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Dean Drieberg is an acclaimed creative with almost three decades' experience in theatre, advertising and events. He recently directed Nine for NIDA and Dial M For Murder for Smoke&Mirrors Productions. Dean is Resident Director for Disney's The Lion King and was Resident Director of Hamilton for the Australian, New Zealand and International tours from 2021 to 2025. He directed Promises, Promises at Hayes Theatre, the Australian Premiere of Natasha, Pierre & The Great Comet of 1812 (nominated for Best Musical in the TimeOut Sydney Arts & Culture Awards and 3 Sydney Theatre Awards) for Darlinghurst Theatre Company, the Australian Premiere of Passing Strange (nominated for 5 Green Room Awards including Production of the Year) for Antipodes Theatre Company, co-directed Colour And Light: The Art of Sondheim (winning 2 Green Room Awards) and Sunday In The Park George (Green Room Award nominee for Best Direction and Best Multimedia Design) for Watch This - Australia's Sondheim repertory company for whom he is Co-Artistic Director, directed and designed bare the Musical and the Australian Premiere of Memphis the musical for StageArt. Dean has worked on over 20 national tours and has produced advertising campaigns and major events across Australia, New Zealand, in Tokyo and New York. Dean is an advocate for theatre that is inclusive of Indigenous, Bla(c)k and people of colour, artists with a disability and LGBTQIA+ artists.
Since Autumn first met Leila Awadallah at her aikido dojo, she's wanted to have her on the show. We are blessed to learn Leila's story on our penultimate episode of our art as solidarity season!Leila Awadallah (she/her) is a dancer, choreographer, and film wanderer based between Minneapolis, Mni Sota Makoce and Beirut, Lebanon. Her research in dance centers movement that activates relationships to land / place / peoples, rooted in the context of her own skin as a body and soul that holds indigenous Palestinian, Arab-American, SWANA, Sicilian and mixed Mediterranean worlds and ways. She is the Artistic Director and Founder of the Body Watani (body-as-homeland) dance project and practice in collaboration with Noelle Awadallah, Co-Artistic Director.---TRANSCRIPT---SUPPORT OUR SHOWhttps://www.patreon.com/Endoftheworldshow---HTS ESSENTIALSSUPPORT Our Show on Patreonhttps://www.patreon.com/EndoftheworldshowPEEP us on IGhttps://www.instagram.com/endoftheworldpc/
5/29/26, Co-Host Josh Silver MTA Pres Max Page: Trump's tax credits for private & religious schools, an attack on public education. Chester Theatre's Co-Artistic Directors Chris Baker & Michelle Ong-Hendrick on upcoming plays: “Buckminster Fuller—The History (and Mystery) of the Universe;” “Fanny—The Music and Life of Fanny Lou Hamer;” “Amchitka”—an island off Alaska, the site of nuclear testing;” “Dear Alien”— LOL advise from the columnist!” & a return engagement --“A Hundred Words for Snow.” Jim Nash, former Nhmtn City Council Pres on overrides in Easthampton June 9 & Northampton next year. Political Gold with Josh Silver: the mid-terms & what are the odds. ArtBeat w/Donnabelle Casis & artist Mahwish Chisty and Ehmtn OOO gallery owners Emma Chubb & Matt Cummings on “Wounds” & how you can help repair the wounds of war.
5/29/26, Co-Host Josh Silver MTA Pres Max Page: Trump's tax credits for private & religious schools, an attack on public education. Chester Theatre's Co-Artistic Directors Chris Baker & Michelle Ong-Hendrick on upcoming plays: “Buckminster Fuller—The History (and Mystery) of the Universe;” “Fanny—The Music and Life of Fanny Lou Hamer;” “Amchitka”—an island off Alaska, the site of nuclear testing;” “Dear Alien”— LOL advise from the columnist!” & a return engagement --“A Hundred Words for Snow.” Jim Nash, former Nhmtn City Council Pres on overrides in Easthampton June 9 & Northampton next year. Political Gold with Josh Silver: the mid-terms & what are the odds. ArtBeat w/Donnabelle Casis & artist Mahwish Chisty and Ehmtn OOO gallery owners Emma Chubb & Matt Cummings on “Wounds” & how you can help repair the wounds of war.
On this episode of Backstage, award-winning director and lighting designer Alexander Berlage, currently directing Sonder joins Regina. Alexander has become one of the most distinctive voices in Sydney's independent theatre scene. He is a two-time Sydney Theatre Award winner for Best Direction of a Musical, for American Psycho and Cry-Baby at Hayes Theatre Co, and won Best Direction of an Independent Production in 2023 for A Streetcar Named Desire at the Old Fitz Theatre. From 2020 to 2023, he served as Co-Artistic Director of Redline Productions at the Old Fitz. Now, with Sonder, Alexander brings that same precision and visual imagination to a new production — and joins us to talk about directing, design, and what draws him to a work in the first place.
Theater Artist Ken Gilbert talks about his career, from his thesis featuring plays by Albert Camus, to serving as Co-Artistic Director of DramaDogs, a Theater Company since 1993. Watch Video The post Theater Artist Ken Gilbert first appeared on Elizabeth Appraisals. The post Theater Artist Ken Gilbert appeared first on Elizabeth Appraisals.
Meet the brilliant and charming improviser, teacher, filmmaker and so much more, Ian McLaughlin. He started his Improv career on a rainy night in London (see our interview with his partner Beverly Fox) and began an incredible improv journey. Ian was so easy to chat with and he describes his method of teaching improv, starting with the first class. I felt like I was in an improv class, learning from this master! You definitely want to learn about his Blondie cover band and the surprise audience members who joined him on stage. He is so excited about the opening of the BOHO community hub, with a building opening in December 2026. I think it would be a great time to visit Newcastle and meet the beautiful team at BOHO Improv! For more info about the building: https://www.bohoarts.co.uk/hub Check out their website and classes: https://www.bohoarts.co.uk
This month, we welcome Abagail Vanmerlin & Jakob Schaefer, Co-Artistic Directors of a new theatre company and Venue: The Theatre (215, 14th Ave SW). Their latest production is 'The Boss Of It All', which runs until February 7th. https://thetheatre.com/thebossofitall/ https://archive.org/details/ThunderbirdsSeries/Thunderbirds+20+-+Move+and+You're+Dead.mp4
Claire Louise Amias is an actor and playwright. She has worked extensively on screen and stage, including feature films, No. 1 touring, West End and regional theatre.She is also Co-Artistic Director of A Monkey With Cymbals Theatre Company and has written, acted in and produced several projects. The Masks of Aphra Behn is an Offie award-winning one-woman show about the first professional female writer in the English language; the show went on a national tour and helped raise funds for the successful A is for Aphra statue campaign. She wrote a follow-up play, Oranges & Ink, about Behn's possible friendship with Nell Gwynn; this was Offie-nominated and had a West End run. Her current project is Haunted Shadows: The Gothic Tales of Edith Nesbit, which will begin touring the UK on 24 October, running until May next year. This is an adaptation of three of Edith Nesbit's creepiest stories. Find out more about Claire and book for Haunted Shadows at https://www.amonkeywithcymbals.co.uk/
A follow-up dispatch from Eamonn's sojourn to Sydney, Australia. He chats to ex-pat Amy Moore, Co-Artistic Director of The Song Company, along with members of their Developing Artist Programme (includes a good James Bowman story...). Music by Grieg, Guerrero and Bernard Hughes.MUSIC LINKSMonteverdi - Volgea l'anima mia / La Venexiana / Claudio Cavina; Listen on Spotify - https://open.spotify.com/track/5UrdSHZvhMRkuDGqi0q5y5?si=d09e867cc16842a9Grieg - Foraarsregn / Sigmund Hjelset / Per Vollestad; Listen on Apple Music - https://apple.co/4oVWjtWBernard Hughes - Perhaps / The Epiphoni Consort / Tim Reader; Listen on Apple Music - https://apple.co/4hSHealGuerrero - Ave Virgo sanctissima / The Marian Consort / Rory McCleery; Listen on Apple Music - https://apple.co/3JMTDjBSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with actor ML Roberts and co-playwrights Sean Patrick Nill and Elyse Sharp to talk about NEVER FEAR, SHAKESPEARE—a brand new Theatre for Young Audiences (TYA) play premiering at Sacramento's B Street Theatre. B Street is well known for its Theatre for Young Audiences (TYA) programming, which brings high-quality, professional productions to children, families, and schools, making theatre accessible to the next generation. We dive into B Street's philosophy of theatre for young audiences and how NEVER FEAR, SHAKESPEARE fits into that mission. Along the way, we discuss the theatre's history with Shakespeare, what makes this new play different from other Shakespeare-for-kids or Shakespeare-adjacent productions, and why introducing Shakespeare to young people matters in today's cultural landscape. ML Roberts shares his perspective on embodying a central role in the play, while Nill and Sharp reflect on the process of adapting Shakespeare's world for youth audiences—balancing humor, clarity, and creativity to keep the material engaging. At Shakespeare Anyone?, we strive to contextualize Shakespeare and make his works accessible. This episode highlights how NEVER FEAR, SHAKESPEARE carries that same mission into the world of young audiences. ML Roberts is the son of a Navy veteran and descendant of the Gullah Geechee of the Carolinas. As a member of Actor's Equity Association, he has performed with Seattle Children's Theater, Folger Shakespeare, Unicorn Theatre (UK), The Williams Project, and Santa Cruz Shakespeare, among others. As a playwright, his debut production Riverside premiered at Indy Shakes. His work has been developed with New Harmony Project, SPACE on Ryder Farm, and GTG's Speaker's Corner. As a screenwriter, he co-wrote a Lifetime movie and has developed work with Hulu. He is a member of the Dramatists Guild of America, a Broadway Advocacy Coalition Fellow, Co-Artistic Director of Yale Cabaret Season 57: Phoenix, and inaugural Core Company Member at ACT Theatre (Seattle). MFA Playwriting from the Yale School of Drama; BFA Acting from North Carolina School of the Arts marceselorenzo.com Sean Patrick Nill is Artistic and General Manager at the B Street Theatre. B Street Writing Credits include: Tiny Trailblazers: Kids Who Changed the World, Winnie-the-Pooh, ‘Tis the Season, Fantasy Festival XXXI-XXXVI, Mind Boggling Mysteries of the World, and Mathematical Madness. Directing Credits include: Tiny Trailblazers: Kids Who Changed the World, Cosmo St. Charles is Dead and Someone in This Room Killed Him, The Prince of Lightning, The Play That Goes Wrong, The Last Wide Open, A Year with Frog & Toad, Proclivity for Kiting, and Fantasy Festival XXXI-XXXVI. His plays have been produced by the Sacramento Theatre Company, B Street Theatre, Children's Museum & Theatre of Maine, Rover Dramawerks, Theatre InspiraTO festival, Watermelon One Act Festival, M.T. Pockets Theatre, Torent Theatre, and the Manhattan Repertory Theatre. His play Kings of America was a finalist for the Davey Foundation Theatre Grant given by the Salt Lake Acting Company, his play An Ordinary Woman was published in Stage It! Ten Minute Plays: 2017 Edition, and his play Brynlee & the Bull won the Audience Choice Award at the InspiroTO 10 Minute Play Festival in Canada. His adaptation of Winnie-the-Pooh, which premiered here at the B Street Theatre, is now published and can be purchased through Theatrical Rights Worldwide (https://www.theatricalrights.com/). And, you know her as one half of Shakespeare Anyone?…Elyse Sharp is a member of Actor's Equity Association and the Shakespeare Association of America, as well as a director, podcaster, dramaturg, and teaching artist. At the age of 9, and inspired by an episode of the PBS series Wishbone, she rewrote Romeo and Juliet for a fourth grade class assignment, and she's been passionate about Shakespeare (and helping others understand his work) ever since. Previously with B Street Theatre, she has been an Associate Producer of the New Comedies Festival, an actor in Prince of Lightning, Mind-Boggling Mysteries of the World, and Fantasy Festivals 32 & 33, an understudy for Dance Nation and Winnie the Pooh. As an actor, she has performed in 17 of Shakespeare's plays. Keep up with her at @elysesharp on all social media or at elysesharp.com B Street Theatre is Sacramento's premiere new works theatre for both children and adults. Founded in 1986 as Fantasy Theatre, a traveling children's theatre troupe, B Street has premiered more than 135 plays across its School Tour, Family Series, and Mainstage Series. Located at the Sofia Tsakopoulos Center for the Arts in Midtown Sacramento, B Street is California's only year-round professional theatre for young audiences. Known for championing bold new voices and creating theatre that is both accessible and adventurous, B Street has been named Sacramento Magazine's Top Sacramento Theatre numerous times. In 2025, it was honored with the National Theatre Conference's Theatre of the Year Award, recognizing its outstanding contributions to American theatre. To learn more, visit B Street Theatre's website, bstreettheatre.org. NEVER FEAR, SHAKESPEARE follows one shoemaker's son on his journey to become an actor alongside The Lord Chamberlain's Men, stepping right into some of Shakespeare's greatest hits. From Romeo and Juliet's balcony to the witches of Macbeth and the drama of Hamlet, it's Shakespeare reimagined with a wink and a laugh. For fans of Shakespeare in Love and Book of Will, this family-friendly comedy isn't just a history lesson—it's pure theatre magic, showing kids (and grown-ups!) that the Bard's words are still buzzing with life, laughter, and big imagination. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree.
The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Robert Howard. Robert is a Founder and the Co-Artistic Director, along with Rebecca Merblum, of the Kenya International Chamber Music Festival. He shares his journey growing up as a cellist in metro Atlanta, to his life of teaching and freelancing in the San Francisco bay area. After an incredibly moving trip to Kenya in 2019, Robert and Rebecca were inspired to start the Kenya International Cello Festival, which quickly morphed into a chamber music festival. Robert speaks about the impact they are making in Nairobi by teaching young musicians how to play string instruments, which have been generously donated by many organizations in the US, bringing in faculty to coach chamber music groups, training music teachers to teach the younger students, and training Kenyans how to do repairs on instruments. This is an incredibly inspiring story about how to make a difference in the lives of young students living in the slums of Nairobi, through the power of music!For more information on Robert: https://roberthowardcello.com/You can also find Robert on Instagram: @rhowardcelloFor more information on the Kenya International Chamber Music Festival: https://www.kicf.net/tourIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com
What's it like to pursue a low-residency MFA when you're a collaborative playwright and performer? In this episode, Suli Holum describes devised work, partnerships between writers and actors, and how she created a piece based on her research in the oil fields of North Dakota. She and Jared also talk about the details of Goddard's creative and craft assignments, and how students in this low-res program still get teaching experience.Suli Holum is a Philadelphia-based director, performer, choreographer and playwright who recently graduated with an MFA in Dramatic Writing from Goddard College in Vermont where she was the recipient of the 2020 Engaged Artist Award. She is a member of the Wilma Theatre's HotHouse Company, a founding member of Pig Iron Theatre Company, and Co-Artistic Director of Stein | Holum Projects, whose works include Drama Desk-nominated Chimera, and The Wholehearted. She's the recipient of a Drama Desk Award, a TCG/Fox Resident Actor Fellowship, a Barrymore Award, an Independence Fellowship, and a NEFA Touring Grant. Credits at the Wilma include Romeo and Juliet, Dance Nation and Minor Character, and you can also catch her on HBO's Mare of Easttown. Find her at suliholumthework.org.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Co- Artistic Directors at CMU Rick Edinger, and Brannon Bowers call in to talk about CMU's partnership with our city.
6/30/25: "The Duke: Weekly Conversations with the Last Honest Politician" with author Scott Kerman. Megan Zinn w/ THE Ocean Vuong on life and literature. Alex Leff: his Human Nature Odyssey podcast. Chester Theatre Co-Artistic Directors Chris Baker & Michelle Ong-Hendrick: four fabulous productions this summer.
Cole Schmidt talks about the upcoming 40th Vancouver International Jazz Festival presented by the Coastal Jazz and Blues Society, where he is the co-artistic director. Cole is a guitarist and composer who is an absolute mainstay of our scene and has been for many years now. To say that Cole has a full plate at any given time is a gross understatement. His project with Peggy Lee, Forever Stories Of: Moving Parties, came out in November 2024 to critical acclaim. More recently, the band KneeJerk with Brian Horswill, Karlis Silins, Kenton Loewen, and Cole released their album The Speed of Dark in May on the Infidels Jazz label. Cole is working on future projects with his longtime band, Sick Boss; a new group called LETTR OPENR with Feven Kidane, Kevin Romain, and Nebyu Yohannes; a duo with Alvaro Rojas, and even a solo record. In short, the man is making music happen.Next week, Cole is playing at the festival on June 25: 5:00 PM - Revue Stage, Forever Stories Of: Moving Parties (pay what you can).Here are my gigs around jazzfest time!June 22: 2:00 PM - Hero's Welcome, Jazz Salvation Organ Trio with Mary Ancheta & Biboye Onanuga ($10 cover) June 23: 9:30 PM - Tyrant Studios, my quartet with John Nicholson, Conrad Good, & Todd Stewart + a jam (get tickets)June 26: 4:00 PM - Ocean Artworks, John Nicholson Quintet (pay what you can) June 28: 1:00 PM - North Vancouver Civic Plaza, Taras Luka (FREE) Also check out Will's gig with the Madeleine Elkins Trio (joined by Kevin Romain) on June 29: 4:00 PM - Ocean Artworks (pay what you can)!Become a member for free today at rhythmchanges.ca. You'll get the free weekly email with upcoming events from the gig list, plus artists, events, or recordings for you to enjoy and share. Sent every Tuesday morning at 6:00 AM Pacific Time.Hosted by Chris Fraser. Edited and mixed by Will Chernoff. A Chernoff Music podcast. Theme music: "Lutin" by William Chernoff.
Glenn Davis, Co-Artistic Director of the Steppenwolf Theatre and Solomon “Junior” Jasper in Purpose, joins Lisa Dent to talk about the success that Purpose has had. Over the weekend, the Pulitzer Prize winning play won the Tony Award for ‘Best Play.’ Davis talks about the experience and his reaction to the success that the play […]
In this episode, Broadway performer Chantelle Good discusses the pressing issues within the performing arts industry, emphasizing that representation alone is insufficient and highlights the importance of valuing the hard work of performers. She shares insights into the daily life of a Broadway performer, the challenges of being a swing, and the necessity of fostering empathy and compassion.Chantelle also shares a funny “swing” story and shares one of her wildest dreams. This episode is for you if you're ready to question the status quo, embrace the messiness of growth, and reimagine what leadership and success can look like in the performing arts.Timestamps & Topics00:00 Representation in the Arts03:03 Valuing the Work of Performers06:14 The Life of a Broadway Performer08:56 Challenging Toxic Norms 11:48 Embracing Mistakes 17:13 The Journey of a Swing20:07 Dreams Beyond Broadway24:05 Empathy and Compassion About ChantelleChantelle Good is a performer, choreographer, and teaching artist who is currently performing in MJ The Musical on Broadway. Based in Brooklyn, New York, her performance credits include Punchdrunk's Sleep No More and Freddie Falls in Love at the Joyce Theater. She has also danced for artists including JLo, Snoop Dogg, and H.E.R., as well as companies including Still Motion, Loni Landon Dance Project, and The Forest of Arden. Chantelle also works in the non-profit sector as the Co-Artistic Director of TOES FOR DANCE and the Programs Director of Share The Movement. She also enjoys sharing her knowledge and passion for dance as a teaching artist and guest choreographer for institutions and programs across North America. She continues to deepen her learning around decolonizing teaching practices, in order to foster inclusive environments for her students and cultivate community whenever possible.
In today's episode, Chantelle shares about her journey to becoming a swing on Broadway, the importance of setting boundaries in performance spaces, and learning to use your voice. Chantelle and Jess discuss the unfortunate prevalence of body image issues in the performing arts community and practice navigating conversations about the topic. This episode is for you if you're questioning how to advocate for yourself in professional settings or looking to reclaim your individuality in an industry that hasn't always felt like it was for you.*This episode includes a conversation about body image that may be triggering for some. If this is a sensitive topic for you, feel free to pause around 26 minutes in and come back for part two.* Timestamps & Topics00:00 Chantelle's Human Bio 02:00 Chantelle's Journey to Broadway04:10 Life as a Swing on Broadway05:58 Unexpected Career Paths09:24 Audition Experiences and Sleep No More11:23 Setting Boundaries in Performance12:35 Evolving as an Artist14:53 Navigating Body Image and Self-Expression18:23 Mission Statement as an Artist19:47 Balancing Commercial Work and Artistic Integrity22:28 Unlearning and Embracing Individuality26:11 Experiences with Nudity in Performance32:12 The Importance of Community34:46 Challenging Body Talk in the ArtsCome back from Part 2!About Chantelle: Chantelle Good is a performer, choreographer, and teaching artist who is currently performing in MJ The Musical on Broadway. Based in Brooklyn, New York, her performance credits include Punchdrunk's Sleep No More and Freddie Falls in Love at the Joyce Theater. She has also danced for artists including JLo, Snoop Dogg, and H.E.R., as well as companies including Still Motion, Loni Landon Dance Project, and The Forest of Arden. Chantelle also works in the non-profit sector as the Co-Artistic Director of TOES FOR DANCE and the Programs Director of Share The Movement. She also enjoys sharing her knowledge and passion for dance as a teaching artist and guest choreographer for institutions and programs across North America. She continues to deepen her learning around decolonizing teaching practices, in order to foster inclusive environments for her students and cultivate community whenever possible.
“I think during my formative years, shying away from my true self – my authentic self – that's definitely shaped how I approach being in front of choirs, using choir as a platform to really encourage kids to be themselves. I think there's a vulnerability to singing where it really is an avenue to accessing the truest parts of ourselves, and so that's kind of my life mission now that I get to be in front of choirs.”Chris Maunu is a conductor, educator, and composer dedicated to inspiring young singers and shaping the future of choral music. Based in Portland, Oregon, he serves as Artistic Director of the acclaimed Pacific Youth Choir, Affiliate Faculty at Portland State University, and Artistic Director of the professional ensemble Choro in Schola. Previously, he spent 17 years as the Director of Choral Activities at Arvada West High School in Colorado and 7 years as Co-Artistic Director of the professional Anima Chamber Ensemble. A four-time GRAMMY® Music Educator of the Year Finalist and two-time CMA® Foundation National Music Teacher of Excellence honoree, Chris is a passionate advocate for music education. Choirs under his direction have received national and international acclaim, performing at over a dozen major conferences, including National and Regional ACDA events. His ensembles have earned prestigious honors such as the American Prize in Choral Performance and the Gold Diploma at the Rimini International Choral Competition.In high demand as a guest conductor and clinician, Chris recently conducted the 2025 National 11-12 HS Honor Choir at the National ACDA Conference in Dallas, TX to great acclaim. As a composer, his award-winning works have been performed worldwide. He also serves as editor of the Pacific Youth Choir Choral Series with Pavane Publishing. An active member of NAfME and ACDA, Chris is the NWACDA Chair for Community Youth Choirs and frequently presents at both the regional and national levels. His writings appear in the Choral Journal, and he is a contributing author to A Choral Conductor's Companion.Chris holds a Master of Music degree from the University of Nebraska-Lincoln and a Bachelor of Music Education from Northern State University. Most importantly, Mr. Maunu shares his life with his beautiful wife Aleisha, and their children Bodhi and Astraea.To get in touch with Chris, you can find him on Facebook (@chris.maunu) or Instagram (@chrismaunu) or visit his website, chrismaunu.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
Welcome to a special series of Art Pays Me interviews with the winners of the 2024 Creative Nova Scotia Awards. Presented annually by Arts Nova Scotia and the Creative Nova Scotia Leadership Council, these awards celebrate artistic excellence across Mi'kma'ki. This would not be possible without the fantastic production work of Heist and Keke Beatz. On this episode I spoke with Emerging Artist Award recipient, Susanne Chui. A central figure in Halifax's contemporary dance community, Susanne became Co-Artistic Director of Mocean Dance in 2012. With Mocean, Susanne has developed roles in works by Heidi Strauss, Serge Bennathan, Tedd Robinson, Lesandra Dodson and Claire French, and co-created Burnwater: Alchemy with Erin Donovan (Hear Here Productions). Susanne trained professionally at the School of Toronto Dance Theatre and was based in Toronto from 1999-2007. During that time she danced for many independent choreographers and extensively with Yvonne Ng, with whom she toured to Singapore in 2005. She was a founding member of TILT: sound + motion dance company, where she had the pleasure of performing works by some of Canada's finest choreographers including, Robert Abubo, Marie-Julie Asselin, Bill Coleman, Lesandra Dodson, Deborah Dunn, Sasha Ivanochko, Sharon Moore, and Heidi Strauss. Since returning to Halifax, Susanne has become immersed in the dance community collaborating with dance artists Jacinte Armstrong, Lesandra Dodson, Veronique MacKenzie, Gwen Noah Dance, Phin Performing Arts, as well as with SiNS, a collective she co-founded in 2005 with Jacinte Armstrong and Sara Coffin. Susanne collaborates across disciplines, working regularly with master musician Jerry Granelli and teaching at Creative Music Workshop, an annual improvisation-based summer program. As a choreographer she has received funding from Canada Council for the Arts and Arts Nova Scotia and her works have been presented in Moncton, Toronto and in Halifax by Kinetic Studio and the TD Halifax Jazz Festival. She was the first recipient of Kinetic Studio's Explorations Choreographic Scholarship and was the 2012 recipient of the Diane Moore Creation Scholarship. In 2016 she received the Lieutenant Governor of Nova Scotia's Masterworks Award, for her role as a dancer in Mocean's Canvas 5 x 5, choreographed by Tedd Robinson. An active arts manager, Susanne has worked in various roles in the arts community. She has served on the boards of Live Art Dance Productions, Kinetic Studio and the Legacy Centre for the Performing Arts, and participated on various committees and juries including Arts Nova Scotia, City of Halifax, Nova Scotia Talent Trust and the Canadian Dance Assembly. She is a member of Dancer Transition Resource Centre, Canadian Alliance of Dance Artists and Canadian Dance Assembly.
The Colorado Theatre Guild president joins the guys to talk about the year ahead and more. Plus, our Top 10 Colorado Headliners.In this episode of the OnStage Colorado Podcast, Toni Tresca and Alex Miller welcome guest host Betty Hart. As the president of the Colorado Theatre Guild, Co-Artistic Director at Boulder's Local Theater and avid show-goer, Hart has a unique perspective on — and deep knowledge of —theatre in the state.Later in the show, we review our weekly lists of Top 10 Colorado Headliners — upcoming shows to keep an eye out for. This week's list: Pippin, Fort Lewis College, Durango, April 11-19Seams, The Agenda Theatre, Buntport Theater, Denver, April 11-26New Faces Rd. 1, Comedy Works Downtown, Denver, April 16-May 28Denver's Got Talent, RISE Comedy, Denver, April 19Raw Groove Presents: Life of the Party, Manos Sagrados, Aurora, April 19Happily Ever After, Windsor Community Playhouse, April 11-27Little Women, Main Street Live, Trinidad, April 18-27Field Trip!, Control Group Productions, Denver - Colfax areaThe Hot Wing King, Denver Center, April 25-May 25These Shining Lives, Thunder River Theatre Company, Carbondale, May 2-18OnStage Colorado Podcast - April 15th Episode OutlineIntroduction (00:01 - 02:20)• Hosts Alex Miller and Tony Tresca introduce special guest Betty Hart• Betty's roles: President of Colorado Theater Guild, Co-Artistic Director at Local Theater CompanyRecently Seen Shows (02:21 - 15:46)• Betty discusses nine shows she recently saw (02:55 - 06:37)• Discussion of "The Wiz" at the Buell Theatre (06:38 - 12:00)• Alex discusses "The White Chip" from Boulder Ensemble Theater Company (12:01 - 15:46)Discussion About Theatre Criticism (15:47 - 19:34)• Betty questions reviewers about their criteria for excellence• Conversation about what constitutes a "new" theatrical experienceMore Recently Seen Shows (19:35 - 22:06)• Alex mentions finishing "The White Lotus" TV series• Discussion about weekly vs. binge-watching TV showsTony's Recent Show Experiences (23:51 - 29:08)• "Inheritance Kitchen" immersive theater experience (23:51 - 26:00)• Chinese mystery game Jubensha in Louisville (26:01 - 29:08)• "Bright Star" at Candlelight Dinner Playhouse (29:09 - 33:15)Theatre News (33:16 - 36:37)• Leadership changes at Colorado Springs theaters (33:16 - 34:41)• Colorado Springs Fine Arts Center season announcement (34:42 - 36:37)Media Recommendations & Theater Discourse (36:38 - 44:14)• Freakonomics podcast series on theater (36:38 - 37:37)• Discussion about giving feedback to friends after seeing their shows (37:38 - 44:14)Colorado Theater Guild Updates (44:15 - 52:48)• Unified Auditions on May 4-5 at Aurora Fox Arts Center (44:15 - 48:31)• State of Colorado theater post-pandemic (48:32 - 54:42)• New CTG initiatives regarding theater safety (54:43 - 57:48)Local Theater Company's Local Lab (57:49 - 1:06:01)• Overview of the 14th annual Local Lab festival (57:49 - 59:56)• Discussion of featured plays: o "Batshit" by Stephen Burge (59:57 - 1:01:35)o "A Bedtime Story for Black Boys on the Moon" by Kori Alston (1:01:36 - 1:03:00)o "Bloodsucking Leech" by Amy Tofte (1:03:01 - 1:06:01)Colorado Headliners - Upcoming Shows (1:09:10 - 1:20:27)Wrap-Up and Announcements (1:19:34 - 1:22:08)• Upcoming website content (1:19:34 - 1:20:27)• Podcast scheduling changes - moving to bi-weekly format (1:20:28 - 1:22:08)• Information about the next episode on social media in theater (1:20:28 - 1:21:27)
Join "Dance Talk” ® with Joanne Carey and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/... Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Richard Chamberlain (1934-2025) Richard Wolinsky and Richard Chamberlain outside the KPFA studios, June 10, 2003. Richard Chamberlain, who died on March 29, 2025 two days before his 91st birthday, in conversation with host Richard Wolinsky, recorded June 10, 2003 while on tour for his memoir, Shattered Love. Richard Chamberlain achieved fame as the heart-throb star of the 1960s medical drama Doctor Kildare, and went on to a successful career as an actor in the TV miniseries The Thorn Birds and the original Shogun, as well as the Richard Lester Three Musketeers films and Peter Weir's The Last Wave, as well as other TV series and films. He also was on the Broadway stage in a revival of My Fair Lady, and toured with several shows. In 2003, he chose to come out of the closet in his memoir, Shattered Love, in which he discussed his years of self-loathing and his later spiritual awakening. The interview concludes with a discussion of the political scene in 2003, which bears a clear relationship with what is happening in Washington D.C. today. Michael Moran, Co-Artistic Director, Oakland Theater Project Michael Socrates Moran, Executive and Co-Artistic Director of the Oakland Theater Project in conversation with Richard Wolinsky, recorded via computer, March 26,2025. Michael Moran is one of the founders of Oakland Theater Project, formerly Ubuntu Theatre Project. He is also the director of “I Am My Own Wife” by Doug Wright, playing at Oakland Theater Project through April 13, 2025. In this interview he discusses the origins of the company, how it fared during the pandemic, and the upcoming season. Complete Interview Review of “Fat Ham” at San Francisco Playhouse through April 19, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Eddie Izzard Hamlet, April 1-20 Strand. Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare CompanJulius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: Six. April 22-27. See website for other events. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, Extended to April 6, 2025. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. I Am My Own Wife by Doug Wright, March 21 – April 13, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Joseph and the Amazing Technicolor Dreamcoat, April 10-19. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: Pet Lingerie, a new musical, March 21- April 6. See website for New Works Sunday night readings and other events. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Art by Yazmina Reza, through April 12. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post April 3, 2025: Richard Chamberlain – Michael Socrates Moran appeared first on KPFA.
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices
Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.
Michael Socrates Moran, Executive and Co-Artistic Director of Oakland Theater Project, in conversation with Richard Wolinsky. Michael Moran is one of the founders of Oakland Theater Project, formerly Ubuntu Theatre Project. He is also the director of “I Am My Own Wife” by Doug Wright, playing at Oakland Theater Project through April 6, 2025. In this interview he discusses the origins of the company, how it fared during the pandemic, and the upcoming season. The post Michael Socrates Moran, Oakland Theater Project appeared first on KPFA.
The UK's most celebrated Hip-Hop dance theater company, Boy Blue, presents the U.S. premiere of Cycles at Lincoln Center's Rose Theater, March 27, 28 & 29 at 7:30 pm. Now in the 24th year of their professional partnership, our guests are Co-Founders and Co-Artistic Directors of Boy Blue, Choreographer Kenrick Sandy, MBE, and Composer Michael Asante, MBE. For more, visit boyblue.co.uk and lincolncenter.org.
As the Co-Artistic Director of Streb Extreme Action she ziplined across the Park Avenue Armory, scaled the walls of the Bergdorf building and danced on the spokes of the London Eye. Cassandre was born and raised in Brooklyn, New York. Her investigation in movement began at the age of four with the sport of gymnastics. Over a span of twenty years as a competitive gymnast, she earned several state and regional titles. She graduated from Cornell University with a B.A. in English Literature and studied journalism at Temple University's graduate communications program. She joined STREB in 2007 as an instructor and company member. In September 2017, Cassandre Joseph was appointed Associate Artistic Director of STREB Extreme Action, and also oversees SLAM's education program. Cassandre has been the Creative Director of the STREB Kid Company since 2010 for which she has choreographed and self-produced three evening length works: Heroes (2015), Momentum (2016) and Navigation (2017). She is a strong believer in the transformative power of movement and is passionate about empowering young people to push boundaries and expand their notions of what is possible. When she is not seen in a rehearsal, teaching classes or creating action events at SLAM, she can be found training her daughter Nia to be a mini-action hero.
“A big part of being a musician is believing in yourself and saying ‘yes' to the little opportunities that come your way. Sometimes we can get down on ourselves. We think, ‘I'm not cut out for that.' Believe in yourself and what you can do, no matter what the situation... Don't be afraid to say ‘yes,' to try out for that show or audition for that ensemble. Encourage your students to do the same thing because you never know where those opportunities are going to take you.”Jessica Koenig loves sharing her passion for music and the relationships it forges with people of all ages and backgrounds. She joined choir at the age of 9 and has never stopped singing! At age 17 she was selected as a featured soloist during Pope John Paul II's visit to St. Louis. Jessica went on to receive her BS in Music Education from William Jewell College in 2003. After several moves, she spent 13 years teaching general music at a private K-8 school where her children's choir consistently had 60-80 students. They were featured in choral festivals, twice performed the Star Spangled Banner at Harlem Globetrotters games, and led music at countless church services.Jessica accepted a public middle school choir position in 2022 in order to reach a more dynamic group of families. During her second year there, her treble ensemble was one of two middle school choirs to achieve a Superior-Plus rating at the Illinois Grade School Music Association's State Organization Festival and also shared the stage with the Rockford Symphony Orchestra. Jessica's choirs are known for their pure sound and strong tonality.She became the Co-Artistic Director of Kantorei in 2024. Kantorei is the premier 4th-12th grade community choir in Rockford, IL. This organization is committed to offering an excellent choral education to all students who love to sing without the barriers of cost and is funded completely on donations. Jessica lives in Rockford, IL with her three talented children. Find more information about Kantorei at kantorei.com.To get in touch with Jessica, you can e-mail her at jessica.leigh.koenig@gmail.com or visit kantorei.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
EP - 5: On Let's Talk: Passion & Purpose, host Nicole Thomas welcomes the dynamic and accomplished Laura Canty-Samuel, a four-time Emmy-nominated TV writer, award-winning comedian, and Co-Artistic Director of the Upright Citizens Brigade Theater (UCB) in NYC. This inspiring conversation dives into Laura's creative journey, her passion for storytelling, and how she balances a thriving career in comedy, writing, and the arts while inspiring others to livepurposefully.
Join us as we talk with Dan Guin, Co-Artistic Director of Boca Ballet Theatre, about their Advanced Summer Performance Workshop. This five-week program offers dancers the unique opportunity to work directly with artistic directors from top ballet companies, gaining invaluable experience and exposure. Dan shares how the workshop has become a launchpad for professional careers and what makes it such a standout summer experience. You can learn more about the Advanced Summer Workshop on their website. Links: Ballet Help Desk Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art! Support the show
Jaclyn Bethany is an Emmy award winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include "Delusion “- a short film in collaboration with Adult Film NYC, “In Transit,” written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud, and “All Five Eyes,” which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the Co-Artistic Director of The Fire Weeds, a female driven immersive theater company based in New Orleans, and her endeavor to present new theater, and new approaches to old theater, in a place where “new” takes some getting used to. She also discusses what she learned as an actor that helps her directing, why she's so fascinated by Tennessee Williams, the importance of a “child-like” approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
Bonnie Whiting is a percussionist, composer, and educator based in Seattle. She's the Chair of Percussion Studies at the University of Washington and the Co-Artistic Director of the Seattle Modern Orchestra. In her work, she seeks out projects involving the speaking percussionist, non-traditional notation, improvisation, and interdisciplinary performance. Stephen Anthony Rawson sits down with Bonnie at her studio at the University of Washington. They talk about pieces from her speaking percussionist repertoire, the music of John Cage, narratology in music, her project Through the Eye(s), and more!
October 4 - 20, 2024Written by Erlina OrtizDirected by Tatyana-Marie CarloIn association with Edgewood EntertainmentA Philadelphia PremiereJosefina is a stand-up comic from Philadelphia coming to terms with the recent death of her mother, as well as her sister's sudden illness, just as her comedy career is taking off. Written by Philadelphia's own Erlina Ortiz, Co-Artistic Director of Power Street Theatre, this funny and touching new play features sidesplitting stand-up as it explores sisterhood, caregiving, and the search for balance between career and family. La Egoísta is a comedy about being selfish in pursuit of your dreams but selfless with the people you love. Winner of the National Latine Playwrights Award. A Philadelphia premiere.FOR MORE INFROMATION: https://philadelphiatheatrecompany.org LINKS: ARTICLE: https://splashmags.com/index.php/2023/03/la-egoista-review-sisters-forever/#gsc.tab=0 ACTORS THEATRE of LOUISVILLE - https://www.actorstheatre.org/shows/2022-2023/la-egoista/ Erlina Ortiz Wins ATC's 2022 National Latine Playwrights Award - https://www.prweb.com/releases/Erlina_Ortiz_Wins_ATC_s_2022_National_Latine_Playwrights_Award/prweb18860394.htm
David Peace on his new novel, Munichs, about the plane crash that transformed Manchester United. Katie Posner, Co-Artistic Director of Paines Plough theatre company and Daniel Evans, Co-Artistic Director of the Royal Shakespeare Company discuss the new plays crisis in theatre. Matt Hemley, Deputy Editor of The Stage, reports on the cancellation of a new production of A Midsummer Night's Dream at the Royal Exchange Theatre in Manchester. Artist and author Edmund De Waal, chair of judges for the Booker Prize 2024, reflects on this year's shortlist. Manish Chauhan on his shortlisted story, Pieces, for this year's National Short Story Award.Presenter: Nick Ahad Producer: Ekene Akalawu
Meet the two new co-artistic directors of Baton Rouge Ballet Theatre as host Pam Bordelon visits with Rebecca Acosta and Jonna Cox, both of whom started dancing at a very young age and have big plans to carry out the legacy they've inherited.
Tom Petsinis is a novelist, playwright, and poet. He was born in Macedonia, Greece, and immigrated to Australia as a child. He lives in Melbourne and works as a mathematics co-ordinator at Deakin University. He has published several collections of poetry, including Sonnets: Offerings from Mount Athos, My Father's Tools, Steles, Isolation, and Four Quarters, which won the Wesley Michel Wright Poetry Prize. His play The Drought was short-listed for the Victorian Premier's Literary Award and won the Wal Cherry Award. His novels include The Twelfth Dialogue and The French Mathematician, nominated for both the New South Wales and South Australian Premier's Award. His recent novels are Fitzroy Raw and Fog. The Australia Council for the Arts has awarded him a Writers' Fellowship and a Residency at the B.R. Whiting Library in Rome. He also been a Creative Fellow at the State Library of Victoria and a writer-in-residence in Lavigny, Switzerland. Tom's work has been translated into several languages. His latest collection of poetry is Zero's Whisper and his latest play is Zorba's Last Dance.Dimitrios Koutsoukos is an actor with a diverse range of credits. Television and film credits include Kick, Neighbours, Noah's Ark, and Crackerjack. He has appeared in numerous short films, including Bulk Bill (VCA), Apply Yourself (Art of the State) and Short Change (48 Hour Film Fest Award Winner). Beyond film and television, Dimitrios has performed in theatre productions such as The Greeks (La Mama Collaborations) and Heart Thy Neighbour (Melbourne International Comedy Festival). His training includes The Film Space, St. Kilda Acting Company, and Tony Nikolakopoulos' Kali Techni Theatre Company. He has served as the Co-Artistic Director of the Greek Australian Short Film Festival (GASFF). Here, he reads extracts from Tom Petsinis's new play, Zorba's Last Dance, and also joins Tom Petsinis in reading poems from Zero's Whisper.Tom Petsinis's work is available here: https://scholarly.info/?s=Tom+Petsinis&post_type=productProduction and Interview: Tina Giannoukos
Today on Evil Thespian we are joined by Jaclyn Bethany and Lin Gathwright, Co-Artistic Directors of The Fire Weeds. As a new female focused theatre company offering bold interpretations, their upcoming production is titled Outraged Hearts. A new immersive take on Tennessee Williams, Outraged Hearts features two early prototypes for The Glass Menagerie and A Streetcar named Desire (Pretty Trap and Interior: Panic). It comes to NYC after a successful run in New Orleans in association with The Tennessee Williams and New Orleans Literary Festival, and is being co-produced in NYC by Tony nominated Future Home Productions. We're here to talk about it! Listen for an excellent conversation on all things Ten, along with some excellent insight into a production that makes itself culturally significant both in artifice and honesty. This is gonna be a special one, folks! Get tickets to OUTRAGED HEARTS HERE Follow The Fire Weeds today! IG: @thefireweeds Follow Jaclyn Bethany! IG: @jaclyn_bethany Follow Lin Gathwright! IG: @lingathwrightbunnylove
"Together we can create a world where arts and culture are recognized and invested in as essential to society, embedded in community life, and intersecting with broader policy change to reshape systems towards equity and justice." - Julie BakerJoin us as we kick off our second season, celebrating the vibrant and resilient arts and culture scene that shape our community. This season, we bring you highlights from the second annual California Arts & Culture Summit, organized by our partner California for the Arts, with the theme "Art Work is Real Work."In our premiere episode, don't miss the inspiring opening ceremony and keynote sessions with Nefesha Yisra'el the Director of Programs from California for the Arts, Leticia Rhi Buckley, the CEO for LA Plaza de Cultura y Artes, Julie Baker, the CEO for both California for the Arts and California Arts Advocates along with keynote speaker Nataki Garrett the Co-Artistic Director of One Nation / One Project Arts for Every Body. They delve into the critical topics of advocacy, cultural equity, artist support, and the transformative power of the arts in promoting health and empathy.Tune in and discover the economic significance of the arts and the urgent need for sustained funding. Be inspired by stories of how art addresses societal issues and fosters a more empathetic world.To find out more information about our guests and their respective organization's programs, and services, how to volunteer and make a donation please visit our episode landing page with links to resources for the arts and culture sector. And if you have been enjoying the show, please leave us a rating and review on the podcast platform of your choiceWe welcome your participation in our next virtual and live in-person community dialogue event. You can also watch this episode on our YouTube Channel and please Sign Up for our Newsletter to stay up to date on future episodes and to participate in our next live show. We would love to hear from you with feedback and show ideas, so send us an email to george@georgekoster.comPlease consider donating to Voices of the Community - Voices of the Community is fiscally sponsored by Intersection for the Arts, a 501(c)(3) nonprofit organization, that allows us to offer you tax deductions for your contributions. Please consider making a donation to help us provide future shows just like this one. Delve deeper into our Voices of the Community Series: explore episodes, speakers, organizations, and resources on our dedicated page. Watch and learn from all five series now!
Join us for an engaging and insightful journey into the world of theater with Clare Drobot, Co-Artistic Director at City Theatre in Pittsburgh. Clare shares her experiences as a dramaturg, playwright, and leader, offering a unique perspective on the creative process. In this podcast, you'll discover how Clare draws from her extensive background to discuss the intricacies of developing new plays and curating successful seasons. Tune in as she reflects on her experiences, shares anecdotes, and provides valuable insights for aspiring artists.
Todd and Chris sit down with our beloved contributor Anthony Sertel Dean as well as Rob Neill, Co-Artistic Director of the New York Neo-Futurists, to talk about their show The Infinite Wrench, a theatrical race against the clock akin to the mechanics of ARC. Check out the New York Neo-Futurists: https://www.nyneofuturists.org/ https://www.nyneofuturists.org/hit-play And be sure to catch them in their new venue at 154 Christopher St in New York City! Dungeons and Drama Nerds is produced by Todd Brian Backus, Percival Hornak, and Nicholas Orvis, and this episode was mixed and edited by Percival Hornak. Our theme music is by Anthony Sertel Dean, and our logo art is by Todd Brian Backus. Season Three features contributions from Christopher Diercksen, Ben Ferber, Kory Flores, Tess Huth, Romana Isabella, Leo Mock, Jon Jon Johnson, and Dex Phan. Our ARC campaign features Jovane Camaaño as Silt, Anthony Sertel Dean as Deniz, Romana Isabella as Gorm, Nick Orvis as Twili, Dex Phan as Lemon Sprinkle, and Todd Brian Backus as The Guide. If you'd like to help us continue exploring the intersection of theatre and tabletop roleplaying games, consider leaving us a review on your podcast app of choice or supporting us - and getting access to our patron-only bonus content - at patreon.com/dungeonsanddramanerds. You can find our social media and website links, including our cast bios, at our linktree. Be sure to tune in next week for another episode of Dungeons and Drama Nerds!
This week on Outrage + Optimism our hosts discuss the leaked documents revealing how Adnoc, the Abu Dhabi National Oil Company and Dr. Sultan were planning to use COP 28 meetings with other countries to promote deals for its national oil and gas companies. With Dr Sultan set to give his speech on Thursday, our hosts ask what needs to happen to restore the faltering trust in his presidency and avoid derailing the COP agenda at such a vital time. Our guest this week is Nathaniel Stinnett who founded the Environmental Voter Project, which targets inactive environmentalists, transforming them into consistent voters to build the power of the environmental movement, something which may prove critical given the news that Trump would scrap the landmark IRA and BIL legislations if elected. To close this week's episode, we have Chris Redmond, Co- Artistic Director of Hot Poets with his poem ‘Blink', with a beautiful musical accompaniment by The Tongue Fu Band (music written by Riaan Vosloo). The poem was commissioned by 3M as part of a series of poems in collaboration with UNFCCC's Resilience Frontiers. NOTES AND RESOURCES GUEST Nathaniel Stinnett, Founder & Executive Director of the Environmental Voter ProjectTwitter | LinkedIn | Facebook | Instagram ARTIST Chris Redmond, Artistic Director - Hot Poets (the film of ‘Blink' will be released on Thursday 30 November on YouTube and across Hot Poets channels) Website | Facebook | Twitter | Instagram | YouTube | TikTok The Tongue Fu Band Twitter | Instagram Learn more about the Paris Agreement. It's official, we're a TED Audio Collective Podcast - Proof! Check out more podcasts from The TED Audio Collective Please follow us on social media! Twitter | Instagram | LinkedIn
Creating a Vision for Kathak with Rukhmani Mehta Today on Movers & Shapers, we are joined by Rukhmani Mehta (previously Rina Mehta). Rukhmani is a choreographer, dancer, educator, Artistic Director of Leela Youth Dance Company, and the Co-Artistic Director of Leela Dance Collective, which brings together leading artists from around the world to advance a collective vision for kathak, a classical North Indian dance. In this episode, Rukhmani speaks about her love for creating community through dance and her deep interest in and curiosity for collaborative projects and processes. What stands out most is Rukhmani's resounding passion for her work and art form, despite the struggles she has had along the way, as well as the thoughtfulness with which she has built her life in dance, from co-leadership of her company to teaching to creating the first-ever endowment to support kathak dance and music in the US and more. Tune in today for an inspiring conversation about the power of collaboration, community, and preserving culture! Key Points From This Episode: · How Rukhmani started dancing and when she fell in love with kathak. · What she learned about the art form from kathak master, Pt. Chitresh Das. · The profoundly transformational experience that studying kathak afforded her. · How she learned to follow her heart and commit to starting a professional dance company. · Steps Rukhmani took to build a life in dance, including teaching and the Leela Foundation. · Audience development and creating a future for kathak as an educator. · Unpacking Rukhmani's belief in the power of collaboration. · Where the name Leela comes from and how it speaks to spontaneous creativity. · Insight into Rukhmani's love for creating communities of young women through dance. · The process of building Leela as a collective and how it was impacted by COVID. · Joys and challenges of a dance career and what you can look forward to from Leela! · The heartwarming story of why Rukhmani changed her name from Rina. “My work is about being an artist and putting the art form out in the world but – it has also become about creating the infrastructure that the artists who are carrying these traditions forward need.” — Rukhmani Mehta Rukhmani Mehta brings a singular voice and vision to the art form of kathak, a classical dance genre from North India; she is a dancer, choreographer, educator, and Co-Founder/Co-Artistic Director of Leela Dance Collective. More on this episode: Movers & Shapers Follow Movers & Shapers: Instagram and Facebook
Welcome to our conversation with Dancer and Business Coach Audra Allen-Queen. Audra Allen-Queen, Mindset Expert & Business coach, helps dance leaders, CEO's and entrepreneurs create a sustainable and aligned business, so they can finally live the life they dreamed of when starting their business, without sacrificing themselves or doing what they love, using the Dance CEO Method. Audra is founder & CEO of The Dance CEO Coach business, which houses the Business Academy for Dancers®, the Dance CEO University™ and is host of the Dance CEO Podcast™. Audra shares with us a very useful tool for anyone, dancer or non-dancer, to get out of spinning and stuck to growing and thriving. If you are looking for a great journaling prompt to help you move past the crap you're feeling, listen in. We also share a bit about life as a business owner and mom. Instagram: @thedanceceocoachFacebook: @thedanceceocoachPodcast: The Dance CEO PodcastA bit more about Audra: Audra is also co-founder of the Dance Business Owner Summit, and adjunct dance professor at the University of Southern Mississippi. She earned her Master of Fine Arts degree and College Teaching Certificate from the University of Arizona and her Bachelor of Arts degree from Colorado Mesa University. She has held the positions of Co-Artistic Director for an Arizona based dance company, Director of Dance for the Louisiana School for Math Science and the Arts and adjunct dance professor at Northwestern State University. Audra calls New Orleans, Louisiana home, where she keeps her 2 lil humans alive, along with all the house plants and her dance history book collection. You can find Audra frequently in Florida visiting her husband and his 3 lil humans, and frequenting the beach. Follow Audra on Instagram @thedanceceocoach and visit her website at the www.thedanceceocoach.comLove today's podcast?
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