Podcast appearances and mentions of Jessica Walsh

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode filled with inspiration, creative news, and practical tips to carry you through the week. Whether you need motivation or insights, we've got you covered! This week, we welcomed Joseph Parsons to the podcast. By day, Joseph is a freelance graphic designer, and by night, he takes to the stage as a stand-up comedian. His dual career path sparked a fascinating discussion about balancing two passions: navigating the challenges of freelancing and the unexpected parallels between pitching design ideas and performing stand-up comedy. This episode is for you if you've ever juggled different roles in your creative journey. Joseph shared his thoughts on how the industry is changing, including the impact of the Government's IR35 legislation on freelancers and small businesses. We also explored how comedy has evolved, with platforms like social media offering new opportunities for comedians to find success outside traditional routes. Joseph's upcoming tour, Re-Designed, is a brilliant blend of his experiences in comedy and design—be sure to check it out for a good laugh and some relatable industry insights. This week's creative news takes us on a journey of nostalgia and innovation. In Finland, Aalto University is unveiling Nokia's design archive on 15 January, celebrating the brand that defined the mobile world in the '90s. From the iconic 8110 "banana phone" to the customisable 3210, the archive is a treasure trove of design sketches, marketing materials, and audio recordings, offering a rich blend of inspiration and history. Meanwhile, Cornish landscape artist Dianne Griffiths has won the 2024 People's Choice Award for her atmospheric painting Driving Home. This evocative depiction of a Texaco petrol station under a starry sky captivated voters and has even been purchased by the petrol station itself. In tech news, Apple is rumoured to be working on its thinnest phone yet, the iPhone 17 Air. Combining sleek design with advanced technology, it's shaping up to be a bold step forward in minimalist tech. Our Spotlight segment this week celebrates the 25 most admired graphic designers of 2024, as voted for by the design community. From bold innovators like Jessica Walsh to typographic legends like Astrid Stavro, these creatives are shaping the future of visual culture and leaving a lasting impact on the industry. The full list is a testament to the diversity and brilliance of today's graphic design scene. Our Book of the Week is Beyond the Wall: East Germany, 1949–1990 by Katja Hoyer. It offers a fresh look at life behind the Iron Curtain. This detailed history reveals the complexities of the GDR, from its Marxist roots to its collapse, blending personal stories with political insights. A must-read for history buffs! For our Tip of the Week, we look at networking and why it should be your priority in 2025. Networking is about building real connections. Start small—ask simple questions like, "What brought you here?" Follow up afterwards to keep the relationship alive. Authenticity is key. Networking isn't about selling yourself—it's about making new friends. On Monday, our guest will be Jessi Brattengeier, creative director at The New York Times. She will share her inspirations, processes, and aspirations and give us a really interesting look behind the scenes at one of the world's most prestigious publications. And then, instead of The Spark on Thursday, we've got a Christmas Special for you, featuring ten former guests of The Creative Boom Podcast, all helping us get into the festive spirit. Until then!

Copying is a great way to study what makes an impactful website, poster, or even a social media post, according to Stefan Sagmeister.Rei welcomes back graphic designer Stefan Sagmeister to explore the importance of beauty in form and design. Reflecting on his career, Stefan shares how his collaboration with Jessica Walsh transformed his perception of design aesthetics, the impact of Apple's design philosophy, and his innovative sabbatical approach and its role in maintaining his creative passion. With insights on embracing change, valuing aesthetics, and intentionally designing one's life, this episode offers profound wisdom for aspiring designers and creative professionals.Stefan Sagmeister has designed for clients as diverse as the Rolling Stones, HBO, and the Guggenheim Museum. He's a two time Grammies winner and also earned practically every important international design award.Stefan talks about the large subjects of our lives like happiness or beauty, how they connect to design and what that actually means to our everyday lives. He spoke 5 times at the official TED, making him one of the three most frequently invited TED speakers.His books sell in the hundreds of thousands and his exhibitions have been mounted in museums around the world. His exhibit 'The Happy Show' attracted way over half a million visitors worldwide and became the most visited graphic design show in history. A native of Austria, he received his MFA from the University of Applied Arts in Vienna and, as a Fulbright Scholar, a master's degree from Pratt Institute in New York.Timestamps:0:03 The Evolution of Aesthetic Importance in Design4:25 Apple's Unwavering Commitment to Design and Aesthetics9:03 Stefan Sagmeister on Long-Term Projects and Creative Sabbaticals16:54 The Importance of Form and Copying in Design Learning20:20 The Dual Nature of Online Interactions and Empathy22:57 Stefan Sagmeister on Design, Beauty, and Evolving Perspectives25:12 Three TakeawaysEpisode References:Stefan Sagmeister | Online PortfolioStefan Sagmeister | InstagramRei Inamoto | InstagramRei Inamoto | XI&CO | Corporate SiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a Text Message.Bill Bartholomew welcomes Jessica Walsh, Executive Director of the Women's Resource Center.To get help, anywhere in the state: 1-800-494-8100 or visit www.ricavd.org for a list of all the agencies and resource in the state. To get help or learn more about the Women's Resource Center: 401-846-5263 or visit www.wrcnbc.org To purchase tickets for Courtyard Cocktails: https://wrcnbc.networkforgood.com/events/74297-courtyard-cocktails To make a donation to the Women's Resource Center: https://wrcnbc.networkforgood.com/  Support the Show.

Jessica Walsh is an attorney and legal instructor. She has worked in Clark County, Las Vegas NV, for 17 years as a prosecutor, but is also an instructor through the awesome comany "Blue To Gold."  So many skills in law enforcement are perishable. Court is no different. The learning never stops, and Jessica provides solid advice.    For more: https://bluetogold.com/instructors/jessica-walsh/   -----------------------------   Family first must no longer be just some popular phrase. Watch "Is There Something Going On At Home?": https://amzn.to/48z1mss **Free mental survival quick guide: https://scott-31f04.gr8.com/     ******Police Officers are at risk of their home addresses being shared on the internet. Protect yourself and your family from this! I have used OfficerPrivacy and it has brought me peace of mind. Click the link to reclaim your privacy! https://OfficerPrivacy.referralrock.com/l/SCOTTMEDLI18/   Disclaimer: The creator is not responsible for errors, omissions, or results from using this information. The views or opinions belong solely to the Creator. Information by the Creator is for Educational Purposes Certain Content herein is subject to the Doctrine of “Fair Use”   ▶️Note: As an Amazon Associate I earn from qualifying purchases.  

Cada persona va armando sus reglas para hacer mejor las cosas y Jessica Walsh es una de ellas. Walsh, diseñadora estrella, publicó su manifesto de 10 reglas para un buen diseño y en este episodio platicamos acerca de nuestras favoritas y las que creemos que les pueden servir más.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We went on a deep dive into Graphic Designer Jessica Walsh's Design Manifesto entitled "10 rules for great branding and design" and THIS is what we learned:Known for her bold, innovative approach and as a beacon of creativity in graphic design, Jessica Walsh has redefined the standards of visual communication. We dissect the key elements of her manifesto, discussing how it challenges conventional norms and inspires designers of all levels.Join the Angry Designers as they unpack the Jessica Walsh Design Manifesto, and extract practical insights and lessons from her manifesto that you can apply to your own Graphic Design journey.  Whether you're a budding Graphic Designer or a seasoned pro, there's something in Walsh's philosophy for everyone. Join us as we unpack the wisdom and wit of one of the most influential designers of our time.Download the manifesto here: https://wepresent.wetransfer.com/stories/manifesto-and-walshStay Angry our Friends –––––––––––Want to see more? See uncut episodes on our YouTube channel at youtube.com/theangrydesigner Read our blog posts on our website TheAngryDesigner.comJoin in the conversation on our Instagram Instagram.com/TheAngryDesignerPodcast

Join Dr. Maureen O'Connor as she interviews experts Dr. Lisa Brown, Dr. Jessica Walsh, and Dr. Flora White-Cooper on their career paths and experiences relating to Trauma-Informed Care. In this episode of Talking Mental Health Careers, Dr. Maureen O'Connor sits down with three influential PAU alumni – Dr. Lisa Brown, Dr. Jessica Walsh, and Dr. Flora White-Cooper to explore their individual journeys in the specialized field of trauma-informed care. From educational experiences to pivotal career decisions, Dr. Brown, Dr. Walsh, and Dr. White-Cooper reveal how they found themselves drawn to trauma-focused work and the events and considerations that shaped their paths. From work in a university setting to the front lines of major disasters, from working with veterans with PTSD and with those dealing with intergenerational trauma, these experts shed light on the myriad ways professionals can approach trauma-related challenges and the evolution of their understanding over time. Our guests discuss the word "trauma" itself, its casual usage, and the deeper meanings, nuances, and implications it carries. This episode promises profound insights into the complexities of trauma from those at the forefront.  About our Host Maureen O'Connor, Ph.D., J.D. is the president of Palo Alto University (PAU) which specializes in Psychology and Counseling. Prior to joining PAU, Dr. O'Connor held multiple roles at the City University of New York (CUNY) in New York City over a period of 18 years. Dr. O'Connor completed a Ph.D. and J.D. in a dual degree program in psychology, law, and policy at the University of Arizona and clerked for the late Honorable Patricia Wald, then Chief Judge of the D.C. Circuit Court of Appeals, prior to launching her academic career. An American Psychological Association (APA) Fellow, she has held numerous governance roles in APA, including as Chair of its Task Force on Human Rights. She has been active in the Society for the Psychological Study of Social Issues (SPSSI/APA Division 9) for many years, including serving as its President. Recent work focused on evidence-based pedagogy development for doctoral students and on innovative mentoring strategies. Her 2019 book, Teaching Psychology: An Evidence-Based Approach (2019), with co-authors Drs. Jill Grose-Fifer and Patricia Brooks, were published by Wiley Press. She is a member of the 39th class of the American Leadership Fellows program in Silicon Valley and serves on the Executive Committee of the Association of Independent California Colleges and Universities.    About our Guests Lisa M. Brown, Ph.D., ABPP, is a Professor and the Director of the Trauma Program at Palo Alto University and an Adjunct Clinical Professor, at Stanford University School of Medicine who is a licensed clinical psychologist and boarded in geropsychology. She graduated from the Pacific Graduate School of Psychology in 2002. Prior faculty positions have been in the School of Aging Studies, the University of South Florida, and the James A. Haley Veterans Hospital, Tampa, Florida. She is the former President of Division 20, Adult Development and Aging, American Psychological Association (2020-2021), and the founder of the Disasters and Older Adults Special Interest Group, Gerontological Society of America. Jessica Walsh, Ph.D., is a clinical psychologist at the Michael E. DeBakey Veterans Affairs Medical Center. She serves as the Technology Innovations Coordinator, a role which involves supporting the VA, both clinically and administratively, in the design, implementation, evaluation, and sustainability of telemental health innovations implementation, operations, and planning. Clinically, she specializes in PTSD and couples therapy. Flora White-Cooper, Ph.D., strives to combine her education, training, work experiences, and interests to create a career that reflects "never growing tired." She is an Army Veteran and retired Correctional Officer. She co-created and operated an in-house rehabilitation program for nonviolent inmates. She graduated from PAU in Clinical Psychology with a certificate in Neuropsychology. She obtained a 2-year postdoctorate certificate in Neuropsychology. Flora White-Cooper spent most of her career working with offenders with mental illnesses. Flora White-Cooper's career also reflects her passion for mental health, research, and speaking at conferences and conventions.   Episode resources  Risk and Resilience Research Lab Trauma-Informed Care in the Criminal Justice System Trauma-Informed Integrated Behavioral Health Care

This week Claire meets up with a personal design hero of hers – Stefan Sagmeister. Stefan talks about his experiences of working with Lou Reed and The Rolling Stones, On the importance of finding something in your life that you're good at, and working on it to be better, on creative sabbaticals (Stefan has one every 7 years) and his time working with Jessica Walsh.Links:Red SetterdbaSTEFAN SAGMEISTERSAGMEISTER & WALSHPodcast Editing by Stick and Splice

Sandra Mawuto Dotou ist eine freiberufliche Kommunikationsdesignerin und visuelle Konzepterin mit Sitz in Hamburg. Zwischen 2016 und 2020 absolvierte sie ihr Bachelorstudium in Kommunikationsdesign an der Technischen Hochschule Würzburg - Schweinfurt. Anschließend erwarb sie von 2020 bis 2022 ihren Masterabschluss im Integrierten Design an der Hochschule für Künste Bremen. Mawuto ist besonders begeistert von der Konzeption im Designbereich und schätzt die Möglichkeit, durch eine gelungene Gestaltung Zugang zu verschiedenen Themenbereichen zu schaffen. Ihre Projekte umfassen sowohl Popkultur als auch Aktivismus, wobei oft eine Überschneidung dieser beiden Bereiche stattfindet. Sie findet es besonders interessant, Design mit politischen oder aktivistischen Themen zu verbinden und fragt sich, wie Design zur Aufklärung, Motivation, Mobilisierung, Reflexion und Entstigmatisierung beitragen kann. Ein gutes Beispiel für diese Herangehensweise ist das Projekt “Escape Racism International”, eine Anti-Rassismus Ausstellung, welche sie gemeinsam mit Julia Sukop erarbeitet hat. Besucher*innen dieser Ausstellung werden mithilfe von Design Elementen und der Metapher eines Flughafens durch die Deutsche Rassismus Geschichte geleitet. Sie können darin mithilfe von Spielen, Magazinen und Informationsmaterialien sich selbst reflektieren und bekommen Hilfsmittel zum aktiven Anti-Rassismus an die Hand. Das Ausstellungskonzept gewann 2021 einen Goldenen Nagel im ADC Talent Award. Mawuto arbeitet mit einem breiten Spektrum von Auftraggeber*innen aus verschiedenen Disziplinen zusammen, darunter Editorial Design, Social Media Konzeption, Grafikdesign, Motion und Creative Direction. Darüber hinaus gibt sie Kreativworkshops. Zu ihren Kund*innen gehören unter anderem Ando's Afro Shop, Akono Verlag, Salut Deluxe, A Color Bright, Black History Month Hamburg, Fashion Africa Now, Each One Teach One, Stop The Water While Using Me und viele weitere. Derzeit arbeitet sie neben ihrer freiberuflichen Tätigkeit zusammen mit Tabea Erhart, Sheeko Ismail und Teresa Awa an der zweiten Auflage des gemeinsamen Buchprojekts "Look At Us! - Galerie Schwarzer Held*innen und Vorbilder in Deutschland". Außerdem ist sie Teil des Teams "Educate to Recreate", das Aufklärungsprojekte zur Black Dance Culture realisiert. In diesem Team arbeitet sie mit Romy Mittag, Gifty Lartey, Jaclyn Hernandez, Lukas Lubisia, Gülnihan Hasköy und Safija Qadery. Sie ist Co-Gründerin des Ladies, Wine & Design Würzburg Chapters, einer Salon Night für Frauen und Nicht-binären Personen im Design von Jessica Walsh, und ist seit neuestem neuer Host von Ladies, Wine & Design Hamburg. Ab November 2023 ist Mawuto die siebte Residentin des “Fonds für Junges Design” der Stiftung Hamburger Kunstsammlungen am Museum für Kunst und Gewerbe in Hamburg.

The Soul Care for Therapist podcast, hosted by Dawn Gabriel, recently featured Jessica Walsh, Ph.D., LPC and Hannah Davis, Ph.D., LPC, who shared their insights into supervising and training interns through licensure. The guests discussed how they started working together, creating their counseling practice, and their unique approach to supervision. Dr. Jessica Walsh and Dr. Hannah Davis are the co-founders and co-directors of The Forge Counseling Collective and the Training Institute at Forge where they run a counseling center alongside a unique program for interns and pre-licensed counselors. Starting out - Merging Skills and Combining Forces Jessica Walsh started Forge Counseling Collective about ten years ago and Hannah Davis joined her three years later. They met in their doctoral program in counselor education and supervision. They initially started working next to each other but eventually merged their skills to open a training institute. Hannah had started a small training program of her own and decided to move from another state and join Jessica's private practice. They both saw potential in each other and after realizing their skills were complementary, they decided to merge their practice and combine forces to create a training institute. The duo's partnership has now grown and is an excellent example of how a joint effort can yield significant results. High-Quality Supervision Model During the podcast, the duo explained the benefits of a high-quality supervision model, where both therapists and students receive the support they need. Jessica and Hannah shared how they have been recording and documenting their training sessions to ensure the process is supportive and effective. "We want to train people to not only be excellent therapists but to be good at running a business and understanding that those two things really go hand in hand." They recognize the importance of creating a safe space where therapists and students can show vulnerability without feeling judged. Supervision can be an intense process, and sometimes, students want to hide from feedback or avoid difficult conversations, which is why a safe space is crucial. "We try to create a culture where people feel like they can bring their whole selves, and not just the part that's trying to impress or be perfect, and that they can show up as they are and we'll work with that." Documentation and Feedback Jessica and Hannah also discussed the importance of documentation and feedback in their practice. "So documentation is really important because we can use it as a tool for reflection, but also to help us to give feedback." They record and document their sessions, which allows them to give detailed feedback to their students, encouraging personal and professional growth. Recording sessions also help the students understand how their clients perceive them and how they can improve their interactions. "The feedback that you get from your supervisor is really important because they can help you to improve your practice, and they can also help you to identify areas where you need to work on. "Additionally, the recorded sessions provide students with a resource that they can refer to when they need to review techniques or recall feedback given by their supervisors. Tips and Action Steps The discussion provided excellent insights into the importance of a high-quality supervision model and the benefits of recording and documenting sessions. For therapists looking to train interns, here are a few tips: Prioritize Emotional Safety and Support Supervision can be an intense and vulnerable process. It is essential to create a safe space where therapists and students can show vulnerability without feeling judged. Prioritizing emotional safety and support can help students to grow, make mistakes, and learn from them. Document Sessions Recording and documenting sessions are excellent ways to provide detailed feedback to students and help them understand how their clients perceive them. Recorded sessions also provide students with a resource they can refer to when they need to review techniques or recall feedback given by their supervisors. Develop a Leadership Team Developing a leadership team can help distribute responsibilities, improve efficiency, and provide support to students and therapists. Having team leads, supervisors, and clinical directors can help distribute responsibilities and prevent therapists from becoming overwhelmed. Links and Resources Forge Counseling Collective  

Stefan Sagmeister is a designer whose work over the years delighted and surprised people across the world. He started his studio in 1993 and worked predominantly in the music industry, creating album covers for the likes of The Rolling Stones, David Byrne and Brian Eno. For his work with the latter two, he received two Grammies. He's worked across commercial and cultural projects with partner Jessica Walsh and only in the past few years has withdrawn himself from the agency to focus on non-commercial projects and explore his interests in long-term thinking, beauty and happiness.   And these are some of the key topics of our conversation – long-term thinking, beauty and happiness, but Stefan also offers insights as varied as believing that a team of three creatives would be enough to rebrand a whole country and that Twitter's lack of beauty in its design, affects the nature of the conversations people are having on the platform. A brilliant conversation to kick off a new season of the podcast.   Stefan's website: https://sagmeister.com/ His fashion brand: https://www.sagmeister123.com/ -- This season of the On Design podcast is brought to you by The Conran Shop. Visit conranshop.com today to immerse yourself in the world of design. -- Sign up for the On Design podcast newsletter at ondesignpodcast.com/newsletter. -- Podcast music and production: James Greenfield Production: Green Podcast Productions

¿Un diseñador gráfico freelance debería o no debería tener un estilo visual propio? Esa es una gran pregunta que produce muchísimo debate en nuestro sector dado que, por un lado, se supone que nuestro trabajo es servir a nuestro cliente adoptando el estilo que le convenga y, por otro, tenemos a superestrellas del diseño gráfico como David Carson o Jessica Walsh, que precisamente son famosos por haber desarrollado un estilo único.¿Qué estrategia deberías adoptar siendo diseñador gráfico freelance? Te comparto mi experiencia, algunas reflexiones y mis mejores trucos para desarrollar tu estilo - si quieres hacerlo.

¿Un diseñador gráfico freelance debería o no debería tener un estilo visual propio? Esa es una gran pregunta que produce muchísimo debate en nuestro sector dado que, por un lado, se supone que nuestro trabajo es servir a nuestro cliente adoptando el estilo que le convenga y, por otro, tenemos a superestrellas del diseño gráfico como David Carson o Jessica Walsh, que precisamente son famosos por haber desarrollado un estilo único.¿Qué estrategia deberías adoptar siendo diseñador gráfico freelance? Te comparto mi experiencia, algunas reflexiones y mis mejores trucos para desarrollar tu estilo - si quieres hacerlo.

A special extra episode, provided by East Anglia Bylines' Jessica Walsh. Jessica speaks with Simon Feneron, manager of the Banningham Crown, about a journey which he made to the Ukrainian border to deliver aid to refugees fleeing the conflict. Please consider donating to the Banningham Crown's crowdfunder, and checking out Jessica's write-up of the interview for East Anglia Bylines. 

Helmut Leder ist seit 2004 Professor an der Universität Wien. Leder ist Leiter des Interdisziplinären Forschungsverbundes Cognitive Sciences und spezialisiert auf Wahrnehmungspsychologie. Er beschäftigt sich seit bald 20 Jahren mit der Wirkung von Schönheit auf Menschen. 2004 gründete er den Forschungsschwerpunkt "Empirische Ästhetik", den er auch leitet. Dieses Institut erforscht insbesondere die Ästhetik von Kunst. Leders Forschung wurde auch für die Ausstellung „Beauty“ von Stefan Sagmeister und Jessica Walsh am Museum für Angewandte Kunst in Wien dokumentiert.

Jessica,You were such a breathe of fresh air -- after we got past the reality that we don't quite know the right song for the intro, you started riffing on what you love -- and that is helping people, and more specifically, those people who are hungry.  In your own words (if you don't mind) -- if I didn't have to work, I would just help people all the time -- #rolemodelThank you, Jessica, during this busy week leading up to the D-Day! DON'T FORGET FOLKS TO FILL YOUR BROWN BAGS WITH CANS AND SUCH THAT IS NON-PERISHABLE -- HUNGRY MOUTHS & HEARTS YEARN!Thanks for listening; thanks for reading; BE A PILLAR!

Stefan Sagmeister ist Grafikdesigner und ich glaube, man kann ganz klar sagen, dass er einer der bekanntesten Grafikdesigner der Welt ist. Ein bisschen Biografie: Stefan Sagmeister wurde 1962 in Bregenz geboren. 1993, nach seinem Studium und mehreren Agenturaufenthalten, gründete er in New York sein eigenes Studio Sagmeister Inc, um hauptsächlich Plattencover zu gestalten. Und diese Cover kennt man. Er arbeitete unter anderem für die Rolling Stones, die Talking Heads, Jay Z, Lou Reed und wurde mit zwei Grammys ausgezeichnet. Nach sieben Jahren wurde ihm das zu viel. Er hat für ein Jahr sein Studio geschlossen, um ein Sabbatical zu machen, was er nun alle sieben Jahre macht. Nach seiner Rückkehr hat er mit Plattencovern aufgehört und sich größeren Kund*innen geöffnet, vor allem aber auch persönlichen Projekten. Im zweiten Sabbatical entstand die Idee zum Dokumentarfilm “The Happy Film”, in dem er sich auf die Suche nach Glück und Zufriedenheit macht. Die thematisch zugehörige Ausstellung “The Happy Show” konnte man weltweit sehen. Seit einigen Jahren gibt es die zweite Ausstellung “Beauty”. Zusammen mit Jessica Walsh untersucht er darin die “Schönheit”. Stefans außergewöhnliche Design-Arbeiten und seine eigenwillige Kreativität begeistern und inspirieren mich schon seit Jahren. Design und Kunst verschwimmen und berühren mich immer wieder. Dazu schafft er es, sich immer wieder selbst einzubringen, sodass man nur staunen kann. Um Aufmerksamkeit zu erzeugen, hat er zur Eröffnung seines Studios ein Nacktbild von sich an seine zukünftigen Kund*innen geschickt. Wir laufen ein paar biografische Knotenpunkte ab. Ich wollte wissen, was ihn glücklich macht, wie sich seine Kreativität über die Jahre verändert hat. Wir sprechen über Ideenfindung und die Herausforderungen der Umsetzung. Mich hat überrascht, dass er in der Zwischenzeit gar kein großes Studio mehr hat, sondern nur noch mit freien, kleinen Teams arbeitet. Wir sprechen über Design, Kunst, Funktionalität, seine persönliche Bucketlist, es geht um Mut und die Grenzen der kreativen Freiheit. MEIN GAST:
 https://sagmeister.com/ https://instagram.com/stefansagmeister/ SUPPORTER:
 Deutsche Post - http://deutschepost.de/freude CODE “matze” Gültig vom 12.11.2021 – 10.12.2021 Squarespace - http://squarespace.com/hotelmatze Code “HOTELMATZE” Gültig bis März 2022 Sparkasse - http://3dsecure.sparkasse.de MITARBEIT:
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NFT Origin Stories welcomes LIŔONA to discuss: 00:45 Origin Story 7:45 Encouraged to make NFT art 15:50 #boiz & #gurlz !vibes 19:48 The name #boiz 22:15 Maximalist minimalism 24:07 Tour through the collection 34:14 Next up for #gurlz 37:12 FND artworks 40:11 Lightning round 53:50 Project shout outs   Lirona https://www.lirona.me/ https://twitter.com/iamlirona https://www.instagram.com/iamlirona   Episode mentions: Jessica Walsh, FVCKRENDER, Blake Kathryn, Lisa Odette, Shavonne Wong, OrphanCrypto, HeyHaigh

Timothy Goodman is an award-winning designer, illustrator, muralist and author based in New York City who also teaches at the School of Visual Arts. His beloved grandma simply calls him an artist. We've seen Timothy's art and words across everything from basketball courts and buildings to magazine covers and galleries worldwide. And his clients today include Google, Samsung, and Airbnb. He's co-created lots of notable side projects – like the famous 40 Days of Dating (which also became a book) and 12 Kinds of Kindness with Jessica Walsh. He's also behind People of Craft, a growing showcase of creatives of colour. And he's the author of the Sharpie Art Workshop. He's got a third book in the making, which he announces in this podcast. Timothy has also done a collection with Uniqlo. And he's just enjoyed his first solo exhibition in New York, too. I'd got some impression of what Timothy might be like through various interviews and projects, but I didn't expect such an open and honest chat about his life and work. Or that we'd cover the meaning of life. Timothy also talks candidly about the lessons he's learnt, of having to pay and work his way through education, and why it's so important to have side projects, ask for help, and speak up and speak out. As we're on the verge of welcoming 2022 and hoping it brings much positivity, I thought this was a timely conversation with someone that doesn't hold anything back. Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Roman Cyganov is the Founder of Antix, a 3D evangelist at Skillbox. 10 years in the computer graphics industry. Clients: Warner Bros, HBO, Tencent, Wargaming, Atomic Heart, Jessica Walsh, PUBG, Game of Thrones, Sony. FIND ROMAN ON SOCIAL MEDIA LinkedIn | Facebook | Twitter | Instagram | YouTube ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

Roman Cyganov is a Founder of Antix, 3D evangelist at Skillbox. 10 years in the computer graphics industry. Clients: Warner Bros, HBO, Tencent, Wargaming, Atomic Heart, Jessica Walsh, PUBG, Game of Thrones, Sony.FIND ROMAN ON SOCIAL MEDIALinkedIn | Facebook | Twitter | Instagram | YouTube

Candy and Brian are joined by Julie Many, Instructional Technology Coordinator and Math Teacher, and Jessica Walsh, CEC Instructional Specialists and ELA teacher, to discuss teaching in a concurrent classroom setting, also known as "Rooming and Zooming."   Julie and Jessica share the evolution of their teaching in a concurrent classroom this year. The group discusses ideas to support teachers who are new to concurrent teaching.

Crystal Powers, research and extension communication specialist with the Daugherty Water for Food Global Institute (DWFI) and Nebraska Water Center interviews University of Nebraska-Lincoln communications professor Jessica Walsh about her 2019 project Nitrates in Nebraska: A Multimedia Journalism Project on the Impact of Nitrate Contamination in the Groundwater. Walsh is a former newspaper reporter and a new DWFI Faculty Fellow.

This week our guest is the wonderful Kladi from PrintMySoul Studio. We chat about how the path to a career, let alone any kind of success, is paved with a lot of honest f*** ups, eating sh** and smiling while all that happens. Taking crappy jobs, taking chances and never giving up - something that so many do. Kladi tells us about her personal journey and she's only at the beginning!  Visit www.iamkladi.com/video to learn more about Kladi's colorful adventures with Adobe.Links:Web: https://www.iamkladi.comInstagram: https://www.instagram.com/iamkladiStudio Website: https://www.printmysoul.com/Behance: https://www.behance.net/iamkladiLWD: https://www.ladieswinedesign.com/san-joseBio:Kladi Vergine is a visual strategist and founder of Studio Printmysoul, a Manchester-based design studio. Kladi and her team specialize in creating memorable branding and impactful visuals for both print and web. With a ten-year career and the experience of living in 6 countries on three continents, Kladi has a unique perspective in design, branding, and creativity. Her use of explosive colors and geometry could be traced back to her roots as a Southern Italian street artist. And her deep understanding of consumer psychology and communication comes from her career at the United Nations and corporate communication. As a self-publish author, Kladi's illustrated book, Plant Therapy, won the Fedrigoni TOP Designer Award 2019 for her unique use of cotton papers and ink. Kladi has also been the winner of Infohackit 2018 and Adobe's San Francisco Creative Jam 2019. Kladi is now lead of Jessica Walsh’s Ladies Wine & Design in San Jose, CA.In addition to her design work, Kladi has lead several branding masterclasses for Adobe's Behance Live streams and currently mentors young artists through Adobe's Discord page. Kladi has been a speaker at many industry related events worldwide for Adobe, Talent Land, Creative Pro, Adobe MAX USA, Adobe MAX EU, and the House Representatives in Washington D.C.

BGBS BONUS 057: Jay Ferracane | Storytellers are Bullsh*tBaby Got Backstory host Marc Gutman partners up with good friend and past guest Jay Ferracane on a special bonus episode about the complexity of defining yourself as a storyteller based on the video, You Are Not a Storyteller by Stefan Sagmeister. Want to see it on video?Quotes[10:26] There is a fallacy that people think, “I have a conversation with you and I come back a week later, and you give me this thing that will be on a gas station, billboard, or on a wall.” And to me, it's iterative. It's a narrative. And that was the only thing I can start to think of why we've gotten into this thing called storytelling, because we're trying to let people know that it's not completely defined. And it's going to be a journey. [13:28] What is the function of design? A lot of times it's to communicate. It's not to be seen, it's not to be noticed, but it's to communicate. It has a very important job, but is that storytelling? Is wayfinding, storytelling? [14:58] I don't think even all stories have reasons, because sometimes they can be whimsical, right? Maybe that is the reason. [18:26] I think even we get conflated a bit when as branders and marketers we say, “Okay, well, it's the sum of all these parts, it's your visual, it's your tagline, it's your copy on your website. It's all this and then now that's your story.” But is it? [19:13] The cool thing about building a brand for me and developing the branding is that all those signals, all that stuff gets set up so that those stories can happen in there. But that's all the people interacting with it. So if anyone is a storyteller in a brand, it's usually the people that support the brand. It would almost be the customer, right? It's pretty meta, actually. [19:49] It's the external world. You can tell all the stories you want about yourself, but it doesn't really matter what you think. It's what everyone thinks about yourself. ResourcesFeatured Video:You are not a storyteller – Stefan Sagmeister Jay Ferracane:Instagram: @angrybovine Facebook: Jay Ferracane LinkedIn: Jay Ferracane BGBS Episode 41: Jay Ferracane | Angry Bovine | Design Is Not About the Designer Podcast TranscriptJay Ferracane 0:02 And that was the only thing I can start to think of is, “Is that why we've gotten into this thing called storytelling? Because we're trying to let people know that it's not completely defined and it's going to be a journey. And so let's call it a story and follow us on this journey or this story. I don't know that—I've been dwelling on that actually quite a bit in the last week or so because, well, you and I both know the reality of making anything is never airdrop it into your clients lap, at least it's not in my world. It's a lot of back and forth and and the story gets written together, if anything, but to me I've always wondered is, has storytelling become this thing because people are trying to explain like, you're gonna have to get involved in a narrative? I don't know. Maybe that's where it comes from. Marc Gutman 0:48 Podcasting from Boulder, Colorado. This is the Baby Got Backstory Podcast, where we dive into the story behind the story of today's most inspiring storytellers, creators and entrepreneurs. I like big backstories and I cannot lie. I am your host, Marc Gutman. Hey, I'm Marc Gutman, and today is a little bit of a bonus episode of Baby Got Backstory. My good friend, Jay Ferracane and I talk a lot about different branding topics, marketing topics all offline when we're just hanging out. And one of the things that we got written a lot about was storytelling, and kind of this craze about what's happening with storytelling, and everyone's calling themselves a storyteller. And then Jay turned me on to this amazing video about two minutes. And we're gonna link to the audio in this episode from a famous designer named Stefan Sagmeister. And after that little video, and Stefan sets the stage, Jay and I talk about what it means to be a storyteller. And I hope you liked this episode. It's a little bit of a bonus talking about a topic that's near and dear to my heart. I am here with Jay Ferracane celebrated designer, creative and all around awesome dude. And recently, Jay and I were doing some work together and Jay turned me on to this idea or this this video of Stefan Sagmeister that's titled You Are Not a Storyteller. Before we get into that, because I just I love this video, we're gonna watch it and then talk about it cuz I think it's really relevant, two minutes of extreme relevance, Jay, who is Stefan Sagmeister? Because I don't even know like I, I watched this video and I'm like, Who is this guy? Jay Ferracane 2:41 Well, Stefan Sagmeister is is a designer, I think Austrian born worked out in New York for years. But I think his real claim to fame was that he kind of made designers realize every once in a while that you should take some time for yourself. So he used to do these, these sabbaticals. And then for like a year, he would just do work that tried to make him happy and resulted in like a body of work about being happy. But his work was really widely regarded. I think he's won like a Grammy for some, you know, album design stuff. And I was always appreciative of his design even. And I've known about him for a really long time. You know, he I think he's in the the world of like, the pentagrams, and stuff like that of the world. But Stefan Sagmeister, and his partner, Jessica Walsh, who now runs her own outfit, she still continues, but I think Stefan does more of this kind of like, personal work kind of stuff. But pre that that was this video that I was sharing with you. Because, I mean, we've all heard it in conversations that, you know, everyone wants to be a storyteller. And, you know, what's that really mean? And should you say it, and I look at myself as such a, I don't know, like a tradesperson in design that. I've never considered myself a storyteller but it did me a stroke, it struck a chord with me and why people say that, and a lot of times, I think as a designer, my job is to unpack what people are really trying to say, or what's the reason behind that. And I have some thoughts on why people get into the storytelling, if they use storytelling as a way to describe their process or what they're attempting to do. So. Marc Gutman 4:11 Yeah, it's such an interesting topic to me. I mean, remember, several years ago, you'd say you're a storyteller, and people thought that was all cool. And they'd be like, tell me about that. And, and, and it meant different things. And it still does to different people. But now it's like, literally, I think every single website I hit says, We are storytellers, everybody's Instagram says I'm a storyteller, and everyone wants to be a storyteller. And I think there's a lot of confusion around storytelling. And it's just an interesting topic to me. I don't know if I've landed I firmly believe that as—the way we communicate as humans is through stories, does that make everyone a storyteller? Especially when it comes to business, right? Like, is everyone a storyteller? And so what I want to do is I want to go ahead and share this video. It's two minutes, and we'll go ahead and watch it together. And then we can talk about it. Jay Ferracane 5:02 Sure. Stefan Sagmeister 5:09 Hi, my name is Stefan sagmeister, a Austrian graphic designer who lives in New York City. I'm actually quite critical of the storytelling thing. I think that the older storytellers are not storytelling. Recently, I read an interview with somebody who designs rollercoasters, and he referred to himself as a storyteller. No fuckhead you are not a storyteller. You're a rollercoaster designer. And that's fantastic and more power to you, but why would you want to be a storyteller if you design rollercoasters? Or if you have storytelling that the story that you tell is bullshit. It's like this little Itsy Bitsy little thing. Yes, you go through the space and guess you see other spaceships and yes, that's the story? That's a fucking bullshit story. That's boring. People who actually tell stories, meaning people who write novels and make feature films don't see themselves as storytellers it's all the people who are not storytellers, who kind of for strange reasons, because it's in the air, suddenly, now want to be storytellers. There is this fallacy out there. I don't think that I fell in fell for it. But somehow, maybe unconsciously I did, you know that you sort of feel “I've seen a lot of films, so I must be able to do one.” And of course, this is the most stupid thought ever, you know, it's like, “Oh, I've watched the Philharmonic. That's why I am a virtuoso violin player.” You know, I'm not, even though I've watched a lot of philharmonic concerts, I think by now in our space, meaning in the space of design, it sort of took on the mantle of bullshit. You know, now everybody's a storyteller. Marc Gutman 7:04 Just letting it play out there a little bit, so we can give proper credit to those that published it. But Wow, carries on the mantle of bullshit. Jay Ferracane 7:16 So much to unpack right? Marc Gutman 7:18 So much to unpack. So the mantle of bullshit. I mean, I was giggling and laughing during that, and I certainly saw that you were I mean, like, What are your first thoughts is like, is— Jay Ferracane 7:27 Well, I remember the first time I saw it, number one, you know, I can't pull off the sport coat. And, and, and and impression like he was and I was so genuinely entertained by the fact that he was being so honest, and calling out people on their stuff. And I guess where I came back to, when I when I first sat with it, I thought I probably the first time I saw it just really just thought it was funny. And like, man, did he wake up and have some shitty coffee or something that morning? And, and then, you know, the more I thought about it, and I saw, I think I saw that thing years ago. And and but I've thought about a lot since then. And I've tried to figure out, you know, why? Why has the industry taken on this mantle of, of bullshit? Number one, there's so many, I think there's so many options for clients out there today, that everyone's got to wrap themselves up in something, right, we all kind of do that take on a persona or two. But I think that this storytellers thing was a phenomenon that came out of not unlike, like, I purposely went against the grain when people were there. For some reason, there was this weird fear of like calling yourself a designer, I'm a graphic designer, that's what I was formally trained to do. And I think that makes me a pretty capable communicator. But it does give me a position of where I enter communication from. And I think storytelling maybe puts this this number one, it puts a bigger umbrella on it and allows people to be more capable, or at least position themselves that they are more capable, because they don't have to really describe what their entry point is and where they're coming from. But to the point of, you know, when he was saying, this, this fact about like, I can, you know, if I watch an opera, am I a virtuoso? there is so much information out there in education today that you can watch a video and go out and tell people, you know, something. So I think that what he was probably sensing was some frustration and i would i wonder, actually, how, how close this was to him thinking about, you know, leaving professional practice, because he maybe he was just like fed up at that point. Because that dude, and his outfit did really just great, creative, very original, graphic design. And, you know, maybe he was just, like, frustrated at a point like, I'm not going to be, you know, shielded about this anymore. The more I thought about it, though, and it was funny because you and I have talked a little bit about this and the phenomena of and there are some outfits that work this way, but the phenomenon that work, like a project is something that might have been called the story to be told. You know, in the Stefan Sagmeister, I hate you world. I think there's this notion to that a lot of people think that the project is this, it's dropped on the table, and this is one thing I've been thinking a lot about knowing you and I were going to get together and talk about this, but does this when you start to say, Hey I'm a storyteller, Is that a way to prepare people for the reality of a design process? And I call it a design process, going through a logo, there is a fallacy that people think I have a conversation with you and I come back a week later, and you give me this thing that will be on a gas station, billboard or on a wall. And to me, it's iterative. It's a narrative. And that was the only thing I can start to think of. Is that why we've gotten into this thing called storytelling, because we're trying to let people know that it's not completely defined. And it's going to be a journey. And so let's call it a story and follow us on this journey or this story. I don't know that I've been dwelling on that actually quite a bit in the last week or so. Because, well, you and I both know, the reality of making anything is never airdrop it into your clients lap. At least it's not in my world. It's a lot of back and forth. And, and the story gets written together, if anything, but to me, I've always wondered is has storytelling become this thing? Because people are trying to explain, like, you're gonna have to get involved in a narrative. I don't know. Maybe that's where it comes from. But, yeah. Marc Gutman 11:20 Yeah, it's, it's so I mean, so much to unpack on top of your unpacking. Right? Like, there's, you know, what resonates for me out of that so much as when he talks about his Hey I go to the Philharmonic, and does that mean I can be, you know, a great violin player? Because very, you know, early in my career, I was a story editor in the movie business and a core part of that is just taking in scripts. And I could never understand why everybody thought they had a story worth telling. Everyone thought that their life story was worthy of a movie. I think it's primarily because of what Stefan Sagmeister says is that now went to the movies, they get it, they're like, Hey, I can make this into a movie. And I was like, very clearly, no. No one, like, not a single one that came in was worth reading. They weren't interesting to me. And much like a classic pianist or something like that I was trained in classic cinematic storytelling, which means that there's a three act structure beginning middle and an end, a likeable, or at least, intriguing hero that has obstacles in their way and has to move from something they want towards something they need, all these things. It has a very strict definition. And I remember when I got into branding and marketing, and I had the same reaction as Sagmeister, I was like, This is crazy. Everyone's calling themselves a storyteller. These are not stories, and I was really myopic on my definition of story. Now I've since come off that and I learned, I've learned that storytelling has this different sort of definition. And I think, when I heard you speaking, that's really what I started kind of going through, like, what are these definitions of story versus storytelling versus narrative? I mean, is the roller coaster designer really trying to tell a story? Are they trying to communicate, communicate anything other than thrill and excitement? And, you know, things like that? So? Yeah, I mean, and you and I have had this conversation offline, so much about just what is the purpose? What is the job? What is the function of design, and a lot of times it's to communicate, and it's not to be seen, it's not to be noticed, but it's to communicate as a very important job. It is that storytelling? like is Wayfinding storytelling? Jay Ferracane 13:44 Right. Marc Gutman 13:45 You know, like, all the great Helvetica stuff we love from, you know, the New York subway and I mean, and then recent MTA rebrand, I mean, that stuff is like that telling a story? Is that storytelling? Jay Ferracane 13:58 And and that's, that's totally where I think it gets it screwed up. And not to belabor the point about titles, but like, you know, storytellers, if that's going to be the thing that somebody wants to put a label on him, I do think it comes back to this thing that, you know, design is about—it's, it's a what, yeah, I've told you this quote that if you can design a city, you can design a spoon, or if you can design a spoon, you can design a city, meaning like, hey, once you understand that, that your job is is to do this thing. It doesn't matter what medium it gets put into it. And still to this day, it kind of trips me up to hear a designer say I'm a UI designer. So okay, so if your friend said, Hey, I need a T shirt, you wouldn't make a T shirt? You know? Like, I'm not a T shirt designer, but I designed lots of T shirts. And I'm a graphic designer I've done to design a ton of UI and I poked my own eye out through my glasses if I had to only design UI and to me, I guess it comes back to this notion that design's job is to just put reason into things. And I don't think even all stories have really because sometimes they can be whimsical, right? Maybe that is the reason. But I remember seeing this talk if we're going to kind of Sagmeister was an early design hero of mine and so was David Carson. And I saw David Carson do a talk once about it was, oh, he showed this layout he did for a conference he got asked to attend, it was called the bravery of design or something like that. And it was the image was his father, who was a test pilot getting into an aircraft. And he goes, and he basically put that up, because he goes, what we do isn't dangerous. He goes, unless I'm designing like, pharmaceutical packaging, or something where if somebody reads it wrong, there's a problem, right? And he was saying that that's fucking dangerous. And he pointed at his, you know, his dad in the 60s, or whenever it was getting into a, into an aircraft. And, and I do, I just think that there's something that I think people feel like they need to inflate around what it is they're really doing. And that's why I really do look at what I do, it's much more like a trade than it is art, for sure. And even the way I approach it, it's like, I'm going to show you some things, but you're going to react to them, and then I'm going to catalyze those back into it so it becomes the things you need it to be. It's not about me. And so a lot of times storytelling is is like, your take on something to it has a very emotional bent. And, you know, that's a major difference between art and design is that you know, art is really about you trying to express some personal feeling or emotion where design should really really—it's it can have expression in it, but it's really about communicating ideas or information. And so storytelling does, it gets cloudy, but maybe it is a safety mechanism for people to just shield up like, Hey, I don't–I was a marketing manager a long time ago, but all of a sudden, here I am, you know, trying to help you rebuild your brand. And if I tell you that where I came from, that's it. That's a hard entry point, right? Marc Gutman 16:55 This episode brought to you by Wildstory. Wait, isn't that your company? It is. And without the generous support of wild story, this show would not be possible. A brand isn't a logo or a tagline. or even your product or a brand is a person's gut feeling about a product service or company. It's what people say about you, when you're not in the room. Wildstory helps progressive founders and savvy marketers build purpose driven brands that connect their business goals with the customers they want to serve. So that both the business and the customer needs are met. This results in crazy, happy, loyal customers that purchase again and again. And this is great for business. That sounds like something you and your team might want to learn more about, reach out @ www.wildstory.com. And we'd be happy to tell you more. Now back to our show. And you and I have collaborated recently on a bunch of identities. I mean, those are really stories. You know, when I think about them, they're like, you know, there's we want certain emotions, we want you to think of certain categories. We want you to see this and say, Okay, this is a tool brand, for example. We're not really telling stories within that work, and I wouldn't, and I think that's okay, like, we don't have to like that's not the intention or the purpose. And I think even we get conflated a bit when as branders and marketers we say, Okay, well, it's the sum of all these parts, it's your visual, it's your tagline. It's, you know, your, you know, your copy on your website, it's, it's all these and then now your that's your story, you know, but like, is it? Jay Ferracane 18:45 I think it's and it's funny, too, because one thing that I try and get really clear with my clients that when I first start working with them is is that there's a difference between branding and brand. So brand and branding are two totally separate things. Brand is the promise you want to you know, bring to the world. Branding is the signals that get them there. And you know, in this in this case of like, you know, when we work on identity and stuff like that, I think we're we're way more in the signal building camp. Because the I that the cool thing about building a brand for me and developing the branding that will do that is that all those signals, all that stuff gets set up so that the stories can happen in there. But that's all the people interacting with it. So if anyone this is interesting that we've talked this out a little bit, but if anyone is a storyteller and a brand, it's usually the people that support the brand, it would almost be the customer, right? It's pretty meta, actually. Marc Gutman 19:40 So there's the old adage, a brand isn't what you say it is. It's what they say it is. And I think that so Jay Ferracane 19:45 Then who's the storyteller in that? Marc Gutman 19:47 Yeah, the customer, right? It's the external world. I mean, you know, you can, it's kind of like, you know, you can tell all the stories you want about yourself, but it doesn't really matter. Jay Ferracane 19:57 Right. Marc Gutman 19:58 That's what everyone thinks, you know, about yourself. Jay Ferracane 20:01 Yeah, no. And that's it's totally Yeah. Because I, yeah, you know, for along the line of storytellers is a word that I never got, and it's my brushes with the advertising world is, is a lot of times, people who make stuff just generally get thrown into this category as creatives. And I think that's kind of a weird label too, because I think that an art director is a, it's a role and a skill set that is different than a designer sometimes or graphic designer, right. And it could be different than a set designer, and it could be different than, and so but in certain worlds, all of that gets stuffed in too. And so I think whenever these labels come out, it's just a way, it's just a way for people to soften, or create a softer landing place for you to understand where you come from. And well, you know, my, my, my love of music and the background and the things that I grew up around was like early punk rock, especially DC kind of stuff. And in those days, you didn't go to the, you didn't even go to tower, you would have friends that gave you like cassettes that were made off of cassettes that were made off of two other cassettes. And I remember every once while people would like hold the microphone to like the TV and record stuff into it, I still, to this day, don't know where this soundbite came, but it's this very posture-y kind of voice it was in between one of the songs that was on this mixtape given to me. And the guy says, I have news for the world. And he says new wave is dead. And it says new wave is just a way of saying that you like any names, all these like sub genres of music that was extremely not popular at that point. And then he ended it with like, these categorizations of all these music types, that people wedged them under a new wave. And he said, it's because you don't want to get kicked out with a party because people won't give you drugs anymore. And so like, but it was kind of funny, because if I if I think about that, that's probably this defense mechanism that all humans are do a lot. They they put some falsehood around themselves, or at least a softening device. So that either you can't really assign what it is and or you may be reassign it, and it's it's a funny, it's a funny thing. And and I think that's that's, you know, not me ever asking, you know, Stefan about this, but like, I would bet his intent is is call it what it would call it what it is, and just be authentic about it. Because to me, that's the best form of graphic design and is when you can, like, make the brand with the things that it really is. And that's not necessarily storytelling. To me. That's this very, we were just talking about this before this call started ingredients and parts. Marc Gutman 22:40 Yeah, totally. And like, it's just, it seems like this catch all, you know, being a storyteller, this thing that is just like, you don't know how to describe yourself, you don't know what it is you think, you know, and I just recently posted on Instagram a carousel that was called stop copying your competitors. And and it's because we all don't know, you know what to say about ourselves. And we don't know how to differentiate, we don't know what category we want to be special. Right? And, and I'm no different. I want to be special, but we're not, you know, we need to understand— Jay Ferracane 23:13 You're special! Marc Gutman 23:14 Oh, Go on Go on. But you have this idea that like everyone's a storyteller is just crazy to me. And, and I do think I think the roller coaster example that he uses is of the extreme, but I think it comes into all sorts of things like you know, even you know, there's a lot of there's a lot of functions in marketing today where you know, people are claiming to be storytellers like in paid media. You're not a storyteller. You're an advertiser, you know? Jay Ferracane 23:40 Yeah, and that's fine, though. That is great Marc Gutman 23:42 And you should—Yeah, and you know and sometimes you use storytelling as a mechanism or a tool to to get your advertising across, but that doesn't make you a storyteller per se and I just think it's interesting that we all and it's in it's become this thing that like, like people just want to be that like it's like we use that as our brand and it's almost become that I think you might even be in the person that sent me the bland book which was a mock site of like what branding and and and all these agencies have become and storyteller would be front and center right there you know, right on the—we are visionary storytellers looking to change the world you know one brand at a time. Jay Ferracane 24:24 Well and i think that's that's why, let's just call it that well “the creatives” to use a big loose term the creative industry every you know, so often has to kind of go find its new catch all phrase to that everyone can kind of like over the next five years reassigns themselves to and then we feel that we shed that again and you become something else. But it is it just an interesting phenomenon that people get into these traps where they're like I'm worried about telling you what I am and in the in the roller coaster guys sense. It I found myself drifting off thinking about that. That, you know, like maybe what he does is so complex that if he told somebody what he really did, you know, maybe it's more of a mathematician than anything because you got to figure out a lot of gravity shit, I bet. And they're right. You know, it's like gravity and like, what if there's a fat guy in a little guy in the in the car together? What's that gonna do to the story? Like, Marc Gutman 25:19 How hard is it to say I'm a kick ass roller coasters? Like, like, like, like, everyone understands that. Jay Ferracane 25:25 But it are people comfortable doing that, too? Like, I think that's that's what it comes down to. So I don't know, it has to be something about the the palatability of the world you're trying to market to. Oh, man, this is resonating. People want to hear story. So I'm going to be set tell people I'm that, right. So yeah, it's, I don't know, I guess it was a delight, especially when I saw that because I think I personally would just really rather designers be designers and communicators. That's that's probably the better term. I would rather people say I'm a communicator than a storyteller because that is kind of what we do. I think it's, it can be super boring shit sometimes and not that there's not boring stories, but at least it has less of a mantle around it too less of a mantle of bullshit. And he has that. That [inaudible] and like, [inaudible]. Like there was a [inaudible] in there for a second. Marc Gutman 26:21 Angry. Yeah, you know? Jay Ferracane 26:23 Yeah. Marc Gutman 26:23 I love it. Well, Jay, this was awesome. I just enjoyed talking about this topic with you. It's it fascinates me. And like I said, Thank you for turning me on to that video. Like kind of blew my mind and was just really cool to chat about it. Jay Ferracane 26:37 No, I am, I'm the king of derailing your day with Oh, yeah, on that topic here. Watch these six videos, you know me. So you're welcome. And I'm glad to continue to distract you on a daily basis. Marc Gutman 26:48 Thank you. I'm looking forward to my next distraction. And that is Jay Ferracane. And that was us talking about storytelling, all based on the Stefan Sagmeister video. I love that he kind of goes on that rant about someone who designs roller coasters as a storyteller, but I think you'll agree it's become really, really confusing. I hope you like this little bonus episode. And if you want more of this type of content, drop us a line at wildstorm.com and let us know that you like these type of episodes just as much as of our traditional interview. Well, that's the show for today. Let me know if you have any questions. I'm Marc Gutman, make sure to visit our website www.wildstory.com where you can subscribe to the show in iTunes, Stitcher or via RSS. See you'll never miss an episode. I like big stories and I cannot lie, you other storytellers can't deny.

Pour cette fin d'année, et pour la fin de mandat d'un président américain qui aura fait naître un journal français des plus originaux, America, écoutez sa directrice artistique, Sarah Kahn, parler de son travail, de ses doutes et de ses aspirations.    Suivre le fil 00:00:40 Son parcours00:11:47 Son inspiration00:14:28 C'est quoi une DA ?00:33:50 Ses aspirations00:23:07 Ses projets00:36:42 Ses aspirations  Les références Le magazine America Les écoles des Arts Décoratifs et Penninghen Le professeur  Bernard Baissait La Maison des Artistes Le designer Stefan Sagmeister, associé à Jessica Walsh L'exposition The Happy Show, qui est passée à la Gaïté Lyrique Le projet 40 days of dating de Jessica Walsh et Timothee Godman L'article du Gorafi sur le directeur artistique Le studio de design Be-Poles La directrice artistique Nathalie Thiriez Le graphiste Jean-Philippe Gras Les directeurs de publication Eric Fottorino, François Busnel L'illustrateur Matthieu Persan Le site Behance Le magazine 3 couleurs de MK2 La pochette de Sarah pour Julien Doré L'auteur Hervé Thullet L'illustratrice Marie-Laure Cruschi et son livre Colorama L'artiste Milton Glaser Le directeur artistique Etienne Robial, dont je vous conseille l'interview L'agent de directeur artistique Monsieur L'Agent Le film Get Out Le peintre Rubens Où trouver Sarah Sur son site et sur instagram A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".

This weeks guest is Stephen Doulas. He is a graphic designer based out of Chicago IL.If I had to pick a theme for this episode it would be "hard work and just keep going". During this episode we talk about:-how he came from an artistic creative family and his first day of freshman year. -how learning about Aaron Draplin @draplin and Jessica Walsh @andwalsh, and both of their work has been influential and inspiring to him. -his struggle with standing out and finding that first gig.-the "competition" design project he participated in and how it didn't go well. -a logo book opportunity that found him and why he is so proud of it. -his answer to the ask-it-forward question of "if you could thank someone for helping you out or encouraging you in your career that you haven't had the opportunity to thank, who would that be". Great question. Great answer. Really enjoyed chatting with Stephen about his journey in the creative field and how he kept moving forward. That's what it is folks, keep going. -----------------------------Do you want to start doing print design? Check out the links below.Print Design Academy - Where we teach designers to be experts in print. The Quickie Podcast - Interviews with Graphic Designers.

This weeks guest is Stephen Doulas. He is a graphic designer based out of Chicago IL.If I had to pick a theme for this episode it would be "hard work and just keep going". During this episode we talk about:-how he came from an artistic creative family and his first day of freshman year. -how learning about Aaron Draplin @draplin and Jessica Walsh @andwalsh, and both of their work has been influential and inspiring to him. -his struggle with standing out and finding that first gig.-the "competition" design project he participated in and how it didn't go well. -a logo book opportunity that found him and why he is so proud of it. -his answer to the ask-it-forward question of "if you could thank someone for helping you out or encouraging you in your career that you haven't had the opportunity to thank, who would that be". Great question. Great answer. Really enjoyed chatting with Stephen about his journey in the creative field and how he kept moving forward. That's what it is folks, keep going. -----------------------------Do you want to start doing print design? Check out the links below.Print Design Academy - Where we teach designers to be experts in print. The Quickie Podcast - Interviews with Graphic Designers.

How is it to start a company from scratch, found it and fund it in the US, and get customers like the US Air Force and the Department of Defence.In this episode, you will hear how Jessica Walsh, Founder, and CEO of RxBandz, one of the most successful women in life science in the world, did it.In this episode, listen to Jessica’s stories about how to get into life science out of necessity, how it is to find the right team and develop the team and the project at the same time.Speaker:Christian Soschner (https://www.linkedin.com/in/christiansoschner/)Jessica Walsh (https://www.linkedin.com/in/jessica-walsh-3025807/)Companies:CS Life Science Invest (https://www.cslifescienceinvest.com/)RxBandz (https://www.linkedin.com/company/rx-bandz/)Do you want to learn more about life science?Subscribe to our newsletter: https://mailchi.mp/e2467061ef75/lsg2gFianostics Super-Sensitive and EasySupport the show (https://www.lifescienceget2gether.com/registration-membersclub/)

Self-described “creative octopus” Zipeng Zhu established his NYC career with an explicit poster campaign that caught the eye of award winning creative director Jessica Walsh. His colorful, bold, often playfully sexual design work has been commissioned by major international brands – but he can't always talk about it. In this episode we explore how corporate NDAs play a role in both protecting and silencing creativity and Zipeng shares a personal view on silences in his own life as the gay son of traditional Chinese parents. Show notes: https://blog.picter.com/creative-risk-episode-5-zipeng-zhu/

Do you love puzzles? Do you love puzzles but not so much love the boring stock images we often see used on puzzles? In today’s episode I’m talking to Jiggy, a startup company that makes stunning puzzles in partnership with female artists, that you can then glue and hang up on the wall should you so desire! Kaylin started the brand after her own journey of a late night love of puzzling and soon decided she wanted to bring some sparkle to this space and do things differently. This brand is so cool and it’s an episode packed with value for your ears.THINGS WE TALK ABOUT: Why you don’t need to reinvent the wheel but you can reinvent the packaging Finding inspiration in the things you love and working to reinvent and bring to market How to fund your startup when you quit your day jobNavigating the manufacturing process with no prior knowledge and the power of reaching out to friends of friends Shout about your idea to everyone who will listen rather than keep it a secret: crowdsource advice, get feedback and advance the idea Bootstrapping vs raising money Sometimes you don’t need a fancy websiteIs your brand worthy of word-of-mouth marketing Launch strategy + puzzle parties (OMG SO FUN!)Partnerships The impact of the current global pandemic on businessExpanding the business through trade shows and wholesale Advice for other women wanting to launch a biz LINKS WE MENTION: JIGGY’S Instagram Kaylin’s Instagram The Skimm Lean Luxe &Walsh by Jessica Walsh

The criteria for COVID-19 testing expanded dramatically this week – Moab Regional Hospital can now test individuals experiencing any symptoms including fever, cough, shortness of breath, muscle aches and pains, decreased sense of smell or taste, and sore throat. We speak with CEO Jen Sadoff about how more testing will give healthcare professionals a better picture of local community health. Plus, a conversation with Jessica Walsh, director of Grand County Hospice, about advance directives. Although it can be difficult to talk about the end of life, Walsh sees an opportunity in this pandemic to open this important conversation with loved ones. Show Notes: Moab Regional Hospital Coronavirus Updates https://mrhmoab.org/coronavirus-updates/ Medical Care Planning Resources https://mrhmoab.org/medical-care-planning-resources/ Grand County Hospice https://mrhmoab.org/grand-county-hospice/ The Conversation Project https://theconversationproject.org American Bar Association Toolkit For Healthcare Advance Planning https://www.americanbar.org/groups/law_aging/resources/health_care_decision_making/consumer_s_toolkit_for_health_care_advance_planning/

Kathy is joined by Tarah Fowler, Director of Middle School Core Curriculum, and Jessica Walsh, Instructional Specialist to discuss the updated Social Studies Curriculum for middle schools.The State of Illinois recently updated its Standards for Learning. In response, the district worked with teachers and instructional leaders to review and revise the district’s curriculum in order to implement the changes.

Jessica Walsh, Latisha Michel and Steve Heath discuss the origins of the Newport Heath Equity Zone. Jessica is the Director of Prevention for the Newport Women's Resource Center. Latisha is one of the original Newport residents who engaged in the program offerings and worked her way into a leadership role. Steve, FabNewport executive director, supported Jessica in the writing of the original grant to the RI Department of Health.

In this episode, I spoke with Martina Gobec, she is a strategic design manager at vertical in Copenhagen. We talked about her journey from Visual design to experience design to ending up being a design manager. Martina shared her learning on this journey and how to think more strategically within the design process. She shared her vision about the role of design in the future. We also talked about the importance of ethics and sustainability in our future design process. Find Martina Gobec: Medium: https://medium.com/@martinagobec Linkedin: https://www.linkedin.com/in/martinagobec/ Twitter: https://twitter.com/frecklem Instagram: https://www.instagram.com/freckle_m/ Her resources McKInsey Business Value of Design report, Bud Cadell and his company Nobl, focusing on organisational design, Stop designing for yesterday(sdfy), Jane Fulton Suri, John Maeda, Benedict Evans, Jessica Walsh, Jon Kolko, UK Design Council, Nathan Shedroff, Christina Wodtke, Julie Zhuo, Leisa Reichelt, Mike Monteiro

Today we are talking about Jessica Walsh' and Stew Smith's morning routine. Especially with Jessica….there is not a lot of sleep involved here… I mean it's nearly insane I'd say :). Stew Smith's routine is a little bit more “normal”. There is a lot of working out involved but definitely also sleep! - This episode of the Self Development with Tactics / SDWT podcast is all about morning routines! from the mymorningroutine.com site! - https://mymorningroutine.com/stew-smith/ - https://mymorningroutine.com/jessica-walsh/ - I as always hope that you get a lot out of that! - Love you ➠Thank you for being with me! If you liked this episode of your daily self development kick please subscribe and like. Stay tuned for upcoming self development videos aaaaand comment down below or hit me up on the social media platform you like the most. Wish you the best, health wealth and happiness ❤️ Who I am? I am Christopher Walch a 18 year old graphic design student from austria, really interested in marketing self Development and having success in every aspect of life❤️However I am not only interested in having the best for me! I want you to be at your peak as well. Giving value to the people out here is what I want and what I am able to do here! Thank you. Self Development with Tactics/Christopher Walch on Instagram: https://www.instagram.com/walchchristopher Self Development with Tactics'/Christopher Walch's Podcast: https://www.anchor.fm/selfdevelopment_wt/ Self Development with Tactics/Christopher Walch on Twitter: https://twitter.com/SelfTactics Self Development with Tactics/Christopher Walch on Facebook: www.facebook.com/Selfdevelopment-With-Tactics Self Development with Tactics on Tumblr: https://www.tumblr.com/blog/we-selfdevelopment Self Development with Tactics/Christopher Walch on Youtube: https://www.youtube.com/channel/UC6ms9lq2XRrgdy0rOrMYVUQ Self Development With Tactics/Christopher Walch on Quora: https://www.quora.com/profile/Christopher-Walch-SDWT-Podcast LOVE YOU ALL!! ❤️

Ya está live el episodio con las chicas de @lwdpanama, hablamos sobre la importancia de el apoyo entre mujeres, no solo en el ámbito de diseño, pero en todos.⁠Colaboración sobre competencia es clave y como dice Jessica Walsh "kill them with kindness".⁠Comparte esto con tu tribu!⁠Namaste!Support the show (https://www.patreon.com/soulfullvibes)

In this episode, I talk with designers Melissa Deckert and Nicole Licht of Party of One studio about how they started collaborating, how they used personal projects to their advantage and how they create sets and props for photo-illustrations.About this EpisodeParty of One (Web; IG) is a collaborative studio founded and headed by Melissa Deckert and Nicole Licht. Together, they specialize in bold visual campaigns for brands and products using props, sets, and unique materials. Melissa and Nicole met while working as in-house designers at Etsy and after freelancing separately for a while, decided to join forces as Party of One. Since then they’ve worked with many brands and publications including Mercedes Benz, Otherland, Eater, the New York Times, and the Washington Post.In this conversation we talk about:how “cathartic piñatas” helped Nicole and Melissa to imagine their future studiowhy you should focus on process rather than outcomes as much as possiblehow to embrace play as a form of workhow Nicole and Melissa approach editorial assignmentsdesign portfolios and building one that gets you workthe Party of One processhow Melissa and Nicole get inspiredthe power of personal projectsComprehensive Show Notes:Episode Show NotesFollow the podcast:And remember to leave a review and/or rating on Apple Podcast (formerly iTunes) if you feel so inclined. It helps the podcast tremendously.Our WebsiteTwitterInstagramNewsletter AKA Art ClubResource LibraryFollow Julia:WebsiteInstagramBehanceSkillshare

Pow! Wow! Worcester returns for its fourth installment this month! We sat down with co-directors Lisa and Jess to discuss the upcoming festival. We hear more about what goes into the background of the festival, some info about the artist, the ups and the downs of the craziest week of the summer.

Today's guest is Joanna Papaleo, a Senior Designer at Instrument in Portland OR. Joanna tells us about her very arts focused childhood. She grew up involved with music, figure skating, musicals, and performing. She always wanted to be a commercial artist. Joanna really fell in love with design and typography through art classes in school. She tells us a story about how she got to meet Jessica Walsh from &Walsh through an AIGA event and what that was like. We also talk about imposter syndrome, how it is a struggle no matter your skill level, and how it might be ok to have...a little bit.

Today's guest is Joanna Papaleo, a Senior Designer at Instrument in Portland OR. Joanna tells us about her very arts focused childhood. She grew up involved with music, figure skating, musicals, and performing. She always wanted to be a commercial artist. Joanna really fell in love with design and typography through art classes in school. She tells us a story about how she got to meet Jessica Walsh from &Walsh through an AIGA event and what that was like. We also talk about imposter syndrome, how it is a struggle no matter your skill level, and how it might be ok to have...a little bit.

James had a birthday and went to a VR experience. Nick is experimenting with things other than design. Nike releases a new shoe. We talk about the Tokyo 2020 Olympic medals. Stefan Sagmeister has left his studio to Jessica Walsh. We answer a question about grad school. Give us a call on our google voicemail 1-646-494-4011 or send in a question to minordetailspodcast@gmail.com. Our shoutout of the week is @dom.riccobene . You can find us on instagram @minordetailspod, @nickpbaker and @idrawonreceipts . Come join the conversation on the discord.

En esta edición hablamos de Greta Thunberg. Analizamos la nueva compañía de Jessica Walsh. Reseñamos el documental "Dominion" y nos enojamos intelectualmente con Simon Sinek. Disfruten esta sesión de las #CreativeTalks #CreativeWar --- Send in a voice message: https://anchor.fm/creative-talks/message

Ten years ago, the Austrian-born, New York–based graphic designer Stefan Sagmeister—famous for his attention-grabbing exhibitions, posters, and books, as well as for his impeccable album covers for bands like The Rolling Stones, OK Go, and Aerosmith—walked onto the stage at the TED Global conference in Oxford, England. There to present his findings about the power of time off, he spoke specifically about the virtues and values, personal and professional, of taking a sabbatical every seven years, something he started to do in 2000 and has continued to practice since. Coming in the midst of the Great Recession, the talk resonated widely: its resulting video has been watched more than three million times. Clearly, Sagmeister was, and is, onto something. Even if it’s something most people can only dream about. Since then, Sagmeister has gone on yet another sabbatical—his third, in 2016—this time stopping in Mexico City, Tokyo, and the town of Schwarzenberg, Austria, over the course of a year. (For his first sabbatical, he was in New York City; for his second, Bali.) On this episode of Time Sensitive, the 56-year-old looks back, with a fuller-picture view, at his three periods of time off. Digging in to how the sabbaticals created opportunities for incubating ideas that became two massive multi-year undertakings—one a project on happiness, the other on beauty—Sagmeister shares with Spencer Bailey how certain things have changed for his practice since that TED Talk a decade ago. In 2012, he joined forces with Jessica Walsh; their firm, Sagmeister & Walsh, now operates in a different, slightly larger office than the one he was in, and having another partner at the firm has shifted how things run overall. Still, Sagmeister’s signature approach to design remains as exuberant as ever. For clients including the duffel-bag brand Baboon, the Jewish Museum, and the Miami advertising agency Gut, the firm continues to produce inventive and playful work.

This week, we're talking with Vanessa Tutka, who runs the STL chapter of Ladies Wine and Design. We'll discuss the importance of representation in the creative space, why St. Louis needs an organization like LWD, and what's next for the project. Started by Jessica Walsh, Ladies Wine and Design seeks to create a safe and supportive environment for women and non-binary creatives through mentorship circles, portfolio reviews, talks, and creative meetups. Follow LWD STL on Instagram and Facebook, or join their Slack channel. Find out more about the national organization here: https://ladieswinedesign.com

Artisanat, liberté, graphisme, direction Certains savent exactement ce qu'ils veulent faire dans la vie très tôt. Mais même habités de ces convictions, il n'est pas toujours facile d'accéder à ses premiers rêves. Alors les chemins fourchent et vous emmènent dans d'autres contrées. Mais il vous reste toujours cette envie d'explorer le chemin de traverse que vous aviez laissé derrière vous. Mon invitée du jour est curieuse de tout, et s'émerveille de tous les talents qu'elle croise au quotidien. Ses collaborations sont fructueuses, remarquables et remarquées. Mais est-ce que le besoin de liberté de Sarah Kahn ne la pousserait pas à voyager dans d'autres univers ? Suivre le fil 00:00:40 Son parcours 00:11:47 Son inspiration 00:14:28 C'est quoi un DA ? 00:33:50 Ses aspirations 00:23:07 Ses projets 00:36:42 Ses aspirations Les références Le magazine America Les écoles des Arts Décoratifs et Penninghen Le professeur Bernard Baissait La Maison des Artistes Le designer Stefan Sagmeister, associé à Jessica Walsh L'exposition The Happy Show, qui est passée à la Gaïté Lyrique Le projet 40 days of dating de Jessica Walsh et Timothee Godman L'article du Gorafi sur le directeur artistique Le studio de design Be-Poles La directrice artistique Nathalie Thiriez Le graphiste Jean-Philippe Gras Les directeurs de publication Eric Fottorino, François Busnel L'illustrateur Matthieu Persan Le site Behance Le magazine 3 couleurs de MK2 La pochette de Sarah pour Julien Doré L'auteur Hervé Thullet L'illustratrice Marie-Laure Cruschi et son livre Colorama L'artiste Milton Glaser Le directeur artistique Etienne Robial, dont je vous conseille l'interview L'agent de directeur artistique Monsieur L'Agent Le film Get Out Le peintre Rubens Où trouver Sarah Sur son site et sur instagram A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".

This week, we’re joined by Jessica Walsh of Worcester Wares as well as Hannah Akre and Ethan Klausmeyer of Gloves Go Global to discuss philosophies on gift giving in honor of the holiday season. Jessica gives us the super-secret-squirrel scoop on her most exclusive designs. Hannah and Ethan talk preventative health, Amazon smile, and pilots licenses. We're all hoping for URL's in our stockings this year. 

Listen to a few amazing short stories that have been submitted over the past month by some very talented writers. Michael reads In the Pipes Below by Jessica Walsh and Patient One by Jennie Brass. Jamie reads a novel excerpt from Guide by Melissa Bergum.

Jessica Walsh, writer of Horror, Gay Romance, Urban Supernatural & Erotica stops by the virtual studio today for a very fun time! A seamstress by day, Author by night, Jessica was a joy to speak with on things like cosplay, finding the stories we write and Rainbow Brite! And I dare you not to smile when she giggles! Follow the links below to find her on the internet! Website  Amazon:  Facebook: https://www.facebook.com/snow.tigra Twitter: https://twitter.com/storytellersnow

Eugene wants to talk about the product line Sorry I Have No Filter launched by Sagmeister & Walsh to raise money for its not-for-profit Ladies, Wine & Design. Ladies, Wine & Design was started two years ago after Jessica Walsh got to the heart of some of the hate she was receiving. Charis is interested in an exhibition at the Vitra Design Museum called “Night Fever” that surveys night clubs in history and how they were important places for culture to grow. Sorry I Have No Filter Ladies, Wine & Design Step 07: Kill Them With Kindness By Jessica Walsh Jessica Walsh by Anita Magaña

In this episode, we spoke to designer, author, illustrator, artist, experimenter Timothy Goodman from New York. Recorded during the second day of the Adobe MAX conference in San Diego we took some time away from activities to sit with Tim and talk through his recent projects and his thoughts on design as a practice, not a profession. Tim is well known for his collaborations with Jessica Walsh on the cult 40 days of dating and the more recent 12 kinds of kindness in which they explored projects to increase their understanding of empathy. Tim’s second book, The Sharpie Workshop explores his love of the permanent markers and how they have influenced his work and writing. Unfortunately, Flyn had to run for a flight but our good friend Frankie Ratford (from The Design Kids) was able to fill in. tgoodman.com instagram.com/timothygoodman Lynsey Addario lynseyaddario.com Janet Echelman echelman.com Quentin Tarantino tinyurl.com/jfpthm8 Collins wearecollins.com 40 days of dating fortydaysofdating.com 12 kinds of kindness 12kindsofkindness.com Sharpie Workshop tinyurl.com/gvnyxn9 The Design Kids thedesignkids.org

In this episode, we spoke with Chris Doyle, Creative Director and Founder of Christopher Doyle & Co. One of our most listened to shows from last year was the second episode with Christopher Doyle, and as it’s been nearly a year to the day we thought we’d have him back to fill us in on what he’s been up to. When we first started the podcast the plan was to have a few key people appear more than once so we could see how successful they had become after appearing on the show. That was a joke. Chris has been busy moving studios, employing new staff and hosting the AGDA Awards with his good friend Ian Haigh. We delve into all of this and explore the purpose of awards in an industry where it is just as important to have a following on Instagram as it is to win an award. We also look at the pitfalls of the hiring process and how it’s affected by social media. Chris is also appearing at Semi-Permanent Sydney this year off the back of a successful appearance in New Zealand where he got to hang out with Jessica Walsh and Michael Bierut, two people he hugely admires, so we spend a little time talking about them and how their work has influenced us. twitter.com/cd_and_co christopherdoyle.co

This week's episode of The GAR! Podcast includes discussion of the following: intro / special guest Jessica Walsh / The Cracking Nut / treadmill television / the binge / storytelling / iOS 9 / what makes a good treadmill show / holy crap moments / Touched by an Angel / quality time / oldheads and geniuses / Sons of Anarchy / marathon / the end / hero or villain / the coolest moments / cinematography / Kristen Ritter / recommendations / The Wire / worrying about Jesse / Skyler / the purple / BoJack Horseman / promotion / closing / Links: The Cracking Nut Jessica Walsh on Twitter South Jersey Writers' Group "Read On… Romance" by C.L. Quillen and Ilene N. Lefkowitz Glenn's reviews of "The Flash" Glenn's reviews of "Marvel's Agents of S.H.I.E.L.D." Glenn's reviews of "Arrow" Glenn's review of "The Bastard Executioner" Glenn's review of "BoJack Horseman" NaNoWriMo Jessica's guest post at French Fry Diary Jessica's first guest post at French Fry Diary Biff Bam Pop! The Biff Bam Pop! Podcast Network Glenn's Twitter Ray's Twitter The Adventures of Ray The GAR! Podcast on Pinterest The GAR! Podcast on Stitcher The GAR! Podcast on iTunes The GAR! Podcast Group on Facebook The GAR! Podcast Page on Facebook Contact us directly here.  

508 is a show about Worcester. This week, we talk to Jessica Walsh and tour Worcester Wares, a new store in the DCU Center. Audio: Download the mp3 [display_podcast] Contact Info | Twitter feed

Kanye West, Lena Dunham, Chris Rock, personal mentors as catalysts for discovering your life's work, and breaking out of boxes that limit you. In this episode, I talk to designer, illustrator and art director Timothy Goodman, who recently exhibited artworks from "Memories of A Girl I Never Knew" at Colette in Paris, collaborated with Jessica Walsh on 40 Days of Dating, and wrote Sharpie Art Workshop: Techniques & Ideas for Transforming Your World.   Music Show Opener: Salt-n-Pepa, Pharrell Williams (with Justin Timberlake), Melanie and Kanye West (feat. Rhymefest) Highly Suspicious – My Morning Jacket Greenfield Morning/Seed of Joy/Life is a Struggle - RZA & Yoko Ono Colette – Orchestra Baobob Go Your Own Way – Fleetwood Mac On Sight – Kanye West All My Love – Led Zeppelin Show Closer: DJ Jazzy Jeff & The Fresh Prince, Tricky, Dusty Springfield and Isaac Hayes   Reading List Sharpie Art Workshop: Techniques and Ideas for Transforming Your World, by Timothy Goodman 40 Days of Dating: An Experiment, by Jessica Walsh and Timothy Goodman The Fountainhead, by Ayn Rand The Autobiogrpahy of Malcolm X, by Malcolm X and Alex Haley Significant Objects, by Jason Grote   Watch List 40 Days of Dating   ** If you love my show, please subscribe, rate and review in iTunes, or wherever you get your podcasts. For more information, visit brandnewways.com --> Find the show on Twitter: @brandnewways_ --> Send me an email: show@brandnewways.com 

On this week’s episode Debbie Millman talks to Jessica Walsh and Timothy Goodman about their unusual collaboration

Merra Lee talks to Jessica Walsh about Yogidance! With YogiDance Jessica teaches children the skills they need to overcome any physical or mental struggles they face and provides a great example of what can be done with passion, confidence and determination!

Jessica Walsh once sold moss-covered rocks to her elementary school classmates. Today, she's Stefan Sagmeister's partner in Sagmeister + Walsh.

Within 5 years from graduating at RISD in the Graphic Design program, Jessica Walsh has her feet firmly planted at one of the most influential design studios today, partnered with one of the most influential designers—Stefan Sagmeister. On this show, Jessica talks about the process involved in her work and I ask her opinion on graphic design today. http://www.listencloseshow.com/