Podcast appearances and mentions of august sander

Julian Sander presents a humanist portrait of society in 619 silver gelatin portraits of 20th-century Germans photographed by his legendary great-grandfather, August Sander.For access to exclusive episode notes, explore our membership options!If you are already a member, please log in to jsybyllasmith.com and access the Concept Aware® Show Notes page through your account.

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto   Adelie de Ipanema (POLKA Galerie) Established in 2007 by Adélie de Ipanema and her brother, Edouard Genestar, Polka Galerie is located in the heart of the Marais district in Paris. The gallery represents over thirty photographers. Each year, within its 300 sq. meters divided into two spaces, the gallery organises ten exhibitions, which question the different forms of the Document within modern and contemporary practices.  - POLKA Galerie official website https://www.polkagalerie.com/en/home.htm - Membership page on AIPAD https://www.aipad.com/member/polka-galerie - Follow POLKA Galerie on instagram https://www.instagram.com/polkagalerie/   Arnika Dawkins (Arnika Dawkins Gallery) Arnika Dawkins Gallery is devoted to presenting fine art from both emerging and established photographers, specialising in images by African Americans and of African Americans. The gallerist is passionate about connecting collectors to artwork that is significant, inspiring and provocative. As a fine art photographer and avid collector herself, she is a valuable resource to collectors and artists alike. The gallery's objective is to provide an educational platform that supports this burgeoning community of talented artists. - Arnika Dawkins Gallery official website https://adawkinsgallery.com/ - Membership page on AIPAD https://www.aipad.com/member/arnika-dawkins-gallery - Follow Arnika Dawkins Gallery on instagram https://www.instagram.com/arnikadawkinsgallery   Anna Walker Skillman (Jackson Fine Art) Jackson Fine Art is a world-renowned contemporary gallery, specializing in photography with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. - Jackson Fine Art official website https://www.jacksonfineart.com/ - Membership page on AIPAD https://www.aipad.com/member/jackson-fine-art - Follow Jackson Fine Art on instagram https://www.instagram.com/jacksonfineart/   Yancey Richardson (Yancey Richardson Gallery) Founded in 1995, Yancey Richardson represents artists working in photography, film, and lens-based media. The gallery is committed to working with museums, private institutions, leading art collectors, and other galleries to advance the careers of the artists we represent. Our current program includes emerging photographers as well as critically recognized, mid-career artists such as John Divola, Mitch Epstein, Ori Gersht, Anthony Hernandez, Laura Letinsky, Andrew Moore, Zanele Muholi, Mickalene Thomas and Hellen van Meene. Additionally, the gallery has presented exhibitions of historically significant figures such as Lewis Baltz, William Eggleston, Ed Ruscha, August Sander, and Larry Sultan. - Yancey Richardson Gallery official website https://www.yanceyrichardson.com/ - Membership page on AIPAD https://www.aipad.com/member/yancey-richardson-gallery - Follow Yancey Richardson Gallery on instagram https://www.instagram.com/yanceyrichardsongallery/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 25. March 2025 between Perth (AU), Paris (FR), Atlanta GA, and New York (US) with Riverside.

Above Photograph © Claudio Edinger When it comes to photography, Claudio Edinger has a Midas touch. Equally celebrated for his immersive photo series, the intimacy of his portraits, and his aerial views that conjure a sense of the eternal through selective focus, his compulsion for research drives adjustments to his photographic strategy from one project to the next. In today's show, we unpack the many facets of Claudio's storied career, from his arrival in New York and early documentation of Brooklyn's Hasidic community in the late 1970s to the environmental portraits he made inside Manhattan's infamous Chelsea Hotel, and beyond.  Learn the backstory to his fortuitous connection with master portraitist Philippe Halsman, and the influence this had on his photographic vocabulary. We also discuss Claudio's aerial imagery made from helicopters and drones, and debate the slippery slope between noteworthy content, image quality, and resolution. As a longtime disciple of meditation, Claudio's approach to photography is equally influenced by the underlying flow of energy essential to life on this planet, which led him to state, “I'm open to whatever the universe brings my way. But the universe has to conspire in your favor. My whole life has been like that. I've been guided. My intuition brings me to places, and the place drags me into it.” Guest: Claudio Edinger Episode Timeline: 3:03: Claudio's beginnings in photography while studying economics in Sao Paulo, and his first exhibit at the Sao Paulo Museum of Art. 4:55: A move to New York in 1976 and a two-year project on Brooklyn's Hasidic community. 8:42: Connecting with master portrait photographer Philippe Halsman, and how this expanded Claudio's vocabulary as a photographer. 15:35: A move to the Chelsea Hotel and a new photographic strategy to make environmental portraits of the building and its residents. 19:52: The influence of August Sander's work, and Claudio's pursuit of intimacy to create images with universal meaning. 25:22: The organic path of Claudio's photographic approach, and how he developed his selective focus technique.  28:15: Episode Break 29:06: The predictable visual effect of a Hasselblad's square frame, combined with a tripod and flash for portraits of patients in a Brazilian insane asylum. 33:06: Using the same techniques to capture the insanity inside an institution, as well as to photograph the institutionalized insanity of Brazilian Carnival.  37:51: Claudio's assignment work, plus his time as a New York paparazzo and the lessons this taught him.  39:28: Claudio's experience as a war photographer in El Salvador, and the urgency of living connected to war.  43:42: Shifting to a 4x5 Toyo camera to further explore the tilt-shift look of selective focus.   48:57: The shortcomings of large format that forced Claudio to shift to digital and then discover aerial photography.   54:17: Comparing aerial photos from a helicopter with those made from a drone, plus Claudio's thoughts on viewing the world from the point of view of eternity. Guest Bio: Claudio Edinger is one of Brazil's preeminent photographers. After studying economics at Mackenzie University in São Paulo in the early 70s, he turned his attention to photography, and he hasn't stopped since.  Edinger moved to New York City in 1976, and during the 20 years he spent in the US, he completed immersive photo essays about the Hasidic community of Brooklyn, the denizens of Manhattan's Chelsea Hotel, and habitués of LA's Venice Beach. He also freelanced for Brazilian and North American publications such as Veja, Time, Life, Rolling Stone, and The New York Times Magazine, among many others.  The author of more than twenty books, Edinger's photographs have been collected worldwide and exhibited by institutions such as New York's International Center of Photography, the Los Angeles County Museum of Art, the Maison Europeénne de la Photographie in Paris, and the São Paulo Museum of Art, to name but a few. Edinger has received many honors for his work, including the Ernst Haas Award, the Hasselblad Award, the Higashikawa Award, and the Leica Medal of Excellence, which he received twice.  Always seeking new approaches to his work, Edinger has explored a wide range of camera formats and photographic techniques over the course of his career. In 2000, he began working with a large format camera, using selective focus to approximate human vision, and in 2015, he started an exploration of aerial photography—a theme that continues to this day. Stay Connected: Claudio Edinger Website: https://www.claudioedinger.com/ Claudio Edinger Instagram: https://www.instagram.com/claudioedinger/ Claudio Edinger Facebook: https://www.facebook.com/claudio.edinger/ Claudio Edinger Wikipedia page: https://en.wikipedia.org/wiki/Claudio_Edinger Claudio Edinger Chelsea Hotel book: https://www.abbeville.com/collections/just-released/products/the-chelsea-hotel End Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

We meet artist Carsten Höller for some perceptual playtime to celebrate New Year's Day! We explore Höller's collection of odd tasks and mischievous game-play.Carsten Höller invites readers to disrupt their daily lives with 336 mind-expanding diversions. They can be played alone, in pairs or in teams, in the street, in bed, on a train, wherever. No props or materials are needed. Just one body, all senses and a willingness to try something new, that's possibly conceptually or physically challenging, but guaranteed to entertain and to widen the player's horizons.Some games are more obviously daring than others – unexpectedly shouting ‘bang!' when your driver's reversing into a parking space is sure to elicit a reaction – but that's absolutely the point. Other games involve covertly dropping strange phrases into conversation, executing somersaults (without practice), or plucking hairs from your opponent's head while they stay poker-faced.Höller's scientific professional background informs his keenness to create what he calls Influential Environments. He wants to tease the brain while testing its limitations, through activity and passivity, agency and inertia. He conceived his first game with a group of friends in 1992, during a tedious dinner after an exhibition opening. Since then, he has collected and invented ideas, inspired by friends, life, the Surrealists, and Arthur Rimbaud. All games are illustrated with commissioned or pre-existing artworks and photographs. We find portraits by Inez van Lamsweerde & Vinoodh Matadin, August Sander, and Nan Goldin next to paintings by Salvador Dalí; snapshots of Joseph Beuys plus son and Donna Haraway plus dog next to appointed pieces by Christine Sun Kim and Anri Sala; film stills by Chantal Akerman, extracts from Shakespeare as well as treasures from Höller's personal archive—and his mother's.Edited by Stefanie Hessler and Hans Ulrich Obrist, this book encourages readers to engage in playful yet cerebral experiments that will leave them with a sense of wonder, disorientation, and a subtle smirk on their face.As an artist, Carsten Höller conducts radical experiments. His “Influential Environments” explore alternative scenarios, reimagining possibilities for human behavior and interaction and have been shown in major installations and solo exhibitions internationally over the last two decades. In 2022, he opened his restaurant Brutalisten in Stockholm and presented the third iteration of The Double Club in Los Angeles in 2024. Born in 1961 in Brussels to German parents, Höller currently lives and works in Stockholm and Biriwa, Ghana.Follow @Carsten.Holler on Instagram. Hosted on Acast. See acast.com/privacy for more information.

Zander, Thomas www.deutschlandfunkkultur.de, Fazit

Noviembre es el mes de la fotografía en Francia. En ese marco abrió sus puertas este jueves la 27ª "Paris Photo". Esta concurrida feria reúne en el Grand Palais de la capital francesa a casi 200 galerías del mundo entero. Serán cuatro días para celebrar el bicentenario de la aparición de la fotografía, a los grandes artífices de este arte visual y el centenario del surrealismo, entre otros. El imponente y recién renovado Grand Palais de París vuelve a abrir sus puertas, esta vez para “Paris Photo”. Una feria masiva con 240 expositores y 195 galerías de 34 países en la nave central del edificio, lo que convierte a la capital francesa en la meca de la fotografía mundial hasta el 10 de noviembre.“Este año volvemos a este edificio increíble que es el Grand Palais. Todos los galeristas están encantados. La feria recibe al público con una referencia,“People of the XX Century” de August Sander. Celebramos el centenario de Robert Frank, tenemos como invitado al multidisciplinario Jim Jarmush con quien celebramos el centenario del surrealismo. No hay otro evento como Paris Photo que reúne a tantos actores de la fotografía, aficoinados y artistas”, aseveró a RFI la directora de Paris Photo, la española Anna Planas.Esta 27ª edición de Paris Photo pondrá de relieve la obra del mexicano Manuel Alvarez Bravo, con la exhibición de su "La buena fama durmiendo" (1938), considerada una de las primera fotografías surrealistas. La feria también estrena este año un sector llamado "Voices" (Voces), con tres curadores internacionales. Entre ellos, Elena Navarro, fundadora de Foto México, y quien representa a artistas de América Latina a través de una selección de cinco galerías, de Brasil, México, Colombia y España.“Estamos felices de volver al Grand Palais. Este edificio es magnánimo. Paris Photo es una referencia, pero también es muy importante todo el programa público de a ciudad en la promoción de la fotografía”, expresó Navarro.“Paris Photo” es uno de los eventos del mes de la fotografía en la capital francesa y se extenderá hasta el domingo 10 de noviembre.

Die erfolgreichste Fotoausstellung aller Zeiten ist nicht in New York, Paris oder Peking zu sehen, sondern in einem Tal der luxemburgischen Ardennen. Dort beherbergt das Städtchen Clervaux in seiner mittelalterlichen Burg die Ausstellung „The Family of Man“. Rund 500 Bilder von vielen wichtigen Fotografen des 20. Jahrhunderts - Robert Capa, Henri Cartier-Bresson, August Sander oder Dorothea Lange -, aber auch von unbekannten Amateuren. Auftraggeber dieses Projektes waren die UN, mehr als zehn Millionen Menschen haben die Ausstellung von 1955 bis heute gesehen. In Clervaux ist die letzte erhaltene Version zu sehen – weil ihr aus Luxemburg stammender Kurator Edward Steichen sie seiner alten Heimat schenkte.

Die Reiss-Engelhorn-Museen in Mannheim zeigen Fotografie der Neuen Sachlichkeit. August Sander und Albert Renger-Patzsch stehen vor allem für die 1920er Jahre, der Mannheimer Robert Häusser greift deren Bildsprache nach 1945 auf und entwickelt sie weiter zu einem künstlerischen Werk voller Symbole und Emotionen.

Nous sommes le dimanche 12 avril 1931, à Cologne au WestDeutscher Rundfunk, le service de diffusion de la région. Ce jour-là, le photographe August Sander, donne une conférence radiophonique intitulée « La photographie, langage universel ». Il dit : « L'idée fondamentale de mon œuvre photographique « Homme du XXe siècle » ( …) n'est rien d'autre que la tentative de dresser un portrait (…) actuel de l'homme allemand prenant appui sur le procédé optico-chimique de la photographie, donc sur la pure mise en forme de la lumière. » Sander ajoute : « A l'aspect de son visage, nous pouvons immédiatement reconnaître quel travail quelqu'un fait ou ne fait pas, nous lisons sur ses traits s'il a de la peine, ou s'il est joyeux, car la vie laisse inévitablement ses traces. » Et le photographe de citer l'extrait d'un poème : « sur le visage de tout homme est clairement gravée son histoire. L'un sait lire et l'autre non. » Un peu moins d'un siècle avant l'intervention de Sander, l'essor de la photographie de portrait avait provoqué le débat. La pratique, en effet, bouleversait les systèmes de représentation de soi alors en vigueur dans le monde. Quels étaient les enjeux sociaux, culturels et politiques mis en débat ? Quels en sont, encore aujourd'hui, les répercussions ? Invitées : Anne Roekens et Alexandra de Heering de l'UNamur. Coordinatrices du numéro 5 de la revue Photographica : « Portraits choisis, portraits subis » aux éditions de la Sorbonne. Sujets traités : August Sander, photographe, photographie, portrait, enjeux, sociaux, culturels, politiques, selfies, domination, optico-chimique, lumière Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

¡Volvemos con un nuevo capítulo de nuestro podcast Haluro de pixel! En esta ocasión, nos acompaña Alberto García-Alix, quién recibió su primera cámara en 1975, iniciando así su carrera autodidacta en la fotografía, inspirado por las obras de Walker Evans y August Sander. Sus imágenes de los años setenta y ochenta capturan el espíritu de una generación que vivió el final de la dictadura en España. A lo largo de su trayectoria, Alberto ha creado un relato autobiográfico utilizando la fotografía, el vídeo y la palabra, convirtiendo su vida en el núcleo de su arte.

Es sind die besonderen Bücher: Kunst, Literatur, Foto, Mode oder Glamour. Lothar Schirmer hat das Gespür für Themen, Eleganz, Stil, und Attitude. In seinem Verlag fanden große Namen ein verlegerisches Zuhause: Gerhard Richter, Joseph Beuys, Cy Twombly, Edward Hopper. Museen, Sammlungen vertrauten sich ihm an, auch Photographen wie Peter Lindbergh, August Sander oder Barbara Klemm. Und natürlich auch Schriftsteller wie Cees Nooteboom, Hans Magnus Enzensberger, Peter Handke oder Michael Krüger. All seine Bücher bilden das "Hintergrundrauschen" einer 50-jährigen Verlags- und Berufstätigkeit. Wie das klingt, erzählt Lothar Schirmer in "NDR Kultur à la carte".

„Menschen des 20. Jahrhunderts“ heißt der berühmte Porträtzyklus des Kölner Fotografen August Sander (1876-1964). Jahrzehntelang fotografierte er typische Vertreter der Gesellschaft seiner Zeit und begründete damit eine neue sachliche Fotografie. Oelze, Sabine www.deutschlandfunk.de, Kalenderblatt

Cuban-born photo-based artist, María Martínez-Cañas, first came to the US at the tender age of three months with her parents, and four years later, in 1964, they relocated to Puerto Rico. Maria recalls her earliest fascination for photography as an eight year old when she started working with a Polaroid Swinger camera that her parents gave her. Her mother also gave her an old Twin-Lens Rolleiflex that she brought out of Cuba, which Maria still has today. It wasn't long before she asked her parents for a darkroom in the house, and thus began her passion for the process of creating images and processing film. Maria has been called a precocious photographer with an insatiable appetite to explore the art of photography and it wasn't long before her talent became apparent when she had her first exhibition in 1977 at the age of seventeen. Between 1978 and 1982 she attended the Philadelphia College of Art, where she studied with the likes of Joan Redmond, Ron Walker, Eileen Berger, and Arno Rafael Minkkinen. In 1985, Maria received a Fulbright Hays Grant, which enabled her to travel to Spain to study and where she culled archival sources, such as historical maps and documents, which inspired her to create negatives based on Cuban maps. She returned to the United States in 1986 where she settled in Miami. Two important series from the 1990s—Totems and Quince Sellos Cubanos (Fifteen Cuban Stamps)—epitomize her interest in a photomontage aesthetic and use of imagery drawn from her Caribbean childhood. Maria is the recipient of numerous awards and grants, including a Pollock-Krasner Foundation Photography Fellowship (2016), a National Endowment for the Arts grant (1988) and a Civitella Ranieri Foundation fellowship (2014) in Umbertide, Italy. Her photographs are in many private and public collections, including the Los Angeles County Museum of Art; American Art Museum, Smithsonian Institution; the Philadelphia Museum of Art, Philadelphia; and the Museum of Modern Art and International Center of Photography in New York. She is currently working on a project that involves the work of early 20th century German photographer August Sander. When she is not in her studio, Maria enjoys deep sea diving for which she is a certified diver, and watching her favorite basketball team, the Miami Heat. She says: “I think that visually, when you look at a work of art, be it sculpture, be it painting, be it photograph, whatever it is, you as a person, you're bringing yourself, who you are, what we call the baggage, you bring your iconography, you bring your identity, you bring your experiences as a person … with your eyes you're looking at an art work but with your head and with your heart; two very different things, the brain and the heart, but when they are communicating with each other, it's a very interesting dialogue. You don't have to know about art, you just have to relate to it.”Maria's Favorite Female Artists:Eva HesseKiki SmithBarbara BlondeauBarbara CraneLouise BourgeoisDoris Salcedo GegoAmelia PelaézZilia SánchezJess T DuganMaria's Playlist:Si*SéFederico AubeleMazzy StarNatasha St-PierSilvio RodriguezColdplaySimply RedSarah McLachlanLisseEeGal CostaMaria BethaniaNorah JonesOmara PortuondoShawn ColvinFrancis Cabrel MandalayLuz CasalCesaria Evora BebeEdnita Nazariohttps://mariamartinez-canas.com/Instagram: @mphotogramHost: Chris Stafford@theaartpodcastEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

Bitte nicht lächeln! Dem Fotografen August Sander war wichtig, möglichst naturgetreu an das Wesen der Menschen zu gelangen – mit seiner Idee hat er Kulturgeschichte geschrieben. Aber was steckt genau dahinter? Und war das Ehepaar Martha und Otto Dix wirklich so distanziert, wie es in der Fotografie von 1925 scheint? Das erfahrt ihr in dieser Folge des STÄDEL MIXTAPE, dem Podcast, bei dem wir Kunstwerke hörbar machen.

Cuban-born photo-based artist, María Martínez-Cañas, first came to the US at the tender age of three months with her parents, and four years later, in 1964, they relocated to Puerto Rico. Maria recalls her earliest fascination for photography as an eight year old when she started working with a Polaroid Swinger camera that her parents gave her. Her mother also gave her an old Twin-Lens Rolleiflex that she brought out of Cuba, which Maria still has today. It wasn't long before she asked her parents for a darkroom in the house, and thus began her passion for the process of creating images and processing film. Maria has been called a precocious photographer with an insatiable appetite to explore the art of photography and it wasn't long before her talent became apparent when she had her first exhibition in 1977 at the age of seventeen. Between 1978 and 1982 she attended the Philadelphia College of Art, where she studied with the likes of Joan Redmond, Ron Walker, Eileen Berger, and Arno Rafael Minkkinen. In 1985, Maria received a Fulbright Hays Grant, which enabled her to travel to Spain to study and where she culled archival sources, such as historical maps and documents, which inspired her to create negatives based on Cuban maps. She returned to the United States in 1986 where she settled in Miami. Two important series from the 1990s—Totems and Quince Sellos Cubanos (Fifteen Cuban Stamps)—epitomize her interest in a photomontage aesthetic and use of imagery drawn from her Caribbean childhood. Maria is the recipient of numerous awards and grants, including a Pollock-Krasner Foundation Photography Fellowship (2016), a National Endowment for the Arts grant (1988) and a Civitella Ranieri Foundation fellowship (2014) in Umbertide, Italy. Her photographs are in many private and public collections, including the Los Angeles County Museum of Art; American Art Museum, Smithsonian Institution; the Philadelphia Museum of Art, Philadelphia; and the Museum of Modern Art and International Center of Photography in New York. She is currently working on a project that involves the work of early 20th century German photographer August Sander. When she is not in her studio, Maria enjoys deep sea diving for which she is a certified diver, and watching her favorite basketball team, the Miami Heat. She says: “I think that visually, when you look at a work of art, be it sculpture, be it painting, be it photograph, whatever it is, you as a person, you're bringing yourself, who you are, what we call the baggage, you bring your iconography, you bring your identity, you bring your experiences as a person … with your eyes you're looking at an art work but with your head and with your heart; two very different things, the brain and the heart, but when they are communicating with each other, it's a very interesting dialogue. You don't have to know about art, you just have to relate to it.” Maria's Favorite Female Artists: Eva HesseKiki Smith Barbara Blondeau Barbara Crane Louise Bourgeois Doris Salcedo GegoAmelia Pelaéz Zilia Sánchez Jess T Dugan Maria's Playlist: Si*SéFederico AubeleMazzy StarNatasha St-PierSilvio RodriguezColdplaySimply RedSarah McLachlanLisseEeGal CostaMaria BethaniaNorah JonesOmara PortuondoShawn ColvinFrancis Cabrel MandalayLuz CasalCesaria Evora BebeEdnita Nazario https://mariamartinez-canas.com/ Instagram: @mphotogram Host: Chris StaffordProduced by Hollowell Studios@theaartpodcastEmail: hollowellstudios@gmail.com

durée : 00:58:52 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Dans quelle mesure l'œuvre de Sander constitue-t-elle un témoignage incarné des mutations de l'Allemagne sous la République de Weimar ? - invités : Marie-Bénédicte Vincent Professeure d'histoire contemporaine à l'Université de Franche-Comté; Olivier Lugon historien de la photographie, professeur à l'université de Lausanne

"Una sucesión de pinceladas cotidianas y sagaces cavilaciones, en las que tanto caben las manzanas, las avispas y el sol como los pedos, la sangre y las meadas; y en las que Flaubert, Van Gogh y August Sander conviven con los chicles, las bolsas de plástico y los petroleros." La recomendación literaria que nos trae Lore Palavecino al Traficantes de Cultura es el primero de 4 libros escritos por el noruego #KarlOveKnausgård... #EnOtoño, editado por Editorial Anagrama.

Sınıf atlama eğilimi. Ödünç mutluluklar. En son ne zaman hayattan keyif aldın? Zenginler neden fakirlerin hayatına öykünmez? August Sander.

durée : 00:26:51 - La Grande Table culture - par : Olivia Gesbert - Retour aux Années Folles berlinoises à l'occasion de l'exposition "Allemagne / Années 20 / Nouvelle objectivité / August Sander" au Centre Pompidou. Avec la commissaire de l'exposition Angela Lampe et le metteur en scène allemand Thomas Ostermeier, directeur de la Schaubühne à Berlin. - invités : Thomas Ostermeier Metteur en scène allemand, codirecteur artistique de la Schaubühne de Berlin depuis septembre 1999.; Angela Lampe Conservateur des collections historiques au Musée national d'art moderne depuis 2005

durée : 00:26:51 - La Grande Table culture - par : Olivia Gesbert - Retour aux Années Folles berlinoises à l'occasion de l'exposition "Allemagne / Années 20 / Nouvelle objectivité / August Sander" au Centre Pompidou. Avec la commissaire de l'exposition Angela Lampe et le metteur en scène allemand Thomas Ostermeier, directeur de la Schaubühne à Berlin. - invités : Thomas Ostermeier Metteur en scène allemand, codirecteur artistique de la Schaubühne de Berlin depuis septembre 1999.; Angela Lampe Conservateur des collections historiques au Musée national d'art moderne depuis 2005

durée : 00:26:51 - La Grande Table culture - par : Olivia Gesbert - Retour aux Années Folles berlinoises à l'occasion de l'exposition "Allemagne / Années 20 / Nouvelle objectivité / August Sander" au Centre Pompidou. Avec la commissaire de l'exposition Angela Lampe et le metteur en scène allemand Thomas Ostermeier, directeur de la Schaubühne à Berlin. - invités : Thomas Ostermeier Metteur en scène allemand, codirecteur artistique de la Schaubühne de Berlin depuis septembre 1999.; Angela Lampe Conservateur des collections historiques au Musée national d'art moderne depuis 2005

L'exposition "Allemagne années 1920" explore la vie culturelle, artistique et sociologique dans la république de Weimar de 1925 à 1933. Parcourez les grands thèmes de l'exposition avec Angela Lampe, commissaire de l'exposition sur la Nouvelle Objectivité, Sophie Goetzman, chargée de recherche et Florian Ebner, commissaire de l'exposition August Sander.CréditsRéalisation et édition : Delphine Coffin et Clara GouraudVoix : Florian HutterMontage : Léo ChardronMixage et prise de son : Ivan Gariel Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

The exhibition "Germany / 1920s" explores cultural, artistic and sociological life in the Weimar Republic from 1925 to 1933. Let yourself be guided through the main themes of the exhibition with Angela Lampe, curator of the New Objectivity exhibition, Sophie Goetzman, researcher and Florian Ebner, curator of the August Sander exhibition.CreditsDirected by Delphine Coffin and Clara GouraudVoices : Christine Hooper and Florian HutterSound editing : Léo ChardronMixing: Ivan Gariel Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

“Allemagne / Années 1920 / Nouvelle Objectivité / August Sander“ au Centre Pompidou, Parisdu 11 mai au 5 septembre 2022Interview de Florian Ebner, conservateur et chef de service du cabinet de la photographie, Musée national d'art moderne, co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 9 mai 2022, durée 24'08.© FranceFineArt.Communiqué de presseCommissariat :Angela Lampe, conservatrice au service de la collection moderne, Musée national d'art moderneFlorian Ebner, conservateur et chef de service du cabinet de la photographie, Musée national d'art moderneassistés de Sophie Goetzmann, chargée de recherches au Musée national d'art moderneet Katharina Täschner, boursière du programme « La photographie aux musées » de la fondation KruppCette première grande exposition sur l'art et la culture de la Neue Sachlichkeit (Nouvelle Objectivité) en Allemagne rassemble près de 900 oeuvres et documents permettant de dresser un panorama inégalé de ce courant artistique jamais montré dans cette ampleur en France. Articulé autour du chef d'oeuvre du photographe August Sander, Menschen des 20. Jahrhunderts [Hommes du 20e siècle] qui constitue une « exposition dans l'exposition », le propos se décline singulièrement en deux volets et fait dialoguer la typologie des groupes sociaux de Sander avec tous les arts d'une époque. « Allemagne / Années 1920 / Nouvelle Objectivité / August Sander » renoue avec l'esprit pluridisciplinaire du Centre Pompidou tout en proposant un format innovant par son double parcours, une exposition thématique sur un courant d'art historique, d'un côté, et un projet monographique sur l'un des plus influents photographes du 20e siècle, de l'autre. Le parcours offre ainsi une double perspective sur la société et l'art allemand de la fin des années 1920.Associant la peinture et la photographie mais aussi l'architecture, le design, le cinéma, le théâtre, la littérature et la musique, les huit sections de l'exposition, Standardisation − Montages − Les choses − Persona froide − Rationalité − Utilité − Transgressions − Regard vers le bas, dialoguent avec les sept groupes et catégories socio-culturels créés par August Sander dans son grand recueil de portraits : « Le paysan », « L'ouvrier », « La femme », « Les États », « Les artistes », « La grande ville » et « Les derniers hommes ».Développée dans un espace scénographique singulier, spécifiquement réalisé pour permettre cette lecture pluridisciplinaire (plan de l'exposition page suivante), l'exposition « Allemagne / Années 1920 / Nouvelle Objectivité / August Sander » présente la production culturelle sous la République de Weimar (1918-1933), à la veille du nazisme. Entre fascination pour la rationalisation de l'époque moderne et critique d'une fonctionnalisation de toutes les conditions de vie, l'exposition offre un regard sur une période qui entre en résonnance avec le contexte d'une Europe contemporaine traversée par des mouvements populistes, invitant à des rapprochements politiques et des analogies médiatiques entre les situations d'hier et d'aujourd'hui.[...] Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Go Big or Go Home! Judith Joy Ross is the photographer, plus August Sander. Want to support my shows? You can, just visit this link at Paypal, or go to SupportKenneth.com to add your monthly contribution to keep the lights on! Check out my YouTube Channel of Photography Talks, my 6x6 Portraits Blog and my Daily Photography Podcast. Thanks! --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Der bei Siegen geborene August Sander war einer der wichtigsten Fotografen des 20. Jahrhunderts. Das Museum für Gegenwartskunst in Siegen zeigt, wie sich zeitgenössische Künstler:innen mit Sanders Porträtkunst auseinandersetzen. Gespräch mit Claudia Dichter. Von Claudia Dichter.

August Sander (1876–1964) gilt als einer der bedeutendsten Fotografen des 20. Jahrhunderts. In seiner berühmten Porträtreihe "Menschen des 20. Jahrhunderts" wollte er ein typologisches Gesamtbild der deutschen Gesellschaft seiner Zeit zeigen. In dem Film "August" des israelischen Videokünstlers und Filmemachers Omer Fast wird der Fotograf am Ende seines Lebens vom Tod seines Sohnes und seiner fotografierten Figuren heimgesucht. Fast verwebt assoziativ das Werk Sanders mit einer dramatischen, filmischen Erzählung. Die surrealen Traumsequenzen, Klang, Musik und Farbe lassen den Zuschauer*innen rätseln: Was ist echt? Was ist Fiktion? In "Das ist Kunst" spricht Friederike Herr mit Omer Fast über "August", Erinnerungen und was ihn an der 3D-Technik fasziniert.

La obra fotográfica de Judith Joy Ross, que protagoniza una gran exposición de unas 200 obras en la Fundación Mapfre en Madrid, centra una nueva emisión de Full Frame. Judith Joy Ross (Hazleton, 1946) es una fotógrafa ocupada en el retrato, género que ha desarrollado en numerosas series de gente anónima de clase trabajadora vinculada a motivos como la infancia en el pueblo en el que se crió o al impacto emocional de la Guerra de Vietnan, entre otros. Su obra, considerada "una fuerza de la sinceridad" por fotógrafos como Larry Fink, ha sido conectada con la de grandes maestros como August Sander, Diane Arbus o Lewis Hine. Además, conocemos la obra de Anastasia Samoylova (Moscú, 1984), ganadora de la primera edición del KBr Photo Award, un premio internacional dotado con 25.000 euros, convocado por la Fundación Mapfre precisamente cuando su centro en Barcelona, el KBr, cumple un año. Ahora mismo puede verse allí una exposición impresionante con la obra de Paolo Gasparini. Para hablar de todo ello interviene Carlos Gollonet, jefe de fotografía de la Fundación Mapfre. Por último, damos cuenta de las XIII Jornadas Fotográficas del Masnou, en la que han intervenido Emilio Morenatti, Santi Palacios o Nuria López Torres, entre otros, y durante las que se ha fallado el primer premio Zampa, en homenaje al fotógrafo Héctor Zampaglione. Intervienen Edu Gisbert y Helena Buira, de la Associació Fotogràfica El Masnou, impulsora del premio. Dirige y presenta: Juan María Rodríguez Con Miguel Solís (música) Emisión: 16 / 11 / 21

For more information about the Afterlives exhibition, please visit the Jewish Museum's website.Show Notes:00:02:00 inspiration for Afterlives: Recovering the Lost Stories of Looted Art00:06:30 design of Afterlives 00:10:15 windows metaphor of seeing through to the history of works and events00:11:20  August Sander's portrait photos of persecuted Jews00:13:00 Jeu de Paume's “Room of the Martyrs”00:13:40 1942  photograph of Room of the Martyrs includes images of work by  Matisse,  Picasso,  Léger, and  Derain who were defamed as degenerate 00:14:15 exhibition reunites large nude by Cezanne, small surrealist Picasso and post-cubist painting Composition by Fédor Löwenstein00:14:52 Cezanne and Picasso looted from Alphonse Kann00:15:00 Composition seizure00:16:20 restution of Composition  in  process00:17:45 works celebrate history of their creation and document their looting00:18:00 artwork as documentation 00:19:30 Rose Valland00:20:20 Dachau records in ‘Creativity Under Duress' gallery00:20:50 work  by artists in exile00:21:05 work  by artists  in camps and/or in hiding00:22:00 Nuremberg trial  excerpt 00:25:30 Judaica Room includes pieces from Jewish Museum's collection affiliated with Jewish Cultural Reconstruction (JCR) and community of Danzig and  installation by Maria Eichhorn00:28:15 Jewish Museum as temporary storage depot for the JCR 1949-195200:32:00 JCR aluminum tags on objects00:32:20 Hannah Arendt's work at the core of  Eichhorn's commission00:34:40 Eichhorn's commission focuses on the intellectual history of the subject and Jewish communities that were its subject 00:37:50 reading of Arendt's documents 00:39:30  commissions by artists Lisa Oppenheim, Hadar Gad, Dor Guez and  Eichhorn00:41:30 international perspective from these artists  came from their geographic and cultural points of reference and their backgrounds00:42:15  Oppenheim's piece deals with work by Jean-Baptiste that was likely destroyed and survival bias against such work00:46:00 historical justice operating on  personal/emotional and legal levels00:49:00 international culture of memory00:50:00 Exhibition's symposium00:52:00 two French loans:  Pechstein's 1912  Paysage and Löwenstein's 1939 Composition00:54:45 We Fight to Build a Free World: An Exhibition by Jonathan Horowitz; and upcoming exhibition related to Ephrussi family story and  looting of their collection except for netsuke, which is told in Edmund de Waal's The Hare with Amber Eyes00:57:45 1940 charcoal portrait by Jacob Barosin while in French forced labor camp of fellow prisoner01:00:15 Picasso's 1929 Group of Characters01:02:50  Pissarro's 1872  Portrait of Minette01:06:00  Portrait of Minette, Group of Characters and Cézanne's Bather and Rocks liberated from  train by Alexandre Rosenberg, grandson of Dealer Paul Rosenberg 01:06:50 Kurt Schwitters' Opened by Customs from 1937/3801:09:35 Afterlives  catalog 01:10:30 reactions of visitorsTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]

Ein Gespräch mit Julian Sander über die Familiengeschichte, den Weg von der Jazzkneipe zur Galerie und natürlich über Rosalind Fox Solomon, August Sander und Diane Arbus. Auch die Magie der Fotografie, Skateboardfahren und das Schöne an Portraits waren Thema. Viel Spaß dabei. https://galeriejuliansander.de/ https://festival.photoszene.de/ Foto: Rosalind Fox Solomon

Ein Gespräch mit Julian Sander über die Familiengeschichte, den Weg von der Jazzkneipe zur Galerie und natürlich über Rosalind Fox Solomon, August Sander und Diane Arbus. Auch die Magie der Fotografie, Skateboardfahren und das Schöne an Portraits waren Thema. Viel Spaß dabei. https://galeriejuliansander.de/ https://festival.photoszene.de/ Foto: Rosalind Fox Solomon

Durch sein frühes Verständnis von zeitgenössischer Kunst legte Lothar Schirmer schon als Gymnasiast den Grundstein für eine großartige Kunstsammlung. Vor allem aber schuf er so das Startkapital für seinen eigenen Verlag. Schirmer erkannte viele Dinge einfach schneller als andere. Etwa, dass es sich auszahlen würde, für den Kauf von Zeichnungen von Joseph Beuys oder Cy Twombly auf dem Bau zu arbeiten. Geboren in Thüringen, aufgewachsen in Köln, Recklinghausen und Bremen, studierte er zunächst etwas sehr Ordentliches, nämlich Wirtschaftswissenschaften. Er sehnte sich aber danach, mit schöpferischen Menschen zusammenzuarbeiten und gründete dann, Mitte der Siebziger Jahre, in München den Kunst- und Fotobuchverlag Schirmer / Mosel. Dort publizierte er mit großem Auflagenerfolg den in Vergessenheit geratenen Bildkünstler der Weimarer Republik, August Sander, den Maler Heinrich Zille oder die Fotografien von Helmut Newton, Robert Mapplethorpe, Annie Leibovitz oder Peter Lindbergh. Kaum jemand kann heute so spannend von Joseph Beuys erzählen wie Lothar Schirmer; und so freuen wir uns sehr, dass er das hier gleich tun wird: im 100. Geburtsjahr von Beuys und in der 27. Folge von Die Sucht zu SEHEN. Herzlich willkommen, lieber Lothar Schirmer!

Essayez Photoshop gratuitement pendant 7 jours : https://urlr.me/FHWPM Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. En entrant dans l’appartement, nous découvrons des dizaines de tirages et des planches contacts entassées ou simplement posées où il y a de place, entre les tasses de café, le ruban adhésif et les différents stylos, sur la grande table du salon. L’endroit est lumineux. Notre invité a une voix rauque. Le timbre est certes voilé mais il arbore un sourire dénoué de toute rigidité. On branche les micros, je m’installe sur une chaise beaucoup trop basse pour moi. J’appuie sur le bouton record. Le photographe commence à raconter l’histoire de l’une de ses photos tirées de son projet L’attente. Dès les premières minutes, je sens chez mon invité une véritable passion pour l’image et une envie très forte de partager. C’est un « raconteur d’histoires ». ­Je souris intérieurement.  Pour ce treizième Vision, c’est avec un grand plaisir que nous recevons Alexandre Guirkinger, photographe parisien né en 1980. Après des études à l’IEP de Lille et un passage comme chargé de production au sein de l’agence Magnum Photos, Alexandre Guirkinger décide de se consacrer au medium photographique en 2006.  Il développe une écriture protéiforme entre espace, portraits, natures mortes et images d’archives. Sa photographie, uniquement argentique, oblige à une certaine frugalité à la prise de vue. À partir de 2010, il produit des pièces collaboratives avec, par exemple, Étienne Chambaud, Tristan Garcia, Florence Aubenas ou Tarek Atoui. Parallèlement, il développe des recherches personnelles s’apparentant au documentaire conceptuel. En 2015, il met un terme à son projet au long cours autour de la ligne Maginot, exposé aux Rencontres d’Arles en 2016 et publié chez RVB Books­­­.  Alexandre Guirkinger est également représenté par l’agence Rose à Paris. À travers des commandes pour le magazine M Le Monde, le Wall Street Journal Magazine, AD, les Inrockuptibles ou T Magazine, il développe également un travail conséquent en presse. Très bonne écoute !  Nous soutenir https://visionspodcast.fr/nous-soutenir/ Pour aller plus loin Walker Evans, Lewis Baltz, August Sander, Bernd et Hilla Becher, W. G. Sebald, Walter Benjamin, Tristan Garcia, Jean-Baptiste Talbourdet, Tarek Atoui, Eric La Casa, Mathieu Charon, Rémi Faucheux, Florence Aubenas, Gérald Thomassin, Réseau Diagonal, Le Point du Jour, Olivia Mayolle, Chris Marker, Andreï Tarkovski, Éric Baudelaire, Jean-Luc Moulène, Wolfgang Tillmans, Comme un Légo – Alain Bashung Liens https://www.instagram.com/alexandreguirkinger  http://alexandreguirkinger.com/ https://www.instagram.com/podcastvisions/ https://www.visionspodcast.fr/

This week: the Frick Collection in New York has moved temporarily from its Gilded Age Mansion on Central Park to Marcel Breuer’s 1960s building created for the Whitney Museum. So what happens when the Old Masters meet Brutalism? We talk to Xavier Salomon, deputy director and chief curator of the Frick about this remarkable change of setting for one of the world’s great collections. We talk to Vincent Noce about his new book L'Affaire Ruffini, following an Old Master forgery scandal, involving works by artists including Cranach, Hals and Orazio Gentileschi and some of the world's most august institutions. And for this episode’s Work of the Week the artist Collier Schorr talks about the photographer August Sander's Young Soldier, Westerwald, in the Metropolitan Museum of Art in New York (and various other museum collections). See acast.com/privacy for privacy and opt-out information.

Ein Gespräch mit Diandra Donecker über ihre Position im Auktionshaus Grisebach, ihren Werdegang, das Verkaufen von Fotografien, August Sander und über die persönliche Entscheidung, welche Bilder an die heimischen Wände kommen. Eine Podcastepisode, bei der am Ende nicht nur Komplimente zu hören waren, sondern auch gleich eine Fortsetzung beschlossen wurde. Diandra Donecker arbeitet seit 2017 bei Grisebach, Berlin. Zunächst als Leitung der Abteilung für Photographie, ab 2019 als CEO und Partner. Foto: Markus Jans

Ein Gespräch mit Diandra Donecker über ihre Position im Auktionshaus Grisebach, ihren Werdegang, das Verkaufen von Fotografien, August Sander und über die persönliche Entscheidung, welche Bilder an die heimischen Wände kommen. Eine Podcastepisode, bei der am Ende nicht nur Komplimente zu hören waren, sondern auch gleich eine Fortsetzung beschlossen wurde. Diandra Donecker arbeitet seit 2017 bei Grisebach, Berlin. Zunächst als Leitung der Abteilung für Photographie, ab 2019 als CEO und Partner. Foto: Markus Jans

Dirk Zöllner ist der Begründer der Ost-Rock-Band "Die Zöllner". Eine Zwei-Mann-Band mit turbulenter Karriere. Gegründet und gefeiert in der DDR kurz vor deren Untergang - und auch nach der Wende erfolgreich. Tobias Ruhland hat mit dem heute 58-jährigen Musiker und Autor gesprochen. Unsere weiteren Themen: Peter Weibel, Medienkünstler und Lovis-Corinth-Preisträger 2020, zeigt seine Werke im Kunstforum Ostdeutsche Galerie Regensburg / Das Münchner Stadtmuseum präsentiert Kunst der 20er Jahre von Otto Dix bis August Sander / 100 Jahre Radio - Jürgen Kuttner im Gespräch über das Jubiläum und das Arbeitsjournal des Augsburger Brecht-Festivals 2021

August Sander lebt: Der italienische Portraitfotograf Francesco Neri und seine Kunst der Langsamkeit Der italienische Fotograf Francesco Neri hat fast 15 Jahre lang Portraits von Bauern und Bäuerinnen aus der Emilia Romagna zusammengetragen, seiner unmittelbaren Umgebung. Die analogen Fotografien sind nicht nur eine Verbeugung vor einem systemrelevanten Berufsstand. Sie sind auch eine Kritik am Beschleunigungswahn der digitalen Gegenwart.

"Kunst trifft Technik. Keramik aus dem 3D-Drucker” - bis 24. Januar 2021 im Porzellanikon in Selb // "August Sander. Sardinien 1927” - bis 08.11.20 in der Pinakothek der Moderne in München // "Kann Regen schön sein?” - bis 15.11.2020 im Lettl-Museum für surreale Kunst in Augsburg

The German photographer, August Sander (1876-1964), was best known for creating what the Museum of Modern Art, New York has called, “the most ambitious and influential portrait of the people of the 20th century.” His sweeping photographic project, People of the 20th Century (Menschen des 20. Jahrhunderts), is comprised of over 600 photographs divided into seven volumes and nearly 50 portfolios intending to be a comprehensive visual record of the German people. He devoted 40 years of his life to it.August SanderGerman, 1876-1964The Secretary, West German Radio, Cologne, 1931 Gelatin silver print, 10 5/16 x 6 1/2 in.Museum purchase with the Curriculum Support Fund, 1985.18.8 © Die Photographische Sammlung / SK Stiftung Kultur - August Sander Archiv Köln / Artists Rights Society (ARS), New York

Another week and another Weekly Dose. Things are getting more crazy in the world but so far, Rob and Chris are holding it together. Rob goes on a rant about Sony ProSupport tutorials and Chris talks about the August Sander and his wife. ► LINKS Oliver Chanarin’s new installation inspired by Amazon’s distribution centres https://tinyurl.com/y7zjd7dj August Sander - Painter’s Wife [Helene Abelen] https://tinyurl.com/ydbnonq8 Persecuted/Persecutors: People of the 20th Century by August Sander https://tinyurl.com/ycukmx2a Sony Pro Support in the US is giving its members 6 months free due to COVID https://alphauniverse.com/prosupport/ Camera Obscura at home https://en.wikipedia.org/wiki/Camera_obscura https://www.youtube.com/watch?v=yvWX6-0_VHU ►LET'S CONNECT Facebook: https://www.facebook.com/belfastphoto... Instagram: https://www.instagram.com/belfast_pho... Chris' Website http://www.christopherbarrphotography... Rob's Website https://durstonphoto.com

Edgar Wright's film Baby Driver is a high-octane thriller about a getaway driver who has to do "one last job" before he can get out of a life of crime. It has a fantastic soundtrack, but is that enough? Gloria at The Hampstead Theatre is a play by Pulitzer-nominated American playwright Branden Jacobs-Jenkins. It's comic drama about ambition, office warfare and hierarchies Thomas Keneally's latest novel Crimes Of The Father deals with a fictionalised sex abuse case against the Catholic church in 1990s Australia Tate Liverpool has a new exhibition: Germany, Portraying A Nation 1919-1933, looking at the work of painter Otto Dix and photographer August Sander capturing life between the wars Netflix new series Gypsy is about a therapist who develops intimate and possibly dangerous relationships with people in her patients' lives Tom Sutcliffe's guests are Rowan Pelling, Rosie Boycott and Cahal Dallat. The producer is Oliver Jones.

Scranton photographer Jason Riedmiller is our guest on Episode 17, sharing personal tales about his life as well the stories behind his portraits, which include famous celebrities, everyday working class people, and his current show hanging at Loyalty Barber Shop in Scranton called “The Forgotten,” which focuses on hospice patients and the elderly. We also talk about the perils of concert photography, music he grew up on and shooting bands he both loves and loathes, the important influence of German photographer August Sander, and what happens when you drink too much on Mark’s birthday. In The Last Word segment, we read an e-mail from a former NEPA resident who wishes us well and a comment from guy involving hipsters, filmmaking, and zombies. Professionally recorded every Monday at The Stude in TwentyFiveEight Studios in Scranton and released exclusively on nepascene.com every Tuesday, the NEPA Scene Podcast is a free supplement to the website, expanding on the arts and entertainment stories covered on the site and going beyond them to discuss other news and entertainment topics. Each week, the unedited and uncensored podcast features Rich Howells, NEPA Scene founder and editor; Mark Dennebaum, president and owner of TwentyFiveEight Studios; Lauren Quirolgico, commercial and content strategist at Lavelle Strategy Group and editor at TwentyFiveEight; and in the control room, Jimmy Reynolds, a musician, teacher, and lead audio engineer at TwentyFiveEight. Every episode streams on iTunes, SoundCloud, Stitcher, and nepascene.com.

Since 1959 Bernd and Hilla Becher have produced photographs of industrial and domestic architecture. Their ordered images (which they call ‘typologies’) of blast furnaces, cooling towers, silos and workers’ houses record the monuments of a rapidly diminishing industrial era. However, the Bechers were equally driven by aesthetic considerations, with photographs of like objects assembled into groups where precise lighting and tonal density give equivalent weight to each visual element. The Bechers’ typological practice has been associated with the formal and serial repetition espoused by minimal and conceptual art of the 1960s. Despite these connections, however, their photography has sat largely outside trends in art practice, the artists maintaining a rigorously systematic approach to their chosen subject matter. The Bechers belong to a distinguished tradition of early 20th-century German photography exemplified by the work of August Sander, Albert Renger-Patzsch and Karl Blossfeldt, all of whom contributed in different ways to the definition of ‘objective’ photography.

Since 1959 Bernd and Hilla Becher have produced photographs of industrial and domestic architecture. Their ordered images (which they call ‘typologies’) of blast furnaces, cooling towers, silos and workers’ houses record the monuments of a rapidly diminishing industrial era. However, the Bechers were equally driven by aesthetic considerations, with photographs of like objects assembled into groups where precise lighting and tonal density give equivalent weight to each visual element. The Bechers’ typological practice has been associated with the formal and serial repetition espoused by minimal and conceptual art of the 1960s. Despite these connections, however, their photography has sat largely outside trends in art practice, the artists maintaining a rigorously systematic approach to their chosen subject matter. The Bechers belong to a distinguished tradition of early 20th-century German photography exemplified by the work of August Sander, Albert Renger-Patzsch and Karl Blossfeldt, all of whom contributed in different ways to the definition of ‘objective’ photography.

Camera position and camera distance… are they the same thing? As we position the camera, are we also thinking about how we position ourselves relative to the subject? By looking at work by August Sander, the Bechers, Andreas Gursky, Tina Barney and Jessica Todd Harper, we examine ideas about how we distance ourselves from a … Continue reading Camera Position 89 : Camera Position & Camera Distance →