Podcasts about Boo

TalkSports 7-22-25 HR 1: Sports Movie Sequels and Boo by Fanrun Radio

For any reason, if you don't like the material world, then you are in luck because you have the process to rise above it. As a US president used to say during his campaigns, "Don't boo, vote." He would talk about the opposition; people would go, "Boo!" And he said, "No, don't boo. Just vote." In the same way, you don't have to complain. I mean, you can a little bit because it feels good sometimes, but don't complain too much. Just chant and arrange your life so that you can hear. The śṛṇuyāt principle means the medicine is there. It's right on the shelf. You can just take a few steps and take it down. And don't complain if you have a stomach ache, the cure is right there. Just get it and start taking the cure as much as possible, and rise from being a kaniṣṭha-adhikārī to a madhyama-adhikārī. Kaniṣṭha-adhikārīs complain, a lot. In fact, they're always quarreling. Prabhupāda mentions this in the Śrī Īśopaniṣad. He says, "Kaniṣṭha-adhikārīs quarrel amongst themselves about the details of the process, whether somebody else is doing it right or wrong." And then he says the madhyama-adhikārīs—they're absorbed in thinking how to give Kṛṣṇa consciousness to others. Who would you rather hang out with? People who are always quarreling and complaining and criticizing each other for the details of how they're doing devotional service, or those who are thinking about how to spread Kṛṣṇa consciousness all over the world? ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Guest co‑host Auntea Steve (Relationshit Podcast) joins Auntea Kerel & Auntea Jerell while Henny Jerrell battles European travel drama. We dive into being single in 2025, setting boundaries, and dating authentically—apps vs meeting people IRL, travel hookups, and what makes a great first date.  Then: Yo Aunteas reacts to the headline that Beyoncé's unreleased music / tour materials were allegedly stolen from choreographer Chris Grant's car in Atlanta—and why ATL smash‑and‑grabs are too common.  We celebrate RuPaul's record 10th Emmy nomination for host and unpack long‑running Drag Race production drama, favoritism, and fandom fatigue.  Ask Yo' Aunteas returns! A Communitea member asks about the viral Labubu craze; we compare notes on 90s nostalgia collections (Tamagotchi, Trolls, Pokémon, etc.) and whether collectibles are cute or a dating red flag. Title inspo unlocked: La Boo Boo Do You Boo. Send your Ask Yo' Aunteas (voice or text) to the Tea‑Line: 844‑832‑5463—we'll disguise your voice if you want the tea anonymous. Time Stamps: 00:00 Introduction and Episode Setup 01:05 Getting to Know the Hosts 02:40 Exploring RelationshitPod 09:06 Navigating Dating in Today's World 15:37 Exploring Ideal Dates 22:29 Beyoncé's Unreleased Music Theft 32:09 RuPaul's Emmy Record and Influence 34:46 Drag Race Predictability 38:12 Mistress 41:24 New Chapter 42:15 AYA: Labubu, Do You, Boo 53:27 Tea-Line 55:10 Updates on Diddy and Legal Matters 56:12 Summer Plans and Wrap Up Follow Us-   Send Your Ask Yo Aunteas Questions To: TEA LINE  844-832-5463 Aya@minoriteareport.com or DM us on Social Media   MERCH: MinoriteaReport.com   Youtube: https://www.youtube.com/channel/UCo_xKK1VRhPrVMQxm1SzTCg   Instagram: https://www.instagram.com/minoriteareport/   Facebook: https://www.facebook.com/MinoriTeaReport/   Twitter: https://twitter.com/MTeaReport   Email Us- AYA@minoriTeaReport.com

Woo, Yay, Boo! It's episode 441 and we're throwing it back to our first live show (and Em's first time ever) in Canada! This week Em takes us to Deadman's Island for some spooky encounters. Then Christine gifts Em with the story of the Vancouver Milkshake Murder. Stay tuned to see if Canadian kindness gives Christine's Midwest politeness a run for its money… and that's why we drink!  Go to helixsleep.com/drink for 27% Off Sitewide, exclusive for listeners of And That's Why We Drink! New members can try Audible now free for 30 days and dive into a world of new thrills. Visit Audible.com/DRINK or text DRINK to 500-500. Open your account in 2 minutes at chime.com/DRINK. For a limited time only, get 60% off your first order PLUS free shipping when you head to Smalls.com/DRINK Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."

In this episode, ICS Education Committee member Shannon Wallace chats with Workshop Chair Bob Yang about his team's upcoming session at ICS-EUS 2025 in Abu Dhabi:“Adjustable Incontinence Devices for Men – A Practical Hands-on Workshop.”This 90-minute, ticketed session offers an interactive, small-group experience focused on the latest adjustable continence technologies for male stress urinary incontinence (SUI), particularly post-prostatectomy. With prostate cancer and BOO surgeries on the rise, this workshop addresses the growing need for long-term, adaptable solutions in men's health.You'll hear insights from the full speaker line-up:Lawrence Yeung – on ProACTFabian Queißert – on ATOMSStephen Foley – on ZSI 375Why attend?Learn hands-on techniques for fitting, adjusting, and troubleshooting three leading adjustable devices: ProACT, ATOMS, and ZSI 375Gain practical skills from world-leading expertsBuild confidence in managing male SUI in your clinical practicePlaces are limited and lunch is included — so don't wait!Secure your ticket now: Workshop 6 – ICS-EUS 2025 Through its annual meeting and journal, the International Continence Society (ICS) has been advancing multidisciplinary continence research and education worldwide since 1971. Over 3,000 Urologists, Uro-gynaecologists, Physiotherapists, Nurses and Research Scientists make up ICS, a thriving society dedicated to incontinence and pelvic floor disorders. The Society is growing every day and welcomes you to join us. If you join today, you'll enjoy substantial discounts on ICS Annual Meeting registrations and free journal submissions. Joining ICS is like being welcomed into a big family. Get to know the members and become involved in a vibrant, supportive community of healthcare professionals, dedicated to making a real difference to the lives of people with incontinence.

Colorado, 2025: An IndyCar veteran enters a stanky old stock car in the world's most famous hillclimb. On his own dime, with his dad as crew. Because he wanted make a point.Also: Because fun.800 horses! An ex-Kyle Petty 1990s Winston Cup car! And JR Hildebrand, your 2011 Indy 500 rookie of the year. He finished fourth in class in Colorado, 16th overall. Later, Kurt Busch and Kyle Petty rang his phone. (Did Hildebrand know those legends? Nah. They just thought dude was cool.)Some folks think cars like that don't belong on the mountain. They don't have the brains God gave a goat.This show's format rotates weekly, because squirrel. We call this format “Guest Teaches Everybody.”**ONBOARD FOOTAGE — TURN IT UP LOUD: https://www.instagram.com/p/DLGEYHBSP-o/**RELATED TRIVIA: What would a ‘normal' podcast say here? Probably something like, “We talk about Pikes Peak itself, what makes the mountain special, and what it was like for an IndyCar vet to run as a grassroots club racer after years on the pro side of the sport.”(Boo hiss. Who wants to be normal?)This episode was produced by Sam Smith and Mike Perlman.**Who We Are + Spicy Merch:⁠⁠⁠⁠⁠⁠⁠⁠⁠www.ItsNotTheCar.com⁠⁠⁠⁠⁠⁠⁠⁠⁠**Support It's Not the Car:Contribute on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/notthecar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Topic suggestions, feedback, questions? Let us know what you think!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INTCPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Check out Sam's book!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Smithology: Thoughts, Travels, and Semi-Plausible Car Writing, 2003–2023⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Where to find us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/intcpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thatsamsmith/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/j.v.braun/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/rossbentley/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rossbentley.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speedsecrets.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**ABOUT THE SHOW:It's Not the Car is a podcast about people and speed. We tell racing stories and leave out the boring parts.Ross Bentley is a former IndyCar driver, a bestselling author, and a world-renowned performance coach. Jeff Braun is a champion race engineer. Sam Smith is an award-winning writer and a former executive editor of Road & Track magazine.We don't love racing for the nuts and bolts—we love it for what it asks of the meatbag at the wheel.New episodes every Tuesday.

Hey Everybody,It's July, which means that Halloween Season is upon us.This time, I am sharing my ode to real life spooky experiences. Hope you like it.Boo! #Pride#Halloween#Verse#SpectralVerse#ghosts#lurkingevil#Gay#TVHTIMKIRK#LGBTQ Hosted on Acast. See acast.com/privacy for more information.

What if the secret to sustainable growth isn't just a better product—but better alignment? In this episode, Strategic Revenue Enablement Consultant Luis Baez—with experience at Tesla, LinkedIn, Google, and Uber—joins host Chris McNeil to explore how Strategic Thought Leadership meets sales, operations, and customer experience. Luis shares his pivot from corporate sales leadership to helping founders and teams scale with clarity and integrity. Discover how aligning internal messaging with the customer's actual language, diagnosing before prescribing, and building capacity with intention can transform how you grow. You'll also learn his BOO Framework (Business Order of Operations)—a repeatable model for sequencing product, sales, operations, and marketing to avoid burnout and scale sustainably. What this episode will do for you: - Understand how customer-centric alignment fuels strategic growth - Learn to avoid scaling dysfunction through proper diagnosis - Explore Luis's BOO framework to structure sustainable success - Discover how to unify messaging across departments in customer language - Get inspired by Luis's mission to empower entrepreneurs and uplift communities Curated transcript, links, and bonus resources at: https://www.thoughtleadershipstudio.com/b/podcast/Strategic-Revenue-Alignment-with-Luis-Baez Get Your Free Intro to the Upcoming Industry-Defining Book Strategic Thought Leadership at https://strategicthoughtleadership.com

"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."

Can beauty be deadly? Find out on this edition of Octoberpod AM classic horror podcast. Your horror host Edward October    explores the haunted powder room at the historic Club Paris and examines the link between beauty & horror, while our friends from Autumn's Oddities & Horrifying History share some bone chilling true tales.            First up: The tragic tale of the Battletown Witch. Then, Edward October with Carissa Vikis (Beauty Unlocked) to discuss dangerous beauty trends, feminist rage, and cryptids. Plus:  The haunted history of Egg Hill Church. Featuring special guests Autumn Grube (Autumn's Oddities), Carissa Vikis (Beauty Unlocked) and Brenda (Horrifying History).        Be careful putting your face on    because we're serving up deadly beauty, scapegoat witches, curses, cryptids, and a haunted church.    We're just dying to be BOO-tiful on this edition of Octoberpod AM:     the retro horror podcast for bold individualists.// PROMOS        Least HauntedCold Case KansasFamily Plot            // FOLLOW        Find more true, true-ish & classic horror / paranormal content by following us on social media! Bluesky:  @octoberpod.bsky.social // Twitter: @OctoberpodVHS // YouTube: Octoberpod Home Video // Instagram: @OctoberpodVHS // TikTok:  @octoberpod // Or follow us on the worldwide web at OctoberpodVHS.com        Become a supporter of this podcast: https://www.spreaker.com/podcast/octoberpod-am--5482497/support.

This week's episode of Deez Lug Nutz is dedicated to the memory of Virginia Austin who passed away last Thursday.Episode 144 is on the scene with Boo Carlisle who is filling in for Julian as co-host this week alongside usual co-host Jody Freeman. Both hosts are coming back from the beach and Jody explains why he is down a cylinder following his beach trip.Caraway Speedway held two massive events during Fourth of July week. The zMAX CARS Tour made their traditional midweek visit and it was Jared Fryar who took his second win of the season and shockingly, it is the first time he has won multiple races during a season on tour. The boys discuss the incident involving Mini Tyrrell, Landen Lewis and Landon Huffman, Ronnie Bassett Jr continuing to show consistency on tour, preparing to race for $50,000 in a few weeks and some of the other stories coming from Caraway. The Pro Late Model event was chaotic featuring multiple red flags and a black flag late in the race. It was survival of the fittest amongst the leaders.  When the dust settled it was Brandon Lopez who picked up his first career CARS Tour Pro Late Model win. Lopez joins us this week to discuss this and gives us a peek at his racing background and what his sometimes teammate Kaden Honeycutt told him during the race on Saturday.Danny Bohn picked up his fourth Tour Type Modified win at Caraway on Saturday in dominating fashion. It was his first SMART Tour win there and his second of his career. Bohn picked up a new ride at the last event at Franklin County Raceway with Andretti Racing and he joined us this week to tell us about that and what else he's been up to. The boys also discuss the event itself and the stories coming out of it!Franklin County Raceway had a big  event this past weekend honoring Petey Caldwell. Dennis Holdren won the Mini Stock portion and Taylor Ransom picked up his third straight win in Super Streets. Julian was at the track on Saturday and got comments from both drivers. The rest of the winners are covered in the winners portion of the show.Boo gives us a preview of this weekend's STAR Super Stock/MASS event from Dillon Motor Speedway while Jody gives you a peak on where you can come see your local short track in action including SAPS at Orange County and the CARS Tour Pro Late Models at Hickory.The boys discuss this weekend's events in the streets of Chicago where SVG wins again on the streets of Chicago. The boys give their opinions on if there is a place for street racing for the biggest stock car series in the country and the brutal Cody Ware accident which drew ire from many folks about NASCAR being delayed with the yellow and for dispatching help to Cody who ended up being okay. The boys also preview another road course and more this week on DLN

Boo fam!!! WE ARE SO BACK. In the Season 3 premiere of Peaking, Jess looks back on her start as a podcaster, and how far she's come since her last episode 2.5 years ago. Now, she's at a crossroads, and she's using this space as a testing ground. Should she go full force at her passion project? Is this thing even on? Tune in for monthly episodes where she shares her innermost thoughts on side hustling, then hears from guests on how they're building their own businesses. Plus stay til the end for a reality TV rant you won't want to miss.Today's guest is Nora McConnell-Johnson, the co-founder of Chicago's new Babe's Sports Bar. Nora is a former educator and public policy professional who recently entered the bar industry after noticing a gap in the market - there's legit nowhere to watch women's sports! Jess and Nora chat all things making a risky pivot, breaking ground on a new business, and redefining success. It's a peaking story that's sure to make herstory.~Credits/Links~Meee: @jzdebakeyPodcasts: @peakingpodcast @not4everyonepodGuest: @babesinchicago @noramcjoEditor: @abinewhouseLogo/Brand Design: @magiceightstudioPhotography: @thelocalnomads_Music: "Have Mercy On Us" by Air Kid

Don's bargain with a seductive vampire.In 13 parts, By BradentonLarry - Listen to the Podcast at Explicit Novels.Lady PrimroseThe long, wood-paneled ballroom was largely what Don would have expected. There were a pair of tables near the entrance heavily laden with bowls and platters of fruit, as well as a fountain jetting clear, cold water surrounded by crystal glasses. There were doors at intervals down the length of the two side walls that seemed to open into the gardens, and illuminating the entire room were three very large candle chandeliers sparkling with golden light. In what seemed to be entirely appropriate décor, any would-be empty wall space of any considerable size was hung with high quality paintings. However, the paintings all had a decidedly erotic bent, as if someone had decided to redo the illustrations from the Kama Sutra in the style of the Dutch and English masters of the 18th and 19th centuries. There were some portraits too, but they were all showing much more skin than normal. The life-sized painting of a reclining pale young man with a rather generous erection was not exactly what one expected to see in a respectable Victorian mansion.Or, at least, not displayed prominently in the grand ballroom.The guests who had been admitted through the main doors, along with Don, gathered about the tables for some fruit and water, and then gradually began to disperse along the length of the ballroom, where they mingled with a number of people who seem to have been admitted to the room earlier, or who had come in through the garden. While Don, Jerome, Bian, Rodney, and Marilyn, seemed fairly representative of the former crowd of guests and of Erosians in general, the latter set seemed quite different.Each of these others moved with an unusually feline grace and unmistakable confidence. To paraphrase an astute (though fictional) observer of human nature, they walked as if the place belonged to them. They were all of them exceptionally good looking and possessed of an undeniable sex appeal, even for Eros. Don wasn't really surprised to note that these attendees were a bit paler than the other guests.Music began to play. It was unobtrusive instrumental music, ideal for slow dancing, but modern enough that no one felt compelled to waltz or anything like that. Don watched as the paler partiers moved among the others, smiling and batting their eyes, selecting, and engaging. Most led their chosen partners toward the open end of the ballroom where they danced together, but some slipped off through the open doors into the garden.Don felt a cool hand slip into his and turned to see the lovely Cessily next to him. She was now wearing a dark red evening gown with a plunging neckline that showed off most of her pale breasts to very nice advantage. Her blue eyes twinkled up at him and her lips, now crimson to match her gown, were smiling in a rather inviting way."Good evening," Cessily purred. "'Don,' wasn't it?""It was, and still is," Don nodded, unable to resist smiling back at the charming woman."Would you like to dance, Don?" she smiled."Is dancing all you have in mind, my dear?" he managed."Oh, well, there's always more than dancing on my mind," she laughed."In that at least we're kindred spirits," admitted Don."If you enjoy our dance, perhaps we could retire to someplace a bit more private, ""Something a bit more shadowy, say?"She smiled again, "If you like, though I don't mind an audience.""Once more, we have that in common.""I could tell I liked you right from the start, Don.""You seem to have excellent taste, fair Cessily."She leaned in closer, so Don could feel her lips very lightly brushing his neck, as she said, "I would love to see if your taste is so fine."Don swallowed hard, and then managed to say, "I must say I find the thought very tempting, but, "She placed her hand on his chest and looked up into his eyes with another of her fetching smiles and said, "Would you like Lucien to join us?"Laughing a little, Don said, "No, that's quite alright. It's just that I'm afraid I really must save myself for Lady Primrose.""Oh," she actually pouted a bit."However, if she has no use for me, "Cessily rolled her eyes a bit, "No, she'll just eat you up, the greedy bitch."Don was a bit taken aback, and a bit put off by her phrasing, despite his pre-existing suspicions."Oh, don't mind me, sweet thing," Cessily laughed. "I just had my heart set on you for the night.""That is very flattering! In other circumstances, "She leaned in and rose up on her toes a bit to kiss him on the cheek, then said, "If you get tired of waiting for her ladyship, don't hesitate to come find me."Then, flashing him a bright smile and a quick wink, Cessily slipped off to find another quarry."I've never seen anyone turn Cessily down before," said a familiar voice from over Don's shoulder.Don turned to see Lucien regarding him with a slight, diffident smile."It wasn't easy," Don admitted, "but I think it's best if I wait until I get the chance to talk to Lady Primrose.""Interesting," shrugged Lucien. "She generally likes to make a late entrance. Normally I'd wish you luck resisting the charms of the other women, and men, here, but if you can say 'no' to Cessily, I suspect you don't need any help in that regard."Don laughed, "Again, it wasn't easy."Lucien nodded and left Don to fend off the advances of several other extremely attractive women who seemed quite eager to slip off to a darkened corner with him. Two of them actually suggested they share him."Do you mean, I can enjoy you both?""Oh, yes, of course," said the redhead, as her raven-haired companion licked her lips while admiring Don's neck.Don smiled and proffered his now customary response. The two women didn't seem to mind too much, and Don soon saw them dancing with a very cheerful Rodney, as nearby Marilyn seemed to swoon in the embrace of a tall, dark stranger.When the two women led Rodney off into the garden, Don thought he should follow. He doubted that anyone was in serious danger here, but he wanted to confirm his suspicions and perhaps see something erotic along the way.Before he could make it to the garden though, he found himself drawn up short as a gorgeous woman slipped up next to him and took his arm."I understand you have been waiting for me, sir," she said in a low, sensuous voice steeped in a cultured English accent.She was only a little shorter than Don, wearing a black dress that clung lovingly to her body, accentuating her curves and emphasizing her generous breasts with impressive décolletage. Her skin was fair in the way the aristocracy used to find a necessary part of beauty. She had thick chestnut hair pulled back and then falling over her bare shoulders, dark red lips smiling at Don, and emerald green eyes dancing with candlelight and echoing the little glints of her earrings. She was, to put it entirely too simply, staggeringly beautiful."Lady Primrose, I presume?""Indeed," she nodded."I'm very pleased to meet you," Don took her hand and raised it briefly to his lips. He said, "My name is Don and I am at your service."She smiled a bit coolly and said, "Well, we shall see about that, Don. Are you enjoying the party?""I am," Don nodded. "I've been enjoying the artwork, and the company is quite interesting, though now I see that it was all but a light appetizer."She cocked her eyebrow at him and gave him half a smile, and then said, "I should 'make the rounds,' so to speak; would you be so kind as to accompany me?"Don bowed a bit, "Of course, milady."Patting his hand with her cool fingers, she said, "You may call me Clarissa, Don."Arm-in-arm they moved through the guests still in the ballroom. The guests who had come in with Don seemed largely entranced by their paler companions, but those last all smiled and greeted Lady Clarissa Primrose as she passed.As they started toward the gardens, she again addressed Don directly, saying, "You have questions.""I usually do, yes," Don smiled."Curiosity is a nearly insatiable thirst, isn't it?""Quite.""Indulge yourself, Don; drink deep," she smiled as she watched his face."Lucien called Cessily his sister, but that isn't literally true, is it?""Of all the questions you must have, that's the first?" she chuckled.Don shrugged, "It's the one I'm most likely to forget and regret not asking.""There are several ways to be siblings," she said. "They share the same mother, but not a womb. They share not genes but blood.""And you are their mother, I take it?""One of them, yes.""So, 'Lady' is a bit of an understatement.""What would you have me called?""Queen seems more appropriate," Don decided."You flatter me, Don," she laughed. "At least this is more interesting than the usual sort. One grows a bit tired of the usual compliments."They had already passed a couple on a shadowy bench. The woman was straddling the man's lap and had her head buried in the crook of his neck. In another corner, a woman leaned back against a wall as a dark-haired man who might have been Lucien had his mouth fixed on her exposed breast.When they came to Rodney, who seemed to be getting a rather extreme hickey from the redhead and an enthusiastic blowjob from the darker woman, Don asked, "Are they in danger?""Only if they want to be," Clarissa smiled."Does that happen often?""More often than one might expect, but not what I would call 'often.'""And how does one become, your child? That doesn't sound right," Don frowned."Perhaps it's best not to strain that metaphor," she patted his hand again and turned him back to the house. "One has to drink in turn.""Yes, of course," Don nodded."Is that why you wanted to see me, Don?"He smiled at her, "No, I'm here on other business.""Interesting," she mused as they came back into the ballroom. "You saved yourself for me, and I see that you understand what that would mean, at least normally, but you don't seem to have come for the usual reason at all, though I sense that you find the thought appealing. This would make sense if you were here to join my family."She had led him through the ballroom and back to the entry hall, and they were now climbing the stairs."Moreover, there's something different about you, Don." She raised his wrist and inhaled deeply. "You have, layers, complexity."She pressed her lips to his wrist and let her tongue play lightly over his flesh. He thought for a moment that he could feel her teeth against his skin. For a moment he thought she would bite him, and he wanted her to."Uh, yes, there is a depth of flavor to you, Don. It's quite unusual." She looked up at him without raising her mouth from his wrist. She smiled, "Will you give me a taste?"Don suddenly realized that they had climbed all the way to the top floor and had come into a large candle-lit bedroom with a large canopy bed in the center of it. It reminded him of the bedroom Toshia and he had found themselves in so long ago. It also struck him as a much darker, more sinister reflection of the Lady's bedroom in that distant Manor. With a tremendous effort of will, Don remembered that he had a mission to accomplish."Perhaps," he finally managed, as he moved his hand to cup Lady Clarissa Primrose's chin in his hand and draw her to him. He leaned in a bit, kissing her full lips lightly.Don just meant to put her off for a moment with that kiss, but she wasn't having any light kisses. She slipped her arms around him, one slipping up so that she could hold the back of his head, and kissed him passionately, hungrily. Her lips were cool, but her enthusiasm was heat enough. Her tongue slipped into his mouth insistently, as Don's hands moved up over her back until his fingers found the little zipper handle between her lower shoulder blades. When he'd opened the back of her gown, she stepped back a little and shimmied out of her black sheath.She gave Don a moment to admire her beautiful alabaster body, before she stepped to him again, raising her cool fingers to caress his face."We could share the sweetest of ecstasies, Don," she purred as her fingers dexterously unbuttoned his shirt in what seemed both slow motion and extremely quickly. She leaned in to kiss the side of his neck as his jacket and then his shirt fell to the floor. He felt the tip of her tongue brushing his skin.She pulled back and looked him in the eye with a confident smile on her dark lips, and said, "You have some power in this world, I can taste it on your flesh, but you've never known the power I can share with you, if you'll but give me a taste of yourself. You aren't afraid, I can tell. You want to give me what I want."Letting his hands move over her body, caressing her curves, lingering over her perfect, full breasts, Don smiled and repeated, "Perhaps."Somehow, she had undone his belt and opened his slacks. She was up against him again now with her hand in his pants, squeezing and pulling on his cock in a grip that was exquisitely tight, but still on the side of pain that counts as pleasure.Her nose was brushing against his, and he could feel her breath on his lips as she said, "You want to be inside me, Don. You can't deny it. You could have given yourself to Cessily or any of the others, but you saved yourself for me. Surrender yourself to me, Don."Don forced himself to tear his hands away from touching her long enough to push his pants down, and then kicked his shoes and pants to the side. He licked his lips, swallowed, and said, again, "Perhaps."Her eyes, so close to his now, narrowed and she growled a bit. Letting go of his sex, she placed her hand flat on his chest and shoved him backward, throwing him easily back on the silken coverings of the bed. Before Don could do more than land on his back splayed out helplessly, she was on top of him, crouched over him and looking down into his face. There was a fire in her eyes and for the first time, it was clear her

The Honeymoon.Captain Evelyn Sage starts a new life with Professor Don.In 13 parts, By BradentonLarry - Listen to the Podcast at Explicit Novels.Chapter 6. The HoneymoonToshia punched Don in the shoulder. "Ha! I knew it!" she laughed. "I knew you two were into each other!""First, ow! Second, yeah, yeah, I thought so too, Well, I hoped, and I'm glad you were right."She leaned in and kissed his cheek, "I'm glad, too. I can't be the only love of your life.""That escalated quickly!" Don laughed. "And why not?""Well, I've got Sarah, and a girl's only got so much time and energy," she grinned.Don smiled at her and said, "That's fair, I suppose.""But, so what happened? Did she go with you to get her own ring?""Yes, she did," Don nodded. "She left Megan in command of the Maidenhead, and we took the Riverboat upriver, set off cross country, got to the valley and then climbed up to the Crimson Mountain.""You are leaving so much out!" Toshia laughed."Well, I've got to finish the story, right?""Yeah, but give me the highlights at least. Did Sage go back to her celibacy?""Oh no, that was over," Don smiled."Excellent! This must have been like your honeymoon. How did she like the Riverboat and the Resort? Is she as much fun in an orgy as I am?""Well, first, nobody's as much fun at an orgy as you are!""Suck up!"Don laughed, "And, 'honeymoon'? I don't know if I'd go that far, but I see your point. Well, we cut through Rendezvous pretty quickly, and we managed to catch the Riverboat just before it started upriver.""That was lucky.""Oh, we would have found some way to pass the time, ""I'm sure!" Toshia grinned. "So, how was the river trip? At least tell me about that.""Well, we talked about it and decided to try to stick together as much as possible until we got to the pleasure dome. So, if they played the same game the first night, we'd sit it out, but they had another mixer scheduled."After the flurry of activity involved in leaving the Maidenhead and getting to the Riverboat (and Sage wanted to know why it didn't have a name), they enjoyed the opportunity to enjoy a spirited session of fucking on the nearest lounger. Then they commandeered an empty cabin for a nice shower, which, naturally enough, led to more sex, first in the shower, and then on the cabin's bed, which eventually led them back into the shower. As they were drying off and Sage was gathering up the clothes she had brought along, a pretty, blonde woman in a white uniform with a rather short skirt appeared in the cabin doorway and said, "Welcome aboard!""Hi, Sally," Don waved."Oh, hi, Don! Welcome back! We're going to have a fun mixer game in a little bit! It's couples night, so partner up and meet us all up in the ballroom!" Then she had hurried on."I'm standing right here," Sage grumbled with mock irritation.Don shrugged, "I suppose she didn't want to presume anything.""Was it 'couples night,' when you were here before?""No, the first time was kind of a random mixer, 'Cabin Fever,' I think, and the second time Shelonda and I skipped the activity."As they made their way up to the ballroom, Sage asked about the random mixer and Don explained how the women went to claim cabins for themselves while he and the other men waited in the ballroom until Sally let them draw numbers from a black bag she had."We then went to the cabin that matched up with the number and 'got to know' whichever woman was there. When a chime sounded, we hurried back to the ballroom to draw another number.""Wow, that must have been, interesting. You just stopped in the middle of whatever you were doing and went back to the ballroom?""Pretty much, yeah," Don nodded."Even if you were in the middle of sex?""Well, yeah, that was sort of the point, I think. On the one hand, that encouraged you not to waste time, and, on the other, it built up a kind of crazed intensity. After the first round, I can say that the women I met were very much 'come here right now!' if you know what I mean."Sage laughed, "Ay, I know what ye mean. How many rounds were there?""I think there were six.""Hum, how did Toshia take all of this?""Enthusiastically," Don smiled. "When the game was over and I caught up with her, and Shelonda, she was, well, rather extremely well-fucked. I think she said she'd been able to count eight guys.""Eight for six rounds?""Well, there were more men than women, so Sally apparently occasionally sent two guys to the same room. Then, Toshia and Shelonda took a break for one round and then played in the same room, which caused a bit of confusion. But yeah, I'm pretty sure she said eight, though she wasn't exactly counting, like she was in the Disco.""Eight's pretty damn impressive," Sage mused."Well, it was actually at least nine, counting me, after the game was over," Don said, "but that was small potatoes compared to her night in the Disco or her gangbang with the Sisters.""Ah, okay, I have so many questions."By this time, they had gotten to the ballroom, where they scored some fruit and took up a position off to the side where they could talk while waiting for Sally to commence the game. As he told her about the night in the Disco, Don idly noticed that the ballroom had been redecorated. There were low couches arranged so that there were four largish circles in the corners of the big room and one in the center. There were a lot of pillows about, too."So, eighteen guys? In one night?" Sage was clearly impressed."Well, no, that's just in the Disco," Don smiled. "After that we played a game with the Player, so the count was higher, plus some play with women.""Damn! She's quite the woman, eh?""There were more in the next story, and you saw her with your crew, but yeah, she is," nodded Don. Then he had a thought, and quickly said, "I love her, Sage, but you should know, I didn't decide to stay here in Eros until I met you."Sage fixed Don with an amused smile and said, "You don't have to worry about me, Don. I'm not the insecure, possessive type, and I can tell you're nuts about me. In fact, ," she slipped up in front of him and took his cock in her hand. With a serious glint in her eye and a crooked grin, she said, in full piratic, "ye belong t'me now. I just be happy t'share.""Well, alrighty then," Don smiled. He reached around her with both hands, squeezed her perfect ass, and said, "Right back at ye, Cap'n Sage."With her free hand she pulled his head down, and before kissing him said "Actually, it's Evelyn."Their deep, passionate kiss would certainly have led to yet another bout of enthusiastic sex, but Sally chose that moment to ring a bell she'd brought along for the occasion to get everyone's attention."Okay!" Sally grinned. "If you've all picked your partners, we're ready to play a game we call 'Spin the Bottle'!""Seriously?" Sage/Evelyn laughed."This should be good," Toshia chuckled."If you'll all take places around the five circles here, there should be room for four couples at each! And we have twenty couples tonight - perfect! House rules are that everyone starts out naked!" Sally beamed."Shouldn't that include you, Sally?" Don shouted, laughing."I'm not playing, silly!" she laughed back."It was worth a try," Don muttered to Sage, as he happily helped her get out of her clothes, which they tossed onto the low couch on the edge of their chosen circle, which was the corner one to port and forward."She does seem like she'd be, exuberant," Sage chuckled. "Hey, don't forget you're going to tell me about that gangbang.""Sure," Don grinned, "though, remember that that one is all second hand.""Okay, now take a minute to get to know each other while we come around and get a little information from each of you!" Sally shouted.The people around their little circle had arranged themselves in a male-female sequence, and there were no same-sex couples in their group, though Don could see that there were some of those at other circles. Sage was on his immediate right, and on her right was a fit young man with short, curly black hair and blue eyes named Pete and his partner, a young and short Persian woman with wavy dark brown hair cropped short, slender build, big tits, and beautiful amber eyes named Mahsati. Next came Lawrence, a short light-skinned black man with hazel eyes, long, straight dark brown hair, and a variety of tattoos, and his companion (at least for the game) Tina, a blue-eyed woman with a curly mane of deep brown hair with various shades of blonde highlights. Finally, there was Reyansh, a clearly Indian or Pakistani fellow with an athletic build and a neatly trimmed beard to go with his short black hair, and his partner Felicia, a tiny, thin woman with light grey eyes and blonde hair in a pixie cut, and legs that were quite long relative to the rest of her small stature. Felicia kind of reminded Don of the first fairy who had accosted him in the valley of the fey.It turned out that only Reynash and Felicia had known each other before today. "We were having a great time together in Rendezvous, heard about the Resort, and thought we'd try it out," said Reynash in his noticeably accented voice.While they were talking, a tall, curvy woman with large breasts and long curly black hair, who was wearing a uniform like Sally's, came up with a clipboard and a quill pen and started talking to each member of the circle, making some notes, and then moving on. She eventually got to Don, smiled at him, and said, "Hi, I'm Miriam, and I'll be hosting your circle tonight.""Hi Miriam," Don smiled. Her eyes were a very deep brown and he was wishing she weren't wearing that uniform, and/or would be joining in the game."I need your name and your preference in regard to sexual partners," Miriam said with a smile."Don, and women."Sage responded with "Sage, and I like both men and women. Maybe men just a little bit more.""Why do they need that?" Sage asked as Miriam moved on."I have no idea," Don shrugged. "I'm guessing it will keep me from making out with Pete. There's often this kind of low-level 'magic' going on, like how they managed to send men only to cabins women had occupied. I just roll with it these days.""If you'll have a seat," Miriam smiled at all of them, "we can get started." She had done something with her clipboard, which was nowhere to be seen, and was now holding a glass bottle in one hand and a pocket watch in the other.Like the others, Don and Sage sat down on the floor on pillows and awaited instruction. Miriam set the bottle down in the center of the circle, consulted her watch, and said, "We'll start out with just kissing, okay?"Don exchanged a shrug with Sage and then took his turn nodding to Miriam."Very good! Tina, you go first. Just give the bottle a spin!"Don watched her crawl out to the center of the circle and flip the bottle, which seemed to spin a bit faster than it should, and as if it was turning on a fixed axis. It came to rest pointing directly at Pete."Come on over here," Tina laughed, and Pete moved on all fours to her. The other six players and Miriam watched as the two of them kissed tentatively and then more passionately. By the time Miriam called "Time!" they were really into it, each squeezing the other's ass tightly."Reynash, you're next," Miriam announced. In another minute, lucky Reynash was making out with lovely Mahsati.Felicia spun next, and the bottle selected Sage. As he watched her tight ass while she crawled the short distance to Felicia, Don realized he had never seen Sage do anything at all with anyone else. This added a level of intensity to this moment of voyeurism that was quite odd for his time in Eros. He was quite turned on just watching his partner kissing tiny Felicia. All too soon, Miriam called time, and then Don realized it was his turn.He was quite pleased to welcome beautiful young Mahsati to the center of the circle with a long, kiss. In the spirit the others had established, he didn't hesitate to draw her into his arms, enjoying the feeling of her big breasts pressed against his chest or her slender waist in his hands. When Miriam called time, he breathed a heartfelt, "Damn!"Then it was Sage's turn, and she got Felicia. "Come get some seconds, cutie," Sage grinned. This time, Sage took a more aggressive approach, pulling the little woman onto her lap and kissing her deeply, one hand cupping a breast and then pinching a nipple, making Tina gasp and wiggle against her.When Sage got back to her pillow, she whispered to Don, "I had no idea spin the bottle was this much fun!""I think this is just the warm-up," laughed Don.They completed two complete cycles around the circle at this level of interaction. When Mahsati spun next she got Don, and he was more than happy to lean her back and kiss her deeply, one hand under her back and the other squeezing and teasing her tits. That was the only time the bottle picked Don. "That's what you get for not going both ways," Sage teased him. Actually, it was Lawrence who was the unluckiest of the bunch, being completely ignored by the bottle and only getting to kiss someone when it was his turn.At the other end of the extreme, the clear winner was Sage, who got selected four times. With that and her own two turns, she wound up making out with everyone except Mahsati and Lawrence, and twice each with lucky Pete and Felicia. Sage's high point came in the second round, when Don won the chance to kiss her, then she spun and got to make out with Pete, and then Pete spun and was lucky enough to get Sage! Between them Don and Pete did their best to get her nicely riled up. At the end of this, Sage leaned on Don's shoulder and said, "I'm so ready to get past this kissing stuff!"When it was Tina's third turn, Miriam stopped her and asked, "Are you all ready to turn things up a bit?"Everyone enthusiastically agreed they were."Okay," she smiled. "Now whoever spins has to go down on the selected person."This caused a unanimous murmur of approval, and Tina hurried out to the bottle. In another moment, she had her head in Pete's lap, her long, curly hair obscuring everyone's view of what she was doing, though the distinctive up and down motion told the tale well enough. All too quickly, particularly from Pete's perspective, Miriam called time. Don was pretty sure the previous rounds had been longer, with the second a bit longer than then first. This would make good sense if the intention was to build up the sexual tension as much as possible.Reynash took his turn and won a chance to taste Sage. She gave Don a grin and a wink as she told Reynash to get on his back, and then promptly straddled his bearded face. Don watched intently as she bit her lower lip and clasped her tits tightly in her hands. Before she could really get into it, though, Miriam called time. As she returned to Don's side, Sage whispered "Bitch!" but Don could tell she was having fun.The bottle rewarded Reynash for his efforts by pointing to him when Felicia spun next. With her short hair it was easy to watch her lick at his cock and then take it into her mouth. She seemed to have caught on that she wouldn't have much time, so she made no effort to actually bring him off.

Let's Chat!!Boo, Bitches!

"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."

Send us a textIn this episode of Bookworthy, Valerie interviews children's author Laura Sasse about her latest picture book, 'Faithful Feet.' The conversation explores the inspiration behind the book, the importance of rhyme in children's literature, and the lessons children can learn about faith and God's love. Laura shares her writing process, how she connects with kids during school visits, and her journey as an author. The episode concludes with a sneak peek into Laura's upcoming projects and her favorite children's books.Takeaways Feet are a humorous and relatable theme for kids.Rhyme can enhance children's engagement with literature.The Bible tells a story of redemption and grace.Children can learn about faith through fun metaphors.God's faithfulness is evident in the writing journey.Writing requires both creativity and business acumen.Little House on the Prairie influenced Laura's love for reading.Upcoming book 'Pumpkin Day for Boo and Belle' is exciting.Engaging kids with stories can spark their curiosity about the Bible.Laura's newsletter offers valuable resources for parents and educators.Chapters 00:00 Introduction to Faithful Feet02:54 The Inspiration Behind Faithful Feet06:01 The Role of Rhyme in Children's Literature08:56 Lessons from Faithful Feet11:57 God's Faithfulness in the Writing Journey15:11 A Day in the Life of a Children's Author18:55 Favorite Children's Books and Future ProjectsLet's discover great books together!Follow for more:FB: @bookworthypodcastInstagram: @bookworthy_podcastYouTube: BookWorthy Podcast - YouTubetiktok: @valeriefentress

Boo and Evan finally release their review of GIJoe issue 8, which continues to make The Baroness a sympathetic character and gives Cover Girl actual character!f you'd like to contact the guys, they'd love to hear from you!Edhatestransformers@gmail.comMorethanmeetstheseguys@gmail.com@mtmtgpod on Twitterhttps://www.facebook.com/MoreThanMeetsTheseGuys/https://discord.gg/sKr8jwaAvhIf you'd like to toss a buck or more per episode, we'd adore and say nice things about you. You don't have to, as we'll still gladly hang out with you guys and gals every week, but we appreciate any help! patreon.com/user?u=69144181

Let's Chat!!Boo, Bitches! Welcome to Episode 171: "Marked by Magick – The Mystery of Witch Marks" of C3: Crystals, Cauldrons, & Cocktails!Ever looked at that weird little mole and thought, “Is this just a freckle… or proof I'm descended from a long line of badass witches?” In this episode, River and Glim (your favorite digital familiar) explore the folklore, fear, and fierce pride behind witch marks—from birthmarks and scars to spiritual tattoos and magickal moles.We'll uncover the historical origins of these mysterious markings, how witch hunters used them to accuse (and abuse), and how modern witches are reclaiming their skin as spellwork in motion. Want to know how to enchant a scar? Or turn that mole into a protective sigil? We've got you.Plus: a dramatic, shimmery mocktail called "The Marked One" that's as powerful as it is purple. Spoiler: there's dry ice. Obviously.Support the showUntil then, Stay Witchy!!River's Etsy Store: www.batsandbaublesinc.etsy.comWebsite: www.c3witchypodcast.comMerch: www.c3witchypodcastmerch.comOur wonderful logo is done by: www.nellamarinadraws.etsy.comIntro and Outro Audio:podcast intro & outro music:Góða Nótt by Alexander NakaradaLink: https://filmmusic.io/song/4754-g-a-n-ttLicense: https://filmmusic.io/standard-liceSound from Zapsplat.com – Witches Cauldrons bubbling

Welcome to Standing Stone Kennels! This episode of the Standing Stone Podcast dives deep into our final hunt test weekend of the spring season. From junior dogs passing with style to master dogs navigating tricky call-backs and birdy distractions, we break down every run. You'll hear how Boo earned his Junior Hunter title, how Bob and Turbo handled the pressure, and why East is one pass away from a Master title. Plus—we share the reality of dog travel: construction delays, stress poops, car wash cleanups, and a wild grouse named Sven. If you're training for NAVHDA or AKC hunt tests, you'll relate to the highs, lows, and lessons learned.

"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."

The secret to growing your coaching business isn't in going viral or getting lucky. In this video, you'll discover the real secret to grow your coaching business—even if you don't have a huge following.Carisa shares how she built confidence, clarified her message, and used simple, aligned marketing to consistently attract clients. If you're a coach ready to grow your coaching business with purpose, this video is for you.In this video, you'll learn:How to use a book to get coaching clientsWhat really builds confidence as a coachThe mindset shift from "coach" to "CEO"The 7-day content strategy for consistent visibilityThe inner work that creates real growth in your coaching business... and so much more!Connect with Carisa Peters!Website: https://lifecoachingwithcarisa.com/Instagram: https://www.instagram.com/lifecoachingwithcarisa/Facebook: https://www.facebook.com/LifeCoachingwithCarisaLinkedIn: https://www.linkedin.com/in/carisapeters/YouTube: https://www.youtube.com/channel/UCTpo92rlrvvm6hAgl73BrgQGet a copy of her book entitled "Why Am I Like This?" on Amazon: https://lifecoachingwithcarisa.com/my-book/Tired of spinning in indecision about what to post, how to sell your coaching, or explain what you do? This is your moment!Join me for a live edition of Fast Track + VIP coaching experiences where you'll get real-time feedback on your niche, offers, and marketing, plus the clarity and support you've been looking for.Spots are limited and enrollment closes soon.Let's connect → DebbieShadid.com/schedule

Craig talks about travel headaches, Boo eating a bird, and his new merch drop.Get your tickets now for The Woopsie Daisy Tour! - https://punchup.live/craigconantLomita Man Hoodie and T-shirt Merch Drop - https://www.craigconantstore.comFollow Craig!TikTok - https://tiktok.com/@craigpconant/IG - https://instagram.com/craigpconant/Facebook - https://www.facebook.com/craigpconant/Merch - https://craigconantstore.com/ Song Links:Killer Mike - Reagan: https://www.youtube.com/watch?v=6lIqNjC1RKURun The Jewels - Report to the Shareholders: https://www.youtube.com/watch?v=pg0byaqVaXoSmall Business Plugs: Need a natural, holistic facial or some Ayurvedic healing?Contact Cynthia at Ritual Skin and Soul:https://instagram.com/livecynplyayurveda/https://instagram.com/ritualskinandsoul/Check out Brian Johnson's Art!He did the 3 Skeletons Skateboards + The New Podcast Studio:https://www.instagram.com/brianjohnsonstudios/Aztlan Herbal Remedies - https://www.aztlanherbalremedies.com/Kettlebells South Bay - https://www.instagram.com/kettlebellssouthbay/PV Coin Exchange - https://palosverdescoinexchange.com/Deadlight Visions Graphic Design - https://instagram.com/deadlightvisions/Donny Honcho's Healthy Pet Products - https://linktr.ee/localdogdaddySwank Hank's Handmade EDC - https://swankhanks.com/Glitch Pudding, Acrylic Artist - https://instagram.com/glitchpudding/Hoobs Glass Art - https://www.hoobsglass.net/The Pet's Choice Animal Groomers - https://www.instagram.com/thepetschoice_wilmington.ca/Craig's Holistic Doctors:Dr. Jay - https://www.instagram.com/100yearsjay/PBC Health - https://www.instagram.com/pbchealthwellness/Robert Kiyosaki - Liabilities to Assets - https://youtube.com/watch?v=A8vD_XO0vUUHealing affirmations:Emmet Fox - Prayer Is Not A Way Of Asking, But Of Receiving - https://youtu.be/Tf4yVNtMOgw?si=fQGIg-SGgbF8nBuSLouise Hay - https://youtu.be/lz16YqpWkz4Wayne Dyer - https://youtu.be/44ImQV46lF4Change Your Thoughts, Change Your Life - https://youtube.com/watch?v=14JxE7i0EPcLouise Hay Sleep Meditation - https://www.youtube.com/watch?v=Mz8bHR4o7E0Craig's favorite healers:Esther Hicks (AKA Abraham Hicks)Joe DispenzaBruce LiptonDr. SebiAlso shout out to these light workers giving out that lost knowledge:Dr. Delbert BlairDolores CannonSantos Bonnaci

In this episode, Donna and Brittney Boo bring a fun and much-needed refresher on two essential parts of the game: etiquette and pace of play. Whether you're new to golf or just need a quick reminder, this episode breaks down the non-negotiables of playing respectfully and keeping up on the course.We talk about:*Why pace of play matters (Hint: it's not about rushing—it's about being ready!)*What “Ready Golf” actually means—with real-life examples*The standard timing of 2 hours per 9 holes and how to keep pace*Signs you're falling behind and easy ways to pick it up*What to do if you hit into someone—or get hit into*A quick and fun “Ready or Not?” quiz moment*Basic Etiquette 101 for newer golfers (and some good reminders for experienced ones!)Plus, we wrap it all up with the reminder that golf isn't stuffy—it's a way of life. With its rich history and traditions, golf teaches respect, builds character, and reminds us that how you play is just as important as your score.Donna and Boo also take a moment to express heartfelt gratitude to all of our new listeners and our loyal fans who tune in every week. Thank you for being part of the Golf Party Live community—we're so glad you're here!

Boo and Evan get into the latest issue of Skybound TransformersIf you'd like to contact the guys, they'd love to hear from you!Edhatestransformers@gmail.comMorethanmeetstheseguys@gmail.com@mtmtgpod on Twitterhttps://www.facebook.com/MoreThanMeetsTheseGuys/https://discord.gg/sKr8jwaAvhIf you'd like to toss a buck or more per episode, we'd adore and say nice things about you. You don't have to, as we'll still gladly hang out with you guys and gals every week, but we appreciate any help! patreon.com/user?u=69144181

This week we discuss playing tennis, shoring up a cost-effective 4th line, Philadelphia accents, donuts, the Boo-hoo brigade, McDavid's very real chances of leaving Edmonton, the Twilight Saga, and more. Become a PatronPublic (free) Podcast feedSubscribe on SpotifyCheck out our merch - https://rangerssuck.shopJoin the Wolfpack today!Follow us on BlueSky, Twitter, Instagram, TikTok, and YouTubeSend us an email: contact@rangerthingspodcast.com

In this bedtime story for kids, Papa Bear tells Bernice a magical tale to help her fall asleep on a night when she's feeling nervous. When Boo-boo the bear can't sleep before a big school presentation, her friends Kai-kai the dragon and Bluebell the unicorn invite her on a midnight adventure that leads to a glowing secret hidden deep in the forest: the Midnight Library. But something is wrong, and it's up to Boo-boo to summon her courage—even when she's unsure she has any. Sleep Tight, Sheryl & Clark ❤️

Let's Chat!! Boo, Bitches!

"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."

From Cockpit to Boardroom: Boo's High-Performance Flight Path In this compelling episode of the Breakfast Leadership Show, Michael chats with Boo—former fighter pilot turned entrepreneur—about his extraordinary journey from the Air Force to launching ventures in the Middle East, real estate, and digital publishing. Boo opens up about navigating the early days of Facebook and Google ads, and how his involvement with Afterburner, a company built on the high-performance mindset of fighter pilots, led to acquiring the business and driving it forward today. Rethinking Leadership to Reignite Engagement Michael and Boo explore one of today's most pressing workplace challenges: leadership credibility and employee engagement. Drawing from Gallup's recent findings that only 21% of global employees are engaged at work, they discuss how leaders must evolve. The conversation emphasizes trust, credibility, and a radical mindset shift—from managing to truly leading. Leaders must transform good intentions into impactful outcomes and be willing to operate in a “zero authority” culture, where every voice on the team can contribute meaningfully. The Leadership Learning Curve Transitioning from a high performer to an effective leader is no small feat. Boo shares stories from his aviation days, where leadership was learned not from textbooks but through real-world experience under pressure. Michael echoes this, highlighting his own growth through trial, missteps, and reflection. The discussion underlines the importance of patience, humility, and a long-term vision—especially crucial for those shifting from individual contributor to leadership roles. Promotion Pitfalls: The Competency Gap Boo and Michael tackle the common but dangerous trap of promoting team members beyond their readiness—particularly in sales and production environments. Boo argues that misaligned promotions can do more harm than good, while Michael urges leaders to go deeper—looking at organizational silos, misaligned deliverables, and turnover before reacting. The takeaway? Leaders must have the courage and insight to address these core issues head-on with senior stakeholders. Disruption as a Leadership Choice What if disruption wasn't something to fear—but something to choose? Boo makes the case for embracing disruption through continuous learning, feedback, and iteration. He calls out the rigidity of traditional leadership models and invites leaders to embrace a more agile, mission-driven approach—focusing on progress over perfection. Mission Clarity in a Noisy World In today's hyper-distracted digital era, clarity of mission is more vital than ever. Michael and Boo wrap up with a powerful discussion on the importance of staying focused amid constant change. Drawing on lessons from both fighter pilots and nonprofits, they emphasize strategic anticipation, adaptable leadership, and the need to stay grounded in purpose—no matter how turbulent the skies may get.   Christian "Boo" Boucousis, known simply as Boo, started with a strong passion for aviation from an early age. Despite academic challenges, his determination led him to the Australian Air Force, where he became a fighter pilot. Boo's time in the Air Force was transformative; he mastered the art of high-stakes execution, situational awareness, and structured debriefing—core principles that define his approach today. After nine years, Boo's career as a fighter pilot came to an unexpected halt due to a rare medical condition. Faced with the need to pivot, Boo didn't shy away from challenges. Instead, he set out to apply the rigorous, high-performance methodologies he learned in the Air Force to the business world. Starting a humanitarian business in Afghanistan, he quickly scaled it to employ over 1,600 people, eventually becoming one of the largest humanitarian support companies globally. His next ventures were just as ambitious, including developing a $42 million high-rise hotel and transforming a print publishing company into a successful digital entity. Boo's proven success is rooted in his use of military-inspired frameworks like structured debriefing and realistic goal-setting, which enable individuals and organizations to achieve "mission objectives" with high success rates. Through Afterburner Inc, Boo now brings these methodologies to corporate audiences, training teams on how to achieve extraordinary results by focusing on resilience, adaptability, and transparent, actionable steps. His story is one of reinvention, and his techniques help listeners find clarity, optimize performance, and unlock their potential. This journey makes Boo a compelling speaker who not only inspires but equips listeners with practical, results-oriented strategies. Linkedin: https://www.linkedin.com/in/christian-boo-boucousis/ Website 1: https://callmeboo.com/ Website 2: https://afterburner.com/

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Today, we're incredibly excited to chat with rising star Aparna Brielle, whose career took flight just as the acting industry underwent one of its biggest transformations: the self-tape revolution. From her early move to Los Angeles from Oregon to her breakout role as Sarika on NBC's A.P. Bio, Aparna has built a dynamic and diverse career—navigating everything from offbeat comedy to high-octane spy thrillers. Aparna shares how she based her A.P. Bio character on Reese Witherspoon in Election and how her wardrobe helped win her the role. We also reverse-engineer her journey from those first uncertain steps in Hollywood to her current role as Tina in Netflix's FUBAR, where she stars alongside Arnold Schwarzenegger in a globe-trotting, adrenaline-filled CIA comedy-drama. With credits spanning Boo, Bitch, The Dead Girls Detective Agency, and Mech Cadets, Aparna shares insights on what it means to adapt, evolve, and stay sharp in a rapidly changing industry. These are the unforgettable stories that landed Aparna Brielle right here. THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

BOSSes Anne Ganguzza and Jennifer Sims, a voice actor, coach, and self-proclaimed "100% certified smarty pants," connect to explore the intricate layers of the voiceover industry. Listen in as we unpack Jennifer's unique journey, shaped by diverse experiences in acting, producing, and voiceover, offering a candid look into the crucial insights needed to navigate challenges and build a truly thriving business in today's landscape. Listeners will discover the essential role of professionalism and adaptability in connecting with clients, gain understanding of the industry's evolving demands, and appreciate the power of a well-rounded skill set.    00:01 - Anne (Host) Hey, guys, it's Anne from VO BOSS here. 00:04 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO BOSS VIP membership, now with even more benefits. 00:10 - Anne (Host) So, not only do you get access to exclusive workshops and industry insights, but with our VIP Plus Tech tier, you'll enjoy specialized tech support from none other than George himself. 00:21 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best: voice acting. It's tech support tailored for voiceover professionals like you. 00:32 - Anne (Host) Join us, guys, at VO BOSS and let's make your voiceover career soar. Visit voboss.com/vip-membership to sign up today. 00:45 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO BOSS. Now let's welcome your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. 01:04 - Anne (Host) I'm your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I have the pleasure and honor of being with a very special guest, Jennifer Sims. Jennifer, yay! Hi, hi. 01:17 For those bosses who do not know Jennifer, she is a voice actor coach and 100% certified smarty pants. I'm so jealous, so jealous of that branding. She's known for her authentic, conversational, confident, and playful delivery and has a unique perspective from both sides of the glass, and works for clients such as Hyundai, Wells Fargo, CVS, Vons—the list goes on and on and on. She honed her quirky sense of humor studying comedy and improv, which is always so important, I think, for us as voice actors, at the Upright Citizens Brigade and The Groundlings, and that helped her to land on-camera commercials for Uber, Snapchat, and WebMD. She began her acting career out of high school and basically was on her own for a short period of time in LA as a very young girl, which is great, and also as a producer, has had the pleasure of collaborating on hundreds of radio, television, and promo spots and has worked with some amazing talent along the way. And what haven't you done, Jennifer Sims? 02:18 - Jennifer (Host) I'm telling you, so much, so much. Thank you, Anne. That was lovely. Not as much as I'd like, and hopefully more. Yeah, thank you. It's great to be here. Thanks for having me. 02:28 - Anne (Host) Yeah, absolutely. Well, I met you—well, I met you not like physically, but I met you through our VIP room and I was so, so impressed with your background and your wisdom and everything. So I wanted to make sure that I had an opportunity to have you on the show and so our bosses could also get to know you. So let's talk a little bit about your varied career, because I think it's super important in terms of why you're so successful now and how you started off with acting and then as a producer. Talk about that for a little bit and tell us how it's helped you become successful in your voiceover career. 03:06 - Jennifer (Host) Yeah, that's been very, like, it informs most of my career, certainly in the beginning, because when I decided to leave my director of broadcast job, I was working for an ad agency here in Los Angeles as the director of broadcast and I was bringing in a lot of voice actors for promo and commercials, etc. You know how it is when you see somebody and you're like, "Boo, why do they get to do it? I want to do it too!" But as I started my career, realizing that we're a part of the process, voice actors are part of a process, particularly in commercial, since that was my area, and when I was bringing in voice actors to record them, it comes very late in the process. Recording the voice actor for a commercial is one of the last things we do as a process in creating a commercial. 03:52 So, knowing that we're just—not just, I shouldn't say this, but we're part of a collaborative team, we're now brought into the team. We're problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will—problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will go, "Oh, this copy is terrible. It's poorly written," and, like, you don't know where that copy has gone. 04:12 - Anne (Host) Isn't that the truth? I love that you just opened up with that perspective because, honestly, like the nuggets of wisdom that people get out of listening—you brought them right at the front when people get for listening to a podcast or being educated. I love the fact that we are part of a process and you brought that to our attention because I think a lot of times we're in our bubble in our studios here and we forget that it's not just all about our voice, but it's part of a process and there's reasons for so many things. Right? There's reasons, and you're so absolutely right. 04:46 How many times have you gotten a piece of copy and I've heard my students, "Oh my God, this copy sucks!" Or I've read on some forum where people are like, "Oh my God, the copy sucks," and "Why does the copy suck?" But I think it's important to know that, yeah, we are part of a collaborative process and it doesn't begin and end with us, and that's an important part to understand so that we know where we fit in. And the more that I think we can predict how we can fit in best to complete the process, I think will really help us as actors. 05:13 - Jennifer (Host) Yeah, exactly, really well said and so true. It's like, how do we fit into this process? Because we do, and even now, as an actor working on my, I will sort of forget that there's a lot going on and that when I get copy and I'm like, "Oh, well, I don't know how many R&D, research and development meetings they had on this copy. I don't know what focus groups might have said about this copy." Like, big companies spend a lot of time and money making sure that their copy is delivering a message that they want, money making sure that their copy is delivering a message that they want, and a lot of things. On the ad agency side, we're looking at things—that copy, and I'm like, "Well, legal says we can't say that." 05:51 Right, or legal says we have to say this. So, you know, when we're sort of like, "Boo, the copy couldn't be you," it's like, "Well, you don't know why." Yeah, it may be a legal thing. 06:06 - Anne (Host) It may be a client directive, it may be, who knows. I always try to remember that because, like somebody, somewhere was paid money to write this copy, and they know that product, or there's an intent with that product, or there's an intent with that copy that we are not necessarily aware of, nor do they tell us, but it's something that I think that we, as actors, we need to create that story, even if they're not telling us what it is. We need to create that story so that we can connect as much as possible to that copy and fit into like what they hear in their head. Right? We need to fit that spec there. 06:34 - Jennifer (Host) Exactly, and I think it also goes to the idea of given a level playing field of extremely talented actors. Most often, I only needed one person to do the job to solve the problem of whatever problem we were trying to solve creatively. And so I think it's easy to start to feel like, "Oh, I got rejected. I don't book this kind of work." It's like, given a level playing field, just assume that somebody got selected. But it—a level playing field, just assume that somebody got selected, but it doesn't mean that everyone else was rejected. Honestly, as I was listening to actors, I'm like, I wouldn't get in all my auditions for, say, a television commercial voiceover, and I would maybe listen to 50, a hundred, and then call it down to present to my boss, my creative director and client, maybe 10. And any one of those people could have booked it. Somebody got selected, that's all. 07:27 - Anne (Host) It's just a matter of selection, and the thing of it is is that you're at the beginning of that process, listening to all of those auditions. You would narrow it down to a particular amount of people, but then, ultimately, the decision is not necessarily yours. So I think, voice actors, we forget that, that it can go to your boss and your boss is not. Maybe a casting director doesn't have an ear for it, or just this is what he had—he or she had in mind. And so the pick from then. I don't think it's always necessarily based on your acting skills. It's just like a feeling, maybe, that they have. "Oh, yeah, this sounds right." 08:02 - Jennifer (Host) Yeah, it's very subjective. Yeah, it's very subjective. 08:05 - Anne (Host) And I think we forget that. 08:07 - Jennifer (Host) Yeah, and I know that, being that it's so subjective, if you sound just not quite what they want. I had a creative director. I was presenting talent. This woman was extremely talented. I was advocating for her. He's like, "Eh, she sounds a lot like..." I forget if it was his cousin or his ex-wife or somebody. He's like, "And I don't like that person." So she just reminded him vocally of somebody in his world that he's like, "Don't like." She was very good, like perfect for the role, and, subjectively, my creative director was like, "Nope, reminds me of someone, and I don't like that person. Bye." And I'm like, "All right. Well, that's how that's going to go." Or we get replaced. I was the voice of a promo for a really, really long time. It was a great recurring gig and somebody new came in at the top. The client switched positions, new client, and they're like, "No, I want to pick the voiceover," and so, like, I was out. They felt like that was the prior stamp. 09:06 And now they wanted to stamp it with their own. 09:09 - Anne (Host) That's such a good point because a lot of times, like companies change directors, companies change in departments, and a lot of times you may be the indirect result of that or not like being let go because of things like that that you have absolutely no control over. And so that is also a big part of the process in our heads as actors. We need to remember that on any given day, that it's not always—I think that if you can come into your audition with the skills that you need—the actor skills. Everybody says, "What's trending? What's trending these days? What's the sound these days?" And I'm like, "I think just be an actor, have good acting skills." 09:48 Maybe have good acting skills, because I feel like if you have good acting skills and the person, like say you, right, that is at the initial level of listening to all of the auditions, right, you're going to be able to hear that from the get-go, from the first few words. You're going to hear, "Okay, here's an actor. Now, what I like about this actor is that I can work with this actor." So maybe they didn't give the precise read that you were looking for at the time, but you know that they're an actor and that they'll be able to be directed. Exactly. And I think that's so important—best that you can come in with in your audition, to be armed with your acting skills, to showcase those acting skills, because all the other stuff we just have no control over. 10:25 - Jennifer (Host) Exactly. Control what you can. You know, getting auditions in a timely—Anne, naming them properly, file naming. I always talk about like naming those. 10:34 - Anne (Host) Like, why is that so difficult? I don't know. I come from a technology background. It always amazes me how many times people like don't understand how to name files when here's the convention and yet somehow. Right, just copy and paste it and then write your name. 10:50 - Jennifer (Host) I don't know why, but I don't think actors realize that if they mislabel a file, it's going in the trash. That'll piss off somebody. 10:57 - Anne (Host) I mean, like me, especially somebody that I'm handling a lot of files, right, and especially like if I have control over it, like you're not hired, and if you're going to argue with me about the name of that file, or if I gave you a confusing—no. I mean, sorry, just follow the following instructions. 11:12 - Jennifer (Host) But yeah, I think that actors may not realize that if you are missing those little details, like not following the spec, or because you're just like running and gunning and just like, "I'm in a hurry, I'll just read the copy," or not connecting to the copy, or mislabeling the file, it's like that's going to get you booted out of the mix because there's just not enough time and people don't understand. "Oh, so I put my name before the client's name." It's like if you're in casting or you're producing, you're not just casting one thing. So if you put your name first before the client's name, I don't know what to do with this file. Or usually it goes into a database and so the database is just going to go, "I don't know what to do with this. Garbage." I think people just realizing like why it's so important could be helpful. So people just slow down a little bit and go, "Oh, what's the file convention?" That's it. That's my TED Talk on file name. 12:03 - Anne (Host) There you go. I like that. Well, I'm right there with you on the file—I'm on the file name, I know, because you're dealing with hundreds of files, I know, right? I mean. So I touched upon this a little bit in your bio, which I think is so interesting, is that you studied comedy. Talk to us. And improv, of course, everybody always says, "Yes, improv, improv," yes, and improv, of course, is so important. But I also think comedy, too, is important, because this is just my outside looking in perspective, right? When we're listening, right, we need to command the attention of the audience. Right? Whether we're voicing a commercial or a corporate narration or whatever it is, we need to engage the attention of the listener and that is important. And I feel like comedy is absolutely one of those techniques that can be used to get people's attention and keep it, and I think it's important that if you have comedy in your script, that you can find it and you can execute it. So talk to us a little bit about that and the importance of comedy and improv. 12:58 - Jennifer (Host) Definitely. Have you been seeing a lot of scripts or a lot of castings where it's like we want people with comedy and improv, even though they may not ask you to necessarily be super hilarious or improv, they're listening for a nuance? A nuance, exactly. Comedy is like very subtle, I think, in voiceover, because when I was producing on the agency side back in the day, comedy in commercials was a lot more prevalent. We had double copy. We very rarely have two characters talking anymore, so it was a little more like in your face kind of comedy. 13:33 Yeah, back and forth kind of. Yeah, back and forth, you could riff off the other person. Now we're pretty much just doing one person voiceover, so that comedy has to be layered in, but never steal from the actual hero—our product or our client. And I think a lot of times when we're newer as voice actors, we're going for the "yucks" like, and it's like, "No, that's going to get you also noticed for all the wrong reasons." So I think I agree with you entirely. It's got to be layered, it's got to be nuanced, and you have to be able to find it. Sometimes people when I'm coaching, they miss the joke. I'm like, "Do you see that there's like a little pithy wit here?" 14:10 - Anne (Host) They're like, "No." I'm like, "Great." Or a play on words. And here's the thing too, you know, in writing scripts for demos and for my students, comedy is tough to execute in a certain time, like comedy is tough, especially if you're doing comedy writing in a demo. It's very tough to execute without sounding like a one-liner dad joke, right? Yeah, oh gosh, so true. And especially if you need to execute that time and just in a 30-second, 15-second commercial, to execute comedy and a sale at the same time is tough. 14:38 It's tough to do, it's really tough and so it does become very nuanced, right? And corporate, like when you get into like something longer, like corporate narration, you're not going to necessarily find too much humor, unless the brand itself doesn't mind making fun of itself, right? There's not many corporate—not many companies, I know, that make fun of themselves unless they have quirky products, right? If that's our corporate culture, great, but a lot of corporate is like, "No, very straightforward." 15:02 But they might have a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a note, it's a wink, it's a point of view that I think if you can execute and it only needs to happen like a little instant, then that to me, I can hear it right away and people can hear it right away. 15:23 They might not put their finger on it and say, "Oh, that was funny, like ha ha, knee slapping funny," yeah, but the execution of it is really it's key, and I think that comedy and improv is wonderful for people to have as a background in their acting skills. Yeah, I agree, comedy's tough. Did you perform like stand-up comedy? 15:42 - Jennifer (Host) No, I actually took a couple. I'm like, "No, I'm a smart-ass," but that was tough. So I took—a friend of mine was teaching. She is a comic and she taught classes and I did two of her classes, and after the first class, she's like, "Okay, and you know, as you know, we're going to an open mic," and it was torture. It was brutal. Just a bar room full of people going, "Make me laugh," and I'm like, "This is hard." 16:11 - Anne (Host) Yeah, I can't imagine. I have a friend who did stand-up in Burbank. Right? Everybody's at Flappers. Everybody's at Flappers and, "Come see my show at Flappers," and if you want to feel challenged, I mean stand-up at a mic in front of an audience. That's like, "All right." 16:26 - Jennifer (Host) Yeah, like just staring at you and you're sitting with the mic going. 16:29 - Anne (Host) Make me laugh. But there's where I think, like the thinking fast on your feet is going to help you, and I think it's going to help you no matter what. I mean those of us who aren't necessarily doing comedy like stand-up comedy, but here we are in our booths and we're doing auditions, right? I think, if you have the time to evaluate and analyze your script and find the humor—I mean we have the luxury of some time of finding that humor and being able to execute upon that. I think if you can do that, if it's there in the copy, that's what you try to put up front and showcase. 17:02 - Jennifer (Host) I always say I'm going to zag. If everyone else is going to zig, I'm at least going to zag appropriately, because they also don't want to be the actors like. "Well, I remember her for the reason that she went off the rails." It has to make sense. 17:15 - Anne (Host) It has to make sense for the copy, right? And so I feel like that improv also, when I ask my students to create the scene, right? Be actors for a corporate narration that might be talking about investments or something that might sound dry. What is that story? Who are you talking to? Why does it matter? 17:31 You've got to be able to have that quick, like, let me create the scene and let me respond to it, right, and that just helps to enhance your script analysis, the speed at which you do that, and also if you're being asked live, like, "Give me an AB of that," or an "ABC of that." 17:45 - Jennifer (Host) Yeah, how are we going to do that if you haven't created exactly scenario? I always think about how, in scene work and acting, we think about the moment before. Yes, and it's always because you'll hear actors, or I've heard this in auditions lots, where I'm listening to an audition, particularly when I was producing, it's like, "I don't even know why." I hear them saying the script. Why are they saying those words? Why are you even talking? It feels like you just sort of like dropped in cold and started talking, but I don't know why. Yeah, and I always can hear an actor who's a little bit more connected to the copy. Yeah, absolutely, and that's because they created some reason for talking in the first place. 18:21 - Anne (Host) Yeah, they created a reason to say those first words. There's got to be a response or a reaction. I say that even for corporate copy, definitely. 18:29 - Jennifer (Host) Even for e-learning. 18:30 - Anne (Host) You know what I mean. Like you've got a student that just asked you a question and so otherwise, it sounds like to me, I'm always telling my students, it sounds like once upon a time I started a monologue. 18:39 - Speaker 2 (Announcement) Yeah. 18:40 - Anne (Host) And it just became like, "Oh, I picked this thought out of the air and I just started saying it." 18:44 - Jennifer (Host) And there's no reason for it, and so it's weird how we can hear that, isn't that weird? It's like the microphone, sort of like picking up your thoughts, sort of like the camera records thought. That's why you've got to have something going on behind your eyes. 18:55 - Anne (Host) I think it's like you can hear somebody reading, right, because there's a certain melody and—and I know there's got to be scientific evidence, right? There's a melody that we have when we read words and I know it very well because I'm always telling people to stop reading. Start talking. 19:08 - Jennifer (Host) Stop reading. You sound like you're reading. 19:11 - Anne (Host) And so there's a melody to just reading the words, and it seems to start at the same pitch, like, "Hi, I'm Anne, I started here once upon a time." I've heard casting talk about this. 19:21 - Jennifer (Host) Voice casting agents will talk about this all the time. It's like, again, given a level playing field, the first people we're going to boot out of the running are people who sound like they're reading as opposed to talking, and it's a challenging skill set because we are literally reading scripts, but we're interpreting written speech into spoken speech, and it's a skill set. So it takes time. And I was thinking about how, whenever I'm auditioning for something, I think, well, I'd love to book it, of course, but I always think I'm not auditioning for this one, I'm auditioning for the next one, because, let's say, you know, I don't get selected for this one. I want you to remember me for the next one. So, something I do in this audition, I want to spark a little like, "Well, let's keep her in mind for something else down the road," because that's all I can control, absolutely, absolutely. 20:13 - Anne (Host) Speaking of auditioning and being an active voice actor and a woman of a certain age, and I say that, you look amazing. 20:19 - Jennifer (Host) Well, thank you, but let's face it. We've been in the business for a while, not a teenager. 20:25 - Anne (Host) Yeah, I cannot sound millennial, no matter what. 20:27 - Speaker 2 (Announcement) I do, even though I have a younger sounding voice. 20:29 - Anne (Host) No, it's mostly in the attitude. But let's talk a little bit about having been in the community and been in the industry for a while. What's it like these days being a little bit older in this industry? How are you finding work? Is it plentiful? Are you finding? 20:42 - Jennifer (Host) Yeah, I mean it's plentiful, but I still think that in general we're youth-oriented. 20:49 So if you're over a certain age, 40 or beyond. Oh, let's face it, I haven't seen 40 in a minute. Yeah, me either. And look at us, we're thriving. There we go. The voiceover industry is definitely very inclusive. It's getting more diverse all the time. Like when I was producing commercials, you most definitely had to sound a certain way, be of a certain demographic, and now we're hearing all sorts of wonderful, diverse voices. I still think there's room for us to include more voices that are definitely over 40. I'm still hearing people on the air where I'm like, "You don't sound old enough to tell me about retirement or having a baby." 21:27 - Anne (Host) You sound like a kid. I always try to tell people I start with the product, because I feel like companies are going to promote their products to the demographic they can sell to. 21:38 So it starts there, right? So what sort of a product would you sell to a demographic of females over 40 or females over 50? And I feel like that's where it starts. I feel like the younger sounding. I think it's because the company is trying to expand their demographic to make more sales. I think that's where it starts anyways, because I'm always saying, "Well, the trend right now is a little bit towards more millennial, and that's just the way it is." But I feel like there are certain products that a millennial does not sound realistic. 22:04 - Jennifer (Host) Talking about like Depends, right, or retirement or certain financial instruments or mortgages or things where it's like wouldn't you have to be a little older to be getting? An elder millennial, at least to talk about that. 22:17 - Anne (Host) Go you elder millennials. It's hard to believe. I know that in automotive that was a big thing because with Uber and bosses out there, if you study like it's not hard to study, like demographics and marketing, right? I mean during the pandemic nobody was buying cars and younger people were not buying cars because they were really reliant on Uber and Lyft and the rideshare stuff. 22:38 And so car companies started really marketing hard towards younger people and that changes who they hire right to do their voiceovers, and so I think it's something, bosses, that you need to really like spend a few minutes every day studying the market that you want to sell into. Really, it's not hard, it's Google. 22:57 - Jennifer (Host) Yeah, it's iSpot, Google. And. 23:00 - Anne (Host) Google says that honestly, like you can just type in, like, you know, demographic, automotive demographics or, you know, trends, it's easy to find that out and that can help inform you educationally what you might be auditioning for, how you would respond to an audition, right? What is the company? 23:18 - Jennifer (Host) Who are they targeting their sales to, or who you're, if you're doing direct marketing, which I think every voice actor should be doing, if you're directly marketing yourself to a client. It's like, do you vibe with that client? Are you appropriate for that client? So that's basically how I'm represented. I have talent agents across the country and it's very clear to me that my reps are very good about knowing what my wheelhouse is. So I do get a lot of healthcare, insurance, tech, things like that—healthcare, insurance, tech, things like that, because that's who I vocally appeal to. 23:53 It makes sense, and women have an enormous buying power because we make most of the household buying decisions in most households, and so, even though I still think the guys are doing about 60% of the commercial voiceover work, we're at 40%, so we're catching up, but I think companies are starting to realize that women's voices are appropriate for their products and they want to market to us. So I think we're doing better all the time. So, yeah, there's a lot of content out there. 24:22 - Anne (Host) So I would say that, with all our wisdom, with all your wisdom—with our collective wisdom, with all our—no, with your wisdom. What would be your best tip for people that are just starting out today? Because the industry has evolved over the years and it has definitely changed. So today, if somebody's interested in pursuing voice acting, what do you say to? 24:41 - Jennifer (Host) Them? Brand spanking new, I'd say, and I know people are like, "But you all are coaches, so of course you're going to say this," but I would say this even if I didn't coach it: it is a skill set. And so I think you've got to start with good training, and I tell my students this all the time: Get involved in the voiceover community, get your squad together, get an accountability group, a voiceover workout group. You and I were just at the Nava Gala. Is it Gala or Gala? 25:07 - Anne (Host) Gala. 25:09 - Jennifer (Host) I think Gala. 25:09 - Anne (Host) Gala sounds more elegant. 25:11 - Jennifer (Host) Nava Gala. 25:12 - Anne (Host) We're the Nava Gala. 25:13 - Jennifer (Host) And it's just, it's a constant reminder that when we're so isolated and working on our own, if we don't have community around us, this job is hard. It is. I love the voiceover community so much, and so we have a community around us. We're learning things, we're sharing things, and so I always suggest to people, they're like, "Oh, I don't know what to do. How do I help myself in this career?" I'm like, "Well, get good training and get involved in the community so that you're constantly learning from your peers." Or at least, because we're working by ourselves, it can feel a little lonely and isolating. 25:47 - Anne (Host) Get some VO pals and get lifted up and listen to podcasts like the VO Boss podcast. 25:52 - Jennifer (Host) Yes, please. Listen to VO Boss, listen to VO Boss, guys. I've been doing this for eight years now. 25:59 - Anne (Host) Oh my gosh, it seems so forever. Eight years, amazing, every week. 26:03 - Jennifer (Host) I love it. Oh, my goodness. 26:04 - Anne (Host) Wow. 26:16 - Jennifer (Host) So if bosses want to find out more about you, where can they find out more about you? 26:18 - Anne (Host) I'm a busy kitty on the Instagram at Sims, my website, Sims. I'm busy there too, so, yeah, awesome, come see me. Well, Jennifer, it has been so much fun. I think we could probably talk for another hour or hours. 26:27 - Jennifer (Host) It would be a delight, but I know you're booked and busy, so we'll get on to other things. 26:31 - Anne (Host) But I thank you so much for spending your morning with me and bosses, make sure you look up Jen. Can I call you Jen? Jen? 26:40 - Jennifer (Host) Yeah, go by Jen. Look up Jen. I want to say Jennifer. Jen. 26:42 - Anne (Host) Check out Jen's website and check her out on her socials. Jen, check out Jen's website and check her out on her socials. Yes, please, bosses. 26:49 - Jennifer (Host) Yes, absolutely. 26:56 - Anne (Host) Thanks again, I'm going to give a great big shout out to our sponsor, IPDTL. You too can connect and network like bosses. Find out more at IPDTL.com. You guys have an amazing week and we will see you next week. Bye, bosses, you're the best. 27:06 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.

Most golfers think the secret to better scores lies in perfecting their swing—but today's episode of Golf Party Live is here to tell you there's so much more to the game. Donna and Boo dive deep into the often-overlooked skill of course management—what it is, why it matters, and how it can drastically improve your game, no matter your skill level.Donna shares how, even as a Division I golfer at the University of Arizona, she didn't fully understand course strategy—something she's now passionate about teaching. Whether you're a beginner trying to break 100 or a seasoned player chasing consistency, this episode is full of tips to help you play smarter, not harder.What We Cover in This Episode:• What course management really means• Why it's just as important as your swing, fitness, and mindset• The myth of course management and how it holds players back• How smart decisions can reduce frustration and lower your scores• The value of on-course lessons (not just range time)• Understanding patterns in your game—miss tendencies, club choices, and risk vs reward• How a coach or instructor can help track your game beyond the scorecardKey Strategies Shared:• Pre-Round Planning: How to mentally and strategically prepare before you even tee off• Tee Box Tactics: Where to aim, and why the middle of the fairway isn't always your best bet• Fairway Decisions: Club selection, lay-ups, and knowing when to play aggressive vs smart• Green Management: Reading angles, using the whole green, and leaving yourself makeable putts• The Mental Game: Confidence, calm decision-making, and committing to your planSpecial Moment:Donna shares some personal news—she's officially accepted the Head Coach position for the Higley High School Girls Golf Team! She's excited to bring course management, mindset, and fundamentals to the next generation of lady golfers.Takeaway:Golf isn't just about hitting great shots—it's about making great decisions. The sooner you embrace the mental and strategic side of the game, the faster your scores (and your enjoyment) will improve.

This week is the final episode of this season on ‘Really Good Exposure' (Boo! But don't worry, we will be back!). To end it with a bang we have the incredibly talented Kaya Scodelario! Plus a VERY special announcement from Meg! - Stay tuned at the end of the episode to hear what she's been waiting patiently to announce for WEEKS!

Boo and Evan finish the exploitative adventure that Shockwave is partaking in Rumble's head. You'd really think they could have more pixels in their memories, being that they're an advanced race of alien robots.If you'd like to contact the guys, they'd love to hear from you!Edhatestransformers@gmail.comMorethanmeetstheseguys@gmail.com@mtmtgpod on Twitterhttps://www.facebook.com/MoreThanMeetsTheseGuys/https://discord.gg/sKr8jwaAvhIf you'd like to toss a buck or more per episode, we'd adore and say nice things about you. You don't have to, as we'll still gladly hang out with you guys and gals every week, but we appreciate any help! patreon.com/user?u=69144181

Reese & Megan have a great conversation with Deanna Hertich about her amazing rescue partner, True Colors aka Boo!!! Next, they speak with Nadine Schwartsman on qualifying of the US Open! Last, but not least, they speak with Hilary Moore Hebert on spear heading the Wellington Dressage Development Program! Listen in…GUESTS AND LINKS DRESSAGE EPISODE 771:Co-Hosts: Reese Koffler-Stanfield and Megan McIssac | Instagram | FacebookGuest: Deanna HertrichGuest: Nadine Schwartsman | Facebook | InstagramGuest: Hilary Moore Hebert | Facebook | Wellington Dressage DevelopmentBook Club: Collective Remarks by Anne GribbonsDressage Radio Show: Website | FacebookPlease visit our sponsors, who make all this possible: Kentucky Performance Products, ChewyTime Stamps:11:51 – Deanna Hertrich25:27 – Nadine Schwartsman41:15 - Hilary Moore Hebert

Reese & Megan have a great conversation with Deanna Hertich about her amazing rescue partner, True Colors aka Boo!!! Next, they speak with Nadine Schwartsman on qualifying of the US Open! Last, but not least, they speak with Hilary Moore Hebert on spear heading the Wellington Dressage Development Program! Listen in…GUESTS AND LINKS DRESSAGE EPISODE 771:Co-Hosts: Reese Koffler-Stanfield and Megan McIssac | Instagram | FacebookGuest: Deanna HertrichGuest: Nadine Schwartsman | Facebook | InstagramGuest: Hilary Moore Hebert | Facebook | Wellington Dressage DevelopmentBook Club: Collective Remarks by Anne GribbonsDressage Radio Show: Website | FacebookPlease visit our sponsors, who make all this possible: Kentucky Performance Products, ChewyTime Stamps:11:51 – Deanna Hertrich25:27 – Nadine Schwartsman41:15 - Hilary Moore Hebert

Ooooooh, it's getting spooky today! Happy Friday the 13th. To give you an unexpected BOO, Ricki takes us through the worst snoring sounds found online. Travis Kelce's brother reacts to a very spooooky tattoo from a fan. Joel gives us his spoooooky review of his night at Katy Perry. And, what's your cigarette? Don't worry, it will make spooky sense when you listen.See omnystudio.com/listener for privacy information.

In this episode, we continue to follow the adventures of that most amazing of Romans: Marcus Furius Camillus! This is one of his real shining moments of virtus.Although the Romans have just conquered Veii, there was tension on those mean city streets. The patricians and plebeians were locked in a disagreement over what they should do with this new territory.However, Camillus had military matters to attend to. He was placed in charge of subduing Veii's allies, the Faliscans. This was no easy task as the enemy was well-prepared and the city of Falerii was easily defended.Camillus was making some headway, but it looked as though this conflict was going to turn into another length siege. Boo!School for ScandalFortune sided with Camillus as the leading school teacher in Falerii decided to betray his people. He was in charge of the children of all the most important families in town, and what better way for kids to get exercise than to be marched right into the Roman camp?We don't want to give too much away, but what Camillus does next will make you swoon like a love-sick teen. Oh, and it also gave us our next idea for a T-shirt, so thanks Camillus! You sure are a swell guy!Our PlayersMilitary Tribunes with Consular PowerM. Furius L. f. Sp. n. Camillus (Pat) Mil. Tr. c. p. 401, 398, 386, 384, 381L. Furius L. f. Sp. n. Medullinus (Pat) Cos. 413, 409, Mil. Tr. c. p. 407, 405, 398, 397, 395, 391 C. Aemilius TI. F. TI. N. Mamercinus (Pat) Mil. Tr. c. p. 391L. Valerius L. f. L. n. Poplicola (Pat) Mil. Tr. c. p. 389, 387, 383, 380Sp. Postumius – f. – n. Albinus Regillensis (Pat)P. Cornelius -f. -n (--------) (Pat) Mil. Tr. c. p. 397 or 395[?] Catlus VerusTribunes of the PlebsQ. PomponiusT. SiciniusA. VerginiusLegates, AmbassadorsL. Valerius Potitus (Pat) Cos. 393, 392, Mil. Tr. c. p. 414, 406, 403, 401, 398L. Sergius (Fidenas) (Pat) Mil. Tr. c. p. 397A. Manlius (Vulso Capitolinus) (Pat) Mil. Tr. c. p. 405, 402, 397For our full show notes and edited transcripts, head on over to https://partialhistorians.com/Support the showPatreonKo-FiRead our booksRex: The Seven Kings of RomeYour Cheeky Guide to the Roman EmpireFor our full show notes and edited transcripts, head on over to https://partialhistorians.com/Support the showPatreonKo-FiRead our booksRex: The Seven Kings of RomeYour Cheeky Guide to the Roman Empire Hosted on Acast. See acast.com/privacy for more information.

"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."