Podcasts about On Record

Featuring Max Anstie, Justin Cooper, Cooper Webb, Nate Thrasher, Pierce Brown, Haiden Deegan and Christian Craig, Monster Energy Yamaha Star Racing had their riders on location across Tuesday and Wednesday at SMX Media Days 2025. Hear what they had to say in this special edition of our On-Record podcast.

It was only Jason Anderson in attendance for Monster Energy Kawasaki at the 2025 SMX Media Days, but we've also included Monster Energy Pro Circuit Kawasaki riders Ty Masterpool, Drew Adams, Cameron McAdoo, Levi Kitchen and Garrett Marchbanks in this On-Record podcast.

Entering the 2025 season with the same four-rider roster, Red Bull KTM Factory Racing's Aaron Plessinger, Chase Sexton, Tom Vialle and Julien Beaumer all spoke in-depth at SMX Media Days this week, featuring in our latest On-Record podcast.

With a reduced two-rider line-up for 2025, Rockstar Energy Husqvarna Factory Racing's Malcolm Stewart and RJ Hampshire – who is currently recovering from off-season injury complications – provided the latest on their progress at SMX Media Days, available in our On-Record podcast series.

One of the most intriguing new-look teams in the sport, Rockstar Energy GasGas Factory Racing will pick up where TLD left off, next year with Justin Barcia paired up alongside the youthful combination of Casey Cochran and Ryder DiFrancesco. All three were at the 2025 SMX Media Days to tell their stories, just published in our On-Record podcast.

In this special edition of On-Record podcast from this week's SMX Media Days, Team Honda HRC Progressive's Jett Lawrence, Hunter Lawrence, Chance Hymas and Jo Shimoda preview the 2025 Monster Energy AMA Supercross Championship and a whole bunch more leading into the new year.

Triumph Racing enters the 2025 season with a striking new roster, as Jalek Swoll is joined by Austin Forkner, Jordon Smith and Stilez Robertson in what will be the team's second year of contesting Monster Energy AMA Supercross. This special edition of our On-Record podcast features all four riders from SMX Media Days.

"On Record" documents decades of popular music. The book series comes from G. Brown, longtime contributor to the Denver Post and head of the Colorado Music Experience. He uses thousands of photographs and draws from countless interviews to share his encounters with Rock 'n' Roll royalty. The latest volumes are out: "1979" and "1986."

In this episode of the HyperFast Agent Podcast Caroline Hobbs, a seasoned real estate professional with over 15 years of experience, joins Dan Lesniak.. Caroline shares insights into her journey from starting out as an assistant to building her own brokerage, Reward Realty. She discusses the challenges and successes she encountered along the way, emphasizing the importance of building a supportive culture within the team. Recently transitioning her brokerage to Real, a growing cloud brokerage, Caroline explains the reasons behind this move and highlights the benefits it brings to her team members. Additionally, Caroline provides a sneak peek into her latest venture, a comprehensive CRM and marketing platform called On Record, designed to streamline processes for real estate agents and teams. Scheduled for a demo release in July and an official launch at the Tom Ferry conference in August, On Record aims to revolutionize the way real estate professionals manage their businesses. Throughout the conversation, Caroline's passion for innovation and dedication to empowering agents shine through, offering valuable insights and inspiration to listeners.   If you are ready to join eXp realty and would like Dan Lesniak and Keri Shull to personally sponsor you so you have access to two nationally recognized coaching programs text 703-638-4393.   Join Dan and Caroline as they discuss:    - Caroline's  journey in the real estate industry, from starting as an assistant to founding her own brokerage, Reward Realty, focusing on building a supportive culture and providing training for agents.   - The recent transition of Caroline's brokerage to Real Broker and how she is expanding by build a downline.   - Her latest project, On Record, a CRM and marketing platform aimed at streamlining processes for real estate professionals.    Notable Quote   "One thing that all of these top teams that actually have the gifting and all of these touchpoints done correctly is they have the correct systems in place to do so." - Caroline Hobbs WANT TO GET ACCESS TO ALL OUR HYPERFAST AGENT COURSES FOR A $1 TRIAL? Click here for a trial membership in the Our Inner Circle. KEEP UP WITH US HERE Website: https://hyperfastagent.com  Instagram: https://www.instagram.com/HyperFastAgent/  Facebook: https://www.facebook.com/HyperFastAgent/ Twitter: https://www.twitter.com/hyperfastagent  LinkedIn: https://www.linkedin.com/company/hyperlocal-hyperfast/    OUR OTHER EXCLUSIVE YOUTUBE CHANNELS  The Keri Shull Team: https://youtube.com/kerishullteam  Dan Lesniak - https://www.youtube.com/danlesniak    THE BOOK THAT HELPED 10K+ REALTORS https://amzn.to/2Mkm9Jp   GET DAN'S BEST SELLING BOOK FREE https://bit.ly/3dbiH3q    INTERESTED IN TAKING YOUR REAL ESTATE BUSINESS TO THE NEXT LEVEL?  https://bit.ly/3eLG97Z

There's a lot be excited about for Aaron Tanti, the former Australian MX1 champion finally set to debut with the Partzilla PRMX Racing Team in Monster Energy Supercross this weekend at the Birmingham, Alabama, round of the 2024 season. For Tanti, it's been a long road back from injury to the 450SX starting line, which he's hoping will provide a base to build upon in the US series. He features in our latest On-Record podcast as we look ahead to this latest step in his career.

Our Lost Interview with April Wine's Myles Goodwyn from 1988, All the Hits and Backstage MayhemWe lost Goodwyn on December 3, 2023. In this long lost interview the singer talks about the bad last days of April Wine's first incarnation that ended in the mid 80s. He also talks about his nervous yet exciting new solo career.Steve Burgess is an award-winning Vancouver writer and broadcaster. He is a former CBC Television host, documentary film director, and a veteran of both radio and TV. He's the author of “Who Killed Mom?” from Greystone Books, and his new book “Flight Risk: A Tourist on Trial” from Harbour Publishing will be out in the spring 2024.Support the show

After a week of heavy rain, tornado warnings, and now another round of smoke, retired National Weather Service meteorologist Hugh Johnson spoke with Brea Barthel and Alisha Washington about about what's going on weather wise. Johnson said that the July rainfall is "officially, 7.10 inches. ...this July is ALREADY our tenth wettest ON RECORD, and it is only a little more than half over."

Daily Dad Jokes (09 Jul 2023) Email Newsletter: Looking for more dad joke humour to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe ! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. You can now submit your own dad jokes to my voicemail, with the best ones to be included in upcoming episodes on this podcast. Just leave your name, the city and state you live in, and your best Dad Joke. Call (978) 393-1076. Look forward to hearing from you! [Promo] Daily Shower Thoughts is a new podcast launched by myself and my co-host Lorelai Stewart. Join us for random, amusing and mind bending epiphanies. Pod links here Daily Shower Thoughts website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. [Promo] Check out the Daily Facts podcast that brings you interesting and surprising facts from around the world every day! Did you know that the longest recorded flight of a chicken lasted for 13 seconds? Or that there's a species of jellyfish that can essentially live forever? With Daily Facts, you'll learn something new and fascinating with every episode. Tune in daily and impress your friends with your newfound knowledge. Listen now on your favorite podcast platform or check out the pod links here Get Happy Headlines website. [Promo] Looking for the perfect gift for your Dad? Check out our official Daily Dad Jokes merch here, including our popular "Dad Joke University" T-shirts Click here to browse Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: modestmunky, HalfASkewb, WhoRUGurl, MrIncorporeal, DarkFrost2000, kainer1000, WhyIsTheMoonThere, Trinitykill, Alomba87, kickypie, SoysaucePasta, teeth-in-my-pajamas, On-Record, Karmafia, F1NANCE, FreakyStarrbies, sjmaeff, MathGuyTony, danarchist, commrademcmasters, Masselein, JonnySpanglish, shane373, enough0729, AmericanVoiceover, Asdomuss, RemnantReturning, wafflecheese, thesmolchonk, Relevant-Worry2891 Subscribe to this podcast via: Spotify iTunes Google Podcasts Youtube Channel Social media: Instagram Facebook Twitter Tik Tok Discord Interested in advertising or sponsoring our show with +15k daily streams? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) See omnystudio.com/listener for privacy information.

It's great to be back with another Stranger Than Fiction episode. We're looking at Top 12 absolutely Stupid reasons that people actually got arrested for.Remember all of these are TRUE STORIES#1 Possession of ohhhh - 00:07#2 Soap Sub(stance)s - 01:18#3 Something Smells Suspicious - 02:53#4 Top Secret Job - 03:24#5 On Record - 04:32#6 Read All About It - 05:33#7 Keep Off The Grass - 06:35#8 Everything Will Be Fine - 07:49#9 Too Soon - 09:23#10 Don't Do-odle That! - 10:29#11 Food Sake - 11:03#12 Bonus Fakebook - 11:58Support the show

On Record with Tom Ham from the Automotive Management Network. Tom discusses a recent survey from his website about the stress level at work, reasons why someone would reject a technician application, health insurance and more! These results may surprise you! Tom Ham, Automotive Management Network. Tom's previous episodes HERE. Watch Full Video HERE Show Notes:   AMNSHOP.com laborratetracker.com - lowest labor rate so far is $50 and highest is $297 Management Help Polls: 130 types Why techs avoid working at some shops- low pay, dark/lack of lighting, dirty, disorganized Job applicants for possible reasons they might be rejected: 70% driver license issues, 68% frequent job changes, 66% negative comments about past employers, 64% know it all, 60% questionable attitude, 60% excessive demands. 59% inconsistent information, 58% late for interview, 55% listens poorly, 53% sloppy appearance, 53$ incomplete application, 51% lack of manners Pay portion of health insurance- 35% pay nothing, 19% pay full health insurance.  Stress level at your shop ranked 1 to 10, 10 is maximum stress level- 40% rank their stress level at 8+, 81% say their stress level is average or above average, only 19% say their stress level is ranked 4 or less. “What do we do here that is not as clear as it could be, a bit confusing?”  Service advisor responsibilities (are these regular tasks of your service advisor)- estimating, collect vehicle information, parts ordering and returns, labor claims, operation/management, quality control, assist technicians, pickup/deliver customer or parts (porter). None of these should be the service advisor responsibilities! Consider hiring an estimator/parts person Service Advisor Overload [THA 305] Service Advisor Overload: Part 2 [THA 312] Thanks to our Partner, Dorman Products. Dorman gives people greater freedom to fix vehicles by constantly developing new repair solutions that put owners and technicians first. Take the Dorman Virtual Tour at www.DormanProducts.com/Tour Connect with the Podcast: Aftermarket Radio Network

On Record with Keith Perkins. Keith has both a brick and mortar shop and mobile diagnostic vans. He discusses the future of mobile diagnostics and his perspective on our industry consolidating. Keith Perkins, L1 Automotive Diagnostics and Program, L1 Automotive Training, Listen to Keith's previous episode HERE. Watch Full Video Episode HERE Show Notes:   Vision Hi-Tech Training & Expo: https://visionkc.com/ L1training.com- membership resource https://www.l1training.com/ Future of mobile technicians? As a mobile technician, you have to have experience and tooling/software available. 10K in investment to start. Consolidation- constant conversations. What do you want with your business? Is mobile going to be around forever?  ChatGPT is not perfect! Thanks to our Partner, Dorman Products. Dorman gives people greater freedom to fix vehicles by constantly developing new repair solutions that put owners and technicians first. Take the Dorman Virtual Tour at www.DormanProducts.com/Tour Connect with the Podcast: Aftermarket Radio Network Subscribe on YouTube Visit us on the Web Follow on Facebook Become an Insider Buy me a coffee Important Books Check out today's partner:

On Record with Rob Merwin with an update to the Right to Repair Act in 2023 and a recent John Deere agreement. Rob Merwin, Publisher, Aftermarket Matters. Rob's previous episodes HERE Watch Full Video Episode HERE Show Notes:   Right to Repair legislation- consumer issue New Congress- best chance for 2023 and 2024 to get national Right to Repair legislation passed Repairact.com  70% of vehicles are out of warranty OE's want to control the parts and parts distribution John Deer agreement- sharing repair information, nonbinding, why now? NASTF- working with OEM Thanks to our Partner Dorman Products. Dorman gives people greater freedom to fix vehicles by constantly developing new repair solutions that put owners and technicians first. Take the Dorman Virtual Tour at www.DormanProducts.com/Tour Connect with the Podcast: Aftermarket Radio Network Subscribe on YouTube Visit us on the Web Follow on Facebook Become an Insider Buy me a coffee Important Books Check out today's partner:

On Record with Craig O'Neill. Craig discusses the benefits of joining Toastmasters. Toastmasters is a nonprofit educational organization that teaches public speaking and leadership skills through a worldwide network of clubs. Through Toastmasters you'll listen better, communicate more effectively, and lead teams and conduct meetings with confidence.  Watch Full Video Episode HERE Craig O'Neill, VP of Training, AutoFlow. Listen to Craig's previous episodes HERE  Show Notes:   Toastmasters.org to find a local club- go as a guest to start! You're in a system and a process for communication- fake the confidence!  Barriers- imposter syndrome   There is no such thing as a neutral exchange between people- you leave someone either a little better or worse in every engagement Use of 3's- never complain, criticize or condemn  Providing feedback ‘Ums' ‘ah' ‘er' - eliminating filler words, pause instead, and it creates better listening skills Note taking skills Thinking freely in impromptu moments Practicing with structure Online curriculum, management site, assessment test, path of communication courses,  Engaging people in your community Every Life Has A Story Connect with the Podcast: Aftermarket Radio Network Subscribe on YouTube Visit us on the Web Follow on Facebook Become an Insider Buy me a coffee Important Books Check out today's partner:

On Record with Greg Buckley. Greg discusses extended car warranties. You must educate your customer! Watch Full Video Episode HERE Greg Buckley, owner of Buckley's Auto Care in Wilmington, and Millsboro DE.  Greg's previous episodes HERE. Show Notes:   Extended warranty- used car market has been hot over the last few years. People want a ‘protection' What types of companies underwrite policies?  You must educate the customer on what they already purchased for their vehicle- most contracts are limited  Ask for a copy of the contract, review it, look for ‘what's not covered,' and explain to customer. Additional testing time? Labor? Rust?  “Do your own warranty” before you fall into the marketing funnel of extended warranties  Are these customers one and done? Only repairing what is covered and not doing proper maintenance.  Better margins with OE for warranty claims You must have oil change records- regular service receipts Connect with the Podcast: Aftermarket Radio Network Subscribe on YouTube Visit us on the Web Follow on Facebook Become an Insider Buy me a coffee Important Books Check out today's partner: Dorman gives people greater freedom to fix vehicles by constantly developing new repair solutions that put owners and technicians first. Take the Dorman Virtual Tour at...

On Record with Lauren Fix as she discusses the used car market and the importance of car maintenance. Watch Full Video Episode HERE Lauren Fix, Car Coach Reports,  Total Car Score Podcast, is an automotive expert and analyst based in Buffalo, NY. She has written three books on automobiles. She has appeared on CNN, Fox News, Newsmax TV, CNBC, and USA Radio's Daybreak USA show. Lauren's previous episodes HERE Show Notes:   Car Coach Reports Prior to covid selling cars: 17.5 million vs 13.7 million now. Average car profit to manufacturer: 10K...4 million sales lost People are buying out their car lease now Dealerships have 30% retention for car repair Repossessions are increasing- people bought cars during COVID, inflation and recession “Doing maintenance now will save you money down the road” Which cars can last 300K miles? Iseecars.com  “Never invest more in a car than it's worth” USAmotorjobs Connect with the Podcast: Aftermarket Radio Network Subscribe on YouTube Visit us on the Web Follow on Facebook Become an Insider Buy me a coffee Important Books Check out today's partner:

Paul is joined by Colorado Music Experience founding director and author, G Brown. G covered popular music at The Denver Post for 26 years, interviewing well over 3200 musicians, including Paul McCartney, Bruce Springsteen, Mick Jagger, and Kurt Cobain. He's also amassed an archive of close to 150 rare promotional photos, and he's put them all into a new book series called On Record. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sophie Willan is fabulous; an actor, comedian and writer from Bolton, whose sitcom ‘Alma's Not Normal' earned her two BAFTAs. Her writing manages to be both fearless in tackling serious themes, and incredibly funny. You only have to watch Sophie's reaction to winning her first BAFTA and acceptance speech for the second to realise how hilarious Sophie is and just how much her success means. Growing up Sophie was looked after by her Grandma and spent time in the care system due to her mother being a heroin addict. When she was older, to help fund her career, Sophie worked as an escort. She has utilised her past experiences in her shows ‘On Record' and ‘Branded', selling out at the Edinburgh Fringe with national tours and a subsequent Radio 4 series of ‘On Record'. Sophie founded a writing and outreach organisation called Stories Of Care for exceptional new writers from diverse backgrounds and set up a paid training programme for young people from low income and Care Experienced backgrounds on the production of her sitcom Alma's Not Normal. Alma's Not Normal is a semi autobiographical comedy which focuses on Alma living in Bolton trying to make the most of what she has and dreaming of being an actress, detailing the ups and downs of her relationships including with her mum, grandma and best friend, played by Strictly star Jayde Adams. The show looks at class, sexuality, prejudice, mental health, abuse, and societal systems like social care, all whilst making you laugh out loud.This is a conversation about Sophie's personal changes but also change in systems, change in prejudices and changing the concept of normal. Alma's Not Normal is back on iPlayer for the month of October. Should you be affected by any of the issues raised in this episode, in the UK, The Samaritans can be reached on 116 123. Hotlines in other countries can be found http://www.suicide.org/international-suicide-hotlines.htmlSophie mentions Lemn Sissay who's Changes episode can be found here: https://podfollow.com/changeswithanniemacmanus/episode/d006cf556767a3eb86b4249eb1704a789cb3d618/viewChanges is now a deaf friendly podcast. You can access transcripts here: https://www.anniemacmanus.com/changes Hosted on Acast. See acast.com/privacy for more information.

Ladies and Gentlemen of the Cha Cha Nation, I'm back with another episode of the Cha Cha Album Review Series your award-winning podcast, Cha Cha Music Review Podcast. With me on this episode is Mannie of On Record with Mannie Podcast and together we spoke about Chike's latest album titled The Brother's Keeper. Click the play button to listen Artiste: Chike Album Title: Brother's keeper Tracks: 16 Released Date: 25th August Features: Flavour, Ycee, Azana Producers: DeeYasso, Tee-Y Mix, Killertunes, Echo the Guru, Louddaaa, Sagzy Afroshii, Lord Sky, and Masterkraft. Album Link: https://open.spotify.com/album/0g7K5tuXiGzf5K6umuzCRX?si=f05fa07c9d6044dc --- Support this podcast: https://podcasters.spotify.com/pod/show/hafeestonova1/support

Ladies and Gentlemen of the Cha Cha Nation, I'm back with another episode of the Cha Cha Album Review Series your award-winning podcast, Cha Cha Music Review Podcast. With me on this episode is Mannie of On Record with Mannie Podcast and together we spoke about Chike's latest album titled The Brother's Keeper. Click the play button to listen Artiste: Chike Album Title: Brother's keeper Tracks: 16 Released Date: 25th August Features: Flavour, Ycee, Azana Producers: DeeYasso, Tee-Y Mix, Killertunes, Echo the Guru, Louddaaa, Sagzy Afroshii, Lord Sky, and Masterkraft. Album Link: https://open.spotify.com/album/0g7K5tuXiGzf5K6umuzCRX?si=f05fa07c9d6044dc --- Send in a voice message: https://anchor.fm/hafeestonova1/message Support this podcast: https://anchor.fm/hafeestonova1/support

Machine Head is the sixth and most commercially successful studio album Deep Purple ever produced.  The band was coming off a two-year tour, and wanted to capture a sound closer to their live shows on the next studio effort.  They booked the Rolling Stones Mobile Studio for the recording and booked time at the Montreux Casino.  However, just before their studio time was to begin, a fire was started during a concert for Frank Zappa and the Mothers of Invention, and the casino burned to the ground.  They then attempted to record at a nearby theater, but this had to be abandoned due to noise complaints.  Finally, they were able to secure time at the Grand Hotel in Montreux which had been closed for the winter, and recorded the album.  The band did not set up in a ballroom, but at the end of a hallway, and had to communicate with the mobile studio via closed circuit TV.The album was both a critical and commercial success, topping the charts in many countries and landing at number 7 on the Billboard 200.  It also produced many of the iconic Deep Purple songs and riffs.Wayne brings us this forerunner of prog rock and heavy metal. Highway StarThe opening track to the album is a killer anthem live and features the Hammond organ prominently.  The guitar solo would gain notoriety, and the readers of Guitar World voted it number 15 on their list of "100 Greatest Guitar Solos."  Smoke on the Water The opening riffs are amongst the most famous guitar riffs of all time.  This song tells the story of the band's experience where they almost recorded at the Montreux Casino, but instead watched the building burn to the ground after a flare gun was shot off at the Mothers of Invention concert.  The smoke was from the casino burning down, and the water was Lake Geneva.Pictures of Home  This deeper cut describes the sights and images of the local area around Montreux, far away from home for Deep Purple.  Space Truckin' This space themed anthem was inspired by the music from the 1960's "Batman" television series.  The lyrics themselves are nonsense, but the riffs and the sci-fi vibe make this rocker a favorite.  William Shatner covered this song on his album "Seeking Major Tom." ENTERTAINMENT TRACK:Main theme from the motion picture “The French Connection”Gene Hackman starred in this crime thriller which won the Oscar for Best Picture at the 44th Academy Awards in April, 1972. STAFF PICKS:Cities on Flame with Rock and Roll by Blue Oyster CultBruce's staff pick is the debut single from the debut self-titled Blue Oyster Cult album.  While it did not chart, it would become one of their most famous anthems.  Drummer Albert Bouchard is on vocals, and the lyrics explore the aftermath of nuclear war, using rock and roll as a metaphor for destruction.  You Could Have Been a Lady by April Wine Rob brings us the leading single from the Canadian band's album "On Record."  This is a cover originally released in 1971 by the British soul band Hot Chocolate.  It would be April Wine's first hit, charting at number 32 on the Billboard Hot 100.Back off Boogaloo by Ringo Starr Brian's staff pick is a non-album single Ringo Starr released in March 1972.  Former bandmate George Harrison produced and helped write this song, and played guitar on the single.  It was recorded shortly after Harrison and Starr appeared in the Concert for Bangladesh.  Many consider it an attack on Paul McCartney's solo work at the time.Jambalaya (On the Bayou) by the Nitty Gritty Dirt BandWayne features a Cajun cover originally written by Hank Williams in 1952.  The Nitty Gritty Dirt Band was a country rock group from Long Beach, California, and this cover appears on their sixth studio album. INSTRUMENTAL TRACK:Afro Strut by the Nite LitersWe close out this week's podcast with this funk and soul instrumental.

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 April Wine es una banda de rock canadiense formada en 1969 y con sede en Halifax , Nueva Escocia . Dirigida por el cantante, guitarrista y compositor Myles Goodwin desde sus inicios, el primer éxito de April Wine llegó con su segundo álbum, On Record (1972), que alcanzó el top 40 en Canadá y produjo dos sencillos exitosos: " Bad Side of the Moon ", un éxito entre los 20 primeros en Canadá; y " Podrías haber sido una dama ", canción número 2 en Canadá. La banda continuaría disfrutando del éxito internacional durante el resto de la década de 1970 y principios de la de 1980, lanzando más de 20 álbumes.Aunque April Wine comenzó oficialmente a fines de 1969 en Waverley , Nueva Escocia , sus raíces se remontan a St. John's, Terranova y Labrador, en 1967/68, donde los hermanos David y Ritchie Henman crecieron tocando juntos antes de mudarse a Nueva Escocia.Tres de los miembros fundadores, David Henman (guitarra), Ritchie Henman (batería) y su primo Jim Henman (bajo), estaban originalmente en una banda llamada Prism (no la famosa). Después de un breve descanso para asistir a la universidad, el trío se reformó con Myles Goodwyn en la voz principal y la guitarra. Goodwyn había tocado previamente con Jim Henman en un grupo llamado Termites. David Henman bautizó al nuevo grupo como "April Wine". Se dieron cuenta de que Halifax no brindaba oportunidades para tocar y grabar, por lo que enviaron una cinta de demostración a Aquarius Records en Montreal. Los gerentes de Aquarius, Terry Flood y Donald K. Tarlton , devolvieron una carta de rechazo, pero la banda la confundió con una invitación. El 1 de abril de 1970, April Wine fue a Montreal, trayendo consigo sus instrumentos y $100 en efectivo; Flood y Tarlton fueron persuadidos de firmar un contrato con la banda.Fueron instalados en un chalet y reservados en un club de comedia local, Café Andre. Pasaron los siguientes cinco meses recorriendo el este de Canadá con Mashmakhan .La banda grabó y lanzó su álbum debut homónimo April Wine en septiembre de 1971.El álbum incluía un sencillo, " Fast Train ", que fue un éxito entre los 40 primeros en Canadá y alcanzó el puesto 38 en RPM . Tabla de solteros ,Estableció a Miles Goodwyn como el principal compositor de April Wine. El álbum no se vendió bien, pero el éxito del sencillo llevó al sello de la banda a pedir un segundo álbum. Jim Henman dejó la banda en el otoño de 1971 y fue reemplazado por Jim Clench .Mientras tanto, la banda pasó 1971 de gira por el circuito universitario, con la excepción del 30 de julio, cuando abrieron en la Place Des Nations de Montreal para The Guess Who .. 1972 fue muy similar, aunque comenzaron a tocar en lugares más grandes y abrieron para algunos actos más grandes, como Ike & Tina Turner , Jethro Tull , Badfinger y Stevie Wonder .Bajo la dirección del productor Ralph Murphy ,April Wine grabó su segundo álbum, On Record en 1972. El primer sencillo fue una versión de la canción de Hot Chocolate "You Could Have Been a Lady". El disco fue un éxito comercial, alcanzando el número dos durante una sola semana en las listas canadienses de RPM, además de romper la lista Billboard Hot 100 en los Estados Unidos , donde permaneció durante 11 semanas, alcanzando el puesto 32. A segundo sencillo, una versión de "Bad Side of the Moon" de Elton John y Bernie Taupin, también tuvo mucha difusión en la radio canadiense y fue un éxito menor en los EE. UU. Ambos temas siguen siendo básicos en las estaciones de radio de rock clásico en Canadá. On Record obtuvo la certificación Gold en Canadá y la banda, junto con Murphy, regresaron al estudio. Mientras la banda grababa su tercer álbum, David y Ritchie Henman se marcharon. Goodwyn y Clench realizaron una audición y los reemplazos fueron el baterista Jerry Mercer (anteriormente de Mashmakhan ) y el guitarrista Gary Moffet. Terminaron el álbum, Electric Jewels , que contenía las canciones "Weeping Widow", "Just Like That" y "Lady Run, Lady Hide", que permanecerían en las listas de canciones de April Wine durante muchos años. En apoyo de este álbum, la banda se embarcó en el Electric Adventure Tour donde casi todos los estadios canadienses o salas de conciertos con capacidad para más de 2500 personas vieron tocar a la banda.La gira también contó con un gran espectáculo de luces y pirotecnia.Las giras resultaron exitosas;y Dino Danelli de The Rascals asistieron a un concierto de 1974 en Massey Hall y quedaron tan impresionados que se ofrecieron a grabar y producir un álbum en vivo de la banda. La sesión de grabación de una noche fue algo así como una empresa apresurada; querían que el álbum se lanzara al final de la gira. Goodwyn no estaba contento con el sonido, pero April Wine Live se convirtió en oro .El quinto lanzamiento de la banda, Stand Back de 1975 , fue doble platino en Canadá, gracias al éxito de los sencillos "Tonight Is A Wonderful Time To Fall In Love" y "I Wouldn't Want To Lose Your Love".April Wine se fue de gira con Heart , luego Thundermug .Después de la gira, Jim Clench se fue para unirse a Bachman-Turner Overdrive ;fue reemplazado por Steve Lang . El siguiente lanzamiento de la banda, en 1976, fue The Whole World's Goin' Crazy . Fue el primer lanzamiento de April Wine en alcanzar el estado de platino basado solo en pedidos de ventas avanzados.El álbum contenía la popular canción principal, así como un sencillo de éxito, la balada "Like A Lover, Like A Song". Su sexto álbum, Forever for Now , fue otro vendedor de platino y contenía el sencillo más grande de la banda hasta la fecha, "You Won't Dance With Me".El 4 y 5 de marzo de 1977, April Wine fue contratada para tocar en un concierto benéfico en el famoso El Mocambo Club de Toronto. El co-cabeza de cartel en el cartel era una banda llamada "The Cockroaches", que resultó ser The Rolling Stones . El seudónimo era un secreto mal guardado y grandes multitudes asistieron al evento. La actuación de April Wine fue capturada y lanzada como el álbum Live at the El Mocambo . Luego, la banda tuvo su primera oportunidad de hacer una gira por los Estados Unidos, abriendo para The Rolling Stones, Styx y Rush . También en 1977, Brian Greenway , último miembro de The Dudes (la nueva banda de Henmans) fue contratado como tercer guitarrista y co-vocalista. Su incorporación le dio a April Wine un poderoso ataque de tres guitarras que haría que su sonido de rock duro. Esto también permitió a Goodwyn cambiar a teclados para baladas. También firmaron con Capitol Records (además de Aquarius).1978 vio un éxito canadiense continuo y el comienzo del éxito internacional. El séptimo álbum de la banda, y el primero con Capitol, fue First Glance , que tuvo un impacto inmediato y los sencillos "Let Yourself Go" y "Get Ready For Love" triunfaron en la radio canadiense.Fue el tercer sencillo, el estridente "Roller", lo que atrajo a la banda a un gran atractivo en toda América del Norte; permaneció en el Billboard Hot 100 durante once semanas. First Glance permaneció en la lista de álbumes de Billboard durante muchas semanas, lo que lo convirtió en el primer disco de oro de April Wine fuera de Canadá. Las giras constantes ayudaron a impulsar a la banda a un mayor éxito, ya que los estadounidenses adoptaron el rock duro de esta "nueva" banda de Canadá, en 1978,, Starcastle y Teaze y, en julio, tocó en un concierto con los Rolling Stones, Journey y Atlanta Rhythm Section .Tras la popularidad de First Glance , April Wine lanzó Harder... Faster en 1979. "Say Hello" y "I Like to Rock" fueron éxitos populares en ambos lados de la frontera y Harder... Faster resultó ser otro más . lanzamiento multi-platino para la banda. Permanecería en la lista de álbumes principales de Billboard durante 40 semanas. 1979 lo pasó de gira con Styx , Rush , Toto , Boston , Squeeze y Blue Öyster Cult .Por ahora, la banda había acumulado suficientes éxitos que Aquarius pudo lanzar el álbum Greatest Hits . En 1979, elBBC lanzó In Concert para distribución internacional; En 1981, Aquarius lanzó otro álbum recopilatorio, The Best of April Wine Rock Ballads . The Nature of the Beast ,fue lanzado en enero de 1981, y gracias a la popularidad de los exitosos sencillos " Just Between You and Me " y la versión de la banda de la canción de Lorence Hud "Sign of the Gypsy Queen", el éxito del álbum éxito multiplatino en Canadá, y fue el primer álbum de April Wine en alcanzar el estatus de platino a nivel internacional. April Wine se embarcó en una extensa gira de apoyo, actuando ante las multitudes más grandes de su historia. Además de una agenda repleta de conciertos en solitario, realizaron una gira con Diamond Head , Harlequin , Krokus y Franke and the Knockouts , tocaron cinco conciertos con Loverboy y viajaron a Alemania para tocar en un concierto con Neil Young ., Jethro Tull, Michael Schenker Group (MSG) y King Crimson . La banda luego hizo una pausa de dieciocho meses. En julio de 1982, April Wine lanzó su décimo álbum de estudio, Power Play . El álbum incluía los sencillos "Enough is Enough", "If You See Kay" y "Anything You Want, You Got It". Este último se convertiría en el número de apertura de la banda en la gira de apoyo, mientras que el video "Enough is Enough"comenzó a recibir rotación frecuente en MTV . A pesar de las ventas decentes, Power Play no recibió la misma aclamación de la crítica que habían recibido los dos álbumes anteriores; tanto el álbum como sus sencillos se ubicaron bien en las listas de Billboard, pero por períodos de tiempo más cortos que los álbumes y sencillos anteriores. Aún así, fue certificado oro, y luego platino, en octubre. El juego de poderLa gira de 1982 fue la más extensa de la banda: tres meses, con Saga , Eddie Money y Uriah Heep .El juego de poderLa gira de 1982 fue la más extensa de la banda: tres meses, con Saga , Eddie Money y Uriah Heep . [6] Los conciertos de Nueva York con Saga y Money resultaron en álbumes separados de Live From Central Park . La banda comenzó a escribir y grabar su próximo álbum, Animal Grace , pero los miembros no se llevaban bien y Myles Goodwyn se mudó de Canadá a las Bahamas . Tanto Animal Grace como su sencillo "This Could be the Right One" subieron rápidamente en las listas, pero se quedaron solo por un corto tiempo. En 1984, la banda se reunió para su "Farewell Tour" anunciado, que fue una gira de un mes por Canadá.La gira fue lo suficientemente exitosa como para generar otro álbum en vivo, One for the Road . April Wine todavía le debía a Capitol Records un álbum más. Greenway se unió a Goodwyn en Nassau , junto con los músicos de sesión de Montreal Daniel Barbe (teclados), Jean Pellerin (bajo) y el baterista Marty Simon, para grabar lo que se suponía sería el último álbum de la banda, Walking Through Fire . Fue lanzado en septiembre de 1985 bajo el nombre de April Wine.En 1988, Goodwyn regresó a Canadá. Aunque había interés en una reunión de April Wine, y el tema fue discutido entre los ex integrantes, otros compromisos impidieron que se reunieran hasta 1992. April Wine volvió a los escenarios ese año, comenzando con un concierto gratuito en Portage la Prairie, Manitoba. . La banda reunida estaba formada por Goodwyn, Greenway, el baterista Jerry Mercer y el bajista Jim Clench, que no había tocado con la banda desde 1975. Completando el acto estaba el tercer guitarrista Steve Segal. La banda realizó una gira por Canadá y Estados Unidos. En 1993, ahora con Flood Ross Entertainment, lanzaron el primer álbum "verdadero" de April Wine en una década, Attitude .Fue certificado oro en Canadá poco después de su lanzamiento. Segal permaneció con la banda a través de un lanzamiento de estudio más, Frigate de 1994 . Cada año, durante los siguientes cinco años, salieron de gira, tocando con, entre otros, Def Leppard , Foreigner , Meat Loaf , Lover Boy, Peter Frampton , Blue Öyster Cult y Nazareth .La banda lanzó otro álbum en 2001, titulado Back to the Mansion .También en 2001, la canción de la banda "Roller" apareció en la película Joe Dirt . Luego, en 2003, lanzaron el álbum en vivo llamado Greatest Hits Live 2003 . Mientras tanto, varios sellos lanzaron varios álbumes recopilatorios. En 2004, Silverline lanzó el primer DVD-A de April Wine llamado From the Front Row ... Live! . De 2001 a 2004, sus shows en vivo incluyeron a Carl Dixon (antes de las bandas Coney Hatch y The Guess Who ).en guitarras, teclados y coros. April Wine entró en su 37º año como banda en 2006. El 31 de octubre de ese año, Aquarius Records lanzó April Wine Rocks! , el 28 de noviembre de 2006 se lanzó una nueva compilación de los favoritos de April Wine, que incluye una melodía adicional en vivo y un nuevo álbum, titulado Roughly Speaking . A fines de ese año, Clench dejó la banda por segunda vez y fue reemplazado por el bajista Breen LeBoeuf.Un año después, Mercer anunció su retiro; su espectáculo final programado en Calgary , Alberta , para recibir el año nuevo 2009, fue cancelado debido al mal tiempo. Mercer fue reemplazado por el baterista Blair Mackay. April Wine fue incluido en el Salón de la Fama de la Música Canadiense en los Premios Juno de 2010 en St. John's , Terranova y Labrador .Goodwyn y Greenway aceptaron el honor. El 3 de noviembre de 2010, Jim Clench murió en Montreal, de cáncer de pulmón, a los 61 años. LeBoeuf dejó April Wine en julio siguiente y fue reemplazado por Richard Lanthier de la banda tributo Yes Close hasta el borde. Mackay se fue en marzo de 2012 y fue sucedido por Roy "Nip" Nichol, difunto de la banda SamHill. Steve Lang murió el 4 de febrero de 2017, a los 67 años, de la enfermedad de Parkinson . Los sellos continúan lanzando su música; BGO Records lanzó The Nature Of The Beast / Power Play remasterizado en 2020.April Wine continúa de gira por Canadá anualmente y también toca festivales en Europa y Estados Unidos, y el grupo ahora está formado por Goodwyn, Greenway. , Lanthier y el baterista Roy "Nip" Nichol.Tocaron su concierto más reciente, en Ottawa, en septiembre de 2021.

The Birmingham 2022 Festival is a programme of art, theatre, performance and much more besides, on in and around Birmingham in the lead up to the commonwealth Games, during the games and into the early autumn too. RNIB Connect Radio's Toby Davey caught up with Louisa Davies, Senior Producer of the Birmingham 2022 Festival to find out more about this great programme of art and culture for the Birmingham 2022 Commonwealth Games. Toby began by asking Louisa about the history of the link between the Commonwealth Games and the arts and culture which first started with the Manchester Games in 2002.  Louisa then shared with Toby some highlights of events from the programme for the Birmingham 2022 Festival including Creative City, On Record - an album of commissioned music by a range of artists from well known acts such as UB40 to new and upcoming bands like The Friendly Fire Band. As well as a wonderful project for families called Abundance - a garden play space at the Birmingham Treatment Centre along with talking about how access to the festival has been a key driver when planning and putting on the events programme with all of the commissions being able to gain additional support to enhance their access offer.  The Birmingham 2022 Festival runs in and around Birmingham during the lead up to the Commonwealth Games, during the games and into the early autumn. You can find more details about the programme of events for the Birmingham 2022 Festival by visiting the festival website- https://www.birmingham2022.com/festival/events  (Image Shows three dancers, one male two female, in front of Birmingham town hall, posing balanced on their right feet and leaning forwards. Their right arms are stretched out to the right and they are all holding a closed, multi-coloured umbrella. )

Episode Notes In this week's episode of On Record, hosts Ariana Arenson and Nabeel Raza discuss organizations promoting body positivity, raising awareness for eating disorders, and working to end the stigma against mental health. With interviews from students who work with Peer Health Educators, NEDA Campus Warriors, the UVA Body Positive Team at the Women's Center, and IfYoureReadingThis.org, we hear about the importance of conversation, resources, and embracing who you are. Content warnings: This episode discusses statistics surrounding eating disorders, the toll eating disorders can take on mental health, and hear from someone who has struggled themselves with an eating disorder. We encourage you to take the space and time you need if you decide to listen. Your mental health matters. This podcast is powered by Pinecast.

With the new FIM Supercross World Championship set to take off this September, SX Global managing director, motorsports, Adam Bailey goes into detail on the series structure, team ownership and funding model, as well as a whole bunch more in this On-Record podcast.

With the new FIM Supercross World Championship set to take off this September, SX Global managing director, motorsports, Adam Bailey goes into detail on the series structure, team ownership and funding model, as well as a whole bunch more in this On-Record podcast.

Episode Notes In this week's episode of On Record, hosts Ariana Arenson and Grace Fluharty discuss IX Art Park and the history of how it came to be an integral part of the Charlottesville community. We hear about their mission and work to create accessible art experiences that “spark creativity and inspiration in people's everyday lives,” from Alex Bryant, the associate director of IX Art Park, Nathan Moore, a Board Member for IX, and Kim Dinh, a UVA intern with IX. This podcast is powered by Pinecast.

Episode Notes Welcome back to On Record! We discussed to return to Grounds for the Spring semester and talked to a group of graduating 4th years about their first spring semester as they reflect on their time at U.Va. Thank you to Caroline Challe, Jack MacLeod, Johnny Riordan, Harper Brinkley, Eleanor Hawkes and Melanie Murphy for their interview! Congratulations to Ariana Arenson and Grace Fluharty, our new editors for the podcast! This podcast is powered by Pinecast.

On RECORD, the CDC, FDA, WHO, even Fauci ADMIT the COVID vaccines DO NOT prevent transmission! So WTF is the point of mandating EVERYONE get it? A far more sinister agenda...

Episode Notes In today's episode, Paige and Nabeel discuss the new historical tours for first-year students, including how those tours were developed and why students are working to recontextualize the architecture of U.Va.'s Grounds. Resources to learn more: https://voicesforequity.virginiaequitycenter.org/ https://jeffersonschoolcitycenter.org/about/history/ https://blackfireuva.com/ This episode of On Record was written by Ariana Arenson. It was produced by Grace Fluharty. Our hosts are Paige Waterhouse and Nabeel Raza. Our editor is Nabeel Raza. We are available for contact at podcast@cavalierdaily.com. This podcast is powered by Pinecast.

It's a special "Music with Krump" episode tonight! Jimmy is rejoined in-studio by founder of the nonprofit Colorado Music Experience, G. Brown - music historian, 26-year Denver Post music reporter, and longtime music radio host of the Colorado Music Experience. G. is author of the incredible new 21-volume book series On Record, highlighting his thousands of interviews with countless bands and musicians spanning 1978-1998. Also joining us in studio is longtime music business veteran and friend of the show Jeff Krump as Jimmy's guest cohost. In this brand-new hour, they talk decades of music, what musicians are like behind the scenes, G.'s new book series, and much more!See omnystudio.com/listener for privacy information.

It's a special "Music with Krump" episode tonight! Jimmy is joined in-studio by founder of the nonprofit Colorado Music Experience, G. Brown - music historian, 26-year Denver Post music reporter, and longtime music radio host of the Colorado Music Experience. G. is author of the incredible new 21-volume book series On Record, highlighting his thousands of interviews with countless bands and musicians spanning 1978-1998. Also joining us in studio is longtime music business veteran and friend of the show Jeff Krump as Jimmy's guest cohost. They talk decades of music, what musicians are like behind the scenes, G.'s new book series, and much more! See omnystudio.com/listener for privacy information.

It's a special "Music with Krump" episode tonight! Jimmy is joined in-studio by founder of the nonprofit Colorado Music Experience, G. Brown - music historian, 26-year Denver Post music reporter, and longtime music radio host of the Colorado Music Experience. G. is author of the incredible new 21-volume book series On Record, highlighting his thousands of interviews with countless bands and musicians spanning 1978-1998. Also joining us in studio is longtime music business veteran and friend of the show Jeff Krump as Jimmy's guest cohost. They talk decades of music, what musicians are like behind the scenes, G.'s new book series, and much more!See omnystudio.com/listener for privacy information.

It's a special "Music with Krump" episode tonight! Jimmy is joined in-studio by founder of the nonprofit Colorado Music Experience, G. Brown - music historian, 26-year Denver Post music reporter, and longtime music radio host of the Colorado Music Experience.  G. is author of the incredible new 21-volume book series On Record, highlighting his thousands of interviews with countless bands and musicians spanning 1978-1998. Also joining us in studio is longtime music business veteran and friend of the show Jeff Krump as Jimmy's guest cohost. They talk decades of music, what musicians are like behind the scenes, G.'s new book series, and much more! See omnystudio.com/listener for privacy information.

It's a special "Music with Krump" episode tonight! Jimmy is joined in-studio by founder of the nonprofit Colorado Music Experience, G. Brown - music historian, 26-year Denver Post music reporter, and longtime music radio host of the Colorado Music Experience.  G. is author of the incredible new 21-volume book series On Record, highlighting his thousands of interviews with countless bands and musicians spanning 1978-1998. Also joining us in studio is longtime music business veteran and friend of the show Jeff Krump as Jimmy's guest cohost. They talk decades of music, what musicians are like behind the scenes, G.'s new book series, and much more!   See omnystudio.com/listener for privacy information.

AN EYEWITNESS ACCOUNT Of Gross Irregularities and Medical Incompetence in the Early Clinical Trials of AZT By Lynn Gannett 2000 Please keep in mind that these two write-ups represent only the "tip of the iceberg," and for everything that is recorded here, there are literally dozens of other examples that I could give. My information is NOT included in John Lauritsen's book on AZT, simply because neither of us had heard of each other at that time (although I wish we had!). His book documents information related to the Phase II studies of AZT, whereas I was involved with the Phase III studies (ACTG 019). But it was all the same kinds of shocking nonsense, incompetence and fraud. In addition to ACTG 019 (which was the major study at that time), I also worked on other studies of AZT and ddI (ACTG 002, 016, 020, 081, 116, 117 and 118). Some of these studies included other drugs, such as pentamidine. I was somewhat young (and naive) at the time, and didn't quite know what to make of what I was witnessing, or what to do with the information that I had documented, having NEVER witnessed anything even remotely similar. In fact, at that point in my life, I didn't even realize that human beings were even CAPABLE of this kind of corrupt, insane, self-motivated behavior. If I had known then what I know now, I would have been much more persistent in my attempts to report this information to the NIH. I don't even have a single letter – my communication with them was done entirely over the phone. Which means they could simply deny that these phone conversations ever took place. All I have to offer as evidence that I DID REPORT THIS TO THE NIH AND THEY DELIBERATELY IGNORED MY INFORMATION is my personal testimony, and some handwritten notes that I took at the time (this was in the Spring of 1990). I may be able to locate at least one witness who could corroborate my story (the NIH site monitor for Syracuse). But the way that I look at this is that it's never too late to report this to the NIH, AGAIN. And the important thing is that I still have ALL of my original documents (an entire box full of material) which I tried to share with them in 1990. I have precise names, patient numbers, dates, lab values, memos, etc. I KNOW that my information is accurate, because I was so thorough and meticulous (not to mention HONEST) in my record-keeping. That's why they hired me – I'm an extremely detail-oriented, "numbers" person. Thus, all of my information could, in theory, be verified by referring to the original research forms and NIH documents from that time period, which must still exist and (theoretically) could be obtained through the Freedom of Information Act. Ideally, my second attempts to report this could lead to a Congressional Investigation. That is certainly what I will be calling for. The seriousness of my allegations certainly warrants such an investigation. For the NIH to knowingly ignore serious and credible DOCUMENTED reports of gross scientific misconduct coming from someone working on the INSIDE of these trials – if that doesn't constitute scientific "fraud," I don't know what does. Especially when we look at the real-life gruesome outcome of this deliberate refusal to even INVESTIGATE my allegations to see if there was any merit to them (along with all of the other glaringly obvious, telltale signs and warnings coming from around the globe, which were also ignored at that time) – all of this intentional "blindness" on the part of the NIH, the FDA, Burroughs Wellcome, etc., led to the unnecessary and unimaginable suffering of countless individuals (of both "HIV+" people and their loved ones), and the unnecessary deaths of (in my view) tens of thousands of people. This dreadful holocaust continues to this day. Parks Mankahlana, couldn't have summed it up better when he said "...the profit takers who are benefiting from the scourge of HIV/AIDS will disappear to the affluent beaches of the world to enjoy wealth accumulated from humankind ravaged by a dreaded disease." Knowing what I know "first hand" about AZT, and knowing how it should NEVER have received FDA approval under ANY circumstances, this is one of many reasons why I am especially grateful to the members of the Perth group, Peter Duesberg, John Lauritsen, Celia Farber, Anthony Brink and many others for the outstanding work that they have done in documenting the case against AZT. *** I was an eyewitness (and later a whistle-blower) to gross negligence and fraud in the Phase III clinical trials of AZT (1987 to 1990). I've been saying to people for years that AZT was NEVER proven to be safe or effective. From the particular studies in which I was involved, it would have been impossible to prove anything. The data was such a mess! I now realize that AZT is a deadly poison. All "AIDS drug" trials since that time have been based on the same flawed model. The big difference is that now there is even LESS meaningful oversight, and even MORE of an economic incentive for physicians to enroll patients. And recent drug trials have also been characterized by an absurdly brief follow-up period (24 or 36 weeks, for example), and effectiveness is often said to be determined by "surrogate markers" which have never been proven to relate to actual clinical health and/or increased survival. But, the early AZT studies were like the big "granddaddy" of all of this ensuing insanity! I did not know John Lauritsen at the time that he wrote his book, AZT: Poison by Prescription (1990), but I later told him that, if I had known him at that time, I could have given him several additional chapters for his book! In this book he meticulously documents serious fraud which took place at other participating hospitals (I was in Syracuse, NY), particularly at a hospital in Boston. When I first read John's book, it was like reading my own autobiography! Talk about deja vu! In spite of what I witnessed, I was not aware, however, of the deeper problems within "AIDS science" until many years later. It was in 1997 that I first heard about the views of the "AIDS dissidents." After educating myself regarding the many unexplained and nonscientific paradoxes and absurdities of the orthodox "HIV/AIDS" model, and after studying the alternative views proposed by the various "AIDS dissidents," I started doing public speaking on this topic. I especially want to share my story with as many people as possible about the fraud which I witnessed firsthand in the early AZT trials. I always tell people that if the general public knew what I knew about AZT, this so-called "drug" would be banned immediately. *** My name is Lynn Gannett. As the Data Manager for the first two years and seven months of the NIH-sponsored AIDS clinical trials conducted at the Syracuse, New York, clinic (September 1987 to March 1990), my belief is that the data which came from the Syracuse site is ABSOLUTELY WORTHLESS! I would NEVER trust my health or my life to the results of this so-called "research" or in the hands of these so-called "medical professionals." I can only speculate that if these things occurred at this site, that similar things may have and in all likelihood did occur at the other participating sites. The things that I witnessed at this clinic would HORRIFY any reasonable observer. The level of medical incompetence, unprofessionalism, unethical, dishonest, corrupt, illegal and immoral behavior was shocking and inexcusable. The data was so inaccurate and so full of holes that I often compare it to Swiss cheese. I felt like I was trapped in the middle of an awful movie about "mad scientists." If there was a "rule" that could be broken - they broke it! The following examples outline some of the most egregious examples of what I witnessed: * The Principal Investigator, an MD, and the Study Coordinator, an RN, showed a huge interest in enrolling as many patients as possible on studies (which would entitle them to more money and perceived prestige) and showed little interest in the research itself - specifically in the integrity, accuracy and completeness of the data. * The Study Coordinator (and other medical staff responsible for study patients) often displayed a significant lack of understanding and unfamiliarity with the study protocols and important memos concerning their implementation - as though she had not even read them, or had totally misunderstood and misinterpreted them, even in instances pertaining to terminology and procedures FUNDAMENTAL to the protocol itself, often months after the study had been underway. e.g. In what I consider to have been the most serious, disturbing and grossly incompetent situation that I witnessed, which came dangerously close to resulting in death, and unquestionably resulted in extreme unnecessary suffering, PID #110434, a black, obese, diabetic, HIV+ female with a history of serious heart problems, experienced severe hematologic toxicity from the 081 study drug (AZT), which had progressed to a GRADE IV toxicity by week 24 and resulted in her coming into the emergency room with "severe shortness of breath, fatigue and weakness," and required her to be hospitalized for a total of five days. BECAUSE NO ONE, DOCTOR OR NURSE, SHOWED ANY RESPONSIBILITY FOR, KNOWLEDGE OF, INTEREST IN OR RECOGNITION OF THE IMPORTANCE OF THE EXPLICITLY-DEFINED TOXICITY (ADVERSE REACTION) AND DOSE MANAGEMENT STEPS AND PROCEDURES OUTLINED IN THE PROTOCOL, instead of being taken OFF the AZT due to the Grade IV toxicity, her dose was reduced from 1000 mg/day to 500 mg/day, in complete violation of protocol requirements which explicitly require DISCONTINUATION of study drug. Additionally, early Grade I and Grade II toxicities should have indicated the need for interim lab monitoring of Hemoglobin, especially with this patient's complicated medical history, but instead this patient had NO lab work performed between week 20 (13DEC89) and week 24 (10JAN90), even though she was in for a pentamidine treatment on 20DEC89 and could have easily had a blood sample drawn. At some point during this time interval, her original medical chart was "lost," never to be found again, requiring a new chart to be made up, which subsequently obviously lacked significant information concerning her medical history. I was shocked, outraged and horrified when this whole situation occurred, and documented this gross medical incompetence and blatant violation of protocol requirements as carefully as I could because I wanted everything to be ON RECORD so that no one could later deny it or cover it up. (See attached memo dated 01FEB90 and lab flow chart showing toxicity progression.) * Patients were ROUTINELY enrolled who failed to meet eligibility requirements, especially when it came to specific required lab values and test ranges (i.e., within the required number of days prior to enrollment). There are many, many examples. Below are a few (also see attached 05OCT89 list of 081 screening lab eligibility failures): e.g. In the most blatant example, PID #110264C, a female partner of an HIV+ male, was enrolled on study 019 and took study drug for THREE weeks before it was discovered that she was actually HIV NEGATIVE! (The Elisa came back as a false positive but the Western Blot came back negative.) The test results date predated her enrollment on study date. She was also on oral contraceptives at the time, another eligibility violation. E.g. You might think that this would be the last time a patient would be enrolled without an HIV+ test result "in hand" - not so. PID #110316's HIV+ test results are dated 06JAN89, ONE MONTH AFTER his enrollment date (05DEC88)! e.g. Other patients had been routinely enrolled without HIV+ test results documentation available, often based simply on referrals from other physicians. An example is PID #110153H, a referral patient from Binghamton who, to my knowledge, has no HIV+ test results in his chart TO THIS DAY! After a year or two of my repeated requests to the Study Coordinator for this information, she finally obtained a LETTER ONLY from the referring physician "verifying" his HIV+ status, who also apparently had no supporting documentation. * There were COUNTLESS unreported (meaning unreported on the research forms) diagnoses, opportunistic infections, symptoms, concomitant medications, and adverse reactions. Except for "symptoms" (which were asked for at every visit), these significant things (which each REQUIRE reporting) should have been reported on one of several "as needed" or optional case report forms used to track this information - an extra step which was rarely taken. I often observed, as did the RTI (Research Triangle Institute) site monitors, this unreported information recorded or mentioned in the patient's regular medical chart. E.g. From the 22JUN89 site monitor's report: "Of the six protocol 002 charts which were reviewed for the first critical event verification, four reported death as the first event even though at least one OI [opportunistic infection] has preceded the death. These OI's were not reported. In another instance, it was impossible to determine what had happened to the patient between the time of randomization and death because the records were missing." * Incorrect lab tests were ROUTINELY ordered (either required labs omitted or unrequired labs ordered by mistake), and the wrong prescriptions were ROUTINELY written (for example, 1200 mg/day instead of 1000 mg/day). When I questioned these and other similar mistakes, I would be chastised by the Principal Investigator and/or Study Coordinator for being too "nit picky" or for inappropriately questioning someone's medical "expertise" since I did not have (nor did my position require) a medical degree. * Medical lab results were ROUTINELY transcribed incorrectly onto the research forms by the Study Coordinator (who I suspect may have dyslexia - at the very least, she does not have the "detail-oriented" type of mind necessary for this type of research position). * Syracuse had an unusually high and excessive rate of "no shows" (often meaning "not even scheduled to begin with") and "not dones" compared to the other clinics. * On a regular basis, I would have to REPEATEDLY request data from the Study Coordinator, and we routinely missed deadlines. E.g. There was one group of approximately 90 (!) forms which were "missing" for over a year and a half. When these forms were eventually "found," mostly blank, the Study Coordinator filled in much of the information with, in most cases, no supporting documentation or progress notes in the charts. I have always believed that this data was just "fudged" or made up, because there would have been no other written record of these things (such as vital signs). * Informed consent forms were ROUTINELY backdated, sometimes weeks or even months after enrollment. E.g. In at least one instance, a patient was asked to sign (and did sign, along with the Principal Investigator and Study Coordinator) an informed consent form for the WRONG study (PID #110076A signed an informed consent for study 116 but was being enrolled on study 117). * The Principal Investigator and Study Coordinator displayed such open hostility and contempt toward the site monitors that there was a high turnover (4 different site monitors in a 3-year period). These site monitors could have easily uncovered this corruption if they had done their jobs carefully (which the first 3, at least, did NOT do) and over an extended period of time. * On March 21, 1990, after attempting unsuccessfully for over one year to address and resolve these SERIOUS issues with the Principal Investigator and Study Coordinator, and after watching in horror as the situation worsened severely with the implementation of the DDI studies (see attached memo dated 19MAR90), and after being retaliated against in many vicious and mean-spirited ways by both the Principal Investigator and Study Coordinator merely for repeatedly raising these issues and insisting on some type of corrective action, I felt compelled, in good conscience, to resign my position as Data Manager and immediately report this critical situation to the RTI site monitor. E.g. After reporting this to the site monitor, she checked with her boss, who in turn checked with her boss, and the decision was made to launch a "special audit and investigation" of the Syracuse site by the program office. I was asked to mail copies of all of my documentation supporting my claims to the site monitor. In a 27MAR90, 1:40 PM, phone call, the site monitor told me that her boss "never heard of anything of this magnitude," and referred to the situation as "uncharted waters." E.g. In a 27MAR90, 4:00 PM (later that same afternoon), phone call with Carolyn Fassi, who called me from NIH on behalf of Dr. Kantz, she thanked me for bringing these issues to their attention and said it would be unnecessary for me to forward copies of my documentation to the site monitor or to NIH. She also stated that they "can't act directly" based on my claims or supporting documentation, that they would "keep a close eye" on the Syracuse site, that they "won't use my information against the site or me," and ended by saying that he (Dr. Kantz) "may not even need to call me, except to clarify something." In other words, "don't call us, we'll call you." I never received a call from their office or anyone else associated with these studies again.

Episode Notes Paige and Nabeel discuss the history of Beta Bridge, an iconic U.Va. landmark. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Jake Morgan, Kate Patalino, Ariana Arenson, and Kristen Davidson-Schwartz. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Jenna Oneto. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com. Special thanks to Sandy Gilliam for speaking to us for this episode. This podcast is powered by Pinecast.

Episode Notes In this week's episode, Paige and Nabeel talk about what graduation ceremonies for the Classes of 2020 and 2021 will look like. Additionally, we hear some students' thoughts about those plans. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Jake Morgan, Kate Patalino, Ariana Arenson, and Kristen Davidson-Schwartz. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Jenna Oneto. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com. This podcast is powered by Pinecast.

Episode Notes Paige and Nabeel discuss the University's spring semester "break days", and we hear from some students about what they are doing on these days off. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Jake Morgan, Kate Patalino, Ariana Arenson, and Kristen Davidson-Schwartz. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Jenna Oneto. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com. This podcast is powered by Pinecast.

Former Columbine High School Principal Frank DeAngelis talks about being a resource for mass shooting survivors and the community. Then, loved ones remember some of the victims of Monday's shooting. And, Boulder resident Christine Chen reflects on a day of tough conversations. Plus, G. Brown documents decades of music in a new book series "On Record."

Episode Notes In this episode, Nabeel and Paige talk to Rachel Hightman about Mutual Aid efforts at UVA. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Jake Morgan, Maggie Lynn, Karen Sun, Ariana Arenson, and Kate Patalino. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Jenna Oneto. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com. This podcast is powered by Pinecast.

*Sensitive content discussed.  Parental Discretion advised.   Allison Kugel is a syndicated entertainment columnist, author of the memoir, Journaling Fame: A Memoir of a Life Unhinged and On Record, and owner of communications firm, Full Scale Media. As a writer, Allison has published articles on women's interests and business that have appeared in various international publications and in University newsletters. Allison has also conducted, published and syndicated in-depth interviews with newsmakers from: film, television, recording, politics, publishing, health and international affairs. Her articles, essays and excerpts from her many interviews have been re-published by: Yahoo omg!, MSN Wonderwall, San Francisco Chronicle, LA Times Blog, HollywoodReporter.com, DrudgeReport.com, Toronto Sun, W.E.N.N., Seattle Post-Intelligencer, UCLA FEM Magazine, Jewish Living Magazine, Social Life Magazine. Allison has written feature stories on and promotional pieces for Ron Paul, Ralph Nader, Obama advisor David Plouffe, Oscar winning actress Mo’Nique, rock legends Gene Simmons and Bret Michaels, model turned-author Jenny McCarthy, spiritual guru Deepak Chopra and renowned Harvard Professor and bestselling author, Dr. Andrew Weil to name just a few. She has been quoted in The New York Daily News and notable personalities like Giuliana Rancic, Kristin Chenoweth, Busy Philipps and Kourtney Kardashian have all tweeted and blogged about Allison’s written work as a journalist. Political figures like Ron Paul and Ralph Nader have re-published their interviews with Allison on their official websites. Allison’s prolific public relations career has included client bookings and media placements in/on: Good Morning America, Nickelodeon News, The Wall Street Journal, People Magazine, US Weekly, The New York Post, The Tyra Banks Show, Redbook Magazine, Entrepreneur Magazine, Mashable, Fox Business News, and MSNBC.   Find out more about Allison Kugel by visiting: https://www.allisonkugel.com/

George Hibbert, retired doctor/psychiatrist and Jill Canvin, retire solicitor join the show today bringing their professional expertise. George was a doctor and psychiatrist who was a consultant and senior lecturer in Oxford, specializing in drug and alcohol misuse and personality disorders. Jill spent her professional career in the criminal and family courts. Both focused on the most difficult family dynamics where they had to assess parents who were considered by social services as a danger to their children. George and Jill have brought their experiences together to help parents gather evidence they need to make their case in the family court system.Support the ChannelDonate through PayPalDSD Channel MembershipsParticipate in the show!During the show you can call in live at1 (424) 373-54831 (424) DSD-LIVEWeb Interface - free dialing You can also leave a voicemail through the DSD websiteTable of Contents00:00 - Start of Show02:10 - Introduction of Jill Canvin and George Hibbert07:08 - How do the professional recognize personality disorders12:13 - Treatment of personality disorder and success19:24 - How do ancillary series like social services, GAL, Judges, etc see high conflict21:25 - How to get believe to believe you?29:16 - Family court is destroying lives32:50 - Aligning arguments with “best factors”37:29 - How to maximize success with our children’s hearts and minds41:48 - Technique to understand where your child is emotional at47:48 - Reconciling the damaged that has been done by an ex49:53 - The best ways to document what is really going on56:20 - The “On Record” platform57:51 - Key takeaways and suggestions to help people right now59:51 - End of show wrap-up

Episode Notes Paige and Nabeel talk about how students' relationships to the outdoors have changed during this time. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

In this episode of On Record PR, we go On Record with members of the Furia Rubel Communications team, including Gina Rubel, CEO, Sarah Larson, Executive Vice President, Jennifer Simpson Carr, Director of Business Development and Producer of On Record PR, Caitlan McCafferty, Public Relations Account Director, Devon Grosso, Public Relations Account Manager, and Jayla Johnson, 2020 Drexel Co-Op Student and Public Relations Intern. We discuss coronavirus, college campuses, and the need for strategic communications. This episode was recorded in September 2020, four to six weeks after college campuses in the United States either reopened or announced that they would remain virtual.

In this week's episode, Paige and Nabeel explore how theatre is still happening in the age of Covid-19.   On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.    

Paige and Nabeel talk to U.Va. Nursing students about their experiences with clinical rotations during the COVID-19 pandemic. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Paige and Nabeel discuss student involvement this election cycle. On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Paige and Nabeel discuss the complications with financial aid that have arisen during this strange semester.  On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Paige and Nabeel highlight the student activism that led to U.Va. offering a credit/general credit/no credit grading option this semester. Thank you to Matt Gillam and Tre Tennyson for talking to us! On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, David Hunt, and Carmen Mew. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

This week, Paige and Nabeel explore what in-person classes look like right now from the perspective of both students and professors. Thank you to Professor Wyatt Andrews and to the students, Zach Yahn and Daniel Podratsky, who spoke to us for this episode.  On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, and David Hunt. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Paige and Nabeel talk to local Charlottesville musicians about how the COVID-19 pandemic has affected their art and livelihood. ixartpark.org fightlikeagrrrl.org On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, and David Hunt. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

On this week's episode, Paige and Nabeel speak to students living in the Balz-Dobie and Echols Residence Halls, both of which underwent mandatory quarantine after indicators of a potential COVID-19 outbreak.  On Record is written by Will Bird, Neila Connaughton, Sophia Moore, Genevieve Charles, Maggie Lynn, Karen Sun, Ariana Arenson, Kristen Davidson-Schwartz, and Peyton Guthrie. It is produced by Grace Fluharty, Anne Williams, and David Hunt. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

On this week's episode, Paige and Nabeel discuss some of the racial disparities seen with the COVID-19 pandemic.  We would like to thank Professor China Scherz for talking to us for this week's episode.  On Record is written by Will Bird, Neila Connaughton, and Peyton Guthrie. It is produced by Grace Fluharty and Anne Williams. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

What's that you hear? It's the start of Season 2 of The Factory of Sadcast. **Sam Ehlinger voice** we're baaaaaaack!In this episode, we present reasons to be cautiously optimistic about the 2020 Cleveland Browns despite three starters on defense going down with injuries in the first week of training camp, the world literally being on fire, and the reigning NFL MVP still patrolling the AFC North.0:00 We're Baaaaaaaack1:10 DJ Shares Life Updates from Grant Hospital20:30 So, Let's Talk About Browns Training Camp Injuries22:36 New Sponsor Goodies for the Sadcast24:58 Browns Lost Three Starters to Injuries in One Week of Camp32:05 The NFL Will Do Everything Possible to Complete The Season33:30 Browns Training Camp Updates Presented by: Snapple?38:02 Baby Billy Could be a Browns Starting LB by October39:00 Game-By-Game Predictions48:10 DJ Drops a HOT AFC North QB #take49:50 Nick Chubb Love53:20 Ramzy's On Record: 10+ Wins58:40 Cautious OptimismSupport the show (https://www.paypal.me/sadcast)

In this episode…   Join us as we go On Record with members of the Furia Rubel Communications team to discuss crisis communications as they relate to inclusion, diversity, equity, and anti-racism. Originally our discussion was only intended to serve as a starting point for an article, but as the discussion evolved, we felt that it fit within what we stand for as an agency and as a team. In this episode, we changed up the format to discuss what is going on the in world, the questions we are receiving from clients, and how we are supporting our clients through crisis.

In today's episode, my lovely co-host is my (step) Dad, Alan Brangman. We discuss why people are scared to discuss race, growing up in a mixed/blended family, and trying to get him to admit ON RECORD that I am the favorite child.     Song: BenSound, Fun DayArtwork: David Sunshine

Paige and Nabeel break down the impact of the recent local elections and interview students who spearheaded the voter registration efforts on Grounds. On Record is written by Peyton Guthrie, Jackson Postal and Will Bird, and produced by Grace Fluharty. It's edited by Abby Clukey.

Paige and Nabeel look at the construction projects happening around Grounds and discuss what they mean for the University's changing landscape.  On Record is written by Peyton Guthrie, Abagail Long, Jisoo Park, Shreyas Gullapalli, and Neila Connaughton. It is produced by Grace Fluharty and Anne Williams. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Content warning: This episode discusses issues of sexual harassment and assault which may be triggering to some listeners. Nabeel and Paige discuss the history of Title IX cases at U.Va. and what the University's policies are today. Thank you to representatives from the Women's Center for speaking with us! On Record is written by Peyton Guthrie, Abagail Long, Jisoo Park, Shreyas Gullapalli, and Neila Connaughton. It is produced by Grace Fluharty and Anne Williams. Our editor is Nabeel Raza. We're always available for contact at podcast@cavalierdaily.com.

Welcome back to Season 2! Statues in Charlottesville have been a point of contention, especially in the past few years. Paige and Nabeel discuss the fate of two controversial Charlottesville statues in light of legislation making its way through the Virginia General Assembly and speak to professors and city officials who are informed on this issue.  Congratulations to both of our hosts on their editor positions this semester! Paige is now New Editor for the Cavalier Daily and Nabeel is the new Podcast Editor.  Thank you to Professor Jalane Schmidt and Mr. Brian Wheeler for speaking to us for this episode.  On Record is written by Peyton Guthrie and produced by Grace Fluharty. Our editor is Nabeel Raza. 

The inaugural episode of On Record, The Cavalier Daily's weekly podcast.

In this week's episode of On Record, hosts Paige and Nabeel examine student housing issues on Grounds and in Charlottesville.

Hosts Paige and Nabeel take a closer look at the recent news surrounding the admissions "watch list" that flags "high-priority" applicants. On Record is written by Peyton Guthrie, Jackson Postal, Will Bird and Abigail Quinn, and produced by Grace Fluharty and Sara Dunklee. It's edited by Abby Clukey.

In this episode of On Record, Paige and Nabeel interview Engineering Prof. Kristen Naegle about her recent research on protein evolution and its implications within the scientific community and beyond. On Record is written by Peyton Guthrie, Jackson Postal, Will Bird and Abigail Quinn, and produced by Grace Fluharty, Sara Dunklee and Lydia Willcocks. It is edited by Abby Clukey.

Does U.Va. not place enough of an emphasis on its arts programs? An opinion article from Cavalier Daily writer Noah Strike prompts Paige and Nabeel to explore how the study of art is valued around Grounds, and the measures the University could take to better support that field. On Record is written by Peyton Guthrie, Jackson Postal, Will Bird and Abigail Quinn, and produced by Grace Fluharty, Lydia Willcocks and Sara Dunklee. It's edited by Abby Clukey.

The New College Curriculum was recently voted to become the mandatory curriculum for incoming first-years. Paige and Nabeel talk to Cavalier Daily columnists with differing views on the subject and interview faculty members involved in the New Curriculum to find out exactly what this change will mean for students. On Record is written by Peyton Guthrie, Jackson Postal, Will Bird and Abigail Quinn, and produced by Grace Fluharty, Lydia Willcocks and Sara Dunklee. It's edited by Abby Clukey.

On this episode of On Record, Jaye chats with his Sight & Sound Music co-host, Brando Hall. Jaye and Brando have known each other for a long time, even before music. Fate would bring them together in the local music scene as both of their bands would play together, but the rabbit hole goes even deeper when they would become podcast partners. Brando discusses his life as a podcaster and the creative energy involved with that. Additionally, he discusses his hang ups with making music as a solo artist, as well as the perks of collaboration.SUPPORT THE PATREON FOR EXCLUSIVE S&S CONTENT:https://www.patreon.com/sightsoundpodCheck out our new website, https://sightsoundmusic.com for the latest music news, as well as additional Sight & Sound content.If you're interested in listening along with Brando and Jaye, be sure to check out the brand new Spotify Singles of the Week playlist. Follow/subscribe the playlist as it will be updated each week with the singles covered in the show:https://open.spotify.com/user/1213298238/playlist/4ewixmWBQ2eadEoujMkBb6Want to check out Jaye and Brando's new music Friday picks of the week? Be sure to do so here: https://sightsoundmusic.tumblr.com/bestoftheweekEVERYTHING SIGHT & SOUNDYouTube | https://bit.ly/2o7PjhxSpotify | https://spoti.fi/2wbGc3vApple | https://apple.co/2P3sjeLSight & Sound is available on nearly every podcast app.Feel free to join the Sight & Sound Facebook group. Come chat music, movies, and TV with us:https://www.facebook.com/groups/1972409419661246/You can also support the show by buying our t-shirts at https://sightsoundpod.comEmail us anytime sightandsoundpod@gmail.comRyan Snelling is on Twitter https://twitter.com/whatupsnell & Instagram https://instagram.com/whatupsnellJaye Williams is on Twitter https://twitter.com/jayewilliams & Instagram https://instagram.com/jayewilliams

Jaye sits down with long time friend, Matt Wilson. Matt has evolved from a local concert promoter in central Kentucky, to being a secret weapon for national touring musicians as a tour manager, live sound guy, and more. Matt details his journey coming up through the punk rock local music scene, to touring with some big names in music. Additionally, Matt discusses maintaining his love and passion for music, while working within the industry and battling burnout and frustration.SUPPORT THE PATREON FOR EXCLUSIVE S&S CONTENT:https://www.patreon.com/sightsoundpodEVERYTHING SIGHT & SOUNDYouTube | https://bit.ly/2o7PjhxSpotify | https://spoti.fi/2wbGc3vApple | https://apple.co/2P3sjeLTwitch | https://bit.ly/2O01OXqSight & Sound is available on nearly every podcast app.Feel free to join the Sight & Sound Facebook group. Come chat music, movies, and TV with us:https://www.facebook.com/groups/1972409419661246You can also support the show by buying our t-shirts at https://sightsoundpod.comEmail us anytime sightandsoundpod@gmail.comRyan Snelling is on Twitter https://twitter.com/whatupsnell& Instagram https://instagram.com/whatupsnellJaye Williams is on Twitter https://twitter.com/jayewilliams& Instagram https://instagram.com/jayewilliams Matt Wilson,Music,On Record

Ken Napzok is one of the most lovable personalities in the pop culture new media space, but he is also one of the most transparent individuals around. On this episode, Jaye discusses Ken's love for music, and how a surprise gesture sparked a new love and passion for music in the modern era. Ken also discusses being an old school music fan in the new technology landscape, and the two connect on feeling like outsiders in the online movie space despite being a part of it.On Record is a one on one conversational podcast where Jaye Williams explores the life experiences of his guests with music as the foundation for the conversation.Check out Ken's Patreon: https://www.patreon.com/KenNapzokKen on Twitter: https://twitter.com/kennapzok?lang=enKen on Instagram: https://www.instagram.com/kennapzok/?hl=enKen on YouTube: https://www.youtube.com/channel/UCG1Tfl1xin_JuCLS7cLNOIQSUPPORT THE PATREON FOR EXCLUSIVE S&S CONTENT:https://www.patreon.com/sightsoundpodEVERYTHING SIGHT & SOUNDYouTube | https://bit.ly/2o7PjhxSpotify | https://spoti.fi/2wbGc3vApple | https://apple.co/2P3sjeLTwitch | https://bit.ly/2O01OXqSight & Sound is available on nearly every podcast app.Feel free to join the Sight & Sound Facebook group. Come chat music, movies, and TV with us:https://www.facebook.com/groups/1972409419661246You can also support the show by buying our t-shirts at https://sightsoundpod.comEmail us anytime sightandsoundpod@gmail.comRyan Snelling is on Twitter https://twitter.com/whatupsnell & Instagram https://instagram.com/whatupsnellJaye Williams is on Twitter https://twitter.com/jayewilliams & Instagram https://instagram.com/jayewilliams

Dieser Podcast entstand für eine Vorgänger-Version von "On Record". Die Fragen kommen aus dem Off und es gibt mehr Originalton. Darum ist dieser Podcast ein bisschen anders :-) Lukas Gasser ist Schlagzeuger, spielt in verschiedenen Bands und unterrichtet. Ich war schon immer fasziniert von seiner lockeren Art, mit Musik umzugehen. Darum habe ich ihn zu einem Gespräch getroffen. Mehr Infos zu ihm gibt's auf www.lukasgasser.com

Twayna speaks to comedian, writer and actor Sophie Willan. In 2016 Sophie performed On Record, her show about receiving her fostering file at a train station at the Edinburgh Fringe Festival. In 2017 she returned to the Fringe with 'Branded' which was nominated for best show. Twayna and Sophie discuss the files kept on children in care, early childhood trauma and adult mental health. You can follow Sophie on Twitter at @sophiewillan in loco parentis (in the place of a parent) • A fostering and adoption podcast featuring former cared for children and adoptees hosted by Twayna Mayne. You can follow us on Twitter and Instagram @locoparentispod and email us at locoparentispod@gmail.com Created and produced by Twayna Mayne (@TwaynaMayne)Production managed by Angelie Stephens (@AngelieStephens)

Now that House and Senate Republicans have released their tax plans, the GOP is ready to begin the hard push for its first major legislative victory of the Trump presidency. Congressman Brendan Boyle (D-Pa. 13), a member of the House Budget Committee, joined Rick Ungar and guest co-host Rick Tyler to discuss his issues with the House GOP's tax proposal. Boyle said the tax plan fell short in many ways and doesn’t address problems like wage stagnation and the deficit. The Ricks also reacted to the Washington Post's report on Roy Moore’s alleged sexual misconduct with minors. Will this sink his campaign for Alabama’s senate seat?

Roger went viral with a really important tweet and has been dealing with Rick and Morty fans for the last couple days, so we talk about that weirdness and brainstorm on how to monetize his newfound internet notoriety. We also eat a good wasabi chip we can't identify and a terra chip that Roger, ON RECORD, declares, has ruined fall. Then we answer an important video game question from a listener that eventually leads to us discussing the plumbing situation in the Mushroom Kingdom and Mario's dick. 'Cause we're children. That love dicks. Dick-loving children. #TOOLONGFORDONG #MARIOLETSSEETHATDONG

Sir Tim Smit, co-founder of the Eden Project; actor and writer John Gordon Sinclair; performer Sophie Willan and confectioner Andy Baxendale join Aasmah Mir and the Reverend Richard Coles. Sir Tim Smit co-founded the Eden Project in Cornwall in 2001. The Dutch born businessman is also known for restoring the Lost Gardens of Heligan with John Nelson. It's 25 years since these gardens were restored to their former glory. This week the Eden Project launched a new company Eden Project International Ltd (EPIL) to establish Eden projects with international partners around the world. Eden Project International is currently working on three projects in China and others in Australia and New Zealand. John Gordon Sinclair is an author and actor, best known for playing Gregory in Bill Forsyth's film Gregory's Girl. In 2012 he turned his attention to writing crime novels and his current book, Walk In Silence, is the story of lawyer Keira Lynch who is caught up in the murky Albanian underworld. As an actor Gordon was nominated for a BAFTA for Best Newcomer for Gregory's Girl and his first outing in London's West End in She Loves Me won him a Best Actor Olivier award. Walk in Silence is published by Faber and Faber. Gordon features in the television drama Diana and I which will be broadcast on BBC Two later this year. Comedian Sophie Willan's new show Branded explores why she feels like a well-travelled alien - fitting in with no particular class or culture but still constantly being put into boxes by others. Branded by her working class background, her gender, her ambition, and her unapologetic 'Northerness', she explains the misunderstandings she's experienced in different environments. Her previous show On Record tackled the story of her childhood in care and the impact of getting access to her case files at 23. Branded is at the Pleasance Courtyard: Bunker 2, Edinburgh. Andy Baxendale is a sweet consultant who features in the BBC Two series the Sweetmakers which explores the life of confectioners in late 19th and early 20th century England. This was a time when cheap sugar meant sweets for every class in society and the modern brands that we still know and love today were created. Using period equipment, original recipes and authentic ingredients, Andy and his fellow confectioners recreate sweets of the past and discover the adulterants and toxic colours used in sweets, the Quaker families who dominated confectionery, and the poignant letters sent back from the First World War trenches. The Sweetmakers is broadcast on BBC Two. Producer: Paula McGinley.

What three watches would you get if you has $10k to spend? Based on a simple but thought-provoking question sent in by TGN listener Matt, Jason and James dive into the idea of a perfect watch trio, from how to pick the watches to the philosophy behind perfecting the blend of sporty, diver, chrono, gmt, titanium, quartz and more. If you want to weigh in, send us your perfect trio via email to thegreynato@gmail.com. Also in the show, James is prepping for a trip into the South Pacific, Jason is back from St. Barts, and the winner of our Unimatic Giveaway - listen to find out if it was you! Finally, tweed and whisky in scotland, the rules of professonal speeding and a list of great gear to kick off the camping/hiking season. Just press play, thanks for listening! St Barts http://bit.ly/2oPiFmp RM Diver http://bit.ly/2pJA4d4 Clippterton Expedition http://bit.ly/2pJ6KDy Clipperton Islands http://bit.ly/2oEF4Q9 Sony A6500 http://bit.ly/2oG0lLW Topo Quick Pack http://bit.ly/2pWZwwI Tom Bihn packing cube http://bit.ly/2padRWO Perfect 3 Watch Collection for under $10k Eterna Super KonTiki 1973 LE http://bit.ly/2mI1G1f Rolex Explorer II 16570 http://bit.ly/2oodUkG Seiko SBGM021http://bit.ly/2oE4Za9 Junghans Max Bill Chronoscope http://bit.ly/2oo7hPq Sinn EZM 10 http://bit.ly/2oE4sF5 Tudor Heritage Chrono http://bit.ly/2pt5ZTh Bremont Boeing Chronograph http://bit.ly/2q7k8lk James' Trio: EXP II http://bit.ly/2oodUkG Seiko SRP777 http://bit.ly/2hT1QEa Used Breitling Aerospace E56026 http://bit.ly/2oo4m94 -or- EXP II http://bit.ly/2oodUkG Aerospace http://bit.ly/2oo4m94 Halios Tropik or Seaforth http://bit.ly/2foGXiK Jason's Trio: EXP II or GMT II http://bit.ly/2oodUkG or http://bit.ly/2psQ4o2 Speedy Vintage http://bit.ly/2psZUWP Citizen Aqualand ana/digi http://bit.ly/2pegxVv - or - Grand Seiko GMT http://bit.ly/2oE4Za9 Rolex Sub (5513 or 14060) http://bit.ly/2pYyiZJ Aerospace http://bit.ly/2oo4m94 -or- EXP II or GMT II http://bit.ly/2oodUkG or http://bit.ly/2psQ4o2 Doxa Sub 300 Pro http://bit.ly/2q7TxEI Junghans Chronoscope http://bit.ly/2oo7hPq Under $1000? Jason SKX007 http://bit.ly/2pXFUsh Seiko 6117-6400 Worldtimer http://bit.ly/2oYO2dO James SRP777 http://bit.ly/2hT1QEa Vintage diver of some sort Seiko Worldtimer http://bit.ly/2oYO2dO Alex Roy http://bit.ly/2oEB3ud Cannon Ball http://bit.ly/2paKDaj Brock Yates http://bit.ly/2ooREaj "Alex Roy's Rules of Professional Speeding" http://bit.ly/2pesU3Q “When Ocean's 11 Met Pebble Beach” http://bit.ly/2pYP1f6 “The Coldest Cannonball Run Record. On Record" http://bit.ly/2oFc0rJ "Diving Into The Unknown" (movie) http://bit.ly/2pXnpEt Outside Online 20 Pieces of Gear Under $20 http://bit.ly/2oYHwUr “Men On a Mission: A Hunt for Whisky and Tweed in Scotland” http://bit.ly/2ooYvjU