Podcast appearances and mentions of nathan dalton

The Kitchen Sisters are excited to share the first episode of Radio Pacific, a new monthly show from KALW in San Francisco that takes a deep and creative look at the issues facing California and the rest of our country today. The hour-long, monthly program features journalists, writers, and documentarians who are grappling with life in the country's most populous and diverse state.In this first episode, California legal scholar Kevin R. Johnson puts the first months of Trump's administration in perspective and helps us understand California's unique and disturbing role in the country's immigration history.Then we look into “Rapid Response Hotlines.” These community-run, 24/7 lines keep tabs on ICE activity in their neighborhoods, and dispatch legal assistance to those who need it. To understand how they work, we sit down with filmmaker Paloma Martinez, whose beautiful short documentary “Enforcement Hours” follows the San Francisco Rapid Response Hotline during President Trump's first term. We're joined by Finn Palamaro, a staff member at the non-profit Mission Action and the lead organizer of the hotline today.Special thanks to: KALW - San Francisco Host and Executive Producer: Eli CohenEditor: Ben Trefny.Composer: Kirk PearsonSound Designer: Dogbotic StudiosThe Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Hall. The show is part of PRX's  Radiotopia.

Tonight's episode is 5th in line from Horrorhound Filmfest 2025, this time a feature length horror comedy called "Haunted House of Pancakes" and we are joined by writer/director Nathan Dalton, writer Paul Newton and producer/actress Niki McElroy. On Halloween night, a demonic possession caused by an ancient waffle maker takes hold of patrons at Frank's Diner. Can a waiter and college student make it out alive? Tonight we talk about the conception and making of Haunted House of Pancakes and where you can support. Follow the crew on Instagram and purchase a Blu-ray on their Indiegogo.   'Salem's Secret' by Peter Gundry   Merchandise: https://dfwtopodcast.creator-spring.com/   Sponsored by:   Dietsmoke.com - use promo code DFWTO for 50% off your purchase   Betterhelp: Visit betterhelp.com/dfwto to get 10% off when you sign up for your first month.

Pie Down Here — Produced by Signal HillIn the 1980s, when Robin D.G. Kelley was 24 years old, he took a bus trip to the Deep South. He was researching and recording oral histories with farmworkers and Communist Party members who had organized a sharecroppers union in Alabama during the Great Depression.Kelly used those oral histories to write his award winning book, Hammer and Hoe: Alabama Communists during the Great Depression.Recently Kelley listened back to those early recordings with Signal Hill contributor Conor Gillies. He hadn't heard some of the recordings in decades. Memories came flooding back as Kelley reflected on the people, the story and the power of oral history. Robin Davis Gibran Kelley is an American historian and academic, and the Gary B. Nash Professor of American History at UCLA. His books include the prize-winning Thelonious Monk: The Life and Times of an American Original (Free Press, 2009); Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002, new ed. 2022. His essays have appeared in dozens of publications, including The Nation, the New York Times, the New Yorker, New York Review of Books and more.Pie Down Here was produced by Conor Gillies and edited by Liza Yeager and Omar Etman, with help from the Signal Hill team: Jackson Roach, Annie Rosenthal, and Lio Wong. Music by Nathan Bowles. You can listen to the entire first issue of Signal Hill — eight original stories — on their website at signalhill.fm, or wherever you get podcasts. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX, a curated network of independent producers.

In 2004, we opened up a phone line on NPR asking people to tell us about their Hidden Kitchens— secret, underground, below the radar cooking, and how people come together through food. One caller told us about immigrants and homeless people, who didn't have official kitchens, using the George Foreman Grill to make meals and a home. Did George Foreman know about this? We called him up to find out.George Foreman the legendary two-time World Heavy Weight Champion and Olympic gold medalist talked with us about growing up hungry and violent, about his time in the Job Corps, about his career and comeback, about becoming a preacher, and his work with kids. “Feed them,” he says. “Hunger makes you angry.”In honor of George Foreman who left this earth March 21, 2025, The Kitchen Sisters Present an Unexpected Kitchen: The George Foreman Grill and Beyond."No one should be given up on. You never lose your citizenship as a human being just because you've been in trouble." - George ForemanThe Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Thanks to Laura Folger, Kate Volkman and Melissa Robbins for production help on this story. And thanks to our Hidden Kitchens series co-producer, Jay Allison. Special thanks to the National Endowment for the Arts. The Kitchen Sisters Present is part of the Radiotopia network from PRX.    

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed The Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired.The Tom Luddy Connection: The Man, The Movies, The Rolodex was produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

For almost a dozen years, 34 Black women gathered monthly around a big dining room table in an orange house on Orange Street in Oakland, CA — meeting, cooking, dancing, strategizing — grappling with the issues of eviction, erasure, gentrification, inadequate health care, and the sex trafficking of Black women and girls overwhelming their community.Spearheaded by dancer and choreographer Amara Tabor-Smith and theater director Ellen Sebastian Chang, this House/Full of Black Women — artists, scholars, healers, nurses, midwives, an ice cream maker, a donut maker, an architect, a theater director, a choreographer, sex trafficking abolitionists and survivors — have come together to creatively address and bring their mission and visions to the streets. Over the years they have created performances, rituals, pop-up processions in the storefronts, galleries, warehouses, museums and streets of Oakland.This hour-long special features sound-rich “episodes” of performances and rituals, interviews with sex trafficking abolitionists, personal stories of growing up in the Bay Area, music, Black women dreaming, resisting, insisting.Produced by Ellen Sebastian Change, Sital Muktari and The Kitchen Sisters, narrated by Sital Muktari, mixed by Jim McKee, in collaboration with Nathan Dalton and Brandi Howell and an evolving House/Full of Black Women collective, Funding for this House/Full of Black Women special comes from The Creative Work Fund, The National Endowment for the Arts, The Kaleta Doolin Foundation, The Texas Women's Foundation, Susan Sillins, listener contributions to The Kitchen Sisters Productions, and PRX.Original funding for House/Full of Black Women was provided by Creative Capital, Creative Work Fund, The Kenneth Rainin Foundation, MAP Fund, and the Hewlett 50.House/Full of Black Women is part of The Keepers series produced by The Kitchen Sisters,. Archival sounds, recordings and compositions by Alexa Burrell. Visuals created by photographer Robbie Sweeney and designer Kevin Clarke. Ricardo Iamuuri Robinson created some of the soundscape. For names of all the many House/Full members who have had a hand in this project visit deepwatersdance.com.

Lured in by a blackboard sign on the street in Davia's neighborhood announcing “Spotlight on Black Entrepreneurs,” we enter the creative and growing world of Black-Owned Pet Businesses. Lick You Silly dog treats, Trill Paws enamel ID Tags, The Dog Father of Harlem's Doggie Day Spa, gorgeous rainbow beaded Dog Collars from The Kenya Collection, Sir Dogwood luxurious modern dog-wear.Chaz Olajide of Sir Dogwood wasn't finding communities of pet owners or pet businesses owned by people of color. “I did a deep dive into the statistics —I just wanted to see if maybe I was an outlier, like maybe the reason why I'm not seeing more diversity in these companies is because maybe the demand isn't out there. Actually, you know, that's not really the case.”“The dog training world—it's a white dominated space. It's kind of male dominated, too,” says Taylor Barconey of Smart Bitch Dog Training in New Orleans. “On our profile on Instagram we have Black Lives Matter, it's been there for a year now. Before 2020, we would have not felt comfortable putting that up at risk of losing our business because people would have blacklisted us. But now, we feel like we can finally breathe and be open about things that really matter to us—speaking out against racism and not feeling shy about it.”Brian Taylor, owner of Harlem's Doggy Day Care lost both his uncle and long time mentor to Covid. During the pandemic his business slumped by 80%. So with some help from his pet parents and supporters he decided to hit the road with “The Pup Relief Tour offering grooming services to anyone going through rough times and in need. “All together we had about 63 African American dog groomers that went on tour with us across the country and we groomed over 829 dogs.”Dr. Kwane Stewart, is an African American veterinarian who walks skid row in downtown LA tending the unhoused dogs of unhoused people. He was named CNN's Hero of the Year in 2023.House Dogge in LA — artisanal dog tees, hoodies, toys — is committed to helping unwanted, neglected and abused dogs.This is just the tip of the iceberg when it comes to Black-owned pet business entrepreneurs. There are tons more across America and you can support their businesses and services.  Fresh Paws Grooming in Brooklyn. The animal advocates at Iconic Paws, a customized pet portrait gallery with flare. Pardo Paws in Georgia, an all natural company with a lotion bar in the shape of a dog paw for dogs with dry noses and paws made of cocoa butter, olive oil, coconut oil, beeswax, calendula. Precious Paws Dog Grooming in Bloomfield, New Jersey.Little L's Pet Bakery and Boutique in Brooklyn. Scotch and Tea — stylish and durable dog accessories. Bark and Tumble, a luxury and contemporary brand of hand made dog garments in Britain. Pets in Mind a Holistic Pet Supply Store in Coconut Creek, Florida. Beaux & Paws in Newark, Pet Plate — an online black owned pet food delivery service. Duke the Groomer in Chicago, Ava's Pet Palace started by Ava Dorsey, age 13.Most all of these businesses are giving back in some way to their communities working with at-risk youth, taking them in with mentorships and internships that hopefully lead to jobs, and donating generously to shelters and rescues and neighborhood food banks.Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. This story was produced and originally aired in 2021.

Mirrors, nightmare, murder and madness ensue in The Evil Within. We are joined by Independent Filmmaker Nathan Dalton to rampage through the serial killing spree of this tragically cursed film.  Synopsis: A lonely, mentally handicapped boy befriends his reflection in an antique mirror. This demonic creature orders him to go on a murderous rampage to kill the people he loves most. Starring: Frederick Koehler, Sean Patrick Flannery, Dina Meyer Directed by Andrew Getty Join the Misfit Parade: https://www.misfitparade.net/ Youtube: https://youtu.be/X_h7VUcw-8w Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now!  https://www.youtube.com/watch?v=Sz7leFqqo4g Find Nathan and his work:  Haunted House of Pancakes Indie GoGo: https://www.indiegogo.com/projects/haunted-house-of-pancakes-horror-movie#/

This week on our Filmmaker Friday we interview independent film Director/Writer/Producer...well he does it all, Nathan Dalton. We dive into how pick your projects, asking for help, balancing multiple rolese, building a filmmaking community and the hustle required to survive the war of making your own movies.  Find Nathan and his work:  Haunted House of Pancakes Indie GoGo: https://www.indiegogo.com/projects/haunted-house-of-pancakes-horror-movie#/ Join the Misfit Parade: https://www.misfitparade.net/ Youtube: https://youtu.be/SxZAjQCsiQ8 Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now!  https://www.youtube.com/watch?v=Sz7leFqqo4g  

A pioneer in her field, Catherine Bauer Wurster was advisor to five presidents on urban planning and housing and was one of the primary authors of the Housing Act of 1937. During the 1930s she wrote the influential book Modern Housing and was one of the leaders of the "housers" movement, advocating for affordable housing for low-income families.  Catherine Bauer's life divided into two names and two geographies:  her urban east coast youth, and her later life in the Bay Area. She hobnobbed with the bohemian elite of the interwar years….brilliantly charming  the big architect names of the Weimar Republic, Paris cafe society, and the International Style:  Gropius, Mies, Corbusier, Oud, May, and her lover, Lewis Mumford. Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included her husband architect William Wurster, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime.  Produced by Brandi Howell for the New Angle Voice podcast from the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange. Thanks to host Cynthia Phifer Kracauer. Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante.  Archival recordings are from the UC Berkeley Bancroft Library. Funding from the New York State Council on the Arts.The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.

Pushed to the side and rarely credited for her architectural work at Davis Brody,  Phyllis Birkby became a significant figure in extending the lesbian women's movement to architecture during the 1970s. Her environmental fantasy workshops played a crucial role in galvanizing the community, providing a creative and empowering space within a male-dominated profession. Growing out of other consciousness raising techniques, freed up in her classes, Phyllis released the rigor of her conventional training to get down on the floor,  and lead the group in sketching their fantasies however outlandish on giant rolls of butcher paper.  She encouraged the women to imagine architecture above, below, and beyond the norm. Birkby's work not only contributed to architectural discourse but also fostered a sense of collective identity among lesbian architects, highlighting the intersectionality of gender, sexuality, and professional identity in the field. In her later years, she focused on architecture for people marginalized in other ways – by addiction, by age, and by disability, again imagining spaces of community and support.This episode was produced by Brandi Howell for New Angle Voice, a podcast from Beverly Willis Architecture Foundation. Thanks to host Cynthia Phifer Kracauer.  Thanks also to Alexandra Lange for editorial advising.   Special thanks in this episode to Stephen Vider, MC Overholt, Gabrielle Esperdy, Matthew Wagstaffe, Leslie Kanes Weisman and the Smith College Special Collections.  Funding from the New York State Council on the Arts.  The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.kitchen@kitchensisters.org

July 17, 2024, Washington, D.C. Some 200 young people from across the nation aged 14-19 — aspiring poets, storytellers, MC's, activists — are gathered in the nation's capital for the 29th annual Brave New Voices Festival — four non-stop days of slam poetry competition, coaching, workshops, late-night freestyling and in 2024, voting information.In summer, as the election loomed larger and larger we decided to turn our microphone to young people across America to hear their thoughts and feelings about the nation, about voting, about the election. Everyone always says young people are the future. But the truth is they are the present. And it is all on their plate.The Kitchen Sisters and producer Bianca Giaever traveled to the Brave New Voices Festival to take in the poets and their poetry, to listen and take the pulse of the moment. The hope, the scope, the vote. On July 21, the day after the festival ended, President Biden dropped out of the race. Keep that in mind as you listen.  The Hope & The Scope was produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and Bianca Giaever and mixed by Jim McKee. In collaboration with Nathan Dalton and Brandi Howell.Funding for The Hope & the Scope comes from The Robert Sillins Family Foundation, Susan Sillins & The Buenas Obras Fund.Special thanks to all the poets, the teams, the coaches, to the fabulous Future Corps 2024 and to all the staff, volunteers and radiant community of Brave New Voices. And to all we interviewed at the festival.Very special thanks to Youth Speaks, trailblazers of local and national youth poetry slams, festivals, mentoring, youth education and development — creators of the Brave New Voices Festival. Deep bow to Executive Director Michelle Mush Lee, Communications Director Bijou McDaniel, Stephanie Cajina, Joan Osato, James Kass, to Paige Goedkoop, Jamie DeWolf and Pawn Shop Productions and especially to Bianca Giaever who joined us in Washington, D.C. and came with her mic blazing.The Kitchen Sisters Present... is part of Radiotopia from PRX, a network of independent, thought-provoking, deeply-produced, highly-entertaining podcasts that widen your world.Thanks for listening. Thanks for subscribing.

There was a moment at the 2024 Democratic National Convention when Oprah took the stage — and the crowd went wild. She spoke boldly about Kamala Harris and her place in a long line of strong Black women who have paved the way. At one point she veered into the story of Tessie Prevost Williams, who recently passed away,  and the New Orleans Four.November 14, 1960 — Four six-year-old girls— Leona Tate, Gail Etienne, Tessie Prevost and Ruby Bridges—flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail thought they were going to kill her. Tessie Prevost's mother was scared to death handing over her daughter to a Federal Marshal for protection from the mob.Four years after the Supreme Court ruled to desegregate schools in Brown v. Board of Education, schools in the South were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz.An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence.When the girls going to McDonogh No.19 arrived in their classroom, the white children began to disappear. One by one their parents took them out of school. For a year and a half the girls were the only children in the school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper.Since this story first aired in 2017, The Leona Tate Foundation for Social Change has created the TEP Interpretive Center (Tate, Etienne and Prevost Center) in the former McDonogh No. 19 school where the three girls broke the color barrier in 1960. Its mission is to engage visitors in the history of civil rights in New Orleans. Find out more at tepcenter.orgSpecial thanks to: The New Orleans Four: Leona Tate, Gail Etienne, Tessie Prevost Williams and Ruby Bridges. Retired Deputy US Marshalls Charlie Burke, Herschel Garner, and Al Butler. Tulane University. Louisiana Endowment for the Humanities, Louisiana Center for Civil Rights and Social Justice, The US Marshals Museum.We are especially grateful to Keith Plessy and Phoebe Fergusson for introducing us to this story, and to Brenda Square and Amistad Research Center History Department.   The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of the Radiotopia Network from PRX.

On the night of Summer Solstice 1986, Larry Harvey and Jerry James built and burned an eight-foot wooden figure on San Francisco's Baker Beach surrounded by a handful of friends. Burning Man was born.This summer, the 39th annual Burning Man gathering begins to assemble on a vast dry lake bed in Nevada's Black Rock Desert, the nomadic ritual's home since 1990. An estimated 80,000 people will come.During production of our Keepers series, chronicling activist archivists, rogue librarians and keepers of the culture and free flow of information, we received this message on the Keepers Hotline:"Hello Kitchen Sisters, I am a rogue archivist, the archivist for Burning Man. Come to Burning Man headquarters and I'll show you the collection. Cheers.” —LadyBee, Archivist & Art Collection Manager, Burning ManHow do you archive an event when one of it's driving principles is "leave no trace," where The Burning Man is in fact burned? What is being kept and who is keeping it? We journey into the archives of this legendary gathering to find out.Produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell, mixed by Jim McKee.

In honor of the Paris Olympics and the astounding contribution of the French to culture and art of the world, The Kitchen Sisters Present, Archive Fever: Henri Langlois and the history of the Cinémathèque Française, featuring Francis Ford Coppola, Wim Wenders, Tom Luddy, Lotte Eisner, Simone Signoret, Agnes Varda, Costa-Gavras, Barbet Schroeder.Henri Langlois never made a single film — but he's considered one of the most important figures in the history of filmmaking. Possessed by what French philosopher Jacques Derrida called "archive fever," Langlois began obsessively collecting films in the 1930s and by the outset of World War II, he had one of the largest film collections in the world. The archive's impact on the history of French cinema is legendary, as is the legacy of its controversial keeper.Langlois fell in love with film in his teens, just as silent films were being replaced by talkies. "In the early 30s they were destroying every silent movie," says film director Costa-Gavras, now president of Langlois' Cinémathèque Française. "He started collecting all those movies, not just to save them for the future, but to show them.""Langlois educated a whole generation of film archivists and filmmakers," says filmmaker Wim Wenders. "He spread the idea of saving the memory of mankind that is in the history of cinema."This story is part of The Keepers series — Activist archivists, rogue librarians, historians, collectors, curators — keepers of the culture and the free flow of information. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

Next up in our summer playlist, we bring you an episode of The Kitchen Sisters Present, a podcast featuring sound-rich stories ‘from the b-side of history.' This one is a musical treat! The Kitchen Sisters delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.” You'll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there.Then they take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more.This episode is part of The Kitchen Sisters' series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep.We end this guest-feature with a short interview with the Smithsonian's Dwandalyn R. Reece, Curator of Music and Performing Arts at the Smithsonian's National Museum of African American History and Culture. She and Lizzie talk about the process behind the creation of The Smithsonian Anthology of Hip-Hop and Rap. Special Thanks: At The Hiphop Archive at Harvard: Dr. Marcyliena Morgan, Executive Director and Professor of African and African American Studies + Dr. Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research + 9th Wonder (Patrick Douthit) + Harold Shawn + Harry Allen + Professor Tommie Shelby + Michael Davis + Brionna Atkins + Justin Porter + Robert Rush. At the Loeb Music Library: Josh Cantor + Sarah Adams. At the Hip Hop Collection, Cornell University Library: Ben Ortiz. At NPR: Rodney Carmichael. At large: Jeff Chang + Pedro Coen + NasThe Keepers is produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, with Nathan Dalton and Brandi Howell.The Keepers Sonic Signature music is by Moondog.For more of The Kitchen Sisters Present, visit kitchensisters.org.

San Francisco officially declared July 15th Linda Ronstadt Day.  In her honor, The Kitchen Sisters Present this story about her book "Linda Ronstadt: Feels Like Home, about her family, and the food, culture and music of the borderland of Arizona and Mexico where she is rooted.  Feels Like Home: A Song for the Sonoran Borderlands  is an historical, musical, edible memoir that spans the story of five generations of Linda's Mexican American German family, from the Sonoran desert in Mexico to the Ronstadt family hardware store in Tucson to the road that led Linda to LA and musical stardom. Intimate and epic, "this is little Linda, Mexican Linda, cowgirl Linda, desert Linda."The book, written in collaboration with New York Times writer Lawrence Downes, is a road trip through the Sonoran Borderlands, from Tucson to Banámichi, Mexico — the path Linda's immigrant grandfather took at a time when the border was not a place of peril but of possibility.We went to see Linda at home to ask her about the journey.This story was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKeeThanks to Lawrence Downes, John Boylan, Bill Steen, Janet Stark and The PRX Podcast Garage. And to the team at Heyday Books: Steve Wasserman, Kalie Caetano & Megan Beatie and to Putamayo Music who just released Feels Like Home: Songs From The Sonoran Borderlands, Linda Ronstadt's Musical Odyssey.Special thanks to Linda Ronstadt for opening her home and her vault to this story. 

Route 66—The Main Street of America— the first continuously paved highway linking east and west was the most traveled and well known road in the US for almost fifty years. From Chicago, through the Ozarks, across Oklahoma, the Texas Panhandle, up the mesas of New Mexico and Arizona, and down into California to the Pacific Ocean. The first road of its kind, it came to represent America's mobility and freedom—inspiring countless stories, songs, and even a TV show.Songwriter Bobby Troup tells the story of his 1946 hit “Get Your Kicks on Route 66.” Mickey Mantle says, “If it hadn't been for US 66 I wouldn't have been a Yankee.” Stirling Silliphant, creator of the TV series “Route 66” talks about the program and its place in American folklore of the 60s.Studs Terkel reads from The Grapes of Wrath about the "Mother Road," and the great 1930s migration along Highway 66. We hear from musicians who recall what life on the road during the 1930s was like for them, including Clarence Love, Woody Guthrie, and Eldin Shamblin, who played guitar for Bob Wills and his Texas Playboys.We travel the history of the road from its beginnings through caverns and roadside attractions, into tourist traps and bunko joints, through the hard times of the Dust Bowl, Depression and the “Road of Flight,” and into the “Ghost Road” of the 1980s, as the interstates bypass the businesses and roadside attractions of another era.Produced by The Kitchen Sisters and narrated by actor David Selby. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created by independent producers.

In 1977, a cavernous, rarely used sculpture gallery in the Brooklyn Museum was filled with drafting tables, their tops tilted to display collages of the work and under-told stories of women working in architecture in the United States.We revisit this first significant effort to publicly tell the little known stories of American women in architecture: “Women in American Architecture: A Historic and Contemporary Perspective.” On view at the Brooklyn Museum from February-April of 1977, the groundbreaking exhibition and simultaneous book, curated and edited by Susana Torre, clearly defined the state of play for women in the architecture profession. Alienated by the profound hostility expressed by the AIA, women architects came together and found an accepting cohort at the Architectural League of New York. They organized. They canvassed. They raised their consciousnesses. The project team identified subjects so previously obscured as to be unknown, and then with the energy and drive of a furious mob, they broke through and laid the groundwork for scholarship, social change, and recognition of women architects for the next fifty years.  Produced by Brandi Howell, for the Beverly Willis Architecture Foundation's podcast New Angle Voice.Special thanks to Susana Torre, Andrea Merrett, Suzanne Stephens, Cynthia Rock, Deborah Nevins, and Robert AM Stern. Editorial advising from Alexandra Lange and production assistance from Virginia Eskridge and Aislinn McNamara. Funding from the National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation.The Kitchen Sisters Present, part of PRX's Radiotopia network, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. For more stories and information visit kitchensisters.org. 

As this year's hurricane season ramps up, we go to New Orleans for a kind of biblical reckoning. A story of science and prayer, with a cast of improbable partners—environmental architects and nuns—coming together to create a vision for living with water in New Orleans. Mirabeau Water Garden, one of the largest urban wetlands in the country designed to educate, inspire and to save its neighborhood from flooding.New Orleans. Surrounded by The Mississippi River and Lake Pontchartrain, besieged by hurricanes and tropical storms, permeated with man made canals, levees, pumping stations …. Water is a deep and controversial issue in New Orleans. What to do with it? Where to put it? How to get rid of it? How to live with it?David Waggonner, of Waggonner & Ball architecture and environment firm has been thinking and dreaming about these questions for years. One of the primary architects behind the Greater New Orleans Urban Water Plan, David envisions floating streets, pervious pavement, planting bioswales—“living with water” rather than pushing it down and pumping it out.In the aftermath of Hurricane Katrina the Sisters of Saint Joseph convent in New Orleans was under eight feet of water. A year later, on a clear blue day, the building was struck by lightning. The Sisters prayed for a sign. And in walked David Waggonner with a vision.The Mirabeau Water Garden will become one of the largest urban wetlands in the country and a campus for water research and environmental education, demonstrating best practices for construction and urban water management in the city's lowest-lying and most vulnerable neighborhoods.The 25-acre parcel was donated to the City of New Orleans by the Sisters of Saint Joseph on condition that it be used to enhance and protect the neighborhood to “evoke a huge systemic shift in the way humans relate with water and land.”Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton & Brandi Howell. For more stories and information visit kitchensisters.org

Niloufer Ichaporia King lives in a house with three kitchens. She prowls through six farmer's markets a week in search of unusual greens, roots, seeds, and traditional food plants from every immigrant culture. She is an anthropologist, a kitchen botanist, a one-of-a-kind cook, a Parsi from Bombay living in San Francisco, and the author of My Bombay Kitchen: Traditional and Modern Parsi Home Cooking. Niloufer is known for her ritual celebrations of Navroz, Parsi New Year, on the first day of Spring, when she creates an elaborate ceremonial meal based on the auspicious foods and traditions of her vanishing culture. The Parsi culture is some 3,000 years old and goes back from India to Persia. It's estimated that there are now under 100,000 Parsis in the world. Also featured in this Hidden Kitchens story are author Bharati Mukherjee, sharing her memories of the forbidden Bengali kitchen of her girlhood, with its four cooks and intricate rules of food preparation. And Harvard Professor Homi Bhabha, born in Mumbai to a Parsi family, who talks about auspicious lentils and the birth of his son. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of Radiotopia from PRX, a curated network created specifically for independent podcasts—some of the best stories out there. Special thanks to the National Endowment for the Arts, the National Endowment for the Humanities, and contributors to the non profit Kitchen Sisters Productions .

A look at the President's kitchen and some of the first cooks to feed the Founding Fathers—Hercules and James Hemings—the enslaved chefs of George Washington and Thomas Jefferson. Hercules, described as a “dandy,” had eight assistants—stewards, butlers, undercooks, waiters. He cooked in a huge fireplace—hearth cooking. He walked through the streets of Philadelphia in a velvet waistcoat, with a gold-handled cane. When Washington was getting ready to leave Philadelphia to return to Mt. Vernon, Hercules escaped. Washington sent out search parties and offered rewards. Hercules was never found. In 1784, Thomas Jefferson was appointed minister to France. He took with him his body servant, 19-year-old James Hemings (the brother of Sally Hemings), to master the French style of cooking. Hemings apprenticed with well-known French caterers and pastry chefs and assumed the role of chef de cuisine in Jefferson's kitchen on the Champs-Elysees, earning $48 a year. In 1793, Hemings petitioned Jefferson for his freedom. Jefferson consented upon one condition—he must train someone to take his place. After teaching his brother, Peter Hemings, the cooking techniques he had learned in France and at home, James Hemings became a free man. These stories begin a long connection of presidents and their African American cooks, including the story of Zephyr Wright, President Lyndon Johnson's cook who worked for the family for 27 years. Johnson spoke to Zephyr Wright about the Civil Rights Movement and the March on Washington. She attended the signing of the Civil Rights Act of 1964 and Johnson gave her a pen he used to sign the document. Featuring interviews with: Jessica Harris, Culinary Historian and author of The Welcome Table: African American Heritage Cooking; Historian Willliam Seale, author of The President's House; Chef Joe Randall, founder of African American Chef's Hall of Fame; William Woys Weaver, food historian and author; Sharron Conrad, African American food historian. Special thanks to the Lyndon Baines Johnson Library and Museum and Michael L. Gillette for use of Zephyr Wright's oral history. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created and owned by independent producers.

Jelly Roll Morton talks of being a “Spy Boy” in the Mardi Gras Indian parades of his youth. Bo Dollis, of the Wild Magnolias, tells of sewing his suit of feathers and beads all night long. Tootie Montana masks for the first time as Mardi Gras starts up again after World War II. Big Queen Ausettua makes connections between the black Mardi Gras Indian traditions of New Orleans and Africa. Sister Alison McCrary, a Catholic nun and social justice attorney, tells of Big Chief Tootie Montana's death at the podium in city council chambers defending the rights of the Mardi Gras Indians to parade without harassment. A collection of stories and interviews in honor of the Mardi Gras Indian tradition in New Orleans. With special thanks and a shout out to all of the “Keepers” who have documented, preserved and shared these stories, including the Folklife Center Collection at the Library of Congress, Nick Spitzer and American Routes, filmmaker Lisa Katzman, and WWOZ in New Orleans. The Kitchen Sisters Present is part of PRX's Radiotopia network and is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson), with Nathan Dalton and Brandi Howell.

Sarah “Sally” Pillsbury and Jean B. Fletcher were both architects who married architects. The two women and their husbands were founding members of The Architects Collaborative (TAC), a visionary, idealistic architecture firm founded just after WWII. The two women, who had 13 children between them, lived with their families and several other founding partners in Six Moon Hill, a residential community in Lexington, Massachusetts, designed by the group. TAC was a world class firm of eight architects, including famed architect Walter Gropius, working collectively as a team, stressing anonymity of design. The group won design awards and competitions, and was hired by the National Institute of Architects to design their new headquarters.They also designed the Harvard Graduate Center, many civic and educational buildings, and the University of Baghdad. Soon after the founding of the firm in 1947, Sarah and Jean wrote an article for House & Garden titled “Architecture, Family Style” which – as their biographer Michael Kubo writes – constituted something of a manifesto for the changing needs of the postwar housewife. Produced by Brandi Howell for Beverly Willis Architecture Foundation's podcast New Angle: Voice with host Cynthia Krakauer. Editorial advising from Alexandra Lange.  Production assistants Virginia Eskridge and Aislinn McNamara. Special thanks to Sara Harkness and Joseph Fletcher, Michael Kubo and Amanda Kolson Hurley.  Current Six Moon Hill residents Linda Pagani and Barbara Katzenberg kindly opened their homes and shared their stories.  Long time TAC  partners Perry Neubauer and Gail Flynn were generous with their time as were Andrea Leers and Jane Weinzapfel.  The archival oral history of Sally Harkness comes from her interview with Wendy Cox. Funding for New Angle: Voice comes from National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Supported by the National Endowment for the Arts and contributors to the non profit Kitchen Sisters Productions. The Kitchen Sisters Present is part of Radiotopia from PRX, a curated network of podcasts created by independent producers.

Anna Wagner Keichline (1889–1943) was the first registered woman architect in Pennsylvania and was among the first registered women architects in the United States. During her long career, she designed dozens of commercial and residential buildings, as well as numerous industrial products. She was awarded seven patents for her innovative residential and building designs, including one for The Building Block (1927), popularly known as the K-brick, which was a forerunner of today's concrete block. Not every architect has the opportunity to build skyscrapers. In Bellefonte, Anna used her talents to improve the lives of her neighbors, by designing their houses and gathering places. She adopted a gently accommodating architectural style in the shadow of high Victorian lacery, and designed sturdy churches, theaters, homes, schools, and recreation facilities in her hometown that still stand well and firmly in their context. Produced by Brandi Howell for New Angle Voice podcast of the Beverly Willis Architecture Foundation. Host, Cynthia Kracauer. Editorial advising from Alexandra Lange. Thanks to production assistant Virginia Eskridge and special thanks to Nancy Perkins, Sarah Lichtman, and Jennifer Kaufmann-Buhler. Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, the Graham Foundation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. From PRX's Radiotopia network.

In this episode, we borrow a cup of sound from the podcast, What You're Eating, a production of FoodPrint.org, hosted by Jerusha Klemperer. In the episode, “Coffee: From Seed to Cup,” Jerusha interviewed coffee entrepreneur Bartholomew Jones, who co-founded CxffeeBlack, a "multimedia coffee educational company," with his wife Renata Henderson in Memphis, Tennessee in 2018. Bartholomew is an educator, an MC, a “coffee nerd,” and an amazing storyteller. Today, The Kitchen Sisters Present… Make Coffee Black Again, a co-production with What You're Eating. You can hear the entire episode, “Coffee: From Seed to Cup” at foodprint.org/what-youre-eating or by searching for What You're Eating on your podcast app of choice. The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva and Davia Nelson, with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Thanks for listening.

Since the start of the pandemic, more than 90 colleges have merged or closed permanently. One of these schools, Lincoln College, closed its doors with only about one month's notice in May of 2022 — after 157 years. Due to the pandemic and a ransomware attack, administrators say the school was unable to retain, recruit, or fundraise. Since then, students have been left scrambling and many have dropped out. Alan Jinich and Max Strickberger, recent graduates of the University of Pennsylvania and producers of the Generation Pandemic Project about the impact of Covid on young people around the country, set out to follow this story last year. Lincoln College was a small private college in central Illinois — the only school named after Abraham Lincoln in his lifetime. But instead of attracting local students, the school drew many from three hours north: Chicago's south and west sides. More than 40% were first generation college students and, even though the town is 95% white, the university was a Predominantly Black Institution. Students, alumni, and faculty described the community as deeply closeknit and, for many, a “second chance.” For some, it was also a refuge from gun violence. After the sudden closure announcement, dozens of students confronted President David Gerlach expressing grief, frustration, and concern over what might happen to those who didn't have a safe home to return to. It was the start of a fundraising predicament that drove a wedge between students' grassroots efforts and administrators. How much money is enough to stay open? What's at stake for Lincoln's brittle economy? We follow voices from across the community — professors, administrators, locals, students dispersed across the Midwest, and a member of Lincoln's last graduating class. More than a year after closing, many continue to reel. The campus is still up for sale, but a new vision for Lincoln may soon be on the horizon. Produced by Alan Jinich and Max Strickberger with soundtracks by Reed Rosenbluth and support from the Sachs Program for Arts Innovation. A special thank you to Pati and Danny Jinich for their endless support (and SUV), Deborah and Adam Strickberger for their lifelong role modeling, and for all those who helped along the way: Ron Keller, Tim Rivera, Ms. Linda, Aundrae Williams, Jaylah Bolden, Spencer Davis, David Gerlach, Scott Raper, Seth Goodman, Aaron Butler, David Upchurch, Julia Figueroa, Klaudia Blaszcyk, Dougie Barron, and the Rose family. Thanks also to Nikki Silva and The Kitchen Sisters (and The Kitchen Sisters thank these young producers!) You can follow more of Alan and Max's work at www.generationpandemicproject.com or on instagram @generationpandemic_ The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Visit kitchensisters.org for more stories and info about upcoming events — like our annual Bowling with Grace Party and fundraiser at Mission Bowling Club, San Francisco, October 28, 2023, with celebrity guest bowlers Boz Scaggs, Alice Waters, Samin Nostrat, Roman Mars, Roman Coppola, Wendy MacNaughton, Song Exploder's Hrishikesh Hirway, KQED's Alexis Madrigal, Ear Hustle's Nigel Poor & Earlonne Woods, Rebecca Solnit… and so many more.

Filmmaker Wim Wenders premiered two new films at Cannes this year — Anselm, a 3-D, cutting edge documentary about the contemporary German painter and sculptor Anselm Kiefer, and Perfect Days, a quiet, meditative film about a toilet cleaner in Kyoto who who drives from job to job, listening to music on cassettes — Patti Smith, the Kinks, Lou Reed… Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. In honor of Wim and his extraordinary work, this story, from our Keepers series chronicles the filmmaker's life and inspirations. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque Française had on his own filmmaking, about Lotte Eisner, Werner Herzog, and much more. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years.

When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans's elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes. Produced by Sidedoor: A Podcast from the Smithsonian. Special thanks to producer Lizzie Peabody and the Smithsonian for sharing this story with The Kitchen Sisters Present. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We are part of Radiotopia from PRX, a curated network of podcasts created by independent producers—some of the best storytelling out there.

It was top secret. But everyone in Santa Fe knew there was something going on up on the hill in the remote, desert mountains of Los Alamos in 1943. J. Robert Oppenheimer and dozens of the top scientists and thinkers in the world were sequestered away up there - fenced in, with military guard towers all around. But there was one little sanctuary down along the river where they could escape and find solace, nature, normalcy —Edith Warner's Tea House. Edith Warner's small, rustic home and her legendary flourless chocolate cake brought solace to members of the Manhattan Project as they secretly worked to build the atomic bomb - reshaping the future of modern warfare. When they weren't at the lab, there was a good chance that Robert Oppenheimer and his colleagues were at Edith's tea room, savoring the fresh vegetables she grew in her garden and the chance to disconnect from the unimaginable weight of their task. Through Edith's eyes and the civilian bystanders who witnessed this extraordinary effort we see these souls in their last mundane moments before man and god bled together forever. Produced by Brandi Howell, Mary Franklin Harvin, and Zoe Kurland Special thanks to Jon Else, Meridel Rubenstein, Patty Templeton, Nick Lewis, Steven Horak from the Los Alamos National Lab, to Sharon Snyder and the staff of the Los Alamos Historical Society,  Ellen Bradbury Reed, and Paul Rainbird. The Kitchen Sisters Present, part of PRX's Radiotopia, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton.

Behind the scenes at the International Congress of Youth Voices when 131 youth activists,13 to 26 years old, from 37 countries — students, writers, poets, marchers, community leaders all gathered together in San Juan, Puerto Rico in 2019, to share and amplify their ideas and energy — to brainstorm possibilities for how to achieve a better world. The International Congress of Youth Voices, founded by author Dave Eggers (co-founder of 826 National) and nonprofit leader Amanda Uhle, gathers the world's most inspiring teen writers and activists. They come from all over the world, including Iraq, Syria, Afghanistan, the United States, Colombia, Guatemala, Cuba, Australia, Denmark, Nepal, Russia, England, Thailand, South Africa, Ireland, Canada, Uganda, Pakistan, Burundi, France, India, and Puerto Rico. Student delegates are chosen based on their commitment to leadership and social justice and their passion and eloquence as writers. The event is designed to provide a path to leadership for all delegates and represents a continuum from students who have exhibited potential in local writing and tutoring programs to writers and activists who have already made notable achievements at a very young age. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell, Rachel Templeton & Teddy Alexander. Mixed by Jim McKee. Story Intern: Jonathan Hsieh. Special thanks to Dave Eggers & Amanda Uhle and to all the delegates from around the country and around the world who came to Puerto Rico and shared their stories with us. The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX. Funding for work of The Kitchen Sisters comes from The National Endowment for the Humanities, The National Endowment for the Arts, The Robert Sillins Family Foundation, The TRA Fund supporting our Intern Program, and Listener Contributions to The Kitchen Sisters Productions.

Born in 1895 in Lynchburg, VA, Amaza Lee Meredith was an African American architect, artist and educator who taught at Virginia State College where she founded the art department. Despite the fact she was never a registered architect, she was one of the few Black architects practicing at the time, and one of the country's very few Black women architects. In 1939, Amaza designed Azurest South, a tidy white International Style house on the edge of the Virginia State University Campus, where she and her life-long partner Edna Meade Colson lived. Both women maintained significant teaching positions at the University, living openly queer lives. In 1947 Amaza and her sister Maude began developing Azura North, a 120 lot subdivision and vacation destination for middle class African Americans in Sag Harbor, New York, near the summer haunts of Melville, Steinbeck, Betty Friedan, Spaulding Gray. During the 1950s & 60s the community grew as a Black vacation spot attracting celebrities like Lena Horne and Harry Belafonte. Together, the homes and communities that Amaza Lee Meredith helped establish provided a sense of joy, pleasure, and a safe haven for members of the Black community, at a time when this wasn't always possible. This episode explores the intersections of sexuality, modernity, art, architecture, and the faith community that nurtured this pair of lovers.  Amaza and Edna found their home in each other and shared it openly with their church, their colleagues and their students. Special thanks to host Cynthia Kracauer, writers Jacqueline Taylor and Jessica Lynne, and to Brooke Williams who graciously provided Sag Harbor resident insights, as did advocates and preservationists Georgette Grier-Key, Michael Butler, and Renee Simons.  And to Reverend Grady Powell and Reverend Dr.  George WC Lyons from Gillfield Baptist Church in Petersburg, Virginia. Franklin Johnson-Norwood is the Director of Alumni Relations at Virginia State University, and our excellent tour guide for Azurest South, and to Christina Morris of the National Trust for Historic Preservation. This episode was produced by Brandi Howell for the podcast New Angle Voice, a presentation of the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange and assistance from Virginia Eskridge. Funding provided by the National Endowment for the Humanities, the National Endowment for the Arts and the Graham Foundation. Take a look at the illustrated Amaza Lee Meredith profile on the Pioneering Women of Architecture website. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Funding for these programs comes from The National Endowment for the Arts, the Kaleta Doolin Foundation, and contributors to the non profit Kitchen Sisters Productions. The Kitchen Sisters Present is part of the Radiotopia Network from PRX.

In 1983 Prince hired LA sound technician Susan Rogers, one of the few women in the industry, to move to Minneapolis and help upgrade his home recording studio as he began work on the album and the movie Purple Rain. Susan, a trained technician with no sound engineering experience became the engineer of Purple Rain, Parade, Sign o' the Times, and all that Prince recorded for the next four years. For those four years, and almost every year after, Prince recorded at least a song a day and they worked together for 24 hours, 36 hours, 96 hours at a stretch, layering and perfecting his music and his hot funky sound. In celebration of Prince's birthday The Kitchen Sisters reprise “Prince & The Technician.” An award winning professor of cognitive neuroscience and a legendary record producer, Susan Rogers has recently written a book, “This is What It Sounds Like," one of Behavioral Scientist's Notable Books of 2022. It's a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of independent producers — some of the best podcasts out there. Find out more at kitchensisters.org.

Chris was a man possessed. “El Fanatico,” Ry Cooder called him. A song catcher, dedicated to recording the traditional, regional, down home music of America, his adopted home after his family left Germany at the close of WWII. Mance Lipscomb, Lightnin' Hopkins, Mississippi Fred McDowell, Big Mama Thornton, Clifton Chenier, Rose Maddox, Flaco Jimenez… the list is long and mighty. Chris Strachwitz was a keeper. His vault is jam-packed with 78s, 33s, 45s, reel-to-reels, cassettes, videos, photographs — an archive of all manner of recordings. And an avalanche of lifetime achievement awards — from the Grammy's, The Blues Hall of Fame, The National Endowment for the Arts – for some 60 years of recording and preserving the musical cultural heritage of this nation through his label, Arhoolie Records. In honor of Chris Strachwitz The Kitchen Sisters reprise The Passion of Chris Strachwitz, produced for The Goethe Institute's Big Pond series. With interviews with Linda Ronstadt and Bonnie Raitt. Also featuring selected interviews done by Chris Strachwitz with Howlin' Wolf and The Maddox Brothers and Rose. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell, mixed by Jim McKee. The Kitchen Sisters Present is part of the Radiotopia network from PRX.

Ada Louise Huxtable, who “invented” the profession of architecture critic, wrote countless articles for two great daily newspapers and had a gigantic influence on our understanding of the work of architects, real estate developers, city bureaucrats, and the city itself, over the course of six decades in print. Beginning in 1963, Huxtable was the first full-time architecture critic at an American newspaper. In 1970, she won the first Pulitzer Prize for distinguished criticism. With her impeccable civic values, cultivated aesthetic sensibility and lacerating accuracy, Ada Louise Huxtable, praised and razed. Huxtable, who was born and lived her life in New York City, raised the public's awareness of architecture and the urban environment. She wrote for the New York Times and later for the Wall Street Journal. She served as Curatorial Assistant for Architecture and Design at the Museum of Modern Art. Produced by Brandi Howell for the Beverley Willis Architecture Foundation's podcast, New Angle Voice. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson), with Brandi Howell and Nathan Dalton. It is part of the Radiotopia Network from PRX.

For some eight years now thirty-four Black women have gathered monthly around a big dining room table in the orange house on Orange Street in Oakland, CA—meeting, cooking, dancing, strategizing—grappling with the issues of eviction, erasure, gentrification, inadequate health care, and the sex trafficking of Black women and girls that are overwhelming their community. Spearheaded by dancer/choreographer Amara Tabor Smith and theater director Ellen Sebastian Chang, this House/Full of Black Women—artists, scholars, healers, nurses, midwives, an ice cream maker, a donut maker, an architect, a theater director, a choreographer, sex trafficking abolitionists and survivors—have come together to creatively address and bring their mission and visions to the streets. Over the years they have created performances, rituals, pop-up processions in the storefronts, galleries, warehouses, museums and streets of Oakland. This hour-long special features sound-rich “episodes” of performances and rituals, interviews with sex trafficking abolitionists, personal stories of growing up in the Bay Area, music, Black women dreaming, resisting, insisting. Produced by Ellen Sebastian Change, Sital Muktari and The Kitchen Sisters, narrated by Sital Muktari, mixed by Jim McKee, in collaboration with an evolving House/Full of Black Women collective, Nathan Dalton and Brandi Howell. Funding for this House/Full of Black Women Special comes from The Creative Work Fund, The National Endowment for the Arts, The Kaleta Doolin Foundation, The Texas Women's Foundation, Susan Sillins, listener contributions to The Kitchen Sisters Productions, and PRX. Original funding for House/Full of BlackWomen was provided by Creative Capital, Creative Work Fund, The Kenneth Rainin Foundation, MAP Fund, and the Hewlett 50. House/Full of Black Women is part of The Keepers series produced by The Kitchen Sisters, Davia Nelson and Nikki Silva, in collaboration with Brandi Howell and Nathan Dalton and mixed by Jim McKee. Archival sounds, recordings and compositions by Alexa Burrell. Visuals created by photographer Robbie Sweeney and designer Kevin Clarke. Ricardo Iamuuri Robinson created some of the soundscape. For names of all the many House/Full members who have had a hand in this project visit deepwatersdance.com.

In the early 1980s, Black students and the African American community at American University had been demonstrating for more access and inclusion in the university's community services. One of the demands was for four hours of time every Saturday on Radio station WAMU, the campus station. This demand was met and suddenly Black students and the community were pouring into the station on Saturdays to make radio, to learn the craft, to be heard. Judi Moore Smith heard the call and soon was producing 10 minutes every week during that four-hour Saturday slot. Someone heard one of Judi's pieces and urged her to apply for funding. She was already going to Union Temple Baptist Church in Anacostia near Washington DC, mesmerized by the preaching of Rev. Willie Wilson. She began to cross the country interviewing preachers and ministers, capturing their speaking styles, their preaching styles, listening, watching, realizing these were not only religious men delivering weekly sermons—these were performing artists. Judi lit the path with this piece and the creation of a deep archive of Black history and creative expression. It is one of the projects that has inspired us over the years—the spirit, the stylizing, the swagger, the soul, the poetry—and the music. Judi asked one of the preachers, Reverend Robert Pruitt, to do the narration for the piece and gathered a kind of congregation in the studio with him to enact call and response. Davia reached out to Judi this year to see if she had a copy of the piece. It was created in the days way before the internet and the archiving of everything. Luckily we found a cassette of it at the Pacifica Archives. Special Thanks to Judi Moore Latta for all her pioneering radio documentary work especially about Black culture, history and expression and her decades of teaching and working with hundreds of young people across the years. And thanks to Pacifica Archive. The Kitchen Sisters Present is produced by The Kitchen Sisters, Davia Nelson and Nikki Silva, with Brandi Howell and Nathan Dalton. The Kitchen Sisters receive support from the National Endowment for the Arts, and from generous contributors to The Kitchen Sisters nonprofit Productions. We're part of PRX's Radiotopia – a network of independently created and owned podcasts – some of the best stories out there.

Criticisms of fast food often focus on the industrialized system that produces the burgers, buns and fries, or the food's negative health impacts. Some criticisms have noted the deep ties between McDonald's and the Black community, blaming communities of color for bad choices, sometimes blaming the fast food industry for being predatory with its advertising or store locations. But the relationship between fast food and Black America is way more complicated. Jerusha Klemperer, host of the podcast “What You're Eating” talks with Dr. Marcia Chatelain about her Pulitzer Prize winning book, “Franchise: The Golden Arches in Black America,” and the history of that complicated relationship. This story was produced for “What You're Eating” by Nathan Dalton and FoodPrint.org. We thank them for sharing it with The Kitchen Sisters Present. The Kitchen Sisters Present is produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell. We are part of Radiotopia from PRX, a curated network of independent producers who own their own work. Support for The Kitchen Sisters comes from The National Endowment for the Arts and supporters of The Kitchen Sisters Productions non profit.

In 2015 we presented this story about Curtis Carroll, the Stock Market Wizard of San Quentin. Everyone in San Quentin called him Wall Street. He was teaching his fellow prisoners about stocks and had become an informal financial adviser to fellow inmates and correctional officers. After serving 27 years of a 54 years to life sentence in prison, Curtis Carroll, has been released on parole. We hear his story and talk to him about what's next. When Wall Street was put in prison almost three decades ago he couldn't read or write. One day he stumbled on the financial section of the newspaper thinking it was the sports section, which his cellmate used to read to him. An inmate asked him if he played the stocks. “I had never heard the word before,” Wall Street said. “He explained to me how it works and said, ‘This is where white people keep their money.' When he said that I said, ‘Whoa, I think I stumbled across something here.' ” Wall Street taught himself how to read and write beginning with candy wrappers and clothing logos. He pored over financial news: the Wall Street Journal, USA Today, Forbes. On the inside, Wall Street didn't have access to a computer or the Internet, so he called his family members to check the closing prices for the day and told them what to buy. He says business is like a soap opera — he's always trying to anticipate what will happen next. “I like to know what the CEO's doing. I like to know who's in trouble.” “I'm in prison, but I'm on just the same playing field as Warren Buffett,” Carroll says. “I can pick the exact same companies. I can't buy as many shares, but technically we're just the same.” You can find out more about Wall Street, his life and Financial Empowerment, Emotional Literacy Project at ProjectFeel.org. He's also on Instagram (@CurtisWallstreetCarroll) and Youtube (@WallStreetCarroll). The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Wall Street's original story was mixed by Jim McKee at Earwax Studios. We are part of PRX's Radiotopia Network. This episode was produced in collaboration with Nancy Mullane and Life of the Law. Many thanks! Special thanks to Curtis Carroll, San Quentin Financial Literacy Program, Anna Deavere Smith, Arnold Perkins, Troy Williams, Lt. Sam Robinson, Tom DeMartini, Zach Williams, Clarence Long, James Fox and the Prison Yoga Project, Tracy Wahl, Jacob Conrad, Nigel Poor, TED, Pop-Up Magazine, and NPR. The Kitchen Sisters are supported by NEA and contributions to the non-profit Kitchen Sisters Productions.

Since the devastating 2019 fire at Notre Dame Cathedral in Paris, the ringing of the cathedral's bells has ceased. Sound artist, Bill Fontana, known for his sound sculptures of Golden Gate Bridge, temple bells in Kyoto, and trees in Sequoia National Forest, creates a new work giving voice to the silenced bells of Notre Dame. To create his new work, Silent Echoes, Fontana attached seismic accelerometers—sensors designed to detect vibrations—to each of its ten bells of Notre Dame. As the bells reverberate in response to the ambient sounds of Paris—rain, the calls of birds, the noise of the street—the live feed is transmitted to a series of speakers at the Centre Pompidou creating a haunting, immersive sound sculpture. Silent Echoes debuted at the Centre Pompidou in June, where, on the fifth floor terrace of the museum, visitors stood awash in the acoustics of the bells, with the towers of Notre Dame in view just across the Seine. Alisa Carroll of the podcast Alcôve interviewed Bill Fontana in San Francisco and Davia Nelson spoke with him in Paris before the opening of the exhibition. This story was produced by Jim McKee.  Sound design and mixing by Jim McKee. Special thanks to Alisa Carroll and Jim McKee for sharing this piece with The Kitchen Sisters Present. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. For more info and stories visit kitchensisters.org The Kitchen Sisters Present is part of Radiotopia from PRX - a curated network of independent, creator owned podcasts.

Edmond Richardson is an audio producer for Uncuffed, a KALW podcast produced by people in prison. Recently, Edmond and his love, Avelina, got married inside San Quentin and Uncuffed produced this story. The Kitchen Sisters are great admirers of KALW's Uncuffed podcast and are proud to share this story. KALW, San Francisco, has led rehabilitative classes in audio production inside San Quentin State Prison since 2012, and Solano Prison since 2018. Their mission is to provide media training to people in the carceral system. Radio producers from KALW visit the prisons to teach classes in audio production, and to help edit the stories. Audio engineers at KALW do some final polishing before it goes out to the world. Special thanks to the Uncuffed crew at San Quentin Prison: Tommy Shakur Ross, Edmond Richardson, Thanh Tran, and me, Greg Eskridge. Thanks to the team at KALW Public Radio: Ninna Gaensler-Debs, Angela Johnston, Sonia Paul, James Rowlands, Andrew Stelzer, Ben Trefny, Eli Wirtschafter, and sound designer, Eric Maserati "E" Abercrombie. Theme music by David Jassy, the Swedish phenom. And thanks to the staff at San Quentin Prison who make this possible: Mr. Skylar Brown, Ms. Madeline Tenney, and Lieutenant Sam Robinson, who approved this episode. We fact checked everything to the best of our ability. And a special thanks to Avelina and Carla for being a part of this episode. And Edmond and Avelina, Uncuffed wishes you all the happiness in your marriage. Thanks for listening. Uncuffed gets support from the California Arts Council and the California Department of Corrections and Rehabilitation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. We are part of the Radiotopia podcast network from PRX. Special thanks to the National Endowment for the Arts and contributors to the non profit Kitchen Sisters Productions.

We trace the history of country music in Kenya, dating back to the 1920s and 30s when local populations first heard Jimmie Rodgers on early country western 78 records, to the current day, where the clubs of Nairobi are filled with rising stars bringing their own unique sounds to country music. Hear their takes on the hits of Don Williams, Kenny Rogers, Dolly Parton and more. And an interview and performance from Kenyan country singer Steve Rogers, radio and TV presenters Catherine Ndonye and David Kimitho, music historian Elijah Wald, and Olvido Records founder Gordon Ashworth. The music and stories of other artists in this episode include: John Nzenze. Reuben Kigame, Don Williams, Sir Elvis, Sammy Ngaku-Rosana, Herbert Misango, Frances Rugwiti, Carlos Kiba, Ythera Cowgirl, Steve Rogers, HM Karuiki, Joseph Kamaru. Produced by Brandi Howell for Afropop Worldwide The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Support comes from the National Endowment for the Arts and contributors to the non-profit Kitchen Sisters Productions. The Kitchen Sisters Present is part of the Radiotopia Network from PRX.

House of Bread | Nathan Dalton Our Mission is To reveal the goodness of God to everyone everywhere. Join us at 10 am every Sunday Morning or for our Livestream worship service at 10 am on Facebook and at UpperRoomOhio.com Find us on Facebook: www.facebook.com/UpperRoomOhio/ Follow us on Instagram: www.instagram.com/upperroomohio Give us a call: 937-667-5585 Address 648 N. Hyatt St. Tipp City, OH 45371

House of Bread | Nathan Dalton Our Mission is To reveal the goodness of God to everyone everywhere. Join us at 10 am every Sunday Morning or for our Livestream worship service at 10 am on Facebook and at UpperRoomOhio.com Find us on Facebook: www.facebook.com/UpperRoomOhio/ Follow us on Instagram: www.instagram.com/upperroomohio Give us a call: 937-667-5585 Address 648 N. Hyatt St. Tipp City, OH 45371

The legendary Linda Ronstadt has a new book out. Feels Like Home: A Song for the Sonoran Borderlands — a historical, musical, edible memoir that spans the story of five generations of Linda's Mexican American German family, from the Sonoran desert in Mexico to the Ronstadt family hardware store in Tucson to the road that led Linda to LA and musical stardom. Intimate and epic, "this is little Linda, Mexican Linda, cowgirl Linda, desert Linda." The book, written in collaboration with New York Times writer Lawrence Downes, is a road trip through the Sonoran Borderlands, from Tucson to Banámichi, Mexico — the path Linda's immigrant grandfather took at a time when the border was not a place of peril but of possibility. We went to see Linda at home to ask her about the journey. This story was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee Thanks to Lawrence Downes, John Boylan, Bill Steen, Janet Stark and The PRX Podcast Garage. And to the team at Heyday Books: Steve Wasserman, Kalie Caetano & Megan Beatie and to Putamayo Music who just released Feels Like Home: Songs From The Sonoran Borderlands, Linda Ronstadt's Musical Odyssey. Special thanks to Linda Ronstadt for opening her home and her vault to this story.

In the early morning hours of August 16, 2020, 12,000 lightning strikes exploded across northern California, igniting more than 585 wildfires. In the Santa Cruz Mountains scattered blazes grew into one massive burning organism — The CZU August Lightning Complex Fire — eating all in its path, scorching some 86,000 acres, destroying over 900 homes and Big Basin, California's first state park. We hear from young men and women from the Amah Mutsun Tribal band who have been working to clear and steward the land; archaeologists and historians from the historic Big Basin redwood State Park; and from residents of the Santa Cruz mountains who shared their experiences and stories for the historical record. This story grew out of a collaboration with the Santa Cruz Museum of Art and History. People who lost their homes in the blaze were invited to bring in artifacts sifted from the ashes to be photographed by award winning photographer Shmuel Thaler and to be interviewed by The Kitchen Sisters about the fire, their homes, the environment, their lives. For more stories, photos and a video about the fires and this project visit kitchensisters.org. Special thanks to: Valentin Lopez, Chairman of the Amah Mutsun Tribal Band; Mark Hylkema, Cultural Resources Program Manager, Tribal Liaison, Archeologist, CA State Parks Santa Cruz District; Martin Rizzo Martinez, Historian, CA State Parks Santa Cruz District; Jennifer Daly, Museum Collections Manager, CA State Parks, Santa Cruz District; Dana Frank, Professor of History, UCSC; Members of The Amah Mutsun Land Trust and Stewardship Program; and all of the many who shared their stories for the historical record. With support from The California Humanities and The National Endowment for the Arts. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and mixed by Jim McKee in collaboration with Grace Rubin, Brandi Howell and Nathan Dalton. In collaboration with photographer Shmuel Thaler and The Santa Cruz Museum of Art & History,

The Egg Wars—a hidden Gold Rush kitchen—when food was scarce and men died for eggs. We travel out to the forbidding Farallon Islands, 27 miles outside San Francisco's Golden Gate, home to the largest seabird colony in the United States. Over 250,000 birds on 14 acres. But it wasn't always so. One hundred seventy years ago it was the site of the “Egg Wars.” During the 1850s, egg hunters gathered over 3 million eggs, violently competing with each other, and nearly stripping the island bare. In 1969 the Point Reyes Bird observatory began working to protect the Farallones. The islands had been through a lot. The devastating fur trade of the 1800s. The Egg Wars. During WWII the Islands were used as a secret navy installation with over 70 people living on the island. From 1946-1970 nearly 50,000 drums of radioactive waste were dumped in the Farallon waters. Fisherman often shot high powered rifles at sea lions and helicopters were causing whales and other animals to panic. Today the Farallones are off limits to all but researchers, some who live out on the desolate island for months in the old lighthouse there. Surrounded by thousands of birds, they wear hard hats to keep the gulls from dive bombing their heads. The Islands are a sanctuary—The Farallon National Wildlife Refuge, managed by the US Fish and Wildlife Service. The Kitchen Sisters were given permission to travel out to the islands on one of the supply runs that goes out to the islands 2 times a month. The Farrallon National Wildlife Refuge is managed by US Fish and Wildlife Service Our story features: Gary Kamiya, journalist and author; Mary Jane Schram, Gulf of the Farallones National Marine Sanctuary; Peter Pyle, Farallon Biologist; Ava Crosante, Illustrator; Peter White, Author of Farallon Islands—Sentinels of the Golden Gate; Skipper Roger Cunningham; Pete Warzybok, Scientist Farallon Islands; Russ Bradly, Farallon Program Leader for Point Blue Conservation Science. Special thanks to: Melissa Pitkin, Point Blue Conservation; Doug Cordell and the San Francisco Bay National Wildlife Refuge Complex; Edward Jenkins; Julia Gulka; Sean Gee; Keith Hansen, Eve Williams, Gerry McChesnwey; and the Farallon Marine Sanctuary. The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva and Davia Nelson, with Nathan Dalton and Brandi Howell. We are part of PRX's Radiotopia Network.

For our episode, The Big Problem of Food Waste  we interviewed Vincent Medina and Louis Trevino who co-founded mak-‘amham, an East Bay organization and restaurant focused on reviving and strengthening traditional Indigenous Ohlone foods and sharing them back with their communities, as well as educating the public about Ohlone culture through cuisine. The restaurant was originally housed in the courtyard of Berkeley's University Press bookstore that shuttered a few months into the Coronavirus  pandemic. Now, two years later, Café Ohlone will be reopening on the UC Berkeley campus.We were only able to share a small portion of our interview with Vincent and Louis for our food waste episode, but the full interview was so interesting and they were so engaging that we decided to run it in its entirety now, for our final episode of season one.Cafe Ohlone will open in June, 2022 at UC Berkeley's Hearst Museum. "A portal of light and shadows, singing trees, a dry creek running along redwoods, a shellmound rising in a fragrant garden of abundance...  learn more about what Vincent and Louis are calling 'A love song to Ohlone culture'  at their website makamham.comWhat You're Eating is produced by me, Jerusha Klemperer,  Nathan Dalton and FoodPrint.org, which is a project of the GRACE Communications Foundation. Special thanks to Vincent Medina and Louis Trevino.  You can find us at www.FoodPrint.org where we have this podcast as well as articles, reports, a Food Label Guide and more. Follow @foodprintorg on Instagram, Facebook, and Twitter . Stay Informed. Get the latest food news, from FoodPrint.Thanks so much for joining us for season one and if you like the podcast, please leave us a review on Apple, or wherever you listen to podcasts.

Coal + Ice, a powerful global exhibition of photographs, videos, and immersive imagery that focuses on the climate crisis and provokes action is now on display in Washington DC through April 22, 2022. Coal + Ice began in Beijing in 2011 with the unprecedented showing of images of Chinese coal miners taken by Chinese photographers. It has now now expanded to the work of 50 photographers from around the world, capturing images of the climate catastrophe as it unfolds around the globe. Photographers and video artists include:  Jimmy Chin, David Breashears, Song Chao, Camille Seaman, Gideon Mendel, Meredith Kohut, Jamey Stillings, Matt Black, Barbara Kopple, Dana Lixenberg and historical work from Robert Capa, Lewis Hine, Gordon Parks, Eugene Smith, Bruce Davidson and others. Coal + Ice also features installations, panels, music, conversations, cash awards to young artists weaving climate into their work and more. For over a decade the exhibit has traveled the world evolving and expanding as the climate crisis unfolds. First Beijing, then Delhi, then Paris, Shanghai, San Francisco and now in Washington DC at the Kennedy Center through April 22, 2022. Before the Pandemic, when Coal + Ice came to a massive exhibition hall on a pier in San Francisco, we traveled through the exhibit with our microphone. Special thanks to Susan Meiseles, Orville Schell, Geng Yunsheng, …. Michael Tilson Thomas,  Joshua Robison, Gideon Mendel and Jeroen de Vries. Coal + Ice was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby with help from Brandi Howell and Nathan Dalton. Mixed by Jim McKee at Earwax Productions.

The Wooster Group, perched on a street corner in Soho in downtown New York, has been at the forefront of experimental theater for some 40 years. Their startling performances unravel and transform classic texts by Brecht, Shakespeare, Chekhov, Eugene O'Neill, along with their own shocking original works. Six Obies, nine Bessies, accolades from around the world as they tour their works through Europe and Asia. Singular, rigorous, flamboyant. Theater. One of the more ephemeral of art forms. How to preserve the work, chronicle it, archive it for the ages? Yes, there are scripts, props, sets, costumes — a pair of muddy shoes from a 1981 production of Route 1 & 9. But what about experimental theater? Devoted to process, improvisation, the dense layering of ideas and texts and sound and image? How do you catalog something in a constant state of flux? Enter Clay Hapaz who started as an intern at The Wooster Group in 1992 and in 2002 became their official archivist. Voices you'll hear include Clay Hapaz, Kate Valk, Frances McDormand, Hilton Als, Peter Sellars, Spalding Gray and Elizabeth LeCompte. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.   Special Thanks: Clay Hapaz, Kate Valk, Frances McDormand, Juliet Lashinsky-Revene, Hilton Als, Peter Sellars, The Wooster Group Drama Club and Elizabeth LeCompte. Music: Matt Dougherty (his company) and The Wooster Group's archive. Thanks also to Lumi Tan, Lewanne Jones and Claire Maske. Support for the Stories comes from The National Endowment for the Arts & Listener Contributions to The Kitchen Sisters Productions (Many thanks) The Kitchen Sisters Present is part of the Radiotopia Podcast Network on PRX. Thanks for listening

In the early morning hours of August 16, 2020, 12,000 lightning strikes exploded across northern California, igniting more than 585 wildfires. In the Santa Cruz Mountains scattered blazes grew into one massive burning organism — The CZU August Lightning Complex Fire — eating all in its path, scorching some 86,000 acres, destroying over 900 homes and Big Basin Redwoods, California's first state park. A year later the fire is still burning deep in some of the roots and stumps of ancient trees. In the aftermath, The Kitchen Sisters turned their microphones on the region, looking for what was lost and what has been found since lightning struck. This story grew out of a collaboration with the Santa Cruz Museum of Art and History. People who lost their homes in the blaze were invited to bring in artifacts found in the ashes to be photographed by award winning photographer Shmuel Thaler and interviewed by The Kitchen Sisters about the fire, their homes, the environment, their lives. These stories and photographs are part of an exhibition at the Santa Cruz Museum of Art and History. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and mixed by Jim McKee in collaboration with Grace Rubin, Brandi Howell and Nathan Dalton. Special thanks to photographer Shmuel Thaler, The Santa Cruz Museum of Art and History, The Amah Mutsun Land Trust and Stewardship Program, UCSC Professor Dana Frank, California State Parks, Mark Hylkema, Martin Rizzo Martinez, Jennifer Daly, and all of the many who shared their stories for the historical record. With support from The California Humanities and The National Endowment for the Arts.

The impact of Shonen Knife, the 1980s all-girl punk band from Osaka—a story of cultural exchange through the cassette tape. Shonen Knife, the three-woman band from Japan, formed in 1981—a time just before the internet drastically changed the way we consume and discover music. A time when a cassette tape, alongside fanzines and college radio created an environment that made possible the seemingly improbable circumstance of an all girl-band from Osaka opening for Nirvana, one of the biggest musical acts of the 90s. “Shonen means boy in Japanese and it’s a very old brand name of a pencil knife,” says Naoko Yamano. “And the word ‘shonen’ has very cute feeling and the knife has a little dangerous feeling, so when cute and dangerous combined together, it’s just like our band.  So I put that name.” Featuring interviews with Shonen Knife—Naoko Yamano, Atsuko Yamano, Risa Kawano; Karen Schoemer, former music critic of the New York Times; and Brooke McCorkle Okazaki, Assistant Professor of Music at Carleton College and author of Shonen Knife’s Happy Hour: Food, Gender, Rock and Roll. The Osaka Ramones was produced by Brandi Howell. The Kitchen Sisters Present is produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, with Nathan Dalton and Brandi Howell. We’re part of PRX’s Radiotopia a curated network of independent producers creating some of the finest podcasts around.

Stories of Black pioneers, seekers and entrepreneurs — self-made men and self-taught women, neighborhood heroes and visionaries. People who said "yes we can" and then did, hosted by Alfre Woodard. A man tapes the history of his town with a scavenged cassette recorder, a woman fights for social justice with a pie, a DJ ignites his community with a sound. Stories of Georgia Gilmore and the Club from Nowhere, a Secret Civil Rights Kitchen; of Hercules and of James Hemings, enslaved chefs of George Washington and Thomas Jefferson; of Walkin’ Talkin’ Bill Hawkins, Cleveland’s first black disc jockey; and more. A compilation of stories produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and Roman Mars, with Nathan Dalton and Brandi Howell. The Kitchen Sisters are proud members of PRX’s Radiotopia network.

Sometimes we find the story, sometimes the story finds us. Such is the case with this tale of two Keepers from the Pacific Northwest, the official/unofficial archivists for Pearl Jam. Caroline Losneck, a radio producer in Maine heard our Keepers series about activist archivists and rogue librarians and said to herself, “Hey wait a minute, what about that mythic vault in Seattle I’ve been hearing about for years filled to the brim with 30 years of Pearl Jam, who's keeping that?” We are especially keen to put Caroline's story out now, as Pearl Jam, a notoriously activist band, has gone all in for registering young voters and getting out the vote since at least 2004 when they took their Vote for Change tour through the swing states of Wisconsin, Ohio, Pennsylvania, Florida registering as they went. This 2020 election is no exception. Today Caroline Losneck and The Kitchen Sisters Present... Pearl Jam: It’s a Rock Band, Not the Smithsonian Produced in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.  Special thanks to John Burton & Kevin Shuss, Jacob McMurray at MoPop, to audio engineer Alice Anderson and to Jeff Ament, Stone Gossard, Mike McCready, Matt Cameron and Eddie Vedder — Pearl Jam. Like Pearl Jam says, get on out there and vote. Vote like it counts. Vote because you love the music and this messy, precious democracy.

Join Greg, Susan, their friend, Barb, and her son, Jacob, for a baker's dozen of terror as they dig into "Attack of the Killer Donuts." "Attack of the Killer Donuts" is a B movie that deserves a much lower grade - especially from the health department. Chris De Christopher, Rafael Diaz-Wagner write the film, and Nathan Dalton, the masters who brought you "Piranhaconda" and "Sharkansas Women's Prison Massacre," wrote the movie, which surprisingly features C. Thomas Howell in its cast. This raucous discussion of this off the wall movie is sure to keep you entertained. We certainly had fun!

Picture this: 131 young people, 13 to 26 years old, from 37 countries—youth activists from around the globe— students, writers, poets, marchers, community leaders all gathered together in San Juan, Puerto Rico in August 2019, the week after the scandal-ridden government of Governor Ricardo Rosselló fell. A government brought down in large measure because of the resolve and activism of young people across the Hurricane Maria-battered island. This wasn’t part of the plan for the second meeting of the International Congress of Youth Voices. It was pure coincidence. But here they all are, coming from across the planet—jet lagged and lit from within—to learn from one another and an array of artists, writers and activists, to create a network, to tell their stories, to listen and to understand the forces that led this island to erupt. Politics of the world affect young people as much as anyone else, and they have little to no voice as major decisions are made. The International Congress of Youth Voices was founded as a means to amplify their ideas and energy and to unite young people for a weekend of collaboration. The International Congress of Youth Voices, founded by author Dave Eggers (co-founder of 826 National) and nonprofit leader Amanda Uhle, gathers the world's most inspiring teen writers and activists. They come from all over the world, including: Iraq, Syria, Afghanistan, the United States, Colombia, Guatemala, Cuba, Australia, Denmark, Nepal, Russia, England, Thailand, South Africa, Ireland, Canada, Uganda, Pakistan, Burundi, France, India, and Puerto Rico. Student delegates are chosen based on their commitment to leadership and social justice and their passion and eloquence as writers. The event is designed to provide a path to leadership for all delegates and represents a continuum from students who have exhibited potential in local writing and tutoring programs to writers and activists who have already made notable achievements at a very young age. Youth on Fire: The International Congress of Youth Voices was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell, Rachel Templeton & Teddy Alexander. Mixed by Jim McKee. Story Intern: Jonathan Hsieh. Special thanks to Dave Eggers & Amanda Uhle and to all the delegates from around the country and around the world who came to Puerto Rico and shared their stories with us. Check out more on our new social media series #YouthOnFire. This story begins our new series Youth on Fire, stories of young activists and visionaries from around the world. We would love to hear from you if you are or if you know one. Podcasts, social media, poetry, playlists, manifestos… let us know what you’re doing. You can reach us @kitchensisters on Twitter, Instagram, Facebook and at kitchensisters.org. The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX. Thanks to Sakara for sponsoring this episode. Funding for work of The Kitchen Sisters comes from The National Endowment for the Humanities, The Robert Sillins Family Foundation, The TRA Fund supporting our Intern Program, and Listener Contributions to The Kitchen Sisters Productions.

Lou Reed—music icon, poet, photographer, Tai Chi master, vital force in the cultural life and underworld of New York City. Lou died in 2013 and left not a word of instruction about what he wanted done with his archive of recordings, instruments, gear, his Tai Chi swords, jackets—from his days with The Velvet Underground, through his solo career and last recordings. He left everything to his wife, artist and musician Laurie Anderson. Over the next six years Laurie and a team of Lou’s “keepers” created a vision. In March 2019, on the occasion of his birthday, The Lou Reed Archive opened to the public at the New York Library for the Performing Arts with parties, friends, family, fanfare and a drone concert at the largest cathedral in the world. During that week and beyond we spoke to many of Lou’s archivists, family, and friends — Laurie Anderson, Curator Don Fleming, Jason Stern and Jim Cass who worked with Lou, drone wizard Stewart Hurwood, Producers Tony Visconti and Hal Willner, Carrie Welch from the New York Public Library, Curator Jonathan Hiam and a devoted crew of librarians and archivists at the New York Library for the Performing Arts, and Lisa Shubert at Cathedral of Saint John the Divine. Many thanks to all. The Keepers, stories of activist archivists, rogue librarians, curators, historians and collectors, is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton & Brandi Howell and mixed by Jim McKee. Special thanks to story interns Sydney Stewart and Josh Gross. The Kitchen Sisters Present is part of the Radiotopia Podcast Network from PRX. Support for The Kitchen Sisters comes from Radiotopia, the National Endowment for the Arts, The Grammy Museum Foundation, The Marin Community Foundation/ Susie Tompkins Buell Fund, Cowgirl Creamery, The Kaleta Doolin Foundation, The Robert Sillins Family Foundation, The Robert Lee Hudson Foundation, the TRA Fund and listener contributions to The Kitchen Sisters Productions. “These are really terribly rough times and we really should try to be nice to each other as possible.”  Lou Reed.

As part of The Keepers, The Kitchen Sisters series about activist archivists, rogue librarians and keepers of the truth and the free flow of information, we query Lawrence Weschler, archivist of "the odd, the marvelous, the passionate and slightly askew.” Lawrence Weschler leads us into the world of pronged ants, horned humans, mice on toast and other marvels of the mind of David Wilson and his “cabinet of wonder,” the Museum of Jurassic Technology. We take a deep dive into the discovery of a cache of thousands of reels of nitrate film stock buried under the permafrost in Dawson City, the heart of the gold rush in the Klondike, and the making of Bill Morrison’s film Frozen Time. Weschler weaves stories of memory palaces, archives of misery, the early history of museums, obsessed collectors and more. Lawrence Weschler was a staff writer for the New Yorker for 20 years. He is a contributing editor to McSweeney’s, The Threepenny Review and The Virginia Quarterly Review. He is the author of numerous books including Mr. Wilson’s Cabinet of Wonder: Pronged ants, Horned humans, Mice on Toast and other Marvels of Jurassic Technology. Seeing is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin. True to Life: Twenty Five Years of Conversation with David Hockney. Waves Passing in the Night: Water Murch in the Land of Astrophysicists. And his most recent book, How Are You, Dr. Sacks?: a Biographical Memoir of Oliver Sacks. The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva & Davia Nelson, with Nathan Dalton and Brandi Howell. Special thanks to our Kitchen Sisters’ production intern Grant MacHamer, for his work on this story. The Kitchen Sisters Present is part of PRX’s Radiotopia, a curated network of some of the best podcasts around. Visit kitchensisters.org for more.

Chris Strachwitz is a man possessed. “El Fanatico,” Ry Cooder calls him. A song catcher, dedicated to recording the traditional, regional, down home music of America, his adopted home after his family left Germany at the close of WWII. Mance Lipscomb, Lightnin’ Hopkins, Mississippi Fred McDowell, Big Mama Thornton, Clifton Chenier, Rose Maddox, Flaco Jimenez… the list is long and mighty. Chris Strachwitz is a keeper. His vault is jam-packed with 78s, 33s, 45s, reel-to-reels, cassettes, videos, photographs — an archive of all manner of recordings. And an avalanche of lifetime achievement awards — from the Grammy’s, The Blues Hall of Fame, The National Endowment for the Arts – for some 60 years of recording and preserving the musical cultural heritage of this nation through his label, Arhoolie Records. Featuring interviews with Linda Ronstadt and Bonnie Raitt. “The Passion of Chris Strachwitz” was produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell, mixed by Jim McKee. For The Goethe Institute’s Big Pond series.

During the depths of the Depression in the late 1930s, 300 craftspeople came together for two years to build an enormous scale model of the City of San Francisco. This Works Progress Administration (WPA) project was conceived as a way of putting artists to work while also creating a planning tool for the city to imagine its future. The massive work was meant to remain on public view for all to see, but World War II broke out and the 6,000 piece, hand-carved and painted wooden model was put into storage for almost 80 years. Model City This episode was produced by The Kitchen Sisters, Nikki Silva and Davia Nelson with Nathan Dalton and Brandi Howell. Mixed by Jim McKee Subscribe to Kitchen Sisters Present

During the depths of the Depression in the late 1930s, 300 craftspeople came together for two years to build an enormous scale model of the City of San Francisco. This Works Progress Administration (WPA) project was conceived as a way of putting artists to work while also creating a planning tool for the city to imagine its future. The massive work was meant to remain on public view for all to see, but World War II broke out and the 6,000 piece, hand-carved and painted wooden model was put into storage for almost 80 years. Model City This episode was produced by The Kitchen Sisters, Nikki Silva and Davia Nelson with Nathan Dalton and Brandi Howell. Mixed by Jim McKee Subscribe to Kitchen Sisters Present

Filmmaker Wim Wenders talks about his early influences — Cinémathèque Française, Henri Langlois, Lotte Eisner — and tells stories of Werner Herzog and the films that have impacted his work. Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. We were gathering interviews for The Keepers story, Archive Fever: Henri Langlois and the Cinémathèque Française, about one of the earliest and most important film archives in the world, started in Paris in the 1930s, still thriving today. When we dug in to the filmmakers that had been shaped by this archive and its eccentric archivist, along with all of the French New Wave — Truffaut, Godard, etc. — surfaced the name of a filmmaker we have long admired, whose movies open the door of the lonely, the mystical, the musical, the landscape, with performances that tear your heart. Wim Wenders. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque had on his own filmmaking, but then the stories began to move in new directions — Lotte Eisner, Werner Herzog, and more. On the eve of the Academy Awards — an award Wim Wenders has been nominated for 3 times — we share his story. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years. If you enjoyed this podcast, please write a review on iTunes. It's a great way to help new listeners discover the show. And please say hello on Twitter, Facebook and Instagram. For more information about The Kitchen Sisters — our podcast, our NPR stories, our events, our workshops, our T-shirt, and other news from The Kitchen Sisterhood — visit kitchensisters.org and sign up for our Newsletter.

In this episode of Griffith University's Remarkable Tales, Griffith graduate Nathan Dalton take us behind the scenes of United Nations’ headquarters in New York. He tells us how he made his way from the streets of Toowoomba and Brisbane, to the some of the world’s most challenging conflicts. After 15 years at the front line of United Nations field missions in conflict zones around the world, he is now a political affairs officer for the UN, working towards peace in the Middle East. Nathan Dalton now walks alongside representatives of 193 member states confronting the great issues of humanity such as climate change, peace and security and human rights.

Deep Sessions VI (125 bpm and upward)   The seven episodes of Deep Sessions should really be called Fifty Shades of Deep. It would have been a better title and a true depsiction of what those sessions are about. Yet I did not want to make an event of 7 concomitant uploads and felt like being a bit clinical. I want to keep the blurb to a minimum and let the deepnest talk Embarking in a avalanche of Deep House uploads. I buy a lot of Deep House tunes, yet upload very few true Deep House sets. Though I believe Deep House is where I find the most consistent Talent and great quality tunes, being a slut for vocals and pretty tunes, I tend to shy away from publishing any Deep House mixes. Willingly or not, I always fall into the trap of including soulful tracks when I try to go deep. Let’s hope that by the time I am done with Deep House Sessions, I will have published something which is true to the genre. Final word, I really tried thoughout the session to showcase great artists I never uploaded before.. For the ones I know and are not featured this time ( thinking of you Petros), please accept my absolute apologies.   No particular order in the uploads but for the fact that I went up the bpm genre with every set.     Here we go.. Deep Sessions VI (125 bpm and upward)   Deep Sessions VI (125 bpm and upward): let's try to bring all the shade of deep into one set.. soulful, tech, funky, challenging but D3EP   Tracklist:   2014 Somethin' For Nothin' (Extended Mix). Sean McCabe, Big Ed, Diane Charlemagne 2014 And I Rolling in the Deep (mike & tess mash up edit ). Adele, Mike & Tess 1995 Alexandrie Alexandra (Joey Negro Deep Mix). Les Claudettes 2008 Doktor Deep (Original Mix). Adam Jace 2014 All I Want (Dosem Remix). UMEK, Mike Vale 2014 Rej Sound Of  Violence (Nikos Kalogerias Edit). Ame 2014 Time For House Music (Secondcity Remix). Carl Cox        2015 Piano Rhapsody (Groove Assassin Remix). Damond Ramsey 2014 Love Taking Over (Original Mix). Dusky 2014 Seeing Is Believing (Davidian Remix). Eli & Fur, Shadow Child 2014 Push The Feeling On (DaZZla Remix). Nightcrawlers 2014 Not Gonna Love You. Nathan Dalton, Rae 2014 Deep House (Inside Me) (Shane D Remix). Shane D, Ray Paxon         Highlights: "Somethin' For Nothin" Sean mcCabe, Big Ed.. right up my alley. The standout for me but too easy for me to love this track as it contains everything I love on House, beats, melody, adlib.. can't fault it.. Following is the VERY CLEVER MASHUP of Mike and Tess, Mr V and Adele mashed up, who would have thought? Do not miss it! And now for all the froggies out there, pour mes compatriotes, a 70's standard, which our parents were listening to Claude Francois Alexandrie Alexandra through the pure genius of Dave Allen aka Joey Negro.. I could not miss it ;). A good candidate for stand-out Carl Cox's tech deep number "Time for House Music".. Nice one Carl. Finishing with my personal favourite Shane D's remix of Deep House (Inside Me)... Deep with a groove.. what I really love the most.. Xtian

Welcome to the latest instalment of the Sunday Soulful House Sessions. This episode is an extra special one that features house music maestro Aaron Ross. I spoke to him to see what he has been up to and he treats us to a guest mix. Wrapped around this is my selection of the finest Soulful house currently in my bag.If you enjoy the show please share, comment or like - thanks again! Tracklisting: S.Chu - Closure (Defected)Andy Compton, Rowan - Touch (Peng)DJ Exte C, Feat, Fifi - Make One In My Dreams (Kings of Groove)Hallex M, DJeff, Miss Patty - Let’s Get It (United Music Records)Tony Lionni, Maria Marcial – Do You Believe (MadHouse Records)Kings of Groove ft Jessi Colasante – Now That You’re Gone (Kings of Groove)Neil Pierce, Vanessa Freeman – Ready For Your Love (Quantize Recordings) ** Aaron Ross Interview **Tune playing in the background: Aaron Ross, Sterling Ensemble - Talia (Restless Soul)  Aaron Ross Guest Mix Tracklisting:Billon Ft. Yasmin - Thinking About YouMr Mike- Let’s Do It Again (DJ Spen & Soulful Edge Remix)Kenny Bobien - With All My Might (Sean & Albert’s Organ Jam)Synth Tigers - Move Me (Aaron Ross Tribute Mix)Louie Vega & Duane Harden - Never Stop (Vega Bar Dub)Zo! , Erro, Phonte - We Are On The Move (Joey Negro Revival Mix)sanXero Ft. Alex Mills - White Flag Sasha Keable - Tempting As You Are (Aaron Ross Remix)Nathan Dalton ft. Laura Reed (Undivided)Ends.  John Legend - All Of Me (T’s Box)Rhemi, Nicole Mitchell - Tired (Rhemi Music)Kenny Dope, Raheem DeVaughn, Rhymefest - Final Call (Kay-Dee)Dajae - Don’t You Want My Love (Groove Odyssey)The Layabouts, Shea Soul - Perfectly (Reel People Music)   All music available from Traxsource - please support the artists:http://www.traxsource.com

The Kitchen Sisters  take us to a little-known, hidden corner of London — to Eel Pie Island, a tiny slice of land in the middle of the Thames. Now a small bohemian community of artists, inventors, river gypsies and boat builders, on the edge of Twickenham, Eel Pie Island has a flamboyant history that stretches from Henry VIII to The Rolling Stones. Eel Pie Island is produced by The Kitchen Sisters with Nathan Dalton, mixed by Jim McKee / The Hidden World of Kate McGarrigle, produced by the Kitchen Sisters Fugitive Waves is produced by The Kitchen Sisters in collaboration with Tom Corwin