Podcasts about Boy

We're diving into how to solve transition battles with kids to help you move seamlessly from one activity to the next with more joy and ease. By the time you finish listening, you'll know:How to stop the ineffective "coo-coo cycle" of commands and consequences and instead become the C.E.O. of transitions - with a powerful four-step approach.1) Connection first (come alongside and notice what they have been playing with, or name it: "Boy! You have been having so much fun playing in this sand and building that castle. Look at it!"2) Direct them to their "Last thing" when you have 2-5 min. left- like they say in Daniel Tiger's episode. This gives more empowerment and makes the child feel like they ended on the note THEY choose.: https://www.dailymotion.com/video/x6ve0cp3) Use tools that give choice/playfulness to encourage cooperation (from the "Empowering statements" handout: https://drive.google.com/.../114xMIG_i5SZv-OzZct.../view...). This is CRITICAL. Instead of just saying "we have to go", put their brain on choices   4) "2 roads" if needed. If they continue to not be motivated by all that - give a happy choice that has a happy result, vs. sad choice and sad result. Like: "well, you can go hopping or skipping, or I will hold your hand and help your body move to the car. You choose." I love the "What should Danny do" books to reinforce this idea in a way kids really like. https://www.amazon.com/.../ref=cm_sw_r_as_gl_undefined...!Check out episodes 111 and 112 for more summer parenting strategies. Next week we'll cover what to do when your child cries at drop-off.✨Want more?1) Use this link for a FREE 20 min clarity call with Sustainable Parenting.2) Download the FREE pdf. on getting kids to listen.3) Buy a 3 session Coaching Bundle (saving you $100) - for THREE 30-min sessions 1:1 with ME, where we get right to the heart of your challenges, and give you small, powerful shifts that make a huge difference fast.

Happy and Subway are together again and Sandusky is celebrating Tommy Boy! We'll talk about everything in the #MikeJonesMinuteCon.

Send us a textBehind the scenes of the glitz and glamour lies one of hip-hop's most subtle yet strategic rivalries — Drake vs. Jay-Z. From subliminal shots and calculated silence to surprise collaborations and shifting alliances, this is the story of a quiet battle for the throne.In this video, we break down:

Pray about joining a future Wheels for the World outreach today at www.joniandfriends.org! -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Join Mike and Bill discuss Universal Monsters Frankenstein #1-4, Kids #1, Freddie the Fix #1, Ripperland #1, Violator #1, Grandma's Boy, Thunderbolts, Love Hurts The post Geek Brunch 444 – Overwhelmed by AI first appeared on DC Noise.

Sommar är afrobeats. Livsbejakande melankoli levereras av artister med mål som är större än vad vi förväntar oss av popstjärnor. Lyssna på alla avsnitt i Sveriges Radio Play. Effekterna av ett kolonialt förflutet hemsöker Burna Boy från Port Harcourt i sydöstra Nigeria där himlen har en svart nyans av oljeutvinningen.En av världens musikgiganter är klädd i guldfärgat och med solglasögon trots att det är efter midnatt. Burna Boy förändrade bilden av Afrika med musik som blandar vibbar från Jamaica och glansen från amerikansk R&B med hiphop, grime och dussintals lokala stilar som highlife, hiplife och juju förädlade genom decennierna. Burna Boy berättar bland annat om sina tidiga dagar på Brixtons gator, Fela Kutis betydelse, Afrikas fortsatta kamp, och de inre demonerna.I avsnittet möter du även CKay, Omah Lay, NSG och Big Pun.

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.If you pay any attention at all to political news, it's been hard to avoid Jake Tapper and Alex Thompson's recent bombshell of a book, Original Sin: President Biden's Decline, Its Cover-up, and His Disastrous Choice to Run Again, which offers behind-the-scenes reporting from the White House, halls of Congress, the campaign trail, and beyond about Joe Biden's health, mental and physical, and the efforts to conceal just how bad it had gotten from his Cabinet, Congress, and, most damningly, the American people. Much of the coverage of the book has focused on a handful of sensational examples—Biden supposedly not recognizing George Clooney at a fundraiser, or forgetting the names of staffers who'd worked for him for decades—but that's unfortunate. What's most shocking is the book's cumulative force, the sheer number of details that make it undoubtedly clear Biden was not fit to run again in 2024, or, for that matter, be President. As you won't be surprised to learn, Matt eagerly read Original Sin, and he and Sam discuss what the take-aways from the book should really be, what it says about the state of the Democratic Party, what it reveals about the media, and more.Jake Tapper & Alex Thompson, Original Sin: President Biden's Decline, Its Cover-up, and His Disastrous Choice to Run Again (2025)Matthew Sitman, "The 'Weekend at Bernie's' Primary," Commonweal, Mar 3, 2020Sam Adler-Bell, "The Tragic Legacy of the Mourner-in-Chief," New York Magazine, Jan 14, 2025Edmund White, City Boy: My Life in New York During the 1960s & 70s (2009)— My Lives: A Memoir (2005)— A Boy's Own Story (1982)— The Beautiful Room is Empty (1988)— The Farewell Symphony (1997)— Nocturnes for the King of Naples (1978)

Number 979The big day is finally here! The Switch 2 has launched and we've gotten hands-on time to talk about! Impressions of the system itself, Mario Kart World, Switch 2 Welcome Tour and more! The next generation of Nintendo has arrived!

Four Illustrators of the Future winners: CL Fors, illustrator of "A World of Repetitions"; Tremani Sutcliffe, illustrator of "Ascii"; Breanda Petsch, illustrator of "Karma Birds"; and Daniel Montifar, illustrator of "The Boy from Elsewhen." We discuss their journeys as artists, Illustrator Workshop week, illustration, and the Illustrators of the Future Forum. Sign up on the forum at https://writersofthefuture.com/forum/.

And remember... its just a podcast that's a week late! Sorry for disappointing everyone, please don't hate us, we can't take the Discord messages and Instagram DMs of people calling us losers and saying how much we've ruined their lives. Look, here's the thing - we're 3 men bordering middle age who live a life of mild luxury, some real executives, some real movers and shakers in our respective careers but we struggle - BOY do we struggle - with the expectations set upon us by our loved ones and our jobs. Think something like an episode of Mad Men or a song by The National - upper middle class white collar workers CAN suffer and are the frequent victims of existential crises. We turn this suffering into beautiful art where we listen to a deeply unwell, subnormal IQ man "review" video games in the 2000s. There are no online possibilities. But there is Japanese animation. And most importantly, you can't make a black or Chinese character in The Godfather PS2 game.

BOY SCOUTS Who Suddenly VANISHED Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

The Daisies discuss the final of Virgin Island, including Charlotte's empowering discovery of her dominant side! They also chat about episodes 7 & 8 of I Kissed a Boy, sulky Justin, and the trouble brewing between Ruben and Lars. And of course, they react to the hard launch of Jojo Siwa Chris Hughes.Watch this episode on Youtube!Follow and DM us on Instagram @doingthemafs or email daisygrantproductions@gmail.comWatch us on Youtube www.youtube.com/@doingthemafsClick here to sign up to our PATREON!

(00:00-22:44) Joey Vitale and Jackson airing out their grievances with one another. Raising a bunch of small children has him dipping and dodging. Breeding to avoid conversations. Mining for crystals in the backyard. Joey loses his train of thought there for a second. This is going off the rails. We finally get around to talking Stanley Cup Finals.(22:52-45:38) Is this a sea shanty? Have you ever gone whaling? Inside baseball on the buttons. Time for an extended cut of the Drops of the Week. Boy, that Jordair Jett could play. Stocky point guards. Some UFL/Battlehawk ticket sales and tv ratings news. Big Al checking in on the phone lines. Big Al's available to be an emergency kicker.(45:48-57:38) Self-Made Stay At Home Ladue Mom has not yet submitted a video for RHWOTMA. Are we guilty people? Juice and squeeze. Still time to get in on the ground floor. Almost KISS. This terrible show has infiltrated Martin's brain. Martin caught up with Kelly Chase.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Host Jason Blitman sits down with legendary author Edmund White, a towering figure in gay literature, for what would become one of White's final recorded conversations. In this deeply personal conversation, they explore White's latest memoir The Loves of My Life, delving into his reflections on love's many forms, the intimate dynamics that sustain lasting relationships, and the remarkable literary legacy of one of America's most influential LGBTQ+ voices. White offers candid insights drawn from decades of both living and writing about love, loss, and the complexities of human connection.Books and Boys and Big Dinners at Home How I'll Remember Edmund White. by Christopher BollenA husband's story: Michael Carroll reflects on life with Edmund White by Will FreshwaterEdmund White (1940-2025) was the author of many novels, including A Boy's Own Story, The Beautiful Room Is Empty, The Farewell Symphony, A Saint from Texas, and The Humble Lover. His nonfiction included City Boy, Inside a Pearl, The Unpunished Vice, and other memoirs; The Flâneur, about Paris; and literary biographies and essays. He received the PEN/Saul Bellow Award for Achievement in American Fiction and the Medal for Distinguished Contribution to American Letters from the National Book Foundation. He lived in New York.BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Multi award-winning Irish author John Boyne is famed for the global phenomenon The Boy in The Striped Pyjamas, which sold more than 11 million copies. His latest is an interlinked quartet of novellas based around the elements. 

Have you ever felt boxed in — by life, grief, expectations, or old labels you just can't shake? Today, Danielle Grosse returns as my co-host, along with a group of our friends, as we explore what it means to step into healing … even when it feels risky or unfamiliar. You'll hear how one powerful story is helping women tend to the hurting parts of their hearts in unexpected ways — and how realizing “you don't live in a box now” can change everything. If your own HSP heart longs for gentle hope, safe connection, and the courage to believe healing has already begun, this episode is for you!   Links mentioned: Danielle's book The Boy, the Boxer, and the Yellow Rose: Because You're Not Lost. You're Healing. Take the “Am I a Highly Sensitive Person?” Self-Quiz: https://CheriGregory.com/hspquiz/ Episode Webpage:  https://CheriGregory.com/episode293

In this post-grad episode of the Gavin and Ruby Go To a Movie podcast, Gavin and Ruby celebrate their recent high school graduation (as well as the return of the podcast) by watching some darkly comedic movies. The first is Tom Cruise's consumerist classic, Risky Business, while the second is the recently released, absurd comedy, Friendship. Boy, you should know that we are back!Risky Business: 7:00Friendship: 25:01Instagram: @gavinandrubypodcastGavin's Letterboxd: Gavin_LemonRuby's Letterboxd: ruuubyv

Frankie is in search of the truth with Ceri Jackson, author of The Boy from Tiger Bay: A True Story of Murder, Betrayal, and a Fight for Justice, to discuss her multimedia approach to storytelling, the importance real and honest relationships with subjects, and how can journalism can be a force for good in true crime stories. The Boy from Tiger Bay: A True Story of Murder, Betrayal, and a Fight for Justice is out NOW. Order your copy here.Follow Ceri on Twitter at @CeriDawnJackson.Want to talk books? Email us at readandburiedpodcast@gmail.comFollow us on Instagram and Threads: @readandburiedpodcastFollow us on Bluesky: @readandburiedpod Hosted on Acast. See acast.com/privacy for more information.

Ma$e, Cam'ron & Treasure "Stat Baby" Wilson are back with another one!! On this episode, Killa is wearing a … Yankee hat, guess he ain't want to listen to Murda! Cam addresses the IIWII family and lets everyone know about the next couple of shows and what the summer will look like. Then, we discuss the changes coming to the NBA all star weekend and BOY does that sound like something we've been talking about for months with a World vs. USA rosters matching up. Next, do small market teams being in the finals ruin the Finals and the NBA's media correspondents are announced. Finally, Suns get their new HC ***NEW MERCH*** https://www.itiswhatitismerch.com Please rate, review, and follow the podcast for more content.  Make sure to support the show by hitting the link in the bio and downloading the Underdog app. Use code MASE, CAM, or STAT to get up to $1,000 in bonus funds with your first deposit! Follow the show and our hosts on social media: It Is What It Is, Cam'Ron, Ma$e, and Treasure "Stat Baby" Wilson , Producer Ayooo Nick Learn more about your ad choices. Visit megaphone.fm/adchoices

All my problems started with my Super Mario Birthday Party... Do you think my Mom answer basic airport trivia questions before our big trip? Become a Certified Fan! Help support the podcast and get our Thursday show, More Mama's Boy! Adopt An Episode! Want to show us a little extra love? Adopt an Episode and get a personal shoutout in an upcoming show! This episode was adopted by the amazing Kelli S. from Cape Coral, Fl. Thank you!! Listen to my other podcast, “Kramer and Jess Uncensored”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Yesssss, announcing Customer Appreciation Days!! This Thursday through Monday at midnight. Boy do I have some great deals for you. If you have had your eye on a product for a while now is your time to get it at 15% off.  Also, there will be daily deals too! There are videos each day to keep you in the loop of everything Organize 365®. Thursdays deals are geared towards all the new products and “while they last” products. If you feel like you have a handle on your home and work, this is the day for you.  Friday is going to feature additional deals on the Friday Workbox and coincidentally, it's also the Live Friday Workbox Planning Day. I'd take a look at the All in Work bundle, the Productivity Pack, and the meeting agenda course.  Saturday is focused on all of the invisible and visible work that we do in our homes. If you've been wanting to really dive into your home now is your chance to get The Complete Home Organization Bundle, The Paper Solution, The Productive Home Solution, and more at a discount.  I appreciate you guys!! Sunday is of course all about the Sunday Basket®!  If you are new to Organize 365® this is a great starting place for anyone to get organized.   Monday is your last chance to place your order - don't miss out on these crazy deals.  Go print off the workbook so you can see all the products, so you can figure out what is going to be best for your summer transformation for what you want to do for organizing your home and paper and your life in the fall. EPISODE RESOURCES: Customer Appreciation You Tube Videos CustomerService@organize365.com Sign Up for the Organize 365® Newsletter Did you enjoy this episode? Please leave a rating and review in your favorite podcast app. Share this episode with a friend and be sure to tag Organize 365® when you share on social media.

My friends Ashli Carnicelli, Trina Caudle, and McArthur Krishna join us to talk about their new book “Mother in Heaven: A Gospel Topics Essay Study Guide.” The book is exactly what the title says: a study guide for the Church's Gospel Topics essay on Heavenly Mother. The book authors talk about the spiritual benefits in our lives of learning about the doctrine of Heavenly Mother and why She matters. This book is aligned with official Church statements and teachings about the doctrine of Heavenly Mother. The authors hope that it helps people seeking our Mother in Heaven to spiritually connect with Her so She is real, intentional, and active in our lives and in Church conversations. Thank you, Ashli, Trina and McArthur, for your needed work. I was deeply moved by your insights and good hearts. I encourage everyone to read this book. Links: Mother in Heaven Study Guide: www.amazon.com/dp/1734228725 Cherish 1: The Joy of Our Mother in Heaven: www.amazon.com/dp/1948218879 Cherish 2: The Love of Our Mother in Heaven: www.amazon.com/dp/1734228733 A Girl's Guide to Heavenly Mother: www.deseretbook.com/product/5258047.html A Boy's Guide to Heavenly Mother: www.deseretbook.com/product/5258052.html Combined IG account: @heavenlymothermatters Personal IG accounts: @ashlicarnicelli @libraryhouseediting @mcarthurkrishna_creates

In Shakespeare's time, the actresses were boys—and for the most celebrated of them, fame came early but could end abruptly with a voice change. In this episode, author Nicole Galland joins us to talk about the world of boy players, young apprentices who performed women's roles onstage in England before 1660. Galland's novel, Boy, follows one of these real-life members of Shakespeare's company, Alexander “Sander Cooke,” and his fictional best friend, Joan, a fiercely curious young woman who disguises herself as a boy to pursue knowledge. Drawing inspiration from Shakespeare's cross-dressing heroines, Galland explores the freedoms and risks of reinventing gender roles in Elizabethan England. Figures like Francis Bacon appear in the novel as part of the broader web of power and political intrigue that shapes Joan and Sander's world. Through these connections, Galland brings Shakespeare's theatrical world to life and the people navigating its stage. Nicole Galland is the author of the historical novels I, Iago; Godiva; Crossed; Revenge of the Rose; and The Fool's Tale; as well as the contemporary romantic comedies On the Same Page and Stepdog, and the New York Times bestselling near-future thriller The Rise and Fall of D.O.D.O. (with Neal Stephenson). From the Shakespeare Unlimited podcast. Published June 3, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Amy is joined by married partners - poet Phillip Brown and therapist Andres Brown - for an authentic and heartful exploration of queer identity, queer safety, queer relationships and patriarchy through an exchange of poetry and conversation.Phillip Watts Brown is a poet and artist after earning a BA in graphic design from Brigham Young University. He earned an MFA in poetry from Oregon State University. He is the author of Boy with Flowers in His Mouth, which was published by Gold Line Press in February, 2025. His work has appeared in literary journals and anthologies, including Ninth Letter, the Common, Ruminate, Nimrod, Tahoma Literary Review, and others. Phillip lives with his husband in northern Utah, where he works as a graphic designer. He's also a poetry editor for the online literary journal, Halfway Down the Stairs.Andres Larios Brown (They/Elle) is a Utah-based licensed marriage and family therapist dedicated to healing for LGBTQ plus communities. As training director and partner at Simple Modern Therapy and Institute, Andres focuses on trauma, healing, and wellbeing for those who feel marginalized or othered. Andres specializes in identity development and reclaiming healing practices for queer, trans, and BIPOC communities. As a therapist of both lived experience and learned expertise, they are committed to helping LGBTQ+ people thrive.In addition to providing therapy, Andres focuses on creating and facilitating training for therapists and teaches at U of V's Masters of Social Work Program and U of O's Couples and Family Therapy Program. They have co-authored a chapter in the Rutledge International Handbook of Couple and Family Therapy, as well as a number of other articles in different academic journals. Through therapy, teaching, training, and advocacy. They seek to bridge the gap between research and clinical practice. They and their husband of eight years live in northern Utah where they spend as much time with family and loved ones as possible.

Welcome back to Lets Go To The Phones here on 92.9 FM The Sack!!!  Boy did we have a lot to talk about today.   The Phillies stink!   The boys commiserate on the "Phailing Phillies" and their recent blunders.   Is it time to hit the panic button?  We also preview the big NBA finals and decide whether or not the Pacers have a chance in hell to even make this a series.   Enjoy!Subscribe, rate and review Let's Go To The Phones on whichever platform you enjoy the show- Follow us on all our socials- https://twitter.com/letsgo2thephone https://www.instagram.com/letsgotothephones/?hl=en

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Welcome aboard our Safe Space Ship!   Ariana Perry will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week I'm talking to Boy aka 1HappyDaiz about all his awesome fics and podfics!    Episode Mentions:  Never Left Pateron 1happydaiz on Ao3 happydaiz_pod on Ao3   Don't forget to follow us on social media (@NeverLeftPodcast on BlueSky, @NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our Pateron.. The links are in our linktree!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"  

In this episode, Sharona and Bosley sit down with Dr. Asao Inoue, the opening keynote speaker of the 2025 Grading Conference, to discuss his use of Labor-Based Grading in the teaching of writing. Exploring everything from negotiating a grading contract with students to intentionally discussing creating a culture of compassion in the classroom, this fascinating conversation is a great opportunity to think about our classrooms in new ways.LinksBooks from the WAC Clearinghouse are free to access in PDF and ePUB formats.Labor-Based Grading Contracts: Building Equity and Inclusion in the Compassionate Writing Classroom, 2nd Edition (from the WAC Clearinghouse)Cripping Labor-Based Grading for More Equity in Literacy Courses (from the WAC Clearinghouse)Above The Well: An Antiracist Argument From a Boy of Color (from the WAC Clearinghouse)Antiracist Writing Assessment Ecologies: Teaching and Assessing Writing for a Socially Just Future (from the WAC Clearinghouse)On Compassion and Brave Space, Asao InoueThe Greater Good WebsiteThe Science of CompassionResourcesThe Center for Grading Reform - seeking to advance education in the United States by supporting effective grading reform at all levels through conferences, educational workshops, professional development, research and scholarship, influencing public policy, and community building.The Grading Conference - an annual, online conference exploring Alternative Grading in Higher Education & K-12.Some great resources to educate yourself about Alternative Grading:The Grading for Growth BlogThe Grading ConferenceThe Intentional Academia BlogRecommended Books on Alternative Grading:Grading for Growth, by Robert Talbert and David Clark

  Pod Crashing episode 374 with Samuel Donner and John Frey from the podcasts Ok Storytime.  In short, OK Storytime is good advice given goofily A comedy advice show that helps people navigate the relationships that matter most. The week of March 24th is Dump Him Week on OK Storytime! Toxic relationships? Time to kick 'em to the curb! From secret Tinder profiles to freeloading exes and red flags galore, these jaw-dropping breakup stories will have you saying "Boy, bye" (or "Girl, goodbye")!Join OK Storytime as we celebrate upgrading to greener pastures and dishing out some well-deserved goodbyes. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Épisode 2. Cet accord qui peut tout changer. En 2004, la quasi-totalité des pays du monde entier se sont engagés dans une aventure diplomatique hors norme : construire, ensemble, un accord pour protéger l'océan et sa biodiversité. Un projet aussi ambitieux ne se concrétise pas du jour au lendemain, d'autant que les divergences entre États ont posé un défi majeur : comment concilier les intérêts de chacun tout en garantissant la préservation de l'océan et de ses richesses ? Cette aventure diplomatique a duré vingt ans. Vingt années pendant lesquelles des diplomates, des scientifiques, des ONG des quatre coins du monde ont œuvré sans relâche pour créer cet accord dit "l'accord BBNJ", ou Traité international pour la protection de la haute mer et de la biodiversité marine au delà des zones de juridiction nationale. Dans cet épisode, quatre personnes qui ont participé à ces négociations nous racontent les coulisses de cette aventure rocambolesque. Avec : Lisa Speer, directrice de l'ONG américaine Natural Resources Defense Council (NRDC), chargée des océans ;  Serge Ségura, ambassadeur à la retraite, chef de la délégation française pour l'accord BBNJ pendant 14 ans ;  Sandrine Barbier, directrice adjointe à la Direction des affaires juridiques, cheffe de la délégation française pour l'accord BBNJ ; Krystel Wanneau, docteure en sciences politiques et enseignante-chercheuse à Sciences-Po Grenoble, qui a travaillé sur les politiques environnementales internationales ------ POUR ALLER PLUS LOIN : L'accord BBNJ : parcourez la version intégrale de ce traité historique adopté en 2023 ;  Le fascinant et merveilleux "Atlas des abysses" (éd. Arthaud, 2024), de Stéphanie Brabant (journaliste), Jozée Sarrazin (océanaute), et illustré par Julie Terrazzoni, cet ouvrage poético-scientifique transporte ses lecteurs dans l'univers fascinant des fonds marin ;   L'indispensable guide "L'océan en 30 questions" signé Marina Lévy et Laurent Bopp (éd. La Documentation française, 2025) ;  ------ ARCHIVES & EXTRAITS : extraits de discours au One Ocean Summit à Brest en 2022 ; extrait de l'adoption de la résolution A/72/L7 lors de l'Assemblée générale de l'ONU en 2018 ; extraits des sessions de négociations du BBNJ enregistrées à l'ONU entre 2019 et 2023 ; extraits de journaux télévisés français, brésilien, américain et italien sur la pandémie de Covid en 2020 ; lecture d'une lettre de Rena Lee, présidente des négociations BBNJ, du 9 mars 2020 ------ CRÉDITS : Voix, écriture, production et réalisation : Diane Jean Illustrations et identité visuelle : Julie Feydel Doublage voix et édition : Mariane Schlegel Communication : Kaled Maddi et Matthias Lugoy Direction de production : Julie Godefroy Musique : Falling Angels, Ketil Lien ; Staring into the Abyss, 2050 ; DKNW, sunwo0o ; Ruin My Life, Jane the Boy ; Corals under the sun, Omri Smadar ; Cookie Jar, Hans Johnson ; Atlantique, AMF Beef ; Medusa the Mournful, Louis Adrien ;  Breath In Out, Nsee ; Cryostatis, Jamie Bathgate ; 1983, Angel Salazar (Artlist) ------ À PROPOS : « Qui gouverne l'océan ? » est une série du podcast Sources diplomatiques. Réalisé par le ministère de l'Europe et des Affaires étrangères, ce podcast vous propose des documentaires, décryptages, récits intimes et conversations pour plonger dans les coulisses de la diplomatie française et comprendre les grands enjeux internationaux. Sources diplomatiques est à retrouver sur toutes les applications d'écoutes et de streaming audio.

In this episode, Jorge Tejeda joins us for a moving conversation about queerness, emotion, and the power of drawing the male body with both strength and softness. We talk about his training in architecture, his influences—from Schiele to contemporary dance—and the deeply personal process behind his series Summer Blues, including the featured work Boy with a Gold Earring.You can read the full interview now in our digital magazine—links in bio—and see Jorge's work as part of The Pride Collection: Chosen Family, now on view at Artsy.net through August 31.Available on Spotify, Apple Podcasts, iHeartRadio, and all major platforms.Subscribe to the digital magazine for free and consider upgrading to our $5/month membership to help sustain this small, global queer art community.

The Patriarchy Podcast | Race, Immigration, and the Church – A Biblical Response with Pastor Gavin Beers The world says race doesn’t matter… until it does. DEI. White guilt. CRT in the pulpit. Globalist immigration agendas. Kinism creeping into Christ’s church. Meanwhile, most pastors won’t touch this topic with a ten-foot shepherd’s staff. Not here. In this hard-hitting episode, Pastor Joseph Spurgeon sits down with Pastor Gavin Beers to take a biblical and paleoconservative look at the issues of race, nationhood, immigration, kinism, and segregation in the church. We’re not woke. We’re not color-blind. And we’re not silent. This conversation tackles the tough topics with clarity, courage, and biblical conviction. Topics Covered: ✅ Why color-blind evangelicalism fails✅ Race and ethnicity: Are they real?✅ What the Bible actually says about nations and borders✅ Immigration: biblical principles vs. modern chaos✅ Kinism and the dangers of racial determinism✅ Can you love your people without sin?✅ The Gospel’s power to redeem—not erase—ethnic identity✅ Why the church must reject both globalism and segregation✅ How pastors must shepherd in a racially divided age✅ Cultural superiority vs. racial supremacy✅ What the Bible says about the curse of Canaan (and what it doesn’t) Timestamps: 00:00 – The Cultural Landscape and Its Challenges02:54 – Understanding Race and Nationhood06:06 – Biblical Perspectives on Immigration09:05 – Natural Law and Its Implications11:46 – The Role of Culture in Race and Ethnicity15:07 – The Gospel's Impact on Ethnic Identity18:02 – Kinism: A Controversial Perspective20:56 – Navigating Borders and National Identity47:30 – Curses and Blessings: The Lineage of Nations50:13 – The Misinterpretation of Biblical Texts53:25 – Race, Culture, and Historical Context56:28 – Cultural Superiority vs. Racial Supremacy01:01:10 – The Role of the Gospel in Cultural Change01:04:07 – Segregation and the Church's Response01:10:35 – Authority and the Nature of the Church01:14:18 – Pastoral Guidance in a Divided Culture01:20:33 – The Globalism Challenge and Local Sovereignty The Statement on Natural Affections:https://natural-affections.com/ Sermons from Pastor Gavin Beers:

Send us a textWelcome to season 10 of Bedside Reading and what a series I've got lined up for you this time around! I am delighted to be launching today with two very special guests, Debbie Hicks and Gemma Jolly from The Reading Agency.The Reading Agency is an absolutely wonderful charity and their Reading Well "Books on Prescription" scheme is absolutely fantastic. If you don't know about it already, there's plenty in the show notes to tell you about it and we will be talking about it during today's episode. https://readingagency.org.uk/We are here today to talk about three different and absolutely brilliant books that the Reading Agency recommend on their Reading Well scheme. Frankie's World by Aoife Dooley, Slow Puncture, Living Well with Dementia by Pete Berry and Deb Bunt, and Boy with a Topknot by Satnam Sanghera

For the next few days, you can listen to a couple of stories every single day.And that's because on our podcast, we will have some special storytellers!! We have middle and high school students who, through the summer, have been learning how to craft their own stories and then produce them on a podcast.Free activity sheet available at www.rituvaish.com/podcast-summer-camp. Let's give a warm welcome BhargavTranscriptJack's Gold Day Over busy marketplaces, the sun rose in Willowbrook, a little town. Twelve-year-old Jack was a curious smart, caring boy who lived with his mother, Lily, in a small home on the outskirts of town. Lily had been ill for weeks thus, Jack would search the hills outside of town every morning in the hopes of finding something useful to assist his mother and pay for her medical bills. One morning, while digging near an old oak tree with the sun shining bright like a star, Jack's shovel hit something hard. He unearthed a small, dusty chest-and inside it, shimmering in the sunlight, were gold coins. Jack couldn't believe his eyes.He hugged the chest tightly “This could help mom," he whispered to himself. Excited, he ran to the town square and approached the first merchant he saw. The merchant, a sly-looking man with a crooked smile, eyed the gold greedily. "Ah, boy, these coins aren't worth much," the merchant said, rubbing his hands together. “I'll take them off your hands for five silver pieces." Jack hesitated. Five silver? That didn't sound right but he was desperate.Thus he started slowly reaching his hand out ready for the exchange,eager to get whatever he had to help his mom have a fighting chance As Jack was doing the exchange unsure, an older merchant from across the square called out. "Boy! Come here a moment." Jack walked over, and the kind merchant examined the gold carefully. “These coins are pure gold," he said warmly. “I'll give you a fair price, one hundred gold pieces." Jack's eyes widened.He jumped up and down and ran all over the place, never in his life had he got hold of this much money with this he would not only be able to pay for his mothers medical treatment but also have 50% of the money left over. He thanked the honest merchant and sold him the treasure. With the money, Jack rushed to the doctor and paid for his mother's hospital treatment. That evening, as Lily rested peacefully Jack sat by her side feeling relieved and grateful. From that day on, Jack remembered what he learned never rush into anything and take time to think and choose wisely.

Season Finalé is here ladies. As Clara sets sail for her honeymoon the girls squeeze in one last little episode for the road. Ekin Su and Curtis Pritchard have called it quits after three months... and it may have to do with a Married at First Sight star. Plus some Mamma Mia 3 developments are on the cards... two words... Sabrina Carpenter. Then the Diddy trial looms on and there could be a tin foil hat connection between Britney Spears' disastrous VMA performance way back in 2007 and a Diddy party. In the interim, please absorb content including: I Kissed a Boy, And Just Like That, Mobland, Sirens..... we will return full of wisdomFollow the podcast @houseofgossippod and these gossip girls on insta: @soph_lyons & @clazzykabanaHosted by Ausha. See ausha.co/privacy-policy for more information.

Tony Oliver is a Puerto Rican voice actor and voice director. He is best known for voicing Rick Hunter from Robotech, Lancer from Fate/stay night, and Arsène Lupin IIIfrom Lupin the Third. He helped produce the live action shows Mighty Morphin Power Rangers and VR TroopersStranger ThingsAfter a long wait in between seasons, fans finally get a glimpse at what's to come, and the stakes have never been higher. After the cliffhanger Season 4 finale, which had the Upside Down slipping into Hawkins, the final season will be bigger than anything the show has done before. Stranger Things just officially unveiled the first trailer at Netflix's Tudum 2025 event, which can be watched below, also announcing the release date this fall and winter.Stranger Things Season 5 premieres on Nov. 26 for Volume 1, with Volume 2 following shortly on Christmas, and the finale released on New Year'sThe Last of USDespite Season 1's popularity, HBO did not prepare for a quick turnaround for Season 3. The season was confirmed on April 9, 2025, just four days before the sophomore season's April 13 release date, but that early renewal still left little time for the writing and filming process. Production has not yet begun for Season 3, as the seasons were not filmed back-to-back, despite their initial success. The initial expectation was that filming would begin in the summer; however, it will likely be a lengthy production process, and there will be ample post-production work to ensure that the visual effects are of the highest quality. If the schedule follows the same path as season 2, it will be years before Abby and Ellie return to the small screen. Season 2 was announced on January 27, 2023, and production began on February 12, 2024. The year-long delay was substantial, but it was largely due to the industry-wide SAG-AFTRA and WGA strikes of 2023. Still, even after filming began in earnest, it took months to conclude, as production only officially ended in August. If Season 3 follows a similar path, filming would not end until December 2025 or early 2026, and that is only if the cast arrives on set in Summer 2025. Isabela Merced (Dina) told Variety that the season may not begin production until 2026. Given that new piece of information, The Last of Us Season 3 is unlikely to debut until late 2026 or even 2027.Walt always hated Goofy and he would've deep-sixed Goofy a long time ago if the studio didn't need to make those movies to give ‘make work' to so many of the animators. Boy, he hated Goofy.Keeping this in mind, it's easy to suggest that Walt Disney felt that Goofy was bringing down the tone of the studio. While his stupidity was entertaining to young audiences, it didn't highlight the real work that was going on in the company. But as the company continued to expand and hire more animators, it seemed that Walt needed to give them something to do while their superiors were working on the money-making projects. Overall, while fans will never truly know how Walt Disney felt about Goofy, Gaber's claims about the character offering "make-work" do fit the narrative.

This is a "Shortcut" episode. It's a shortened version of this week's more detailed full episode, which is also available on our feed.Peter Norris joins us once again on Australian True Crime to share more about his childhood as the son of a bank robber.In our previous episode, we heard about Gordon House, the homeless shelter in Melbourne's CBD where 11-year-old Pete and his dad, Clarry, hid out for a couple of months after Clarry's escape from Fremantle Jail.In this episode, we pick up the story after a near-miss with police at Gordon House, which forces the pair to hit the road, and escape authorities across the Nullarbor.Links:You can learn more about Peter, as well as purchase "The Bank Robber's Boy" here.Click here to subscribe to ATC Plus on Apple Podcasts and access all ATC episodes early and ad-free, as well as exclusive bonus episodes. Join our Facebook Group here.Do you have information regarding any of the cases discussed on this podcast? Please report it on the Crime Stoppers website or by calling 1800 333 000.For Support: Lifeline on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732Blue Knot Helpline: 1300 657 380CREDITS:Host: Meshel Laurie. You can find her on instagram here.Guest: Peter NorrisExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here.Email the show at AusTrueCrimePodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Peter Norris joins us once again on Australian True Crime to share more about his childhood as the son of a bank robber.In our previous episode, we heard about Gordon House, the homeless shelter in Melbourne's CBD where 11-year-old Pete and his dad, Clarry, hid out for a couple of months after Clarry's escape from Fremantle Jail.In this episode, we pick up the story after a near-miss with police at Gordon House, which forces the pair to hit the road, and escape authorities across the Nullarbor.Links:You can learn more about Peter, as well as purchase "The Bank Robber's Boy" here.Click here to subscribe to ATC Plus on Apple Podcasts and access all ATC episodes early and ad-free, as well as exclusive bonus episodes. Join our Facebook Group here.Do you have information regarding any of the cases discussed on this podcast? Please report it on the Crime Stoppers website or by calling 1800 333 000.For Support: Lifeline on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732Blue Knot Helpline: 1300 657 380CREDITS:Host: Meshel Laurie. You can find her on instagram here.Guest: Peter NorrisExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here.Email the show at AusTrueCrimePodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Mysteriös lächelnde K-Pop-Stars flimmern auf riesigen digitalen Werbetafeln, der mitreißende Sound schallt durch Metrogänge und Einkaufszentren: die südkoreanischen Großstädte wie Busan und Seoul sind von der Popmusik der Boy und Girl-Groups geprägt. Christine Siebert ist mit ihrer 23-jährigen Tochter Magdalena, einem K-Pop-Fan, in der südkoreanischen Pop-Szene unterwegs. Die beiden shoppen in den zahlreichen K-Pop-Läden und geraten sogar auf die Geburtstagsparty des K-Pop-Idols Yuna, einem Star von Magdalenas Lieblingsgruppe Itzy! Yuna ist auf dem Event zwar nicht persönlich anwesend, aber ihre Fans verteilen jede Menge Fotokarten, Sticker und andere Goodies: überall Yuna wie sie ein Victory-Zeichen macht, sich die Haare aus dem Gesicht streicht oder eine Brille aufprobiert. Auf dieser Reise durch die K-Pop-Welt erfahren die beiden: K-Pop ist Gute-Laune-Musik, kann aber auch gesellschaftskritisch daherkommen. Und so cool sich die Stars auch in Videoclips und auf Postern geben, ihr Alltag ist alles andere als lässig: die Konkurrenz zwischen den Gruppen ist knallhart, und die Idols müssen perfekt in enge Moral- und Schönheitsvorstellungen passen. Die koreanische Jugend liebt aber nicht nur Pop, sondern auch uralte Traditionen: Junge Männer mit hohen antiken Hüten, junge Frauen in Reifröcken und Spitzenstolas wandeln durch die Gärten der alten Königspaläste. Der Kostümverleih boomt rund um die ehrwürdigen Gemäuer. Traditionen und Jahrtausende alte Geschichte sind in diesem supermodernen Land allgegenwärtig.

Special guest Sean joins Dixon and John for one more go as we discuss another round of Recommends and/or Refutes! Sean, as a parent, subs in for Ryan bringing a family friendly mention in addition to The Boy and The Heron (2023), Dixon has David Lynch on the mind and revisits Eraserhead (1977) as a result, and John decided to join the theater going crowds and subject himself to Star Wars Episode III: Revenge of the Sith (2005).

Twin Peaks: the Return: the DECODE episode 4.SONNY JIM IS BACK IN. Full stop. June 1st, 2025 has arrived. We all knew this day would come. 2000 years ago, when the first western savior was born to a virgin in a manger beneath the Star of Bethlehem, the prophecy was set in motion: "Yay, verily, a special child would rise again when the world of shadows most needs him. This savior of the 3rd age wouldst appear impossibly from behind the door of red, in the Court of Lancelot. His name shalt be known only as "Sonny Jim." And Sonny Jim shalt be back on in. " And now it has finally come to pass....Join Post Relevant Podcast hosts Phil Ristaino and Justin Epifanio as we decode Twin Peaks: the Return episode 4. We seek to understand the adventures of Dougie Jones, aka Mr Jackpots, as he wins $425,000.00 and then pees, fails to dress himself, stares in the mirror, eats pancakes, and most importantly, amuses his angel of a son, the impossible boy known to one and all as Sonny Jim.Also: We marvel over Michael Cera as Marlin Brando. We ponder the color yellow. We remember the owls (are not what they seem. ) We talk extra low. We are exonerated in Courts of Law. We watch "A Boy and His Atom" while failing to observe electrons. And we try to fix our hearts or die.And, in the extra secret end section, we debate what might happen if we met ETs in a Dark Forest.But really, I'm just being coy, because this episode is all about the debut of the spanking new smash hit song (in Sweden) entitled "Sonny Jim (Is Back In)." It will change your life and show you how your heart can also be 'so full.'Prepare the way, young warrior! The moment of Post Relevance hath finally arrived! The End of the End of Time is Nigh! Prepare ye! Prepare ye! Just do it already....Listen to all episodes of the PRP at www.PostRelevant.comCheck out Phil's acting/art/music at www.TheseAreDreams.comGet the full 5-D PRP experience: https://www.instagram.com/philristaino/Get the PRP "Under the Silver Lake" tribute shirt at Spyrodon Apparel:https://spyrodon.store/products/phil-ristaino-artist-edition-for-the-post-relevant-podcast-under-the-silverlakeenter 'postrelevant' at checkout for 10% off.Donate to the show: https://buymeacoffee.com/postrelevantJustin's doc: www.instagram.com/heyoka.documentary/All the songs on this episode come from the Polypores albums "ECCO."Get Polypores albums  on Bandcamp: https://polypores.bandcamp.com/"Sonny Jim (Is Back In)" written by Phil Ristaino with Justin Epifanio. The musical track for this song is called "Savior Above" and was written by Ketsa. Find all Ketsa's music at https://freemusicarchive.org/music/Ketsa/PRP theme song by Agents of Venus: https://agentsofvenus.bandcamp.com/David Lynch forever...

Ryan and Becca return for the fifth chapter of the podcast book club, diving into Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland. Joined once again by Taylor Swilley, they unpack key takeaways and reflect on how the book's themes resonate with their own creative practices and businesses.Our next book club selection is Boy in a China Shop: Life, Clay and Everything by Keith Brymer Jones with plans to release the episode in July or August. See all the books we've covered on Becca's Amazon list at https://amzn.to/3X5yZOXSponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSpeedball Ceramics - Try the new mid-fire glazes, artist-collaboration plastic bats, and browse their wide selection of products at speedballart.comSmith Sharpe Refractory - Find out which Advancer Kiln Shelves are right for you at kilnshelf.com.Support the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube Channel

 Number 978Well here we are, the last week before the Switch 2 arrives. By this time next week, we'll all be elbows deep in the next generation of Nintendo! Let's give the Switch one last time in the spotlight before its successor comes in and steals all the attention!

Boy meets Beverly Hills. Rider and Tori talk about meeting at 90s Con—and the connection was instant… creatively speaking. They dive into what it was like growing up on TV, dating, and whether they’re still emotionally stuck in their teen years. 90’s nostalgia is IN and these 2 have quite the show creation they want to manifest. Rider shares what pushed him to lock himself in his trailer. And yes, Rider may have admitted he wanted to be on 90210.See omnystudio.com/listener for privacy information.

Boy meets Beverly Hills. Rider and Tori talk about meeting at 90s Con—and the connection was instant… creatively speaking. They dive into what it was like growing up on TV, dating, and whether they’re still emotionally stuck in their teen years. 90’s nostalgia is IN and these 2 have quite the show creation they want to manifest. Rider shares what pushed him to lock himself in his trailer. And yes, Rider may have admitted he wanted to be on 90210.See omnystudio.com/listener for privacy information.

This is a "Shortcut" episode. It's a shortened version of this week's more detailed full episode, which is also available on our feed.Content Warning: This episode contains depictions of child sexual assault. Please find below the contact details for some support services.Guest host Dr. Xanthé Mallett speaks with veteran radio journalist Dee Dee Dunleavy about her new podcast, The Boy in the Goldmine. The series investigates the 1975 disappearance of 12-year-old Terry Floyd in Avoca, Victoria.The podcast features interviews with Terry's brother Daryl, who has spent decades searching for answers, and former homicide detective Charlie Bezzina, who joined the case as a private investigator in 2011.You can donate to Daryl Floyd's search efforts here.The Boy in the Goldmine is available wherever you listen to your podcasts, and you can also follow the investigation on their Instagram and Facebook.Click here to subscribe to ATC Plus on Apple Podcasts and access all ATC episodes early and ad-free, as well as exclusive bonus episodes. Join our Facebook Group here.Do you have information regarding any of the cases discussed on this podcast? Please report it on the Crime Stoppers website or by calling 1800 333 000.For Support: Lifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732Blue Knot Helpline: 1300 657 380CREDITS:Guest Host: Dr. Xanthé MallettGuest: Dee Dee DunleavyExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here.Email the show at AusTrueCrimePodcast@gmail.com  Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

Boy meets Beverly Hills. Rider and Tori talk about meeting at 90s Con—and the connection was instant… creatively speaking. They dive into what it was like growing up on TV, dating, and whether they’re still emotionally stuck in their teen years. 90’s nostalgia is IN and these 2 have quite the show creation they want to manifest. Rider shares what pushed him to lock himself in his trailer. And yes, Rider may have admitted he wanted to be on 90210.See omnystudio.com/listener for privacy information.

In her most revealing interview to date, Dannii Minogue talks openly about the pressures of fame, the relentless comparisons with her sister, Kylie, and navigating a divorce that left her broke. It's an extraordinary conversation with a woman who found fame as a 10-year-old in her native Australia. As a  teenager Dannii, signed a record deal and acted in Home and Away. In her early 20s her debut album went Gold in the UK, and she went on to have 9 top 10 singles. Over the course of her music career she has spent over 200 weeks in the official UK chart, sold in excess of seven million records worldwide, and scored a record-breaking 19 Number One dance singles. After a four year stint on The X Factor UK, she now hosts her own queer dating shows ‘I Kissed a Girl' and ‘I Kissed a Boy', on BBC3 and iPlayer. How to recover a broken heart - Elizabeth and Dannii answer YOUR questions in our subscriber series, Failing with Friends. Join our community of subscribers here: https://howtofail.supportingcast.fm/#content Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com

Content Warning: This episode contains depictions of child sexual assault. Please find below the contact details for some support services.Guest host Dr. Xanthé Mallett speaks with veteran radio journalist Dee Dee Dunleavy about her new podcast, The Boy in the Goldmine. The series investigates the 1975 disappearance of 12-year-old Terry Floyd in Avoca, Victoria. The podcast features interviews with Terry's brother Daryl, who has spent decades searching for answers, and former homicide detective Charlie Bezzina, who joined the case as a private investigator in 2011.The Boy in the Goldmine is available wherever you listen to your podcasts, and you can also follow the investigation on their Instagram and Facebook.Click here to subscribe to ATC Plus on Apple Podcasts and access all ATC episodes early and ad-free, as well as exclusive bonus episodes. Join our Facebook Group here.Do you have information regarding any of the cases discussed on this podcast? Please report it on the Crime Stoppers website or by calling 1800 333 000.For Support: Lifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732Blue Knot Helpline: 1300 657 380CREDITS:Guest Host: Dr. Xanthé MallettGuest: Dee Dee DunleavyExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here.Email the show at AusTrueCrimePodcast@gmail.com  Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

I am a bike guy now, but it's off to a rough start. Divorce guy warning signs My Moms extremely anti-climatic birthday party story... ASK MY MOM: Christmas Lights In May?! Become a Certified Fan! Help support the podcast and get our Thursday show, More Mama's Boy! Adopt An Episode! Want to show us a little extra love? Adopt an Episode and get a personal shoutout in an upcoming show! Listen to my other podcast, “Kramer and Jess Uncensored”! Learn more about your ad choices. Visit megaphone.fm/adchoices