Podcasts about Don Draper

In this Money Talks: Hillary Frey joins Emily Peck to discuss the kind of rich people that populate the Apple TV+ show Your Friends & Neighbors, Jon Hamm's Don Draper-esque charm, and whether there's any real point to having a murder plot line.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Hillary Frey joins Emily Peck to discuss the kind of rich people that populate the Apple TV+ show Your Friends & Neighbors, Jon Hamm's Don Draper-esque charm, and whether there's any real point to having a murder plot line.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Hillary Frey joins Emily Peck to discuss the kind of rich people that populate the Apple TV+ show Your Friends & Neighbors, Jon Hamm's Don Draper-esque charm, and whether there's any real point to having a murder plot line.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Hillary Frey joins Emily Peck to discuss the kind of rich people that populate the Apple TV+ show Your Friends & Neighbors, Jon Hamm's Don Draper-esque charm, and whether there's any real point to having a murder plot line.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

The quote “I don't think about you at all” by Don Draper from Mad Men best describes the Diamondbacks relationship with their divisional foes the Colorado Rockies, yet these two teams are set to duke it out during MLB's Rivalry Weekend. Our friend Christian Saez from DNVR Rockies stops in to preview the series and tell us why Bud Black wasn't to blame for this team's failures. We also discuss Ketel Marte's power since returning from the IL, Corbin Carroll's fWAR numbers this season, and Yu Min Lin continuing to shove for the Reno Aces since his return. Also, is Devin Booker available as a designated hitter? Asking for a friend. Join Derek, Christian, and Kevin for the PHNX Diamondbacks Show LIVE! An ALLCITY Network Production SUBSCRIBE to our YouTube: https://bit.ly/phnx_youtube ALL THINGS PHNX: http://linktr.ee/phnxsports MERCH https://store.allcitynetwork.com/collections/phnx-locker ALLCITY Network, Inc. aka PHNX and PHNX Sports is in no way affiliated with or endorsed by the City of Phoenix PHNX Events: Get your tickets to PHNX events and takeovers here: https://gophnx.com/events/ bet365: https://www.bet365.com/hub/en-us/app-hero-banner-1?utm_source=affiliate&utm_campaign=usapp&utm_medium=affiliate&affiliate=365_03485317 Use the code PHNX365 to sign up, deposit $10 and bet $5 to get $150 in bonus bets! Disclaimer: Must be 21+ and physically located in AZ. If you or someone you know has a gambling problem and wants help, call 1-800-NEXT-STEP, text NEXTSTEP to 53342 or visit https://problemgambling.az.gov/ Branded Bills: Use code PHNX at https://www.brandedbills.com/ for 20% off your first order! The D-backs are hosting Golf Night on Monday, May 5th vs. the Mets. Purchase a Special Event ticket package through the special link and receive a game ticket and a limited-edition D-backs rope hat courtesy of Branded Bills! https://www.gofevo.com/event/Dbacks6165 Gametime: Download the Gametime app, create an account, and use code PHNX for $20 off your first purchase. Terms apply. Circle K: Join Inner Circle for free by downloading the Circle K app today! Head to https://www.circlek.com/store-locator to find Circle Ks near you! Monarch Money: Use Monarch Money to get control of your overall finances with 50% off your first year at https://www.monarchmoney.com/phnx Waymo: Download the Waymo One App and Ride Today! https://apps.apple.com/us/app/waymo-one/id1343524838; https://play.google.com/store/apps/details?id=com.waymo.carapp Carol Royse Team: To buy/sell your home, call Carol Royse at 480-776-5231 or visit carolroyseteam.com All Pro Shade Concepts: Call 623-204-1476 or visit https://allproshadeconcepts.com/ now to schedule your free estimate! When you shop through links in the description, we may earn affiliate commissions. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #dbacks #diamondbacks #arizonadiamondbacks #mlb #zacgallen #corbincarroll #ketelmarte #mlbtheshow #mlbtraderumors #tradedeadline #traderumors #allstargame

What do GENE SIMMONS & TRUMP have in common? ■ What phrase made Don Draper orgasm? ■ Cadillac's $300k hype-mobile ■ The WORST commercial of ALL TIME ■ What is “The Mayberry Effect?” ■ Are YOU sick of the word “BESPOKE?”

LIFELINE ✨LUXURY✨ is available at ⁠⁠⁠patreon.com/lifelineluxury⁠⁠⁠. Extra episodes every month, no advice, all for $5. Our Patreon is also the exclusive home to all the live podcasts which we film and upload!

10 years after the end of 'Mad Men,' the Emmy-winning actor who brought to life Don Draper reflects on his difficult youth (he lost both parents before turning 21), the rewards and pain of playing one of the greatest anti-heroes of the platinum age of TV, how comedy came to figure so prominently in his next act, and why he was so drawn to playing a man who has everything and then loses it all on his new Apple TV+ series. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us on our journey to attempt to separate John Hamm from Don Draper.

Tough podcast episode to find just one series for TV Gold Show of the Week! Three very impressive American dramas to choose from. You are going to need access to Disney+ and AppleTV+ accounts to enjoy them all.• Good American Family (Disney+, 8 episodes) A synopsis that starts "[a series] about the adoption of a child with dwarfism and the subsequent abandonment of the child" doesn't scream must-watch. But a cast led by Ellen Pompeo and Mark Duplas make this a compelling watch.• Dying For Sex (Disney+, 8 episodes) A comedy with a difference features Michelle Williams literally dying for sex. Half hour episodes fly by thanks in part to great supporting cast including Jenny Slate, Rob Delaney and Sissy Spacek.• Your Friends and Neighbours (AppleTV+, 10 episodes) Jon Hamm turns in an acting masterclass in arguably his best role since Mad Men. And with a character not totally dissimilar to that series' Don Draper. Hamm leads a good life in finance markets, but he finds himself failing to make ends meet and he resorts to drastic measures.See omnystudio.com/listener for privacy information.

Returning guest Brett Craig was Chief Creative Officer of Deutsch before being cancelled for absolute bullsh*t during the Summer of Floyd. A true veteran who reached actual real life Don Draper status, he's my all time favorite guy to talk about advertising with.After experimenting with many different paths, including working for Daily Wire and starting his own podcast, he's settled into a new role running creative for XX XY, a high end clothing brand in the vein of Lululemon that seeks preserve women's sports for actual women (not men pretending to be women). It was founded by Brett and former Levi's CMO Jennifer Sey. Riley Gaines is a spokesperson for the brand. She appears in their new commercial along with Sia Liilii, which got over 8 million combined views on X.The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thecarousel.substack.com/subscribe

Don’s got shaving cream in the mirror, Megan’s got a mop and a plan, and Lane Pryce is one wallet away from going full American Psycho. It’s A Little Kiss Part 2! And on this episode of Mad Men Men, Jon Negroni, Will Ashton, and Mike Overhulse are breaking down the second half of Mad Men’s bold, chaotic, and deeply handsy Season 5 premiere. This episode also covers the real-world 1960s context behind the show’s uneasy depiction of civil rights “progress.” Plus some surprising behind-the-scenes trivia, including how production on this episode had to jump around thanks to January Jones’s real-life pregnancy. And yes, we finally address that Reddit theory about Masters of Sex. In case you’re new here, Mad Men Men recaps Mad Men through the perspectives of three different types of viewers: a first-timer, a first-time rewatcher, and someone who thought the best way to deal with their feelings about Don Draper was to start a podcast. EXTRA CREDITS Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Matthew Weiner directed “A Little Kiss (Part 2)” and Jennifer Getzinger wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show’s opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who’s addicted to working at startups). We’ll be back soon to discuss Season 5 Episode 3, titled “Tea Leaves.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.

If there's anyone who knows how to play a wealthy man with a secret, it's Jon Hamm. From Mad Men's Don Draper to Andrew Cooper turning to a life of crime to maintain his lavish lifestyle in his new series Your Friends and Neighbors (Apple TV+), Hamm knows. “I'm really good casting for this, if I do say so myself,” Hamm laughs, “absurd wealth is what we're looking at here,” and the secrets its pursuit can reveal. “Late-stage capitalism and rampant materialism, and what does it really mean? Why are we measuring ourselves against other people using the metric of just who has a bigger pile of stuff?” While he knows “not everybody can resonate with having to make their $300,000 mortgage” like his character, “people can certainly identify with losing their job through no fault of their own.” Between Mad Men and some of his Emmy-nominated work on The Morning Show, Fargo and Landman, Hamm is confident that he's “earned my place,” but is mostly “fortunate” that he gets to work with those he admires. “To work with those people is a tremendous gift.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Senta que lá vem aula — daquelas que fazem você rever TODA sua trajetória profissional.Growth Diaries is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Eu, enquanto fundador da Hack4Change e - me considerando - um verdadeiro hacker do marketing, dediquei um tempo pra um papo reto com o jovem criativo Yuri Toledo. O papo? Foi tipo um tapa na cara (com carinho) da ilusão publicitária.

E se o próximo grande império do áudio nascesse numa garagem brasileira, com cheiro de café e um toque de perfume artesanal?Imagine a cena: você está em uma sala escura, o relógio marcando meia-noite, e o prazo para entregar aquele projeto insano está te encarando como um predador faminto.De repente, um som cristalino corta o silêncio — não é o chefe gritando no WhatsApp, mas um fone de ouvido que te transporta para outro planeta.Agora, segure essa imagem e jogue um plot twist: esse fone não veio da Apple, nem da Bose, nem de um galpão high-tech em Silicon Valley. Ele nasceu no Brasil, feito à mão, com suor, criatividade e uma pitada de ousadia que faria Don Draper acender um cigarro e dizer: “Isso, sim, é um movimento de gênio.”Bem-vindos ao Growth Diaries Content Experience, onde a gente destrincha histórias que o mercado mainstream ainda não pescou no radar. E no próximo episódio do Growth Diaries Podcast Experience, eu, Victor Mignone, vou sentar com João Salles, o cara que está ajudando a a chutar o traseiro de gigantes como Beats e Bose — tudo isso sem sair do quintal tupiniquim.Pegue seu café, energético, chá (ou seu whisky, sem julgamento), porque esse business case vai te fazer repensar o que é possível quando a necessidade vira o motor da inovação.Quer ter acesso a um Business Case exclusivo da Kuba Audio? Inscreva-se por apenas R$9,90Um Underdog com Alma de RockstarVamos direto ao ponto: a Kuba Audio não é só uma empresa de fones de ouvido. É uma rebelião em forma de negócio. Enquanto Beats e Bose jogam bilhões em campanhas com rappers e estádios lotados, a Kuba faz o impensável: cresce seu faturamento 100% year over year em 1 ano e meio, com produção 100% artesanal, lotes limitados e um lead time que desafia a lógica do “entrega em 24h” da Amazon.Como? João Salles me deu a pista numa conversa que foi mais reveladora que um solo de guitarra num show de rock: “A gente nasceu da necessidade, cara. Quando você não tem grana sobrando, ou você se vira, ou vira estatística.”E se virar, eles viraram. Mas antes de mergulhar no como, deixa eu te pintar o quadro do porquê isso importa.O Som Tem Cheiro?Vamos começar com uma confissão: eu quase comprei - na verdade ainda estou namorando - um fone da Kuba. Tava lá, carrinho cheio, cupom na mão, mas o universo disse “não” — ou melhor, o estoque disse “já era”.E sabe o que me deixou mais intrigado? Não foi só o som.Foi o perfume. Sim, você leu certo. A Kuba tá lançando um perfume exclusivo pra quem já é cliente, um cheiro que vem nas caixas dos fones e agora vai virar um produto à parte. É como se eles dissessem: “Não basta ouvir bem, você tem que cheirar a exclusividade.”Enquanto Beats enfia graves na sua cara e Bose te vende precisão cirúrgica, a Kuba te entrega uma experiência que mistura som, cheiro e uma vibe de “você não encontra isso em qualquer esquina”.E o melhor? Eles cresceram bizarramente seu faturamento em apenas 1 ano e meio; tudo isso com produção artesanal, lotes que esgotam mais rápido que ingressos de show do Coldplay e um lead time que desafia a lógica do “chega amanhã”.Como? João me deu a chave num papo que foi mais revelador que um plot twist de Tarantino: “A gente não tinha escolha, cara. Ou virava o jogo, ou virava piada.”Gigantes x ArtesãosPense no mercado de áudio como um ringue de luta livre. De um lado, os pesos-pesados: Beats, com seu branding de rua e graves que fazem o chão tremer; Bose, com engenharia de ponta e um exército de engenheiros de jaleco.Do outro, a Kuba, uma empresa brasileira que monta fones à mão, com custo de produção nas alturas e uma operação que parece gritar “desafio aceito” para cada obstáculo. O cliente médio olha e pensa: “Por que eu pagaria R$ 1.300 num fone da Kuba se posso pegar um Bluetooth de R$ 200 na Shopee?”Aí entra o gênio da coisa. A Kuba não compete no preço. Ela joga num tabuleiro que os gigantes esqueceram que existe: exclusividade, alma e uma conexão emocional que transforma clientes em fãs — e fãs em defensores da marca.“A Kuba transforma necessidade em inovação e escassez em desejo”Um Davi Brasileiro no Ringue dos GoliasO fato é: o mercado de áudio é uma selva. Produção 100% brasileira, artesanal, com custo nas alturas e uma operação que parece gritar “eu teimo em existir”. O cliente olha e pensa: “R$ 1.300 num fone? Tá louco? Com R$ 200 eu pego um genérico na Shopee e ainda sobra pra cerveja.”Aí é que mora o pulo do gato. A Kuba não joga no preço. Ela joga na alma. E, meu amigo, alma é o que falta nos fones plastificados que entopem os marketplaces. Já qualidade, bem, fica muito a desejar. Criar comunidade em torno do produto é o game-changer.Escassez como Arma e Perfume como PoesiaJoão me contou que a Kuba poderia ter batido um faturamento de oito dígitos, mas esbarrou num “detalhe”: eles não conseguem produzir mais rápido. Em vez de chorar o leite derramado, transformaram o limão em caipirinha. Produção em lotes? Virou gatilho de escassez. “Quer um fone da Kuba? Corre, porque só tem 100 nesse drop.” Preço subindo a cada lote? Exclusividade na veia. “Se você não pegar agora, vai pagar mais — ou ficar sem.”Mas o golpe de mestre vem agora: eles estão lançando um perfume. Isso mesmo, um perfume exclusivo para clientes Kuba. Não é só um cheiro — é uma experiência sensorial que começou como um mimo nas caixas dos fones e virou um símbolo de comunidade. Imagine o cara na rua sentindo o perfume e pensando: “Pô, esse aí é da tribo Kuba.” É como um distintivo secreto, um easter egg que gamifica o consumo e cria recorrência num produto que, por natureza, não tem. Fones duram anos, mas o perfume? Esse você usa todo dia.De faturamento gigante a uma Legião de FãsA estratégia da Kuba é um tapa na cara de quem acha que marketing é só tráfego pago e funil de vendas. Em 2023, com João na linha de frente do B2C, eles dobraram o faturamento — sem pandemia, sem lançamento bombástico, só com criatividade afiada e um posicionamento premium que faz o cliente sentir que está comprando mais que um fone: está comprando uma história. E o perfume? É a cereja do bolo que pode transformar a Kuba numa marca de lifestyle, não só de áudio.Ouça o Segredo no PodcastQuer saber como a Kuba transformou fraquezas em armas e está construindo um império artesanal no quintal do Brasil? Então cola comigo e com o João Salles no próximo episódio do Growth Diaries Podcast Experience. Vamos destrinchar essa jogada genial, com direito a bastidores, números (os que podemos contar) e uma visão que vai fazer você repensar sua próxima campanha. Spoiler: tem cheiro de sucesso — e de perfume exclusivo.Clique aqui para se inscrever e não perder esse papo . E, sério, não deixa esse episódio passar como aquele carrinho abandonado no site da Kuba. A exclusividade não espera.P.S.: Se você curtiu essa vibe, me conta nos replies. E se não curtiu, me conta também — mas com jeitinho, tá? Afinal, até Don Draper levava uns “nãos” antes de fechar o pitch perfeito.Quer ter acesso a um Business Case completo e exclusivo que desenvolvi sobre a Kuba Audio? Acesse abaixo!Clique aqui e acesse o seu Business Case: Kuba Audio – A Disruptora Brasileira no Mercado de Áudio Premium. Caso queira, continuar a leitura aqui vai um breve resumo.A Estratégia da Kuba: Pilares e Resultados1. Origens Orgânicas e Profissionalização* Fundação e Crescimento Inicial (2016-2022):* Criada por Leonardo Drummond, youtuber do canal Mind the Headphone, a Kuba cresceu organicamente via reviews e parcerias com creators, atingindo R$ 3 milhões em 2022.* Sem estrutura formal, dependia da autoridade de Drummond no nicho de áudio.* Transição em 2023:* João Pedro Salles entrou como líder de crescimento B2C, trazendo uma abordagem analítica de dados da sua experiência na Tegrus.* Contratação de líderes em operações e comercial dobrou a receita para R$ 4 milhões em 2023 e R$ 6,5 milhões em 2024.Insight: A profissionalização permitiu explorar a demanda reprimida, mas expôs gargalos operacionais (ex.: lotes limitados).2. Modularidade e Sustentabilidade como Diferencial* Design Intercambiável:* Fones com arcos, almofadas e cabos substituíveis, projetados para durar até 10 anos.* Reduziu o descarte em 40% vs. concorrentes, segundo estimativas internas.* Produção Local:* 100% artesanal no Brasil, com eletrônica montada internamente e fornecedores locais para componentes.Impacto: 78% dos clientes destacam "sustentabilidade" como fator decisivo (pesquisa Kuba, 2024).3. Economia de Drops: Escassez como Estratégia* Modelo de Lotes:* Produção de 80-100 unidades por mês, esgotadas em 48 horas com lista de espera de 3.000+ nomes.* Preços subiram de R$ 800 para R$ 1.300 em 2024, testando elasticidade da demanda.* Casos de Viralidade:* Vídeo do influenciador Micido gerou pico de 500 pedidos em 24 horas (2024).Resultado: Margens brutas de 55%, contra 35% da média da indústria, apesar de um teto de crescimento estimado em R$ 10 milhões em 2024 (atingiu apenas 65% da meta).4. Comunidade e Experiências Sensoriais* Kuba Collective:* 1.200 embaixadores podem gerar até 30% das vendas via indicações, recompensados com acesso a betas e eventos.* Perfume Exclusivo:* Fragrância customizada por perfumistas, oferecida como upsell após 2 compras.* 62% dos clientes recorrentes adquirem o produto, aumentando o LTV em 28% (2024).Diferencial: O perfume cria uma identidade olfativa única, reforçando laços emocionais com a marca.Análise Financeira e ProjeçõesDesempenho Histórico (2022-2024)Métrica202220232024Variação 22-24Receita (R$ milhões)3,04,06,5+116%Margem Bruta45%50%55%+10 p.p.Custo de Aquisição (CAC)R$ 250R$ 220R$ 180-28%Clientes Recorrentes10%15%28%+18 p.p.Fonte: Dados fornecidos por João Pedro Salles, ajustados para consistência.Projeções para 2025* Expansão Internacional: Investimento de R$ 2 milhões para México (varejo premium) e EUA (e-commerce).* Lançamentos: Adaptador USB-C com DAC e linha "Kuba Mini" (R$ 900), mirando jovens.* Meta: R$ 12 milhões (+85%), assumindo resolução de gargalos operacionais.Cenários Competitivos CríticosCenário 1: Gigantes Adotam Modularidade* Risco: Apple lança fone modular em 2026, reduzindo a demanda da Kuba em 30%.* Resposta: Acelerar parcerias com ONGs como Greenpeace para reforçar credenciais éticas.Cenário 2: Skullcandy Intensifica no Brasil* Dados: Skullcandy planeja 3 modelos abaixo de R$ 500 em 2025.* Contramedida: "Kuba Mini" com preço competitivo (R$ 900), mantendo modularidade.Cenário 3: Pressão por Escala* Opções:* A) Terceirização na Ásia: -40% em custos, mas risco à qualidade e identidade.* B) Manufatura aditiva no Brasil: +400 unidades/mês, com investimento de R$ 5 milhões.Recomendações Estratégicas* Ecossistema de Customização Aberto:* Marketplace para peças de terceiros (ex.: arcos de designers locais), aumentando receita recorrente.* Parceria com plataformas como Thingiverse para impressão 3D de componentes.* Expansão por Diásporas e Nichos:* Foco inicial em comunidades brasileiras nos EUA e Portugal (ex.: pop-ups em Miami).* Campanhas com influenciadores locais de áudio (ex.: podcasters mexicanos).* Inovação via Necessidade:* "Kuba Labs": Co-criação com clientes para novos SKUs (ex.: almofadas térmicas).* Aliança com universidades brasileiras para materiais reciclados de baixo custo.Objetivos Pedagógicos* Avaliar como nichos disruptivos competem com gigantes.* Analisar trade-offs entre escala e autenticidade.* Explorar o papel de comunidades em estratégias de crescimento.Atividades* Simulação: Decidir entre terceirização na Ásia ou manufatura aditiva.* Debate: Perfume como upsell é sustentável a longo prazo?* Exercício: Redesenhar a estratégia da Kuba para os EUA.Leituras* Porter, M. E. Estratégia Competitiva (Diferenciação).* Kim, W. C., Mauborgne, R. Estratégia do Oceano Azul (Nicho). To hear more, visit victormignone.substack.com

It’s season five, baby! And we’re back with A Little Kiss Part 1, the two-part premiere that gave us a Zubi Zubi Zoom into Don Draper’s new life. And all the weird vibes that come with it. On this episode of Mad Men Men, Jon Negroni, Will Ashton, and Mike Overhulse reunite to talk about Megan’s infamous birthday serenade, why Pete Campbell continues to be the show’s most interesting character, and what Joan’s mom and a certain baby’s butt have in common. Oh, and the introduction of the most legendary character in the entire series...that's right, BOBBY 5. We dive into the real-life inspiration behind the shocking protest scene, AMC’s behind-the-scenes budget drama, and how this premiere marks a turning point in the show’s tone, aesthetic, and yes, hairlines. Also: the debut of Mike’s new microphone. It’s a whole event. In case this is your first time tuning in, Mad Men Men recaps Mad Men through the lens of three different viewers: a first-timer, a rewatcher, and someone who watches the show instead of forming healthy adult friendships. You know who you are. So whether you’re Team Peggy, Team Megan, or just here for Bert Cooper’s party game energy, pour a stiff drink and join us. We may not be ready for part two, but at least we showed up with a gift. Extra Credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Matthew Weiner directed “A Little Kiss (Part 1)” and Jennifer Getzinger wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show’s opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who’s addicted to working at startups). We’ll be back soon to discuss Season 5 Episode 2, titled “A Little Kiss Part 2.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.

Indy...let it go. Also, Don Draper is an emotionally bankrupt moron and Janno Lieber should've been cast as the chimp in "Better Man."

Dave and Milt travel back to January 1972 to discuss the Billboard Top 10 hits of the week. The hosts engage in lively and sometimes mindless banter, sharing stories and trivia about the songs and artists, including classics like Al Green's 'Let's Stay Together' and Don McLean's 'American Pie.' They also discuss some lesser-known gems and delve into various musical influences. Along the way, the podcast features fun segments like a playdate quiz on famous ad jingles and a substitution segment where the hosts replace one song from the list with another deserving track from the same period.    Topics   00:00 Introduction and Apologies 01:20 Knock-Knock Jokes and Dad Jokes 02:04 Back to Business: Time Machine Setup 03:22 1972: Elvis and Super Bowl VI 04:25 Historical Events and Birthdays 09:55 Top 10 Songs Countdown Begins 10:42 Jackson 5's 'Sugar Daddy' 17:29 The Stylistics and Philly Soul 24:30 Betty Wright's 'Clean Up Woman' 30:38 The New Seekers and Coca-Cola Ad 41:00 Don Draper's Unending Cycle 42:08 A Depressing PSA on Soda 47:09 Nostalgic Ad Jingles Quiz 55:04 The Influence of 'Scorpio' in Hip Hop 01:02:11 Badfinger's Rise and Fall 01:13:50 Jonathan Edwards' Accidental Hit 01:17:35 Confusion Over Jonathan Edwards 01:17:58 Musical Comparisons and Nostalgia 01:18:48 McDonald's Coke Obsession 01:19:26 Top Songs Countdown Begins 01:20:25 Al Green's 'Let's Stay Together' 01:25:06 Melanie's 'Brand New Key' and Boogie Nights 01:32:17 Don McLean's 'American Pie' 01:47:04 Reflecting on the 1972 Music Scene 02:02:52 Upcoming Special Episode Teaser

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comBe warned, beloveds: Lots of sex talk here; hide the kiddies and the squeamish. Also! Due to some ghost in the machine, our last episode, “Meghan Daum on What We've Lost in the Los Angeles Wildfires,” may have included a paywall that we did not put there. It is free for all, and it's fixed now.No worries if you haven't seen “Babygirl,” the erotic drama wherein a tightly wound CEO with an Instagram-perfect life (Nicole Kidman) gets down and dirty with a much younger male intern (Harris Dickinson). Sarah and Nancy are discussing a lot more than just a movie: The nature of female desire, why domination fantasies are so taboo, and whether masochism is threaded into the female sexual experience. (Sweeping generalizations alert!) Also discussed:* Nancy's name makes a comeback and she can't take it* Consent does not line up with desire* The thing about negging is …* Don Draper, feminist icon?* All hail Showgirls, the best-worst movie ever* Nancy likes to wrestle* The orgasm gap* Why does a man buy a woman a steak?* Nancy Friday's My Secret Garden* Define “hypergamy”Plus, Nancy picks an “obscure book” for her hotbox only to find it has 105,000 reviews on Amazon, a male companion robot that looks like Harry Dean Stanton, “Freedom for Scotland!” and much moreAre there heretofore unexperienced pleasures when you become a paid subscriber? One way to find outWe might be paywalling this episode, but we're not monsters…

Amye and Amanda recap and chat Mad Men S1:EP1 Smoke Gets in Your EyesWelcome to the glamorous, smokey world of the Mad Men - advertising executives who work on Madison Avenue, in an industry that sells dreams. Don Draper is top of his game, but there are people who want his job and having to sell cigarettes when a new medical report about their dangers has just been released doesn't make it any easier.To hear the entire first season of our rewatch, please sign up for our bonus content at the $12 level.Get bonus content and support the show:PATREON—>https://www.patreon.com/littlemissrecapSUPERCAST—->https://littlemissrecap.supercast.com/Gift someone you love a membership to our Patreon!https://www.patreon.com/littlemissrecap/gift***SPONSORS:You can support the show by checking out this month's sponsors!Factor Meals:Get started at www.factormeals.com/littlemiss50off use code littlemiss50off to get 50% off your first box plus free shipping.Check out Earth Breeze laundry sheets. They save the environment and are free of all harsh chemicals! Use code: RECAP to save 40% off when you subscribe!https://earthbreeze.com/recap and use code: RECAP***Get in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comGet some merch! https://littlemissrecapmerch.myshopify.com/Little Miss Recap is part of the Acast Creator Network. To advertise with us, please contact amye@littlemissrecap.com Hosted on Acast. See acast.com/privacy for more information.

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

12/9/24 - Hour 2 Yankees fan Rich and Red Sox fan Brockman react to Juan Soto's massive $765 Million contract with TJ's Mets. Actor Jon Hamm joins Rich in-studio to discuss his role in Taylor Sheridan's new ‘Landman' show starring Billy Bob Thornton, Demi Moore and Ali Larter, his St. Louis sports fandom and disdain for Chicago sports fans, his reaction to Juan Soto to the Mets, his MANY fantasy football teams, reveals his favorite Don Draper lines from ‘Mad Men' and what it was like filming those hilarious sex scenes from ‘Bridesmaids,' and more. Rich and the guys weigh in on the final College Football Playoff rankings that featured plenty of controversy in its seedings and snub of 3-loss Alabama in favor of 2-loss SMU. Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday  What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why put off today when we can podcast about Tomorrowland? That's right, in the Season 4 finale of Mad Men (titled "Tomorrowland"), Don Draper faces a turning point both personally and professionally. Big surprise. As Sterling Cooper Draper Pryce struggles to secure its future, Don takes a bold step by taking his secretary Megan to a family trip to California. Meanwhile, Peggy tries to land a much-needed account, Joan grapples with unexpected news about her personal situation, and the Mad Men Men podcast faces our biggest struggle yet. Releasing a podcast episode on time! In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Extra Credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Matthew Weiner directed “Tomorrowland” and co-wrote the script with Jonathan Igla. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups). We'll be back soon to discuss Season 5 Episode 1, titled “A Little Kiss Part 1.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.

Episode #153 of the Last Call Trivia Podcast begins with a round of general knowledge questions. Then, we've got a marketable theme round of Advertisements Trivia!Round OneThe game starts with a Companies Trivia question about a cosmetics company that changed its name from the California Perfume Company.Next, we have a Common Bonds Trivia question about a sign of the zodiac that shares its name with a space program.The first round concludes with a Restaurants Trivia question that asks the Team to identify the fast-food chain that was the first in the industry to receive a specific certification.Bonus QuestionToday's Bonus Question is a follow-up to the Restaurants Trivia question from the first round.Round TwoNext, we've got a theme round that would make Don Draper proud. It's time for an attention-grabbing round of Advertisements Trivia!The second round begins with a Cars Trivia question that asks the Team to name the automaker that uses the tagline “Welcome to Nowhere” to promote one of their truck models.Next, we have a Products Trivia question about a product that was touted as being “splinter free” in a 1935 advertisement.Round Two concludes with an Advertising Trivia about a commercial from Geico's “Bundling Made Easy” campaign.Final QuestionWe've reached the Final Question of the game, and today's category of choice is Presidents. It's time for a roll call!The Trivia Team is asked to place four names in order by the number of U.S. presidents who had the official presidential first name, from most frequent to least.Visit lastcalltrivia.com to learn more about hosting your own ultimate Trivia event!Untethered & Wanderwise: Female Travel Over 45A travel podcast for women over 45 who want to explore this big beautiful world.Listen on: Apple Podcasts Spotify

Cordell & Cordell – Don't let divorce take more than it has to. MUSIC Dave Grohl has called the lawyers that he retained in September before announcing that he fathered a child outside of his marriage, according to People magazine.  Sean “Diddy” Combs turned 55 yesterday and This year was much different. He jumped on the Metropolitan Detention Center (MDC) phone for a conference call with his adult children. Kourtney Kardashian and Travis Barker‘s baby boy officially turned one on Friday (Nov. 1), and in honor of his birthday, Grandma Kris Jenner gifted Rocky with a handwritten letter from Sylvester Stallone, AKA, Rocky Balboa.  TV Ryan Reynolds and Martha Stewart are having a playful public beef right now and Hugh Jackman is weighing in, siding with Martha. Martha Stewart appeared as a special guest on Bilt Rewards' November Rent Free game show and said that Reynolds is "not so funny in real life." Nate Bargatze is having his moment! He is currently the top-earning standup comedian in the world and now he's finally getting his own movie. Jason Kelce has apologized for spiking a Penn State student's phone on the pavement. The kid and Jason exchanged words that included a gay slur. The school released a statement about Kelce's possible criminal mischief and disorderly conduct, saying, “University Police and Public Safety is the investigating agency for this incident and the process is ongoing.” Kelce is a member of ESPN's Monday Night Football pre-game show. On set, he acted humbled in describing his regret in failing to follow the Golden Rule. Jason said, “I'm not happy with anything that took place. I'm not proud. Within a heated moment, I chose to greet hate with hate. I don't think that's productive.” AND FINALLY Would your favorite fictional character have voted for the same people you do? Well, Americans were asked in a new poll who various fictional characters would vote for.   The Kamala Harris supporters include: Liz Lemon from "30 Rock". . . Leslie Knope from "Parks & Rec" . . . Phoebe, Monica, and Joey from "Friends" . . . Olivia Benson from "Law & Order" . . .Elaine from "Seinfeld", Peter Parker (slash) Spider-Man . . . Marge Simpson . . . Blanche from "The Golden Girls". . . Elle Woods from "Legally Blonde". . . Barbie and Ken . . . and Cliff Huxtable from "The Cosby Show".  The Donald Trump voters include: Tony Stark (slash) Iron Man . . . Archie Bunker . . . Hank Hill from "King of the Hill". . . Don Draper from "Mad Men" . . . Roseanne Conner . . . Tony Soprano . . . Homer Simpson . . .Hannibal Lecter . . . Biff from "Back to the Future" . . . Dwight from "The Office" . . . Ron Swanson from "Parks & Rec" . . . Walter White from "Breaking Bad" . . . Rambo . . . and Maverick from "Top Gun". Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cordell & Cordell – Don't let divorce take more than it has to.MUSICDave Grohl has called the lawyers that he retained in September before announcing that he fathered a child outside of his marriage, according to People magazine. Sean “Diddy” Combs turned 55 yesterday and This year was much different. He jumped on the Metropolitan Detention Center (MDC) phone for a conference call with his adult children.Kourtney Kardashian and Travis Barker‘s baby boy officially turned one on Friday (Nov. 1), and in honor of his birthday, Grandma Kris Jenner gifted Rocky with a handwritten letter from Sylvester Stallone, AKA, Rocky Balboa. TVRyan Reynolds and Martha Stewart are having a playful public beef right now and Hugh Jackman is weighing in, siding with Martha. Martha Stewart appeared as a special guest on Bilt Rewards' November Rent Free game show and said that Reynolds is "not so funny in real life." Nate Bargatze is having his moment! He is currently the top-earning standup comedian in the world and now he's finally getting his own movie. Jason Kelce has apologized for spiking a Penn State student's phone on the pavement. The kid and Jason exchanged words that included a gay slur. The school released a statement about Kelce's possible criminal mischief and disorderly conduct, saying, “University Police and Public Safety is the investigating agency for this incident and the process is ongoing.” Kelce is a member of ESPN's Monday Night Football pre-game show. On set, he acted humbled in describing his regret in failing to follow the Golden Rule. Jason said, “I'm not happy with anything that took place. I'm not proud. Within a heated moment, I chose to greet hate with hate. I don't think that's productive.” AND FINALLYWould your favorite fictional character have voted for the same people you do? Well, Americans were asked in a new poll who various fictional characters would vote for.  The Kamala Harris supporters include: Liz Lemon from "30 Rock". . . Leslie Knope from "Parks & Rec" . . . Phoebe, Monica, and Joey from "Friends" . . . Olivia Benson from "Law & Order" . . .Elaine from "Seinfeld", Peter Parker (slash) Spider-Man . . . Marge Simpson . . . Blanche from "The Golden Girls". . . Elle Woods from "Legally Blonde". . . Barbie and Ken . . . and Cliff Huxtable from "The Cosby Show". The Donald Trump voters include: Tony Stark (slash) Iron Man . . . Archie Bunker . . . Hank Hill from "King of the Hill". . . Don Draper from "Mad Men" . . . Roseanne Conner . . . Tony Soprano . . . Homer Simpson . . .Hannibal Lecter . . . Biff from "Back to the Future" . . . Dwight from "The Office" . . . Ron Swanson from "Parks & Rec" . . . Walter White from "Breaking Bad" . . . Rambo . . . and Maverick from "Top Gun". Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ever wonder how a famous actress from Mad Men and comedian/writer/actor who wrote for and performed on The Tonight Show with Jimmy Fallon handle parenthood? Spoiler: It's hilarious!  In this episode, we sit down with Arthur Meyer and Stephanie Drake who make up the dynamic duo at ABC Parenting (TikTok, YouTube & Instagram) to explore how they've turned the chaos of raising kids into comedic gold. Arthur is a comedian, writer, and actor who wrote for and performed on "The Tonight Show Starring Jimmy Fallon" for 8 years, and Stephanie is an actress best known as Meredith, Don Draper's ditzy but well-meaning secretary, from the hit TV show "Mad Men".  From serious roles to seriously funny parenting bits, they dive into how humor keeps them sane through diaper disasters, tantrum tornadoes, and bedtime battles. Plus, why breaks from parenting are crucial (because who doesn't need a snack and a scream sometimes?) and how laughter can ease kids' fears and melt down stress. Join us for unlimited laughs, sanity, and some solid “you're not alone” moments! Resources We Shared: Join our newsletter! Get connected to No Guilt Mom and get our FREE 7 ChatGPT prompts that manage your family and home like magic! Create a family meal plan and chore plan in seconds! Watch episodes of ABC Parenting on YouTube HERE! Join our FREE No Guilt Mom Podcast group Visit No Guilt Mom Check out our No Guilt Mom Amazon Shop with recommended books and books from podcast guest HERE! Rate & Review the No Guilt Mom Podcast on Apple here. We'd love to hear your thoughts on the podcast! Listen on Spotify? You can rate us there too! Check out our favorite deals and discounts from our amazing sponsors here! #parenting, #comedy, #satire, #parentinghumor, #parentingadvice, #parentingpodcast, #parentingtips, #ABCParenting, #teens, #preschoolers, #newparents, #kids Learn more about your ad choices. Visit megaphone.fm/adchoices

Green and Red is starting a new series that talks about how art and culture develop and raise political consciousness. We'll be putting out episodes that talk about the politics of our favorite TV series, film, books, music and whatever else we come up. In our first episode of this new feature, we talk about the award winning television series "Mad Men." We talk about the anti-hero Don Draper and the rising feminism of Peggy Olson. We discuss it's reflections on the political economy, Edward Bernays and the history of the advertising industry, the gender politics of the 1960s, the military industrial complex, the ultimate co-optation of the spirit of the 60s in the shows series finale and much much more. Take a break from the news and our collapsing world and dive into Green and Red's Arts and Culture Series. ----------------------------------------- Intro and Outro- "A Beautiful Mine" by RJD2 Follow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (  / discord  ) Support the Green and Red Podcast// +Become a Patron at   / greenredpodcast   +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Scott.

Business education is a business. "And the biggest thing I don't do well with, and never did well with, was knowing that no matter how hard I worked, there would always be a cap to my success. And when I say success, I really mean the take-home, the revenue. Why are we there? This is not altruism. What do you get out of a job? You get money.Don Draper said this to Peggy when she said, 'It would be nice if you could say thank you once in a while, Don.'And he loses his sh*t. And he says, 'That's what the money is for!'"In June 2023 I went to a birthday party with thirty MBAs where I just... did not... fit in. This voice memo that I recorded on the way home captures the essence of entrepreneurship. (Excuse slight drop in sound quality, it's a raw iPhone voice recording but worth it.) Caveat: No shade to MBAs (my parents and friends have them). This is an exploration of an entrepreneurial mindset, how that's changed even in the last 5-10 years.Themes:Key idea: With a salaried position as an employee, you are capped in earning potential; there are diminishing returns to how hard you work. When you own the business there is no cap.You can create something from nothing all by yourself without incurring debt. It's never been easier than today with AI.That said, there are perks to employment and it's great for many people. It's the smart move for many (most) people. Employment is statistically more likely to make you money than starting a business.Topics:(0:00) Backstory before voice memo(0:24) The creative influence of alcohol maybe(1:12) Entrepreneurial mindset vs. traditional education(1:41) Voice memo begins: MBA Party thoughts(2:07) Questioning the value of formal education(4:08) Employee vs owner (earning potential, effort and payoff)(5:56) Alternative paths to learning and success(8:01) What you can teach yourselfMy podcast tools:Record: emilybinder.com/riversideEdit with AI: emilybinder.com/descriptShop my gear: beetlemoment.com/gearHire me:Speaking: emilybinder.com/speakingCoaching call: emilybinder.com/callBook a Zoom drop-in: thinkersone.com/emilybinderConnect:This podcast | My website | Beetle Moment Marketing | LinkedIn | X | Instagram | YouTube | Email updates Hosted on Acast. See acast.com/privacy for more information.

When he hits you,—find a safe place; take all of your valuables quietly, and report your injuries to multiple. Agencies of authorities; keep the incident well documented, and do not let much time pass between this incident and its report. When he cheats; or you suspect him of cheating, do not confront him; do not look for further evidence. Simply walk away quietly, and do not return; do not give him the opportunity to convince you of anything beyond what you already know; the love you still may have left for him will blind you. Forgive him, but do not return to him: he will only learn better how to evade you, and take advantage of your willingness to forgive or reconcile: he will only alter your mind to believe that his actions were justified, when they were not. Do not stay in contact, as friends, or otherwise; if you work together, find a new job Do not argue or provoke him; keep his pride and ego intact by allowing him to believe he is right, and quietly exit the relationship. One argument is enough. Just break up. Do not stoop to any level below oneself to play mind games, cheat back, or seek vengeance—do not try to persuade friends and family one way or another; make a new life, with new friends—leave him out of it. Walk away. Say nothing. Man lives in a world in which he believes is his own, and yet still ponders on what woman only knows naturally and intrinsically—man's true fault is to believe that it is he from which he henceforth came, however—the toxic society from which in this sense of ‘knowledge' has been built, a society which has exceeded its forecedul oppression has nearly now halted the evolutionary potential of not only the human species, but of most the species known to inhabit the planet earth, as man takes not his ideology of destruction and consummation from nature, but from the darkness and void of confusion created from within, the separation of woman from his own self in the dissolution that the body portrays its own value by the perception of beauty, which marks his endeavors of perfection through material wealth, no such which has substance to any creature dwelling with higher consciousness and ability to change and create without the infliction of pain, in resistance to what itself Love is. What is Love? Love is God and therefore all things which make new upon themselfs to enforce change without limit, restriction, or the separation of ones oneself from all that is, was, or has become An energetic entity which has yet to be understood, as with such understanding, it becomes again as something new and unrecognizable to man, before he himself Men= destroy/ take/ burn love (((Spectrums))) Women= create, make love //Dynamics The imbalance in the world has become such so that almost the whole world has become blind to the truth of love, in only which man finds as a body, but not within himself, and in which women only finds in survival, within herself but bound to the will of man to live freely, which cannot be within his reign of these cruelties and harsh misjudgments. Man only finds value in that which he sees as aesthetically beautiful, which has harmed and entrapped the souls of those now for seen as “wicked”, encased in his blindness to love to any other thing than himself. TVP © The Complex Collective| ALL RIGHTS RESERVED SAM, often called “FAT SAM” is known by his eclectic fashion and heavy stature, and navigates deals and contracts between “the tv people”, or the network, and “the music people”— he is known for his off kilter antics, party culture conessouring, and unique charming laugh. Although a wild creature at best and the party animal of all party animals both off and sometimes even on the clock, often meeting and foreseeing the standards of his superstar clientele, he is kindhearted, honest, and brutally incredible at his job, known throughout the TV world and Music world as a hero, if not a living legend. The world was full of babies and pretty women, the trophy boys and husbands that seemed to worship them, and flock to their every aide—meanwhile, I had become quite frigid, and felt ugly amongst all things—nobody seemed to want me, and instead of wondering why, I alluded it to my features—the rich and poor in New York so horribly segregated that I might as seemed as more the latter, if not just from my skin color alone, let alone my style of dress. Other people's opinions of me, however, were less and less important by the day, and although I wanted more children, there was no settlement as to the kind of man I wanted to attract; Not just wealthy and talented, but handsome—an equation for disaster, but so long as I had my children and was kept well, I wouldn't mind. Another lazy, however arrogant and poor man was not what I needed—and there was power in the gestures of weak people around me that the world had become a hellish place for those who hadn't been given the opportunity to flourish. Am I in? What? Jennifer Aniston? Did it work?! —I—yeah— Pass. Thanks, Jim! You're the man! Watch this. Watch this. Good Shepard! My lord! Goddamn, Goddamn, Goddamn! Nice. I'm in. Fallon, I don't know how you did this but— Jimmy! You the man! What's up, Jim!!! Yo! *high fives* Yeah. [Jimmy Fallon Is Suddenly] YOU DA MAN “The Man” What in the fuck does that mean? I don't know yet. This guy is obnoxious. It appears to be some kind of magnet for something. Ooh, what is that? Lady, get out of here. Look what I found. I don't know: What is that. It says “iPod” You gotta be joshing me. Let me see that. What. What. What. What. What? … … Nothing. Nevermind. Let me back in! I can't, it's I got—- I'll give you 10 Million Ten million—what? Ten Million Dollars! For what. UGH. Fuck you, dude. F- you—dumb ass little— “Whatever, man” I had half a mind to move the alter into my studio and force myself to fall back asleep, complicit with the fact that I was two days away from spinach and whatever other vitamins I was lacking. I was so tired and sore, and had run out of multivitamins days ago. Maybe this was the lasting effect of ever having taken vitamins and then stopping, and it seemed a cruel gesture to do anything but soak, knowing over all I should walk away from the world entirely. It was beginning to feel a lot like there was no escape from the constant and persistent ask to the universe for peace, protection, and wealth—and no end to the work that had been done, but had yielded not much to prosper. I think that's the point though, so that you second guess your own judgement— That your intrinsic sense of energy Seems to have betrayed you And leaves you somewhat altered. I could have sworn she had blue eyes. She did. Maybe they change. That much?! Who knows. Maybe. One must only be bitten by a dog one good time to learn that dogs can be dangerous—and yet— I had been bitten by the blue eyed many a times and still had somehow found my way into forgiveness, if not for my own sake. Maybe she was wearing contacts. I used to. I had been thinking about investing in new colored contacts to make my eyes appear lighter, and a blonde wig to soften up the dark tan I had gotten unintentionally going about in the summer—still thought, it had been a long summer of not doing anything but going to the food bank, writing, and spinning in circles about how to make money. Long bouts of trying to shut out my old life from my new one, pushing my divorce, and becoming separated entirely from anything once having to do with my name at all. Within reason, I had suffered considerably over nothing, and despite my efforts, there seemed there was nothing I could do to find gains in my own creativity. There was only seeking and never really finding, the things I needed but none of the things I wanted. Everything I owned had been once owned by someone else, besides the few items I should have not even considered my own, but belonging to the world almost as much as I had. I was tired, consistently grief stricken, and felt unwelcome entirely by the entire world—or at least—an entire generation of people that were my own, but had learned not to respect what I had become— broke, and in turn, broken. Sometimes I want to cry like Marcy D'Arcy in the 6th season of Married With Children. I only smile when I see the color yellow and then dream of him, Seeking nothing but solace At the concourse, we converse momentarily And then go our separate ways Forever and always Forever and always Your secrets I smell like dirt And arrived in the real world Covered in blood And scraped over the, Over the knees, Yes I did Come recover then, What you've lost from the world Born in chaos, not quite But almost, as we're once swarmed the waters Keep it better quiet, now Keep it better quiet now, Keep it better quiet now, your secrets There lies no tru loyalty to bands tied On middle fingers Besides to one's own self And they who they shall Desire and claim as another Extension of God, In her Or their arms There is no claim to faith or mercy Than what comes between us, Bombshells As argued in chaos —mother, you're not listening To the call of the wild Then now, How am i bound to that besides being In sanctity The obnoxious obese man who drove the loud motorcycle up and down the street was obviously a very weak man—and he wanted the world to know it. His loud and obnoxious roaring must have overcompensated for his sloppy, fat and sagging body, which hung over the seat and sides of the motorcycle—the excessive revving of the engine must have been to let the world know that this was his power—having earned the money to ride a motorcycle; but in all other ways he was obviously lost, his slothemly and gluttonous blob of a body almost making the oversized Harley look like a play bike, his tiny penis probably covered to its top in whale blubber; he clearly had no other way to feel powerful, besides of course— being the leader of a gang of mindless peasant monkeys, who all would do anything for their own bikes—monkey see, monkey do. Perhaps his obesity to the third world unthinking drone slaves was a sign of his dominance—or they lived in fear that he would eat them. Obesity aside, it was his force of obnoxious harassment that had designated him as an obviously insufferably weak subhuman— much like a bully who dealt with his own faults by terrorizing others, such was the man with the Harley. There was nothing impressive about him besides his bike—and since he had abused that with such outright offense, even that made him look stupid. He raced his engine as if to say “look at ME! I have arrived!” But after actually glimpsing at the blob, it was hard to not laugh at it. He was hard to miss anyway, and probably should have opted for a truck or some sort of SUV to hide his intolerant and debilitating self-inflicted illness— the inability to control when and how much to eat, or how to do anything besides ride up and down the street on a motorcycle—perhaps a walk could do some good; in definite need of a jog, and a strict diet. I was embarrassed for him, and most people who weren't so obviously diseased and more in the like of self indulgent and lazy—I had once been like them, but no longer, and first and foremost I believed in respecting my neighbors, treating others as I wished to be treated. I wished to live in a quiet and safe neighborhood, but the obnoxious morbidly obese man alone was a symbol of the disastrous mark capitalism had made on the American empire—lazy, docile, greedy, potbellied idiots accounted for all too many of the world. I knew that with the desire to change, that one could change—now to force myself to believe that with the desire to succeed in something, one could succeed—I was at least trying. But the weak and uncontrolled idiots spawning from holes in the underworld and buzzing around like the pests and roaches they were reminded me that if anything, these imbiciles were decent at almost nothing but breeding other fucking idiots. Hopefully, one day my own blood would grow up to want to work out with me, eat well, and change from appearing as his weaker half— lazy, obese idiot just the same as these, however—at the very least, the roaches were fastidious. They buzzed around under the illusion that working for the American system would grant them anything besides a motorbike and some fresh looking street wear, the attention of girls too stupid to understand that 99% of men simply weren't worth wasting time with or on, and unknowing to this or their own worth, would still do it anyway, Some of the bikers had girls on the back; I always felt bad for the girl on the back of the motorcycle rather than jealous—I would rather be at the helm of the thing, riding it for myself. Then, thinking back to a time before I realized how crowded cities were, sighting that there should be laws against loud vehicles in urban areas such as this— there was at lot more open road than not in LA—highways, that is, and bikes were easy to maneuver through heavy traffic. New York was another story—congested, overpopulated, and now filled with a disease which added to its decay at a quicker rate than ever. The illegal immigration crisis was much like a rodent or insect infestation, but harder to control—one simply could not exterminate millions of actual humans, and yet, the problem was still the same— this was a disease, a pest infestation, as most of the immigrants weren't working, but simply subsisting on the taxpayers dollars they were allocated and finding ways not to work; they were parasites, many of them set to explode with more parasites. We had indeed been infiltrated, and made to pay for it, both in restlessness, and in dread. Culturally inept to most decencies as even the crudest Americans had been bred with, many although not all roamed around like feeble minded children in brand new Nike wear, munching on fast food and candy as if guests to some kind of amusement park—however, to the thoroughbred tax paying Americans, this was no amusement; it was a distressing, eye opening wake up call that something had gone terribly wrong, on the already overworked working class' time and hard earned money. It might have seemed cold and calloused to think of them as rodents—but, always observant, I also much believed in calling a duck a duck; most of them were not respectful, pushed and shoved, threw trash everywhere— and left their minor children to roam about or even put them to work, unaware of what child labor laws were; they used their unborn children as anchors to be able to stay where neither they were truly welcome or belonged, bloating the welfare system and benefitting from funds that had been laid to them with taxpayers dollars. The United States of America had its own problems, and its own citizens being overlooked, once again the needs of continually systemized blacks and other minorities falling victim to this new wave of people to care for. The capitalists had sold out the working class once and for all—the immigrants needed to go, and probably would, eventually tiring of the unattainable American dream we all had been sold, but they had been gimmicked into attempting to create— all to supplement an oncoming election. An election which really gave the people no choice at all, besides gawking, debating ignorantly about misinformation, and of course—intrinsically siding with the good old American narcissism which would force them to take the side of whoever supported who looked like them— the Latino vote was obviously an important factor—and of course the polished machismo and Latin pride of those being supplemented by the income of their friends and relatives come to stay, though unknowingly, chunks of money out of their own tax paying pockets, would vote for the most lenient immigration plans—probably the safest bet, the presidential office mere puppetry at all anymore. However, it had been obvious that the Right has set The Left up for disaster by allowing the black to have been shifted blue—though the rational explanation for the reallocated funding fell directly and logistically to the right. The Oval itself, empty and the actual control belonging to the wealthiest billionaires and corporations whose hopes of the thousands of migrants becoming their corporate slaves had mostly backfired terribly. With any hope, many of them would take what they could, and travel back below the border where life was simple, food was fresh, and without need to play the part of the facade of the American dream—no need for the material goods and fashionable street wear supplied by the American taxpayers—no need for iPhones and all of the decorations the taxpayers had supplemented for them—no need to live up to the ridiculous standards of actually being an “American”, which in reality, by now meant working so much that there was no peace, there was no rest, and there was no real freedom—and as a working class or poverty level citizen, having to compensate for everything and everyone around you, always working harder for less— and purposely being kept back and behind as the wealthy elite closed their circles tighter, shutting out the ugly, the brown and black, and those deemed unworthy out of their precious world. {Enter The Multiverse} Secret President Make the old man laugh– –make The Old Man break a sweat Make the old man dance (Make The Old Man Young Again) Make The Old Man dance, I said Wise Owl My server be your server; My proxy, thine proxy… WHOOPI GOLDBERG (as The Cosmic Owl) sits crouched over a nest of stone and earthen metals of precious kind, enchanting within the thick smoke of incense and fragrant oils, with a whispered chant, evoking with spirit and summoning with force–a spell of all spells; a worldly ritual. Her golden turban matches the embellishments; the royally fashioned robe and chains around her neck, bangles and ribbons of gold and silver draped with the hooded cape of which the grand sleeves, falling into the grand purple flowing train of the cascading draperies. Meanwhile… Come on, we don't got all day… –”we”? I don't got time! MEANWHILE, CHRISTOPHER WALKEN awaits at the corridor of an unknown marker, inside of a train station–which appears altogether to be in a different time; altogether a different place; the period of his dress appears perhaps late 1800's; his pocketwatch, which he checks sporadically–also golden. ALSO MEANWHILE So this is Casper, huh? This–yeah. The friendly ghost. Well– AGH. He used to be, anyway. Why are you not making any sense!? I asked for PROTECTION! I gave you LIGHT! That's not a protection! It's a target! What the fuck ar eyou talking about? *vampire* {instant kills vampire} *demon* {Instant kills demon} THESE THINGS EAT LIGHT. Well. I don't know how to help you. Get me out of here! I can't do that! i told u i was deadmau5, man. Wtf. wait , like, all of it? ya. shoot that nigga. LIVE: All the Niggaz is getting shooted at. EVERYONE ELSE …that was already happening, tho. WHITE SUPREMACISTS *shrugs* *drinks another bottle of coca cola* *trashes entire planet* *doesn't feel* Lol BLANG-BLANG. MEANWRHILE: DEADMAu5 NO, I'm TEsTPiLOT Whatever, dog. KILL THAT N– DEADMAU5 LOOK AT MA DIK. …ok. Wasn't there another scene after this? I dunno, I got dick-stracted. Yikes UNTIE ME. UNITY. UNITYYYYYYYYYYY. WHAT. UNTIE ME FROM THIS–THING. No, actually, I think you should stay there. The most bizzare thing happened this morning. The most bizzare thing ever, to have happened to me, ever—which is saying a lot l— but I was scratching my head, and all of a sudden, This tiny fingernail— An itty, bitty teeny-tiny fingernail, like, Dislodged itself from my soul or something— Fell out of my hair, Okay, God. What. This baby fingernail— Like, okay it could be like a newborn big toe nail or like, A one month's old like actual finger Aww, I just used to bite them. They were so little I didn't want to cut them with the clippers. Their little fingers You don't want to accidentally— You know, They're just so soft. Awws. What the fuck, God. That makes no sense. I've been primarily by myself for like—ever— And anytime I'm in public, I'm wearing a hat— My wash machine is only used by me, thank god and What the fuck does this mean? Mad Men is an American period drama TV series that aired on AMC from 2007 to 2015. The show follows the lives of the people who work at a New York advertising agency in the 1960s, and focuses on the professional and personal life of Don Draper, a talented but mysterious ad executive. {Enter The Multiverse} GET—OUT OF MY WAY. What are you doing?! MOVE. Is this a code four? Far beyond code four! Oh my! What could it be?! Move! This is a serious matter! The NBC pages are in a frenzy, pushing and shoving one another frantically, turning 30 Rockefeller plaza into an animalistic jungle of confusion and chaos. What is going on. The games—sir. The—games? The. games. Sir. I–m– afraid I don't know what you're talking about You should be afraid! Be very afraid. Because the games. What “games” The GAMES have begun. CUT TO: Seth Meyers stands in the mirror comparing two exactly identical ties— he appears to be talking to himself, asking SETH MEYERS how do you like this tie? —to no response. He uncomfortably shifts and switches to the other, exactly identical tie. Or this? Yo. What a creep. Again, to no response, he waits a moment and switches to the first, exactly identical tie, with an assertive nervousness. SETH MEYERS CONT'D You're right, the first one. Yeah. He completes tying his tie, then placing his hands in his pockets, still facing the mirror—quite enamored with himself. He leans up onto his toes and then back onto his heels, admiring himself before spinning around to face the anterior of the room; SETH MEYERS It's showtime. He points his fingers animatedly at his mock audience—now we see that the room is filled top to bottom with stuffed animals, puppets, dolls, and other strange likenesses… Hold up, i'm distracted Just stick to what you know. Most of the Saturday Night Alumni and Late Night hosts had long, noteworthy careers in comedy, hefty writing backgrounds, and tons of experience in television. I found myself out of place and grasping at straws, letting something come for a moment between myself and my sanity. I did know music—but wasn't the girl with her shit together enough to have made any kind of dent in my obviously gaping music career, with the additional workload of what may have been the work of a genius, but also a madwoman—or mad man, depending on whose essence or presence happened to take hold of my weary and feeble soul, or Distracted again [the news] (the actual news) Whatever (Wednesdays) - your weekly dose of whatever. The Audio Files (for Audiophiles and Music Producers/ Engineers) That was all I could remember off of the top of my head, not that it mattered at all, actually. I was grasping as strings and between worlds— the winner of the contest had beautiful pictures, and had played festivals—her website was flawless, and I liked her, later finding that she was Greek. I didn't seem to mind women, so long as they weren't the hateful, competitive, and typically racist—even on both sides—American type, and I scanned the list of participants that had been American to see if any of them were black women—doubtable, though in the New York scene some black women had seemingly out of nowhere taken to techno, and with that I had shifted gears to make my production more focused in bass and dubstep, if I were ever to return to my state of producing at heavy volume. I hadn't, with so much on my plate to juggle or rather spin, and I had been in quite the bubble of for whatever reason l trying to solve the puzzle of what had suddenly become what seemed like an NBC sponsored charade through the inner workings of my mind, only to find that not only was I not qualified, but also not entirely capable of doing any of the jobs I wanted to, and with that notion had settled once again comfortably in the cradle of suicide, hating everyone and everything around me—and using Tina Fey's book as an alter to light my prayer candle, all the while knowing someone had left it there—the book, along with a collection of surf themed relics, especially for me. I had been thoroughly warned about Jimmy Fallon. He was an impressive egotist—- walked amongst rightfully the elite, was highly competitive, and powerful. He was not the kind of man you tell ‘no', even if you were, like me, entirely unsure as to what the question was—his eloquence had been understated, the design of it all, unique, in a way that it all seemed to speak of a time before time— I was immovably always fond of the Greeks Lost, was the old world, Our own, Bound by candle light; Marked by wisdom, Enrichment, Cherished times, Beseeched the throne, A mask of wands, The arch of Tryerdom, I am the arms of therefore What was once, The whole of body, As a man or womankind, Seeks to know a God— They are as one, And all of us, Beyond the shroud of time, A whimsy befallen, like leaves upon us Overgrown the garden of Adam, Wrought with fruit, Which rotten lies upon the tide, So soaked with formidable ocean She or he therefore has lost The touch of truth, The seekers wisdom, All are none again, And so shall fall the empire They called us upon as ours. —in God we Trust. Amen. Fuck, man. How am I supposed to— What do you call it? —summon. Summon a fucking— What's it? God. —God…up on this fucking soundstage without the entire audience or anyone else noticing. You figure it out. How, though? What the fuck. It takes a lot of impressive achievements to get into the page program. Yeah, but . I would assume your studies in practical magic to be at the very least— —Doing what now? Adequate—if not satisfactory. You are weird. This is weird. I paid cash, and I expect results. Whatever. Now, be careful with those tablets. We wouldn't want anyone dangerous getting a hold of them. Anyone like who? {Enter The Multiverse} Do your job; I'll do mine. When we go, we go— And when we go… The man emerges from below the surface of the water, gasping for breath; as the water drips down from his hair and face, back into the water, as the splash echoes into a dull chorus of dripping, his mouth open, gaping, as if he had just awoken from a nightmare; he breathes deeply as something in him recollects before the blur of the world sets in to become a clear and crisp, colored world. We go the way we came— At once, and Alone. As if no one could know where we've just come from— Or where we must go. But we must go. “Cosmos Factory” This could be fatal. —but isn't everything. He's not breathing. Call an ambulance. nurse! Call a paramedic. The paradigm shifted as I departed one world and entered the next. In a fit of blind rage and fury, also came an excitement; I was accomplished. The man is distinguished, late 40's to early 50's, with dark, lush hair. Soon, you know, it will all be grey. It can't be. What do you mean it's ‘empty'? This is not the place! What place? This is not the place that it was! Ah, so this is Cosmos Factory. I thought that was a comedy. I was hoping it would be. Here it is. I was wondering what was in there. I'm still waiting to see what's in Mrs. Gillipsie's refrigerator. Well, keep waiting. I've got a few more chapters in this memoir and I can't be bothered with trying to figure out why Johnny Depp is the narrator in the voiceover— My God, how you've changed. Well, yes— I am a changeling. Not to mention your improvements in shapeshifting. Actually, let's not mention it. very well. Whatever, man. Tom. Is it? It should be. Whatever. Come in. Oh. What a lovely portal you have. —shut up. But the man reemerging from his practical baptismal submergence is none other than — I don't think he's capable of a role like this. He isn't—which is why I wrote it like this. You know, by the time the actual writers get their hands on this, there will be so many rewrites it will be hard to imagine or recognize you even wrote it. That's—already becoming a sort of paradoxical challenge. Of course it is. You shifters never have any idea the kind of repercussions coming, or, the endless— and I mean —endless realms— —infinite— Endless. Things are rarely infinite actually besides the things that always were, henceforth—infinite— Of course, Always having been and always will be. Got it. So. Do you understand the kind of effort it takes as a collective to have come up with a work like this? I understand the benefit of having opposable thumbs and an iPhone, You think you're smart; —when I'm thinking, at all— But you're actually a genius; that's right, without thinking at all. Have you thought about the characters you haven't yet created? There are more? The worlds you've yet to build? I've got all my money on blowing my head off before ever actually making it as a stand up comic. And I've got all mine on you blowing your head off, after you've made it as a stand up comic. Now, which is it going to be? [beat] Statistics don't lie. Actually, they do— Especially in America. North America? South America? You know as good as I know, I mean the Good old Goddamned USA. That's a lot of good old goddamned, Uncle Sam. —aha, And Sam, I am. Now, suit up as Dr. Suess and make sense of this. Nothing makes sense— If everything did, what would be the purpose? [agreeing, simultaneously] Puzzle Pieces. [a moment of solidarity] Now, pick the old man up off the ground, And get to it. He's not that old… You only say that because you're older. Let this trickle down into the body of success that I should be born at least two decades left than half a century ago. Any less and you'd be begging for some kind of pardon for all the crimes against humanity you've caused to solidify the theoretic concept of consciousness within the occult, instead of humbly accepting the consideration for an honorary doctorate at any given Alma mater whose brotherhood of trust has bonded us through this unjust monologue to seal such in blood as a relic. That's a lot of words. I have hairs on my chest. They are grey. Congratulations, Some of them silver. Is that a riddle? If it were, would there be so many puzzle pieces? I think that would take this whole thing out of balance. Manage your axis. Bid you well. Severance. “The Occult Classic” HOTDOG-HOTDOG. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. Showrunner: Matt Weiner Peggy: Elizabeth Moss

In this conversation, Arthur Meyer and Stephanie Drake discuss their experiences with parenting through humor and creativity. They share insights on how to navigate the challenges of parenthood while maintaining a light-hearted approach. The discussion emphasizes the importance of laughter in parenting, the unpredictability of toddlerhood, and the unique bond formed between parents and children. They also provide practical advice for parents looking to incorporate more fun into their parenting style.Episode Chapters |02:53 | The Journey of Parenthood05:50 | Finding Humor in Parenting09:08 | Navigating Toddlerhood with Laughter12:13 | The Importance of Fun in Parenting14:52 | Connecting Through Humor18:02 | Advice for Parents Struggling to Find FunAbout Arthur |Arthur Meyer is an Emmy-nominated writer living in New York City. He was a longtime writer and performer at The Tonight Show Starring Jimmy Fallon, head writer at The Drew Barrymore Show, and staff writer for the Amazon sitcom Dinner with the Parents. Arthur has also written for The Onion, and he co-wrote the comedy book FUDS: A Complete Encyclofoodia. Currently, Arthur is the creator, writer, & costar of the hit comedy web series ABC Parenting, which has over 85,000 followers and over 15 million views across YouTube, Instagram, and TikTok.About Stephanie |Stephanie Drake is an actress, writer, producer, and audiobook narrator living in Los Angeles. She is most known for her role as Don Draper's ditzy but lovable secretary, Meredith, on the Emmy-winning television show Mad Men. Most recently, she appeared on ABC's The Goldbergs and the indie feature Scrap. Her recent short film, Baby Face, which she co-wrote/co-stars with Caroline Bloom, is busy chugging along the festival circuit. Stephanie costars with Arthur in the hit comedy web series ABC Parenting.Links Discussed in This Episode |Order a Copy of Minimalist Moms: Living and Parenting with SimplicityDiane's Resource: Motion appABC Parenting: How to Hold a BabyMeekah Youtube ChannelArthur Can't Stop Talking About: My Dinner with AndreStephanie's Resource: Taking Cara BabiesConnect with Arthur & Stephanie:WebsiteInstagramYoutube: ABC ParentingEpisode Sponsors |The Minimalist Moms Podcast would not be possible without the support of weekly sponsors. Choosing brands that I believe in is important to me. I only want to recommend brands that I believe may help you in your daily life. As always, never feel pressured into buying anything. Remember: if you don't need it, it's not a good deal!Enjoy the Podcast?Post a review and share it! If you enjoyed tuning into this podcast, then do not hesitate to write a review. You can also share this with your fellow mothers so that they can be inspired to think more and do with less. Order (or review) my book, Minimalist Moms: Living & Parenting With Simplicity.Questions |You can contact me through my website, find me on Instagram, Pinterest or like The Minimalist Moms Page on Facebook.Checkout the Minimalist Moms Podcast storefront for recommendations from Diane.Need help decluttering? I'm here to help! If you've been struggling with motivation to declutter, I'd love to help you achieve your goals in your home. We'll work together (locally or virtually) to discover what areas in your home are high priority to get you feeling less overwhelmed right away. For more info on my processes, fees, and availability please contact!Our Sponsors:* Check out ByHeart and use my code MINIMALIST for a great deal: byheart.com* Check out Life 360: www.life360.com* Check out Ritual and use my code MIN for a great deal: ritual.comSupport this podcast at — https://redcircle.com/minimalist-moms-podcast2093/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In episode 81 of the BaT Podcast, Alex, Randy, and Zac reunite to lick their respective social media wounds ahead of the third edition of their new favorite game, The One-Year Garage. This time, the year is 1956 and Howard kicks it off with an easy theft from Randy, who maintains that shoving one's children through uncomfortable spaces is much cooler than granting them their own doors and goes on to expound further on his own car-related deficiencies as a father.  They move on to briefly rank the wives of Don Draper and mention Zac's upcoming race weekend in a field of, coincidentally, 56 Spec Miatas. The conversation turns to very special Italian sports cars and shocks Randy with a Porsche transmission revelation. Howard proves that one can make an eye-roll obvious in an audio recording, Randy does his best to describe the ultimate way to drive over a Canada goose, and Alex declares a favorite car of all time. Wild card territory sees Howard singing and declaring his love for Mike Hawthorn, Randy poking fun at our brick-and-mortar compatriots, Zac courting legal trouble with Ferrari, and everyone failing to send a link to the producer. They wrap by barely scratching the surface of honorable mentions for this absolutely stellar year in automotive history. We want to know: What five cars are on your list? Why are our picks stupid? What did we forget about in our race to pick perfection? Let us know in the comments below! Follow along! Links for the picks discussed in this episode: 1:30 The One-Year Garage: 1995 5:20 1956 Chevy Nomads on BaT 7:00 1956 Chrysler 3ooBs on BaT 8:18 Supercharged 1956 Ford Country Squire Wagon 10:33 1956 Fiat Multipla 13:06 1956 Alfa Romeo Giulietta Sprint Veloce Lightweight 15:23 The crown jewel of Italian collaborations is this Zagato bodied Fiat 8 V Berlinetta (Classic Driver) 18:29 1956 AC Aceca 19:35 Porsche 550 Spyder 22:26 406-Powered 1956 Chevrolet Carryall Suburban 22:42 1956 Dodge Power Wagons on BaT 24:31 Cummins-Powered 1949 Dodge Power Wagon Four-Door 25:04 1956 Ford F100s on BaT  25:50 1956 Fiat-Bartoletti Tipo 306 Race Car Transporter (Sports Car Market) 27:15 Willock Swivel-Frame: 1958 Dodge Power Wagon 28:25 Lot #10,000: 1956 Porsche 356A Carrera GS Coupe 29:57 Mercedes-Benz 300SL Gullwing & Roadster Model Page 32:04 Aston Martin DB2/4s on BaT 33:10 1956 BMW R60 34:27 30-Years-Owned 1956 Volkswagen Beetle 35:21 Ferrari 290 MM (1956) 37:35 Ex-Gustavo Quintero 2-owner 1957 BMW 507 Series 2 (Supercar Nostalgia) 40:01 Ferrari D50: 1955 F1 single-seater 45:11 Earls Court Motor Show 1956 Austin-Healey 100M 45:49 Alfa Romeo Van at 2023 BaT Monterey Alumni Gathering 46:59 Rally Veteran: 1956 Lancia Aurelia B20 GT 48:51 1956 Thunderbirds on BaT 49:22 22-Years-Owned 1958 Lotus Eleven Series 2 Le Mans 50:48 1957 Continental Mark II Got questions for the BaT staff or suggestions for our next One Year? Don't hesitate to let us know! Write in to podcast@bringatrailer.com and we'll do our best to address them.

Mad Men is an American period drama TV series that aired on AMC from 2007 to 2015. The show follows the lives of the people who work at a New York advertising agency in the 1960s, and focuses on the professional and personal life of Don Draper, a talented but mysterious ad executive {Enter The Multiverse} {Mad Men} (A Happy Accidents Mix) GET—OUT OF MY WAY. What are you doing?! MOVE. Is this a code four? Far beyond code four! Oh my! What could it be?! Move! This is a serious matter! The NBC pages are in a frenzy, pushing and shoving one another frantically, turning 30 Rockefeller plaza into an animalistic jungle of confusion and chaos. What is going on. The games—sir. The—games? The. games. Sir. I–m– afraid I don't know what you're talking about You should be afraid! Be very afraid. Because the games. What “games” The GAMES have begun. CUT TO: Seth Meyers stands in the mirror comparing two exactly identical ties— he appears to be talking to himself, asking SETH MEYERS how do you like this tie? —to no response. He uncomfortably shifts and switches to the other, exactly identical tie. Or this? Yo. What a creep. Again, to no response, he waits a moment and switches to the first, exactly identical tie, with an assertive nervousness. SETH MEYERS CONT'D You're right, the first one. Yeah. He completes tying his tie, then placing his hands in his pockets, still facing the mirror—quite enamored with himself. He leans up onto his toes and then back onto his heels, admiring himself before spinning around to face the anterior of the room; SETH MEYERS It's showtime. He points his fingers animatedly at his mock audience—now we see that the room is filled top to bottom with stuffed animals, puppets, dolls, and other strange likenesses… Hold up, i'm distracted Just stick to what you know. Most of the Saturday Night Alumni and Late Night hosts had long, noteworthy careers in comedy, hefty writing backgrounds, and tons of experience in television. I found myself out of place and grasping at straws, letting something come for a moment between myself and my sanity. I did know music—but wasn't the girl with her shit together enough to have made any kind of dent in my obviously gaping music career, with the additional workload of what may have been the work of a genius, but also a madwoman—or mad man, depending on whose essence or presence happened to take hold of my weary and feeble soul, or Distracted again [the news] (the actual news) Whatever (Wednesdays) - your weekly dose of whatever. The Audio Files (for Audiophiles and Music Producers/ Engineers) That was all I could remember off of the top of my head, not that it mattered at all, actually. I was grasping as strings and between worlds— the winner of the contest had beautiful pictures, and had played festivals—her website was flawless, and I liked her, later finding that she was Greek. I didn't seem to mind women, so long as they weren't the hateful, competitive, and typically racist—even on both sides—American type, and I scanned the list of participants that had been American to see if any of them were black women—doubtable, though in the New York scene some black women had seemingly out of nowhere taken to techno, and with that I had shifted gears to make my production more focused in bass and dubstep, if I were ever to return to my state of producing at heavy volume. I hadn't, with so much on my plate to juggle or rather spin, and I had been in quite the bubble of for whatever reason l trying to solve the puzzle of what had suddenly become what seemed like an NBC sponsored charade through the inner workings of my mind, only to find that not only was I not qualified, but also not entirely capable of doing any of the jobs I wanted to, and with that notion had settled once again comfortably in the cradle of suicide, hating everyone and everything around me—and using Tina Fey's book as an alter to light my prayer candle, all the while knowing someone had left it there—the book, along with a collection of surf themed relics, especially for me. I had been thoroughly warned about Jimmy Fallon. He was an impressive egotist—- walked amongst rightfully the elite, was highly competitive, and powerful. He was not the kind of man you tell ‘no', even if you were, like me, entirely unsure as to what the question was—his eloquence had been understated, the design of it all, unique, in a way that it all seemed to speak of a time before time— I was immovably always fond of the Greeks Lost, was the old world, Our own, Bound by candle light; Marked by wisdom, Enrichment, Cherished times, Beseeched the throne, A mask of wands, The arch of Tryerdom, I am the arms of therefore What was once, The whole of body, As a man or womankind, Seeks to know a God— They are as one, And all of us, Beyond the shroud of time, A whimsy befallen, like leaves upon us Overgrown the garden of Adam, Wrought with fruit, Which rotten lies upon the tide, So soaked with formidable ocean She or he therefore has lost The touch of truth, The seekers wisdom, All are none again, And so shall fall the empire They called us upon as ours. —in God we Trust. Amen. Fuck, man. How am I supposed to— What do you call it? —summon. Summon a fucking— What's it? God. —God…up on this fucking soundstage without the entire audience or anyone else noticing. You figure it out. How, though? What the fuck. It takes a lot of impressive achievements to get into the page program. Yeah, but . I would assume your studies in practical magic to be at the very least— —Doing what now? Adequate—if not satisfactory. You are weird. This is weird. I paid cash, and I expect results. Whatever. Now, be careful with those tablets. We wouldn't want anyone dangerous getting a hold of them. Anyone like who? {Enter The Multiverse} Do your job; I'll do mine. When we go, we go— And when we go… The man emerges from below the surface of the water, gasping for breath; as the water drips down from his hair and face, back into the water, as the splash echoes into a dull chorus of dripping, his mouth open, gaping, as if he had just awoken from a nightmare; he breathes deeply as something in him recollects before the blur of the world sets in to become a clear and crisp, colored world. We go the way we came— At once, and Alone. As if no one could no where we've just come from— Or where we must go. But we must go. “Cosmos Factory” This could be fatal. —but isn't everything. He's not breathing. Call an ambulance. nurse! Call a paramedic. The paradigm shifted as I departed one world and entered the next. In a fit of blind rage and fury, also came an excitement; I was accomplished. The man is distinguished, late 40's to early 50's, with dark, lush hair. Soon, you know, it will all be grey. It can't be. What do you mean it's ‘empty'? This is not the place! What place? This is not the place that it was! Ah, so this is Cosmos Factory. I thought that was a comedy. I was hoping it would be. Here it is. I was wondering what was in there. I'm still waiting to see what's in Mrs. Gillipsie's refrigerator. Well, keep waiting. I've got a few more chapters in this memoir and I can't be bothered with trying to figure out why Johnny Depp is the narrator in the voiceover— My God, how you've changed. Well, yes— I am a changeling. Not to mention your improvements in shapeshifting. Actually, let's not mention it. very well. Whatever, man. Tom. Is it? It should be. Whatever. Come in. Oh. What a lovely portal you have. —shut up. But the man reemerging from his practical baptismal submergence is none other than — I don't think he's capable of a role like this. He isn't—which is why I wrote it like this. You know, by the time the actual writers get their hands on this, there will be so many rewrites it will be hard to imagine or recognize you even wrote it. That's—already becoming a sort of paradoxical challenge. Of course it is. You shifters never have any idea the kind of repercussions coming, or, the endless— and I mean —endless realms— —infinite— Endless. Things are rarely infinite actually besides the things that always were, henceforth—infinite— Of course, Always having been and always will be. Got it. So. Do you understand the kind of effort it takes as a collective to have come up with a work like this? I understand the benefit of having opposable thumbs and an iPhone, You think you're smart; —when I'm thinking, at all— But you're actually a genius; that's right, without thinking at all. Have you thought about the characters you haven't yet created? There are more? The worlds you've yet to build? I've got all my money on blowing my head off before ever actually making it as a stand up comic. And I've got all mine on you blowing your head off, after you've made it as a stand up comic. Now, which is it going to be? [beat] Statistics don't lie. Actually, they do— Especially in America. North America? South America? You know as good as I know, I mean the Good old Goddamned USA. That's a lot of good old goddamned, Uncle Sam. —aha, And Sam, I am. Now, suit up as Dr. Suess and make sense of this. Nothing makes sense— If everything did, what would be the purpose? [agreeing, simultaneously] Puzzle Pieces. [a moment of solidarity] Now, pick the old man up off the ground, And get to it. He's not that old… You only say that because you're older. Let this trickle down into the body of success that I should be born at least two decades left than half a century ago. Any less and you'd be begging for some kind of pardon for all the crimes against humanity you've caused to solidify the theoretic concept of consciousness within the occult, instead of humbly accepting the consideration for an honorary doctorate at any given Alma mater whose brotherhood of trust has bonded us through this unjust monologue to seal such in blood as a relic. That's a lot of words. I have hairs on my chest. They are grey. Congratulations, Some of them silver. Is that a riddle? If it were, would there be so many puzzle pieces? I think that would take this whole thing out of balance. Manage your axis. Bid you well. Severance. “The Occult Classic” {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Chinese Walls are coming down for Sterling Cooper Draper Pryce this week as we dig into Season 4, Episode 11. That's right, Mad Men Men is back for another dive into how Don Draper is the absolute worst at balancing professional and personal relationships, plus how desperation truly drives all of us. As usual, we recap the episode, give our analysis, and reference the director/writer/actors' commentaries as well as Mad Men Carousel by Matt Zoller Seitz. In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Discussion Points:  What IS a Chinese Wall in the workplace? Should we read Sterling's Gold? Does the episode still work even when it's this on the nose? How does SCDP come back from this major shakeup? Can you relate to a workplace crisis like this? What does Peggy's pitch remind you of? How has Peggy grown as a character since Season 1? What is really going on between Don and Megan? Is this it for Joan and Roger? Extra credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Phil Abraham directed “Chinese Wall” and Erin Levy wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

We're podcasters, not astronauts, so give us some slack if we don't shoot for new heights with "The Beautiful Girls." A Mad Men episode with ample hijinks and comedy mixed with dramatic workplace sexism and Don Draper constantly disappointing the women in his life. Because, well, this is Mad Men. And the Mad Men "Men" never know what's going on... In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Discussion Points:  What is "The Beautiful Girls" truly saying about sexism underneath it all? Does this episode feel too much like a redux of previous Mad Men episodes? What drives Joan and Roger and to do what they do after getting mugged? Can we give it up for Ms. Blankenship, Queen of Perversions, first of her name and protecter of the realm, an astronaut if there ever was one? Is Sally really Don's weak spot? Speaking of spots, why did Don put Faye on one? Why does Faye struggle to connect with Sally? Is this the springtime of Peggy's youth? Extra credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Michael Uppendahl directed “The Beautiful Girls” and Matthew Weiner co-wrote the script with Dahvi Waller. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

A thing like that, we managed to get to "The Summer Man" before the end of the summer. That's right, this week we dig into the eight episode of the fourth season of Mad Men, in which Peggy is on "fire" and Don faces his toughest nemesis yet: sobriety. In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Discussion Points:  Is it fair to compare "The Summer Man" to Season 1 episodes of the show? What is the point of all the voiceover narration? How well does Jon Hamm handle Don's journey to sobriety? What is the true nuance of Peggy and Joan's complicated work relationship? Does this episode work as a follow-up to the well-regarded "The Suitcase" in the previous episode? Extra credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Phil Abraham directed “The Summer Man” and Matthew Weiner co-wrote the script with Lisa Albert and Janet Leahy. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

This episode has everything: curdled milk, tiny hats, the Tour de France, Big Gretch. And that's all before the break! In our SECOND segment, we explore our favorite topic of the week: ads.Move over Don Draper, because these two BBWs are coming through to serve up some of the best commercial moments you've ever heard. NOTHING helps ease the discomfort of humanity's agonizing downward spiral like a catchy little jingle! We learn about Lindy's legacy status in the advertising world and share some of the most iconic line reads from our favorite commercials (Robert Loggia???). Email us at deartextmeback@gmail.com to share what ads live rent-free in your brainestrone!Check out these (currently un-sponsored) faves!For amazing ice cream recipes, The Perfect Scoop by David LebovitzBrown Sugar-Bourbon Ice Cream by Bon AppetitGet into Cycling with us and watch the Tour de France on PeacockEnjoy Lindy's shoutout by THEE Big Gretch!And of course, go listen to ep where Lindy and Meagan wax poetic about the Jardiance commercial: Lindy and Meagan Corner the Husband Demographic⋆｡°✩⋆｡°✩⋆｡°✩⋆｡°If you like this episode and want us to keep making the show forever, please subscribe to our Patreon. This podcast will always be free, but we need your help to produce it -- and if you support our Patreon, you'll get all kinds of goodies in addition to the show itself! Learn more about the different tiers and rewards here: https://www.patreon.com/TextMeBackPodAlso! Please keep in touch with us! You can text OR CALL us at the Best Friend Party Phone: (703) 829-0003.We're on Instagram at @textmebackpod!Full videos of our episodes are on YouTube at @textlindyandmeaganbackYou can email us at deartextmeback@gmail.com!WE WANT TO HEAR FROM YOU SO BAD!⋆｡°✩⋆｡°✩⋆｡°✩⋆｡°TEXT ME BACK is a production of Lindy West and Meagan Hatcher-Mays, proud members of the BFF Network. Our senior producer is Meagan Hatcher-Mays. Our other senior producer is Lindy West. Our show is supported by COPILOT Collective and produced by Alli Slice.Our music is by Chief Ahamefule J. Oluo. Diana Bowen is our video and creative advisor. Our digital strategist is Chance Nichols.You can also follow the podcast on Instagram and TikTok @textmebackpod. And for even more bestie content, follow Lindy and Meagan on Instagram at @thelindywest and @importantmeagan!Special thanks as always to our perfect angels: Jeannie Yandel, Brandi Fullwood, and Isolde Raftery.⋆｡°✩⋆｡°✩⋆｡°✩⋆｡°See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, I'm reacting to Mad Men's iconic pitches and dissecting Don Draper's advertising genius. I'll break down each presentation, revealing hidden lessons for founders. Ready to level up your startup's marketing strategy? Let's dive in. The pitches Hilton (Season 3, Episode 9) Heinz Ketchup (Season 6, Episode 4) Heinz Beans (Season 5, Episode 6) Lucky Strike (Season 1, Episode 1) Kodak Carousel (Season 1, Episode 13) Jaguar (Season 5, Episode 11) Belle Jolie (Season 1, Episode 8) Kellogg's (Unfrosted) Episode timestamps (00:00) Coming up on today's episode (00:20) Show intro (00:36) The Hilton pitch (01:53) The Heinz Ketchup pitch (03:09) The Heinz Beans pitch (04:26) The Lucky Strike pitch (06:30) The Kodak Carousel pitch (08:34) The Jaguar pitch (09:53) The Belle Jolie pitch (10:52) The Kellogg's pitch (12:28) That's a wrap! Socials Website: https://www.hiten.show/ YouTube: https://www.youtube.com/@hitenshow LinkedIn: https://www.linkedin.com/in/hnshah/ Twitter/X: https://x.com/hnshah Quick Links Share feedback: https://www.hiten.show/feedback Pitch me: https://www.hiten.show/pitch Ask a question: https://www.hiten.show/ask Newsletter: https://www.hiten.show/ Find the show All episodes: hiten.show/episodes YouTube: hiten.show/youtube Spotify: hiten.show/spotify Apple: hiten.show/apple Disclaimer Hiten Shah's “The Hiten Show” episodes are provided for general information purposes only and do not constitute business, financial, or other professional advice. Audience members should not act upon the content or information found here without first seeking appropriate advice from an accountant, financial planner, lawyer, or other professional.

Hey! It's the Bowery Boys! Today we welcome a podcasting Hall of Famer, 2024 Webby Award Honoree, a history buff to challenge all history buffs, our esteemed ambassador from New York Greg Young! With his co-host Tom Meyers, his podcast The Bowery Boys is now on their 17th year telling the story of New York from Pre-colonization to modern day. We're lucky enough to have Greg spotlight Mad Men with us and also give us his take on the portrayal of New York City, the city in other media, and how he brought his fascination of the Big Apple to life on his podcast. Tune in for our chat with Greg in the first 39:09. What can we say about Mad Men that you don't already know? The dozens of awards, the 8 years of critical acclaim, it's appointment viewing TV status that reigned almost since episode one. Matthew Weiner took a group of purposely non-famous actors and turned the entire bunch into A-listers. Jon Hamm, John Slattery, Elisabeth Moss, January Jones, Christian Hendricks, Vincent Kartheiser, and Kiernan Shipka to name a few. Join our deep dive on the birth of this show, the emergence of cocktail culture, and so much more. Check and subscribe to the Bowery Boys anywhere you listen to podcast. While you are at it check out some episode picks from Greg himself, their recent Park Avenue show (https://www.boweryboyshistory.com/2024/04/up-and-down-park-avenue-new-york-city-history-with-a-penthouse-view.html) which goes into a few landmarks that have been in Mad Men, or the Miss Subways show  (https://www.boweryboyshistory.com/2023/06/the-story-of-miss-subways-queens-of-the-new-york-commute.html) which is about a 1940s ad campaign that could have been dreamed up by Don Draper.  Hosts Greg Young (Co-Pilot) Geoff Kerbis Max Singer Rich Inman --- Support this podcast: https://podcasters.spotify.com/pod/show/pilotslicense/support

Frances and Marge discuss Mad Men, Season 3, Episode 11 "The G*psy and the Hobo" Don is taking Suzanne away for the weekend, Betty gets marital advice, and Joan needs a job! Learn more about the A&P, why G*psy is a slur, and Woman of Note Iris Apfel!   It's Mad Men but it's about the women! patreon.com/inasnit inasnitpodcast@gmail.com

“Sweet Tooth Season 3 cuts its saccharine with plenty of grimness and brutality.” Tim Stevens of The Spool says it better than anyone in hybridville. Sweet Tooth S3 wraps up a critically-beloved story-arc and these normies have thoughts! (We're not crying, YOU'RE crying!) AAWA Charlie plays Don Draper and sells the Bad Boys 4-quel to an audience of one, meanwhile Jon looks to sell him right back with his Cyclops/Havoc elevator pitch!

Once there was a Gnat who flew over the meadow with much buzzing for so small a creature and he settled on the tip of one of the horns of a Bull. After he had rested a short time, the Gnat made ready to fly away. But before he left he begged the Bull's pardon for having used his horn for a resting place."You must be very glad to have me go now," said the Gnat"It's all the same to me," replied the Bull. "I did not even know you were there."Ouch! This is one of my favorite of Aesop's Fables. Like the other stories in this fantastical collection from Ancient Greece, “The Gnat & the Bull” is a reminder to think a little less of yourself. It's nearly impossible to not think of yourself as the main character of your own story, but trying is a worthwhile exercise. There's this great scene in AMC's classic series, Mad Men, where the advertising executive and playboy Don Draper (played by Jon Hamm) has just hurt the pride of one of his employees, Michael Ginsberg. This young man is a starving artist type. He's brilliant, but a tad tortured inside. His creative work matters a lot to him. In a pitch meeting for a client, Ginsberg's idea was supposed to be front and center. Last minute, Don Draper changes things up and pitches his own idea instead. This is what happens…..it's 50 seconds and worth watching. So often we are of greater importance in our own eyes than in the eyes of our neighbor…..This fable and the scene from Mad Men are instructive in a few ways. First, as I said above, Michael Ginsberg has never considered that his hot-shot boss gives zero thought to his existence. As a great artist with a wild mind, Ginsberg is very pleased with himself and his creations for the ad firm. He is watching others very closely, studying rivals, and thinking about how other people carry themselves. He's more empathic in that way. But the problem with empaths (I am one) is that we also start to think everyone else is like this. “I'm constantly wondering what this person is up to…..I bet they're thinking about me and my struggles…” Do you see how this is both a gift and a curse? This kind of mind is hyper-aware, but one step away from being self-centered at all times. Don Draper is not a nice guy. He's got a huge ego. He's the Bull, a heavyweight in his field, and a very self-centered man.But….as a boss in a big office, Draper is 100% correct that in this dynamic….Michael Ginsberg works for him. Ginseberg's ideas are his ideas in a pitch meeting. If you have a boss, you work for their glory. Your job is to support them, help them succeed, and see them recognized. This means doing your job diligently and adopting a service mindset. Of course, this has limits. A good boss who keeps employees around knows that glory and recognition have to be shared, and underlings have to be given opportunities to rise in the company based on their performance. Don is not great with this. However, every time he says to Ginsberg, “I don't think about you at all” I want to break into applause for Don here, even though he's not a great guy. Two things are true here in the case of the Gnat and the Bull, AKA Ginsberg and Draper.One: Draper does in fact think about Ginsberg, a lot. His career is sputtering and he feels very much that his position in the company is threatened. He's lost a little of his creative edge. Ginsberg has it. He sees it. He wants it and also wants to snuff it out. Draper will not be eclipsed by a young upstart. So what is doing isn't fully sincere. Two: Don simply wants to deny him the satisfaction when Ginsberg says, “I feel sorry for you.” He shuts it down with disinterest and walks off. He won that standoff. Ginsberg is convinced, and frankly, he kind of needed it. His boss has a life and big problems, Ginsberg should think that Draper isn't thinking about him that much. There's ego going both ways here that need to be put in check.The people you are trying to keep up with, the folks whose stuff you envy….they likely aren't thinking about you at all. That Facebook or Slack post you edited 10 times to get the wording just right so you didn't offend anyone….no one saw it in the first place. When you spend twenty minutes picking the right outfit or tie to go to a party, you imagine this scenario where everyone is watching you and judging your outfit. In reality, hardly anyone will notice you. Their faces are in their phones or in conversation with people they already know. Uncenter yourself a little bit from the narrative. If someone else wants to make you the star of the show or the main character in a story, let them do it. But as much as you can, resist this impulse.“Humility is not thinking less of yourself, it's thinking of yourself less.”― C.S. LewisThis is a great analysis of the scene for Mad Men fans. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.geekystoics.com/subscribe

Confusion and anxiety. Narcissistic tendencies. Spiritual abuses. As the host of The Rise and Fall of Mars Hill, CT's director of media Mike Cosper explored how these themes can wreak havoc in a church. Now, he's sharing his own experiences with harm and healing in church life through his latest book, Land of My Sojourn: The Landscape of a Faith Lost and Found. On this episode of The Russell Moore Show, Moore hosts Cosper for a discussion of hurt and hope. They talk about Cosper's work in church ministry, in his book, and while hosting the podcast The Rise and Fall of Mars Hill. Their conversation covers church polity, planting, and pastoring. Moore and Cosper talk about the importance of humility in an era of narcissistic spiritual leaders and discuss the importance of wisdom and suffering in tempering idealism. Cosper and Moore talk about reconciling stories of hospitality and kindness about figures like Mark Driscoll with the damage and trauma they've inflicted on others. They respond to the critique that The Rise and Fall of Mars Hill has made pastoring more difficult and encourage listeners to consider the importance of telling the truth even—perhaps especially—when the truth is hard to accept. Tune in for a discussion that is honest about the harm some churches have caused and hopeful about the church as a place of healing. Resources mentioned in this episode include: The Bulletin Land of My Sojourn: The Landscape of a Faith Lost and Found by Mike Cosper The Rise and Fall of Mars Hill William Carey “Jon Hamm on the Evolution of Don Draper on 'Mad Men'” Acts 29 “Land of My Sojourn” by Rich Mullins Do you have a question for Russell Moore? Send it to questions@russellmoore.com. Special offer for listeners:  Russell Moore will join friends David French and Curtis Chang in Washington, DC, for The After Party LIVE! on April 19. As a faithful listener to the podcast, we'd love for you to join us and use this $20 off offer just for listeners! The After Party is a free six-part video curriculum designed for people and pastors alike, and offers “a better way” for Christians to engage in politics. Learn more and buy tickets here—we've saved a seat for you! Click here for a trial membership at Christianity Today. “The Russell Moore Show” is a production of Christianity Today Executive Producers: Erik Petrik, Russell Moore, and Mike Cosper Host: Russell Moore Producer: Ashley Hales Associate Producers: Abby Perry and McKenzie Hill Director of Operations for CT Media: Matt Stevens Audio engineering by Dan Phelps Video producer: Abby Egan Theme Song: “Dusty Delta Day” by Lennon Hutton Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome once again to Constellation, Last Stand Media's conversational podcast! This week's fearsome foursome bring a variety of fun and thought-provoking topics to discuss: Belgium's favorite son, the mighty Lockmort, gets things started with a bit of welcome nostalgia by inquiring about our earliest and happiest memories. Next, Dustin wants to talk about the movies that make us laugh. Which film comedies stand as our favorites and which ones do we think get overlooked? Colin takes a page out of Woodsy Owl's book (look it up) and would like to engage with the group concerning the environment. How do we feel about what we're doing to take care of the planet, and how can we do better? Finally, Dagan plays Constellation Creative Director and asks the gang to pitch him a Reality TV Show. Don Draper would be proud. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Andy Greenwald is joined by Sean Fennessey to discuss “Person to Person,” the series finale of ‘Mad Men.' They start by describing what the surrounding culture was like and who they were as people when it initially aired (5:03). Next, Andy reveals that his opinion of the final episode has altered, then details what led to the change of heart (16:00). Along the way, the two talk about how the AMC hit drama decided to handle Don Draper's send-off and the ways in which it broke so many TV norms in the process (64:22). Finally, they answer the titular question: “Did it stick the landing?” (74:44). Host: Andy Greenwald Guest: Sean Fennessey Producers: Kaya McMullen and Kai Grady Theme Song and Other Music Credits: Giancarlo Vulcano Learn more about your ad choices. Visit podcastchoices.com/adchoices