Podcasts about percussion

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(01:05) Quevedo, 'NI BORRACHO'(05:12) Joey Quiñones, 'In a Soul Situation'(12:34) Carolina Mama, 'Amina'(15:41) Elipsis, 'Elipsis'(19:32) Da Cruz, 'Som Sistema'(23:56) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(00:55) Quevedo, 'NI BORRACHO'(05:02) Joey Quiñones, 'In a Soul Situation'(12:24) Carolina Mama, 'Amina'(15:31) Elipsis, 'Elipsis'(19:22) Da Cruz, 'Som Sistema'(23:46) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Témoignage de Clinton: une semaine très dense en vue. Intrusion à Mar A Lago. Vers une guerre ouverte entre les armées de truands du Mexique et des États-Unis? La rencontre Bureau-Dumont avec Stéphan Bureau et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.Recorded by Northcote Whitridge Thomas.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.Recorded by David Mowat.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Un nuovo brano che unisce l'energia calda delle sonorità latine con il groove profondo e minimale della tech house. Le percussioni accompagnano un ritmo costante, pensato per la pista ma anche per un ascolto immersivo. A new track that blends the warm energy of Latin sounds with the deep and minimal groove of tech house. Percussions drive a steady and hypnotic rhythm, designed for the dancefloor but also for immersive listening.

Indiana University Lecturer in Music Andy Miller stops by to talk about his percussion position at IU and the opportunities for creative concert outlets (03:00), being on the 2025 PASIC New Music/Research panel on Percussion and Dance and his prior teaching position at the University of Wisconsin-Milwaukee (22:15), growing up in Dayton (OH) and getting into music and sports (39:40), attending Wright State (OH) for undergrad (53:30), going to the University of Illinois for the Master's and changing his career focus (01:00:10), winning a Fulbright Scholarship to study in Colombía, Bang on a Can, and working in commercial cabinetry (01:12:05), his doctoral studies at IU (01:26:45), and settles in for the Random Ass Questions, including discussions on student mental health, Momofuku noodles, great movies, video games, Dayton pizza, and the writing of Wendell Berry (01:33:30).Finishing with a Rave on the 2025 animated film Arco (01:52:00).Andy Miller Links:Andy Miller's IU pagePrevious Podcast guests mentioned:Alexandros Fragiskatos in 2021Drew Tucker in 2026Meridythe Witt in 2026William Moersch in 2019Fernando Meza in 2020Other Links:Michael SpiroWayne WallaceLatin American Music CenterJohn TafoyaJoseph GramleyChristopher LambMerce CunninghamBeto TorrensJerry NobleRicardo FloresCarlos VivesRobert E. Brown Center for World MusicMamady KeitaBolo CondeGiovanni HidalgoJuri SeoThomas Turino“Rhythm Gradation” - Toshi IchiuyanagiBang on a Can Summer Festival“2x5” - Steve ReichJorge AlabéLars and the Real Girl trailerThe Room trailerCrime and Punishment - Fyodor Dostoyevsky Hollow Knight trailerUnderworld trailerMarion's PizzaWendell BerryRaves:Arco trailer

Susan Dominus is a staff writer at the New York Times Magazine, a lecturer at Yale, and the author of The Family Dynamic: A Journey into the Mystery of Sibling Success. Her feature “Women Have Been Misled About Menopause” won the National Magazine Award and was the #1 gift-shared Times article of 2023. She was also a member of the Times team that won the 2018 Pulitzer Prize for Public Service. In this episode of The Breadwinners, host Rachael Lowell talks to Susan about how siblings shape our achievements and choices, inherited financial anxiety, knowing when to leave a job, and the value in not chasing every dollar. If you've ever tried to find the track and then realized you needed to make your own - this is for you. SHOW NOTES Susan Dominus: https://www.nytimes.com/by/susan-dominushttps://www.susanpdominus.comBook:The Family Dynamic: A Journey into the Mystery of Sibling Success Social:https://www.instagram.com/suedominushttps://www.linkedin.com/in/susandominus Croutons:  “Women Have Been Misled About Menopause” by Susan Dominus, Feb. 1, 2023 2018 Pulitzer Prize Citation - Public Service  Bio: Susan Dominus is a staff writer for The New York Times Magazine and the author of The Family Dynamic: A Journey into the Mystery of Sibling Success. In 2018, she was part of a team that won a Pulitzer Prize for public service for its reporting on workplace sexual harassment. She won a Front Page Award from the Newswomen's Club of New York and a Mychal Judge Heart of New York Award from the New York Press Club. She has studied as a fellow at the National Institutes of Health and Yale Law School. Her article about menopause in The New York Times Magazine won a National Magazine Award in 2024. She teaches journalism at Yale University.  *** "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019.Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.ai If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

THE SECOND SONICSIGIL OF THE TRIADIC "ALGOL" CONJURATIONS IS FULLY STREAMABLE HERE, SANS THE SOUR STREAMING SORROWS OF DARK GUIDED PLATFORMS YONDER... THE DARK WESTERN GARAGE PSYCHTRONIKA CONCEPTUAL SOUND SIGIL BE HITHER! BASK AND BARK ALONG ITS SONICALLY TETHERED MOVEMENTS AND SURF THE 44 MINUTE AND 44 SECOND TRANSDIMENSIONAL WITCHPUNK WAVE HOISTED WITHIN THIS HAUNTED ALGOL-RHYTHM PLAYER--A DIGITAL ALTAR CASTED BETWEEN BINARY DETRITUS RIDDLES TIMELINES IN A PERFECT 30 YEAR NOSTALGIA LOOP: FOR A HAUNTOMANTIK TALISMAN NEEDS A HAUNTOMANTIK DISPATCH DEVICE: (RE)INTRODUCING THE ALGOL-RHYTHMIC WINAMP PLAYER! REVELATOR ROSZ ∴ ECO ASPEKTRE (ALGOL II ∴ ECO) UNIQUE BANDCAMP RELEASE WITH ALTERNATE TRACKS: AUDIOMANCY INSTRUMENTALS IF YOU FANCY YOURSELF AN AUDIOMANCER AND WOULD LIKE TO DISSOLVE

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Carla Zanoni is a journalist, poet, and media leader who's held senior roles at the Wall Street Journal, TED, and now runs the engagement journalism program at CUNY's Newmark Graduate School of Journalism. She's also someone who went into recovery at 23 and has rebuilt her life more than once. In this episode of The Breadwinners, host Rachael Lowell talks to Carla about what she calls "the alchemy of surrender" - those moments when the playbook stops working and you have to get quiet enough to see what's actually true. We talk about the myth of the linear career path, why bringing your whole self to work isn't cringey when it's real, and what it means to lead from a place of integration rather than compartmentalization. If you've ever felt like you were supposed to chart a course from A to B but life had other plans, this one's for you. SHOW NOTESCarla Zanoni:https://www.carlazanoni.comhttps://carla.substack.comBooks:Knowing / Saber: In English y Españolhttps://www.carlazanoni.com/writingSocial:linkedin.com/in/carlazanonihttps://www.instagram.com/carlazanonicarlazanoni.bsky.social Bio: An award-winning journalist with more than 20 years of experience, Carla's work has appeared in The New York Times, The Wall Street Journal, and TED Talks. She was the first Latina named to the Wall Street Journal's masthead and served as TED's first head of audience development. Today, she leads the engagement journalism program at CUNY's Newmark Graduate School of Journalism, produces and guides strategy for The On Being Project, and consults with publishers and thought leaders on media and narrative strategy. She shares personal essays in her monthly newsletter, The Em Dash. Carla is writing a literary memoir about coming of age in 90s New York — reconciling her immigrant childhood, the city's underworld, and the detours that led her here. "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019.Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Rachael Lowell is the founder of Reworking Leadership, a consultancy helping organizations align strategy, leadership, and culture when the pressure's high. Take the 2-minute SHIFT Snapshot at leadtheshift.ai to see where your leadership capacity is - and get a personalized report. If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we feature the legendary international DJ/Producer from New York City. Hector Fonseca is known for his high energy sounds guaranteed to shake up any dance floor. Hector is celebrating his 25 year anniversary in the music industry with a massive 30 track 2 part album "HF25". This project just released Feb 5th, 2026, and has already charted #12 on the iTunes dance album chart. Join us in this episode where Hector takes us on a journey and gives us a glimpse of what to expect from HF25. This episode also premieres Ace Vedo's remix of DtMF by Bad Bunny. Thank you for joining us in this special episode, we are grateful to share this space with you. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Orlando (FL) - based Percussionist and Dancer Meridythe Witt stops by to talk about performing as a dancer and drummer in theme parks, the audition process for these gigs, and how she stays “grounded in dance” (02:25), growing up in California, Indiana and Maryland, her musical family and their influence on her life, getting into dance and music early on, and a primer on ballet styles (19:45), attending Radford University (VA) for undergrad, getting degrees in dance and percussion performance at the same time there, creating collaborative opportunities there, and her experiences at PASIC50 on the New Music/Research Panel (44:15), and takes time for the Random Ass Questions, including segments on gestures and counting, baking bread, Bruce Springsteen, Twyla Tharp, rollercoasters, airports, and gymnastics (01:19:20).Finishing with a Rave on the 2025 documentary film Monk in Pieces (01:43:40).Meridythe Witt links:Meridythe Witt's WebpageMeridythe's instagramPrevious Podcast Guests mentioned:Alexandros Fragiskatos in 2021Drew Tucker in 2026Other Links:George BalanchineVaganova Ballet MethodThe Drummer's Cookbook - John PickeringAdvanced Techniques - Jim Chapin“Take Five” - Dave BrubeckJim PetercsakRobert Sanderl“Frogs” - Keiko Abe“Drum Corps on Parade” - John S. Pratt“to wALk Or ruN in wEst harlem” - Andy Akiho“Mirage” - Yasuo SueyoshiWilliam NewtonDave RiversBorn to Run 50th AnniversaryDark Side of the Moon 50th Anniversary“Lingus” - Snarky PuppyLaDuca Dance ShoesNapoleon Dynamite trailerHappy Gilmore trailerThis is Spinal Tap trailerBorn to Run - Bruce SpringsteenThe Collaborative Habit - Twyla Tharp“Mallet Quartet” - Steve ReichRaves:Monk in Pieces trailer

Écoutez la chroniqueuse économique Michèle Boisvert à ce sujet en compagnie de l'animateur Philippe Cantin.Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée

KEXP presents Packaging performing live in the KEXP studio. Recorded December 15, 2025. In Your Pocket On Holiday Didn't Wanna Stay Running Through The Airport Daniel Lyon - Guitar, VocalsConnor Birch - Keys/Synth, Percussion, VocalsNick Berlin - Drums, Percussion, SamplerBridget Hartman - Bass, FluteJessica Dobson (Guest) - Guitar, Vocals Host: Larry Mizell, Jr.Audio Engineer: Kevin Suggs & Jon RobertsAudio Mixer: Connor BirchMastering Engineer: Julian Martlew https://packagingmusic.com http://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

In this episode, I sit down with percussionist Colin Currie for a wide-ranging conversation about curiosity, originality, live performance, and the lifelong pursuit of musical meaning. Colin is one of the most influential percussionists of our time, known for his deep commitment to contemporary music, his close collaboration with composers, and his transformative interpretations of Steve Reich's work. This conversation explores how curiosity, patience, and listening have shaped his career and his approach to music-making.We begin by talking about technology, access to recordings, and the changing landscape of music education. Colin reflects on growing up in a time when discovering music required effort, intention, and physical presence in libraries and record shops. He shares concerns about students learning pieces by copying online performances rather than developing their own ideas, and he speaks passionately about the importance of solitude, curiosity, and learning music on one's own terms.Colin traces his musical beginnings back to early childhood, from piano lessons at age five to his first drum lesson at six, describing the joy, excitement, and physical energy that initially drew him to percussion. He talks about how that sense of wonder has never left him and why live performance remains a magical, irreplaceable experience. We explore why percussion continues to evolve so rapidly, how technique has advanced across the field, and why musical intent always matters more than virtuosity alone.A significant portion of the conversation focuses on Colin's connection to contemporary music and the composers who shaped his artistic identity. He describes hearing The Rite of Spring as a teenager, discovering post-war modernist composers through library scores, and developing an instinctive attraction to music that felt strange, challenging, and unfamiliar. Colin shares how his love for new music was never about understanding it intellectually, but about responding to it emotionally and instinctively.We also dive deeply into Colin's relationship with Steve Reich, including their first meeting, their long-standing collaboration, and the formation of the Colin Currie Group. Colin reflects on recording Music for 18 Musicians at Abbey Road Studios, explaining how the goal was to capture the intensity and emotional risk of live performance rather than create a polished studio artifact. He talks about groove, sonority, emotional depth, and why Reich's music demands both precision and expressive freedom.Colin discusses his growing role as a conductor and how stepping onto the podium has changed the way he listens, leads, and collaborates with ensembles. He shares stories from recent performances, lessons learned from orchestral musicians, and how listening remains the central skill, whether playing or conducting. We also talk about his record label, Colin Currie Records, crowdfunding new projects, and the upcoming release of a Steve Reich album featuring Sextet, Double Sextet, Six Marimbas, and Dance Patterns.As we look ahead, Colin reflects on 2026 as a landmark year, including Steve Reich's 90th birthday, dozens of performances of Reich's music worldwide, and the premiere of Colin's 40th percussion concerto. This is a thoughtful, inspiring conversation about curiosity, commitment, and the lifelong responsibility of serving music.Music from the Episode:Mallet Quartet (Steve Reich - Colin Currie Group)Music for 18 Musicians - Section VI (Steve Reich - Colin Currie Group)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Répercussions Spirituelles de nos fautes by Rav David Touitou

durée : 00:03:39 - La musique d'Akira : moteurs et percussions - par : Max Dozolme - Ecoutons ou réécoutons la bande originale du film Akira (1988) de Katsuhiro Otomo. Une musique culte rythmée par des chants néo-grégoriens, des synthétiseurs qui rugissent et des orchestres de percussions évoquant les gamelans de Bali ou Java... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Mika Godbole returns to talk about attending Rowan University (NJ) for her master's, studying orchestral music and taking auditions, and moving her focus to chamber music (03:25), attending Rutgers University (NJ) for her doctorate, her research on Steve Reich's Music for 18 Musicians, timpani talk, teaching at York College (PA) and her early freelancing, and how the pandemic allowed her to recalibrate her life (14:45), and settles in for the Random Ass Questions, including segments on marimba performance, our favorite pop music, marching and indoor percussion, percussion conferences, Indian food, great movies, and so much more (35:00).Finishing with a Rave on the 2025 film No Other Choice (01:09:00).Mika Godbole Links:Part 1 with Mika GodboleWilliam Paterson University Percussion FacultyMantra Percussion pageNJ PAS Facebook pagePrevious Podcast Guests mentioned:Megan Arns in 2017Julia Gaines-Montag in 2016Clif Walker in 2021She-e Wu in 2025Evan Chapman in 2019Other Links:Dean WittenAlan AbelMarkus RhotenSo Percussion Summer InstituteJoseph TompkinsChris DevineyMusic for 18 Musicians - Steve ReichNEXUSMarc MellitsDoug Perkins“Thank You (____)” - Jason Treuting“Englishman in New York” - Sting“Big Time” - Peter Gabriel“They Won't Go When I Go” - Stevie Wonder“Black Dog” - Led Zeppelin“Forty Six & 2” - TOOL“Killing in the Name” - Rage Against the Machine “The Scythe” - The Last Dinner Party“Classical” - Vampire Weekend“oceania” - BjörkThe Sandlot trailer…Say Anything trailerBatman & Robin trailerThe Love Guru trailerThe Lord of the Rings 25th Anniversary trailerAll Quiet on the Western Front - Erich Maria Remarque“Kinder than Man” - Althea DavisRaves:No Other Choice trailer

En 1996, à La Havane, de vieux musiciens à la retraite se rendent en studio à la demande, improvisée, d'un Américain, Ry Cooder, et d'un Anglais, Nick Gold. L'idée est d'enregistrer un disque de musique afro-cubaine dans le style de ce qui se faisait, il y a longtemps, avant l'arrivée de Fidel Castro, du côté de Santiago, côté est de l'île. Une musique rurale, simple, acoustique, avec des percussions légères. Une musique que presque plus personne ne joue ni n'écoute. Alors les musiciens plongent dans leur souvenir en buvant du rhum, l'un entame une chanson sur son piano, un autre au tres, une petite guitare cubaine, et tous reprennent naturellement ces mélodies surgies du passé. Et ainsi, comme par magie, s'enregistre un album qui fera date dans l'histoire de la musique : le Buena Vista Social Club. En nous plongeant dans cette histoire, Francis Dordor, auteur du livre "A la recherche du tempo perdu" paru chez GM Editions, dévoile l'histoire unique de Cuba et de sa musique, et celle de ses musicien et musiciennes fabuleuses qui ont conquis le monde. Une séquence réalisée par Jonathan Remy sujets traités : magie, le Buena Vista, Social Club, Ry Cooder, Nick Gold, Fidel Castro, Havane, rurale, percussions, Santiago Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Varang Nord is a Pagan Folk/Death Metal band from the shadowy forests of Latgale, Latvia. Since 2014, they have been forging a fierce and unmistakable sound by merging crushing riffs, growling vocals, and epic accordion melodies. Their songs celebrate ancient battles, forgotten rites, and wild northern feasts, carrying the spirit of old gods into the present day. Their brand-new album, 'Mygla' was released in December 2025. Perfectly capturing how they have become one of the most distinctive voices in the northern pagan metal scene. In this interview, we spoke to percussionist Nikita Kobcevs about the new album, the ups and downs of the creative journey, the desire to bring their live performance to everyone, and so much more. Find out more here: https://varangnord.bandcamp.com/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

In this episode, I sit down with percussionist, composer, and author Russell Hartenberger for a deep and reflective conversation about sound, mentorship, history, and the long arc of a musical life. Russell's influence on percussion performance, composition, and pedagogy is immeasurable, and this conversation traces the remarkable path that led him from a childhood in Oklahoma to the center of some of the most important musical movements of the twentieth and twenty-first centuries.We begin with Russell's early years studying percussion with Alan Abel in Oklahoma City and how that formative mentorship shaped his relationship to sound, mechanics, and musical discipline. Russell shares stories about studying at the Curtis Institute of Music with Fred Hinger, including the now legendary focus on sound production and timpani tone that defined his approach to every percussion instrument. We talk about why timpani study is foundational for all percussionists and how concepts of weight, touch, and resonance translate across the entire percussion family.Russell reflects on graduating from Curtis during the height of the Vietnam War and on the sudden pivot in his life when an orchestral job offer was withdrawn because of the draft. He recounts his years performing with the United States Air Force Band in Washington, D.C., describing how military band life mirrored many aspects of orchestral performance while also providing structure during a turbulent moment in American history. We discuss the impact of performing military funerals at Arlington National Cemetery, the discipline of daily rehearsals, and how that period ultimately created space for further academic and artistic exploration.A pivotal chapter of the conversation centers on Russell's graduate studies at Wesleyan University and his introduction to ethnomusicology and non-Western musical traditions. Russell describes his early studies in African Drumming, tabla, and gamelan, and how these experiences fundamentally reshaped his musical worldview. This path led directly to his introduction to Steve Reich in 1971, where Russell became involved in the creation and early performances of Drumming. He offers a rare, firsthand account of learning Reich's music by rote, rehearsing as the piece was being written, and discovering the subtle rhythmic feel that would come to define the Reich ensemble's sound.We explore the formation of Nexus and how improvisation, global instrument collections, and collaboration shaped the ensemble's identity. Russell explains how Nexus and Reich's music intersected, how percussionists became central to rhythmic interpretation, and how early Nexus performances helped introduce Reich's music to a broader percussion community. He reflects on how later generations of performers have built upon that foundation, adapting the music to new contexts while maintaining its core integrity.The conversation turns deeply personal as Russell discusses his composition Requiem for Percussion and Voices. He shares the emotional and historical influences behind the work, including military funerals, childhood memories of church bells, and the symbolic role of percussion in mourning rituals. Russell explains how the piece came together organically, how its structure revealed itself through the writing process, and how adding voices expanded the work's emotional resonance.We close by discussing Russell's current life in retirement, his ongoing writing and scholarship, and his continued engagement with the percussion community through residencies, performances, and significant publications. Russell reflects on writing about Steve Reich's performance practice, the evolution of interpretation across generations, and the importance of documenting lived musical experience. This episode is a profound meditation on sound, time, mentorship, and legacy from one of percussion's most thoughtful and influential voices.Music from the Episode:The Desert Music (Steve Reich)One Last Bar, Then Joe Can Sing (Gavin Bryars)Music for Mallet Instruments, Voices, and Organ (Steve Reich)Requiem for Percussion and Voices (Russell Hartenberger)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Performance and Works used with permission from the artist and venue. Abstract Sounds are a 6-piece alternative jazz fusion band, centered around saxophonist Jevaughn Bogard dedicated to living at the intersection of jazz soul, bass and funk. Dancing shoes are required for this performance, which features Patrick Duke Graney on Percussion, Frank Alouishus on Keys and Trumpet, Ashton Thomas on Drums, Aaron Grayer on Bass, Robert Morrow on Keys and Jevaugh Bogard on sax, and from a March 21st, 2025 performance it's Abstract Sounds…Live at the Bop Stop.

We go back and rewatch season 4's 3rd place finisher, Recycled Percussion. We tier the judges, Sharon gets a little thirsty, and Cody has isssues with the Super Bowl pregame. You won't want to miss this. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season every summer. During the offseason, AGT Commenter hosts our Rewatchable series as well as full series rewatches. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

In episode 39, Remi and Kevin chat about a few techniques to help make a percussion ensemble rehearsal go smoother. A few topics include choosing the music, planning for rehearsals, breaking up rehearsals into instrument families, and much more! Enjoy the conversation!Link to Remi's Percussion Ensemble Rehearsal Timeline mentioned in this episode:https://docs.google.com/document/d/1rqF8Oej_hmNgF6AVPui7WDC3Y94Ila7QEdXM6F4ybjw/edit?usp=sharingEmail us at percussionperspectivepod@gmail.comInstagram: @percussion.perspectiveYouTube: youtube.com/@PercussionPerspectivePodFacebook: Percussion PerspectiveWebsite: rss.com/podcasts/percussionperspective/

Educator, Freelancer, Vice President of the New Jersey Percussive Arts Society, and PAS New Music/Research member Mika Godbole stops by to talk about her adjunct position at William Paterson University (NJ) (03:55), her freelancing career and working as a member of the Mantra Percussion Sextet (20:00), her roles with the Percussive Arts Society (39:40), growing up in India and outside of Philadelphia and her early percussion teachers (54:50), and studying at Indiana University of Pennsylvania for her undergrad, working with Gary Olmstead and Jack Stamp, and her gap year as a young adult in Mumbai (01:05:25).Finishing with a Rave on the 2025 documentary film It's Never Over, Jeff Buckley (01:22:40).Mika Godbole Links:William Paterson University's Percussion Studio pageMantra Percussion pageNew Jersey PAS Chapter pagePrevious Podcast guests mentioned:Megan Arns in 2017Casey Cangelosi in 2017She-e Wu in 2025Alexandros Fragiskatos in 2021Karli Viña in 2022I-Jen Fang in 2023Bonnie Whiting in 2020Frank Kumor in 2025Other Links:Fabio Oliveira“Timber” - Michael GordonBang on a CanMASS MoCARed Poppy MusicPiano Sonata Op. 111 - L.V. BeethovenJack StampGary OlmsteadChristopher Hanning“Ol' Man River” - Paul RobesonRaves:It's Never Over, Jeff Buckley trailer

From acid tapes and jungle MCs to sweaty tech house basements, Cizzzla's journey has always been about energy. Real energy. The kind that rattles walls and keeps floors moving long after lights should be up. Coming up on pirate radio and cutting his teeth as MC EKO on stations like Delight FM and Rinse, he built his name the old way. Mic skills sharp. Presence loud. Reputation earned. From Ayia Napa to Garage Nation, Sidewindah and stages shared with Dizzee Rascal, EZ, So Solid Crew and Heartless Crew, this is proper scene graft. Fast forward and the reload is heavy. Cizzzla is back with a tech house edge that hits hard. Percussion-led grooves. Choppy vocals. Bass that swings low and punches back. Influences nod to James Hype, Skrillex and Chris Lake, but the flavour is his. Fast mixes. Quick transitions. No filler. Right now he returns to DT Weapons with “Boomerang”, a raw, floor-ready weapon built for late nights and low ceilings. Deep bass. Tight groove. No nonsense. It snaps back every time and leaves the dancefloor begging for one more spin. Straight into the USB. To mark it, Cizzzla steps up for the Spotlight Mix Series with a set that doesn't mess about. His own cuts sit front and centre. Best Kinda Drug, How Ya Like It, One Time For Ya Mind, Boomerang, We Run Sound, The Fcuk Up. All killers. No dead space. Around them you'll catch heat from Ship Wrek & Disco Lines, Valentino Khan, Don Diablo, Alok, Luke Alexander and Raffi Habel. Club tools built for basements, rooftops and those proper sweaty warehouse moments where phones stay down and hands stay up. This one's all bounce. All pressure. All dancefloor. Lock in. Turn it up. Listen now on SoundCloud. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

There's a certain sound that only works when the lights are low and the room is already moving. This is that sound. Castion steps back into the Data Transmission booth with a mix built for sweat, bounce, and no-nonsense groove. Zero warm-up. Straight into business. Fresh off his return to MoodCollective, Castion has been on a sharp upward curve. The Tenerife-based producer first landed on the imprint alongside Nicole Moudaber, helping launch the label in mid-2025 and pulling early support from Groove Armada and Harry Romero. Since then, it's been clubs, charts, and consistent damage. This mix feels like how Castion actually plays. Rolling tech-house pressure, chunky drums, and grooves that don't let go. It moves fast but never rushes. Percussion swings. Basslines hit low and wide. Vocals land just long enough to hook you before the next blend snaps in. Rooftops at sunset, basements at 3am, and those packed mid-set moments where the floor locks into one rhythm. There's plenty of his own material woven through the session. Cuts like Non Stop and The Beat set the tone early. His new single See Some More slides in naturally, all hypnotic drums, sexy vocal tension, and peak-time punch. Elsewhere, he dips into Chinonegro's Mi Gente, Rushin's FNKSTA, Sohail & SEBS' Nah, and a cheeky flip of Timbaland's The Way I Are that lands exactly where it should. By the time the closing stretch hits, it's full dancefloor control. This is a DJ mix that understands flow. No filler. No distractions. Just groove after groove, built for real rooms and real systems. Castion's See Some More drops on MoodCollective on 13th February 2026, keep it locked for that. For now, hit play on the podcast and let this one roll. Listen now on SoundCloud, Mixcloud, or Apple Podcasts. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

Here's the new Jazz cast for this week! We call it the Jazz Guitar Plus Percussion episode where our drummer/percussionist, John Romagnoli joins us for some rhythm sounds and moods. Hope you like it! The titles: "LOOKIN GOOD DOING IT", "SOME NICE MOVES", "WAIL FOR THE TALE" and "PART I: A WHOLE DIFFERENT STORY". (compliments of cosmic consciousness music co. ©2026 BMI) Enjoy!

Percussionist, Composer, and Professor of Music at the University of Quebec at Montreal Gina Ryan stops by to talk about her teaching activities in Montreal (04:30), working with Sixtrum Percussion Ensemble and Triolet Percussion Group, and her percussion freelancing and composing activities (14:45), growing up in Newfoundland, Canada, creating the “Gina Ryan Summer Percussion Camp”, her connections to members of NEXUS and Michael Colgrass, her other high school activities, and traveling to France (31:40), her college years in Newfoundland and Toronto, doing a residency at Banff, and working for the train company (51:25), moving to Montreal, her graduate school time at McGill (Canada), and returning to Newfoundland to get a second bachelor's degree (01:07:15), living and teaching in Thailand for a decade (01:22:50), and settles in for the Random Ass Questions, including segments on great food, good and bad movies, great books, Karaoke, and inspiring art (01:40:15).Finishing with a Rave on the 2025 film Hamnet (02:07:50).Gina Ryan Links:Gina Ryan's websiteTrioletSixtrum PercussionGina Ryan's YouTube pageThe Thailand International Percussion FestivalPrevious Podcast Guests Mentioned:Triolet in 2026Victoria Sparks in 2018Kristie Ibrahim in 2024Aiyun Huang in 2023Other Links:Fabrice MarandolaCanadian Percussion Network100 Guitars - Tim BradyNEXUSBeverley JohnstonJohn WyreMichael ColgrassAvalon Peninsula TrailsThe Baschet BrothersD'Arcy GrayCharlene RyanTrevor GrahlThe Godfather trailerTrolls trailerChristmas with the Kranks trailerFather of the Bride trailerThe Art of Hearing Heartbeats - Jan-Philipp SendkerFlannery - Lisa MooreThe Rocky Horror Picture Show trailerThe Marginalian“Don't Speak” - No Doubt“Creep” - RadioheadRed Poppy Ladies' Percussion EnsembleRaves:Hamnet - Maggie O'FarrellHamnet trailer

In this episode, I sit down with Dame Evelyn Glennie to talk about what listening really means and why it matters far beyond music. We start with the origins of the Evelyn Glennie Foundation and how her work evolved organically from teaching, performing, and asking people better questions so they can hear themselves more clearly. Evelyn shares how her own experiences shaped a broader philosophy of listening that encompasses sound, the written word, and the ways we communicate through email, texts, and social media. We also dig into how technology has changed our patience and attention, and why listening belongs at the center of education, wellbeing, empathy, and community.From there, we move into the performer's mindset and Evelyn's lifelong curiosity about sound. She explains why she starts new repertoire from the inside out, how the body becomes an essential listening partner over time, and why recordings are only frozen snapshots rather than definitive answers. I ask her about formative training, the balance of learning by ear and reading music, and how her early environments built a deep listening culture that still guides her today. Evelyn offers a powerful reminder that every performance is a world premiere for someone, and that familiar instruments can become brand new when we hear them in a different context.We also go down memory lane through landmark repertoire and collaborations. Evelyn talks about discovering and recording Paul Smadbeck's Rhythm Song, revisiting it years later, and even developing a creative version for marimba and strings. She reflects on the Bartók Sonata for Two Pianos and Percussion, including the intensity of working at a young age with Sir Georg Solti and the lessons that stayed with her. We then explore her long pursuit of John Corigliano's Conjurer, how the concerto's concept came together, and what it takes to tour a major work night after night, adapting to different instruments and acoustics. Finally, we discuss her experience performing Philip Glass's Double Timpani Concerto with Jonathan Haas, the logistics behind that project, and why she loves the energy of shared soloist roles.To close, Evelyn shares what she is creating right now, including writing for television and film, new books, wide-ranging collaborations, duo projects, and continued foundation work that invites people to slow down, listen deeply, and rethink what connection feels like. This conversation is a masterclass in curiosity, artistry, and attention, and I'm grateful to share it with you.To learn more about Evelyn and the Evelyn Glennie Foundation, visit her website. Music from the Episode:Joseph Schwantner - Velocities for Solo MarimbaPaul Smadbeck - Rhythm SongBéla Bartók - Sonata for Two Pianos and PercussionJohn Corigliano - Conjurer: Concerto for Percussionist and String OrchestraThank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Performance and Works used with permission from the artist and venue. Saxophonist, composer, and educator David Bixler cut his teeth touring the world with the big bands of Lionel Hampton and Toshiko Akioshi. He later joined the Chico O'Farrill Afro-Cuban Big Band, with whom he played a decade-long residency at Birdland and won a LATIN GRAMMY for Final Night at Birdland. Beatitude is his quartet project that you'll hear selections from no this show including the best of their 2019 release In the Face of Chaos. Featuring Jon Cowherd on Piano, Ike Sturm on Bass, Rogerio Boccato on Percussion and David Bixler on Alto Sax, and from an April 3rd, 2025 performance, it's David Bixler's Beatitude…Live at the Bop Stop.

Welcome to the 2nd episode of Percussion Junction with Ace Vedo. Super excited to feature a very talented DJ/Producer located in Central Florida. DJ Tex Flex is known for his smooth Afro House vibes that ranges from melodic to high energy beats pumping through the speakers, with popular edits and mashups to originals. Be sure to be on the lookout in 2026 for this up and coming DJ/Producer DJ Tex Flex. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Triolet Percussion Group (Kristie Ibrahim, Gina Ryan, and Victoria Sparks) stop by to talk about their performance of Jessie Marino's “The Flower Episode” at PASIC50 (04:15), the Canadian Percussion Network, the Space Between conferences, and more about how Triolet got together as a group (21:30), and updates with the new building at Victoria's University of Manitoba, as well as updates with Kristie and Gina and the Sixtrum and Strasbourg Percussion Groups (46:30).Finishing with a Rave on the 1997 film Selena (54:50).Triolet Links:Triolet's PASIC50 pageTriolet's webpageKristie Ibrahim on the podcast in 2024Victoria Sparks on the podcast in 2016Victoria Sparks on the podcast in 2018Gina Ryan's websiteThe Canadian Percussion Network's websitePrevious podcast guest mentioned:Michael Schutz in 2025Other links:Fabrice MarandolaSixtrum PercussionLes Percussions de StrasbourgMichael GordonTransplanted Roots Percussion Research SymposiumSocial Sciences and Humanities Research CouncilRaves:Selena Trailer

Frequent Pete's Percussion Podcast guest Lamon Lawhorn returns to the podcast to talk about his participation with the M-Boom Tribute Ensemble at PASIC50 this past November (03:20), his path to getting onto the PAS Board of Directors, dealing with feedback received about PASIC applications, the responsibilities of the job, and how to get more involved (26:50), his position as Director of Percussion Studies at Virginia State University and the move from his success at North Carolina A&T (45:25), and his comments on the 2025 Dallas Cowboys and the music and culture that is inspiring him today (01:14:25).Finishing with a Rave on Mary Roach's 2003 nonfiction book Stiff (01:33:15).Lamon Lawhorn links:Lamon Lawhorn's Virginia State PageLamon Lawhorn's WebsiteLamon Lawhorn's previous Podcast appearances:Lamon Lawhorn in Episode 35Lamon Lawhorn in Episode 67Lamon Lawhorn in Episode 216Previous Podcast Guests mentioned:Thomas Taylor in 2025Donnie Johns in 2021Marcia McCants in 2025Sean Daniels in 2024Joshua Simonds in 2022Megan Arns in 2017Karli Viña in 2022Nathan Siegel in 2025Bill Shaltis in 2017Andrew Eldridge in 2022Brian Zator in 2017Casey Cangelosi in 2017Justin Alexander in 2020Other Links:Joe ChambersEthan StricklandMax RoachDon ParkerMichael BurrittJu Percussion GroupMalcolm JacksonNEXUSPercussions de StrasbourgEric C. HughesChris HanningGene KoshinskiNCPP National Equipment StandardsAnnie StevensMarlon FosterJack DeJohnetteDamion ReidRobert GlasperTerreon GullyNo Limit vs. Cash MoneyMel Robbins and Jason WilsonRaves:Stiff - Mary Roach

Head over to our Patreon for bonus footage from this podcast!Patreon.com/weretalkindrums LISTEN TO THE FLATLINERS NEW SONG " MISANTHOPY AND ME" -  Austin Archey MixWave Drum Kit - https://mixwave.com/products/lorna-shore-austin-archeyGET MORE ⬇️PATREON ➡ patreon.com/weretalkindrumsMERCH ➡ were-talkin-drums-podcast.creator-spring.comINSTAGRAM ➡ instagram.com/weretalkindrumsYOUTUBE ➡ https://www.youtube.com/@weretalkindrumspodcastTWITCH ➡ http://Twitch.tv/coryhdrummer

durée : 00:12:38 - Pléïades - Iannis Xenakis - De la collaboration étroite de Iannis Xenakis avec les Percussions de Strasbourg est née Pléïades en 1979. Véritable exploration rythmique, cette œuvre aussi riche et harmonieuse qu'explosive fait partie des plus belles du compositeur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Bandleader, Percussionist, Arts Administrator, Clinician and Speaker Drew Tucker stops by to talk about the PASIC50 Panel he participated on about Percussion and Dance (05:00), his position as Director of Jazz Road at South Arts, supporting jazz artists, freelancing and getting involved, and the grant process (21:40), growing up in Boca Raton (FL), getting into music and DCI, and more about his music education (50:20), his college years and how his early career moved forward (01:11:30), and settles in for the Random Ass Questions, including segments on developing musicianship in percussionists early on, adventures in cooking, superhero movies, and memorable performances (01:29:35).Finishing with a Rave on the 2023 documentary Shari & Lamb Chop (02:01:30).Drew Tucker links:Drew Tucker's websiteSouth ArtsJazz RoadPrevious Podcast Guests mentioned:Alexandros Fragiskatos in 2021Joshua Simonds in 2022Eriko Daimo in 2025Other Links:Sarah ReichCory WongRay Donato311 Tiny Desk ConcertBlue Devils 1994 showMagic of Orlando 1995“Señor Mouse” - Chick Corea and Gary BurtonNancy Zeltsman“When Doves Cry” - Prince“Toxic” - Britney Spears“Head Over Heels” - Tears for Fears“Sword of Whispers” - Joe Locke“Dat Dere” - Stefon HarrisAndromeda TurreThe Incredibles trailerGodzilla Minus One trailerThe Art of Possibility - Ben ZanderSurrounded by Idiots - Thomas Erikson“Someday My Prince Will Come” - Jake ChapmanPlexusPlay and Matt DiBiaseRaves:Shari & Lamb Chop website

In this episode, I sit down with percussionist Doug Perkins for a wide-ranging conversation that starts with a few personal connections and quickly opens up into a bigger discussion about music, teaching, and the kind of “improbable events” that can change a person's life. Doug and I talk about our shared link through LSU and Brett Dietz, and Doug tells the story of how he learned bass guitar in the eighth grade to get into a jazz band, which led to rehearsals at home, a punk band with Brett called The Septic Creptics, and a deep early education in groove, feel, and listening. We dig into the teachers who shaped Doug's path, especially Jack DiIanni, and why fundamentals, sound, and real-life performing situations became such a foundation for everything that came next.Doug shares how his background in drum set and bass informs the way he plays and teaches, especially when it comes to music like Steve Reich, where micro-groove, ensemble feel, and knowing your role inside the bigger texture are everything. We also talk about how students learn now, how algorithm-driven listening can shrink context, and why so many young musicians feel pressure to avoid mistakes when everything can feel like a permanent record. Doug explains how he actively teaches context, lineage, and listening, and why basic production skills matter more than ever, including signal flow, microphones, sound reinforcement, and the simple confidence that comes from knowing how to set up a PA or wrap a cable correctly.From there, Doug takes us into his world at the University of Michigan, where he helps lead a large percussion studio with a faculty team that spans orchestral playing, contemporary music, improvisation, and drum set. We talk about the balance between performing and teaching, and how parenting an 18-year-old college student has changed the way he supports first-year undergrads. Doug also tells the story of his long relationship with composer John Luther Adams, including how a formative early experience with Strange and Sacred Noise eventually led to performances in the Alaskan tundra, floating stages in Central Park, and outdoor concerts where the audience hikes in and the environment becomes part of the piece. We wrap up with what's ahead for Doug, including significant projects, collaborations, performances, and the ongoing joy of bringing students into real work that proves their “crazy ideas” can matter in the world.Music from the Episode:Nagoya Marimbas (Steve Reich, composer - Todd Meehan & Doug Perkins, marimbas)XY (Michael Gordon, composer - Doug Perkins, percussion)Strange and Sacred Noise (John Luther Adams, composer - Morris Palter, Rob Esler, Steven Schick, & Doug Perkins - percussion)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Pusch Ridge Christian Academy (AZ) Director of Percussion Activities and Tuscon-based Freelancer Liz Soflin stops by to talk about her PASIC50 performance of Stuart Saunders Smith's “By Language Embellished, I…” (04:30), her career in Arizona and more about her freelancing and college teaching (15:30), growing up in Michigan, her beginnings in percussion, and getting involved and drama club and acting (26:35), her undergrad years at the University of Central Michigan and learning from Andrew Spencer (37:00), her masters years at UT-Knoxville and learning from a variety of teachers (46:40), going to the University of Arizona for her doctorate, learning from Norman Weinberg, and establishing her connections with Stuart Saunders Smith (55:40), and finishes with the Random Ass Questions, including segments about being a woman in the percussion field, the Tuscon Saguaros, the movies Jaws and Cats, a lot of great books, midwestern food, being a Karaoke DJ, and the Museum of Modern Art in NYC (01:10:40).Finishing with a Rave on Lenny Wilkens' 2000 book Unguarded: My Forty Years Surviving in the N.B.A. (01:40:40).Liz Soflin Links:Liz Soflin's Black Swamp Percussion pageLiz Soflin's Instagram pagePrevious Podcast Guests mentioned:Nathan Daughtrey in 2021Andy Bliss in 2023Norman Weinberg in 2017Ivan Trevino in 2022Other Links:Stuart Saunders SmithLolita - Vladimir Nabokov“Peeping Tom” - Dan SennSierra Vista SymphonyThe Curious Savage - John PatrickLady Windermere's Fan - Oscar WildeAndrew SpencerDavid GillinghamDave Hollinden“Limerick Daydreams” - Nathan Daughtrey“Chameleon Music” - Dan Welcher“Crown of Thorns” - David Maslanka“Niagara Falls” - Michael DaughertyNief-NorfJohn MackeyMorris PalterMatthew BurtnerThreads - Paul Lansky“Bloom” - Ivan Trevino“Songs I-IX” - Stuard Saunders SmithCall the Midwife trailer“Three Winter Carols” - Stuart Saunders Smith“The Authors” - Stuart Saunders Smith“To the Earth” - Frederick RzewskiTucson SaguarosJaws (50th Anniversary) trailerThe Stand - Stephen KingThe Running Man - Stephen KingThe Running Man (1987) trailerCreativity Inc. - Ed CatmullThe Great Gatsby - F. Scott FitzgeraldThe Outsiders - S.E. HintonBig Magic - Elizabeth GilbertWriting Poetry from the Inside Out - Sandford LyneOn Writing - Stephen King“Separate Ways” - Journey“Me and Bobby McGee” - Janis JoplinEugene NovotneyThe Museum of Modern Art (NYC)“The Starry Night” - Vincent van GoghRaves:Unguarded - Lenny Wilkens (with Terry Pluto)

Queen of Percussion and Prince collaborator Sheila E talks about her 1984 hit, working with Prince, salsa music and learning from her legendary father with University of Mexico Neuroscientist, Dr. Hugo Merchant. Hugo shares fascinating findings about how the mechanisms in the brain process rhythm and help us keep a beat.

In episode 37, Remi and Kevin chat about some cool percussion/drumming items to spend your Christmas money on! A few items include stick bags, kick drum beaters, drum dampeners, and even drumming app subscriptions! All of the items are linked below. Enjoy the conversation, and Merry Christmas!Remi's List:Bettle Percussion Marcher Pad: https://www.beetlepercussion.com/percussion/p/themarcherVic Firth Professional Tech Backpack: https://vicfirth.com/products/vic-firth-professional-tech-backpack-green-blackBlack Swamp Percussion Tambourine:https://www.blackswamp.com/tambourinesVic Firth Fleece Kick Drum Beater:https://vicfirth.com/products/vickicktm-bass-drum-beater-medium-felt-core-covered-with-fleece-oval-headEarasers Ear Plugs:https://www.earasers.shop/?ref=buy-nowTackle Percussion Accessories Bag:https://tackleinstrument.com/collections/bags/products/accessories-pouchKevin's List:Toone Towels:https://www.toonetowels.com/Rhythm Generator:https://apps.apple.com/us/app/rhythm-generator/id6741359170BeatNote:https://apps.apple.com/us/app/drum-notation-by-beat-note/id1539132475Polynome:https://apps.apple.com/us/app/polynome-the-metronome/id488165644Drops by Tandem Drums:https://tandemdrums.com/pages/dropsVic Firth Essential Stick Bag:https://vicfirth.com/products/essential-stick-bagsEvans Pull Cord Drum Key:https://www.daddario.com/products/percussion/percussion-accessories/drum-keys/pullcord-drum-key/Lowboy Custom Beaters:https://lowboybeaters.com/Email us at percussionperspectivepod@gmail.comInstagram: @percussion.perspective

University of Texas-Rio Grande Valley (UTRGV) Percussion Professor Francis Favis stops by to talk about his recent PASIC50 Performance during the New Music/Research session (04:05), his job at UTRGV, the unusual school setup, and mariachi music in south Texas (18:20), growing up in Bloomington Normal (IL), his family's deep musical roots, early memories of playing drumset, marching band years, and working the school's computer help desk at his high school (38:30), attending Illinois State for undergrad (52:30), George Mason University (VA) for his master's (01:01:35), the University of Texas at Austin for his doctorate and the OU/UT football rivalry (01:12:50), his first job at Tarleton State University (TX) (01:28:45), and finishes with the Random Ass Questions, including segments on performance, great Filipino food, great and terrible movies, science fiction books and movies, Radiohead, and the dangers of turning pages (01:35:30).Finishing with a Rave of appreciation of the life of musician Raul Malo (02:01:40).Francis Favis links:Francis Favis' Innovative Percussion PagePrevious Podcast Guests mentioned:Megan Arns in 2017Julia Gaines-Montag in 2016Troy Hall in 2020Clif Walker in 2021Andy Bliss in 2023Gary Westbrook in 2017Ivan Trevino in 2022Tom Burritt in 2021Marco Schirripa in 2022Andy Harnsberger in 2022Ben Charles in 2017Bonnie Whiting in 2020Other Links:Nief-NorfCaroline Vaughan-RichardsSophie MathieuMayke NasWouter SnoeiMark RamirezUTRGV facultyJohn KilkennyTony EdwardsAngelo Favis“Immigrant Song” - Led ZeppelinSchool of Rock trailer“The National Anthem” - Radiohead“Believer” = Imagine DragonsPioneer Drum and Bugle CorpsCavaliers 2016 Indoor “Lost Boys”“Shadow Chasers” - Michael BurrittLost tv soundtracksDavid Collier“Fractalia” - Owen Clayton CondonMatt JamesJonathan BisesiJohn Spirtas“Reflections on the Nature of Water” - Jacob Druckman“Burritt Variations” - Alejandro Viñao“Mirage” - Yasuo SueyoshiJerry JunkinBlade Runner 2049 trailerRubber trailerDune - Frank HerbertThe Martian Chronicles - Ray BradburyI, Robot - Isaac Asimov“Crazy” - Le SserafimIn Rainbows - RadioheadThe Bends - RadioheadMonster - R.E.M.Christopher O'Riley Plays RadioheadTransplanted Roots Percussion Research SymposiumRaves:Trampoline - The MavericksAll Night Live, Volume 1 - The Mavericks

Song: What A Gift Music by: Angela Gabriel   Notes: What a gift it was to be in conversation with Angela Gabriel -- we talked about how to deal with having been "poked in the voice" -- and the sensation of healthy singing. -- What was "one of the most idea shattering things" Angela has ever done in her life, and how "that butterfly excitement" led her there. How she's gotten to a place where, "I don't shame myself anymore," and a slew of adulting tactics she practices. ("I have a lot of arrows in my quiver.") How community singing can show up in activist spaces, where "it is difficult, but it doesn't have to be somber." How she sets up her own space -- "I actively choose to make it colorful..." and how that helps with healing. "The tremble" when singing for someone who is dying. Percussion and how it that has made Angela's voice distinctive in community singing songs... SO many things I loved in our conversation, not to mention this song!   Songwriter Info: Angela is a performer, a teacher, a facilitator, and a lifelong learner. Her mission in life is to facilitate expressive creative, musical, and vocal experiences and to encourage folks of any age and background to replace judgement with curiosity and open themselves to their unique, creative flow.   Sharing Info: The song is free to share but Angela always welcomes financial and/or networking support if/when folks are so moved.   Song Learning Time Stamps: Start time of teaching: 00:04:55 Start time of reprise: 01:22:01   Links: Moira Smiley: Leather Britches: https://moirasmiley.com/downloads/leather-britches-2/  “The Truth” – Velma Frye: https://www.abreathofsong.com/episodes--show-notes/18-the-truth#/  Josh Habermann – Santa Fe Desert Chorale: https://desertchorale.org/about/our-people/#artistic_director  Susan Swaney – choir director in Bloomington UU church: https://www.uubloomington.org/about/our-ministers-and-staff/  Kate Munger – Women Singing In Circle retreat: https://www.lamafoundation.org/engage/events/women-singing/  Threshold Choirs: https://thresholdchoir.org/  Melanie DeMore: https://melaniedemore.com/ Becky Reardon: https://beckyreardonmusic.com/  Terri Garthwaite: https://terrygarthwaite.com/  Poor People's Campaign: https://www.poorpeoplescampaign.org/  Pam Blevins Hinkle – No Kings Song doesn't seem to be online yet, but her website is https://pamblevinshinkle.com/  Online group called “Lumos Transforms”: https://lumos-transforms.mn.co/  PetCanvas: https://mypetcanvas.com/  Mbira: https://en.wikipedia.org/wiki/Mbira  Unitarian Universalist Church in Bloomington, IN: https://www.uubloomington.org/  Rhiannon's All the Way In improvisation class: https://rhiannonmusic.com/2026-all-the-way-in  “I live my life in a river of grace…” Kate Munger: https://thresholdchoir.bandcamp.com/track/life-grace-trust  Yes – Fragile: https://www.yesworld.com/discography/fragile/  Willow Smith – Empathogen: https://willowsmith.com/products/empathogen-digital-download  Angela's website: www.angelagabriel.me    Nuts & Bolts: 4:4, blues minor, 2 layers and body percussion   Join this community of people who love to use song to help navigate life? Absolutely:  https://dashboard.mailerlite.com/forms/335811/81227018071442567/share   Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support.  https://www.abreathofsong.com/gratitude-jar.html

Cette semaine, nous revenons sur les conséquences politiques de la tragédie de Bondi Beach avec Patricia Meunier. Une épouvantable tuerie a frappé l'Australie, dimanche 14 décembre a Bondi Beach à Sydney. Deux tueurs se sont attaqués à un rassemblement de la communauté juive organisé à l'occasion de la fête des Lumières, Hanoukka. Cette fête de l'espoir s'est transformée en bain de sang : le bilan est de 15 morts et de plus de 40 blessés.

In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Los Angeles City College (CA) Professor of Music and Freelancer Kassandra Kocoshis stops by to talk about her PASIC50 Presentation on Cajón performance in Flamenco performance and how she came to love this genre of music (05:10), her job at LACC, how she got the job, freelancing in California, and working with the artist Ebi (19:50), growing up in Muncie (IN), her early musical experiences, working with Erwin Mueller at Ball State University while in high school, and her experiences traveling at a young age (53:30), her undergrad years at DePaul University (IL), encountering flamenco music during this time, and freelancing in Chicago after undergrad (01:06:45), heading to CalArts for her master's and working with Gustavo Dudamel as his personal assistant (01:21:15), and finishes with the Random Ass Questions, including segments on developing well-rounded percussionists, being a woman in the percussion field, bad impressions, Greek food, World Cup Soccer, great books, working with pop stars, and the artwork of Pablo Picasso (01:31:30).Finishing with a Rave on the 2025 film 28 Years Later (01:50:10).Kassandra Kocoshis links:Kassandra Kocochis's homepagePrevious Podcast guests mentioned:Damon Grant in 2021Erin Walker Bliss in 2024Other Links:Paco de LucíaEbiRaul PinedaRed Kite SessionsRandy GlossHerb AlpertJennie GarthMona TavakoliNikki CampbellThe CortégeErwin MuellerIndiana Ambassadors of MusicEric MillsteinGustavo DudamelEllen ReidSheila E. drum soloLongman & EagleRick BaylessThe Athenian RoomLife is Beautiful trailerThe Producers trailer (2005)American Gods - Neil GaimanCirce - Madeline MillerMuseo Reina SofiaGuernica - Pablo PicassoRaves:28 Days Later trailer