Podcast appearances and mentions of Stephen King

I'm a little obsessed with Widow's Bay. It's a horror-comedy series on Apple TV set on a fictional island off the coast of Massachusetts. The island isn't as famous as Martha's Vineyard or Nantucket -- for good reason. Widow's Bay is cursed by a demonic entity. The show is nominated for 19 Emmy Awards, including Best Comedy, and I talked with their Emmy nominated production designer, Steve Arnold. We discuss the careful worldbuilding needed to blend horror and comedy, real and fake history, and subtle references to Jaws, The Fog, Halloween, The Shining, Carrie, and other works by Stephen King. We also look at why some of the props on the show became viral hits, like a set of creepy fake board games. We also have an update on our 2022 episode "Monsters in the Static: Why Gen Z Is Afraid of Analog Horror." I talk with digital folklore expert Diane A. Rodgers about why the web series Backrooms became a blockbuster film that resonated with younger fans this summer. The full version of my interview with Diane can be heard on our Patreon show, Between Imaginary Worlds. This episode is sponsored by Monarch. Use the code IMAGINARY at Monarch.com to get your first year of Monarch Core half off at just $50.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you're a weirdo like us here at The Kingcast then you'll hold Casper Kelly's work up as an ideal beacon of the bizarre. From Too Many Cooks to his Cheddar Goblin commercial in Mandy, Kelly's been bouncing between pitch perfect nostalgia and crap-your-pants creepiness his whole career. He finally got to make a feature film called Buddy, which is essentially what if Barney was really a hellish purgatory for the characters trapped inside the tube. Yes, it's as sweet as it sounds. Bloody, profane, and fun as all hell. Kelly joins The Kingcast boys to talk about this film and to talk about the strange Stephen King influences that can be found therein. The Shining, Misery, and On Writing all had at least a backwards impact on how this crazy flick came together.And thanks to this episode's sponsor The Calamities, written by Chuck Wendig and published by Penguin/Randomhouse, available right now wherever books are sold.

Buckle up: Conspiracy Bill is back. Bill Simmons joins the pod to surprise Jason and Tyler with the 12 stories that have had him doing deep dives. Here's today's agenda: 00:07: Stephen King's alias 04:39: Bill Simmons's alias: Conspiracy Bill 08:40: Conspiracy Bill's 12 Deepest Dives of the Year 20:12: No. 12: Havana Syndrome 25:35: No. 11: The Fox News mask incident 29:44: No. 10: Epstein won the Powerball?! 31:37: No. 9: The Whitehouse Correspondents Dinner 35:51: No. 8: What happened at the Miami mall? 38:41: No. 7: The Niners substation situation 41:32: No. 6: Nancy Guthrie 43:24: No. 5: What's up with Trump's ear? His hand? 48:35: No. 4: The microphone … 48:35: No. 3: Missing scientists 54:36: No. 2: Matt Miller … or Karen Read 01:00:33 No. 1: The Lindsay Clancy case 01:10:25 Bonus round: Why did Mark Cuban sell the Mavs? Plus: JC's Long Island serial killer theory. Follow us on YouTube: https://www.youtube.com/@waitasecondpodcastHosts: Jason Concepcion and Tyler ParkerGuest: Bill SimmonsProducers: T Cruz and Justin SaylesVideo editing: Marco Escalante and T CruzEngineering: Jacob CornettSocial media: Paige Ransbury Learn more about your ad choices. Visit podcastchoices.com/adchoices

Engaged Views and Disengaged Truths - Pods Like Us Chronicles — Episode Show NotesHost: Martin "Marv" QuibellEpisode SummaryMarv opens with a look at the World Humanoid Robot Games in Beijing (kicking off Saturday 22 August 2026), including a robot smashing Usain Bolt's 100m record and a musing on what happens when you put an LLM inside a humanoid robot. Then it's on to the week's podcast industry news: audiobook/podcast crossover, YouTube's changing definition of a "view," Spotify's new ad and skip-ahead features, AI's growing role in podcast discovery (and its occasional gaslighting), a tribute to John C. Dvorak, and more.In This EpisodeIndustry ReadsFrank Racioppi's Forbes piece on the audiobook/podcast listener overlap, and Noiser's audio drama adaptations of Dickens, Conan Doyle, and AustenCody McLaughlin's Substack interview with Brad Pipkin (IAB Tech Lab) on whether podcasting is becoming "the evolution of television"Frank Racioppi's spotlight articles on This Podcast Will Kill You and Auntie PleaseJohn McDermott's Random Thoughts newsletter — praise for School of Podcasting's episode, Apple Podcast embedding woes, YouTube's payout threshold change, and the headaches of vertical video repurposingSam Illingworth's viral Substack post (40,534 views, 575 comments, 364 restacks) and his follow-up on LLMs "gaslighting" users — plus the finding that a Substack upload of Moby Dick was flagged 44% AI-writtenStephanie Fuccio's two Substack pieces on using Stephen King's On Writing as inspiration for better show notes and titlingPlatform & Business NewsSpotify's new "unskippable" ads on its own shows, with skippability elsewhere governed by contract clauses (via Podnews Daily)Inception Point AI has rebranded as Liquify AI (parent of Liquid Studios), covered by the New York TimesYouTube redefines "view" as an "engaged view," roughly aligned with the IAB/AMP consumption-length standard — and doubles the download threshold for ad payouts from 4,000 to 8,000Megaphone's advertising issues, and Flightpath's new "Automation Playbook" tool, via Podnews DailySounds Profitable's That Stupid Radio episode — Tom Webster's story of a nine-button Italian radio rendered useless when its app stopped workingPodcasting Craft & CommunityPodmastery: Neal Veglio on checking your show name isn't taken — and the underrated problem of how your title sounds when spoken aloud (Marv's own "misheard lyrics" comparison to Sister Sledge's We Are Family)School of Podcasting: Dave Jackson on YouTube/Spotify changes and a potted history of Spotify in podcastingIn and Around Podcasting: Rob and Elsie trace the history of skipping — from 1930s reel-to-reel to Spotify's new "Skip Ahead" button — plus Overcast updates, a tribute to John C. Dvorak, and Ana Xavier's sit-down with Barack ObamaInto the Podverse: Tony on AI-driven podcast discovery (asking ClaudeAI, ChatGPT, Gemini, Siri, and Alexa for show recommendations), video podcasting, hosting migration risks, and how to vet download-growth offers from unsolicited emailsDan Murphy (SiriusXM co-founder) on his new book, They Pay For WaterComicbook Nation CornerA nod to Connor Casey's "Christ on a crouton cracker" line from December 2023, and a bit of nostalgia for the old news-desk format

Jim Hill and Eric Hersey trace the unlikely journey of Stranger Things from the Duffer Brothers' rejected pitch to one of Netflix's defining franchises - and a recurring Halloween Horror Nights favorite. They revisit how Universal translated Hawkins and the Upside Down into elaborate haunted houses, why the creative partnership worked so well, and how those early attractions helped prove that fans wanted to physically step inside Netflix's worlds. Then Jim and Eric bring the story up to the present with Netflix House in Philadelphia and the latest Stranger Things experience headed to Halloween Horror Nights 35. FEATURE • How Matt and Ross Duffer turned their original Montauk concept into Stranger Things after a string of network rejections. • Why the show's mix of Stephen King, Steven Spielberg, John Carpenter, 1980s nostalgia, and breakout young performers became a cultural phenomenon. • How Stranger Things first came to Halloween Horror Nights in 2018, with the Duffer Brothers giving Universal extensive creative access. • The painstaking work behind recreating Hawkins, the Byers house, the Upside Down, and the Demogorgon for Universal Orlando and Hollywood. • Why the 2019 and 2023 Stranger Things houses evolved differently on each coast rather than becoming simple clones. • Jim and Eric's visit to Netflix House at King of Prussia and its immersive Stranger Things experience. • How Netflix expanded Stranger Things into touring experiences, live theater, permanent attractions, and other extensions beyond the streaming series. • What Halloween Horror Nights 35 could represent as one of the final major theme park celebrations of Hawkins and its characters. HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com• Eric Hersey - X/Twitter: @erichersey | Instagram: @erichersey | strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews• YouTube: @jimhillmedia• TikTok: @jimhillmedia• Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave GreyProduced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a Universal Orlando Resort vacation? The travel professionals at BeOurGuestVacations.com offer personalized concierge service to help with resort stays, theme park tickets, and special extras for your Universal adventure. Be sure to mention that the Epic Universal Podcast sent you.If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover a powerful story of mysterious synchronicity, grief, spiritual connection, and how being in the right place at the right time can bring unexpected healing.The world is full of mystery, magic, and sometimes mayhem.Every so often, something happens that makes us pause and wonder whether life is simply a series of random events—or whether there are moments when we find ourselves exactly where we are meant to be.In a recent conversation with Dr. Raymond Roberts, a pastor with more than 40 years of experience, author, and musician, he shared one such story. It involved a lightning strike, a small church in Virginia, a devastating family tragedy, and an extraordinary chain of events that placed him in a position to offer comfort when it was needed most.Was it coincidence? Synchronicity? Divine providence?Whatever name you give it, the story is a powerful reminder that our connections with other people can matter in ways we may not understand until much later.A Strange Beginning at Providence Presbyterian ChurchAs a young pastor, Dr. Raymond Roberts was invited to speak at Providence Presbyterian Church in southern Virginia.A friend drove him to the church, where the congregation gathered for dinner before the service. Dr. Roberts had previously spoken at a youth retreat for the local presbytery, which was how the church had learned about him.Everything seemed relatively ordinary—until the service was about to begin.The clerk of session stepped outside and called for the young men waiting beneath a large oak tree to come inside.At that exact moment, lightning struck the tree.The Power of Being in the Right Place at the Right TimeA series of seemingly unrelated events had brought him to that church. A lightning strike had marked the beginning of the evening. His friend had unexpectedly arranged for him to travel home with a grieving family.And that family turned out to be mourning a young man Dr. Roberts had recently known.Sometimes, this is how healing enters a difficult moment. Not through an explanation. Not through a perfect set of words. But through presence.Does Everything Happen for a Reason?Is every coincidence a sign? Dr. Roberts offered an important distinction. He does not believe that every tragedy is caused by God or that every event has a simple explanation. He does not believe, for example, that God caused Calvin's death. Life contains tragedy, loss, and events that can be impossible to understand. But Dr. Roberts does believe in the possibility of a redeeming presence.Synchronicity, Connection, and the Mystery of LifeThe story of Dr. Raymond Roberts and Calvin's family is ultimately a story about connection. It is about the mysterious intersections that occur in our lives.If you'd like to hear other episodes of the podcast that deal with magical synchronicity, being in the right place at the right time, or stories of spiritual connection, here are some offerings for you!Gloria Vanderhoorst shares her story of being profoundly ill as a child, and close to Death, until a mysterious glowing woman entered her room and healed her. A spiritually profound encounter, her experience reminds us that healing happens in all sorts of ways! Listen on Spotify HERE, on Apple HERE!Birmingham, Alabama's Inaugural Poet Laureate shares a mysterious story of healing and encounter in this episode, "The Woman In The Yellow Apron." A story from the South, it engages with an old plantation, and the ghosts that still reside there. Listen on Apple HERE and Spotify HERE.And finally, Holly Porter's episode about surviving 70 days in the hospital with COVID, and the visions she experienced during that time, are astounding. Listen on Apple HERE and Spotify HERE.And friends, to read up on Dr. Raymond and his life, here is his website!Here is his Insta, so you can stay in the know! As well as his Facebook!And then, to support this intrepid author, click here to buy "A Democratic and Republican Faith: A Public Theology for a Church and Nation in Crisis” To take a gander at his Substack, click on this BUTTON!And finally, to check out "Reckless and Wild" on Spotify, click HERE!And your bit of beauty is this: RECKLESS AND WILD'S website where you can check out this band and their villan origin story! ;-) Here's a blurb from their bio: "What do you call a band where the two singers/songwriters come from very diverse backgrounds? One, a former New York model was working the late-night city music scene, writing and recording with "the B-52's" and doing soundtracks for movies, including a Stephen King film. The other? Would you believe a full-time Presbyterian minister? The resulting band is Reckless and Wild, tying Reckless Ray "The Rev" Roberts to his foil, Johnny Wild Coté. Together this duo is out to make rock history by creating genre-fluid music!Enjoy everyone!

Discover a powerful story of mysterious synchronicity, grief, spiritual connection, and how being in the right place at the right time can bring unexpected healing.The world is full of mystery, magic, and sometimes mayhem.Every so often, something happens that makes us pause and wonder whether life is simply a series of random events—or whether there are moments when we find ourselves exactly where we are meant to be.In a recent conversation with Dr. Raymond Roberts, a pastor with more than 40 years of experience, author, and musician, he shared one such story. It involved a lightning strike, a small church in Virginia, a devastating family tragedy, and an extraordinary chain of events that placed him in a position to offer comfort when it was needed most.Was it coincidence? Synchronicity? Divine providence?Whatever name you give it, the story is a powerful reminder that our connections with other people can matter in ways we may not understand until much later.A Strange Beginning at Providence Presbyterian ChurchAs a young pastor, Dr. Raymond Roberts was invited to speak at Providence Presbyterian Church in southern Virginia.A friend drove him to the church, where the congregation gathered for dinner before the service. Dr. Roberts had previously spoken at a youth retreat for the local presbytery, which was how the church had learned about him.Everything seemed relatively ordinary—until the service was about to begin.The clerk of session stepped outside and called for the young men waiting beneath a large oak tree to come inside.At that exact moment, lightning struck the tree.The Power of Being in the Right Place at the Right TimeA series of seemingly unrelated events had brought him to that church. A lightning strike had marked the beginning of the evening. His friend had unexpectedly arranged for him to travel home with a grieving family.And that family turned out to be mourning a young man Dr. Roberts had recently known.Sometimes, this is how healing enters a difficult moment. Not through an explanation. Not through a perfect set of words. But through presence.Does Everything Happen for a Reason?Is every coincidence a sign? Dr. Roberts offered an important distinction. He does not believe that every tragedy is caused by God or that every event has a simple explanation. He does not believe, for example, that God caused Calvin's death. Life contains tragedy, loss, and events that can be impossible to understand. But Dr. Roberts does believe in the possibility of a redeeming presence.Synchronicity, Connection, and the Mystery of LifeThe story of Dr. Raymond Roberts and Calvin's family is ultimately a story about connection. It is about the mysterious intersections that occur in our lives.If you'd like to hear other episodes of the podcast that deal with magical synchronicity, being in the right place at the right time, or stories of spiritual connection, here are some offerings for you!Gloria Vanderhoorst shares her story of being profoundly ill as a child, and close to Death, until a mysterious glowing woman entered her room and healed her. A spiritually profound encounter, her experience reminds us that healing happens in all sorts of ways! Listen on Spotify HERE, on Apple HERE!Birmingham, Alabama's Inaugural Poet Laureate shares a mysterious story of healing and encounter in this episode, "The Woman In The Yellow Apron." A story from the South, it engages with an old plantation, and the ghosts that still reside there. Listen on Apple HERE and Spotify HERE.And finally, Holly Porter's episode about surviving 70 days in the hospital with COVID, and the visions she experienced during that time, are astounding. Listen on Apple HERE and Spotify HERE.And friends, to read up on Dr. Raymond and his life, here is his website!Here is his Insta, so you can stay in the know! As well as his Facebook!And then, to support this intrepid author, click here to buy "A Democratic and Republican Faith: A Public Theology for a Church and Nation in Crisis”To take a gander at his Substack, click on this BUTTON!And finally, to check out "Reckless and Wild" on Spotify, click HERE!And your bit of beauty is this: RECKLESS AND WILD'S website where you can check out this band and their villan origin story! ;-) Here's a blurb from their bio: "What do you call a band where the two singers/songwriters come from very diverse backgrounds? One, a former New York model was working the late-night city music scene, writing and recording with "the B-52's" and doing soundtracks for movies, including a Stephen King film. The other? Would you believe a full-time Presbyterian minister? The resulting band is Reckless and Wild, tying Reckless Ray "The Rev" Roberts to his foil, Johnny Wild Coté. Together this duo is out to make rock history by creating genre-fluid music!Enjoy everyone!

Jon Herold and Zak Paine kick things off with fresh Fang Fang document drops, digging into some genuinely eyebrow raising details about a certain congressman's staff interviews and just how much got quietly swept under the rug when that whole scandal wrapped up. Then the guys settle in for the night's main event, a decades old theory claiming horror novelist Stephen King was secretly behind one of the most infamous assassinations in music history. It's got hidden codes in magazine covers, mismatched glasses, a self published pamphlet, and a level of commitment from its original author that even Jon and Zak can't help but admire, even as they pick apart just how far the logic actually holds up. Buckle up for one of the more unhinged deep dives the show has done in a while, complete with the usual sponsor breaks and banter to keep things grounded.

Este hotel fue parte de la inspiración de Stephen King para su novela "El resplador" misma que fue llevada al cine en una clásica película de terror. ¿Pero hay algo ahí paranormal? Acompañe a Relatos del lado oscuro en un recorrido por la misteriosa historia de este lugar.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/relatos-del-lado-oscuro--5421502/support.#relatos de misterio #relatos de terror #historias de miedo #asesinos #terror parapsicológio #joseramoncantalapiedra

Owen Strachan: You Can't Outwork Anxiety | Coach Me Up with Jimmy Dykes & Chris BurkeYou can't grind your way out of anxiety. That's the message from Dr. Owen Strachan — theologian, author, and Director of One Gospel — as Jimmy and Chris open year five of the podcast with a conversation that hits everybody, believer or not.Owen's new book, A Call to Cultivate, digs into why anxiety has skyrocketed in a world that promised technology would make life easier. He unpacks the "hamster wheel" we all step onto when we're afraid, why men so rarely admit they feel it, and the practical habits that actually move the needle instead of just making you busier.Jimmy asks the question a lot of high performers are afraid to ask out loud: can we outwork anxiety? Chris brings it to the field — what he learned about worst-case scenarios after getting to the big leagues, and why he doesn't actually want his kids' games to go perfectly. And Owen gets brutally honest about being a dad: he can't remove a single weed from his daughter's path, and pretending otherwise is the problem.Also in this one: growing up 5'7" in Maine, Stephen King buying his high school basketball team's uniforms, the "divine Wi-Fi," and the 32-minutes-of-heck defense he coached last season in Louisville.Owen's book, A Call to Cultivate: Overcome Anxiety by Thriving Where God Plants You:https://www.amazon.com/Call-Cultivate-Overcome-Anxiety-Thriving/dp/1510786597Listen to Owen's podcast, Grace & Truth:https://salempodcastnetwork.com/podcasts/grace-truth-with-owen-strachanAs always, we thank our title sponsor https://onecountry.com for making this podcast possible — catch every episode on the OneCountry app — and https://konexial.com for their continued support of the show.COACH ME UP TEAMhttps://onecountry.comhttps://konexial.comFollow us on Twitter:https://twitter.com/CoachJimmyDykeshttps://twitter.com/ChrisBurke02•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••Hosted by Jimmy Dykes and Chris BurkeProduced by Jared Mark Fincher — https://jaredmarkfincher.comAll audio is subject to copyright 2026 Jimmy Dykes Inc.Contact us at coachmeuppodcast@gmail.com

In part 2 of the Supposed Killer Songs series, Tessa discusses Pearl Jam's song "Jeremy". Eddie Vedder wrote this song shortly after the suicide of a 15 year old boy named Jeremy Wade Delle. Jeremy walks into a classroom armed with a fire arm and takes his own life right in front of his teacher and classmates.The music video is censored and makes it look like a school shooting instead of a suicide. Years after Jeremy's suicide a unstable 14 year old boy named Barry would walk into his classroom and shoot and kill 2 students and a teacher. He had a laundry list of scapegoats that included Stephen King and yes, Pearl Jam's Jeremy.CREDITS & LINKS SUICIDE HOTLINE:1-800-273-8255SONGS IN ORDER AS PLAYED:

To be “born with a veil” (or caul) was once regarded as far more than an unusual circumstance of birth. Being born with a caul—a portion of the amniotic membrane adhering to a newborn's head or face—is exceedingly rare, but across centuries of European folklore it has been interpreted as a visible mark of destiny. Those born with one might be exceptionally lucky, possess healing powers or second sight, or enjoy supernatural protection. In darker traditions, however, the same sign could mark a future witch, vampire, or uncanny wanderer between worlds. We  begin with a quoted passage from Stephen King’s The Shining, in which it’s revealed that the psychically gifted boy, Danny, is born with a veil and then go on to explore the colorful vocabulary once used to describe the caul. Across Europe, the membrane was imagined as a cap, hood, helmet, veil, cloak, or even a “shirt.” Such expressions as the Scottish “sely hoo,” or blessed hood, and various European equivalents of “lucky cap” and “victor's cloak” reveal how closely the caul became associated with good fortune. Next, we explore the earliest written references to caul superstition. A fourth-century biography of the short-lived Roman emperor Diadumenian claims that he was born with a strange membrane resembling a diadem. The same source remarks that midwives sold preserved cauls to lawyers who believed they would bring success in court. Medieval clerical writings likewise condemn officials who carried cauls as charms to silence their opponents. From there, the episode turns to the long practice of preserving cauls as family treasures. Surviving examples include a fragment enclosed in a locket made for John Monson in 1597 and the caul of King Frederik III, kept in a silver casket in the Danish royal collections. Seventeenth-century wills describe cauls mounted in jeweled gold settings and passed down as heirlooms believed to ensure a family's continuing prosperity. We then address the caul's most famous power: protection from drowning. By the eighteenth century, cauls were carefully dried on paper and sold to sailors. Newspaper advertisements addressed “gentlemen of the Navy” and offered them as proven safeguards for long voyages. Dickens satirized the trade in the opening of David Copperfield, whose caul attracts only one bidder—an attorney offering cash and sherry, but refusing to pay enough to guarantee himself against drowning. Caul kept as sailor’s charm displayed at Pitt Rivers Museum, Oxford. Mrs. Karswell then shares some amusing 19th-century anecdotes found in the long-running Oxford University publication, Notes and Queries. One report has a caul-bearing child who hild floated like a cork whenever his mother tried to bathe him. Another describes a prognosticating caul that physically transformed in sympathy to events unfolding in the life of the person consulting it. We then travel to Iceland, where fetal membranes were associated with the fylgja, a guardian spirit or external portion of the soul. The afterbirth could not safely be discarded, exposed to animals, or burned, lest the child lose this spiritual companion. Yet the caul's magical potential also made it dangerous: witches were said to use it in love potions, and a seventeenth-century French royal midwife warned her colleagues never to preserve one because sorcerers might obtain it. The episode then moves eastward, where caul folklore grows considerably darker. In Romania and Poland, those born beneath the membrane might be destined to become strigoi or other vampiric beings after death. In Slovenia, Croatia, and Serbia, however, caul-born men could become supernatural defenders known as Krsniki or Zduhaći. Their spirits left their bodies at night to battle dragons, witches, night-hags, and rival spirit warriors threatening the community's health, weather, and harvest. Next, we encounter their Italian counterparts, the Friulian Benandanti, or “good walkers.” Sixteenth- and seventeenth-century inquisitorial records describe men and women who claimed that everyone born with a caul was summoned in adulthood to fight witches during nocturnal spirit journeys. Their preserved “little shirts” were worn around the neck, blessed with prayers and Masses, and believed to protect soldiers or help lawyers win cases. Finally, we return to the sea with the curious modern discovery of a preserved caul purportedly belonging to a survivor of the the sinking of the Titanic. Its provenance may be uncertain, but the topic at least provides an excuse to close out with a snippet of the uniquely grim yet lighthearted folk song, “When the Great Ship Went Down.”

Ana Mateu Cifre comenta con Arconada los estrenos de cine de la semana, además de toda la actualidad cultural con Encarna Jiménez y Ayanta Barilli. En esta entrega de recomendaciones de series para el fin de semana, los colaboradores de esRadio Juanma González y Dani Palacios nos proponen una selección de producciones de terror ideales para disfrutar durante las jornadas veraniegas. Comienzan con un clásico indiscutible de la televisión en España, Historias para no Dormir, la mítica obra de Chicho Ibáñez Serrador. La versión original, estrenada en TVE en el año 1966, es una obra maestra de ingenio donde el realizador logró aterrorizar a todo un país con escasos recursos materiales y la inestimable ayuda de su padre, Narciso Ibáñez Menta. Con el paso de los años, el formato ha vivido varias etapas, incluyendo una serie de películas a principios del siglo XXI en Telecinco bajo el título Películas para no Dormir, en la que participaron directores de renombre como Paco Plaza, Jaume Balagueró o Álex de la Iglesia. Recientemente, la plataforma de streaming Prime Video recuperó el espíritu de la franquicia con nuevas versiones dirigidas por cineastas contemporáneos de la talla de Rodrigo Sorogoyen o Rodrigo Cortés. La segunda recomendación es otra joya clásica de finales de los setenta, El Misterio de Salem's Lot, estrenada en 1979. Esta miniserie adapta una de las primeras y más aclamadas novelas del célebre escritor estadounidense Stephen King. Bajo la dirección de Tobe Hooper –conocido por dirigir la mítica película de culto La Matanza de Texas–, la producción se convirtió en un referente absoluto del género de vampiros. Con un reparto liderado por David Soul, James Mason y Bonnie Bedelia, la serie dejó grabadas en la retina de toda una generación escenas verdaderamente espeluznantes, como la del niño flotando y llamando a la ventana. Como curiosidad de la época, en España esta miniserie se llegó a distribuir en los videoclubes bajo el engañoso título de Fantasma II, en un burdo intento de los distribuidores de hacerla pasar por la secuela de otra película de éxito, a pesar de no guardar ninguna relación argumental. A continuación, los críticos de esRadio destacan The Terror, una serie de antología que cuenta con tres temporadas disponibles en Prime Video y Netflix. Sin embargo, ponen especial énfasis en la soberbia primera temporada, basada en la novela homónima de Dan Simmons. La trama reconstruye de forma ficcionada la fatídica expedición real de la Royal Navy británica, en la que los navíos HMS Erebus y HMS Terror quedaron atrapados en el hielo del Ártico mientras buscaban el Paso del Noroeste. La serie logra transmitir una atmósfera asfixiante, gélida y claustrofóbica en la que la tripulación debe enfrentarse no solo al hambre, al frío extremo y al motín, sino también a una misteriosa y letal criatura sobrenatural que los acecha en la inmensidad blanca. Dan Simmons, el autor de la obra original, destaca por su habilidad para entrelazar con maestría el rigor histórico con elementos de ciencia ficción y terror. El espacio televisivo también dedica atención a producciones asiáticas de gran presupuesto disponibles en Netflix que a menudo pasan desapercibidas para el gran público. Una de ellas es El Hombre Vapor, una serie japonesa que adapta un clásico cinematográfico de la productora Toho, conocida mundialmente por las películas de Godzilla. La historia arranca con un planteamiento tan sorprendente como perturbador: una persona explota de forma espontánea durante una emisión en directo en televisión. A partir de ahí, se desata una intriga policial para capturar a un misterioso individuo capaz de transformar su cuerpo en estado gaseoso para cometer asesinatos selectivos. Los colaboradores elogian la factura técnica de la serie, sus logrados efectos especiales y la sólida dirección de un único realizador para mantener una coherencia estética excelente en todos los episodios. Para cerrar la lista, se presentan dos propuestas muy singulares. Por un lado, El Palacio del Este, otra suntuosa serie de época oriental disponible en Netflix, ambientada en el Japón feudal de los samuráis. Su trama gira en torno a la corte real, espíritus y demonios tradicionales japoneses, destacando por su imponente diseño de producción. Por otro lado, para los amantes del anime, se recomienda El Verano en que Hikaru Murió, basada en un popular manga japonés. La historia se centra en dos amigos inseparables de un entorno rural; tras perderse en las montañas, uno de ellos regresa poseído por una extraña entidad. Lo original de la propuesta es que su compañero decide mantener la amistad a pesar de saber que ya no es un ser humano. Con una atmósfera muy sensorial cargada de silencios, el cantar de las cigarras y un toque de romance juvenil, esta serie ofrece una experiencia de terror psicológico sumamente inquietante y conmovedora.

A long book deserves a long conversation and Michael and Jess are here to provide one. We're talking about Stephen King's It: the good, the bad, and the head-scratching.  We also talk about adaptations (ever heard of Woh?) and get into lots of spoilers for the recent Welcome to Derry series (but that's at the very end and easy to avoid if you haven't seen the show yet and want to remain unspoiled)

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney's Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast. Recommended Books: Ben Lerner, Transcription Libby Edwardson, We Sent Them Down Singing Daniel Mason, Country People Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's very special birthday episode, Jeremy turns 40 and gives Brandy Joe a double feature of first-time watches from two first-and-only-time directors: the eerie and influential Carnival of Souls and Stephen King's bonkers Maximum Overdrive. Time Stamps: Carnival of Souls - 29:15 Maximum Overdrive - 45:00 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! Check out merch & more: https://linktr.ee/scaringissharing This podcast is powered by Pinecast.

This week on Bad Dads Film Review, it is prison week — although with Riggs and Chris missing, Sidey and Dan are doing hard time as a two-man crew.Before the main feature, we look at memorable prisons and prison stories from film, TV and music. That means everything from miscarriage-of-justice anger to escape-movie comfort food, brutal borstal drama, wizard prisons, sitcom prisons and, naturally, George Clooney being offensively cool in Out of Sight.Along the way we discuss:In the Name of the Father and the fury of the Guildford Four injusticeThe Shawshank Redemption, new fish, Red, Andy Dufresne and the power of endless TV rewatchabilityThe Green Mile as another Stephen King prison classicBirdman of Alcatraz, Escape from Alcatraz and The Rockwhy Pete is missed whenever a Sean Connery impression is requiredBrubaker, with Robert Redford discovering prison corruption from the insidethe glorious stupidity of Prison Break and its tattooed escape-plan premiseScum, Midnight Express, Azkaban and The Great EscapeFolsom Prison Blues, Jailhouse Rock, I Fought the Law and John Lennon's Attica StatePorridge, HMP Slade and Fletcher trying to survive the system by wisecrackingEscape from Sobibor and the power of stories about people walking out through horrorOut of Sight, Glades Correctional Institution and the possibly illegal hotness of George ClooneyThen we review Sing Sing, directed by Greg Kwedar and starring Colman Domingo as John “Divine G” Whitfield. Inspired by the real Rehabilitation Through the Arts programme at Sing Sing Correctional Facility, the film follows a group of incarcerated men who use theatre to build community, process emotion and make something together in a place designed to strip people of freedom.The film opens with Divine G performing on stage. For a moment, it could be Broadway. Then the prison reality returns: standing to attention, routines, walls, control. That contrast becomes the film's central power. Inside the rehearsal room, the men are not reduced to their crimes or their sentences. They are actors, writers, collaborators, comedians and friends.A big part of the film's authenticity comes from the cast. Alongside professional actors like Domingo and Paul Raci, many performers are real RTA alumni and formerly incarcerated men playing versions of themselves. Sidey and Dan both pick up on how much that matters. The film feels lived-in because many of the faces on screen have lived some version of this world.The main dramatic spark comes when Clarence “Divine Eye” Maclin joins the theatre group. He is guarded, tough and suspicious of vulnerability, but he is also the person who suggests the troupe should make a comedy instead of another serious drama. That choice leads to Breakin' the Mummy's Code, a real RTA production full of time travel, ancient Egypt, Hamlet and absolute chaos.Sidey had not heard of Sing Sing before this week and might not have watched it without the nomination, but he is very glad he did. Dan is just as positive. The dads admire the film's warmth, pace and humanity, and the way it avoids becoming either a grim prison misery parade or a simplistic “art fixes everything” story.It is moving, funny, generous and grounded — a prison film about performance, friendship, grief, justice and purpose.Strong recommend from both dads.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney's Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast. Recommended Books: Ben Lerner, Transcription Libby Edwardson, We Sent Them Down Singing Daniel Mason, Country People Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney's Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast. Recommended Books: Ben Lerner, Transcription Libby Edwardson, We Sent Them Down Singing Daniel Mason, Country People Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney's Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast. Recommended Books: Ben Lerner, Transcription Libby Edwardson, We Sent Them Down Singing Daniel Mason, Country People Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney's Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast. Recommended Books: Ben Lerner, Transcription Libby Edwardson, We Sent Them Down Singing Daniel Mason, Country People Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

How many times do you use a bath towel before washing it? The norm is 2-3... but what is more controversial is Anna's confession when it comes to bath towels.   Pick 'em news!  Raven's choices: Steakhouse offers nude dining; Universals' new coaster isn't quiet; and venomous snake in high school football player's helmet! Tom Karrel, author of The Lost Art of Random Conversations, joins Anna and Raven to discuss the importance of meaningful conversation- and how to spend less time on your phone and more time connecting in the real world! Trending today: Someone took the Powerball home, winning over a billion-dollar jackpot after matching all 6 numbers! Also... where are you, Mrs. Kelce?  Am I Close? Producer Justin, the smartest one in the room at all times, quizzes Anna and Raven about what the “Dog Days of Summer” actually are!  How much do you know?  Apparently, the top 2 most stressful days of the year are the days before and the day of back-to-school. Do you agree?  Anna, Raven, Producer Sophia and Producer Justin all admit their most stressful day!  Stephen King, the most talked about man on the Anna and Raven Show, finally called into the show! Whew. What famous person's name would you like to have?  Brandy doesn't like dogs and whenever his mother comes over (every weekend to see the kids), she brings her slobbering, hairy dog. Their youngest always gets hives, the dog leaves hair everywhere, and she can't stand that they eat with the dog bothering everyone at the table for scraps. She wants Eric to tell his mom to leave the dog at home, but he argues that ever since his dad died, this dog is all she has. It means too much to her for him to tell her to “leave it at home”. Would you? Amanda has a chance to win $1,500! All he has to do is answer more pop culture questions than Raven in Can't Beat Raven!   

How We Seeez It! Episode 347: Stand By Me (1986) “We talked into the night. The kind of talk that seemed important until you discover girls.” – The Writer   For this Episode we are going back 40 years to take a look at the Rob Reiner Directed, Stephen King book adaptation about 4 pre-teen boys bonding adventure. A great coming of age story that will have you thinking of your own relationships with your friends from the past.          As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps. Drinks for the episode. "Apples & Oranges" 1½ oz apple brandy ¾ oz dry curaçao ¼ oz Bénédictine ¾ oz lemon juice ⅛ oz apple syrup 2 dashes orange bitters “My Brothers Keeper” 2.5 oz Brothers bond Bourbon 2.5 oz Black cheery juice 1 oz Fresh squeezed lemon juice.   Show links. https://hwsi.podbean.com/e/stand-by-me-1986/  HWSI LinkTree HWSI Facebook Link  HWSI Instagram Link HWSI Youtube link !!  You can also email the Podcast at the.HWSI.podcast@gmail.com

SynopsisThe broadcast begins with a dismissal of failed “plasma apocalypse” rumors and a general critique of “doom boofing,” where the host argues that doomsday predictions are often a lack of sincerity that can be tested by asking the claimant for a loan. The central theme of the episode is the “metascript,” the theory that history is prefabricated and synchronized with mass entertainment.Stephen King as a “Meta-scriptor”: The host discusses King's novel The Long Walk, noting parallels between the main character (number 47) and Donald Trump (often referred to as 47), framing the political narrative as a “dead man walking” script.The “Simulated” Death of Charlie Kirk: A significant portion of the show is dedicated to deconstructing the death of Charlie Kirk, which Ozman claims was a “simulated death” involving squibs and crisis actors (including Erica Kirk and a “palm gun” subplot) rather than a real assassination. He critiques “Trutherville” for accepting the death as real while only debating the culprit.Political Archetypes: Ozman analyzes the shifting media portrayal of “Trump-esque” and “Musk-type” characters in shows like The Boys, Civil War, and The Madness, noting a transition from these characters surviving attempts on their lives to being killed off in 2024.The Mandela Effect and PSYOPs: The Mandela Effect is characterized as “cognitive sabotage” or a government mind virus used to gaslight the public into questioning reality rather than fake news.Media and Alienology: The host argues that “alien invasion” narratives are used to condition the public for a “one world system” and that the demonization of both extraterrestrials and terrestrial “aliens” (immigrants) are parts of the same bifurcated psyop.The host concludes by discussing his “off-world stage perspective,” which seeks to provide a map out of the “Truman Show” of mainstream and alternative media. He also mentions technical efforts to use AI for “press release” automation to ensure this perspective is cataloged in search results and announces the upcoming second edition of the Handbook for the Recently Deprogrammed.

Are The Boulet Brothers the hardest working drag queens in the world? There's an easy case to be made that they are. From hosting their long-running and Emmy nominated show The Boulet Brothers' Dragula, to guest-editing Heavy Metal, to producing and hosting their Creatures of the Night podcast, it's a wonder Dracmorda and Swanthula Boulet found the time to join Vespe and Breznican to talk over Mike Flanagan's adaptation of Stephen King's Shining sequel, Doctor Sleep.Join in on this rambunctious conversation in which we talk about how drop dead sexy Rose the Hat is, debate about which is better: the director's cut or theatrical, figure out if baseball kids kind of deserve to get murdered by psychic vampires, and definitively answer which Stephen King character is best represented in drag. 

She's Irish, living in Australia, writing fabulous mystery-thriller hybrids, and trying to write faster to keep pace with her creativity! Dervla McTiernan reveals what 80's move prompted her to write a book that opens with a mysterious package with contents specially curated to destroy someone's life. (Spoiler alert: Dervla's villain delivers 3+ packages in this deliciously twisty novel!) We discuss how she develops characters who readers will love to hate and one of the sweetest female friendships, a missing ingredient in this genre of fiction. Inspired by Stephen King, fueled by Barry's Tea, Dervla has the BEST litmus test for whether her books are thrilling, and she gives us a sneak peek of her next project! Learn more about Guest Dervla McTiernan: https://dervlamctiernan.com/ Learn more about Host Melissa Westemeier: https://www.melwestemeier.com/

This week, we bounce from questionable kindergarten teaching techniques and a tour through old movies to a pile of upcoming sci-fi and superhero projects. Then, in Future or Now, AI gives hurricane forecasters a potentially huge advantage, NASA pulls off another bit of engineering wizardry to keep Voyager 2 alive, and the cast of The Pitt boldly goes where plenty of actors have gone before. Real Life Steven is officially over summer. Heat, summer schedules, summer in general—it's time to move on. Meanwhile, Ben has been watching OLD MOVIES, including Kindergarten Cop. Ben calls it an "exceptional film," but watching Arnold Schwarzenegger take control of a classroom in 2026 raises some questions. How would Detective John Kimble's teaching methods stack up against modern school employee safety training? How many policies would he violate before lunch? And perhaps most unsettling: just how old are all those kindergarteners today? That sends us down the inevitable road of examining an old movie through the lens of people who now have entirely too much experience with how schools actually operate. Steven also has a pile of upcoming genre television and movie news to talk about. Neuromancer is headed to Apple TV, while Blade Runner 2099 is coming as a limited series on Prime Video. San Diego Comic-Con also brought news about Ghost Rider and Black Panther 3, along with more X-Men casting news involving Cyclops, Emma Frost, Beast, and Professor X. Trailer Links: Neuromancer: Watch on YouTube Blade Runner 2099: Watch on YouTube Devon has been doing some family movie watching, working through the Jumanji movies and eventually arriving at Zathura. Technically part of the larger Jumanji family, Zathura doesn't quite live up to its predecessor. It doesn't help that Dax Shepard's character has to exist in the shadow of Robin Williams, which leads to the assessment that Shepard comes across as "a block of wood" by comparison. Things get considerably darker with The Long Walk, based on Stephen King's novel originally published under his Richard Bachman pseudonym. Devon found the adaptation interesting and well done—but extremely bleak. That conversation somehow takes a detour through Time Runner before eventually landing on Hokum and its supernatural layer. Future or Now AI Gets Better at Predicting Hurricanes Ben brings us a potentially enormous development in weather forecasting. Google DeepMind's WeatherNext AI system has demonstrated an ability to improve hurricane forecasts, potentially giving forecasters and emergency planners an additional day of warning. The system predicts both storm tracks and intensity and can rapidly generate thousands of possible scenarios. During Hurricane Melissa, it reportedly identified major intensification earlier than conventional forecasting models. That's potentially life-saving extra time for communities preparing for a major storm. But there's an interesting wrinkle: like many sophisticated AI systems, exactly how the model reaches some of its conclusions isn't always clear to the scientists using it. That makes WeatherNext another fascinating example of AI producing useful results while simultaneously raising questions about how much we need to understand a system before we're comfortable relying on it. And despite the improvement in modeling, humans aren't leaving the process. Meteorologists still have to interpret the information, communicate uncertainty, and turn forecasts into useful warnings for the public. Read the Ars Technica report on DeepMind's hurricane forecasting breakthrough This Week in Space: Voyager's "Big Bang" Nearly half a century after leaving Earth, Voyager 2 is still going, and NASA engineers are once again finding creative ways to keep it alive. In an operation nicknamed the "Big Bang," engineers simultaneously shut down power-hungry hardware and transitioned to lower-power alternatives while carefully keeping the spacecraft warm enough to survive. Voyager's dwindling power supply has forced NASA to make increasingly difficult decisions about which systems can remain operational, making every additional bit of usable energy precious. It's another remarkable chapter in a mission launched in 1977 that is still returning scientific data from interstellar space. Read more about the Voyager 2 operation at ScienceDaily Explore NASA's Voyager mission And while we're talking about space, we check back in on New Asgard and ask the important question: is Devon still going to space? The Pitt Goes to Star Trek Finally, there's an unusual crossover coming for fans of The Pitt and Star Trek. Noah Wyle and members of The Pitt cast are participating in a Star Trek table read benefiting the Writers Guild Foundation. It's not a new Trek series and it's not some bizarre medical-drama crossover episode—but it is an opportunity to hear a completely different cast tackle Star Trek material while supporting the foundation's programs. Read more about The Pitt cast's Star Trek table read at TrekMovie   From aging action comedies to AI-powered hurricane forecasts and a spacecraft that refuses to die, this week is a reminder that the future has a funny way of colliding with the past. Join us next time for more science, sci-fi, and whatever unexpected detours we stumble into along the way.

A theme month is something that can be so special and also last only two or maybe three weeks as long as your heart is pure, which is why we're coming back from summer break with Swamp Ass August. We figured our reunion was cause for celebration, Spookies, so we're hosting a slumber party double feature with Stephen King's Sleepwalkers (1992) and Scooby-Doo on Zombie Island (1998). With some interesting parallels and illuminating opposites, these two flicks make for strange bed fellows, but we're ready to stay up all night breaking them down just as long as we can work in a little ~cat~ nap along the way. References:Boadecia - Enya in Criminal Mindshttps://www.reddit.com/r/Scoobydoo/comments/11nl81x/we_were_robbed_of_a_good_representation_of_velma/

The Monster Squad, Cujo, The Fly, The Others, Jason Goes to Hell, and Lovecraft Country headline this episode of This Week in Horror History, covering August 10 through August 16. As summer horror starts giving way to spooky season, we're beginning the Halloween horror pregame with classic monsters, Stephen King terror, haunted-house mysteries, Jason Voorhees, cosmic horror, rabid-animal survival, and one of David Cronenberg's greatest body-horror transformations. Inside this episode:August 10, 2001 — The Others opens in U.S. theatersNicole Kidman waits inside a fogbound mansion where every curtain must remain closed, every doorway follows a strict ritual, and mysterious footsteps suggest that Grace and her light-sensitive children may not be alone. Alejandro Amenábar builds a gothic ghost story from silence, grief, locked rooms, and competing versions of reality. August 12, 1983 — Cujo opens in U.S. theatersStephen King turns a gentle Saint Bernard into the center of a brutally simple survival nightmare. Dee Wallace and a young child become trapped inside a failing car beneath the blazing summer sun while a rabid dog waits outside and their supposed shelter slowly becomes an oven. August 13, 1993 — Jason Goes to Hell: The Final Friday opens in U.S. theaters The Friday the 13th franchise blows apart the familiar image of Jason Voorhees and transforms him into a body-hopping demonic force. Family bloodlines, possession horror, temporary human hosts, gruesome transformations, and one unforgettable final tease send Jason into his strange New Line era. August 16, 2020 — Lovecraft Country premieres on HBOMisha Green's supernatural horror series follows Atticus Freeman, Letitia Lewis, and Uncle George across 1950s Jim Crow America, where sundown towns and systemic violence can be as deadly as the ancient creatures waiting in the dark. Cosmic horror, family history, inherited trauma, magic, body horror, and American history collide. Deep-Cut Spotlight — The Monster SquadDracula arrives with the Wolf Man, the Mummy, the Gill Man, and Frankenstein's creature—and the only people prepared to stop them are a group of young horror fans who have spent their lives memorizing monster rules. Directed by Fred Dekker and written by Dekker and Shane Black, The Monster Squad turns fandom into survival training. A German diary must be translated, silver bullets must be tested, an ancient amulet must be protected, and a treehouse club has one night to prevent classic evil from taking control of the world. Funny, adventurous, spooky, and unexpectedly heartfelt, The Monster Squad became a beloved cult horror movie through cable television, home video, and generations of monster kids passing it along to the next generation. It is also perfect viewing for anyone beginning their annual Halloween movie-season pregame.Horror Birthdays This Week: Alfred Hitchcock, Halle Berry, Natasha Henstridge, and James Cameron enter the birthday roll, bringing connections to Psycho, The Birds, Gothika, Dark Tide, Species, Aliens, and some of horror and science-fiction cinema's most memorable killers, creatures, transformations, and survival stories.Weekly Recommendation — The FlyDavid Cronenberg's The Fly celebrates its 40th anniversary with a story that remains romantic, disgusting, funny, tragic, and profoundly human. Jeff Goldblum plays scientist Seth Brundle, whose revolutionary teleportation experiment goes horribly wrong when an unnoticed fly enters the pod beside him. The machine combines their genetic material, beginning a physical transformation that neither science, intelligence, nor love can reverse. With Geena Davis as journalist Veronica Quaife, Academy Award-winning makeup effects, unforgettable body horror, and a devastating central relationship, The Fly remains one of the defining horror movies of the 1980s—and an essential addition to any early Halloween horror watchlist. Plus, Weekly Spooky returns Wednesday with another original horror story, followed by more terrifying history, strange mysteries, horror movie discussion, and unexplained broadcasts throughout the week. From The Others and Cujo to Jason Goes to Hell, Lovecraft Country, The Monster Squad, and The Fly, this week in horror history proves that terror can hide inside a locked mansion, wait outside a stalled car, move from body to body, follow a family across America, gather the classic monsters, or emerge from a teleportation pod. The calendar may still say August, but the Halloween horror pregame is officially underway.

In this episode of the Fan2Fan Podcast, Bernie and Allen take a trip to the small town of Tarker's Mills to discuss the 1985 werewolf movie Silver Bullet. Based on the novella Cycle of the Werewolf by Stephen King, the film stars Corey Haim, Gary Busey, and Everett McGill in a tale of mystery and murder. Bernie and Allen explore the movie's cast, werewolf effects, and why Silver Bullet continues to be a favorite among horror fans decades later. For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com

We promised you one of the greatest movies of all time this week, but unfortunately some technical issues stole our shine. So instead you get a torture pick chosen for us by Josh's wife... 10 Things I Hate About You.We will get back to our Stephen King double feature of The Shining and Doctor Sleep next week, but first we will let you know if this romantic comedy is in fact torture, or if it is a bloody good film. We encourage everyone to watch along while you listen and make sure to comment and let us know what you think. If you haven't already please follow us on Facebook, TikTok, Threads and Instagram @bloodygoodfilmpodcast and remember...Keep it bloody buddies!!!https://linktr.ee/BloodyGoodFilmPodcast....#10thingsihateaboutyou #heathledger #romanticcomedy #podcast #romcom

Ben Wang is best known for the titular role for Sony Pictures' “Karate Kid: Legends” where he was selected from a worldwide search of over 10,000 actors. He stars opposite David Jonnson and Cooper Hoffman in the Lionsgate's thriller “The Long Walk,” based on the Stephen King novel and directed by Francis Lawrence (“The Hunger Games.”) Ben was also the lead of the Disney+ series “American Born Chinese,” based on Gene Yang's graphic novel, where he played opposite Oscar winners Michelle Yeoh and Ke Huy Quan. And Ben will rejoin Francis Lawrence as Wyatt Callow in the upcoming Lionsgate blockbuster “The Hunger Games: The Sunrise on Reaping.” Wang recently wrapped lead roles in two independent features. First is the coming of age film “Brian,” directed by Will Ropp and produced by Seth Meyers where he plays the titular role opposite William H. Macy, Randall Park, and Edi Patterson. The second film is David Wain's R-rated “Gail Daughtry and the Celebrity Sex Pass,” written by Wain and Ken Marino, where he plays opposite Zoey Deutch, Jon Hamm, and John Slattery. Previously, Wang was part of the ensemble in the musical “Mean Girls” for Paramount Pictures, and he co-starred in the coming-of-age feature film “Chang Can Dunk” for Disney+. He is a graduate of the NYU Tisch theater program. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some movies don't just survive the passage of time—they become part of who we are. Released 40 years ago, Stand By Me captured something rare: the bittersweet moment when childhood gives way to adulthood. Based on Stephen King's novella The Body, the film transformed a simple search for a missing boy into one of the most heartfelt stories ever told about friendship, growing up and realizing that life only gets more complicated from there. In this classic episode of Stuck in the '80s, hosts Steve Spears and Brad Williams are joined by guest co-host Michelle Willits to celebrate one of the greatest films of the decade. Along the way, they compare Rob Reiner's film with King's original story, discuss what changed in the adaptation (and what stayed remarkably faithful), and tackle one of the movie's most emotional moments: that ending. Did it perfectly capture the spirit of the story? Could it have ended any other way? The hosts don't entirely agree. They also revisit the unforgettable performances from Wil Wheaton, River Phoenix, Corey Feldman and Jerry O'Connell, remember Kiefer Sutherland's menacing turn as Ace Merrill, and reflect on why Richard Dreyfuss' narration still packs such an emotional punch. Whether you first watched Stand By Me in a theater back in 1986 or discovered it years later, it's a movie that seems to hit a little differently with every viewing—and every stage of life. Join us as we revisit a film that reminds us all of those friends we never quite forgot. Listen now wherever you get your podcasts. The 80s Cruise Love reliving the greatest decade in pop culture? Join us aboard The 80s Cruise, the ultimate celebration of '80s music, movies and memories. Sail with legendary artists, live concerts, celebrity Q&As and fellow fans who know every word to every song. Use promo code STUCK when booking to receive $250 in onboard credit per cabin. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

1408 is an evil room. But does it make for a good movie? Stephen King, the master of horror, has a second horror story based in a hotel. It's like we're trapped in a loop or something! [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Version⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources & links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]   Sources: We watched it! https://www.imdb.com/title/tt0450385/trivia/?ref_=tt_dyk_trv Get episodes AD-FREE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, along with our exclusive podcast The Netherworld Dispatch!Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or wherever you get your podcasts.Watch on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.For more, cruise through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LINKS Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Hollywood Outsider podcast, we finally get to jump on the hype train and talk a little Spider-Man: Brand New Day! But not before we dive into TV and how streamers keep screwing us over. Are we the problem?  Also this week, Stephen King finally gets a Desperation adaptation worth talking about, Talladega Nights turns 20, reviews of Ice Cream Man and Spidey, and much more. We hope you enjoy this entertaining and packed episode of The Hollywood Outsider! Discussed on this episode (0:00 – 25:30) Opening | Talladega Nights turns 20, Spider-Man's box office bonanza, Desperation (25:31 – 39:11) From the Outside In: Trusting TV and Streamers (39:12 – 45:55) Review: Ice Cream Man (45:56 – 1:01:38) Review: Spider-Man: Brand New Day (1:01:39 – 1:14:12) Recommendations Time stamps may be affected by ad breaks Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Subscribe on Apple Subscribe on Spotify Subscribe via RSS

The Shawshank Redemption is now the highest-rated film on IMDb's Top 250, a fixture of cable rotation, and shorthand for cinematic hope itself. But in 1994, it was a box office failure; a $25 million adaptation of a Stephen King novella. It opened on just 33 screens, and despite fantastic test screenings, got buried under Pulp Fiction and Forrest Gump. A movie that was destined to be a huge success, disappeared uneventfully from cinema screens, and usually that's the end of the story.But destiny had its own plans for The Shawshank Redemption.A movie about hope, patience and decades-long endurance became a story about its own hopeful, patient, decades-long climb. Through a slow-burn afterlife on home video and TNT, that rewrote its fortunes, to become a cinematic classic beloved by audiences worldwide.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Today Griffey and Dandino clock in and punch out rats in Graveyard Shift. They discuss this interesting era in Stephen King on screen adaptaions, the pure insanity of the cast that chews scenery more than rats do wool, and what in the name of nightmare evolution is the Rat King at the end of the film. This is an often over-looked Messed Up Movie.  Synopsis: The owner of an ancient mill hires a drifter to rid the basement of rats. Starring: David Andrews, Kelly Wolf, Stephen Macht, Andrew Divoff, Brad Dourif Directed by Ralph S. Singleton Youtube: https://youtu.be/k-2CDuNyjv4 Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  

Welcome to Multiverse News, your source for information about all your favorite fictional universes.Tom Holland's fourth outing as Peter Parker/Spider-Man opened to a massively successful box office, shattering the domestic opening record previously held by Avengers: Endgame, and raking in nearly $1 billion globally in its first weekend alone - so while it beat Endgame's North American opening take, it comes in just behind it globally. Not a bad start for Disney and Marvel Studios as the conversation around superhero movies ebbs and flows in the zeitgeist. Those numbers exclude the premium IMAX format, as Spidey couldn't web up those screens due to The Odyssey still holding all IMAX screens.While Marvel is on their Spidey high, other headlines have circled the news this week - some good and some disappointing. On a positive note - Samara Weaving has reportedly been cast as Emma Frost. Horror fans will recognize Weaving from the Ready or Not films. Obsession breakout star Inde Navarette confirmed her meeting with Jake Schreier and she mentioned interest in playing Mystique. And for the bad news, Wonder Man will not get a season two after all - even though it was confirmed earlier this year - and both Kevin Feige and Maershala Ali expressed regret about the Blade film; with Feige admitting he feels like a failure for not getting it off the ground and Ali saying he's done with the project. Last week, DC Studios and HBO's Booster Gold series writer David Jenkins said that the project is no longer moving forward. Shortly after he made this statement, IGN reported that the series will, in fact, be moving forward, but with a new creative team. The New York Times reported that Barbie 2 is currently stalled, with Warner Bros. struggling to come to terms with lead talent Greta Gerwig, Margot Robbie, and Ryan Gosling. The studio has until December to reach a deal before the right revert back to Mattel. Stephen King's 1996 novel Desperation is getting a film adaptation from Final Destination: Bloodlines directing duo Zach Lipovsky and Adam B. Stein. Sam Raimi will also produce the feature, his first time working with King. Sony Pictures has released the first trailer for Jumanji: Open World, which opens in theaters on December 25. The film returns franchise stars Dwayne Johnson, Jack Black, Kevin Hart and Karen Gillan. Amazon MGM Studios is developing a Warhammer 40k animated event series alongside the upcoming live-action version, sources close to the project confirmed to Deadline. Additionally, Henry Cavill, who is set to star, is also on board to be an executive producer.Dave Bautista is in talks to take on the lead role of Kratos in Prime Video's God of War series, replacing Ryan Hurst, who had to drop out of production after he sustained an on set stunt injury. Mary Holland, Star of Ghosts and The Little House on the Prairie, has been cast in a lead role as Sandra in the upcoming DC Studios and HBO Max Superman spin off series that centers on Jimmy Olsen. In a recent interview with Inverse, Jessica Henwick revealed that she declined an offer to reprise her role as Colleen Wing in Daredevil: Born Again season three because she wants to protect the character's perfect ending in Netflix's Iron Fist.

Legends Podcast is cracking open the cinematic vault and bringing you a whole month of cons, capers, and car chases! Whether you're a wrongfully-convicted banker or an aspiring fashion designer, you'll find the big score right here on our podcast. This is Aug-Heist! This week takes us to Maine's Shawshank Prison for a 1994 film directed by Frank Darabont based on a Stephen King novella. When Andy Dufresne is locked up for a crime he claims to be innocent of, he'll go to extraordinary lengths to survive, including ripping off the crooked warden and planning an elaborate escape. With an ensemble cast including Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows, and James Whitmore, the film bombed at the box office upon initial release. However, the film scored strong reviews and seven Oscar nominations, and with word-of-mouth finally catching up, it went on to become the top-rented film of 1995. The film began airing regularly on the cable network TNT, turning it into something of a pop culture phenomenon. Today, the film frequently appears on lists of the best films ever made - a true example of a film that was sentenced to cinematic obscurity but escaped and stole the hearts of its audience. Now we're reviewing one film that "got away" from us last Aug-Heist… The Shawshank Redemption!   For more geeky podcasts visit GonnaGeek.com   GO VISIT THE OSR The Ohio State Reformatory.  Paid tours are available and a great place to roam and see history in many forms. You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button. You can find Dorothy Roberts at www.dorothyeroberts.com/ or you can find her on IG at @dorothyeroberts .   This week, we chat with Dorothy Roberts, the author of the book The Mixed Marriage Project: A Memoir of Love, Race, and Family.  As an esteemed professor of law at the University of Pennsylvania and a social justice advocate, Dorothy Roberts has written many scholarly books and academic papers about reproductive justice, child welfare, and bioethics, but her most recent book is a much more personal one.  She is the child of a white father who was an anthropologist and a black Jamaican mother, both now deceased. When Dorothy's sister gave her boxes of her father's files, she began to read transcripts of research he had done on interracial marriage over a 60-year period. She had no idea how these files would affect her memories of her childhood, her parent's marriage, and her own racial identity.  This book is a fascinating look at racial history in Chicago as well as a very touching memoir about a father/daughter bond.     And for our book recommendation segment of the show, we turn to one of the most iconic parts of an American summer. August is here, which means people are having their last hurrahs at amusement parks. With this in mind, we decided we would feature books about these places where people go to be entertained, eat overpriced food, and argue with their relatives. The books we've chosen are set in various amusement park venues, such as a western theme park in Arizona, an arcade park where reality disintegrates, a place called Dreamworld where everyone is happy, a real-life New Jersey amusement park that was certainly ride at your own risk, a North Carolina park that was the site of a murder mystery, and an amusement park set in the mind.     Books Mentioned In This Episode: 1- The Mixed Marriage Project: A Memoir of Love, Race, and Family by Dorothy E. Roberts  2- The Odyssey translated by Emily Wilson  3- Martin Marten by Brian Doyle  4- The Keeper of Lost Children by Sadeqa Johnson  5- Jane Kenyon: The Making of a Poet by Dana Greene  6- The Art Thief: A True Story of Love, Crime, and Obsession by Michael Finkel  7- The Stranger in the Woods by Michael Finkel  8- The Goldfinch by Donna Tartt  9- A Five Star Read by Fellow Book Lover Elizabeth S. @fireplacebookworm - Beartown by Frederik Backman 10- The Free Lunch by Spider Robinson  11- Krazyland by Mar Romance-Moore  12- The Insignificant Events in the Lives of a Cactus by Dusti Bowling  13- Joyland by Stephen King  14- Action Park: Fast Times, Wild Rides, and the Untold Story of America's Most Dangerous Amusement Park by Andy Mulvihill with Jake Rosen  15- Anxietyland by Gemma Correll    Media Mentioned:  1- The Odyssey (2026) 2- Emily Wilson review of the Odyssey - https://www.lrb.co.uk/the-paper/v48/n14/emily-wilson/an-uncomplicated-man 3- Class Action Park (2020, HBO Max)    

Writer and director Keith Thomas joins us for an in-depth conversation covering his journey into filmmaking, his passion for horror, and the stories behind some of his biggest projects.We explore the fascinating folklore and mythology that inspired The Vigil, the challenges of bringing such a unique horror film to life, and whether there could ever be a sequel or prequel expanding that world.Keith also reflects on directing Firestarter, discussing how the project came together, the realities of adapting a beloved Stephen King story, and his honest thoughts on the film's release and reception.The conversation then turns to the critically acclaimed The First Omen, where Keith takes us behind the scenes of one of 2024's standout horror films, sharing insights into its development, his writing process, and what makes psychological horror so effective.Along the way, Keith offers invaluable advice for aspiring writers and filmmakers, shares stories from his career, and even teases some exciting news about what could be coming next.If you're passionate about horror filmmaking, writing, or the creative process, this is an episode you won't want to miss.For more of my content - CLICK HERECheck out Keith - HEREBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast-horror-movie-podcast--4295531/support.

Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of  the Julie Harris Awards from The Actor's Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Ms. Buckley is featured in the film By Design, written and directed by Amanda Kramer, and it made its debut at The Sundance Film Festival in January 2025. She is also featured in the film Eternity for A24 Studios, starring Miles Teller and Elizabeth Olsen, released in November 2025. In March 2024, she co-starred in Imaginary for Blumhouse Productions and released by Lionsgate. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasdan's  Wyatt Earp and M. Night Shyamalan's The Happening. In 2024, The Mayfly, an animated short film written, produced and narrated by Ms. Buckley played the film festival circuit and won several awards, including Best of Festival, Best Director and Best 2D Character Based Animation at The Los Angeles Animation Festival. The film also won Best Animation at The Lady Filmmakers Festival in Los Angeles. A love letter to New York City and music, The Mayfly is a lyrical tale that was inspired by a true event at the Café Carlyle, with a score composed by seven-time GRAMMY® nominee Christian Jacob. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends, for which she received  a Drama Desk Nomination in 2014, White Lies, Lincoln Center's Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno's Swans. Getting My Act Together and Taking It On  The Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo  Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World. On television, Buckley had a recurring role on Law & Order SVU for NBC. She co-starred in the third season  of AMC's hit series Preacher and has guest starred on the Fox/Warner Bros. TV shows: The Cleaning Lady, The CW hit Supergirl, the NBC Series Chicago Med and ABC Family's Pretty Little Liars. For HBO, she has appeared on Getting On, The Leftovers, The Pacific and for three seasons had a recurring role on OZ. She  starred as Abby Bradford in the hit series Eight is Enough. For more information, visit www.bettybuckley.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Q&A episode, Travis and producer Eric break down a powerful lesson from bestselling author Mark Manson on why discipline isn't about having more willpower—it's about eliminating distractions. Using stories from famous authors like Stephen King, Ian Fleming, and Jack Carr, they explore how changing your environment can dramatically improve focus, productivity, and creative output. If you've ever struggled to stay on task, procrastinated on an important project, or blamed your phone for your lack of focus, this episode offers practical strategies to help you get more meaningful work done. On this episode we talk about: Why environment matters more than willpower when it comes to productivity Mark Manson's "too many options" theory and how distractions sabotage focus Writing routines and productivity habits from Stephen King, Ian Fleming, and Jack Carr Practical ways to eliminate distractions while working from home How procrastination happens—and simple systems to overcome it Top 3 Takeaways Discipline is less about having stronger willpower and more about creating an environment where distractions are removed. Keeping too many options open makes it harder to focus. Closing unnecessary doors often leads to better results. Small, consistent progress beats waiting until the last minute. Build systems that make productive actions the easiest choice. Notable Quotes "You don't have too many distractions—you have too many options." "Set up something for yourself where it's easier to get the work done than it is to not get it done." "Don't shoot yourself in the foot just to see if you can walk." Connect with Travis Chappell:  Instagram: https://www.instagram.com/travischappell/ Other: https://travischappell.com/ A Word from Our Sponsors: - Visit DrinkAG1.com/TMM to get a free AG1 Travel Case with 7 free AG1Travel Packs in your Welcome Kit with your first AG1 subscription order while supplies last.  - Go to Leesa.com for 25% OFF select mattresses (through August 23, 2026) PLUS get an extra $50 off with promo code TMM, exclusive for my listeners  Learn more about your ad choices. Visit megaphone.fm/adchoices

This past weekend we lost genre great Chuck Russell, who directed the best Nightmare On Elm Street sequel, one of the best horror remakes (The Blob), and introduced the world to Cameron Diaz in The Mask. Last year we had the great pleasure of interviewing him on this show, so in honor of the man and his legacy we're rerunning that chat this week.Most of the conversation revolves around his remake of schlockfest Witchboard and his early career collaboration with one Mr. Frank Darabont. He had a front row seat to Darabont's pursuit of Stephen King's books, including The Shawshank Redemption.Rest In Peace to Chuck Russell!

Imagine being able to dig through Shakespeare's manuscripts and ask him about his writing process. Did King Lear survive in the first draft? What if Hamlet originally said, “To live or not to live?” While we can only dream about that opportunity, scholar and Everyday Shakespeare host Caroline Bicks experienced something close to it when she gained unprecedented access to the archives of another famous author: Stephen King. The Bard of Avon and the King of Horror have more in common than you might think. Both are popular and prolific authors who have been praised and derided for writing for the masses. But both also pay close attention to the sounds of words, the flow of names, and the rhythms of sentences. And sometimes, King's work even takes inspiration from Shakespeare himself. In this episode, Bicks draws fascinating parallels between Shakespeare and King and shares how she became the first scholar permitted to explore King's personal papers. Her book, Monsters in the Archives: My Year of Fear with Stephen King recounts her chance to live every scholar's dream—while surrounded by the stuff of nightmares. From the Shakespeare Unlimited podcast. Published July 28, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Nick welcomes The Hollywood Reporter TV critic Dan Fienberg back to the podcast to review several new shows, including Adult Swim’s President Curtis, the new Will Ferrell golf comedy The Hawk, Apple TV+’s Lucky starring Anya Taylor-Joy, and more. They also continue their bi-weekly coverage of Big Brother Season 28 with their latest thoughts on the houseguests and the game. Later, Esmeralda Leon joins Nick as they get ready for the LIVE edition of The Nick D Podcast at the Flashback Weekend Horror Convention. Along the way, they talk about tribute bands, the work of Stephen King, and more nightmare-inducing entertainment, including the unsettling 1972 documentary Future Shock, narrated by a truly terrifying Orson Welles. [Ep 476]

Ryan welcomes acclaimed actor, director, and author Thomas Jane. Best known for The Punisher, The Expanse, and several Stephen King film adaptations, Jane has also become a prominent voice in the UFO community, recently speaking at Contact in the Desert and authoring the upcoming book A Human's Guide to Advanced Visiting Aliens.Jane reflects on his career in Hollywood before diving into UFOs, government secrecy, advanced alien intelligence, and whether non-human visitors may have been here all along. A fascinating conversation you won't want to miss. Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Follow Suzanne on X: https://x.com/csuzannelanders Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Copyright © 2026 Ryan Sprague. All rights reserved. #Hollywood #HollywoodAndUFOs #UFOs #UAP #ThomasJane #ThePunisher #StephenKing #Alien #Aliens Learn more about your ad choices. Visit megaphone.fm/adchoices

From the vengeful Bell Witch to the lingering spirits of Gettysburg, America is packed with haunted spots that refuse to let go of their ghosts – whether it's eerie voices in old asylums, shadowy figures in historic mansions, or phantom footsteps in forgotten graveyards. If you're looking for a brush with the supernatural, these legendary (and lesser-known) locations won't disappoint.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/HauntedAmericaREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/36de8fpnLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“America's Most Haunted Places” by Troy Taylor and April Slaughter for AmericanHauntingsInk.com:https://weirddarkness.tiny.us/582mh58k (used with permission)“America's Not-So-Famous Haunted Houses” by Troy Taylor for AmericanHauntingsInk.com:https://weirddarkness.tiny.us/2p979tsv (used with permission)(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: January, 2022Weird Darkness tours fifteen haunted American locations, starting with the ones every ghost hunter already knows. The Bell Witch Cave in Adams, Tennessee, where a spirit claiming to be the witch of Kate Batts tormented the Bell family for years and, some say, retreated into a cave near the Red River. Waverly Hills Sanatorium in Louisville, where tuberculosis patients died in numbers large enough to require a body chute running down the hill and out of sight. The Myrtles Plantation, whose most famous ghost stories turn out to be false, though the apparitions on the grounds keep getting reported anyway. The Lemp Mansion in St. Louis, where four members of one brewing family took their own lives across five decades. Gettysburg's Devil's Den, the Stanley Hotel that inspired Stephen King, the Winchester Mystery House with its staircases to nowhere, Bachelor's Grove Cemetery outside Chicago, Yorktown Memorial Hospital in Texas, and the Villisca Ax Murder House in Iowa, where eight people were killed in their beds in June of 1912 and no one was ever convicted.Then the show turns to the houses that never made the lists. Nemacolin Castle in Brownsville, Pennsylvania, built on the site of a French and Indian War garrison and later a stop on the Underground Railroad. Tinker Swiss Cottage in Rockford, Illinois, a twenty-seven-room Swiss-style home on a limestone bluff where children's laughter is heard by staff who came in as skeptics. The McCune Mansion in Salt Lake City, where a little girl walks in and out of a mirror. Taliesin in Spring Green, Wisconsin, where a fired servant locked seven people in Frank Lloyd Wright's home in August of 1914, set it on fire, and killed them with a hatchet as they tried to escape. And Prospect Place in Trinway, Ohio, built by an abolitionist who used a cupola signal light to tell escaping slaves that food and shelter waited inside — some of whom never left.

In this sixty-first installment of fictional horror written and narrated by Dan Cummins, we return once again to St. Jerome, where Maggie Sambor gets enough evidence to accept that something terrible is truly happening inside of Peterson's Grocery. We also begin to understand why what is happening inside Peterson's is happening, while at the same time,  the mystery around it all deepens.   For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com   Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.