Podcasts about Stolen Moments

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

Almost 70,000 Palestinians have been killed since the war in Gaza began two years ago after Hamas launched its deadly attack on Israel. About 90 per cent of residential buildings have been damaged or destroyed. On average, a child is killed every hour. The toll taken is often measured in scale and impact, in mass destruction and collective suffering. But this big picture is made up of a mosaic of individual human stories. Yahya is a young content creator who is making 99 video memories. Some are uplifting, others bittersweet. Abeer is a university lecturer who had to stop teaching; she could no longer bear to see her students suffering. In this episode of Beyond the Headlines, Gazans share their experiences as Israel's war enters its third year – they tell of lives, possessions and property lost, but also describe the enduring power of the human spirit.

When Adrián Quesada first heard a song by the Peruvian band Los Pasteles Verdes on the radio, a new artistic world began to take shape. That path led him to compose Boleros Psicodélicos I (2022) and, more recently, its striking follow-up, Boleros Psicodélicos II, released in 2025. During his visit to the KEXP studios in Seattle to record his Live on KEXP session, the Mexican-American musician, composer, and producer—born in the border city of Laredo, Texas—sat down with Albina Cabrera to share the songs that shaped his life. From the vinyl records he discovered during his college years in Austin, to his deep passion for hip hop, and the golden era of salsa and cumbia that inspired him to co-found Grupo Fantasma. Songbook curated by Adrián Quesada· “Hey, That’s No Way to Say Goodbye” – Roberta Flack· “They Reminisce Over You (T.R.O.Y.)” – Pete Rock & CL Smooth· “Todo Tiene Su Final” – Willie Colón & Héctor Lavoe· “Stolen Moments” – Oliver Nelson· “No Juego” – Adrián Quesada ft. Angélica García An original production by KEXP in Spanish.More info at kexp.org/el-sonido Credits:Host & Producer: Albina CabreraProduction Assistant: Dev Vasquez GonzalezEditorial Editing: Dusty HenryEditorial Director: Larry Mizell Jr.Audio Mastering: Jackson LongOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonido Cuando Adrián Quesada escuchó por la radio una canción de la banda peruana Los Pasteles Verdes, un nuevo mundo artístico comenzó a forjarse. Ese camino lo llevó a la composición de Boleros Psicodélicos I (2022) y, más recientemente, a su flamante segunda parte, Boleros Psicodélicos II, lanzada en 2025. Durante su visita a los estudios de KEXP en Seattle para grabar su Live on KEXP session, el músico, compositor y productor mexicano-estadounidense, nacido en la fronteriza Laredo, Texas, se sentó con Albina Cabrera para compartir las canciones que marcaron su vida. Desde los vinilos que descubrió en sus años universitarios en Austin, pasando por su pasión por el hip hop y la era dorada de la salsa y la cumbia que lo llevaron a cofundar Grupo Fantasma. Cancionero curado por Adrián Quesada· “Hey, That’s No Way to Say Goodbye” – Roberta Flack· “They Reminisce Over You (T.R.O.Y.)” – Pete Rock & CL Smooth· “Todo Tiene Su Final” – Willie Colón & Héctor Lavoe· “Stolen Moments” – Oliver Nelson· “No Juego” – Adrián Quesada ft. Angélica García Una producción original de KEXP en español. Más info en kexp.org/el-sonido Créditos:Host & Producer: Albina CabreraProduction Assistant: Dev Vasquez GonzalezEditorial Editing: Dusty HenryEditorial Director: Larry Mizell Jr.Audio Mastering: Jackson LongOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonido photo by Carlos CruzSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Remembering Ann McManus:https://www.theguardian.com/tv-and-radio/2025/aug/28/ann-mcmanus-obituaryhttps://metro.co.uk/2025/08/28/ann-mcmanus-created-uks-iconic-shows-dies-aged-67-24022909/School gate crusheshttps://www.thetimes.com/magazines/the-times-magazine/article/divorced-women-midlife-lesbian-affairs-xjxhkxhzq Lesbian remake of Hedda Gabler https://www.attitude.co.uk/culture/hedda-trailer-tessa-thompson-lesbian-reimagining-491967/Film version with Ingrid Bergman Queer perfume https://www.whowhatwear.com/beauty/gender-affirming-power-of-scent This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thelesbianprojectpod.com/subscribe

Because she is the daughter of Ravi Shankar, perhaps the most famous Indian classical musician of the past century, Anoushka Shankar is associated with that style of music. But though she plays the sitar, and does indeed play Indian ragas in the style of her illustrious dad, she has also drawn on jazz, flamenco, various world and electronic music traditions, and more. Her new record, We Return To Love, is the conclusion of a trilogy of EPs. The masterful sitarist, film composer, and impassioned activist Anoushka Shankar presents the third chapter in her current trilogy of mini-albums, which explores her fascination with Goa Trance. She and her band perform live at National Sawdust, as part of the Grammy Museum's series, "A New York Evening With".Set list: Stolen Moments, New Dawn, Hiraeth, We Burn So Brightly, Amrita, Daybreak

In this episode of the Perfectly Good Podcast, hosts Jesse Jackson and Sylvan Groth discuss their experiences at recent concerts and delve into the intricacies of John Hiatt's song 'Listening to Old Voices' from his 1990 album Stolen Moments. They share personal anecdotes, including Jesse's recent encounters with Lily Hiatt and multiple Jason Isbell shows. The hosts analyze the lyrics and musical composition of the featured song, reflecting on its spiritual and ancestral themes. They also debate the general impact of the song within Hiatt's discography and highlight key performances and covers of the track. 00:00 Introduction and Welcome 02:16 Hosts' Personal Updates 03:08 Concert Adventures 05:16 Meeting Lily Hiatt 12:28 Podcast Housekeeping 12:35 Song Discussion: 'Listening to Old Voices' 22:55 Exploring the Imagery of Eagles and Native American Symbols 23:48 The Burden and Inspiration of Ancestral Legacy 26:17 Deciphering the Chorus and Its Hopeful Message 29:27 Generational Knowledge and Ancestral Tradition 31:34 Surrendering to Nature and Spirituality 34:40 Reflecting on the Beauty of Nature 38:12 Final Thoughts and Reflections 42:39 Podcast Information and Closing Remarks Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Perfectly Good Podcast, hosts Jesse Jackson and Sylvan Groth discuss their experiences at recent concerts and delve into the intricacies of John Hiatt's song 'Listening to Old Voices' from his 1990 album Stolen Moments. They share personal anecdotes, including Jesse's recent encounters with Lily Hiatt and multiple Jason Isbell shows. The hosts analyze the lyrics and musical composition of the featured song, reflecting on its spiritual and ancestral themes. They also debate the general impact of the song within Hiatt's discography and highlight key performances and covers of the track. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Frost-The Memory Palace: "The Road Not Taken, Revisited"Imagine a crossroads, just like in the poem. This is the central hub of your palace. The Yellow Wood (First Stanza): The Grassy Road (Second Stanza): The Sigh (Third Stanza): The Miles to Go (Fourth Stanza):The BH Sales Mnemonic:"Wood-Grass-Sigh-Snow: A path to know." Wood: The yellow wood, representing the first choice. Grass: The grassy road, representing the second choice. Sigh: The central sigh, representing reflection. Snow: The snowy field, representing the journey ahead.#RobertFrost,#MemoryPalace,#MnemonicDevice,#LiteraryMemory,#PoetryAndMemory,#MindPalace,#MemoryTechniques,#CognitiveSkills,#MentalImagery,#TheRoadNotTaken,BH Sales Kennel Kelp Holistic Healing Hour Virtual MallHost and Moderator-Grandpa Bill:Website: https://www.7kmetals.com/grandpabill    https://www.7kmetals.com/grandpabill/share/p386dYouTube: Bill Holt@billholt8792Social Media: https://www.facebook.com/bill.sales.524Social Media: https://www.instagram.com/bradybrodyboy12/E-mail Message Board: https://podcasters.spotify.com/pod/show/bhsalesCreative Solutions for Holistic Healthcare

STANDARS SEMANAL.-Stolen Moments.JAZZENELAIRE ANIVERSARIO.-.Illinois Jacquet - King Jacquet.,-JAZZACTUALIDAD.-.RASPA GARCIA TRIO-STANDAS SESSION VOL.1 EN VIVO EN BRASIL

PATREON: Thank you to our existing patrons for believing in our work offline and here in the podcast.  Become a patron of the arts at Patreon.com/valerieihsan for books, writing instruction, coaching, and planning. Go to Patreon.com/strangeairstories for short stories in the paranormal mystery genre. Announcements: 2024 Writer Craft Writing Retreat and Workshop registration open; https://valerieihsan.com/retreat (Day Passes $400) Three Story Method: Writing How-To Books out now. Focus and Finish: Goal-Setting and Strategic Planning for Writers (First in Series; out now.) Black Springs Saga Book 1 out now (it's the prequel) 99 cents (Accidental Stranger Book 2 preorder this coming week) SWWC and Write in the Harbor (Erick teaching.) (Valerie will be at Write in the Harbor this year, too!) Host of Ghost Story Weekend for Wordcrafters. (Erick)   Author Update: Erick:   Valerie: back much better (still stiff) and knee improving, but slow; seeing the need to focus on my health needs (physical and mental) speaking Alaska Writers Guild conference in Anchorage in October and Write on the Sound in Gig Harbor, WA in November. Working with my Burnout Recovery plan; Updates through my Patreon page.   I'm reading:  (Gina's Reads) "But Everyone Feels This Way" Paige Layle - memoir on autism diagnosis; "Quit" Annie Duke  Thunder Song by Sasha taqŵšeblu LaPointe The Entire Sky by Joe Wilkins Erick:   Notes: Main Topic starts at 17:25. https://ginasoldano.com/author-spotlight-valerie-ihsan/ (Valerie's Author Spotlight feature on Gina's blog) Getting to the Heart of Why We Write (Gina's podcast) The Curious Compassionate (marketing podcast for children's books) with currated booklist Nia's Rescue Box (50% of profits go to Colorado Food Rescue) Food Rescue U.S. (national) Noise cancelling headphones Writing short Organized folders in Google and date every document (DATETitle.docx) Type with thumbs. Know what project I'm working on. Think about it first (a lot). Leave the sentence open (notes for rest of scene). Prefer writing memoir or essays and middle-grade fantasy (faves), but picture books are easy right now for those stolen moments. Writing in multiple genres not a choice. Have stories and ideas in brain. Have to get them out. Direction of energy is career and curiosity led. Focusing on picture book and middle grade (rather than memoir and novels) right now. Would like to be more focused in my direction: querying and direct submissions. Drafting emails and query moments during the screaming moments. Admin on laptop at couch. Things that work for me: Grace. Bullet journaling. Lists on post-it notes, less stressful to move the list than rewriting the list on a new day. Daydreaming and stickers. The Practice by Seth Godin (Your work needs to rhyme with itself.) Ginasoldano.com Podcast, all the socials, IG @gina.soldano, Substack, (check out new Core Connected Marketing/Substack)   Find Us:   Valerie's Linktree: https://linktr.ee/valerieihsan Erick's Linktree link: https://linktr.ee/erickmertzauthor Patreons:  https://patreon.com/valerieihsan    https://patreon.com/strangeairmysteries Tools: Passion Planner: https://passionplanner.rfrl.co/e86j8 (affiliate link) Discount Code: VALERIE150 ProWriting Aid: https://prowritingaid.com/?afid=9378 (affiliate link) Resources:  "How to write an eavesdropping scene" on Erick's blog Reading Critique Group for Writers FB Group (Jennie Komp's group) 3 Bird View FB page (Jennie Komp's business page) Author XP (marketing for authors) (bi-monthly promotions) Raven Publicity (publicity for authors) The Shades of Orange (Rachel, Book Blogger on YouTube) for book recommendations SF/Fantasy/Horror Contact Erick for business-starting advice or building a website. Contact Valerie for author coaching. Thomas Umstattd Jr, at Novel Marketing Podcast. Ep255: How to Create an Email Onboarding Drip Campaign Russell P. Nohelty and Monica Leonelle's book, Get Your Book Selling on Kickstarter. Balance meditation app. Story Rubric version 1.1 and podcast episode. Three Story Method worksheet   Book Recs for writing/creativity/business: Thinking in Pictures by John Sayles Take Off Your Pants: Outline Your Books for Faster, Better Writing by Libbie Hawker Story Hypothesis: A Writer's Guide to Crafting Resonating Stories by JP Rindfleisch IX Fast-Draft Your Memoir: Write Your Life Story in 45 Hours by Rachael Herron Three Story Method: Foundations in Fiction by J.Thorn and Zach Bohannon The Anatomy of a Best Seller by Sacha Black Slow Productivity by Cal Newport 

This set focuses on Andrew Hill, Herbie Nichols, Bob Dorough and Oliver Nelson, four American originals and various generations of musicians they've inspired. The playlist features Kurt Elling, Charlie Hunter, Superblue; Kristen Lee Sergeant [pictured], Ted Nash; Ben Allison, Steve Cardenas; Ron Horton; Russ Johnson; and Audible Spirits. Detailed playlist at https://spinitron.com/RFB/pl/18457659/Mondo-Jazz (from "Naughty Number Nine" to "Stolen Moments"). Happy listening!

JEWEL BASS  LET YOUR LOVE RAIN DOWN ON ME.JALEN NGONDA  IF YOU DON'T WANT MY LOVE.MT JONES  WASTING MY TIME.SABRINA STARKE  LOVE THE MYSTERY.SHAZZ FEAT. KEN NORRIS  INNERSIDE (UNIVERSAL SOUL MIX EDIT).BRIAN POWER FEAT. CORNELL C.C. CARTER  SOMETIMES.ACANTHA LANG  EVENTUALLY.SUFIANO  RIDIN' HIGH.JALEN NGONDA  GIVE ME ANOTHER DAY.LINDA WOODSON  STOLEN MOMENTS.SPENCER WIGGINS  I'M AT THE BREAKING POINT.THE MOOVERS  SOMEONE TO FULFILL MY NEEDS.JEWEL BASS  SEEING YOU AGAIN.HERB ROONEY  CURSE THE BROTHER.BRENDA ROONEY  MOVING DAY.BENJAMIN RACE FEAT. ELLISON KENDRICK  TAKE YOU HOME.GARY B. POOLE  STOMP (REALLY WANT IT).GOTTS STREET PARK FEAT. PIP MILLETT  GOT TO BE GOOD.CLEO SOL  AIRPLANE.RICHARD HARTLEY & SOUL RESURRECTION  JESUS MAKES ME HAPPY.ACANTHA LANG  COME BACK HOME.JALEN NGONDA  LOST.JEWEL BASS  IN AND OUT OF LOVE.SPENCER WIGGINS  HOLDING ON TO A DYING LOVE.THE MOOVERS  ONE LITTLE DANCE.JEWEL BASS  ALL GOOD THINGS MUST COME TO AN END.LINDA WOODSON  I'M IN.TRISTAN  YOU WILL NEVER KNOW.DWAYNE SCIVALLY  POINT OF NO RETURN.ANTHONY DAVID & KEISA JACKSON  LADY.MADISON MCFERRIN  (PLEASE DON'T) LEAVE ME NOW.IZO FITZROY  CHASING DAYS.SIR SPENCER FEAT. JASON PETERSON  LOVE IS TAKING OVER (RELIT).JACK PAGE  ALONE WITH YOU.CLEO SOL  SELF.YUSSEF DAYES  FEAT. JAMILAH BARRY  WOMAN'S TOUCH.SPENCER WIGGINS  LET'S TALK IT OVER.THE MOOVERS  I LOVE YOU BABY.JEWEL BASS  IT'S BEEN A LONG TIME COMING.BETTYE LAVETTE  SOONER OR LATER FEAT. ANTHONY HAMILTON.SAY SHE SHE  ASTRAL PLANE.JALON NGONDA  RAPTURE.WILL DOWNING  WHAT PART OF MY LOVE.SOPHIA BROMBERG  SESAME.SAY SHE SHE  DON'T YOU DARE STOP.JEWEL BASS  OVERFLOWING (FOR YOU).

Hamour Baika shares his novel Stolen Moments of Joy! We talk about being kind to refugees because you have no way of knowing their circumstances, overcoming domestic violence, and finding happiness. https://hamourbaika.com/ http://www.wrotepodcast.com/hamour-baika/

Stolen Moments

If you’re a longtime lover of KUTX, then you know we couldn’t have made the trip of our first ten years without Lucinda Williams riding shotgun. Like car wheels on a gravel road, this Americana-country-folk-rock darling’s given our airwaves some extra Texas texture and, beginning with her 11th LP Where the Spirit Meets the Bone, […] The post Lucinda Williams: “Stolen Moments” appeared first on KUT & KUTX Studios -- Podcasts.

Stolen Moments. Ahmad Jamal Trío Easy To Love. Ahmad Jamal Cómo Fue.Miguel Zenón y Luis Perdomo Respected Destroyer +  Throw It Away Terri Lyne Carrington Dimu+  Deep within Mountains. Mammal Hands Fly Me To The Moon+  The Healer. Avishai Cohen y Abraham Rodríguez Jr. Vuma (Thandiswa, Joel Ross). Meshell Ndegeocello Escuchar audio

The Expressions Director's Cut Podcast presents the Harpur Studio Jazz Band. This ensemble from Binghamton University was founded in 2016 by Laurence Elder and their big band repertoire has delighted area audiences ever since. Setlist: 1) Straight, No Chaser 2) Afro Cuban Fantasy 3) Stolen Moments 4) Sidewinder 5) I Get A Kick Out Of You 6) Love For Sale 7) Birdland Audio Engineer: Mike Micha | Performance originally recorded at WSKG Studios, December 3, 2022 | Visit yourpublicradio.org for more information about all the podcasts and music streams available through WSKG

We catch up this week with Atlanta-based designer Mallory Mathison, who blends the classical richness of the past with endless design possibilities for today. Mallory's work has been featured in Southern Homes, Atlanta Homes, and most recently in the 2022 Flower Magazine Show House here in Atlanta. We talked with Mallory about how much we loved her room, and the steps she took to create a glowy, gilded garden room. Mallory shares what she loves about showrooms, and shares a few key pieces of wisdom to make your space classic and comfortable, and always ready for the perfect party. What You'll Hear on This Episode: Mallory's process of creating a character-driven showroom. How Mallory chose warm glittery glowy lighting and the perfect pink in her Show House room. How did Mallory hang her mirror in the show house on top of the beautiful fabric over a daybed? How do we make our bars look amazing and what can we do to be always party ready? The importance of staying on the good side of a contractor. Wicker is like comfort food for the home. How to use brackets in different ways. Where Mallory starts with color on a project. Tips for framing and creating a beautiful eye-catching gallery wall. Mentioned in This Episode: Ballard Designs Mallory Mathison: Website | IG Decorating Dilemma First off, what a cute kitchen! Mallory suggests really leaning into the historic nature of your home, instead of trying to make it “modern” and making it something that it's not. First, we can make it feel cleaner and brighter, and definitely more stylish. For the color, Mallory suggests a very light soft celery green or green that has a bit more of a yellow base than a blue base. That's going to complement the purple tones much better than something that has a blue base. Check out Benjamin Moore's “Stolen Moments 477”. You can also add crown molding that's appropriate to the house in the kitchen. On the walls, Mallory suggests an eggshell so you have reflectivity. In your little charming breakfast nook, we think you should use the Margo Hanging Shade Light Fixture and for flooring, check out American Restoration Tile. If you are needing to prioritize things, first do the lighting and then paint the cabinets. Thanks for writing in, and keep us posted!  

Sylvan @sylvangreeneyes and Jesse @jessejacksonDFW are at the top of the stairs, flying blind, shooting from the dark talking the John Hiatt classic Back of my Mind from the 1990 release Stolen Moments.  Please like and share. Go to itunes rate and review the podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we dive into the minor blues and take a look at, what I think, it one of the truly unique and memorable solos in jazz history. Oliver Nelson's solo on Stolen Moments is such a refreshing take on a minor blues we can't ignore it! Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Dos horas de Músicas Posibles para iniciar un 2023 con algunos de nuestros temas favoritos en este Especial. Begin sweet world  Bill Douglas y Richard Stoltzman Open sky And I Love Her  Brad Mehldau Trio Blues and Ballads Stolen Moments  Oliver Nelson The Blues And The Abstract Truth It's Only Christmas Once A Year+ What Are You Doing New Year's Eve?  Norah Jones I Dream Of Christmas My Favorite Things  Mak Murphy Rah! My Favorite Things  José James, Marcus Strickland Merry Christmas from José James Love your Grace Vega Trails Tremors in the Static Lullaby  Makaya McCraven In These Times Daughters and Sons  George Winston Remembrance: A Memorial Benefit Todas las noches que fuimos humo  Alejandro Pelayo y Suso Sáiz Sobre la piel Til Waking Light  Gaby Moreno Alegoría Escuchar audio

As John Hiatt Month continues, Betsy Hodges @betsyhodges joins Jesse to talk Stolen Moments, John's 10th album.  Highlights from the album includ Real Fine Live, The Rest of the Dream and the very spiritual Through Your Hands.   Learn more about Betsy's work on her webpage https://betsyhodges.com/ 

May Cobb earned her MA in literature from San Francisco State University, and her essays and interviews have appeared in the Washington Post, the Rumpus, Edible Austin, and Austin Monthly. She recently joined me to talk about her latest novel, My Summer Darlings, which has been called a  potent cocktail of desire and deceit. Listen in to hear all about her career, new book, and our mutual admiration for the original Legend of Zelda Video Game. Buy My Summer Darlings Amazon: https://amzn.to/3ysID0V Bookshop.org: https://bookshop.org/a/54587/9780593101162 Connect with May Website: https://www.maycobb.com/ Instagram: https://www.instagram.com/may_cobb/ Facebook: https://www.facebook.com/maykcobb/ Goodreads: https://www.goodreads.com/author/show/17151210.May_Cobb Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts.

STANDARS SEMANAL.- Stolen Moments.-JAZZANIVERSARIO.-GIL EVANS-NEW BOTTLE OLD WNE-JAZZACTUALIDAD.-PABLO ZAPATA-TIME

STANDARS SEMANAL.- Stolen Moments.-JAZZANIVERSARIO.-GIL EVANS-NEW BOTTLE OLD WNE-JAZZACTUALIDAD.-PABLO ZAPATA-TIMESTANDARS SEMANAL.- Stolen Moments.-JAZZANIVERSARIO.-GIL EVANS-NEW BOTTLE OLD WNE-JAZZACTUALIDAD.-PABLO ZAPATA-TIME

Checking in on the so-called Great Resignation. On this week's On The Media, hear why the trend is a logical response to the cult of work. Plus, when technology makes our jobs harder, maybe being a 'luddite' isn't such a bad thing.  1. Sarah Jaffe [@sarahljaffe], journalist and author of Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone, on how love and meaning became intertwined with our jobs. Listen. 2. Anne Helen-Peterson [@annehelen], writer and journalist, and Charlie Warzel [@cwarzel], contributing writer at The Atlantic, on how technology is—or, dramatically is not — making life easier at work. Listen. 3. Gavin Mueller [@gavinmuellerphd], assistant professor of New Media and Digital Culture at the University of Amsterdam in the Netherlands, on what modern lessons can be learned from the Luddite workers of 19th century England. Listen. Music from this week's show: Sign and Sigil by John ZornBROKE by Modest MouseMiddlesex Times by Michael AndrewsBlues by La Dolce vita Dei NobiliLiquid Spear Waltz by Michael AndrewsStolen Moments by Ahmed Jamal Trio

Great chat with Barry Hollander, Collingswood Musician, guitar player and songwriter. Barry tells his story of meeting Pat Martino at Chris Jazz Cafe in Philadelphia, PA. Barry has been playing guitar since Gerald Ford was president. He is currently performing with Jazz group. "Stolen Moments", Bluegrass band " Jersey CornPickers" , "Love City Music Collective" under the direction of Peg Lane, and "The Michele Show" featuring Michele Harron. You might also hear him picking some Chet Atkins while you're buying zucchini at some Farmer's Market. www.rocknrollfridays.com 

Amid the so-called Great Resignation, nearly 39 million Americans have left their jobs. On this week's On The Media, hear why this trend is a logical response to the cult of work. Plus, when technology makes our jobs harder, maybe being a 'luddite' isn't such a bad thing.  1. Sarah Jaffe [@sarahljaffe], journalist and author of Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone, on how love and meaning became intertwined with our jobs. Listen. 2. Anne Helen-Peterson [@annehelen], writer and journalist, and Charlie Warzel [@cwarzel], contributing writer at The Atlantic, on how technology is—or, dramatically is not — easing our lives at work. Listen. 3. Gavin Mueller [@gavinmuellerphd], assistant professor of New Media and Digital Culture at the University of Amsterdam in the Netherlands, on what modern lessons can be learned from the Luddite workers of 19th century England. Listen. Music from this week's show: Sign and Sigil by John ZornBROKE by Modest MouseMiddlesex Times by Michael AndrewsBlues by La Dolce vita Dei NobiliLiquid SpearWaltz by Michael AndrewsStolen Moments by Ahmed Jamal Trio

Derek is joined by Richard Collins, Éanna Ní Lamhna, Terry Flanagan & Niall Hatch. Topics up for discussion include: Back from the Brink, Mesmerising murmurations, a helping hand for Hen Harriers, Stones and Stolen Moments with author John Quinn.

From her ‘UNPLUGGED LIVE” release, includes, Karma, Heartburn, A Woman's Worth, How Come You Don't Call Me, I Was Your Woman, If I Ain't Got You, Every Little Bit Hurts, Diary, You Don't Know My Name, Stolen Moments, Fallin', and Love It or Leave It Alone,

Kirk takes a look back at the many musical memories of Strong Songs Year Three.Year Three is over, and it's time to revisit the songs analyzed, the questions answered, and the interviewees interviewed. SCHEDULING NOTE: The show will be off for December, and will return for Year Four in January 2022. 2022! Feels weird to type that out.SONGS DISCUSSED:"Space Oddity" by David Bowie from David Bowie, 1969"Starman" by David Bowie from The Rise and Fall of Ziggy Stardust and the Spiders From Mars, 1972"HIde and Seek" by Imogen Heap from Speak For Yourself, 2005"Babylon Sisters" by Steely Dan from Gaucho, 1980"Wuthering Heights" by Kate Bush from The Kick Inside, 1978"Cameo Lover" by Kimbra from Vows, 2011"Design (feat. Kimbra)" by Cory Wong from The Striped Album, 2020"Stolen Moments" by Oliver Nelson from The Blues and the Abstract Truth, 1961"New Born" and "Micro Cuts" by Muse from Origin of Symmetry, 2001"Micro Cuts" by Muse from Origin of Symmetry: XX Anniversary RemiXX, 2021"You've Got a Friend" by Carole King from Tapestry, 1971, and performed by Donnie Hathaway by Donnie Hathaway Live!, 1972"Respect" by Otis Redding as performed by Redding and Aretha Franklin"Mad World" by Roland Orzabal as performed by Michael Andrews and Gary JulesCurt Smith's quarantine performance of "Mad World""Scenes from an Italian Restaurant" by Billy Joel from The Stranger, 1977"Fingertips" by They Might Be Giants from Apollo 18, 1992"Careless Whisper" by George Michael and Andrew Ridgeley from Make It Big, 1984"September" by Maurice White, Al McKay, and Allee Willis from The Best of Earth Wind and Fire, Vol. 1, 1978Love Will Never Do (Without You) by Jimmy Jam and Terry Lewis, performed by Janet Jackson on Rhythm Nation 1814, 1989"Slippery People" and "Once In a Lifetime" by Talking Heads from Stop Making Sense, 1984INTERVIEWS: Carmen Staaf, Lindsay Ellis, Imogen Heap, Brian Bender, and Eric VetroOUTRO SOLOISTS: Carlos Eiene, Jeff Bean, and Eric ElligersSTRONG MERCHCheck out the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.comJOIN THE STRONG SONGS DISCORDThe Strong Songs Discord server is now open to everyone! Come join the conversation and get (or give) some music recs: https://discord.gg/GCvKqAM8SmKEEP IT SOCIALFollow Strong Songs on Twitter: @StrongSongsAnd find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_HamiltonNEWSLETTER/MAILING LISTSign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribeSTRONG PLAYLISTSKirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music.SUPPORT STRONG SONGS!Thank you so much to all of Strong Songs' year-three Patreon supporters! You made another year of this show possible. For more on how to support Strong Songs going into year four (!!), go here: https://Patreon.com/StrongSongsYou can also make a one-time Paypal donation here: https://www.paypal.com/paypalme/kirkhamiltonmusicNOVEMBER 2021 WHOLE-NOTE PATRONSElliot RosenAshley HoagMark and MichelleKelsairRob BosworthKyle CookeDonald MackieMelissa OsborneChristopher MillerTim ByrneJamie WhiteChristopher KupskiChristopher McConnellDavid MascettiJoshua JarvisNikoJoe LaskaLaurie AcremanKen HirshJezJenness GardnerSimon CammellGuinevere BoostromNarelle HornNathaniel BauernfeindBill RosingerAnne BrittErinAidan CoughlanJeanneret Manning Family FourDoug PatonRobert PaulViki DunDave SharpeSami SamhuriAccessViolationRyan TorvikMerlin MannGlennJim ChokeyAndre BremerMark SchechterDave FloreyNOVEMBER 2021 HALF-NOTE PATRONSJanice BerryDoreen CarlsonmtwolfDavid McDarbyAbigail DuffieldRaphadavidWendy GilchristLisa TurnerPaul WayperMiles FormanDennis M EdwardsJeffrey FerrisBruno GaetaKenneth Jungbenkurt wendelkenAdam StofskyZak RemerRishi SahayStefan NiebrüggeJason ReitmanKaren LiuGreg BurgessAilie FraserSimon PrietoBreck JonesPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. MDRhyanon MurrayAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversGray DyerBrad ClarkChristopherMichael J. CunninghamKari KirkMark Boggsmino caposselaSteve PaquinMary SchoenmakerSarahDavid JoskeEmma SklarBernard KhooMarcDavid BlackmanRobert HeuerMatthew GoldenBrian MeldrumDavid NoahGeraldine ButlerRichard CambierMadeleine MaderTimothy DoughertyJason PrattStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanBridget LyonsOlivia BishopJohn GisselquistElaine MartinKourothSharon TreeBelinda Mcgrath-steerLiz SegerEoin de BurcaKevin PotterM Shane BordersPete SimmSusan PleinJana JJason GerryNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneJeffyThanadrosDavid FriedmanPhillip DaltonSarah SulanDiane HughesKenneth TiongJo SutherlandMichael CasnerMichael YorkBarb CourtneyDerek BenderJen SmallLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzBecca SampleWenJack SjogrenBenedict PenningtonGeoff GoldenRobyn FraserPascal RuegerRandy SouzaJCBrendan JubbClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJake RobertsBriony LeoBill FullerJonathan DanielsMichael FlahertyJarrod SchindlerZoe LittleCaro Fieldmichael bochnerDuncanNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJuan Carlos Montemayor ElosuaMatt GaskellJules BaileyEero WahlstedtBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJon O'KeefeJustin McElroyArjun SharmaJames JohnsonAndrew LeeKevin MorrellKevin PennyfeatherNicholas SchechterEmily Williams  

"Stolen Moments" Oliver Nelson: The Blues And The Abstract Truth (Impulse!, 1961) Esta joya atemporal fue interpretada por Oliver Nelson, Eric Dolphy, George Barrow, Freddie Hubbard, Bill Evans, Paul Chambers, Roy Haynes. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. El tema y el disco en que aparecía se han mencionado en varias ocasiones en Tomajazz. Entre otras, como una de las Razones para amar el jazz (https://www.tomajazz.com/web/?p=31656); y como uno de los discos elegidos en el especial 25 discos de jazz: una guía esencial (https://www.tomajazz.com/web/?p=23981) En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Boia # 116 Boia flutua com a tripulação completa, mas continua à deriva, imaginando emoções intensas na World Surfing League. João Valente, Júlio Adler e Bruno Bocayuva, apertam o Challenger [sempre na contramão do voto popular] e ainda encontram motivos para justificar a Surf City USA - concordando em discordar. Sobre as finais do US Open, os elogios à primeira vitória do Griffin Collapinto num evento de grande porte foram tão contidos quanto o nível do desempenho no lado sul do Píer de HB. A vitória da adolescente Caitlin Simmers quase pula pra fora da pauta, não temos certeza se por omissão ou desinteresse. Alertamos para a importância de se exaltar a memória áudio visual louvando o Surf Film Archive (https://www.thesurffilmarchive.com.au) e redescobrindo o Brasil retratado num esquecido filme de surfe dos anos 80, I Crave The Waves (https://youtu.be/9rFEvZJ5VBo). A abertura foi com a toada balançante - It's too late do Mandrill e o fechamento com a sedutora, Stolen Moments do saxofonista e arranjador Oliver Nelson. Esperamos não lhes ter roubado momentos especiais - a vida é feita desses pequenos assaltos. --- Send in a voice message: https://anchor.fm/boia/message

La gran era jazzística fue testigo de momentos memorables, muchos de los cuales fueron preservados en viejos acetatos o cintas magnéticas. Noches de sublime inspiración, encuentros y despedidas. Instantes eternos que han construido en gran medida la épica del jazz, ese acervo dramático que forma parte inseparable del componente musical que constituye su verdadera esencia. En nuestro nuevo programa, asistiremos a algunos de aquellos conmovedores instantes protagonizados por personajes legendarios como Duke Ellington, Billie Holiday, Bill Evans o Frank Sinatra.

Jazz is all about the contrast between the individual and the collective, and few recordings embody that as beautifully as "Stolen Moments," the opening track from Oliver Nelson's 1961 hard-bop record The Blues and the Abstract Truth. On this episode, Kirk dives deep into Nelson's classic tune, starting with his dense horn arrangement, then considering the three improvised horn solos as distinct creations that reflect the at-times wildly different ambitions of each individual player. Also, there's jazz flute. Written by: Oliver Nelson Performed by: Freddie Hubbard (tpt.), Eric Dolphy (alto/flute), Oliver Nelson (tenor), George Barrow (bari), Bill Evans (piano), Paul Chambers (bass), and Roy Haynes (drums). Album: The Blues and the Abstract Truth (1961) Listen/Buy: Apple Music | Amazon | Spotify ALSO FEATURED/DISCUSSED: “Moanin” by Bobby Timmons, played by Art Blakey and the Jazz Messengers on Moanin', 1959 (rec. 1958) “So What” by Miles Davis from Kind of Blue, 1959 “Hoe Down” and “Butch and Butch” by Oliver Nelson from The Blues and the Abstract Truth, 1961 “Hyperballad” by Björk from Post, 1995 “Tutti Frutti” by Little Richard, 1955 “Kiss” by Prince from Parade, 1986 “Give Me One Reason” by Tracy Chapman from New Beginning, 1995 “Blue 7” by Sonny Rollins from Saxophone Colossus, 1956 “Giant Steps” by John Coltrane from Giant Steps, 1960 OUTRO SOLOIST: Kirk Hamilton Kirk is the host of Strong Songs. He lives in Portland, Oregon, where he likes to play the drums. He thinks he's getting good but he can handle criticism. STRONG MERCH Visit the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.com KEEP IT SOCIAL You can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongs And you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribe STRONG PLAYLISTS Kirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music. SUPPORT STRONG SONGS ON PATREON! Thanks to all of Strong Songs' Patrons, you all rule! If you'd like to support the creation of this show, go here: https://Patreon.com/StrongSongs APRIL 2021 WHOLE-NOTE PATRONS Donald Mackie Liam Keogh Melissa Osborne Per Morten Barstad Christopher Miller Tim Byrne Allison Clift-Jennings Patrick Funston Jamie White Angus McKimm Christopher Kupski Christopher McConnell Joshua Jarvis Rick Klaras Niko Joe Laska Laurie Acreman Ken Hirsh Jez Jenness Gardner Simon Cammell Guinevere Boostrom Narelle Horn Nathaniel Bauernfeind Bill Rosinger Anne Britt David Zahm Erin Aidan Coughlan Jeanneret Manning Family Four Doug Paton Robert Paul R Watson Viki Dun Christer Lindqvist Sami Samhuri Craig J Covell AccessViolation Ryan Torvik Merlin Mann Fraser Glenn CALEB ROTACH Andre Bremer Mark Schechter Dave Florey Dan Apczynski APRIL 2021 HALF-NOTE PATRONS Christopher Michael J. Cunningham Kari Kirk Mark Boggs mino capossela Mary Schoenmaker Sarah David Joske Åshild Margrete Østtveit Odéen Emma Sklar Spencer Stanford Bernard Khoo Andrew Shpall Robert Heuer Matthew Golden Brian Meldrum David Noah Ben Hunt Geraldine Butler Richard Cambier Madeleine Mader Andy Smith Fernando Rodriguez Timothy Dougherty Jason Pratt John Hargis Stewart Oak Caroline Miller Abbie Berg Sam Norton Nicole Schleicher Dermot Crowley Achint Srivastava Ryan Rairigh Michael Berman stephen matthews Bridget Lyons Melody Valdez Olivia Bishop Jeremy Schwartz John Gisselquist Elaine Martin Thomas König Kouroth Belinda Mcgrath-steer Eoin de Burca Kevin Potter M Shane Borders Pete Simm Shawn McCarthy Dallas Hockley Jana J Jason Gerry Rich Roskopf Melissa Gallo Nathan Gouwens Will Dwyer Alethea Lee Lauren Reay Eric Prestemon Erika L Austin Cookies250 Spencer Shirley Damian Brady Angela Livingstone Jeffrey C. Yarnell David Friedman Phillip Dalton Christopher Cudnoski Sarah Sulan Diane Hughes Kenneth Tiong Jo Sutherland David Catlett Michael Casner Michael York Barb Courtney Derek Bender Jen Small Don Hutchison Lowell Meyer Etele Illes Stephen Tsoneff Lorenz Schwarz Becca Sample Wen Jack Sjogren Aparajit Raghavan Benedict Pennington Geoff Golden Robyn Fraser Alexander Geddes Pascal Rueger Randy Souza JC Brendan Jubb Clare Holberton Jake Tinsley Diane Turner Tom Coleman Judy Chapple Mark Perry Malory Dhu Wik Mel Eric Helm Jake Roberts Briony Leo Bill Fuller Jonathan Daniels Steven Maron Michael Flaherty Jarrod Schindler Zoe Little Albukitty Caro Field michael bochner Duncan Dave Sharpe brant brantphillip David Cushman Alexander Jeremy Dawson Gavin Doig Sam Fenn Tanner Morton AJ Schuster Jennifer Bush David Stroud Amanda Furlotti Andrew Baker Chris Brown Juan Carlos Montemayor Elosua Matt Gaskell Jules Bailey Eero Wahlstedt Bill Thornton Brian Amoebas Brett Douville Jeffrey Olson Matt Betzel Mueller Nate from Kalamazoo Melanie Stivers Richard Toller Alexander Polson Tom Lauer Earl Lozada Jon O’Keefe Justin McElroy Arjun Sharma James Johnson Andrew Lee Kevin Morrell Tom Clewer Kevin Pennyfeather Nicholas Schechter Justin Liew Emily Williams

Brian Johnson comes by to talk about his translation of excerpts of manuscript Plut. 89 sup. from the Medici library. We get into spirit conjuration, translation, necromancy, and more. We also have a plague magic minute from right here in New York City (Mets!). To learn more about Brian and his work go to https://twitter.com/JohBri and his website https://bjohnsonfreelance.com/ and to preorder his book, Necromancy in the Medici Library: An Edition and Translation of Excerpts from Biblioteca Medicea Laurenziana, MS Plut. 89 sup. 38, go to https://www.hadeanpress.com/shop/necromancy-in-the-medici-library (also that essay of his about spirit possession that I bring up is available here: https://godsandradicals.org/2016/05/23/revolutionary-spirits-and-occult-strategies-of-resistance/) To support the show go to patreon.com/witchhassle to yell at me, go to twitter.com/cooperwilhelm Music for this episode was adapted from Monkey Warhol's Stolen Moments under the auspices of: https://creativecommons.org/licenses/by/4.0/

This week, we bring you an interview with Cautious Clay. He grew up in Ohio and started playing flute and saxophone, and moved to DC for college, which is where he started making beats and producing remixes. In 2015, he did a remix of Billie Eilish’s Ocean Eyes, which was a break that set him on his current path. He’s put out three EPs, and has collaborated with John Mayer and had a song sampled by Taylor Swift. His soulful voice, and his creative mix of hip hop, R&B and experimental music will be front and center on his new album, which will come out in 2021.After the interview, you’ll hear Cautious Clay play Agreeable, Stolen Moments, and Joshua Tree. You can see videos of all Past, Present, Future, Live! performances on our show page or on the Osiris Media YouTube Channel. And here's a Spotify playlist from the episode.If you like what you hear, please give us a review on Apple Podcasts, or wherever you get your podcasts. See you soon. Past, Present, Future, Live! is brought to you by Osiris Media. Hosted and Produced by RJ Bee. Executive Producers are Adam Caplan and Kirsten Cluthe. Production, Editing, Mixing, and original theme music by Brad Stratton. Show logo by Liz Bee Art & Design. To discover more podcasts that help you connect more deeply to the music you love, check out osirispod.com. See acast.com/privacy for privacy and opt-out information.

【茶餐听】偷Stolen Moments“偷”是两个字的组成：人和俞。俞者：安定、允许、愉快。人站在那安定，允许和愉快之间，有谁会抗拒那些感觉？所以很自然地会恋上了“偷”。恋爱大过天 - 刘美君恋爱大过天 - Twins 烈焰红唇 - 刘美君烈焰红唇 - 梅艳芳明知故犯 - 刘美君明知故犯 - 许美静春光乍泻 - 刘美君春光乍泄 - 张国荣小城大事 - 刘美君小城大事 - 杨千嬅灰色 - 刘美君灰色 - 林忆莲甜蜜如软糖 - 刘美君甜蜜如软糖 - 陈秀雯午夜丽人 - 刘美君午夜丽人 - 谭咏麟怪你过分美丽 - 刘美君怪你过分美丽 - 张国荣左右手 - 刘美君左右手 - 张国荣

Hours and Candor have a final showdown with the treasure hunters, and find an answer they had been searching for. [WIC - 8702] Written and Directed by Steve Spalding. Music by: Jacob McNatt and Blythe Renay (Vocals) Sound Design and Production by: AudioOhm Cast Hours: Steve Spalding Purity: Melissa Sheldon Prospects: Angela Tran Spree: Phillip Sacramento Gloom: Forenza Candor: Jessub Flower Additional Voices: Ellora Sen-Gupta, Stacey Cotham, Alan Gabay, Blythe Renay, Lane Rush Support Our Podcast: https://www.insidefictions.com/support-inside-fiction/ Find us on Twitter: https://twitter.com/InsideFictions

In his soul he’s a singer. He’s also a 62-year-old dad, a husband, the host of Stolen Moments on WFYI, and a determined optimist and seeker of paths and solutions. For Steven, joy is a fleeting moment that happens when you are alert and ready for it. Joy comes in a quiet, subtle, personal way for him. He believes we must retool our mindset to allow joy into our lives.

Prospects and Purity discover that the situation is far worse than they could have possibly imagined. [WIC - 8702] Written and Directed by Steve Spalding. Music by: Jacob McNatt Sound Design and Production by: AudioOhm Cast Hours: Steve Spalding Purity: Melissa Sheldon Prospects: Angela Tran Spree: Phillip Sacramento Gloom: Forenza Candor: Jessub Flower Additional Voices: Ellora Sen-Gupta, Stacey Cotham, Alan Gabay, Blythe Renay, Lane Rush Support Our Podcast: https://www.insidefictions.com/support-inside-fiction/ Find us on Twitter: https://twitter.com/InsideFictions

Spree has a run in with the group of treasure hunters who have invaded the tomb, and Gloom gathers some needed intelligence. [WIC - 8702] Written and Directed by Steve Spalding. Music by: Jacob McNatt Sound Design and Production by: AudioOhm Cast Hours: Steve Spalding Purity: Melissa Sheldon Prospects: Angela Tran Spree: Phillip Sacramento Gloom: Forenza Candor: Jessub Flower Additional Voices: Ellora Sen-Gupta, Stacey Cotham, Alan Gabay, Blythe Renay, Lane Rush Support Our Podcast: https://www.insidefictions.com/support-inside-fiction/ Find us on Twitter: https://twitter.com/InsideFictions

Sintonía: "Jazz Cats Part 1" - Quasimoto Bajo el título de "In The Mind of Jamie Cullum", una fantástica sesión del mismo, capaz de aglutinar a Nina Simone con Laurent Garnier, Charles Mingus con Donovan, o a Mark Murphy con la Cinematic Orchestra y Roots Manuva: "I Think It´s Gonna Rain Today" (Randy Newman) - Nina Simone; "Perdido de Amor" - Luiz Bonfa; "Stolen Moments" - Mark Murphy; "I´d Probably Do It Again" (Unreleased track) - Jamie Cullum; "Acid Eiffel" (feat. Bugge Wesseltoft) - Laurent Garnier; "After You´ve Gone" (Exclusive Track) - Jamie Cullum; "Get Thy Bearings" - Donovan; "Station Approach" - Elbow; "All Things To All Men" (feat. Roots Manuva) - Cinematic Orchestra; "Fables of Faustus" - Charles Mingus Escuchar audio

The Servants of Moments prepare for battle, and Hours speaks of brighter times. [WIC - 8702] Written and Directed by Steve Spalding. Music by: Jacob McNatt Sound Design and Production by: AudioOhm Cast Hours: Steve Spalding Purity: Melissa Sheldon Prospects: Angela Tran Spree: Phillip Sacramento Gloom: Forenza Candor: Jessub Flower Additional Voices: Ellora Sen-Gupta, Stacey Cotham, Alan Gabay, Blythe Renay, Lane Rush Support Our Podcast: https://www.insidefictions.com/support-inside-fiction/ Find us on Twitter: https://twitter.com/InsideFictions

A group of guardians wake up after the apocalypse to find what's left of their home under attack by unknown invaders. [WIC - 8702] Written and Directed by Steve Spalding. Music by: Jacob McNatt Sound Design and Production by: AudioOhm Cast Hours: Steve Spalding Purity: Melissa Sheldon Prospects: Angela Tran Spree: Phillip Sacramento Gloom: Forenza Candor: Jessub Flower Additional Voices: Ellora Sen-Gupta, Stacey Cotham, Alan Gabay, Blythe Renay, Lane Rush Support Our Podcast: https://www.insidefictions.com/support-inside-fiction/ Find us on Twitter: https://twitter.com/InsideFictions

Meet Once Upon A Villain series author, Dawn Ibanez as she tells us all about her villain, Dorian Gray in her book, Stolen Moments! https://www.amazon.com/gp/product/B08CTNNTX1 Dorian Gray. Dorian Gray is bored with his immortality when he runs into the pretty little distraction wearing a little red dress. He finds himself caught between Cristal's charms and an old rival trying to steal his prized portrait. Now he needs to find a way to keep his painting safe and her in his arms. Cristal Perry An ink witch indentured to a life of crime. Her latest job is to study and recreate the spell that made Dorian immortal. The one time she was to pose as a distraction, she ended up in his bed. She has to choose between saving her family and the man that could become her destiny. A Night to Remember One night of desire leads to a whirlwind romance. To be together, Dorian and Cristal will have to find a way to free her from the rival's clutches. Otherwise they could both end up losing more than just their lives. ***Each book in the Once Upon a Villain series is a stand alone novel. They do not need to be read in any specific order.* --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mahogany-says/support

Rhonda Roupp and Miguel Rios have slipped away to Miguel's quarters. Regina Miranda and Elise Geltz have left Governor Milton Roupp's speech for a chat. What could possibly go wrong?

Harold Sherrick "came up" in the L.A. scene, developing his skills and contacts as a photographer, while documenting music in The City Of Angels. As he developed, his contacts provided opportunity for many of the moments in his book!In this episode, Markus And Ray pick their Five Favorites from Sherrick's book, Stolen Moments! Harold gives the guys his picks, too! Hit the link to check it out...Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!!This show is part of Pantheon Podcasts

Harold Sherrick "came up" in the L.A. scene, developing his skills and contacts as a photographer, while documenting music in The City Of Angels. As he developed, his contacts provided opportunity for many of the moments in his book!In this episode, Markus And Ray pick their Five Favorites from Sherrick's book, Stolen Moments! Harold gives the guys his picks, too! Hit the link to check it out...Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!!This show is part of Pantheon Podcasts

Harold Sherrick "came up" in the L.A. scene, developing his skills and contacts as a photographer, while documenting music in The City Of Angels. As he developed, his contacts provided opportunity for many of the moments in his book! In this episode, Markus And Ray pick their Five Favorites from Sherrick's book, Stolen Moments! Harold gives the guys his picks, too! Hit the link to check it out... Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!! This show is part of Pantheon Podcasts

Harold Sherrick "came up" in the L.A. scene, developing his skills and contacts as a photographer, while documenting music in The City Of Angels. As he developed, his contacts provided opportunity for many of the moments in his book! In this episode, Markus And Ray pick their Five Favorites from Sherrick's book, Stolen Moments! Harold gives the guys his picks, too! Hit the link to check it out... Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!! This show is part of Pantheon Podcasts

Welcome to Bucks County Bytes! Michael Leaver presents to us his art, his "Stolen Moments" collection, and the solo show at the Caravan Event Space, located at 278 N Union St Lambertville NJ. Open to the public on Friday, Oct 2, until Sunday, Nov 29. (Open Thurs, Fri, Sat, 12-8 pm, Sundays 12-6 pm). Listen to Michael speaks about his art, his influences, and art in society. Join in Michael's podcast and make sure to follow, like, and subscribe to Bucks County Bytes podcast!www.michaelleaver.com@michaelleaverartBucks County Bytes is now on Amazon Music and all the major platforms.Msexpresso Solutions@msexpressosolutionsTwitterLinkedInYouTubeSupport the show (https://paypal.me/msexpresso?locale.x=en_US)

"Estival de Jazz 2020 Vol.XIV: SPJ Group con Carlos Barretto,  Carlos Martín y Joao Moreira: Jazz no Principal 2005 (II)". Cerramos nuestro repaso y escucha del primero de los álbumes en vivo del "Seminario Permanente de Jazz de Pontevedra", otro de los referentes educativos estatales de los últimos años. En 2005 se inició la serie de discos "Live no Principal" que recupera parte de los conciertos que los combos de estudiantes del SPJP realizan en diferentes fechas al cabo del año en el Teatro Principal de Pontevedra junto a referentes de la escena lusa y española. En 2005 contaron con la participación de los portugueses Carlos Barretto y Joao Moreira y del valenciano Carlos Martín como "special featurings". "Stolen Moments" de Oliver Nelson es el "Estándar de la semana" y "2701" composición del guitarrista Virxilio Da Silva, uno de los jazzistas de referencia ya del jazz gallego y surgido además al albor del SPJP, nuestro "Favorito"

This episode begins with tunes that can be associated with a couple of political campaigns. Don't worry, I don't get too political on you. Everyone loves a Miles set, and that is what comes next. Then a set of "Moments"; Moments Notice, Stolen Moments, Idle Moments and Bright Moments. Finally something new from a group called Idle Hands, and an album Solid Moments. PlaylistArtist ~ Track ~ Album Curtis Mayfield ~ Move On Up (extended version) ~ CurtisBill Frisell ~ Revolution ~ all we are saying...Miles Davis ~ Tutu ~ TutuMiles Davis ~ Footprints ~ Miles Davis: Birth of the cool (soundtrack)Miles Davis ~ Round Midnight ~ Round About MidnightJohn Coltrane ~ Moments Notice ~ Blue TrainOliver Nelson ~ Stolen Moments ~ Blues and the Abstract TruthBlue Note 7 ~ Idle Moments ~ Mosaic: A Celebration of Blue NoteRahsaan Roland Kirk ~ Bright Moments ~ Bright MomentsIdleHands ~ Barrelling Through ~ Solid Moments

If you see something about to happen, get it. Put the camera up and click. Two seconds later you won't have the chance again. You have to look for those stolen moments.Harold Sherrick is a career photographer, capturing musicians and concerts for almost 40 years. He has photographed everyone from Neil Young to Robert Smith, Dave Grohl to Joe Walsh, Tom Petty to Tori Amos. In Stolen Moments, Sherrick has included some of his most iconic photos, including rare images from his extensive body of work.Captured in “Stolen Moments,” among many others, are images of (in no particular order) Neil Young, Mick Jagger, Sting, Bono, Cheryl Crow, Quincy Jones, David Bowie, Tori Amos, June Carter Cash, John Entwistle, Joni Mitchell, Richie Havens, Iggy Pop, AC/DC, The Ramones, Iggy Pop, Joss Stone, The Bee Gees, Joe Walsh, Ringo Starr, Dave Grohl, Ray Charles, John Fogerty, Stevie Wonder, Willie Nelson, Chrissie Hynde, Pete Townshend and, on the cover, Tom Petty.Many of the images are candids, hence the title, but Sherrick also included lots of portraits. This will be a fun show , please tune in as Harold has so many amazing stories of behind the pictures including his candid images with Broadcast news legend Walter Cronkite. Harold jokes he was raised in a News Room with His father, Herb Sherrick, a newspaperman who worked for the L.A. Herald-Examiner, referring to the city’s afternoon newspaper, the nation’s largest at the time (the paper folded in November 1989). Harold also recalls a time Bowling with Phil Spector. He started shooting for Phil in ’93, and the first big gig was at the Rock ‘n’ Roll Hall of Fame ceremony in L.A. Phil came with the guys, and that was the first time I really had taken a bunch of different shots of him.Then I was just basically employed by him .    

This week's proverb is from French playwright, Albert Guinon: "People who cannot bear to be alone are generally the worst company." If you like this show please consider subscribing to its feed wherever you get podcasts. See acast.com/privacy for privacy and opt-out information.

This week's proverb is from French playwright, Albert Guinon: "People who cannot bear to be alone are generally the worst company." See acast.com/privacy for privacy and opt-out information.

Avec ses arrangements léchés, ses sonorités amples et son casting 5 étoiles, “The Blues And The Abstract Truth” est un classique absolu du jazz moderne… Mais c'est surtout l'avènement d'un saxophoniste et compositeur qui, le temps d'une séance, le 23 Février 1961, aura atteint l'état de grâce… Héros méconnu, héros “tragique” pour le chroniqueur Len Lyons, Oliver Nelson est à ranger dans la catégorie des oubliés du jazz : s'il est vénéré par de nombreux musiciens et mélomanes, il reste relativement peu connu du grand public. La faute à une trajectoire aussi discrète que furtive, qui l'a vu se consumer dans les studios d'Hollywood et mourir brutalement à l'âge de 43 ans. Pourtant, en tant que compositeur et arrangeur, Oliver Nelson aurait pu facilement boxer dans la catégorie poids lourds : celle des Duke Ellington, Charles Mingus, Gil Evans ou autres Quincy Jones… Ce qui est sûr, c'est qu'avec les 6 titres de “The Blues And The Abstract Truth”, et en particulier son ouverture, le mythique “Stolen Moments”, Oliver Nelson avait trouvé sa signature. Étagère 7… Boîte n°12… Dossier ON1961… “The Blues And The Abstract Truth”, l'album culte d'Oliver Nelson.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

1 Uptown 6:40 2 Stolen Moments 6:36 3 24th Street Blues 5:23 4 Haunted Heart 4:53 5 Waltz For Carmen 6:23 6 St. Bart's 4:06 7 Blue In Green 8:00 8 Sometime Ago 4:05 Mitch Holder - Acoustic Guitar (tracks: 5, 6) John Patitucci - Bass Drums – Harvey Mason Alan Broadbent - Piano (Electric Piano, tracks: 6) Lee Ritenour- Guitar Ernie Watts -Tenor Saxophone

We punched up the TRUE national anthem with Travis McElroy (@travismcelroy - My Brother, My Brother and Me, The Adventure Zone podcasts). Is it drugs? Is it love? Are they the same thing? Seal will never explain his 1994 hit "Kiss From A Rose" and personally??? I respect that.Video of the punch-up available on Youtube!Plus, an important announcement from Demi.UNPUNCHABLE JAMS: "Locomotive Breath" by Jethro Tull, "Don't Give Up" by The Whitest Boy Alive, "Black Rainbow" by St. Vincent, "Tiger Teeth" by Walk the Moon, "Stolen Moments" by Cautious Clay, "Ghosts" by Gary Jules.ALSO, I FACT-CHECKED MYSELF on the "key changes" we reference throughout the episode and found this incredibly insightful comment from reddit user "willylumplumps""It looks like his main device in "Kiss From a Rose" is to blend the keys of G mixolydian (key of C) and Gminor.So for example, the intro is Gmin, F, G. This has a mysterious sound because the first two chords sort of establish the key as Gmin or Bb while the G major sort of surprises us and snaps us back to key of C.The verses and choruses are G mixolydian which is really just the key of C starting on the 5 chord. He's starts using the borrowed chord flat 3 (Eb).One last sneaky thing he does is that he never goes to the tonic until the bridge which gives the bridge a really triumphant quality because our brains and ears haven't heard home until this point. And then he drops a freakin' flat 6 chord on us just because he can"Live Shows:AUG. 30 - SEPT. 1 BUMBERSHOOT MUSIC & ARTS FESTIVAL • SEATTLE, WASEPT. 7 XOXO FEST 2019 • PORTLAND, ORFollow us on social:Punch Up The Jam: twitter.com/punchupthejam | instagram.com/punchupthejamUnpunchable Jams playlist: https://open.spotify.com/playlist/2BkkFZcsJaS7VKN2v3sZM6Miel: twitter.com/miel | instagram.com/mielmonsterDemi: twitter.com/electrolemon | instagram.com/electrolemon

Meditation 9 minutes Beyond the clouds, a warm sun. Beneath the sadness, a bright mind. Birds, like stolen moments flying. Reminders of what is possible when we let life be. Gifts to Meditista. Your generosity helps support these offerings.

216 - Gap Mangione Gap Mangione is a jazz pianist, composer, arranger & big band leader Gap Mangione. This telephone interview goes back to the radio days. At that time I was playing the Gap Mangione album called Stolen Moments, a pretty diverse collection of tunes, composed by everyone from Paul Simon to Henry Mancini and of course a couple written by Gap Mangione himself. Gap Mangione, born Gaspare Mangione, comes from an Italian-American family in Rochester, New York. He started playing piano from a very young age. With his brother, the flugelhorn and trumpeter Chuck Mangione, they led the musical group called “The Jazz Brothers.” Gap Mangione has recorded a number of acclaimed recordings starting with his first release Diana in the Autumn Wind in 1968 and most recently, Live in Toronto which features the Gap Mangione Quintet. His music has been sampled by several prominent rappers. Gap Mangione is right here, on The Paul Leslie Hour. Enjoy! Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Producer Jim Fraenkel joins us for a #NoFilter convo on Instagram thirst trapping and feature accounts. We are delving into the heavy-hitters like Passenger Shaming and Girl with No Job, and Jim shares his IG #goals, a thoughtful account he’ll call Hot Dudes in Airports! So, we’ve got the how-to on starting and growing feature and fan accounts and the monetization dream. Plus, we are wading into the Covington Catholic chaos with our own Matt Champagne's Facebook post, and Twitter celebrates the #OscarNo

A DiCaprio bomb, a Criterion bonanza, a double-dose of Evil Dead and the year’s most underrated Marvel spectacular… only on the DigiGods! DigiGods Podcast, 10/16/18 (MP3) — 29.79 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: American Horror Story Season Seven: Cult (DVD) Andrei Rublev (Blu-ray) Anna Karenina (DVD) Ant-Man and the Wasp (4k UHD Blu-ray) Arizona (4k UHD Blu-ray) Ash vs Evil Dead: The Complete Collection (Blu-ray) Berlin: Symphony of a Great City (Blu-ray) Big Wednesday (Blu-ray) Billions: Season Three (DVD) The Boris Karloff Collection (DVD) The Bravados (Blu-ray) The Bride (Blu-ray) East West 101, Series 3 (DVD) Eight Hours Don't Make a Day (Blu-ray) The Evil Dead - 4k Ultra HD Combo Pack (4k UHD Blu-ray) Fahrenheit 451 (2018) (Blu-ray) Harry & Meghan: A Royal Romance (DVD) Idil Biret: 75th Anniversary Concert (DVD) Imagine – The Ultimate Collection (Blu-ray) In My Country (Blu-ray) Jeannette: The Childhood of Joan of Arc (Blu-ray) La Madre, El Hijo Y La Abuela (DVD) The Last Hurrah (Blu-ray) The Man in the Iron Mask - 20th Anniversary Edition (Blu-ray) The Naked Prey (Blu-ray) Number One Fan (DVD) The Originals: The Fifth and Final Season (DVD) The Other Side of Midnight (Blu-ray) A Raisin in the Sun (Blu-ray) The [REC] Collection (Blu-ray) Reprisal (Blu-ray) The Resident Season 1 (DVD) Rock & Roll Hall of Fame in Concert (Blu-ray) Rudolph Valentino Collection Vol. 1 (Eyes of Youth and Moran of the Lady Letty) (Blu-ray) Rudolph Valentino Collection Vol. 2 (A Society Sensation, Virtuous Sinners, Stolen Moments and The Young Rajah) (Blu-ray) Sangaree 3-D (Blu-ray) Scarlet Diva (Blu-ray) Shampoo (Blu-ray) The Spiral Staircase (Blu-ray) Summer 1993 (Blu-ray) Tales from the Hood 2 (Blu-ray) Thelma Todd & Zasu Pitts: The Hal Roach Collection 1931-33 (DVD) This is Our Land (DVD) Vikings Season 5 Part 1 (Blu-ray) Please also visit CineGods.com. 

Episode XLIII "Stolen Moments and Lost Minutes" by III The Hard Way

Tríó Stanley Jordan leikur lögin Over The Rainbow, Autumn Leaves, Lady In My Life, Ipressions, Stolen Moments og Return To Expedition. Söngkonan Mona Larsen syngur lögin Blue Morning, Searching, Moments, Ships In The Night og Strange To Love. Kvintett Art Blakey leikur lögin Now's The Time, A Night In Tunisia og Split Kick.

Tríó Stanley Jordan leikur lögin Over The Rainbow, Autumn Leaves, Lady In My Life, Ipressions, Stolen Moments og Return To Expedition. Söngkonan Mona Larsen syngur lögin Blue Morning, Searching, Moments, Ships In The Night og Strange To Love. Kvintett Art Blakey leikur lögin Now's The Time, A Night In Tunisia og Split Kick.

SEPTEMBER 14, 2017 -  Finding the balance between new music that is coming ROCKWIRED's way and stuff that is happening in entertainment is a tricky thing, but with this latest issue of ROCK SHOW, I  feel like a balance has been achieved. So much has happened in the previous week. I even had the chance to step out and see a movie. No one is more surprised than me  that the movie that I stepped out to see was IT. I've never been big on STEPHEN KING. I've always been more of a sci-fi person than a horror fan, but the 1990 ABC-TV mini-series STEPHEN KING's IT made an impression on me. In this latest episode of ROCK SHOW, I discuss my thoughts on the film and how it compares to the 1990 miniseries.  I also caught the premiere of FOX's new dramedy series THE ORVILLE, SETH MACFARLANE's tribute to STAR TREK. Coupled with that will be a discussion on my anticipation for the upcoming CBS ALL ACCESS series STAR TREK DISCOVERY. In the months since the the announcement of the new STAR TREK series, it has inspired a swarm of hatred from fans if comment sections on this or that website are to be believed. Personally, I'm more excited for this show than I was back in 1987 when STAR TREK THE NEXT GENERATION was about to get rolled out. I'm excited to see a STAR TREK with action sequences and  cinematic special effects and dare-I-say "lense flare". Better than endless debates on interstellar diplomacy and positronic mumbo jumbo.  And so what if the Klingons look different?A last minute subject brought up on the show was SINEAD O'CONNOR's appearance on DR. PHIL. I personally think that DR. PHIL is worst find  that OPRAH has ever made and it's my hope, that the Irish lass gets all of the help that she needs. Music can't afford to lose another artist. This episode of ROCK SHOW also comes the closest to reaching the proposed running time of 90 minutes. While the previous  episode gave us an idea of how we were going to continue. In this issue we start implementing those changes. TODAY'S PLAYLiST:ELANTRiS-  ASCENSiONELANTRIS is one of the bands that will be featured on the cover of our November 2017 issue which hasn't been released yet. That issue will be our STAR WARS issue and the band's Wagnerian approach to metal, make them a perfect fit for that issue. In this episode we spin the song ASCENSION and you'll hear  an interview clip with the band's keyboard player MARK LIBER.  ALARM FOR WAR - DAY TURNED TO NiGHTOn the same day that I got acquainted with ELANTRIS, I had the chance to get to know JUGGY, the front man for the band ALARM FOR WAR. I conducted my interview with him on September 11th and it dawned on me that the 13-year old metal rapper, wasn't even alive when September 11th happened. It was quite the chasm but this young artist has a delivery and a sense of purpose as a musician that is going to resonate with people of all ages.  RiCK SHAFFER - MODERN LiEHe's back. ROCKWIRED has been drawn to the fuzzy garage rock of RICK SHAFFER who had first cut his teeth with the new wave rock band REDS back in the eighties. For years now he has taken up the mantle of guitar players like R.L. BURNSIDE and  LINK WRAY. Now he is on the verge of release his new album STOLEN MOMENTS and the first single MODERN LIE has SHAFFER continuing in that same vein but this time with a bit of a glam rock flourish.  NiCK COYLE - NOTHiNG TO BE AFRAiD OF NICK COYLE is another one of those troubadours that doesn't know the meaning of the word "stop". He got his start as the front man of LIFER, but ROCKWIRED got to know him as the front man for STARDOG CHAMPION. That band didn't last long but NICK COYLE has, and now he is releasing his new album COLD and NOTHING TO BE AFRAID OF has him brandishing a sleek new sound that sacrifices none of the man's rock n roll edge. Vocally, he brings back a memory or two of BOWIE on this track.  CALL OF ALL - WAR AND iLLUSiONFive years ago. ROCKWIRED first became acquainted  with HUNTER WATSON when he was the lead singer for DAY'S DISTANCE. When that band had folded, WATSON focused his energies on other endeavors such as acting. He even secured himself a role on the AMC series WALKING DEAD. Now, he has a new band called CALL OF ALL and WAR AND ILLUSION is our first taste of their new album.  MANHiGH - LOVE LETTERS FROM SPACEWe at ROCKWIRED are often guilty of never looking at what is going on in our own backyard. By backyard, I mean Albuquerque, New Mexico. A couple of years back ROCKWIRED got to know the band THROW THE TEMPLE and their front man GABRIEL GAMBINO. Now GAMBINO seeks to make an impression with his new project MANHIGH and the single LETTERS FROM SPACE sounds like it needs to be in a shuffle with QUEENS OF THE STONE AGE and MARS VOLTA.CHECK OUT THE PODCAST AT:http://www.rockwired.com/temporarysite/RockShow3.mp3

Matthew Quick is a painter from Australia who has been named in Business Review Weekly as one of Australia’s top 50 artists. In the last 5 years he has either won, or been selected as a finalist for, more than 70 major national art awards, including the Sulman Art Prize, the Arthur Guy Memorial Painting Prize, and the Mosman Art Prize, just to name a few. He’s painted since his teens but was distracted by other careers – working variously as a university lecturer, photographer, salesman, art director, copywriter & interior designer.  Matthew’s paintings have been used as CD covers in Australia, Greece and the US, and as book covers by Penguin Books & Era Publications. His work has been reproduced in many magazines, books and journals including Hi Fructose, Plastik, Juxtapoz, Empty, Colossal, Design Taxi, Communication Arts, Idea, Design World, Graphis & Novum. Full shownotes: http://yourcreativepush.com/matthewquick In this episode, Matthew discusses: -The long amount of time that it takes him to creative his paintings. -The “naughty corner” where he puts paintings that are not behaving properly. -How he gets through periods of time in which he “forgets how to paint.” -The importance of the titles and descriptions of his paintings and what they can do for the communication with the viewer. -The inspiration behind his “Monumental Nobodies” series. -How he approaches each of his pieces. -His “Frozen Pea Moment.” -How he made his transition into being a full-time artist. -The beauty of finding stolen moments and how they can add up to something big. -Balancing what he wants to create for himself and what he needs to create for money. -How he learned to go in sequential order with his pieces instead of having too many projects going on at the same time. Matthew's Final Push will inspire you to know when it is the right time to reach out to galleries and to be respectful of the people that are with you in your creative journey!   Quotes: “I try to write something that is the anti art-speak.” “If the clock is ticking, what do I really want to do with my life?” “So many people wander through life as if it’s a rehearsal for something else.” Links mentioned: ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career by Heather Darcy Bhandari and Jonathan Melber The Mysteries of Harris Burdick by Chris Van Allsburg Connect with Matthew: Website / Facebook / Instagram / Twitter On the next episode: Drew Brophy : Website / Instagram Want a critique or some advice?  Join the Facebook group!

www.radiojazznoend.com Los estudios de Radio Jazznoend, se iluminan a media luz para vivir una íntima velada dedicada a la música intensa y pasional del cantante Mark Murphy que nos dejó hace algo más de un año. Durante nuestro programa os ofreceremos una amplia panorámica de la obra de Murphy en todas sus facetas, muy centrada en las grabaciones efectuadas en el otoño de su vida y su carrera, cuando su voz y su estilo habían adquirido su plena y gloriosa madurez. El programa comenzará con la audición del tema Stolen Moments, cuya grabación, en el año 1978, supuso uno de los grandes éxitos de la carrera del cantante. A partir de ahí escucharemos a Murphy como uno de los grandes representantes del estilo vocalese en el ámbito del be-bop y el post-bop, vibraremos con su dominio del scat en alguna de sus interpretaciones, pero sobre todo nos emocionaremos con su maestría en el arte de la balada, finalizando con el tema But Beautiful de su última grabación, A Beautiful Friendship. Disfrutad con nosotros de esta noche de jazz, con esos momentos robados de emoción y buena música, de la mano de uno de los más grandes vocalistas de la segunda mitad del siglo XX, que siempre nos deja con ese agridulce sabor de aquello que es triste... pero hermoso.

www.radiojazznoend.com Los estudios de Radio Jazznoend, se iluminan a media luz para vivir una íntima velada dedicada a la música intensa y pasional del cantante Mark Murphy que nos dejó hace algo más de un año. Durante nuestro programa os ofreceremos una amplia panorámica de la obra de Murphy en todas sus facetas, muy centrada en las grabaciones efectuadas en el otoño de su vida y su carrera, cuando su voz y su estilo habían adquirido su plena y gloriosa madurez. El programa comenzará con la audición del tema Stolen Moments, cuya grabación, en el año 1978, supuso uno de los grandes éxitos de la carrera del cantante. A partir de ahí escucharemos a Murphy como uno de los grandes representantes del estilo vocalese en el ámbito del be-bop y el post-bop, vibraremos con su dominio del scat en alguna de sus interpretaciones, pero sobre todo nos emocionaremos con su maestría en el arte de la balada, finalizando con el tema But Beautiful de su última grabación, A Beautiful Friendship. Disfrutad con nosotros de esta noche de jazz, con esos momentos robados de emoción y buena música, de la mano de uno de los más grandes vocalistas de la segunda mitad del siglo XX, que siempre nos deja con ese agridulce sabor de aquello que es triste... pero hermoso.

One of our favorite episodes featured Elisabeth Nunziato. Elisabeth is an accomplished actress, director and producer. As a member of the B Street Theatre Acting Company, Elisabeth has performed in far too many productions to mention. She made her directorial debut with the feature film, Stolen Moments.You can link to this and other projects at […]

Title: Jazz Improv Winter 2015 2.2Date: 3/10/2015Section: 205Instructor: Steve KimRecorded in: SCC PUBDescription: This is the final performance of the Winter Quarter Jazz Improv Ensemble (205) in the Shoreline Community College PUB.Songs:Stolen MomentsSayonara BluesStraight LifeAutumn LeavesThe Chicken

Blues and the Abstract Truth the triumph of band leader, arranger, and saxophonist Oliver Nelson. It helped to define the sound of an era with the classic “Stolen Moments”, but also assembled an all-star cast of musicians including: Eric Dolphy; Bill Evans; Paul Chambers; and Roy Haynes. In this edition of Liner Notes Rabbi and...

Blues and the Abstract Truth the triumph of band leader, arranger, and saxophonist Oliver Nelson. It helped to define the sound of an era with the classic “Stolen Moments”, but also assembled an all-star cast of musicians including: Eric Dolphy; Bill Evans; Paul Chambers; and Roy Haynes. In this edition of Liner Notes Rabbi and […]

Blues and the Abstract Truth the triumph of band leader, arranger, and saxophonist Oliver Nelson. It helped to define the sound of an era with the classic “Stolen Moments”, but also assembled an all-star cast of musicians including: Eric Dolphy; Bill Evans; Paul Chambers; and Roy Haynes. In this edition of Liner Notes Rabbi and...

This is a recording which combines the incredible talents of J.J.Johnson, trombone master and his composing and arranging abilities. Mr. Johnson said at the time of this recording done in 1964 that it was his best and everything he wanted to do up to that time. He is in magnificent form on his trombone and he was able to assemble two orchestras for these dates. The first is a 17 piece band which performs three pieces and the rest is an 11 piece band doing the rest of the titles. Mr Johnson composed only one piece here called "El Camino Real" but he arranged 6 great Jazz standards. He generously gave Gary McFarland two compositions and arrangements. Johnson arranged Oliver Nelson's "Stolen Moments" and Tom McIntosh arranged and composed two selections. The orchestras contain the cream of the crop of New York based Jazz/studio players....names like Clark Terry and Thad Jones, Oliver Nelson and Jerry Dodgion and a great rhythm section with Hank Jones on piano, Bob Cranshaw on bass and Grady Tate on drums is hard to beat. J.J.! is a fine complete portrait of one of the premier Jazz musicians of the last century. J.J.....indeed!

Dave Delgado: guitar Mike McCusker:guitar Zion Rodman: guitar George Zinger: guitar

we are proud to welcome the long time jazz activist and flute player JAZZAMAR for a new mix. Jazzamar is mixing all over the world since years and he's running the beautiful Jazzmin records label, check out his forthcoming releases : M swift, Nu Tropic, LS & the banditos. Tracklisting :1-Archie Sheep " Africa Drum Suite" Impulse LP 2- Byard Lancaster " Saint John Cotrane" Heavenly Sweetness 7'' 3- Bobby Cole " A Perfect Day" Concentric LP 4- Moacir Santos " Off and On " Blue Note LP 4-24 Carat "Moon at Noon" Jazzmin Records 12" 5-Mark Murphy " Stolen Moments" Muse LP 6-Emil Mangelsdorff " Ruck-a-Sack" Europa LP 7-Perigeo "Tamale" RCA LP 8-The Descendants of Mike & Phoebe "Two songs for a boy named Mark"

I Dont Need No Words.