Podcasts about barnum bailey

October 8th,  2024 - Last week Ryan and Tom went out to sample the Denver area's newest chicken concept, Daddy's Chicken Shack, and they were thoroughly impressed. Today we're sitting down with Daddy's President, Tony Adams, and Denver Developer, Noah Pillsbury, to talk about the new franchise's move into the Denver market!   As always, we're sharing our favorite upcoming cultural events, art openings, concerts, and all of the things that make Denver the city we're proud to call home.   Follow WDG: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/whats_good_denver/ TikTok: https://www.tiktok.com/@whatsgooddenver   Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com.     The Goods:   Great American Beer Festival @ Colorado Convention Center   Ringling Bros. and Barnum & Bailey presents The Greatest Show On Earth @ The Denver Colleseum   Red Rocks Schedule   MyDenver Day Block Party and Happy Hour @ 16th Street Mall   Mexican Ofrendas & Music @ Alpine Arts Center   Where Is Denver's Chinatown? Stories Remembered, Reclaimed, Reimagined @ History Colorado Center   RiNo Talks: Artful Accessibility @ 3560 Brighton Boulevard   La Llorona Festival @ Corky Gonzales Library, 1498 Irving Street   Make Your Vote Gigantic @ Levitt Pavillion       Our Sponsor:   Kitcaster Podcast Agency   Music produced by Troy Higgins  

There's only 2 types of people in the world: the ones that entertain, and the ones that observe. Today Fatou and Maz will entertain you by discussing the history of the circus! The good, the bad and the really depressing!   Email: DinnerPartyHistoryPod@gmail.com Where to Find Us: DPH Instagram Fatou's Instagram Fatou's Tiktok Maz's Instagram Maz's Tiktok

Jo and Annie wrap up season 3 talking about the classics - partners, school, Rihanna, Beyonce, and Britney. We got a VM from listener and Goddess, FNLN Linda Orr. Plus, Annie goes to the circus so we got a circus review - hot take .... better with animals? As this season wraps, we want to thank all our listeners - thank you for supporting our show and see you next week! #oopsiedoopsie

Hey, Dishers! This week Port Charles was a city of reservations, revelations, and repercussions as Carly and Drew find out Michael kept Nina's involvement in their arrests a secret, Esme escapes prison time and she and Trina have a courtroom confrontation before Esme goes home and finds out Nikolas has Ace. After she goes to both Ava and Cyrus looking for help, Cyrus tells Laura about Esme's visit as Spencer informs his grandmother that Esme has her memory back and Nikolas has come, gone and taken Ace with him. Adam overdoses and is taken to the hospital where Joss has a nasty run in his father during which she spills the beans about his mental health struggles, and Sam has concerns about Drew's behavior as he misses a scheduled meeting with her so that he can fire Nina from Crimson and install Carly as the new editor in chief. Where talking all this and more so tune in and turn us up!

Paul Becker is one of the most sought-after young choreographers and directors in the industry.  Paul is a three-time World Choreography Award Nominee, a 2022 Leo Award Winner, and a 2022 MTV Award winner for "Best Musical Number", where he was nominated for two different films in the same category.   He is the protégé and creative partner of famed director Kenny Ortega.  Paul's visionary approach to storytelling, which he honed for years through his prolific choreography career, resulted in him recently directing the hit Netflix series Julie and the Phantoms.  He also wrote and directed Breaking Brooklyn for Lionsgate starring Academy Award Winner Louis Gossett Jr. and was honored to direct and choreograph the closing ceremonies for the illustrious Pan Am Games.   While his career as a dancer thrived, he was inspired to choreograph during his time filming Chicago alongside Rob Marshall. Having choreographed his first film at the age of 19, he was quickly catapulted to acclaim and was brought onboard to develop epic stage productions for The Jonas Brother, Miley Cyrus, Kanye West, Pitbull, Don Omar, Ciara, and many others.  His onstage work also includes creating and directing two mega tours of Sesame Street Live and two brand-new circus tours for Ringling Bros. and Barnum & Bailey.     His body of choreographic work includes over 300 films and T.V. shows, an impressive feat for such a young artist. Some notable projects bearing his innovative stamp include: the 2019 Academy Award nominated film Ralph Breaks the Internet (Disney Animation), the Seth Rogan produced comedy Good Boys, Deadpool 2 (w/ Ryan Reynolds), Noelle (w/ Anna Kendrick & Shirley MacLaine), The Kissing Booth 1, 2 & 3 (Netflix), and the hit YA musical comedy A Week Away for Netflix.   Paul's T.V. work extends to Charmed, Hellcats, Legends of Tomorrow, and Riverdale for The CW, the National Geographic series Valley Of the Boom, American Horror Story: Hotel, Once Upon a Time for ABC, A Series of Unfortunate Events for Netflix, and The Magicians for SYFY. The Walt Disney organization has enfolded and integrated him into their creative workings, a blessing Paul cherishes daily. He has given life to several projects at Mouse Central that would bring any performance artist and collaborator boundless joy. His association with Disney began when he choreographed The Muppets': Wizard of Oz, followed by The Muppets' Christmas: Letters to Santa. His long-term relationship with them solidified as he was brought in to choreograph several films, from the hit remake of Adventures in Babysitting (w/ Sabrina Carpenter) to Girl vs. Monster (w/ Olivia Holt), and the record-breaking musical franchise Descendants, in which he and Ortega teamed up to choreograph and which was deemed a “YouTube breaking moment” recording billions of views. Additionally, his choreography can be seen in the films Overboard for MGM, the famed Twilight film series, Mirror Mirror (w/ Julia Roberts), Zack Snyder's Sucker Punch, and the worldwide phenom book series turned film series Diary of a Wimpy Kid Parts 1-3. In the world of variety T.V., he served as the producer and creative director for Canada's Got Talent, as well as a judge and choreographer on multiple seasons of So You Think You Can Dance Canada, and as a choreographer on Dancing with the Stars.

Join hosts Seth and Carly as they bring you news and discussion about all things theme parks, as well as their thoughts on the latest movies, television, and video games on The Attractions Podcast. This week on The Attractions Podcast, Seth and Carly discuss: Halloween Horror Nights 2023 dates and tickets announced Upcoming Disney Storyliving community will offer ‘Incredible' extras Disney Cruise Line announces inaugural sailings to Lighthouse Point in June 2024 Hyperspace Mountain returns to Disneyland for Star Wars Month Seven Seas Food Festival returns to SeaWorld San Antonio SeaWorld Abu Dhabi opening May 2023 on Yas Island Six Flags America to open RipQurl Blaster water coaster and debut new events in 2023 Wonder Woman statue makes her debut at Warner Bros. in Burbank, California Ringling Bros. and Barnum & Bailey relaunches with 50-city tour The Attractions Podcast is brought to you by MEI-Travel and Mouse Fan Travel. They provide premium service and expert advice to get the most for your vacation time and dollars. Visit them at mei-travel.com. We welcome your suggestions and want you to be a part of the discussion. Please send your comments to info@attractionsmagazine.com with the subject line “The Attractions Podcast.” Statements or opinions herein are those of the hosts and advertisers and do not necessarily reflect the views of the producers, Dream Together Media LLC, or staff.

THE RETURN OF RINGLING BROTHERS BARNUN & BAILEY CIRCUS The Ringling Bros. and Barnum & Bailey Circus, which shut down in 2017 after a storied 146-year run of three-ring entertainment around the world, could be making a comeback.  Officials from Florida-based Feld Entertainment, which owns the circus operation, said during a recent panel discussion that a new version of the circus without animals is expected to make its debut in 2023. Many observers believe that animal rights protests targeting Ringling Bros. contributed to a decline in ticket sales that led the company to cease operations. It grew famous on the strength of animal trainers like Gunther Gebel-Williams, among others, working with lions and tigers. The company dropped elephants from its shows in 2016 and said at the time that ticket sales declined more than expected. For years, PETA representatives and other groups claimed the circus mistreated the elephants, tigers, lions and other animals featured in its shows. While Ringling Bros. struggled before it shut down, the Canadian company Cirque du Soleil exploded with dozens of shows around the world, all without animals. CLOSING ACT The "Greatest Show on Earth" is getting its curtain call. Feld Entertainment, owner of the Ringling Bros. and Barnum & Bailey Circus said in a statement that the show will end is 146-year run in May. The iconic circus declined in recent years due to high operating costs and long, costly legal battles with animal rights groups, such as the one to eliminate elephant acts. Ticket sales had already fallen, but they dropped more significantly than anticipated after the elephants were retired last May, according to the statement. The company's two circus shows, Out of This World and Circus Xtreme, have 30 shows left, including appearances in Atlanta, Brooklyn and Boston. The final shows are May 7 at the Dunkin' Donuts Center in Providence, R.I., and May 21 at the Nassau Veterans Memorial Coliseum in Uniondale, N.Y. "This was a difficult business decision to make, but by ending the circus tours, we will be able to concentrate on the other lines of business within the Feld Entertainment portfolio," said Juliette Feld, chief operating officer. "Now that we have made this decision, as a company, and as a family, we will strive to support our circus performers and crew in making the transition to new opportunities." The company broke the news to circus employees Saturday night after shows in Orlando and Miami, The Associated Press reported. People for the Ethical Treatment of Animals, a major critic of the circus for its treatment of animals, celebrated the announcement. THE NEW CIRCUS Reimagined Franchise, Complete with a New Look, Set to Bring Fun and Excitement to Families Around the World Global Auditions Currently Underway for All-New Live Performance of The Greatest Show On Earth®, Coming Fall 2023   PALMETTO, FL., May 18, 2022 – Feld Entertainment®, a family-owned company and worldwide leader in live entertainment experiences, announces the long-awaited return of Ringling Bros. and Barnum & Bailey®. The American icon emerges as a dynamic, multi-platform entertainment franchise, providing families the opportunity to connect in fun, engaging ways. The live production of The Greatest Show On Earth® will debut fall 2023. The Ringling franchise will include a broad consumer products and licensing program featuring toys, games, packaged goods, collectibles and more. In addition, brand extensions such as theme park attractions and touring exhibitions are currently in development. To immerse fans more thoroughly into the world of Ringling, a documentary is also being produced that will take the audience backstage to meet the cast and crew and learn what it takes to be part of The Greatest Show On Earth.  “As passionate stewards of Ringling, we are committed to creating a lifestyle brand that connects with families and sparks real fun 365 days a year through live performances, digital content, consumer products, school curricula, youth circus arts programs and more,” said Kenneth Feld, Chair and Chief Executive Officer of Feld Entertainment. “We are innovating all aspects of the live show and modernizing the franchise to create an engaging property that is built for today's families and will last another 150 years.” The refreshed look of Ringling, as conceptualized in a new logo, has been designed to evoke the brand's rich heritage while also creating feelings of wonder, discovery and joy. The “R” in Ringling combines the inquisitiveness of a question mark, along with the punctuated excitement of an exclamation point.  This unique design creates the Ringling interrobang, which is a perfect symbol to punctuate the “WOW” and curiosity of the brand.   “The new Ringling logo illustrates the essence of the brand combined with modern simplicity,” said Juliette Feld Grossman, Chief Operating Officer of Feld Entertainment and Producer of The Greatest Show On Earth. “The logo is designed to flex and adapt across any brand communication. The contemporary look will invite curiosity and captivate families as they discover more ways to become a part of the awe-inspiring world of Ringling.” The live production of The Greatest Show On Earth will celebrate amazing talent from around the world, displaying incredible feats that push the limits of human potential and create jaw-dropping moments. New technologies and a 360-degree experience will break down the barriers between the performers and attendees. Additionally, each show will incorporate interactive elements that engage the audience, ensuring that every performance is unique. A global search for the best acts in the world to bring the show to life is currently underway. The creative team is not only looking for exceptional talent, but also larger-than-life personalities whose stories of commitment and dedication to their craft will create powerful connections with the audience. Auditions for The Greatest Show On Earth are now taking place in countries including Ethiopia, France, Mongolia, Argentina and the United States. More than 1,000 applications and digital submissions have already been received.   

In this episode, I sit down with professional goofball, Don Bursell. He shares some stories about a mortifying road trip adventure, getting a unicycle through security, bowling ball juggling mishaps, his experience with Barnum & Bailey, celebrity encounters, and embarrassing audience member reactions. Save 10% off an order from his online magic book store by using coupon code "performer" at checkout! Code valid through 12/31/22.  Don Bursell's Website: http://donbentertainment.com/ Don's Magic Book Shop: http://donsmagicandbooks.com/   

Stories in this episode: Day in History: 1922: The Ringling Bros. and Barnum & Bailey circus will be in Rochester Fun and games to start soon at the Med City's new 'toybrary' Rochester's Ward 3 candidates find differences in sales tax, building code at LWV forum Germany and beyond: Rochester student eyes a future in international relations JM's Veney earns elite spot on Elite League roster The Post Bulletin is proud to be a part of the Trust Project. Learn more at thetrustproject.org.

Join hosts Carly and Matt as they bring you news and discussion about all things theme parks, as well as their thoughts on the latest movies, television, and video games on The Attractions Podcast.  This week on The Attractions Podcast, Carly and Matt discuss: Universal unveils classic monster trio for Halloween Horror Nights Universal's Superstar Parade at Universal Orlando is ending in June Party like your planet depends on it during D23 Galactic Disco Night ‘Lightyear' sneak peeks are coming to Disney parks Disney announces new art display and store, coming to Orlando on May 31, 2022 Pirates of Speelunker Cave now open at Six Flags Over Texas All-new Summer Celebration is coming to Busch Gardens Tampa Electric Ocean returns to SeaWorld Orlando this summer Ringling Bros. and Barnum & Bailey returns in 2023 as a reimagined, multi-platform franchise This podcast is sponsored by: • Destinations with Character Travel, for all your travel needs, free of charge, visit DestinationsWithCharacterTravel.com. We welcome your suggestions and want you to be a part of the discussion. Please send your comments to info@attractionsmagazine.com with the subject line “The Attractions Podcast.” Statements or opinions herein are those of the hosts and advertisers and do not necessarily reflect the views of the producers, Dream Together Media LLC, or staff.

Washington Post: Many countries ban circuses with wild animals. These lawmakers want the U.S. to follow suit.   Mexico, Peru and several other Latin American countries have banned or restricted the use of animals in traveling circuses in recent years. Performing animals are even rarer in Europe, where many nations prohibit them.   There is no such federal law in the United States. But dozens of local bans, as well as Ringling Bros. and Barnum & Bailey's recent decision to fold its tent, have some lawmakers hoping the American political terrain might now be fertile enough to send all circus elephants, tigers and bears to retirement.   U.S. Reps. Ryan Costello (R-Penn.) and Raul Grijalva (D-Ariz.) appeared on Capitol Hill this week to introduce a bill that would prohibit wild or exotic animal performances in traveling circuses. Flanked by television actors Jorja Fox and Eric Szmanda, the representatives argued that the Traveling Exotic Animal and Public Safety Protection Act — known by the unwieldy acronym TEAPSPA — would end the suffering of creatures that profit-motivated humans force to perform unnatural behaviors and live in cramped conditions.   “I don't think that those practices have any place in the fabric of our society,” said Costello, who added that his constituents are keenly interested in animal welfare issues.   [One problem with shutting down the circus: Where will the animals go?]   The question is whether they and lots of other Americans are interested enough to push for a nationwide ban on circus animals. The bill is only the latest iteration of a proposal that's been introduced in Congress several times before but has never gotten far. Also at the Hill event was former U.S. representative Jim Moran of Virginia, who noted that he was “sorry” it had never passed before but said the idea “did make some inroads.”   There's little question that public sentiment about performing and captive animals, particularly those considered highly intelligent, is changing. The Ringling Bros. announcement in January, which cited a decline in ticket sales, came after local laws and pressure from animal protection groups prompted the show to retire its elephants. Last year, SeaWorld decided to stop breeding orcas, and the National Aquarium in Baltimore is planning to move its dolphins to a sanctuary.   And animal welfare issues, as Costello suggested, have far more bipartisan support than many topics under consideration in Washington.   [Ringling's elephants are retiring. Will their lives be better?]   What's more, backers of the bill say, the Trump administration's zeal for cost-cutting could work in their favor. Circuses with animals are subject to federal inspection under the Animal Welfare Act. Retiring the animals would therefore reduce spending on inspections, making it a “win-win” for the government and for the creatures, said Jan Creamer, president of Animal Defenders International, whose campaigns helped drive the Latin America bans.   “There's an immediate budget cut,” Creamer said. She said a ban would affect 19 traveling circuses with about 300 animals.   A trainer moves a dromedary during a show at the Cedeno Hermanos Circus in Mexico City in 2015, before a ban in that nation took effect. (Henry Romero/Reuters) But there's also an anti-regulatory zeal these days in Washington, and many lawmakers are loathe to dole out sweeping new restrictions to industries — and that includes circuses. One opponent of TEAPSPA is the Cavalry Group, an advocacy group for “animal enterprise,” which last year said the idea “would deprive countless Americans the ability to experience endangered animals up close, such as elephants and tigers.”   The company that runs Ringling Bros., of course, has also lobbied against the bill in the past. Stephen Payne, a spokesman for Feld Entertainment, indicated it would no longer be a priority now that the circus is closing. But, he said, it remains a bad idea premised on inaccurate information about how circus animals are trained and cared for.   “This is clearly driven by animal rights groups, rather than being based in any factual information or talking to people who work with exotic animals,” Payne said. “There are exceptions for film, television, advertising and rodeos. This is clearly driven by these organizations who are targeting circuses.”   Moran and Creamer, for their part, seemed to acknowledge that the idea is not very likely to sail through Congress, though Moran said a lot of “grass-roots activity” would help. In other words: Public pressure — plus a plethora of competing entertainment options — helped bring an end to the 146-year-old Ringling circus, and it would probably take a whole lot of public pressure on lawmakers to lead to a national ban.   Creamer seemed unfazed. Bills her organization has pushed in other countries have gone through “three, four or more evolutions,” she said. The political landscape, she added, “does need to evolve.”   Hi, I'm Carole Baskin and I've been writing my story since I was able to write, but when the media goes to share it, they only choose the parts that fit their idea of what will generate views.  If I'm going to share my story, it should be the whole story.  The titles are the dates things happened. If you have any interest in who I really am please start at the beginning of this playlist: http://savethecats.org/   I know there will be people who take things out of context and try to use them to validate their own misconception, but you have access to the whole story.  My hope is that others will recognize themselves in my words and have the strength to do what is right for themselves and our shared planet.     You can help feed the cats at no cost to you using Amazon Smile! Visit BigCatRescue.org/Amazon-smile   You can see photos, videos and more, updated daily at BigCatRescue.org   Check out our main channel at YouTube.com/BigCatRescue   Music (if any) from Epidemic Sound (http://www.epidemicsound.com) This video is for entertainment purposes only and is my opinion.  Closing graphic with permission from https://youtu.be/F_AtgWMfwrk  

We wanted to present to you one of our favorite new podcasts of the year -- and one we think you'll love. It's called History Daily. And yes, it really is history, daily!Every weekday host Lindsay Graham (American Scandal, American History Tellers) takes you back in time to explore a momentous event that happened ‘on this day' in history. Whether it's to remember the tragedy of December 7th, 1941, the day “that will live in infamy,” or to celebrate that 20th day in July, 1969, when mankind reached the moon, History Daily is there to tell you the true stories of the people and events that shaped our world—one day at a time.Enjoy these two sample episodes of History Daily -- the first on the formation of Barnum & Bailey's Circus, and the second on the opening of the Eiffel Tower.  We love Graham's podcasts and we hope you enjoy them too. And remember to subscribe to History Daily on your favorite podcast player.  

Ringling Brothers and Barnum & Bailey may be no more but aerialists and fire-eaters are just a click away on TikTok. Artists have begun to thrive on social media.Mick Smith, Consultant M: (619) 227.3118 E: mick.smith@wsiworld.com Commercials Voice Talent:https://www.spreaker.com/user/7768747/track-1-commercials Narratives Voice Talent:https://www.spreaker.com/user/7768747/track-2-narrativesDo you want a free competitive analysis? Let me know at:https://hubs.ly/Q0139TgJ0Website:https://www.wsiworld.com/mick-smithLinkedIn:https://www.linkedin.com/company/wsi-smith-consulting/Make an appointment:https://app.hubspot.com/meetings/mick-smithBe sure to subscribe, like, & review The Doctor of Digital™ Podcast:https://www.spreaker.com/show/g-mick-smith-phds-tracksSign up for the Doctor Up A Podcast course:https://doctor-up-a-podcast.thinkific.com/

The crew from the Pop Culture Cosmos are back as Melinda Barkhouse and Gerald Glassford set up your weekend with the latest trending news and info including our thoughts on the trailer for Pixar's upcoming feature Lightyear and if it can bring back the mystique of one of Disney's crown jewels. Plus, fans everywhere did get an answer on a Dune part two, how Star Trek: Prodigy can help the franchise reach a new audience, and what final frontier does it have yet to reach? Plus they're talking about The Wheel of Time fantasy series coming to Amazon Prime, a very disappointing State of Play from Playstation, a return to the circus with Ringling Bros. and Barnum & Bailey, why we shouldn't forget The French Dispatch now in theaters, how Ring of Honor's hiatus and possible reboot leaves many questions and is Bill Murray actually going to be in Ant-Man and The Wasp: Quantumania like he claims? All this and we give you a taste from one of our most recent episodes of the Demolition Force as part of our upcoming Tabletop RPG podcast channel on our latest PCC Multiverse!   Please support the Go Fund Me for the Rolling In The Geek Podcasts' DM Ken who was killed by a drunk driver after a recent session. Any help for the family for living and funeral expenses is truly appreciated by the family and by all of us here at the Pop Culture Cosmos.   Gear up with your favorite Pop Culture Cosmos shirts and gifts in our TeePublic store at https://www.teepublic.com/user/pop-culture-cosmos   Presented by ThriveFantasy, the leader for Daily Fantasy Sports for the NFL, NBA, MLB, PGA, and E-Sports Player Props!   - Use promo code LFB when you sign up today and you will receive an instant deposit match up to $50 on your first deposit of $20 or more! - Download ThriveFantasy on the App Store or Play Store or by visiting their website www.thrivefantasy.com. Sign up and #PropUp today!   Don't forget to Subscribe to our shows and leave us that 5-Star Review with your questions on Apple Podcasts or e-mail us at popculturecosmos@yahoo.com!   And also brought to you by Pop Culture Cosmos, RobMcZob.com, Indie Pods United, Lakers Fast Break, Inside Sports Fantasy Football, the novel Congratulations, You Suck (available for purchase HERE), and Retro City Games!

Events on May 21

Facts About ! Credits: Executive Producer: Chris Krimitsos Voice: Jimmy Murray "Minima","Path of Goblin","Winner Winner!" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Facts from Wikipedia Licensed under Creative Commons Attribution-ShareAlike 3.0 Unported License

Hey you guys how are you?

Not many people realize that when we use the word "Jumbo" in the English language to denote something gigantic, we owe the origin of the word to a Barnum & Bailey circus elephant! In this episode, we explore the story behind Jumbo the Elephant and how it launched the use of a word to describe something that's larger-than-life. Then we quick my good friend Jonathan Burns! For bonus content (and this episode has a lot!), visit Patreon.com/MichaelKent 

On today's episode Josh and Lyndsay do a deep dive into Cirque Du Soleil's current financial challenges and credit rating, and then briefly talk about Spiegelworld's new hiatus. Later in the show they call up honored circus aerialist Dolly Jacobs. They chat about Dolly's time as the featured act on both Ringling Brothers and Barnum & Bailey and Big Apple Circus as well as her current work with Circus Arts Conservatory in Sarasota, Florida. If you enjoy today's episode please share it with a friend and have happy hanukkah! 

On today's episode Josh and Lyndsay do a deep dive into Cirque Du Soleil's current financial challenges and credit rating, and then briefly talk about Spiegelworld's new hiatus. Later in the show they call up honored circus aerialist Dolly Jacobs. They chat about Dolly's time as the featured act on both Ringling Brothers and Barnum & Bailey and Big Apple Circus as well as her current work with Circus Arts Conservatory in Sarasota, Florida. If you enjoy today's episode please share it with a friend and have happy hanukkah! 

This year everyone makes the playoffs, and that gives an opportunity to the teams that now have a second season to play to see if they can keep the helmets on another week after tonight. Jesup heads to Dike-New Hartford for the first round of the Iowa High School Athletic Association playoffs. In this episode we review last week's loss at Sumner-Fredericksburg, educate the coach on a circus and not get an answer on what uniform combination the team will wear tonight. JESUP HIGH SCHOOL STUDENTS: Be a part of the Career Adventure Academy Discovery Workshop on November 10. Go to https://www.nateclayberg.com/offers/sLaAUcWd/checkout and register today. --- Go to http://www.nateclayberg.com/onthemove to register for your chance at the $50 Gift Card from B and B Farm Store. #iagdtbajh J-Hawks Sports Network --- Support this podcast: https://anchor.fm/j-hawks-on-the-move/support

Season 4 Ep. 14Circus freaks/side shows "When you're born, you get a ticket to the freak show. When you're born in America, you get a front row seat." -- George Carlin    The “freak show,” or “sideshow,” rose to prominence in 16th century England. For centuries, cultures around the world had interpreted severe physical deformities as bad omens or evidence that evil spirits were present; by the late 1500s, these stigmas had translated into public curiosity.                   Businessmen scouted people with abnormalities, swooped them up, and shuttled them throughout Europe, charging small fees for viewings. One of the earliest recorded “freaks” of this era was Lazarus Colloredo, an “otherwise strapping” Italian whose brother, Joannes, protruded, upside down, from his chest. The conjoined twins “both fascinated and horrified the general public,” and the duo even made an appearance before King Charles I in the early 1640s. Castigated from society, people like Lazarus  capitalized on their unique conditions to make a little cash -- even if it meant being made into a public spectacle. Whether it was a person with dwarfism acting as a jester or clown for an individual monarch, or a person with a unique physical impairment displaying her body for the eyes of a curious and gawking public, freaking—exploiting the perceived peculiarities of your own body for an audience—was a means of support for some disabled people who might otherwise have died or struggled to survive. But until the 19th century, freak shows catered to relatively small crowds and didn’t yield particularly healthy profits for showmen or performers. It was in the mid nineteenth and early 20th centuries that freak shows had become a viable commercial enterprise in England and the U.S. alike. America and England both had men who would come into prominence by employing (or exploiting depending on whom you talk too)these types of folks for profit purposes. In England it was a man named Tom Norman. TOM NORMANTom Norman was born on 7 May 1860 in Dallington, Sussex and was the eldest of 17 children. His real name was Noakes and his father Thomas was a butcher who resided at the Manor House in Dallington. According to his autobiography he left home at the age of fourteen to seek fame and fortune on the road and before long he had found employment as a butcher’s assistant in London. Tom first became involved in showbusiness a year later when he went into partnership with a showman who had a penny gaff shop in Islington, exhibiting Mlle Electra(not a typo). However, as is often the case with Tom Norman, the facts are difficult to piece together from the legend and the first record we have for a showman called Norman from this time can be traced to the Agricultural Hall in Islington, the venue for The World’s Fair. Some of the showmen on view that day included the famous Tommy Dodd and his wife, "The smallest people in the world;" and a giant boy aged seventeen. Other showmen presenting attractions were Williams's Ghost Show; Chittock and Testo's dog and monkey circus and Mander’s Huge Collection of Wild Beasts. However, both The Era newspaper report and the handbill for the event note the presence of Norman's performing fishes, which reputedly could not only talk but also play the pianoforte; and Norman’s French Artillery Giant Horse. In his autobiography which was incomplete before his death in 1930, Norman states that he was fifteen when he first appeared at the World’s Fair. Therefore, the Norman mentioned could either have been a showman whose name Tom Noakes went on to use, or he was actually 13 years old when he first left home.By the 1870s the young aspiring showman had been involved in a number of careers including exhibiting Eliza Jenkins, the Skeleton Woman, a popular novelty show at the time, the Balloon Headed Baby and a whole range of freak show attractions as he stated in his autobiography:“But you could indeed exhibit anything in those days. Yes anything from a needle to an anchor, a flea to an elephant, a bloater you could exhibit as a whale. It was not the show, it was the tale that you told.”Perhaps one of the more gruesome shows he was involved with, was 'the woman who bit live rat heads off. 'In his autobiography Tom Norman describes the act a the most gruesome he had ever seen:“Dick Bakers wife, who used to be with me and gave I think now, the most repulsive performance, that I have ever had or seen, during the whole of my long career. it consisted of Mrs Baker, putting her naked hand into a cage, fetch out a live rat and proceed to bite its head off.”The effect on the audience was such wrote Tom that:“More than once, have I seen a member of either sex of the audience, fall forward in a faint during this extraordinary performance.”Tom Norman’s ability to tell the tale was the scene of one of his greatest compliments when in 1882 he was performing at the Royal Agricultural Hall. Unaware that the great showman P. T. Barnum(well get to him don't worry) was in the audience, Tom informed the crowd that none other than the greatest showman on earth had booked the show for its entire run. Upon meeting Tom Norman, Barnum pointed to the large silver Albert chain which he wore and said 'Silver King eh'. Despite being found out, Tom Norman took this as a compliment and from then on he became known as The Silver King.Throughout the 1880s his fame as a showman grew and by 1883 he had thirteen penny gaff shops throughout London including locations such as Whitechapel, Hammersmith, Croydon and Edgeware Road. He still continued to travel with his shows and Norman’s Grand Panorama was a highlight of the Christmas Fair for the 1883/84 season in Islington. It was at this time that Norman came into contact with Joseph Merrick through a showman called George Hitchcock who proposed that Norman took over the London management of the Elephant Man. This episode in Norman’s life is shrouded in controversy as Sir Frederick Treeves, the surgeon who reputedly rescued Joseph Merrick or John as he calls him, blackened the character of Norman in his autobiography published in 1923. There are differing accounts of the way Merrick was treated by Norman. Treeves maintains that he was treated poorly by Norman and simply exploited. There are others who claim that Norman treated Merrick extremely well and that Merrick was never healthier or happier than with Norman. The Elephant Man was managed by Tom for only a few months and after the London shop was closed by the police, Joseph Merrick was taken back by the consortium of Leicester businessmen and placed in the hands of Sam Roper, a travelling showman.Tom Norman’s career continued after the Elephant Man and over the next ten year he became involved with managing a troupe of midgets, exhibiting the famous Man in a Trance show at Nottingham Goose Fair, Mary Anne Bevan the World’s Ugliest Woman, John Chambers the Armless Carpenter and Leonine the Lion Faced Lady. In January 1893, the following advertisement appeared in The Era newspaper and seems to imply that Tom was thinking of leaving England for the Worlds’ Fair which was being held in Chicago. The advertisement appeared for the following weeks and although no details are available as to their final outcome they do give us a glimpse into the type of shows Tom Norman was exhibiting at the time. “Wanted, to Sell, 10ft Living Carriage, Light, One-horse Load, already Fitted for Road, £25, worth £35; also Novelty Booth, good as new, Size, 9ft by18ft, with Novelty and Four New Brass Lamps, with Filler and Oil Drum, by Mellor and Sons, £4; also Piano Organ, nearly New, scarcely soiled, TenTunes, by Capra, suit Waxworks or any Shop Exhibition, £7, worth £18; also Two Fat Paintings, Best on the Road, by Leach, Size 9ft by 10ft, ditto One, same size of Skeleton Girl, all good as new; also Two others of Fats, size 6ft by Thornhill, with large Case to carry the lot, £5, cost £20; also 9ft Square Booth for Performing Fleas, with Two Grand Oil Paintings for same, price £1; also Aerial Suspension for Child 15s; also the Largest Silver Albert in England, made expressly for me, £3, cost £6. The whole of the above to be sold together or separate. Can be seen any time. Reason, I am leaving for Chicago. Apply any Morning before 12.0 to TOM NORMAN, Silver King, Pearce's Temperance Hotel, Elephant and Castle, SE”.In 1896 Tom met and married Amy Rayner at the Royal Agricultural Hall and their marriage lasted until his death in 1930. At that time Tom was travelling his famous Midget show and the Ghost show he had bought from John Parker. Their first son Tom was born in 1899 and was soon followed by Hilda, Ralph, Jimmy, Nelly, Arthur, Amy, Jack, Daisy and George.Soon after the birth of his first son, Tom became an auctioneer and the first show he sold belonged to Fred and George Ginnett. His career as an auctioneer prospered and some of the most famous shows he sold included Lord George Sanger and Frank Bostock's.He advertised in both The Era and The Showman newspapers as the recognised Showman’s Auctioneer and Valuer throughout 1901 and early clients in 1902 included W. T. Kirkland who had concessions at Southport, Morecambe and New Brighton. He instituted the annual Showman and Travellers’ Auction Sales in London, Manchester and Liverpool from 1903 onwards and negotiated sales for showman such as Walter Payne, Edwin Lawrence and many others. His most famous sale to date place in 1905 when he organised the disposal of Lord George Sanger’s Zoo at Margate. This was followed by what Tom Norman described as the crowning point in my life as regards the auctioneering business, when he was called upon by Sanger to auction the whole of his travelling circus effects. The following tribute published in 1901 demonstrates the esteem in which he was held by the fairground fraternity:'Mr Norman believes in catering for modern tastes - brilliancy; brightness, cleanliness and order are Tom’s strong points'Tom Norman continued to travel with his shows and maintained his penny gaff shops in London while basing the auctioneering side of the business at his family home the Manor House Dallington. Although Tom did not reveal in his autobiography the reasons for changing his name, he obviously maintained links with his place of birth in order to base this part of his business activities there.In the period leading up the First World War, Tom was now the father of ten children, nine surviving and his sons Tom, Ralph, Jimmy, Arthur and George had inherited their father’s showmanship. Ralph Van became known as Hal Denver and travelled throughout Europe and America as a wild west performer, George and Arthur found fame as clowns in many of the world’s greatest circuses and Tom and Jim Norman remained on the fairground.By 1915 the family were firmly based in Croydon and Tom was starting to dispose of some of his business concerns when his eldest son Tom Jnr enlisted. The shops for sale included Tom Norman's New Exhibition with waxworks and novelty museum and the Croydon Central Auction Rooms. Tom slowly retired from the fairground business and although he maintained his auctioneering concerns, he mainly concentrated on buying and selling caravans and dealing in horses for circuses and pantomimes. After the end of the first World War, Tom became restless again and appeared at the Olympia Circus in 1919 with Phoebe the Strange Girl and exhibited at Birmingham and Dreamland, Margate in 1921. Tom also returned to the venue where he had first started, The Royal Agricultural Hall and worked there throughout the 1920s although he was living in semi-retirement at the family base in Beddington Lane, Croydon.Tom Norman left behind a comfortable professional birthright to become one of the leading travelling showmen of his day. The benevolence he showed to his fellow showmen, his association with the newly formed Van Dwelling’s Association and his role in the United Kingdom Temperance Association demonstrate the injustice done to his reputation by inaccurate accounts of The Elephant Man. He died in Croydon on 24 August 1930, while according to his son George Van Norman, making plans to travel to a large auction show around the country.The following tribute was published in the World’s Fair.'There are very few showmen who have not met the famous showman’s auctioneer, “The Silver King”, He has been a conspicuous and charismatic figure in our business for the past half a century and has conducted more showman’ sales than any other auctioneer in the country... During his fifty years with us, he has endeared himself to all section from the humblest to the highest. He was a charming personality with a commanding appearance that left a lifetime impression upon anyone that he met. All his life he has been a showman and as such he died.'So that's England's great showman, the man who really helped bring freak shows to prominence ther. But as i mentioned earlier, the U.S. had one as well. He was brought up earlier and I'm sure you all know who it is.. Good old Phineas Taylor Barnum, better known as P.T. Now, now i'm sure most of you know at least a little about him, or have at some point as a kid been to a circus with his name somewhere in the title. Some of you younger listeners may have missed out on the joys of the circus. Were gonna take a loom at his life and how he rose to prominence.P.T. BARNUMBarnum was born in Bethel, Connecticut, the son of innkeeper, tailor, and store-keeper Philo Barnum (1778–1826) and his second wife Irene Taylor. His maternal grandfather Phineas Taylor was a Whig, legislator, landowner, justice of the peace, and lottery schemer who had a great influence on him.Barnum was 15 years old when his father died, and the support of his mother and his five sisters and brothers fell largely upon his shoulders. After holding a variety of jobs, he became publisher of a Danbury, Connecticut, weekly newspaper, Herald of Freedom. Arrested three times for libel, he enjoyed his first taste of notoriety.In 1829, at age 19, Barnum married a 21-year-old Bethel woman, Charity Hallett, who was to bear him four daughters. In 1834 he moved to New York City, where he found his vocation as a showman. He began his career as a showman in 1835 when he was 25 with the purchase and exhibition of a blind and almost completely paralyzed slave woman named Joice Heth, whom an acquaintance was trumpeting around Philadelphia as George Washington's former nurse and 161 years old. Slavery was already outlawed in New York, but he exploited a loophole which allowed him to lease her for a year for $1,000, borrowing $500 to complete the sale. Heth died in February 1836, at no more than 80 years old. Barnum had worked her for 10 to 12 hours a day, and he hosted a live autopsy of her body in a New York saloon where spectators paid 50 cents to see the dead woman cut up, as he revealed that she was likely half her purported age. It was very common for Barnum's acts to be schemes and not altogether true. Barnum was fully aware of the improper ethics behind his business as he said, "I don't believe in duping the public, but I believe in first attracting and then pleasing them." During the 1840s Barnum began his museum, which had a constantly rotating acts schedule, which included The Fat Lady, midgets, giants, and other people deemed to be freaks. The museum drew in about 400,000 visitors a year.THE AMERICAN MUSEUM During the 1840s Barnum began his museum, which had a constantly rotating acts schedule, which included The Fat Lady, midgets, giants, and other people deemed to be freaks. The museum drew in about 400,000 visitors a year.[14]P.T. Barnum's American Museum was one of the most popular museums in New York City to exhibit freaks. In 1841 Barnum purchased The American Museum, which made freaks the major attraction, following mainstream America in the mid-19th century. Barnum was known to advertise aggressively and make up outlandish stories about his exhibits. The façade of the museum was decorated with bright banners showcasing his attractions and included a band that performed outside. Barnum's American Museum also offered multiple attractions that not only entertained but tried to educate and uplift its working-class visitors. Barnum offered one ticket that guaranteed admission to his lectures, theatrical performances, an animal menagerie, and a glimpse at curiosities both living and dead.One of Barnum's exhibits centered around Charles Sherwood Stratton, the dwarf billed as "General Tom Thumb" who was then 4 years of age but was stated to be 11. Charles had stopped growing after the first 6 months of his life, at which point he was 25 inches (64 cm) tall and weighed 15 pounds (6.8 kg). With heavy coaching and natural talent, the boy was taught to imitate people from Hercules to Napoleon. By 5, he was drinking wine, and by 7 smoking cigars for the public's amusement. During 1844–45, Barnum toured with Tom Thumb in Europe and met Queen Victoria, who was amused and saddened by the little man, and the event was a publicity coup. Barnum paid Stratton handsomely - about $150.00 a week. When Stratton retired, he lived in the most esteemed neighborhood of New York, he owned a yacht, and dressed in the nicest clothing he could buy.In 1860, The American Museum had listed and archived thirteen human curiosities in the museum, including an albino family, The Living Aztecs, three dwarfs, a black mother with two albino children, The Swiss Bearded Lady, The Highland Fat Boys, and What Is It? (Henry Johnson, a mentally disabled black man). Barnum introduced the "man-monkey" William Henry Johnson, a microcephalic black dwarf who spoke a mysterious language created by Barnum and was known as Zip the Pinhead . In 1862, he discovered the giantess Anna Swan and Commodore Nutt, a new Tom Thumb, with whom Barnum visited President Abraham Lincoln at the White House. During the Civil War, Barnum's museum drew large audiences seeking diversion from the conflict.Barnum's most popular and highest grossing act was the Tattooed Man, George Contentenus. He claimed to be a Greek-Albanian prince raised in a Turkish harem. He had 338 tattoos covering his body. Each one was ornate and told a story. His story was that he was on a military expedition but was captured by native people, who gave him the choice of either being chopped up into little pieces or receive full body tattoos. This process supposedly took three months and Contentenus was the only hostage who survived. He produced a 23-page book, which detailed every aspect of his experience and drew a large crowd. When Contentenus partnered with Barnum, he began to earn more than $1,000 a week($31,000 in 2020). His wealth became so staggering that the New York Times wrote, "He wears very handsome diamond rings and other jewelry, valued altogether at about $3,000 [roughly $93,000 in 2020 dollars] and usually goes armed to protect himself from persons who might attempt to rob him." Though Contentenus was very fortunate, other freaks were not. Upon his death in 1891, he donated about half of his life earnings to other freaks who Barnum retired in 1865 when his museum burnt to the ground. Though Barnum was and still is criticized for exploitation, he paid the performers fairly handsome sums of money. Some of the acts made the equivalent of what some sports stars make today. Between 1842, when he took over the American Museum, and 1868, when he gave it up after fires twice had all but destroyed it, Barnum’s gaudy showmanship enticed 82 million visitors—among them Henry and William James, Charles Dickens, and Edward VII, then prince of Wales—into his halls and to his other enterprises.  Barnum did not enter the circus business until he was 60 years old. He established "P. T. Barnum's Grand Traveling Museum, Menagerie, Caravan & Hippodrome" in Delavan, Wisconsin, in 1870 with William Cameron Coup; it was a traveling circus, menagerie, and museum of "freaks". It went through various names: "P. T. Barnum's Travelling World's Fair, Great Roman Hippodrome and Greatest Show on Earth", and "P. T. Barnum's Greatest Show on Earth, And The Great London Circus, Sanger's Royal British Menagerie and The Grand International Allied Shows United" after an 1881 merger with James Bailey and James L. Hutchinson, soon shortened to "Barnum & Bailey's". This entertainment phenomenon was the first circus to display three rings.[25] The show's first primary attraction was Jumbo, an African elephant that Barnum purchased in 1882 from the London Zoo. The Barnum and Bailey Circus still contained acts similar to his Traveling Menagerie, including acrobats, freak shows, and General Tom Thumb. Barnum persisted in growing the circus in spite of more fires, train disasters, and other setbacks, and he was aided by circus professionals who ran the daily operations. He and Bailey split up in 1885, but they came back together in 1888 with the "Barnum & Bailey Greatest Show On Earth", later "Barnum & Bailey Circus" which toured the world.Barnum was one of the first circus owners to move his circus by train, on the suggestion of Bailey and other business partners, and probably the first to own his own train. Given the lack of paved highways in America at that time, this turned out to be a shrewd decision that vastly expanded Barnum's geographical reach. In this new industry, Barnum leaned more on the advice of his partners, most of whom were young enough to be his sons.Barnum became known as the "Shakespeare of Advertising" due to his innovative and impressive ideas.     Barnum went on to write his autobiography and do something interesting, more interested in publicity than profits, he made his biography public domain. This meant that anyone who wanted to publish his biography could do so without having to secure rights for it. In his 81st year, Barnum fell gravely ill. At his request, a New York newspaper published his obituary in advance so that he might enjoy it. Two weeks later, after inquiring about the box office receipts of the circus, Barnum died in his Connecticut mansion. The Times of London echoed the world press in its final tribute: “He created the métier of showman on a grandiose scale.…He early realized that essential feature of a modern democracy, its readiness to be led to what will amuse and instruct it.…His name is a proverb already, and a proverb it will continueThose are the stories, for the most part of two of the major players in the freakshow game. There were more, and maybe we will revisit the rest of the stories and the other folks involved at a later date but for now we are going to move on to what you all want…some of the coolest  freaks there were!!!LAZARUS COLLOREDOWe mentioned this fellow a bit earlier and it was time to bring him back. Born in 1617 in Genoa, Italy, Colloredo would exhibit himself all across Europe during his lifetime. Colloredo is among the earliest—and most extraordinary—recorded cases of parasitic twins. We found this description of Lazarus by Danish anatomist Thomas Bartholinus, as detailed in the 19th-century book, Kirby’s Wonderful and Eccentric Museum: “I saw, saith Bartholinus, Lazarus Colloredo, the Genoese, first at Copenhagen, after at Basil, when he was twenty-eight years of age, but in both places with amazement. This Lazarus had a little brother growing out at his breast, who was in that posture born with him. If I mistake not, the bone, called xyphoideus, in both of them grew together; his left foot along hung downwards; he had two arms but only three fingers upon each hand: some appearance there was of the secret parts: he moved his hands ears and lips, and had a little beating in the breast. This little brother voids no excrements but by the mouth, nose, and ears, and is nourished by that which the greater takes: he has distinct animal and vital parts from the greater, since he sleeps, sweats, and moves when the other wakes, rests and sweats not. Both received their names at the font; the greater that of Lazarus, and the other that of Johannes Baptista. The natural bowels, as the liver, spleen, &c. are the same in both. Johannes Baptista hath his eyes for the most part shut: his breath small, so that holding a feather at his mouth it scarcely moves, but holding the hand there we find a small and warm breath. His mouth is usually open, and wet with spittle; his head is bigger than that of Lazarus, but deformed; his hair hanging down while his face is in an upright posture. Both have beards; that of Baptista is neglected, but that of Lazarus very neat. Lazarus is of a just stature, a decent body, courteous deportment, and gallantly attired: he covers the body of his brother with his cloak, nor would you think a monster lay within at your first discourse with him. He seemed always of a constant mind, unless that now and then he was solicitous as to his end, for he feared the death of his brother, presaging that when it came to pass, he should also expire with the stench and putrefaction of his body; and therefore he took greater care of his brother than himself.”Well then! That sounds like a fucking insane thing to see!!TARRAREThe walking manifestation of one of the seven deadly sins prowled the cobbled streets of 18th-century Paris, seeking only to indulge his endless hunger. Earlier in life, his dietary needs started out robustly, but were otherwise innocuous. However, things would soon take a sinister turn so far as this overzealous diner was concerned. According to contemporary accounts and existent medical records, his quenchless appetite continued growing to the point that his legendarily gluttonous gorging caused this ravenous Frenchman to ingest live animals and maraud morgues for sustenance. He was once even suspected of kidnapping and devouring a toddler.The crack team at Ripleys.com was able to speak with a doctor who specializes in science-based nutrition in search of a possible diagnosis, but first, let’s chew the fat on the life of this legendary cannibal and his strange circumstances of existence. Be warned, this is not for the weak of heart—but if you think you can stomach it, then strap in! PARIS, CIRCA 1788With a large, lip-less mouth stretched wide beyond human regularity and filled with stained teeth, he ate corks, stones, entire baskets of apples—one at a time in quick succession—and live animals (his favorite was snake) for the morbid amusement of repulsed onlookers that were challenged to satiate his seemingly interminable appetite.Like most modern competitive binge-eaters, Tarrare was diminutive in stature, weighing no more than one hundred pounds—prior to eating, at least. Despite all of his daily intake, he never seemed to keep any of the weight on. When empty, his stomach was loosely distended to the point that he could wrap it around his waist as if it were a belt made of his own, still-attached flesh. When full, it was inflated like a balloon—not unlike a pregnant woman in her final trimester. His hair was fair and soft, while his cheeks, when not engaged at capacity—allegedly able to hold so much as a dozen eggs—were wrinkled and hung slack to create premature jowls.Prior to life as a successful street performer, the individual is known only by his stage name, Tarrare, lived in destitution as part of a traveling caravan of criminal misfits. Born in the rural countryside surrounding the epicenter of the booming silk-weaving trade in Lyon, France in approximately 1772, his rapacious appetite was readily apparent from an early age. As the legend goes, a young Tarrare was capable of eating his own bodyweight in cow meat within a 24-hour period. Sadly, this boundless craving forced him out of his family’s home as a teenager, as they could no longer afford to feed him.After several years of touring the country as a vagabond begging for food, for a time Tarrare became the opener for a snake-oil peddling mountebank before taking off to Paris to perform as a solo act. With success came risk. Tarrare once collapsed mid-performance with what was later discovered to be an intestinal obstruction, requiring his audience to carry him to the nearby Hôtel-Dieu hospital. After being treated with laxatives, a grateful Tarrare offered to demonstrate his talents by eating the surgeon’s pocket watch. The surgeon agreed, but only under the condition that he be allowed to cut Tarrare open to retrieve it. Wisely, Tarrare declined.It was during the French War of the First Coalition when respected military surgeon Dr. Pierre-François Percy first made the acquaintance of the inexplicable Tarrare, now a soldier for the French Revolutionary Army. Barely twenty years old, this peculiar patient proved to be quite extraordinary. Unable to subsist off of military rations alone, Tarrare began doing odd jobs around the base for other soldiers in exchange for their rations and, when that proved to be insufficient, foraged for food scraps in dunghills. Despite all of his scrounging, Tarrare succumbed to exhaustion and was admitted to a military hospital under the care of Dr. Percy.There, even being granted quadruple rations failed to satiate his hunger. Tarrare began to eat out of the garbage, steal the food of other patients, and even chow down on the hospital’s bandage supply. Psychological testing found Tarrare to be apathetic, but otherwise sane.Percy’s report described Tarrare as having bloodshot eyes and constantly being overheated and sweating, with a body odor so rancid that he could be smelled from twenty feet away—and that’s by 18th-century French military surgeon standards. Woof. The smell only got worse after eating. Percy described it as being so bad he literally had visible stink lines.After eating, Tarrare would succumb to the itis and pass out. Percy observed this after preparing a meal made for fifteen to test Tarrare’s limits, which he predictably porked down. Percy continued this experiment by feeding Tarrare live animals: a cat—which he drank the blood of and after consuming, like an owl, he only regurgitated its fur—lizards, snakes, puppies, and an entire eel.Months of experimentation passed before the military discovered a way to put Tarrare’s unique ability to use: Tarrare was commissioned as a spy for the French Army of the Rhine. His first mission was to secretly courier a document across enemy lines in a place that it could not easily be detected if caught: his digestive tract. After being paid with a wheelbarrow full of thirty pounds of raw bull viscera—which he ate immediately upon presentation directly in front of what we can only imagine to be the incredibly revolted generals and other commanding officers—Tarrare swallowed a wooden box containing a document that could pass through his system completely in-tact and be delivered to a high-ranking prisoner of war in Prussia. As one might expect, an individual who smells like a foot and compulsively eats from the garbage would likely attract attention—not exactly the ideal, hallmark makings of a spy.Compound this with the fact that Tarrare did not speak any German and he was quickly caught, beaten, imprisoned, and forced to undergo the psychological torment of a mock execution before being returned to France.Again under the care of Dr. Percy, the trauma Tarrare endured left him incapable of continuing his military service and desperate to find a cure for his condition. Laudanum opiates, wine vinegar, tobacco pills, and a diet of soft-boiled eggs were all employed, but Tarrare was still forced to walk the streets fighting stray dogs for discarded slaughterhouse cuisine, drink the blood of patients who were being treated with bloodletting, and was even caught consuming cadavers from the hospital morgue multiple times. Eventually, a toddler went missing from the hospital and Tarrare, the suspected culprit, was chased from the premises before disappearing into the city.Dr. Percy is contacted by a physician of Versailles hospital at the behest of a patient on their deathbed. Sure enough, it was Tarrare, now brought to death’s door by what he professed to be a golden fork he had swallowed two years previously and was now lodged inside of him. It had been four years since Percy had last seen Tarrare, who hoped he could save his life by removing the fork. Unfortunately for Tarrare, it was not a fork that was killing him, but end-stage tuberculosis. Within a month, he passed.A curious colleague intended to inspect Tarrare’s corpse. However, fellow surgeons refused to partake and it quickly became a race against the clock as the body began to rot rapidly. Findings from the autopsy revealed that Tarrare possessed a shockingly-wide esophagus which allowed spectators to look directly from his open mouth into his stomach, which was unfathomably large and lined with ulcers. His body was full of pus, his liver and gallbladder abnormally large, and the fork was never recovered. So, what was the cause of Tarrare’s insatiable hunger? In short, we don’t know for sure. When contemporary medical procedures of the time included drinking raw mercury to clear out head demons (probably), should it come as a surprise that Tarrare received no suitable diagnosis or treatment in his own lifetime?However, some interesting theories have been suggested over the years. Ripleys.com was able to speak to Dr. Don Moore, a chiropractor certified in science-based nutrition and owner and operator of Synergy Pro Wellness, to get his take on things.Now, granted, there is a possibility that Dr. Percy’s personal documentation in the years following Tarrare’s death were exaggerated or falsified, but they were considered credible enough at the time of their publication to be featured in reputable medical texts such as The Study of Medicine, Popular Physiology, and London Medical and Physical Journal. Plus, Dr. Percy is considered the father of military surgeons, was Chief Surgeon to the French Army, a university professor, inventor of important battlefield medical implements, and is considered an all-around highly reputable guy. So, given we accept the above tale as an accurate representation of Tarrare’s symptoms, what does Dr. Moore have to say about it?“It can be broken down by category: He didn’t suffer from psychosis, so he was completely aware and cognitive. But that doesn’t rule out hyperactivity of hormones and dysfunction of components of the brain. His sensor that would let him know he was full was damaged. If he underwent a brain study, he would have probably been identified as having had an enlarged hypothalamus.” The hypothalamus regulates the body’s temperature and is responsible for causing the sensation of hunger. Given Tarrare was constantly overheated and in dire search of food, it’s a perfect fit. Dr. Moore also suspects a possible case of pica, which causes the eating of non-edible objects.As for why Tarrare never weighed more than one hundred pounds, Dr. Moore adroitly theorizes, based on his habitually eating raw meat: “He most likely had a parasite as well. The fact that he was of normal size means something else is being nourished, and the fact that he was constantly hungry leans towards him feeding a secondary organism. A parasite like a hookworm or roundworm, perhaps.”  FANNIE MILLSThis next one...i had to put in for obvious reasons! As far as freak shows go, Fanny Mills was one of the most unusual performers to ever step foot inside the sideshow tent. Known as the “Ohio BigFoot Girl,” Fanny seemed normal in every respect…except for her massive feet. Fanny was born in Sussex, England in 1860, and then immigrated with her family to Sandusky, Ohio. The condition that brought her notoriety was Milroy Disease, a rare disorder that causes lymphedema, in which the lower legs and feet swell with lymph fluid. Neither of Fanny’s sisters were born with the disease.Fanny was a petite woman who only weighed 115 pounds. Her feet, however, were 19 inches long and 7 inches wide. She wore a size 30 shoe made of three goatskins.Fanny started touring the country in 1885 as “that girl from Ohio” with the “biggest feet on Earth.” She traveled with a nurse named Mary Brown, who helped her get around. Her promoters advertised her to unwed men as “a boon for poor bachelors,” offering $5,000 and a well-stocked farm to any respectable man who would marry her.“Don’t permit two big feet to stand between you and wedlock tinged with fortune,” the ad read. Fanny eventually married William Brown, Mary’s brother, in 1886.She retired from show business in 1891 because of an illness, and died later that yearGRADY STILES JR.This guy is another famous guy. But you may not know his whole, incredibly crazy story! He’s the mutha fuckin lobster boy!!! The Stiles family was suffering from a peculiar physical condition known as Ectrodactyly, which is a rare congenital deformity that makes the hand look like lobster claws as the middle fingers are either missing or seemingly fused to the thumb or pinky finger.The family has been afflicted for over a century with ectrodactyly, a condition commonly known as the Lobster claw. It is an uncommon inherent distortion of the hand where the center digit is missing and the hand is parted where the metacarpal of the finger ought to be.This split regularly gives the hands the presence of lobster hooks in spite of the fact that cases run in seriousness. Frequently this condition happens in both the hands and the feet and, while it is an acquired condition, it can skirt an age. While the term ectrodactyly sounds medicinally clean when contrasted with ‘Lobster Claw Syndrome’.While many have viewed Ectrodactyly as a handicap, for the Stiles family it came with an opportunity. The physical condition stayed within the family and any newcomer to the family came out with unusual hands and feet.But one member from the family, Grady stiles Jr., would give the Stiles’ family a different reputation when he became a serial abuser and murderer.The home of Gardy Stiles, or popularly known as the lobster boy was an unpleasant place to be. During the carnival season in Pittsburgh Pennsylvania, Grady was one of the many sideshow performers who people came to gawk at some time in wonder and sometimes out of rudeness.Grady never concerned himself too much with the opinions of onlookers, he was only there to put on a show, his audience was impressed or not. Grady was born with a severe deformity that gave him the name, The Lobster Boy.GRADY STILES JR. A.K.A THE LOBSTER BOY (CREDIT: YOUTUBE)Lobster Boy was born in Pittsburgh in 1937, at that point his father was already part of the “freak show” circuit, adding his kids with the peculiar physical condition to the act.Because of the deformity Grady couldn’t walk and was confined to a wheelchair, his legs were almost flipper-like and unable to bear weight this resulted in him using his upper body to maneuver around usually in a wheelchair.All of the locomotion provided by his arms turned Grady into a rather strong man despite his downfalls but he didn’t only utilize his to make his life easier for himself but also to make other’s life harder.For most of his life, Gary primarily used a wheelchair — but also learned to use his power to use his upper body to pull himself across the floor with impressive strength.As Grady grew up he would become immensely strong, something which will cost his family later in life.At age 19 Mary ran off to join the carnival, escaping her old life, oddly enough she felt she belonged best there. Despite the fact that she was surrounded by people with shocking abilities and deformities but for her this was normal.Mary Theresa wasn’t there for the same reasons the performers were but the carnival always needed staff to keep the shows running. It was here that she met Grady Stiles.Mary Theresa didn’t see the monster in Grady as others had, she quickly fell in love with Grady and the two were married within no time. Together they had two children and, like his father before him, introduced the children with ectrodactyly to the family business.Grady added his children into his sideshow with him traveling as an act known as the Lobster Family, of the many issues that were in the family, money wasn’t one of them. The family would make $50,000-$80,000 per season and Grady was considered the major star of the show.There were no gimmicks with the lobster family no tricks or illusions, What the crowd saw is what the crowd got.Once the winter set in the show’s closed down and many of their performers including the Stiles family resided in Florida until the new season came around.Despite the pleasant weather and more free time, Grady still didn’t hesitate to inflict physical and emotional pain on his family.If Many only would have known when she was younger what she knew after marrying Grady perhaps it would have made a difference.Mary recollected that Grady was the best anybody could be, a genuinely honorable man however as soon he poured the liquor in his body, something in his brain changed and he would abandon a nobleman to a harsh spouse and father. He turned into a much more alarming man, a genuine beast, more noteworthy than the one others considered him to be. He was a real nightmare come to life.Marry was impacted in ways that she would never forget. She remembered that her husband was a great guy when he woke up in the morning by 8:00 am and started drinking by 10 and would be miserable for the rest of the day.In 1973, Grady-Mary’s marriage hit its first end when Mary decided that she couldn’t take the abuse any longer after Grday launched himself at her, took her to the floor, ripped her pantyhose, reached his clawed hand and ripped out the intrauterine device, a device used to prevent pregnancy, and used her hands to choke her – something they were seemingly designed to do well.Mary was so disgusted, horrified, and emotionally wounded that she wisely left him.The worst was yet to come after Mary was gone, Grady started drinking even more and when her teenage daughter, Donna fell in love with a young man that he didn’t approve of, he didn’t take the decision very well.Donna and Jack Lane were in loved and wanted to marry but Grady forbade the marriage threatening to kill Jack numerous times. Donna was unhappy with her drunk and abusive father and wanted an escape.Donna told Grady that if he didn’t approve the underage marriage, she would live with Jack anyway. This further enraged Grady who prided himself in the way he dominated his family and controlled them.Grady was home when Jack came home to see him on the night before Jack and Donna were to be married, thinking that maybe Grady has changed his mind and is now happy with our marriage.Instead of agreeing, Stiles picked up his shotgun and murdered his daughter’s fiance in cold blood. HE sat there while his daughter came and said ‘I told you I would kill him.’Grady went to trial where the defense attempted to get the jury to pity Grady and his condition. The defense played heavily into the fact that Grady had an unfortunate life driven to drinking and violence by the incessant struggles he faced.Grady even managed to shed some tears in the courtroom, his daughter Donna took the stand and told him that “she would see him at his grave.”The jury took three hours in deciding that Grady was guilty of third-degree-murder, Grady received a sentence of 15 years but not in prison but 15 years of probation.The state believed that their prison system even in their handicap accessible facilities weren’t equipped to handle the specific need for Grady Stiles: no prison could deal with his handicap and to restrict him to jail would be merciless and irregular discipline. He additionally, at this point, had procured liver cirrhosis from drinking and had emphysema from long stretches of cigarette smoking.So Grady got to serve his sentence from home where he continued to drink heavily and beat his children.For reasons that no one — either in the Stiles family or outside of it — has been able to understand, his first wife agreed to remarry him in 1989.Mary who left Grady earlier came back in his life again in 1989 and surprisingly enough forgave the monster for all his wrongdoings.As earlier Grady was decent for a while but after some time the monster in him came back to haunt the lives of Mary and her children. The violence surged back to the surface as did copious amounts of sexual assault.A couple of years after she remarried Stiles, she paid her 17-year-old neighbor, Chris Wyant, $1,500 to murder him. Mary Teresa’s child from another marriage, Glenn, helped her imagine the thought and complete the arrangement.One night, Wyant took a .32 Colt Automatic he had a companion buy for him. He went into Stiles’ trailer, Grady was watching television in his underwear, Wyant put 2 round in the back of his head at the point-clear range, killing him instantly.Freedom But with A CostPolice arrested Mary, her son Harry and the killer Wyant. The jury convicted Wyant of second-degree murder and sentenced him to 27 years in prison.Not one of them denied that they had intended to kill Grady Stiles. During the trial, his wife spoke at length of his abusive history. “My husband was going to kill my family,” she told the court, “I believe that from the bottom of my heart.”Unfortunately for Mary’s child Glenn, self-defense isn’t applicable when hiring a hitman and Glenn was convicted of first-degree murder and was given life-sentence without the possibility of parole for 25 years.At least one of their children, Cathy, testified against him as well.Mary was also charged with first-degree murder and her conviction was reduced to manslaughter and she was sentenced to 12 years behind bars.She unsuccessfully appealed her conviction and began to serve her sentence in February of 1997. She had tried to get Glenn to take a plea bargain but he refused. The court sentenced him to life in prison.Just as a significant portion of his living family was being tried for his murder, Grady Stiles’ body was put to rest. Or unrest, as it were: Lobster Boy was so disliked, not just in his family but within the community, that the funeral home could not find anyone willing to be pallbearers.That's a story that most people don't know about the Lobster Boy!!ELLA HARPERMost sources indicate that Ella Harper was born in Hendersonville, Tennessee around 1870 – although there are some conflicting reports. It has also been revealed that Ella had a twin brother, who died quite early. What is not argued, however, is the fact that Ella was born with an unusual orthopedic condition resulting in knees that bent backwards.  The nature of this unusual affliction is exceedingly rare and relatively unknown, however most modern medical types would classify her condition and a very advanced form of congenital genu recurvatum – also known as ‘back knee deformity’. Her unusually bent knees, coupled with her preference of walking on all fours resulted in her moniker of ‘The Camel Girl’.In 1886, Ella was the star of W. H. Harris’s Nickel Plate Circus, often appearing accompanied by a camel when presented to audiences and she was a feature in the newspapers of every town the circus visited. Those newspapers touted Ella as ‘the most wonderful freak of nature since the creation of the world’ and that her ‘counterpart never did exist’.The back of Ella’s 1886 pitch card is far more modest in its information: I am called the camel girl because my knees turn backward. I can walk best on my hands and feet as you see me in the picture. I have traveled considerably in the show business for the past four years and now, this is 1886 and I intend to quit the show business and go to school and fit myself for another occupation. It appears that Ella did indeed move on to other ventures, and her $200 a week salary likely opened many doors for her. For quite some time no further information was available on Ella following 1886, but recently a genealogist managed to not only trace Ella’s family tree, but also provide some information regarding her life after sideshow.On 28 June 1905 Ella Harper married a man named Robert L. Savely. Savely was a school teacher and later a bookkeeper for a photo supplies company.  A 1910 Census shows Ella and her husband living in Nashville, Tennessee with Ella’s mother and it also revealed that Ella and her husband had adopted a 3 month old child, but that the child passed away only 18 days later.We also now know that Ella died of colon cancer on 19 December 1921 in Nashville, Tennessee and that she was buried at Spring Hill Cemetery in Nashville. A simple gravestone marks her plot, but she is surrounded by family.LEONARD TRASK THE WONDERFUL INVALIDSome human marvels are made, not born. Often their manufacture is accidental and painful, such is the case of Leonard Trask. Born on June 30, 1805 in Hartford, Maine Trask suffered a major neck injury in his 20’s when he was thrown from his horse. The story was that a pig ran under the hooves of his horse and, after being thrown from the back of his steed, Trask spent several days crawling back home. Despite the serious injury, Trask continued to work as a farm hand until his spine began to bow.Soon, Trask’s chin was pressed into his chest permanently, and subsequent injuries only exasperated his misery. In 1840 he took a nasty fall and in 1853 he was thrown from his wagon and broke 4 ribs and his collarbone. On May 24, 1858 Trask was involved in a high-speed coach accident, in which he and several passengers where thrown to the ground. In the accident, Trask struck his head and opened ‘a gash in his head five inches long’. The injury was severe, and he was not expected to survive, but he did and was even more disabled and miserable as a result of the injury.Through much of his adult life, his wife took care of him, and despite his physical limitations he fathered seven children with her. Unable to work, Trask was eventually able to spin his status as a medical curiosity into small career as a human oddity attraction to the general public. As “The Wonderful Invalid”, Trask was able to capture a small measure of fame. His 1860 self-published story A Brief Historical Sketch of the Life and Sufferings of Leonard Trask, the Wonderful Invalid, which included accounts of his activities like ‘Mr. Trask at the Circus’ and ‘Mr.Trask Going to Drink’ that were both amusing and sad.At the time of his death on April 13, 1861 Trask’s condition was still not officially diagnosed despite seeing more than 22 doctors during his lifetime. Today Trask would be diagnosed with Ankylosing spondylitis, a condition that affect less than 0.2% of the general populationJOSEPHINE MYRTLE COARBINFor all intents and purposes, Josephine Myrtle Corbin was a normal girl. Her birth was not marked by anything out of the ordinary, and her mother claimed to have had a typical labor and delivery, apart from the baby being momentarily in the breech position.The doctors who examined the baby after birth reported her to be strong and healthy, adding that she was growing at a good rate. A year later she was found to be nursing “healthily” and “thriving well.”Overall, Myrtle Corbin was a perfectly healthy, active, and thriving baby girl. All in spite of having four legs.Perfectly Ordinary (Almost)After being born with four legs, two normal sized ones on either side of a pair of diminutive ones, the doctor who delivered Myrtle Corbin felt it necessary to point out the factors they felt could have resulted in her deformity. First, the baby’s parents, the doctors said, were about 10 years apart in age. William H. Corbin was 25, and his wife Nancy was 34. Second, the doctors noted that the couple bore a striking resemblance to each other. Both of them were redheads, with blue eyes and very fair complexions. They actually looked so similar that the doctors felt it necessary to explicitly point out that the two were not “blood kin” in their medical reports.Despite the two factors the doctors listed, it seemed that the young girl was simply an oddity – her parents had had seven other children, all of whom were perfectly ordinary.Later, it would be determined that she was born with dipygus and her condition was likely the result of her body’s axis splitting as it developed. As a result, she was born with two pelvises side by side.With each pelvis, she had two sets of legs, one normal sized, and one small. The two small legs were side by side, flanked on either side by two normal legs, though one with a clubbed foot.According to medical journals written by the physicians that studied Myrtle Corbin throughout her life, she was able to move her smaller inner legs, though they weren’t strong enough for her to be able to walk on. Which, of course, didn’t really matter, as they were not long enough to touch the ground.In 1881 at age 13, Myrtle Corbin joined the sideshow circuit under the moniker “The Four-Legged Girl From Texas.” After showing her to curious neighbors and charging them a dime each, her father realized her potential for publicity and for cash. He had promotional pamphlets made up and began placing ads in newspapers for people to come see her.The promotional pamphlets described her as a girl with “as gentle of disposition as the summer sunshine and as happy as the day is long.” And, indeed, that appeared to be true.Throughout her time as a sideshow attraction, she became wildly popular. Eventually, rather than bringing the curious onlookers to her she began traveling. By visiting small towns and cities and performing for the public, she ended up earning up to $450 a week.Eventually, famed showman P.T. Barnum heard about her and hired her for his show.For four years, she continued to work for Barnum and even inspired several other showmen to produce fake four-legged humans for their own shows when they couldn’t get her. At 18 years old, Myrtle Corbin retired from the sideshow business. She’d met a doctor named Clinton Bicknell and fallen in love. At 19, the two were married.About a year later in the spring of 1887, Myrtle Corbin discovered she was pregnant. She’d gone to a doctor in Blountsville, Ala., complaining of pain in her left side, fever, headache, and a decreased appetite. Despite her unique anatomy (she had two sets of internal and external reproductive anatomies), doctors did not believe there was a reason she couldn’t carry to term. Though she became gravely ill during the first three months of her pregnancy, resulting in her doctor performing an abortion, she ended up giving birth to four more healthy children in her life.After performing in the sideshow and giving birth to her children, Myrtle Corbin’s life was rather normal. Though her case continued to pop up in medical journals around the country, she maintained a quiet existence in her Texas home with her husband and children.Eventually in 1928, she died as the result of a streptococcal skin infection. Though antibiotics make the condition easily treatable today, in the 1920s there was no such treatment available.SEALOStanislaus Berent  was an American freak who performed at many freak shows, including the World Circus Sideshow in 1941 under the stage name of Sealo the Seal Boy (often stylized to just Sealo). He was known for his seal-like arms, which were caused by a congenital medical condition known as phocomelia. In 2001, Mat Fraser's play inspired by Sealo called Sealboy: Freak debuted. Berent was born November 24, 1901 in Pittsburgh, Pennsylvania.  He was brought up as a Polish Catholic and suffered from an extremely rare congenital disorder known as phocomelia, which caused his "seal arms".  He had no arms; his hands grew from his shoulders. Sealo started off his career as a newspaper seller, then was discovered by freak scouters.He  was a regular feature at Coney Island's freak show from circa 1920 to 1970[4] and was exaggerated as a human with a seal body on some promotional sideshow posters. Despite his genetic disability, Sealo was still able to carry out feats like sawing a crate in half and shaving with a straight razor on his own, as well as moulding animal figurines out of clay. His partner on-stage was Toby, a chimpanzee. Sealo had trouble getting up and down the performance stage due to his weak legs. He would spend the time in which he was not performing on stage selling pitch cards. After performing, he preferred resting at hotels to sleeping at the fairground. He performed at the World Circus Sideshow in 1941. He also toured around the world and performed at many other freak shows.Sealo's freak show career lasted for thirty-five years; he retired in 1976 and moved to Showmen's Retirement Village in Gibsonton, Florida. He returned to his hometown of Pittsburgh afterwards when his health started to decline.  He spent his final days at a Catholic hospital and died in 1980.GEORGE AND WILLIE MUSEThe Muse brothers had an incredible career. The story of the two black albino brothers from Roanoke, Virginia is unique even in the bizarre world of freaks and sideshows. They were initially exploited and then later hailed for their unintentional role in civil rights.Born in the 1890’s the pair were scouted by sideshow agents and kidnapped in 1899 by bounty hunters working in the employ of an unknown sideshow promoter. Black albinos, being extremely rare, would have been an extremely lucrative attraction. They were falsely told that their mother was dead, and that they would never be returning home.The brothers began to tour. To accentuate their already unusual appearance, their handler had the brothers grow out their hair into long white dreadlocks. In 1922 showman Al G. Barnes began showcasing the brothers in his circus as White Ecuadorian cannibals Eko and Iko. When that gimmick failed to attract crowds the brothers were rechristened the ‘Sheep-Headed Men’ and later, in 1923, the ‘Ambassadors from Mars’.As the ‘Men from Mars’ the two traveled extensively with the Barnes circus. Unfortunately, while they were being fed, housed and trained in playing the mandolin, they were not being paid.In the mid 1920’s the Muse brothers toured with Ringling Bros. and Barnum & Bailey Circus. In 1927, while visiting their hometown, their mother finally tracked them down. She fought to free her sons, some 20 years after their disappearance. She threatened to sue and the Muse brothers were freed.The brothers filed a lawsuit for the wages they earned but were never paid. They initially demanded a lump-sum payment of 100,000. However, as time passed the Muse brothers missed the crowds, the attention and the opportunities sideshow provided. Their lawyer got them a smaller lump-sum payment and a substantial contract with a flat monthly wage. The pair returned to show business in 1928.During their first season back they played Madison Square Garden and drew over 10,000 spectators during each of their performances. They made spectacular money as their new contract allowed them to sell their own merchandise and keep all the profits for themselves. In the 1930’s they toured Europe, Asia and Australia. They performed for royals and dignitaries including the Queen of England. In 1937 they returned to Ringling Bros. and Barnum & Bailey Circus for several years and finally ended their career in 1961 with the Clyde Beatty Circus.The brothers returned to their hometown and lived together in a house they originally purchased for their mother. Neither brother married, though they were well known for their many extravagant courtships.George Muse died in 1971 and many expected Willie to quickly follow his brother. Those people were wrong as Willie continued to play his mandolin and enjoy the company friends and family until his death on Good Friday of 2001.He was 108 years old.These are just a few of the many many many circus freaks throughout history. We purposefully did not cover guys like The Elephant Man and other more popular ones as we wanted to bring you some interesting ones you may not know about, except maybe the lobster boy but that shit is crazy! There are some more interesting stories and Coney Island deserves its own discussion...can you say….BONUS episode!!!              

Jonathan Lee Iverson is on the mic! Ringling Brother and Barnum & Bailey's youngest, first New Yorker, and first African American ringmaster joins the podcast today to wax philosophic on raising children, singers as athletes, and the evolution of the circus industry. Please won't you be a Patreon?: http://www.patreon.com/theartistathlete This podcast is dedicated to CIRCUS. Aerialist, Shannon McKenna interviews guests from acrobats in Cirque du Soleil to circus therapists and everyone in between. Learn the backstage lives of those who flip, twist, sparkle, and shine under the big top. Find her online: www.theartistathlete.com Facebook: www.facebook.com/theartistathlete Instagram: www.instagram.com/the_artist_athlete/   Jonathan Lee Iverson Website: https://www.bigtopvoice.com/ Instagram: @lastringmaster Steve Smith- episode 24 Harlem Boys Choir - https://en.wikipedia.org/wiki/Boys_Choir_of_Harlem John Howard Griffin (journalist, author of Black Like Me) https://www.smithsonianmag.com/arts-culture/black-like-me-50-years-later-74543463/ Markus Garvey (political activist) https://www.history.com/topics/black-history/marcus-garvey Elijah Mohammad (NOI leader) https://www.noi.org/honorable-elijah-muhammad/ John Henrik Clarke (professor- creator of African studies in US university system) https://www.zinnedproject.org/news/tdih/john-henrik-clarke-born/ Dr. Francis Cress Welsing (psychiatrist) https://aalbc.com/authors/author.php?author_name=Frances+Cress+Welsing Molefi Kete Asante (philosopher) http://www.asante.net/biography/ James Welden Johnson (lawyer and poet) https://www.naacp.org/naacp-history-james-weldon-johnson/ W.E.B. Du Bois (sociologist) https://plato.stanford.edu/entries/dubois/   

Johnathan Lee Iverson, is an accomplished and history making showman privileged to have graced the most coveted stages and arenas, the world over. As a member of The Boys Choir Of Harlem, he shared the spotlight with the likes of Stevie Wonder, Patti Austin, Luciano Pavarotti, Roberta Flack, Placido Domingo, Tony Bennett and scores of other luminaries in the world of entertainment. He's kept company with statesmen such as the late South African President Nelson Mandela, Secretary of State, General Colin Powell and four US Presidents, including Jimmy Carter, Ronald Reagan, George H.W. Bush, and William Jefferson Clinton. The youngest and first Black Ringmaster of the iconic Ringling Bros. and Barnum & Bailey, which he served until its closing in 2017 making him the last ringmaster in the 146 year history of The Greatest Show On Earth, is renowned for his "powerful voice” and “superstar" presence, as well as, one of Barbara Walters 10 Most Fascinating People, but he is most proud of being a question on JEOPARDY® twice. Connect with Johnathan: http://bigtopvoice.com/   Mike's Canva Templates: https://www.mikebrennandesigns.com/digital-downloads

Chuck Sidlow is a professional comic, comedian, clown, entertainer, producer, director, announcer, master of ceremonies and consultant. Originally from Philadelphia, Chuck Sidlow began developing his distinctive talents at Atlantic City's famous Steel Pier. Sidlow further honed his skills as a student at Clown College, where he was among the select few to receive a performance contract with Ringling Brothers and Barnum & Bailey Circus. He ultimately earned the responsibility for supervising the entire roster of clowns when he became “The Youngest Boss Clown” in the history of The Greatest Show on Earth. His affiliation with Ringling Brothers and Barnum & Bailey as a performer, manager, ambassador and teacher at the Clown College took him around the United States, Canada, Mexico, and Japan. In 2018, Chuck was inducted into the Circus Ring of Fame on St. Armand’s Circle in Sarasota. His book, “Chucko, the All-American Clown,” was published in March of 2019. JONES.SHOW is a weekly podcast featuring host Randall Kenneth Jones (author, speaker, and creative consultant) and announcer Susan C. Bennett (the original voice of Siri). Chuck Sidlow’s Social Media Facebook: https://www.facebook.com/chuck.sidlow Web: http://www.worldofchucko.com/ Jones.Show’s Social Media Join us in the Jones.Show Lounge on Facebook Twitter (Randy): https://twitter.com/randallkjones Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ LinkedIn (Randy): https://www.linkedin.com/in/randallkennethjones/ Web: RandallKennethJones.com Twitter (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ LinkedIn (Susan): https://www.linkedin.com/in/susan-bennett-8607312/ Web: SusanCBennett.com www.Jones.Show

A lot of well-meaning people having riding an elephant as part of their bucket list.    One popular destination for this activity is Thailand, where tourists can spend their vacation watching elephant shows, getting up close to the animals, and riding on their backs.    What a lot of these tourists don’t know is the suffering these elephants endured to be used for their amusement.    Today’s guest is Ashley Bell, who has appeared in several films and television shows. She made her major feature film debut as Nell Sweetzer in The Last Exorcism, which garnered her a nomination for Best Supporting Actress. She also gave a brilliant performance in Psychopaths and has been featured as a voice actress in several popular video games.    But in 2018, Ashley stepped behind the camera for Love & Bananas: An Elephant Story. She wrote and directed this groundbreaking documentary that follows her daring 48-hour mission across Thailand to rescue a 70-year-old elephant from slavery. Ashley sits down with Dotsie and Alexandra to discuss the disturbing reality behind elephant exploitation, the inspiration behind Love & Bananas, and how she combines her platform with her passion for animal activism.   What we discuss in this episode:   - How meeting Lek Chailert inspired Ashley to make Love & Bananas: An Elephant Love Story   - What’s causing elephant populations to drop?   - Why African elephants are being poached, and how they’re evolving to save themselves   - The “crush box”: The disturbing method behind elephant training that you’ve never heard of   - Why Ashley made Love & Bananas, how it’s changing the lives of elephants in captivity, and what you can do to help   - The bill that is currently being pushed to free Billy and move him to a PAWS Wildlife Sanctuary   - How circuses like Ringling Bros and Barnum & Bailey are finally closed but have turned into supposed conservation centers   - Follow Ashley on Instagram at @AshleyMichaelBell, on Facebook at @AshleyMichaelBell, on Twitter at @AshMichaelBell, on the Love & Bananas website   - To support our mission to educate, inspire, and embolden the world to lean into eating plants instead of baby cow growth food, donate today to spread the word.   Connect with Switch4Good   - YouTube: https://www.youtube.com/channel/UCQ2toqAmlQpwR1HDF_KKfGg   - Facebook: https://www.facebook.com/Switch4Good/   - Instagram: https://www.instagram.com/switch4good/   - Twitter: https://twitter.com/SwitchForGood   - Website: switch4good.org

Growing up in the early 1800s, P.T. Barnum displays a natural talent for publicity and promotion, selling lottery tickets by age 12. After trying his hands at various jobs, P.T. turns to show business to indulge his limitless imagination, rising from nothing to create the Barnum & Bailey circus. Featuring catchy musical numbers, exotic performers and daring acrobatic feats, Barnum's mesmerizing spectacle soon takes the world by storm to become the greatest show on Earth.

Growing up in the early 1800s, P.T. Barnum displays a natural talent for publicity and promotion, selling lottery tickets by age 12. After trying his hands at various jobs, P.T. turns to show business to indulge his limitless imagination, rising from nothing to create the Barnum & Bailey circus. Featuring catchy musical numbers, exotic performers and daring acrobatic feats, Barnum's mesmerizing spectacle soon takes the world by storm to become the greatest show on Earth.

Jim started his career as Ringling Brothers and Barnum & Bailey clown. For the past 20 years, he has toured the world with various circus shows and productions and headlined with various cruise ships. Because Jim has done so much, he shares a great perspective on what it's like to work in the circus industry. What it's like to tour, what happens when gigs fall through, how to make your own work, and the tortures of pollen season, it's all here in this interview!Follow Jim on Instagram: @jimmaltman Please won't you be a Patreon?: http://www.patreon.com/theartistathlete This podcast is dedicated to CIRCUS. Aerialist, Shannon McKenna interviews guests from acrobats in Cirque du Soleil to circus therapists and everyone in between. Learn the backstage lives of those who flip, twist, sparkle, and shine under the big top. Shannon McKenna is an internationally recognized circus performer and coach. For the past decade, she has been a freelance artist: giving workshops and classes across 7 countries and working on and back stage for both traditional and contemporary circus shows in the US, Portugal, Germany, and Australia. She holds a BFA from NYU's Tisch School of the Arts with a concentration on post-modern physical theater (how's that for a mouthful?). She founded The Artist Athlete in 2018 as a means to produce educational materials for aerial artists and a podcast in which she interviews experts in the circus industry about their careers. If you're reading this, you're probably listening to it. Thank you! She currently lives in Atlanta, GA USA, but gravitates towards whichever circus community is the warmest. Find her online: www.theartistathlete.com Facebook: The Artist Athlete Instagram: @the_artist_athlete

On this episode of Making Elephants Fly, Terry sits down with Johnathan Lee Iverson. Terry and Johnathan talk about his journey from the circus to the stage and his new journey launching a speaking career with a TED talk at Harvard. At a young age Johnathan understood the power of stages as a member of The Boys Choir of Harlem. Performing before world leaders and dignitaries, including United States Presidents, George H.W. Bush, Bill Clinton, Ronald Reagan, and Jimmy Carter, as well as, Noble Peace Prize winner, Nelson Mandela, Iverson has shared the stage with such artist as Lou Rawls, Ray Charles, Stevie Wonder, Plácido Domingo, Luciano Pavarotti, Perry Cuomo, Tony Bennett, and Lena Horne, all before the age of eighteen. During his legendary tenure with Ringling Bros. and Barnum & Bailey, Iverson was one of the busiest live entertainers in the world, performing an estimated 450 shows annually in arenas around the United States and Mexico. As the voice of The Greatest Show On Earth, Johnathan has been seen and heard via numerous media outlets including, print, broadcast and the world wide web. He is also a featured blogger for the Huffington Post, among other publications. His many accolades include being selected as one of Barbara Walters’ 10 Most Fascinating People. This is a conversation not to miss! Find out more at http://terryweaver.com and join Terry and Jonathan at the next Thing in Orlando 2020 at http://thething.live .

Do you have your publicity house in order? Would you like to master the public relations trifecta? Today’s interview with PR mastermind KJ Blattenbauer will give you an idea of how you can get more fans and get more exposure by putting proven strategies in PR to work either with an professional or on your own.   Learn tips from a specialist this week in our show on building a professional artist bio, getting yourself primed for media coverage by having the right images, and honing in on who your exact niche is.    By the way, did you know that publicity started in the circus industry with Barnum & Bailey’s? P.T. Barnum invented the phrase “No press is bad press,” but what do you think a professional publicist in today’s age thinks about that famous quote?     Check out KJ’s website for more: https://www.kjblattenbauer.com/ For KJ’s high impact PR training: https://bit.ly/2S8A5qx Free 52 Week Content Ideas from KJ: https://bit.ly/30weWcV ____________________________________   Join the MPTB Facebook Community: https://www.facebook.com/groups/musicproducerstreasurebox/ FERMI on Instagram:  https://www.instagram.com/fermi_music/ Learn More About your host FERMI:  www.fermimusic.com    

Episode 39 of the "Talk to Me" podcast features blind motivational speaker, David DeNotaris. This is Episode 40, a conversation with Michigan resident, R.J. King, who has written a terrific new book about Detroit's amazing past.       [Subscribe to Michael's YouTube channel to watch this interview and others.]   Michael Angelo Caruso, interviews R.J. about the "Detroit: Engine of America" and asks the author if we can move forward by studying the past.   The book is a narrative that covers the early days of the city and the official first one hundred years. Interesting facts, include:   Detroit is one of the few U.S. cities that's older than the country The city's population was 100 in 1700 and 205,876 in 1890 The current Detroit Yacht Club is the largest such clubhouse in the U.S. James Bailey of the Barnum & Bailey circus is from Detroit Ulysses S. Grant lived in Detroit prior to becoming U.S. President In 1895, Detroit had 80 newspapers, 7 of which were dailies   "Detroit: Engine of America" contains stories about many fascinating historical figures, including:   Antoine Laumet de La Mothe Cadillac founded Fort Ponchatrain du Detroit in 1701 Cadillac had 13 children, only 3 of which were alive when he died Lewis Cass who served as a Detroit mayor and ran for U.S. President twice The "Boy Governor," Stevens T. Mason who was Gov at age 22 and dead at age 31   "Detroit: Engine of America" is published by Momentum Books.   R.J. King is the Editor of "DBusiness" magazine, the DBusiness Daily News and Detroit 500. He and his team have won 30+ Editorial Excellence Awards.   As a business writer for the "Detroit News", R.J. wrote over 4,000 articles, mostly covering business in Detroit.   Feel free to like/comment below, especially if you just learned something about Detroit. Subscribe to Michael's YouTube channel to watch Michael's interviews with interesting people.

This is a podcast about the protests against the Ringling Bros. and Barnum & Bailey’s circuses.

On this very special episode, Jake and Geoff sit down with the legend, Rudy James Wollrabe. Join us as we head down Rudy's rabbit hole and learn about the fascinating world of a an entertainer, a musician, and a Ringling Bros. and Barnum & Bailey clown. Also, stick around for a treat at the end of the episode. Enjoy! --- Send in a voice message: https://anchor.fm/saywhatyoumeanpodcast/message Support this podcast: https://anchor.fm/saywhatyoumeanpodcast/support

Growing up in the early 1800s, P.T. Barnum displays a natural talent for publicity and promotion, selling lottery tickets by age 12. After trying his hands at various jobs, P.T. turns to show business to indulge his limitless imagination, rising from nothing to create the Barnum & Bailey circus. Featuring catchy musical numbers, exotic performers and daring acrobatic feats, Barnum's mesmerizing spectacle soon takes the world by storm to become the greatest show on Earth. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

In episode 2 of the Railroad Roll-By podcast, we discuss copper thefts, French Fry steam locomotives, and then we take a deep dive into discussing Todd’s Model Railroad dilemma. All of that concluded with a little chat about the now-retired Ringling Brothers, Barnum & Bailey circus trains, and where the railcars are now.

In episode 2 of the Railroad Roll-By podcast, we discuss copper thefts, French Fry steam locomotives, and then we take a deep dive into discussing Todd’s Model Railroad dilemma. All of that concluded with a little chat about the now-retired Ringling Brothers, Barnum & Bailey circus trains, and where the railcars are now.

The first circus elephant in America didn't start with Barnum & Bailey. It was more than a generation earlier. And it ended in bloodshed – not once, but twice. The saga began in the early 1800s with a man who came from the town of Somers, New York.

Guy Hutchinson chats solo about the history of the Ringling Bros. and Barnum and Bailey circus, live action Beauty and the Beast, Mulan and Alice in Wonderland. Plus you get to play a rousing game of Guess Guy's Coffee Order.

“If you want to be authentic as a brand, you have to be able to make a mistake.” As social media manager for Cision, Bruce Kennedy is on the front lines of the brand's online conversations. Last week, he was in the front row for our live podcast onstage at SXSW, where we talked about how brands need to be more authentic than ever to stand out today. I couldn't wait to continue this conversation with Bruce on this week's episode of the On Brand podcast. About Bruce Kennedy Bruce Kennedy is a social media manager at Cision, where he manages Cision's global brands. Previously, he worked in public relations in tech and entertainment, helping brands from early stage startups to household names like Red Bull, Disney on Ice, Ringling Bros. and Barnum Bailey, Techweek and more. Connect with him on LinkedIn and follow him on Twitter. Episode Highlights What does brand mean today? "We're seeing this change — especially with social media. Increasingly the brand is who's behind the brand." Why those photos of your office that you post on social media matter. "More and more today people care about what's going on behind the scenes of brands." Authenticity is all about access. Live video has created a new branded content ecosystem. "For example, that Red Bull jump would be so much more today." You'd have live video before and after and lots of content leading up to the main event. How can smaller brands take advantage of some of the amazing things big brands are doing? We chatted about Disney's Jungle Book marketing. Specifically, a campaign using 360-video to showcase the digital King Louie character, voiced by Christopher Walken. "You may not have King Louie and Christopher Walken but maybe you can do a 360-video in an interesting place. Or with an interesting person." What brand has made Bruce smile recently? Wendy's! Bruce shared how their recent candid yet authentic Twitter exchanges have helped the brand stand out — both in the news and in the analytics. To learn more about Bruce, check out the Cision blog, where he is a regular contributor. In fact, he wrote a great recap of our SXSW episode just this past week. As We Wrap … Before we go, I want to flip the microphone around to our community …Recently Rachael Sperling gave us a shout on Twitter for our live episode from SXSW (where Bruce was in the audience and asked a question). Thanks for listening, Rachel! Did you hear something you liked on this episode or another? Do you have a question you’d like our guests to answer? Let me know on Twitter using the hashtag #OnBrandPodcast and you may just hear your thoughts here on the show. Subscribe to the podcast – You can subscribe to the show via iTunes, Stitcher, and RSS. Rate and review the show – If you like what you’re hearing, head over to iTunes and click that 5-star button to rate the show. And if you have a few extra seconds, write a couple of sentences and submit a review. This helps others find the podcast. OK. How do you rate and review a podcast? Need a quick tutorial on leaving a rating/review in iTunes? Check this out. Remember – On Brand is brought to you by my new book — Get Scrappy: Smarter Digital Marketing for Businesses Big and Small. Order now at Amazon and check out GetScrappyBook.com for special offers and extras. Until next week, I’ll see you on the Internet!

JANE VELEZ MITCHELLWill be on king jordan radio on Thursday night January 26th 2017We Will discuss the Closing of  the closing of Ringling Bros. and Barnum & Bailey Circus, and other progress in the animal rights movement.he circus was never the greatest show on earth, as its advertising exulted, but certainly, it was the most attention-grabbing attraction to roll (literally, by train) into American towns, big and small, for decades. Ringling Bros. and Barnum & Bailey’s circus embraced the more-is-more philosophy, delighting children, in particular, with a parade of exotic animals they had only dreamed of seeing up close. Tigers and lions that stalked the stage. A human cannonball who flew through the air. Clowns, acrobats and elephants that rose up on their hind legs. (Just the elephants, that is.) CALL AND SPEAK WITH JANE AT 347-857-2950 https://twitter.com/KingJordanRad

Happy 2017! On this week's podcast, Josh and Lyndsay sit down for an interview with the renowned juggler and clown Adam Kuchler. They talk about growing up in Wisconsin, joining the road with Ringling, working with Les Sept Doigts, act creation, and virtual reality. Also on this episode, Josh and Lyndsay talk about their successful Kickstarter campaign, Ottavio Gesmundo's new book "The Grand Gypsy," and about the shows they've seen recently. If you enjoy the podcast please share it with your friends and rate us on iTunes. Have a good week! [09:58] Growing up in Wisconsin [13:10] On the road with Circus Smirkus [22:48] Adam's time with Ringling and Barnum & Bailey [43:25] Audition for Les Sept Doigt's 'La Vie' [52:57] Dream job with Circus Flora [57:01] Creating virtual reality circus experiences

Ringmaster Johnathan Lee Iverson is the Voice of the Greatest Show on Earth. He began performing at age 11 with the world-famous Boys Choir of Harlem. For seven years, he was intensely trained in all forms of music including classical, jazz, hip hop and gospel. Johnathan experienced a string of unforgettable, inspiring moments as a member of the Boys Choir, which included being awarded the lead tenor role for the choir, singing at the intermission for Luciano Pavarotti's Concert in Central Park, performing in a live show on Broadway for two weeks and winning second place in the Lena Horne Vocal Jazz Scholarship. Johnathan graduated from the University of Hartford's Hartt School in May 1998 with a degree in voice performance, and shortly after his graduation, Johnathan was invited to begin his professional entertainment career with the 129th Edition of Ringling Bros. and Barnum & Bailey®. Johnathan couldn’t refuse the offer and felt his prominent role in the show was an unbelievable dream come true. Johnathan toured with Ringling Bros.® all around the United States, and his charismatic charm and incredible voice caught the eye of Barbara Walters, who within a year of his first tour named him one of the ten most fascinating people in 1999. Johnathan’s historical tenure with The Greatest Show On Earth is featured in numerous publications, including: the New York Daily News, the Huffington Post,  Black First: 4,000 Ground-Breaking and Pioneering Historical Events by Jessie Carney Smith, African-American First by Joan Potter, Live Life! Be Young, Black, and Successful by Quincy Benton, and Beat of a Different Drum: The Untold Stories of African-Americans Forging Their Own Paths in Work and Life by Dax-Devlon Ross. Notes from the Show: He was a nominal fan of the Greatest Show on Earth (Ringling Bros and Barnum and Bailey Circus) as a boy. His favorite act was Globe of Death/Globe of Steel He studied to be an opera singer. He planned to move to Europe to launch his opera career. He auditioned for the Fireside Dinner Theatre in Wisconsin, which was directed by the director of Ringling Bros. He loved being around the late great Gunther Gebel-Williams. He credits the Boys Choir of Harlem for his commitment to excellence. He saw Placido Domingo in Tokyo when he was with the Choir, and at 13 years old, knew he had to become an opera singer. He credits Dr. Walter J. Turnbull for so much of his success. "You have to walk boys to manhood." He went to Fiorello LaGuardia High School. Tyranny always targets artists and intellectuals. "Believe me, when you're 40 feet up in the air, about to turn a triple somersault, you could care less if your catcher is black, white, gay, straight, speaks English, whatever." "The Mongolian father has the same concerns for his kids as I do mine. The Chinese guy over there is just as romantic or he's vying for that woman's attention like I would have when I was single. We all have these same types of things. It's really fascinating. I think the arts open the gateway to our common humanity." A check for the ego: the animals are the reason people come to the circus. The circus is a singer's nightmare. His first year was vocally traumatic. Working in the circus is a "learn-on-the-job thing." Frank Sinatra was so much better after Ava Gardner. Mortality is what distinguishes his colleagues from him. The band is the hardest working band in show business. "You can't phone it in in the circus. You have to be focused." He puts Vaseline on his teeth and a lozenge under his tongue to have moisture in his mouth. "I continue to be a student of my voice." "I've never trained with an academic. Ever. I don't trust someone who's just learned it from a book. They don't know anything. People who've gone out and done it can teach it." "It's a hard life to be a performer of any kind." His wife is his boss. "I consider myself the wealthiest man in show business." Early in his career, it was all about self-promotion. But having wife and kids has changed his perspective. "How do I give?" "The noblest art is that of making others happy." - P.T. Barnum If you're a performer, be grateful. Twitter: @Bigtopvoice Recommends the documentary "The Last Great Circus Flyer" "How I Broke Into" is now on iHeartRadio! Also, iTunes, Spotify, TuneIn, and Stitcher. Please subscribe!  

Salvador Dalí y su inseparable Gala, llegan en 1940 a Nueva York huyendo la de Segunda Guerra Mundial. Dalí, con una barra de pan en la cabeza que va a marcar el inicio de las numerosas excentricidades del artista y Gala con los ojos bien abiertos, buscando nuevas formas de sacar rendimiento a la obra de su marido.El mundo interior de Dalí, sus miedos, deseos y sueños se transforman, durante su estancia en Estados Unidos, en escaparates de grandes almacenes, joyas o, incluso, escenas de películas. Los garabatos en servilletas de bar y las esculturas hechas con papel albal comienzan a dar dinero y el arte ya no es sólo una método de expresión sino una forma de vida para esta curiosa pareja.La obra "Sueño causado por el vuelo de una abeja alrededor de una granada un segundo antes de despertar" fue realizado en 1944 y en él Dalí refleja el sueño que tuvo Gala y que fue causado por el vuelo de una abeja. El artista cuestiona las teorías de Freud dando una nueva interpretación a la idea de realidad y cómo ésta se mezcla con los sueños y viceversa. Lo onírico, la ingravidez y la física juntas en una obra en la que se ven representados elementos tan dispares como una granada, el Obelisco de la Piazza della Minerva de Roma, o los leones del Circus Ringling Bros. Barnum Bailey.En este episodio, el director artístico del Museo Thyssen, Guillermo Solana, nos habla de esta etapa de Dalí y del significado de cada elemento en la obra. Y la actriz Silvia Munt, que interpretó y dirigió el documental sobre Gala, nos habla de esta extraña y siempre criticada pareja.Si quieres saber más no lo dudes y dale al play. Lo mejor está por escuchar

Salvador Dalí y su inseparable Gala, llegan en 1940 a Nueva York huyendo la de Segunda Guerra Mundial. Dalí, con una barra de pan en la cabeza que va a marcar el inicio de las numerosas excentricidades del artista y Gala con los ojos bien abiertos, buscando nuevas formas de sacar rendimiento a la obra de su marido.El mundo interior de Dalí, sus miedos, deseos y sueños se transforman, durante su estancia en Estados Unidos, en escaparates de grandes almacenes, joyas o, incluso, escenas de películas. Los garabatos en servilletas de bar y las esculturas hechas con papel albal comienzan a dar dinero y el arte ya no es sólo una método de expresión sino una forma de vida para esta curiosa pareja.La obra "Sueño causado por el vuelo de una abeja alrededor de una granada un segundo antes de despertar" fue realizado en 1944 y en él Dalí refleja el sueño que tuvo Gala y que fue causado por el vuelo de una abeja. El artista cuestiona las teorías de Freud dando una nueva interpretación a la idea de realidad y cómo ésta se mezcla con los sueños y viceversa. Lo onírico, la ingravidez y la física juntas en una obra en la que se ven representados elementos tan dispares como una granada, el Obelisco de la Piazza della Minerva de Roma, o los leones del Circus Ringling Bros. Barnum Bailey.En este episodio, el director artístico del Museo Thyssen, Guillermo Solana, nos habla de esta etapa de Dalí y del significado de cada elemento en la obra. Y la actriz Silvia Munt, que interpretó y dirigió el documental sobre Gala, nos habla de esta extraña y siempre criticada pareja.Si quieres saber más no lo dudes y dale al play. Lo mejor está por escuchar.Con el patrocinio de 

HIDEAWAY Podcast Show Notes Episode 2 - Josh & Lyndsay on disrupting circus, collectives, and multi-racial casting On today's show, Josh & Lyndsay talk about their recent appearance at the #StartUp Columbia Entrepreneurship Festival and what it takes to disrupt circus and theater. They discuss the pros and cons of circus and playwright collectives as well as the state of multi-racial casting in new productions. They wrap up with a chat about the new way of watching circus and theater on Youtube and Instagram. Let us know your thoughts and please subscribe and rate us on iTunes! • [00:15] #StartUp Columbia Entrepreneurship Festival • [01:30] Can circus be disrupted? • [03:45] The future of Ringling and Barnum & Bailey • [04:43] What do the words Circus and Broadway conjure? • [08:19] Circus and Playwright Collectives • [14:36] Unbreakable Kimmy Schmidt- Kimono She Didn't • [15:14] Multi-racial Casting • [18:52] Circus on Instagram and Musicals on Youtube Links Mentioned: Ringling Trailer CircUS GoFundMe Corrections: [20:45] Dear Even Hanson by Benj Paseck and Justin Paul at Second Stage Theater (re  

As it's Easter this week and people are away on holiday, rather than the full show, we've got an extra special interview with the man behind the music for the MARVEL UNIVERSE LIVE! stage show, which should be coming to the UK soon! Michael Picton is an award-winning composer writing for film, television, theatre, concert, branding, advertising, and circus. His network themes for PBS, CNN, Amazon and others are broadcast continuously around the world; his circus and theatre music can be heard in concert halls, arenas and theatres across North America; his media work includes TV series, feature films, documentaries, promos and ads. In 2006 Michael composed the score and songs for his first circus, Bellobration, the 137th edition of Ringling Brothers and Barnum & Bailey. He has gone on to create music for seven more Ringling Brothers shows with Feld Entertainment as well as music for Disney Live and, most recently, the arena spectacle Marvel Universe Live. He has composed three shows in an... See acast.com/privacy for privacy and opt-out information.

In this episode, I talk to Alex Ramon about his magic career covering such topics as building a tribe, engaging on social media and list building! Alex Ramon is a magician who has accomplished so much in so little time, it makes my head spin! Alex has toured around the world with Disney Live! Mickey’s Magic Show, performing more than 650 shows and for more than a million people, even performing his show in different languages. He became the second youngest ringmaster and the very first magician in history to be the Star of The Greatest Show on Earth, in Ringling Bros. and Barnum & Bailey’s Circus show, Zing, Zang, Zoom. For over 2 years, his show “Illusion Fusion” was the number one rated show in Lake Tahoe on both Yelp and Trip Advisor and Alex can now be seen touring his new show NewMagic. As for professional acknowledgements, he’s been presented with the Lance Burton Award, Society of American Magicians Presidents Award, International Brotherhood of Magicians Presidential Citation, was named “National Stage Magic Champion” at the World Magic Seminar, and most recently became the youngest ever recipient of the Milbourne Christopher Illusionist award. The most amazing part is most of this was accomplished by the time he was 23.