Podcast appearances and mentions of jeremy gillespie

The Void (2016) synopsis: “Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.”Starring: Aaron Poole, Kenneth Welsh, Daniel Fathers, and Kathleen MunroeDirector: Jeremy Gillespie and Steven KostanskiThis week on Podcasting After Dark, Zak and Corey breakdown and review The Void! A low-budget cosmic horror movie from Astron-6 members, Jeremy Gillespie and Steven Kostanski! This one is Corey's pick because it's his birthday month, so he'll be showrunning the episode. And don't forget to listen to the boys interview co-director Steven Kostanski and review his gonzo horror comedy, Psycho Goreman!Help Dustin from Two Dollar Late Fee and Max from Ready2Retro recover from the LA fires.Dustin's GoFundMeMax's GoFundMe— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

From the director who brought us some actually good episodes of Star Trek later in his career, this movie… it's terrible. Bad jokes, unexciting nudity from Rebecca Balding, and one of the worst movie monsters you'll ever see. You know that uncle or cousin of yours, the one that puts off an icky vibe? This is probably one of their favorite movies. So, skip the flick and just enjoy our re-telling of the story that is the movie The Boogens. This isn't usually the case, but sometimes the podcast is better than the movie on Loathsome Things: A Horror Movie Podcast! You can reach out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

Content Warning: violence against children and by children is depicted in this film, as is violence against and by animals. This includes a scene in which an animal commits violence against a child. God is dead, welcome to beautiful Argentina! This time we reviewed a demonic possession apocalypse movie that absolutely slams. Put away your flashlights, your gunpowder, and your fear of death, because they won't help you here! That's right, it's a zombie movie where instead of zombie you get demonic possession and the attempts of devils to be born into the world via Se7en-style bloat-bodies. There are rules to follow and fools to not follow them. Join us to figure out how that crazy Possessed-defeating doo-dad works in this most bonita episode of Loathsome Things: A Horror Movie Podcast! You can reach out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

Content Warning: self harm Australian youths supplement their substance abuse with a fun demonic possession game. It the story secretly about substance abuse? Mental illness? Grief? Loss? White people? You tell us after listening to this podcast about horror movies. A podcast where we summarize the plot of a horror movie at you so you can decide whether or not you want to watch the movie after you find out everything about it. Wait, is that what this podcast is for? Wait a minute, is this movie secretly about the degradation of the family unit and the impossibility of parenting children in a world where the very formats and mediums of mischief are impossible to predict? Nah! It's just Loathsome Things: A Horror Movie Podcast! You can reach out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!  

An Etsy girl makes a go of living her best life in her childhood home in a town full of people who hate for something that she did in her childhood. Also, there's aliens and almost zero dialogue. Will it be good? Pack yourself up a pic-a-nic basket and head on out to a loved-one's grave and plot your sorry ass in that ancestral grass to listen to this fortnight's episode of Loathsome Things: a podcast about scary movies where we tell you which movies are scary, which movies are not scary, and break them down so you don't have to watch them, but then we tell you to watch them… because that's what our audience wants? Also, this episode features a bonus review of the Star Wars television thing: Ahsoka. If you listen closely, you can even hear the very moment that Josh finally realizes which character is played by Mary Elizabeth Winstead! You can reach out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

Content Warning: A smidge of animal cruelty is depicted in this movie, which we describe and may/may not do vocal sound effects for… John and Josh strapped microphones to the inside of their mouths for an entire day to bring you their first full-fledged found footage film review! This little gem blends found footage with possession/exorcism, folk horror, and [spoiler]. What a cool combination! A priest guy and a professional gadget-haver spend a lot of run time getting acquainted with one another and slowly building what will turn out to be a life-long friendship, though not without its ups and downs, all while a variety of priests come and go from their lives. Along the way, their learn valuable lessons about imperialism, how the church abuses its power over the population, and never leaving your buddy behind. Also, we kind of do a semi-review of the new movie Elevator Game at the end. So, you know, there's that for ya. And, as a special bonus to our show-note readers, here's the British TV Shows we invented in this episode, plus the band and album! British TV Shows that should exist: One House Tree Bunch of Love Heaven Basket Third Lane Mystery The Deacon's Revenge King Henry's Clunge The Dicar of Vibley And the Band - Album that should exist: Tale for the Blather – Their Sophomore Effort You can reach out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!  

The Void. Join Rick, Jake and special guest, Carl Chang, as they talk this 2016 cult flick. Did this Lovecraftian homage take us on a good time journey of hellish proporations, or did it leave us stuck in another dimension that we cannot escape from?

The Texas Chain Saw Massacre. What else is there to say? Content Warning: this film contains nearly as much deeply disturbing gruesome topic matter as it does wildly offensive ableism. And since it's in the movie, it is also in the words we speak. Join us as we revel in the just amazingness that is, as one man was mis-quoted as putting it, “the most upsetting movie I didn't hate.” It is a masterpiece and it is deeply troubling. If you worry you might not be up for the film, give us a listen as we chop up this movie into its constituent cuts and plop it down fresh and hot onto your ear-plates. That's the kind of service and quality you can expect when you listen to Loathomse Things: A Horror Movie Podcast by two dudes who don't live in Texas and in no way identify with the characters in this movie or recognize any of the settings, tropes, or styles. Now THAT's Tasty! You can reach out to us thus, but you won't! Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Tobe Hooper's The Texas Chain Saw Massacre (1974) (2) Andrzej Żuławski's Possession (1981) (3) Brian De Palma's Carrie (1976) (4) Rose Glass' Saint Maud (2019) (5) Bob Clark's Black Christmas (1974) (6) George A Romero's Night of the Living Dead (1968) (7) Alex Garland's Men (2022) (8) Miike Takashi's Audition (1999) (9) Ti West's X (2022) (10) Jeremy Gillespie and Steven Kostanski's The Void (2016)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

Do you ever think about the town you live in? Did your ancestors live there? What did they do when they lived there? Were they bad to other people, maybe women or indigenous populations? Do you ever wonder if you are them? Has a doctor ever made you feel like you're a buckle-hatted pilgrim wielding a knife of revelation while inducing seizures in your chaw-addled brain? Well, then you may be a Pendleton, of the Devonsville Pendletons! You see, 300 years ago the entire town of Devonsville did a witch hunt. Later, they were all named Pendleton and had much less facial hair than their ancestors. There may have also been some Warleys, who may have written everything down in some Gideon's Bible-sized journals for no good reason. Also, something about belts made out of finger bones. I don't know. This week we reviewed a movie that was asking the question “could a witch hunt happen today?” But that was 40 years ago, and here we are today among a mass of idiots banning books, actively organizing to overthrow the government, and persecuting anyone who isn't a cis-gendered lily-white Christian. So join us in the flames as we place a curse upon the whole melty-faced lot in this most fundamentalist episode of Loathsome Things: a podcast for people who want to grow closer to god day by glorious day. Amen. You can reach out to us thus, but you won't! Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!  

Did you know that when you forget your dreams, they get mad at you? It doesn't matter if those are dreams of attractive young women in thin gauze, skinless bears coming for you in the closet, fake little brothers with bulgy eyes, or janitors with prosthetic limbs that fall right off. You see, when you go beyond dream's door, the hatred doesn't discriminate. Maybe it's a fleshy tooth-book chomping your foot, maybe it's a balloon that just wants to follow you and make an annoying sound before exploding, maybe it's not-Pennywise cackling from the sewers or a horde of non-aggressive zombies. It just doesn't matter. The dreams you've forgotten all hate you equally and if you tell a typewriter about those dreams, they will come for you and they will come for your gun-happy professor and his TAs. So, take a melatonin, brew yourself a pot of sleepytime tea, crank one out, and then lay your weary bones down before listening to this highly academic episode of Loathsome Things: a relaxing ASMR podcast about horror movies that will unlock your innermost potential at 666 hertz. You can reach out to us thus, but you won't! Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!  

We reviewed a classic and scared John as a child and confused Josh as an adult. Imagine The Goonies, but with big naked California tits, fountains of blood, and the childhood drama of having everyone you love die. There, that's Phantasm. Is it as simple as that? No! It's much more confusing! Phantasm features multiple allusions to Dune, some strange overlap with Star Wars, and manages to be a strikingly singular piece of storytelling. Do we have any idea what the story it's telling is? Can we explain it in the slightest? Did Josh tell a story about going to a place while unaware that he was getting sick and did the onset of those symptoms cause him to really screw up the end of this recording? There's only one way to find out, by listening to the entirety of this ultra-high quality and exquisitely professional episode of Loathsome Things: the best podcast for fans of Phantasm and the only podcast you should listen to if you're trying to figure out how to do a good job at making a podcast and writing podcast notes for your podcast podcast. Podcast! You can reach out to us on these players, but you won't! Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

In 1990, first-time director Francis Teri pulled together a tiny budget, a team of mostly non-actors, and some really cool practical effects to make an amazingly tasteless, uncomfortably semi-humorous, and entirely baffling horror movie about a young woman receiving an abortion against her will and her aborted fetus becoming one of the most mind-bogglingly powerful horror movie monsters of all time. That's right, it's an abortion monster, and boy does it have a really weird plan! Tune in for an exploration of the thing you didn't think could go wrong when you outlaw abortion in this episode of Loathsome Things: a horror movie podcast that cares about the mother's life and the baby's life, but absolutely hates men. And if you find yourself in need of more horror movie podcast goodness, check out the Bring Me the Axe Horror Podcast! They're cool guys and cover the same types of movies we do! https://open.spotify.com/show/143VD2m2wUwWe90MA7j9NZ If you would like to recommend a movie, smuggle abortioneers across state lines, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – American teens take an evil train ride across bad-times Yugoslavia! The Pit (1981) – A coming-of-age story about seeing boobs, evil teddy bears and feeding beasts! The Suckling (1990) – An abortion monster kills a house full of sex workers on his way home!

It's late one night in America, and two men are chasing tweakers from a local meth den.  One escapee, James, gets away.  The other, a girl, is set on fire by the men before they drive off.  Meanwhile, local police chief Daniel Carter is asleep on the job, again, when he spots James crawling out of the woods, and transports him to the nearest medical facility, Marsh General, where he estranged wife Allison works as a nurse.  The hospital is on the verge of closing after a fire took out most of it, and they're working with a skeleton crew:  besides Allison, there are two nurses, Kim and Beverly; one doctor, the mysterious Richard Powell; and only two patients, Cliff and pregnant Maggie.  It's upon Daniel's arrival that the world tilts on its axis:  strange robe-clad figures emerge from the forest, Beverly is caught performing impromptu surgery on Cliff, and Maggie goes into labor.  What happens from here defies logic, description and expectation, but as Daniel and Allison determine to face down the wickedness that comes their way, they soon find themselves enmeshed in a plot that goes way beyond medical science, and maybe, beyond the reaches of time and space itself. Intro, Math Club, and Debate Society (spoiler-free) 00:00-29:22Honor Roll and Detention (spoiler-heavy) 29:23-1:03:19Superlatives (spoiler-heavier) 1:03:20-1:24:18 Director Jeremy Gillespie & Steven KostanskiScreenplay Jeremy Gillespie & Steven KostanskiFeaturing Stephanie Belding, Mik Byskov, Daniel Fathers, Art Hindle, James Millington, Grace Munro, Kathleen Munroe, Aaron Poole, Evan Stern, Kenneth Welsh, Ellen Wong John DeVore is a two-time James Beard award-winning essayist and editor. He currently writes a column for Decider called 'Is It Woke?' and his first memoir, 'Theatre Kids,' will hit bookstores in 2024. His favorite movie is 'Fiddler on the Roof,' followed by 'Hellraiser.' Favorite recess snack: Lunchables. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “The Void” by Jeremy Gillespie. For more information on this film, the pod, essays from your hosts on our blog, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. This is our SEASON 2 FINALE. Thank you for joining us! We'll be back with some bonus episodes this summer, then will be back in the fall for a whole new season of SCARE U.

The Jo Brothers cover The Mo Brothers with this delightful jaunt down the road to a slasher commonly referred to as The Indonesia Chainsaw Massacre for entirely appropriate reasons. What starts off as torture porn then devolves into madcap mindless violence before finally metamorphosing into some really tremendous fight scenes that make the film's early goings-on worth it. This movie is an underappreciated gem that suffers for being from a country that western audiences have largely ignored. Listen to us break it down and really get after it in this all-new episode of Loathsome Things: A Highly-rated Podcast for People Like Me!   Also, we end up talking about our feelings about Rob Zombie… again… because we're two cool dudes. If you would like to recommend a movie, share your top-10 list of Indonesian films, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

From the New French Extremity to some old Italian Sleaze, good, clever Loathsome Things is here to make everything nice for you, our sweet, sweet babies! From the guy that mostly did hardcore porn with a splattering or horror-porn crossover films, comes a film that advanced the boundaries of gore and showed us that the most potent strains of marijuana in history looks surprisingly exactly the same as 1970s euro-lady pubes. That's right, it's schlocky, it's exploitative, it's unfortunate, and it's all set to Goblin's most perplexing soundtrack, it's the 1979 horror cinema experience from the cum-soaked mind of Joe D'Amato lovingly and alternately known as Beyond the Darkness, Buio Omega, Buried Alive, In Quella Casa Buio Omega, House 6: El Terror Continua, and Zombi 10. Tune in to learn all this information and so much more in this most absurd episode of Loathsome Things: the official horror movie podcast of 1970s bush-centric European stag films! If you would like to recommend a movie, tell us what kind of wine comes in that kind of bottle, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!   Transcript Josh  Body of a *****. Body three times. Pain and torture. First body in a bed. Body growing dead body in a crypt body. Hell fire dipped. Body ringing bell body into hell. Always be a taker. Meet your maker. No one's life you save robs some in your grave. It's loathsome things, a horror movie podcast with be the Josh and he the John. John. How are you on this most horrific of?  John  I'm hell be.  Josh  Dipped dipped hell fire dipped.  John  Hell be doing whatever the **** it was. Somebody actually wrote a rhyme to go along with whatever they said in Italian.  Josh  I know, I know. Like someone's job was to come up with a little, like set of rhyming couplets to to go with whatever was actually. Supposed to be there.  John  Man, I would love to see this movie in Italian with English subtitles.  Josh  Ohh man yeah that would be good. You could also do what I did. I watched the movie that this is a remake of in Italian without subtitles.  John  Ohh, that's even better. Yeah, the third eye, right?  Josh  The third eye? Yeah, it's it's real confusing when you have no idea what. People are saying.  Josh  So, John, what are we?  Josh  Even talking about.  John  Oh my God, I'm so glad you asked. Because this time around. We shall be talking about. We're going to talk about a little Italian schlock exploitation film that was directed by a fine fellow named occasionally named Joe Di Amato.  Josh  Some types named Joe Demon.  John  1970 nines. Delightful and absolutely delicious. I don't know what I'm talking about. I'm a moron beyond the darkness.  Josh  Also known by other names. A lot of other names, some of them. Some of them just just out of nowhere. That thing, but yeah, it was the whole thing. Apparently the director, Joe D'amato, was friend with Mino Guerini, who directed the third eye. And one day they were hanging out. Just spit balling ideas and he was like, hey, what if I remade your movie but made it sleazier?  John  It's an interesting film. It's gonna be fun to talk about. I liked the I was excited to hear that Goblin did the soundtrack, or as they mistakenly referred to. Them the goblins. But except for a few bits, overall, the soundtrack is terrible.  Josh  Yeah, it's if you have ever had your manager pop in a VHS tape so you could watch a training video on your first day on the job, then you know what this movie sounds.  John  Like please contact the HR department if you have any issues with other employees.  Josh  There are times where the soundtrack's really cool, like they'll purposefully hit these flat notes to like, reflect what's going on, like like it's entertaining at times and other times just very irritating.  John  When I make my movie, I'm going to have the entire soundtrack be done live with a guy with a French horn who just makes fart noises.  Josh  Yeah, I I want. I want my life soundtrack to be done by someone with a severe anxiety disorder that wasn't given their medicine today and they have to like. They're always trying to catch up with what's going on, like, Oh my God, I can't believe this is happening to me. The soundtrack I want.  John  They have to play it on a hooter.  Josh  Of course, Goblin to they did the soundtrack for the original dawn of the dead phenomena, Suspiria and Tenebre. So lot of lot of good Italian movie horror movies with that, and by a lot I mean mostly just those that I listed. They also had a song in Shaun of the Dead.  John  Yeah, that's true. And just in case you really enjoyed this music, in which case, by the way, you're an idiot. It was also used in the films the other Hell and Hell of The Living Dead, because in Europe all horror films are of the Living dead.  Josh  And one thing that was cool. So the actor in here, Frank Astolfi, who plays clever, sweet, good Iris actually was reunited with this soundtrack whenever she starred in the other hell.  John  Wonderful. The amazing franca stoppi. Veteran of the Women's Prison series of films and also a little a little number known in English as dog lay afternoon or in its native Italian bestiality or something like that.  Speaker 5  Good it is what you think it is if.  Josh  If, if you're if you're.  Josh  Catching on to to a like a a niche like a specific what? What what's happening here? So I want to go into a little bit about Joe D'amato. Joe D'amato is the king of 1970s and 80s Italian sleaze cinema. He has 199 directing credits to his name and about 100 and 21120 of those are just straightforward *********** videos.  John  Gotta love it.  Josh  This is one of his most famous horror movies, along with Anthropophagus and the semi sequel to that absurd, this came out. This film came out during his horror **** over crossover era, which included Papaya love, goddess of the cannibals, orgasmo. Arrow, Emmanuel and the white slave trade ****** Knights of the Living Dead and poor no Holocaust.  John  **** in a that is fantastic. By the by the way, and Trump of Vegas and that absurd are those movies are.  Josh  Yes, they they rock. This guy like while while he was mostly about the the ******* and portraying the penetration and stuff like that he when his in his ***** she was like we need to really like push the boundaries of what's allowable as far as gore is concerned and. Boy, does he ever. And it is fantastic. Like this isn't the kind of movie that you would expect to watch and think ohh wow, this contributed to the artistry of horror. Cinema but it. Actually does and it's amazing also very.  John  Yes, yes, yes, on all counts. The it's funny because he I was reading a little bit about it and said that he he was kind of down on his own ability to build suspense. In other words, he couldn't do it. So he went ahead and just did the extreme. Shock value instead, and he's very proud of that which he damn well ought to be.  Josh  Yeah, yeah, I like that. He's like, I don't feel confident in my ability to build suspense, so I'm just gonna not try.  John  You got to know your strengths. I like that the.  Josh  Like what if?  John  Ohh yeah, go ahead. Well, I was gonna say.  Speaker 5  No, no, you.  John  It was a. The film was released in 87, called in Inquiry a Casa built Omega to try to to try to pass it off as being related to the Evil Dead series, which it of course was not at all, and then it was released in Italy as Lacasa and. Macasa do way I guess as you would. Today in Spain, the movie was marketed as being a sequel to the House franchise. Therefore, House 6 and then El Terror, or El Perro continua, and then in Mexico it was billed as being part of the.  Josh  Zombie franchise it was listed as Zombie Ten. Oh my God. Yeah, this is. That's one of my favorite things about this era of horror movies is like. It's just nonsense. They're like, what if we just said it was part of another thing? And I I honestly think that's beautiful. I I love it because it just creates such a tangled mess of history to try to a.  John  Not it wasn't. Wasn't Fulci's zombie build as? Night of the Living Dead sequel wasn't that I think so, yes, yeah. It's all complete ********. No one gave any *****. I love Italians. They just lie and they don't give a damn. I was looking for the Napolitano Pizza house. Is it this direction C?  Josh  Thank you.  John  Where am I? There's no pizza restaurant here.  Josh  Let's see Joe's other directing credits include Ator, the Fighting Eagle famous from mystery science.  Speaker  Right.  John  Theater 3, yes.  Josh  The Devil's wedding night, the crawlers. Black Cobra woman paradiso, blue blue, ****** climax. Super Climax sex penitentiary cop sucker cop. Sucker two and zombie 5.  John  Oh, my God. Get it together. OK.  Josh  Yeah, famously in the 1990s he was resistant to the change from film to video in the pornographic **** ***********. And he was like, yeah, it just doesn't feel as good. But I guess I'll do it. He also didn't like the fact. People wanted *********** to just portray a lot of extreme sex. He really wanted it, which is funny when you. Watch this movie. He was like, yeah, but what about the story element? Don't want the story element of *********** anymore.  John  What about the art?  Josh  So, yeah, this movie stars Kieran Kantor as Frank. Kieran Kantor would go on to be in some ****, but not much.  John  Yeah, basically just a bunch of soft **** or not a whole lot of. What was the other like? What do you say? Monreale Monreale, who plays Anna.  Josh  And spoiler alert, she's awesome. Oh no, she also plays Elena.  John  She plays her sister. Yeah, she's Christ. She was she was in full. She's the beyond, which is absolutely ******* **** ***. I love that moon. She's the lady with the whited out eyes.  Josh  Also, she was in full cheese. The Sweet House of horrors.  John  That I have not seen it sounds delightful.  Josh  Yeah, I know. That's what is you doing in here?  John  She was and Dario Argento. Argentos the Stendahl syndrome, so a definite veteran of some classic horror, even outside of this fine piece of film.  John  This fine pizza.  John  Which I'm so glad was shot on 16 millimeter film, apparently because if it had it been shot on video, it would have looked bad.  Josh  So a lot happens in this movie. John, do we need to warn? I mean, there's a yeah. There's a dead baboon. That was kind of upsetting. I forgot about that.  John  Yeah, that was upsetting. There was some possible well hints. More at necrophilia, probably in the Italian version. Straight up necrophilia. Yeah, there was a lot of dancing around, some really terrible things. If you're not a fan of of using actual pig body parts to make your gore scenes, then this is not the movie for you. If you don't like to see.  Josh  Grown men breastfeed. This is probably not gonna be the one for.  John  You, Jesus Christ. Yes, I forgot. Forgot about the breast. Feeding their nursemaid.  John  Oh my God.  Josh  This movie is ridiculous. There's also if you're offended by the naked female Bush, then this movie is not gonna be for you.  John  Yeah, you better get whipped. The hedge trimmers out because this one goes for it, yeah.  Josh  Ohh some some very homage to Herschel Gordon Lewis dismemberment so. So just be prepared for that before you view it, which you may have already done. Because we told you 2 two weeks ago.  John  In 2023, the the It's kind of you'd be kind of hard pressed to find the effects believable, but if you're squeamish and you're not somebody that you know, if you just react to that stuff, period, then yeah, this this movie might be a little tough for you to watch.  Josh  Yeah, I liked that there was. There was a a fake arm, just like the one in dance mapu, but the IT was. Like, oh, the one in dance mapu. Actually does look better than this. One nice technology advanced that's right, moving right along.  Josh  Yeah, you couldn't see through.  Josh  The one in dance mafoo.  John  Ohh yeah, I also wanted to mention which I thought was hilarious, that the reason Francastel Papi got the role. Toby was because another actress agreed to play Iris, sight unseen, read the script and was like no. And Frank Estopa, I was like.  John  Well, **** yeah, I'll do it.  John  Nice because she's awesome. What a trooper. Kick us off. Alright, well, the movie starts with a weird looking European red van truck driving through the woods while we listen to pretty awful goblin music. It's very 70s, of course, the guys driving along in his obscenely loud truck and he arrives at what I would describe as a ship house. He gets, gets out and meets a swarthy other douche, and then they work together to lift a very heavy box inside the van. Then Jordi Ouche leaves. He gets back in his van because it looked like he was wearing jordash jeans. If I was, if I wasn't mistaken, OK.  Josh  Just wondering where that was coming, Jordan?  John  So he drives away and we cut to a hazy filtered shot of a Crone, putting needles in voodoo dolls. While that are basically, you know based on a picture of the main character and what I'm assuming is his girlfriend, which of course it is and. Another lady with weird lips is sitting there watching this happen, and she's obviously loving it, so that's that's setting up something. They the the girlfriend, as it turns out, is in the hospital, ****** ** and moaning and she is doing a lot of gasping and then sort of red lines. Except I don't know what that meter is that's regulating her heart. I looks like something else entirely, but whatever.  Josh  I think it I think it's measuring whether or not her makeup needs to be replaced.  John  There's some lady in there who I thought was a nurse, but she like. Very not too worried, gets up and says. Nurse and then a doctor comes in and gives her an Ivy shot of some sort, and then she moans a lot and calls for Frank. So that's the red. That's the jordache. So meanwhile, Frank arrives at a Chateau and opens the little gate drives in. Suddenly the box. That he carries inside by himself is really not that heavy anymore, which I thought was interesting. He brings it into the Chateau and unpacks what turns out to be a dead male baboon. Which looked like a dead male baboon. It was pretty disgusting, not not disgusting, but little disturbing. He doses it with some sort of amber juice in this giant syringe that he has. And then while this is going on, the lady with the lips is snooping as he. Leaves that room and heads upstairs into the Chateau. Back at the hospital, the dying lady wants makeup as as you do, and the nurse deftly applies man makeup on with might. Might as well be a house painting brush. She's just like. Ah, there you go. It's so great back again at these chitter lips picks up. She picks up after douche cause he's he's made a mess in his bedroom, you know, cause he's a he's a naughty boy who's, like 30, she tells Frank. That the hospital called and then naked and tan Frank comes out. Grabs like with his clothes holding his junk, which I don't know why shy after what happens later, but he grabs his regular clothes and calls lips a stupid idiot for not telling him sooner.  Josh  You stupid idiot.  John  Back at the hospital, Frank Frank rushes in. He runs into. The best character in the movie, a random old person. With a funny.  Josh  Hey, where'd you get your license?  Josh  I I want to know what the original like was that what it was supposed to be in the original, or I can't imagine.  John  God only knows he's great. He he gets to, he gets to Anna's bedside, and he tenderly makes out with her to death. Back at the back at.  John  The ship, yeah.  John  In a very ornate bedroom, apparently Frank is the King of Italy. Uhm, he mopes. He's like sitting at this little desk or, you know, bedside, dresser or whatever. Just moping over these two horrible photos like one of of two people, another, neither of which look like her. And then a big portrait of himself. And he's just like, moping and then lips comes in and. You know, I mean, it's perfectly understandable. He's he's having a hard time. His girlfriend just died. So she whips it tight out and breastfeeds him. And it's extremely sexual and very strange.  Josh  Yeah, yeah. She's just, like, cooing at him and telling him that everything's gonna be OK and saying her own name over and over to him, she's like, it's OK. Sweet, Sweet Iris is gonna make everything good for you.  John  And he's like.  Josh  So bizarre this is the point. Whenever I first watched the movie I. Ohh I have to show John.  John  Doing it now we're back at or we're we're at at the Funeral Home and she's in her casket and Frank goes to visit her and he juices her with the amber hoist that he gave the baboon. While for no reason. The mortician who had just left. In the other room peeks back in to spy on the guy. What what reason? He's just sitting there, looking at her. He doesn't look weird or anything, and the dude peeks back in just in time to see him inject the juice into her neck. Then it's her funeral. There's a bunch of very serious Italian people in the background are a bunch of half naked Italian guys who are, like, working on something I don't. I think it was a mistake that they left that in the shot or something.  Josh  They're probably working on the *********** in the background.  John  I was like, are those people naked? What is going on?  Josh  Back there I didn't notice. I'll have to go back.  John  And watch it again.  Josh  It's ohh no.  John  It's so weird.  John  They they lower her casket with two ropes into this really narrow hole. That's like super deep. And then they show, like her parents, you know, mourning her mother has a gargantuan cold sore on her lip. Then her dad's there and a super hot blonde lady who looks just like her named Ellen's dad after the funeral, begs the priest essentially to do all The Dirty work. Because he can't handle, it's too much for him so he could bail and his wife can leave Italy. The daughter is gonna stick back though, and and complete her school. The mortician is is very conspicuously snooping on the proceedings. Now we're back at the cemetery. It's at night, and there's there's George Douche digs. Anna, who, by the way, is suddenly like, 6 inches below the surface, like, somehow the. And there's roses on top of her casket, which are clean, even though he just dug her up. He takes her and wraps her up in like a blanket and takes her and and then he drives the the van and spots a hitchhiker out in the middle of ******* nowhere. Who's like, hey, stop. And he just drives away.  Josh  But much to his. Misfortune, his tiny red van gets a flat tire. He has to stop. He changes the tire. There's some police officers in a station wagon. They offer him help. He's like, Nah. And then they drive along, he gets back in his van and ohh the the British hitchhiker from earlier is now in the passenger seat. She's just invited herself into his car and is offering him high-powered weed. Which she then begins to roll a joint and we can all see that it is **** tobacco. Just it's just so obvious. It is if you've ever rolled tobacco and you got the like Bally, **** or something, you know what this is? It's not weed. Weed does never look like this.  John  No, it looks like if somebody took the world's smallest sheet of brown paper and ran it through the world's smallest paper shredder, yes.  Josh  And she's just going on and on about how like she even says that this stuff is worth its weight in gold and how like it's gonna, like, really, like, knock your **** out or whatever. She she rolls it up. She takes a. Passes it to him and he's like, no, thank you. And then she just passes out, like she cannot handle her ****. There's also a thing that's supposed to be suspense, which Joe D'amato has said he cannot do about like Anna's hand flopping in through the little window and him like. Her not seeing it and him trying to hide it, it does nothing. It's stupid. Yeah, I love how they tried to set it up by having him notice that the glass window that took effort to move just opens on its own for some reason. Yeah, I love how jiggly Anna's body is, too. It is just. It's another case of the very bouncy cars of yore.  John  It's that it's that brown juice.  Josh  Yeah, that jiggly brown juice. Uh, back at home, Frank unloads Anna's body and dissects her while the hitchhiker is still asleep in the van. Anna's ***** can be seen prominently and look remarkably similar to the **** tobacco that is keeping this whole situation afloat. There's some great skin cutting and gut pulling scene. This is done with the aforementioned pigskin and guts from the slaughterhouse. It looks real good, but apparently they like. Soaked the pig guts in red dye because like it is just staining her skin in a very not normal blood way, but it still looks great and there's like this whole scene where it's like she's lying naked on the table and you can see this like this pink foldy lip incision running down her body. And it's like, wow, that looks really gross.  John  Yeah, yeah, they did a good job with that as impress.  Josh  Yeah, and she almost did a really good job of looking dead and not like giggling at being tickled or like breathing and stuff like that. Every once in a while, you're like, oh, I saw you. I saw you. But you know.  John  She does a pretty good job for for someone who has to basically do nothing on camera.  Josh  And then then Frank Yanks out Anna's heart. He kisses it and then takes a big old chunky bite out of it, which causes blood to spurt out of the ventricles. It's so stupid. It's really stupid and amazing. Yeah, but yeah, it's real dumb. And it doesn't make any sense with the type of stuff that happens later in this movie, much less the stuff that has already happened.  John  And he's like, semi orgasmic when he. Does it too.  Josh  Oh yeah, he's super into it. Also, that heart is enormous.  John  It's like the size of his skull. I read that they used to sheep's heart and I just was looking at. That and going. I don't think that's a. Real heart that looks.  Josh  Plastic. I don't know. I don't know. Then he he pulls out his copper tubes, which he gets all heated up and shoves them just right up into Anna's nostrils. And then he vacuums out annae's guts. I guess her brain. Through the nose and it comes out as the chicken Mcnugget pink slime that we all saw on YouTube back in the day.  John  A watermelon smoothie.  Josh  So apparently all you do is you just shove a copper tube into each one and you start pushing air through one end and everything from the body just comes out the other tube in a nice like protein shake style.  John  Cleans it, right?  Speaker 5  Yeah, it's good you don't have.  Josh  To do anything. At the time, Nope. You ain't gotta blend it. Up it's fine.  John  No prep work at all.  Josh  At this point, the hitchhiker wakes up flops her way around the whole place, finds Frank doing this horrible thing with a dead body, screams, and then Frank goes and grabs her to get her.  John  To to get her.  Josh  And then he grabs a giant pair of like horse nail Clippers or something. And then while she is screaming and struggling for her life, he. Carefully and precisely proceeds to rip her fingernails off of her hand while she's screaming and struggling, and then after he gets the fingernails off of one hand, he smothers her to death. What's going on there, bro?  John  It makes no sense. And her screams are agonizing.  John  Ohh man yes.  Josh  And it's like that scene that is like the most. Italian horror movie scene I've ever watched in my life. He's like, ah, yes, you're screaming here. Let me torture your fingernails. I'm so strong.  Speaker 5  Then I'll smother you to death.  Josh  He stashes her body in the tiny van, which we can now see is about four feet tall. It it's really an amazing Little Feat of engineering. We see that Iris has witnessed the whole thing. She looked sternly at him. Then helps him dress Anna's body in a nice gown, paints her fingernails red, and they put her in the Lucy Desi twin bed up against each other. Situation the the next morning the the baboon guy shows back up. His client is interested in the baboon, he says, and he wants to. He wants to buy it back from from Frank and so he can sell it for a bunch of money. Frank's like, no, I don't need money. I don't do this for this. This is my hobby guy. That's right. He's he's. Yeah, he does. Taxidermy. Lots of taxidermy everywhere.  Speaker 5  It's so stupid.  Josh  It's so stupid and it turns out that it's just to let the funeral guy sneak into the house. We see him sneaking in through a back room. He doesn't find the Hitchhiker's body, but he does find some blood. He finds her necklace and then he gets back in. The funeral guy pays paid the the baboon guy the baboon. Guys like hell. What was the deal with that? And he's like, hey, why don't you go **** ***? Guy Frank sees that someone snooped it. It turns out that Iris hid the body. The two of them go into the bathroom now together after, like, saying. Mean things to each other to dispose of the body. They start taking all of her clothes off. She's a large woman, yeah. Iris starts hacking off body parts just like she's got. She's got this big butchers axe and she's just like looking around trying to figure out where to even begin. And then she just like, it's like, all right, I'm going to start over here and starts hacking away over here. Has a breathing mask on and he starts filling the bathtub with acid from. Bottles of what you would assume is port wine because it's a green glass bottle with the rope.  Josh  Stuff on the outside.  Speaker 5  It's like a.  John  Tea and tea bottle.  Josh  And they have five of. Them he just keeps.  Josh  Pouring more and more acid into the bathtub and he like the scene. Goes on forever. So she's she's chopping off the head. She like she. You see it? She like hangs. It's like dangling. She's got it from the hair. She flings it in there. So it's this horrible flesh eating acid and she's just chunking body parts into it without any regard for the splash.  John  No regard for the splash. She has no body protection on of any kind. He's wearing a giant rubber apron and gloves and that stupid mask, and she's just going.  Josh  They did a great job. It's it's one of those situations where, like they had the the actor like, move her head over to the side so that you don't see it in the shot anymore. Cause now it looks like she's like her head is gone. Same thing with her arm. They're just chopping off bits. It's real good, but it goes on forever. And at first, you're like, wow, this is taking too long. And then after a. While you're like this. Is ******* amazing.  John  I mean afterwards they have real carnage on the floor and she's like. Scooping up chunks of meat and like hip sockets and just blood like actual animal blood, you could tell just by looking at it. It's really disgusting and she's like basically cleaning up the carnage that she left behind and just, you know, and then the meantime, like dumping it all into this bathtub. Yeah, it's ******* great. I loved this scene. I love when the the cheesy skull with the eyeball still in it. Like floats up to the surface of the tub.  Josh  So much eyeball stuff in this movie, I didn't mention it earlier, but the part that the hitchhiker walked in on was when he was like, shoving a fake eye into Anna's empty eye socket. And she's.  Speaker 5  Like, it's so good.  John  Oh my God. And then so then. Let's buries the. Loopy remains of the hitchhike Chris and then and then afterwards they're in the they're in the kitchen slash. Eating table, whatever he's sitting at the table, she's washing up, like cleaning the bucket out from. You know this, this burial or dumping or whatever. And then without washing her hands or anything, she pours 2 bowls of disgusting soup. And then while she's doing and then she sits down and starts eating it like she's. Some kind of like cave woman. Just it's just like like basically just taking hands full of it and justice rubbing it across her face, hoping some will get in her mouth. And Frank is is is clearly like in his mind, he's seeing the gore from the scene earlier and then he can't take it, he gets up and barfs. What I can only describe his heavy cream. It's like, what the hell did this guy just drink a Fort like a pint of heavy cream for breakfast?  Josh  He up Chuck some half and half.  John  So it's so disgusting.  Josh  And she's still got, like, her arms are covered in, like, the black chunky water from the burial and. When did she have time to cook the slop? Is it implying that they're eating the hitchhiker like I don't understand?  John  That's what I kind of thought it. But then I'm like, but they they don't show or save anything. They threw it all in the in the splashy acid. So I don't, I don't know. It was great though.  Josh  It it is great and it doesn't make any sense because we just saw him kiss and take a chump out of a heart after like dissecting someone and yanking on the guts and stuff. So why is he now, like sickened by? It doesn't make sense.  John  He is an aversion to sue. So now we're at we're at. Anna's bed side. And he's moping again. And you know, whenever whenever Frank's moping, you can count on Mama lips to come in and and calm him down. So she sits next to him and starts feeling him up. Basically, she's like sticking your hands up under his. V next sweater. And then she dips, trowel and is like digging in for the happy ending and saying things like. Iris knows how to take care of him, doesn't she? So she's yeah, she strokes him out of his sadness, I guess. And then I guess I'm assuming he ****** his pants and then had to go change his pants. But anyways, back at the Funeral Home, we're in a back office and it's ******* filthy. It's a place. Like, what is going on? He's got, like, a looks like a bookshelf. Behind him and on one of the shelves is a casket. What a cool guy. So where this guy shows up and it's like he's hired a Private Eye to appear. Without any pay, go, go, research and provide this mortician Frank's entire life story, and then what he does, the guy like whips his wallet. He's like, here you go. Good work now.  Josh  He he pays him like you pay a bell, man.  John  It gives him a tip. And then we see Frank, who, who's dressed up like marathon man. He's like jogging through town and then suddenly he's in the mountains. And I mean the setting is beautiful. And then yeah, oh, what do you know, he's just happens to be jogging behind some hot girl who looks like she's never run a step in her life. She's like, first of all, she's not sweating at all, and she she can't. I mean, she could barely run in a straight line. And then, wow, she had twisted her ankle, and he's gonna have to help her, you know? So he he. He wants her to wait. You know, cuz he's going to go to the to the pharmacy. And get some liniment but. Then he realizes it would just be easier to carry her to his house. Where he rubs white cream on her ankle and she asks him if he's a doctor. Wow, you're really.  Josh  Good at that.  John  It's like with he just put.  John  And he, he like, kisses her hand and stuff like it's obvious that he's he's, you know, he's down to clown. Because apparently the handy that he just. Andy, that lips gave him earlier wasn't enough, so he he goes somewhere in the house to get he's on a gauze run and he stops. Of course, cause he has to visit dead Anna for a second. I don't know if he's like to get it up or whatever. And then and then jangle the jogger with the ankle calls for him. Calls for him, so he hides Hannah real quick, like, flips the bedspread up over her. She's like, like, weighs like £80.00, so he can kind of hide her under a bedspread. And then he he wraps her ankle. And you know, it's getting all good and she's. Like, oh, wait until you finish wrapping the ankle. So then they get into the bed right next to Anna, where the the matching twin beds with velvety blankets, and they start getting all feely and Frank pulls the bedspread down so he can look at Anna and kind of touch her or whatever so he can get the full corpse ***** and the jogger sees her. And for some reason this is upset by this. I don't know why. Freaks the **** out. So Frank bites a hole in her neck, which kills her, and then he eats it.  Josh  Whatever, it's so good.  John  So he's in some sort of strange orgasmic.  Speaker 5  Daze. He's just.  John  Blood on him. And the lips walks in, of course, because she's always there at the key moment, takes the jogress and tosses her into. That dude has a ******* crematorium in his basement.  Josh  She she hadn't.  Josh  Thought about that at the after the first one, she was like, all right, look, I can't chop up another body.  John  That was too much work, I thought, chopping up a body was going to be no big deal. How silly of me to forget that you have a crematorium in your taxidermy station. So they just they just toss the jogger into the crematorium thing and, uh, fire it up and then she does this cool, like scrunching up thing like she's. Yeah, it's great I call. Oh, yeah, I called it the taxidermy torium. And then, yeah, so it's amazing. But anyways, lips now has suggested that. She just she just she suggests that Frank get rid of Anna because you know, because she wants all the attention basically, but also because the, you know, it's crazy. And the odds of keeping a weirdly preserved dead body in your bedroom is probably. Not a good idea so. She says it's for his safety and she's like.  John  Forget about her. She's dead.  John  And we're alive. But Frank's not having it. He's going to keep her in her own room. She's getting all dressed up because, you know, they're going to have guests or whatever. Then the cops show up and she immediately puts on her nursemaid. Get up with an apron again because she can't have guests. You know, with the police to know that you're having guests. I didn't understand that.  Josh  There was a lot of her walking back and forth in a room, taking a gown off, putting a gown back on. It was like.  John  I don't think.  John  The cops care. They're just looking for a missing jogger. So she's kind of, you know, they're they're asking a bunch of questions outside and frank. Answering their questions, but obviously being vague and then she's a little bit more kind of aggressive, like pushing back and then they're like, you know, well, we could get a we could get a warrant, but we would really like to search the place if we could. And she's like, sure come on in. So they they go straight to the taxidermy torium. They're like looking around and the guys like, oh, these are these are amazing. What is this? It's like some taxidermied animal I didn't even. Catch what it was.  Josh  It's like a bird or.  John  Something. Yeah, like a bird.  Josh  Or a squirrel like it was. Just one he's like ooh.  John  And she's like, ohh well here, let me wrap that for you so you can take it home for free.  John  She just puts a piece of paper.  Josh  Like ohh here. Yeah, you wouldn't wanna.  Josh  Touch that. That's so weird.  John  Oh my God. And then the cops are like, well, you know, I think I've. Seen enough and they leave.  Josh  And yeah, whatever, and and then.  John  That was so strange. And then we we cut to a dinner table. She's back in her her gown or dress or whatever the ****. There's all these weird people in that in like leader hose and and **** sitting around the table and and then there's this woman who has a full on mustache. Like just rocking the stash? Like where no one's going to mention this, OK, Italy. And they're like, EZ, what the fathers spread, that you got the and she she brings in this suckling pig or piglet. It's really small, I don't know. And they're all sitting there and they ask about Frank.  Josh  Know Liz Wizard the Frank Carini?  Josh  They're all drinking like they've got like these, these tiny little cordial cups full of cranberry juice. I assume they're there's even this one, like, whenever the pig comes out there like and he's like alright, I know when people want me to do a thing and he like he goes to carve the pink but it like leaves the pig all the way in the middle of the table. So he's having to, like, reach all the way over with the fork and knife, and it's real awkward. And meanwhile, Frank is just moping outside. And then yeah, they call for him. He comes in. He doesn't say ****, but then Iris announces that they're going to get married.  John  What the **** was that? Where I'm like, how? How many times do I have to watch this movie and, you know, to go back and see the part where they talk about getting married because they don't? They never talked about it. This is literally the only scene in which that gets mentioned.  Josh  And we don't know who these people are. It seems like they're her friends, but she's the maid. I don't know what's happening.  John  It's it's butcher, Baker linguine maker.  Josh  Nice. Ohh man.  Josh  So that he just leaves while everyone's like mid cranberry juice toast and they're like ohh he must be feeling weird. I don't know. I got a little French in there. He goes to Anna's bedside and begins to cry and profess his forever love for her, and then goes for a jog. For some reason, yeah. At this point, the funeral guy is back. He's sneaking into the house again. Iris, all of the guests are gone. Iris is just **** face drunk. Honestly, the best job I've ever seen of a person in a movie. Stumbling around after waking up drunk like I was like, wow, that is, that is exactly what it looks like.  John  Her hair's all messy. It's great.  Josh  Yeah, she just can't really do a straight line. All good, she thought she heard someone. She's so she's. Stumbling around the house looking for Frank. It doesn't matter that she's drunk. Meanwhile, the funeral guy has found the one ugly, dingy poor people. Part of the house. It's like some basement or something where the ceiling is like 6 feet high. And it's all painted like ****, and he's, like, looking through stuff, and he finds Anna's body in a in a closet. It falls out like in the movie pieces, but this did come out before the movie pieces. I'm sure there are other movies that this coping, but I was like, hey. Just like in.  Josh  Then he he takes a photo.  Josh  Of the body laying on the floor and scoots out and then we see him developing the photo somewhere else.  John  Now we're in his his personal black room, yeah.  Josh  Ohh, it's so ******.  John  And why did she fall face first out of the dresser and land on her back?  Josh  She standing up in there?  John  It gets better.  Josh  It does, Iris then tells Frank to get rid of his gross doll. He slaps her. She tells him he'll be sorry. Then he leaves and goes to a discotheque.  John  As one do.  Josh  Yeah, he finds the one hoochie in the whole place. She's on the dance floor, surrounded by only men who are also dancing by themselves. No one is dancing together. None of these ***** Italian dudes are trying to approach her, and she is just doing the thing where you swing. Their ***** left and right as hard as possible. It's the most deliberate attempt for male attention I've ever seen. So he's just watching like a creep. He ends up bringing her home where she spends a good deal of time washing her **** in 1970s green water. John, you lived in the 70s, right? Why was the water always green?  John  Well, you see. In in France, what they would do is instead of having water run through the plumbing, they would use absinthe and then what you would do is put a little filter over the faucet head with sugar cubes in it. So as the absinthe passed through, it turned green.  Josh  That makes sense. That makes sense. I I I would assume in Ireland what it was is the pipes were made out of Clover.  John  That's exactly correct. Yes, the pipes were made of Clover and and so then you would. Then you would have boxes of Lucky Charms. I don't know. What I'm talking about?  Josh  There it is. That was good. I liked it. You stuck the. So yeah, so she's just in the bathtub washing her ****. Meanwhile, someone pulls up to the house in a taxi. Opens the door. It's Elena and his twin sister. Uh, iris is just. **** like she has no ******* idea what's up. She is just done with expressions. Yeah, she's lost. Frank sees this from the top of the stairs. She goes he he goes and he bullies. This is such a weird movie. He goes to to the discotheque. In the bathroom, he's. Like, hey, you have to leave now. I'll take you home. But you have to leave. And she's like, I'm not leaving until you put your come on me. And he's like, no, no, no. You have to leave. I'm gonna drive you home. And that's what happens. He like like. Smuggles her out the back, drives her home. This guy that just kills people. He's like, yeah. I'll take you home. It's going to be fine. So yeah, it's. Just that that happens and.  John  So well, you have to understand that he he felt sorry for her because she had very dirty ****.  Josh  So while while he's driving disco hoochie home. Iris is now left alone in the house with Anna. And So what she decides to do is she's going to. Move annas body into a spooky spot. Cut off the lights and then do a spooky voice at Elena like.  Josh  Woo the house is.  Josh  Jesus Christ, and to her credit, this is entirely effective and Elena cannot handle her ****. So she, like, backs up everywhere. Also, there's an amazing like giant bronze like furnace in the side of the room. I don't know what's going on. But that thing was ******* awesome. I need one of those.  John  Is that is that the thing that's covered in what looks like jade or something like? What the hell was that?  Josh  Like, like, shiny green.  John  Like wow, that is, it was a time machine.  Josh  You must have done so good in fascist Italy in this.  Josh  House time machine. I just come.  Josh  And so, yeah. So Elena is, like, spooking her way through the house. And then, like, I think she sees Anna's body propped up in the chair. And then she she turns around, and there's Iris in the shadows holding a knife the wrong way. Like they're they're. All sorts of different ways that you can hold the knife in a minute. Don't imagine any of those this is. The wrong way to.  John  Yeah, this is one step short of carrying it by the blade. I like when Elena's going through the House and she's got a candle to light her way and the way they they decided to shoot that was to hit her with a flashlight so that it would look like her. Candle was lighting the way when it's so clear that someone behind.  John  The camera is.  John  Just dosing her with a flashlight. It's like, yeah, why not?  Josh  So the very sight of Iris in the darkness with the knife is enough to cause her to collapse into a coma. Yeah, apparently she's done. Yeah, yeah, she she goes full blown, comatose, and then I. Chris very slowly comes up like it's it's hard. Like we're like, OK, she just wanted to scare the **** out of her, I guess. But no, she comes up to her very slowly and is like just step out because he can't build tension for ****. Joe Tomato knows this about himself after watching this movie, he cannot build. Mentioned for ****. So she just very slowly comes up to stab her. And then at the last second, I guess ******* frank, like, really took that hoochie home fast. She must live near by, that turns out.  John  She lives right.  Josh  Next door, Jesus in his in his like like isolated estate in the Italian countryside. He's just, like, got her back and and then drove back home real quick. I guess he knew that this was gonna be a problem. And so, just as she's bringing the knife down to stab Elena, he grabs her arm. He's suddenly there. And now they're fighting. ** *** she stabs him in the penis.  John  In the brown Jenkins.  Josh  Yeah, she separates the Frank from the beans. And he, like, does the whole. But then it's still good to keep fighting. So, so part of him getting stabbed in the penis as he falls back and, like sits in Anna's dead lap, the chair folds over there. He's, like, sprawling out on top of her.  John  He bites Iris's cheek off. He gives her a 50% Chelsea Grin.  Josh  She rips out his eye and more eyeball stuff. Yeah, and then he stabs her in the heart, which, which I'm sure Joe was like, ohh man, this is going to be really symbolic and help add to the tension.  Speaker 5  I'll teach them about suspense.  Josh  And then so Iris is now dead. He's stabbed her in the heart. Then he walks over to make sure that Elena's heart is beating. It is, and then he picks her up and carries her away. Later or something? Funeral Guy is now snooping around again. He just he can't get his fill of this situation.  Speaker 5  Is a new obsession.  Josh  We don't really know what his motive is either. He's just like looking for it. He he's snooping around, he finds Frank. Frank is still covered in blood. There's just blood all over his, like, dripping down out of his eye and and Frank is Manning the furnace and and Frank is, like, just conscious enough to, like, see the funeral guy and then pass out himself. And so the funeral guys like, oh, that's that's convenient. He looks in the furnace, he sees that there are bodies being burned. He he then sees Anna's body on the table and we find out this is in fact what he was here for, so he he picks up Anna's body. He drives. He puts the body in his car, drives away as he's driving off the property. We see he has the the photo that he took of Anna's body on the floor, and he drops it on the on the driveway, leaving the thing which is weird like it. Now we see what he wanted was Anna's body. Why he took the photo instead of just taking her body then we will never know. No, but he he he takes takes the body out. The photo he brings her body to the priest that presided over the funeral. They're talking about it. There's something about money being exchanged that didn't make sense. I guess I I think what we're supposed to get from it is that they found out that her body had been exhumed. And her parents paid him extra to get the body back or something like that, yeah. But it's super not clear. And then he he puts, he puts her body into the casket and him and the priest are talking. And then he slowly starts screwing the casket closed, and at this very moment with the coffin, shut the lid. Off and we see it's not Anna. In fact, it was Elena, and she's now flinging her arms and and just Jack Jaw opening her mouth in the most horrific, torturous expression ever screaming, screaming, flinging around, screaming, freeze frame. On her screaming face, it says the end, the end credits roll the goblin training video. Music plays movie over.  John  Oh my God. Ah, not never a dull moment.  Josh  No, no, many a confusing moment, but not dull.  John  Ohh yeah yeah yeah. Like like all Italian 70s or 90% of it makes no ******* sense. No idea.  Josh  I'm guessing there maybe there is a criticism of like the the wealthy Italian families. Like maybe this was playing into some stereotypes that I just don't know about.  John  Yeah, cause he's he like, inherited that fortune.  Josh  Right.  John  So he's just some spoiled rich kid who gets blow. He's from his nursemaid. I don't know what.  Josh  Yeah, that's right, the that's the the private investigator was like, yeah, I found out he's. Let's see here. He's like, ohh. OK. Here's a here's a tenner.  John  I couldn't have figured that out myself. He lives like *** **** castle.  Josh  So so John, yeah. But before we, before we. Dive into the things let's do the ratings.  Speaker 5    Josh  On a scale of 0 to 5, lonesome thing zero being this movie, doesn't it deserve to exist? And five, being that this is a masterpiece that other movies should be trying to emulate, and none of them ever will successfully rise to the occasion of, how would you rate Joe Demattos beyond the darkness parentheses? 1979.  John  I I don't know why I chose to do this 50. What four or five movies into the show, but it is. I decided to like break down into a comprehensive rating system, so like my first question is it horror 5? Yes, it's horror. It's straight up. Did I enjoy it? I gave it a.  John  3.5 you know?  John  OK, I enjoyed it. You know, overall production quality 2.5 pretty.  Josh  Yeah, that's that's yeah. But that's in.  Josh  The middle right? Yeah, yeah.  John  Effects, effects and makeup. I'm gonna give it a 4.5 because. Loved it. Atmosphere, which I think is important in horror films. I'm going to give it a 2.8 because the atmosphere is.  Josh  OK, OK. Yeah, yeah.  John  Terrible in that film. It's not scary at all. It's place and horror, I think is another important category. I gave it. A 3.8 because I think it is. It does have its place, but most people, and if they're not. Horror fans won't know about this, but if you study horror, particularly the 70s, this film does have its place and it is well deserved writing and acting. I gave it A2 and I think I was being generous. Overall, divided by what was that seven? I believe it comes out to 3.44, which is probably pretty damn close to what I would have come up with. Anyway, had I been purely subjective, which it's all purely subjective.  Josh  Right. Yeah. Fantastic.  Josh  I gave it a 3.4. What the ****? I.  Josh  I I I mean, I agonized over that 3.4 I I was like oh man. But I need to I need to move these numbers here. Alright so so my my rubric is 1. So in each of these it's a number between .0. 1 so it's like on a 10 scale. And then I just add them all together. So is it a horror movie? I gave it a .8 like so. That's a that's a 8 out of 10. Basically I enjoyed it. I gave it a nine technical horror. I gave it A7. You know, there's some some ways in which it like it wasn't scary and that, but but the actual. Effects were just phenomenal and and and really good technical film. I gave it a .2. Yeah, artistry and contribution. I gave it 8 and all at like .8 point 9, point 7.2 and .8. That's a 3.4. We've got good rubrics.  John  They're actually pretty and and quite similar in in certain respects. Now, to be fair, like so.  Josh  We both gave this 3 point a 3.4 and. A 3.44. This is not a 3.4 out of five movie it is. It is not nearly a what? That's almost A7. Of 10 it's not, but it is definitely a 3.4 out of five loathsome things, like on on our scale. That's where it belongs.  John  That's right. We we will not be included in the Pantheon, but if you're going based entirely on our our mentality, which you know we all know about that by now, then yeah, I think a 3.4 ish 3 point. Yeah, I think that's fair. I like that. We were off by 4-1 hundredths of.  John  A point, yeah, yeah.  Josh  Yeah. So that is a 6.84 out of 10 loathsome things. That's way, way high.  John  This movie sucked ***.  Josh  This movie is terrible, but I just enjoyed it so much.  John  I I mean, I could. I could watch it as soon as we're done recording again and love it just as much.  Josh  So we've got like the other ones like a a muck train and and the pit this is like in those that vein of movies where it's just ridiculous. But this was just way better than those.  John  It is it is it? It it's almost an actual movie.  Josh  Yeah. So so Joe D'amato. Rest in ***********. You you made something that we really enjoyed, even though it was like sleazy as ****. There's so much like. Unlike just like, yeah, let's get some **** in here. Let's, let's show the whole Bush like. We're going for it, but. But I mean it it it's just one of the only movies I've ever seen that transcends the sleaze into just. Absurdly amazing nonsense.  John  Yeah, it it really. It really is a blast to watch. It's so ridiculous. It's such so 70s. It's it's great.  Josh  Whenever whenever I saw the suckling and I was like, oh, I'm gonna have to tell John about this. And then when I. Talked to you about it? I was like, hey, have you heard of this movie? You've seen it. You're like, no, I. Haven't I was like.  Josh  Ohh yeah, it's gonna be so good. This is why we do this podcast. It's movies like this.  John  Ohh yeah absolutely. Yeah, I saw the cover. Maybe it looked vaguely familiar, but I didn't know. About this movie not at yeah.  Josh  And then I didn't even realize it until I was like going through it like the the goblin element. I was like ohh God John's gonna like this like, but it's all so terrible.  John  I know I'm. I'm like, oh, I'm gonna pinch a link on this and then it starts, starts good, starts strong for a good solid 8 or 9 seconds and then. Man, it just devolves into like training video stuff like you said. Yeah, that's it's that. Remember to turn your badge in at the end of the day.  Josh  You are required to wear the T-shirt and we will charge you for the T.  John  We will be leaving the bathroom doors open as a safety feature.  Josh  Remember, your manager is your friend.  John  If you encounter a homeless person washing their testicles in the sink.  Josh  Ohh, you get the idea. Yeah, yeah, if. A guy is hiding a baseball bat in his pants approach. Him from a distance. Please watch tape two to figure out what to do if you come across a pile of magazines covered and come.  John  And please grab a gluten free bagel on your way out the door.  Josh  Oh Barnes in problems. Good. All right. So yeah, yeah, a 6.84 any anything that you want to like, zoom in on and and and like, pay a special attention to or a favorite moment. Something that that made this a gym for you.  John  I mean the. The God there's. There were a lot. That's that's true. The the whole dismemberment scene was just classic. It was it was just pure. Pure Italian schlock. I mean that's that's what you you come for that and you have it. And yourself, Sir?  Josh  Ohh man I I just. All, all of the stuff with Iris, I mean, she's. The movie is about Frank, but it she is just such a great, weird villain. She's not even the villain, he's the villain. It's like he's the bad guy of the movie, but she's just so good and she eats up the screen every. Time she's on it. Your eyeball, like I could see why his career in softcore core *********** got started, but then didn't like finish because like, yeah, he's got, like, the eyes, he's got the hair, the jaw, like he's handsome. But your eyeballs just slip right off of him like he he could blend into a crowd of pretty people, but like the instant that she's on camera, you're like, whoa, what is she doing?  John  She's got a look. She just has that. There's just a look to her. He he has a look. What I would describe as a young Billy Joel.  John  So there you go with that.  Josh  So yeah, it was good. I loved it. If you can handle the problems, it's got some problems, but it's it's much easier to watch than some of the other weird stuff we've seen.  John  Yeah, yeah, it this this falls. Firmly in the place of horror.  Speaker 5  Yeah, you're you're good there.  Josh  Speaking of other things that things that we've watched, Sean, what about have you been watching anything else or consuming any other media or or doing any other cool things?  John  Hey, just the usual listening to a lot of audio books at work, horror audiobooks currently listening to a book called The Shoemakers Magician, which is written by an author out of Chicago named Cynthia Pelayo. She just won the Bram Stoker Award last night for her poetry, which is cool. And I guess is what like as long as I'm and it's a great book, by the way, it's it's about a woman who's, like, kind of obsessed with folklore, with old horror movies. And her husband is a homicide detective who is investigating a bunch of weirdly cult related murders. It's it's really interesting. And it's a nice mix of elements. So anyways, that's that's really the main one. The rest of this stuff is like I haven't seen any really horror movies or anything like that. I don't know. How about you?  Josh  It's a new. Movie The the directors name is DW Medoff it it's his feature film debut, it's called Pollen. It's.  John  Oh yeah, yeah.  Josh  Yeah, it's, it's good. It's super low budget and it it's kind of a I, I don't know if you're familiar with the mumble core idea of movies, it's very mumble core, very, very low budget like it you. You can see it in there. And it and it doesn't pull itself all the way out of the the low budget slums of like. Where it could be. Rated But it it it gets a little. Bit out of there. There's actually some some meat on the bones and it's it's an interesting watch. In some ways. It's kind of problematic. It would probably be better if. It was written and directed by a a woman because it's very much like a **** **** and me too, and a status quo in the workplace type of deal. I'd recommend watching it. I think it's only available for rent, so I would recommend y'all go out there, throw a few dollars on it, give a a new upcoming creator a a little, a little extra spending cash for and encouragement for their next project. It's it's good like they're they're trouble. I'm not, I'm not. Qualified to to say whether or not it portrays things like that in a good way, so it's very possible that the. Like did his research had, like, consultants, that made sure that this was done the right way? It's just like they're little parts of me. That's like I suspect maybe this. Could have been done. Better, but I don't know, but it was enjoyable to watch.  John  Well, I I I I hadn't seen it and I. Mean saw that it was. Out there and it looked interesting. So yeah, now I'll definitely watch it.  Josh  Yeah, it's really good. And so my TV just died, right? Right. Right before our we recorded our last episode. And I got a replacement. And I actually. It, like the old one, was 4K, but it was one of those like, not really 4K things. And this one is actually 4K with the O LED. And the first thing that we watched on, well, the first thing I watched on it was a old system of a down music video which looked like trash because it was from like 2004. And then we watched King of the Hill. So it was like we're not really doing this TV justice. So we watched Ant-Man. And it's ******* gorgeous on this TV. It like, I'm gonna try to watch as much as possible on there. I'm gonna have to see if I can get my headphones on there, because watching stuff on a really actually high quality screen TV is amazing. It's it's a game changer for real, yeah. Yeah, like with that other TV, like when we got it. And watch stuff on. It I was like ohh neat. It's big and then. With this one I'm like. Ohh look I can see. Stuff moving and ah, it's good. Yes, that's it's.  John  Yeah, it's a totally different experience when some when something shot in 4K it it, it looks different. I mean it. The motion tracks different and you know the the the the level of clarity is is like like it's yeah. Like you do see a lot of things you wouldn't see otherwise, but it's just. It's almost like you're looking through a damn window.  John  Yeah. Yeah, yeah, that's.  Josh  And sometimes some of the things even look a little bit weird, like like on old British TV shows where, like it, it's got like that weird blurry effect. It kind of does that sometimes, but it's still good. I'm still getting used to it. Sometimes I kind of hate it, but most of the time it's very rad. And what are we watching? Next time, John.  John  Now, next time we're watching a movie that is heavily influenced by the Texas Chainsaw Massacre, which is fine with me if you pull it off, it's a A I believe it's an Indonesian film called Maccabe. And it's directed by Timo Jazz Zanto or something like that. I can't pronounce his name. He did some of the VHS stuff. He did my my personal favorite VHS film, the one with the Crazy murder cult that summons a demon.  Josh  I see, yes.  John  I love that film. He made that. We also made some of. Those like super high violence tower type movies, you know, like he kind of got in on that thing you. Know where the. Guys are that kind of world. He did some. Of that stuff too.  Josh  Was was he involved in, like the raid redemption?  John  He might have been. I can't remember the connection I'll have. I'll look it up for the next for the for when we recorded. But the movie itself is it's like a bunch of young people in a van and. They basically you're out in the middle of nowhere and it breaks down and they get taken to this house, which in this case is like this big Gothic kind of mansion, and it's run by this matriarch and her weird family. And yeah, it turns out that they're just like, murderous cannibals. And it is ******* over the top and amazing.  Josh  Oh yes, I haven't looked up anything about it, but that that sounds ******* great. Do we there? Have you seen it recently? Are there anything that we can warn our fans about?  John  Well, it's extremely violent and the violence is.  Speaker    John  Is yes, it's over the top, but it is. It is pretty, you know. I mean it's very graphic like it's, you know, there's insane amounts of blood and stuff like that, but it's just and and and then the situations that the violence is presented in are are pretty intense. I mean, so it's it's a very unflinching movie which is kind of his thing. But he's a he's kind of a gonzo guy, but it's a lush film. So, yeah, it's gonna be a lot of fun.  Josh  I'm looking forward to it and I hope you, our listeners are looking forward to it as well. We will be releasing the episode where we cover that in two weeks. So do watch it cautiously so that you can keep up with us because we're so good at what we do.  John  Ohh we are state-of-the-art and in the meantime I'm sorry that you all have to take a bath in Chianti. Acid. 

Content Warning: self-harm. It's not just featured in the film, it is at the center of the film's theme. We describe the self-harm in this episode so, you know, be careful with your emotional well-being. “Dans ma Peau” is an underappreciated body horror film that really puts the “extremity” into the New French Extremity genre. Esther is an up-and-coming professional in some sort of business industry, but she develops a new hobby that may put all that at risk. Will she be able to power through this new fixation and get that promotion? Will her jealous friend lift a finger to help her in a bewildering moment of assault? Will her boyfriend ever get to renovate that place he wants? Find out the answers to this and so much more in the newest episode of Loathsome Things: A Horror Movie Podcast that releases Oxytocin into your brain! If you would like to recommend a movie, tell us what you do when you pretend to go to the bathroom during a business dinner, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

Lo, we have returned with the prophesied episode, that which much come after the others doth came. And on the third Basket Case, they wept. And it was bad. So say we all. Wait, what? Remember at the end of Basket Case 2 how after a really boggy round of lump rutting between Belial and Eve, Duane decided it was time to reconnect with his brother? No? Well, no worries, because this movie begins with a “previously on” segment, and then it's all downhill from there! Join us as we watch Granny Ruth and the gang take the Basket Case franchise on a road trip movie full of surprise boobies, dominatrix cops-daughters, sausage linked babies and the poetic stylings of an 11-armed guy that may still have difficulty wiping his own ass. All that, and we get our first musical number here on Loathsome Things: A Horror Movie Podcast approved of and blessed by your Lord and Savior, Jesus Christ! If you would like to recommend a movie, tell us which movie type you hope Basket Case 4 emulates (it's Weekend at Belial's), or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!  

In the 1970s, someone thought it'd be a cool idea to mix the ideas of Tod Browning's Freaks with a Frankenstein story genetically modified with DNA. This horror movie trades in the objectification of people that are different, women tits getting a breath of fresh air, and really cool fast-motion plant footage. We tried to be careful with our language and ableism discourse. Maybe we didn't nail it, but we tried our darndest and are always striving to get better. Speaking of getting better… uh… keep listening to Loathsome Things: the best place to get horror movie summaries without having the watch the horror movies yourself because you're too scared and we aren't, so there! If you would like to recommend a movie, tell us which pod people movie we should have watched instead, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

Built To Scale is a paid performance company that helps e-commerce business scale their ads. In this episode, Direct response marketing expert and CEO Jeremy Gillespie shares his triple threat method to scaling an e-commerce brand using primarily YouTube ads. He breaks it down into three simple steps: creative aspect, account structure, and landing pages and details an in-depth process into building landing pages. Jeremy began his career in the world of start-ups in Pittsburgh, Pennsylvania. He fell into the growth market field with a focus on paid media. During his time there, he learned distinctive ad strategies to generate business which eventually led him to work for LinkedIn. Years later, Jeremy relocates to San Francisco to build Built To Scale and has since accumulated ten years of experience under his belt. Tune in to hear Jeremy's story… [01:07] Introduction to Jeremy Gillespie [02:11] Background [03:40] Scaling e-commerce brands [05:01] Vetting a successful product [07:31] Triple threat method to scale an e-commerce brand [09:04] 1st - The Creative Structure [14:44] 2nd - Account Structure [19:48] 3rd - Landing pages [22:44] Process for the landing page [25:42] Favorite growth tool [26:16] Favorite book [26:46] Connect with Jeremy Resources: Connect with Jeremy: Website: BuiltToScale.co Jeremy's Favorite Business Tool: Supermetrics Jeremy's Favorite Book: The Lean Startup by Eric Ries ————————- If you enjoyed this episode, please RATE / REVIEW and SUBSCRIBE to ensure you never miss an episode. Connect with Dennis Brown  AskDennisBrown.com LinkedIn Twitter Instagram [Free Giveaways]

At long last, we arrive at our destination of having gotten through all that snatch with this 90s-tastic piece of something from the something-addled something of someone's something. What am I talking about? Have I been taken over by some sort of horrific racial superiority mindset noodling its way through the ranks of the military? That's right, the year is 1993, the director is Abel Ferrara, the female nudity is portrayed as either being of minors or done to minors, because … well… I really don't know. We enjoyed but can't really recommend that you watch this remakester of a movie that would fit nicely in the Twin Peaks or maybe even Swamp Thing universe. The acting is well-done, the practical effects are pretty damn good, the underagedness is creepy, the deus ex machina is cranked all the way up to the main character's age, and the big conclusion is simultaneous glorious and, possibly, the single shittiest thing we've seen in any of the three films. Join us as we bog down our eyebrows in this no-nonsense episode of Loathsome Things: a good horror movie podcast recommendation! If you would like to recommend a movie, tell us which pod people movie we should have watched instead, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

Join us as we embark on an ultra-cosmic journey from some unknown corner of the universe all the way to a post-psychedelic and mega-starchy San Francisco with this tremendous effort in scifi/horror movie remakesmanship! Leonard Nimoy makes one of his greatest non-Star Trek appearances, a studly young Jeff Goldblum does his best Alan Alda impression, Veronica Cartwright shows off some sick hand and vocal skills, Donald “Donny South” Sutherland brings the action and Brooke Adams gets topless instead of the credit she deserves in this sometimes brilliant, sometimes confusing film, which is a strong contender for greatest remake of all time, especially within the horror genre. So, put your favorite face skin on some dog you love and plug your ears into the wild ride that is Loathsome Things: A Horror Movie Podcast for people that don't like horror movie podcasts, thus our broad appeal! If you would like to recommend a movie, tell us some cool trivia, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!  

Cease your philandering ways and listen up, kiddo, for this April we're putting together a 1-2-3-punch comparison of bodily snatchery starting with the original maybe-Red Scare classic about creepy white people being replaced with even creepier white people in well-to-do 1950s America. Sure, that was one sentence! From the director that brought you Flaming Star and Two Mules for Sister Sara comes this dazzling classic starring the guy Piranha and none other than Dagmar Wynter and her flagrantly stuffed brazier. Hey, wait a minute, you're not our listeners! Oh well, it would seem you've been replaced a la Crapgras Delusion, so you've no reason not to tune in to this episode of Loathsome Things: the most patriotic podcast in these United States! If you would like to recommend a movie, tell us how Becky Driscoll got body sntached, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

Bow down and rejoice for the bountiful practical effects goodness this movie granteth! Through the files of movie production hell, The Void emerged renewed and pure for our plentiful enjoyment…eth… It's good enough to get Josh to rethink how he grades movies for this podcast. Repent of your flesh and step through the mysterious triangle of the play button as you listen to this cosmic episode of Loathsome Things: the best horror movie podcast of fans of H.P. Lovecraft-inspired film, but not the dude, himself! If you would like to recommend a movie, tells us about a movie that reminds you of John Carpenter's The Thing or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

A group of locals stand off against a cult that is somehow connected to the mutant thing killing people off one by one in this almost closed down hospital. Who can be trusted? Listen to our review on a film that we ended up both enjoying very much. This underrated horror flick offers great special effects, a cult, monsters, and surprises. Starring Aaron Poole, Kenneth Welsh, Ellen Wong, Kathleen Munroe, Daniel Fathers, Mik Byskov, and Art Hindle. Written and Directed by Jeremy Gillespie and Steven Kostanski in 2016. If you would like to become a supporter of the show you can check out our Patreon account and choose a tier. There are different perks at all levels and every contributor will have access to our Pre-Horror Show. Check out our favorite coffee by clicking on our link: Four Sigmatic Please share the podcast with your friends on social media to help us grow. Leave us a great review on whatever platform you are listening. Check us out on Facebook, Instagram, Twitter, and Slasher. If you would like to watch our interviews, you can check out our YouTube channel. If you would like to ask us a question or make a suggestion for the show, send us an email at horrorscriptpodcast@gmail.com You can write us or record a voice memo of yourself asking the question and we can play it on an upcoming episodeSupport the show by picking up some Horror Script Podcast merchandiseIf you do reviews and interviews virtually try Squadcast for free by using our link below. You also help support the show by using it. Special thanks to John Saccardo and Vince Lipscomb for the amazing music. Support the show

Welcome to the seventh episode of The Cenobabes, a Horror Podcast! In this episode, join The Cenobabes as they discuss The Void, the 2016 Horror/Indie film written and directed by Steven Kostanski and Jeremy Gillespie! So sit back, relax, and join The Cenobabes as they further their trek into Canadian horror films with another look at a Kostanski creation! And yes, Cenobabe Laura likes to say..."Kostanski." And if you're a Lovecraft fan, you're gonna love this episode! --- Support this podcast: https://podcasters.spotify.com/pod/show/cenobabes-podcast/support

On today's podcast, I recap my 2022 hunting season. Archery antelope, deer, elk, Shawna's rifle antelope, Kansas, and several friends and family visiting Montana to hunt. At the time I am recording this, I only need 72 more listeners on YouTube to subscribe to reach 1,000 If you haven't already subscribed, and you enjoy this podcast, subscribe and turn on the bell icon to be notified every time I release new content. Check out my latest blog articles below: E-Scouting with LiDAR Maps: https://going4brokeoutdoors.com/next-level-e-scouting-for-whitetail-deer-with-lidar/ E-Scouting Tips and Tactics: https://going4brokeoutdoors.com/tips-and-tactics-for-e-scouting-whitetail-deer/ 10 Proven Post-Season Scouting Tips: https://going4brokeoutdoors.com/post-season-deer-scouting-10-proven-tips-from-top-diy-veterans/ Merch: https://going4brokeoutdoors.com/shop/ Support: https://www.paypal.com/donate/?hosted_button_id=W2N6BWGQCQTKA Sponsors: Stealth Outdoors: https://www.stealthoutdoors.com/ Hunting Beast Gear: https://www.huntingbeastgear.com/ Podcast Equipment (affiliate links, I earn a small commission at no extra charge to you): Console - Rodecaster - https://amzn.to/3A0C4So Mics - Rode Procaster - https://amzn.to/3A7Dwm2 Mic Stand - https://amzn.to/3A4MEYH Headphones - https://amzn.to/3lni6gN Intro Music Credit: An original composition by my good friend Rich Clark Artist: Richard Clark Music rights with expressed written consent of the artist. Check out Rich's Music at the links below:  Clark Country Drifters: https://music.apple.com/us/artist/clark-country-drifters/1313078594 Among These Ashes: https://amongtheseashes.bandcamp.com/

Welcome to episode 28 of the Going for Broke Outdoors podcast, a podcast by an outdoorsman for other outdoorsmen. I'm your host, Jeremy Gillespie. Today's guest is Jesse Krzyzanowski. Jesse hails from Wisconsin and exemplifies what I think of as the all around Midwestern outdoorsman as a deer hunter, turkey hunter, walleye fisherman and wild game cooking enthusiast. In this episode, we discuss  Jesse's introduction to the outdoors, hunting public land, traveling for out of state hunts, and Jesse and his identical twin brother Darin's YouTube channel, which is called Gemini Ridge Outdoors. A few quick notes before we jump to the podcast. First, I want to thank everyone out there who has subscribed to my YouTube channel or my podcast on your favorite podcast app, I genuinely appreciate all the support. I'm closing in on 1,000 subscribers, and would really appreciate the support to reach that goal. If you haven't already subscribed, hit the subscribe button and the bell icon to be notified every time I release new content.   E-Scouting with LiDAR Maps: https://going4brokeoutdoors.com/next-level-e-scouting-for-whitetail-deer-with-lidar/ E-Scouting Tips and Tactics: https://going4brokeoutdoors.com/tips-and-tactics-for-e-scouting-whitetail-deer/ 10 Proven Post-Season Scouting Tips: https://going4brokeoutdoors.com/post-season-deer-scouting-10-proven-tips-from-top-diy-veterans/ Merch: https://going4brokeoutdoors.com/shop/ Support: https://www.paypal.com/donate/?hosted_button_id=W2N6BWGQCQTKA Sponsors: Stealth Outdoors: https://www.stealthoutdoors.com/ Hunting Beast Gear: https://www.huntingbeastgear.com/ Podcast Equipment (affiliate links, I earn a small commission at no extra charge to you): Console - Rodecaster - https://amzn.to/3A0C4So Mics - Rode Procaster - https://amzn.to/3A7Dwm2 Mic Stand - https://amzn.to/3A4MEYH Headphones - https://amzn.to/3lni6gN Intro Music Credit: An original composition by my good friend Rich Clark Artist: Richard Clark Music rights with expressed written consent of the artist. Check out Rich's Music at the links below:  Clark Country Drifters: https://music.apple.com/us/artist/clark-country-drifters/1313078594 Among These Ashes: https://amongtheseashes.bandcamp.com/

Directors Steven Kostanski and Jeremy Gillespie

The Blob is a 1988 American science fiction horror film co-written and directed by Chuck Russell. A remake of the 1958 film of the same name, the plot follows an acidic, amoeba-like organism that crashes down to Earth in a military satellite, which devours and dissolves anything in its path as it grows. It is the third film in The Blob film series. The Void is a 2016 Canadian Lovecraftian horror film written and directed by Steven Kostanski and Jeremy Gillespie, and produced by Jonathan Bronfman and Casey Walker. The plot follows a small group of people who become trapped in a hospital by a gathering of hooded cultists, and by grotesque creatures. Slither is a 2006 science fiction black comedy horror film written and directed by James Gunn in his directorial debut. The film is set in a small town in South Carolina that becomes invaded by a malevolent alien parasite. The Fly is a 1986 American science fiction horror film directed and co-written by David Cronenberg. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. https://anchor.fm/wyrd-realitieslinktr.ee/wyrdrealities wyrdrealities.net --- Send in a voice message: https://anchor.fm/wyrd-realities/message Support this podcast: https://anchor.fm/wyrd-realities/support

In this episode of H. P.  Lovecast, Michele Brittany and Nicholas Diak discuss Prince of Darkness, the second film in John Carpenter's unofficial Apocalypse Trilogy. Episode edited by: Michele BrittanyThumbnail photo by: Michele BrittanyIntro/Outro Music: "Azathoth" by Philippe Gerber / John 3:16 (Bandcamp page). H. P. Lovecast Logo: Philip YountBumperThis episode's bumper is courtesy of David Rose. He can be found on Amazon and Twitter.Other Episodes MentionedEp 26 - The Children of Gla'akiHPLCP Fragments - Ep 15 - Steven Kostanski and Jeremy Gillespie's The VoidSupport HP Lovecast PodcastIf you liked this episode and want to support HP Lovecast, consider purchasing one of our books:Horror Literature from Gothic to Post-Modern: Critical EssaysHorror in Space : Critical Essays on a Film SubgenreJames Bond and Popular Culture: Essays on the Influence of the Fictional SuperspyThe New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990sOr consider donating to our Ko-Fi account. 

In compagnia di Fabio "Wolf" Gorini, per la prima volta ospite sul podcast, parliamo del grande scrittore di Providence: Howard Philips Lovecraft, uno visionario che attraverso le sue opere ha lasciato un grande segno anche nel cinema a partire dagli anni '60. In questa puntata oltre a raccontare l'autore ripercorriamo i film che direttamente o indirettamente si sono ispirati alle atmosfere da incubo dei suoi libri: La città dei mostri (1963) di Roger Corman, La morte dall'occhio di cristallo (1965) di Daniel Haller, La vergine di Dunwich (1970) di Daniel Haller, Alien (1979) di Ridley Scott, La casa (1981) di Sam Raimi, La cosa (1982) di John Carpenter, Il seme della follia (1984) di John Carpenter, From Beyond (1986) di Stuart Gordon, Il signore del male (1987) di John Carpenter, Hellraiser (1987) di Clive Barker, La creatura (1988) di Jean Paul Ouellette, Punto di non ritorno (1997) di Paul W. S. Anderson, Dagon (2001) di Stuart Gordon, The Mist (2007) di Frank Darabont, The Void (2016) di Jeremy Gillespie, Annientamento (2018) di Alex Garland, Il colore venuto dallo spazio (2019) di Richard Stanley, The Lighthouse (2020) di Robert Eggers

Welcome to episode 27 of the Going for Broke Outdoors podcast, a podcast by an outdoorsman for other outdoorsmen. I'm your host, Jeremy Gillespie. Today's guest is the one and only Big Buck Serial Killer, Dan Infalt. In this episode, Dan and I discuss October tactics for targeting big bucks. We look at differing approaches for early October in states with September and October openers, food sources, hunting pressure, the importance of access routes and a whole lot more. Before we jump into the podcast, I want to take a minute to ask everyone listening to subscribe to this channel. I'm closing in on 1,000 subscribers on YouTube, and that means I'll soon be able to earn ad revenue from YouTube. That also means I'll dedicate more time to producing podcasts. So, if you enjoy this episode or any of my previous episodes, and you want to show your support, hit that button.   E-Scouting with LiDAR Maps: https://going4brokeoutdoors.com/next-level-e-scouting-for-whitetail-deer-with-lidar/ E-Scouting Tips and Tactics: https://going4brokeoutdoors.com/tips-and-tactics-for-e-scouting-whitetail-deer/ 10 Proven Post-Season Scouting Tips: https://going4brokeoutdoors.com/post-season-deer-scouting-10-proven-tips-from-top-diy-veterans/ Merch: https://going4brokeoutdoors.com/shop/ Support: https://www.paypal.com/donate/?hosted_button_id=W2N6BWGQCQTKA Sponsors: Stealth Outdoors: https://www.stealthoutdoors.com/ Hunting Beast Gear: https://www.huntingbeastgear.com/ Podcast Equipment (affiliate links, I earn a small commission at no extra charge to you): Console - Rodecaster - https://amzn.to/3A0C4So Mics - Rode Procaster - https://amzn.to/3A7Dwm2 Mic Stand - https://amzn.to/3A4MEYH Headphones - https://amzn.to/3lni6gN Intro Music Credit: An original composition by my good friend Rich Clark Artist: Richard Clark Music rights with expressed written consent of the artist. Check out Rich's Music at the links below:  Clark Country Drifters: https://music.apple.com/us/artist/clark-country-drifters/1313078594 Among These Ashes: https://amongtheseashes.bandcamp.com/  

Welcome to episode 25 of the Going for Broke Outdoors podcast, a podcast by an outdoorsman for other outdoorsmen. I'm your host, Jeremy Gillespie. Today's guest is Joe Gillespie. Joe happens to be my cousin and an aspiring elk hunter. By some miracle, Joe managed to draw a difficult to obtain elk permit for a limited entry area with very few points. In this episode, Joe and I discuss logistics for this fall, gear selection, an overview of purchasing and learning to use elk calls, physical fitness, and contingency and rescue plans in case of severe injury.   Quick note, Joe and I talk about gear in this episode, but if you'd like to see a full list of the gear I use every Fall, I've got a complete list on my blog at: https://going4brokeoutdoors.com/my-hunting-gear-list/ Merch: https://going4brokeoutdoors.com/shop/ Support: https://www.paypal.com/donate?hosted_button_id=PR4KEEC2EXB42  Sponsors: Stealth Outdoors: https://www.stealthoutdoors.com/  Hunting Beast Gear: https://www.huntingbeastgear.com/ Podcast Equipment (affiliate links, I earn a small commission at no extra charge to you): Console - Rodecaster - https://amzn.to/3A0C4So Mics - Rode Procaster - https://amzn.to/3A7Dwm2 Mic Stand - https://amzn.to/3A4MEYH Headphones - https://amzn.to/3lni6gN  Intro Music Credit: An original composition by my good friend Rich Clark Artist: Richard Clark Music rights with expressed written consent of the artist. Check out Rich's Music at the links below:  Clark Country Drifters: https://music.apple.com/us/artist/clark-country-drifters/1313078594 Among These Ashes: https://amongtheseashes.bandcamp.com/

Welcome to episode 24 of the Going for Broke Outdoors podcast, a podcast by an outdoorsman for other outdoorsmen. I'm your host, Jeremy Gillespie. Today's guest is Keith Stummer. Keith is a veteran public land hunter who has a wealth of knowledge and over 40 years of experience. Keith has taken some great bucks in that time and he has taken most of them with traditional archery equipment in a big woods setting, no easy task.  In this episode, Keith shares some of his highly advanced e-scouting methods, his tips for navigating the vast expanses of the bigwoods, his favorite tactics and setups for big woods bucks and a ton of help gear tips. I took away a lot of great information from this episode, and I know you will too! Quick note, Keith and I talk about some e-scouting tactics, many of which I have discussed on my blog. If you're looking to level up your e-scouting this year, head on over to my blog and those scouting article a read (Links Below): E-Scouting with LiDAR Maps: https://going4brokeoutdoors.com/next-level-e-scouting-for-whitetail-deer-with-lidar/ E-Scouting Tips and Tactics: https://going4brokeoutdoors.com/tips-and-tactics-for-e-scouting-whitetail-deer/ 10 Proven Post-Season Scouting Tips: https://going4brokeoutdoors.com/post-season-deer-scouting-10-proven-tips-from-top-diy-veterans/ Merch: https://going4brokeoutdoors.com/shop/ Support: https://www.paypal.com/donate?hosted_button_id=PR4KEEC2EXB42  Sponsors: Stealth Outdoors: https://www.stealthoutdoors.com/  Hunting Beast Gear: https://www.huntingbeastgear.com/ Podcast Equipment (affiliate links, I earn a small commission at no extra charge to you): Console - Rodecaster - https://amzn.to/3A0C4So Mics - Rode Procaster - https://amzn.to/3A7Dwm2 Mic Stand - https://amzn.to/3A4MEYH Headphones - https://amzn.to/3lni6gN Intro Music Credit: An original composition by my good friend Rich Clark Artist: Richard Clark Music rights with expressed written consent of the artist. Check out Rich's Music at the links below:  Clark Country Drifters: https://music.apple.com/us/artist/clark-country-drifters/1313078594 Among These Ashes: https://amongtheseashes.bandcamp.com/

Helping brands scale with performance paid advertising. Simon Dell speaks to Jeremy Gillespie, founder of Built To Scale - Growth Agency, about the performance-based model and crafting irresistible E-Commerce offers to increase AOV & conversion rate. Please remember to give us a rating and reviews on Apple Podcast. Follow us on Instagram here to get more advice on marketing, branding, and business. If you think you have a great business story for the podcast, contact our producer at podcast@cemoh.com And find out more about our sound engineer Gilberto here: www.thepodcastboss.com

It's not the greatest movie you'll ever see, and it's not...well actually it might be the worst. But we love Astron-6 and Steven Kostanski too much to say something that disrespectful about one of their movies. Email us at houseof1000horrors@gmail.com Twitter & Insta: @House1KHorrors

Glory to the great Triangle! This week we shove aside CGI and embrace latex as we dive into the ether and talk about Astron-6's The Void.Music and sound effects provided by zapslat.com and bensound.com, and the theme song is "Graveyard Shift" by Kevin MacLeod. https://creativecommons.org/licenses/by/4.0/

Modern and indie version of The Thing, directed by one of our new favorites Steven Kostanski and heavily inspired by H.P. Lovecraft. How could you not like it?! Email us at houseof1000horrors@gmail.com Twitter & Insta: @House1KHorrors

In this episode of the HP Lovecast, Michele Brittany and Nicholas Diak discuss Steven Kostanski and Jeremy Gillespie's 2016 cosmic horror film, The Void.Episode edited by: Michele BrittanyThumbnail by: Michele BrittanyIntro/Outro Music: "Azathoth" by Philippe Gerber / John 3:16 (Bandcamp page)Links to Buy The VoidAmazon Prime VideoBumperThis episode's bumper is courtesy of Rahel Sixta Schmitz. She can be found at her website.Support HP Lovecast PodcastIf you liked this episode and want to support HP Lovecast, consider purchasing one of our books:Horror Literature from Gothic to Post-Modern: Critical EssaysHorror in Space : Critical Essays on a Film SubgenreJames Bond and Popular Culture: Essays on the Influence of the Fictional SuperspyThe New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990sOr consider donating to our Ko-Fi account. 

Highlights: 02:55 -  How to identify the most profitable high-purchase-intent keywords08:37 - Why DTC brands should start with remarketing AND search ads when beginning ad campaigns18:18 - How To Introduce Pains and Problems In A short video ad23:58 -  How Jeremy helped a brand overcome the challenge of getting banned on FacebookLinks: Built To Scale: https://builttoscale.co/

As an agency, you are probably well-versed in Google and Facebook ads. But, do you use them to their full potential? If you're not using them to work together, the answer is no.In this episode, you'll hear from Jeremy Gillespie of Built to Scale, who gives the exact steps for using Google ads to create a rock solid audience for your Facebook ads. Specifically, you'll learn:• How using this strategy will decrease your CPAs by 20-30%• When and for what purpose to deploy this strategy• Exactly how to deploy this strategyThis episode is for those who are very experienced with ads AND those who are new to ads. You don't want to miss it!

Jeremy Gillespie is the CEO and Founder at Built To Scale. This done-for-you growth agency helps companies increase awareness, acquire customers, and scale their businesses without the overhead of a marketing department. Jeremy is a direct response marketer at heart and a paid ads expert by trade. He spends $3-5 million per month on YouTube ads alone. In this episode… YouTube ads are not the cheapest, but they can become a cash cow for your brand if done right. The first thing to consider is if YouTube ads fit your ecommerce brand, and if so, how do you maximize them profitably. Unfortunately, not many brands know how to convert traffic from YouTube ads. Many overtly focus on their ad creative, paying less attention to the other crucial pieces: landing pages and conversion rate optimization. If you're trying to make the most of your video ad spend and how to leverage YouTube for your ecommerce brand, this episode is for you. On this episode of the eCommerce Profits Podcast, Joshua Chin talks with the and Founder at Built To Scale, Jeremy Gillespie. They discuss how to know if YouTube ads fit your ecommerce brand, understand the metrics to go after, set up your conversion funnel, and lots more!

Hello peoples and welcome back to another fun-ass episode of Esoterica Cinema, the podcast where the hosts take movies way more seriously than they do themselves!***This week, the random wheel of chance has landed on 2016's The Void. Will the guys be impressed by what Steven Kostanski and Jeremy Gillespie can do on a shoestring budget? Will they be disappointed by the lack of a cohesive story? And will they be frightened by dudes in white bedsheets that have nothing to do with unfortunate attitudes toward race?***The only way to find out is to give a listen and join the fun right here on Esoterica Cinema!***Follow us on Twitter @Esoterica CinemaCheck us out on Instagram EsotericaCinema#movies #film #indiepodcast #moviepodcast #podcast #stevenkostanski #jeremygillespie #thevoid #filmreview #esotericacinema

The Bowhunter Chronicles Podcast - Episode 172- Podcast Crossover - Going 4 Broke Outdoors - Jeremy Gillespie   This week Adam sits down with fellow podcaster Jeremy Gillespie from Going 4 Broke Outdoors. Topics Covered: Social Media Hunters Hunting Motivations Overlooked Spots Still Hunting Binoculars for Western Hunting Whitetail Culture in Montana   Save 10% at Trophyline.com with code BCTL10.    https://www.spartanforge.ai - save 25% with code bowhunter   https://www.tactacam.com   app.basemap.com save 20% with code chronicles  If you like what we are doing and want to see more, please consider checking out our Patreon account.  Any funds generated through our Patreon account are funneled right back into the podcast to help fund equipment, hosting fees and gear for reviews and giveaways and as always future hunts.  http://bit.ly/BHCPatreon   http://bit.ly/BowhunterChroniclesPodcast                   Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bowhunter Chronicles Podcast - Episode 172- Podcast Crossover - Going 4 Broke Outdoors - Jeremy Gillespie   This week Adam sits down with fellow podcaster Jeremy Gillespie from Going 4 Broke Outdoors. Topics Covered: Social Media Hunters Hunting Motivations Overlooked Spots Still Hunting Binoculars for Western Hunting Whitetail Culture in Montana Save 10% at Trophyline.com with … Continue reading "Podcast Crossover – Going 4 Broke Outdoors – Jeremy Gillespie"

In episode 74 of the Customers Who Click podcast, I had an invigorating chat with Jeremy Gillespie about how to make YouTube ads work for your eCommerce brand and what are the pitfalls to avoid.

We take a look at Astron-6 and the filmmakers behind their out of the box success. We also take a look at Jon Bristol's puppet horror film, “Head”.Audio clips ("The Void", "Summer School“, "From Dusk Till Dawn").Intro and outro music by Tony Longworth. Check out Tony's podcast, "The Dark Alternative Music Composer" on Spotify. *Indie filmmakers: visit this website for free music for your projects: http://tonylongworth.com/freemusic/.Check out www.deadharvey.com and follow us somewhere... somehow.And don't forget to subscribe to the podcast!

Built To Scale is a paid performance company that helps e-commerce business scale their ads. In this episode, Direct response marketing expert and CEO Jeremy Gillespie shares his triple threat method to scaling an e-commerce brand using primarily YouTube ads. He breaks it down into three simple steps: creative aspect, account structure, and landing pages and details an in-depth process into building landing pages. Jeremy began his career in the world of start-ups in Pittsburgh, Pennsylvania. He fell into the growth market field with a focus on paid media. During his time there, he learned distinctive ad strategies to generate business which eventually led him to work for LinkedIn. Years later, Jeremy relocates to San Francisco to build Built To Scale and has since accumulated ten years of experience under his belt. Tune in to hear Jeremy's story… [01:07] Introduction to Jeremy Gillespie [02:11] Background [03:40] Scaling e-commerce brands [05:01] Vetting a successful product [07:31] Triple threat method to scale an e-commerce brand [09:04] 1st - The Creative Structure [14:44] 2nd - Account Structure [19:48] 3rd - Landing pages [22:44] Process for the landing page [25:42] Favorite growth tool [26:16] Favorite book [26:46] Connect with Jeremy Resources: Connect with Jeremy: Website: BuiltToScale.co Jeremy's Favorite Business Tool: Supermetrics Jeremy's Favorite Book: The Lean Startup by Eric Ries —————————————————————————————————————————————— Are you getting a steady flow of highly targeted leads from LinkedIn?? If not, I can help… Get the ultimate guide to generating inbound leads on LinkedIn! Text 44222 with the word LIGUIDE or visit AskDennisBrown.com/guide If you enjoyed this episode, please RATE / REVIEW and SUBSCRIBE to ensure you never miss an episode. Can't get enough? Connect with me! AskDennisBrown.com LinkedIn Twitter Instagram [Free Giveaways]

This episode features guest Jeremy Gillespie. Jeremy is a direct response marketing expert and the CEO of Built To Scale – a San Francisco-based paid performance company that helps eCommerce businesses scale with Google, YouTube, and Facebook Ads Are you currently running paid ads or thinking of running paid ads? Then, this episode is not to be missed. Find out if your business is built to scale. How much traffic can you profitably drive to your business and how should you be doing it? Jeremy answers those questions and more as well as letting giving us predictions on the direction for eCommerce over the next five years. Episode Action Items: You can find more information regarding Jeremy and his agency by visiting https://builttoscale.co (https://builttoscale.co) ABOUT THE HOST: Andy Splichal, who was recently named to the Best of Los Angeles Awards' 2021 Fascinating 100 List, is the founder and managing partner of True Online Presence, author of the Make Each Click Count book series and founder of Make Each Click Count University. He is a certified online marketing strategist with twenty plus years of experience and counting helping companies increase their online presence and profitable revenues. To find more information on Andy Splichal, visit www.trueonlinepresence.com or read The Full Story on his blog, blog.trueonlinepresence.com. New episodes of the Make Each Click Count Podcast, are released each Friday and can be found on Apple Podcast, Spotify, Google Podcast, Apple Podcast and .

EL HORROR COSMICO Un programa diferente para rendir homenaje a todos los que estáis al otro lado, agradeceros vuestra participación e invitaros a que sigáis colaborando en este viaje que hacemos juntos. RR López es nuestro invitado de hoy, director y presentador del podcast “El Horror Có(s)mico” Blog | Artículos sobre terror, misterio y fantasía cómica | RR López (historiasquenocontariaamimadre.com) Durante la conversación Rafael nos ha traído un millón de referencias literarias y cinematográficas que os detallo a continuación por orden de aparición, Libros - El libro de los Condenados. Charles Fort. 1919. - El Horror Sobrenatural en la literatura. H. P. Lovecraft. 1927 - Melmoth el Errabundo. Charles Maturin. 1820 - Cumbres Borrascosas. Emily Brontë. 1847 - El Horla. Guy de Maupassant. 1882 - El Gran Dios Pan. Arthur Machen. 1894 - El Wendigo. Algernon Blackwood. 1910 - Los Sauces. Algernon Blackwood. 1907, como parte de su colección de historias, The Listener and Other Stories - El color del Espacio Exterior. H.P. Lovecraft. 1927 - La habitación Cerrada. H.P. Lovecraft, realizado en colaboración con August Derleth y publicado póstumamente en la colección de cuentos de terror de 1959 - Aforgomon Clark Ashton Smith - En las Montañas de la Locura H.P. Lovecraft. Escrita en 1931, publicada por primera vez en 1936 en tres números de la revista Astounding Stories - El caso de Charles Dexter Ward. H.P. Lovecraft Escrita entre 1927-28. Publicada en 1941 en la revista Weird Tales Películas - La Autópsia de Jane Doe (The Autopsy of Jane Doe) 2016, Reino Unido André Øvreda - El Infinito (The Endless) 2017 Estados Unidos Justin Benson, Aaron Moorhead - Resolución (Resolution) 2012 Estados Unidos Justin Benson, Aaron Moorhead - A ciegas (Bird Box) 2018 Estados Unidos, Susanne Bier - Aniquilación (Annihilation) 2018 Reino Unido, Alex Garland - ¿Por qué lloras, Susan? (The Shuttered Room) 1967 Reino Unido, David Greene - Terror en Dunwich (The Dunwich Horror) 1970 Estados Unidos, Daniel Haller - El palacio de los espíritus. (The Haunted Palace) 1963 Estados Unidos, Roger Corman - Castle Freak (Castle Freak) 2020 Estados Unidos, Tate Steinsiek - Trilogía Cloverfield o Monstruoso (Cloverfield) 2008 Estados Unidos, Matt Reeves o Calle Cloverfield 10 (10 Cloverfield Lane) 2016 Estados Unidos, Dan Trachtenberg o The Cloverfield Paradox (The Cloverfield Paradox) 2018 Estados Unidos Julius Onah - Pacific Rim (Pacific Rim) 2013 Estados Unidos, Guillermo del Toro - El Vacío (The Void) 2016 Canadá, Jeremy Gillespie, Steven Kostanski - La Niebla (The Mist) 2017 Estados Unidos, Frank Darabont - Horizonte Final (Event Horizon) 1997 Reino Unido, Paul W.S. Anderson - Hellraiser o Hellraiser 1987 Reino Unido, Clive Barker o Hellbound: Hellraiser II 1988 Reino Unido, Tony Randel o Hellraiser III: Infierno en la Tierra (Hellraiser III: Hell on Earth) 1992 Reino Unido Anthony Hickox o Hellraiser: Judgment 2018 Estados Unidos, Gary J. Tunnicliffe - It 2017 Estados Unidos Andy Muschietti - Trilogía Apocalíptica de John Carpenter o La cosa (El enigma de otro mundo) (The Thing) 1982 Estados Unidos o El príncipe de las tinieblas (Prince of Darkness) 1987 Estados Unidos o En la Boca del Miedo (In the Mouth of Madness) 1994 Estados Unidos, John Carpenter - El Enigma de otro Mundo (The Thing from Another World) 1951 Estados Unidos, Christian Nyby, Howard Hawks - Alien, el Octavo Pasajero (Alien) 1979 Estados Unidos, Ridley Scott - Prometheus 2012 Estados Unidos Ridley Scott - La llamada de Chutlu (The Call of Cthulhu) 2005 Estados unidos, Andrew Leman

From the directing team of Jeremy Gillespie and Steven Kostanski—the latter of which directed indie hit PG: Psycho Goreman—The Void is a tension-fueled ride that relies heavily on practical effects and pace to maximize its sense of dread. It works. And it is worth your investigation, especially if you are a fan of Lovecraftian horror. Those inspirations are quite evident. The Void involves a cult, a small town, and the cosmic terrors that lie outside our consciousness. That conceit isn't all that original, but its execution is what sets the film apart. From its ominous opening onward, Gillespie and Kostanski build an uneasy atmosphere—an uncertainty akin to what lurks beyond. The answers, of course, come, but when they do, you almost wish they hadn't. This is due in large part to its creature designs, which are some of the more inspired in modern horror. Most impressive, they were accomplished on a shoestring budget. They crowd-funded $82,000 on Indiegogo to make them. With a low production cost and a good reception (77% on Rotten Tomatoes with 75 reviews), it should've been a hit. But due to a limited release, it grossed just $149,365. Trust us, don't sleep on this one. Now sit back, open a portal to your tastebuds with either a Poker Face Black IPA from Necromancer or a Cosmik Debris Double IPA from Creature Comforts, and don't approach the man in the robe! I, the Thunderous Wizard (@WriterTLK), Chumpzilla, and our beer bros from Hop Nation USA are joining a cult to unlock our best selves! This Week's Segments: Introduction/Plot Breakdown – The Void nails atmospheric horror and is an excellent ode to the works of H.P. Lovecraft. (00:00)   Lingering Questions – Though it never received a wide release, did this film achieve what it set out to? More important, which of its gnarly creature effects was the most stomach-turning? (29:38) The "Avoid the Void" Trivia Challenge – Chumpzilla challenges the field to a series of questions relating to people involved with the movie. (1:03:50) Recommendations – We offer our picks for the week and next up: We kick off "Hops and Fantasy Flops" with the disastrous 2011 reboot of John Milius' 1982 classic, Conan the Barbarian. (1:15:21) And, as always, hit us up on Twitter, Facebook, or Instagram to check out all the interesting factoids—an interview with the directors and more—from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Play, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, and Amazon Music!

Jozef and Lydia tackle the Lovecraft-inspired Canadian Independent Horror movie, The Void (2016). Directed by Jeremy Gillespie and Steven Boltanski, and starring Aaron Poole, Kenneth Welsh, Daniel Fathers, and Ellen Wong as townsfolk trapped in a local hospital as mysterious and gruesome things begin happening. Kudos to the excellent special effects team and creators who got the effects budgeted off IndieGoGo, such a cool achievement!   Other Media Mentioned:   The Demon Slayer Movie (Movie) Holston (TV) Stardew Valley (Game) Mare of Easttown (TV) Nomadland (Movie) Gerald's Game (Movie) The Woman in the Window (Movie) American Horror Story: Apocolypse (TV) Gentlemen Prefer Blondes (Movie) The Shape of Water (Movie) The Only Lovers Left Alive (Movie)      

Are you into tentacles like Kyle's into tentacles? How about like John Carpenter is into tentacles? If you think dirty thoughts when you see Cthulu's beard, then this is a movie for you! Featuring Kaileigh!The ORIGINAL co-host, you're gonna like her more then Kyle! Musical Suggestion:Bass Drum of Death! Contact us!-Email: ThisIsNotFilmSchool@gmail.com-Insta: @NotFilmSchoolPodcast-Facebook: Not Film School Special Thanks To:Fesliyan Studios - You can't hit it out of the park  every time (Fire Noises)Ryan Maguire - Intro MusicBrieana Woodward - Podcast ArtSarah M. Frye - Episode Art And to Steven Kostanski and Jeremy Gillespie! You rocked every cent that went into this film! Considering the handicaps that making this film had, you guys knocked it out of the park with a terrifically dreadful film! THANK YOU!This show is edited, produced, and hosted by Kyle Seeley

The production company Astron-6 discussed as well as their films (Manborg, Fathers Day, The Editor, Psycho Goreman + Leprechaun Returns & The Void)

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este segundo episodio, nos ocupamos de Una mujer poseída (Possession, 1981) del querido Andrej Zulawski, una película francesa dirigida por un polaco y filmada en Alemania, y terminamos hablando de todas estas otras: La mujer pública (La femme publique, 1984) de Andrzej Zulawski, El diablo en el cuerpo (Diavolo in corpo, 1986) de Marco Bellochio, Gracias tía (Grazie zia, 1968) de Salvatore Samperi, Garganta profunda (Deep Throat, 1972) de Gerard Damiano, Detrás de la puerta verde (Behind the Green Door, 1972) de Artie y Jim Mitchell, La fuente de la doncella (Jungfrukallan, 1959) de Ingmar Bergman, Thriller: A Cruel Picture (Thriller - en grym film, 1973) de Bo Arne Vibenius, Portero de noche (Il portiere di notte, 1974) de Liliana Cavani, Asignatura pendiente (1977) de José Luis Garci, Los santos inocentes (1984) de Mario Camus, El crimen de Cuenca (1980) de Pilar Miró, Salon Kitty (1976) y Calígula (1979) de Tinto Brass, Kamikaze 89 (1982) de Wolf Gremm, Spring (2014) de Justin Benson y Aaron Moorhead, Lace Crater (2015) de Harrison Atkins, A Ghost Story (2017) de David Lowery, The Lighthouse (2019) de David Eggers, ET (E.T. the Extra-Terrestrial, 1982) de Steven Spielberg, King Kong (1976) de John Guillermin, Maridos (Husbands, 1970) de John Cassavetes, Alien, el octavo pasajero (Alien, 1979) de Ridley Scott, El ente (The Entity, 1982) de Sidney J. Furie, El hombre invisible (The Invisible Man, 2020) de Leigh Whannell, La bruja (The VVitch, 2015) de Robert Eggers, La última profecía (The Final Conflict, 1981) de Graham Baker, Jurassic Park (1993) de Steven Spielberg, En la boca del miedo (1994) de John Carpenter, Midsommar (2019) y El legado del diablo (Hereditary, 2018) de Ari Aster, El exorcista (The Exorcist, 1973) de William Friedkin, La profecía (The Omen, 1976) de Richard Donner, El resplandor (The Shining, 1980) de Stanley Kubrick, Persona (1966) y El huevo de la serpiente (The Serpent's Egg, 1977) de Ingmar Bergman, Cosmos (2015) de Andrzej Zulawski, La fiesta de Babette (Babettes gæstebud, 1987) de Gabriel Axel, Jean de Florette (1986) y Manon de manantial (Manon des sources, 1986) de Claude Berri, Farinelli (1994) de Gérard Corbiau, Cristo se detuvo en Eboli (Cristo si è fermato a Eboli, 1979) de Francesco Rosi, Amanece que no es poco (1989) de José Luis Cuerda, Jesús de Montreal (Jésus de Montréal, 1989) de Denys Arcand, Onibaba (1964) y Kuroneko (Yabu no naka no kuroneko, 1968) de Kaneto Shindô y The Void (2016) de Jeremy Gillespie y Steven Kostanski... ... por si justo te dio paja anotar. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

Steven Kostanski has a vision. As a guy who previously wrote Manborg and The Void, it’s pretty clear that Kostanski is a fan of 80s VHS horror. He was also one of the guys wrapped into Astron-6, with founders Adam Brooks and Jeremy Gillespie. Astron-6 you may recall, is the team behind the previously-mentioned Manborg, Father’s Day, and the very funny The Editor, among others. Each of these movies speaks to a very specific kind of horror. If not a direct reference to another film, or subgenre of films, it is a reference to the way we remember these movies. With PG: Psycho Goreman, Kostanski has delivered the most entertaining and most well-realized concoction yet. Mimi makes friends in PG: Psycho Goreman It begins with an introduction to two of our three central characters, Mimi and Luke, a sister and brother team engaged in a made-up game called Crazyball. This is not dissimilar from Calvinball, the game invented for the Calvin and Hobbes comic strip. In both cases, the rules are a jumbled pile of nonsequiturs and delirious afterthoughts, but it’s a nice introduction to the chaos of the movie ahead. Clearly in charge, Mimi demands that brother Luke dig [...] The post Review: PG: Psycho Goreman appeared first on Legion.

Steven Kostanski has a vision. As a guy who previously wrote Manborg and The Void, it’s pretty clear that Kostanski is a fan of 80s VHS horror. He was also one of the guys wrapped into Astron-6, with founders Adam Brooks and Jeremy Gillespie. Astron-6 you may recall, is the team behind the previously-mentioned Manborg, Father’s Day, and the very funny The Editor, among others. Each of these movies speaks to a very specific kind of horror. If not a direct reference to another film, or subgenre of films, it is a reference to the way we remember these movies. With PG: Psycho Goreman, Kostanski has delivered the most entertaining and most well-realized concoction yet. Mimi makes friends in PG: Psycho Goreman It begins with an introduction to two of our three central characters, Mimi and Luke, a sister and brother team engaged in a made-up game called Crazyball. This is not dissimilar from Calvinball, the game invented for the Calvin and Hobbes comic strip. In both cases, the rules are a jumbled pile of nonsequiturs and delirious afterthoughts, but it’s a nice introduction to the chaos of the movie ahead. Clearly in charge, Mimi demands that brother Luke dig [...]

El crowdfunding se ha convertido en los últimos años en una de las mejores herramientas para sacar adelante proyectos que de otra manera no hubieran sido posibles. Gillespie y Kotanski, dos realizadores canadienses, financiaron enteramente los efectos especiales de esta película mediante una campaña en Indiegogo. Cabe decir que el resultado es una carta de amor a los efectos prácticos y físicos, en una historia de tintes lovecraftianos y fulciescos la mar de entretenida y repugnante.

The DOtD crew teams up with the legendary Ish as they review Jeremy Gillespie and Steven Kostanski’s “The Void”. The group recap the spectacular practical effects, the lighting and atmosphere, and Ish details an amazing escape plan. Spoilers in the maternity ward.

Steven Kostanski is a writer, director, and practical effects makeup artist. His latest movie, Psycho Goyreman, is about to be released and it looks fuckin awesome! Prior to Psycho Goreman, Steven directed Leprechaun Returns, Manborg, and The Void. The Void is an incredibly impressive movie. Imagine a deadly cult film that mixes The Thing with Hellraiser in a Lovecraftian universe.  Making The Void was an incredibly hellish experience and we hear first hand from Steve what it was like to be in the trenches of a brutally difficult shoot and how he was able to overcome it and become a better director in the process. I highly recommend The Void, which you can stream on Shudder right now.  In addition to being a director, Steve is also a practical effects makeup artist who designs and builds the creatures in his films. Steve was a student of Dick Smith's and we hear some great stories about him.  Here are some key takeaways from this conversation with Steven Kostanski: Consider learning practical effects. Steve's background in practical effects tremendously helped him boost the production value of his movies because he was able to load them with creature and gore effects that otherwise would have been prohibitively expensive. Similar to Steven, Damien Leone, who directed Terrifier had a background in practical effects too which substantially helped Terrifier get made, not to mention the fact that Guillermo Del Toro learned practical effects from Dick Smith so he could make the creature effects for his first movie Cronos. Sidenote, to build the creature effects for The Void, Steven raised about $80,000 on IndieGogo that went just to the creature design. Had he required practical effects artists the budget would have likely been double that.  Regardless of whether you want to learn practical effects, the point is to have an additional skill you can contribute to your production beyond directing so you can boost the production value of your film without breaking your budget.    Multi-task if you're multitalented. Steve puts different parts of himself into each of his movies by personally handling the effects, creature, and costume designs. He claims that if he isn't flying on all cylinders on a movie, he has a sense of creative anxiety. This is not about control, but it's about scratching your own creative itches if you have them. If there are multiple elements of your movie that you can single-handedly handle, you should try to do that. As important as delegation might be on certain movies, being so hands-on gives you the opportunity to give your movie a very signature aesthetic which Steve's movies all have. So if you are multi-talented, embrace this urge within yourself and try wearing multiple creative hats on set.    If you're going through hell, keep going. Steven and his co-director on The Void, Jeremy Gillespie, are outspoken about what a hellish nightmare it was to make The Void. It was so bad and soul-crushing that Steven doesn't even like talking about it, but he did say that the experience substantially forced him to grow as a director, so to a degree, he's grateful for it.  Films are Murphy's Law, some more than others. Filmmaking is the furthest thing in the world from smooth, especially with limited time, budgets, and resources, but as a director, it's critical to remember that these are the experiences that forge your iron in the fire and give you the capacity to take on bigger and better projects. As horrendous as they can be, these kinds of experiences prompt the kind of growth that can help you overcome the even larger problems that will come with your future productions. Also, producers are typically attracted to directors who can overcome challenges and odds. So remember, that smooth seas do not make good sailors, and if you're going through hell on your production, whatever you do don't give up, you'll come out of it better and stronger than when you went in.   ----- Produced by Simpler Media

La decomposta recensione dello Zio Aigor alle prese con The Void - Il vuoto diretto da Jeremy Gillespie e Steven Kostanski

Nous voilà arrivé à cette dernière des émissions de New New B, le podcast qui parlait des faces de B pendant ce confinement. Dans ce final, la musique et le cinéma sont enfin réunit histoire de plié un peu tout le bizness et de repartir sur du tout neuf pour les prochaines émissions, on vous donne donc rendez-vous très bientôt pour le retour de New New Beat … on vous fait des bizouxxxx sans masques ! Dans cette émission je vous parlerai deThe Void de Jeremy Gillespie et Steven Kostanski (2016)The Basement On The Hill de Elliot smith (2014)The Killer de John Woo (1989)Limbo des Throwing Muses (1996)La filmographie de Todd SolondzLa B.O. de Chobits (2002)

Nous voilà arrivé à cette dernière des émissions de New New B, le podcast qui parlait des faces de B pendant ce confinement. Dans ce final, la musique et le cinéma sont enfin réunit histoire de plié un peu tout le bizness et de repartir sur du tout neuf pour les prochaines émissions, on vous donne donc rendez-vous très bientôt pour le retour de New New Beat … on vous fait des bizouxxxx sans masques ! Dans cette émission je vous parlerai deThe Void de Jeremy Gillespie et Steven Kostanski (2016)The Basement On The Hill de Elliot smith (2014)The Killer de John Woo (1989)Limbo des Throwing Muses (1996)La filmographie de Todd SolondzLa B.O. de Chobits (2002)

Before we discuss The Void, we take a few minutes to espouse the benefits of the H.P. Lovecraft Historical Society and a few of the friends we've made since joining (if wordplay and horror-themed puppet shows are up your alley, then do yourself a favor and check out Puppeteers for Fears). Then we take even more minutes to bemoan the recent news of HBO Max vowing to deliver The Snyder Cut of Justice League, which has unfortunately validated the worldview of toxic fanboys. If none of that interests you, skip ahead to approximately 37 minutes where we begin conversation about The Void, a low-budget horror film from Jeremy Gillespie and Steven Kostanski whose command of the film's horror is matched only by how horrible of an experience it was for them to make it. Pulling from influences such as John Carpenter, Silent Hill, and good ol' Howard Philips (though less than the various posters would imply), The Void is chock full of emotion, filmmaking efficiency, and some truly wonderful practical effects. 

"What the hell is with all these horror movies starting off with burning people?"Tonight’s going to get @#!ked up folks, so strap in, shut up, and stay tuned.Leave the kids at home for this one … oh they’re locked down at home … put on your headphones and crank it up to the “just bleeding” setting…We complete our tour of Shudder’s diabolical library with A MOVIE CALLED THE VOIDHere’s some intro music and then 4 dudes talking about some other dude’s trippy ass horror movie from an insane group of Canadian artists that call themselves Astron-6.Tonight, yes, I said tonight it is a late night podcast or the midnight movies of podcasts if you will… SO TONIGHT WE’RE BROUGHT TO YOU BY SHUDDER DOT COM AND STARZ NETWORK MORE ON THAT LATER ---HERE WE GOOOOOOO!!!“THE VOID” SYNOPSIS:When police officer Carter (Aaron Poole) discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a barebones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.THE FILMMAKERS: Steve Kostanski and Jeremy GillespieAfter starting out in short films in a collaborative context with the Astron-6 collective, SteveKostanski and Jeremy Gillespie learned how to work efficiently with very limited resources, and how to use the creativity of those around them to counter those limitations and achieve remarkable results. Using stop-motion animation, green screen, prosthetics and make-up effects, Kostanski’s Manborg was made for a budget of only $2,000 over three years through painstaking personal labor, shooting for the first year and compositing and mixing for two years during a self-directed learning process that has exponentially increased his skills and understanding of the world of special effects.Jeremy Gillespie’s experience as an art director, graphic designer and composer make himuniquely qualified to conceive of the visual, aural and atmospheric elements of a dimension too terrifying to comprehend, which, combined with Kostanski’s special effects skills will make The Void an unforgettable experience.With their combined experiences working on large-scale, big-budget productions such as PACIFIC RIM, TOTAL RECALL, the two most recent RESIDENT EVIL films and ROBOCOP remake as well as lower budget films such as WRONG TURN 4 (which are closer to the budget range that we are aiming for in THE VOID), both Steve and Jeremy have a keen understanding of high production values but are also familiar with the constraints and the advantages of working within a lower budget range.SO THEY ARE THESE INTENSELY PASSIONATE AND TALENTED INDIE HORROR AND COMEDY FANS…TRY OUT THE BUFFET OF HORROR MOVIES WITH NEW CONTENT ADDED WEEKLY, PIG OUT ON TERROR GO TO SHUDDER.COM, PROMO CODE: BINGEWATCHERS WHEN PROMPTED IT APPEARS ON YOUR PAYMENT SCREEN SO DON'T START SCREAMING UNTIL YOU GET A CHANCE TO REWARD YOURSELF WITH 30 DAYS FREESUMMER SLASH 2O20 IS AROUND THE CORNER, A HORROR MOVIE MARATHON ALL SUMMER LONG. SO KEEP #SUMMERSLASH2020 IN MIND...YOU CAN ALSO TRY STARZ FOR 6 MONTHS GO TO THIS LINK FOR DETAILS6 MONTHS/$25 AT https://bit.ly/STARZ2BINGECREDIT SONG:La Coli byHola HolaMusic licensed through soundstripe Support the show (https://www.paypal.me/bingewatcherspodcast)

Tori, Anthony, Ray, and Shawn gather via Zoom to discuss one of the greatest independent Horror movies of our time – Jeremy Gillespie and Steven Kostanski's The Void! Part homage to Fulci, Carpenter, and Barker, part practical FX masterpiece,

This week Gary and Jess review and discuss, The Void (2016) by Directors, Jeremy Gillespie and Steven Kostanski. Starring, Aaron Poole, Kenneth Welsh and Kathleen Munroe. For more Off The Shelf Reviews: https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

We're taking another dive into cosmic horror with the 2016 independent horror film, The Void. Written and directed by Canadian filmmakers Steven Kostanski and Jeremy Gillespie, The Void had a successful crowdfunding campaign to be able to feature some impressive practical effects, but does the rest of this movie hold up to its monster(s)? Content Warning: Strong Language Created by Derek Delago and Jordan Hester Music by Jack Ellis

In this weeks installment of "Kyle's Killer October," the Catching Up On Cinema boys venture to the Great White North to check out Steve Kostanki and Jeremy Gillespie's gory cosmic horror experience, The Void (2016)! Featuring lovingly crafted (and gooey) animatronic and makeup effects, the film is a trippy and intense thrill ride that is worth a watch for practical effect enthusiasts.

Jeremy Gillespie is an AdSkills Certified Media Buyer with significant experience building multi-channel campaigns using Facebook, Search, YouTube, Shopping, GDN & Native Ad networks. He specializes in lead generation, as well as eCommerce and has helped companies break $100k in sales in a single day. Jeremy is a growth-oriented marketing geek, technology enthusiast, and customer evangelist. He believes in customer acquisition through optimizing the entire customer lifecycle - from acquisition, activation, conversion, and retention.If you'd like to work with Jeremy, you can reach him at the following links: https://www.facebook.com/jeremygillespie11 https://www.linkedin.com/in/jeremygillespie1/

This indie ultra low budget horror movie flew under the radar, but does it deserve a closer look? Written and directed by Steven Kostanski and Jeremy Gillespie, The Void is a love letter to the horror films of the 80s. Does it hold up to those classics? There may be some disagreement on that point. Follow us at Undercast Company on Facebook and instagram, or e-mail us at undercastcompany@gmail.com. Alan and Fred can be found at dstrct6, Ariel and Sergio are Nerd Incorporated, and you can follow Derick on instagram at dericks_photos!

The Thing with a smidge of Hellraiser, but instead of incessant flamethrowers, we're working with fire axes. This week, we put up a poll for what movie from this current decade should we watch. Surprisingly, THE VOID was the most voted movie! The Void (2017) dir. Jeremy Gillespie and Steven Kostanski. Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures. (source: IMDB)

October Spooktacular Extravaganza continues! A whole month filled with scary movies, bonus episodes, an abnormal amount of snacks, and of course video content! So buckle up because the Horror Junkies are about to take weird to the next level.  This week on the Horror Junkies Podcast we discuss the mind-melting movie The Void (2017) directed by Jeremy Gillespie and Steven Kostanski and the mysterious film, It Follows (2015) directed by David Robert Mitchell. Both these movies leave its viewers with unanswered questions and we love that.    Want to be featured on the show and give your own thoughts about what we're discussing or give a shout out to your mom? Call our 24/7 Horror Junkie Phone line at 352-448-6726 and leave a message. This week's show is brought to you by our horrific friends over on the Frigay the 13th. A podcast that's all about horror in real life and horror in the media, all with fabulous LGBT perspective.  As always leave us a review, follow us on Instagram and Twitter, and tell your friends about our show, so that they can join in on the horror. If you have any show topics, movies, comics, or have something Horror related you would like to see discussed on the show, send us an email at horrorjunkiepodcast@gmail.com  Want more content?! Well then subscribe to our Youtube and Twitch channels so you can watch us play scary games. And if that's not enough for you head over to our Patreon and make a monthly pledge to the show and get even more content. Stay Weird! --- Support this podcast: https://anchor.fm/horrorjunkiespodcasts/support

Movie Meltdown - Episode 436 This week we head to The Bastion to watch and discuss The Void directed by Steven Kostanski and Jeremy Gillespie. And while we realize that we are all under the control of Bill Cipher, we also bring up... Channel Zero: Butcher's Block, Santa Clarita Diet, Avengers: Age of Ultron, the remakes of Dementia 13 and Cabin Fever, Art Hindle, Cthulhu mythos, Scarlet Witch, Bonnie Hunt, Sleepaway Camp, the magical murder powers of the woods, Linda Cardellini, being a realtor, Nick Jonas, playing Mousetrap, Friday the 13th, dressing like The Crow, Bride of Re-Animator, Nathan Fillion's head, a Nazi baseball team, playing Rampage, Uncle Frank Ultron, being a gamer, The Thing, Timothy Olyphant, have a buffalo baby, the people in white, Ethan Embry, CG animals, Nightbreed, do not Google degloving, a trippy music video, the dark arts, Scream Queens, kitten videos, I think that dynamic kind of works no matter what generation it is, the stairwell into Hell, Space Truckers, remakes, tiny girl ghost, Alexandra Daddario, there was a kid that was bitin' people, a woman holding a baby, Rutger Hauer, Hellraiser, Tom Petty line lifting, a meat-packing company, Jumanji, alternate lifestyle squirrels, Debi Mazar, investing in detestable characters, Event Horizon, Rider Strong, there was a cannibal family that lives in a staircase up in the sky, that lady talking in the theater, Grease 2, Cerina Vincent, she gets Newt'd, Girl Meets World, the morgue and the nursery, gratuitous sex, pancakes and... it's Rex Manning Day!!   Spoiler Alert: Full spoilers for The Void as well a some minor and or obvious spoilers for the remakes of Dementia 13 and Cabin Fever. You have been warned. "If Clive Barker and Lovecraft had a little mutant child..."

Put your white robes on, every-- wait, no, that's a terrible thing to say out of context. THE VOID! We're talking about THE VOID! Jeremy Gillespie and Steven Kostanski's tonal callback to the likes of John Carpenter, Clive Barker, and HP Lovecraft, all wrapped up in that beautiful indie-horror blanket that's kicking all kinds of ass currently! But that's not all this episode has! Because to talk all things monsters, skinless men, and cosmic horror, we've enlisted badass artist (and possible demon hunter) CJ Draden! Who discusses his philosophy on art, his career, his past graphic novels, and his upcoming graphic novel, THE ZERO MIRROR, which acts as his love letter to Greek Myth and magnum opus. Things get deep and personal in this one, ladies and germs! There is a hell. Not downloading this episode by clicking here is much worse. LINKS: The Art Of CJ Draden Buy CJ's Stuff CJ's Patreon Watch CJ create arts on Twitch Find us on Facebook: https://www.facebook.com/BoxOfficePulpPodcast/ Twitter: https://twitter.com/BoxOfficePulp iTunes: https://itunes.apple.com/us/podcast/box-office-pulp/id577338641 Stitcher: http://www.stitcher.com/s?fid=37192&refid=stpr

In this episode of the horror review/discussion show 'Screams After Midnight,' the guys look at cosmic Lovecraft-ian horror 'The Void,' which blends elements of John Carpenter's The Thing with the Silent Hill video game series and more. The film is Directed by Jeremy Gillespie & Steven Kostanski and stars Aaron Poole, Daniel Fathers, Kathleen Munroe and Ellen Wong.. patreon: https://www.patreon.com/mildfuzztvtwitter: https://twitter.com/Mild_Fuzzfacebook: https://www.facebook.com/mildfuzznetwork

We were lucky enough to have our good friend Sarah Stardust join us this week to talk about the beautifully disgusting (or disgustingly beautiful) sci-fi/horror film, The Void, written and directed by Jeremy Gillespie and Steven Kostanski. When a small town cop and a group of patients and staff at a local hospital find themselves trapped by a mysterious cult, they discover that there are even greater horrors waiting for them, right beneath their feet!

Trick or Treat Radio turns the big 2-5-0! To celebrate the milestone 250th Episode we invite our good buddy and filmmaker Jarret Blinkhorn, because any party without JahJahBlinks is not a party we want to be at! Jarret selects the cult classic horror flick, Things for us to review on our special Blinkbuster Video segment and brings party provisions to fill our bellies and slur our speech. We are pleased to present an interview with two members of Astron 6, Jeremy Gillespie and Steven Kostanski, directors of one of our favorite flicks this year, The Void! We also have a big, bearded, god crash the party, we get a crapload of awesome feedback, and Ravenshadow has more flash facts! So grab yourself a stiff drink, give Meat Blob a call and strap on! Stuff we talk about: Necrotonicon, Gentleman Jack, Brainscan, Things, Ben Grimm, David Cross, why MZ was late, Monster2.Zero, Ares returns!, Thirsty Turtle, To Be or not Tibeeshian, Duel, The Void, practical FX, Blu Ray distribution, Get Out, Suicide Squad, Hannibal, Manborg, filmmaking in Toronto, Astron 6, Mixtape Massacre, W is for Wish, ABCs of Death 2, Ti West’s fridge, George R.R. Martin, The Ripper, shot on video 80s films, Atomic Age Media, Dough For Dynamo, The Evil Streaks, Signal to Noise, Red cameras, Teen Ape, Cult of Muscle, Michael Parks, Canadian grant funding, Pacific Rim, contemporary film aesthetic, Free Comic Book Day, The Dead Next Door, Tailspin, the art of showing your monster, Meat Blob, #Beardgod, The Eyes of My Mother, Phantasm, Russian Flash Facts, Whiskey, egg sandwich smuggling, hard times, Father’s Day, Shawn Spicer in a bush, old dudes, fantasy horror movies, Tony Blinks & Mama Blinks, The Old Lady Killer, Blinkbuster Video, The Darkness, Amber Lynn, bad looping, Tusk, Attack of the Killer Refrigerator, Nail Gun Massacre, Bone Sickness, Red State, low budget filmmaking, Diabolik DVD, Pixels, Knowman, and what we learned from Trick or Treat Radio.Support the show (https://www.patreon.com/trickortreatradio)

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Astron-6 is a Canadian film production company that specializes in midnight movies. With such over the top films like Manborg, Father’s Day, and The Editor, they’ve gotten a pretty large following of cult movie fans all across the globe. Two of the owners, Steven Kostanski and Jeremy Gillespie, went off to do The Void, a new 2017 horror film, that was a departure from the more comedic aspects of Astron-6 productions. When a police officer finds a man lying on the side of the road bloody and unconscious, he immediately rushes him to the closest hospital. The facility is soon to close so only a skeleton staff happens to be on site. When an unexpected death occurs, the building suddenly is surrounded by a group of hooded cultists that prevent anyone’s escape. Yet unaware to the group, something far more dangerous lurks within the building. The film has been called a throwback to films from the 1970/1980’s. Some mentioned include Hellraiser, Assault on Precinct 13, The Thing, In the Mouth of Madness and many more. With its strange creature effects (designed by co-director Steven Kostanski) and its ambiguous ending, the film has received quite the buzz wherever movies are spoken of. Dark Discussions podcast takes a look at this very unique film. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

On Episode 249 of Trick or Treat Radio we take it a little easy a week ahead of our 250th Episode. We kick back, relax and review the indie horror anthology flick, The Dark Tapes. We will play your voicemail, Dynamo and Ravenshadow tell you about their Justice League International dream cast and we will unveil the guests we have lined up for Episode 250! So grab your Justice League International Omnibus, wear your Newhart cardigan and strap on! Stuff we talk about: Ravenshadow’s Fourteen Finnish Flash Facts, Children of Bottom, Justice League International, which country has the best pizza?, Funyuns, Don Coscarelli, The Alchemist’s Cookbook, two hundred comma zero zero zero, Blinkbuster Video, Mont Video, Dynamo’s spider bite emergency room visit, Krull, Newhart, broken deliveries, good cuddlers, Steelbook, doughfordynamo, runaround reacharound, witch hunting shows, Jarret Blinkhorn, Things, The Dark Tapes, Michael McQuown, ECW, Paranormal Activity, indie filmmaking on a miniscule budget, subverting expectation, What’s Fappening, time dilation, anthology films, the genre known as the found footage genre, Amazing Stories, The Twilight Zone, Brian Michael Bendis, editing a found footage film, Depeche Mode’s new album Spirit, Keith Giffen, J.M. DeMatteis, Booster Gold, George Clooney, Patrick Warburton, the JLI TV show dream cast and storyline!, favorite Star Wars knockoffs, The Void, Jeremy Gillespie and Steven Kostanski.Support the show (https://www.patreon.com/trickortreatradio)

Bebés conspirando contra perritos, historias de sectas y criaturas, actrices consagradas en aprietos, discos de superhéroes… En esta ecléctica entrega, metemos: The void, de Jeremy Gillespie & Steven Kostanski; El ataúd de cristal, de Haritz Zubillaga; El Bebé jefazo aka The boss baby, de Hendel Butoy & Tom McGrath; y el sello Power Records, Y […]

This week we invite Sordid Cinema’s very own Victor Stiff to help us discuss two new genre films floating around on VOD. It’s been eight years since Australian writer-director Sean Byrne won us over with his debut feature The Loved Ones, an instant classic and now he’s back with belated follow-up The Devil’s Candy. But before we discuss his sophomore effort we review The Void, a nostalgic rush for fans of low-budget 1980s horror from directors Jeremy Gillespie and Steven Kostanski (Father’s Day). Does The Void mark a new, more serious direction for Canadian genre filmmaking collective Astron-6? Is The Devil’s Candy a sophomore slump or a solid follow up to his first time feature? We’ll let you know what we think. All this and more!

Lovecraftian nightmares abound as the crew surrenders themselves over to The Void, the newest horror film from Astron-6 alumni Stephen Kostanski and Jeremy Gillespie. The DIAGrams also talk about the less horrifying and more snorifying films The Blackcoat's Daughter and Before I Wake, talk some genre news, and answer some listener questions.   This podcast is brought to you by The Internet Dispensary  and Holistek Extracts. Canadian listeners, check them out for all your cannabis needs.

On Episode 245 of Trick or Treat Radio we journey through time and space to gaze upon a cosmic creation beyond all comprehension from Jeremy Gillespie and Steven Kostanski of the Astron 6 collective. We review our most anticipated film of the year, The Void! Joining us for this cinematic descent into madness is the might and powerful Barbarian Luchador, El Goro from the Talk Without Rhythm Podcast! We also discuss Cinema Wasteland, Documentaries we’d like to see and Kostroma Russia? So pay tribute to the Old Ones, send an URGANT email and fire when ready! Stuff we talk about: Mrs. Butterworth's, Talk Without Rhythm Podcast, strip clubs, Jakey-Poo’s virtual bachelor party, Cinema Wasteland, paintball, URGANT emails, ending MonsterZero’s streak, Wednesday Night Wars T-Shirt, The Grand Guignol Network reality show, Grandma’s Boy, Marquis, Anaconda, Elm St. Kids Movie Club, Unchayned, Raven J’s rendition of MZ’s pajamas, Marz’s potency, Manicotti, the return of the WMDTT man date, Worf on Golf, Art Hindle, Grand Moff Tarkin, Myra K-Rock, Dig Two Graves, Boston Underground Film Festival, The Void, Silent Hill 2, Basket Case 2 & 3, Baskin, Astron 6, Hellraiser, Injustice 2, Jeremy Gillespie, Manborg, The Thing, The Beyond, Steven Kostanski, Scott Pilgrim vs. The World, John Carpenter, Assault on Precinct 13, working with miniscule budgets, what scares us, the Old Ones, how can a triangle can be so iconic?, Knives Chau, H.P. Lovecraft, practical FX, bad cover songs, Father’s Day, The Keep, The Editor, Aaron Poole, Michael Mann, Don Coscarelli, Mario Bava, Italian filmmakers, Clive Barker, Big Barterer, enthusiasm(s), greatest horror films of the last 20 years, Horror communities, Rock and Shock, Kevin Hornsby, Radio Violenta, Destroy the Brain, The Five Hossmen, Scott, Ricciuti, Kostroma Russia, the Canadian border, the indie wrestler’s name we can’t say, Milton, Dorf or Worf?, Video Nasties, dream documentaries, Draconian Days, Eurocrime, Turkish rip off cinema, Fear Without Frontiers, 70s sex comedies, Talk is Jericho, Zapped!, Luchador film documentary, the old days of Superhero films, Chris Fuchman, Richard Stanley, Ted Levine, The Evil Streaks, Gabe Bartalos, Dust Devil, Hardware, Strange Days, Johnny Mnemonic, the Wizard battle between Grant Morrison and Alan Moore, and Italian penetration.Support the show (https://www.patreon.com/trickortreatradio)

Jeremy Gillespie and Steven Kostanski the creators of "The Void"!!! Jeremy and Steven went over: - Boston Underground Film Fest - troubles making The Void - monsters/creatures - Lovecraft - Fast and the Furious movies - tons more so check it out!!! The Headless Crew then went over: - nicknames for Seth - the new "IT" - "Child Eater" - review of "Kong: Skull Island" - review of "Devil's Candy" - "Life" - "Annabelle Creation" - "Big Trouble In Little China" board game - The Pinhead experience coming to "Mad Monster Arizona" - much more listen up kiddies! Music of the month InAeona supplied the tunes! Tracks for this podcast - "Without Your Head" by Strange Nocturnal "Time To Go" and "Empty Now" by "InAeona" --- Send in a voice message: https://anchor.fm/withoutyourhead/message Support this podcast: https://anchor.fm/withoutyourhead/support

Lee and Daniel continue the sex comedy series. This time they tackle the film Daniel claims is the 'Citizen Kane' of the genre in 1984's "Hardbodies", and then they look at yet another obscure Canadian production, "Perfect Timing" (1986). Also: Lee briefly covers the short from Astron-6 called "Cool Guys", which is heavily influenced by "Hardbodies" and similar films... as well as "Jacob's Ladder"? Listener comments and the other stuff the hosts have watched as of late are also covered. "Hardbodies" IMDB: http://www.imdb.com/title/tt0087385/combined "Perfect Timing" IMDB: http://www.imdb.com/title/tt0091746/combined Download and/or watch "Cool Guys" here: http://www.astron-6.com/coolguys.html Download "Perfect Timing" here: http://rarelust.com/perfect-timing-1986/ Read Jack Graham's articles: "Psychic Landscape 1: Conjuring the '70s": http://www.eruditorumpress.com/blog/conjuring-the-70s/ "Psychic Landscape 2: Ladies' Night": http://www.eruditorumpress.com/blog/psychic-landscape-2-ladies-night/ Featured Music: "Hardbodies (Theme)" by Krak; "Cool Guys Titles" & "Cool Guys" by Jeremy Gillespie; and "Building Up" by Marvin Dolgay.

On Episode 164 of Trick or Treat Radio we team up with our good buddy El Goro from the Talk Without Rhythm Podcast to review one of our most eagerly anticipated films of the year! We have an in depth discussion about the latest offering from Astron 6, the Giallo throwback flick, The Editor! We play tons of your feedback, we talk about our recent praise from Entertainment Weekly and yell at each other a bit. So grab your wooden fingers, chug your gummy berry juice and strap on! Topics discussed: Dario Argento, Batman The Animated Series, The Beyond, MonsterZero's DSLs, Sergio Martino, Pseudopod, Paz de la Huerta, The Nurse, Nick Alexander, Strange Vice, Ravenshadow’s Superman crush, The Last Knock, Conor Sweeney’s penis, Tenebre, Manborg, Kidnap, Killer POV, Don't Look Now, Rue Morgue Magazine, The Faculty of Horror, Elizabeth Erwin, Giallo titles, Planet Terror, MonsterZero's vacation, Marz's special lady friend hiding his glasses, Axe Cop, Suspiria, Adam Brooks, Matthew Kennedy, Steven Kostanski, Stage Fright, Jeremy Gillespie, Claudio Simonetti, Udo Kier, The Strange Vice of Ms Ward, Brian DePalma, Disney's Gargoyles, Wes Craven vs John Carpenter, Inferno, Stephanie Wiley, Father’s Day, Murder Rock, Astron 6, Isle of the Damned, The Void, Trick or Treat Radio Episode 100, Gummy Bears, Contracted, the one thing that makes Trick or Treat Radio unique, Flintstones, Fred Durst, Fulci eye trauma, Challenge of the Super Friends, Deep Red, the reality of good press, Black Sabbath, 90's X-Men, Film for Thought Podcast, Bay of Blood, Terror at the Opera, Zombie, Berberian Sound Studio, The Strange Color of Your Body’s Tears, and Saturday Morning Cartoons.Support the show (https://www.patreon.com/trickortreatradio)