Podcasts about shakespeare

2. Headline: Developing Talent in Harlem's Negro Unit Guest Author: James Shapiro The Federal Theater Project aimed to develop Black talent by establishing "negro units" across America. The New York unit at the Lafayette Theater was initially led by Broadway star Rose McClendon, who recognized the importance of developing Black actors and directors. She brought in John Houseman, then a struggling administrator, who subsequently recruited a nineteen-year-old Orson Welles to direct his first professional Shakespeare play. This initiative provided revolutionary opportunities for Black performers in an industry where they were previously barred from even working as ushers. (2)1940

3. Guest Author: James Shapiro James Shapiro details the creation of the famous "Voodoo Macbeth" in Harlem, directed by a twenty-year-old Orson Welles. Replacing Shakespeare's traditional Scottish setting with 19th-century Haiti, the production substituted witches with voodoo drummers and chanters. Welles, influenced by the rise of global fascism, framed evil as a systemic cultural force rather than a personal failing. The production was a massive hit, eventually moving to Broadway and touring nationally. This tour broke Jim Crow boundaries by bringing a professional Black cast to states where Black citizens lacked political representation. (3)1917

En esta ocasión la cena se prepara en el apartamento de Rubin. 🥠🍗🥩🍰🍸 Un círculo discreto de seis caballeros que se reúnen una vez al mes, siempre en el mismo restaurante, siempre en la misma mesa, y siempre con una única regla: cada cena debe tener un invitado, y ese invitado debe estar dispuesto a hablar y a ser interrogado. 🕷🕷🕷🕷🕷🕷🕸 El Club de los Viudos Negros', de Asimov. CENA DE MARZO 🍷🍰 📍 Ristorante Casa Milano – Milano, Italia 🧭 Coordenadas: 45°28'19.8"N 9°12'06.4"E Isaac Asimov los creó como un homenaje al placer de conversar, al arte de observar y a la deliciosa costumbre de no quedarse con la primera respuesta. Acomódate. El vino está servido. La cena va a comenzar. Y tú… Tú también estás invitado. Los Viudos Negros son un club de seis hombres que se reúnen una vez al mes en un reservado del restaurante Milano de Nueva York. Cada noche uno de ellos preside el encuentro y tiene el derecho de llevar un invitado, al que interrogan. Al principio sólo se reunían para comer y conversar pero últimamente uno de ellos plantea algún tipo de problema o delito. Los miembros del club buscan respuestas complejas a los enigmas planteados y luego Henry, el camarero, descubre la simple verdad. El club está formado por:🍷🍷🍷🍷🍷🍷 Geoffrey Avalon, Jeff. Alto y delgado, espesas cejas negras, bigote recortado y barbita gris. Fue oficial durante la II Guerra Mundial y trabaja como abogado en derecho patentario. Mario Gonzalo, pintor y gran artista. Thomas Trumbull. Rostro moreno y arrugado, permanentemente descontento. Experto en códigos, alto consejero del gobierno. Emmanuel Rubin, Manny. Bajito, mide 1,55, barba rala, lentes gruesos. Fue predicador adventista con 15 años y conoce bien la Biblia. Está casado y es escritor de novelas policíacas. James Drake. Bigote. Vive en New Jersey. Especialista en química orgánica con amplios conocimientos en literatura. Roger Halsted, calvo. Profesor de matemáticas en una escuela secundaria. Escribe la Ilíada en quintillas y todos los meses les recita una estrofa. Es miembro de los Irregulares de Baker Street. Henry Jackson, el camarero. Unos 60 años, sin arrugas. Es humilde y honrado. Entre ellos se llaman doctores y si uno es doctor de carrera le denominan doctor doctor. Para ayudarse en sus investigaciones cuentan con diccionarios, biblias y las obras de Shakespeare en su biblioteca. Y recuerda que puedes seguirnos en Telegram, YouTube, Instagram y X, y si este podcast te acompaña, te inspira o te gusta lo que hago, puedes hacerte fan y apoyar la nave. Tu energía mantiene viva esta aventura sonora.🚀 Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! Voz y sonido Olga Paraíso, Música Epidemic sound con licencia premium autorizada para este podcast. ⏩BIO Olga Paraíso: https://instabio.cc/Hleidas PLAYLIST EL CLUB DE LOS VIUDOS NEGROS EN Ivoox https://go.ivoox.com/bk/11290149 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Nina Conti joins Dan, James and Andy to discuss ventriloquists, gogillath, Shakestheare, and Twintheth Nargaret.Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes. Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonGet an exclusive 15% discount on Saily data plans! Use code [fish] at checkout. Download Saily app or go to https://saily.com/fish

It. Has. Come. Down. To. This. RSC co-artistic director Austin Tichenor is joined by actors, directors, coaches, and Shakespeareans DeeDee Batteast, Elizabeth Dennehy, Gregory Linington, and director/mathemagician Nate Cohen to decide Shakespeare's Best Character in our (mostly) annual Ides of March Madness tournament. The distinguished panel reveals unexpected seeding for some characters fans won't see coming; some heart-stopping upsets; how the depth of some characters compares to the breadth of others; the kind of Rosalind we're all dying to see; how Nate gamed out the entire season to arrive at this field of 64; threading the needle of Best vs. Great vs. Favorite; how some lesser-known characters punch above their recognition level; which character gets (appropriately enough) voted off the island in the first round; a bold approach to Shylock; and a Sweet Sixteen of undeniable greatness that will compete resolutely when our tournament concludes next week. #EdmundWasRight (Length 1:28:58) The post Ides of March Madness 2026 (Part 1) appeared first on Reduced Shakespeare Company.

Abraham Shakespeare won thirty million dollars in the Florida Lottery. Three years later, he was dead -- shot twice, buried under concrete in Lakeland, Florida. This episode features real court recordings and interrogation audio.Abraham Shakespeare, 43, was a truck driver's assistant from Lakeland, Florida, who lived simply and was known for his generosity. Friends described him as someone who would help anyone, even when he had little to give. On November 15, 2006, Shakespeare won a $30 million Florida Lotto jackpot, choosing a lump-sum payout of approximately $17 million. He purchased a million-dollar home in a gated community, bought cars for friends, paid off mortgages for relatives, and gave cash to nearly anyone who asked. Within two years, the majority of his fortune had been spent or given away. He told relatives he sometimes wished he had never won.In late 2008, Dorice "Dee Dee" Moore approached Shakespeare, claiming she wanted to write a book about how people were taking advantage of him. Moore positioned herself as his financial protector. Within months, she had Shakespeare sign over his home, his remaining properties, and control of his bank accounts to companies she owned. By early April 2009, Moore controlled nearly everything. When Shakespeare began pressing her about where his money had gone, he vanished. His last confirmed sighting was in the first week of April 2009.Moore launched an elaborate deception to cover his absence. She sent text messages from his phone, forged letters in his name, and paid a man to impersonate Shakespeare on a phone call to his own mother. She told police he had planned his own disappearance. When Shakespeare's family reported him missing in November 2009, investigators with the Polk County Sheriff's Office traced the financial records. Every explanation Moore offered contradicted the evidence. A controlled phone call arranged by detectives caught Moore pressuring an attorney to maintain lies about Shakespeare's whereabouts.In January 2010, acting on evidence from an undercover operation, authorities discovered Shakespeare's body buried nine feet deep under a concrete slab at a property on Highway 60 in Plant City, Florida. He had been shot twice in the chest with a .38 caliber revolver. On December 10, 2012, a Hillsborough County jury convicted Dorice Moore of first-degree murder after three and a half hours of deliberation. The judge called her "cold, calculated, and cruel" and sentenced her to life in prison without parole.This episode features court recordings and interrogation audio from the investigation into Abraham Shakespeare's murder. Listener discretion advised.Support Obscura:Patreon: https://www.patreon.com/obscuracrimepodcast/Website: https://www.mythsandmalice.com/show/obscura/Apple Premium: https://podcasts.apple.com/us/channel/black-label/id6443660911Our Sponsors:* Check out BetterHelp: https://www.betterhelp.com* Check out Chime: https://chime.com/OBSCURA* Check out Kensington Publishing: https://www.kensingtonbooks.com* Check out Mood and use my code OBSCURA for a great deal: https://mood.com* Check out Progressive: https://progressive.com* Check out TruDiagnostic and use my code OBSCURA20 for a great deal: https://www.trudiagnostic.comSupport this podcast at — https://redcircle.com/obscura-a-true-crime-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join me (Anna Stone) and guest host Emilio Tostado of Sleepless Cinematic Podcast as we break down William Shakespeare's Romeo and Juliet and the 1996 Baz Luhrman film adaptation. In this episode, Emilio discusses the use of water throughout the film, we talk about this amazing cast, and we both struggle to pronounce the word "Elizabethan". Follow on Instagram @stonestoptens and @sleeplesscinematicpodEmail stonestoptens@gmail.comSleepless Cinematic Podcast episode on Shakespeare In Love keywordsRomeo and Juliet, Baz Luhrmann, classic literature, film adaptation, themes, iconic scenes, character analysis, modern adaptations, cultural impact, Shakespeare Romeo and Juliet, modern adaptations, character dynamics, dystopian aesthetics, visual storytelling, sound design, casting choices, timelessness, aging characters, memorable scenes Romeo and Juliet, Baz Luhrmann, character analysis, film critique, performance review, costume design, modern adaptation, Shakespeare, cinematic choices, character dynamics Romeo and Juliet, film adaptation, costume design, soundtrack, modern casting, Baz Luhrmann, Shakespeare, movie critique, character analysis, 90s nostalgia

After making history as the first woman to travel into space, an astronaut returns to Earth with a passenger no one expected — an alien intelligence slowly taking control of her mind and body. | #RetroRadio #WeirdDarkness | EP0601CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “First Woman In Space” (June 13, 1977)00:47:25.223 = The Sealed Book, “To Have And To Hold” (August 12, 1945) ***WD01:16:54.863 = The Shadow, “The Ghost of the Stair” (December 29, 1940) ***WD01:45:57.073 = BBC Radio 4 Spinechillers, “The Blue Room” (February 27, 1984)01:58:26.056 = Stay Tuned For Terror, “Lizzie Borden Took An Axe” (July 23, 1945) ***WD02:11:23.544 = Strange Wills, “Audition/Never Aired” (January 15, 1946)02:41:58.960 = Strange, “Phantom Wagoneer” (March 21, 1955) ***WD02:55:34.220 = Suspense, “One Way Ride to Nowhere” (January 06, 1944)03:24:30.997 = Tales of the Frightened, “Shakespeare's Hometown” (December 17, 1957)03:28:49.113 = Tales of Tomorrow, “The Old Die Rich” (March 26, 1953) ***WD04:00:36.078 = Tales From The Tomb, “Spirits of the Dead” (1960s)04:02:48.671 = The Creaking Door, “Vagrant” (April 29, 1964) ***WD04:32:04.178 = The Saint, “The Ghost Who Came To Dinner” (April 08, 1951)05:00:00.898 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0601

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 13 March 2026See omnystudio.com/listener for privacy information.

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 13 March 2026

HOUR 2: To teach Shakespeare or not to teach Shakespeare, that is the question. full 2013 Mon, 16 Mar 2026 20:00:00 +0000 rekYOeR5LUr3k6nqsXmei7CHEwNES4KF news The Dana & Parks Podcast news HOUR 2: To teach Shakespeare or not to teach Shakespeare, that is the question. You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News False https://playe

Episode 207 Whereas the larger-than-life characters in ‘Othello' left us with no moral ambiguities, but plenty of questions about the nature of the outsider and society's attitude towards those who are different. Shakespeare's next offering, ‘Measure for Measure' was a very different piece with few of those certainties.The dating and earliest performance of the playThe early print history of the playChanges made by Thomas MiddletonThe source material for the playA brief synopsis of the playComedy of Tragicomedy?Issues with the structure of the playJustice and mercyThe premise of the play examinedHow the characters avoid easy categorisationThe role of the dukeThe role of IsabellaThe role of AngeloThe role of LucioThe ending of the play and Isabella's response to the dukeThe mixed critical response to the playThe later performance history of the playMeasure for Measure on filmSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

What toys did children play with in Shakespeare's lifetime? In this episode, historian Dr. Julia Martins joins That Shakespeare Life to explore the games, dolls, rattles, hobby horses, and playground activities that shaped childhood in Tudor England—and how these playful details appear in Shakespeare's world.      

Hoy hablaremos del Tamarindo, con su curioso sabor y su inesperado origen lejos de tierras aztecas. Además, hablaremos de una nuestras actividades favoritas como humanos: la siesta. Hogar de Morfeo y los comelones que los ataca el mar del puerco. Además, viajaremos a la lejana república de Crimea para repasar su turbulenta historia y cómo ha pasada de unas manos a otras. Finalmente, toca una última parada para hablar de uno de los favoritos al Oscar por Mejor película: Hamnet. Una aventura dramática por la vida del Gran Shakespeare.See omnystudio.com/listener for privacy information.

Hark, what podcast through yonder window breaks?It's Casual Trek! We have a fun topic today with Star Trek episodes with titles which are Shakespeare quotes!Listen to Charlie's terrible attempt at acting, followed by our James Van Der Beek memorial and three fun episodes of Star Trek!Dagger of the Mind has Kirk and a doctor arrive in a mind-fixing bunker which would feel at home in Space: 1999 and somehow, Kirk willingly gets in the machine that messes with your brain.Thine Own Self has a crumpled Data show up in a Ren Faire village with amnesia and a deadly package.Mortal Coil lets us see Neelix die AND Ethan Phillips act up a storm as he has to confront the lack of a bit Avatar tree.Then in writing the show notes, Charlie realises we never actually confronted how Shakespearean the plots were, so you'll have to do that yourself after you listen to the show!00:05:02 What Non-Star Trek Things We've Been Enjoying: The Dead Zone (book), Wuthering Heights (2026)00:13:46 James Van Der Beek Memorial Segment00:17:29 Star Trek: The Original Series: Dagger of the Mind00:46:55 Star Trek: The Next Generation: Thine Own Self01:13:33 Star Trek: Voyager: Mortal Coil (CW: suicidal ideation)Talking points include: The time that Miles ‘trod the boards', the various incarnations of The Dead Zone, various old SyFy shows, Wuthering Heights, James Van Der Beek, Charlie poorly tries to quote Shakespeare, Talur would believe in QAnon, jobbing actors, Miles is off on another one about Doctor Who, the cosmic horror of the Teletubbies, Neelix is a man about town, Chakotay ‘helps' Neelix, Silicon Heaven, you can hear when Charlie finds out that Neelix leaves Voyager right near the end, . Oh, and occasionally Star Trek.Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act V Scene i - Edgar makes his suit to Albany, and then Edmund reveals how he really feels about Regan and Goneril. Written and presented by Conor Hanratty

It's time to bring you the latest mini-series of Playboys Extra from 2025, 6 more plays from around the world to complete our world tour. We also have 8 new Playboys (original Shakespeare series) episodes started on patreon. Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! Hosted on Acast. See acast.com/privacy for more information.

Búi Dam is on The Movies talking about his new documentary, BIRITA, which premieres today as part of the Copenhagen International Documentary Festival (CPH:DOX for short).BIRITA is named after Búi's mother, Birita Mohr, a legendary presence and actor in Faroese theatre. (The Faroe islands are located between Iceland and Norway, currently part of the Danish kingdom, though the independence movement is loud and fuckin' proud.)Birita was diagnosed with Alzheimer's in 2011 and since then, hadn't performed on stage. In a bid to give his mom another at-bat and help her channel this joy and experience which lives baked into her bones, Búi put together a prodcution of Shakespeare's KING LEAR, casting his mom in the title role.He talks about the process of crafting the play, lessons learned about his mother and the relationship with his own aging, what legacy he'd like to leave behind for his children, and much more.BIRITA premieres at CPH:DOX today, March 15, at 16:15pm. More details can be found here.---Music provided Content ID free by @goodkidbandFollow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!⁠

Paul Mescal has quickly become one of the most compelling actors of his generation and stars in Hamnet, which is nominated for Best Picture at this year's Oscars. In this conversation from November 2025, Mescal joins Willie Geist to discuss playing young William Shakespeare in Hamnet, working alongside industry legends on Gladiator II, and how he approaches crafting complex characters. Plus, the Normal People and Aftersun star reflects on his journey from school musicals to Hollywood. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode: 1538 In which the various centuries show their faces.  Today, we ask what a century looks like.

El actor José María Pou nos habla de Gigantes, la obra en la que encarna a Roald Dahl, el excéntrico y célebre escritor de Matilda, Charlie y la fábrica de chocolate o Las brujas. Dahl vio cómo unas polémicas declaraciones suyas incendiaron a la prensa y afectaron a su reputación, con consecuencias imprevisibles. “Nunca he hecho un personaje tan difícil”, nos confiesa Pou.Añade que “lo más importante es encontrar una historia que merezca la pena ser contada”. Y recuerda que Roald Dahl “es el autor más vendido en lengua inglesa después de Shakespeare y Dickens”. Habla también de la enorme ternura que Dahl mostraba en su literatura infantil y de cómo, hace unos años, se eliminaron de sus libros palabras como feo o gordo. Pero subraya que “sus cuentos breves para adultos, que acaban de publicarse en España, son increíbles”.Pou se considera “un actor privilegiado” porque nunca ha tenido que hacer una obra que no le gustara: “Siempre han sido porque he querido hacerlas”. Y confiesa que, a veces, durante la función, se ve a sí mismo “como un padrino a la puerta de la iglesia”.Escuchar audio

Ángeles Caso conversa en El ojo crítico con la dramaturga Andrea Jiménez, que nos presenta su proyecto Casting Lear, una versión-simulacro de 'El rey Lear' de Shakespeare que acaba de regresar por tercera al Teatro de la Abadía, el lugar en el que nació ese espectáculo. "Ha venido de una investigación y de un deseo de sentir el presente del teatro aún más", asegura la autora sobre una propuesta única y arriesgada en la que el teatro y la performance conviven. Escuchar audio

 In this episode of Wisdom of the Sages, Raghunath and Kaustubha unpack a controversial passage from the Śrīmad-Bhāgavatam — the ancient Sanskrit text of Vedic wisdom centered on Krishna and the path of Bhakti Yoga. The story describes Krishna interacting with the gopīs of Vrindavan — the cowherd women whose consciousness was completely absorbed in devotion to Him. At first glance the scene appears morally troubling, but the sages explain that it reveals a deeper spiritual principle: divine love exists beyond ordinary moral frameworks. Along the way the discussion moves between the Śrīmad-Bhāgavatam, the Bhagavad Gita, Shakespeare, and classic jazz love songs, showing how even great romantic lyrics can echo the bhakti insight that the deepest love longs to give everything. In Bhakti Yoga this is called ātma-nivedanam, the complete offering of oneself to the Divine — and when devotion reaches that level, Krishna reciprocates and awakens the soul's highest consciousness. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

Othello – Introduction We begin our 20th series with some first impressions, a rundown of our methods, a list of resources, some history, and what to expect from one of Shakespeare's greatest tragedies.

This week, Steph and Mike take us through :Away 'fits - feat: a surprising BHI model momenta celly rating????????Social Media StandoutsAn Opponent Spotlight with Micaela Miot of 10k Shakespeare and Bowls with the BardAnd finally, The Man of Steph's Jersey.Follow us on Insta!Support the show

This week we dive into the strange, fascinating world of superstitions, starting with a few well-known ones before venturing into some truly bizarre beliefs from around the globe. The episode explores classic superstitions like unlucky black cats, knocking on wood, the taboo of walking under ladders, the bad luck of breaking mirrors, and why you shouldn't open an umbrella indoors. From there, we travel through a collection of unusual cultural superstitions. In parts of South America and Spain, sweeping someone's feet with a broom is said to doom them to a lifetime of being single, while in the Caribbean an itchy palm might signal money coming in or going out depending on which hand it is. Some beliefs are even stranger, like the Irish warning that an itchy nose means a fight is coming, or the Turkish superstition that chewing gum after dark turns it into human flesh. The hosts also chat about customs tied to everyday life and sleep, such as instructions about when to cut your nails, never placing a hat on a bed, reshaping mattresses to prevent the devil from hiding in them!We wrap up with theatrical lore surrounding “The Scottish Curse,” the long-standing belief among actors that saying the name of Shakespeare's Macbeth inside a theater invites disaster! Blending history, folklore, and humor, the episode highlights how superstition has shaped human behavior for centuries and how many of these quirky beliefs still linger today.

From dinosaurs and acting class stories to jaw-dropping art revelations, Craig Carton and Chris McMonigle dive deep into the wild world of Picasso doodles, Banksy's secret sales, and Shakespeare conspiracy theories! Plus, they break down Geno Smith's one-year Jets future and hilarious fan calls. You won't believe some of these insane stories!

In this week's mini-sode we are shining the spotlight on Broadway's Twelfth Night- inspired, Elvis Presley jukebox musical "All Shook Up"! Yeah, you heard that right! A Broadway musical inspired by a Shakespeare play, set to the tunes of Elvis Presley! What more could you ask for??Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

 In this episode of Wisdom of the Sages, Raghunath and Kaustubha unpack a controversial passage from the Śrīmad-Bhāgavatam — the ancient Sanskrit text of Vedic wisdom centered on Krishna and the path of Bhakti Yoga. The story describes Krishna interacting with the gopīs of Vrindavan — the cowherd women whose consciousness was completely absorbed in devotion to Him. At first glance the scene appears morally troubling, but the sages explain that it reveals a deeper spiritual principle: divine love exists beyond ordinary moral frameworks. Along the way the discussion moves between the Śrīmad-Bhāgavatam, the Bhagavad Gita, Shakespeare, and classic jazz love songs, showing how even great romantic lyrics can echo the bhakti insight that the deepest love longs to give everything. In Bhakti Yoga this is called ātma-nivedanam, the complete offering of oneself to the Divine — and when devotion reaches that level, Krishna reciprocates and awakens the soul's highest consciousness. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

We did it! All 10 movies in the bag before the Oscars. This week we shake...... things up with a little Shakespeare and this movie has all the tragedy that one his plays would have. Give it a watch and then give us a listen to find out why Romero has this one as his new #1 favorite for this year's nominations. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Romero - @RomeroinATX Zach - @ZachfromNB

Arthur Henry King points to classic passages of Shakespeare's work to show that Shakespeare and the gospel share some important themes in common. Click here to see the speech page.See omnystudio.com/listener for privacy information.

The bard is back on the pod with that new heat, this time coming straight outta Verona. In episode 374, join Luke Elliott & James Bailey as they talk about the poem that Shakespeare was adapting, debate the existence of "love at first sight," get real about soulmates, unlock some hints from the meter of the text, appreciate the blend of humor and drama, and finally ask whether the tragedy of their love is ultimately worth it. Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup Romeo and Juliet or any of the books they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/outro music: Parallel by Ross Bugden Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Before you board an international flight, before you cross a border, you need a passport. But how much do you really know about the little book that controls where you can and cannot go in this world? On this episode of Unpacked, host Aislyn Greene sits down with Patrick Bixby, an English professor at Arizona State University and author of the book License to Travel: A Cultural History of the Passport, which explores how a bureaucratic document became one of the most emotionally loaded objects in human history. In the episode, they discuss the passport as a paradox: a document that simultaneously promises freedom and enforces control, that carries the hopes of liberation and the machinery of surveillance. You'll come away seeing that little booklet in your drawer in a completely different light. In this episode, you'll learn Why the passport as we know it was born out of World War I — and why those wartime controls never went away. How the word "passport" dates to 15th-century France, and why Shakespeare wrote about it. What Frederick Douglass's passport journey reveals about citizenship, race, and the fight for identity.Why the US passport ranks around 30th in global passport power — and what that means for American travelers. What's coming next: digital borders, blockchain credentials, and the end of the stamp. Key chapters 00:00:00 The Paradox of the Passport 00:04:00 A History Older Than Nations 00:09:00 The WWI Origins of Modern Travel 00:11:00 Gender, Race, and the Document 00:16:00 What Makes a Passport Powerful 00:20:00 Stamps, Surveillance, and the Digital Border 00:26:00 Do You Believe in the Passport? Meet this week's guest Patrick Bixby, English professor, cultural historian, and author of License to Travel: A Cultural History of the Passport Resources Read the afar.com story about the world's most powerful passports. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you motivate your students to do more than the bare minimum? Are there ways to help your students write better topic-clincher sentences? Join Andrew Pudewa and Julie Walker as they discuss these questions and more in another Ask Andrew Anything episode. You never know what question Julie may ask! Referenced Materials Episode 478: What’s in Your Audible Account? Episode 231:The Dyslexic Advantage – A Conversation with Brock and Fernette Eide, Part 1 Episode 159: IEW and Dyslexia – A Conversation with Susan Barton Principles of Motivation audio talk by Andrew Pudewa Memoria Press Logic courses The Art of Argument The Argument Builder Fix It!® Grammar Structure and Style® for Students: Year 1 Level A Episode 398: Think like Shakespeare, Part 1 Link to Episode 520 video Transcript of Podcast Episode 520 If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com

Ronnie Burkett, the Governor General Award-winning puppeteer, is back with a new show Little Willy. He joins Garvia Bailey to talk about why he wanted to do a provocative, comedic take on Shakespeare's Romeo and Juliet. Ronnie reflects on 40 years of doing puppet shows for adults with his Theatre of Marionettes and why audiences make the puppets “real.”

In this College Deep Dive, Kim Shively, Associate Professor of Performing Arts at Elon University chats with MTCA Director Charlie Murphy about: 

“Takes All Kinds”—An American Public Affairs Discussion and Demonstration of Journalistic Theatre Actor and playwright Dan Hoyle and his director, celebrated director/actor Aldo Billingslea, provide an inside look at the creation of their widely acclaimed new solo performance piece “Takes All Kinds.” Dan's blog reminds the viewer that  ”I'll be disappearing into these different characters and stories and you'll be glad to journey there with me. They've been traveling with me these last couple years. I think they'll stay with you too.” With “Takes All Kinds,” Hoyle and Billingslea use journalistic theater and embodied storytelling to portray powerful, funny and complex people caught in the social and political currents roiling our society. They create portraits of everyday Americans through moving and funny true stories of American democracy: school board showdowns in Florida, grassroots organizers in Atlanta, barber shops in Las Vegas, deprogrammers of violent extremists in Missouri and more. In this mostly offstage oriented “talk-back” presentation, listeners and observers will have an opportunity to explore with Hoyle and Billingslea how thousands of hours go into a little over an hour show. The artists' view reveals (somewhat) the amazing mystery of live transformative theatrical narrative that has everyone laughing and pin-drop listening with the next moment. And always has the audience talking as they depart. Yes—it's about politics, but could experiencing public affairs embodied theatre journalism bring people something they needed more than they realized?   “Stunning…something almost supernatural happens,” according to the  San Francisco Chronicle. Currently based at the Marsh Theatre, “Takes All Kinds” has toured elsewhere in California plus New York City, Charleston and Chicago, and will be heading to Idaho, Florida and more in 2026. About the Speakers Oakland-based Dan Hoyle is an actor and writer whose immersion research theater work has been hailed as "riveting, funny and poignant" (The New York Times) and "hilarious, moving and very necessary" (Salon). His solo shows, all originated at The Marsh in San Francisco, have played across the country at The Public Theater, Culture Project, Baltimore Center Stage, Berkeley Rep, Cleveland Playhouse, Mosaic Theater Company, Oregon Shakespeare Festival, Portland Center Stage, Playmakers Rep, Painted Bride, Pure Theater and abroad in India, Ireland, Wales, Mexico, Canada and Nigeria. Aldo Billingslea (director) is a professor of theater at Santa Clara University (SCU). SCU's associate provost for diversity and inclusion, and served as the vice president of the 100 Black Men of Silicon Valley; he's a board member of TheatreWorks Silicon Valley, theatre program director for The222.org in Healdsburg, California.As an academic, he is a professor of American theatre from the Black perspective, acting styles, Shakespeare, and seminars on August Wilson. Billingslea is a lifelong professional actor featured in more than two dozen Shakespeare plays, productions of August Wilson's Gem of the Ocean, Ma Rainey's Black Bottom, and Fences, Arthur Miller's Death of a Salesman, Tennessee Williams' A Streetcar Named Desire, and Lorraine Hansberry's The Sign in Sydney Bernstein's Window. He also worked at the American Conservatory Theater, the Aurora Theater, California Shakespeare Theater, Lorraine Hansberry Theater, and the Marin Shakespeare Theater. An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.  Organizer: Anne W. Smith  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey HBs! When we left you yesterday, Baby had moved in with her pack, she made sure the other women didn't get thrown out, she's forging relationships with each of her horny alphas, and she got knotted for the first time! It's been a big week for Baby. Today we've got a bad rival MC, a BFF to save, more knots to take, and a heat vacation to the nest of her dreams! Also, kidnappings and other nefarious deeds. Bonus Content: the Shakespeare of insults and so much more! Lady Loves: Mel: When science catches up with your lived experience! A new study reveals that women with ADHD often experience perimenopause up to 10 years earlier and more extremely than their neurotypical counterparts. So THERE doctor who told me I was too young for hot flashes! Sabrina: privacy window clings! Especially when they're pretty, crystally, prismatic clings that make you super happy when you look at them! Want more of us? Check out our PATREON! This week Sabrina and some pals are gonna tell Mel all about the rest of the Sweetverse series! Credits: Theme Music: Brittany Pfantz  Art: Author Kate Prior  Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast at gmail  Follow our socials:  Instagram @heavingbosoms Tiktok @heaving_bosoms  Facebook group: the Heaving Bosoms Geriatric Friendship Cult The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Many readers turn to Shakespeare for the beauty of his language or the power of his stories. But in Thinking Through Shakespeare, Oxford scholar David Womersley suggests that the plays offer something else as well: a way of exploring some of the deepest questions about human life. Womersley looks at tragedies like Othello, Hamlet, Macbeth, and King Lear to show how Shakespeare places audiences inside difficult moral and philosophical problems. The plays raise questions about identity, power, and the tension between doing what is right and doing what is personally advantageous. Rather than presenting clear answers, Shakespeare lets these ideas collide on stage. In this episode, Womersley explains how Shakespeare's plays become what he calls “crucibles” for thinking. As characters struggle with competing values and impossible choices, audiences go on that journey with them—testing ideas, reconsidering assumptions, and confronting the same enduring dilemmas that have shaped human thought for centuries.

[REBROADCAST FROM December 5, 2025] Director and writer Chloé Zhao discusses her film "Hamnet," an adaptation of the bestselling novel by Maggie O'Farrell. The film tells the story of William Shakespeare, his wife Agnes, and the tragic loss of their son Hamnet. The film is nominated in eight categories at this year's Academy Awards. Image: Director Chloé Zhao with actors Paul Mescal and Jessie Buckley with on the set of their film HAMNET, a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC

William Sutton has memorized all of Shakespeare's sonnets so you don't have to, and created ILoveShakespeare.com (above), an online collection and examination of all 154 of Shakespeare's sonnets organized by themes of Love, Death, Nature, Pain, and Time. Will is an actor, educator, and alumnus of The Shakespeare Institute in Stratford-upon-Avon, and reveals the possibly real reason Shakespeare wrote exactly 154 sonnets; how he mastered Elizabethan English by learning and speaking the sonnets; how you too can join the pantheon of actors who've come before us; how Shakespeare's words are only the beginning; that time he was invited to recite a sonnet at Shakespeare's gravesite; how he was able to pluck from memory Sonnet 138; and the way in which a self-described ‘bear of very little brain' has come to understand not only Shakespeare's sonnets, but his plays. (Length 22:19) The post Memorizing Shakespeare's Sonnets appeared first on Reduced Shakespeare Company.

When Riz Ahmed feels lost in his creative endeavors, he asks two questions: Does it stretch me? Does it stretch culture? Those questions have guided Ahmed to an Oscar- and Emmy-winning acting career (The Long Goodbye and The Night Of, respectively), a boundary-pushing music catalog, and stories that have redefined who gets to be seen at the center of the frame. And now, in the latest chapter of his career as WePresent's guest curator, he's posing those two questions to all creatives.    In this episode of Creative Control, we explore how Ahmed is utilizing his role as WePresent's guest curator (a role previously held by the likes of Marina Abramović, Solange Knowles, and Olafur Eliasson) and how his upcoming version of Shakespeare's Hamlet ties directly into his vision of stretching culture—particularly at a time when it needs it most.  For more of the latest business and innovation news, go to https://www.fastcompany.com/news To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control

In Shakespeare's Hamlet, guilt does not stay buried. It festers beneath crowns and costumes, slipping through rehearsed smiles and whispered prayers. A kingdom rots from the inside, not because of the murder alone, but because of the secret that follows it,  heavy and impossible to silence. “O, my offence is rank,” King Claudius confesses, discovering that even a throne cannot shield a poisoned conscience. In the bedroom of a teenager, centuries later, those same words would land a little too close to home.In this case we will explore a modern tragedy shaped by Shakespearean shadows: ambition without a crown, desperation without a dagger, and a confession that would echo far beyond the pages of a play. Because sometimes the most dangerous poison isn't poured into a cup, it's carried in the heart, waiting for its moment to speak.Sourceshttps://www.texasmonthly.com/true-crime/poisoning-daddy/https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/3/https://www.sigmaaldrich.com/US/en/product/sigald/243671https://www.newspapers.com/image/644815133/?terms=Marie%20Robardshttps://www.newspapers.com/image/823666883/?match=1&terms=Marie%20Robardshttps://www.newspapers.com/image/644815129/?match=1&terms=Marie%20Robardshttps://www.newspapers.com/image/646308983/?match=1&terms=Marie%20Robards

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 06 March 2026See omnystudio.com/listener for privacy information.

SUMMARY: Brad Sherwood returns with exciting news about improvising Shakespeare with Matt, Paul, and Spadoni. A callback on "Why are you so hot?" leads the discussion to Brad and Paul's looks in their youth. Plus, a nod to a recent Justin Robert Young podcast on crime and statistics, what constitutes yacht rock, and an 'equal shot answer' Scoopardy.

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 06 March 2026 See omnystudio.com/listener for privacy information.

Irish actor Jessie Buckley is nominated for an Oscar for her starring role as Shakespeare's wife in ‘Hamnet.' She talks about the film and how motherhood has changed her. “The thing this story offered me that brought me into this next chapter of my life as a mother was tenderness.” Also, documentary filmmaker Morgan Neville tells us about his new documentary, ‘Man on the Run,' which focuses on Paul McCartney's life and music after the break-up of The Beatles. John Powers reviews ‘Kokuho,' a Japanese film about a gangster's son who dreams of being a star in Kabuki theater.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAndLaurence Publicover Associate Professor in the Department of English at the University of BristolProducer: Simon TillotsonReading list:Hailey Bachrach, Staging Female Characters in Shakespeare's English History Plays (Cambridge University Press, 2023)Warren Chernaik, The Cambridge Introduction to Shakespeare's History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Jessie Buckley spoke with Terry Gross about her role as Shakespeare's wife, Agnes, in ‘Hamnet,' directed by Chloé Zhao. She's nominated for an Oscar and already won a Golden Globe and a SAG Award for her performance. The Irish actor talks about motherhood, the singing competition show she did in her teens, and the infamous crying scene in ‘Hamnet.' To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy