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19 episodes with Frank Dukes
2 episodes with Frank Dukes
2 episodes with Frank Dukes
2 episodes with Frank Dukes
2 episodes with Frank Dukes
2 episodes with Frank Dukes
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerPost Malone “Better Now" from the 2018 album "Beerbongs and Bentleys" released on Republic. Written by Post Malone, Louis Bell, Frank Dukes, Billy Walsh, and Kaan Gunesberk and produced Frank Dukes and Louis Bell.Personel:Austin Post– vocalsLouis Bell – drum programming, recordingAndrew Watt – guitarManny Marroquin – mixingCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:The Rolling Stones
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerPost Malone “Better Now" from the 2018 album "Beerbongs and Bentleys" released on Republic. Written by Post Malone, Louis Bell, Frank Dukes, Billy Walsh, and Kaan Gunesberk and produced Frank Dukes and Louis Bell.Personel:Austin Post– vocalsLouis Bell – drum programming, recordingAndrew Watt – guitarManny Marroquin – mixingCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:My Morning Jacket “Off the Record”Fleet FoxesMotley CruePoison “Every Rose Has Its Thorn”White SnakeBon IverTaylor SwiftKanye WestWar and PeaceNotes From the UndergroundDostoevskyThe BeatlesPaul SimonJimi HendrixThe Grateful DeadBeyonceAretha FranklinTankJonathan DavisKornThe MatrixPhishNeil YoungBob DylanBruce Springsteen “Born to Run”David Byrne “Psycho Killer”American UtopiaSleep Token311Post Malone “Sunflower”Post Malone “Circles”Beverly Hills 90210The OCWednesdayBloodsportJean Claude Van DammeJustin BeiberCamilla CabelloLordeThe WkndMigosJustin BeiberLil DickyWeezerGreen DayOasisGnarls BarkleyCee LoFleetwood MacRick Astley “Never Gonna Give You Up”BlanksThe StrutsCaleb Lee HutchinsonLow Fi Fruits Music, Chill Frutis Music
On this week's episode, we talked to the wonderful Ms Madli!Estonian-born composer and record producer, Ms Madli, gained wider recognition after winning a series of producer competitions in 2015. Her list of accomplishments includes securing the first place spot in iStandard's Producer Showcase in New York, taking top prizes at Brewery Recording Studio's Beat Battle and Tight 32 Producer Challenge in Atlanta, and claiming second place at the ASCAP Expo in LA. Ms Madli has since become a sought-after talent, crafting music for some of the top brands such as Google, Airbnb, and Planned Parenthood. Skilled in producing songs and scoring music in a variety of genres, her work features in films, advertisements, TV promos, and hundreds of prime-time TV shows from History Channel to HBO. In 2022, Ms Madli's outstanding work earned her nominations for both the Mark Awards in LA and the Production Music Awards in the UK.In addition to sync placements, she also holds credits on a range of single and album productions in the US and Europe, including Yelawolf, Ryan Toby, Fred The Godson, and Anett. For the latter collaboration, Ms Madli received a Producer of the Year nomination in 2022 from the EMEA Awards in Estonia.Ms Madli's skillset includes composing, arranging, producing, vocal producing, recording, and mixing. Her prior work experience in pro audio sales along with classical music training have given her the knowledge and expertise necessary to thrive in these technical and creative roles. Honing in on her knack for composing and sound design, Ms Madli has also crafted a handful of sample packs on leading platforms such as Splice, Sounds.com, Maschinemasters, Loopmasters, and most recently, Kingsway Music Library, curated by the renowned super-producer Frank Dukes. When not in the studio, Ms Madli participates in writing camps, celebrity cyphers, and panels across the country, including AES and A3C. Recently, she was featured on Sway in The Morning, where she was the guest producer for the Friday Morning Cypher.This week's episode is brought to you by Manscaped! Get 20% Off and Free Shipping with the code THECHOPSHOP at Manscaped.com. That's 20% off with free shipping at manscaped.com and use code THECHOPSHOP. Unlock your confidence and always use the right tools for the job with MANSCAPED™. Support the showWEBSITE AND MERCH! - http://www.officialchopshoppod.com
As broadcast April 3, 2023 euphorically. Tonight we had a big weekend of new tunes and album announcements, so we just jumped right in with tunes from Georgia, a remix from Miss Grit, BLACKPINK's JISOO, and boygenius. The latter two are out with smasher albums as of Friday, and of course we also finished with our Fresh K Cuts, bookended by new joints Dasutt (다섯), and Bosudongcooler, both of whom we adore.Tracklist:Part I (00:00)Jose Gonzalez – Head On (Miss Grit remix)Royel Otis – Going KokomoBarrie – Ghost WorldGeorgia – It's EuphoricThe Beths – Watching the CreditsRebounder – DreamlandBEL – Woman on FirePart II (31:29)boygenius – cool about itGing – Only In DreamsDMA's – ForeverWingtip – ManipulatorHand Habits – Something WrongA Guy Called Gerald – What You See (Ghost of Flora's Dream)A Guy Called Gerald – Voodoo RayPart III (61:24)JISOO – FLOWERKhalid – Softest Touchboygenius – $20 Melanie Martinez – VOIDDaniel Caesar – ValentinaTyler, The Creator – DOGTOOTHBecky G – Chanel Part IV (91:26)Bosudongcooler – JamesOsole – GOOD DAYentoy feat Nicholas Roberts – When I See You Againdori – My Lightcotoba – water blue indigoYeonwoo – BreezeDasutt – I really I hope I arrive there safe
In 1988 the Muscles from Brussels, Jean-Claude Van Damme, appeared in his first leading role as Frank Dux, the first American fighter to win the Kumite. And as the end credits indicate this movie was based on the true events of Frank Dux life, who fought and won 329 matches between 1975 and 1980, was an undercover CIA operative who entered the Kumite to take down the Japanese mob, the Yakuza, and who with one arm tied behind his back beat up Chuck Norris. And while none of that may be true, it certainly won't stop us from loving Bloodsport and spending the next hour talking about it. So grab your ringside seat, place your bets, and get ready because today on Buzzn The Tower we talk all things Bloodsport. I'm Mo Shapiro and joining me as always, the Ray Jackson to my Frank Dukes, Max Sanders and with that…Kumite, Kumite, Kumite, Kumite!
In episode 1395, Jack and Miles are joined by writer and legendary podcaster, Molly Lambert, to discuss… Elon Musk Puts Self (And Us) In No Win Situation, MAGA Congressman LIED ABOUT HIS WHOLE LIFE? The Case For Shoplifting From Walmart and more! Elon Musk Puts Self (And Us) In No Win Situation MAGA Congressman LIED ABOUT HIS WHOLE LIFE? The Case For Shoplifting From Walmart Walmart CEO's Total Compensation Climbs to $25.7 Million Wal-Mart is getting hit so hard by thieves, it's actually weighing on the retailer's earnings Wal-Mart losses may be funny accounting, not sticky fingers ‘Unexpected item': how self-checkouts failed to live up to their promise Wal-Mart Boosts Self-Checkout, But Its Claimed Cost Savings Don't Add Up Accused shoplifters file extortion lawsuit against Walmart, Bloomingdale's and more Shoplifter extortion case against Walmart, other retailers is dismissed LISTEN: The Prince of Noodles by Frank Dukes a.k.a. GingSee omnystudio.com/listener for privacy information.
Dialogue and Design is the sister company behind the Yes! We Rise Podcast, and in this space, we have a beautiful opportunity to listen to incredible changemakers working to build a brighter future with their communities. We love sharing stories and strategies that help build a sense of belonging, collective resilience, and community transformation. In this episode, Christine looks at the different types of resilience, focusing primarily on inner and community resilience and how they weave together in a powerful and supportive way. Hear about mindfulness and stories of resilience around communities we have the privilege of supporting, and discover how loss led to innovation, future economic development, and ecological preservation through the Clinch River Valley Initiative. Welcome to Yes! We Rise. LINKS/RESOURCES MENTIONED Learn more about Dialogue + Design Associates and The Clinch River Valley Initiative! Check out Yes! We Rise, Episode 37 for a beautiful example of home scale resilience, and hear more about Christine's work with Frank Dukes on the Clinch River Valley Initiative in Episode 20 of Yes! We Rise. Go to the Yes! We Rise Website and sign up for the newsletter to get your free downloadable guide to the three skills of building resilience. The Yes! We Rise podcast is produced by Dialogue + Design Associates, Podcasting For Creatives, with music by Drishti Beats. Follow the We Rise podcast on Facebook and Instagram. Please rate, review, and subscribe to the podcast so we can continue spreading our message far and wide. Find our email list at the website: www.yeswerise.org. Thanks for listening. The Yes! We Rise podcast features solutions-seekers, change-makers, and those creating a resilient future. We share stories and strategies to inspire action to build collective resilience and community transformation. To create change, people need to feel like they belong and that they are part of a growing movement. They need to know their voice matters and that they have the inspiration, agency and ability to transform their lives and their communities. They are the key to a resilient future. From the Navajo Nation to the mountains of Appalachia, incredible work is being done by community members and leaders. Change is often sparked by inspiration: seeing what others have done, especially in similar situations and places. People see that when someone looks like them or lives in a place like theirs, and has created real, true and lasting change, change that will allow their granddaughters and grandsons to thrive — they begin to imagine what might be possible for them. No longer waiting for someone else to come and save them, they realize they are the ones they have been waiting for. But what creates that spark? What creates that inspiration? Learning through stories and examples, feeling a sense of agency and belonging, and getting fired up to kick ass creates that spark. We Rise helps community leaders and members learn to forge a new path toward creating resilience and true transformation. One person at a time, one community at a time, one region at a time, the quilt of transformation can grow piece by piece until resilience becomes the norm instead of the exception. Together, we rise.
Important: *This Episode Was Recorded On May 19th 2022*Eli's Insta: https://www.instagram.com/godblesseli/Pinnacle's Insta: https://www.instagram.com/pinnacleatthetop/Eli Brown talks to Pinnacle about producing on Drake's 'Certified Lover Boy' album, meeting Frank Dukes and dropping a Kingsway pack. They also discuss entrepreneurship and how to make money in the music industry.Apple Podcasts: https://apple.co/3q8iMZsSpotify: https://spoti.fi/3Gc178BPinnacle's Twitter: https://twitter.com/Pinnacle__Thumbnail Designer (dope GFX creative): https://www.instagram.com/doomtrip/ Timestamps:0:00 - Introduction0:37 - Eli Introduction2:38 - Learning To Make Beats in Highschool3:42 - Aspirations Growing Up4:00 - First Placement With Jaden Smith5:00 - Meeting Frank Dukes and Releasing a Kingsway Pack7:10 - Being Misunderstood9:17 - Where Eli Learns From10:40 - Confidence in Making Samples12:50 - How Drake's 'In The Bible' Was Produced17:20 - When Working With Drake Set In17:50 - The Importance of Going To L.A.21:20 - Isolating Himself22:34 - Caring About The Sample Class Students24:43 - Favourite Instrument: Voice26:00 - The Art of Copying27:00 - Creating Songs not Loops28:00 - PARTYNEXTDOOR Inspiration For 'In The Bible'30:00 - Exclusive Gems: 3 Ways To Make Money In The Music Game32:40 - Favourite Equipment: Razer Mouse33:40 - Favourite VSTs: Flangus34:20 - Headphones: Audio Technica35:10 - The Most Important Quality a Person Can Have35:50 - What Makes Eli Not Want To Work With Someone36:00 - Eli's Biggest Struggle39:00 - Being Called a Genius39:30 - Quality vs. Quantity42:50 - Advice to Younger Self43:30 - Media Recommendations/People To Follow44:40 - Eli's Dream Placement46:00 - Top 5 Sample Makers47:49 - Best Studio Session (With 88GLAM)49:00 - Worst Studio Sessions (Weird Engineers)50:50 - Where Eli Would Spend $1000 If He Started Over52:40 - Important Habits: Writing In Gratitude Journal and Reading53:30 - Advice For Independent Artists: Having a Vision and PlanThe Secret to Producing for Drake | Eli Brown at The Pinnacle #16
In 2020 The Memorial to Enslaved Labourers opened at the University of Virginia, designed as a collaboration between Höweler+Yoon Architecture, Mabel O. Wilson, landscape architects Gregg Bleam and Frank Dukes, and the artist Eto Otitigbe. As Wilson has explained, “civic buildings and monuments in the U.S. are often emblematic of a disavowal of the founding precepts of liberty, equality and justice, where they become sites to imagine and enact American whiteness.” In this episode Wilson discusses how the memorial was conceived and designed to assert its position within the campus's Eurocentric architectural context, whilst addressing the university's history of racism and recovering lost narratives of enslaved people in the process. Power & Public Space is a co-production of Drawing Matter & the Architecture Foundation See acast.com/privacy for privacy and opt-out information.
Una de las heroínas peruanas más ilustres y reconocibles es María Parado de Bellido: deben ser pocos los compatriotas que no hayan escuchado alguna vez el nombre de la espía ayacuchana que otorgó su vida sirviendo a la causa patriota durante los primeros años de nuestra independencia... sin embargo, es también sorprendente ver la poca información que se tiene sobre ella considerando la trascendencia de su memorable sacrificio. Hoy conversaremos no solamente de María Parado Jayo, nombre de nacimiento de la protagonista de esta edición: también intentaremos entender los motivos por los que no se ha indagado lo suficiente sobre su vida y el contexto en que llevó a cabo su heroica acción. ¡Ruteros, sean bienvenidos al primer Biografiando de la cuarta temporada de Por las Rutas! ¡Gracias a nuestros Patreons que hacen posible llegar semana a semana con los episodios de Por las Rutas! Para ser parte de nuestro Patreon, visita: https://www.patreon.com/porlasrutasdelacuriosidad; también puedes apoyarnos mediante Yape o Plin: https://bit.ly/2WVpqGc. Gracias por la portada a JB Design - Diseño, Diagramación y Publicidad REFERENCIAS: https://www.cemhal.org/anteriores/2017_2018/181_Nelson.pdf https://www.bcrp.gob.pe/docs/Billetes-Monedas/Monedas-de-Coleccion/la-mujer-en-el-proceso-de-independencia-del-peru/mujeres-patriotas-folleto.pdf http://batiburriloacg.blogspot.com/2010/09/maria-parado-de-bellido.html https://www.youtube.com/watch?v=tY_VMxEuAZY https://www.youtube.com/watch?v=up9t6w3lsOs https://www.youtube.com/watch?v=l3ssVVFUTUQ https://www.youtube.com/watch?v=2fmOHfFjprY La expedición libertadora: entre el océano Pacífico y los Andes, Víctor Arrambide, Carmen McEvoy y Marcel Velásquez; Instituto de Estudios Peruanos, edición digital, 2021 https://elcomercio.pe/vamos/peru/conoce-casona-ayacucho-recluida-maria-parado-bellido-fotos-noticia-nndc-634223-noticia MÚSICA UTILIZADA EN ESTE PROGRAMA (TODOS LOS DERECHOS PERTENECEN A LOS AUTORES, COMPOSITORES Y/O INTÉRPRETES) Danza de tijeras, Wayanay / Autor: Danza folklórica de los departamentos de Apurímac, Ayacucho y Huancavelica La fama, Rosalía ft. The Weeknd / Autor: Pablo Díaz-Reixa, Noah Goldstein, Marcos Masís, David Rodríguez, Alejandro Ramírez, Dylan Wiggins, Rosalía Vila, Frank Dukes y Abel Tesfaye When hope returns, Erasmus Talbot / Autor: Erasmus Talbot María Parado de Bellido, Pastorita Huaracina / Autor: María Alvarado Trujillo María Parado de Bellido, Renata Flores / Autor: Renata Flores Enchanting adventures, Jay Man / Autor: Jay Man
As broadcast February 9, 2022. Tonight we saw Gwangju's voice of the news cover the music, as Danno was attending to business on the moon, or attending to a sprained wrist from watching male figure skating at The Olympics, or quarantining due to COVID close contact...or something. Thus, tonight it's New Muses Monday with Gwangju's News Voice Arlo Maddest as he so graciously and gracefully stepped in to rock the show for us.#feelthegravityTracklisting:Part I (00:00)Neil Young – The LonerJoesef – It's Been A Little Heavy LatelyAlfie Templeman – BrokenGoth Babe – Running AroundMitski – Stay SoftArlo Parks – SoftlyPart II (30:03)ginla feat Adrienne Lenker – CarouselSASAMI – Call Me HomeLuna Li feat beabadoobee – Silver Into RainLAUNDRY DAY – The KnotsGing – Can You See MeRoyksopp feat Alison Goldfrapp – Impossible Part III (57:49)Rihanna - DesperadoBlood Orange - You're Not Good EnoughFranz Ferdinand - CuriousWallows - Especially YouBENEE - Beach BoyMø - New MoonTate McRae – she's all I wanna bePart IV (87:52)Lauv - 26Keshi - TouchCharli XCX ft. Rina Sawayama - Beg For YouTove Lo - How LongDua Lipa - New RulesDua Lipa - Good in BedDua Lipa - Scared to be Lonely
Today, Pinnacle and Waves discuss the Kingsway Sample Library, Ging (Frank Dukes), Where's The Cook Up, Lil Mosey, and much more. He's a Gold Certified producer known for his work with Lil Mosey, Kingsway Sample Library, Xanman, and many more.Join Where's The Cook Up? Discord: discord.gg/wtcuWAVES: https://www.instagram.com/waves.flp/?hl=en Pinnacle's Insta: https://www.instagram.com/pinnacleatthetop/Pinnacle's Discord: https://discord.gg/h6dZBFzBKQPinnacle's Twitter: https://twitter.com/Pinnacle__WAVES's Twitter: https://twitter.com/wavesflp Timestamps:0:00 - Intro1:20 - WAVES Intro2:07 - Aspirations Growing Up4:00 - First Time Exploring Music5:30 - Turning It Into a Business6:40 - Making Beats and Samples In Car8:10 - When You Felt You Were Good Enough9:52 - Becoming a Part of Kingsway15:00 - Highest Career Moment15:42 - Lil Mosey Placement17:35 - Getting a Manager 20:00 - Ten Hour Twitch Stream22:37 - Quality and Quantity25:00 - Worst Beat You've Ever Heard26:53 - French Montana Slander28:25 - Favourite Instrument29:15 - Equipment That You Cant Live Without30:14 - Music Theory Knowledge32:10 - Go-To Person When Needing Advice34:00 - Waves Sample Classes36:30 - Advice For Pursuing Passion With A Busy Schedule40:10 - Which Project Would You Do If You Could Do Anything42:40 - Dinner With Two People Dead or Alive44:20 - Where's The Cook Up?53:40 - Building The Team56:30 - Emulating Real Life With The Community59:30 - How To Stay Consistent1:03:30 - A Morning in the Life of WAVES1:04:00 - Advice To 16 Year Old Self1:06:00 - Dropping Out of University1:10:00 - Recommended Books1:12:00 - Top 5 Sample Making Producers1:16:00 - Top 5 Drum Oriented Producers1:17:45 - Most Exciting Aspect of Web 3.01:23:23 - Studio Session in The Metaverse1:25:00 - Biggest Goals in Life and Music1:28:30 - Fun Facts About Waves1:30:00 - Age in The Music IndustryWAVES on Kingsway Sample Library, Ging (Frank Dukes), Where's The Cookup, Lil Mosey | PPP #11
In today's episode of the We Rise Podcast, Christine welcomes friend and mentor Frank Dukes to share about his work as a mediator and community leader. Facilitating conversations for communities on a wide range of issues, Frank shares the importance of conflict resolution and building trust. Hear about embracing uncomfortable conversations, creating brave space, and cultivating community. Enjoy! Frank Dukes received his PhD from George Mason University, and has worked at the University of Virginia for over thirty years. His current role is lecturer and distinguished Institute Fellow of the Institute of Engagement and Negotiation. Frank is a changemaker in helping communities navigate their differences and come together to create movement toward a better future. LINKS/RESOURCES MENTIONED Learn more about Frank Dukes and his work at the Institute of Engagement and Negotiation. Discover more about the work of the Clinch River Valley Initiative. Find out more about the Bainbridge Memorial. Learn more about UCARE: The University and Community Action for Racial Equity and the Memorial to Enslaved Laborers. Collective Resilience: We Rise is produced by Dialogue + Design Associates, Podcasting For Creatives, with music by Drishti Beats. Follow Collective Resilience: We Rise on Facebook and Instagram. Please rate, review, and subscribe to the podcast so we can continue spreading our message far and wide. Find our email list at the website: www.yeswerise.org. Thanks for listening.
Change is coming to many historical institutions as we grapple with our nation's past. Frank Dukes, distinguished institute fellow and lecturer at the University of Virginia, explores one such transformation. Frank Dukes, Ph.D. is a mediator and facilitator with the Institute for Engagement & Negotiation at the University of Virginia. He has mediated numerous collaborative […]
Mustafa is a singer, songwriter, and poet from Toronto. He gained national recognition in Canada for his poetry. in 2016, he served on Prime Minister Justin Trudeau's Youth Advisory Council. Later, as a songwriter, he contributed to the Grammy award-winning album Starboy by The Weeknd, and he's written songs for Usher, Camila Cabello, and others. In May 2021, he released his own debut album, called When Smoke Rises, inspired by his experiences losing friends to inner-city violence. His album's been critically acclaimed, and it was shortlisted for the Polaris Prize. I spoke to Mustafa about his song "Air Forces," a track he made with his longtime collaborator, Grammy-winning producer Frank Dukes, plus Swedish artist Simon on the Moon, and Jamie xx. For more visit, songexploder.net/mustafa.
George Buruian is the owner of the Alpha Krav Maga Compound in Northbrook, Illinois. He is an expert in many martial arts. He holds a Master 1 ranking Krav Maga, a 4th Degree Black Belt in Alpha Krav Maga, 5th Dan Black Belt in Taekwondo, and was inducted into the Martial Arts Masters Hall of Fame in 2014. He's the real deal as you will hear in the episode. Edgar OtraVez and Not-My-Cousin Dan talk about self-defense, mindset, the active shooter scenario, and many other topics. Find George Buruian on: - Instagram: https://www.instagram.com/alphakravmagacompoundil/ - Facebook: https://www.facebook.com/AlphaKravMagaCompound/?fref=ts - Twitter: https://twitter.com/AlphaCompound - Alpha Krav Maga website: https://alphakmc.com/ Find Not-My-Cousin Dan on Instagram at https://www.instagram.com/dantasticsizzler/ Follow the Flow Roll on: - Instagram: https://instagram.com/theflowroll/ - Facebook: https://www.facebook.com/theflowroll/ - Twitter: https://twitter.com/TheFlowRoll/ - Website: https://theflowrollpodcast.com/ Music: "Fridays" by Lupus Nocte Use my referral link to find this song and more at Epidemic Sound: https://www.epidemicsound.com/referral/0xv18c/ Episode Timestamps: 00:02: 57- Going back to normal life and training after Covid. 00:10:50 - What does, "You hurt my feelings" even mean? 00:18:50 - How did you start in martial arts? 00:23:38 - "I started Krav Maga..." 00:27:08 - Basic Krav Maga principles. 00:34:23 - Effective techniques and the practice of putting techniques under stress. 00:43:00 - The ego and eating the humble pie. 00:51:33 - Martial arts at 18 versus middle age. 00:56:06 - The concept of realistic training for martial arts with weapons. 01:02:00 - Old kung fu movies, kicking trees, and Frank Dukes. 01:14:34 - The active shooter scenario. 01:29:00 - Kids, self-defense, and being aggressive in a self-defense scenario. #Northbrook #NorthbrookIL #KravaMaga #SelfDefense #KidsSelfDefense #CultureShock #HurtFeelings #MartialArts #JeanClaudeVanDamme #FrankDukes #ActiveShooter #Boxing #JiuJitsu #BJJ #BrazilianJiuJitsu #TaeKwonDo #BlackBelt #Romania #EasternEuropeanMentality #RunHideFight #fighting #fight
Founded in 2010 while the three leading members were attending the Humber College jazz program in Toronto, "BadBadNotGood" have become a quartet spearheading a throughly modern approach to instrumental jazz. Incorporating off-kilter live beats, bass, keys and the occasional sax or string arrangement, the group have gone on to release 4 full length albums, as well as a 2015 collaboration with Ghostface Killah called "Sour Soul".This group is young, mighty talented, and we can't wait to see what the future has in store for them.To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg
LOS ANGELES — The Weeknd, Megan Thee Stallion and Roddy Ricch are among the top nominees for next month's iHeartRadio Music Awards. The Weeknd's eight nominations include male artist of the year, competing with Ricch, Harry Styles, Justin Bieber and Post Malone, and song of the year for “Blinding Lights.” Ricch and Megan Thee Stallion earned seven nods each, including hip-hop artist of the year. Also competing in the category are DaBaby, Lil Baby and Pop Smoke. Megan Thee Stallion is a contender for female artist of the year, alongside Ariana Grande, Billie Eilish, Dua Lipa and Taylor Swift, according to Wednesday's announcement for the May 27 awards airing on Fox. Other song of the year nominees are Malone's “Circles”; Dua Lipa's “Don't Start Now”; “Rockstar” from DaBaby and featuring Ricch, and Harry Styles' “Watermelon Sugar.” Dr. Luke, who's enjoyed a creative renewal with hits including Doja Cat's “Say So” and earned his first Grammy nod this year in seven years, was nominated as producer of the year. Competing with Dr. Luke, who remains embroiled in a lawsuit with Kesha, are Andrew Watt, Frank Dukes, Louis Bell and Max Martin. Nominees for Latin pop or reggaeton artist of the year are Bad Bunny, J Balvin, Karol G, Maluma and Ozuna. Blake Shelton, Luke Bryan, Luke Combs, Maren Morris and Thomas Rhett are country artist of the year contenders. BTS, Dan + Shay, Jonas Brothers, Maroon 5 and twenty one pilots are the nominees for best duo or group. From Publisher: ABC News
I celebrate my 100th episode by inviting one of my personal favorite producers of all time, Detroit's own, Apollo Brown. He is constantly conjuring fresh innovations out of a tried-and-true formula. The drums are hard and nasty. The full effect blends sadness, depression, and tenderness with the savage ferocity of brass knuckles hip-hop. For the last decade, the Mello Music Group artist has singularly re-defined and expanded the foundation of what boom bap production can sound like in the 21st Century. We chat about his days before signing to the label, defeating Frank Dukes in the early days of producer beat battles, his process for who he chooses to work with, and how he and his family are navigating this pandemic. As we put a bow on 2020, Apollo gives us a glimpse of the future and I am happy to present this conversation with you all. Enjoy! Visit the website: https://www.bedroombeethovens.com/ Support the show on Patreon: https://www.patreon.com/bedroombeethovens
On the sixteenth episode of the video call interview series, Host Jibril Osman has a conversation with 16-year-old rising Canadian artist Anna Sofia. At just 16, the singer-songwriter and multi-instrumentalist has garnered critical acclaim, millions of streams and legions of dedicated fans. Earlier this year, Anna released her debut "Self Aware Bitch" EP, which received critical acclaim from Ones To Watch, Affinity Magazine, That Buzzing Sound, and accumulated over 3 million cumulative streams. Recently, Anna unleashed her sophomore effort with the "Broken Perfection" EP. Lead by stand-out track "Don't Play Pretend," this new EP is another glimpse into the stunning potential of Anna Sofia, who effortlessly go from creating a gorgeous, sparse indie vibe in "Either Way," to a blissful pop track in "Happy For You." Working with long-time collaborators Jeff Hazin and Frank Dukes (who has worked with Drake and Taylor Swift), Anna Sofia has been earmarked as "the one to watch."
Hola!!!! Amigos!!!!! I am back!!!!! Lover, Taylor Swift's seventh album, has arrived — as of midnight Aug. 23. Featuring 18 tracks — Swift's longest album to date — with singles “Me!”, “You Need to Calm Down” and “Lover,” it's a pop tour de force that, as she has shared in promotional interviews, is her most romantic work yet — and potentially her personal favorite. “There are so many ways in which this album feels like a new beginning,” she told Vogue in a September cover profile. “This album is really a love letter to love, in all of its maddening, passionate, exciting, enchanting, horrific, tragic, wonderful glory.” Working with a heavy-hitter lineup of songwriters and producers, including Jack Antonoff and Joel Little, with assists from the likes of Annie Clark (better known as St. Vincent), Cautious Clay and Frank Dukes, Swift even features the Dixie Chicks. Swift has long had a playful relationship with fan theories about her work and the messages she hides; she openly admits to lurking on Tumblr and has been known to engage with fans and their ideas online. For that reason, Swift scholars analyze every song and every lyric in an effort to open the window into Swift's world just a little wider for the rest of us. As an artist, she's sure to take liberties as she crafts her narratives and tells the stories she sees fit to share; fans and critics should be wary about drawing conclusions about her personal intentions. But the universe she has built over a decade-plus career is rich with its own legends. That's why she's consistently one of our most potent pop stars, after all. With that in mind, here's our breakdown of every Lover song, from the early singles “Me!,” “You Need to Calm Down” and “Lover” to the rest of the highly-anticipated project.
The Sherman & Tingle Show - WDRV-FM Chicago
It's a food-filled slop explosion on this week's episode! Hop in!Sarabeth has a truly vile recipe for us all to...endure. Also we have a truly awful Karen in the mix!Learnin' Shit is on deck and it's Bloodsport-related! Turns out Frank Dukes is kind of a dick! Then it's onto our favorite "pizzer" reviewer, the albino alien himself: Report of The Week!Strap into the hee-haw seat and take a ride to hell with us!Love and kisses,C + SClips from this episode:SwordsmanHawaiian Karen Follow-UpRacist Fishing KarenIndian Tik TokReport of The Week Pizza ReviewCut His Hair!!!Saluting a KingToothpick ToenailT-SHIRTS: http://zerofunpodcast.storenvy.com/SOC'MED':Instagram & Twitter: @zerofunpodcastFollow us on Twitch: https://www.twitch.tv/zerofunpodcastEmail us at: zerofunpodcast@gmail.com
Another fan request for Dan, Xav, Bevo & Chibbs to sink their teeth into. Can we really believe that the Jonas Brothers dance on top of cars & stumble out of bars? We decipher Sucker to find out.Check out our merch & top 10 list at www.1001songsthatmakeyouwanttodie.comBio:"Sucker" is a song by American pop rock band Jonas Brothers. The song, released on March 1, 2019, through Republic Records, is the group's first single together in six years. The group co-wrote the song with Louis Bell and its producers Ryan Tedder and Frank Dukes. Click for The LyricsClick for The VideoFollow us on Spotify, iTunes or wherever you get your podcasts.You can also follow us on Instagram & Twitter @1001songsthatmakeyouwanttodie or on FacebookYou can also email us with any shit song suggestions at 1001songsthatmakeyouwanttodie@gmail.comSupport the show (https://paypal.me/pools/c/8p4yD1sVwP)
Rosalía está en este episodio. Es la artista española con más Grammys otorgados a un mismo álbum (‘El Mal Querer’, Sony Music 2018) y está - al igual que otros dos mil millones de habitantes de este pequeño planeta - confinada al aislamiento preventivo en Miami. La joven cantante, compositora y actriz, soñaba con irse vivir a Nueva York, pero ese sueño, como muchos otros que tenemos los humanos en estas épocas inciertas, tendrá que esperar. Por el momento, está estrenando ‘Dolerme’ una canción que está hecha sobre la base de un sample de Frank Dukes, un canadiense que ha trabajado con The Weeknd, Kanye West, Taylor Swift, y muchos más. La colaboración, hecha a distancia, conecta con un sentir colectivo en momentos de encierro: la soledad. ¡Visite el blog nuevo! Nos quedó lindo: alejandromarin.com
Our topic on Wednesday is “Music in Times of Pandemic” which delves into how we can cope as musicians in these trying times.Join the conversation with music industry titans, as they share their techniques for staying creative and productive, maintaining sound mental and physical health, as well as their thoughts on protecting one’s career or business, while on quarantine.New Episode Live each week at http://jamcompass.tv/thelinkFor more info visit: JAMCOMPASS.COM Episode 2 Guests: • Troy Carter Jr - Faze Clan• Anthony De Padua - RCA Records• Reazy Renegade - Producer / K.Camp - Lottery (Renegade), Tory Lanez, DJ Khaled• Rachael Kennedy - Singer/Songwriter/producer for LIONCHLD (Britney spears, Bebe Rexha)• Avi Doran - Boyarski Fritz LLP represents Lil Tecca, Frank Dukes, Louis Bell• Dj Politik - DJ/Producer, XIX PARC INC• Charlie McClean - Co-Founder She Writes, Producer/Songwriter, One Direction, Ellie Goulding• Violet Skies - Co-Founder She Writes, Artist• Chad Richardson - Songwriter advocate, Founder The S.O.N.G Space• Anthony Pisano -DJ/Producer, Co-founder of Jam Compass• Tony Livadas - Producer, Co-founder of Jam Compass
RPSM collaborated with BBDO and Kingsway Music Library with producer Frank Dukes on a project that landed our students on a Taylor Swift song! Hear how it all came together in an exclusive interview with one of the pivotal players in realizing this project, RPSM Student Development Manager, Jasper Gahunia.
This season, we delve into more topics of community music, including our sample pack collaboration with producer Frank Dukes, our first vinyl pressing from our Make Me a Song program, a new tune from Song to Studio, Summer Camp and much more! Subscribe today, and enjoy new episodes on the last Friday of every month!
Bandana breaks in honour of MadGibbs, plus new music from Strategy with Reece Williams, RoQy TyRaid and DJ Green Lantern, Jansport J, ocnotes, Scrimshire and Georgia Anne Muldrow, Joker Starr, Micall Parknsun, Known Shaz, katbrownsugar, The Family Daptone, Kuartz, Lorn, El. Train, Yosi Horikawa, Myele Manzanza, Juno, Joe Armon-Jones and more. Track listing: Strategy – Trinity Way ft Reece Williams BANDANA BREAKS: Frank Dukes – Gregorian Wee – Teach Me How Walt Barr – Free Spirit RD Burman – Dance Music The Heliocentrics – Noises and Conversations Gershon Kingsley – Rebirth Starshine – All I Need Is You —— Rex Suru – Na Control Joker Starr – Man’s So Shabba Shabba Remix ft King Dani Bliss (Prod. by Xidontli) Known Shaz – Know You Jansport J feat. Faith Evans – Love Like This ocnotes – Radio Nat Turner Scrimshire – Thru You feat. Georgia Anne Muldrow The Family Daptone – Hey Brother (Do Unto Others) katbrownsugar – Brown Sugar Kuartz – Geisha Eyes / Bamboo In The Moonlight Kuartz – .Last Shadow / Shinobi Freddie Gibbs & Madlib – Soul Right Micall Parknsun & Mr Thing – Klingon Face Remix ft Essa, Joker Starr and Jehst Altered Tapes – Pharcyde – ReRunnin’ (Altered Tapes Uptempo VIP) Verequete e O Conjunto Uirapurú – Da Garrafa uma Pinga Lorn – Timesink / Through The Fire Yosi Horikawa – Crossing El. Train – Never Be Mine Freddie Gibbs and Madlib – Half Manne Half Cocaine Luther Davis Group – You Can Be A Star RoQy TyRaid & DJ Green Lantern – Iwmao Juno – Automation Myele Manzanza – Itaru’s Phone Booth Joe Armon-Jones – Icy Roads (Stacked)
Indie management label Electric Feel has a talent roster that has amassed over 10 billion streams, 6.5 billion YouTube video views, and 20 Grammy nominations, including 14 this year alone. The company's roster includes super-producer Frank Dukes, Louis Bell, Brian Lee, Brody Brown, 1Mind, Carter Lang, Mike Stud, Buddy, Vory, Bridge, Demo Taped, Chuck Adams, Blonder and, since about a month ago, rapper and Republic Records signee Post Malone, in partnership with Dre London.In addition, the company is behind the current No. 1 and No. 2 songs on the Billboard Hot 100, with Louis Bell co-producing Post Malone and 21 Savage's charismatic "Rockstar" (alongside producer TankGod) and Frank Dukes, Brian Lee and Louis Bell teaming for Camila Cabello and Young Thug's hot "Havana." Other Hot 100 hits Electric Feel's roster has contributed to include Bruno Mars' "That's What I Like" (Brody Brown), French Montana and Swae Lee's "Unforgettable" (1Mind), Post Malone and Quavo's "Congratulations" (Frank Dukes, Louis Bell) and Selena Gomez and Marshmello's "Wolves" (Brian Lee, Louis Bell). With some many accolades and accomplishments under their belt, the company still flies under the radar and focuses more on the work rather than a public image. However, Billboard had a chance recently to sit down with the label heads and speak more about the company's founding, how they motivate and manage expectations of their talent, and what's to come for 2018.
Drake Samples - Dirty LYRICS01. Vibez Ft. Chester HansenFrank Dukes02. 0 To 100Drake03. I Dont Want to Play AroundAce Spectrum04. Fancy Ft. Swizz BeatzDrake05. Haunted ChaseDavid Wise06. 6 GodDrake07. Why Cant We Live TogetherTimmy Thomas08. Hotline BlingDrake09. Tinted GlassNetwork10. Know YourselfDrake11. My Head Is SpinninMack Daddy Ju12. NonstopDrake13. Ex FactorLauryn Hill14. Nice For WhatDrake15. Blow The WhistleToo Short16. For FreeDrake17. Smoking GunMagnolia Shorty18. In My FeelingsDrake19. EmotionsMariah Carey20. EmotionlessDrake21. Do You Mind Rmx Ft. Crazy CousinzKyla22. One DanceDrakeListen to More viawww.djrapmarz.com
BANG! @southernvangard #radio Ep 158! Hey there guys and gals, don’t worry your pretty little head - we’re back in effect this week after a 2 week hiatus! DJ Jon Doe was on the West Coast handling work biz, and we just didn’t have enough time to get together content to fill the gap - but ya’ll know the archive is extensive, right? 158 mix shows to date, over 100+ interviews…if you ever wake up one Tues or Thurs and there’s not some new content, just go back a few clicks and check out something you haven’t listened to yet. Anywho, we’re back with that raw this week as usual. There is so much new, good hip-hop out right now it’s damn near dizzying. No interview session this week as we circle the wagons after the short hiatus, we’ll be back next week with that twice a week silliness like we normally do. Yes yes ya’ll it’s that #smithsonian #grade #twiceaweek // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud // #hiphop #rap #undergroundhiphop #DJ #mix #interview #podcasts #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live April 15, 2018 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks Talk Break Inst. Prod. By Audible Doctor Talk Break Inst. - "Coming Up With Names" - The Audible Doctor "Spilled Milk" - NapsNDreds (prod. Nottz) "Part Deux" - Westside Gunn X Mr. Green "4 Niggas That Do the Most" - Heem Stogied feat. KunggFuu "Jack Hammer" - DJ Jon Doe X ID4Windz feat. Eloh Kush "Stay Woke" - Royce da 5'9 (prod. Illmind & Frank Dukes) "Venetian Loafers" - Meyhem Lauren feat. Conway "Emperor Talk" - Tha God Fahim (prod. Ichiban Hashface) Talk Break Inst. - "So I Just Name Them" - The Audible Doctor "Feel Good Music" - Paul Nice feat. Oxygen "Don't Spoil It” - Czarface and MF DOOM "I Rap Black" - Max I Million feat. Chuck D, Bishop Lamont & Mykill Miers, Create & Devastate "Yes" - C.J. the Cynic feat. Plead the Ph5th "Fist Full Of Shit" - 360 (prod. Futurewave) "Promise [Remix]" - Fly Anakin, Koncept Jack$on & TUAMIE feat. Freddie Gibbs "Ghoulies" - CERTAIN.ONES Talk Break Inst. - "Have A Track Called Poop Monster" - The Audible Doctor "Dean Martin Steaks" - The Alchemist feat. Roc Marciano "12 Twelves" - Vinyl Villain & CRIMEAPPLE "Eight Birds" - Conway (prod. V Don) "Ace of Spades" - Asun Eastwood "Deep End" - Spnda & Grubby Pawz Talk Break Inst. - "For Tracks On My" - The Audible Doctor "Penmanship" - Dillon & Batsauce feat. Count Bass D
One of Canada's most respected MCs, Shad seemingly came out of nowhere to drop a new album under the moniker Your Boy Tony Braxton. Called Adult Contempt, Shad describes the record as a soft-rock homage to pop and rock from the '80s and '90s, ditching his stylish flow and clever wordplay for honest, straightforward musings about love, insecurity, and a lot more. We'll hear more about the project, plus what's coming up for Shad at the CBC and more. Plus, Irish singer-songwriter James Vincent McMorrow is fresh from the release of his latest LP, We Move. The album was recorded in Dublin, London, and Toronto, with a trio of well-known hip-hop and pop producers, including Canadians nineteen85 and Frank Dukes. He fills us in on how the project came together and we he tapped those particular Canuck collaborators.
On contourne l’actu foisonnante de Drake pour évoquer celle de son label OVO, avec le premier album du duo Majid Jordan et SEPT 5th de Dvsn. Deux déclinaisons cosmopolites d’un son R&B venu de Toronto, évoquées par Aurélien Chapuis et Raphaël Da Cruz.Animé par Mehdi Maizi (@MehdiMouse) avec Aurélien Chapuis (@lecaptainnemo) et Raphaël da Cruz (@RphlDC)RÉFÉRENCES CITÉES DANS L’ÉMISSIONViews from the 6 (Drake, 2016), October's Very Own (aka OVO), Majid Jordan (Majid Jordan, 2016), Dvsn, Noah "40" Shebib, Nothing Was the Same (Drake, 2013), Disclosure, Hot Chip, The Weeknd, Illangelo, Skepta, Nineteen85, Daniel Daley, Latoya Webley, SEPT. 5TH (Dvsn, 2016), Timbaland, Aaliah, R. Kelly, Let's Get It On (Marvin Gaye, 1973), PartyNextDoor Two (PARTYNEXTDOOR, 2014), Kehlani, Ty Dolla $ign, Travis Scott, Roy Woods, Michael Jackson, ILoveMakonnen, P Reign, King Louie, Snoh Aalegra, Nobody's Smiling (Common, 2014), Summertime '06 (Vince Staples, 2015), NO I.D, DJ Dahi, Frank Dukes, The Miseducation of Lauryn Hill (Lauryn Hill, 1998), JMSNCOUPS DE COEUR :Raphaël Da Cruz : Don't Explain, EP de Snoh Aalegra (Mars 2016) https://soundcloud.com/snohaalegra Aurélien Chapuis : Ramsey Allmighty https://soundcloud.com/ramsayalmightyPLAYLIST DE L’ÉMISSIONhttps://www.youtube.com/playlist?list=PLGt4caHD8XasIEhZ9FpV2fwAiIWda_b7SCRÉDITSEnregistré le 13 avril 2016 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Sébastien Salis. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. Image : logo du label OVO. See acast.com/privacy for privacy and opt-out information.
STREAM or DOWNLOAD On this terrifying episode live from Bolsover Castle, Mista Montana and Menace do this: Michael Barrymore is still one of the public's most adored entertainers. His illustrious career was halted by an event which opened the door for the mass media's death circus to play and he was forced to endure some of the most harrowing, frustrating and at times desperate experiences at the hands of the newspaper press. In this epic, hour-long interview, Mr Barrymore directly addresses the media, discussing the forthcoming public apologies from the News Of The World, how he dealt with the worst times in his life, his new TV role as a gangster, his successful clothing company Made By Dave and so much more in a genuinely comfortable chat with one of the UK's most genuine men. An honour. Ghost Hunters is one of the biggest shows on the SyFy Channel. Its fan base is in the millions so it was our pleasure to talk with one of the men that has brought so much infotainment to our screens. KJ McCormick steps in live from the freeways of LA, to discuss the re-shaping of Ghost Hunters, the most extreme cases he has dealt with, their competition form shows like Ghost Adventures, his personal experiences and his opinions on a verity of paranormal research devices. Perfect for Halloween! David Oman is a movie director and his recent film The House At Th End Of The Drive, executively produced by the producer of Amityville Horror, tells a terrifyingly true story of his personal experiences at the home where the Manson Murders took place. In this tell-all interview, Mr Oman details the extent of the horror at his home and explains the many ways in which he feels the spirits of Sharon Tate and those related to the case are as active today as they were when they were alive. David Oman also highlights how his home has been described as portal for paranormal activity by respected researchers, with extremely high levels of EMF apparent throughout the home. Tech N9ne is one of the most prolific and successful artists in modern music. He joins us on this show to discuss his forthcoming Rock EP Therapy, the difficulties he faced in working with Ross Robinson and a live band, Limp Bizkit’s spontaneous contribution, the significance and meaning behind tracks ‘Public School’ and ‘Stop The Sailor’, the now infamous K.A.B.O.S.H. project and more. He also addresses his upcoming album ‘Special Effects’ and reveals that TDE’s Jay Rock is still signed to Strange Music and currently at work on his second release. Necro and Kool G Rap swoop by for the second time to discuss their forthcoming album as a duo, with Necro explaining how challenging this album was for all the right reasons. We talk touring, promotion, online fans, Mafioso rap and much more. Boldy James has just released a superb album in My 1st Chemistry Set, produced by (Alan) The Chemist In his second appearance on the show, we talk studio time at Alchemist’s Rap Camp, the creativity he finds in working unified and sharing a singular vision with one producer, plans of releasing more material with Alchemist, writing the slang driven ‘Mooochie’, the online media's response to him and more! The artist formerly known as Gortex, Gore Elohim is back on the show to explore his long awaited new full length album, Electric Lucifer. We discuss keeping it raw, artwork, working with such people as Beat Butcha and Tragedy Khadafi, as well as another project of which he reveals he has started and is coming sooner than later. We even spend a considerable amount of time discussing conspiracy theories and industry politics. Electric stuff! Hot off the heels of his latest mixtape Cheeze-N-Dope 2, the former Hypnotize Minds artist that is Project Pat slinks in to discuss his forthcoming project Mista Don’t Play 2, life on Wiz Khalifa’s Taylor Gang Records, new slang, the regrouping of Three Six Mafia and more in a brief but exact interview. Check it out Chicken head! DJ Skizz drops in to explore the creation behind his new album, B.Q.E. (Brooklyn-Queens Experience) and more, including why unlike Ill Bill’s version of ‘Violence’ does not feature Shabazz The Disciple, upcoming projects with Frank Dukes and Missin’ Linx MC Problemz, his hopes to work with Ghostface Killah, working on The Halftime Radio Show, competition form Hot97, plans of coming to the UK and more! Philip Kinsella is a world-known psychic medium and UFO researcher. He is with us on this show to discuss government cover-ups, his own experiences of alien abduction, how he labels himself and he even finds time to conduct a LIVE psychic reading where an American man who has passed due to drink-related problems comes through to talk with the Conspiracy Team. AND THAT'S NOT ALL! Mista Montana and Menace are on location at one of the UK's most notoriously haunted castles and what transpires after their internet connection was cut and the doors firmly locked, is almost too distressing to articulate into words. Listen to the very end....if you dare. ENJOY OUR PLASM!
STREAM or DOWNLOAD On this terrifying episode live from Bolsover Castle, Mista Montana and Menace do this: Michael Barrymore is still one of the public's most adored entertainers. His illustrious career was halted by an event which opened the door for the mass media's death circus to play and he was forced to endure some of the most harrowing, frustrating and at times desperate experiences at the hands of the newspaper press. In this epic, hour-long interview, Mr Barrymore directly addresses the media, discussing the forthcoming public apologies from the News Of The World, how he dealt with the worst times in his life, his new TV role as a gangster, his successful clothing company Made By Dave and so much more in a genuinely comfortable chat with one of the UK's most genuine men. An honour. Ghost Hunters is one of the biggest shows on the SyFy Channel. Its fan base is in the millions so it was our pleasure to talk with one of the men that has brought so much infotainment to our screens. KJ McCormick steps in live from the freeways of LA, to discuss the re-shaping of Ghost Hunters, the most extreme cases he has dealt with, their competition form shows like Ghost Adventures, his personal experiences and his opinions on a verity of paranormal research devices. Perfect for Halloween! David Oman is a movie director and his recent film The House At Th End Of The Drive, executively produced by the producer of Amityville Horror, tells a terrifyingly true story of his personal experiences at the home where the Manson Murders took place. In this tell-all interview, Mr Oman details the extent of the horror at his home and explains the many ways in which he feels the spirits of Sharon Tate and those related to the case are as active today as they were when they were alive. David Oman also highlights how his home has been described as portal for paranormal activity by respected researchers, with extremely high levels of EMF apparent throughout the home. Tech N9ne is one of the most prolific and successful artists in modern music. He joins us on this show to discuss his forthcoming Rock EP Therapy, the difficulties he faced in working with Ross Robinson and a live band, Limp Bizkit’s spontaneous contribution, the significance and meaning behind tracks ‘Public School’ and ‘Stop The Sailor’, the now infamous K.A.B.O.S.H. project and more. He also addresses his upcoming album ‘Special Effects’ and reveals that TDE’s Jay Rock is still signed to Strange Music and currently at work on his second release. Necro and Kool G Rap swoop by for the second time to discuss their forthcoming album as a duo, with Necro explaining how challenging this album was for all the right reasons. We talk touring, promotion, online fans, Mafioso rap and much more. Boldy James has just released a superb album in My 1st Chemistry Set, produced by (Alan) The Chemist In his second appearance on the show, we talk studio time at Alchemist’s Rap Camp, the creativity he finds in working unified and sharing a singular vision with one producer, plans of releasing more material with Alchemist, writing the slang driven ‘Mooochie’, the online media's response to him and more! The artist formerly known as Gortex, Gore Elohim is back on the show to explore his long awaited new full length album, Electric Lucifer. We discuss keeping it raw, artwork, working with such people as Beat Butcha and Tragedy Khadafi, as well as another project of which he reveals he has started and is coming sooner than later. We even spend a considerable amount of time discussing conspiracy theories and industry politics. Electric stuff! Hot off the heels of his latest mixtape Cheeze-N-Dope 2, the former Hypnotize Minds artist that is Project Pat slinks in to discuss his forthcoming project Mista Don’t Play 2, life on Wiz Khalifa’s Taylor Gang Records, new slang, the regrouping of Three Six Mafia and more in a brief but exact interview. Check it out Chicken head! DJ Skizz drops in to explore the creation behind his new album, B.Q.E. (Brooklyn-Queens Experience) and more, including why unlike Ill Bill’s version of ‘Violence’ does not feature Shabazz The Disciple, upcoming projects with Frank Dukes and Missin’ Linx MC Problemz, his hopes to work with Ghostface Killah, working on The Halftime Radio Show, competition form Hot97, plans of coming to the UK and more! Philip Kinsella is a world-known psychic medium and UFO researcher. He is with us on this show to discuss government cover-ups, his own experiences of alien abduction, how he labels himself and he even finds time to conduct a LIVE psychic reading where an American man who has passed due to drink-related problems comes through to talk with the Conspiracy Team. AND THAT'S NOT ALL! Mista Montana and Menace are on location at one of the UK's most notoriously haunted castles and what transpires after their internet connection was cut and the doors firmly locked, is almost too distressing to articulate into words. Listen to the very end....if you dare. ENJOY OUR PLASM!
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Bells pealed around the world on Aug. 28, 2013 at 3 p.m. – including those at the University of Virginia’s Chapel – to commemorate the 50th anniversary of Rev. Martin Luther King Jr.’s “I Have a Dream” speech, part of the 1963 March on Washington for Jobs and Freedom. The Carter G. Woodson Institute of African-American and African Studies hosted the event, "The March@50," focusing on ways to revitalize the purpose of King’s speech, which emphasized the need for jobs and justice. That gathering was held in the auditorium of the Mary and David Harrison Institute for American History, Literature and Culture/Albert and Shirley Small Special Collections Library. Participants in the discussion included Frank Dukes, director of the Institute for Environmental Negotiation, based in the School of Architecture, and executive director of University and Community Action for Racial Equity; U.Va. students from the Black Student Alliance; Kristin Szakos, vice mayor of Charlottesville; Andrea Douglass of the Jefferson Heritage Center; Jim Bundy of Sojourners United Church of Christ; and representatives from the Living Wage Campaign. The participants offered their interpretations in any format they chose – in spoken words, song, dance, instrumental performance, etc., said Deborah McDowell, director of the Woodson Institute and Alice Griffin Professor of English. “My colleagues and I are envisioning this as an occasion to do more than memorialize the speech and reiterate its famous references to the ‘color of their skin’ and ‘the content of their character,’” McDowell said. “Rather, I thought we’d want to see this event as an opportunity – dare I say, an obligation? – to rethink the speech and attempt to re-invigorate its meanings and its promises, as well as the original purpose behind the march. “Let’s not forget that this was the ‘March on Washington for Jobs and Freedom.’ The rhetoric of dreaming sometimes eclipses the call for jobs and freedom,” she said.
Julien and Adam hit the airwaves again, along with guest-announcer Tim Wong! We kicked things off by playing audio tape of Adam Norton's recent appearance on MDR Cribs. Tim kept score as we counted the number of times Adam said "Check it!", "Yeah!", and "Applesauce!". We also played an interview with local band 'hotshotcasino'. Make sure to check hotshotcasino.ca to download their brand new 7" single (Kids) FOR FREE!!! Also on the show: Tim reviews last week episode the Jersey Shore Smoking PSA UK Riots Street Sale Another Embarrassing Moment with Julien & Adam (& Tim) Spy Kids 4-D Preview UFO Guy believes in UFOs Adam vs Tim Wong Rap Battle Erotic Balkan Sex Rituals Artist Album Track Snoop Doggy Dogg Tha Dogg - Best Of The Works Murder Was The Case hotshotcasino Single Sounds Like You Look Good hotshotcasino Single I'll let you know [Extended Version] hotshotcasino Playing Slow (Kids) Kids Does It Offend You, Yeah? You Have No Idea What You're Getting Yourself Into... Battle Royale hotshotcasino Single This city Shad The New North Flawless (Prod. by Frank Dukes) Ty Segall Melted Imaginary Person Biglight Single Plaything Caylie Runciman Single cry baby feels better Mouth Single Time After Time David Bowie David Bowie Space Oddity Canadian content New release facebook.com/moondownradio / moondownradio.podomatic.com stickam.com/moondownradio
Reverend Frank Dukes was born in the Birmingham suburb of Fairfield in 1930, where he also attended public schools. After military service in the Korean War and time spent working in automobile plants in Detroit, Dukes returned to Birmingham and enrolled in Miles College. As student government president at Miles, Dukes encouraged other students to get involved in the local movement for change in segregation laws and customs. Listen to Frank Dukes discuss the Selective Buying Campaign, a tactic championed and organized by local college students and administrators in Birmingham in the early 1960s.
We’ve had the good fortune of welcoming some of our more accomplished and talented friends to the monthly dig diary we call Cratery. Da Grassroots alumni Mr. Attic and Murr have both dipped into their vinyl collections on our accord, as has Halifax transplant and DJ, Skratch Bastid. This month, we’re joined by another Toronto […]
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