för att undvika att prata över barns huvud? Det och mycket mer i veckans avsnitt av Barnet Går, expert är Paulina Gunnardo och programledare är Nina Campioni. Support till showen http://supporter.acast.com/vattnetgar. See acast.com/privacy for privacy and opt-out information.

DeWolfe Miller is a vice admiral in the US Navy and is currently Commander, Naval Air Forces, which is also Type Commander for all US Aviation units, and double-hatted as Commander, Naval Air Force, Pacific. In his accomplished naval career, among the many leadership posts he has held, Admiral Miller previously commanded the USS George H.W. Bush, CVN 77 and the Bush Carrier Strike Group II. He is a graduate of the National Defense University as well as a graduate of the Navy's Nuclear Power School. In this episode, Admiral Miller discusses what makes a good leader, his inspirations in life, and what he hopes to instill in his sailors.

Description: DeWolfe Miller is a vice admiral in the US Navy and is currently Commander, Naval Air Forces, which is also Type Commander for all US Aviation units, and double-hatted as Commander, Naval Air Force, Pacific. In his accomplished naval career, among the many leadership posts he has held, Admiral Miller previously commanded the USS George H.W. Bush, CVN 77 and the Bush Carrier Strike Group II. He is a graduate of the National Defense University as well as a graduate of the Navy’s Nuclear Power School. In this episode, Admiral Miller discusses what makes a good leader, his inspirations in life, and what he hopes to instill in his sailors. ______________________________________________________________ More on Admiral Miller: Facebook: https://www.facebook.com/FlyNavy/ Twitter: https://twitter.com/flynavy Instagram: https://www.instagram.com/usnavalairforces/?hl=en LinkedIn: https://www.linkedin.com/in/u-s-naval-air-forces-b21b2715a YouTube: https://www.youtube.com/channel/UC8kONzflxHs9h3NqVGECcUw ______________________________________________________________ Books Mentioned: Pearls of Wisdom Becoming a Leader of Character

After an All-Atlantic 10 rookie team debut at Fordham, Maines 2019 Miss Basketball Anna DeWolfe swings by the podcast to talk Greely basketball, having to settle for just two state championships, the joys of an empty gym, D1 basketball and more on this weeks episode of Big Time Hoops

Chris DeWolfe excels at creating massive user bases—a skill he has demonstrated with two companies you’ll likely recognize: Myspace and Jam City. After DeWolfe launched the biggest social network of its time in 2003, it was only a matter of months before Myspace completely took off and attracted millions of users around the world. Only two years after the start of his company, DeWolfe sold the platform for $580 million. But he wasn’t done yet. When DeWolfe asked himself ‘what’s next?’ he found himself drawn to the world of gaming. Not only was it easy to scale, but he also believed the current trends pointed toward an explosion in gaming. He wasn’t wrong. Today, Jam City is known for famous mobile games like Cookie Jam and Pop! and Panda, and it’s still going strong to keep up with the growing demand of casual gamers. In this interview, DeWolfe discusses the hyper growth of his companies, how to stay focused when running such a behemoth of a company, and what it takes to build massive user bases. If there’s any other content you’d like to see that would be valuable to you during this time, please don’t hesitate to reach out at support@foundr.com. Key Takeaways How DeWolfe built the largest website in the world and the biggest social network of its time, Myspace The trends in pop culture and technology that led to the launch of Myspace in 2003 A look into the rapid growth and eventual sale of Myspace in 2005 for $580 million How Myspace created a roadmap for companies like Spotify and YouTube The top three lessons DeWolfe learned from his journey with Myspace How DeWolfe figured out his next step into the world of mobile gaming Why Jam City targets an underserved audience for gamers The acquisition of Mindjolt How to be a great storyteller and create amazing games What’s exciting for DeWolfe in the future of the mobile gaming business What it takes to build large user bases Why DeWolfe recommends taking measured risks in the pursuit of innovation A sneak peek into Jam City’s latest upcoming mobile game

As a die-hard ocean lover, clay provides a way to pay homage and respect to the source of Avesha DeWolfe's inspiration and the place that refuels her. Through form and surface treatment, Avesha's work reflects a life-long enchantment with the ocean and rocky beaches of Maine, where she grew up. In Scotland, where Avesha lives now, the enchantment continues. Avesha's work is constructed out of soft slabs of red, mid-range clay.  Building pots this way requires mindfulness and an active slowing down of the mind in order to examine every angle, curve, foot and rim.  Nothing in the process of making a pot is taken for granted, every element of every piece is a considered choice. That consideration creates pottery which calls out to be held and offers space for mindful moments of self-care. Those moments add up to a life well-lived.

YouTube sensation Adriane DeWolfe joins us to chat about her viral video of her and her Mustang Toaster dancing to Blanco Brown’s song “The Git Up". How did she train him to do all those moves? Plus, some equine news and another edition of Equestrian First World Problems. Listen in...The HORSES IN THE MORNING Crew: Glenn the Geek: co-host, executive in charge of comic relief; Jamie Jennings: co-hostTitle Sponsor: Our AuditorsGuest: Adriane DeWolfe the YouTube SensationLink: Timetable Confirmed for Equestrian Events at Tokyo OlympicsLink: Fantasy Farm Friday: $30 Million Warrenton EstateThere’s an App for that! Check out the new Horse Radio Network app for iPhone and AndroidFollow Horse Radio Network on Twitter or follow Horses In The Morning on FacebookAdditional support for this podcast provided by Greenflower Botanicals (Use coupon code HRN for 20% off) and Listeners Like YouSupport the show (https://www.patreon.com/user?u=87421)

YouTube sensation Adriane DeWolfe joins us to chat about her viral video of her and her Mustang Toaster dancing to Blanco Brown’s song “The Git Up”. How did she train him to do all those moves? Plus, some equine news and another edition of Equestrian First World Problems. Listen in... The HORSES IN THE MORNING Crew: Glenn the Geek: co-host, executive in charge of comic relief; Jamie Jennings: co-hostTitle Sponsor: Our AuditorsGuest: Adriane DeWolfe the YouTube SensationLink: Timetable Confirmed for Equestrian Events at Tokyo OlympicsLink: Fantasy Farm Friday: $30 Million Warrenton EstateThere’s an App for that! Check out the new Horse Radio Network app for iPhone and AndroidFollow Horse Radio Network on Twitter or follow Horses In The Morning on FacebookAdditional support for this podcast provided by Greenflower Botanicals (Use coupon code HRN for 20% off) and Listeners Like YouSupport the show (https://www.patreon.com/user?u=87421)

All songs written and recorded by Catscan! (Mason Shelby and Paul Tsiaperas). Brian Moran played drums on tracks 2, 3, 4, 5, 7, 8, 11, and 16. Baritone saxophone by Madeline Billhimer on tracks 12 and 14. Kevin Kingsley co-wrote and played guitars on track 11. Live percussion recorded by Benjamin Schurr. All songs mastered by Peter Bonaventure. Album art by Catscan!

Matt is a biology student at UNCW, a die hard Boston sports fan and a longtime friend of mine, he was here for the first pod way back in 2018, today we talk philosophy, the nba of course, our lives and more.

Multimedia essay, a précis of Elsie De Wolfe’s “Suitability Simplicity and Proportion” and some tips and tricks for designing your home.

"In 1989, Scott deWolfe began selling Shaker books, ephemera, photographs and manuscripts. Frank Wood had been selling used and rare books since the 1970s. Both worked for the Sabbathday Shaker Community in Maine. When the two realized they would make good business partners, they started doing shows together in 1990. Two years later, during a snow storm on April Fool's Day, the doors to De Wolfe & Wood opened for the first time." I met with the two of them at their store in Alfred, Maine to take up the story from here. 

Elsie de Wolfe, an American actress of the Gilded Age, became the most famous decorator in the world when she changed professions in 1904—and she's still a force in the field today, Her work and her work ethic has inspired many of today's leading interior decorators. Join interior designer Charlotte Moss, a longtime de Wolfe aficionado; cultural historian Charlie Scheips, the author of "Elsie de Wolfe's Paris: Frivolity Before the Storm"; and Gillian Davies, author of "Gender, Modernism, and Interior Design: Sex, Class, Home." Listen in!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

First off - There was a problem with the microphones we used to record but it was such a great conversation I had to preserve it. Now - The episode starts with us talking about being back a wooly mammoth and end with the goat conversation in offseason NBA. Much thought was explored in between those two topics, check it out!

In this episode Grayson teaches us about music theory and how he writes songs. Grayson is a super talented singer-songwriter based here in Minneapolis and you can learn more about his music HERE AT HIS WEBSITE.

Industry Talks is a new podcast that features a variety of industry professionals, all of whom help to create that magic on the stage. Each episode showcases just one of the many roles that play a pivotal part in getting a musical from the page to the stage; from Casting Directors to Lighting Designers and everything in between. On this week’s episode we speak to agent Caroline de Wolfe from theatrical and literary agency Felix de Wolfe.Caroline tells us more about how the agency was founded by her father after World War II and how she started within the industry. We also speak about the advice she has for people looking to become agents and how the business has changed since her father started the company.

About: an Boddy has been composing & performing Electronic Music since the late 1970’s. Having fallen in love with the sound-worlds of German electronic bands such as Tangerine Dream, he came across an arts centre that housed a studio filled with reel-to-reel tape machines and analogue synthesisers. He very quickly started performing concerts & releasing three cassette albums in the early 1980’s followed by a further three vinyl albums. By the 1990’s he was regularly releasing music on CD as well as performing both in the UK & on the continent. He also developed further musical strands of activity with his sound design work releasing a series of critically acclaimed sample sound libraries & virtual instruments as well as composing an impressive roster of library music tracks, most notably for DeWolfe. In 1999 he set up the DiN ambient electronica label which sees it’s 20th anniversary this year. There has been over 80 releases on this label with contributions from an international roster of artists such as Robert Rich, Bluetech, Node, Markus Reuter, Tetsu Inoue, Chris Carter, Erik Wøllo etc. Boddy has recently expanded the reach of DiN with the release of the two volumes of Tone Science which are albums focusing in on artists performing music on modular synth systems. Links: www.ianboddy.com www.dinrecords.bandcamp.com www.patreon.com/ianboddy

AIRWaves Episode 17: In this edition of AIRWaves, we sit down with Vice Admiral DeWolfe Miller, Commander Naval Air Forces, to​​ discuss readiness recovery and the current state of naval aviation.

It has been said that he not busy being born is busy dying. *** Brooklyn, USA is produced by Sachar Mathias and Emily Boghossian. "Corpse Flower" was produced by Emily Boghossian and Brian Vines, with help from Mayumi Sato. You can follow Brian into the field, and inside the issues that matter on his BRIC TV series, "Going In With Brian Vines" https://bit.ly/2sesJ8k and on IG here: https://bit.ly/2EIgUA0 "Shatzi Weisberger Believes That Death," was produced by Shirin Barghi and edited by Myra Al-Rahim "Morbid Anatomy" was produced by Emily Boghossian and Dolma Ombadykow -- who can be found on Twitter @dombadyk. To learn more about Doreen Garner’s work, visit her website www.doreengarner.com Thanks to Richard Bryan for being a part of the process. This episode featured music from the De Wolfe music library and the song "Corpse Flower" by the band Horror Story, courtesy of Demon Nation Records. If you like what you heard, please rate and review! If you think we got something wrong or just want to get in touch, leave us a comment, tweet us @BRICradio or leave a message at (347) 504-0801 For more information on this and all BRIC Radio podcasts, visit www.bricartsmedia.org/radio

Adriane DeWolfe Horsewoman Extreme Cowboy Racer   We first met Adriane DeWolfe at a playday with fellow Downunder Horsemanship friends.  it was great getting together with like-minded people to work on our collective horsemanship skills.  Adriane was there with her horse Toaster, a mustang.  Ranae had brought Dusty and I was working with Scratch.  It was clear that Adriane was a serious horsewoman.   She worked equally hard on both technique and philosophy.  Toaster responded well.  Later, we learned it was her first time out with Toaster.   While we continued to follow each other on Facebook, it would be some months before we saw Adriane DeWolfe again.  Ranae and I thought we would try our hand at Extreme Cowboy Racing.  There was a race being held about a 90-minute drive away at Shades of Gold Ranch.  Adriane and Toaster were entered in the novice division.  When they took the course we saw they had come a long way in a very short time. Adriane kept challenging herself and her horsemanship to get better.  It was always a smooth trail.  There were many ups and downs.  In 2018, she continued Extreme Cowboy Racing and qualified for the National Competition in Glen Rose, Texas.  She and Toaster will compete in November of 2018.   Adriane DeWolfe bid and won Toaster at the Northern Nevada Correctional Center Wild Horse Training Facility auction.  And, her journey to Glen Rose when she pulls into the arena for the EXCA National Finals, has been a long one.  It's an inspiration to all recreational horsemen and women.  With a little dedication, a lot of hard work, and the love of a good horse, you can reach your goals.   Contact Us We have well over 200 episodes up now and you can find them all for free on iTunes, with our Android App in the Amazon store, and now Stitcher, or wherever podcasts are distributed.  Get the Stitcher app and tell us how it works.  We are on Google Play too!  You can also find every episode and more about the show at whoapodcast.com.  Please take a moment and join our email list. Get in on the conversation with Facebook and Twitter and Instagram- just look for WhoaPodcast. You are a big part of why we do this podcast.  We really love getting your feedback.  Please let us know your thoughts, ideas, and suggestions for the show.  You can email us at John@WhoaPodcast.com Thanks for listening, John & Ranae Episode #136 Support the Whoa Podcast with this Amazon Link.

On the second episode of The Varsity Journal, PHD Student, Chris DeWolfe joins the show to talk about the importance of mental health discussion in sports. After the release of an article in The Players Tribune by (Halifax-born) Ben Meisner re: the negative stigma surrounding mental health discussion among athletes, DeWolfe talks about the work that he's doing at Dalhousie University and how opening up the conversation on mental health has benefitted student athletes. Also discussed: shirts you should never wear, and how much money you would take to switch sports teams. --- Support this podcast: https://anchor.fm/ryan-poirier/support

Aaron speaks with the CEO of DeWolfe Music USA, Joel Feinberg.  Joel discusses some of the key areas most musicians seem to get wrong when it comes to licensing music, the nature of production and library music and much more. For more information on How To License Your Music Premium, visit http://www.htlympremium.com/ For more information about DeWolfe Music, visit http://dewolfemusic.com/

In Episode 118 Angelo talks to Grayson DeWolfe, the first guest of 2018! Topics: The debut EP 'Growing Pains', the music video for "Karma", the EP release show on January 5, plans for 2018, and much more! For more on Grayson DeWolfe: https://www.graysondewolfe.com Music featured in this episode Intro: Grayson DeWolfe — Karma Full: Grayson DeWolfe — Singing By Myself Outro: Grayson DeWolfe — Close The intro theme song was written/recorded by Maggie Schneider: www.rockinmags.com twitter.com/rockin_mags Follow us on Twitter @SpinThoughts and Angelo @AVGargaro. Premiere episodes available on idobi Radio every Thursday at Midnight EST! Subscribe to the show on Apple Podcasts, Google Play, and more. Visit our website: www.thespinningthoughts.com

A very special HALLOWEEN episode of RAREFIED AIR! Hear vintage grooves to help get you in the Halloween spirit. All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Hair Raiser, Keith Papworth; 00:22 (De Wolfe)   02. Perpetual Percussion, Sam Fonteyn; 04:23 (APM)   03. On the Graveside, Johnny Hawksworth; 06:11 (De Wolfe)   04. In a Panic Room, Ivan Kaslik; 08:06 (Megatrax)   05. Timps of Terror, Sam Fonteyn; 10:13 (APM)   06. Dirty Scream, Gert Wilden; 12:19 (Megatrax)   07. Suspense Musical Saw, Johnny Hawksworth; 12:54 (APM)   08. The Rat Race, Nick Ingman; 13:36 (APM)   09. Approaching Danger, Roger Roger; 17:18 (Firstcom)   10. Paper Chase, Eric Allen & Frank Reidy; 18:58 (De Wolfe)   11. Saturday Beat, Keith Papworth; 22:25 (De Wolfe)

A song sampled by Eazy-E. A tribute to Earth, Wind & Fire. Retro tracks used by NFL Films and the Battlefield video game series. And lots more! All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Hawkwind and Fire, Alan Hawkshaw; 00:24 (APM)   02. Tutti Flutti, Vladimir Cosma; 05:00 (De Wolfe)   03. Cavalero, Jack Trombey; 08:25 (De Wolfe)   04. Cozy Cake Fight, Gert Wilden; 11:59 (Megatrax)   05. Walk and Talk, Syd Dale; 14:35 (APM)   06. Buttoned-Up, Roger Webb; 17:53 (Firstcom)   07. L’Amour et L'Enfer, Jack Arel & Pierre Dutour; 18:45 (Firstcom)   08. Hallo, Let’s Slap, Gerhard Trede; 20:48 (APM)   09. Sunflight, Nigel Hess; 24:57 (De Wolfe)   10. What A Happy Day, Gert Wilden; 28:42 (Megatrax)

A song sampled by recording artist Beck. Fictional Matt LeBlanc’s infamous ringtone. And lots more! All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. May We Introduce, Franck Pourcel, Otto Sieben, & Jean-Claude Madonne; 00:24 (APM)   02. Pop-up, Roger Webb; 04:35 (De Wolfe)   03. Vodka Time, Ernst August Quelle; 07:32 (Megatrax)   04. Progress Chaser, Roger Jackson; 11:28 (De Wolfe)   05. Amour, Vacances et Baroque, Paul Guiot & Paul Piot; 13:57 (Firstcom)   06. Carnival for Strings, Pierre Duclos & Maurice Helison; 18:17 (Firstcom)   07. Stickman, Sam Spence; 20:12 (APM)   08. Two Time, Syd Dale; 21:43 (APM)   09. Dream Street, Ernst August Quelle; 24:52 (Megatrax)   10. Rosebud Joe, Reg Tilsley; 29:27 (De Wolfe)  

A song sampled by legendary hip hop producers Prince Paul and Dan the Automator. A popular television news theme. And lots more! All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Danger Musicians At Work, Syd Dale; 00:23 (APM)   02. Riding My Bike, Frank McDonald & Chris Rae; 03:45 (De Wolfe)   03. Kinematix, Roger Jackson; 05:37 (De Wolfe)   04. Portrait of a Flirt, Robert Farnon; 09:31 (Firstcom)   05. Jane, Simon Haseley; 12:24 (De Wolfe)   06. Sugar Beat, Gordon Franks; 16:07 (Firstcom)   07. Fog City Chase, Hans Posegga; 17:51 (Megatrax)   08. Tense Preparation, Nick Ingman; 19:01 (APM)   09. Romance for Sad Girls, Ernst August Quelle; 22:05 (Megatrax)   10. Roadwalk, Syd Dale; 27:16 (APM)  

A song sampled by soul duo Gnarls Barkley. A track by a guitarist who toured with the Grateful Dead. And lots more music from production music legends Barbara Moore, Robert Farnon, Gert Wilden, and more! All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Preacher’s Club, Jack Arel & Pierre Dutour; 00:22 (Chappell)   02. Light Traveller, John Renbourn; 04:12 (APM)   03. Going Places, Philip Lane; 07:35 (APM)   04. Scamp, Simon Park; 11:14 (De Wolfe)   05. Junior Jet Set, Keith Mansfield; 14:16 (APM)   06. Miss Belly Button, Gert Wilden; 17:44 (Megatrax)   07. Schluf, Schluf, Schluf, arr. Gert Wilden; 18:53 (Megatrax)   08. His Name Was, Barbara Moore; 20:49 (De Wolfe)   09. Always, Roger Webb; 24:48 (De Wolfe)   10. Bubble Ballet, Robert Farnon; 29:02 (Firstcom)  

The welcome music for the New York Rangers and Knicks at Madison Square Garden. A TV theme song that reached number one on the UK charts. And lots more! All pieces featured here are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Tobago Girls, Ernst August Quelle; 00:21 (Megatrax)   02. Hyperdrive (A), M. Ironton & Francis Monkman; 03:53 (APM)   03. Little Imp, Jack Trombey; 06:54 (De Wolfe)   04. Tomorrow’s World, Johnny Hawksworth & Roger Webb; 10:21 (De Wolfe)   05. The Huckle-Buckle, Robert Farnon; 14:03 (Firstcom)   06. Head Start, Kenny Wheeler; 18:00 (APM)   07. Nebulae, Jay Berliner; 19:26 (Firstcom)   08. Bossa Baboon, Hans Posegga; 20:20 (Megatrax)   09. Eye Level, Jack Trombey; 24:07 (De Wolfe)   10. Once Upon A Holiday, James Clarke; 27:30 (APM)  

Retro music from a 1960s #1-charting singer. A stock music tribute to The Beatles. All this plus a listener request for a 1980s TV theme song. All pieces are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Red Carpet Ride, John Shakespeare; 00:22 (APM)   02. Air Stream, Roger Webb; 04:39 (De Wolfe)   03. Sabre, Simon Park; 07:10 (De Wolfe)    04. Sun Giver, Richard Harvey; 10:56 (APM)   05. Reve Pour Un Beatle, Paul Piot; 14:00 (Firstcom)   06. Alarm Call, Syd Dale; 18:48 (APM)   07. Jungle Jazz, Nino Nardini; 20:54 (Firstcom)   08. Wah Wah Wow, Ernst August Quelle; 22:55 (Megatrax)   09. Stewardess Natasha, Ernst August Quelle; 26:00 (Megatrax)   10. Chicken Man, Alan Hawkshaw; 31:01 (APM)

Retro music by founding members of Genesis and Manfred Mann. Songs by artists who’ve worked with David Bowie and Dionne Warwick. And lots more! All pieces are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Calaloo, Ernst August Quelle; 00:21 (Megatrax)   02. Bright Sunny Days, David Fanshawe; 04:15 (Firstcom)   03. Incentives, Anthony Phillips; 07:01 (De Wolfe)    04. Tour of Duty, Don Jackson; 10:29 (APM)   05. Girl in a Sportscar, Alan Hawkshaw; 12:24 (APM)   06. Cha Cha Tropicana, Gert Wilden; 15:53 (Megatrax)   07. Choctaw, Alan Parker; 17:55 (De Wolfe)   08. Superman, Mike Vickers; 20:15 (APM)   09. The Professionals, Frank McDonald & Chris Rae; 24:02 (De Wolfe)   10. Honolulu Wedding Song, Al Blakins; 27:35 (Firstcom)

A track by members of the prog rock band Soft Machine. The end title song to a hit FX comedy. And lots more! All pieces are library tracks originally written to be used in film and television productions during the 1960s, 70s, & 80s. For more details check out the complete show notes at www.rarefiedairpod.com   01. Orion, Roger Webb; 00:24 (De Wolfe)   02. Children of the Sun, Robert Lueben; 04:26 (APM)   03. Game Day, Leslie Searle; 07:43 (APM)    04. Penny-Farthing, Karl Jenkins & Mike Ratledge; 10:33 (De Wolfe)   05. The Killer, Mel Young; 14:09 (Firstcom)   06. On A Spring Note, Robert Farnon; 18:14 (Firstcom)   07. The Superficial Smile, Syd Dale; 21:08 (APM)   08. Modern Madrigal, Reg Tilsley; 22:27 (De Wolfe)   09. Playing at the Lake, Ernst August Quelle; 25:59 (Megatrax)   10. Love Is Everywhere, Gert Wilden; 31:28 (Megatrax)

A track sampled by Drake and KRS-One. A groovy song composed by an orchestrator for Harry Potter. A theremin confection to send you skyward. All pieces were written to be used in film and television productions during the 1960s, 70s, & 80s. Check out the complete show notes at www.rarefiedairpod.com   01. Sportsday, Larry Ashmore; 00:23 (APM)   02. Anyone Home?, Simon Haseley; 04:02 (De Wolfe)   03. It’s Grooving Time, Gert Wilden; 06:41 (Megatrax)    04. Visit to Florida, Jack Arel & Jean-Claude Petit; 10:00 (Firstcom)   05. Mirrors, Peter Milray; 12:50 (De Wolfe)   06. Javache, Henri Betti & Paul Bonneau; 15:50 (Firstcom)   07. In Danger, Brian Bennett; 17:46 (APM)   08. The Gambler, Ernst August Quelle; 19:56 (Megatrax)   09. Warlock, Reg Tilsley; 23:50 (De Wolfe)   10. Floating, Roger Roger; 28:09 (Firstcom)  

Hoy repasamos qué son las Ondas de Wolfe. Interesantes para complementar con tu operativa diaria La entrada 110. Ondas de Wolfe aparece primero en .

¡Muy buenos días a todos! Bien, pues hoy vengo a hablaros de la teoría creada y desarrollada por Bill Wolfe, que fue encargado de basarse en la ley del movimiento de Isaac Newton para poder desarrollar la teoría de ondas en su sistema. Esta teoría utiliza el principio de acción-reacción y como dijo Newton en su día: siempre que hay una acción tiene que haber una reacción de la misma intensidad y de sentido opuesto. Es importante que cuando definimos y vemos este tipo de ondas de Wolfe que no tenemos que confundirlas para nada con las ondas de Elliot ya que, aunque tiene un cierto parecido a la hora de pintarlo y entenderlo, no tiene nada que ver una con la otra. Lo que estamos haciendo con la teoría de Ondas de Wolfe es buscar un patrón muy parecido a los fractales y que se crea en unas fases de consolidación cuando se está generando una tendencia. Por tanto, estas definiciones de patrones nos ayudarán a entender y cualificar una tendencia, para poder entrar en ella en el mejor momento y poder sacar provecho del mercado. Para poder entender bien este tipo de patrones técnicos, ya que se basan en el análisis técnico y no en el fundamental, tenemos que saber identificar muy bien cuándo empieza una tendencia alcista o bajista y tenemos que determinar con mucha claridad cuándo empieza una onda y cuando acaba para poder seguir con las siguientes. Esto querrá decir, que tendremos que determinar muy bien estos puntos para no equivocarnos a la hora de trazarlos y de entenderlos, para poder operar los de forma correcta. Cabe decir que en este tipo de patrón lo que vamos a buscar es un cambio de tendencia inmediato, lo cual viene a darnos la posibilidad de entender que está haciendo el precio, para poder determinar el mejor punto donde se dará la vuelta y que por tanto aprovecharemos al máximo ese cambio de tendencia para dirigirse a unos puntos muy concretos que las ondas de Wolfe nos determinan con bastante precisión. Lo mejor de este tipo de patrones no es sólo determinar el inicio, el final, o el transcurso de una tendencia, si no es que no tiene ningún límite de temporalidad para poder utilizar este tipo de herramienta. Lo que quiere decir, que este tipo de patrones lo podemos encontrar tanto en gráficos de un minuto, gráficos de 15 minutos, gráficos de semana, o gráficos de meses. De la misma manera otra de las ventajas que no se termina utilizar este tipo de patrones es que no tiene ningún límite de activos para poder utilizarlos. Eso quiere decir que podemos conseguir utilizar este tipo de patrones tanto sean Forex como en acciones como en índices o materias primas o lo que nos apetezca en el mercado financiero ya que como dijo Bill Wolfe basándose en la teoría de Newton, toda acción tiene una reacción lógica y del mismo calibre, pero en sentido opuesto. Para poder utilizar este tipo de patrones tenemos que tener muy en cuenta los puntos tratados y formados por el precio, que serán determinantes para poder saber cuándo se da la vuelta, y que objetivos tenemos que saber a la hora de ir a buscarlos e ir obtener el beneficio esperado usando este tipo de patrón. Yo os recomiendo que para hacer el ejercicio que vamos a hacer ahora tengáis un papel y un lápiz delante para poder trazar todos y cada uno de los puntos que os voy a indicar a través de las reglas definidas por Bill Wolfe. Vamos a empezar con un escenario alcista, es decir, que tendremos la posibilidad de conseguir determinar los puntos relevantes cuando hay una tendencia fuerte hacia arriba. Imaginaos o si podéis pintar, una M un poco torcida, es decir que la pata derecha de la M es ligeramente más baja y más larga que la pata de la izquierda. Es decir, que está torcida para que simule unas ondas de carácter bajista. Si, si, totalmente contraria a la tendencia que estamos trazando. Una vez tengáis esto en mente, tenemos que determinar que cada vértice de esta M, será un punto a tener en cuenta y a enumerar. Vamos a ver los puntos aquí hacen referencia: – Del punto inicial más bajo a la izquierda de la M hacia el segundo punto es la onda 1. De la misma manera qué del punto 2 al punto 3 será la onda 2, y así consecutivamente. – De la misma manera la onda 2 es un máximo del precio, donde la 3 es el mínimo posterior a la onda 2 y que por tanto cuando el precio está haciendo esta tendencia alcista hará zig zag para ir formando la M torcida con carácter descendente. – Una vez identificadas las ondas 1 2 3 y 4, tracemos una directriz, una línea, entre los puntos 1 y 4 punto infinita la cual nos dará la posibilidad de tener en cuenta donde irá el precio usando este patrón. Ese será el objetivo del precio cuando acabe con la onda de Wolfe. – Es importante resaltar y tener muy en cuenta que hasta que no tengamos finalizadas las 4 primeras ondas, no seremos capaces de poder determinar el patrón, y por tanto saber dónde estará el precio como objetivo, y qué movimiento trazará para buscar el precio objetivo. – Por otra banda, para saber el punto de entrada más concreto dentro de esta onda, tendremos que trazar desde el punto 1 al punto 3 otra recta la cual si alargamos en el tiempo podemos saber el momento exacto para poder entrar una vez se ha formado el punto cinco, el cual, por cierto, estará por encima del punto de entrada de este patrón. En el caso de la tendencia bajista, será totalmente opuesto y en vez de tener una formación en forma de M tenemos una formación en forma de W ligeramente torcida hacia arriba. Os dejo un gráfico para que podáis entender mucho mejor como es una tendencia alcista y bajista y cómo se forma está onda de Wolfe. Podemos descubrir más sobre Bill Wolfe y su teoría de ondas en www.wolfewave.com. Y bueno espero que podáis haber entendido este tipo de patrón definido hace bastantes años por Bill Wolfe, y que bastante gente lo utiliza ya que cualquier acción en el precio del mercado nos devuelve con una reacción de este mismo precio. Y es por eso que aún sigue vigente este tipo de patrón, y lo seguirá siendo a lo largo del tiempo. Y antes de despedirme, si tenéis alguna duda, recordad de entrar en el formulario de contacto y os responderé lo más pronto posible a aquellas dudas que tengáis. ¡También recordaros que me haríais infinitamente feliz si valoráis con 5 estrellas en iTunes y con me gustas en ivoox! ¡Muchas gracias a todos! ¡Hasta el viernes! La entrada 110. Ondas de Wolfe aparece primero en Ferran P..

¡Muy buenos días a todos! Bien, pues hoy vengo a hablaros de la teoría creada y desarrollada por Bill Wolfe, que fue encargado de basarse en la ley del movimiento de Isaac Newton para poder desarrollar la teoría de ondas en su sistema. Esta teoría utiliza el principio de acción-reacción y como dijo Newton en su día: siempre que hay una acción tiene que haber una reacción de la misma intensidad y de sentido opuesto. Es importante que cuando definimos y vemos este tipo de ondas de Wolfe que no tenemos que confundirlas para nada con las ondas de Elliot ya que, aunque tiene un cierto parecido a la hora de pintarlo y entenderlo, no tiene nada que ver una con la otra. Lo que estamos haciendo con la teoría de Ondas de Wolfe es buscar un patrón muy parecido a los fractales y que se crea en unas fases de consolidación cuando se está generando una tendencia. Por tanto, estas definiciones de patrones nos ayudarán a entender y cualificar una tendencia, para poder entrar en ella en el mejor momento y poder sacar provecho del mercado. Para poder entender bien este tipo de patrones técnicos, ya que se basan en el análisis técnico y no en el fundamental, tenemos que saber identificar muy bien cuándo empieza una tendencia alcista o bajista y tenemos que determinar con mucha claridad cuándo empieza una onda y cuando acaba para poder seguir con las siguientes. Esto querrá decir, que tendremos que determinar muy bien estos puntos para no equivocarnos a la hora de trazarlos y de entenderlos, para poder operar los de forma correcta. Cabe decir que en este tipo de patrón lo que vamos a buscar es un cambio de tendencia inmediato, lo cual viene a darnos la posibilidad de entender que está haciendo el precio, para poder determinar el mejor punto donde se dará la vuelta y que por tanto aprovecharemos al máximo ese cambio de tendencia para dirigirse a unos puntos muy concretos que las ondas de Wolfe nos determinan con bastante precisión. Lo mejor de este tipo de patrones no es sólo determinar el inicio, el final, o el transcurso de una tendencia, si no es que no tiene ningún límite de temporalidad para poder utilizar este tipo de herramienta. Lo que quiere decir, que este tipo de patrones lo podemos encontrar tanto en gráficos de un minuto, gráficos de 15 minutos, gráficos de semana, o gráficos de meses. De la misma manera otra de las ventajas que no se termina utilizar este tipo de patrones es que no tiene ningún límite de activos para poder utilizarlos. Eso quiere decir que podemos conseguir utilizar este tipo de patrones tanto sean Forex como en acciones como en índices o materias primas o lo que nos apetezca en el mercado financiero ya que como dijo Bill Wolfe basándose en la teoría de Newton, toda acción tiene una reacción lógica y del mismo calibre, pero en sentido opuesto. Para poder utilizar este tipo de patrones tenemos que tener muy en cuenta los puntos tratados y formados por el precio, que serán determinantes para poder saber cuándo se da la vuelta, y que objetivos tenemos que saber a la hora de ir a buscarlos e ir obtener el beneficio esperado usando este tipo de patrón. Yo os recomiendo que para hacer el ejercicio que vamos a hacer ahora tengáis un papel y un lápiz delante para poder trazar todos y cada uno de los puntos que os voy a indicar a través de las reglas definidas por Bill Wolfe. Vamos a empezar con un escenario alcista, es decir, que tendremos la posibilidad de conseguir determinar los puntos relevantes cuando hay una tendencia fuerte hacia arriba. Imaginaos o si podéis pintar, una M un poco torcida, es decir que la pata derecha de la M es ligeramente más baja y más larga que la pata de la izquierda. Es decir, que está torcida para que simule unas ondas de carácter bajista. Si, si, totalmente contraria a la tendencia que estamos trazando. Una vez tengáis esto en mente, tenemos que determinar que cada vértice de esta M, será un punto a tener en cuenta y a enumerar. Vamos a ver los puntos aquí hacen referencia: – Del punto inicial más bajo a la izquierda de la M hacia el segundo punto es la onda 1. De la misma manera qué del punto 2 al punto 3 será la onda 2, y así consecutivamente. – De la misma manera la onda 2 es un máximo del precio, donde la 3 es el mínimo posterior a la onda 2 y que por tanto cuando el precio está haciendo esta tendencia alcista hará zig zag para ir formando la M torcida con carácter descendente. – Una vez identificadas las ondas 1 2 3 y 4, tracemos una directriz, una línea, entre los puntos 1 y 4 punto infinita la cual nos dará la posibilidad de tener en cuenta donde irá el precio usando este patrón. Ese será el objetivo del precio cuando acabe con la onda de Wolfe. – Es importante resaltar y tener muy en cuenta que hasta que no tengamos finalizadas las 4 primeras ondas, no seremos capaces de poder determinar el patrón, y por tanto saber dónde estará el precio como objetivo, y qué movimiento trazará para buscar el precio objetivo. – Por otra banda, para saber el punto de entrada más concreto dentro de esta onda, tendremos que trazar desde el punto 1 al punto 3 otra recta la cual si alargamos en el tiempo podemos saber el momento exacto para poder entrar una vez se ha formado el punto cinco, el cual, por cierto, estará por encima del punto de entrada de este patrón. En el caso de la tendencia bajista, será totalmente opuesto y en vez de tener una formación en forma de M tenemos una formación en forma de W ligeramente torcida hacia arriba. Os dejo un gráfico para que podáis entender mucho mejor como es una tendencia alcista y bajista y cómo se forma está onda de Wolfe. Podemos descubrir más sobre Bill Wolfe y su teoría de ondas en www.wolfewave.com. Y bueno espero que podáis haber entendido este tipo de patrón definido hace bastantes años por Bill Wolfe, y que bastante gente lo utiliza ya que cualquier acción en el precio del mercado nos devuelve con una reacción de este mismo precio. Y es por eso que aún sigue vigente este tipo de patrón, y lo seguirá siendo a lo largo del tiempo. Y antes de despedirme, si tenéis alguna duda, recordad de entrar en el formulario de contacto y os responderé lo más pronto posible a aquellas dudas que tengáis. ¡También recordaros que me haríais infinitamente feliz si valoráis con 5 estrellas en iTunes y con me gustas en ivoox! ¡Muchas gracias a todos! ¡Hasta el viernes! La entrada 110. Ondas de Wolfe aparece primero en Ferran P..

A universally known sporting event theme song. A track from an arranger who worked with a Beatle on a novelty album. Hear all this & more among this week’s vintage production library music tracks. All pieces were written to be used in film and television productions during the 1960s, 70s, & 80s. Check out the complete show notes at www.rarefiedairpod.com   01. Keeping Pace, Jim Lawless; 00:23 (APM)   02. Flowers Lane, Gary Bellington; 05:12 (Firstcom)   03. Through the Town, Roger Roger; 07:23 (Firstcom)    04. Crazy Ballerina, Gert Wilden; 11:17 (Megatrax)   05. West Coast Surf Ride, Keith Mansfield; 14:55 (APM)   06. Whiskey and Coda, Graham Preskett; 18:36 (De Wolfe)   07. Oriental Spy, Gert Wilden; 20:13 (Megatrax)   08. Heavy Action, Johnny Pearson; 21:09 (APM)   09. The King and the Clown, Simon Haseley; 24:23 (De Wolfe)   10. Fly Away, Barbara Moore; 30:34 (De Wolfe)  

Möt Pontus de Wolfe – låtskrivare, producent och numera poddkastarkollega i musikkategorin. Jag utrustade honom med en femtiolapp och slängde in honom i skivbörsen. Pontus plockade på sig en reklamplatta för isoleringsmaterial, välfönad schlager, mjukrock från Halland, lite revy och världshistoriens bästa trumsound. Vi pratar om att åka häst och vagn, hårt versus mjukt, jazzrobotar, … Fortsätt läsa "#89: Pontus de Wolfe" Podcast-avsnittet #89: Pontus de Wolfe publicerades i orginal på DJ 50 Spänn.

A track sampled by Beyoncé. A song written by one of Cher's songwriters, and another composed by a founding member of Genesis. Hear all this music & more among this week’s vintage production library music tracks. All pieces were written to be used in film and television productions during the 1960s, 70s, & 80s. Check out the complete show notes at www.rarefiedairpod.com   01. Industrial Power, Keith Mansfield; 00:20 (APM)   02. Auto Stop, Stanley Myers; 04:03 (De Wolfe)   03. Sweden Beat Polka, Ernst August Quelle; 06:22 (Megatrax)    04. Activator, Anthony Phillips; 09:29 (De Wolfe)   05. Safari, Jack Dieval; 12:00 (Firstcom)   06. Sand Yachting, Alan Hawkshaw; 15:05 (APM)   07. Seven Dwarfs, Gert Wilden; 16:15 (Megatrax)   08. Swell Girl, Jack Arel; 17:38 (Firstcom)   09. Hammerhead, Simon Haseley; 21:13 (De Wolfe)   10. Moogy Boogy, Jean-Jacques Perrey; 27:18 (APM)      

This week’s vintage production music tracks include songs by composers whose music was used in the films of Monty Python and covered by the band Air, as well as our first piece from the NFL Films collection. Check out the complete show notes at www.rarefiedairpod.com   01. Top Rally, Jack Arel & Pierre Dutour; 00:14 (Firstcom)   02. Free As The Wind, Steve Gray; 03:18 (APM)   03. Derby, Gert Wilden; 05:53 (Megatrax)    04. Kids, Jack Trombey; 09:17 (De Wolfe)   05. Question and Answer, Gert Wilden; 11:44 (Megatrax)   06. Blue Shadow, Alan Parker; 14:47 (De Wolfe)   07. Boss Boogaloo, Russ Savakus; 17:59 (Firstcom)   08. Big City Sidewalks, Sam Spence; 19:01 (APM)   09. Power Games, Malcolm Ironton & Francis Monkman; 21:22 (APM)   10. Corinne, Paul Bonneau & Yves Lamand; 26:59 (Firstcom)

Roland De Wolfe makes a big play against Ian Frazer in the Premier League. FLOP: 5d Kh Ah TURN: 4h RIVER: 7c For access to exclusive Poker Guys freerolls and other tournaments on Nitrogen Sports Poker Room, use this link to sign up: nitrogensports.eu/r/632610

This week’s vintage production music tracks include pieces by composers who have worked with Robyn Hitchcock and the Egyptians, Jimi Hendrix, Elton John, and more. Check out the complete show notes at www.rarefiedairpod.com   01. Coast to Coast, Ray Cameron, Alan Parker, Alan Hawkshaw; 00:14 (APM)   02. International Event, Keith Mansfield; 04:48 (APM)   03. Blue on Blue, Roger Jackson; 06:51 (De Wolfe)    04. Touch of Warmth, Barbara Moore; 11:26 (De Wolfe)   05. Banana Split, Roger Webb; 14:03 (Firstcom)   06. I Like Italy, Gert Wilden; 17:03 (Megatrax)   07. Leslie, Paul Bonneau & Yves Lamand; 19:31 (Firstcom)   08. Time and a Half, Johnny Dankworth; 21:05 (APM)   09. Great Day, Simon Haseley; 23:47 (De Wolfe)   10. Scotch Wedding Waltz, Gert Wilden; 28:36 (Megatrax)

This week’s vintage production music tracks include pieces by composers who have worked with The Beatles, Radiohead, Portishead, and more. Check out the complete show notes at www.rarefiedairpod.com for details.   01. Finale Finale, Ernst August Quelle; 00:14 (Megatrax)   02. Kaleidoscope, Mike Vickers; 04:56 (APM)   03. Blue Eyes, Reg Tilsley; 06:58 (De Wolfe)    04. Grandpa In A Funny Mood, Gert Wilden; 10:11 (Megatrax)   05. Quarry (version 2), Simon Haseley & Walter Warren; 12:26 (De Wolfe)   06. Peek Around the Corner, Peter Yorke; 15:58 (Firstcom)   07. Fever Point, David Perian; 17:37 (Firstcom)   08. Half Time, Nick Ingman; 21:09 (De Wolfe)   09. One Step Ahead, Alan Hawkshaw & Alan Parker; 23:34 (APM)   10. Old Chelsea, Alan Hawkshaw; 27:37 (Firstcom)

This week’s vintage library tracks include songs by arrangers & musicians who have worked with Tom Jones, Shirley Bassey, Hanson, and Black Sabbath. Our final track, “The Big Guitar,” was popularized by guitarist Bert Weedon as the theme song to the 1950s BBC series “Stranger Than Fiction.”   01. Grand Slam, Reg Tilsley; 00:14 (De Wolfe)   02. Reflections, John Renbourn; 03:38 (APM)   03. Soul Sounds, Lee Mason; 05:31 (Firstcom)    04. Kittenish Day, Hans Posegga; 09:23 (Megatrax)   05. The Big Day, Nigel Hess; 12:09 (De Wolfe)   06. Speed Speed Speed, Alan Hawkshaw & Alan Parker; 15:40 (APM)   07. Nara, Beda Folten; 16:52 (Megatrax)   08. Make It Simple, Laurence Cottle; 18:46 (APM)   09. Three Lovers, Ernst August Quelle; 20:39 (Megatrax)   10. The Big Guitar, Howard Shaw; 27:20 (Firstcom)

I’m happy to announce that RAREFIED AIR is now available on SoundCloud!   This week’s tracks include a groovy adaptation of a piano etude by Johann Baptist Cramer. Hear the original Piano Etude #36 by following this link.    We’ve also got a track by Ron Aspery, a member of the British jazz/rock band Back Door. Hear some of their music here.   Thanks again to all of our listeners from around the world. It’s great to hear from you, so please feel free to reach out on Twitter. And if you’re enjoying the show, please share it and leave a review on iTunes.   01. Classical Revival, Francis Monkman; 00:13 (APM)   02. Portola Drive, Roger Webb; 04:24 (De Wolfe)   03. Move, Move, Move, Alan Hawkshaw & Alan Parker; 07:11 (APM)    04. Cauldron (1), Alan Parker; 10:53 (De Wolfe)   05. Stax, Reg Tilsley; 14:05 (De Wolfe)   06. Tropical Summer, Ernst August Quelle; 17:01 (Megatrax)   07. Hard Work, Gert Wilden; 20:09 (Megatrax)   08. The Easy Life, Ron Aspery; 22:43 (Firstcom)   09. Church Is Calling, Ernst August Quelle; 24:50 (Megatrax) 10. Scat-Song, Roger Webb; 29:51 (Firstcom)

We’ve got some great vintage production library music tracks this week, including one by Johnny Pearson, who also composed the theme to Monday Night Football, as well as leading the Top of the Pops orchestra throughout the 1960s and 1970s. Here’s the opening segment of that show from the mid-1970s: a Pearson arrangement of Led Zeppelin’s “Whole Lotta Love.”    Thank you for listening, and if you’re enjoying the show, please share it and leave a review on iTunes!     01. Giants Causeway, Johnny Pearson; 00:14 (APM)   02. Movin’ Along, Dave Richmond; 04:23 (APM)   03. Les Jardins De Cannes, Jack Dieval; 06:17 (Firstcom)    04. Sunflower (Version One), Simon Haseley & Walter Warren; 09:47 (De Wolfe)   05. Taste for Adventure, John Scott; 12:40 (APM)   06. Detective Scott, Gert Wilden; 15:44 (Megatrax)   07. Riding for Home, Nigel Hess; 18:37 (De Wolfe)   08. Breakdowns, Steven Jeffries; 21:19 (Firstcom)   09. Flittering Skirts, Ernst August Quelle; 24:28 (Megatrax) 10. Snuff Box, Roger Roger; 29:07 (Firstcom)

Thanks to all the new listeners from around the world — greetings to Australia, the UK, Romania, Germany, and everywhere else. I’m excited to share some of these great pieces of television and film production library music with you, and hope you enjoy them. Please chime in on Twitter and let me know where you’re listening from!   This week we’ve got a variety of tracks from around the world, as well, including France, Germany, England, and the Czech Republic. We also finish up with a cute track by electronic music pioneer Jean-Jacques Perrey, whose music you have heard in places ranging from the Disney Main Street Electrical Parade to The Joker’s Wild, among countless others. Learn more about Perrey here.     01. Next Stop LA, Alan Hawkshaw; 00:15 (De Wolfe)   02. Wild Flight, Richard Harvey; 04:18 (APM)   03. Good Going, Nigel Hess; 07:12 (De Wolfe)    04. First Affair, Alan Hawkshaw; 10:00 (APM)   05. Leaving For Cosmos, Jack Arel & Pierre Dutour; 12:55 (Firstcom)   06. Italian Street Music, Walter Stott; 15:57 (Firstcom)   07. Cats on the Roof, Hans Posegga; 17:26 (Megatrax)   08. Monotory, Karel Mojmir Balling; 18:53 (Megatrax)   09. The Spy Theme, Ernst August Quelle; 23:05 (Megatrax) 10. Colonie Celeste, Jean-Jacques Perrey; 29:18 (APM)

This week’s tracks include pieces by Francis Monkman, formerly of the prog rock band Curved Air, as well as Mike Vickers from Manfred Mann. 01. Classical Odyssey, Francis Monkman; 00:17 (APM) 02. Night Flight, Mike Vickers; 06:23 (APM) 03. Good Cop Theme, Ernst August Quelle; 08:36 (Megatrax)  04. New Dimension, JD Mumbles; 13:39 (De Wolfe) 05. Swing Over, Barbara Moore; 16:24 (De Wolfe) 06. Cakes and Doily, Heinz Kretzschmar; 18:39 (Firstcom) 07. Brass In Action, Keith Mansfield; 22:04 (APM) 08. Rokoko Cats, Ernst August Quelle; 23:29 (Megatrax) 09. Yoohoo, Johnny Hawksworth; 28:32 (Firstcom)

This week’s tracks include one by John Cameron, who among other credits arranged Donovan’s “Sunshine Superman” as well as 70s smash singles “You Sexy Thing” by Hot Chocolate and “Groove Line” by Heatwave. Also featured is Alan Hawkshaw, whose work spans decades, and who also arranged Olivia Newton-John’s “I Honestly Love You.”  The tracks also include the theme song to the long-running BBC sports series “Grandstand.”   01. As Time Goes On, Pierre Arvay; 00:19 (De Wolfe) 02. Afro Waltz, John Cameron; 04:11 (APM) 03. Who’s Counting, Roger Webb; 06:47 (De Wolfe) 04. Grandstand, Keith Mansfield; 11:16 (APM) 05. The Connection, Marlene Moore; 13:40 (Firstcom) 06. Let’s Go, Wilf Edwards; 18:19 (Firstcom) 07. Funnybone, Dennis Farnon; 20:02 (Firstcom)  08. Women and Wodka, Gert Wilden; 22:09 (Megatrax) 09. Whistle and Smile, Gert Wilden; 26:09 (Megatrax) 10. Eloise, Alan Hawkshaw; 30:16 (Firstcom)

Anyone working with the disruptive behaviors of a challenging adolescent understands just how difficult that work can be. When these problematic behaviors are present, successful resolution may require involvement from several of a child's networks. Multisystemic therapy (MST) is an intensive intervention that works with the adolescent and their family, while also engaging the other important systems in the child's life. In this episode, Dr. Steven Halady, Erin DeWolfe, and Jessica Bonczar describe what MST is and how its ecological foundation informs and directs its application.

Shawn DeWolfe, co-founder of ThoseDeWolfes Creative, reaches his hand into both the WordPress and Drupal “cookie jars” depending on the nature of the project he’s working on. With WordPress, you get the illusion that you can do something complex real fast. In early July 2014, Shawn released his product Share Cluster plugin into the WordPress repository and also offers a premium version, Share Cluster Prime. Listen to this interview to learn why Shawn thought WordPress was the right choice for his plugin instead of creating it as a Drupal module and why sometimes using an off-the-shelf system is a wiser choice even when you have the experience to build something from scratch. (more…)

This week's podcast explores the recent decision concerning the right to counsel by Maryland's highest court in DeWolfe v. Richmond. We also examine the ruling's impact on the lawyers who represent the indigent in that state. Maryland Segment Transcript. Learn more about NACDL. Music West Bank (Lezet) / CC BY-NC-SA 3.0 and Walkabout (Digital Primitives) / CC BY-NC-ND 3.0.

Ok Chill... kicking off 2012 with a trip to the library. A little mix dedicated to the many great library labels, musicians and composers; Alan Hawkshaw, Keith Mansfield, Alan Parker, Sammy Burdson, De Wolfe, KPM, Sylvester, Conroy Music to name a few. There's 1000's of good lib records worldwide but I would probably have to say that my faves came from London in the 60's & 70's and I think it has a lot to do with the cool production studios in the UK during that time. Funny, as a kid watching UK tv in the 70's & 80's funky grooves always popped on programs even the news & sports programs, I'm pretty sure the musicians would have listened to whatever was cool in the US at the time (Stevie, Herbie and Quincy Jones) then vibed off the influence. Of course library music has become a big and important part of Hip-hop and Beatmaking with producers and DJ's parting with plenty cash and traveling far and wide for a dope track, drum break or sample buried in tons of cheesy wackness. anyway hope you dig. PEACE. Marc Mac http://omniverse-records.bandcamp.com/ http://4hero.co.uk http://www.facebook.com/marcmac4hero

Not many poker poker players can better the record of Roland De Wolfe. One of the few players to hold the elusive triple crown of WSOP, WPT and EPT titles. Roland is also a high stakes cash player, whether it’s sky high limit PLO games or Chinese poker with Ivey and co. It was Friday […]

On the show this week we have music from the new Moon Wiring Club album, some selections from a new deWolfe compilation, progressive Hungarian space jazz, 25th century exotica, a trip to the sea of tranquility with Hong Kong in … Continue reading →

The JOURNAL previews P.O.V.'s TRACES OF THE TRADE

  In honor of this week's holiday preemption, RF gives thanks with music, both old and new. There are no musical turkeys here. Rare Frequency Podcast 14: You Charcoal It, Chamberlain 1 My Fun, "The Pursuit of Old Pleasures" Idyll EP (Test Tube) mp3 2006 2 Harmonia, "Ahoi!" Musik von Harmonia (Lilith) CD 2006 3 Priscilla McLean, "Archangels" Electronic Landscapes (Em Records) CD 2006 4 Harvester, "Nar Lingonen Mognar" Hemat (Silence) CD 2001 5 Autistici, "Attaching Softness to a Shell (A)" Blueprints (12k) CD 2006 6 Marc McNulty, "00011 " Faraday Cage (Earphone) CDr 2006 7 Conrad Schnitzler, "Untitled 03 " Conrad & Sohn (Creel Pone) CD 2005 8 Goodiepal, "Time and Money" 60 Sound Artists Protest the War (ATAK) CD 2005 9 R. Tilsley, "Sexy Sox" Music DeWolfe Vol. 1 (Megaphone) CD 2006