Podcasts about Abraham Lincoln

A brief diversion from the Presidents content, though I do Visit some Presidents in the City of Lights! BONUS episode featuring my trip to Paris, where I fit statues of George Washington and Thomas Jefferson and a bust of Abraham Lincoln between museums and cathedrals and a lot of walking! Hear about how I planned and executed a trip abroad! Back to Presidential content in a few weeks! Support the show Also, check out “Visiting the Presidents” on Facebook, Instagram, and Twitter!

Writer/Director Alejandro Montoya Marin (The Unexpecteds) joins Matt and Tim to discuss the 2012 Timur Bekmambetov film, Abraham Lincoln: Vampire Hunter, starring Rufus Sewell, Mary Elizabeth Winstead, and Benjamin Walker as the titular Abraham Lincoln. Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alejandro Montoya Marin https://instagram.com/alejandromontoyamarin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com For more full length episodes like this, and the entire back catalog of Veep rewatches, go to patreon.com/secondincommand and become a Patron.

When it comes to leading a team, there's no such thing as too much information.Good leadership is about good communication. And for General Stanley McChrystal, that means creating a culture of free-flowing information: “The goal is to have everyone know everything all the time,” he says.McChrystal is a retired four-star general, former commander of US and international forces in Afghanistan, and a renowned leadership expert. In his experience building cohesive teams in complex environments, he's discovered that successful teams are built on a “shared consciousness [where] all have a common contextual understanding of what the situation is.” The key to creating that kind of culture, he says, is radical transparency — from leaders and subordinates alike. Whatever your position, “You are responsible for informing other people of things that they need to know,” he says.In this episode of Think Fast, Talk Smart, McChrystal and host Matt Abrahams discuss how to build shared consciousness within teams, how to communicate across cultural divides, and how to lead with clarity, context, and character.To listen to the extended Deep Thinks version of this episode, please visit FasterSmarter.io/premium.Episode Reference Links:General Stanley McChrystalGeneral McChrystal's Books: On Character / Team of Teams155. Can We Be Candid? How to Communicate Clearly and Directly161. Do Your Homework: Know What to Say by Knowing Who You're Talking To  Connect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedInChapters:(00:00) - Introduction (02:03) - Building Shared Consciousness (06:13) - Leading Across Differences (07:53) - Delivering Difficult News (10:18) - Communicating in a Virtual World (16:17) - Character as an Iterative Practice (18:27) - The Final Three Questions (23:23) - Conclusion  ********This episode is sponsored by Grammarly. Let Grammarly take the busywork off your plate so you can focus on high-impact work. Download Grammarly for free today Become a Faster Smarter Supporter by joining TFTS Premium.       

This cranky-meter goes to eleven! Andrew and Vieves dig into ads that have Andrew going full Rooney, as well as ads that are "bringing the nose up on the negativity train." Plus, a vintage jingle has to be heard to be believed, and Abraham Lincoln gets the CLEP. Here are links to the ads we talked about on this week's show: Verizon - “Old TV” https://www.ispot.tv/ad/Br7h/verizon-old-tv T-Mobile - Jeff Bridges and Zoe Saldana (Version 1) https://adage.com/video/t-mobile-jeff-bridges-zoe-saldana-explain-how-to-get-the-new-iphone-17-on-us-30s/ T-Mobile - Jeff Bridges and Zoe Saldana (Version 2) https://www.youtube.com/watch?v=jbcVI_uyCSU Progressive - “Vacation” https://www.ispot.tv/ad/Bnni/progressive-vacation Progressive - Dr. Rick (Grocery Store, Coffeeshop, Restaurant) https://www.ispot.tv/ad/ByM0/progressive-dr-rick-young-homeowners Capitol One - “The Capitol One Guy Sighting” https://www.ispot.tv/ad/f76g/capital-one-cafe-spotting Geico - “Crossword” https://www.ispot.tv/ad/ByFV/geico-auto-insurance-crossword CLEP (College Level Examination Program) PSA https://www.youtube.com/watch?v=6F02IMkpsAA Progressive - Bad Listener https://youtu.be/1XvYkDq-3o0?si=mkUxpwGZz9aQCPbs Wawa 50th Anniversary Video https://www.youtube.com/watch?v=bar0bnGtnM0

The White House has long been described as one of the most haunted houses in America. But imagine there's a world famous politician, staying in the Lincoln Bedroom. Just out of the shower, he walks naked over to the fireplace in the bedroom . . only to see Abe Lincoln sitting there. And he actually spoke to him!See omnystudio.com/listener for privacy information.

One of Abraham Lincoln's staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis's career, as Lincoln named him to the U.S. Supreme Court in 1862. In David Davis, Abraham Lincoln's Favorite Judge (University of Illinois Press, 2025), Raymond J. McKoski offers a biography of Davis's public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln's political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War-era rulings. McKoski details these cases while providing an in-depth account of Davis's role in Lincoln's two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency. Raymond J. McKoski is a retired Illinois Circuit Judge and adjunct professor at the University of Illinois Chicago School of Law. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of Abraham Lincoln's staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis's career, as Lincoln named him to the U.S. Supreme Court in 1862. In David Davis, Abraham Lincoln's Favorite Judge (University of Illinois Press, 2025), Raymond J. McKoski offers a biography of Davis's public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln's political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War-era rulings. McKoski details these cases while providing an in-depth account of Davis's role in Lincoln's two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency. Raymond J. McKoski is a retired Illinois Circuit Judge and adjunct professor at the University of Illinois Chicago School of Law. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

One of Abraham Lincoln's staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis's career, as Lincoln named him to the U.S. Supreme Court in 1862. In David Davis, Abraham Lincoln's Favorite Judge (University of Illinois Press, 2025), Raymond J. McKoski offers a biography of Davis's public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln's political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War-era rulings. McKoski details these cases while providing an in-depth account of Davis's role in Lincoln's two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency. Raymond J. McKoski is a retired Illinois Circuit Judge and adjunct professor at the University of Illinois Chicago School of Law. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Every day, you walk past opportunities for a better life—a game-changing business connection, a piece of life-altering wisdom, or a deep friendship. You don't see them because they are hidden inside other people, and you've already decided who they are.   In a profound episode of the Personal Mastery Training podcast, the hosts reveal how we unknowingly kill our own opportunities through a single, destructive habit: labeling. The moment you place a label on someone, you stop being curious. And the moment curiosity dies, so does your opportunity for growth. Key Highlights from the Discussion The Labeling Trap: The core idea is simple but transformative: "The labels that we place on other people fracture opportunity." When you judge someone based on their appearance, job, or your past experiences with them, you slam the door on what they could teach you or how they could change your life. The Need to Be Right Destroys Curiosity: This is the ultimate communication killer. If you enter a conversation with the goal of being right, you have already lost. You cannot be curious and defensive at the same time. Prioritize understanding over winning, and you will unlock a new level of connection. Curiosity Turns Enemies into Friends: The hosts shared a powerful story about Abraham Lincoln, who argued that the best way to destroy an enemy is to make them your friend. How? Through curiosity. Asking questions to understand another's perspective is the fastest way to dissolve conflict and find common ground. People Crave to Be Seen: The deepest human need is to be seen, heard, and valued. When you approach someone with genuine curiosity, you give them that gift. In return, they lower their walls, and a real connection becomes possible. Stop Seeing a Past Version of People: "Familiarity breeds contempt." Are you still seeing your partner, your child, or your old friend as the person they were five years ago? Be curious about who they are becoming. This is where new layers of your most important relationships are waiting to be discovered. The Takeaway Your greatest opportunities are hidden in the people you meet every day. The key to unlocking them is to replace judgment with curiosity. In your next conversation, resist the urge to label, to be right, or to wait for your turn to speak. Instead, ask a genuine question, listen with the intent to understand, and watch as a new world of possibilities opens up right in front of you  

One of Abraham Lincoln's staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis's career, as Lincoln named him to the U.S. Supreme Court in 1862. In David Davis, Abraham Lincoln's Favorite Judge (University of Illinois Press, 2025), Raymond J. McKoski offers a biography of Davis's public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln's political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War-era rulings. McKoski details these cases while providing an in-depth account of Davis's role in Lincoln's two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency. Raymond J. McKoski is a retired Illinois Circuit Judge and adjunct professor at the University of Illinois Chicago School of Law. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

George Will laughably calls Abraham Lincoln an origianlist. Why? Because we have to understand Amy Coney Barrett. Seriously.https://mcclanahanacademy.comhttps://patreon.com/thebrionmcclanahanshowhttps://brionmcclanahan.com/supporthttp://learntruehistory.com

In August 1861, General John C. Fremont—once America's most famous explorer and the Republican Party's first presidential nominee—issued an unauthorized order freeing all slaves in Missouri. President Lincoln swiftly revoked it, fearing the decision would drive crucial border states into Confederate hands. The clash between these two men revealed a fundamental tension: Fremont operated on […]

In August 1861, General John C. Fremont—once America's most famous explorer and the Republican Party's first presidential nominee—issued an unauthorized order freeing all slaves in Missouri. President Lincoln swiftly revoked it, fearing the decision would drive crucial border states into Confederate hands. The clash between these two men revealed a fundamental tension: Fremont operated on moral urgency and personal instinct, while Lincoln worked within constitutional constraints and political reality. Fremont's military career never recovered from the confrontation.Yet sixteen months later, Lincoln's Emancipation Proclamation employed the exact legal framework Fremont had pioneered: military necessity as commander-in-chief during wartime. Historian and journalist John Bicknell joins us to explore how this forgotten general's bold gambit forced critical conversations about slavery's role in the war effort and ultimately shaped the constitutional pathway to emancipation. The story reveals why we remember one man as the Great Emancipator while the other faded into historical obscurity—and why both were essential to America's path toward freedom.Host: Jeff SikkengaExecutive Producer: Jeremy GyptonSubscribe: https://linktr.ee/theamericanidea

We all know that money can be stressful, confusing, even a little embarrassing, and that applies to pretty much all of us, even the president of the United States. From Abraham Lincoln secretly stashing his paychecks to Gerald Ford's side-hustle retirement, the financial lives of America's leaders have been just as messy and fascinating as our own. In her new book, All the Presidents' Money: How the Men Who Governed America Governed Their Money, wealth manager and Forbes contributor Megan Gorman shows how the same dramas that hit our wallets have played out in the White House. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Writings of Frederick Douglass on Abraham Lincoln, acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that haven't been seen for 160 years. Measuring the Man brings together, for the first time, every substantive comment Frederick Douglass made about Abraham Lincoln. Spanning more than three decades, this revelatory collection traces Douglass's complex, evolving assessment of the man who led the nation through the Civil War and emancipation. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America.There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

How can you tap into your hidden intelligence and transform your life? The Army might be able to show you how. If you've ever wondered where such visionary creatives and decision-makers such as Steve Jobs, Vincent van Gogh, Abraham Lincoln, Maya Angelou, Nikola Tesla, Marie Curie, Albert Einstein, Warren Buffett, and William Shakespeare get their extraordinary mental abilities, join us for an intriguing talk with Angus Fletcher, professor at The Ohio State University. Researchers at Ohio State's Project Narrative in 2021 said they have an answer: primal intelligence—something that cannot be found in computers but is in humans and can be strengthened. In response, U.S. Army Special Operations incorporated primal training for its most classified units; according to Fletcher, they saw the future faster, healed more quickly from trauma, and chose more wisely in life-and-death situations. The Army then authorized trials on civilians—entrepreneurs, doctors, engineers, managers, coaches, teachers, investors, and NFL players. Their leadership and innovation reportedly improved significantly; they coped better with change and uncertainty, and they experienced less anger and anxiety. Then the Army provided primal training to college and K–12 classrooms, where it is said to have produced substantial effects in students as young as eight. Fletcher has brought this training to a wider audience in his new book Primal Intelligence: You Are Smarter Than You Know. Join us as he shares what he learned about this approach to using your brain—you just might end up thinking more like Jobs, Lincoln and Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

DescriptionMoralistic Therapeutic Deism (MTD) didn't just appear out of nowhere—it's the product of centuries of American religious and cultural development. In this video, we trace its roots from Puritanism through Unitarianism, Transcendentalism, therapeutic spirituality, and beyond.In this video I mention…Paul Vanderlay, Christian Smith, John Winthrop, Jonathan Edwards, Michael Servetus, John Calvin, Joseph Priestley, William Ellery Channing, John Locke, Isaac Newton, John Milton, Ralph Waldo Emerson, Henry David Thoreau, John Muir, Mary Baker Eddy, Phineas Quimby, The Fox Sisters, Helena Blavatsky, Rudolf Steiner, Sir Arthur Conan Doyle, Helen Schucman, Marianne Williamson, Oprah Winfrey, Gregory of Nyssa, John Adams, Thomas Jefferson, Theodore Parker, Abraham Lincoln, Christopher Columbus, and more.

On what date did President Abraham Lincoln die? Play. Share. Listen with FOX News Headlines 24/7 Anchor, Lisa Brady. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Doyle and Jeff recap a week of the Flyers preseason, why it was so hard to watch any of the games, and remember a legend. broadstreetbully.com Twitter @thebsbpodcast Instagram @thebsbpodcast

The United States today is bitterly divided between two major political movements. What can we do to solve such a deadly problem? Find the solution in the legacy of Abraham Lincoln.

The United States today is bitterly divided between two major political movements. What can we do to solve such a deadly problem? Find the solution in the legacy of Abraham Lincoln.

Psalms 34:11Abraham Lincoln's childhood is legendary. Born into poverty with a travelling father and a simple mother who taught him to read and died when Lincoln was 10. Take a moment to ponder the question: where would Lincoln be without his mother? We have an incredible opportunity to shape our children no matter our situation.

In 1864, the American Civil War reached a critical juncture with Ulysses S. Grant’s Overland Campaign, including the brutal battles of the Wilderness and Spotsylvania, which claimed over 60,000 casualties, surpassing Gettysburg as the Americas’ deadliest clash. Abraham Lincoln faced a contentious re-election against George B. McClellan, while Confederate General Jubal Early’s troops came within five miles of the White House. Abolitionists pushed for emancipation, and desperate Confederate plots, like the attempt to burn New York City’s hotels, marked the war’s final months, culminating in Lincoln’s assassination by John Wilkes Booth in April 1865. Today’s guest is Scott Ellsworth, author of “Midnight on the Potomac: The Last Year of the Civil War, the Lincoln Assassination, and the Rebirth of America.” We explore how the staggering losses of 1864 shaped Lincoln’s strategy of attrition amid political uncertainty. These include lesser-known moments, like the Washington Arsenal explosion that killed 21 workers and Early’s near-invasion of Washington, D.C., which could have altered the war’s course. We also examines the November 1864 Confederate plot to destabilize New York and the conspiracy behind Lincoln’s assassination, including the unresolved question of Confederate government involvement. Reflecting on the war’s toll—over 620,000 dead and four million African-Americans freed but facing new struggles—Ellsworth illuminates how these events reshaped America’s identity.See omnystudio.com/listener for privacy information.

In the wake of Abraham Lincoln's election, Southern leaders made a fateful choice: to break from the Union. Yet instead of plunging the country into war, what followed next was a tense standoff. There were, as we'll learn today, twists and turns on the path from Secession to all out Civil War.Edited by Tomos Delargy. Produced by Freddy Chick. Senior Producer is Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

We kicked off the program with four news stories and different guests on the stories we think you need to know about!As fall officially begins, the American Red Cross urges people to mark the new season with a lifesaving blood or platelet donation to help keep the blood supply strong. Guest: Jeff Hall – with Red Cross of Massachusetts Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln. This book touches on the relationship between Douglass and Lincoln. Guest: Jonathan White – co-author of this book & professor of American Studies at Christopher Newport University and vice chair of The Lincoln Forum. & Author of over 20 books. Memorial set for prosecutor Assist. AG Paul McLaughlin who was gunned down by a gang member in 1995. Guest: Judge Jeffrey Locke The Massachusetts State Lottery's new “Ghostbusters™” instant ticket game & more that's new with the state lottery. Guest: Mark William Bracken - Executive Director of the MA Lottery

Rogers for America with Lt. Steve Rogers – Regrettably, many young people today are not receiving positive influences or learning about the beneficial values introduced by figures such as Jesus Christ, as well as notable national leaders like George Washington, John Adams, and Abraham Lincoln. This absence of exposure is concerning, particularly when it originates from a lack of guidance from parents...

As I mentioned in the previous episode, we are going to be looking into the foundations of the NeuroHarmonic Method, which we are continuing to prepare for its upcoming release. Again, a lot of personal growth insights are going to be presented to you, practical and uplifting ideas that you may find to be deeply valuable. In that light, let me take you back to something I came across many years ago, a powerful framework that continues to guide me to this day. It's called the Four Quadrants of Knowledge. On the surface, it's simple and easy to grasp, but its importance runs deep, especially when you get to the last quadrant. And while we all intuitively know these categories, we often take them for granted. Quadrant One Quadrant One is what you know that you know. If you own a car, you know what make and color it is, what the keys look like, how to start it and so on. You know where you live, if you have kids, and thousands of things like this. These are all part of the first category: what you know that you know. Easy enough. Quadrant Two Quadrant Two is what you know that you don't know. If someone asked me to assist in a heart transplant surgery, I'd refuse because I know nothing about it and I know that I don't know. Same thing with rebuilding a carburetor and countless other skills. This category is huge for all of us, and we're all pretty clear about it. Of course, these two can be a little tricky because we have a tendency to trick ourselves, but that's a different story. Quadrant Three Quadrant Three is what we know, but don't realize that we know. This often shows up in the form of forgetting. You stumble across an old sweater in a drawer, one that used to be your favorite but you'd completely forgotten about. The knowledge was there, but buried. Sometimes this happens with skills we once practiced but let fall away, and so forth. Quadrant Four Quadrant Four is the most critical to understand, yet also the hardest to fully grasp. It is the realm of what we don't know that we don't know. This quadrant presents a major challenge, because it always remains in the domain of mystery — filled with both unseen opportunities and hidden dangers. We don't need to dive too deeply into Quadrant Four just yet, because the rest of this episode will make its significance abundantly clear. So let's begin. Every society, in its own time, has believed it was the most advanced ever. And in a way, that makes sense — we can look back and clearly see the history behind us, and we can measure how far we've come. But the future? That always remains in the unknown, and all we can do is speculate. And how big is Quadrant Four? How vast is the realm of what we don't know that we don't know? Well, the answer is obvious: we don't know. A Glimpse Back in Time So, with all this in mind, let's take a little trip back in time and see what appears to us. Imagine walking into the White House in the early 1830s. The floors are creaky and the rooms are still dimly lit with candles. It's far from the glittering palace that exists in our collective imagination. But, for its time, it was astonishingly modern. In fact, it boasted something most Americans of that era could hardly dream of. It had running water. And not only that – hot running water. That's right. The White House, in Andrew Jackson's presidency, became one of the very first buildings in the world to enjoy plumbing on such a scale. By 1833, a spring at Franklin Square fed water through iron pipes, supplying reservoirs in the mansion. There was even a bathing room fitted with a cold bath, a shower, and—this was the marvel—a hot bath, heated by great copper boilers stoked with coal. The Astonishing Contrast Now it's hard for us to grasp what a marvel this level of luxury truly was, but in the early 1830's it was nothing less than astonishing. At the time, most Americans drew their water by hand—from wells, outdoor pumps, or streams—and lugged it in heavy buckets to their kitchens or washrooms. Heating that water meant chopping wood, tending a fire, and waiting as iron kettles slowly came to a boil. Even in wealthy homes, servants trudged up and down stairs with sloshing pails, and a single bath could take hours to prepare. Against this backdrop of labor and inconvenience, the sight of water flowing instantly through pipes—already heated and ready for use—seemed almost magical. It was not just a convenience but a symbol of modern progress, decades ahead of what ordinary families would experience in their daily lives. The Hidden Tragedy But with this, something strangely tragic unfolded in the White House over the next thirty years. A black shroud of grief descended upon it, as three unlikely deaths darkened its halls. And those deaths came about for one simple reason: the people of the time didn't know what they didn't know. You see, the spring that fed the White House pipes stood just a few blocks away from what was called a “night-soil dump” — a polite 19th-century phrase for a sewage pit. That's right: a large amount of human waste was regularly dumped into a pool not far from the very spring that carried water into the White House. Before Germ Theory You may or may not realize that this time period was a good fifty years before the significant understanding of germ theory began to dawn on the world. In those days, people believed that bad odors — so-called “miasmas” — caused disease. The idea that invisible microbes in water could make someone sick wasn't even remotely conceived of. So yes, the development of a running water system was real progress — but wisdom had not yet caught up with it. They simply didn't know what they didn't know. And the result began to take its toll, with three famous examples that stand out in history. Case One: William Henry Harrison At his inauguration in March of 1841, William Henry Harrison delivered the longest inaugural address in U.S. history — nearly two hours long in the raw March wind. For generations, history books told us that he caught pneumonia that day and died a month later. But recent medical historians see it differently. They point to clear signs of enteric fever — a typhoid-like illness consistent with sewage-contaminated water. In other words, Harrison was likely undone not by the cold weather, but by the White House plumbing itself. Case Two: Zachary Taylor Fast forward to July of 1850. President Zachary Taylor had just attended Fourth of July celebrations, where he enjoyed a bowl of cherries and a glass of iced milk. Within days, he fell violently ill. Newspapers of the time reported “cholera morbus” — a catch-all term for gastroenteritis. Taylor died within the week. While it's impossible to prove with certainty, medical historians now believe his death also fits the pattern of a waterborne illness, consistent with the contaminated spring that supplied the White House. Case Three: Willie Lincoln Perhaps the most heartbreaking related event was the death of Willie Lincoln, the beloved 11-year-old son of Abraham and Mary Todd Lincoln. In February 1862, while the Civil War raged, Willie fell ill with typhoid fever. He lingered for weeks, weakening day by day, while his parents tended to him engulfed in agony and fear. He died in the White House on February 20. Doctors and historians agree: the likeliest culprit was the contaminated water. Once again, the very pipes that delivered incredible modern convenience carried the seeds of immense tragedy. Abraham Lincoln, wrestling with the fate of a nation, now had to wrestle with the loss of his beloved child as unthinkable grief was delivered by a seemingly advanced invention. The Lesson of Quadrant Four So, what does all this mean for us? Well, this brings us back to knowledge — especially the fourth quadrant: what you don't know that you don't know. The White House water story of the 1830s makes it painfully clear that technology without wisdom isn't progress at all — it's peril. And tragically, this is just one of countless examples throughout history where what people didn't know cost them dearly. The Modern Parallel To take this to the next level, let's draw a parallel to our modern world today. And let's put a focus on our awareness, on the inner life of the human mind, which is truly a double-edged sword. Because while our mind has been the source of all the developments that have come into being to help elevate humanity, it has also been responsible for creating much of the misery that we suffer today. With all this in mind, here's a key question: might we also be drinking contaminated water? From an environmental perspective, of course, that's an urgent issue in its own right. But in this scenario, I'm not talking about what flows from our faucets. Contaminated Thought Water What I mean is the streams of thoughts and feelings that flow into our consciousness every single day. The rushing current of fear, anger, worry, resentment, self-doubt, and negativity — a polluted current we so often drink from without ever realizing its toxicity. Just as the 19th-century White House residents poured crystal-clear water into their cups, unaware of the microbes within, we pour “thought water” into ourselves every moment. It looks clear — it feels like simply “my mood,” or “just the way I am.” But this inner negativity carries powerful pathogens of a very different kind. The Physiological Cost Modern brain science reveals that every thought and feeling we experience sets off reactions within us. Neuropeptides and hormones are released, stirring inner uneasiness. The body absorbs them. The nervous system reacts. The immune system bends under the strain. And the brain itself rewires according to the repeated currents of negativity. Not a healthy scenario. And all the while, society around us treats these inner toxins as normal — and we accept them. Why? Because we don't know what we don't know. The New Germ Theory But modern neuroscience is beginning to catch up, just as medicine once did with germ theory. We now know that chronic negative thought patterns release cascades of stress hormones: cortisol, adrenaline. We know they rewire the amygdala toward hypervigilance, reshape the hippocampus toward fear-based memory, and even shorten telomeres, the protective caps on our DNA. We know that unrelieved emotional stress contributes to heart disease, metabolic disorders, weakened immunity, and depression. We know that rumination — the habit of chewing endlessly on worries — can be as corrosive to the brain as cholera was to the gut. But here's the rub: just like the White House in 1833, our society is rife with technology, but not yet with wisdom. We drink contaminated thought water every time we scroll through doom-laden headlines, replay grudges, or compare ourselves to seductive illusions curated online. We immerse ourselves in hot and cold running negativity, unaware of the pathogens at work. Toward Mental Hygiene So what if we proposed a new “germ theory” — not of the body, but of the mind? What if we said: thoughts are not just harmless, invisible puffs of energy. They are agents. They shape physiology. They carry consequences. The lesson of history is that once people understood germs, they learned sanitation, filtration, hygiene. And humanity's life expectancy soared. The lesson for us is the same: once we understand the pathogens of thought and feeling, we can develop practices of mental hygiene. Practices that enhance our awareness of Breath. Gratitude. Presence. Practices that filter the mind's water before we drink. And the positive upsides for us are enormous. NeuroHarmonics and the Authentic Self This is where NeuroHarmonics comes in. At its core, we speak of the Authentic Self — the indwelling presence that remains uncontaminated, untouched by the masks and playacting of daily life. And from this Authentic Self flows a constant, steady stream of truly pure water. The first goal of the method is simply to help us notice the difference — to tune our attention toward the infinite source, the wellspring of clean water, instead of the sewage-tainted supply that reckless habits and unconscious living keep delivering to us. Closing Reflection The poisoned water saga of the 1800s was a true tragedy. But today, we face a new kind of germ theory — one that speaks to the makeup of our inner awareness. And with it comes a profound realization: we have a choice about what we consume within. And the pure, clean water of the Authentic Self is always available — if only we choose to turn to it. This is great news, because on the deepest level, what we need isn't just clean running water. What we need is living water. Well, that's a lot of information, so let's bring this episode to a close. As always, keep  your eyes, mind and heart open, and let's get together in the next one.

September 22, 1842. A young Abraham Lincoln meets his rival on Bloody Island to face off in a life-or-death duel. This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1939, Basil Rathbone and Nigel Bruce were cast as Sherlock Holmes and Doctor Watson in 20th Century Fox's 'The Hound of the Baskervilles', a teaming which led to thirteen more films, and five seasons of a radio show containing over 200 episodes. In this special, feature-length documentary, Adam leads you through their seven year-long tenure as Conan Doyle's famous characters, revealing the workings behind the series, the names responsible for its inception, and the effect of the films on the careers of Rathbone and Bruce. Who got top billing in 'The Hound of the Baskervilles', and why? Who was Harry "The Henchman"? What did The Hoxton Creeper have in common with Abraham Lincoln? Who was involved in a notorious sex scandal during the making of 'Sherlock Homes and the Secret Weapon'? For instant access to the remaining episodes of THE GAME IS AFOOT, as well as the movies themselves in the Classic Movie Library, simply sign up now at ⁠⁠https://www.patreon.com/attaboysecret⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this Cyrus Says AMA Special, Cyrus is joined by comedian Shamik Chakrabarti for an hour of unfiltered banter, scams, sports, and sheer nonsense. From fake celebrity frauds (Keanu Reeves & Abraham Lincoln?!) to haunted houses charging rent, horror movie trauma, scam-crazy India, and why cricket feels pointless against UAE — nothing is spared. They also dive into:-Reading texts in Parsi & Bengali accents

A Pennsylvania father is accused of setting a gasoline-fueled fire that killed his daughter and left his wife badly burned. A unique silver statue of Abraham Lincoln stolen from a Louisiana plantation is found cut into pieces at several pawn shops. Drew Nelson reports.See omnystudio.com/listener for privacy information.

0:00 - As Howie Day once said, "even the best fall down sometimes." But the mark of a great team is how you answer adversity. The Broncos loss a heartbreaker last week. Can the respond with an important divisional win this week?14:19 - The Chargers won't have Khalil Mack this Sunday. He's out with a dislocated elbow. The Broncos need to capitalize on that opportunity. Also, the Brewers just clinched a playoff spot. Brewers Manager Pat Murphy wrote a letter congratulating the team from the perspective of Bob Uecker...who passed away earlier this year. He wrote the letter as if Uecker was penning it from heaven. Is that cool, fun, and inspiring? Or is that weird?34:17 - Coach Sanford had ChatGPT write an inspiring speech to pump up his Valor Christian Eagles from the perspective of Abraham Lincoln. And it was pretty damn good. Strap in, folks. This is the new AI-driven world we're living in. 

In 1939, Basil Rathbone and Nigel Bruce were cast as Sherlock Holmes and Doctor Watson in 20th Century Fox's 'The Hound of the Baskervilles', a teaming which led to thirteen more films, and five seasons of a radio show containing over 200 episodes. In this special, feature-length documentary, Adam leads you through their seven year-long tenure as Conan Doyle's famous characters, revealing the workings behind the series, the names responsible for its inception, and the effect of the films on the careers of Rathbone and Bruce. Who got top billing in 'The Hound of the Baskervilles', and why? Who was Harry "The Henchman"? What did The Hoxton Creeper have in common with Abraham Lincoln? Who was involved in a notorious sex scandal during the making of 'Sherlock Homes and the Secret Weapon'? For instant access to the remaining episodes of THE GAME IS AFOOT, as well as the movies themselves in the Classic Movie Library, simply sign up now at ⁠https://www.patreon.com/attaboysecret⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a text Join Sam, Kevin, and Amanda as we celebrate the incredible legacy of Wathel Rogers—Disney's animatronic pioneer and the man behind some of the most lifelike, magical movements ever created in the parks. From his early days sculpting miniatures and building models, to helping bring the Tiki Room birds, Abraham Lincoln, and Carousel of Progress to life, we explore how this tinkerer became one of the most essential “magicians” behind Disney magic. Then it's time for another Imagineering Armchair session—this time, we imagine an Audio-Animatronics 101 experience, the return of Golden Dreams, and adding some new storytellers to the World Showcase. We invite you to become Armchair Imagineers with us! Share your thoughts and join the conversation about this episode and more on our Discord!Join us in our completely free Discord https://discord.gg/4nAvKTgcRnCheck out all of our amazing sponsors!Getaway Todayhttps://www.getawaytoday.com/?referrerid=8636If you want to book a Disney Vacation, please use our friends at Getaway Today. Also, if you call 855-GET-AWAY and mention Walt's Apartment, you will get a special dose of magic Where In The Park The Podcast-“Discover the history behind the details of Disney parks and more on the Where In The Park podcast”https://whereinthepark.comCheck Out Sunken City Designs - from the mind of Louis Medinahttps://sunkencitydesigns.bigcartel.comWe are proud to be part of the Disney Podcast Family ,  checkout all the other great shows below We are proud to be part of the Disney Podcast Family , checkout all the other great shows below https://linktr.ee/DisneyPodcastFamily

Jonathan White and Lucas Morel, authors of "Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln"

✨ This Is Not the Way — The Tragedy of the Assassination of Charlie Kirk and What It Means for Our Country In this episode, we take time to reflect on the shocking assassination of conservative commentator Charlie Kirk, who was gunned down while speaking at a college campus. Instead of political posturing, let's have humane, constructive dialogue—and reject dehumanization, resist scapegoating, and reclaim our shared humanity. Marking this tragedy on the anniversary of 9/11, we'll look at Lincoln's words and the bipartisan statements of former presidents to remind us: "We are not enemies, but friends." This is not a moment for tribal rage or performative outrage—this is a moment to mourn, reflect, and reach across divides.

Over 150 years after his death, Abraham Lincoln's leadership still shapes America. Routinely ranked as the nation's greatest president, Lincoln led the country through the Civil War, ended slavery, and reunited a divided nation. In this episode of The Aggressive Life, host Brian Tome sits down with renowned historian Nancy Koehn for an unfiltered conversation about Lincoln's life and legacy. They explore his rise from obscurity, his struggles with mental health, his bold confrontation with rebellious generals, and the decisions that made him a transformational leader. Discover how Abraham Lincoln's aggressive life—marked by resilience, courage, and vision—remains just as resonant now as it's ever been.  Watch this week's episode on YouTube here.

Read my deep-dive article about people literally dying of fright:https://weirddarkness.com/scared-to-death-true-cases/From thunder and burglars to fake ghosts and even tree frogs, newspapers throughout history documented thousands of cases where people literally dropped dead from terror. These disturbing accounts reveal how the human body can turn fear itself into a fatal weapon, with victims ranging from soldiers frightened by practical jokes to children scared by animals looking through windows.Join the DARKNESS SYNDICATE for the ad-free version: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: It has been scientifically proven that we can truly be scared to death – but some of the situations of people dying of fright might surprise you. We'll look at a few newspaper headlines and stories from the past where people were deemed to be scared to death. (Incidents of Death By Fright) *** The tragic death of 11-year-old Darius Flinders could quite possibly be one of the strangest deaths ever recorded. It wouldn't seem so at first, but it gets that way as the possible explanations come forth. (The Strange Death of Darius N. Flinders) *** Last month a group of disgruntled TikTok witches reportedly got together and combined their online powers to cast a negative spell on the moon. Not a sentence I thought I'd ever read aloud, but that's just the kind of year we're having, isn't it? (Disgruntled Witches Curse the Moon) *** Weirdo family member Chris Harrell feels something hop onto the end of his bed… and it wasn't his dog. (Zombie Paralysis) *** Philadelphian Dorothy Cooper Forstein appeared to be happily married, comfortably well-to-do, a loving mother, and well-liked. She was, in short, one of the last people anyone would imagine as a victim of one of the creepiest disappearances in American history. (The Disappearance of Dorothy Forstein) *** Allan Pinkerton started the nation's first P.I. firm, saved Abraham Lincoln's life, and led Union spies behind Confederate lines during the Civil War. We'll look at the formation of the Pinkerton Agency. (America's First Private Eyes)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:00:52.954 = Show Open00:03:21.591 = Incidents of Death By Fright00:30:10.366 = Strange Death of Darius N. Flinders00:39:00.697 = Disgruntled Witches Curse The Moon00:41:41.540 = Zombie Paralysis00:45:19.265 = Disappearance of Dorothy Forstein00:50:19.739 = America's First Private Eyes00:56:24.791 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“Incidents of Death by Fright” by Chris Woodyard for The Victorian Book of the Dead: https://tinyurl.com/yyojesk6“The Strange Death of Darius N. Flinders” by Jennifer Jones for The Dead History: https://tinyurl.com/y2ulwdfv“The Disappearance of Dorothy Forstein” posted at Strange Company: https://tinyurl.com/y295teyk“Disgruntled Witches Curse The Moon” by Rob Schwarz for Stranger Dimensions: https://tinyurl.com/y4etwyck“Zombie Paralysis” by Weirdo family member Chris Harrell: https://tinyurl.com/yydgjgye“America's First Private Eyes” by Grace Srinivasiah for The Line Up: https://tinyurl.com/yxo4akj3=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: August 08, 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/ScaredToDeathABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#TrueHorror, #MedicalHistory, #StrangeDeaths, #HistoricalMysteries, #VictorianEra

In 1939, Basil Rathbone and Nigel Bruce were cast as Sherlock Holmes and Doctor Watson in 20th Century Fox's 'The Hound of the Baskervilles', a teaming which led to thirteen more films, and five seasons of a radio show containing over 200 episodes. In this special, feature-length documentary, Adam leads you through their seven year-long tenure as Conan Doyle's famous characters, revealing the workings behind the series, the names responsible for its inception, and the effect of the films on the careers of Rathbone and Bruce. Who got top billing in 'The Hound of the Baskervilles', and why? Who was Harry "The Henchman"? What did The Hoxton Creeper have in common with Abraham Lincoln? Who was involved in a notorious sex scandal during the making of 'Sherlock Homes and the Secret Weapon'? For instant access to the remaining episodes of THE GAME IS AFOOT, as well as the movies themselves in the Classic Movie Library, simply sign up now at https://www.patreon.com/attaboysecret Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at Donald Trump reemerging in public for the first time in five days after an unusual absence that stirred rumors about his health.Then, Kumail Nanjiani talks about playing Abraham Lincoln in Oh, Mary!, having to do specific rehearsals just to learn how to walk off the stage in the dark and being a weird kid growing up in Pakistan. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

West Hill Manor in Burlington, New Jersey, is a historic treasure—one built between 1797 and 1799 in rare Federal style. But this stately home is more than a museum of early American architecture—it's a place where history refuses to stay silent. Psychic medium and paranormal investigator Beth O'Brien joins us on The Grave Talks to share what she's experienced while volunteering at West Hill. A passionate advocate for its preservation, Beth has seen and felt things most visitors never do—things that suggest the spirits of West Hill are still very much present. Within its walls, the cries of Susanna Emlen may still linger. She underwent one of the earliest known breast cancer surgeries in the United States—performed without anesthesia—and survived. Many believe she never truly left the room where it happened. Then there's Eliza Gurney, the manor's second owner, whose deep friendship with President Abraham Lincoln left such an impression that one of her letters was allegedly found in his coat the night of his assassination. But beyond the historical intrigue, modern paranormal reports make it clear—West Hill is more than a relic. Disembodied voices, phantom footsteps, unexplained touches, and even the sound of gunfire echo through the halls, suggesting something unseen remains active within. Beth O'Brien takes us deep inside the spiritual heartbeat of the house—and why it continues to mystify everyone who steps inside. This is Part Two of our conversation. For more information on West Hill Manor, click here and for more information on Beth O'Brien, click here. #HauntedHistory #ParanormalPodcast #GhostStories #WestHillManor #HauntedNewJersey #RealGhostEncounters #HistoricHauntings #BethOBrienMedium #GhostHunting #TheGraveTalks Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

West Hill Manor in Burlington, New Jersey, is a historic treasure—one built between 1797 and 1799 in rare Federal style. But this stately home is more than a museum of early American architecture—it's a place where history refuses to stay silent. Psychic medium and paranormal investigator Beth O'Brien joins us on The Grave Talks to share what she's experienced while volunteering at West Hill. A passionate advocate for its preservation, Beth has seen and felt things most visitors never do—things that suggest the spirits of West Hill are still very much present. Within its walls, the cries of Susanna Emlen may still linger. She underwent one of the earliest known breast cancer surgeries in the United States—performed without anesthesia—and survived. Many believe she never truly left the room where it happened. Then there's Eliza Gurney, the manor's second owner, whose deep friendship with President Abraham Lincoln left such an impression that one of her letters was allegedly found in his coat the night of his assassination. But beyond the historical intrigue, modern paranormal reports make it clear—West Hill is more than a relic. Disembodied voices, phantom footsteps, unexplained touches, and even the sound of gunfire echo through the halls, suggesting something unseen remains active within. Beth O'Brien takes us deep inside the spiritual heartbeat of the house—and why it continues to mystify everyone who steps inside. For more information on West Hill Manor, click here and for more information on Beth O'Brien, click here. #HauntedHistory #ParanormalPodcast #GhostStories #WestHillManor #HauntedNewJersey #RealGhostEncounters #HistoricHauntings #BethOBrienMedium #GhostHunting #TheGraveTalks Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story: