Award for excellence in sound mixing in film
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3 episodes with best sound mixing
4 episodes with best sound mixing
2 episodes with best sound mixing
2 episodes with best sound mixing
2 episodes with best sound mixing
2 episodes with best sound mixing
This week, Gene HackMarch continues with an outstanding acting showdown between two of the all-time greats of American screen acting, as our man Gene stands tete-a-tete with Denzel down in the briny deep with the fate of the world hanging in the balance. It's 1995's Crimson Tide, directed by Tony Scott, featuring script punch-up from Quentin Tarantino, and starring Denzel Washington, Gene Hackman, Viggo Mortensen, James Gandolfini, George Dzundza, Matt Craven, Danny Nucci, Steve Zahn and Daniel von Bargen. A naval submarine thriller of the highest order, it's the first of five collaborations between Tony Scott and Denzel Washington, and while it's easily the high water mark of the bunch it's also plain to see why they would be eager to re-team time and time again to try to recapture this magic. The acting showdown at the heart of this movie's conflict is its greatest spectacle, and while the movie got shut out at the Oscars come awards season, it was nominated for Best Film Editing, Best Sound Mixing and Best Sound Editing, losing all three. Womp womp. Plus: Hayley's been to the cinema and is back with a theatrical field report on the new Bong, Mickey 17! And J Mo is hooked on The Traitors. If you'd like to watch the film before listening along to our conversation, Crimson Tide is available to stream on Disney+. Other works discussed on this episode include Snowpiercer, Okja, The Host, Poor Things, Mississippi Burning, The Rock, The Domino Principle, Big Brother, The Mole, Josie and the Pussycats, The Hunt For Red October, The Pelican Brief, Mission: Impossible - Dead Reckoning: Part One, The Taking of Pelham 123 (2009), Unstoppable, and Deja Vu among others. Gene HackMarch rolls on next week with 1974's The Conversation, though you can bet the Tony Scott talk with continue as we will surely be talking more about its 90s spiritual sequel (and Crimson Tide follow-up) Enemy of the State as well. The Conversation is currently streaming on the Criterion Channel, while Enemy of the State can be found on Disney+. Until then, we'll see you at the movies!!
Jason Teasley, Chae Tate and Mark Radulich review movies currently on streaming services: The Wiz/Purple Rain/DreamGirls Movie Review! First up is The Wiz (1978). Then we move on to Purple Rain (1984). Finally we review Dreamgirls (2006).The Wiz is a 1978 American musical fantasy adventure film directed by Sidney Lumet. Adapted from the 1974 Broadway musical, the film reimagines the classic children's novel The Wonderful Wizard of Oz by L. Frank Baum with an African American cast. Dorothy, a 24-year-old teacher from Harlem, is magically transported to the urban-fantasy Land of Oz. On her travels seeking help from the mysterious Wiz, Dorothy befriends a Scarecrow, a robot called Tin Man, and a Cowardly Lion.The Wiz was theatrically released the following year on October 24, 1978, to critical and commercial failure. The film received generally negative reviews from critics, with many unfavorably comparing the film to its source material. Some critics criticized the casting of Ross as Dorothy, while others criticized the direction of Lumet, who was considered a poor choice for directing a musical. Despite its initial failure, critics have become more favorable in recent years, and it has become a cult classic among audiences, Ross's fanbase, Jackson's fanbase and Oz enthusiasts.Purple Rain is a 1984 American romantic rock musical drama film scored by and starring Prince in his acting debut. Developed to showcase his talents, it contains several concert sequences, featuring Prince and his band The Revolution. The film is directed by Albert Magnoli, who later became Prince's manager, from a screenplay by Magnoli and William Blinn. The cast also features Apollonia Kotero, Morris Day, Olga Karlatos and Clarence Williams III.It grossed $70.3 million worldwide, against its $7.2 million budget. The film won an Academy Award for Best Original Song Score. Publications and critics have regarded Purple Rain as one of the greatest musical films. In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and its superstar act the Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive.The film adaptation features an ensemble cast, starring Jamie Foxx, Beyoncé Knowles and Eddie Murphy with Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson in supporting roles. In addition to the original compositions by composer Henry Krieger and lyricist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant.Dreamgirls debuted in four special road show engagements starting on December 4, 2006, before its nationwide release on December 15, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. The film received positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume and production design, and performances of the cast, in particular Hudson and Murphy, and was also a commercial success, grossing $155.4 million worldwide.[4] At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Aaron and Josh Sarnecky are here to talk about Spider-Man 2 for its 20th anniversary. Spider-Man 2 is a superhero film directed by Sam Raimi. It is based on the Marvel Comics character created by Stan Lee and Steve Ditko. It opened in theaters on June 30, 2004. In the film, Peter Parker (Tobey Maguire) regrets keeping Mary Jane (Kirsten Dunst) at a distance to protect her from Spider-Man's enemies. His newest foe is Doctor Octopus (Alfred Molina), a scientist turned into a villain when an experiment goes wrong. Peter also finds himself at odds with his friend Harry (James Franco), who blames Spider-Man for killing his father (Willem Dafoe). Spider-Man 2 was the third highest-grossing film of 2004, raking in $789 million on a $200 million budget. It earned rave reviews, with the American Film Institute naming it one of the 10 best films of the year. At the Academy Awards, it was nominated for Best Sound Mixing and Best Sound Editing and won for Best Visual Effects. Aaron and Josh discuss their histories with the film before going into the plot, performances, humor, effects, action, and legacy. To hear about the first film, you can listen the brothers' Spider-Man podcast with Managing Editor Al Mannarino. Spider-Man 2 is streaming on Netflix and Disney+
If you would like to give us feedback on how were doing follow us at: https://discord.gg/cd6sNqvnav https://beacons.ai/senornerdpodcast https://www.instagram.com/senornerdpodcast/ @senornerdpod on Twitter. Inception is a 2010 science fiction action film[4][5][6] written and directed by Christopher Nolan, who also produced the film with Emma Thomas, his wife. The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person's idea into a target's subconscious.[7] The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Elliot Page,[a] Tom Hardy, Cillian Murphy, Tom Berenger, Dileep Rao, and Michael Caine. After the 2002 completion of Insomnia, Nolan presented to Warner Bros. a written 80-page treatment for a horror film envisioning "dream stealers," based on lucid dreaming.[8] Deciding he needed more experience before tackling a production of this magnitude and complexity, Nolan shelved the project and instead worked on 2005's Batman Begins, 2006's The Prestige, and 2008's The Dark Knight.[9] The treatment was revised over six months and was purchased by Warner in February 2009.[10] Inception was filmed in six countries, beginning in Tokyo on June 19 and ending in Canada on November 22.[11] Its official budget was $160 million, split between Warner Bros. and Legendary.[12] Nolan's reputation and success with The Dark Knight helped secure the film's US$100 million in advertising expenditure. Inception's premiere was held in London on July 8, 2010; it was released in both conventional and IMAX theaters beginning on July 16, 2010.[13][14] Inception grossed over $837 million worldwide, becoming the fourth-highest-grossing film of 2010. Considered one of the best films of the 2010s,[15] Inception won four Oscars (Best Cinematography, Best Sound Editing, Best Sound Mixing, Best Visual Effects) and was nominated for four more (Best Picture, Best Original Screenplay, Best Art Direction, Best Original Score) at the 83rd Academy Awards.
Award winner says Alberta has given him a world of opportunities
Doug Hemphill has been making movies sound sweet since he worked with Walter Merch as Mix Recordist on Apocalypse Now. He discusses working on The Life of Pi and other films in the podcast. The interview was recorded live in 2013, a few days before the 85th Academy Awards, where he had been nominated for Best Sound Mixing. For a complete list of Doug Hemphill's work, visit IMDB.com.
Ai-Ling Lee was born in Singapore where she studied music audio engineering. After two years of mixing and editing commercials and music, she moved to Los Angeles in 1998 to pursue a career in sound design for feature films. Since then she has worked as a sound designer, re-recording mixer, and sound supervisor on a variety of films including JoJo Rabbit, La La Land, First Man, Deadpool, Wild, Maze Runner, and Buena Vista Social Club. Ai-Ling has had the opportunity to work with directors Damien Chazelle, Taika Waititi, Jean-Marc Vallée, Noah Hawley, Wes Ball, Cameron Crowe, Gus Van Sant, and Sam Raimi, to name a few. She has been nominated for four Academy Awards (editing and mixing), two BAFTA, nine MPSE awards, and won a CAS award for Best Sound Mixing.
An internationally renowned producer, engineer, and mix master who has over 125 gold and platinum records and 50 top twenty singles. He has worked on dozens of Grammy nominated and winning albums, and has been personally nominated eleven times for The Best Engineered Album category, winning twice. He also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. Earlier this year he put out a book called, “Chairman at the Board: Recording the Soundtrack of a Generation.”
Adam breaks down the fusion of the Academy Awards for Best Sound Mixing and Best Sound Editing and how it relates to Sound of Metal.
Lone SurvivorWelcome to The Guys Review, where we review media, products and experiences. **READ APPLE REVIEWS/Fan Mail**NONE... remind people about the referral for $100Interactions on FB/insta/twitter... Would anyone be interested in a twitter DM group or fb chat group? Lone SurvivorBased on the book by the same name by Marcus LuttrellDirected by: Peter Berg (Also directed Colateral, with Tom Cruise, Battleship, Friday Night Lights, and Handcock)Starring: Mark Wahlberg, Dan Bilzerian, Taylor Kitsch, Emile Hirsh, Ben Foster, Alexander LudwigReleased December 25, 2013Budget: $40M ($45.9M in 2021)Box Office: $154.8M worldwide ($177.5M 2021), $125.1M Domestically, $29.7M Internationally-Became the highest-grossing film among recent "post-9/11 war films"Ratings: IMDb 7.5/10 Rotten Tomates 75%Metacritic 60% Google Users 91%It gathered a smattering of award nominations, including 2 academy award nods for Best Sound Editing, and Best Sound Mixing, but didn't win either. It did, however, win 2013 Las Vegas Film Critics Society Awards, for Best Action Film. It also won Critics' Choice Awards for Best Action Film and Mark Wahlberg won, Best Actor in an Action Movie. Plot:Divers being pulled out of the water, asked questions. We watch men training, probably to become seals. Men working together, needing medical help, trainers training, some guys ringing the bell and leaving. Finally they're shown graduating, stating how they're brothers singing silent night. Based on a true story. A helicopter flies over a large basin, Mark Wahlbergs Marcus Luttrell bloody and being worked on. The black hawk lands at an air base, with a voice over about survival and pushing ourselves into dark corners. He speaks of fights as they work to revive him and a quick cut to three days earlier. Barracks living is shown, pictures, drawings, family, siblings, a picture of Ron Burgandy. Michael gets an email about a wedding present, a horse, so he goes to Luttrell for advice. After making sure the rest of the squad is up, a morning run. Axelson is messaging a woman, as the others run. Murphy wins by one second, a discussion of punishment and they decide to shave Dietzs head. Shane is anxious to go on an op. They're briefing about getting their targets, Shah, and waypoints named after beers. It flashes back and forth between briefing and the Afghans taking a man they think they helped Americans, and behead him. They finish the briefing with a lot of moving parts. The team is eating as Deitz tries to get help choosing a color with his wife/girlfriend. Patton enters into newbie intro: and does a hilarious dance routine. As they vote to push him through, he has to recite a SEAL shanty, as they are also shown preparing for the op. As he finishes, they're in the choppers heading towards the op. S: -Right off the bat... I love the camaraderie with these guys. The whole head shaving thing, the back and forth, "You are Mike Murphy"... Thats history. Legend even.-I like pacing of the story, already. It pulls you in, makes you feel part of the fun side and the "military" side.-Love the SEAL shanty The SEALS deploy down the rope and take positons. They confirm comms check, and move out from Budweiser. They hit Miller. Corona. Heineken. They're on a mountaintop, setting position, and their last way point, malt liquor. As they settle in, their AC130 cover departs. They move to phase 2 of the op, move to another positon to dig in and see the village better. They settle in and ID their target. Rick James, Bitch. Though they don't have comms, Deitz is to fall back and make it work, they're too exposed to take the shot where they were. Luttrell and Murphy discuss the Arabic horse, again. Axe is taking photos, drawing of the village. They rest. As they rest, Deitz hears a bells, and goats moving near them. It wakes the others. Then the shepherds appear and move though them... eventually they step on Luttrell. They come out and take them. They find a radio on one of them. They don't have coms and they're struggling on what to do. They decide to use an unsecured-satellite phone as Murphy calls it a cursed OP. Patton answers the phone, and asks for the skipper, so he goes to get him. But they lose the connection before they can speak. Murphy suggest 3 options, let them go, tie them up and go, eliminate them. They argue that if they let them go, Shah will leave too, but Luttrell doesn't want to kill them. Axe argues that Shah killed 20 marines last week, and its their job to stop him. They argue and Murphy finally comes up with a plan that the OP is compromised, they're going to release them and head up the mountain to get comms. They release them, and one kids starts heading down in a hurry, they start to move to the mountain top. As they move, Luttrell keeps looking back. The boy is shown quickly moving down the mountain, while the SEALS are shown slowly climbing up. They get to a false summit, and still can't get comms. Axe tells them this is a bad spot. Kristensen calls his commanding officer, but doesn't receive help. Axe sees movement, and you can start to hear voices. They shoulder and search, but nothing concrete. Murphy goes too recon, and sees about 20 dudes on the ridge above him. Goes back and tells Axe he's about to get contacted. They prepare for a fight. Luttrell sees the first one, and takes the shot. S:-Just their ragged breathing makes me nervous.-They seem to have a lot of low/angled shots... keeps it grounded/real.-I like the use of slow motion showing them going up the mountain and the kid running down. Luttrell sees the first one, and takes the shot. They're engaged, and move through the woods, taking down targets. Deitzs is shot in the hand, then Axe in the shoulder. One jumps on Axe, who he fights off, and kills. The taliban opens up with a belt fed gun, right as Luttrell says left is good, it's not, they push right and stay low. Axe moves and is hit in the leg, Lutrell is hit in the back/butt area. They're taking random bullets, foot, arm, they keep falling back. They jump off a cliff and violently roll down a hill as they're spot was hit with an RPG. They gather themselves, and check themselves. Murphy is shot in the foot, Deitz takes another to the shoulder. Deitz falls and Luttrell drags him. They recoup in some rocks, Luttrell shoves mud in Deitz leg. Murphy packs mud in his stomach. Deitz starts to lose it. The taliban move in and they move down more and jump off another cliff, and another violent roll down, but Luttrell dropped Deitz above. He's shown staring at Shah. They discuss how they can get Deitz, and how they can take the taliban on flat ground. The locals are going though all of Deitzs pockets, curiously. The remaining SEALS resolve to go back up and get him. One of the taliban pulls the colors swatch Deitz was looking at earlier, crumples it and throws it away. Murphy says he's going to make the satellite call, and motions towards a wide open rock, which Luttrell protests against. Murphy gives Luttrell his extra mags, they talk, and he tells him he's never out of the fight. He starts to move right to the rock as Axe and Luttrell cover him. Murphy makes it to the rock, bullets flying around him, and he calls the base for air support. He's peppered with bullets as Deitz looks at the crumbled paper, Murphy stands and is shot in the back several times, and falls. Deitz stares at the paper and his eyes shut, Murphy slumps. S:-Why doesn't Deitz have a silencer?-They're getting hit with 7.62 think it would do a bit more damage compared to their 556.-Jesus, the terror these guys must've felt, just trying to survive.-The tumbles down the mountains. All the sounds of the bullets whizzing and hitting off stuff, no wonder they were nominated for an academy award. Should've won. Damn.-My god, the way they just go over Deitz... picking through his stuff.-My God that was fucking emotional As the other team is about to head to help, they're grounded since there aren't apaches for cover. Axe and Luttrell regroup, and they discuss their situation. The attack continues. Kristensen in the chinook hears the apaches aren't coming and ask the pilots to get them on the ground. Axe and Luttrell are separated, but they see the chinooks and scream in happiness. Patton is about to be the first one out and he's overjoyed... When an RPG is launched, and hits the chinook, and it crashes. The second one pulls out without deploying help under heavy fire. They watch it leave and sink. Axe takes two more shots, is wheezing, and can't stand. He's surrounded and only has his pistol. He crawls to a tree, shooting until it locks back, he breathes a few final breaths, and watches a taliban shoot at him, until one gets him in the head. His head drops, then drops his pistol. Luttrell is looking for Axe, and tumbles down the mountain. He hides as the apaches check the area, but since they see no movement, and they are low on fuel, they head back to base. It fades to a sunset as Luttrell realizes he's on his own. He comes to, and starts to self asses. He pushes a compound fracture back into his shin. He then gets up and starts to walk. He finally comes across a creek and dives in. He comes up and there are men watching him, he threatens them with a grenade, but they seems friendly. When they hear shouting coming from the hills, the man gestures to help him. They pull him out and carry him to a village. Everyone is staring. In the house, the man shows him on a map where they are, while another man seems angry and is shouting. Luttrell pulls the grenade again, asking if he's taliban, they arguing back and forth. The second man leaves, and Lutrell gives him a map to take to the American base. A man sets out on foot. Men are going through the forrest looking for him; they arrive in the village and find Luttrell. They start to drag him to the same log used to cut a mans head off earlier...As he raises the machete to cut his head off, a gun fires and it's the man that helped aiming at the taliban. He says the American is his guest, and for them to leave. He asks if he will die for an American? Threatening him. He threatens they'll all be slaughtered, as the villagers with AKs watch them leave. He asks the boy for a knife, but the boy brings a goose. The man gets it for him. He uses it to get the shrapnel out of his leg, then passing out. They clean and clothe him. -I realize some of this is dramatized. BUT, my God. Just the unwillingness to give up.-Walking with a compound fracture to your shin... That's got to be impossible, right?-Again, the fear of being brought to that village, no one speaks english.-My god, recognizing that log and the blood on it...-Talk about tough as fuck, taking out that shrapnel with just the knife? The villagers are milling about and seem nervous. The taliban is showing in the woods gearing up, and the villagers wait. They wake him, bring him some water and food. As they talk, the attack begins, the room exploding. Luttrells letter has arrived to the base, and they send the calvary. Luttrell and the friend move, and they're separated, they find Luttrell, and the friend finds one of the leaders, struggles with him, and shoots him. Luttrell is getting beat, and choked, then the boy brings him the knife, which he uses to kill the guy. As the taliban begins to enter the town, the apaches, and AC130s show up, and drive them back. Ground forces move in, red smoke is popped, and they blackhawk lands. They search building to building, they find him and confirm it's him, and take him out. He wants the friend to come, but they don't let him. He thanks them, hugs the boy, and they go. We're basically back to the beginning of the movie, the voice over mentions multiple gunshot wounds. Wahlberg voice overs about brave men fighting and dying, building a reputation he has to uphold. But he died up on that mountain. That a part of him will be on that mountain that died with his brothers. But that part survived, and that no matter what, you're never out of the fight. His heartbeat starts, and it fades to black. Text appears: Dedicated to the men of Operation Red Wings, pictures of the real seal team, and the men who died, which we'll repeat after this.TEXT:The Afghan villagers who proctected Marcus did so out of duty to their 2,000 year old code of honor, known as (PASH-TUN-WALI) Pashtunwali.It requires a tribe to undertake the responsibility fo safeguarding an individual against his enemies and protecting him at all costsThese brave men and women still thrive in the harsh mountains of Afghanistan and their fight against the taliban continues... It ends with a picture of Marcus Luttrell and Mohammad Gulab in 2010, laughing and huging. Fallen soldiers:S-Chris J. ScherkenbachC-Michael L. RussellT-Stephen C. ReichT-Marcus V. MurallesS-Kip A. JacobyC-Corey J. GoodnatureT-Shamus O. GoareT-Jeffrey S. TaylorS-Michael M. McGreevy JrC-Jeffery A. LucasT-Erik S. KristensenT-Jacques J. FontanS-Danny P. DietzC-James SuhT-Daniel R. HealyT-Eric S. PattonS-Matthew G. AxelsonC-Michael P. Murphy -It's kinda weird to think about the fear of the taliban now, seems so long ago.-Again, I know dramatized, but I want to know more about the friend and boy, if they're real. Luttrell sees the first one, and takes the shot. WP: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTwitter: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/
My guest today is Bill Schnee who is an internationally renowned producer, engineer and mix master. He has over 125 Gold and Platinum records and 50 top twenty singles, and is known as an engineer’s engineer. Bill has worked on dozens of Grammy nominated and winning albums, and has been personally nominated 11 times for The Best Engineered Album category, winning twice for Steely Dan’s Aja and Gaucho. He also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. In his 50+ year career, Bill has found success in every musical genre, from Pop to Rock to R&B to Gospel to Country. Bill talks to us from Black bird Studios in Nashville where we have a great conversation I think you’ll enjoy. In this episode, we discuss: Growing up In Phoenix Love of Radio Early Record Deal Quitting College Law School Parents Approval San Francisco Discovering Audio Working with Hired Guns Keeping Musicians Happy Recording Drums Working with Singers High Profile Artists Shyness Faith Peers AL Schmitt The Gift of Balancing Putting Family First Disagreements Differences in Record Making Nashville vs. Los Angeles Money Management Chairman at the Board Grammy’s and Dad Jokes Records That Don’t Get Promoted The R Word Matt's Rant: Expanding your DAW skills Links and Show Notes Bill's Site: https://www.billschnee.com/ Bill's Book: https://amzn.to/326cjBj WCA on Instagram: @working_class_audio Go Ad-Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: Bill Schnee Host: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab
As if filling out an Oscar ballot wasn't challenging enough, 2021 has a ton of rule changes with regards to how the Academy will be voting. Most notably for us here at Dolby, the Best Sound Editing and Best Sound Mixing categories have been combined into one: Best Sound. Today Glenn sits down with Teri Dorman, Kevin Collier, and Scott Millan — the current Board of Governors of the Sound Branch of the Academy of Motion Picture Arts and Sciences — to discuss the rule changes, the controversies these changes stirred up, and — perhaps most importantly — what criteria the Academy might use to vote on this new category. Complicating matters further is the fact that most audiences will be experiencing these films at home, not in a cinema with a state-of-the-art sound system. Whether you're an Oscar voter or an Oscar viewer who wants to do well in your annual office pool, this episode should make filling out your ballot just a little bit easier. "I'd like to think that what we do has been treated in a way that the intent will come across, whether you're listening on a home system that's average or whether you're listening to it in the cinema. And I realize this is very 'pie-in-the-sky,' but I think there is an element that potentially can transcend what it's being played on and hopefully that'll come through. It's something that we all think about and probably toss and turn at night a little bit over because this is going to be a different year." — Kevin Collier, Academy of Motion Picture Arts and Sciences, Board of Governors, Sound Branch Please subscribe to Sound + Image Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).
My guest today is Bill Schnee an internationally renowned producer, engineer and mix master. In a highly decorated career that spans five decades, Bill has engineered many gold and platinum albums with a wide variety of artists that include Three Dog Night, Barbra Streisand, Neil Diamond, Rod Stewart, Chicago, Steely Dan, Natalie Cole, The Jacksons, Marvin Gaye, Dire Straits, Ringo (with all the Beatles), Barry Manilow, Carly Simon, Michael Bolton, George Benson, The Pointer Sisters, Bette Midler, Amy Grant and Whitney Houston, including her mega-single "I Will Always Love You”. Bill also produced multiple projects with Huey Lewis and the News, Boz Scaggs, Pablo Cruise, Joe Sample, as well as internationally renowned direct-to-disc recordings with Thelma Houston and James Newton Howard and Friends. In addition to working on dozens of Grammy-nominated and Grammy-winning albums, Bill has been personally nominated 11 times for The Best Engineered Album category and has won twice for Aja and Gaucho, both from Steely Dan. Those two multi-platinum releases add to a harvest of hits that includes over 85 gold records, 50 platinum projects and 50 top twenty singles. Schnee also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. In 1981, Bill opened his own recording facility in Los Angeles – Schnee Studio. It boasted a large live recording room with a very unique acoustical sound, a custom made recording console, custom tube mic pre-amps, and an extensive collection of vintage tube microphones. It was widely regarded as one of the finest recording rooms in Los Angeles. Bill currently resides in Franklin, Tennessee with his wife Sallie. And we are lucky to have him here on the podcast with us today! Thanks to our sponsors! JZ Microphones: https://usashop.jzmic.com PreSonus Studio One: https://www.presonus.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: https://www.izotope.com API Audio: http://www.apiaudio.com Soundporter Mastering: https://www.soundporter.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/268
In this episode of Distance Makes the HeART Grow Fonder I chat with Academy Award Winning producers Karen and Howard Baldwin. We discuss the special combination of passion, follow-thru, and commitment filmmakers must have to see their project through to the end and how vital it is to never give up! This episode is full of wonderful anecdotes about their unique history in hockey and Hollywood and will surely serve as an inspiration to all! We also discuss their latest film 'Odd Man Rush' which is available today 9/1 on all VOD platforms. About my guests: Howard and Karen Baldwin. They are best known for producing with Stuart Benjamin the Academy Award nominated motion picture “Ray” (starring Jaime Foxx) which was nominated for two Golden Globes (Best Motion Picture and won for Best Performance by an Actor – Comedy or musical) and six Academy Awards (Won for Best Actor in Leading Role, Won for Best Sound Mixing, Best Motion Picture, Best Director, Best Film Editing, and Best Costume Design). The Baldwins have also produced films such as “Mystery Alaska” (starring Russell Crowe), “Sahara” (starring Matthew McConaughey) and “The Game of Their Lives” (starring Gerard Butler).
On this episode we chat with Martyn Zub, a sound re-recording mixer who was nominated for two Emmys for his work on Beastie Boys Story, the brand new Apple TV+ documentary that has Mike D and Ad Rock tell the history of the band. Martyn is an accomplished sound mixer and editor who previously has worked on all three John Wick movies, both Deadpool's, Nocturnal Animals, Nightcrawler and Frozen. We discuss the differences between sound editing and mixing, the fear of meeting your heroes (and the Beastie Boys destroying the narrative by being awesome), the consolidation of Best Sound Mixing and Best Sound Editing to just Best Sound starting at the Oscars this year and how working on a live show documentary compares to his usual work and much more. Go to contrazoompod.com for all things CZP including past shows, guest appearances, blog posts and much more. Bookmark the page as we will be updating it frequently! Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, RadioPublic, Breaker, Podcast Addict and more! Please rate and review the show on Apple Podcasts, or wherever you listen. Send us a screenshot of your 5 star rating and review to contrazoompod@gmail.com and we will send you free swag! Thank you Eric and Kevin Smale for creating the awesome theme music and Stephanie Prior for designing the logo. Follow the show on Twitter, Instagram and Facebook. Contra Zoom is proudly presented by Aesthetic Magazine. --- Send in a voice message: https://anchor.fm/contrazoompod/message
This week’s categories: Best Director, Best Picture, and Best Sound Mixing. This week’s bonus game: Moscars Madness! We put the top 32 Best Picture winners of all-time (by inflation-adjusted box office) in a March Madness-style bracket. This week, Mark settles round one of the Eastern Division.
On this week's special edition of the Close-Up Culture Podcast, Anna and James give their picks and predictions for every category at the 92nd Academy Awards. But they are not alone! Industry professionals join us at various stages of the podcast to give their expert thoughts on the Oscars. Time stamps: General Oscars talk - 0.14 Best Film Editing - 10.10 Best Visual Effects - 15.00 Kathleen Simmonds - 17.20 Sydney Nicole Herauf - 19.45 Jonathan Jude - 20.36 Joanna Pickering - 20.16 Best Makeup and Hairstyling - 27.35 Best Costume Designer - 29.30 Best Production Designer - 30.45 Awkward Tarantino standing ovation watch-along - 34.00 CK Goldiing - 38.22 Best Cinematographer - 40.00 Best Sound Editing - 42.00 Best Sound Mixing - 43.30 Reshma Gajjar - 45.45 Best Original Score - 52.38 Best Original Song - 55.42 Best Live Action Short - 58.50 Best Animated Feature - 1.00.01 Best International Feature - 1.02.00 Andrea Jaurrieta - 1.03.30 Widad Shafakoj - 1.04.50 Best Original Screenplay - 1.05.30 Best Adapted Screenplay - 1.07.30 Best Supporting Actor - 1.09.40 Best Supporting Actress - 1.12.15 Ravshana Kurkova - 1.15.12 Nicole Muj - 1.16.40 Best Actor - 1.18.40 Eric Bernard - 1.21.15 Nick Borenstein - 1.22.45 Best Actress - 1.25.25 Best Director - 1.29.10 Best Picture - 1.32.20 Closing thoughts - 1.36.40 Bloopers - 1.38.30
As a large-scale historical film, 1917 creates an intense and realistic soundscape of World War I. In this episode, we talk with the sound team, nominated for Best Sound Editing and Best Sound Mixing, about the challenges and fun experiences that arose from this film. In part 1, we talk with ADR and dialogue supervisor Rachael Tate about blending the unique amount of sound coverage into the film, trying to work with minimum ADR, and making sure that even background chatter is historically realistic. In part 2, production sound mixer Stuart Wilson shares challenges with mic placements, the importance of on-set sound for creating realistic tension, and the trust and communication among the production.
In this episode, sights are set away from Hollywood as Chris and Martin approach films not in the English language. For Martin the classic French car movie Taxi, while Chris dives into the world of Initial-D. But first, Ford vs Ferrari (https://www.imdb.com/title/tt1950186/) is in the news yet again with BAFTA nominations for cinematography, editing and sound AND OSCAR NOMS OMG for Best Pic, Best Film Editing, Best Sound Editing and Best Sound Mixing! F1 TV (https://f1tv.formula1.com/en/) have released a new documentary series, F2: Chasing the Dream, a multi-part documentary series looking into the world of up and coming drivers in F2 (subscription only, sadly). The original Bullitt Mustang, as driven by Steve McQueen has sold at auction (https://uk.motor1.com/news/392285/bullitt-mustang-auction-3-point-4-million) for $3.4m. For this episode's reviews, we watch a pair of non-English films. Martin revisits Taxi (https://www.imdb.com/title/tt0152930/) while Chris shuns the live action version of Initial-D (https://www.imdb.com/title/tt0439630/) to go with Initial-D 1st Stage (https://www.funimation.com/shows/initial-d/) from the original Anime. In this week's online highlights, Martin picked the fantastic Harry’s Garage Porsche Carrera GT film (https://www.youtube.com/watch?v=dWbjvcDML7A) while Chris has been so deep into all things Japanese for this episode, he had to pick this documentary from Driftworks: Outsiders (https://www.youtube.com/watch?v=dZjpFYlYdw8). If you want to tell us if we’re right, wrong or to share something we should be looking at, get in touch via the following channels: Twitter: @AutomoviePod (https://twitter.com/automoviepod) Facebook: AutomoviePodcast (https://fb.me/AutomoviePodcast) Email: comments@automoviepodcast.com (mailto:comments@automoviepodcast.com)
Hacksaw Ridge is a 2016 biographical war drama film directed by Mel Gibson and written by Andrew Knight and Robert Schenkkan, based on the 2004 documentary The Conscientious Objector. SCENE: Battle Scene One (https://youtu.be/nD7aI9ZvVKk) The film focuses on the World War II experiences of Desmond Doss, an American pacifist combat medic who, as a Seventh-day Adventist Christian, refused to carry or use a weapon or firearm of any kind. Doss became the first conscientious objector to be awarded the Medal of Honor, for service above and beyond the call of duty during the Battle of Okinawa. Andrew Garfield stars as Doss, with Sam Worthington, Luke Bracey, Teresa Palmer, Hugo Weaving, Rachel Griffiths, and Vince Vaughn in supporting roles. The film was released in the United States on November 4, 2016, grossing $175.3 million worldwide and received largely positive reviews, with Gibson's direction and Garfield's performance earning notable praise. Hacksaw Ridge was chosen by the American Film Institute as one of its top ten Movies of the Year,[6and has received numerous awards and nominations. The film received six Oscar nominations at the 89th Academy Awards, including Best Picture, Best Director, Best Actor for Garfield and Best Sound Editing, winning the awards for Best Sound Mixing and Best Film Editing.
Whiplash is a 2014 American drama film written and directed by Damien Chazelle. It depicts the relationship between an ambitious jazz drumming student (Miles Teller) and an abusive instructor (J. K. Simmons). Not My Tempo - Scene: https://youtu.be/xDAsABdkWSc Whiplash premiered in competition in the US Dramatic Category at the 2014 Sundance Film Festival on January 16, 2014, as the festival's opening film. Sony Pictures Worldwide acquired the international distribution rights. The film opened in limited release domestically in the United States and Canada on October 10, 2014, gradually expanding to over 500 screens and finally closing on March 26, 2015. The film grossed $49 million on a production budget of $3.3 million. The film received widespread critical acclaim, with particular praise for Simmons's performance and Chazelle's screenplay. At the 87th Academy Awards, Whiplash won Best Film Editing, Best Sound Mixing, and Best Supporting Actor for Simmons, and was also nominated for Best Adapted Screenplay and Best Picture.
The Album: The Dreamgirls soundtrack (2006) Former LA Times Editor and Out Magazine's Director of Culture and Entertainment Tre'vell Anderson, joined us to talk Jennifer Hudson and the Dreamgirls OST. Dreamgirls won two Academy Awards - one for Best Sound Mixing, the other, Best Supporting Actress for Jennifer Hudson's star-making portrayal of Effie White. The single disc-version of the soundtrack spent two weeks at #1 on the Billboard 200 and was nominated for the 2008 Grammy Award for Best Compilation Soundtrack Album. One of the songs, "Love You I Do" won the Grammy Award for Best Song Written for a Motion Picture or Television. The soundtrack, a certified banger, and Tre'vell's personal heat rock, was certified platinum. A fan of Jennifer Hudson's since American Idol Season 3 (his favorite), the film and soundtrack resonated with him because of the all too familiar narrative of the most talented person in the room having to contend with implicit bias preventing them from living their best life. We talked about the glory of Jennifer's journey from losing American Idol to winning at the Oscars, the difference between singers and sangers, Detroit vs. Chicago as a backdrop for the film, and what it sounds like when a Cadillac commercial get's "Pat Booned" (an Oliver Wang original saying). Why did the film propel Jennifer Hudson to the stardom possibly meant for Beyonce (AT THAT TIME). Who knew Eddie Murphy had this sort of vocal range? Who's version of "And I Am Telling You I'm Not Going" was better: the original J.H. or the new J.H.? Tre'vell helped us answer those questions and more! More on Tre'vell Anderson Tre'vell's bio on the LA Times Tre'vell Anderson Spills the Tea on Sex and Gender (Tusk Magazine) Twitter | Instagram More on the Dreamgirls OST Wikipedia entry on Dreamgirls Jennifer Hudson's Dreamgirls Audition (EW) Show Tracklisting (all songs from the Dreamgirls OST unless indicated otherwise): Move Jennifer Holliday: And I Am Telling You I'm Not Going Cadillac Car Eddie Murphy: Party All The Time I Meant You No Harm/Jimmy's Rap Move Fake Your Way to the Top Patience One Night Only (Disco) And I Am Telling You I'm Not Going Jennifer Holliday: And I Am Telling You I'm Not Going Family Steppin' to the Bad Side Here is the Spotify playlist of as many songs as we can find on there. If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!
Sean answers your Marvel questions!0:30 Brett HeierWhat are your top three favorite marvel cinematic universe characters? What are your top three marvel comics characters?Also, have you seen sorry for your loss? It's Elisabeth Olsen's show and it's really good.3:03 Woo S! KimNo matter what the results are and what the fallout of “Avengers: End Game” the Marvel Cinematic Universe will be very different regardless of who lives and who dies. Even without Fantastic Four and X-Men potentially coming home the MCU by the end of this year hopefully; the MCU isn't going to look the same nor is it going to feel the same as the universe that began in 2008. Lastly, I think coincidentally this is the best time for Marvel's First Family and Mutants to be introduced to further the point that the MCU that hardcore geeks and casual audiences knew after Thanos won't entirely remain, what say you, Sean?6:54 Woo S! KimI mentioned on an earlier Q&A a few weeks back how Marvel is reintroducing the Fantastic Four in a comics standpoint, could Marvel Television and or FOX quietly ending/wrapping up “The Gifted” and “Legion” just be both companies readying themselves for the merger because to be fair much like the Netflix series and the Hulu, they take place in the MCU but adjacently and from what I hear these FOX Marvel shows are kind the same when it comes to X-Men so whether the merger goes through or not creatively these FOX Marvel shows could conceivably go a couple more seasons, what are your thoughts Sean?9:20 Woo S! KimSean may you please take a moment and explain what the differences are between IMAX with laser and IMAX without laser?12:45 Mookie JohnsonIn your opinion, did the Avengers Superbowl trailer end with Cap grabbing his old shield, the new shield referenced in Homecoming, or a new shield forged in Wakanda since they have plenty of vibranium to remake his shield?14:40 Derek BeebeDid you see Glass, and if so, what did you think of it? Particularly the third act. (He said vaguely, to avoid spoiling anyone).14:48 Derek BeebeWhen the Disney/Fox deal is finally a done deal, will you and Paul grace us with an episode about Fant-Four-Stick?16:53 Derek BeebeWhat did you think the FOX TV movies of Generation X (1996) and Nick Fury (1998)? 17:27 Derek BeebeAre you watching The Gifted? I'm afraid it never grabbed me and I dropped it after the first season.18:05 Robert ReinekeSean, would you care to play Vegas oddsmaker? Please provide a percentage chance of winning for the following Oscar contenders. Avengers: Infinity War to win Best Visual Effects. Black Panther to win Best Production Design. Black Panther to win Best Sound Editing. Black Panther to win Best Sound Mixing. Spider-Man: Into the Spider-Verse to win Best Animated Feature. Black Panther to win Best Original Score. All the Stars from Black Panther to win Best Original Score. Black Panther to win Best Costume Design. And, Black Panther to win Best Picture.32:07 Alex WardThis is a tricky one, but aside from what we've already seen, what are five moments you think are most likely to happen in Endgame? Professor Hulk, Cap dying, etc. (And feel free to tiptoe around things you're more knowledgeable about due to leaks)38:54 Alex WardAre you a fan of Yorgos Lanthimos at all? If so, do you think there's any place for him in the MCU? Maybe a super awkward Fantastic Four movie?39:22 AlexWhat do you think of the recent casting of Harry Lloyd as Charles Xavier for the last season of Legion? Do you think its kind of strange to have two live-action versions of the same iconic character for television and film existing concurrently with each other? Last time I can recall this being a thing was the case with Smallvile and Superman Returns where Brandon Routh was playing the Last Son Of Krypton on film at the same time Tom Welling was playing a different version on television. Its kind of odd to me. especially considering both the third season of Legion and Dark Phoenix come out this year in June. prior to this news, I was under the impression there was an X -embargo(similar to the Bat-embargo) which prohibited the use of A-list X-men characters like Wolverine for the television show but now with the casting of the third live-action Professor X before even the MCU has had the chance to touch the character I wonder what happened behind-the-scenes.41:12 Nolan WildeHi Sean. I'd been considering this and the TV spot may have confirmed it but I'm not sure the World knows the whole story of the snap. The events of Infinity War happened very quickly and it didn't seem the Avengers informed anyone what was happening.Do you think there will be consequences as this is partly why the Sokovia accords were brought in and if the World finds out that the Avengers chose to act alone maybe it's possible they have been outcast?44:22 Mookie JohnsonIf the Doctor Strange movie with Nightmare does well, do you think that creates an opportunity for Blade to return to the big screen?45:11 David RosenHey Sean and Friends, hope all is well! Do you think that End Game will set up any of the Disney+ limited series? Do you think the movie will make it clear that some of the characters' stories will continue on? Also on the subject of the limited series, I believe I read just today (Tuesday) that Chris Evans might be getting a chance to sit in the director's chair for one or several limited series episodes. My first guess was that it would most likely be for the Sam and Bucky series. Perhaps maybe this is what was meant by one of the Russo bros when he “We haven't seen the last of Chris Evans.” What do you think about this news/rumor and what do you director Chris Evans could bring to an episode of the “Sam and Bucky Show” that maybe other directors couldn't?48:23 David RosenHey Sean, You did a great job with the shot by shot breakdown of the End Game superbowl spot! You talked a lot about the imagine, but didn't really say anything about the voiceover from Cap. What does his line, “Some people move on. But not us.” tell you about his/the team's mentality in this movie? What do you think “moving on” is referring to? The fact that hat they lost the battle with Thanos? That their loved ones are gone? That they're in a “new world”? Something else? Do you see this line as proof that the Avengers are likely going to be the aggressors in this movie?50:48 David RosenI think I had a little bit of a different interpretation about the shot of Liberty Island and all the boats around it, than I think you did. What I gathered was that with half the population (and perhaps more from collateral damage) gone, society in New York likely broke down and is in a state of anarchy and chaos and a number of people decided to “move” to Liberty Island and take refuge there, away from some of the chaos that might be occurring in the city. What do you think about this? Is that shot meant to suggest more than just what we are shown, that perhaps society is in a state of complete disarray, or just that a large number of boats, without captains, managed to float and get stuck at the island?53:02 Jeremy EdenA couple Christmases ago, my brother got me a copy of Batman/Teenage Mutant Ninja Turtles, which I really enjoyed. It was a fun mashup of two universes I've always loved. We've seen some other strange universe crossovers in comic books before (JLA/Power Rangers, X-Men/Star Trek, DC/Looney Tunes, etc.) Apart from a straight up MCU/DC crossover, which bizarre universe mashup (either real or one you make up) would you like to see make its way into the MCU, keeping in mind that nobody is REALLY asking for these to happen?54:38 David RosenSo I realized after rewatching the first End Game trailer that the Avengers compound seems to be lying right flush on a large body of water. As far as I know, aside from maybe a few lakes and the Hudson River, upstate New York doesn't really have any large bodies of water. I went back to watch the “training” scene in Antman, where they show the overhead exterior shot of the compound, and it didn't seem like the compound was sitting on any large body of water, and actually also looked entirely different from the one in the End Game trailer. I know that sometimes designs change between movies, but this seemed like a pretty big change. Ever since the first trailer premiered, one of the thoughts I had regarding Scott was that after getting out of the quantum realm, being in San Francisco, he would have had to then make a cross country drive in his van to the Avengers compound, perhaps even knot fully knowing where it is. But a west coast compound that is public knowledge might alleviate this problem. Do you think this might actually be a different Avengers compound that we're being shown in the trailer, perhaps one on the West Coast, setting up a West Coast Avengers?57:33 Seth GoslinSean, with the upcoming Black Widow film taking place before Avengers, would you like it to take place before she joined SHIELD or after? Would you prefer it to expand on an event previously referenced like Budapest or when Clint spared her or her encounter with the Winter Soldier, or would you like it to be outside of any previous references?59:37 David RosenHey Sean, I just saw the article you posted about the failed pilot order for a Marvel Television all female TV series. This was the first I heard about this, but did you hear about this previously? Do you think this was the attempt at doing something with an all female cast that we've kept hearing and speculating about? If not, what do you think this non-order means, if anything, for future prospects of getting any kind of all female production?1:03:24 AlexIn addition to confirming once again that subsequent Deadpool films will retain the R-rating Bob Iger pointed out that other Disney films may potentially carry the R-rating in the future. This tidbit of information got my little noggin thinking: do you think Marvel will eventually do a R-rated film besides The-Merc-With-The-Mouth or do you think they'll only strictly do PG-13 films with Deadpool being the lone exception to the rule? And keep up the good work, man. You're doing a darn fine job.1:09:19 Michael Louis WeaselboyHey Sean I was just wondering who do you think will be the villain for Spiderman 3? And when do you think it will be released?1:12:18 AlexWe know that Star Wars exists in the MCU as a fictional property within the universe but how does nobody ever point out Nick Fury's uncanny resemblance to Mace Windu— who like Fury is played by Samuel motherf'ing Jackson? Does that mean only the original trilogy and sequel trilogy exist and the prequels never got made in the MCU or do you think like our world the Star Wars prequels do in fact exist and maybe Mace Windu is just played by a different actor in the MCU? Forgive me if you've received this type of question before but it just dawned on me.1:14:03 Daniel DavilaHey Sean I know I'm right on the deadline for this so I'll keep it short and sweet. Do you think the living tribunal, eternity, galactus, etc. can be major players in the mcu? Do you think they translate well to the big screen? Love your show thanks again!1:15:53 Brian WhiteHi Sean. I would like you to expand your thoughts and comments on the idea of a Young Avengers or Champions movie. As any of us long time comic readers know, the movies have taken their liberties even while giving homage to the original material and this has mostly been successful. But so far we've seen titles and characters that came from the comics even if they were presented uniquely. Your comments about how MCU Peter Parker and Shuri can form the Young Avengers or Champions , both being characters that have never been part of either suggests to me that the MCU can create original characters and teams. In Iron Man 3, Tony gifted his sidekick Harley Keener with a lot of tech. He could show up in his own version of Iron Man armor and join up too - maybe he's the Sam Alexander you've been foreseeing. Do you foresee the MCU originating characters? No doubt the comics will copy them if it does. Thanks!1:18:39 ChristofferCan you recommend some books about Marvel – the MCU in particular – and comic book history in general?1:20:18 AlexAvengers: Endgame spoiler question See acast.com/privacy for privacy and opt-out information.
The Way Too Early Oscar Predictions Podcast is kicking into high gear. Film Editor Marisa Carpico and TV Editor Matt Taylor are giving their hot takes, razor sharp insight, and predictions on the nominees for Best Sound Editing and Best Sound Mixing. The nominees for sound editing are: Black Panther, Bohemian Rhapsody, First Man, A Quiet Place, Roma. The nominees for sound mixing are: Black Panther, Bohemian Rhapsody, First Man, Roma, A Star is Born. Don't forget to rate, review and subscribe to the podcast! Twitter: @PopBreakDotCom Instagram: @ThePopBreak.com Facebook.com/PopBreakDotCom
Episode 9 from December 3rd, 2018. Wow. What a roller coaster of an episode. We thought we would be without one of the guys so we snagged old friend Nick Twohig to talk Oscar season and then the missing guy showed up halfway through with sleepy friend Amy. We talk with Twohig about his thoughts on the upcoming Oscar race and who he thinks will take home the Oscar for Best Sound Mixing. Tune in to hear his picks and our insane rant on Detective Pikachu!
Step brothers: Brennan Huff (Will Ferrell) and Dale Doback (John C. Reilly) have one thing in common: they are both lazy, unemployed leeches who still live with their parents. When Brennan's mother and Dale's father marry and move in together, it turns the overgrown boys' world upside down. Their insane rivalry and narcissism pull the new family apart, forcing them to work together to reunite their parents. Release date: July 25, 2008 (USA) Director: Adam McKay Featured song: Sweet Child o' Mine Box office: 128.1 million USD Screenplay: Will Ferrell, Adam McKay Yoga Hosers: Two 15-year-old yoga enthusiasts (Lily-Rose Depp, Harley Quinn Smith) join forces with a legendary man-hunter (Johnny Depp) to battle Canadian Nazis who take the form of deadly sausages. Release date: September 2, 2016 (USA) Director: Kevin Smith Box office: 38,784 USD Budget: 5 million USD Film series: True North trilogy Dawn of the dead 2004: When her husband is attacked by a zombified neighbor, Ana (Sarah Polley) manages to escape, only to realize her entire Milwaukee neighborhood has been overrun by the walking dead. After being questioned by cautious policeman Kenneth (Ving Rhames), Ana joins him and a small group that gravitates to t… MORE Release date: March 10, 2004 (USA) Director: Zack Snyder Featured song: The Man Comes Around Box office: 102.4 million USD Budget: 28 million USD Salt: When Evelyn Salt (Angelina Jolie) became a CIA officer, she swore an oath to duty, honor and country. But, when a defector accuses her of being a Russian spy, Salt's oath is put to the test. Now a fugitive, Salt must use every skill gained from years of training and experience to evade capture, but … MORE Release date: July 23, 2010 (USA) Directors: Phillip Noyce, Bradley Rust Gray Box office: 293.5 million USD Budget: 110 million USD Nominations: Academy Award for Best Sound Mixing, Zombieland: After a virus turns most people into zombies, the world's surviving humans remain locked in an ongoing battle against the hungry undead. Four survivors -- Tallahassee (Woody Harrelson) and his cohorts Columbus (Jesse Eisenberg), Wichita (Emma Stone) and Little Rock (Abigail Breslin) -- abide by a list of survival rules and zombie-killing strategies as they make their way toward a rumored safe haven in Los Angeles. Release date: October 2, 2009 (USA) Director: Ruben Fleischer Box office: 102.4 million USD Budget: 23.6 million USD Screenplay: Rhett Reese, Paul Wernick Guests: Jason Dick: www.Google.com Ophira Eisenberg: http://ophiraeisenberg.com/bio/ Jessimae Pelusa: https://www.jessimae.com/ Katerina Schload: http://katerinaschload.com/lifestyle/bio John Keeling: www.Bing.com
第90届奥斯卡颁奖典礼在好莱坞杜比剧院举行颁奖典礼，全部奖项都已揭晓。《水形物语》获得最佳影片奖，吉尔莫·德尔·托罗获得最佳导演奖，加里·奥德曼凭借《至暗时刻》获得最佳男主角奖，弗兰西斯·麦克多蒙德凭借《三块广告牌》获得最佳女主角。我们在节目里为你推荐过不少好电影，其中，有4部作品在摘得了第90届奥斯卡的奖项。当为你读英语美文遇上奥斯卡，我们为你盘点。分别是《请以你的名字呼唤我》，《寻梦环游记》，《敦刻尔克》，《亲爱的篮球》。当为你读英语美文遇上奥斯卡，我们为你一一盘点。《请以你的名字呼唤我》:最佳改编剧本Call Me by YourName: Best Adapted Screenplay在第235期节目里，Sean为你读了《请你的名字呼唤我》的歌词，让人动容。听友“榴莲粑粑”说: Sean 的声音真的好好听啊,伤感的背景音乐,温暖的声音,细腻的文字,看完电影几天后偶尔听到的这篇的演绎,才明白说call me by your name的后劲很大是什么意思。《寻梦环游记》: 最佳动画长片 Coco: BestAnimated Feature FilmRemember Me：最佳原创歌曲 Best Original Song在第227期节目里，永清和黄茜，分别用英语和西班牙语为你读了主题曲Remember Me的歌词。Remember Me还获得了奥斯卡最佳原创歌曲。《敦刻尔克》：最佳音效剪辑，最佳混音Dunkirk : BestFilm Editing, Best Sound Mixing在第212期节目中，永清为你推荐了《敦刻尔克》和丘吉尔在敦刻尔克大撤退中的演讲We Shall Fight On The Beaches《亲爱的篮球》: 最佳动画短片Dear Basketball :Best Animated Short Film2015-16赛季结束时，科比正式退役，而在此之前，他创作了一首感人肺腑的诗，名为《亲爱的篮球》。科比亲自监制和配音的这部动画短片获得了第90届奥斯卡的“最佳动画短片奖”。在第123期节目中，罗斌为你读了科比的这封信。文字，音乐，图片非商业用途，版权归作者或版权方所有▎节目首发，背景音乐，图文资料，更多推送敬请关注微信公众号：为你读英语美文，ID：readenglishforyou
第90届奥斯卡颁奖典礼在好莱坞杜比剧院举行颁奖典礼，全部奖项都已揭晓。《水形物语》获得最佳影片奖，吉尔莫·德尔·托罗获得最佳导演奖，加里·奥德曼凭借《至暗时刻》获得最佳男主角奖，弗兰西斯·麦克多蒙德凭借《三块广告牌》获得最佳女主角。我们在节目里为你推荐过不少好电影，其中，有4部作品在摘得了第90届奥斯卡的奖项。当为你读英语美文遇上奥斯卡，我们为你盘点。分别是《请以你的名字呼唤我》，《寻梦环游记》，《敦刻尔克》，《亲爱的篮球》。当为你读英语美文遇上奥斯卡，我们为你一一盘点。《请以你的名字呼唤我》:最佳改编剧本Call Me by YourName: Best Adapted Screenplay在第235期节目里，Sean为你读了《请你的名字呼唤我》的歌词，让人动容。听友“榴莲粑粑”说: Sean 的声音真的好好听啊,伤感的背景音乐,温暖的声音,细腻的文字,看完电影几天后偶尔听到的这篇的演绎,才明白说call me by your name的后劲很大是什么意思。《寻梦环游记》: 最佳动画长片 Coco: BestAnimated Feature FilmRemember Me：最佳原创歌曲 Best Original Song在第227期节目里，永清和黄茜，分别用英语和西班牙语为你读了主题曲Remember Me的歌词。Remember Me还获得了奥斯卡最佳原创歌曲。《敦刻尔克》：最佳音效剪辑，最佳混音Dunkirk : BestFilm Editing, Best Sound Mixing在第212期节目中，永清为你推荐了《敦刻尔克》和丘吉尔在敦刻尔克大撤退中的演讲We Shall Fight On The Beaches《亲爱的篮球》: 最佳动画短片Dear Basketball :Best Animated Short Film2015-16赛季结束时，科比正式退役，而在此之前，他创作了一首感人肺腑的诗，名为《亲爱的篮球》。科比亲自监制和配音的这部动画短片获得了第90届奥斯卡的“最佳动画短片奖”。在第123期节目中，罗斌为你读了科比的这封信。文字，音乐，图片非商业用途，版权归作者或版权方所有▎节目首发，背景音乐，图文资料，更多推送敬请关注微信公众号：为你读英语美文，ID：readenglishforyou
With four nominations and zero wins, The Last Jedi was shut out of the Oscar celebration on Sunday night. And this would be the seventh Star Wars production in a row from Lucasfilm to be shut out from the annual awards - a streak now spanning 37 years. Since the last winner was Best Sound Mixing for The Empire Strikes Back, it makes a person wonder: How much might this have to do with Hollywood holding a grudge against Lucasfilm and George Lucas over the opening crawl that caused Lucas to pay a $25,000 fine and quit the Director's Guild? Punch it! ***I'm listener supported! Go to http://Patreon.com/sw7x7 to donate to the Star Wars 7x7 podcast, and you’ll get some fabulous rewards for your pledge.*** Check out SW7x7.com for full Star Wars 7x7 show notes and links, and to comment on any of the content of this episode! If you like what you've heard, please leave me a rating or review on iTunes or Stitcher, which will also help more people discover this Star Wars podcast. Don't forget to join the Star Wars 7x7 fun on Facebook at Facebook.com/SW7x7, and follow the breaking news Twitter feed at Twitter.com/SW7x7Podcast. I'm also on Pinterest and Instagram as "SW7x7" too, and I'd love to connect with you there!
"Baby Driver" wasn't nominated for Best Picture, yet should have been according Terence Michael and his special guest Jason Scoggins. It's an incredibly creative and fun film that works on every level. The guys break it down analyzing The Hero's Journey taken by Ansel Elgort as he falls in love with Lily James and tries to escape from Kevin Spacey. The film was nominated for Best Film Editing, Best Sound Mixing, Best Sound Editing. ***** PLEASE ENGAGE AND SUBSCRIBE Follow and like us on Facebook or Instagram On (desktop or phone) iTunes or iHeart Radio or GooglePlayMusic You can also contact us or learn more at terencemichael.com Terence Michael's book "PRODUCE YOURSELF: Apply Hollywood's Proven Formula To Become The Hero Of Your Life" is available everywhere. Listen to us at the following places and PLEASE SUBSCRIBE! iTunes or iHeart Radio or GooglePlayMusic ***** SHOW DESCRIPTION: What began as a humorous analysis of just behind the scenes TV and film production (originally with co-host, director/producer and comedian Ian Gelfand), has now grown into an observation of The Hero’s Journey taken by professionals working in all aspects of Hollywood. The focus is on obstacles, side-hustles, approach, process, optimization and seeking peak performance both on set and off. This podcast is about learning to “Produce Yourself” in many areas of life, by hearing from people who have fought to get where they are in movies and television. ABOUT THE HOST: Emmy-nominated producer, Terence Michael, has produced over 20 movies and 30 TV shows (Duck Dynasty). He additionally hosts 2 podcasts about the entertainment industry. In his spare time, he invests in real estate, runs a mortgage business, and consults entrepreneurs on how to monetize their passions and be happy in the process. Terence has been developing, producing, and delivering story content, from film to television, over the course of ownership in three separate production companies covering most of the major studios, networks, and agencies in "Hollywood." He has now produced feature films distributed by studios such as Sony, Universal, MGM, Lionsgate, and HBO; and executive produced television shows airing on networks such as NBC, Fox, MTV, VH1, Showtime, Lifetime, TLC, Spike, Esquire, Syfy, Travel Channel, and A&E. Terence enjoys both developing and producing intellectual properties and formats for 100% Terry Cloth as well as show running other existing network or cable shows. Additionally, he has guest lectured and consulted on development, financing, story, packaging and nuts-and-bolts producing panels for the Cannes Film Festival, the Los Angeles Film Festival, Independent Film Project West (IFP), Film ITConference, the SXSW Film Festival, AFI, and UCLA Film Extension; has been featured in magazines and publications, such as The Los Angeles Times, MovieMaker, Moving Pictures, Back Stage West, Independent Film and Video, Screenwriters Utopia, Writers Script Network, Venice Magazine, Newsweek, Details, and The Christian Science Monitor. He received an Emmy nomination in 2017 for Travel Channel's "Planet Primetime." Terence Michael has collaborated with many artists and brands in his films and TV shows, including: Actors: Scarlett Johansson, Ben Stiller, Sarah Jessica Parker, Vera Farmiga, Jeffrey Tambor, Tea Leoni, Tom Sizemore, Katherine Heigl, Peter Dinklage, Giovanni Ribisi, Cuba Gooding, Jr., Patrick Dempsey, Jaime Pressly, Mia Kirshner, Michael McKean, Britt Robertson, Oliver Hudson, Emmanuelle Chriqui, Jonathan Tucker, Nora Dunn, Skeet Ulrich, Cheryl Ladd, Alan King, Elizabeth Reaser, Megan Mullaly, Jennifer Morrison, Erin Bartlett, Jesse Bradford, Adam Goldberg, David Krumholtz, James Tupper, Jill Clayburgh, Eric Szmanda, Eric Mabius, Eric Schaeffer, and lates Alan King, Jill Clayburgh, John Heard Comedians: Adam Carolla, Tom Green, Chris Hardwick, Flula Borg, Ken Marino, Alonzo Bodden Athletes: Football’s Vince Papale, basketball’s Rick Barry, motocross’ James Stewart, Ryan Dungey, Todd Potter, and the Metal Mulisha team, skateboarding’s Tony Hawk, Buckey Lasek, Jason Ellis and snowboarding’s Shawn White, triathlete’s Wendy Ingraham and Chris Legh Musicians: Aimee, Mann, The Verve Pipe, Jill Sobule, Blink 182, Amanda Kravat, Foxy Brown, Usher, Vanessa Carlton Hosts/Authors: Amanda De Cadenet, Karla Cavalli, Allen Haff, Paul McKenna, Lisa Williams, Grant Imahara, Leeann Tweeden Brands: RedBull, Degree, Monster, Playboy, Jabbawockeez, The Golden Nugget, Joe’s Crab Shack, Oakley, the Duck Dynasty family
In Episode 16 of movies imo, Ben, Brandon, and Daniel yell over each other about the 90th annual Academy Award nominations. Together they get to the bottom of the announcement's most pressing questions: Did Gary Oldman motorboat his way into the Best Actor field? Should the Academy compress Best Sound Editing and Best Sound Mixing into a single category? Even with its surprise Best Picture and Best Director nods, was PHANTOM THREAD still the biggest snub of the year? Ben damns DUNKIRK with faint praise, Daniel breathes a sigh of relief over Meryl's 21st nomination, and Brandon gives a chef's kiss to the Best Original Screenplay category. See acast.com/privacy for privacy and opt-out information.
Brett and Adam predict the Oscar nominations for Best Sound Editing and Best Sound Mixing (yes, there's a difference). But first they discuss the allegations against Harvey Weinstein and the Academy mulling over new rules regarding films from streaming services. Finally they dig for the secrets of humanity with the brilliant new "Blade Runner 2049."
Lawrence of Arabia was nominated for ten Oscars at the 35th Academy Awards in 1963; it won seven in total: Best Picture, Best Director, Best Original Score, Best Cinematography (Colour), Best Art Direction (Colour), Best Film Editing and Best Sound Mixing. It also won the Golden Globe Award for Best Motion Picture - Drama and the BAFTA Awards for Best Film and Outstanding British Film. n 1991, Lawrence of Arabia was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry. In 1998, the American Film Institute placed it 5th on their 100 Years...100 Movies list, and 7th on their 2007 updated list. In 1999, the British Film Institute named the film the 3rd greatest British film of all time. But is it any good? To find out, my wonderful wife Tiffany and I watched it (all of it) and here bring you 9 minutes of spoiler-free discussion if you've not seen it, followed by lots of spoiler-filled chat if you have. Something for everyone! Listen and love!
Popcorn Talk Network proudly presents a vodcast that offers a glimpse into the movies we love to watch with breakdown and analysis of the movies some might call… a "Guilty Movie Pleasure". Join us each week as Ben Begley and Jesse McIntosh breakdown your favorite films, from the classics to the yet to be seen; it’s all here under one banner… GUILTY MOVIE PLEASURES! This week, Jesse and Ben talk about The Rock (1996)! The Rock is a 1996 American action thriller film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and written by David Weisberg and Douglas S. Cook. The film stars Sean Connery, Nicolas Cage and Ed Harris, with William Forsythe and Michael Biehn co-starring. It is dedicated to Simpson,[5] who died five months before its release. The film received moderately positive reviews from critics, and was nominated for an Academy Award for Best Sound Mixing at the 69th Academy Awards. It was a box office success, grossing over $335 mi --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
And the Oscar goes to... At 5:48: Hollister shares her thoughts on 6x-Oscar-nominee Hacksaw Ridge - directed by Mel Gibson; starring Andrew Garfield. Congrats to Kevin O'Connell, who finally won his Oscar for Best Sound Mixing - after a record-breaking 21 nominations. 11:09: O'Toole finally sees the German film Toni Erdmann - and thinks it has one of the best cinematic hugs in screen history. Guess who'll be starring in the Hollywood remake? 21:40: Ryan Murphy's latest TV venture: Feud: Bette and Joan - with Susan Sarandon and Jessica Lange as screen legends Bette Davis and Joan Crawford collaborating on the horror film What Ever Happened To Baby Jane? 15:21: In honor of Feud, this week's #ListOfSix: Our 6 Favorite Susan Sarandon/Jessica Lange roles. What do Moonlight, this week's #ListOfSix, and Feud have in common? Just ask O'Toole.
Hollywood er på den anden ende, og Hjørnet følger trop, for det er... (vent på det)... OSCARTID!!! Yup, for ottende år i træk har Hjørnet stablet en episk Oscaropvarmning på benene til jer. Casper, Jesper, Brie og Oscar-noob'en Niels gnasker sig møjsommeligt gennem samtlige kategorier for at finde ud af, hvilke film, der vinder i hvilke kategorier og det er absolut ikke let i år. Ja, La La Land ligger uden tvivl i føretrøjen, men hvilke af dens virvar af nomineringer, kan den forvandle til vindere? Kan Moonlight snigløbe sig til nogle priser? Og hvor store chancer har de danske Oscarbud? Alt (og vi mener ALT) bliver vendt og drejet i løbet af episodens ca. 4½ time. Som sædvanligt har Jesper set nærmere på Akademiets Sci-Tech Awards og Niels har udnyttet sin kærlighed for dårlige film til at se nærmere på årets Razzie-nomineringer. Brie leverer Oscar-nyheder og trivia, mens Casper har sørget for masser af lækker lyd og musik. Sidst, men ikke mindst, er der jo jer, for I har været gode til at skyde en masse Oscar-spørgsmål i vores retning via Facebook og tak for det. Så læn dig tilbage og følg med på endnu en Oscar-maraton fra Filmnørdens Hjørne. Rigtig god fornøjelse! Med venlig hilsen, Casper, Jesper, Brie & Niels TIDSKODER 00.00.00 - Lobby-snik-snak 00.03.31 - Oscar-montage og intro 00.06.15 - Velkomst 00.14.37 - Lynanmeldelse: La La Land 00.23.20 - Lynanmeldelse: Hidden Figures 00.26.08 - Lynanmeldelse: Lion 00.28.37 - Lynanmeldelse: Moonlight 00.33.45 - Info om showet 00.42.23 - Oscarnyt fra Mr. Filmnews 00.46.56 - Introduktion til gennemgang af kategorier 00.48.22 - BEST SHORT FILM (LIVE ACTION) 00.58.41 - BEST MAKEUP AND HAIRSTYLING 01.03.46 - BEST SOUND EDITING 01.17.39 - BEST ANIMATED FEATURE FILM 01.25.11 - BEST FOREIGN LANGUAGE FILM 01.32.59 - BEST ACTRESS IN A SUPPORTING ROLE 01.49.09 - Jesper gennemgang af Sci-Tech Awards 01.58.10 - BEST SHORT FILM (ANIMATED) 02.04.12 - BEST PRODUCTION DESIGN 02.08.29 - BEST MUSIC (ORIGINAL SONG) 02.14.56 - BEST VISUAL EFFECTS 02.20.44 - BEST CINEMATOGRAPHY 02.26.53 - BEST ACTOR IN A SUPPORTGIN ROLE 02.34.47 - Spørgsmål fra lytterne 02.46.59 - BEST DOCUMENTARY (SHORT SUBJECT) 02.51.37 - BEST WRITING (ADAPTED SCREENPLAY) 02.58.32 - BEST SOUND MIXING 03.08.05 - BEST ACTRESS IN A LEADING ROLE 03.16.39 - BEST DIRECTING 03.20.44 - Niels dykker ned i The Razzies 03.26.32 - BEST COSTUME DESIGN 03.31.14 - BEST MUSIC (ORIGINAL SCORE) 03.42.11 - BEST FILM EDITING 03.48.39 - BEST WRITING (ORIGINAL SCREENPLAY) 03.55.53 - BEST ACTOR IN A LEADING ROLE 04.07.49 - BEST PICTURE 04.20.23 - Afslutning
Part of this year's more diversified Academy Award nominations, Ai-Ling Lee and Mildred Iatrou Morgan have been nominated for Best Sound Editing for La LA Land; becoming the first all-female team nominated in the category (Ai-Ling is also nominated for Best Sound Mixing along with Andy Nelson and Steve A. Morrow). As sound supervisors and designers on the project, their job was to lead the teams that brought every sound you hear. With a heavy emphasis on using production sound versus pre-recorded mixes of music; the performances in the film often feel more organic and real, not so decentered from the overall sound of the narrative as is customary with the genre. This approach informs every step of the audio process; a fine balance of imaginary realism, with key components of audio that connect to the makeup of our everyday living.
This team of Oscar®-studded sound artists talk about working on Michael Bay’s film, nominated for Best Sound Mixing, including the film’s chaotic battle scenes. https://linktr.ee/dolbyinstitute (Subscribe) to the Dolby Institute Podcast. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).
In Part 1 of this episode, Steve Morrow (Best Sound Mixing) describes his work as the production sound mixer on this contemporary movie musical filmed largely on location in Los Angeles, and the challenges of capturing the live on-set signing of stars Ryan Gossling and Emma Stone. In Part 2, Ai-Ling Lee (nominated for Best Sound Editing and Best Sound Mixing) and Mildred Iatrou (Best Sound Editing) discuss weaving the sung performances into a magical musical design soundscape.
Kevin O’Connell (Best Sound Mixing), celebrating his 21st Academy Award nomination, joins first-time nominees Robert Mackenzie and Andy Wright (double nominees for Best Sound Editing and Best Sound Mixing) in conversation about their work on Mel Gibson’s film. The artists talk about using sound design and music to sculpt the three different battle sequences which comprise the film’s second half, the challenges of using period accurate weaponry, and how the sound of breathing can take you inside the main character’s experience.
Greg Russell (17 Oscar nominations), Gary Summers (11 Oscar nominations and 4 wins), and Jeffrey Haboush (4 Oscar nominations) talk about their work, nominated for Best Sound Mixing, on Michael Bay’s film. The artists describe their long collaboration with Bay, and their work on this film to keep the tension high through the film’s chaotic scenes of battle.
Sync up your Blurays and join the hosts of Action Movie Anatomy in watching The Rock! The Rock is a 1996 American action film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and stars Sean Connery, Nicolas Cage and Ed Harris. The film is dedicated to Simpson, who died five months before its release. The film, set primarily on Alcatraz Island and in the San Francisco Bay Area, received generally favorable reviews from critics and was nominated for an Academy Award for Best Sound Mixing at the 69th Academy Awards. Download, Rate and Review the Audio Version on iTunes! https://itunes.apple.com/us/podcast/watchalong!/id1050050922?mt=2 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Sync up your Blurays and join the hosts of Action Movie Anatomy in watching The Rock! The Rock is a 1996 American action film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and stars Sean Connery, Nicolas Cage and Ed Harris. The film is dedicated to Simpson, who died five months before its release. The film, set primarily on Alcatraz Island and in the San Francisco Bay Area, received generally favorable reviews from critics and was nominated for an Academy Award for Best Sound Mixing at the 69th Academy Awards. Download, Rate and Review the Audio Version on iTunes! https://itunes.apple.com/us/podcast/watchalong!/id1050050922?mt=2
Action Movie Anatomy hosts Ben Bateman and Andrew Ghai break down The Rock! The Rock is a 1996 American action film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and stars Sean Connery, Nicolas Cage and Ed Harris. The film is dedicated to Simpson, who died five months before its release. The film, set primarily on Alcatraz Island and in the San Francisco Bay Area, received generally favorable reviews from critics and was nominated for an Academy Award for Best Sound Mixing at the 69th Academy Awards. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Common Room: Passionate Discussion of Pop Culture, Food, Fitness, & Fashion!
Oscar, Oscar! Vote Now! Listen in to Charee, Margaux, and Hadas discuss their picks for the 2016 Oscars. We were a bit disappointed with some snubs, we had a hard time with the acting categories, and we learned (again) what sound editing and mixing actually are. (Timestamp breakdown at the bottom of this post!) For a deeper look at each Best Picture nominee, read Margaux's reviews by clicking here! We have a group chat on Facebook where we chat about what we've been watching lately and decided to discuss the #OscarsSoWhite issue. Click on to comrom to read the discussion! Join our live tweet chat on twitter on 2/28/16 at 7PM Eastern. We're @commonroomlive! Timestamp Breakdown:Best Film Editing 00:02:03Best Cinematography 00:07:34Best Visual Effects 00:11:30Best Production Design 00:13:45Best Costume Design 00:17:06Best Makeup and Hairstyling 00:19:03-Best Foreign Language Film 00:21:38Best Documentary Short Subject (skipped)Best Documentary Feature 00:28:47Best Live Action Short Film (skipped)Best Animated Short Film 00:33:12Best Animated Feature 00:35:54Best Original Song 00:38:09Best Original Score 00:40:39-Best Sound Mixing 00:43:49Best Sound Editing 00:48:10Best Original Screenplay 00:49:43Best Adapted Screenplay 00:52:25Best Supporting Actor 00:54:34Best Supporting Actress 00:59:11Best Actor 01:03:25Best Actress 01:05:30Best Director 01:09:43Best Picture 01:10:48
Popcorn Talk Network proudly presents a vodcast that offers a glimpse into the movies we love to watch with breakdown and analysis of the movies some might call… a "Guilty Movie Pleasure". Join us each week as Josh Macuga and Ben Begley breakdown your favorite films, from the classics to the yet to be seen; it’s all here under one banner… GUILTY MOVIE PLEASURES! This week on GMP, Ben Begley and Josh Macuga break down Speed!!!!! Speed is a 1994 American action film directed by Jan de Bont in his feature film directorial debut. The film stars Keanu Reeves, Dennis Hopper, Sandra Bullock, Joe Morton, and Jeff Daniels. A surprise critical and commercial success, it won two Academy Awards, for Best Sound Editing and Best Sound Mixing at the 67th Academy Awards in early 1995. The film tells the story of the LAPD cop who tries to rescue civilians on a city bus rigged with a bomb programmed to explode if the bus slows down or if civilians try to escape. This IS a Guilty Movie Pleasure... We' --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Action Movie Anatomy hosts Ben Bateman,Andrew Ghai and guest host Razzle break down Speed! (The Bus That Couldn't Slow Down) Speed is a 1994 American action film directed by Jan de Bont in his feature film directorial debut. The film stars Keanu Reeves, Dennis Hopper, Sandra Bullock, Joe Morton, and Jeff Daniels. A surprise critical and commercial success, it won two Academy Awards, for Best Sound Editing and Best Sound Mixing at the 67th Academy Awards in early 1995. The film tells the story of the LAPD cop who tries to rescue civilians on a city bus rigged with a bomb programmed to explode if the bus slows down or if civilians try to escape. A sequel called Speed 2: Cruise Control was released in June 1997. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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