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Public and tribal radio and television stations are fortifying their defenses ahead of what could be the biggest funding threat they've ever faced. President Donald Trump and his allies have repeatedly called for an end to federal funding for public broadcasters. Bills proposed in Congress would go as far as eliminating the Corporation for Public Broadcasting, the nearly 60-year-old entity created by Congress to facilitate federal support for non-commercial media. We'll hear from broadcasters about what changes might be in store. GUESTS Peggy Berryhill (Muscogee Creek Nation), co-founder of KGUA, president of the Native Media Resource Center and an independent producer Lenora Ward (Iñupiaq), general manager of KOTZ, Kotzebue Broadcasting Brian Wadsworth (Pyramid Lake Paiute Tribe), chief operating officer for Native Public Media Oi Zephier (Lakota, Dakota, and Nakota and Southern Cheyenne and Arapaho), station manager of KILI
Bioneers: Revolution From the Heart of Nature | Bioneers Radio Series
In this episode, Indigenous scholar and organizer Nick Estes explores how Indigenous land-based and Earth-centered societies are advancing regenerative solutions and campaigns to transform capitalism. “Eco-nomics” puts Indigenous leadership at the forefront of assuring a habitable planet. Featuring Nick Estes, Ph.D. (Kul Wicasa/Lower Brule Sioux), is a Professor at the University of Minnesota and a member of the Oak Lake Writers Society, a group of Dakota, Nakota and Lakota writers. In 2014, he was a co-founder of The Red Nation in Albuquerque, NM, an organization dedicated to the liberation of Native people from capitalism and colonialism. He serves on its editorial collective and writes its bi-weekly newsletter. Nick Estes is also the author of: Our History Is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance. Resources Nick Estes – The Age of the Water Protector and Climate Chaos (video) | Bioneers 2022 Keynote Indigenous Pathways to a Regenerative Future (video) | Bioneers 2021 Panel The Red Deal: Indigenous Action to Save Our Earth | The Red Nation Indigenous Resistance Against Carbon | Indigenous Environmental Network Credits Executive Producer: Kenny Ausubel Written by: Kenny Ausubel Senior Producer and Station Relations: Stephanie Welch Program Engineer and Music Supervisor: Emily Harris Producer: Teo Grossman Host and Consulting Producer: Neil Harvey Production Assistance: Anna Rubanova This is an episode of the Bioneers: Revolution from the Heart of Nature series. Visit the radio and podcast homepage to learn more.
Bro. Nakota Blue preaches, "Give Me My Stuff Back" at Truth Chapel in Loganville, GA. Subscribe to this podcast & connect with us on all of our socials: https://lnk.bio/truthchapel We livestream our services every Sunday at 11:30AM & Wednesday at 7PM. As always, thanks for listening to our podcast and we look forward to bringing you more original content in the near future. If you want to partner with us to make that a reality, you can do so here: https://truth-chapel.churchcenter.com/giving/to/media-ministry
Amy is joined by Dr. Sarah Hernandez to discuss her book, We Are the Stars: Colonizing and Decolonizing the Oceti Sakowin Literary Tradition exploring the devastating affects of missionary mistranslations and the ongoing effort to reclaim sacred stories in the Oceti Sakowin tradition.Sarah Hernandez (Sicangu Lakota) is an assistant professor of Native American literature and the director of the Institute for American Indian Research at the University of New Mexico. She is the literature and legacy officer for the Oak Lake Writers Society, an Oceti Sakowin-led nonprofit for Dakota, Nakota, and Lakota writers. Under Sarah's leadership, the Society launched #NativeReads: Great Books from Indigenous Communities, a national reading campaign that increases knowledge and awareness of the Oceti Sakowin literary tradition. She has also published articles in the Wicazo Sa Review, Studies in American Indian Literature, English Language Notes, and Great Plains Quarterly.Sarah's book, We Are the Stars: Colonizing and Decolonizing the Oceti Sakowin Literary Tradition, was published February 2023 by the University of Arizona Press in the U.S. and the University of Regina Press in Canada.
Among the earth's most genetically pure buffalo herds in Yellowstone National Park, a rare white buffalo calf is born. It is considered sacred to surrounding tribes, such as the Lakota, Dakota, Blackfeet, and Shoshone, and was given a name, Wakan Gli, in a naming ceremony. The white calf brings with it a prophecy that some say correctly explains current human struggles with big issues like climate change. We'll talk with Native culture bearers about the significance of Wakan Gli. We'll also wrap up our eventful week at the Republican National Convention. GUESTS Chief Arvol Looking Horse (Lakota, Dakota, Nakota), 19th Generation Keeper of the White Buffalo Calf Pipe Paula Looking Horse (Dakota), organizer of World Peace and Prayer Day Dallas Gudgell (Yankton Dakota from Ft. Peck Assiniboine and Sioux Tribes), wildlife and tribal policy director with The International Wildlife Coexistence Network and vice president for the Buffalo Field Campaign board Develyn Hill (Shoshone-Bannock), 2023-2024 Miss Shoshone-Bannock Queen
Among the earth's most genetically pure buffalo herds in Yellowstone National Park, a rare white buffalo calf is born. It is considered sacred to surrounding tribes, such as the Lakota, Dakota, Blackfeet, and Shoshone, and was given a name, Wakan Gli, in a naming ceremony. The white calf brings with it a prophecy that some say correctly explains current human struggles with big issues like climate change. We'll talk with Native culture bearers about the significance of Wakan Gli. We'll also wrap up our eventful week at the Republican National Convention. GUESTS Chief Arvol Looking Horse (Lakota, Dakota, Nakota), 19th Generation Keeper of the White Buffalo Calf Pipe Paula Looking Horse (Dakota), organizer of World Peace and Prayer Day Dallas Gudgell (Yankton Dakota from Ft. Peck Assiniboine and Sioux Tribes), wildlife and tribal policy director with The International Wildlife Coexistence Network and vice president for the Buffalo Field Campaign board Develyn Hill (Shoshone-Bannock), 2023-2024 Miss Shoshone-Bannock Queen
Join us on Hidden Heritage as we travel to Green Grass, South Dakota, for a rare interview with Arvol Looking Horse, the spiritual leader of the Lakota, Dakota, and Nakota nations. Discover the intricate balance between traditional and contemporary tribal leadership and the responsibilities carried by those recognized as Chiefs in modern times. Arvol Looking horse, the 19th generation keeper of the Sacred White Buffalo Calf Pipe Bundle, shares his journey and the spiritual duties he upholds. From his upbringing on the Cheyenne River Reservation to his advocacy for peace, environmental stewardship, and Native rights, Arvol's story is a testament to resilience and cultural preservation. Explore the significance of the White Buffalo Calf Woman prophecy, the impact of historical events like the Wounded Knee Massacre, and the challenges faced by Native American communities today. This episode offers a profound insight into the spiritual traditions and enduring heritage of the Lakota, Dakota, and Nakota people.
In unsere 41. Folge besprechen wir auf der A-Seite die #41 ...und das Volk der Winde und auf der B-Seite geht es um die #162 ...und der schreiende Nebel. Es geht um Ureinwohner, Klischees, Dakota, Nakota, Lakota und Typentheater. Als Special gibt es einige Minuten Outtakes am Ende der Folge Besten Dank an Christian für Deine Unterstützung! Besprochene Folgen: #41 ...und das Volk der Winde #162 ...und der schreiende Nebel ? ? ? Christians Kenner-Fakten Dakota Find your fate Fälle ? ? ? Hinterlasst gern eine Bewertung, abonniert und/oder schreibt uns, wenn Ihr Fragen, Wünsche oder Anregungen habt. LINKTREE (HIER KLICKEN) Neue Folgen gibts immer am 3. des Monats. Kontakt: mail@machdenverstaerkeran.de Instagram: mach_den_verstaerker_an Facebook: Mach den Verstärker an ? ? ? Ihr könnt uns auch gern mit kleinen Spenden per Paypal unterstützen. Unterstützen: Spenden per Paypal Ab 5,- Euro bist Du Sponsor*in der nächsten Folge, bei Nennung des Vornamens und der Lieblingsfolge, erwähnen wir das gern im Podcast! ? ? ?
Rock, Funk, Jazz, Rockabilly, Hip Hop, Country, Powwow, Cumbia, Singer/Songwriter, Roots, Indie, Experimental, Punk, and Reggae from members of the Taos Pueblo, Tlingit, Cherokee, Haida, Blackfoot, Navajo, Oji-Cree, Lakota, Tl'esqox, Ojibwa, Cree, Nakota, Abenaki, Kiowa, Comanche, Tuscarora, Métis, Paiute and Hopi nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Mozart Gabriel - Dead Man Khu.eex - Breath In The Reztones - Radioactive love Mattmac & Stella Standingbear - Imposters Prehistoric & Aspects - Last Call Stirling John - Joy In The Morning Northern Cree - Zig Zag Highway Jahkota - Rest In Paradise Las Cafeteras & QVLN & Xocyotzin Morraza - El Camino J25 - Pacers Renee Lamoureux - Over You Mimi O'Bonsawin - Darlin' Live Tonemah - This Land Is Our Land Ghostkeeper - Three Winters Old Dead Pioneers - No One Owns Anything and Death Is Real Highest Conspiracy feat. Cyril Neville - H2O All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Indigenous made Folk, Rock, Country, Americana, Indie, Hip Hop, Powwow, Dub Step from members of the Anishinaabekwe, Potawatomi, Oglala Lakota, Seneca, Mi'kmaq, Nakota, Cree, Tlingit, Kanza and Arapaho Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Fiadh & Christian Wallowing Bull - The Fox Elexa Dawson & Stanley Hotel - Lonley Coyote Sultans of String & Raven Kanatakta - Take Off The Crown Aspects - Hate Coming Down Ryan LittleEagle & Clayton Ryan & Tom Frear - Til I'm Gone Indian City - Strawberries And Champagne Isolated South - Lost The Wave (Plagued) Sober Junkie - We Do Recover DLopez & Jodie B - I Can't Complain Jahkota - Trippen Bear Creek - Long Ago Pisim & Dakota Bear & Dem Rosé Boys & Jeremy Parkin - Ain't Change Terrance.Jade & Jesse KillsBack - Burn It Up (One More Time) Feathers And Arrows - Warriors Stella Standingbear - On It Indigenous & Medalli0n - Skoden All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Indigenous made Indie, Nursery Rhyme, Country, Contemporary Folk, Rock, Ambient, Christmas Songs, Pow Wow, Techno/Jungle, and Reggae from artists of the Mohawk, Métis, Cree, Choctaw, Inuk, Mohawk, Ojibwe, Nakota, Mi'kmaq and Potawatomi Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy some of it. :) All these artists need your support. Tracks on this week's show are: Yako - If Your Happy and You Know It Brandi Vezina - No More Tears This Christmas Burnstick - Warrior Ride Cary Morin - Santa It's True Aaron Neville & Robbie Robertson - Crazy Love Renee Lamoureux - This Christmas Beatrice Deer - Timmiat Tom Wilson - Rebel Radio The Prairie States - Christmas Time With You Sebastian Gaskin - Medicine Billy Simard - Santa's On His Way Elexa Dawson & Stanley Hotel - Sweet Sisters Chevy Beaulieu - Santa Looked A Lot Like Daddy Bearhead Sisters & Tre'leigh - I'll Be OK Lena Horn - Jingle All The Way KindaColt - kiyam ote ka-ohciyahk Jah'Milla & Wolf Castle & Aqakulture & Wendy MacIsaac - East Coast Family All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Sherburne County partnered with St. Cloud State University to offer a chance for Indigenous students to connect with both the land and their heritage. Reporter Chandra Colvin has the story. This is Minnesota Native News. I'm Marie Rock. This week, Sherburne County partnered with St. Cloud State University to offer a chance for Indigenous students to connect with both the land and their heritage. Reporter Chandra Colvin has the story. In late September, indigenous students had the chance to connect to mother earth by planting sweetgrass at the Sherburne National Wildlife Refuge. These students are a part of a new program through the St. Cloud State University American Indian Center. This program is known as the Indigenous Learning Community or the ILC. Coordinator Bearpaw Shields, who is both Dakota and Nakota, explains: BEARPAW SHIELDS: The Indigenous Learning Community was created - this unique program that is grant funded. And it was designed to help, recruit, retain, and graduate our indigenous students. And so part of my role, as well, is to help mentor the students, and to help them succeed through the college role here at St. Cloud State University. Because a lot of times we get first time students, and it's really scary. They don't know a lot about college life. And I want to really help them stay on track, because it's so easy to fall into the wrong crowd. And then, they don't end up graduating. So I'm serving here as a mentor, and as a guide, basically a guide, if you want to put it that way. The ILC provides experiences to indigenous students both inside and outside of the classroom. Students can take culturally relevant classes as a cohort and spend time together in the American Indian Center on campus studying. Bearpaw Shields coordinated the sweet grass planting with Sherburne County's Park Director. GINA HUGO: I'm Gina Hugo. I'm the parks director for Sherburne County. And we're here at the Big Elk Lake Parkland, where we have been working with several Minnesota tribal communities on a cultural landscape co management vision for a sacred landscape that's in county stewardship right now. And today, we're out with some amazing St. Cloud State students to expand a sweet grass meadow on the landscape. Bearpaw Shields explains how this partnership came to be. BEARPAW SHIELDS: I first met her probably about a few years ago. I was introduced to her because she was working on this property that we planted the sweet grass on. And she wasn't educated on American Indians. And so I took her underneath my wing, and educated her. And so she you know, talking to her about how there's not a lot of places for our people to whether it's harvest sweet grass, or sage or chokecherries or elderberries, things that are people traditionally used as medicines and for ceremonies. And so she then decided, you know what, I think this would be a great idea for this when they're going to do the park to have the sweet grass. So then our generations can come and harvest sweet grass, and so we can continue to use the medicines that our people have done for many years. Aria, a part of the Red Lake Tribe is a second-year medical laboratory science student. They share their experience on this opportunity: ARIA: I decided to come here to kind of connect closer with my culture. I think that being able to plant sweet grass in itself is an amazing experience. And I feel like a lot of Native Americans should be able to have that experience to connect closer with their culture and be able to grow closer as a community in general. This is the first of several activities that the Indigenous Learning Community students at St. Cloud State University will experience this year. Planned activities include traditional crafts, such as ribbon skirt and shirt making, as well as visits from an Ojibwe elder. For Minnesota Native News, this is Chandra Colvin
Michel Jean est un journaliste et auteur innu, appartenant à la communauté de Mashteuiatsh, sur les bords du lac Saint-Jean, au Québec. Kukum, son précédent roman couronné par de nombreux et prestigieux prix littéraires dont le Prix Points des lecteurs 2023, s'est vendu à plus de 200 000 exemplaires et a été traduit dans plusieurs langues. Rencontre exceptionnelle avec Michel Jean à Montréal, au square Cabot, lieu de son roman Tiohtiá:ke [Montréal]. "Elie Mestenapeo, un jeune Innu de la Côte-Nord, au Québec, a tué son père alcoolique et violent dans une crise de rage.Il a fait 10 ans de prison.À sa sortie, rejeté par les siens, il prend la direction de Montréal où il rejoint rapidement une nouvelle communauté : celle des Autochtones SDF, invisibles parmi les invisibles.Il y rencontre les jumelles innuk Mary et Tracy, Jimmy le Nakota qui distribue des repas chauds au square Cabot, au cœur de la ville, mais aussi Mafia Doc, un vieil itinérant plus ou moins médecin qui refuse de quitter sa tente alors que Montréal plonge dans le froid polaire…Dans ce roman plein d'humanité, Michel Jean nous raconte le quotidien de ces êtres fracassés, fait d'alcool et de rixes, mais aussi de solidarité, de poésie et d'espoir." (Présentation des éditions du Seuil)
Crow Mary: A Novel by Kathleen Grissom https://amzn.to/3C8u3On The New York Times bestselling author of the “touching” (The Boston Globe) book club classics The Kitchen House and the “emotionally rewarding” (Booklist) Glory Over Everything returns with a sweeping saga inspired by the true story of Crow Mary—an indigenous woman torn between two worlds in 19th-century North America. In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader. He gives her the name Mary, and they set off on the long trip to his trading post in the Cypress Hills of Saskatchewan, Canada. Along the way, she finds a fast friend in a Métis named Jeannie; makes a lifelong enemy in a wolfer named Stiller; and despite learning a dark secret of Farwell's past, falls in love with her husband. The winter trading season passes peacefully. Then, on the eve of their return to Montana, a group of drunken whiskey traders slaughters forty Nakota—despite Farwell's efforts to stop them. Mary, hiding from the hail of bullets, sees the murderers, including Stiller, take five Nakota women back to their fort. She begs Farwell to save them, and when he refuses, Mary takes two guns, creeps into the fort, and saves the women from certain death. Thus, she sets off a whirlwind of colliding cultures that brings out the worst and best in the cast of unforgettable characters and pushes the love between Farwell and Crow Mary to the breaking point. From an author with a “stirring and uplifting” (David R. Gillham, New York Times bestselling author) voice, Crow Mary sweeps across decades and the landscape of the upper West and Canada, showcasing the beauty of the natural world, while at the same time probing the intimacies of a marriage and one woman's heart.
In today's episode, I'll provide updates on several cases I've covered previously on the podcast. The stories I'll be updating today include those of Keaton Boggs, Kerrigan Rutherford, Maxwell Schollenberger, Nakota Kelly, Scotty McMillan, Caliyah McNabb, and Dawson McKinney.This is Episode 135: Case Update Special #10.Links related to today's episode: Episode 30: Keaton Boggs - https://www.spreaker.com/episode/44665627Episode 31: Kerrigan Rutherford - https://www.spreaker.com/episode/44665618Episode 32: Maxwell Schollenberger - https://www.spreaker.com/episode/44665623Episode 33: Nakota Kelly - https://www.spreaker.com/episode/44665631Minisode #1: Interview with Hayley Kelly - https://www.spreaker.com/episode/44665619Episode 37: Scotty McMillan - https://www.spreaker.com/episode/44665646Episode 40: Caliyah McNabb (Part 1) - https://www.spreaker.com/episode/44665614Episode 41: Caliyah McNabb (Part 2) - https://www.spreaker.com/episode/44665680Episode 126: Dawson McKinney - https://www.spreaker.com/episode/51257526Photos related to today's episode can be viewed on Facebook: https://www.facebook.com/sufferthelittlechildrenpodYou can also follow the podcast on: Instagram: https://www.instagram.com/sufferthelittlechildrenpod Youtube: https://www.youtube.com/c/sufferthelittlechildrenpodcast Twitter: https://www.twitter.com/STLCpodTikTok: https://www.tiktok.com/@STLCpod My Linktree is available here: https://linktr.ee/stlcpod Visit the podcast's web page at https://www.sufferthelittlechildrenpod.com. Please help make the show my full-time gig to keep the weekly episodes coming! By supporting me on Patreon, you'll also access rewards, including a shout-out by name on the podcast and exclusive gifts. Pledges of $5 or more per month access ad-free versions of my regular Wednesday episodes. Pledges of $10 or more per month access a small but growing collection of Patreon-exclusive bonus minisodes! Visit www.patreon.com/STLCpod. You can also support the podcast at www.ko-fi.com/STLCpod. This podcast is researched, written, hosted, edited, and produced by Laine.For more stories like this one, visit https://sufferthelittlechildrenblog.com.Music for this episode is licensed from https://audiojungle.net. Subscribe to Suffer the Little Children:Apple Podcasts: https://podcasts.apple.com/us/podcast/suffer-the-little-children/id1499010711Google Podcasts: https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/I5mx3lacxpdkhssmk2n22csf32u?t%3DSuffer_the_Little_Children%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16Stitcher: https://www.stitcher.com/podcast/suffer-the-little-childrenSpreaker: https://www.spreaker.com/show/suffer-the-little-children Pandora: https://www.pandora.com/podcast/suffer-the-little-children/PC:61848?part=PC:61848&corr=podcast_organic_external_site&TID=Brand:POC:PC61848:podcast_organic_external_siteSpotify: https://open.spotify.com/show/0w98Tpd3710BZ0u036T1KEiHeartRadio: https://iheart.com/podcast/77891101/ ...or on your favorite podcast listening platform.
What role did Warrior Women play in the Wounded Knee Occupation, and the American Indian Movement (AIM)? This February 2023, as we mark the 50th anniversary of the occupation, Laura speaks with two Indigenous women activists, a mother-daughter duo, who have been involved in the Red Power movement their entire lives. Madonna Thunder Hawk, Oohenumpa Lakota and Lakota Matriarch, Marcella (Marcy) Gilbert, Lakota/Dakota/Nakota, with Elizabeth Castle, co-director of the documentary Warrior Women, have co-organized the Warrior Women Project, an oral history archive that's the first of its kind. Hear how the project, and an interactive exhibit set to open this month, are finally putting a spotlight on Indigenous women at the frontlines of the movement.“What the Warrior Women Project is doing is keeping that empowerment moving forward, and offering it to others. It teaches our reality of who we are within the United States, so that we don't disappear, so that we don't melt into the melting pot.” - Marcy Gilbert, Lakota/Dakota/Nakota“The connections in the Red Power Movement days are the same today. It's all about land. Indigenous land struggles all over the planet, wherever colonization happened and is happening, has always been a land struggle. Whether it's in Northern Ireland, or here in our territory, the Dakota, Lakota territory, or Palestine, it's an Indigenous struggle, and it always starts with the land.” - Madonna Thunder Hawk, Oohenumpa Lakota and Lakota Matriarch Guests:Madonna Thunder Hawk (Oohenumpa Lakota), Lakota Matriarch; Co-Organizer, Warrior Women Project Marcella Gilbert (Lakota/Dakota/Nakota), Lifelong AIM Member; Co-Organizer, Warrior Women Project The Show is listener and viewer supported. That's thanks to you! Please donate and become a member.Full conversation & show notes are available at Patreon.com/theLFShow
The importance of passion cannot be understated. It can be a wonderful and beautiful thing, and if it's made into a positive part of not only one's own life but for others as well; it's a passion worth pursuing. On this episode of The Unfinished Print I speak with mokuhanga collector, self taught scholar and instructor, Carol Dorman. Having seen her work and lectures with the Japan Foundation Toronto, on various topics on ukiyo-e history and culture, I found her knowledge and story to be of great interest. I speak with Carol about her journey from working at the CBC for the national news, to working side by side with Stuart Jackson, a mokuhanga gallery owner here in Toronto. Carol speaks on her love of the ukiyo-e period of Japanese woodblock prints, her collecting, how that world has changed dramatically during her time at The Stuart Jackson Gallery, and we discuss her work at the LIFE Institute of Toronto where she teaches and instructs age 50+ students about ukiyo-e history. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Regina, Saskatchewan - is the capital of the Canadian Province of Saskatchewan. Located on the land of the Cree, Saulteaux, Dakota, Nakota, Lakota, and Métis peoples, it is the 16th most populace city in Canada. The city has many restaurants, museums, and other places of interest. More info can be found at Tourism Regina, here. University of Toronto - considered a public research university, U of T is located in the city of Toronto, Ontario, Canada, and was founded in 1827. It has educated any number of famous Canadian authors, scientists, politicians, and the like. More info, here. Stuart Jackson Gallery - is a ukiyo-e specific gallery located at 882 Queen Street W. in Toronto, Ontario, Canada. It has been doing business in Toronto for almost fifty years. More info, here. The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here. The Canadian Broadcasting Corporation - also known as the CBC, is a Canadian Federal Crown corporation and is the oldest broadcasting network in Canada. Founded in 1936, the CBC broadcasts news, original programming, and sports throughout Canada and the world. They broadcast via various digital platforms as well as terrestrial platforms such as television and radio. More info, here. Meiji Period of Japan (1868-1912)- the Meiji Period in Japanese history is synonymous with turmoil and regime change. The Meiji Period is named after Prince Mutsuhito (1852-1912), who became Emperor after his fathers death, Emperor Kōmei (1846-1867). Mutsuhito's reign came at the end of the Keiō Era, (1865-1868), until his own death in 1912. Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Tsuzoku Suikoden Goketsu Hyakuhachi-nin no Hitori (津属水滸伝後けつ百八人にの一人 ca. 1827) Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc. Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history. Oni Azami Seikichi (鬼あざみ清吉) 1859 Yorkville, Toronto - Yorkville is a neighbourhood located in the heart of Toronto. It has a rich history, politically and culturally. It has become a high end neighbourhood in the city, with many expensive shops, luxury homes and condos. It is famous for once being the hotbed of folk music in the world, outside of New York City, in the 1960's. Performers such as Neil Young, Joni Mitchell, Bob Dylan amongst others performed in the various clubs in the neighbourhood. 2008 Financial Crisis - was a world wide financial crisis which started in 2007 and lasted throughout 2008 and onwards. This crisis affected housing, mortgages, the automotive industry, and world economic markets. David Kutcher is the owner and operator of Moonlit Sea Prints, located in Easthampton, Massachusetts. His interview with The Unfinished Print can be found, here. Fading of Japanese woodblock prints - certain colours, especialy in ukiyo-e period prints (beni), are known to fade over time. Since pigments in mokuhanga are generally water based, they will fade naturally, but more quickly if located near sunlight. There are many reasons why your print will fade, so the website Viewing Japanese Prints has written a fine article regarding those very reasons, amongst other ways you can protect your mokuhanga collection. You can find that article, here. The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here. Red Hook, Brooklyn, NY - is a neighbourhood in Brooklyn, New York. Once called South Brooklyn and once an industrial area, Red Hook has evolved over time to house many New Yorkers who are looking to be close to Manhattan and still be able to afford a home. There is a great New York Times article, here, which explores the history of this fascinating area. Doi Hangaten - is a mokuhanga print publisher located in Tōkyō, Japan. Once a publisher of prints associated with the shin-hanga movement of the ealry twentieth century, the company continues to publish reproductions of famous Japanese prints, in the old ways. Most recently, the Doi family have collaborated with David Bull and Mokuhankan to publish new verions of some of the old blocks from almost 100 years ago. More info about the Doi Hangaten can be found here, here and here. The collaboration videos produced by Mokuhankan regarding the Doi family and the subsequant collaboration can be found, here. LIFE Institute - is a learning facility for adults age 50+. The LIFE Institute began in 1991, and has a membership of 2500 today. The institute offers high quality education in the Arts, Humanities, Science and Technology, amongst others. Courses are conducted in person or online. More info can be found, here. The National Gallery of Art - is a free art gallery located in Washington D.C. Founded by financier Andrew W. Mellon. The West building was constructed in 1941. The gallery houses more than 150,000 pieces of art and is dedicated to education and culture. More info can be found, here. Itō Jackuchū (1716-1800) - was a Japanese painter who painted in silk. His work can be seen in scrolls (kakemono), sliding doors (fusuma), and folding screens (byōbu). Known for his wild style of painting, Jackuchū's most popular theme is of birds. There are many books wirtten about Jackuchū and his life and times. More info can be found, here , to get you started. Rooster (18th Century) Nishiki-e (錦絵) - is the Japanese phrase for colour woodblock prints, otherwise known as brocade pictures. Ogata Gekkō (1859-1920) - was a painter, illustrator and mokuhanga designer. Gekkō's work has a delightful water colour style, where the subjects seem to be floating and light, regardless of whether the subject is a beautiful woman or a ghostly fox. Gekkō's subject matter ranged from landscapes, to mythology. Ogata Gekkō had a full career, from working with many publishers for his print designs to founding various art associations. More information about the life and career of Ogata Gekkō can be found, here, on David Humphries' fantastic website about the artist. Drawing Water from Yoro Waterfall — 養老孝子瀧を汲の図 (1896) Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan. Evolution of Pigments in Mokuhanga - the evolution of pigments in mokuhanga began with hand painting in the later 17th Century, to the multi coloured prints of ukiyo-e, shin hanga, and sōsaku hanga. More info regarding the pigment evolution can be found, here, at the Library of Congress. The Japan Foundation - is a not for profit organization established in 1972, with many offices located around the world. The Japan Foundation Toronto has been active in the city since 1990. More info, here for the JF worldwide, and here for Toronto. Elizabeth Forrest - is an award-winning Canadian artist and mokuhanga prinmaker. She has been producing mokuhanga since the late 1980's when she lived and studied in Kyoto. She has studied with the late Akira Kurosaki (1937-2019). More info about Elizabeth's work can be found, here. And It Began To Rain (2014) Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Taurus (1973) Barbara Wybou - is a Canadian mokuhanga artists who lived, worked, and studied in Japan for twenty years. Her home these days is Toronto where she continues to work on her mokuhanga. Notably she studied with the late Tōshi Yoshida (1911-1995). Her work can be found, here. Rats 3 Toyohara Kunichika (1835-1900) - was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here. Onoe Kikugorō V as The British Spencer (1894) War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here. Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between two colonial powers, the Imperial Russian and Imperial Japanese military, taking place in China. Information about its background can be found here at history.com, and here. bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga. Itō Shinsui (1898-1972) After Washing Her Hair (1936) yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga. Utagawa Yoshiiku (1833-1904) Oyama Doll - Ichikawa Udanji (1893) Taishō Period (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Yamato Take no Mikoto with His Sword Kusanagi - is the print by Ogata Gekkō which Carol mentions as one of her favourite prints. Oliver Statler (1915-2002) - was an American author and scholar and collector of mokuhanga. He had been a soldier in world war 2, having been stationed in Japan. After his time in the war Statler moved back to Japan, where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as acoomodation, and the 88 Temple Pilgrammage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” John Stevenson - is an American author who has written extenisvely on Tsukioka Yoshitoshi (1839-1892). Tsukioka Yoshitoshi (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here. The Flower of Edo (1858) Utagawa Kuniyoshi (歌川 國芳) - was a print designer and painter known for his triptychs, yoko-e (horizontal landscape prints), Yokohama-e (prints with Yokohama as its subject), and yakusha-e (actor prints). Considered as one of the last of the "golden age" print designers of the ukiyo-e genre. Ichikawa Kodanji IV as the ghost of Asakura Togo (possibly 1851) Kunisada/Kuniyoshi Exhibit - was an art exhibition held at the Museum of Fine Arts Boston from August 11 - December 10, 2017. There was also an excellent catalogue printed for this show and would add to any woodblock print fan's library. more info, here. The book I reference about Toyohara Kunichika is "Time Present and Time Past of a Forgotten Master: Toyohara Kunichika 1835-1900" There are various online print collections that the aspiring mokuhanga scholar can seek out to help in their studies. The Library of Congress has their collection online, as does ukiyo-e.org, who have various impressions af their prints throughout their website. Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. Acadia Books - is a vintage and unique used bookstore located at Sherbourne and Queent St. East in Toronto, Ontario, Canada. In my opinion it is one of the best bookstores I have had the priviledge to visit. More info, here. © Popular Wheat Productions opening and closing musical credit - intro music is Spill Yer Lungs and outro music is Tailor both by Julie Doiron from her album I Can Wonder What You Did With Your Day (2009) on Jagjaguar Records logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
In the first half-hour “First Voices Radio,” Co-Host Anne Keala Kelly (Kanaka Maoli) talks with Mikilani Young, Kanaka Maoli cultural practitioner and kahu. Their conversation begins with a prayer for one Hawaiian elder, and then goes onto the cultural and spiritual connections between Indigenous peoples, the protection of Mauna Kea, and Mikilani Young's own prayerful path, living here on Turtle Island, thousands of miles away from the Hawaiian Nation. Mikilani's courageous approach to the practice and teaching of Indigenous Hawaiian ways is both suited to, and challenged by, the times we live in — sharing, but not selling, giving, but being discerning so as not to exploit or diminish the mana of her own knowledge. Her path is a prayerful, thoughtful balance between human needs that adhere to the soulful premise of existence, while maintaining and honoring the Creator's guidance. Mikilani's journey has taken her to many First Peoples Nations (Tongva, Winnemem Wintu, San Carlos Apache, Kumeyaay, Acjachemen, Pomo, Coastal Miwuk, Klamath, Moduc, Maidu, Colville Confederated Tribes, Wabanaki Confederacy, Kewa Pueblo, Tonoho O'odham, Akimel O'odham, Hopi, Lakota, Nakota, Dakota, Warm Springs, Diné, Mohawk, Yavapai, Payómkawichum, Kwatsáan, Tatavium, Lisjan Ohlone, Wintun, Onasatis). She is at her most grateful and skilled when she can be a unifier of people across and beyond the land she lives on, and joyous because she lives with complete trust that her ancestors guide her path. Mikilani formed the non-profit United Pillars of Aloha as well as Kaiapuni Ho'ola Piha Sanctuary in service of Mother Earth and the unborn generations. More about Mikilani can be found at: mikilaniyoung.com. In the second half-hour, we feature several selections from First Voices Radio's “Top Listener Favorite Songs of 2022.” Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Anne Keala Kelly (Kanaka Maoli), Co-Host Liz Hill (Red Lake Ojibwe), Producer Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: Star People (feat. Jim Cuddy) Artist: Vince Fontaine's Indian City Album: Code Red (2021) Label: Rising Sun Productions, Winnipeg, MB, Canada (00:29:55) 3. Song: Reap & Sow Artist: One Way Sky EP: Soul Searcher (2021) Label: Akimel Records (00:33:50) 4. Song: Ball and Chain Artist: Xavier Rudd & J-MILLA Album: Xavier Rudd: Jan Juc Moon (2022) Label: Virgin Music Label and Artist Services Australia (P&D) (00:38:55) 5. Song Title: 1492 Artist: Earth Surface People EP: 500 Years (2021) Label: Underwater Panther Coalition (00:43:50) 6. Song Title: The States I'm In Artist: Bruce Coburn Album: Bone on Bone (2017) Label: True North (00:53:05) AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse.
Richard Cruz is native and his relations are through his mother (Georgia) Assiniboine Sioux, Nakota, and Arapaho. After decades in the California Department of Corrections he serves as the Co-Executive Director of the Ahimsa Collective, an Oakland-based organization focused on restorative justice. In this episode, Richard talks about his shift in mindset after leaving incarceration and how Restorative Justice has exposed him to different opportunities and different ways of thinking.Support Richard's Organization: https://www.ahimsacollective.net/Check out our LIVE EventsSend us feedback at media@amplifyrj.comJoin our Mighty Networks platform to connect with other people doing this work!Rep Amplify RJ Merch You can connect with Amplify RJ:Email list, Instagram, LinkedIn, Facebook, Twitter, Website, Reading list, YouTube, and TikTok!SUPPORT by sharing this podcast, leaving a rating or review, or make a tax-deductible DONATION to help us sustain and grow this movementSupport the showSupport the show
Bioneers: Revolution From the Heart of Nature | Bioneers Radio Series
In this episode, Indigenous scholar and organizer Nick Estes explores how Indigenous land-based and Earth-centered societies are advancing regenerative solutions and campaigns to transform capitalism. An ancient “eco-nomics” today puts Indigenous leadership at the forefront of assuring a habitable planet. Featuring: Nick Estes, Ph.D. (Kul Wicasa/Lower Brule Sioux), is Assistant Professor of American Studies at the University of New Mexico and a member of the Oak Lake Writers Society, a group of Dakota, Nakota and Lakota writers. In 2014, he was a co-founder of The Red Nation in Albuquerque, NM, an organization dedicated to the liberation of Native people from capitalism and colonialism. He serves on its editorial collective and writes its bi-weekly newsletter. Nick Estes is also the author of: Our History Is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance. Resources Nick Estes – The Age of the Water Protector and Climate Chaos (video) | Bioneers 2022 Keynote Indigenous Pathways to a Regenerative Future (video) | Bioneers 2021 Panel The Red Deal: Indigenous Action to Save Our Earth | The Red Nation Indigenous Resistance Against Carbon | Indigenous Environmental Network This is an episode of the Bioneers: Revolution from the Heart of Nature series. Visit the radio and podcast homepage to find out how to hear the program on your local station and how to subscribe to the podcast For more info on Nick Estes and show notes, please visit our radio page.
The Alabama Department of Archives and History is the latest institution going through a repatriation process starting this month. The museum, which has dozens of human remains and hundreds of Indigenous funerary objects in its collection, hasn't been in compliance with the Native American Graves Protection & Repatriation Act (NAGPRA) of 1990. And in Montana, several items were repatriated from the University of Missoula and will now be in the care of the Fort Peck Interpretive Center. Several other institutions still have collections containing thousands of human remains and objects that fall under NAGPRA but it's been slow work to get actual objects back into the care of tribes. Today on Native America Calling, Shawn Spruce talks with Steve Murray, director of the Alabama Department of Archives and History; Shannon Keller O'Loughlin (Choctaw), executive director of the Association on American Indian Affairs; and Dyan Youpee (Lakota, Dakota, and Nakota), Fort Peck Tribes cultural resource director and tribal historic preservation officer about current efforts.
The Alabama Department of Archives and History is the latest institution going through a repatriation process starting this month. The museum, which has dozens of human remains and hundreds of Indigenous funerary objects in its collection, hasn't been in compliance with the Native American Graves Protection & Repatriation Act (NAGPRA) of 1990. And in Montana, several items were repatriated from the University of Missoula and will now be in the care of the Fort Peck Interpretive Center. Several other institutions still have collections containing thousands of human remains and objects that fall under NAGPRA but it's been slow work to get actual objects back into the care of tribes. Today on Native America Calling, Shawn Spruce talks with Steve Murray, director of the Alabama Department of Archives and History; Shannon Keller O'Loughlin (Choctaw), executive director of the Association on American Indian Affairs; and Dyan Youpee (Lakota, Dakota, and Nakota), Fort Peck Tribes cultural resource director and tribal historic preservation officer about current efforts.
In this episode, we're joined by Linda Black Elk & Ruth Plenty Sweetgrass-She Kills to discuss food sovereignty, seed rematriation, food systems collapse, and how social media plays into these conversations. What does the future hold for our food systems and how do we move forward from the current state of colonialism? Linda Black Elk (Catawba) is an ethnobotanist specializing in traditional foods and medicines of the Great Plains. She is currently the Director of Food Sovereignty at United Tribes Technical College in Bismarck, ND, and is the mother to three Lakota sons. She can be found on Facebook at Linda Black Elk, or on Instagram @Linda.Black.Elk Ruth Plenty Sweetgrass-She Kills (Hidatsa, Mandan, Dakota, and Nakota) is the Food Sovereignty Director at the Nueta Hidatsa Sahnish College. Support this podcast by becoming a Patron at: https://www.patreon.com/PoorProlesAlmanac
International Women's Day 2022 Honoree a pearl in this diamond world ... Josephine LoRe's words have been read on stage and zoom-rooms, put to music, danced, integrated into art, and published in 11 countries and 4 languages including FreeFall in Canada, Tiny Seed in the US, and journals in Italy, England, Ireland, Germany, and Japan. Josephine has two collections, Unity and the Calgary Herald Bestseller The Cowichan Series. She is a member of the League of Canadian Poets and diverse online reading communities. She received the Norma Epstein Award for Creative Writing and was shortlisted for the 2019 Room Poetry Prize. She teaches workshops, mentors emerging poets, serves as an editor, and judges poetry competitions. She collaborates with artists and musicians, and her poetry can be found on YouTube and Bandcamp. Josephine is a Toronto-born first-generation Canadian of Sicilian descent who completed a Master's degree in Comparative Literature in France. This candlelight poet lives and creates on land traditionally inhabited by the Piikani, Siksika, Kainai, Tsuut'ina and Nakota peoples. Josephine is grateful to these peoples for bringing language and poetry to this land. https://www.josephinelorepoet.com/
Sherry Johnson, tribal education director for the Sisseton Wahpeton Oyate, an Oceti Sakowin treaty tribe, talks about the efforts to have South Dakota's students learn about Dakota, Lakota, and Nakota history and culture. South Dakota's right wing governor and her appointees have rejected state standards that include critical thinking and accurate state history, sparking strong resistance.
Tonight we're getting creepy and talking about a couple of cryptids and hauntings in the state of Wisconsin.Facebook: @3MPodcastTwitter: @3MPodcast3TikTok: @3MPodcastYouTube: https://bit.ly/3apYTV0Background music provided by: https://www.purple-planet.comResearch assistance provided by: Stevie the Cat
Welcome to the Instant Trivia podcast episode 339, where we ask the best trivia on the Internet. Round 1. Category: Historical Quotes 1: Mass. town where patriot John Parker supposedly said, "If they mean to have a war let it begin here". Lexington. 2: At the 1968 Dem. Convention, this mayor stumbled and said, "The police are here to preserve disorder". Richard (J.) Daley. 3: As reported by Hernan Cortes in a 1522 dispatch, these people said that "by no means would they give themselves up". the Aztecs. 4: In a 1959 American kitchen exhibit in Moscow, he told Khrushchev, "In America, we like to make life easier for women". Nixon. 5: In 1888 this Chancellor told the Reichstag, "we Germans fear God, but nothing else in the world". (Otto von) Bismarck. Round 2. Category: Fitness 1: A runner's fatigue caused by glycogen depletion is called "hitting" this. "The wall". 2: For boys to win the top Presidential Physical Fitness award, they have to run this distance in 6:06. a mile. 3: These machines mimic the action of running up stadium bleachers, with much more convenience. Stair machines. 4: The West Point candidate fitness assessment is a basketball throw, 2 runs and these 3 exercises with "up" in their names. push-ups, pull-ups and sit-ups. 5: The West Point candidate fitness assessment is a basketball throw, 2 runs and these 3 exercises with "up" in their names. push-ups, pull-ups and sit-ups. Round 3. Category: The Dakotas 1: In 1997 the Dakotas were declared disaster areas as the cold hit -80 degrees including this factor. Wind chill factor. 2: Hot Springs, South Dakota has one of North America's largest graveyards of these prehistoric elephants. mammoths. 3: A "Little" river and a "Big Muddy" river with this name flow through both states. Missouri. 4: Much of the Dakotas was once dominated by the Lakota and Nakota branches of this Indian tribe. Sioux. 5: Now a North Dakota city, this junction of 2 rivers was called "Les Grandes Fourches" by French traders. Grand Forks. Round 4. Category: Choreographers 1: He conceived, directed and choreographed the musical which included the following:"Tonight, tonight, the world is wild and bright...". Jerome Robbins. 2: When Balanchine staged "Orpheus and Eurydice" at this U.S. opera house, he kept the singers in the pit. the Met(ropolitan Opera House). 3: This modern dancer created over 170 works; her career spanned the century. Martha Graham. 4: In a single year he choreographed "42nd Street", "Footlight Parade", and "Gold Diggers of 1933". Busby Berkeley. 5: In the original 1942 production of "Rodeo", she danced the role of the cowgirl. Agnes de Mille. Round 5. Category: Prison Life 1: Federal prison camps, also called this level of security, may have no perimieter fencing. minimum security. 2: Convict priest John Geoghan was kept in this, abbreviated PC, but was killed by another inmate in PC. protective custody. 3: In 1995 Arizona banned this recreation, fearing that it produced stronger criminals. weightlifting. 4: Nazi imagery and ideas inspire this vicious "Brotherhood" that began in California prisons in the 1960s. the Aryan Brotherhood. 5: It can mean a single charge of which you were convicted, or a procedure conducted several times a day. a count. Thanks for listening! Come back tomorrow for more exciting trivia!
Pourquoi "Hors-Série" ? J'aimerais vous proposer des épisodes hors-série abordant les cultures autochtones et leur rapport à la mort. Ce n'est d'ailleurs pas pour rien que l'Occident, en mal de vivre et en quête de sens, se tourne de plus en plus vers ces cultures ancestrales longtemps stigmatisées et dominées mais qui pourtant ont bien plus à nous apprendre qu'on ne le pense. Et inexorablement, les cultures autochtones ne séparent pas la vie et la mort comme nous pouvons le faire dans notre culture occidentale où la mort marque une fin.
We've got a fantastic tale from North America this week, a myth of the Sioux people of MidWest United States. The Sioux nation is one of the largest Native American tribes, consisting of the Lakota, Dakota, and Nakota tribes. They traditionally lived in Minnesota, Iowa, and Wisconsin, but were forced to migrate west to the great plains by the French and the Ojibwe tribes.The Sioux of old were a nomadic people who roamed the great plains, following buffalo herds throughout the American Midwest. Buffalos being an important part of their culture – responsible for food, clothing, houses – or teepees and many pieces of jewelry. The people believe in Wakan Tanka, the great spirit. This represents the power or the sacredness that resides in everything – both living and inanimate. Storytelling, as with almost all Native American tribes, is an important part of the Sioux culture. Tales, indeed, legends were passed down from one generation to another as tales told around the bonfire. This story is one such tale. Recorded in the early 20th century by Mrs. Marie McLaughlin, and in her own words, “ told in the lodges and at the campfires of the past, and by the firesides of the Dakotas, these tales are the thoughts of a grave, and sincere people, living in intimate contact and friendship with the big outdoors that we call Nature; a race that is humble, but honest and fair; a sincere, and gravely thoughtful people, willing to believe that there may be in even the everyday things of life something not yet fully understood; a race that can, without any loss of native dignity, gravely consider the simplest things, seeking to fathom their meaning and to learn their lesson”Reference:Title: Myths and Legends of the SiouxAuthor: Marie L. McLaughlinURL: https://www.gutenberg.org/files/341/341-h/341-h.htmWe're active on social media. Check us out below:Twitter: @storiesthtmdeus Instagram: @storiesthtmdeus Facebook: https://www.facebook.com/storiesthatmdeuse-mail: info.storiesthatmadeus@gmail.comThe music used for the episodes is either free to use or under a creative commons license. Below are their links and attributions:Danse Macabre - Isolated Harp by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://freepd.com/Classical/Danse%20Macabre%20-%20Isolated%20HarpArtist: http://incompetech.com/Dama-May - Primal Drive by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200086Artist: http://incompetech.com/
Hello Interactors,Today we’re branching into topography and the role western colonial expansion plays in the creation and articulation of our naturally occurring geography. Most of us are not very skilled at critiquing the role maps have played in shaping how we see the globe and the people on it. But I’m optimistic that when we do we can better confront the boundaries that maps have created between people and place.As interactors, you’re special individuals self-selected to be a part of an evolutionary journey. You’re also members of an attentive community so I welcome your participation.Please leave your comments below or email me directly.Now let’s go…NAME THAT PLACEI spent last April talking about how the United States was surveyed and diced in little squares that are featured in our maps today. It was a technique ripped out of ancient Rome as a way to rationally quantify space across massive swaths of land. The United States perfected gridded cartesian cadastral cartography, but drawing little lines on paper as a means of assessing, assuming, and asserting control over land had been done for centuries by European colonial settlers around the world – beginning in the Renaissance. The Renaissance accelerated mapping. This was an era of discovering new knowledge, instrumentation, and the measuring and quantification of the natural world. Mercator’s projection stemmed from the invention of perspective; a word derived from the Latin word perspicere – “to see through.” European colonial maps were drawn mostly to navigate, control, and dominate land – and its human occupants. We have all been controlled by these maps in one way or other and we still are. Our knowledge of the world largely stems from the same perspective Mercator was offering up centuries ago. The entire world sees the world through the eyes of Western explorers, conquerors, and cartographers. That includes elements of maps as simple as place names. Take place names in Africa, as an example. The country occupied by France until 1960, Niger, comes from the Latin word for “shining black”. Its derogatory adaptation by the British added another ‘g’ making a word we now call the n-word. But niger was not the most popular Latin word used to describe people of Africa, it was an ancient Greek derivative; Aethiops – which means “burn face”. If you replace the ‘s’ at the end with the ‘a’ from the beginning, you see where the name Ethiopia comes from. Even the name of my home state of Iowa has dubious origins. Sure it’s named after the Indigenous tribe, the Iowa or Ioway, but the Iowa people did not call themselves that. They referred to themselves in their own language as the Báxoje (Bah-Kho-Je). They settled primarily in the eastern and south eastern part of the land we now call Iowa. Most of them were forced to relocate to reservations in Kansas and Oklahoma. It’s believed the name Iowa, came from a Sioux word – ayuhwa which means “sleepy ones.” It would be like the south winning the Civil War and then turning around and declaring the region to their north henceforth be referred to as: Yankees. Even the word Sioux is a French cheapening of a word from the Ojbiwe people– Nadouessioux (na·towe·ssiw). The Sioux were actually a nation combined of the Dakota, Lakota, and Nakota people. They referred to themselves as Oceti Sakowin (oh-CHEH-tee SHAW-kow-we) or “Seven Council Fires”. They covered the sweeping plains of most of what we now call Minnesota; which stems from the Dakota phrase Mni Sota Makoce – “where the waters reflect the sky”. They extended south to the northwest corner of so-called Iowa and east to the more aptly named state of South Dakota. These people were expelled from Minnesota after the Dakota War of 1862. They continue to suffer today the pains felt by America’s largest mass execution in history at the hands of none other than Abraham Lincoln. Just months after signing the Emancipation Proclamation, Lincoln ordered 38 Dakota and Lakota men to be hung. Dissatisfied with the pace and politics of the makeshift trial of 303 Indigenous people, he decided on his own who should live and who should die. On April 23rd, 1863 the United States declared their treaties with the Lakota and Dakota null and void, closed their reservations, and marched them off their land. It took until this year, 2021, for the United States to give a southern sliver of land back to them. And in Northern Minnesota they’re still fighting to protect the water that reflects the sky.MAPS AND MATH FROM A MAN FROM BATH There’s another Westernized place name just west of where the Dakota and Lakota people thrived called Gannett Peak. It’s the tallest mountain in the state of Wyoming and is part of the Bridger-Teton range. I’m sure you’ve heard of the more popular neighboring range, the Grand Teton’s; another notable (and sexist) French place name which means – ‘Big Boobs’. Gannett Peak is named after Henry Gannett – the father of American mapmaking. Born in Bath, Maine in 1846 he went on to graduate from Harvard’s Lawrence Scientific School in 1869. After some time in the field documenting geology from the Great Lakes to the mines of Colorado he returned to Harvard for a degree in mining engineering. He spent a couple years working at the Harvard College Observatory making maps and calculating the building’s precise longitude. He then was hired as the chief astronomer-topographer-geographer by the United States Geological and Geographical Survey of the Territories in 1872. A mouthful. Perhaps daunted by such a long name for a department charged with precision and clarity of information, the USGGST was shortened to USGS in 1779 – the U.S. Geological Society. Some claim Gannett lobbied for USGGS in an attempt to maintain the word geographical and not just geological. If so, he was likely outvoted by his boss and prominent geologist, Ferdinand Vandeveer Hayden. His book, The Great West: its Attractions and Resources gives you a clue as to why geologists were maybe more revered than geographers in the late seventeen and eighteen hundreds. After all, there’s gold in them there hills.The study of naturally occurring geometric properties and their spatial relations over a continuous plane is the work of topology. Documenting and surveying those studies is the work of a topographer. And the artifact they generate is called a topographic map. The first large scale topographic mapping project was Cassini’s Geometric Map of France in 1792. Then, in 1802 the British followed with the highly precise topographic map of India. As I’ve noted in previous posts, the earliest surveying and mapping of the British colonies and the United States were funded and controlled by government backed private companies like the Hudson Bay Company in the 1600s and the Ohio Company of Associates in the 1700s. IT’S UP TO YOU TO QUESTION YOUR VIEWThe topographic map of India was also directed by a British colonizing super-spreader the East India Company. They, together with the British government, had been at it for 200 years already. But in the early 1800s they were seeking accuracy. They wanted far more precise control over the Indigenous land, resources, trade, and people. The people of India are second to Africa in genetic diversity and emerged via Africa through the Indus River valley; hence the name India. This massive southeast Asian continent was first named by the Spanish or Portuguese – India is Latin for “Region of the Indus River”. The map that the East India Company commissioned in 1802 is called the Great Trigonometrical Survey. Trigonometry had already been awhile. In 140BC its Greek inventor, Hipparchus, used it, as the British did, for spherical trigonometry – the relationship of spherical triangles that emerge when three circles wrapping around a sphere intersect to form a spherical triangle. It’s used to measure the spherical curvature of the earth and was employed with precision by the East India Company using instruments with cool names like theodolite and Zenith sector. What resulted was a map of India featuring a fine-grained triangulated lattice accurately depicting the designated borders of British claimed territories. It was also the first accurate height measurements of Mount Everest, K2, and Kanchenjunga. Those heights were surveyed by Indigenous Tibetan surveyors who were secretly hired and trained by the British. Europeans were not allowed into Tibet at the time, so the surveyors had to pretend they were just hiking. This trigonometrical triangulated technique was the first accurate measure of a section of the longitudinal arc. The same arced sections that defined the curved edges of Henry Gannett’s topographic quadrangle mapping system which he perfected seventy years later on the other side of the globe at an arc distance of roughly 8,448 miles or 13,595 kilometers.Gannett’s career arc makes it easy to see why he figures prominently in American geography. Following is just a sampling of his contributions.He was the first geographer assigned to the census for the country’s tenth census survey. Gannett was responsible for drawing the first census tracts and invented the enumeration of districts based on population and geography. He chaired the Board of Geographic Names and later wrote a book on the history of United States place names. You can read a digitized version online. It includes a surprisingly long list of place names across the country and their origins. He demarcated the first 110,000 miles of national forests and served as Teddy Roosevelt’s research program director for his National Conservation Commission which projected future natural resource use.He helped form the National Geographic Society, Association of American Geographers, and other astronomy and geology clubs.He published two hundred articles on human geography, cartography, and geomorphology all while editing a handful of journals and publishing textbooks.The topographical techniques and programs Gannett pioneered were used all the way to the 1980’s and 90’s as GPS and computers took over. As amazing as his work was, it was no match for satellite imagery, GPS, and computer imaging. The topography he painstakingly surveyed and mapped is now available to anyone with access to a computer and an internet connection.Gannett was one of many geographers throughout the history of western colonization. Sure he was more influential than most, but they were all tasked with the same thing. Whether it was triangulating British territories in India, finessing French regions in Africa, or delineating Dutch districts in Brazil they were all measuring, mapping, and manipulating how others should see the world. It’s the paradox of mapmaking. No matter your intent, whatever line you draw will reflect the bias you bring. Mercator was biased by perspective because that’s what the culture of his time led him to do. Gannett mapped natural occurring features of the land because the mapping of minerals and other natural resources was in high demand. Iowa was named Iowa because that’s what they knew. Even attempts to counter-map the dominance of cartesian colonial cartography can’t escape its own bias. Nobody can. But we live on a melting planet, so our days remain a few. If we’re going to survive this calamity, we must see that our thoughts are skewed. So the next you look at a map, consider its point of view. If we all do this together, we can invent a world anew. Sources: Henry Gannett Chapter. The History of Cartography, Volume 6: Cartography in the Twentieth Century. Edited by Mark Monmonier.Wikipedia. Subscribe at interplace.io
The second in a series of Critical Conversations organized by Study and Struggle discussing prison abolition and immigrant justice. ————————————————————— The Study and Struggle program is the first phase of an ongoing project to organize against incarceration and criminalization in Mississippi through four months of political education and community building. Our Critical Conversations webinar series, hosted by Haymarket Books, will cover the themes for the upcoming month. Haymarket Books is an independent, radical, non-profit publisher. The third webinar theme is Deconstructing Settler Colonialism and Borders and will be a conversation about how settler colonialism and border imperialism are foundational pillars of the US prison industrial complex. It will include reflections on how the fight for abolition can better integrate a decolonial politics into our organizing against policing, prisons, and borders of all kinds. ————————————————————— Speakers: Kelly Lytle Hernández is a professor of History, African American Studies, and Urban Planning at UCLA where she holds The Thomas E. Lifka Endowed Chair in History. She is also the Director of the Ralph J. Bunche Center for African American Studies at UCLA. One of the nation's leading experts on race, immigration, and mass incarceration, she is the author of the award-winning books, Migra! A History of the U.S. Border Patrol and City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles. Nick Estes is Kul Wicasa, a citizen of the Lower Brule Sioux Tribe born and raised in Chamberlain, SD next to our relative, Mni Sose, the Missouri River. His nation is the Oceti Sakowin Oyate (the Great Sioux Nation or the Nation of the Seven Council Fires). Nick is an Assistant Professor of American Studies at the University of New Mexico and a member of the Oak Lake Writers Society, a group of Dakota, Nakota, and Lakota writers. In 2014 he co-founded The Red Nation in Albuquerque, NM, an organization dedicated to the liberation of Native people from capitalism and colonialism. Harsha Walia is the award-winning author of Undoing Border Imperialism. Trained in the law, she is a community organizer and campaigner in migrant justice, anti-capitalist, feminist, and anti-imperialist movements, including No One Is Illegal and Women's Memorial March Committee. Lorena Quiroz is a 22-year Mississippi resident. Born in Ecuador, by way of New York, she's an organizer and mother of three amazing girls; first generation Afro Latinas born in the beautiful Delta flatlands. She is the founder of the Immigrant Alliance for Justice and Equity, an organization whose purpose is to amplify the voices of marginalized, multi-racial, and immigrant communities by active participation in civic engagement in deconstructing barriers that perpetuate racial, xenophobic, socio-economical, and gender identity and sexuality disparities and oppression. Christine Castro (moderator) is a former migrant student and current postdoctoral fellow, researching the intersections of industrial agriculture and police militarization. Watch the live event recording: https://youtu.be/LlzPsVthhSo Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
"This is not a thing I have sought, But it has come across my path and I have seized it. " -- Annie Dilliard Annie Dilliard's words point to the place where Phyllis Cole-Dai's most significant projects begin -- in that electric intersection where serendipity, sincerity and steadfast resolve collide. On Ash Wednesday of 1999, Phyllis Cole-Dai walked out of her home in Columbus, Ohio with a friend. The two of them carried no money with them and would spend the next 47 days -- of Lent and Holy Week -- living on the streets. "We didn't go out to find answers to questions or to search out solutions to problems. We didn't go out to save anyone or to hand out donations of food and blankets. We went out for one primary reason: to be as present as possible to everyone we met - homeless person, volunteer, University president, cop." The Emptiness of Our Hands is a moving memoir of those 47 days, co-authored by Phyllis. It explores the great divide between the housed and the homeless-- and how being without a real home can ravage the human spirit. As a writer and editor Phyllis has always written across the divides that separate us from ourselves and one another. Through her writing she seeks deeper understanding, and the possibility of healing -- for herself and readers. Her work spans multiple genres. Beneath the Same Stars is a historical novel set during the U.S.-Dakota War of 1862. In it Phyllis explores the vast divides between settlers and the indigenous people of this land in ways that bear deep relevance to our troubled times. Poetry of Presence: An Anthology of Mindfulness Poetry, co-edited by Phyllis, explores the divides between mind and body, self and other. In its pages, contemporary poets such as Joy Harjo, Li-Young Lee, Derek Walcott and Naomi Shihab Nye rub shoulders with beloved poets of the past, including Rumi and Li Po. The book evolved out of a popular blog titled "A Year of Being Here", that Phyllis created in 2013. For three consecutive years she posted a daily 'mindfulness poem' along with an accompanying art piece, drawing in readers from across the world with her thoughtful curation. Her latest book is For the Sake of One We Love and Are Losing: A Meditative Poem & Journal. Written in the form of a meditative poem, the book seeks to bridge the poignant gap between the living and those who are dying, or have passed. Published last year as the world grappled with a pandemic that has continued to drastically redefine our reality and claim lives, Phyllis' words have served as a tender, steadying hand for many in pain and grief. When she lost her own father recently to COVID-19, her own words would return to her as deep medicine (along with blessings, poems, healing images and more) from her many well-wishers and readers. In mid-March, 2020, in response to the pandemic, Phyllis created Staying Power -- a free virtual care package delivered to subscribers every Sunday that weaves together offerings of personal stories, meditations, poetry, music, and other resources -- all with the simple intention of helping people weather the challenges of these times with 'a clear mind, sound body and generous spirit.' Several of her stories have been syndicated on DailyGood, including, "I Am One of Everybody," the heart-warming story of Phyllis's 'signature' red coat, that has now been autographed by hundreds of strangers, and that serves as unique reminder of our shared hunger to simply belong. Born in 1962 in the farming community of Mt. Blanchard, Ohio, Phyllis eventually graduated with a Bachelor of Arts (English, 1984) from Goshen College; a Master of Theological Studies (1987) from the Methodist Theological School; and a Master of Arts (English, 1993) from The Ohio State University. She lives with her scientist-husband, teenage son, and two cats in a 130-year-old house in Brookings, South Dakota, also the traditional homeland of the “Seven Council Fires” of the Dakota, Nakota and Lakota confederacy (more commonly called the Great Sioux Nation). Join us in conversation with a writer whose sincerity, courage and compassion speak directly to the call of our times.
A few weeks back, in episode 33, I covered the tragic story of 10-year-old Nakota Kelly, who was allegedly murdered in July of this year by his father, Anthony Dibiah. Nakota was failed by both DCS and the family court system. His mom, Hayley Kelly, tried for years to get the unsupervised visits with his father to stop, reporting abuse multiple times, but to no avail. Now, thanks to their failure to listen to Hayley’s well-documented concerns, her son is dead, and his body has yet to be found. I had the pleasure of speaking with Hayley in October after I released my episode about Nakota, so on this, my first ever minisode, I’m sharing that conversation with you. Photos related to today's episode can be viewed on Facebook and Instagram. You can also follow the podcast on YouTube, Twitter, Tumblr, and Pinterest. Visit the podcast's web page at www.sufferthelittlechildrenpod.com. Please help make the show my full-time gig to keep the weekly episodes coming! By supporting me, you'll also access rewards, including a shout-out by name on the podcast and exclusive gifts! This podcast is written, hosted, edited, and produced by Laine. Nakota’s story was originally featured on Suffer the Little Children Blog. Music for this episode is from www.AudioJungle.net. Subscribe to Suffer the Little Children on Apple Podcasts, Google Podcasts, Stitcher, Spotify, YouTube, or your favorite podcast listening platform.
In our second class on Indigenous storytelling, Josh Languedoc tells us about his play Rocko and Nakota, Elder Bonny Spencer shares a story about star blankets and poet, writer and educator Naomi McIlwraith speaks to us about the importance of language in story.
Upon hearing from his mother that he was to spend the upcoming weekend in his father’s custody, ten-year-old Nakota Kelly told her, “My father is going to kill me.” Due to a very specific custody agreement, his mom had no choice but to take him on Friday to spend the weekend with his father, Anthony Dibiah. On Saturday evening, Anthony called a cousin in Texas, screaming, “I killed my son!” In Anthony’s Indianapolis apartment the next day, police discovered a crime scene straight out of a horror movie. Several hours later, Anthony, a convicted criminal who was in the United States illegally, was arrested by the Missouri State Highway Patrol. This is a story of a boy failed by DCS and the family court system, and a mother and teenage sister left devastated. This is the horrific story of Nakota Kelly. A GoFundMe campaign was set up to assist Nakota’s mom, Hayley, with burial expenses if and when his remains are found. You can donate to the campaign here: https://www.gofundme.com/f/nakota-kelly-memorial-fund Photos related to today's episode can be viewed on Facebook and Instagram.You can also follow the podcast on YouTube, Twitter, Tumblr, and Pinterest. Visit the podcast's web page at sufferthelittlechildrenpod.com. Please help make the show my full-time gig to keep the weekly episodes coming! By supporting me, you'll also access rewards, including a shout-out by name on the podcast and exclusive gifts! This podcast is written, hosted, edited, and produced by Laine. Nakota’s story was originally featured on Suffer the Little Children Blog. Music for this episode is from AudioJungle.net. Subscribe to Suffer the Little Children on Apple Podcasts, Google Podcasts, Stitcher, Spotify, YouTube, or your favorite podcast listening platform.
Please enjoy this interview as host Doug McKenty has the honor and privilege of speaking with Chief Arvol Lookinghorse of the Sioux nation, comprised of the Lakota, Dakota and Nakota tribes indigenous to what is now called North America. Chief Lookinghorse is the 19th generation carrier of the "sacred bundle" given to the Sioux people by White Buffalo Calf Woman along with the knowledge of the seven sacred ceremonies which together compose the backbone of their traditional culture. Listen as Chief Lookinghorse describes the Black Snake prophecy, the importance of the rebirth of the white buffalo calf, and his personal mission to mend the "Sacred Hoop," a philosophy which holds all people, and all nations, as equals. In order to achieve this goal, Chief Lookinghorse leads a ceremony each year on the Summer Solstice entitled "World Peace and Prayer Day" in which he invites all nations and faiths to unite under one prayer. This interview provides insight into a traditional perspective that offers an alternative to the often self-destructive Western paradigm, and invites each of us to become more sensitive to the sacredness of our connection to the Mother Earth. Find out more about Chief Lookinghorse and World Peace a Prayer Day at http://worldpeaceandprayerday.com/. For more information about The Shift, and all our archives, visit: https://theshiftnow.com/.
16-year-old Selena Not Afraid, a Native American teen from the Crow and Nakota tribes, living in the Crow Reservation, Montana, USA, disappeared on her way home from a New Years party on January 1st 2020. She was left at a rest stop along I-90 with another woman, the pair having been left behind by four other adults who attended the party who agreed to give them a lift home. For reasons still unclear, Selena took off into a nearby field and walked towards some trees, never to be seen alive again. Her body was found 19 days later in a field less than a mile away from the interstate. Cause of death was determined to be hypothermia, however, some aspects of Selena's case simply don't make sense. A teenage girl doesn't just walk into a field and die. Some suspect that there is more to this case than first meets the eye. If you feel that you need support regarding any of the issues presented in this episode, please contact your local crisis centre. CREDITS: Narration, Research, Writing and Production - Kirsty Skye Scoring - S. D. D. C. LISTEN: Spotify: https://open.spotify.com/show/4VihnSDeXi8kvoZhdDUdvJ?si=mT3zc7gdQJisHibBr4ImIA Apple Podcasts: https://podcasts.apple.com/gb/podcast/stolen-sisters/id1517420487 AnchorFM: anchor.fm/stolensisters SOCIALS: Website - https://anchor.fm/stolensisters Twitter - @Stolen_Sisters Instagram - @stolensisterspod Email - stolensisterspodcast@yahoo.com SOURCES: https://heavy.com/news/2020/01/selena-selina-not-afraid-notafraid-missing/ https://www.dahlfuneralchapel.com/obituaries/Selena-Shelley-Faye-Not-Afraid?obId=10699748#/obituaryInfo https://www.nytimes.com/2020/01/20/us/selena-not-afraid-missing-montana.html https://www.kfyrtv.com/content/news/Autopsy-results-received-for-Selena-Not-Afraid-death-investigation-568348651.html https://billingsgazette.com/news/state-and-regional/mmiw/selena-not-afraid-died-from-hypothermia-autopsy-shows/article_499af59b-e08d-5d55-8adf-b9d6d9b486b6.html https://www.usatoday.com/story/news/nation/2020/01/20/selena-not-afraid-missing-girl-body-found-montana-rest-area/4527161002/ https://www.nbcnews.com/dateline/community-comes-together-search-selena-shelley-faye-not-afraid-missing-n1114851 https://www.mtpr.org/post/relatives-law-enforcement-clash-over-what-killed-16-year-old-crow-girl https://www.thesheridanpress.com/news/local/selena-not-afraid-investigation-continues/article_5d5dcd99-1074-52b8-8076-3526e51eaf38.html https://billingsgazette.com/news/state-and-regional/mmiw/body-of-selena-not-afraid-found-within-mile-of-rest-stop-where-she-was-last/article_cc294561-dc1a-5d3d-879a-f5ccfa419d74.html https://m.facebook.com/photo.php?fbid=10206905132663892&set=a.1028217602761&type=3&refsrc=http%3A%2F%2Fd-79542424659902243.ampproject.net%2F2006050512000%2Fframe.html https://m.facebook.com/photo.php?fbid=10218049090472845&set=a.2654466554941&type=3&theater
Mark Rutledge, CGD™ talks with Jen about his career as a graphic designer and the journey of how he ended up at Animikii. From attending school in Seneca College to working in Yukon, Mark provides a unique perspective on the difference between supporting and celebrating Indigenous design and appropriation using Indigenous cultural art for personal gain. He also discusses strategies for Indigenous youth interested in becoming an illustrator or graphic designer in today's tech industry. Guest Bio Mark Rutledge, CGD™ is Animikii’s lead designer. As a passionate graphic designer who embraces his creative instincts and intuition, he has a burning desire to cultivate flawless outcomes in branding, photography, and web design. Mark is Anishinaabe and a member of the Little Grand Rapids First Nation. He lives and works on Kwanlin Dün and Ta'an Kwäch'än Council Territories in Whitehorse, Yukon. Mark also serves as National President of the Graphic Designers of Canada. Host Bio Jen manages content, social media, and multimedia projects for both Animikii and their digital communications clients. She is Nakota and Danish with relations from the Alexis Nakota Sioux Nation in Alberta on Treaty 6 territory. Jen is a passionate advocate for women - particularly Indigenous women - working in technology and strives to promote and celebrate the female voice in a predominantly male industry.
Alison clarifies a few things and provides some background on Kirra. Jamie speaks with Camel, Katy, Sam and Nakota, and the search for that white carHead to www.six10mediagroup.com to read our blogs. Engage with us at our social media pages.Facebook and instagram: @beenhamvalleyroadIf you like BVR, please subscribe, rate and review and share with friends.This podcasts talks about domestic violence, death and adult themes and contains course language.If you need help or are affected by such issues please contact your nearest help centre such as Lifeline in 13 11 14 or DV connect on 1800 811 811. If you are in serious danger call 000 or 911 or whatever the emergency number is in your area. Listener discretion is advised. See acast.com/privacy for privacy and opt-out information.
Today Roqayah and Kumars are joined by indigenous author Nick Estes, a member of the Oceti Sakowin Oyate nation. Nick is an Assistant Professor of American Studies at the University of New Mexico and a member of the Oak Lake Writers Society, a group of Dakota, Nakota, and Lakota writers. Nick is also the author of Our History is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance, and writer at The Red Nation. Nick spoke to us about the long tradition of indigenous resistance against colonialism and capitalism, and emphasized the anti-indigenous origins of the US settler colonial project. We discuss "A Red Deal", his provocative essay for Jacobin Magazine which criticises aspects of the Green New Deal as not going far enough, and highlights indigenous demands for the restoration of land, air, and water as well as an end to capitalism. We also get into the meaning of decolonization, the liberation from colonial rule, and what role this process plays in advancing the class struggle. Finally we discuss the issues surrounding presidential candidate Elizabeth Warren, from her false Native ancestry claims to her platform promises concerning indigenous issues. You can follow Nick on Twitter at @nick_w_estes and read more of his work at The Red Nation. If you want to support the show and receive access to tons of bonus content, subscribe on our Patreon for as little as $5 a month. Also, don't forget to subscribe, rate, and review the show on iTunes. We can't do this show without your support!!!
Whitney Rencountre grew up on the Crow Creek Reservation in central South Dakota. From there he went on to graduate from Black Hills State University in Spearfish, SD. That experience of involving himself with a new and diverse group of people led him to develop innovative ways to educate and bring people from Native and Non-Native cultures together with amazing success!
Wiedersehen in Kanada, frohe Nachrichten aus Mexiko und Neuseeland, erfreuliche Entwicklungen auch in den USA und in Graubünden. Das Staffelfinale von «Hin und weg» über binationale Paare hat es in sich. Mona Vetsch löst ihr Versprechen ein, das sie in der ersten Sendung beim Abschied von «Meteo»-Mann Thomas Kleiber abgegeben hat. Sie besucht den ehemaligen SRF-Kollegen in Québec und lernt dessen Mann David kennen. Ausserdem muss sie feststellen, dass der Begriff Winter in Kanada eine zusätzliche Dimension erhält. Im März liegt im Garten vor dem neuen Zuhause von Thomas Kleiber noch meterhoher Schnee. Martin und Lana Krättli haben grosses vor: Der Oberstufenlehrer plant einen Bildungsurlaub in den USA. Damit er seine Familie mit nach Miami nehmen kann, braucht die Ukrainerin Lana ein Visum. Nervös besucht das Paar die amerikanische Botschaft in Bern. Zu den Höhepunkten im Jahr gehören für Brigitte Howard und ihren Mann Jay die Powwows. Bei diesen traditionellen indianischen Veranstaltungen tanzen und musizieren die Nakota, und pflegen dabei ihr Brauchtum. Brigitte spürt ihr Lampenfieber, tanzt sie doch als einzige Weisse mit. Auf Besuch in Europa erfüllt sich der grösste Wunsch von Demis und Nancy. Die Mexikanerin ist schwanger, ihr Schweizer Mann kann sein Glück kaum fassen. Und auch die Schwiegermutter ist ausser sich vor Freude. Und als die Dreharbeiten bereits zu Ende waren, erreichte Mona auch aus Neuseeland die frohe Kunde: Katja Fitze ist in Erwartung. Ihre Familie mit Ehemann AJ und Tochter Naria wird schon bald um ein Menschlein grösser.
Wiedersehen in Kanada, frohe Nachrichten aus Mexiko und Neuseeland, erfreuliche Entwicklungen auch in den USA und in Graubünden. Das Staffelfinale von «Hin und weg» über binationale Paare hat es in sich. Mona Vetsch löst ihr Versprechen ein, das sie in der ersten Sendung beim Abschied von «Meteo»-Mann Thomas Kleiber abgegeben hat. Sie besucht den ehemaligen SRF-Kollegen in Québec und lernt dessen Mann David kennen. Ausserdem muss sie feststellen, dass der Begriff Winter in Kanada eine zusätzliche Dimension erhält. Im März liegt im Garten vor dem neuen Zuhause von Thomas Kleiber noch meterhoher Schnee. Martin und Lana Krättli haben grosses vor: Der Oberstufenlehrer plant einen Bildungsurlaub in den USA. Damit er seine Familie mit nach Miami nehmen kann, braucht die Ukrainerin Lana ein Visum. Nervös besucht das Paar die amerikanische Botschaft in Bern. Zu den Höhepunkten im Jahr gehören für Brigitte Howard und ihren Mann Jay die Powwows. Bei diesen traditionellen indianischen Veranstaltungen tanzen und musizieren die Nakota, und pflegen dabei ihr Brauchtum. Brigitte spürt ihr Lampenfieber, tanzt sie doch als einzige Weisse mit. Auf Besuch in Europa erfüllt sich der grösste Wunsch von Demis und Nancy. Die Mexikanerin ist schwanger, ihr Schweizer Mann kann sein Glück kaum fassen. Und auch die Schwiegermutter ist ausser sich vor Freude. Und als die Dreharbeiten bereits zu Ende waren, erreichte Mona auch aus Neuseeland die frohe Kunde: Katja Fitze ist in Erwartung. Ihre Familie mit Ehemann AJ und Tochter Naria wird schon bald um ein Menschlein grösser.
Wann immer jemand aus Liebe einem anderen Menschen folgt, lässt er einiges hinter sich. Wie Brigitte, die vor acht Jahren nach Pablo in den USA zog und dort ihren Jay heiratete. Doch immer wieder packt sie das Heimweh. In der dritten Folge dreht sich alles um das Zu-Hause-Sein an mehreren Orten. Als Demis in Mexiko Nancy kennenlernte, wusste er schnell, was er wollte. Doch die junge Psychologiestudentin liess ihn vorerst abblitzen. Als er einen zweiten Anlauf nahm, befand sich Nancys Familie wegen eines Todesfalls in tiefer Trauer – keine einfachen Voraussetzungen für die zwei frisch Verliebten. Wie sie trotzdem zueinander fanden und wie sie heute leben, erfährt Mona Vetsch bei ihrem Besuch in Monterrey. Martin verlor keine grossen Worte, nachdem er via Internet seine Lana kennengelernt hatte. Nur seinen jüngeren Bruder weihte er in seinen Plan ein, in Kiew zu heiraten – schliesslich brauchte er dessen Hochzeitsanzug. Martins Familie beklagte sich nicht. Im Gegenteil: Bisher klappt alles tipptopp, finden Martins Eltern. Getragen vom Gefühl, den Mann ihres Lebens gefunden zu haben, zog Brigitte vor acht Jahren nach Pablo in den USA. Sie heiratete Jay, einen Mann vom Stamm der Nakota, und lebt seither im Flathead-Reservat. Hin und wieder packt sie jedoch die Sehnsucht nach ihren zwei Töchtern. Dann stellt sie sich die Frage, ob sie ihre Zukunft nicht besser gemeinsam in der Schweiz verbringen sollten.
Wann immer jemand aus Liebe einem anderen Menschen folgt, lässt er einiges hinter sich. Wie Brigitte, die vor acht Jahren nach Pablo in den USA zog und dort ihren Jay heiratete. Doch immer wieder packt sie das Heimweh. In der dritten Folge dreht sich alles um das Zu-Hause-Sein an mehreren Orten. Als Demis in Mexiko Nancy kennenlernte, wusste er schnell, was er wollte. Doch die junge Psychologiestudentin liess ihn vorerst abblitzen. Als er einen zweiten Anlauf nahm, befand sich Nancys Familie wegen eines Todesfalls in tiefer Trauer – keine einfachen Voraussetzungen für die zwei frisch Verliebten. Wie sie trotzdem zueinander fanden und wie sie heute leben, erfährt Mona Vetsch bei ihrem Besuch in Monterrey. Martin verlor keine grossen Worte, nachdem er via Internet seine Lana kennengelernt hatte. Nur seinen jüngeren Bruder weihte er in seinen Plan ein, in Kiew zu heiraten – schliesslich brauchte er dessen Hochzeitsanzug. Martins Familie beklagte sich nicht. Im Gegenteil: Bisher klappt alles tipptopp, finden Martins Eltern. Getragen vom Gefühl, den Mann ihres Lebens gefunden zu haben, zog Brigitte vor acht Jahren nach Pablo in den USA. Sie heiratete Jay, einen Mann vom Stamm der Nakota, und lebt seither im Flathead-Reservat. Hin und wieder packt sie jedoch die Sehnsucht nach ihren zwei Töchtern. Dann stellt sie sich die Frage, ob sie ihre Zukunft nicht besser gemeinsam in der Schweiz verbringen sollten.
Erneut folgt Mona Vetsch den Liebesgeschichten binationaler Paare. Sie besucht Katja und AJ in Neuseeland. Und sie erzählt die Geschichte von Thomas Kleiber, der sich wegen der Liebe von der Schweiz verabschiedet, und von Brigitte, die in einem Indianerreservat in den USA lebt. Katja war auf Bali beim Surfen, als sie AJ traf. Aus dem Ferienflirt wurde schnell mehr. Die Thurgauerin und der Neuseeländer mit maorischen Wurzeln verliebten sich und versuchten es mal in Neuseeland, mal in der Schweiz. Zurzeit leben sie in Mount Maunganui im Norden Neuseelands und Katja spürt das Heimweh fast täglich. Erst recht seit ihr Vater in der Schweiz gestorben ist und Töchterchen Narja zur Welt gekommen ist, wächst der Wunsch nach mehr Nähe zu den eigenen Wurzeln. SRF-«Meteo»-Mann Thomas Kleiber lernte seinen Mann David im Internet kennen. Zuerst besuchte David den Schweizer in Zürich und wohnte längere Zeit bei ihm. Letzten Herbst sah Thomas die Zeit für Veränderungen gekommen. Er verabschiedete sich vom TV-Publikum, von seiner Familie und Freunden und wanderte nach Québec, Kanada aus. «Hin und weg» hat ihn bei diesem Abenteuer begleitet. Brigitte sagt heute, Schweizer Männer hätten sie nie interessiert. Sie lebt mit Jay, einem Mann vom Stamm der Nakota, in einem Reservat im US-Bundesstaat Montana. Das leben in der Prärie fasziniert die Bernerin.
Erneut folgt Mona Vetsch den Liebesgeschichten binationaler Paare. Sie besucht Katja und AJ in Neuseeland. Und sie erzählt die Geschichte von Thomas Kleiber, der sich wegen der Liebe von der Schweiz verabschiedet, und von Brigitte, die in einem Indianerreservat in den USA lebt. Katja war auf Bali beim Surfen, als sie AJ traf. Aus dem Ferienflirt wurde schnell mehr. Die Thurgauerin und der Neuseeländer mit maorischen Wurzeln verliebten sich und versuchten es mal in Neuseeland, mal in der Schweiz. Zurzeit leben sie in Mount Maunganui im Norden Neuseelands und Katja spürt das Heimweh fast täglich. Erst recht seit ihr Vater in der Schweiz gestorben ist und Töchterchen Narja zur Welt gekommen ist, wächst der Wunsch nach mehr Nähe zu den eigenen Wurzeln. SRF-«Meteo»-Mann Thomas Kleiber lernte seinen Mann David im Internet kennen. Zuerst besuchte David den Schweizer in Zürich und wohnte längere Zeit bei ihm. Letzten Herbst sah Thomas die Zeit für Veränderungen gekommen. Er verabschiedete sich vom TV-Publikum, von seiner Familie und Freunden und wanderte nach Québec, Kanada aus. «Hin und weg» hat ihn bei diesem Abenteuer begleitet. Brigitte sagt heute, Schweizer Männer hätten sie nie interessiert. Sie lebt mit Jay, einem Mann vom Stamm der Nakota, in einem Reservat im US-Bundesstaat Montana. Das leben in der Prärie fasziniert die Bernerin.
South Dakota could become one of the few states in the country to officially recognize Indigenous languages. After emotional testimony by tribal leaders and language experts, the Senate State Affairs Committee unanimously approved Senate Bill 126 that makes Lakota, Dakota, and Nakota the state’s official Indigenous languages. At the same time the U.S. Senate is considering reauthorizing the Ester Martinez Language Act that expired in 2012. The landmark legislation first passed in 2006 and allocates funding for Native language revitalization efforts across the country. We’ll learn more about legislative actions to help revitalize Native languages.
In this episode, Paul talks with guests Sera-Lys McArthur (a mixed-race Canadian actress) and Eric Armstrong (professor of theatre at York University in Toronto). While the speech of indigenous people (particularly those of North America) is the broad topic, Eric and Paul also talk at length about the politics and ethics of dialect work in theatre and film, and of the gathering of dialect samples from indigenous speech donors. You will hear a clip from Sera-Lys McArthur’s miniseries, The Englishman’s Boy. The text and translation of the Nakota speech you will hear in that clip is as follows: Eeneedukabee hay. Weebazoga yuka kyana. Are you hungry? There are Saskatoon berry bushes nearby. Hee, owa-yagay washtay Oh, that is very pretty! Duka wakta, weebazoga oda nuda shten nee-‘ray neeyazakta Be careful: if you eat too many Saskatoon berries, your stomach will really hurt. And for more information on this topic, you might check out a new short film titled To Wake Up the Nakota Language. Described as “a tender portrait of Armand McArthur, the last fluent speaker of the Nakota language in Pheasant Rump First Nation, Treaty 4 territory in southern Saskatchewan,” the film is playing the DOXA Documentary Film Festival in Vancouver, British Columbia, Canada, in May.
Dorth Nakota are just a group of friends that always talked about doing something together. After past bands broke up, they started hanging out and playing music for fun, not looking to do much until we were forced to actually learn our songs to play their first show with Viet Cong (now called Preoccupations) in late 2015. The band features: Chris Roland (guitar / vocals – ex Worrier), Jon Murray (vocals), Kristofer Taylor (bass – ex Sleepcomesdown / Worrier), Jerome O’Callaghan (drums – ex Coo Woo / Worrier), Jesse Harmon (guitar – ex Coo Woo / Piles)…and as of last week… Sean Hirthe (saxophone – Soul Low / Paper Holland). Dorth Nakota, while bringing sounds from their old groups, strike up a new sound that effortlessly blends noise with melody. The band takes a casual approach, focusing more on the friendships and hanging out over sticking to a schedule, yet there are plans to record a proper album this year and the band will be opening shows for Palm and for Protomartyr (both coming up, soon) as well as the Breeders this May. Tune into WMSE for Local/Live on Tuesday, February 20th to hear more music from the elusive Dorth Nakota – WMSE.org to stream live or in the archives, or simply tune your radio to 91.7 FM at the 6 o’clock hour. Local/Live on WMSE is sponsored by Club Garibaldi’s
When I first watched Lyla June Johnston's music video, "All Nations Rise," it gave me chills and I felt an immediate calling to interview her for the Rising Women Leaders podcast. Lyla's video soon went viral on Facebook, with over 1.6 million views, providing a powerful platform for Lyla to share her message of compassion, peace and prayer during turbulent times. I spoke with Lyla just days after she returned from Standing Rock last month. I left this interview feeling filled with so much hope, passion, and devotion to our Mother Earth as well as my own dreams and ambitions. I hope you will find the same. Please take the time this week to listen to the full episode, and I encourage you to share it with your friends. The time has come for us all to rise together. Love, Meredith "What you think of as failure is actually a success ...because you tried... Creator doesn't want you to be perfect, Creator just wants you to try." In this episode Lyla shares: Her experience at Sacred Stone Camp at Standing Rock Her powerful story of overcoming dark times of drugs, numbing and sexual abuse to find her light and power to be of service in this life A powerful prayer circle where she received clear messages from her guides The message she has for women who believe they have something powerful to share and give in their lives What we can do to cleanse ourselves of fear The role of prayer plays in moving through turbulent times How the Purification Lodge Ceremony has affected her life A closing prayer in her native language Links in this episode: Lyla's Artist Fan Page Lyla's Music Lyla's Website and Writings Women At Standing Rock Lyla is calling in assistance, management and administrative support in organizing her performances and speaking opportunities. If you feel called to learn more, please contact her here. Lyla's Bio: Lyla June Johnston was raised in Taos, New Mexico and is a descendent of Diné (Navajo) and Tsétsêhéstâhese (Cheyenne) lineages. Her personal mission in life is to grow closer to Creator by learning how to love deeper. This prayer has taken her on many journeys and materializes in diverse ways. She is a student of global cycles of violence that eventually gave rise to The Native American Holocaust and the destruction of many cyclic relationships between human beings and nature. This exploration birthed her passion for revitalizing spiritual relationships with Mother Earth and cultivating spaces for forgiveness and reconciliation to occur between cultural groups. She is a co-founder of The Taos Peace and Reconciliation Council, which works to heal intergenerational trauma and ethnic division in the northern New Mexico. She is a walker within the Nihigaal Bee Iiná Movement, a 1,000-mile prayer walk through Diné Tah (the Navajo homeland) that is exposing the exploitation of Diné land and people by uranium, coal, oil and gas industries. She is the lead organizer of the Black Hill Unity Concert which gathers native and nonnative musicians to pray for the return of guardianship of the Black Hills to the Lakota, Nakota and Dakota nations. She is the also the founder of Regeneration Festival, an annual celebration of children that occurs in 13 countries around the world every September. In 2012, she graduated with honors from Stanford University with a degree in Environmental Anthropology. During her time there she wrote the award winning papers: Nature and the Supernatural: The Role of Culture and Spirituality in Sustaining Primate Populations in Manu National Park, Peru and Chonos Pom: Ethnic Endemism Among the Winnemem Wintu and the Cultural Impacts of Enlarging Shasta Reservoir. She is a musician, public speaker and internationally recognized performance poet. Lyla June ultimately attributes any achievements to Creator who gave her the tools and resources she uses to serve humanity. She currently lives in Diné Tah, the Navajo ancestral homeland which spans what is now called New Mexico, Colorado, Utah and Arizona. She spends her free time learning her engendered mother tongue, planting corn, beans and squash and spending time with elders who retain traditional spiritual and ecological knowledge.
26 September 2016 - We are finally back up to full power this week and have a truly terrific interview with Alex Lawson of Social Security Works! Because our listeners already have heard me talk about the mechanics of how Social Security works, Alex was free to wade out into the weeds where the world gets really interesting. He went into a great deal of detail about the dirty underbelly that the lying liars are trying so hard to keep us from seeing when they promote the privatization of Social Security. He also recommended that we take a side trip to the link for Social Security Spotlight where the (excellent) website lays out the economic impact of Social Security state by state. At the top of the show Will talked about the importance and joy of celebrating Bi Visibility Day. I was especially caught by his pointing out why it is that the largest group within the LGBTQ community is also the most ignored. For my opening section I was less cheerful in giving an update on the latest news from the protectors gathered on the Standing Rock Sioux reservation along the Cannonball River. Like Keystone XL before it, the Dakota Access Pipeline is an enormous environmental threat and its construction has already caused the bulldozing of burial grounds, sacred sites and the locations of historic villages. Pressure from around the world has caused the Obama administration to reconsider but the project is by no means stopped. We must join in demanding an end to this and all similar pipeline projects. Will then really spent time time getting into the role that journalism is playing in the protests in Charlotte. That journalists have stopped operating as journalists and now are only feeding the clicks necessary to support advertising has destroyed one of the cornerstones of our democracy. When the people lose their voice, they lose hope and then where do they turn? I spend just a few minutes talking about how banks create money and why new money is pulled out of central banks by pBisexualrivate sector banks instead of being pushed out as is the common view. One last note, if you haven't checked us, ImHoppingMad, out on Instagram yet, the six Team Arliss bunnies are now there providing their own brief comments on politics, economics and, of course, carrots. Carrots! - Arliss
Winona Alexis is Lakota, Nakota and Dakota from the Rosebud reservation in South Dakota but she grew up in Virginia. Winona first became interested in Sasquatch in the 70's when she was about 11 after finding a book in her school library. She now lives in Alberta Canada on the Alexis Nakota First Nations Reserve and has lived there for 16 years. Since moving here her interest in Sasquatch has gone up to a new level. Winona has had some encounters in which she saw what might have been a Sasquatch cross the road with a baby one evening and has has sevral more including, hearing them slam into her house and what sounded like one speaking. Her children and other children visiting her house on the First Nations reserve have had sightings and heard vocals as well. John Kirk is president of the British Columbia Scientific Cryptozoology Club (BCSCC), and is the author of the award-winning book, In the Domain of the Lake Monsters. John is part of a team of investigators that have searched for cryptids such as Ogopogo, Sasquatch, Cadborosaurus, black alligators, unknown cameloids, lacustrean cryptids and giant salamanders in the province of British Columbia. John has ventured far afield in his quest for evidence for the mystery animals of the world in many areas of the world including Scotland, the Republic of Cameroon and the Republic of the Congo. John is a keen student of police methodologies and investigation techniques which he feels are very useful in the field of cryptozoological research. It is John’s hope that the day will come when cryptozoological researchers will be at the forefront of using technologies and equipment that are of the cutting edge variety in their search for cryptids.
Wounded Knee Museum Audio TourExhibit 2 - Italian
Wounded Knee Museum Audio TourExhibit 3 - English
Wounded Knee Museum Audio TourExhibit 1 - German
Wounded Knee Museum Audio TourExhibit 2 - German
Wounded Knee Museum Audio TourExhibit 1 - Italian
Wounded Knee Museum Audio TourExhibit 2 - English
Wounded Knee Museum Audio TourExhibit 1 - English
Winona Alexis is Lakota, Nakota and Dakota from the Rosebud reservation in South Dakota but she grew up in Virginia. Winona first became interested in Sasquatch in the 70's when she was about 11 after finding a book in her school library, mysteries of the unexplained or something like that. She now lives in Alberta Canada on the Alexis Nakota First Nations Reserve and has lived there for 12 years. Since moving here her interest has gone up to a new level. Winona has had some minor encounters where she saw what might be a baby Sasquatch cross the ro
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