Podcasts about Maine

In this episode, native Vermont hunter Erick Erickson sits down with Austin, Brian, and Bob to talk about his early days hunting Vermont and Maine, and about how his move to New York opened up the world of Adirondack big woods he now explores. He also talks about his experiences in the Catskills, the Midwest, and hunting out west for elk, and how all of these experiences helped him hone his skills with remote hot tent hunting. Learn more about hunting deer, moose and more in the Big Woods, find informative articles and the best wool and gear at https://www.bigwoodsbucks.com Minus33 wool base layers and socks: https://alnk.to/aLIUpax  Seek Outside Tents: Use code "BWB10" for 10% off of your order at this link https://alnk.to/biuxP3W  Big woods land and camps for sale: www.landandcamps.com  Grayl water filter: https://alnk.to/4MBtYKl  Save 20% on your OnX subscription with code ‘BWB' https://www.onxmaps.com/hunt  Hal and the Big Woods Bucks Team's Gear: https://www.bigwoodsbucks.com/Wool Hal's knife: Buck Knife 102: https://alnk.to/eDRDphL

House in the Woods is a nonprofit organization offering outdoor programs to bring together small groups of active military, veterans, and their family members to relax, share, bond, and deal with the stress, loss, grief, and other emotions which can haunt the grieving soul.  We offer canoeing, kayaking, hiking, hunting, fishing, nature tours, campfires, swimming, wildlife identification and spotting, and other natural Eastern Maine resource “treasures” God has given our beautiful state to enjoy. As participants face the outdoor challenges presented by Mother Nature herself, they will have the opportunity to share laughter, memories, sorrow, service, and pride, among many other common. Paul and Dee House founded House in the Woods after their son, Sgt. Joel A. House, was killed by a roadside bomb while serving in the Army in Iraq.  Their vision for House in the Woods began shortly after attending the military memorial service at Fort Hood, TX for Joel and 19 other soldiers from his army base who died the same month as their son.  It was both emotionally overwhelming and comforting to be around so many families who were experiencing the same grief and loss.  They dreamed of creating a program using Maine's outdoor resources that would help military families support one another. Paul is a life-long Maine woodsman and Maine Master Guide. Dee is a former Navy "brat" who grew up in military housing and schools during the Vietnam War era.     www.taurususa.com www.cva.com www.himtnjerky.com www.murrelloptics.com www.jumpmedic.com www.christianoutdoors.org www.citrusafe.com www.elimishieldhunt.com www.mossyoak.com

Send us a textUnion Maine is a slice of Americana, a vestige of times past, the town was pulled into the twenty-first apparently by seventeen year old Devan Young. Its been reported that the crime scene, a 100 acre island within Crawford Pond, was a brutal one, with likely DNA transfer. Devan Young purportedly inserted himself into the investigation and attempted to lead Maine State Police away from the crime scene and Sunny's body. He was ultimately arrested and charged with murder, July 16, 2025.The victim and alleged perpetrator seemingly crossed paths at Mic Mac Campgrounds on the pond, Devan Young was staying with his parents and Sunny was renting for a few weeks to get in her paddle-board fix in. What exactly lead up to this murder, is currently unknown, police are tight lipped by design in this case. Please share this episode!!WMTW-TV-https://bit.ly/41qmM9EWGME-https://bit.ly/4lcrmPYX-bcpbeantown Email-barry@bostonconfidential.net

In this episode, Jeff Yuan, Co-founder of Mending, discusses how his company is building an AI-native health insurer focused on reducing provider burden and improving patient access through direct primary care partnerships. He also shares insights on rebranding, early success in Maine and Oklahoma, and plans for thoughtful national expansion.

On this episode of "The Federalist Radio Hour," Public Interest Legal Foundation President J. Christian Adams joins Federalist Senior Elections Correspondent Matt Kittle to explain how election integrity is systemically undermined by "dirty voter rolls" and bureaucratic inefficacy.If you care about combating the corrupt media that continue to inflict devastating damage, please give a gift to help The Federalist do the real journalism America needs.

Sarina's second thriller is now out. It's a twisty thriller with a single-mom protagonist and some deep, dark secrets. It's called Dying to Meet You and it is creepy in the best possible way. In this episode, Jennie interviews Sarina about the new book, and about the difference between writing romance and writing thrillers. You may think that's obvious, but Sarina has recently shifted into writing thrillers and she has such a nuanced understanding about what it all means. She gets into what defines a genre, how you have to honor your readers expectations, and the different ways you hold tension when telling a story. It's a masterclass in genre.Books mentioned:Dying to Meet You, Sarina BowenSarina's other thriller, The Five Year LieThe Guest List, Lucy Foley On a Quiet Street, Seraphina Nova Glass Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms.Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car.Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | AudiblePhysical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!Transcript below!EPISODE 459 - TRANSCRIPTKJ Dell'AntoniaListeners who I know are also readers—have I got a summer book for you. If you haven't yet ordered Dying to Meet You, Sarina Bowen's latest thriller with just enough romance, you have to. So let me lay this out for you. Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring a historic mansion for the most powerful family in Maine, but inside, she's a mess. She knows stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup, but she's out of ice cream and she's sick of rom-coms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. But instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect. But Rowan isn't the only one keeping secrets. As she digs for the truth, she discovers that the dead man was stalking her too, gathering intimate details about her job and her past. Struggling to clear her name, Rowan finds herself spiraling into the shadowy plot that killed him. Will she be the next to die? You're going to love this. I've had a sneak preview, and I think we all know that The Five Year Lie was among the very best reads and listens of last summer. Dying to Meet You is available in every format and anywhere that you buy books. And you could grab your copy—and you absolutely should—right now.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.Jennie NashHey, writers, I'm Jennie Nash, and this is the Hashtag AmWriting Podcast, the place where we talk about writing all the things—short things, long things, fiction, non-fiction, pitches, and proposals. I'm here today to talk to our own Sarina Bowen. Her newest thriller, Dying to Meet You, just came out a few weeks ago, and I've been dying to talk to Sarina about the way she's been switching back and forth between romance and thriller. This is her second thriller. The last one came out last year. That one's called The Five Year Lie. And so we're just here to talk about genre, and romance, and thriller, and how Sarina does it—this back-and-forth kind of code switching between genres. So, welcome, Sarina.Sarina BowenThank you. It's always fun to talk about genre. It's my favorite thing.Jennie NashWell, I just was really struck when I was reading. I've been reading your romances for so long, and you have so many of them, and you're so good at them, and...Sarina BowenWell, thank you.Jennie NashAnd then here we have an entirely new genre that you have entered into in a really big way. And it's not—so this is not about, how do you come up with your idea, or how did you do it? Or—I mean, all those are great questions. We love those. And I've heard you talk about those other places. But what I want to try to get at here is this idea—really, what is genre? So when you think about that, you're sitting down to start one or this other. What do you think about, like, what are the things that—genre? What does the genre mean to you?Sarina BowenWell, I talk about this a lot when I am discussing my books, which is that I don't find that—that the thriller genre and that the romance genres are all that different. Like, each one of those things makes a promise to the reader and then must deliver it by the last page. It's just that the promise is slightly different between those two things. So in a romance, the reader is promised a satisfactory romantic conclusion to the book. And in a thriller, the reader is promised that whatever mess and confusion is established on page one, that it will be rectified and solved by the end of the book—that the chaos will become at least understanding, if not order. So the thing is that the job of the novelist is kind of the same in both situations, which is, we are going to take the main character on a journey, and she is going to learn some stuff before it's over—or it's not really a novel. Now, to be fair, not every novel is constructed like that and does both of those things. Like what—what makes it feel familiar to me in both cases is that I always write an empathetic main character, and not every author of suspense does this. So there are a lot of really popular suspense novels where you're not sure who to root for, and you don't really like any of the characters. And those books can be really exciting and really well written, and there's a total—a huge audience for that. But that is not what I do in suspense space, and that doesn't make me unique. Like, there are a lot of suspense authors who also operate this way. For example, Harlan Coben and Karin Slaughter write best-selling novels of suspense where you always know who to root for from the first chapter. Like, you are given a main character who is a likable human—a flawed person—but still, like, you know, somebody to root for, and you're rooting for that person until the end of the book. So it's not like this is just my special romance author's twist on it—like, it's a thing. It's just that there are other suspense authors who don't operate under that, you know, scenario. So that's one of the reasons why, to me, like, the job feels kind of similar to writing a romance and writing a suspense the way that I do it. It's just that when I'm writing a suspense, first of all, it takes a lot longer, because a suspense reader is really there to match wits with you, and you have to deliver on—on that experience of paying a lot of attention to where the camera is swinging, and to show them some truths that will turn out to be only half-truths, and to make it a really great ride. Like, the roller coaster of a suspense novel requires more engineering than the roller coaster of a romance, and it can be a lot less linear in construction. And, you know, there are complexities that a romance does not need to—to succeed. So yeah, it's not exactly the same job. But, you know, romance requires on a different level a lot of those same narrative tricks. Like, people love to say that romances are formulaic, and I always want to cry, because if that were true, then it would be so easy. And I—I would spend less time sweating at my keyboard if a romance was formulaic, because then I would know what to do. And it's almost harder to hold the tension when the reader knows you're going to get somewhere satisfying. So, you—you know, you have to make sure that couple has some real issues to work through, and that's hard.Jennie NashYeah, we're going to come back to so many things that you're saying because...Sarina BowenOkay.Jennie NashThis is—this is great. But I want to return to something you said at the very beginning, where you were explaining this, which is the promise to the reader, and this idea of a contract that the writer and the reader enter into. When—when a reader starts a book, there's this promise, there's this expectation, there's—And you—it sounds like what I heard from you, which I just think is so interesting, is a very deep respect for the writer—I mean, for the reader's experience. And is that something that you have as a human, or, you know, like, is it—is that just—does that just come from respect for the time somebody's going to spend and that sort of thing? Or is that respect of the genre?Sarina BowenOh, it's both. I mean, of course, we were all readers before we were writers, and I know what I find frustrating and unsatisfying in a book. So I want to deliver a reader experience that aligns with my most satisfying experiences in—in each genre. And it's such a work in progress. Like, over 10 years of delivering stories, my understanding of what really matters is constantly shifting.Jennie NashOoh, can you say more?Sarina BowenYeah. So—I have the things that I like as a reader. So of course, those are going to figure in heavily. Like, I love a good secret unveiled, no matter what genre I'm reading. Like, a secret in romance that comes out and changes everything is just as satisfying as when that happens in suspense, even though it's less necessary. And each genre has its own bell curve of stakes, let's just say. Like, if you picture a bell curve of stakes—for romance, you could have on the lower end, like a rom-com, where the stakes, you know, are only as large as this couple. And in a thriller, like in an international spy thriller, the stakes could be like, the world might end, or—or a bomb might go off in the middle of Times Square, you know. So there's a bell curve of stakes. And as a—as a writer, I'm not suggesting that you can't, you know, move around on that bell curve and make it work for you. But the two genres—you know, the bell curves are in different spots, and you have to figure out where you are on that gradient of possible results, and then figure out where your stakes are coming from. And I guess what it took me a real—a really long time to learn is how much in control I am of what the reader is paying attention to, and what the reader is focused on, and that the best way to write a novel is almost always to ask yourself, what experience do I want the reader to have? And then figure that out. Like, it's almost like—if you think about roller coaster design, and there's just this really fun video on the WIRED Magazine website with an actual roller coaster designer who shows you how it's done.Jennie NashOh that's very cool. We'll get the link for that in the show notes.Sarina BowenYeah, I'll try to find it. But it makes you think about all these things you don't think about when you're getting on it. Like, your view of getting on a roller coaster is that weird little shed where you step into the car, and you know, you pull on your protective stuff, and you think to yourself, like, whoa, I hope it doesn't fail this time—ha ha ha. And then you experience it, you know. And certain parts of the ride are really predictable, like the initial climb—like, no roller coaster starts without that initial climb—and then the first drop. And, you know, parts of the experience, you—you know before you get on what's going to happen. And then other parts of it are just like, you know, a thrill a minute, like waving you around, and, oh, you didn't see that curve coming. And so, you know, looking at that thing and designing it from the outside to have that experience is something I didn't realize I had to do. Like, as a reader of genre fiction, I just experienced everything like the person getting on the roller coaster at the beginning. And it's taken me, like, a decade to realize that, you know, I have to actually view this thing—like, plan ahead. What—you know, what I want people to feel. Like, where do I want them to cry? Where are we going to laugh? Like, how can we put those two things in the same book? And you know, that—that's the job, and I really like it. But it requires a certain amount of analysis, which is why, when I meet somebody who doesn't plan their books, I'm always, like, stunned. Although, you know, it can—it can work.Jennie NashThat idea of what you want the reader to feel is why we're having this conversation. Because I actually can barely stand to read suspense or thrillers, because I get too scared. I really get into it, and I—I freak myself out, and it's been that way for a very long time. But I really wanted to read yours, because I wanted to see this shift in your professional life, and I wanted to see what all the buzz was about, because people are loving these thrillers. And I thought, oh, I surely can handle this now. But it's so hard for me because—and you do such a good job of making that scary tension so palpable, and that what you feel as the reader. And then I was thinking about why the same thing happens in Sarina's romances. I feel something. You know, you're—there's a tension that you're wanting, a resolution that you're—what—you know, wondering, will they? Will they, you know, declare their love for each other? Will they—whatever the thing is? And it just really struck me that I'm in the hands of somebody who's not manipulating that, but has engineered that form. And so it's curious to hear that you're—that's the work you feel that you do. So can you talk about how that is different from plotting the novel—that emotional engineering, if you will? Or is it?Sarina BowenNo, you're right. It is—it is? Um, so one of the things that I feel I'm pretty good at is establishing empathy early in the book. And I—uh, like I said, there are some thriller authors who write entire books without doing that—like, where you're not sure who you're supposed to like. But to me, that actually seems harder, because if you establish empathy for some characters early on, then the stakes are automatically higher.Jennie NashYeah.Sarina BowenBecause the reader cares about that person.Jennie NashYeah.Sarina BowenAnd I read a book a couple years ago that I thought was so good with this, and it was On a Quiet Street by Seraphina Nova Glass. And she establishes empathy with a character in the prologue, and then chapter one establishes empathy with a different one. And she has this sort of medley of voices that tells this story of something dire happening on a quiet street. And the thing is that she does later—is she really shifts your empathy around, where you care about all these people but you can't—like, because somebody is guilty. So, you know, the length of your empathy is actually going to be snipped in a couple of places, which I think is masterful. And I think it's more masterful than the thriller author who, um, doesn't care if you like anybody but is still delivering, like, big shocks. To me, that just has less emotional resonance, and I care less. But apparently, that's unique to me, because if you look at The New York Times bestseller list, it does not reflect my preference for empathy.Jennie NashSo what do you do to create that empathy? How are you doing that work in the start of the book?Sarina BowenOh, wow, I never think about this.Jennie NashI'm sure you—sure you have an answer, though.Sarina BowenNo, I—yeah. Okay, so I guess the reason that my thrillers read a little bit like my romances to you, is that I really like a female main character who is like one of us, who's just trying to get through the day. And maybe she has even a glamorous job, and she's a super successful person, but that doesn't mean she's not, like, a little bit of a mess inside—but a relatable mess. So establishing empathy early on, to me, is just like breathing. Like, you know, we might have this glamorous job, but, my God, the world is just so irritating. Or—right? Or, how did we just, you know, make ourselves sound like—like a dunderhead in front of the hot guy or whatever, you know? Like, to me, that's not hard.Jennie NashRight, right. And so you talked about engineering and complexity as a difference between the two genres, and that the thrillers require more engineering of plot, is what I imagine you're referring to. How do you go about—how does it differ? So here you're creating a character. You're creating empathy for the character. And now these genres are going to go in really different directions. What? What are the steps? Not like, how do you do it, or how do you write a novel, but sort of almost your emotional steps, like, okay, now I need to do X, or now I need to—I want them to feel Y.Sarina BowenRight. Well, one way to think about it—and this works for almost any novel that you'd ever want to write—is you have to look at the sort of landscape of this story you're going to tell, or the plot you think you're going to pull off, and you have to say, what are my "oh s**t moments"?Jennie NashYeah.Sarina BowenWhere do I want the reader to go, oh s**t? And if you don't know that when you start the book—like, I would find that to be a problem.Jennie NashYeah.Sarina BowenAnd you don't have to know exactly where they're standing when this happens, or exactly what page of the book. I'm actually terrible at that. I never know how long anything is going to take. But—but you have to know what that oh s**t moment is. And then you have to sort of back—work backwards from that. Like, okay, well, if I know why that's a big problem and a big deal—like, why is it, and how am I going to set that up? So—and I also think ahead of time about the fun and games part of any book.Jennie NashYeah.Sarina BowenLike, what is the sort of rising action of, like, the learning about it and the deepening of the problem. So I'm working on a romance right now that takes place at a wedding.Jennie NashFun!Sarina BowenAnd I... yeah, well okay, is it, though? Because one of, one the reasons I chose this setting, is that it's a hockey player. And I've written so many hockey books that take place, like, at the arena and at the office. And I'm like; we got to get out of here. Um, so we're both going to a wedding—this—we have to go to the same wedding, and work—everything's going to happen here. And I never write weddings. And then I'm into it, and I'm writing this wedding, and I look at myself and I'm like, you know why we don't write weddings? We don't like weddings very much.Jennie NashWhat don't you like about them?Sarina BowenOh, because they're all the same. I don't know. It's—to me, they feel—I guess I'm not a really reverent person. Like, ceremony isn't a big part of my life, and I don't love it. So—um, so what I was able to do in this book that makes this book something that I can identify with is that neither one of our characters is totally excited to be here, either. So there's some problems like this. There's some real family mayhem that is preventing either of these characters from being like, woo hoo, wedding! Yeah, let's have a good time! And then—yeah, so I have to bring my own experience into it. And then, of course, the ceremony itself—it turns out they're both feeling a lot of things. And, you know, there's this very lovely part right at the beginning. I'm like, okay, okay, so we got here, we can feel the feelings, but we didn't have to, like, every moment of this wedding for—to pull it off. So—um—but I looked at my, like, little scaffolding of what I wanted these characters to experience and what their "oh s**t moments" might be, and then I sort of grafted them onto the typical wedding experience and, you know, tried to find the best matches for that. And that was kind of the work of this book.Jennie NashSo the "oh s**t moment" in a romance is—what would some of those be? Like, oh, I think—I think he likes me, or, oh, I think I like him? Like, is it those ratcheting up of the emotional stakes?Sarina BowenIt's—yes. Like, oh s**t, I can't believe I have revealed myself like this. I have exposed myself like this. I have made myself vulnerable. And then—and then, as the—as the arc goes on, you're like, oh s**t, here's why I don't usually do this...Jennie NashRight.Sarina BowenHere's the reason I didn't want to make myself vulnerable and exposed—because, oh s**t, you know? Like—so you get to—you get to play with that. And hopefully, in most romances, there's a moment when, you know, it looks like it's all going to go wrong.Jennie NashRight. So what strikes me in listening to you, is that, writing about human nature—of course, because they're people and their stories—and the human nature around romance is—well, you said, I don't want to reveal myself or be vulnerable, so you want to protect your heart. And in the thrillers, it's, I want to protect my body and the bodies of the people I love. Is that—is that a fair differentiator? Like, we're trying to keep ourselves safe in some profound way in each of these genres, right?Sarina BowenRight. And we're also trying to avoid betrayal, and, like, to avoid backing the wrong horse in both genres as well.Jennie NashOoh, that's interesting, right? Let's talk about that.Sarina BowenWell—um, in a thriller, one of the best ways to craft a twist is when you get the reader to back the wrong character. And, you know, you have multiple characters, and if—even if you're going along with a relatable protagonist that the reader knows is not going to turn into a bad guy—that person still has people around them, and they're going to trust some of them and not others. And did they pick correctly? So that's the kind of betrayal that makes a good twist. But in a romance, it's the same possibilities. Like, you know, you made yourself very vulnerable to this other romantic partner. And, you know, it might not be a straight-up betrayal of, you know, oh wait, I love someone else. But it could just be a betrayal of priorities, or, you know, of courage.Jennie NashAnd at the end of each of these types of stories, the reader feels a sense of—we're back, we've talked about the bell curve—of back to safety, or—or homeostasis, or there's a relief, or it's going to be okay, and everything's okay now. So they have that in common too, right? That intense resolution of the tension.Sarina BowenRight. And then sometimes, in suspense space, you see an author pull this off in a way that all of that is done at the reader's own level, and not at the character's. Like, there's this book I love by Lucy Foley, called The Guest List, and that book is not typical, in that the work of the book is not to solve the crime in real time in the story. The work of that book is for the reader to understand what happened—like, the reader is the sleuth.Jennie NashOh.Sarina BowenBut nobody is actually sleuthing the story... at all. You know what happens, but it's to the satisfaction of you as the reader, but not the people running around in the book.Jennie NashRight, wow that sounds cool.Sarina BowenIt is very cool, but it's still true. Like, the—the work of the book is to figure out what happened, but the people on the page are not figuring out what happened. It's you having the experience that is figuring out what happened, but there's no mystery about it in the actual book. It's really—you would just have to try it.Jennie NashIs it fair to say that your second thriller—the new one, Dying to Meet You—is creepier than the first one, which is, The Five Year Lie? Do you think that's fair to say? Are people saying that? Do you feel that?Sarina BowenYeah, okay—yes, a little. But I think what's a better classification is that Dying to Meet You, sits a little more fully on the thriller shelf. It has a plot arc that is more typical of thrillers that are also on that shelf than The Five Year Lie.Jennie NashOkay, maybe that's what—maybe that's the feeling, because The Five Year Lie—there's a—there's a romance baked into it as well. Like, there is so much going on in there. So that's interesting, that you—did you consciously move in that direction, or did—was it just right for that story?Sarina BowenI think maybe both. I can't even remember now.Jennie NashYeah, yeah.Sarina BowenBut I really loved the premise of Dying to Meet You, and I wanted to play with that. And—I mean, I guess what distinguishes them from a reader standpoint, who's, like, reading the backs of both of those books, maybe, is that there is a dead body at the beginning of one of them and not the other one. So, like, it—it lands more firmly in the reader's expectations, that Dying to Meet You is more thriller-y, because you know—it says in the flap copy, like, this book starts when somebody dies.Jennie NashSo you said that it was a little harder to plan out the—to engineer a thriller and the complexities. And we all know that you are a very fast and efficient writer, so I'd be curious to hear: how much time do you set aside to get the complexities and engineering of the thriller versus the romance? What's the time demand of that?Sarina BowenI think, at least at this point, thrillers still require twice as much work in terms of, like, days.Jennie NashYeah.Sarina BowenYeah. It's like six months instead of three.Jennie NashYeah. Wow. Wow. And is the moving back and forth from one to the other—do you—are you finding that satisfying? Are you finding it difficult? Like, what's that like? Because I know right now—well, you—you're working on a romance, and then thriller number three is coming up. So do you—how are you making those transitions?Sarina BowenWell, I think any writer would agree that the book you're not working on today is always the one that seems more appealing.Jennie NashIt's always a better book…Sarina BowenRight?!Jennie NashSuch a good book.Sarina BowenSo, of course, I'm in the finishing part, on the romance that I'm working on, which is, everybody knows, the hardest part, where you have to make all the toughest decisions. So I just cannot wait to write that thriller.Jennie NashDo you—are you—do you cheat? Are you cheating on your romance? Like, do you—do you cheat and do a little research on the new—new thriller?Sarina BowenWell, I've actually written part of that thriller already.Jennie NashYeah.Sarina BowenI wrote part of it, and then I had to stop and finish this other one. So it's not cheating exactly. It's how I had to do my crazy schedule this year, because I had two deadlines in 2024, and they're closer together than I could execute, like, a whole book in each. But cheating is a wonderful thing to do, because when you're like, technically, I'm writing the romance this month, and almost all my time is spent on that—but when you give your brain permission to, like, not be finishing that other book, it goes in all these exciting places, and it comes up with stuff for you. So even though I'm writing a romance this month, I have made notes in my notebook for, like, four other books, some of which I might never write.Jennie NashOh, that's so funny. Well...Sarina BowenYeah.Jennie NashAnd—and are they thrillers or romance?Sarina BowenOh, just that—we're all over the place here. Like, I have made notes for... a romance in an ongoing series, that I'm not sure if I'm continuing, for an unrelated romance that I might never write, and I have, like, scribbled down plot frameworks for unrelated books in two other genres that I probably—probably will never write.Jennie NashSo it's interesting—that's an interesting habit that you're talking about. Because I often see with writers—there was an agent, and I can't remember who it is, which pains me—but they said something that was just so funny and so clever, which was a criticism of a writer who—the phrasing would be, you know, "puts everything and the kitchen sink into every book." But the way this agent framed it was, it was "no note left behind." You know, every note you have goes into the book—and that—that's not good. And you have such a restraint. It's not like, oh, here's a good idea, I'm going to shoehorn it into what I'm writing now. I'm going to shoehorn it into the thriller. I'm going to, you know, wedge it in here. You—this restraint of where an idea belongs or doesn't belong, or that it might get written or might not get written—where do you think that discernment or restraint comes from?Sarina BowenYou know, it doesn't feel like restraint when I'm in the middle of trying to finish a book. Like, every book feels like—so messy. You know, it's like, if I'm building a roller coaster, like, the parts are laying all over the field right now. Like, that's how it feels at every moment. And even for the end of this book, I have, like, written—scribbled down ideas for, like, nine different scenes, and they're not all going to make it, and they're going to have to duke it out.Jennie NashThe scenes are going to have to duke it out?Sarina BowenYes. And, like, oh, this would be cute. Oh, that would be cute. Oh, this would be cute. But you can't have them all—like, they're not—that just doesn't work. So I'm looking for the best, most efficient way to execute that emotional arc that the end of this book needs.Jennie NashYeah. yeah.Sarina BowenAnd I do—okay, fine, maybe it is restraint, because I do care about efficiency. Like, I'm not just going to write and write and write and write because I had a cute little thing that I wanted somebody to say. Because in order to put all that stuff in, I'm going to need too much, like, filler—junk.Jennie NashYeah, that is restraint, Sarina. That is totally restraint.Sarina BowenWell, honestly, I think one of my strengths—like, writers don't think about their strengths all that often, to be honest. Like, we only think about the stuff that's hard. But one of my strengths has always been that every scene is accomplishing, like, two or three things. Like, no bit of dialog is ever just in there because my brain spat it out when I was sitting at a keyboard. Like, it has to be doing something.Jennie NashYeah.Sarina BowenSo I have to look at this little collection of cute scenes and—um—make it do something. Just yesterday, I thought, wouldn't it be funny if the rookie on the team that shows up for this new season to start—you know, after the wedding—spoke entirely in Gen Alpha slang, like my 19-year-old? So I wrote, like, a little bit of dialog where he does this in a—in the rink, and—and the—the main character of the book is like, oh, my God, I don't even know what you just said. And I'm like, oh, I'm so cute and funny. This is going to be great. And then I realized that I just didn't need a bit of discussion in the rink. So I moved that conversation to a different spot, where the heroine was also present. And, like, she jumps in and responds in Gen Alpha slang and to—like, to solve his issue. And the hero is impressed. So, you know, I just needed—it was a fun idea, but I needed it to work harder.Jennie NashYeah.Sarina BowenAnd then I found a way for it to work harder. But if I hadn't, then that bit was just going to have to be cut. It could just go somewhere else—a different book, a different day.Jennie NashThere's a scene in The Five Year Lie where the main character is on a bus—a very long bus trip with her small child—and it goes on for some time at a place in the novel where the tension is pretty high. And I read it—I read it three times, actually, because I was like, what is going on here? What's... what am I—what am I supposed to take away? Like, what? What's happening here? What's—you know, what is the work that this scene is doing? I was curious about it because it felt—the feeling really shifted for me as the reader, where it was a tension reliever for one thing. Like, the tension was really high, and so it was a sort of a chance to breathe. And then there was something that happened on the bus trip that made things much, much worse for this character, so that they're showing up in an even more vulnerable place. Like—and I started seeing the layers of what was happening on that bus trip. And that—I think that's another strength you have—is that the—you don't show your hand. The reader has to work if they want to figure out what—what are all these scenes doing? Like, because you're just in it as the reader. But it was... it was sort of beautiful. I sort of loved that scene because I saw—well, I was trying to figure it out, but I saw, oh, I see what's happening here. I know what she's doing. Like, this is cool. I don't know, you're very good at—uh, like I said, not showing your hand. It's not—you don't see the mechanism of the engineer when you're reading the books.Sarina BowenWell, thank you. That scene—I actually am. It's the first thing I wrote for that book.Jennie NashWhat?!Sarina BowenWhich is—yeah, I know.Jennie NashThat is so interesting.Sarina BowenIt comes really deep in the book. That's why Jennie is so surprised, because it's, like, near the end. But I wrote that scene in my head—which, you know, you sort of almost never do—five years before the book came out. Like, I was—I was wandering around this town nearby while my kid took a violin lesson, and I thought of that. I'm like; wouldn't it be terrifying if you were on a bus, you know? And I thought it—like, I scared myself with this idea of how vulnerable she is at that moment in time. Like you said, it's a moment of safety, and it sort of is a little bit, because, you know, nobody can get her on the bus. But at the same time, if you read the prologue, you realize that, like, it's not really a moment of safety because—and then also, then I did that thing that makes her even more vulnerable. And that's the thing that scared me. Like, I'm like, oh, that would be really bad. And then I sort of filed that away in my head until I figured out what book it fit in.Jennie NashOh yeah, it's brutal. It's a brutal moment.Sarina BowenBut then—but that actual scene, like, that is a really long bus ride, and I had to keep cutting that scene. Like, I wrote it, and I cut it down, and I cut it down, and I cut it down, because I didn't want it to drag. And it was actually really hard to get that right. But people mention that scene to me a lot, so I'm staying—and they don't say, hey, that scene lasted too long.Jennie NashNo—well, when I say it's a moment of safety, it's—what I mean is, she's gotten away from the immediate threat. So there's a—there's a chance to sort of take a little bit of a deep breath. But as it goes on and on, it—that scene—she's on all the different buses, is what I mean. She's moving toward- like, there's a lot that could be really bad. So it was great. So to wrap up, can you tell us what you want to tell us about Dying to Meet You? So to entice those who like to be—match wits with the writer and be in a tense thriller, and there's a sort of haunted house vibe to this one. Tell us. Tell us about this book.Sarina BowenYeah, so—who doesn't love a creepy old mansion? That's kind of what this book is about. But also, the dedication to this book tells, like, a lot of what I was thinking about when I wrote it. And the dedication is to my sons: "Thank you for sharing your location with me so that I could think up the terrifying plot of this book." And when there's—when my older son had got his—got an e-bike is when I first opened the—that app where I could see his location, because I wanted to make sure he got places safely, because I was really terrified. But that—the weird thing of being able to watch him in real time, like his—the blue dot move on the map—um, I thought that was, like, so existentially creepy. And I just thought—kept thinking to myself, like, what's the worst thing that could happen with this? Like, if I'm—if I find this creepy, you know, what if it really was, you know? And that's just kind of where I went from that. And it turned out to be a really good time.Jennie NashMy husband likes this app called FlightAware that tracks the airplanes. And when my children fly, he's always saying, "Oh, they're over wherever." And I'm like, nope, nope. I want none of this information. I do not wish to know where in the sky my child is hanging,Sarina BowenRight.Jennie NashI don't wish to know that.Sarina BowenYeah, I get it. I get it.Jennie NashSo, Dying to Meet You—out now. So good. Before that, The Five Year Lie. There's a third one coming that you'll be writing soon. So we get Sarina Bowen—romance, thriller, back and forth for the foreseeable future?Sarina BowenI hope so. Let's keep it going.Jennie NashAwesome. Well, thank you for chatting about genre and how you do it. It's always fun to get inside your brain. And for our listeners—until next time, keep your butt in the chair and your head in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Glitter Cheaters by Maine's Coast 93.1

Daytime Nightgowns by Maine's Coast 93.1

Whose Dirty Sock Would You Pay For by Maine's Coast 93.1

August Holidays & Grab Some Nuts Day by Maine's Coast 93.1

Tell Us Something Good! (08-01-25) by Maine's Coast 93.1

Planning a Family Vacation Instead of a Family Holiday by Maine's Coast 93.1

Bizarre Ways a Cheater Got Caught by Maine's Coast 93.1

Are Presidential Fitness Tests Coming Back by Maine's Coast 93.1

Can You Guess the Number One Food We Hate by Maine's Coast 93.1

How Many Times He Had to Propose by Maine's Coast 93.1

Synonym Cinema! by Maine's Coast 93.1

In June of 2022, Adé Ben-Salahuddin worked as a volunteer research assistant on a tiny island off the coast of Maine at a Common Tern breeding colony. Every once in a while, the colony would suddenly go dead silent as all the adult terns took flight and dove over the rocky cliffs, returning soon afterward. This strange behavior is called a “dread,” and sometimes occurs without a predator nearby. It remains unclear why terns do it.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

This week on From the Front Porch, it's another episode From the Archives! In this series, we're sharing some of our favorite past episodes of the show while Annie is on maternity leave. Enjoy today's episode about traveling through books. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 540) or download and shop on The Bookshelf's official app: Link to The Bookshelf's Libro.fm storefront Morgan Page's Substack, In Residence Morgan Page's podcast, That's The Spirit 84, Charing Cross Road by Helene Hanff The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows Ordinary People by Diana Evans (unavailable for purchase) L'Appart by David Leibovitz (unavailable for purchase) The Hundred-Foot Journey by Richard Morais The Vacationers by Emma Straub Beautiful Ruins by Jess Walter (unavailable for purchase) My Brilliant Friend by Elena Ferrante A Walk in the Woods by Bill Bryson Pilgrim at Tinker Creek by Annie Dillard The Next Great Jane by KJ Going (unavailable for purchase) Maine by J. Courtney Sullivan Their Eyes Were Watching God by Zora Neale Hurston Hannah Coulter by Wendell Berry The Dutch House by Ann Patchett Tangerine by Christine Mangan (unavailable for purchase) Born a Crime by Trevor Noah Do Not Become Alarmed by Maile Malloy (unavailable for purchase) From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading The Names by Florence Knapp. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Welcome to episode 500 of the Mighty Blue podcast, with Jessica Hawkins, or Dixie, as our main guest. Jessica has been a guest several times before, but in this conversation, we focus on recent life events and her hiking within a family structure. As ever, Jessica is engaging and gives nuanced answers to questions, exposing her own vulnerabilities while remaining a solid source of wisdom about hiking. You can follow Jessica in several ways, primarily via her YouTube channel at http://www.youtube.com/c/homemadewanderlust , but also on Facebook at http://Facebook.com/homemadewanderlust , on Instagram at http://Instagram.com/homemadewanderlust , and on X at https://x.com/homemadewl . Also today, Andrew and Beth continue their Trail Magic fest as they reach Massachusetts. They met up with our mutual friend last week, Eric Gross, and shared the picture below. And Dave and his tramily have left New Hampshire and the White Mountains behind. Maine awaits! He wanted me to share his buddy's YouTube page, where the Over the Hill Gang feature in some of the videos. https://www.youtube.com/@Lt.Hikes0329 Also this week, I'm introducing a new opportunity for listeners to support our show. Check it out at https://buymeacoffee.com/mightyblue . If you're already a supporter, or if you decide to join one of our membership levels, you'll also get an invitation to join our private Facebook Group, Off Trail with Mighty Blue, along with many other benefits that come as part of your membership. In today's show, I mention that I'll be attending this year's Woods Hole Weekend as a presenter. Check it out, and I hope to see some of you there. https://woodsholehostel.com/things-to-do/the-woods-hole-weekend/ And if you're somewhere around Abingdon VA in October, come along to the ALDHA Gathering and see me present a live podcast on Saturday, October 11th. Find more details about the Gathering at https://aldha.org/the-gathering/ . I used my hike last year on the South West Coast Path in the UK to help raise money for my absolute favorite charity, Parenting Matters, on whose board I've been privileged to serve for over a decade. You can learn more about the hike and the organization–and donate–by visiting https://parentingmattersfl.org/eventer/hike-with-steve-empowering-parents-one-step-at-a-time/edate/2024-04-15/. I hope you want to support this critical mission. Don't forget. Our entire series of videos from our Woods Hole Weekend in 2022 is now FREE and available at my YouTube page at https://www.youtube.com/watch?v=wA8ImK4qpNc&list=PLu8u88nsJtgWZxT8DLwEW2yXcz4gT6HXs There, you'll find all sorts of tips and tricks that our guests took away from the weekend that helped them with their own hikes this year. Check it out. I often ask listeners for ideas on who to interview, and I'm sure several of you say, “I could do that. I've got an awesome story to tell.” You're the person we need to hear from. If you'd like to be interviewed on the podcast, just register as a guest on the link below, and I'll be in touch. https://www.hikingradionetwork.com/show/mighty-blue-on-the-appalachian-trail-the-ultimate-mid-life-c/guests/intake/ If you like what we're doing on the Hiking Radio Network, and want to see our shows continue, please consider supporting us with either a one-off or monthly donation. You'll find the donate button on each Hiking Radio Network page at https://www.hikingradionetwork.com . If you prefer NOT to use PayPal, you can now support us via check by mailing it to Mighty Blue Publishing, 3821 Milflores Drive, Sun City Center, FL 33573. Any support is gratefully received. Additionally, you can “Zelle” me a donation to steve@hikingradionetwork.com. Or “Venmo“ me at @‌Steve-Adams-105. They both work! If you'd like to take advantage of my book offer (all three of my printed hiking books–with a personal message and signed by me–for $31, including postage to the United States) send a check payable to Mighty Blue Publishing at the address just above.

Who's cashing in during earmark season? Anna and Jake break down how Sen. Susan Collins is flexing her power — and what it means for Maine. Plus, can the Senate strike a minibus deal before the August recess? And Republicans' big bet on Latino candidates in 2026. Punchbowl News is on YouTube! Subscribe to our channel today to see all the new ways we're investing in video. Want more in-depth daily coverage from Congress? Subscribe to our free Punchbowl News AM newsletter at punchbowl.news. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this powerhouse episode, Jason Schroeder is joined by Lean legend Hal Macomber, who shares jaw-dropping insights from decades of experience revolutionizing how we build. From set-based design to macro-level takt planning, Hal breaks down why takt construction isn't just a theory - it's the only way forward. What you'll learn in this episode: Why execution at the work face matters more than perfect planning. How to design with constraints as a strength, not a limitation. Why early trade partner selection and training changes everything. The truth about CPM vs. Takt and why one aligns with production science, and the other doesn't. What Hal learned delivering a 3,500-person, $multi-million project in 28 months. Packed with analogies (think: sailing from Boston to Maine) and practical frameworks, this episode will challenge everything you thought you knew about planning and building projects, especially if you care about flow, certainty, and remarkable results.

What's the Craziest Thing Someone Asked for in a Divorce by Maine's Coast 93.1

Blown Off Part Two (07-31-25) - Background Check by Maine's Coast 93.1

Teens and Their Tone by Maine's Coast 93.1

Blown Off Part One (07-31-25) - Background Check by Maine's Coast 93.1

Feral Child Summer & FAFO Parenting by Maine's Coast 93.1

The Gays are Thriving by Maine's Coast 93.1

Who's the Biggest ChatGPT Slopper by Maine's Coast 93.1

Join Katie and Liz on another episode of True Crime New England as they navigate the life and death of housewife Doris Maxfield. Doris, born in the 1930s in Maine, found herself living in Massachusetts in her adolescence and into her young adult years, getting married twice and delivering four sons. It wasn't until January of 1977 that the well-liked, local store owner was found dead in her kitchen in Post Mills, Vermont. Her initial autopsy stated her cause of death was natural causes, but was shortly re-examined to find that she had actually been strangled. Despite this fact, no one has ever been charged in her death.If you or anyone you know has any information on the suspicious death of Doris Maxfield, please call the Vermont State Police at 802-241-5000.Check out Sadie's thorough and in-depth article about Doris Maxfield here: https://ghastlyxgorgeous.wordpress.com/2025/04/12/vermonters-keep-secrets-the-life-and-death-of-doris-e-maxfield/ 

Arthur Shawcross, known as the “Genesee River Killer,” was an American serial killer active in Rochester, New York, during the late 1980s. Born on June 6, 1945, in Kittery, Maine, Shawcross had a troubled childhood marked by abuse and behavioral issues. He committed his first known murders in 1972, killing two children in Watertown, New … Continue reading Episode 467: Serial Killer Arthur Shawcross – The Genesee River Killer

Last day of WHM. Don't interpret people as nice/nasty! Watch out for certain crowds and painkillers! Hulk Hogan drama: Mike Tyson or Joey Swoll?The Hake Report, Thursday, July 31, 2025 ADTIMESTAMPS* (0:00:00) Start, disclaimer* (0:03:53) Super: Alaska, William H. Seward* (0:06:22) Hey, guys! Mt Baldy, Rescue, Righteous bans.* (0:13:30) HADEN, TX, not Nate, Ronnie being fake* (0:18:52) HADEN: "Return to the Land," Maine?* (0:24:03) HADEN: Cincy beating, FCA beating* (0:31:53) DAVID, Ocala, FL: Iffy phone?* (0:32:41) WILLIAM III, CA: WHM* (0:44:43) WILLIAM III: Crime reality* (0:49:06) DAVID: Peter Fonda, Vic Morrow, Chinatown* (0:53:10) DAVID: Timothy St John…* (0:53:45) DAVID: Cincy beating, crime and fake news, "possibly white"* (1:02:36) DAVID: Off suboxone, painkillers* (1:08:32) DAVID: Georgia and Florida* (1:09:20) WHM reviews… Super: Kirk Douglas? Ugh.* (1:11:41) Coffees: Joey Swoll, Hulk Hogan, haters* (1:18:16) Super(s)... Mark for WHM* (1:21:04) News…* (1:25:29) Hulk Hogan for Our Greatest President* (1:29:26) Mike Tyson cussing, didn't think Hulk's racist* (1:32:24) Joey Swoll sorry: People want to be mad!* (1:34:58) JERMAINE, Canada: Joey Swoll guilt, Hulk Hogan hate* (1:39:05) JERMAINE: Loving things about girls* (1:40:09) MARK, L.A.: Walter Brennon, JR McCarthy, Rockwell Hall, Arthur J Jones* (1:41:33) MARK: Ban? Evil in the Snake Pit! Tariffs vs court* (1:44:41) ELIJAH, CA: Cus D'Amato, Joey Swoll, Hollywood* (1:49:31) Coffees: Wrongly convicted restitution? A.H. WHM* (1:51:26) RICK, VA: They're trying to start a R— war, Cincy* (1:52:36) ALLEN, MI: Joe McCarthy, Rosenbergs. Obsession is anger* (1:54:11) ClosingBLOG https://www.thehakereport.com/blog/2025/7/31/the-hake-report-thu-7-31-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/7/31/jlp-thu-7-31-25–Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO: YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST: Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT https://buymeacoffee.com/thehakereportSHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - PunchieThe views expressed on this show do not represent BOND, Jesse Lee Peterson, the Network, this Host, or this platform. No endorsement or opposition implied!The show is for general information and entertainment, and everything should be taken with a grain of salt! Get full access to HAKE at thehakereport.substack.com/subscribe

A massive 8.8-magnitude earthquake off Russia's Kamchatka Peninsula triggers tsunami warnings for Hawaii, Alaska, and the U.S. West Coast, with Japan's Pacific coast expecting waves up to 3 yards. The quake, the largest since 2011, causes minor damage in Russia. The Senate confirms Trump's DOJ nominee Emil Bove as a federal judge in a 50-49 vote. Dr. Vinay Prasad resigns from the FDA after facing Big Pharma backlash. Trump reflects on sparing Hillary Clinton from prosecution, contrasting it with the Russiagate hoax. Ron DeSantis criticizes H-1B visa abuse, and ICE arrests a Jamaican overstaying his visa, hired as a Maine police officer. Senator Josh Hawley proposes $600 tariff rebates for Americans. Job vacancies drop to 7.4 million.   Tsunami warning, Kamchatka earthquake, Shane Tamura, Manhattan shooting, emil Bove, Vinay Prasad, Trump administration, Ron DeSantis, H-1B visas, Josh Hawley, tariff rebates, economy

Watch this episdoe on YouTube! https://youtu.be/_8pGrQD0k2U On this episode Brandon sits down with Chris Richards, whose passion and dedication to moose hunting is unrivaled. Together they cover everything you need to know about the Maine moose hunt. Whether you're preparing for your upcoming hunt, want to be ready for a future hunt, or just love to hear great moose hunting stories, you're going to love this episode.

Today:Naturalist Sy Montgomery zooms in to discuss her trip with producer Zoe Mathews to a puffin colony in Maine.And, Marty Martinez is the new CEO and President of United Way of Massachusetts Bay. He joins to discuss the nonprofit and social services.

GBH executive arts editor Jared Bowen discusses AI-fueled video games and the mayoral forum on the arts.Harvard national security expert Juliette Kayyem discusses the latest on the gunman in New York, tsunami warnings after last night's earthquake, and new FEMA grants set to go out to states to build migrant detention facilities.Marty Martinez, President and CEO of United Way of Massachusetts Bay, joins to discuss the challenges facing community-based nonprofits right now. Martinez, who formerly served as Boston's health chief, also discusses the state of public health.Naturalist and author Sy Montgomery recounts her trip to see a thriving puffin population in Maine with BPR senior producer Zoe Mathews. Plus, Sy talks about elephants communicating with humans and a pair of coyotes living in Central Park.

Marjolein Martinot is a Dutch photographer, based in France. She was always been drawn to photography from an early age, and has continued using and exploring the medium throughout her life, while raising a family of six children. Her photography touches on the poetic, while striving to remain authentic and true at the same time. She aims to evoke sentiments by using and mixing different photographic approaches and analogue cameras. The prime focus of Marjolein's work is on everyday life: family, friends, and the places and things that touch her. She currently works on personal projects and commissions. Her debut photobook, Riverland, was very recently published by Stanley Barker. On whose website the blurb states:“During times of darkness and moments of deep turmoil in her personal life, Dutch photographer and mother of six, Marjolein Martinot, found herself lost, searching for a renewed sense of self. Each evening, she sought solace in nature, walking to a nearby river in the South of France with her camera in hand. There, she captured the quiet beauty of the natural world in the golden light of dusk, forming connections with the animals and families she encountered at the river's edges—jumping, splashing, climbing, and swinging from the trees.What began as a ritual of aimless wandering and photographing soon became a form of visual journaling—a quiet meditation on healing and transformation. The water, ever-flowing and unpredictable, mirrored her own emotional state, while the families she met, however briefly, embodied the warmth and belonging she longed for.Through these intimate, unguarded moments—children mid-leap, ripples catching the last light of day, trees bending towards the water, and horses galloping in the fading glow—Martinot began to piece together a new sense of self. Her photographs, though deeply personal, transcend autobiography, offering a universal reflection on resilience, connection, and the subtle magical beauty of the everyday.” In episode 261, Marjolein discusses, among other things:The beginnings of her book project, Riverland.How her mum ran a circus when she was a kidWhat makes a good portraitSeeking comfort in nature during difficult timesThe project having a fairy tale elementPhotographing her six childrenThe end of her relationshipWhat she took away from the workshops she's attendedFeedback she's received about the bookReferenced:Vanessa WinshipGeorge GeorgiouIsrael AriñoJH EngstromSally MannEmmet GowanWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Fighting When Discussing Money by Maine's Coast 93.1

Have You Vetoed a Friends Relationship or Engagement by Maine's Coast 93.1

Are Liam Neeson & Pam Anderson Dating by Maine's Coast 93.1

What the Kids Say- 'In the Big Two Five' by Maine's Coast 93.1

Tuna Salad & What Else Should be Banned From Eating on Planes by Maine's Coast 93.1

Still In Touch with Ex's Mom by Maine's Coast 93.1

Spanking Celebration and Tabasco Todd by Maine's Coast 93.1

MIles Burghoff joins BTL to talk about the 2025 season and then Mark Jeffreys jumps on to talk about his epic trip to Maine.  Matt also goes on a bit of a rant about a bunch of different stuff.  

1912 - Carmel, Maine. When 14-year-old Naomi Etta Mitchell vanished on her walk to the general store, the tiny town of Carmel, ME mobilized overnight. Neighbors scoured the woods, lanterns in hand, until their worst fear was confirmed—Naomi's body had been found. Suspicion fell almost immediately on J. Sherman Gray, the man witnesses had seen trailing her that night. But before authorities could close in, Sherman disappeared. Now, with each passing day, frustration in Carmel was boiling over. If the law didn't catch Sherman soon, the townspeople were prepared to deliver their own brand of justice, no matter the outcome. Episode sources and photos: https://murdershetold.com/episodes/naomi-etta-mitchell Support Murder, She Told: ⁠⁠⁠⁠⁠https://www.murdershetold.com/support⁠⁠⁠⁠⁠ Learn more: ⁠⁠⁠⁠⁠murdershetold.com⁠⁠⁠⁠⁠ ----- Instagram: ⁠⁠⁠⁠⁠@murdershetoldpodcast⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠/mstpodcast⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠@murdershetold⁠⁠⁠⁠⁠ ------ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Jim and Greg for the Tuesday 3 Martini Lunch. Today, they applaud President Trump for ratcheting up the pressure on Vladimir Putin and scold him for refusing to allow the president of Taiwan to visit the U.S. And they examine the arrest of the illegal alien serving as a police officer in Maine. First, after noting the passing of Chicago Cubs legend Ryne Sandberg, they cheer President Trump for giving Putin a firm 10–12 day deadline to end the war in Ukraine. Trump appears to be losing patience with Putin's broken promises and ongoing escalations. Jim and Greg also explore how Trump might respond if Putin ignores the warning, and they question America's continued dependence on adversaries like Russia and China for materials vital to national security.Next, they slam Trump's refusal to let Taiwanese President Lai Ching-te stop in New York City en route to Latin America. While the move may be tied to sensitive trade talks with Beijing, Jim argues the U.S. should never let China dictate who can enter our country. They also examine how this decision may embolden the Chinese government. Finally, they break down the arrest of an illegal immigrant in Maine who was not only trying to buy a gun but was already working as a local police officer. While officials claim to have used E-Verify to confirm his status, Jim notes the system can't verify whether applicants actually own the documents they present.Please visit our great sponsors:No missed calls, no missed customers with OpenPhone. Get 20% off your first 6 months at https://Openphone.com/3ml Keep your skin looking and acting younger for longer. Get 15% off OneSkin with the code 3 ML at https://www.oneskin.co/

In tonight's summer rewind Sleep Hypnosis, Jessica will reflect on the very special, safe and lazy feelings she gets when she spends an afternoon walking around Portland, taking in the sea and air and enjoying the delights of Casco Bay.  She will transport you there, so you know exactly what she's talking about. As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis.  Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe 

Dana breaks down how the leftist media is TRIPLING DOWN on calling Sydney Sweeney's American Eagles jeans ad N*zi propaganda. Meanwhile, Federal immigration agents collared a Jamaican national who managed to get himself hired as a cop in Maine, despite being in the country illegally.Thank you for supporting our sponsors that make The Dana Show possible…Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comSupport your cholesterol health with SuperBerine—on sale at Sam's Club from 7/23 to 8/17. Boost your metabolic health and save!Keltechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - Keltec Innovation & Performance at its bestAngel Studioshttps://Angel.com/danaGet free tickets to see Sketch in theaters on 8/6. Sign up for the Angel Studios Member's Guild and claim your perks today.Allio CapitalDownload Allio from the App Store or Google Play, or text “DANA” to 511511 to get started today.All Family Pharmacyhttps://AllFamilyPharmacy.com/Dana Medical freedom is American freedom. Use code DANA10 to get 10% off your order.Ruff GreensCall 214-RUFF-DOG Get a FREE Jumpstart Bag AND Ruff Chews—just pay shipping! A $30 value. Phone offer only!!!

A shooter in New York City opens fire in a Manhattan building before taking his own life. Dana breaks down all the details that led to this tragedy and fact-checks the gun control reactions. Leftist media TRIPLES DOWN on calling Sydney Sweeney's American Eagles jeans ad N*zi propaganda. NC Dem. Rep. Julia Greenfield asks “Who will pick our crops?” in a speech about illegal immigration. Dana dissects the possible motives of the NYC shooter and discusses the heroic officer who lost his life. Dexter Taylor AKA Carbon Mike joins us LIVE from his unconstitutional incarceration over his gun hobby. Federal immigration agents collared a Jamaican national who managed to get himself hired as a cop in Maine, despite being in the country illegally. The UK announces they will recognize Palestine unless Israel agrees to a ceasefire and allow aid into Gaza. Sen. Josh Hawley wants to send $600 tariff rebates to Americans.Thank you for supporting our sponsors that make The Dana Show possible…Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comSupport your cholesterol health with SuperBerine—on sale at Sam's Club from 7/23 to 8/17. Boost your metabolic health and save!Keltechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - Keltec Innovation & Performance at its bestAngel Studioshttps://Angel.com/danaGet free tickets to see Sketch in theaters on 8/6. Sign up for the Angel Studios Member's Guild and claim your perks today.Allio CapitalDownload Allio from the App Store or Google Play, or text “DANA” to 511511 to get started today.All Family Pharmacyhttps://AllFamilyPharmacy.com/Dana Medical freedom is American freedom. Use code DANA10 to get 10% off your order.Ruff GreensCall 214-RUFF-DOG Get a FREE Jumpstart Bag AND Ruff Chews—just pay shipping! A $30 value. Phone offer only!!!