Podcasts about boston globe magazine

Today, we're talking about awe and wonder and all the incredible benefits that these simple and accessible emotions can have in terms of learning and child development. And I have the perfect guest here to talk about it — Deborah Farmer Kris, a child development expert, longtime educator, and author of the wonderful new book Raising Awe-Seekers: How the Science of Wonder Helps Our Kids Thrive. In this conversation, we talk about how and why awe is such a powerful tool for emotional regulation, learning, and resilience for our kids. Deborah shares some of the neuroscience behind wonder and walks us through how simple moments of awe, like listening to music, walking outside, or witnessing a small act of kindness, can lower stress, spark curiosity, and build deeper connections for our kids. She also offered strategies for cultivating awe with your child, even during the most challenging seasons of parenting. This episode is a beautiful reminder that we don't have to add one more thing to our to-do lists to make a meaningful shift. Sometimes, it's about slowing down, noticing what's already here, and inviting our kids into that sense of wonder with us. And I think what I love about this so much is that awe is something that's available to all of us, and experiencing it, even for little moments, not only feels wonderful (pun intended), but it has very real, positive benefits. About Deborah Deborah Farmer Kris is a child development expert and the author of "Raising Awe-Seekers: How the Science of Wonder Helps Our Kids Thrive,” the I See You board book series, and the All the Time picture book series. Her bylines include CNN, PBS KIDS, NPR's Mindshift, The Washington Post, the Boston Globe Magazine, and Oprah Daily. Deborah is currently an expert advisor for the PBS KIDS show, “Carl the Collector,” and spent 20+ years as a K-12 educator. Mostly, she loves sharing nuggets of practical wisdom that can make the parenting journey a little easier.   You'll learn: How the powerful emotion of awe builds resilience and supports well-being Why curiosity and wonder spark internal motivation and deeper learning How to tap into nature, art, music, and kindness as everyday sources of awe for children Why experiencing awe can lower stress, improve memory, and support emotional regulation How parents can nurture awe by modeling curiosity and slowing down with their kids Ideas for creating small, shared moments of wonder strengthen connection and support family wellness  Resources: Deborah Farmer Kris' website Parenthood 365 Raising Awe-Seekers: How the Science of Wonder Helps Our Kids Thrive by Deborah Farmer Kris Raising Awe-Seekers Podcast Deborah on Instagram Deborah on LinkedIn You Wonder All the Time by Deborah Farmer Kris You Are Growing All the Time by Deborah Farmer Kris I Love You All the Time by Deborah Farmer Kirs You Have Feelings All the Time by Deborah Farmer Kris Dr. Dacher Kelter Dr. Michele Borba Mindshift (KQED / PBS) Pub Choir Robert Waldinger Hope for Cynics: The Surprising Science of Human Goodness by Jamil Zaki The Happiness Study at Harvard Challenge Success I Love N.Y.E. (Badly Drawn Boy song) Learn more about your ad choices. Visit podcastchoices.com/adchoices

In This Episode:Host Bruce Richard sits down with renowned attorney Rachel M. Self to explore the fast-evolving landscape of immigration law in the United States and what every lawyer should know to be a better advocate for non-citizen clients. Together, they discuss:Navigating emergency ICE detention and court winsResponding to the Martha's Vineyard migrant flightsUnderstanding immigration status categories every lawyer should knowFeatured Guest:Rachel M. Self is a nationally recognized immigration and criminal defense attorney practicing in Boston. As the founder of Rachel M. Self, P.C., she focuses on complex deportation defense, post-conviction relief, and crimmigration matters. Fluent in Spanish, Rachel has appeared as a legal analyst on CNN and Fox News and was instrumental in mobilizing legal support for the 49 migrants flown to Martha's Vineyard in 2022.Her advocacy in that case earned her national recognition, including Honorable Mention as a Bostonian of the Year by The Boston Globe Magazine. Rachel is also a frequent speaker for MCLE, AILA, and judicial education programs across the country.Links and Resources:MCLE Online PassRachel M. Self P.C. - BostonNational Immigration AllianceImportant Note:Massachusetts Continuing Legal Education, Inc. (MCLE) is a nonprofit 501(c)(3) organization dedicated to providing high-quality, practical continuing legal education for the legal community. As part of its educational mission, MCLE presents a wide range of viewpoints and instructional content intended solely for educational purposes.The views, thoughts, and opinions expressed by individual participants in this podcast are their own and do not necessarily reflect those of MCLE, its Board of Trustees, staff, or affiliated institutions. Inclusion of any material or commentary does not constitute an endorsement of any position on any issue by MCLE.For questions or sponsorship inquiries, email podcast@mcle.org. Connect with us on socials!Instagram: mcle.newenglandLinkedIn: Massachusetts Continuing Legal Education, Inc. (MCLE│New England)X (Formerly Twitter): MCLENewEnglandBluesky: mclenewengland.bsky.socialFacebook: MCLE New England

Ted Page, founder of the blog Good Grampa, has a new book Good Grandpa: Stories from the Heart of Grandfatherhood coming out on Grandparent's Day. We catch up on what he's learned from others about grandfatherhood today and his own experiences as a grandfather. Ted Page rejoins us from Vermont. _____________________ Bio Ted Page is a storyteller and performer. His nonfiction stories have appeared in Boston Magazine and the Boston Globe Magazine, and his comedy screen credits include work with John Cleese and Florence Henderson. His blog for grandfathers -GoodGrandpa.com—has been featured in The New York Times. Ted's book of true family stories, The Willoughby Chronicles, was published in 2017. Ted is a founding partner of Captains of Industry, a leading boutique marketing consultancy, and a graduate of the University of Massachusetts, Amherst. He lives in New England and has a bunch of grandchildren. ___________________________ For More on Ted Page Pre-order Good Grandpa: Stories from the Heart of Grandfatherhood Blog: GoodGrandpa.com - Nurturing the Next Generation __________________________ Missed Ted Page's first visit? Listen here __________________________ Podcast Conversations You May Like The Long Distance Grandparent – Kerry Byrne PhD The Mindful Grandparent – Dr. Shirley Showalter TALK: The Science of Conversation – Alison Wood Brooks __________________________ About The Retirement Wisdom Podcast There are many podcasts on retirement, often hosted by financial advisors with their own financial motives, that cover the money side of the street. This podcast is different. You'll get smarter about the investment decisions you'll make about the most important asset you'll have in retirement: your time. About Retirement Wisdom I help people who are retiring, but aren't quite done yet, discover what's next and build their custom version of their next life. A meaningful retirement doesn't just happen by accident. Schedule a call today to discuss how The Designing Your Life process created by Bill Burnett & Dave Evans can help you make your life in retirement a great one – on your own terms. About Your Podcast Host  Joe Casey is an executive coach who also helps people design their next life after their primary career and create their version of The Multipurpose Retirement.™ He created his own next chapter after a twenty-six-year career at Merrill Lynch, where he was Senior Vice President and Head of HR for Global Markets & Investment Banking. Today, in addition to his work with clients, Joe hosts The Retirement Wisdom Podcast, which thanks to his guests and loyal listeners, ranks in the top 1 % globally in popularity by Listen Notes, with over 1.6 million downloads. Business Insider has recognized Joe as one of 23 innovative coaches who are making a difference. He's the author of Win the Retirement Game: How to Outsmart the 9 Forces Trying to Steal Your Joy. Connect on LinkedIn ________________________ Wise Quotes On the Evolution of Grandfathers "That story begins about 30,000 years ago, and it was when early Paleolithic humans were on the rise, and scientists believe that a shift started to take place where the very earliest grandparents started peering on the scene. Now these were grandparents in their over the late 20s, but life at the time has been described as, you know, brutish and short. People just didn't live very long. And all of a sudden, there was the grandparents gradually appearing on the scene. And they were able to teach, for example, you know, how do you plant seeds? So to have the better chance of a successful crop. As one example, I'm sure there was all kinds of things like hunting and so forth. And they were the first ones who were being there for their grandkids and instilling the wisdom required to help lead a successful life. So that was the genesis of this. And this is all that was from an article in Scientific ...

Tova Mirvis is the author of the memoir The Book of Separation as well as three novels, Visible City, The Outside World and The Ladies Auxiliary, a national bestseller. Her essays have appeared in The New York Times, The Washington Post, The Boston Globe Magazine and Real Simple, and her fiction has been broadcast on NPR. She lives in Newton, MA with her family. Her most recent novel is We Would Never. Tova joins Barbara DeMarco-Barrett to talk about how the idea for her new book came from a case she followed in the media, the challenges of writing her first thriller, turning real people into fictional characters, writing multiple point of views, pacing, at what point she thinks about the reader, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You'll help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on February 28, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Send us a textGet Shot At Love Book, by Kerry Brett at www.shotatlovebook.com and on Amazon and join the singles movement!When celebrity photographer Kerry Brett found herself at rock bottom after a devastating breakup, she never imagined her journey back would lead her to become a dating expert, award-winning podcaster, and author. But that's exactly what happened – and she's sharing every hilarious, heartbreaking, and enlightening step in her captivating new memoir.Kerry's story begins in the magazine world, where she captured iconic portraits of figures like David Ortiz and Steve Carell over her 28-year career. But behind the camera, she was struggling to rebuild her life as a single mother navigating the then-new world of dating apps. Rather than seeing Tinder as intimidating, Kerry approached it with the same creative eye she brought to photography, treating her profile as a personal brand and discovering that authentic presentation was the key to meaningful connections.What makes Kerry's journey uniquely powerful is how she blended modern dating technology with ancient spiritual practices. Each dating adventure – from "The German Leo" to "The Irish Leprechaun" – is paired with Sanskrit mantras that guided her path, reflecting wisdom gained from spiritual teachers like Namadeva Acharya, Thomas Ashley-Farrand. These Sanskrit mantras became anchors during uncertain times, helping Kerry maintain perspective when relationships didn't work out, teaching her that "rejection is protection."The raw vulnerability in Kerry's storytelling creates an immediate connection with readers. Her willingness to share both triumphs and embarrassing moments – or epic moves like using a photograph with the real Peter Brady on her Tinder profile – makes her journey relatable to anyone who's ever felt lost in the dating world. Through her experiences, she proves that finding love isn't about perfection but authenticity: "You don't need to become perfect to find love – you're just okay the way you are."Whether you're recovering from heartbreak, navigating dating apps for the first time, or simply enjoying a good love story, Kerry's journey from behind the camera to finding her own shot at love will inspire you to believe in new beginnings. Are you ready to transform your approach to dating and relationships? Pick up "Shot at Love" and discover why this celebrity photographer's unfiltered lens on love is changing how we view modern romance.About the Guest: Kerry Brett is a Professional Photographer of America Master Photographer with 28 years of experience running her successful studio in Hingham, MA. Her distinctive, award-winning portraits have graced the covers of the Boston Globe Magazine, Boston Common Magazine, N Magazine, and the Improper Bostonian, where she served as a staff photographer for 28 years. Kerry captured iconic portraits of renowned personalities such as David Ortiz, Amy Poehler, Rashida Jones, and Steve Carell. Her viral cover series of Bill Belichick and Linda Holiday for N Magazine garnered millions of viewers online. In addition to her photography, Kerry co-authored Boston Inspirational Women with her father, Bill Brett, celebrating remarkable women with ties to Boston. She is also a certified professional photographer and nationally affiliated judge. She has lectured for Professional Photographers of America and taught at the Hallmark School of Photography Photography. Kerry's lifelong passion for storytelling and art has made her a trusted voice and visual content creator, seamlessly blending her skills behind the lens with her mission to inspire through Shot at Love. Book a reading at: www.jilljardineastrology.com/shopSupport the show

After her husband Jonah asks for a divorce, Hailey Gelman's difficult life in Binghamton turns into six weeks of litigation and custody battles in Tova Mirvis's new novel, We Would Never (Avid Reader Press 2025). After she files a motion to move with their young daughter to Florida, the tension escalates, and Jonah is suddenly murdered. Hailey is the prime suspect. Hailey's father, who had to rebuild his life after his academic advisor took credit for his work is dying of Parkinsons; her mother, whose reason for living is to make sure her family is safe, makes reckless decisions, her brother Nate, the troublemaker who managed to graduate from medical school and works in his father's dermatology practice. tries to protect his sister, and her other brother Adam, can't stand their mother's interference, moves to Maine, and refuses to participate in family events of any kind. Based on a true story, We Would Never is about family loyalty, the damage of divorce, and the fierceness of parents' love for their children. Tova Mirvis grew up in Memphis, Tennessee and attended Columbia College in New York City, followed by the Columbia School of the Arts where she received an MFA and was a teaching fellow. Her first novel The Ladies Auxiliary, which was set in the Memphis Jewish community, was a national bestseller and an Independent Bookstore bestseller. She is also the author of the novels The Outside World and Visible City. Her memoir The Book of Separation stemmed from an essay she wrote for the New York Times “Private Lives” column and was a New York Times Book Review Editor's Choice and excerpted in the New York Times Modern Love Column. She has been a visiting scholar at the Hadassah-Brandeis Institute at Brandeis University and a fellow at the Brandeis Women's Studies Research Center. Her essays have appeared in many publications including The New York Times, The Washington Post, The Boston Globe Magazine, Real Simple, and Psychology Today, and her fiction has been broadcast on NPR. She lives in Newton, MA with her family where she is working on a new novel. When she is not writing, she enjoys running, learning to play tennis and talking to her dog. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After her husband Jonah asks for a divorce, Hailey Gelman's difficult life in Binghamton turns into six weeks of litigation and custody battles in Tova Mirvis's new novel, We Would Never (Avid Reader Press 2025). After she files a motion to move with their young daughter to Florida, the tension escalates, and Jonah is suddenly murdered. Hailey is the prime suspect. Hailey's father, who had to rebuild his life after his academic advisor took credit for his work is dying of Parkinsons; her mother, whose reason for living is to make sure her family is safe, makes reckless decisions, her brother Nate, the troublemaker who managed to graduate from medical school and works in his father's dermatology practice. tries to protect his sister, and her other brother Adam, can't stand their mother's interference, moves to Maine, and refuses to participate in family events of any kind. Based on a true story, We Would Never is about family loyalty, the damage of divorce, and the fierceness of parents' love for their children. Tova Mirvis grew up in Memphis, Tennessee and attended Columbia College in New York City, followed by the Columbia School of the Arts where she received an MFA and was a teaching fellow. Her first novel The Ladies Auxiliary, which was set in the Memphis Jewish community, was a national bestseller and an Independent Bookstore bestseller. She is also the author of the novels The Outside World and Visible City. Her memoir The Book of Separation stemmed from an essay she wrote for the New York Times “Private Lives” column and was a New York Times Book Review Editor's Choice and excerpted in the New York Times Modern Love Column. She has been a visiting scholar at the Hadassah-Brandeis Institute at Brandeis University and a fellow at the Brandeis Women's Studies Research Center. Her essays have appeared in many publications including The New York Times, The Washington Post, The Boston Globe Magazine, Real Simple, and Psychology Today, and her fiction has been broadcast on NPR. She lives in Newton, MA with her family where she is working on a new novel. When she is not writing, she enjoys running, learning to play tennis and talking to her dog. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Discovering Your Creative Spark: A Conversation with Food Stylist Sheila Jarnes What if the most unexpected detours in life turned out to be your calling? Sheila Jarnes, a food stylist, prop stylist, and hand model based in Midcoast Maine, sat down to share her journey from environmental conservation to the deliciously visual world of food styling. With her hands in everything from gardening to cooking, Sheila's story is a testament to the beauty of embracing curiosity and finding art in the everyday. Sheila's career took root in the restaurant industry, followed by an “accidental” entry into food styling in 2016. She described her early days as a mix of excitement and learning, styling recipes for Boston Globe Magazine in her tiny apartment with no formal training. From makeshift shoots with a point-and-shoot camera to working on high-profile campaigns, Sheila's path has been anything but linear—and that's what makes it inspiring. The episode dives deep into what it takes to style a dish to perfection, from the chaos of on-set dynamics to navigating creative briefs. Sheila also shares her heartfelt goal to align her work with brands that emphasize sustainability, blending her love for food with her background in environmental conservation. Take Action Are you ready to embrace the unknown and tap into your own creative spark? Take a moment to try something new in your craft this week. Experiment, explore, and let curiosity guide you. Closing Thought As Sheila so beautifully put it, “This work is a constant reminder of having to be okay being uncomfortable.” Let her words nudge you toward growth—because magic lives just outside your comfort zone.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about a new spot for the Tree House Brewing Company. Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about The Salty Seagull replacing The Scotty Dog in Beverly, MA.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about what makes Ya Mas Greek Taverna & Bar so special. Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about great bar pizza  at the Trading Post Lounge.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about offerings at The Peppery Thai Restaurant.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about this almost-dive-bar establishment. Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about the opening of the Tree House Brewing Company in the Prudential Center.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about the return of The Ground Round restaurant.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about offerings at CK Pearl in Essex, MA.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about L.A. Burdick Chocolates coming to Brookline, MA. Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

WBZ's Jordan Rich talks with Marc Hurwitz, food and travel writer for Boston Globe Magazine and food writer for NECN, about the opening of Standard Italian in Boston, MA.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Exposure to books makes a big difference for children. Reading not only fosters cognitive and emotional development but also builds closeness and routines. This week, Leslie spoke to author Deborah Farmer Kris about her experience as a teacher and parent, highlighting the unique needs of each child and the intellectual and emotional challenges of parenting. Kris also promotes the use of public libraries and simple, consistent reading routines. Kris's books, including those in the "All the Time" series, aim to teach emotional literacy and provide caregiver tips. She stresses that being a stable, caring adult is crucial for a child's resilience and well-being.About our guest: Deborah Farmer Kris is a parent educator, journalist, and children's book author.  Deborah has written for CNN, PBS KIDS, NPR, The Washington Post, the Boston Globe Magazine, and Oprah Daily. She is an advisor for the PBS KIDS show “Carl the Collector,” and is wrapping up edits on a parenting book, called “Raising Awe Seekers: How the Science of Wonder Can Help Our Kids Thrive.” She also founded the parenting website Parenthood365Resources:To Learn more about Deborah Farmer Kris visit her Parenthood 365 Website Quick as a Cricket by Audrey Wood is a children's book that teaches that we all have many parts of usLeslie-ism: Try to find 10 minutes a day to read to your childFor a full transcript of this episode and more information about the host visit https://lesliecohenrubury.com/podcasts/ . You can also follow Leslie's work on Facebook and Instagram. Join the conversation with your own questions and parenting experiences.Credits: Is My Child a Monster? is produced by Alletta Cooper,  AJ Moultrié, Camila Salazar, and Leslie Cohen-Rubury. Theme music is by L-Ray Music.  Transcriptions by Eric Rubury. A special thanks to everyone who contributes their wisdom and support to make this possible.

Peter J. Stavros is a writer and attorney in Louisville, Kentucky. His debut novel, The Thing About My Uncle, was released on August 20 by BHC Press. His work has also appeared in The Saturday Evening Post, The Boston Globe Magazine and Chicken Soup for the Soul. Peter J. Stavros Vroom Vroom Veer Show Summary In this episode of "Vroom Vroom Veer," host Jeff Smith welcomes Peter Stavros, a writer from Louisville, Kentucky who recently published his debut novel, "The Thing About My Uncle." The episode begins with an introduction from Tim Paige, setting the stage for a discussion about steering away from a scripted life to embrace more fulfilling paths. Peter discusses his journey from being an attorney to becoming a writer, a transition sparked by his profound life experiences and the challenges of aligning his legal career with his creative passions. He talks about his novel, which is set in Eastern Kentucky and revolves around a young boy sent to live with his reclusive uncle, unfolding family secrets and life-altering lessons. Jeff and Peter delve into the intricacies of Peter's novel, the inspiration behind his characters, and the setting that plays a crucial role in the story. They also explore Peter's prior life as a lawyer, his educational background, and his reasons for shifting towards creative writing. Peter shares his experiences with illness and recovery, which played a significant role in rekindling his passion for writing. Throughout the episode, they touch on the themes of unexpected life changes and the pursuit of passion despite fear and uncertainty. Peter highlights the importance of support from loved ones, like his wife, who helped him through his toughest times. The episode concludes with Peter giving advice to listeners on persevering through rejection and failure, emphasizing the importance of resilience in creative pursuits and career changes. Jeff wraps up the episode encouraging listeners to visit Peter's website and check out his literary works. Listeners are left with a deeper understanding of how personal veers in life can lead to profound professional and creative fulfillment, as exemplified by Peter Stavros' journey from law to literature. Connections Website

Commonwealth Beacon reporter Gin Dumcius, urban design expert Chris Dempsey and host Darryl C. Murphy square off in a draft to predict who Boston Globe Magazine will select as its 2024 Bostonian of the Year.

Join me this morning as I welcome author, columnist and Ig Nobel Prize founder Marc Abrahams! Marc Abrahams writes about research that makes people LAUGH, then THINK. In 1991 he founded the Ig Nobel Prize Ceremony, (a parody of the Nobel prize) and serves as Master of Ceremonies. The prizes are handed out by Nobel laureates in a gala event held every year at Harvard University. Marc co-founded and edits the magazine Annals of Improbable Research (AIR), and has written several books, including This is Improbable. He also edits and writes much of the website and blog at www.improbable.com. Marc has a degree in applied mathematics from Harvard College, spent several years developing optical character recognition computer systems (including a reading machine for the blind) at Kurzweil Computer Products, and later founded Wisdom Simulators, which used computers to give people experience in making excruciating decisions. Marc is the subject of a Harvard Business School case study called "Marc Abrahams: Annals of an Improbable Entrepreneur." Marc is married to psychologist Robin Abrahams, who writes the "Miss Conduct" advice column for the Boston Globe Magazine.

We kicked off the program with four news stories and different guests on the stories we think you need to know about!Francis Storrs – Boston Globe Editor joined us with The Boston Globe Magazine's Best of the Best List – Assessing Best Foods, Things To Do, Restaurants, Burgers, Coffee Shops, Comedy Clubs, Etc!Lakelyn Eichenberger, Ph.D., Gerontologist and Caregiving Advocate at Home Instead, an Honor Company warns that older adults are missing their doctor's appointments due to high temperatures. Molly McHugh - Johnson, Google Trends Expert Olympics Facts and Stats Fans are Searching For on Google. The most-searched athletes and events.At 25, Mass MoCA has secured its place in contemporary art. But has it lifted up North Adam? Dan's last guest this hour was  Malcolm Gay – Boston Globe Arts Writer.Ask Alexa to play WBZ NewsRadio on #iHeartRadio!

In this episode we discuss Trans Representation in Young Adult Fiction with Fin Leary (he/they) #lgbt #lgbtqia #trans #transgender #lgbtbooks #queerbooks #writing ✔ GUEST PROMOS ✔ ▶ Fin Leary is a program manager at We Need Diverse Books, where he's worked since 2015; an affiliated faculty at Emerson College; and a reviewer for Booklist. His work has been published in outlets including the New York Times, Good Housekeeping, Teen Vogue, and The Boston Globe Magazine. Fin lives with his wife and their literary cats and a rainbow bookshelf outside of Boston. www.finleary.com YOUTUBE VERSION More specific show notes in the Youtube description: https://youtu.be/LsBYt7FGVf8 LINKTREE https://linktr.ee/GenderMeowster --- Support this podcast: https://podcasters.spotify.com/pod/show/genderful/support

Mee Ok Icaro (pronounced “Mee Oak Ee-car-oh”), is a unique and powerful voice in the world of visionary medicine and personal growth. As a Writer, Book Doula, Sacred Medicine Advisor and Integration Specialist, Life Purpose Coach and Guide, Mee Ok is dedicated to helping individuals heal and find their path in life. Skilled in Gabor Maté's Compassionate Inquiry approach, a method she has personally integrated for over a decade to transform her own life, she integrates many teachings from a variety of traditions, from ancient to modern.With a passion for writing and a talent for prose, Mee Ok is an award-winning stylist and poet. Her work has appeared in notable publications like the LA Times, Boston Globe Magazine, and Michael Pollan's Trips Worth Telling anthology. She was even featured in Gabor Maté's New York Times bestseller The Myth of Normal and the Netflix docuseries [Un]Well. With over a decade of experience working with ayahuasca and dieting seven master plants, Mee Ok is curing a near-fatal autoimmune disease, scleroderma, and is dedicated to helping others heal and recover their birthright of authenticity and truth.Mee Ok holds a BA in Philosophy from Boston University and an MFA in Creative Nonfiction, and has studied the history of sexuality and medicine at Harvard. She is currently in the process of being initiated in her own indigenous tradition of Korean shamanism (mudang) and as an ayahuasquera in the Shipibo lineage. With a diverse set of passions, including racial and disability equity, adoptee advocacy, social justice, film, literature, doggies, and drag, Mee Ok is a curious soul with a wealth of knowledge and experience she loves to share. To learn more about her writing and work, visit Mee-ok.comWebsite: https://holdingcompassionate.space/Music by Corey Quinn

Weekly Shoutout: Cruznotes is back! One email a month to bring you everything happening across the cruzfolio network, join Jaime's newsletter here: cruzfolio.com/cruznotes. -- Hi there, Today I am so excited to be arts calling author Paul Cody! (paulcodywriter.com) About our guest: Paul Cody was born in Newton, Massachusetts, graduated from Newton North High School and from the University of Massachusetts at Boston, magna cum laude, With Distinction in English, and Senior Honors in Creative Writing. He worked at the Perkins School for the Blind for three years, and earned an M.F.A. from Cornell University, where he was twice co-winner of the Arthur Lynn Prize in Fiction. He has received grants from the New York Foundation for the Arts, the Saltonstall Foundation, and was awarded a Stegner Fellowship by Stanford University (declined). He has worked as a housepainter, teacher, editor and journalist, was associate editor and staff writer at Cornell Magazine, where he twice won CASE awards for articles; and has taught at Cornell, Ithaca College, Hobart and William Smith Colleges and the Colgate Writing Seminars, and in Auburn Prison. His published novels include The Stolen Child (Baskerville, 1995), Eyes Like Mine (Baskerville, 1996), So Far Gone (Picador USA, 1998), Shooting the Heart (Viking, 2004), Love Is Both Wave and Particle (Roaring Brook, 2017), Sphyxia (Fomite, 2020) as well as a memoir, The Last Next Time (Irving Place Editions, 2013). His work has appeared in various periodicals, including Harper's, Epoch, The Quarterly, Story, the Boston Globe Magazine, and Cornell Magazine, and he has appeared on Voice of America as a Critic's Choice. He lives with his wife in Ithaca, New York. Thanks for this wonderful conversation, Paul! All the best! -- WALK THE DARK available May 27th from Regal House Publishing! https://regal-house-publishing.mybigcommerce.com/walk-the-dark ABOUT WALK THE DARK: Oliver Curtin grows up in a nocturnal world with a mother who is a sex worker and drug addict, and whose love is real yet increasingly unreliable. His narration alternates between that troubled childhood and the present of the novel, where he is serving the last months of a thirty-years-to-life sentence in a maximum-security prison in upstate New York for a crime he committed at age seventeen. His hope for redemption is closely allied with his memories, seen with growing clarity and courage. If he can remember, then life in the larger world might be possible for him. Praise for Walk the Dark "Paul Cody's Walk the Dark is creepily beautiful, full of stillness and darkness. Cody takes us into places we don't know and shows us strange states of mind that feel absolutely true. It's both soothing and terrifying being in Oliver's mind, because he sees such beauty but also feels forever separated from it. For decades now I've seen Paul Cody's work as the ultimate cross between horror and literary fiction, taking us deeper into the weird American night than anyone in either camp.  Walk the Dark is a continuation of that same world we know from Cody's The Stolen Child and So Far Gone, both of which are great, terrifying novels." - Stewart O'Nan, author of Last Night at the Lobster,  Emily, Alone; and Wish You Were Here   "Walk the Dark is harrowing and vivid, taut as a wire. Paul Cody intertwines terror and hope; he knows how to hook his readers from the start -- and on every page. Keep the lights burning when you open this spell-binding book." - Julie Schumacher, author of Dear Committee Members -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j

George Mumford, mindfulness and performance expert known as the Performance Whisperer, sports psychologist, author, and speaker joins me on this episode. George has worked with elite athletes, including Michael Jordan, Kobe Bryant, Shaquille O'Neal, and countless other NBA players, Olympians, executives, and artists. Michael Jordan credits George with transforming his on-court leadership, helping Jordan lead the Bulls to six NBA championships. He's been featured in popular media outlets including, ABC News, Huffington Post, Boston Globe Magazine, Psychology Today, and many others. Topics we cover include George's story of pain and recovery, the importance of self-image and identity, regulating our thoughts, self-awareness, mindfulness, self-mastery, and more. Get connected with George: Website: https://georgemumford.com/ Facebook: https://www.facebook.com/george.t.mumford LinkedIn: https://www.linkedin.com/in/george-mumford/ Twitter: https://twitter.com/gtmumford Instagram: https://www.instagram.com/george.mumford/ Purchase a copy of Unlocked: https://www.amazon.com/Unlocked-Embrace-Greatness-Discover-Success/dp/0063210096 Purchase a copy of The Mindful Athlete: https://www.amazon.com/Mindful-Athlete-Secrets-Pure-Performance/dp/1941529062 Leave a 5-star review with a comment on Apple Podcasts: https://podcasts.apple.com/us/podcast/business-minds-coffee-chat/id1539014324  Subscribe to my Business Builder Newsletter: https://bit.ly/32y0YxJ  Want to learn how you can work with me to gain more clarity, build a rock-solid foundation for your business, and achieve the results and success you deserve? Visit http://jayscherrbusinessconsulting.com/ and schedule a 1:1 discovery coaching call. Enjoy, thanks for listening, and please share with a friend!

We take for granted that the “immigrant experience” is part of the American story. But in an epic new history Daniel Schulman tells the story of the Jewish immigrants who built some of America's biggest financial institutions and transformed America.  A best-selling author, Schulman is known for his first book, “Sons of Wichita,” a biography of the Koch brothers, which was a finalist for the Financial Times and McKinsey Business Book of the Year Award. His second book, “The Money Kings,” was recently released and details several German-Jewish immigrants who influenced the rise of modern finance in the United States, including Goldman Sachs, Kuhn Loeb, Lehman Brothers and J. & W. Seligman & Co. Beyond his books, Schulman is a journalist whose work has appeared in publications including the Boston Globe Magazine, Politico, Vanity Fair, the Washington Post and Mother Jones, where he is the magazine's deputy Washington, D.C. bureau chief.  See omnystudio.com/listener for privacy information.

Buy Tickets for the Stand Up PodJam Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls School Moms: Parent Activism, Partisan Politics and the Battle for Public Education Laura Pappano, an award-winning journalist and author, has been a frequent contributor to The New York Times and The Hechinger Report. She is a writer-in-residence at the Wellesley Centers for Women at Wellesley College and was the 2018-2019 Poynter Fellow-in-Residence at Yale. Laura is founder of The New Haven Student Journalism Project, operated through Yale University's Office of New Haven Affairs. Through the program, New Haven Public School students in grades 3-8 work with Yale mentors to cover the most pressing issues of the day and produce The East Rock Record, which is published in print and online at eastrockrecord.org.Laura is a moderator, speaker and media guest. She has lead keynotes, including at SXSW.edu, and speaks frequently about education and gender issues. She has been a TV and radio guest, including on NPR. She is a former education columnist for The Boston Globe and contributor to the Harvard Education Letter.  Her work has appeared in The New York Times, The Atlantic, The Christian Science Monitor, The Washington Post, USA Today, The Boston Globe Magazine and elsewhere.  Her story, “How Big Time Sports Ate College Life,” published in The New York Times, is included in The Norton Sampler: Short Essays for Composition (8th and 9th editions, 2013; 9th edition, 2017). She is author or co-author of Inside School Turnarounds (2010), Playing With the Boys (2008) and The Connection Gap (2001). Her new book, School Moms: Parent Activism, Partisan Politics and the Battle for Public Education will be published by Beacon Press in January 2024. A 1984 Yale grad, Laura was goalkeeper for the 1980 Ivy League Championship Field Hockey team. She serves on the board of the Yale Field Hockey Association, is a past board chair of Long Wharf Theatre in New Haven, CT and of the West Suburban YMCA in Newton, MA.  She bikes, plays USTA tennis, is a passionate theatre-goer, reader and cook. Laura is the mom to three mostly grown children. She lives in Seattle, WA and New Haven, CT. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll   

Divorce can be a difficult process today, but it's nothing compared to what it used to be. In the late 1800s, women from around the country had to fight for the right to separate from their husbands on their own terms. April White tells their stories and how they still impact us today in her fascinating book, The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier. April White has served as an editor and writer at Atlas Obscura and Smithsonian Magazine. Her historical stories have also appeared in publications including the Washington Post, Boston Globe Magazine and The Atavist Magazine.   Transcript   APRIL WHITE: Each of these women goes out to Sioux Falls for a very personal reason. We start to see the shift in the understanding of divorce. These women have very little traditional power at this moment in history. They are not in any of the rooms where divorce and divorce law are going to be debated. They're not in the legislatures. They're not in the judiciary. They're not in the White House. They're not in religious circles. They're not in those conversations. Yet, they are driving those conversations. BLAIR HODGES: Once upon a time in the late 1800s, Sioux Falls, South Dakota became the hot destination for women from all over the United States. These women weren't coming to see the famous Sioux Falls, they weren't looking for land, or to find husbands. In fact, they came to this frontier of the American nation looking to get rid of husbands. They were looking for the fastest and easiest path to get a divorce. Because in the 19th century, it was almost impossible to get one anywhere else. This wasn't a private process either. It played out in public, in the courtroom, in the press. It was like an old time TMZ saga. Historian April White says these women were really looking for personal solutions to personal problems, but their efforts helped change divorce laws for the entire country in ways that still matter today. April White joins us now to talk about her book, The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier. There's no one right way to be a family, and every kind of family has something we can learn from. I'm Blair Hodges, and this is Family Proclamations. April White, welcome to Family Proclamations. APRIL WHITE: Thank you so much for having me.   RISING DIVORCE RATES (1:54)   BLAIR HODGES: We're talking about your book, The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier. You're taking us back in time a little bit, this is the turn of the century. We're heading into the year 1900 here. In that last decade of the 1800s, there were some headlines that were popping up around the country that you point out in your book, and the headlines were alarmed. The people were alarmed. The question was, is marriage a failure? Why would they ask that question in the late 1800s? APRIL WHITE: In this moment, you're seeing rising divorce rates. The people who are particularly alarmed by this, and it's most often the clergy, can't imagine that divorce is a good thing. They only see this as an evil. They imagined that somehow marriage is falling apart. What's really happening is marriages are as good or as bad as they've ever been. There's just more opportunity now—economic, political, social, legal—there's more opportunity for spouses to go their separate ways if they are unhappy in their marriage. They're saying they're very concerned about marriage, but what they're really concerned about is divorce because they want to keep this building block of the country to gather these ideas of the family, is really central to that concern. BLAIR HODGES: You point out that they're using language of epidemic—this is some sort of illness that is spreading through society. The numbers back up the fact that divorce was increasing. You say that there was a national census in the 1880s that freaked people out. It showed that divorce had basically doubled in a really short amount of time. You mentioned the clergy were particularly alarmed with this. Did they think much about the context of it in terms of maybe people are unhappy in marriages? Maybe that's where we should begin, rather than should we be letting people get divorced? APRIL WHITE: Very few of them thought that way. You mentioned the census. It's basically the first time anyone has gone and counted marriages and divorces. What the census shows is yes, the divorce rate is increasing, but there's also not a lot to compare it to. These numbers seem really big. You knew a couple of people who got divorced, but now there are tens of thousands. Those numbers are also part of what inflames this conversation, whether they had any point of comparison or not. No, you will largely see people wanting to make it more difficult to divorce. Most of the Catholic sects in the in the United States think about it that way. The one exception to this that I was aware of was the Unitarian Church, which very much thought divorce was a necessary evil, and the focus should be on making marriage better, which would naturally lower divorce rates because fewer people would be seeking to leave their marriage.   AUTHORITY FOR DIVORCE (4:38)   BLAIR HODGES: You also talk about at this point in American history, there's an important shift that's already happened in how divorce even worked. The question was where was authority for divorce situated? You trace the change over from legislatures overseeing it to the courts. Maybe describe that transition a little bit, because that has a lot to do with people's ability to get divorced—where that power was. APRIL WHITE: In the early days of the United States, in order to get a legal divorce you needed to go before a state legislator for a private bill of divorce. This was the type of thing that could be very difficult to navigate for people who did not have the connections and the proximity to power this would require. For some practical reasons, which is the legislatures had other things to do, you see the country moving away from this state by state and bringing divorce into the courts. This has an unintentional consequence of leveling the playing field in a lot of ways between men and women in order for people to seek a legal divorce, and in some ways between the upper and lower classes—although there is still an economic divide there when it comes to dealing with the courts. It was not the intention when divorce was moved to the courts to make this more egalitarian. It was an unintended side effect. BLAIR HODGES: What did it look like before? Did the husband have to be the one to initiate the divorce? Could women initiate divorces? What did it look like? Would it also affect her ability to get remarried? APRIL WHITE: Either party could initiate divorces, and what we see throughout the history of divorce is there is the law, and then there are all the other factors around the law that affects who can use it. Even in the time period I'm talking about, since we've moved into the court it has been more egalitarian for men and women. That doesn't mean both men and women are seeking divorce at the same rate or with the same ease. Two things happen. One, for a woman to seek a divorce she needed to be in an unusual for the time independent economic position. She needed to have social support that would allow her to go through a divorce and still have a community on the other side. There were a lot of pressures on her, outside of the law, that made it difficult to seek a divorce. That's the other point, and the exact opposite pressure, which is we see in this census we're talking about that two out of every three people who seeks a divorce is a woman. There's a really particular reason for that, too. Men had an easier time seeking extra legal means to get a divorce. A man could walk away from his marriage. Chances are he had the economic resources that the woman didn't so he didn't have to worry about necessarily marrying again in order to be economically, socially, politically stable. He also didn't have to worry about the legitimacy of his children. He could claim those children or not claim those children. The woman did not have that choice. For women that piece of paper was exceptionally important because without it you could not legally remarry. The real important thing to remember here is that for women in this time period, marriage is the single biggest economic, political, social choice she is going to make in her entire life.   LEGALLY VALID REASONS FOR DIVORCE (8:06)   BLAIR HODGES: Another component here is the cause for divorce. We have no-fault divorce today, although strangely there are some people already trying to claw back that right. Talk about what people had to face in order to even get a divorce because no-fault divorce wasn't a thing yet. APRIL WHITE: It's a little hard to imagine, actually. Divorce, once we get into the courts, is an adversarial process. One spouse has to accuse the other of one of the violations that their state allows—each state was different in terms of what their divorce laws were. The Court needed to find you guilty of that offense. I may go into court and say, "I want to divorce my husband because he has deserted me." I need to prove to the court that has happened or the court is going to say, "Nope, sorry." This adversarial piece is really important because if I and my spouse want to divorce, we both want a divorce, we both want to go our separate ways. We cannot do that. In almost every state there was a law against collusion. That meant if you and I had agreed we wanted a divorce, we were already prohibited from doing that. Of course you see a lot of people working around these laws, but that was the letter of the law. BLAIR HODGES: They could have off the books conversations, like here's how we're going to play it. What were some other differences? You mentioned there was a hodgepodge of laws between states, which was another challenge. What kind of differences, in addition to different causes—I think New York was one that was really hardcore. It was really difficult. There were very specific things. You had to prove adultery or something. What kind of differences between states did people have to consider when they're thinking about getting divorced? APRIL WHITE: New York in this time period only allows divorce with proof of adultery. The only thing I can charge my spouse with was adultery and I have to walk into court and in some way convince the judge. There are plenty of cases in which the judge is not convinced and you remain married to the person you just tried to divorce. BLAIR HODGES: They didn't have cell phones where they could catch people or look at old text messages. [laughter] APRIL WHITE: I've got to tell you, after the time period I write about in the book you actually see this growth of this industry of actresses you can hire to come in and lie on the stand, or to pose for a picture in a hotel room so that a couple who mutually wants to get divorced can. People went to great lengths to separate when the law did not allow them to. That's what the divorce colony in Sioux Falls is. What happens is, in the United States every state has its own divorce laws. There are two components to that. One is the residency requirement. How long do you need to live in the state in order to fall under the jurisdiction of the court and sue for a divorce? The other are the causes. What causes can I claim to get this divorce? New York, South Carolina, very difficult. Other states, in theory more liberal, but how those laws are applied are a little difficult. To the previous point I was making, it's not all about the law, so it also depends on how supportive your community is within that state. That's what ends up making what they call the migratory divorce, or foreign divorce, attractive for those who could afford it. In the time period I'm writing about, starting in 1891, you see wealthy, white women typically, traveling out to Sioux Falls, South Dakota to get divorces. I know that sounds incredibly weird. South Dakota has only just become a state. Sioux Falls has only been a city for not even two decades at this point. It's ten thousand people. BLAIR HODGES: It's the Wild West in some ways. It's the frontier. APRIL WHITE: It really is, particularly for these women who are coming from upper class New York, who have had a very different experience. But the train lines run there now. It's the end of the line. It is a place where you can go and live in 1891 for just three months to fall under the jurisdiction of the court and before you can sue for divorce. I said "just" there but traveling someplace and living there for three months and then more as your case winds its way through the courts, is an expensive and difficult endeavor. That's what people would do to get around these different residency and grounds issues.   WELCOME TO SIOUX FALLS (12:43)   BLAIR HODGES: Your book's written almost like a novel. It really paints such wonderful pictures of the time. Give us a sense of women coming from a place like New York into South Dakota. What would they see as they're getting off the train? What was it like there at the time? APRIL WHITE: Thank you for saying that, because I really did want to bring you as close as you could get to these women and understand what lengths they had gone through in order to seek separation from their spouse. It's a multiple day train ride from New York, and to Chicago that was probably relatively normal at the time. But a woman traveling alone on a train west of Chicago was a pretty rare sight, and one that certainly sparked a lot of gossip. You finally make your way to Sioux Falls—and I have to say Sioux Falls, even at the time, was actually a very beautiful city. This is because they had a local architect who built some very impressive buildings there, and also some local stone, Sioux quartzite, which made this very young city feel more permanent and more of something familiar than it might have otherwise. BLAIR HODGES: It's kind of hip in a way. [laughter] APRIL WHITE: I'm not sure they thought about it that way, but I think we would. [laughter] When you got off the train, what struck me is the two things you could see most clearly on the skyline of this very young city was the courthouse. The courthouse where you were going to stand in a public trial and be questioned about your marriage. You could see the top of St. Augustus Cathedral, and that was home to a man named Bishop Hare, and he was the most outspoken opponent of divorce in Sioux Falls, and eventually a really well-known voice in the country. Those were the two opposing forces of Sioux Falls you could see just as you got off the train. BLAIR HODGES: April, by the way, Bishop Hare seems straight out of Central Casting, too. [laughter] APRIL WHITE: Absolutely. He was quite the character. Someone who was very well respected in the state, had been a missionary there for decades, who truly believed he was preaching in the best interest of his congregants and his city, but in doing so was denying people access to something they really, truly needed. BLAIR HODGES: He was politically savvy too. He'd been paying attention to how laws in the state were influencing people that were coming into the state. He wanted Sioux Falls to be where his flock was, this wonderful place where people could grow families and be prosperous and help expand America. There was definitely this Manifest Destiny feeling there. Then he sees these outsiders coming in, and what he sees is taking advantage. Talk a little bit more about the divorce laws as they played out in South Dakota that differentiated South Dakota from other states. This became the pilgrimage site for a lot of these wealthier women. Why? What were the laws that were so advantageous there? APRIL WHITE: We had this short residency requirement, and it's easy now when you hear that to think, "Wow, South Dakota—super progressive in the 1880s-1890s." No, no, that was not what was going on. We had seen this actually always on the western edge of the United States because when you had white settlers coming into a place for the first time, they wanted to build their community. They wanted to attract people and they wanted people to become a part of the fabric of that community very quickly. These low residency requirements were about bringing people into civic life, not about allowing them to get a divorce. So again, unintended consequences here. Bishop Hare had been a big part of building South Dakota. He had been a missionary in the Dakota territories, very well respected, had spent a lot of time working with the Bureau of Indian Affairs, so had some politicking in him. He had also spent a lot of time back east raising money from well-to-do people, largely in New York—among them the Astor family, basically known as the landlords of New York at the time. Incredibly wealthy people. The idea of shaping laws and influencing people was not foreign to Bishop Hare, when you had what were known as divorce colonists coming out to Sioux Falls and saying, "Hey, there is a law on the books which I would like to use." Yes, it did in theory raise the ire of people who said, "Oh, well this is never what it was intended for. It's okay if my neighbor, a true resident of Sioux Falls, wants to get a divorce. But we did not intend to be a place where other people came." Now, that's not entirely true. They are actually against divorce in general but it is easier for them to say, "We're okay with it ourselves. This is not the spirit of the law." That's where you see the tension. You have these divorce colonists who are typically of a higher class, have more money than the people in Sioux Falls, who are coming out there, they believe, to take advantage of these laws. You have a lot of social tension in the town in addition to this legal tension around the laws. BLAIR HODGES: How about the economy? Were there enough people coming out to provide a windfall to the place? Were there are people that were like, "Actually, this is kind of nice because people are going to come stay in hotels, or they might buy stuff when they're out here." Was that an incentive? APRIL WHITE: It absolutely was. You see that when people first start coming to Sioux Falls. History never moves in a straight line. What we see is first in the history of the divorce colony as people start to arrive, there is this idea that maybe this is a good thing. We want more people in Sioux Falls. We want more money in Sioux Falls. One of the things that anecdotally seems to have grown up around these divorce colonists was a robust arts scene in Sioux Falls, and the latest fashions that were demanded by these people coming from the east. In the very early days you see some entrepreneurial spirit around the divorce colony, but then we have these bigger name women start to come out mid-1891. The national spotlight follows them. Reporters come to town. They're on the front pages on a daily basis. Very quickly the sentiment in Sioux Falls turns to this is a stain on our community. We don't want people to be looking at us like we're a place for divorce. You still have some supporters in the lawyers, in the hoteliers, and restauranteurs, but at least publicly, at least in front of the newspapers you have a lot of derision towards the divorce colony as soon as the rest of the country is looking at the city negatively.   GAINING FREEDOM (19:40)   BLAIR HODGES: Before we dig into the particular people, I have one more broad question and that comes from something you wrote. You say, "The women who traveled to Sioux Falls were not activists. What was for them an act of personal empowerment and self-determination became an intensely political act anyway." That stood out to me. That was one of my surprised moments. These weren't necessarily women who were trying to make some larger societal political point about divorce or women's rights. They were seeking help in their own circumstances, basically, for the most part. APRIL WHITE: Each of these women goes out to Sioux Falls for a very personal reason. The only thing each of them is fighting for out there is their own freedom. No one is out there to make a statement. In fact, they would all prefer not to be on the front pages. If they could have done this quietly they would have. What you see is each person going to the extreme to gain their own freedom, but in doing so in the numbers they did, with the attention they did, we start to see the shift in the understanding of divorce. That was one of the things to me that was so interesting about this story. You have these women who have very little traditional power at this moment in history. They are not in any of the rooms where divorce and divorce law are going to be debated. They're not in the legislatures. They're not in the judiciary. They're not in the White House. They're not in religious circles. They're not in those conversations. Yet, they are driving those conversations. I really was fascinated by that alternate path to power. BLAIR HODGES: There was also an element of entertainment about it. As you said, these were public events that were covered in the press. They didn't have true crime podcasts and Dateline and stuff like this to watch back then and it seemed like this kind of played that role of people being able to be voyeuristic a little bit into what were supposed to be private matters. APRIL WHITE: Oh absolutely. This is your TMZ. This is your grocery store tabloid. This is the celebrity gossip of this time period. People love it. Even those in Sioux Falls who claim to hate the divorce colonists want to know every single thing they do in town. It is the attention that is paid to the divorce colonists that really ultimately ends up shifting the conversation. The time period of the book is roughly twenty years, from about 1890 to about 1910. For twenty years you have these people who oppose divorce saying this is going to topple the family and therefore topple the country. Yet every day you see this on the front pages and nothing has fallen yet. The press really plays a big part in how things shift during this time.   MAGGIE DE STUERS AND HER DIPLOMAT (22:51)   BLAIR HODGES: That's April White. She's senior writer and editor at Atlas Obscura and author of the book The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier. That gives us a broad overview here. Your book lays out the stakes for us, and then you're going to get biographical. You're going to introduce us to particular women and their stories to let us know how things played out on an individual level. The first person that you talk about, and I'm probably going to pronounce the name wrong, is Maggie De Stuers. How do you pronounce that? APRIL WHITE: That's how I pronounce it. I can't tell you how she did, but that's my take. [laughter] BLAIR HODGES: Great. Give us a sense of who Maggie is and why you led off with her story. APRIL WHITE: So Maggie De Stuers arrives in Sioux Falls in the middle of 1891. She tries to do so quietly. That is just not going to work for her because she is a niece of the Astor family, and the Astor family is this incredibly wealthy New York family who is on the front pages all the time. Maggie had been married to a Dutch diplomat, and about a year earlier she had disappeared. She had fled from their home in Paris and for a year no one had known where she was. When it becomes known that she is in Sioux Falls, it is on the front pages of papers in Chicago, in New York, in Boston. This was front page news. BLAIR HODGES: Would it be sort of like Paris Hilton appearing someplace? APRIL WHITE: Yes, she's been missing for a year and suddenly she shows up in a small town in South Dakota. That's exactly right. It drags all this attention to Sioux Falls. That's in part why I led off with her. The other reason I led off with her though is in addition to sparking the media attention in Sioux Falls, she sparks Bishop Hare's ire towards the divorce colony. He was always going to be opposed to divorce, but Bishop Hare had a relationship with the Astors. In fact, St. Augustus Cathedral was named for Augusta Astor, who was Maggie's aunt. So the idea that Maggie is there publicly seeking a divorce—let's put aside the fact she would have loved to have privately sought one and was not allowed to—but the fact that she is there publicly seeking a divorce and sitting in his church on Sundays is a personal affront to Bishop Hare, and in many ways sparks him on what will become the effort of the rest of his lifetime, which is to abolish the divorce colony. BLAIR HODGES: You talk about how she was there because she got married young, she was younger than the person she married, it seemed to be one of these diplomatic or relationship legacy type marriages. They didn't meet on an app and connect because of their enneagrams were similar, or whatever. They seem to be a marriage of family connections and he was older than her. He seemed like a really boring guy. It just wasn't the right thing for her basically. APRIL WHITE: They seem pretty ill suited, at least as they grew older. Maggie would accuse him of treating her poorly, of threatening her, of yelling at her. To your point, one of the interesting things about the different women I picked for this book to focus on is they all do marry for different reasons. Maggie, when she marries in the 1870s, it's really fashionable to marry a European title. So there was a lot of strategy in why she would have married this man. She was supposed to be happy with this life, which involves flitting around between European capitals. But she wanted something else. So she has a moment where she fears that her husband is trying to institutionalize her in order to gain control of her fortune. BLAIR HODGES: Which also wasn't unheard of. This is a thing that they do to control women. APRIL WHITE: Institutionalizing women to control women at this time period was unfortunately quite common. Maggie was in an unusual position where she was far wealthier than her husband was because of her family connections. That's what ultimately led her to flee, although it meant leaving behind her children. She has already gone to great lengths to leave this marriage when she shows up in Sioux Falls. BLAIR HODGES: When she shows up she's not alone. She's got a secretary with her, this gentleman who is supposedly helping her in her travels. She's going to connect with lawyers onsite to help her with her proceedings. We meet some other people in the city. We meet Judge Aikens, who is going to be presiding over the divorce court. We meet Fannie Tinker, who seems to be a cool journalist figure that's going to be there telling the tale. We meet these people there and at this point you say how, again, this was an adversarial procedure so spouses could contest this. Her husband the Baron contested it. What it would take is being publicly accused of being a horrible person. He sent this affidavit over that was filled with scandalous charges. APRIL WHITE: He did. For a while it was thought that maybe the Baron was going to come out to South Dakota from Paris where he was living at the time to contest this in person. To the great dismay of the crowds in South Dakota this does not happen, but to Maggie's relief. You still have a public trial. You have a public trial in which the Baron's deposition is read out loud where Maggie is on the stand in a packed courtroom being asked to relive what she considers to be the worst possible moments of her marriage. You really see there both the lengths to which she had to go, but the determination she had to do this. She'd never stop pursuing this, even once she realized what it would take. Including calling her a bad and uncaring mother, which was one of the worst things you could level at a woman at this particular time period. BLAIR HODGES: If I remember correctly he was also saying that she was having an affair, right? That this was a ruse for her to get with somebody else. APRIL WHITE: Yes. He said that she had left him for another man and had been traveling with this man during the period of time she had been missing. BLAIR HODGES: I don't know. Is it a spoiler to say who that was? [laughter] If you want to keep it a secret, I will. But it's so interesting. APRIL WHITE: Let's say we do find out, and the wedding is even more of a scandal than the divorce. BLAIR HODGES: Yes. I'll let people figure it out in the book but suffice it to say she does get her divorce. Why? Why did the judge side with her? APRIL WHITE: You largely see in Sioux Falls—and I talk about Sioux Falls but of course the same laws apply throughout South Dakota—that in Sioux Falls most people get their divorce. The state had a large number of reasons for grounds for divorce. A lot of people did not contest these things and come out and try to oppose it. Almost everyone who goes before the court gets their divorce. She is able to make the case that she has satisfied the grounds that she has put forth before the court.   MARY NEVINS BLAINE TAKES ON THE POLITICIAN (29:59)   BLAIR HODGES: Let's move to Mary Nevins Blaine. Mary was interesting because it's harder to assume that she married for money. You can't really assume that. She was actually older than the man she married. She was nineteen. Her partner Jamie Blaine was just seventeen when they got married. She was a young actress and Jamie's dad was a politician with national aspirations. This just has the ingredients for a really great story. You've got this young actress marrying the young son of this aspiring politician and the family is not happy about the marriage. APRIL WHITE: Yes. These teenagers elope just a couple of weeks after they meet and marry secretly, to the great dismay of both of their families. Both the Blaine family, as you mentioned, James Gillespie Blaine is the standard bearer of the Republican Party at this time. He's a perpetual presidential candidate, very well known in the country. Mary's family is also like, "We don't know what you're doing with this younger son of the Blaine family." Jamie had not to this point proven himself to be rather reliable and would go on to continue to not be particularly reliable. It was a real scandal, both for the families and again for the whole country who got to watch this elopement play out on the front pages. BLAIR HODGES: That could hurt Jamie's dad's political career so his family would be concerned about how it looks, how it reflects on his dad and his political options. Then for her family, they would be concerned about her options going forward. Could a divorced woman return to acting? Would she get remarried? She, first of all, would need to win the divorce and then would be faced with difficult options after that. The stakes are really high. What do you think was the ultimate reason for them divorcing? Because it seemed like they at least liked each other. Whereas in the previous case, she married a Baron because that was kind of the cool thing to do. But these guys actually seem to like each other, at least at first. APRIL WHITE: Mary definitely married for love. What she didn't love so much was Jamie's family. Jamie was, as I eluded, a sort of wayward, he seems to have had a problem with alcohol. He seems to have had a problem with his temper. He had not accomplished the same things that his siblings had. His parents, particularly his mother, kept him very close and really tried to keep him under their thumb, possibly for very good reasons. But Mary really chafed at this, particularly at Jamie's mother who had never come to like her daughter-in-law. Jamie's father, for a period of time, James did embrace Mary but his mother never did. What Mary would charge in court was that her mother-in-law had instigated this breakup and had driven them apart. Classic mother-in-law situation. [laughter] What happens is when the judge points that out we get a whole big problem. BLAIR HODGES: What happens there? What is that problem? APRIL WHITE: Things had happened, not quietly, but routinely, I would say. The Blaine family had decided not to cause a stir around this divorce. James Gillespie Blaine had decided it was better for his political career to just let this happen. However, the judge, once he hands down his judgment in favor of Mary, goes off on a bit of a tirade against Jamie's mother. He doesn't need to do this. This doesn't need to be part of the court proceedings. He makes it clear that he feels Jamie's mother was the cause of this. The press is very excited about this. James Blaine has throughout his life been very protective of his wife, and he's also hoping to be the presidential candidate for the Republican Party in 1892. This is the moment he decides he needs to go on the offense. Even though Mary already has her divorce at this point, James writes an open letter that's, again, printed on the front pages of newspapers across the country, making it clear that it is Mary's fault and threatens to release her love letters and really is doing everything he can to take down this young twenty-something actress. Which doesn't seem like a particularly good look for the country's top diplomat and a potential presidential candidate, but there you go. BLAIR HODGES: That was what was so surprising is the lengths he was willing to go because what you're showing here is that the battle over public opinion still mattered. Divorce was an issue, right? Public opinion and public thought about how divorce should work really mattered. In this case, divorce was granted, people could move on and still oppose divorce or whatever, but James Blaine, that's when he decided to dig in, as you said. I think there was some protectiveness about his spouse. I would assume there were advisors around him probably saying, "Hey, let's back off a little bit. This might not be the best idea." Yet he pursued. How did Mary respond to that? Now she's being maligned in the press. He's threatening to publish letters and he's insinuating there are these bad letters. Basically saying, "I got dirt on you, and you better back off, or else." What's she going to do? APRIL WHITE: I like her because she seems like such a smart cookie. She is incredibly composed for someone who is taking on one of the best-known figures in the country at this point. She also releases a letter to the press and basically says, "I am a twenty-something actress, it surprises me that you would malign me. I am simply seeking what is best for me and your grandson. However, if you insist on releasing my letters, I will release your son's letters. Game on." She does it in a way that is incredibly effective. I don't think anyone expected this young woman to be able to take on the country's top diplomat. BLAIR HODGES: What exactly did she say that carried the day for her that was so savvy? APRIL WHITE: I don't think anyone expected her to fight back at all. I think the fact that she had the wherewithal not to hide, not to bend to this. I can't speak to her motivation on this, but my thought would be the country already thought poorly of her. She had already been waging this public relations battle and she was a likable character. She had also gotten a divorce. She was now a single mother actress. She didn't have a lot to lose in way of her national reputation. I think that may have emboldened her to take this step. I don't think anyone expected her to confront him, including James Blaine. I think they thought this was the end of the story. Jamie, her ex-husband, had not acquitted himself well. Some people were inclined to believe the accusations against her mother-in-law. There were a lot of ways in which the more space Mary had to tell her story, the worse it looked for the Blaine family. BLAIR HODGES: At this time we're seeing some federal attention on this. People are trying to pass constitutional amendments to regulate marriage and divorce. That just wasn't going anywhere. They couldn't get enough consensus to really nail down any kind of national law about how divorce could look. We look at someone like Bishop Hare, who's a clergy member, he's opposed to divorce for religious reasons. We might expect him to fight hard for those kinds of laws. We might also be surprised at some of the other allies of that cause. I'm thinking, for example, of Emma Cranmer, who was a women's suffragist, and women's rights advocate, and she was on Bishop Hare's side in feeling unsettled about where divorce law might go. APRIL WHITE: One of the other reasons I want to tell Mary's story, in addition to it just being a fascinating tale, was because I got to look at some of these political issues that were coming up at the time. One of the things you realize right away is you had people who oppose divorce, and you had people who were quiet about divorce. You didn't have a whole lot of people out there saying, "Yes, divorce is something we need people to have access to." In that category of opposed divorce, you get what seems today to be some unlikely players. Among them, the suffragettes. Not all of them, but a lot of them. Part of this is because there was, particularly in Emma's case, a large religious component to the suffragist movement, and in Emma's case, the way she thought about the world. But also because there was this fear that the issue of divorce would distract from the issue of the vote. You already had these fears that giving women the vote was going to in some way disrupt family life, was in some way going to take women out of the home and put them into the public space. To also be fighting for divorce was to in some ways, they feared, legitimize that concern. You had a lot of people who simply said, "We can't divide the movement. We can't distract from what we're trying to do here." You really don't see a lot of public support among the suffragettes for this effort.   BLANCHE MOLINEUX, THE MURDERER'S WIFE (39:29)   BLAIR HODGES: You do see some local changes. In Sioux Falls, there is a change in the law where the residency requirement is made longer, which is going to make it more difficult so people who seek a divorce are going to have to stay longer. It increases the burden they would have to pay. You see a decline in divorces that happen, but it doesn't take even a decade before they start loosening that up again. That takes us to Blanche Molineux, another name that I may be pronouncing correctly or not. She shows up on the scene now that things are loosened up again, and she breaks maybe one of the biggest taboos which is that she openly declares that she's going there specifically to use the lax laws that are there. That was supposed to be an open secret and she just says it. APRIL WHITE: We see a lot of change between 1893, which is when South Dakota increases its residency requirement from three months to six months, and when Blanche arrives in the early 1900s. What's happened at this point is, once South Dakota extended its residency requirements, North Dakota was suddenly the easiest place to get a divorce. Not a lot of people wanted to hang out in Fargo, but still North Dakota decided it didn't like the attention. At the end of the nineteenth century, they extend their residency requirement to a year, so all of a sudden Sioux Falls at six months is again the laxest divorce laws in the country. For a little bit, to my earlier point, you see people coming out to Sioux Falls and there's not a lot of fuss so things are kind of okay. But Blanche has a couple of strikes against her before she even arrives in Sioux Falls. That is that she is already incredibly well known as the "murderer's wife." She had been married to a man who had been accused of poisoning a rival, also believed to have poisoned a romantic rival in addition—one of Blanche's former lovers—and he had been convicted of poisoning, very long story, he had been convicted of a poisoning, and he had been sentenced to death row. BLAIR HODGES: This could be its own real true crime podcast, by the way. APRIL WHITE: It is, it is. Then for evidentiary reasons, his conviction was overturned. He had a second trial and he was acquitted. Now, if you'll remember, there is still only one reason to get a divorce in New York: for adultery. Blanche does not believe that Roland has committed adultery. She cannot make this claim. She believes that he has committed murder. BLAIR HODGES: It seems like he has, too, right? APRIL WHITE: I think it seems like he has too. But that is not a reason for a divorce. BLAIR HODGES: That's what's so funny. They're like, "Oh, sorry, you didn't have an affair. You just murdered people." [laughter] APRIL WHITE: She leaves immediately for Sioux Falls and again brings all that attention back that Maggie had brought with her a decade earlier. Yes, she is outspoken about why she's there. A lot of people worry that's going to cause her legal problems. In some ways it does, it actually causes her more social problems, though. She has broken some of the unwritten rules around how this works and the circumstances under which we're going to accept a woman's decision to do this. BLAIR HODGES: You have to at least pretend you're going to stay there, for example. You're coming out to at least pretend you want to live there. APRIL WHITE: That was one of the questions you see in all of the divorce hearings in Sioux Falls, which is, how long have you been living here and do you intend to be a resident? You were a resident, so you could say, "Yes, I have been here for more than ninety days. I am a resident of the state." Most of them got on a train immediately after getting their divorce, if not within a couple of weeks. To my knowledge, no one who had come from out of state to get a divorce stayed in Sioux Falls for any extended period of time after getting their decree. Except for Blanche. She ends up staying in the end, which causes all kinds of problems of its own. BLAIR HODGES: She had announced that wasn't her intention either. Why did she end up staying? She's granted the divorce. APRIL WHITE: She falls in love and she remarries. BLAIR HODGES: Her lawyer. APRIL WHITE: Yes, her lawyer. He is a respected citizen of Sioux Falls, so there is a lot of concern about if she should be accepted into this society as well. Ultimately, she really isn't. She is still an outcast in this community, but she is the one person who does what they had been saying all along they wanted the divorce colonists to do. If only they weren't taking advantage of the law. But that was a lie. BLAIR HODGES: What kind of things did she miss out on? Was she just not really invited to social events? How was she treated? Because she did end up staying for Wallace, her lawyer. She's married to him. But what did the social consequences look like for her? APRIL WHITE: You see that for instance, Wallace Scott is a member of a bunch of civic society and social groups who have this open debate as to whether Blanche should be at a dance they're throwing, or whether she should be invited to various events. You see her on the outskirts of this community pretty much throughout her life there.   SCOTUS AND ANDREWS V. ANDREWS (44:45)   BLAIR HODGES: There was also a strange hitch that happened during this trial with a Supreme Court ruling. As we're thinking about how divorce laws are shifting and how they're being applied throughout the United States, this is a pretty pivotal time for that. Right during the middle of her trial, they throw things into question. There's a case, Andrews v. Andrews. It's in Massachusetts, and the Supreme Court basically says—if I understood this correctly—that Massachusetts wouldn't have to recognize divorce that was carried out in a different state, which would cause a problem for people that went to the divorce colony because it was basically like, "Oh, sorry, that doesn't count. We're not going to honor that in Massachusetts." APRIL WHITE: We've been talking about how difficult this was, and something really important we haven't mentioned yet is you could go through all this, you can go and live in Sioux Falls for six months, nine months, a year, you can pay all this money, you can take this hit to your reputation, and still your divorce decree is actually only tentatively legal. It may not be recognized when you go back to your home state. We see a bunch of cases about this over a period of time. Most of the people who go to Sioux Falls are not worried about this because in order for your divorce to be questioned, your ex-spouse needs to oppose it. They need to bring it up in court in the other state. If you are mutually getting divorced, or even a grudgingly mutual divorce, your decree is never going to come up to court for question. However, if your spouse has some reason to not want to be divorced, as happens in the Andrews' case, it will go up before the court and they can decide whether this is legal or not. There's a lot of consequences to deciding that a divorce is not going to be recognized. You may have remarried. Now you're a bigamist. You may have had children and now they're illegitimate. There's a lot of chaos that can be sowed. Charles Andrews, the case you're referring to, Charles came out to Sioux Falls in the early period of the divorce colony, right around the time Maggie and Mary are there. Like everyone else, he goes out for a divorce, he stays for the period of time he has been asked to, he gets a divorce, he goes back to Massachusetts, he meets a woman, he marries her, he has two children. His father dies, this becomes important. His father dies, and then not long later, Charles dies at a young age. Suddenly his first wife thinks, "Oh, wait a second. There is quite the estate here now because he has his father's money. I should challenge to be the administrator of his estate, to be his legal heir." She does. She takes it all the way up to the Supreme Court, and they find that South Dakota did not have the necessary jurisdiction and therefore the divorce is invalid. His second wife is not his second wife, his children are not his legitimate heirs, and his first wife, Kate, is heir to the fortune. Chaos.   FLORA BIGELOW DODGE, THE KING, AND THE PRESIDENT (47:45)   BLAIR HODGES: You're double married. That's our "what about men?" moment as well for people that were wondering if there were any men that were there. You mentioned a few—Charles Andrews, Edward Pollack. Again, this is where we see laws can just cause havoc. More people were saying we need some sort of uniform law. Why don't we tackle this federally, so we don't have all of this chaos? There just wasn't the political ability to get that done, even though divorce was impacting some of the most powerful people in the country and in the world, as your final profile shows. I'm talking about Flora Bigelow Dodge. When we get to her story, we're going see Teddy Roosevelt and the King of England all of a sudden get involved here. Give us a sense of what's happening here. APRIL WHITE: To your to your "what about men?" point, it's a really important one because I talk a lot about the women of the divorce colony. It wasn't only women who went to Sioux Falls. As we talked about earlier, women had more of an incentive to go great distances to get a divorce. They also caused more of the consternation. I'm not saying that people who opposed divorce were thrilled when men got divorces, but it didn't lead to the same panic that women taking this step did. BLAIR HODGES: Golly, I wonder why. [laughter] APRIL WHITE: We've not seen that since, certainly. What I like about Flora's story is it feels really modern to me. Flora marries young, grows apart from her husband. So far as I can tell from the historical record, neither hated the other. None had done an unimaginable wrong. They were just unhappy. BLAIR HODGES: Marriage for personal fulfillment rather than for all these other reasons. It's a change in what marriage was. APRIL WHITE: Absolutely. We really see that over the course of this book, the ways in which what we thought marriage should be changes. Flora is simply a well-known New York socialite and author. She is well liked. When she decides to get a divorce, everyone sort of thinks, "Well, that makes sense. Her husband's not all that spectacular. She's way cooler." She has lots of connections and her family does, both in in New York and on the East Coast and in England. You realize the extent to which it's not unusual that divorce is affecting these very prominent people, because divorce is affecting everyone. This is over the course of the twenty years I'm talking about, become more of a common place both activity, but just something we understand to be a part of society. BLAIR HODGES: Especially for white folks. Your book is attuned to the racial dynamics of this because this is a very privileged situation. APRIL WHITE: Absolutely. When it comes to talking about Black husbands and wives of this era, it's only very recently that Black people have been allowed to marry in a lot of places. It's a very different dynamic and the economics of divorce and the opportunities for women play a huge issue. Yes, it's a very different story for people who are not wealthy and white. BLAIR HODGES: Sorry to interrupt. To pick up where you left off, you're basically talking about that shift in what marriage was culturally, and we're starting to see someone like Flora who is separating for fulfillment, but she had connections to powerful people. That's how the President of the United States, and ultimately even the King of England, enter the story as well. APRIL WHITE: One of the things I wanted to talk about through Flora was the social change. Part of that is because Flora very much decides she wants something that she believes no one has gotten before, and that is what she called a dignified and legal Dakota divorce. The legal piece, we discussed already how that's a little challenging because no one quite knows what the rules are. But the dignified piece, Flora decides she is going to make friends in Sioux Falls. She is going to make herself a part of that community. She is going to show those people what she has to offer. She performs concerts at the prison. She conducts the city census. She helps raise money for a new furnace at the church. She's really going to enmesh herself in this community, and if it means that she needs to stay there forever in order to have a legal and dignified divorce, she is prepared to. Seeing the ways in which everyone needed to confront this issue, the ways in which Roosevelt had to confront this issue simply because people of his acquaintance were divorcing, and how do you handle that? The ways in which divorce was still a real anathema to some, which is how the King of England comes in. He's basically legitimizing Flora after her new marriage when her in-laws don't like her very much. We really see the ways in which society is dealing with this through Flora's story. BLAIR HODGES: The president is publicly a bit traditionalist. I think he needs to perhaps maintain a facade of supporting "the family," but behind the scenes is also much more sympathetic to the idea of divorce. He wants a uniform model law. He's the president—again, can't get it done. How do things develop for the rest of the century, taking us up to the present where we still don't have necessarily a federal law that says exactly how things should work? If, for example, where does no-fault divorce come into things? APRIL WHITE: We raised the idea earlier of this question of could we have a constitutional amendment that gave the federal government control of marriage and divorce? Could we get all the states to sign on to a uniform divorce law? And there's a bunch of reasons why that doesn't work out so well for anybody. One of them, unfortunately, is the idea that if the federal government had control of marriage and divorce, the southern states fear at this time that they will allow interracial marriage. There were even bigger concerns than divorce out there for some, but what we start seeing is an acceptance of reality. The idea of very disparate state laws is causing a lot of havoc. You don't know what's accepted where. You have these people crossing state lines to gain access to a right they wouldn't have in their states. You basically have people circumventing the laws of the states they live in. Governments slowly start to realize that's not useful to them. If their population is using extra legal means or leaving the state to seek freedom from their marriages, then that state government no longer exercises any control over marriage and divorce. They want to have control over marriage and divorce. You start seeing states recognizing this is going to happen and if they want to say in how it happens, they are going to have to allow for it. That's how we start seeing this shift, eventually, to no-fault. Slowly start seeing this shift to like, "Oh, this is going to happen. How do we shape that in a way we want to?" BLAIR HODGES: It wasn't even until 1970 that no-fault divorce became legal, and that was in California. That's pretty late in the game. I don't know, but I assume every state has no-fault divorce. APRIL WHITE: Every state has a version of no-fault. Those are slightly different, but similar enough that migratory divorce is not a particular issue anymore.   THINKING ABOUT DIVORCE TODAY (55:13)   BLAIR HODGES: I didn't get a sense either from the book about your own personal stakes in it. Were you doing any sort of work on your own personal background and being interested in this topic? APRIL WHITE: No. I've never been married. This is a whole new issue for me, writing about marriage and divorce. I will say that one of the really fascinating things to me personally as I was researching this was realizing just how recent it was that I could make a decision not to be married. You see these women in the book, those who go to great lengths to divorce, almost all remarry because that is really the only choice they can make for a stable life. The idea that I can have a career, sign contracts, have a bank account, even raise a family if I want to—that I can do all those things is very specific to this moment and this place and the culture I grew up in. BLAIR HODGES: There's this great quote from the introduction where you say, "To be free to choose who we love and how to live is to be free both to marry and to divorce." You're sort of arguing that marriage itself is enhanced or strengthened by the fact that it is more chosen. Divorce and the freedom that that allows can actually enhance marriage and make marriage itself more worthwhile and more healthy even. APRIL WHITE: We spent a lot of time as a country thinking about this when we were talking about same-sex marriage, and ultimately when Obergefell came out of the Supreme Court, this idea that choosing who you are married to is incredibly important, but you can't choose that if you can't also divorce. I like thinking about access to divorce in that same arc of loving and Obergefell. In the same way we say, "Oh, yes. You should be allowed to make the intimate choices of your life without the interference of the government." BLAIR HODGES: It was great to see those attitudes arise early on, even at the turn of the century. You mentioned earlier Unitarians, who were talking about divorce, and a Cornell University professor who basically said the rising divorce rate suggests a rise in expectations of what marriage ought to be. In other words, we're increasing our standards. This is a signal that people want more out of marriage, and people want marriage itself to be better, and when it's not they need the ability to end that to try again or to not try again. All throughout, we did see people with that attitude, whether it culturally prevailed or not, that underlying idea of freedom to come together, or freedom to separate, and how that's a good thing. Divorce can actually signal higher expectations rather than the collapse of "the family." APRIL WHITE: So much about the rising divorce rate was about women having more, not enough, but more agency to make choices, and more agency to pursue happiness and stability and the things they wanted out of life. We see this sense that people should want more out of their life than necessarily what they had been told in earlier generations was possible.   BOOKS DO CULTURAL WORK (58:17)   BLAIR HODGES: Let's talk about cultural work for just a second. Books are reflective of the times and places they're published. The fact a book exists suggests there's an audience and a need for it. I think books can do different kinds of cultural work. Some books do cultural work that talks about how we got to where we are and maybe celebrates how we got to where we are. Some books do that but also try to push toward better things, like trying to highlight a problem that we could do better at addressing. I wondered what kind of cultural work you think your book is doing—if it's more of a celebration of how far we've come? Or if there's more cultural work to do and what that work might look like. APRIL WHITE: When I first stumbled upon the divorce colonies story it was shocking to me it had never been explored deeply before. I gave that a lot of thought. I think one of those reasons is what you're alluding to—which is how we think about history and how we think about what's important. For me, in this moment, it was obvious we needed to be asking questions about the ways in which women had agency or didn't have agency, the ways in which they could shape and influence power or have power, and the ways in which they couldn't. That was not something that was understood in earlier versions of how we thought about divorce. That's the reason this was a footnote to that. What I'm trying to do with this book is in part just say there's a lot of history we have not explored through the lens of how we understand the world today. If we go back and ask questions in this broader, more open-minded lens we have today where we understand that the people who helped and did the digging, and had the local knowledge in archeological digs, were actually just as important to the discoveries we've made in archaeology as the celebrated Englishman who showed up in Egypt. The more we understand the important players and that everyone brought something to our history, I think changes the way we think about our history. I really like books. What I tried to do here was to go back and say, what did we miss because we were looking at the world through the specific lens of the thirties, or the fifties, or the seventies? What can we understand now because we've been given more tools and have more questions to ask?   REGRETS, CHALLENGES, & SURPRISES! (61:17)   BLAIR HODGES: It's helpful to get that historical perspective because it also opens up possibilities for the future, because we can see how things played out in the past and how there were different possibilities and different people with different concerns. I also like to use history that way as forward thinking, history for the future. History as a way to expand our imagination about what possibilities are out there. That's why I wanted to do this book for Family Proclamations. I'm trying to feature things from different time periods and look at history and look at sociology and look at all these different ways, because I want people to expand that imagination. Your book really does a good job helping us do that. That's April White. We're talking about the book, The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier. She's a senior writer and editor at Atlas Obscura, and she has previously worked as an editor at Smithsonian Magazine and has been all over the place publishing really great work. The last thing I want to ask is a little segment called regrets, challenges, and surprises, April. This is a chance for you to think through doing this book. A book is a big project, it's a big investment of time. I've found that a lot of people change during that process, or discover new things. Was there anything as you were doing the book that challenged you, that challenge some of your previous thinking? Maybe some of your biases were challenged. Or something that surprised you that you totally didn't expect, or maybe something you regret, or you would change about the book now that it's out in the world. APRIL WHITE: I would definitely say one of the challenges was thinking about the idea of independence. When I tell this story to people, as I was through the book process, everyone got really excited about how independent these women were to seek out divorces. Then they got quite disappointed to hear they remarried almost immediately. I was probably inclined to that point of view initially, having given it very little thought, and then realized how important the idea that independence is doing the thing you wish to do. It wasn't about striking off on their own in the world, if that's not a thing they wished to do, or they could do. It was about making your way in the world the best you could. It wasn't a challenge to their independence that they remarried. Many of them remarried because they loved the person they were marrying. Others did so because it would allow them the life they wanted to live. Independence didn't mean striking out on your own. Independence meant making your own choices. That was definitely something I did not arrive at in the earliest stages of my research. I will say I was surprised. We mentioned many of these women came from similar socio-economic backgrounds, wealthy and white. I was still surprised how different their stories were, how different their stories were as to why they married. How different their stories were as to why they were divorcing. How different that path could be if they had a supportive family member in their life or not. If they had income or not. How many different challenges these women faced, even though they were coming from similar social circles, even sometimes had been the person who had told the next person who came how to do this. I really enjoyed "meeting" each of these women, as so many of them who ended up on the cutting room floor, or in the footnotes because I couldn't bear to part with their stories. I really enjoyed being able to hear those stories, largely because I wasn't sure I'd be able to. Tracing women through history is not the easiest thing to do. To be able to meet so many of those women was wonderful. In terms of regrets, aside from some misspellings, nothing yet, but the book has only been out a little under a year. To my earlier point about the ways in which how we think about history changes, I am absolutely certain when I look at this book in a decade I'm going to realize there were so many questions I didn't ask and so many things I didn't interrogate that I should have. Maybe we'll do an edited version a decade from now where I correct some of those things. BLAIR HODGES: That's how history works. Thank you so much, April. This has been a great conversation. Again, I recommend people check out the book The Divorce Colony by April White. The subtitle is How Women Revolutionized Marriage and Found Freedom on the American Frontier. April, thanks for coming to Family Proclamations and talking about the book today. APRIL WHITE: Thank you. I really enjoyed this. BLAIR HODGES: There's much more to come on Family Proclamations. If you're enjoying the show, why not take a second to rate and review it. Go to Apple podcasts and let me know your thoughts. Please just take a second to recommend the show to a friend. The more the merrier. Thanks to Mates of State for providing our theme song. Family Proclamations is part of the Dialogue Podcast Network. I'm Blair Hodges, and I'll see you next time.

Join us on Wednesday, March 13 @ 6pm EST for an exciting conversation with Managing Partner of Triad Consulting Group, Debbie Goldstein as she shares her work in conflict and communication. Debbie teaches negotiation as a faculty member at Harvard Law School and Harvard Graduate School of Education. She has also taught at Tufts University School of Medicine and was an adjunct professor at Georgetown University Law Center for many years. Her work often takes her internationally: to Dubai, where she worked with government leaders; to Ethiopia, where she worked with the Members of Parliament; and to Cyprus, where she taught public policy students from across the globe. Her varied clients include Merck, Chanel, Brigham and Women's Hospital, Capital One, Barclay's, Honda, Standard Bank, Shell, Boeing, General Mills, MetLife, PricewaterhouseCoopers, Citigroup, Prudential, and Proctor & Gamble. She coaches senior executives through difficult decision-making and managing critical relationships, and has helped mediate family business disputes. In the public sector, she founded and ran a free legal aid clinic called LINC (Legal Initiative for Children) for the patients at Massachusetts General Hospital's Chelsea outpost. She is currently on the Board of Directors of WBUR and Income Research + Management. She has been a featured guest on NPR, and her writing has appeared in the Boston Globe Magazine, the Management Information Exchange Journal, and the Harvard Business Review. Debbie is a graduate of Williams College and Boston College Law School. After college, Debbie lived in Chicago chasing (and catching) her dream of becoming a jazz vocalist. Debbie can be reached at goldstein@diffcon.com.

For those opening full-service restaurants, a liquor license can be a key part of creating a sustainable business. But in the city of Boston, getting your hands on such a license can cost anywhere from $400,000 to $600,000 on a private market. One that exists due to a shortage of licenses available through the city. Today, Boston Globe Magazine contributor Erick Trickey joins The Common for a deeper look at why it can be so financially challenging to get a liquor license in the city, and how this system disproportionately impacts small businesses and Black entrepreneurs. Greater Boston's daily podcast where news and culture meet.

Morgan Baker joins Let's Talk Memoir for a conversation about motherhood and identity, giving back to ourselves and creating boundaries, confronting depression, worrying about our memoir's structure later, juggling our jobs as writers, why we write about hard things, and her new memoir Emptying the Nest. -Visit the Let's Talk Memoir Merch store: https://www.zazzle.com/store/letstalkmemoir -Take the Let's Talk Memoir survey: https://forms.gle/mctvsv9MGvzDRn8D6 Help shape upcoming Let's Talk Memoir content - a brief survey:  https://forms.gle/ueQVu8YyaHNKui2Z9   Also in this episode: -perceiving ourselves in new ways -the gifts of teaching  -letting go   Books mentioned in this episode: A Three Dog Life by Abigail Thomas Growing Up by Russell Baker By the Iowa Sea by Joe Blair In Love by Amy Bloom The Suicide Index byJoan Wickersham How to Make a Slave by Jerald Walker Surviving the White Gaze by Rebecca Carroll   Morgan Baker is an award-winning writer and professor at Emerson College. Her work is featured in The New York Times Magazine, The Boston Globe Magazine, The Brevity Blog, Talking Writing, The Boston Parents' Paper, The Martha's Vineyard Times, The Bark, Modern Dog, Cognoscenti, and Hippocampus, among many regional and national publications. She is managing editor of The Bucket. She is the mother of two adult daughters and lives with her husband and two dogs in Cambridge, where she also quilts and bakes. Visit her at bymorganbaker.com.   Connect with Morgan: Website: https://www.bymorganbaker.com Instagram: https://www.instagram.com/mmorgbb Facebook: https://www.facebook.com/morgan.baker.737/ LinkedIn: https://www.linkedin.com/in/morgan-baker-01446aa/ Get her book here: https://www.ten16press.com/shop  Write Your Way with Morgan will be starting two 8-week workshops   — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

The Talk of Fame Podcast got to chat with Ian Mark! Ian first dipped his toes into the writing waters as a high school senior when his essay equating college admissions with dating was published in Boston Globe Magazine. After a string of one-night standard applications he hooked up with NYU and spent the next 3 years immersed in Manhattan. He graduated Phi Beta Kappa and magna cum laude with a B.A in English and American Literature in 2015. Ian placed his degree somewhere he cannot remember and absconded to Pasadena, CA, where he hosts The Pasadonuts Improv Livestream every week and works as an actor in film and television. His writing has appeared in Hive Magazine, Outrageous Fortune, CelticsBlog, the Newton Tab, and Washington Square News.  FOLLOW ME:  INSTAGRAM:  Officialkyliemontigney  Talkoffamepod  Facebook:  Officialkyliemontigney  Talkoffame  Twitter:  Kyliemontigney4  ABOUT ME:  Hi, I am Kylie! I love sports, spending time with my family, traveling, and meeting people that inspire me. I love listening to other people's stories and sharing their journeys. --- Support this podcast: https://podcasters.spotify.com/pod/show/talk-offamepodcast/support

In this profound episode of “How to Be Happier for Entrepreneurs,” we embark on a transformative journey with our extraordinary guest, Mee Ok Icaro. Join us as Mee Ok shares her powerful story of how Ayahuasca, a sacred plant medicine, became her lifeline when conventional medicine fell short. Learn about the profound healing experiences and insights she gained from Ayahuasca, which ultimately led her to a path of wellness and purpose. While we touch upon writing, the heart of this episode explores the incredible healing potential of Ayahuasca, making it a must-listen for anyone seeking holistic well-being and personal growth.   Key takeaways to listen for: Transformative power of writing and its role in healing and growth Ayahuasca: How it can lead to the path to healing The connection between childhood trauma and serious illness Why it's crucial to explore transformative ways for personal growth Mee Ok's multifaceted approach to fostering lasting change   Resources: The Myth of Normal by Gabor Maté MD | Kindle, Paperback, and Hardcover The Secret History by Donna Tartt | Kindle, Audiobook, and Paperback   About Mee Ok Icaro Mee Ok Icaro is an award-winning literary prose stylist and occasional poet. She is the winner of the inaugural Prufer Poetry Prize, runner-up in the Prairie Schooner Creative Nonfiction Contest, and a finalist for the Scott Merrill Award for poetry and the Annie Dillard Award for Creative Nonfiction. Her writing has appeared, or is forthcoming, in the LA Times, Boston Globe Magazine, Georgia Review, Massachusetts Review, Bennington Review, River Teeth, Michael Pollan's “Trips Worth Telling” anthology, and elsewhere. She is also featured in [Un]Well on Netflix and is attempting to write a memoir.    Connect with Mee Ok Website: MEE-OK | 미옥   Connect With Us Schedule a call and find your level of happiness by taking your self-love quiz at www.BradChandler.com/contact.   Join How to be Happier - For Entrepreneurs | Private Facebook Group https://mc.bradchandler.com/grouppc_bradc.   Follow Brad on Social Media! Facebook Page: Brad Chandler Coaching  Instagram: @bradchandlercoaching Twitter: @lbchandler1 TikTok: bradchandler6 YouTube Channel: Brad Chandler  

Part 2 of my conversation with Charles Pierce continues with more discussion about basketball icon Larry Bird. Pierce, lead political writer for Esquire, also shares in this second of two episodes why covering the NBA in the 1980s was a highlight of his nearly 50 years of writing about sports. He provides anecdotes about Tom Brady and Bill Belichick that illuminate their grand NFL partnership. Pierce recalls the crazy and memorable days at The National Sports Daily. And he breaks down how he reported and wrote his famous GQ magazine profile of the young Tiger Woods. Make sure to check out part 1 with Pierce. In that first episode, we discussed bars, Bird, Bill Buckner's error, Ben Johnson's drug scandal, and 1980s Big East basketball: https://evergreenpodcasts.com/press-box-access/charles-pierce-part-1-they-rolled-the-champagne-out-of-the-red-soxs-locker-room#episodeContent Pierce has been the lead political writer for Esquire since September 2011. He worked nine years for the Boston Globe as a reporter, sports columnist and staff writer for that paper's Sunday magazine starting in 2002. He had previously been a sports columnist for the Boston Herald. Pierce left the Globe in 2011 to join Esquire fulltime after having been a contributing writer for that magazine since 1997. He was a feature writer and columnist for The National Sports Daily in 1990 and '91. His articles on sports and politics have also appeared in GQ, Sports Illustrated, the New York Times Magazine, the Los Angeles Times Magazine, The Nation, The Atlantic American Prospect, Slate, the Chicago Tribune, ESPN's Grantland, the Milwaukee Journal-Sentinel, and the Media Matters blog Altercation. Pierce has made appearances on ESPN's “Around the Horn” and often co-hosted NESN's “Globe 10.0” with Bob Ryan. Pierce was a longtime regular panelist on the NPR quiz show “Wait Wait . . . Don't Tell Me!” and has made appearances on the NPR program “Only A Game.” The Massachusetts native began his journalism career in 1976 at his hometown Worcester Magazine before moving to Boston two years later to write for the alternative publication, The Phoenix. In 2018, the United States Basketball Writers Association inducted Pierce into its Hall of Fame. He won a National Headliners Aware in 2004 for his Boston Globe Magazine piece, “Deconstructing Ted.” He has been named a finalist for the Associated Press Sports Editors' award for best column writing on several occasions. Many of his stories have been featured in the annual compilation, “Best American Sportswriting.” Pierce was a 1996 National Magazine Award finalist for his piece on Alzheimer's disease, “In the Country of My Disease.” He was awarded third place in the Pro Basketball Writers Association's Dan S. Blumenthal Memorial Writing Contest. Pierce is the author of four books: · “Idiot America: How Stupidity Became a Virtue In The Land Of The Free” · “Moving the Chains: Tom Brady and the Pursuit of Everything” · “Sports Guy: In Search of Corkball, Warroad Hockey, Hooters Golf, Tiger Woods, and the Big, Big Game” · “Hard to Forget: An Alzheimer's Story” Pierce earned a degree in journalism from Marquette University in 1975. His alma mater honored him with a “2021 Alumni National Award – Byline Award,” to which Pierce responded: “I'd like to think that my getting this award might encourage students who don't feel like they fit in and show them that this profession still values ferocious eccentricity.” Here's a link to Pierce's political blog for Esquire: https://www.esquire.com/news-politics/politics/ You can follow him on X at: @CharlesPPierce Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles Pierce takes time away from his job as lead political writer for Esquire to reflect on his nearly 50 years of experiences as a sportswriter. In this part 1 of a 2-part episode, Pierce recalls covering Bill Buckner's error, Ben Johnson's drug scandal at the Seoul Olympics, and the rollicking days of Big East basketball in the 1980s. He also provides insight into Larry Bird as a person and basketball icon. Oh, and we discuss bars, too. Sportswriters understand.   Part 2 of my conversation with Pierce will be published on Nov. 8 and include more stories about Bird and discussion about Tiger Woods, Tom Brady, Bill Belichick, the NBA of the 1980s and early '90s, the National Sports Daily, and other tales.   Pierce has been the lead political writer for Esquire since September 2011. He worked nine years for the Boston Globe as a reporter, sports columnist and staff writer for that paper's Sunday magazine starting in 2002. He had previously been a sports columnist for the Boston Herald. Pierce left the Globe in 2011 to join Esquire fulltime after having been a contributing writer for that magazine since 1997. He was a feature writer and columnist for The National Sports Daily in 1990 and '91. His articles on sports and politics have also appeared in GQ, Sports Illustrated, the New York Times Magazine, the Los Angeles Times Magazine, The Nation, The Atlantic American Prospect, Slate, the Chicago Tribune, ESPN's Grantland, the Milwaukee Journal-Sentinel, and the Media Matters blog Altercation. Pierce has made appearances on ESPN's “Around the Horn” and often co-hosted NESN's “Globe 10.0” with Bob Ryan. Pierce was a longtime regular panelist on the NPR quiz show “Wait Wait . . . Don't Tell Me!” and has made appearances on the NPR program “Only A Game.” The Massachusetts native began his journalism career in 1976 at his hometown Worcester Magazine before moving to Boston two years later to write for the alternative publication, The Phoenix.   In 2018, the United States Basketball Writers Association inducted Pierce into its Hall of Fame. He won a National Headliners Aware in 2004 for his Boston Globe Magazine piece, “Deconstructing Ted.” He has been named a finalist for the Associated Press Sports Editors' award for best column writing on several occasions. Many of his stories have been featured in the annual compilation, “Best American Sportswriting.” Pierce was a 1996 National Magazine Award finalist for his piece on Alzheimer's disease, “In the Country of My Disease.” He was awarded third place in the Pro Basketball Writers Association's Dan S. Blumenthal Memorial Writing Contest.    Pierce is the author of four books:   · “Idiot America: How Stupidity Became a Virtue In The Land Of The Free” · “Moving the Chains: Tom Brady and the Pursuit of Everything” · “Sports Guy: In Search of Corkball, Warroad Hockey, Hooters Golf, Tiger Woods, and the Big, Big Game” · “Hard to Forget: An Alzheimer's Story”   Pierce earned a degree in journalism from Marquette University in 1975. His alma mater honored him with a “2021 Alumni National Award – Byline Award,” to which Pierce responded: “I'd like to think that my getting this award might encourage students who don't feel like they fit in and show them that this profession still values ferocious eccentricity.”   Here's a link to Pierce's political blog for Esquire: https://www.esquire.com/news-politics/politics/   You can follow him on X at: @CharlesPPierce Learn more about your ad choices. Visit megaphone.fm/adchoices

Nailing down your brand voice is tough. Especially when you're writing content for videos, blogs, Instagram, Twitter, TikTok…we could go on forever. Because a strong brand voice helps you stand out, drives brand affinity, and improves conversion rates. But where do you even start? What tone do you use? How wordy or concise should you be? We have answers for you. We're tuning in to the Queen of brand voice today: Taylor Swift. Along with VP of Brand, Content and Communications at ZoomInfo, Meghan Barr, we're exploring how Taylor Swift listens to her audience, how she defines her writing style, and how that changes with each reinvention. So grab your glitter pen and take notes on this episode of Remarkable.About our guest, Meghan BarrMeghan Barr is VP of Brand, Content and Communications at ZoomInfo. She joined ZoomInfo in January 2021 as Senior Director of Content and Communications. After nearly two decades as an award-winning journalist at The Associated Press and The Boston Globe, Meghan joined the tech world at ZoomInfo, a software company that is modernizing how businesses go to market.During her journalism career, Meghan covered some of the biggest breaking news stories in the world, including Occupy Wall Street, Superstorm Sandy, and the Boston Marathon bombings. As a reporter based in several Midwestern cities and, later, New York City, she broke news about serial killers, witnessed a death row execution by lethal injection, followed politicians on the 2008 presidential campaign trail, drove through flooded roadways, chased ambulances and tornadoes, climbed to the top of the World Trade Center on a rickety ladder, interviewed famous athletes, and generally had a lot of amazing adventures. Over the years, her areas of expertise included crime, income inequality, transportation, and tourism. She also became one of the AP's trained video journalists capable of shooting and producing my own video reports streamed globally to clients for AP Television News.As an editor, Meghan directed metro news coverage on Boston.com for several years before becoming an editor at The Boston Globe Magazine, where she commissioned and edited longform narrative features and adapted excerpts from forthcoming works of nonfiction.Meghan is passionate about telling impactful stories that resonate. She's also dedicated to helping working parents succeed in a world where the odds are stacked against them, particularly for working mothers. At the Globe, she was part of a fierce committee of women who successfully lobbied for a better family leave policy. At ZoomInfo, she launched a caregivers employee resource group to help support and advocate for employees who care for children or elderly relatives.About ZoomInfoZoomInfo (NASDAQ: ZI) is a leader in modern go-to-market software, data, and intelligence for more than 30,000 companies worldwide. ZoomInfo's revenue operating system, RevOS, empowers business-to-business sales, marketing, operations, and recruiting professionals to hit their number by pairing best-in-class technology with unrivaled data coverage, accuracy, and depth of company and contact information. With integrations embedded into workflows and technology stacks, including the leading CRM, Sales Engagement, Marketing Automation, and Talent Management applications, ZoomInfo drives more predictable, accelerated, and sustainable growth for its customers. ZoomInfo emphasizes GDPR and CCPA compliance. In addition to creating the industry's first proactive notice program, the company is a registered data broker with the states of California and Vermont.About Taylor SwiftTaylor Swift is a singer and songwriter and all-around music industry phenomenon who is currently on her much-talked-about Eras Tour. She was originally known for country music but is overall considered a pop artist. She has collected Grammys, American Music Awards, Billboard Music Awards, and more #1 albums than any other woman ever. She has a strong, defined personal brand that fans tap into, namely the red lipstick, wearing the number 13, and wearing friendship bracelets. She's also a strong advocate for artist's rights. What B2B Companies Can Learn From Taylor Swift:Decide who you are as a company. What are your values? What's your mission? How would you describe your company? Answer these questions first, and that will inform your brand voice. Meghan says, “Which brand archetype are you? You can be the hero. You can be a helper. It's an important question of like, ‘Who do you want to be as a company? Who do you want to be as a brand? What are you all about, basically?'Lurk on your audience. Tune into their social media to find out what matters to them. Then create content that plays to your audience's values. Taylor Swift calls her approach “Tay-lurking.” She investigates what fans are doing and saying on social media, and that's how she understands what they care about. She then builds it into content. This way, she gives fans what they want (another concert, hidden Easter eggs, etc.).Put effort into building your community. Community doesn't build itself; it depends on give and take. (Emphasis on the “give” part). The energy and attention that you invest in your community comes right back to you in the form of brand affinity. Taylor Swift is constantly engaging with her fans, whether it's at her concerts and giving away her black fedora to a special fan, on social media, or at meet and greets. She gives the impression of being very accessible, and that she “gets” her fans. So put some effort into building that emotional connection and reap the benefits.Reinvent your brand to renew audience interest. As your company grows and develops, refresh your brand to reflect the change. Taylor Swift has reinvented (aka rebranded) herself many times, from country music to pop, album to album. Each has had a different feel and look. Even the name of her tour - The Eras Tour - plays to this. She has grown and changed through each era, each album. And her fans have grown with her, gaining momentum. Taylor Swift even uses different voices in her songs. At the 2022 Nashville Songwriters Association International annual ceremony, she said she has three styles of lyrics: quill lyrics, fountain pen lyrics, and gel pen lyrics. The important part is that Taylor Swift is the one writing them. And it's her personal brand fans are attached to. She already made a psychological bond with them, and they are always looking out for new content from her. So keep your branding feeling fresh, including your brand voice, so your audience stays invested.Quotes*“The Tay-lurking thing is her listening. Like every good marketer, she spends time with the customers. She's out there listening to what her fans want and responding to that stuff. That's how she can layer in all these little hidden messages and hidden secrets and know that people are going to find them because she's probably reading how much people love that stuff.” - Ian Faison*”She's investing the time in her fans that they are investing in her. She's feeding the frenzy of her fans, of the community. You have to invest in your audience. You have to listen to them and actually put the work in.” - Meghan Barr*”One of the big marketing takeaways from Taylor Swift in the totality of her career is her acknowledgement that ‘I know my fans better than you know them.' She knows what she's making and who it's for. And if you don't like it, it's not for you.” - Ian Faison*"You can't be everything for everyone. You have to pick a lane, you have to decide what you're doing and commit to it.” - Meghan Barr*”If you don't know your audience, you're going to fail. You have to know who they are, what they think about, what they're worried about, what they're stressing about… you have to really put in that time and effort. Because otherwise you can't get inside their heads. You can't figure out what's going to resonate with them." - Meghan BarrTime Stamps[0:55] Meet Meghan Barr, VP of Brand, Content and Communications at ZoomInfo[1:33] Why are we covering Taylor Swift?[2:52] What does Meghan do at ZoomInfo?[4:07] Learn more about Taylor Swift[9:49] Why is Taylor Swift remarkable?[13:09] Why authenticity is more important today, after the advent of AI in marketing[24:14] More marketing takeaways from Taylor Swift[38:45] Learn about the modern go-to-market indexLinksListen to Taylor SwiftConnect with Meghan on LinkedInLearn more about ZoomInfoRead the AdWeek article on ZoomInfo's collaboration with ColossusCheck out ZoomInfo's go-to-market playsAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Kayla Harrison made history in 2012 by winning USA's first Olympic gold medal in judo. Kayla's tenacity and dedication to whatever she pursues has rightfully captivated people everywhere. She has been featured on the cover of Sports Illustrated, The New York Times, and USA Today; in Time Magazine; on the Today Show, CNN, and MSNBC.Kayla received the 2012 Women's Sports Foundation's Wilma Rudolph Courage Award, was named one of Glamour Magazine's Women of the Year for 2012, and placed first on Boston Globe Magazine's 2012 Athletes of the Year.

Dan kicked off the show with an examination and exploration of today's top stories with various experts and reporters. Joining the program was Boston Globe Sports Writer Kevin Paul Dupont, Marc Hurwitz, Food and Travel Writer for Boston Globe Magazine, Dr. Brian Yun, Vice Chair of Clinical Affairs in Boston Medical Center's Department of Emergency Medicine, and WBZ Radio Reporter Kim Tunnecliffe.

In this episode, hosts Haley Moss and Dr. Lori Butts speak with autism self-advocate and journalist Alaina Lavoie. Alaina, who publishes journalism under the byline Alaina Leary, is a program manager at We Need Diverse Books and affiliated faculty at Emerson College. Her work has been published in the New York Times, Boston Globe Magazine, Good Housekeeping, Refinery29, Glamour, Teen Vogue, and more. She lives with her wife, three literary cats, and a rainbow bookshelf outside of Boston, MA. For more about Alaina: http://www.alainaleary.com/ A TRANSCRIPTION FOR THIS EPISODE CAN BE FOUND HERE: https://differentbrains.org/we-need-diverse-books-with-alaina-lavoie-spectrumly-speaking-ep-142/ ----------------- Spectrumly Speaking is the podcast dedicated to women on the autism spectrum, produced by Different Brains®. Every other week, join our hosts Haley Moss (an autism self-advocate, attorney, artist, and author) and Dr. Lori Butts (a licensed clinical and forensic psychologist, and licensed attorney) as they discuss topics and news stories, share personal stories, and interview some of the most fascinating voices from the autism community. Follow Different Brains on social media: https://twitter.com/diffbrains https://www.facebook.com/different.brains/ http://differentbrains.org/category/spectrumlyspeaking/

Dinner with Cupid is a column from The Boston Globe Magazine that matches up two willing singles on a blind date and then features details on how the evening goes. This Valentine's Day, The Common sits down with Cupid herself, aka contributing editor Melissa Schorr, for a peak behind the scenes of Dinner with Cupid and the latest dating trends here in Boston. Greater Boston's daily podcast where news and culture meet.

In todays show we talk about the importance of awe and wonder. Research reveals that the benefits of being awe-seekers is that you are more generous, curious, and more humble. Is the feeling of awe within our control or does it just happen unexpectedly? How do moms help their teenagers experience more awe? Listen as we discuss. Today's guest is Deborah Farmer Kris. Deborah is an education journalist, parent educator Her bylines include PBS KIDS, NPR's Mindshift, The Washington Post, the Boston Globe Magazine, and Oprah Daily. Deborah's work is grounded in the two decades she spent as a K-12 teacher and administrator. She has a B.A. from Boston University in English, a B.S. from Boston University in Elementary Education and a Masters of Education from Rutgers University, 2009 for Counseling Psychology. . Her writing has been featured several times in The Washington Post; she is the co-author of the book Building Character in Schools: A Resource Guide; and she is the author of the picture book series All the Time, which has been featured on Oprah Daily, Slate's Mom and Dad are Fighting and more.  Learn more about Deborah at https://www.parenthood365.com/ Follow on Instagram at https://www.instagram.com/parenthood365/ Learn more about your ad choices. Visit megaphone.fm/adchoices

When writer's block begins to overwhelm, it's often best to go back to basics, to finding your “why” again, and examine just what might be holding you back. That block might be more helpful to you than you think. Meta Wagner is passionate about helping people reach their creative potential. She is the author of What's Your Creative Type?: Harnessing the Power of Your Artistic Personality (Seal/Hachette) and of the Substack newsletter, Page Fright. She is a writing and creativity professor at Emerson College and instructor at Grub Street and has also taught at Boston University and Wheelock College. Meta is the creator of an original model for creativity, the Five Creative Types, and has given talks about it at TEDx, creativity conferences, and corporate events and webinars. She is a contributor to The Boston Globe opinion pages, was a columnist for the online magazine PopMatters, and has had articles published in The Chicago Tribune, Boston Globe Magazine, Wall Street Journal custom content, Salon, Huffington Post, and others. She is a writing coach and writing workshop leader. Meta was previously an award-winning marketing communications executive.  This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Greg Melville, author of Over My Dead Body: Unearthing the Hidden History of America's Cemeteries. Greg Melville has worked as an outdoor journalist and a former editor at Men's Journal and Hearst magazines. He has strong connections with magazines and newspapers, and his writing has appeared in Outside, National Geographic Traveler, Men's Health, and the Boston Globe Magazine. His work was also listed in The Best American Sportswriting 2017. He is a decorated veteran who served in Afghanistan and is in the Navy Reserve, where he is a public affairs officer, with the rank of lieutenant commander. He has taught English and writing at the United States Naval Academy, where he was given the school's Instructor of the Year Award in 2019, and journalism at St. Michael's College in Vermont. He lives with his wife and two kids in Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is health and science journalist and mother of two, Chelsea Conaboy. She was part of the Boston Globe's Pulitzer prize–winning team for coverage of the Boston Marathon bombing and more recently has worked as a magazine writer with bylines at Mother Jones, Politico, The Week, the Boston Globe Magazine, and others. Chelsea has done 1000s of hours of research into the science of what happens to your brain when you become a parent. What she finds is quite incredible, and it is all in her new book, Mother brain, how neuroscience is rewriting the story of motherhood. We all instinctively know how changed we are by motherhood, right? But, have you ever wondered what is actually happening in your brain when you become a mother? In this episode you are going to learn: Why maternal instinct is a myth and where that idea came from Why worry and anxiety is so normal in parenthood What changes happen in our brain throughout parenthood and why that gives our brain an upgrade for our whole lives. Come follow us on Instagram for tips and announcements.

The omniscient point of view, beloved by 19th century authors and most often found in the western literary canon, but this perspective came under suspicion in the early 1900s, only to recently make a strong recurrence. And it might just be the most difficult point of view to handle. What is third and first person omniscient? What are the best practices behind handling this point of view and why might you want to avoid it? We discuss these questions with our guests Weike Wang and Julia Rold.Julia Rold is a fiction writer, essayist, and playwright whose work has appeared in The Missouri Review, The Boston Globe Magazine, the Best New Voices collection, and named for a Pushcart Prize. Her plays have been staged at the Boston Center for the Arts, The Electric Theatre, and the Boston Playwrights' Theatre. A winner of Artist Grants in both playwriting and fiction from the Massachusetts Cultural Council, she has also received awards from the St. Botolph Foundation, has been a Fulbright Scholar to El Salvador, and has twice been among the winners of the Faulkner-Wisdom Award for Novella. She currently is on faculty in the School of Critical Studies at California Institute of the Arts (CalArts) in Los Angeles. Weike Wang is the author of CHEMISTRY (Knopf 2017) and JOAN IS OKAY (Random House 2022).  She is the recipient of the 2018 Pen Hemingway, a Whiting award and a National Book Foundation 5 under 35. She earned her MFA from Boston University and her other degrees from Harvard. She currently lives in New York City and teaches at the University of Pennsylvania, Columbia University and Barnard College. Also recommended during our discussion: Robert Boswell's chapter “On Omniscience” in his craft book The Half Known World. Find my list of favorite craft books and the most recent works by our guest authors here: https://bookshop.org/shop/the7amnovelist This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

What was Max thinking about this week? Molasses! Listen and rage with us about capitalism (and maybe use the link below to get the recipe for Max's amazing molasses cookies!) Sources:“Why the Great Molasses Flood was So Deadly” by Emily Sohn for the History Channel “‘There was no escape from the wave': These are the 21 victims of the Great Boston Molasses Flood” by Dialynn Dwyer “Surreal Photos From The Deadly Boston Molasses Flood Of 1919” by John Koroski “The Great Molasses Flood of 1919 was Boston's strangest disaster” by Mark Shanahan for Boston Globe Magazine "How Boston's Molasses Flood of 1919 Reformed Big Business in America" by Philip S. Naudas for History of Yesterday “That Time the Tzar's Wine Ran Through the Streets” by Rose Heichelbech For more info: Stephen Puleo's book “Dark Tide: The Great Boston Molasses Flood of 1919” And at the WILDLY great risk of being insensitive, my favorite recipe for molasses cookiesWant more??Join the Discord!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.comDo You Wanna Start A CultA weekly comedy podcast hosted by Gus Holland and Christian McLain.Listen on: Apple Podcasts Spotify

Tova Mirvis frequently writes characters who are living in Orthodox Jewish communities and struggling with their faith. But in 2017, she turned the page from fiction to memoir, by publishing The Book of Separation: a searing look at her divorce, her exit from the Orthodox community, and her experience navigating the new terrain of single motherhood. She joins us to talk about her spiritual journey, the surprising outreach she's received from ex-Mormons, and the similarities between strict religious communities and cults. About Our Guest: In addition to The Book of Separation, Tova Mirvis is the author of three novels: Visible City , The Outside World and The Ladies Auxiliary, which was a national bestseller. Her essays have appeared in various anthologies and newspapers including The New York Times Book Review, The Boston Globe Magazine, Commentary, Good Housekeeping and Poets and Writers, and her fiction has been broadcast on NPR. Learn more on her official site.Support the ALBC Pod: We've made a link where you can support A Little Bit Culty with a one-time, weekly, or monthly contribution. Your support will be repaid in cosmic love and light. To make a contribution, smash this link.Check out our Linktree to sign up for our mailing list. We've got some fun things coming your way soon. It rhymes with “t-shirts.” Okay, it's t-shirts.CREDITS: Production Partner: Citizens of Sound Producers: Will Retherford & Jess TardyTheme Song: “Cultivated” by Jon Bryant co-written with Nygel AsselinHear Ye, Hear Ye: The views and opinions expressed on A Little Bit Culty do not necessarily reflect the official policy or position of the podcast. Any content provided by our guests, bloggers, sponsors or authors are of their opinion and are not intended to malign any religion, group, club, organization, business individual, anyone or anything. Nobody's mad at you, just don't be a culty fuckwad. See acast.com/privacy for privacy and opt-out information.