Podcast appearances and mentions of beverly washburn

As you will learn, our guest this time, Walden Hughes, is blind and has a speech issue. However, as you also will discover none of this has stopped Walden from doing what he wants and likes. I would not say Walden is driven. Instead, I would describe Walden as a man of vision who works calmly to accomplish whatever task he wishes to undertake. Walden grew up in Southern California including attending and graduating from the University of California at Irvine. Walden also received his Master's degree from UCI. Walden's professional life has been in the financial arena where he has proven quite successful. However, Walden also had other plans for his life. He has had a love of vintage radio programs since he was a child. For him, however, it wasn't enough to listen to programs. He found ways to meet hundreds of people who were involved in radio and early television. His interviews air regularly on www.yesterdayusa.net which he now directs. Walden is one of those people who works to make life better for others through the various entertainment projects he undertakes and helps manage. I hope you find Walden's life attitude stimulating and inspiring. About the Guest: With deep roots in U.S. history and a lifelong passion for nostalgic entertainment, Walden Hughes has built an impressive career as an entertainment consultant, producer, and historian of old-time radio. Since beginning his collection in 1976, he has amassed over 50,000 shows and has gone on to produce live events, conventions, and radio recreations across the country, interviewing over 200 celebrities along the way. A graduate of UC Irvine with both a BA in Economics and Political Science and an MBA in Accounting/Finance, he also spent a decade in the investment field before fully embracing his love of entertainment history. His leadership includes serving as Lions Club President, President of Radio Enthusiasts of Puget Sound, and long-time board member of SPERDVAC, earning numerous honors such as the Eagle Scout rank, Herb Ellis Award, and the Dick Beals Award. Today, he continues to preserve and celebrate the legacy of radio and entertainment through Yesterday USA and beyond. Ways to connect with Walden: SPERDVAC: https://m.facebook.com/sperdvacconvention/ Yesterday USA: https://www.facebook.com/share/16jHW7NdCZ/?mibextid=wwXIfr REPS: https://www.facebook.com/share/197TW27jRi/?mibextid=wwXIfr About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset, where inclusion, diversity and the unexpected meet. We're going to deal with all of that today. We have a guest who I've known for a while. I didn't know I knew him as long as I did, but yeah, but we'll get to that. His name is Walden Hughes, and he is, among other things, the person who is the driving force now behind a website yesterday USA that plays 24 hours a day old radio shows. What I didn't know until he told me once is that he happened to listen to my show back on K UCI in Irvine when I was doing the Radio Hall of Fame between 1969 and 1976 but I only learned that relatively recently, and I didn't actually meet Walden until a few years ago, when we moved down to Victorville and we we started connecting more, and I started listening more to yesterday, USA. We'll talk about some of that. But as you can tell, we're talking, once again, about radio and vintage radio programs, old radio programs from the 30s, 40s and 50s, like we did a few weeks ago with Carl Amari. We're going to have some other people on. Walden is helping us get some other people onto unstoppable mindset, like, in a few weeks, we're going to introduce and talk with Zuzu. Now, who knows who Zuzu is? I know Walden knows, but I'll bet most of you don't. Here's a clue. Whenever a bell rings, an angel gets his wingsu was the little girl on. It's a Wonderful Life. The movie played by Carol from Yeah, and she the star was Carolyn Grimes, and we've met Carolyn. Well, we'll get to all that. I've talked enough. Walden, welcome to unstoppable mindset. We're glad you're   Walden Hughes ** 03:19 here. Hello, Michael boy, I mean, you, you had John Roy on years ago, and now you finally got to me that's pretty amazing.   Michael Hingson ** 03:25 Well, you know, we should have done it earlier, but that's okay, but, but you know what they say, the best is always saved for last.   Walden Hughes ** 03:34 Hey. Well, you know, considering you've been amazing with this show on Friday night for the last year. So here yesterday, USA, so we you and I definitely know our ins and outs. So this should be an easy our place talk.   Michael Hingson ** 03:47 Yes. Is this the time to tell people that Walden has the record of having 42 tootsie rolls in his mouth at once?   Walden Hughes ** 03:52 That's what they say. I think we could do more, though, you know. But yeah, yeah. Well, we won't ask, miss, yeah, we won't ask you to do that here. Why not?   Michael Hingson ** 04:03 Yeah, we want you to be able to talk. Well, I'm really glad you're here. Tell us a little about the early Walden growing up and all that.   Walden Hughes ** 04:12 I'm my mom and dad are from Nebraska, so I have a lot of Midwestern Nebraska ties. They moved out here for jobs in 65 and I was born in 1966 and I was the first baby to ever survive the world Pierre syndrome, which means I was born with a cleft palate, being extremely near sighted and and a cup and a recession. So I was the first baby through my mom and dad debt by $10,000 in 17 days, and it was a struggle for my folks. You know, in those early days, without insurance, without any. Thing like that. You know, people really didn't think about medical insurance and things like that in those days, that was not an issue. So, um, so I've always had extremely loving family. Then I went through five retina detachments, and starting when I was seven years old, up to I was nine, and I finally woke up one morning seeing white half circle so the retina detached. Sometime in the middle of the night, went to the most famous eye doctor the world at times, Dr Robert macchermer, who was the one who invented the cataract surgery and everything. Later, he wound up being the head of Duke Medical that was down in Florida, and they took one last ditch effort to save my sight, but it was a 2% chance, and it didn't work out. So they went blind in November 75 and went into school for people who may or may not know California pretty aggressive in terms of education, and so when I wear hearing aids, so I parted a hard of hearing class. Newport school. Mesa took care of the kids who were hard of hearing and the blind children went up to Garden Grove. So when I walked my site, went up to Garden Grove. And so that was my dedication. I was always a driven person. So and I also had a family that supported me everything I ever did. They didn't it just they were ultimately supporting me in education, all sorts of stuff. So I wound up in the Boy Scout Program. Wound up being an Eagle Scout like you, wound up being visual honoring the OA. And this was always side of kids. I was sort of the organizer all decided kid, and there was Walden that was right, I was that way in my entire life, which is interesting that the most kids are all hanging out. We were sighted and and even the school district, which was pretty amazing to think about it, Newport, they told my mom and dad, hey, when Wong ready to come back to his home school district, we'll cover the bill. We'll do it. And so my freshman year, after my freshman year in high school, we thought, yeah, it's time to come back. And so the Newport school, Mesa picked up the tab, and so did very well. Went up, applied to seven colleges, Harvard, a Yale Stanford turned me down, but everybody else took me   Michael Hingson ** 07:53 so, but you went to the best school anyway.   Walden Hughes ** 07:57 So I mean, either like Michael Troy went to UCI and I graduated in three years and two quarters with a degree in economics, a degree in politics, a minor in management, and then I went to work as a financial planner with American Express and then a stockbroker. I always wanted to go back get my MBA. So I got my MBA at UCI, and I graduated with my MBA in accounting and finance in 1995 so that's sort of the academic part Wow of my life.   Michael Hingson ** 08:32 How did your parents handle when it was first discovered that you were blind? So that would have been in what 75 how do they handle that?   Walden Hughes ** 08:42 They handle it really well. I think my dad was wonderful. My dad was the one that took, took me my birth, to all the doctor appointments, you know, such a traumatic thing for my mom. So my dad took that responsibility. My mom just clean house. But they, they My dad always thought if I were going to make it through life, it was going to be between my ears. It could be my brain and I, I was gifted and academically in terms of my analytical abilities are really off the chart. They tested me like in 160 and that mean I could take a very complicated scenario, break it down and give you a quick answer how to solve it within seconds. And that that that paid off. So no, I think, and they they had complete and so they put in the time.   Michael Hingson ** 09:47 What kind of work did your dad do? My dad   Walden Hughes ** 09:51 wound up being a real estate agent, okay, and so that gave him flexibility time. My mom wound up working for the Irvine camp. Attorney, which is the big agriculture at that time, now, apartments and commercial real estate here in oil County and so. So with their support and with the emphasis on education, and so they helped me great. They helped my brother a great deal. So I think in my case, having two really actively involved parents paid off, you know, in terms of, they knew where to support me and they knew the one to give me my give me my head, you know, because I would a classic example of this. After I graduated from college at UCI, I was looking for work, and mom said, my mom's saying, oh, keep go to rehab. Talk to them. They're both to help you out, give it. I really wasn't interested, so I sat down and met with them and had several interviews, and they said we're not going to fund you because either A, you're gonna be so successful on your own you pay for your own stuff, or B, you'll completely fail. So when I, and that's when they flat out, told me at rehab, so I I had more more luck in the private sector finding work than I did ever in the public sector, which was interesting.   Michael Hingson ** 11:39 I know that when I was in high school, and they it's still around today, of course, they had a program called SSI through the Department of Social Security, and then that there, there was also another program aid of the potentially self supporting blind, and we applied for those. And when I went to UC Irvine, I had met, actually, in 1964 a gentleman while I was up getting my guide dog. He was getting a guide dog. His name was Howard Mackey, and when I went to college, my parents also explored me getting some services and assistance from the Department of Rehabilitation, and I was accepted, and then Howard Mackey ended up becoming my counselor. And the neat thing about it was he was extremely supportive and really helped in finding transcribers to put physics books in braille, paid for whatever the state did it at the time, readers and other things like that that I needed provided equipment. It was really cool. He was extremely supportive, which I was very grateful for. But yeah, I can understand sometimes the rehabilitation world can be a little bit wonky. Of course, you went into it some 18 to 20 years later than that. I, in a sense, started it because I started in 6869 Yeah. And I think over time, just the state got cheaper, everything got cheaper. And of course, now it's really a lot different than it used to be, and it's a lot more challenging to get services from a lot of the agencies. And of course, in our current administration, a lot of things are being cut, and nobody knows exactly what's going to happen. And that's pretty   Walden Hughes ** 13:30 scary, actually. When I went to UCI, the school picked it up the pic, the school picked up my transcribing. They picked up my readers and all that. So interesting. How?   Michael Hingson ** 13:39 But did they let you hire your own readers and so on? Or do they do that?   Walden Hughes ** 13:43 They just put out the word, and people came up and and they paid them. So they just, they were just looking for volunteer, looking for people on the campus to do all the work. And, yeah, in fact, in fact, I had one gal who read pretty much all my years. She was waiting to get a job in the museum. And the job she wanted, you basically had to die to get it open. And so she for a full time employee with the read, can I be taking 20 units a quarter? Yeah. So I was, I was cranking it out. And in those days, everybody, you were lucky they I was lucky to get the material a week or two before midterm. Yeah, so I would speed up the tape and do a couple all nighters just to get through, because I really didn't want to delay, delay by examinations. I wanted to get it, get it through. But, uh, but, you know, but also, I guess I was going four times just throughout the quarter, set them into the summer. Okay, I wanted to get it done. Yeah, so that's, that's how I   Michael Hingson ** 14:50 did it. I didn't do summer school, but I did 16 to 20 units a quarter as well, and kept readers pretty busy and was never questioned. And even though we have some pretty hefty reader bills, but it it worked, no and and I hired my own readers, we put out the word, but I hired my own readers. And now I think that's really important. If a school pays for the readers, but lets you hire the readers, that's good, because I think that people need to learn how to hire and fire and how to learn what's necessary and how to get the things that they need. And if the agency or the school does it all and they don't learn how to do it, that's a problem.   Walden Hughes ** 15:36 If fashioning is just a sidebar issue, computer really became a big part. And with my hearing loss, TSI was really, yeah, telesensory, the one Incorporated, right? And they were upscale, everybody. It was, you know, $2,500 a pop. And for my hearing, it was the was for the card, the actual card that fits into the slot that would read, oh, okay, okay, right. And eventually they went with software with me, a lot cheaper, yes, and so, so my folks paid for that in the early days, the mid 80s, the computers and the software and a lot of that were trial and error terms of there was not any customer support from the from the computer company that were making special products like that, you were pretty much left on your own to figure it out. Yeah, and so time I went to graduate in 1990 we figured, in the business world, financial planning, I'm gonna need a whole complete setup at work, and we're gonna cost me 20 grand, yeah, and of course, when we have saying, We biking it, we're gonna finance it. What happened was, and this has helped with the scouting program. I knew the vice president of the local bank. And in those days, if it was, if it was still a small bank, he just went, he gave me a personal loan, hmm, and he, I didn't have to get any code centers or anything. No, we're gonna be the first one to finance you. You get your own computer set up. And so they, they, they financed it for me, and then also Boyle kicked in for 7500 but that was, that's how I was able to swing my first really complicated $20,000 units in 1990   Michael Hingson ** 17:33 the Braille Institute had a program. I don't know whether they still do or not they, they had a program where they would pay for, I don't know whether the top was 7500 I know they paid for half the cost of technology, but that may have been the upper limit. I know I used the program to get in when we moved, when we moved to New Jersey. I was able to get one of the, at that time, $15,000 Kurzweil Reading machines that was in 1996 and Braille Institute paid for half that. So it was pretty cool. But you mentioned TSI, which is telesensory Systems, Inc, for those who who wouldn't know that telesensory was a very innovative company that developed a lot of technologies that blind and low vision people use. For example, they developed something called the optic on which was a box that had a place where you could put a finger, and then there was attached to it a camera that you could run over a printed page, and it would display in the box a vibrating image of each character as the camera scanned across the page. It wasn't a really fast reading program. I think there were a few people who could read up to 80 words a minute, but it was still originally one of the first ways that blind people had access to print.   Walden Hughes ** 18:59 And the first guinea pig for the program. Can I just walk my site in 75 and they, they wanted me to be on there. I was really the first one that the school supply the optic on and has special training, because they knew I knew what site looked like for everybody, what Mike's describing. It was dB, the electronic waves, but it'd be in regular print letters, not, not broil waters, right? What   Michael Hingson ** 19:25 you felt were actually images of the print letters, yeah.   Walden Hughes ** 19:30 And the thing got me about it, my hand tingled after a while,   Michael Hingson ** 19:35 yeah, mine   Walden Hughes ** 19:36 to last forever,   Michael Hingson ** 19:38 you know. So it was, it wasn't something that you could use for incredibly long periods of time. Again, I think a few people could. But basically, print letters are made to be seen, not felt, and so that also limited the speed. Of course, technology is a whole lot different today, and the optic on has has faded away. And as Walden said, the card that would. Used to plug into computer slots that would verbalize whatever came across the screen has now given way to software and a whole lot more that makes it a lot more usable. But still, there's a lot of advances to be made. But yeah, we we both well, and another thing that TSI did was they made probably the first real talking calculator, the view, plus, remember   Walden Hughes ** 20:25 that? Yep, I know a good sound quality.   Michael Hingson ** 20:28 Though it was good sound quality. It was $395 and it was really a four function calculator. It wasn't scientific or anything like that, but it still was the first calculator that gave us an opportunity to have something that would at least at a simple level, compete with what sighted people did. And yes, you could plug your phone so they couldn't so sighted people, if you were taking a test, couldn't hear what what the calculator was saying. But at that time, calculators weren't really allowed in the classroom anyway, so   Walden Hughes ** 21:00 my downside was, time I bought the equipment was during the DOS mode, and just like that, window came over, and that pretty much made all my equipment obsolete, yeah, fairly quickly, because I love my boil display. That was terrific for for when you learn with computers. If you're blind, you didn't really get a feel what the screen looked like everybody. And with a Braille display, which mine was half the screen underneath my keyboard, I could get a visual feel how things laid out on the computer. It was easier for me to communicate with somebody. I knew what they were talking   Michael Hingson ** 21:42 about, yeah. And of course, it's gotten so much better over time. But yeah, I remember good old MS DOS. I still love to play some of the old MS DOS games, like adventure and all that, though, and Zork and some of those fun games.   Walden Hughes ** 21:57 But my understanding dos is still there. It's just windows on top of it, basically,   Michael Hingson ** 22:02 if you open a command prompt in Windows that actually takes you to dos. So dos is still there. It is attached to the whole system. And sometimes you can go in and enter commands through dos to get things done a little bit easier than you might be able to with the normal graphic user interface, right? Well, so you, you got your master's degree in 1995 and so you then continue to work in the financial world, or what did   Walden Hughes ** 22:35 it for 10 years, but five years earlier? Well, maybe I should back it up this way. After I lost my site in 1976 I really gravitated to the radio, and my generation fell in love with talk radio, so I and we were really blessed here in the LA market with really terrific hosts at KBC, and it wasn't all the same thing over and over and beating the drum. And so listening to Ray Breen, Michael Jackson, IRA for still kill Hemingway, that was a great opportunity for somebody who was 10 years old.   Michael Hingson ** 23:18 Really, they were all different shows. And yes, I remember once we were listening to, I think it was Michael Jackson. It was on Sunday night, and we heard this guy talking about submarines, and it just attracted Karen's and my attention. And it turns out what it was was Tom Clancy talking about Hunt for Red October. Wow. And that's where we first heard about it, and then went and found the book.   Walden Hughes ** 23:45 But So I grew up in the talk radio, and then that, and I fell in love with country music at the time on koec, and then Jim Healy and sports, yep, and then, and then we were blessed in the LA market have a lot of old time radio played, and it was host like Mike was here at K UCI, John Roy, eventually over KPCC, Bob line. And so my relatives said you should listen to this marathon KPFK, which was a Pacific did an all day marathon. I fell in love with that. Jay Lacher, then one night, after I walked my site, I tuned in. Ray bream took the night off, and Bill balance had frankly sit in. And the first thing they played was Jack Armstrong, and this is where Jack, Jack and Billy get caught up in a snow storm and a bone down the hill. And Brett Morrison came in during the one o'clock two o'clock hour to talk about the shadow. And so my dad took me to, oh, I'm trying to think of the name of the record. Or if they gave away licorice, licorice at the at the record store tower, yeah, not Tower Records. Um, anyway, so we bought two eight track tapes in 1976 the shadow and Superman, and I started my long life of collecting and so. So here we up to 1990 after collecting for 15 years. Going to spill back conventional meetings. I knew Ray bream was going to have kitty Cowan at the guest. Kitty Cowan was a big band singer of the 40s who later the fifth little things mean a lot. And I figured nobody was going to act about her days on the Danny Kaye radio show. And so I called in. They realized I had the stuff. I had the radio shows, they took me off the air, and Kitty's husband, but grand off called me the next day, and we struck up a friendship. And so they were really connected in Hollywood, and so they opened so many doors for me. Mike I Katie's best friend with Nancy Lacher, SR bud with the one of the most powerful agents in town, the game show hosting, who could come up with a TV ideas, but did not know how to run a organization. So that was Chuck Paris, hmm, and Gong Show, yeah, so I wound up, they wound up giving me, hire me to find the old TV shows, the music, all that stuff around the country. And so I started to do that for the Sinatra family, everybody else. So I would, while we do the financial planning, my internet consulting thing really took off. So that wound up being more fun and trying to sell disability insurance, yeah. So one wound up doing that until the internet took over. So that would that. So my whole life would really reshape through kitty Carolyn and Ben granoff through that. So I really connected in the Hollywood industry from that point on, starting 1990 so that that really opened up, that really sure reshaped my entire life, just because of that   Michael Hingson ** 27:28 and you've done over the years, one of the other things that you started to do was to interview a lot of these people, a lot of the radio stars, The radio actors   Walden Hughes ** 27:39 and music and TV, music,   Michael Hingson ** 27:44 yeah.   Walden Hughes ** 27:45 And I think when Bill Bragg asked me to interview kitty Carol, and I did that in 2000 and Bill said, Well, could you do more? And so one of Kitty friends, but test Russell. Test was Gene Autry Girl Friday. He she ran kmpc for him. And I think everybody in the music industry owed her a favor. I mean, I had Joe Stafford to Pat Boone to everybody you could think of from the from that big band, 3040s, and 60s on the show. Let's go   Michael Hingson ** 28:24 back. Let's go back. Tell us about Bill Bragg.   Walden Hughes ** 28:29 Bill Bragg was an interesting character all by himself. Born in 1946 he was a TV camera man for CBS in Dallas. He was also a local music jockey, nothing, nothing, big, big claims of fame boys working for channel two. And then he in Dallas, he was at a press conference with LBJ, and LBJ got done speaking, and the camera crew decided that they were going to pack up and go to lunch. And Bill thought it'd be fun to mark what camera, what microphone the President used for his address, and the guys were in a rush door in the box, let's go have lunch. So Bill lost track, and that bothered him. So he started the largest communication Museum in 1979 and he collected and was donated. And so he had the biggest museum. He had a film exchanger. So in those early days of cable TVs, you know, we had a lot of TV stations specializing in programming, and there were channels, I think this was called a nostalgic channel, wanted to run old TV shows and films. They had the film, but they didn't. Have the equipment. And they got hold of Bill. He said, Okay, I'll do it for you. But what you're going to give me is games. Bill was a wheel and dealer, yeah. And Charlie said, We'll give you your own satellite channel. And I was talking to Bill friend later, John women in those days, in the 1983 when Bill got it, the value of those satellite channels was a million dollars a year, and he got it for free. And Bill would try and figure out, What in the world I'm going to do with this, and that's when he decided to start playing with old time radio, because really nobody was playing that on a national basis. You had different people playing it on a local basis, but not really on a national basis. So Bill was sort of the first one before I play old time radio. I became aware of him because of bur back, so I was trying to get the service on my cable TV company. Was unsuccessful.   Michael Hingson ** 30:58 So what he did is he broadcast through the satellite channel, and then different television stations or companies could if they chose to pick up the feed and broadcast it. Did, they broadcast it on a TV channel or   Walden Hughes ** 31:13 on radio public asset channel. Okay, so remember note day a lot of public it would have the bulletin boards with the local news of right community, and lot of them would play Bill can't   Michael Hingson ** 31:28 play Bill's channel because the only because what they were doing was showing everything on the screen, which didn't help us. But right they would show things on the screen, and they would play music or something in the background. So Bill's programs were a natural thing to play,   Walden Hughes ** 31:44 yeah, and so Bill wound up on a stout then he wound up being the audio shop Troyer for WGN, which was a nice break and so. And then Bill got it to be played in 2000 nursing homes and hospitals, and then local AMFM stations would pick us up. They were looking for overnight programming, so local throughout the country would pick it up. And so Bill, Bill was a go getter. He was a great engineer, and knew how to build things on the cheap. He was not a businessman, you know, he couldn't take it to the next level, but, but at least he was able to come up with a way to run a station, 24 hours a day. It was all the tapes were sent down to Nash, down to Tennessee, to be uploaded to play into the system. Eventually, he built a studio and everything in Dallas. And so,   Michael Hingson ** 32:38 of course, what what Weldon is saying is that that everything was on tape, whether it was cassette or reel to reel, well, reel to reel, and they would play the tapes through a tape machine, a player or recorder, and put it out on the satellite channels, which was how they had to do it. And that's how we did it at kuci, we had tape, and I would record on Sunday nights, all the shows that we were going to play on a given night on a reel of tape. We would take it in and we would play it.   Walden Hughes ** 33:13 And so that's how it's done in the 80s. Eventually built bill, built a studio, and then started to do a live show once a week. Eventually, they grew up to four days a week. And so here is about 1999 or so, and they were playing Musa from kitty cat, and did not know who she was. I would quickly, I would quickly give a couple background from AIM hang up. I didn't really they had no idea who I was yet. I didn't talk about what I would do and things like that. I was just supplying information. And eventually, after two years, they asked me to bring kitty on the show, which I did, and then I started to book guests on a regular basis for them, and then eventually, the guy who I enjoyed all time radio shows listening to Frank Percy 1976 built decided that I should be his producer, and so I wound up producing the Friday Night Live show with Frankie, and eventually we got it up and running, 2002 So Frank and I did it together for 16 years and so that so Bill built a studio in Texas, mailed it all to my House. My dad didn't have any engineering ability. So he and my bill got on the phone and built me a whole studio in six hours, and I was up and running with my own studio here in my bedroom, in 2002 and so overhead, I'm in my bedroom ever since Michael, you know, there you go.   Michael Hingson ** 34:58 Well and to tell people about. Frank Bresee Frank, probably the biggest claim to fame is that he had a program called the golden days of radio, and it was mainly something that was aired in the Armed Forces Radio and Television Service on the radio, where he would every show play excerpts of different radio programs and so on. And one of the neat things that's fascinating for Frank was that because he was doing so much with armed forces, and doing that, he had access to all of the libraries around the world that the Armed Forces Radio and Television Service had, so he could go in and oftentimes get shows and get things that no one else really had because they were only available in at least initially, in these military libraries. But he would put them on the air, and did a great job with it for many, many years. Yeah, Frank   Walden Hughes ** 35:53 was an interesting character, a pure entrepreneur. He invented a game called pass out, which was a drinking game, board game, and he for 20 years, he spent six months in Europe, six months in United States. And he was making so much money in Europe, he would rent out castles and lived in them, and he would and he would spend months at a time in Germany, which was the main headquarter of art, and just sit there in the archives and make copies of things he wanted to play on his show, yeah. And so that's how he built that. And then he he started collecting transcriptions when he would to 10 he was a radio actor, and so he had one of the largest collection, collection, and he his house, his family house was in Hancock Park, which was the, it was Beverly Hills before Beverly Hills, basically, what did he play on radio? Well, when he was, he was he was deceptive. He was the backup little beaver. When someone Tommy, writer, yeah, when, when Tommy Cook had another project, it was Frank be was a substitute. And so that was a short coin of fame. He did bit parts on other shows, but, but that's what he did as a kid. Eventually, I think Frank came from a very wealthy family. He wound up owning the first radio station when he was 19 years old on Catalina Island in 1949 and then he wound up being a record producer. He worked with Walter Winchell, created albums on without about Al Jolson worked on Eddie Cantor and Jimmy Durante and anyway, Frank, Frank had a career with game with creating board games, doing radio and having an advertising company. Frank was responsible for giving all the game shows, the prices for TV and the way he would do it, he would call an advertise, he would call a company. He said, you want your product. Beyond on this section, go to say, yes, okay, give us, give us the product, and give me 150 bucks. And so Frank would keep the cash, and he would give the project to the TV shows,   Michael Hingson ** 38:17 Dicker and Dicker of Beverly Hills. I remember that on so many shows   Walden Hughes ** 38:23 so So Frank was a wheeling dealer, and he loved radio. That was his passion project. He probably made less money doing that, but he just loved doing it, and he was just hit his second house. The family house was 8400 square feet, and so it was pretty much a storage unit for Frank hobbies, right? And we and he had 30,000 transcriptions in one time. But when he was Europe, he had a couple of floods, so he lost about 10 to 20,000 of them. Okay? Folks did not know how to keep them dry, but he had his professional studio built. And so I would book guests. I arranged for art link writer to come over, and other people, Catherine Crosby, to come over, and Frank would do the interviews. And so I was a big job for me to keep the Friday night show going and get Frankie's guess boy shows. I would have been. He died,   Michael Hingson ** 39:22 and he was a really good interviewer. Yeah, I remember especially he did an interview that we in, that you played on yesterday USA. And I was listening to it with Mel Blanc, which is, which is very fascinating. But he was a great interviewer. I think it was 1969 that he started the golden days of radio, starting 49 actually, or 49 not 69 Yeah, 49 that was directly local, on,   Walden Hughes ** 39:49 on Carolina, and K, I, G, l, which was a station I think heard out in the valley, pretty much, yeah, we could pick it up. And then, and then he started with on. Forces around 65   Michael Hingson ** 40:02 that's what I was thinking of. I thought it was 69 but,   Walden Hughes ** 40:06 and well, he was, on those days there were armed forces Europe picked them up. And also, there was also the international Armed Forces served around the far eastern network, right? Yeah. And so by 67 he was pretty much full on 400 stations throughout the whole world. And I that's probably how you guys picked him up, you know, through that capability.   Michael Hingson ** 40:30 Well, that's where I first heard of him and and the only thing for me was I like to hear whole shows, and he played excerpts so much that was a little frustrating. But he was such a neat guy, you couldn't help but love all the history that he brought to it   Walden Hughes ** 40:46 and and then he would produce live Christmas shows with with the radio. He would interview the guest he, you know, so he had access to people that nobody generally had, you know. He worked for Bob Hope, right? So he was able to get to Jack Benny and Bing Crosby and yes, people like that, Groucho Marx. So he was, he had connections that were beyond the average Old Time Radio buff. He was truly a great guy to help the hobby out, and loved radio very much.   Michael Hingson ** 41:21 Well, going back to Bill Bragg a little bit, so he had the satellite channel, and then, of course, we got the internet, which opened so many things for for Frank or Frank for, well, for everybody but for Bill. And he started the program yesterday, usa.net, on the radio through the internet,   Walden Hughes ** 41:44 which he was the first one in 1996 right? There's a great story about that. There was a company called broadcast.com I bet you remember that company, Mike. Anyway, it was founded by a guy who loved college basketball, and he was a big Hoosier fan, and he was living in Texas, and so he would generally call long distance to his buddy, and they would put up the radio. He could went to the basketball games. And eventually he decided, well, maybe I could come up and stream it on my computer, and all these equipment breaking down, eventually he came up with the idea of, well, if I had a satellite dish, I could pick up the feed and put and stream it on the computer, that way people could hear it right. And he hired bill to do that, and he offered bill a full time job installing satellites and working Bill turned them down, and the guy wound up being Mark Cuban. Yeah, and Mark Cuban gave every every employee, when he sold broadcast.com to Yahoo, a million dollar bonus. So Bill missed out on that, but, but in exchange, Mike Cuban gave him broadcast.com While USA channel for free. So Bill never had to pay in the early days, until about 2002 so when Yahoo decided to get out of the streaming business for a while, then that's when we had to find and we found life 365 eventually, and we were paying pretty good. We're paying a really good rate with like 265 Bill was used to paying free, and we were paying, I think, under $100 and I knew guys later a couple years, were paying over $500 a month. And we were, we were, but there was such a willing deal able to get those things for really dope less   Michael Hingson ** 43:45 money, yeah. Now I remember being in New Jersey and I started hearing ads for an internet radio station. This was in the very late 90s, maybe even into 2000 W, A, B, y. It was a company, a show that a station that played a lot of old songs from the 50s and 60s and so on. And it was, it was, if you tuned on to it, you could listen. And after four or five hours, things would start to repeat, and then eventually it disappeared. But I started looking around, and I don't even remember how I found it, but one day I heard about this radio station, www, dot yesterday, usa.net. Right, yep.net.com,   Walden Hughes ** 44:31 yep, and yeah. And   Michael Hingson ** 44:33 I said, Well, oh, I think I actually heard an ad for it on W, A, B, y, when it was still around. Anyway, I went to it, and they were playing old radio shows, and they had a number of people who would come on and play shows. Everyone had an hour and a half show, and every two weeks you would have to send in a new show. But they. They played old radio shows, 24 hours a day and seven days a week, except they also had some live talk shows. And I remember listening one day and heard Bill Bragg talking about the fact that he was going to have his standard Friday night show with Walden Hughes, it would start at nine o'clock. I had no idea who Walden was at the time. And the problem is, nine o'clock was on the in Pacific Time, and it was, I think, Midnight in New Jersey time, as I recall the way it went anyway, it was way too late for me to be up. And so I never did hear Walden on yesterday USA, or I may have actually listened. Just stayed up to listen to one and fell asleep, but the show, the whole innovative process of playing radio all the time on the internet, was intriguing and just opened so many opportunities, I think. And of course, the internet brought all that around. And now there are any number of stations that stream all the time. And Bill Bragg passed away. What in 2016   Walden Hughes ** 46:15 2018   Michael Hingson ** 46:18 1819 2019 Yeah. And Walden now is the person who directs, operates, and is the manager of yesterday USA. And so when I go ahead,   Walden Hughes ** 46:30 it's fascinating. In the height of the station, there was 15,000 internet radio stations out there in 2000 they did a survey yesterday, USA was number three in the world, behind the BBC and CNN, which I thought was a pretty nice number to be concerned. We had no budget to promote, right? And the last time I saw the numbers been a couple years, we were number 44 in the world, which I don't think of, 15,000 radio stations. Not bad. No, not at all. You know, really not bad. But now there is more talk than there used to be, because Walden and the gasmans, who we had on years ago on this podcast, but   Michael Hingson ** 47:16 have interviewed a lot of people, and continue to interview people. And of course, so many people are passing on that. We're trying to talk to people as much as we can, as they can, and all of us now, because I've started to come a little bit and become a little bit involved in yesterday USA. And as Walden said on Friday night at 730 Pacific Time, see it's earlier, we we do a talk show. Bob Lyons, who did a lot of radio out here, and for 50 years, had a program called Don't touch that dial. And John and Larry and Walden and I get on the air and we talk about, Gosh, any number of different things. We've talked about Braille, we've talked about sometimes, everything but radio. But we talk about a lot of different things, which is, which is a lot of fun.   Walden Hughes ** 48:04 And I think it probably is, you know, in the old days, it would pretty much no entertainment, and Bill telling some stories and things like that. But with me, I always had a focus in interviews, but it's so much more fun to do radio as a co host. And that's when Patricia and I connected back in the 2007 I knew was in 2005 she's my co host. And Patricia didn't grow up with whole town radio. She became a fan after she found yesterday, USA into 2000 but she's a very articulate person, and so through the shows, what she and I did on Saturday night, the audience grab it and just we should talk about everything, and I just generate calls. I mean, when she and I were doing eight hours a night, we would average about 18 calls a night, which was pretty amazing, but we would cover the gamut, and I think a really good talk show host had to know a little bit about a lot of things. Yes, he got it. You got to be flexible. And Patricia and I compliment each other that way, that we're able to cover history and politics and music and just everything. And so when I do a show with her, you never know what direction we go with where. When I'm with John Roy, it's more radio centric. So it depends on what night a week people tune in, is what you're going to   Michael Hingson ** 49:40 get. And Walden has Patricia on now Tuesdays, Thursdays and Saturdays, but we know why she's really on there, because she likes hearing Perry Como song Patricia that starts out every show Walden plays that he's in love with Patricia. One of these days, there's still the possibility. But anyway, we. We, he, we love it when he, he has Patricia on, and it's every week. So, so it is really cool. And they do, they talk about everything under the sun, which is so fascinating. Tell us about Johnny and Helen Holmes.   Walden Hughes ** 50:15 Ah, well, it's an interesting story. I I say the second biggest old time radio station in the country, after yesterday USA. It's about half the size in terms of audience basis. Radio once more, and you can find them at Radio once more.com and they do a good job. No else with probably yesterday USA branch offers own internet radio station, and he found he would go to the east coast to the nostalgic convention, and he connected with Johnny and Helen. Holmes and Johnny and Helen are people who love to attend nostalgic convention and get autographs and things. And they became really friends. So Neil convinced them, why don't you come on? Just come on radio once more. And so after a while, they do the presentation the coffee shop. Neil convinced them to take it, take it to the air, and they started to have their own show, and I was aware of them, and I produced the spirback convention, 2017 in Las Vegas. So Johnny helm came to the convention, and Johnny wanted to say hi to me. I said, I know who you are. I think he was for by that that I knew who he was, but I invited Johnny and Helen to come on with Patricia and I one night to talk about their coffee shop presentation and their show on Radio once more. And we just bonded very quickly and easy to bond with Johnny. They really are really fabulous people. He's really a generous guy, and so over the last six, seven years, we have developed a great friendship on you, and almost have created a whole subculture by itself, playing trivia with them. Every time they come on,   Michael Hingson ** 52:17 they do a lot of trivia stuff, and Johnny produces it very well. He really does a great job. And he'll put sound bites and clips and music, and it's gotten me such a major production with Johnny and Helen. And people look forward to it. I sometimes count the interaction people hanging out in the chat room, on the phone, email, about 18 to 20 people will get and get an answer question, was it amazing that that many people will be interested in trivia like that? But and, and Johnny also collects, well, I guess in Helen collect a lot of old television shows as well. Yep. So we won't hold it against him too much, but, but he does television and, well, I like old TV shows too, you bet. Well, so you know, you are, obviously, are doing a lot of different things. You mentioned spurred vac oop. They're after you. We'll wait. We'll wait till the phone die. You mentioned, well, I'll just ask this while that's going on. You mentioned spurred back. Tell us a little bit about what spurred vac is and what they've been doing and what they bring to radio.   Walden Hughes ** 53:23 Sprint vac started in 1974 it's the largest full time radio group in the country, called the society to preserve and encourage radio drama, variety and comedy. John Roy Gasman were two of the main driving force behind the club. It reached up to a membership of 1800 people, and they've honored over 500 people who worked in the golden days of radio and to speak at their meeting, come to the special conventions. And so I attended some dinners at the Brown Derby, which was a great thrill. I started attending their conventions, and it was just, it was wonderful. So I so I really got to meet a lot of the old time radio personality and become friends with Janet Waldo and June for a and people like that. And so I eventually got on the board. I eventually became one young, somewhat retired. I wound up being the activity person to book guests, and started producing conventions. And so that became a major part of my life, just producing those things for spur back and in other places, and I first started to do that for reps. Was it the Old Time Radio Group in Seattle in 2007 so they were actually the first convention I produced.   Michael Hingson ** 54:54 And rep says radio enthusiasts of Puget Sound,   Walden Hughes ** 54:57 right? Reps online.org, G and so I would produce new convention. I was helping super vac, and I also helping the Friends of all time radio back in New Jersey and so. And it probably helped my contact, which is 300 pages long, so, and I would book it. I would also contact celebrities via the mail, and my batting average was 20% which I thought were pretty good. I got Margaret. I got Margaret Truman. She called me, said, Walden, I got your order, and I forgot that I did the show with Jimmy Stewart. I'd be happy to come on talk about my memory. You know, she talked about Fred Allen on the big show, and how, how Mike Wallace had a temper, had a temper. She was a co host. Was among weekdays, which with the weekday version of monitor. Monitor was weekend and weekday, we see NBC. And so she was just fabulous, you know, so and I would get people like that 20% bad average, which was incredible. So I met, that's how it's up to two, my guess was, so I, I was sort of go to guy, find celebrities and booking them and and so in that help yesterday, USA helped the different conventions. And so it and so you're so you're booking the panels, and then you're coming up with ideas for radio recreations. And so I produce 37 of them, ranging from one day to four days. And I get counted, over the last 18 years, I've produced 226 audio theater plays with it. A lot at least, have an idea of how those things   Michael Hingson ** 56:55 work. So right now, speaking of recreations, and we're both involved in radio enthusiasts of Puget Sound, and for the last couple of years, I've participated in this. Walden has done radio recreations, and twice a year up in the Washington State area, where we bring in both some some amateurs and some professionals like Carolyn Grimes Zuzu and so many others who come in and we actually recreate old radio shows, both before a live audience, and we broadcast them on yesterday USA and other people like Margaret O'Brien who won   Walden Hughes ** 57:46 Gigi Powell coming this year. Phil Proctor. David Osmond from fire sign theater. Chuck Dougherty from Sergeant Preston. John Provo from Timmy from Lassie, Bill Johnson, who does a one man show on Bob Hope. Bill Ratner from GI Joe. Bill Owen, the who might have had he is the author of The Big broadcast, Ivan Troy who Bobby Benson, Tommy cook from the life O'Reilly Gigi parole, a movie actress of the 50s, as you mentioned, Carolyn grime, Beverly Washburn and others, and it's just the radio folks are really down to earth, really nice people, and you get to break bread with them, talk to them and reminisce about what was it like doing that radio show, this movie, or that TV show, and then They still got it, and they can perform on stage,   Michael Hingson ** 58:43 and they love to talk about it, and they love to interact with people who treat them as people. And so yeah, it is a lot of fun to be able to do it. In fact, I was on Carolyn Grimes podcast, which will be coming out at some point in the next little while, and Carolyn is going to be on unstoppable mindset. So keep an eye out for that. Bill Owens program is coming out soon. Bill and I did a conversation for unstoppable mindset, and we're going to be doing Bill Johnson will be coming on, and other people will be coming on. Walden has been very helpful at finding some of these folks who are willing to come on and talk about what they did, and to help us celebrate this medium that is just as much a part of history as anything in America and is just as worth listening to as it ever was. There is more to life than television, no matter what they think.   Walden Hughes ** 59:40 And also, we do a Christmas thing too. And hopefully Mike, if his speaking engagement allow him, will be with us up at Christmas saying, Well, I will. I'm planning on it. We're gonna do, It's a Wonderful Life. Keith Scott, coming over from Australia, who's a he's the rich little of Australia. And we'll do, It's a Wonderful Life. We'll do. The Christmas Carol, milk on 34th Street film again, Molly Jack Benny will have a great time.   Michael Hingson ** 1:00:07 These are all going to be recreations using the the original scripts from the shows, and that's what makes them fun. And for those of us who don't read print, we do have our scripts in Braille, absolutely so that's kind of fun. Well, Walden, this has been absolutely wonderful. We're going to have to do it some more. Maybe we need to get you, John and Larry all together on that. That might be kind of fun. But I really, I don't think we need a host if you that. No, no, we just, you know, just go on. But this has been really fun. I really enjoy it. If people want to reach out to you, how do they do that?   Walden Hughes ** 1:00:45 Oh, I think they can call my studio number 714-545-2071, I'm in California, or they can email me at Walden shoes at yesterday, usa.com, W, A, l, D, E, N, H, U, C, H, E, S at, y, E, S T, E, R, D, A, y, u, s a.com, I'm the president of radio enthusiast sound, that's reps online.org or on the board of Sper back, which is S, P, E, R, D, V, A, c.com, so while waiting shakes me down, when   Michael Hingson ** 1:01:25 will the showcase actually occur up in Bellevue in Washington?   Walden Hughes ** 1:01:30 That will be September 18, 19 20/21, and then our Christmas one is will be Friday, December five, and Saturday, December the sixth. And then we're also going back and spir back, and I bet we'll see you there. We're going to go back to the Troy Blossom Festival next April, 23 to 26 and we'll know, are we set up to do that now? Yep, looks like that gonna happen? Yeah? Oh, good, yeah. So kick out the phone with Nicholas here a few days ago. So everything's gonna go for that, so that will be good.   Michael Hingson ** 1:02:03 Yeah, we will do that. That's cool. Well, thank you for being here, and I want to thank you all for listening. I hope you had fun. This is a little different than a lot of the episodes that we've done, but it's, I think, important and enlightening to hear about this medium into to meet people from it. So thank you for listening wherever you are. We hope that you'll give us a five star review of unstoppable mindset wherever you're listening or watching. Please do that. We'd love to hear from you. You can reach me at Michael H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, and you can also go to our podcast page if you don't find podcasts any other way. Michael hingson.com/podcast, that's m, I C, H, A, E, L, H, I N, G, s, O, n.com/podcast, singular. So thanks again for being here and for listening to the show, and Walden, once again, I want to thank you for being here. This has been great.   Walden Hughes ** 1:03:01 Thank you, Michael,   Michael Hingson ** 1:03:07 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

If you grew up in the '60s, '70s, or '80s,you will love StarPodTrek! On this historic episode of StarPodTrek, we consider the Star Trek contents of Starlog magazine in issues 99 and 100 from 1985, as well as discuss pertinent information of that time period!Ryan Howe and Beth Ann Broadhurst reflect on the importance of Nichell Nichols!Get your weekend badges NOW for Starbase Indy! https://www.starbaseindy.org/Burt Bruce reflects on the spiritual views of Gene Roddenberry!Lawson Thompson and David Hurley discuss their Spaceship Bridge Simulators!https://www.ltebridge.com/dc2025/Former Starlog magazine editors Daniel Dickholtz and Carr D'Angelo tell us what it was like to work on the epic one hundredth issue!Plus, Alan Porter, and more, on our annual Destination Dragon Con episode of StarPodTrek!The Labor Day weekend phenomenon returns to downtown Atlanta: Dragon Con! Look for us in the program as professional guests!https://www.dragoncon.org/We will return as guest speakers at Starbase Indy 2025 over Thanksgiving weekend. This convention celebrates Star Trek's vision of humanitarian and STEM education. Get your tickets now!https://www.starbaseindy.org/Theme music provided by Foot Pound Force. Find out more about the band here:https://footpoundforce.bandcamp.com/musichttps://m.facebook.com/100029411275345/Don't forget to join our Facebook group:https://m.facebook.com/profile.php?id=469912916856743&ref=content_filterLove Starlog magazine?Join the Facebook group:https://m.facebook.com/profile.php?id=303578380105395&ref=content_filter Subscribe to our YouTube Channel “StarPodLog and StarPodTrek”https://www.youtube.com/channel/UCgE_kNBWqnvTPAQODKZA1UgFind us on Instagram: @StarPodLog Reddit: u/StarPodTrek Visit us on Blogger at https://starpodlogpodcast.blogspot.com/ or iTunes or Spotify or wherever you listen to fine podcasts!Middle Tennessee Space Societyhttps://www.facebook.com/profile.php?id=100054515677599Monsterama 2025 with Nayr, Stephen Manley, Beverly Washburn, Mariette Hartley,  and Jerry Sroka. If you cannot see the audio controls, listen/download the audio file here Download (right click, save as)

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

You probably know Beverly Washburn best as Lizabeth Searcy in the 1957 Disney classic, Old Yeller, or from the 1967 horror cult classic, Spider Baby, but Beverly's film and television credits boast countless memorable performances.  This Emmy nominated actress has worked with such Classic Hollywood legends as Bing Crosby, Jimmy Stewart, Alan Ladd, Loretta Young, Lon Chaney, Jr., Jack Benny, Lou Costello, Barbara Stanwyck, and Frank Capra.  Beverly's rare ability to cry on cue naturally was put to good use from the start of her career, and contributed to her reputation as one of the best kid actors of her generation.  Listen for all about Beverly's remarkable career, and be inspired by her boundless kindness and gratitude.

Fonseca talks with Star Trek actress Beverly Washburn, she began her career as a child actor, when she was 3 years old, appearing in The Killer That Stalked New York (1950) and Frank Capra's Here Comes the Groom(1951). Her subsequent film credits included a supporting role in the Walt Disney feature Old Yeller (1957),[for which she is the last surviving cast member of the film. By age 16, she had appeared in 10 films and more than 500 television programs.[On television, Washburn portrayed Kathryn "Kit" Wilson, on Professional Father,[Shirley Mitchell on Gidget,and Vickie Massey on The New Loretta Young Show.: 756 She was also seen regularly on A Letter to Loretta: 597  and The Loretta Young Theater.: 623 Washburn is the author of Reel Tears: The Beverly Washburn Story, Take Two, which BearManor Media re-released in 2013We talk about He-man and the masters of the univerise and the new movie coming out. Acolyte, Starwars, Xmen and Deadpool.

Rick Saphire Has Managed -  Represented the Following Stars:   Mickey Rooney, Sir John Mills, Margot Kidder, Rip Taylor, Chris Noel, Terry Moore, Jerry Mathers, Betsy Palmer,Anna Maria Alberghetti, Hayley Mills, Juliet Mills, Gary Lewis & the Playboys, Anson Williams, Molly Bee, Katica Illenyi, Mally Lewis and Lamb Chop, The Original Mouseketeers, Voiceover Stars from SpongeBob SquarePants, Paul Petersen, Sheila MacRae, The Little Rascals' Spanky McFarland, Darla Hood, Beverly Washburn, Mathew "Stymie" Beard, and Tommy "Butch" Bond, Chubby Checker, Charlie Callas, Soupy Sales, and Others   Rick Saphire can be reached Directly at the following web address https://www.ricksaphire.com/

210 - Abbott and Costello Discussion with expert Ron Palumbo, plus special guest Beverly Washburn This is an interview episode, where Steven is joined by Ron Palumbo to discuss Abbott and Costello!  We are also extremely lucky to have a guest appearance by Beverly Washburn at the end of this episode to share her memories of working with Lou Costello on Wagon Train. Ron Palumbo is the foremost authority on the careers of Bud Abbott and Lou Costello, and a valued consultant to the Abbott and Costello estates.With the encouragement and approval of the families, Ron founded the Official Abbott and Costello Fan Club in 1986 to commemorate the 50th anniversary of Bud and Lou teaming up in burlesque. The fan club is still active and publishes an online magazine.Palumbo co-authored (with Bob Furmanek) “Abbott and Costello in Hollywood,” the definitive guide to every one of the team's 36 films. Leonard Maltin said that it had “more details on the making of their films than any book I've ever seen.”He is also the author of “Buck Privates: The Original Screenplay” and “Hold That Ghost: The Original Screenplay,” which meticulously document the making of two of Abbott and Costello's best-loved films and include the shooting scripts. He has a third book in this series on “One Night in the Tropics,” the team's film debut, coming out early in 2024.The Library of Congress has called on Ron to write essays on the boys' signature routine, “Who's On First?” and their most popular film, “Abbott and Costello Meet Frankenstein.”He has also written the liner notes for the definitive boxed sets of the team's films and television series and provided acclaimed commentary tracks for their films and episodes of their classic TV series.Ron has appeared in “A&E Biography Meets Abbott and Costello” the “Today” show, the documentary “Abbott and Costello Meet the Monsters,” as well as countless radio shows and podcasts.He is an advertising creative director who has won every industry award...but regrets that he has never had the opportunity to use clips of Bud and Lou in a commercial.We hope that you enjoyed that episode!  We would like to thank Mr. Palumbo and Beverly Washburn again for joining us!  We again recommend both seasons of the Abbott and Costello TV show and their Jack and the Beanstalk movie!  We also suggest getting Ron's books too! To order The Abbott and Costello Show Season 2 go to classicflix.com. To join the Abbott and Costello Fan Club head to abbottandcostellofanclub.com. Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page. Apple podcasts - https://podcasts.apple.com/…/diecast-movie-rev…/id1483140186Spotify - https://open.spotify.com/show/3cMDswo9FGs0ofVJ1CQjcEGoogle - https://www.google.com/podcasts…Breaker - https://www.breaker.audio/diecast-movie-review-podcastOvercast - https://overcast.fm/itunes1483…/diecast-movie-review-podcast

Presenter Joy Jackson ART  Someone Else's Flowers: We all desire to impress the object of our affections, but often we do not realize that even a simple act can be dangerous—deadly dangerous. But when the flowers are coming from the graveyard? Written by Kay Lutz and Linda Rasmussen Starring Moki O'Reilly, Mary Moore-Campagna, Beverly Washburn and Ken Liesse ORIGINAL 2014 GHOST 31:19

Jack Hill wrote and directed the classic American black comedy horror film, Spider Baby. This movie stars Lon Chaney Jr., Jill Banner, Carol Ohmart, Quinn Redeker, Beverly Washburn, Sid Haig, Mary Mitchel, Karl Schanzer, and Mantan Moreland. Learn more than you ever wanted to know about this strange black-and-white film. 

If you could have gone to Monster Bash, you should have gone to Monster Bash! But if you couldn't, check out this Q&A from Monster Bash featuring actress Beverly Washburn! Plus Mark Matzke's Beta Capsule Review and Kenny's Look at Famous Monsters of Filmland! Follow Monster Bash at and follow Creepy Classics at   Team Deth YouTube Channel - Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist -    Monster Kid Radio on TeePublic -  Next time on Monster Kid Radio: Stay tuned! The opening and closing song () provided courtesy of  - - All original content of Monster Kid Radio by is licensed under a .

In this episode, Mike and Allison talk about the (1967) cult classic "Spider Baby". With excellent performances from Lon Chaney Jr., Sid Haig, Jill Banner, and Beverly Washburn, this film has gone on to influence and inspire countless horror and slasher films.  

My guest is the last surviving star of the classic tearjerker movie “Old Yeller”. We discuss her career, her special acting talent, important beliefs that she lives by, and much more.

Radio show host, Gary Calligas will have Beverly Washburn, Hollywood actress on his Saturday, January 7th “The Best of Times Radio Hour” at 9:05 AM on News Radio 710 KEEL to discuss her movie career with over 85 roles but also discuss the tales and stories of the many actors and actresses that she worked with in the movies. You can also listen to this radio talk show streaming LIVE on the internet at www.710KEEL.com. and streaming LIVE on 101.7 FM or via the RadioPUP or KEEL app on apple and android devices. For more information, please visit these websites at www.thebestoftimesnews.com and www.hebertstandc.com. This radio show is proudly presented by AARP Louisiana and Hebert's Town and Country of Shreveport featuring – Dodge, Chrysler, Ram, and Jeep vehicles and service.

You know what you miss when you don't go to Monster Bash? Amazing Q&As with amazing Bash guests! This week, we give you another taste of what you can expect at any Monster Bash with a Q&A with Beverly Washburn! Plus Kenny's Look at Famous Monsters of Filmlang and Mark Matzke's Beta Capsule review! Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Monster Bash Follow Mark Matzke Monster Study Group - Small Town Monsters - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist -  Monster Kid Radio on TeePublic - Next time on Monster Kid Radio: Conan the Barbarian (dir. John Milius) with Steve Turek All original content of Monster Kid Radio by is licensed under a .

Beverly tells us more about the movies of Jack Hill, in part two of our interview, then we jump back to her earlier career. From Old Yeller to The Loretta Young Show, we talk about all of the people she has worked with, and when she started to realize how really significant many of them are. She tells us about her the many animal charities she supports, as well as what she's up to today. Plus: Troy Donahue remembers her, Loretta Young gives sage advice, and Ted V. Mikels' mustache. Find out more about Beverly here: Beverly Washburn And buy her memoir, Reel Tears: The Beverly Washburn Story, at a local book store. Support local. Don't have a local shop? Then use my favorite, Irvington Books and Vinyl. Elysia will take good care of you.

Beverly Washburn started acting in 1950 at the age of 6, and has not slowed down since. In part one, we talk about her youth, the challenges of being a child actor, and getting her start with the help of fabled stuntman and actor, Jock Mahoney. She tells me about Superman and the Mole-Men, working with the likes of Cecille B. DeMille, George Stevens, and Frank Capra, and her long friendship with the great Jack Benny. And, of course, we talk about Spider Baby, or the Maddest Story Ever Told, and about working with the legendary Lon Chaney, Jr. Find out more about Beverly here: Beverly Washburn And buy her memoir, Reel Tears: The Beverly Washburn Story, at a local book store. Support local. Don't have a local shop? Then use my favorite, Irvington Books and Vinyl. Elysia will take good care of you.

Presenter: Joy Jackson Wayback Radio Theater: Candy Matson: The case of the Flattened Fifth. Recorded 2019, starring Beverly Washburn. Murder in a blues nightclub. Jubilee: 1944-03-16 Duck Ellington, Louis Jordan

Episode 77 - Beverly Washburn Interview On this episode, Steven had the honor of interviewing Beverly Washburn! Ms. Washburn has been in numerous TV Shows and movies, such as, Old Yeller, Spider Baby, Pit Stop, and Star Trek. Please join us as we talk about her love of animals, and how she raises money for different animal shelters. She also also written a book about her life, Reel Tears: The Beverly Washburn Story, Take Two. We hope that you enjoy this interview!

Chatting With Sherri welcomes back Gregg Openheimer! GREGG OPPENHEIMER (Producer-Director), son of "I Love Lucy" creator-producer-head writer Jess Oppenheimer, got his start in comedy at the tender age of four when his father introduced him to Lucille Ball on the "I Love Lucy" set. Kneeling down, a smiling Lucy asked Gregg, "Where did you get those big brown eyes?" Gregg's deadpan reply: "They came with the face." Lucy nearly fell over laughing. In 1996, he left a successful law career in order to complete his late father's humorous memoir, "Laughs, Luck...and Lucy: How I Came to Create the Most Popular Sitcom of All Time" (Syracuse University Press). That book's success led Gregg's hit comedy play, "I Love Lucy: A Funny Thing Happened on the Way to the Sitcom."  His latest project is SPERDVAC (The Society to Preserve & Encourage Radio Drama, Variety And Comedy) presents "Jack Benny Program" veterans Beverly Washburn, Stuffy Singer & Ivan Cury in Peg Lynch's comedy gem, "THE PRIVATE LIVES OF ETHEL & ALBERT" Written by Peg Lynch Produced and directed by Gregg Oppenheimer. It is on Youtube on Dec. 20, 2020 5pm PT.  You can find it  at; SPERDVAC Presents "Ethel & Albert" - Dec. 20, 2020 5pm PT - YouTube;  

"This has gone beyond the boundaries of prudence and taste." Spider Baby (1967) written and directed by Jack Hill and starring Lon Chaney (Jr), Sid Haig, Jill Banner, Beverly Washburn, Carol Ohmart, Quinn Redeker and Mantan Moreland. Next Time: House of 1000 Corpses (2003) 

"Don't you ever run out of questions?"Old Yeller (1957) directed by Robert Stevenson and starring Spike, Fess Parker, Dorothy McGuire, Tommy Kirk, Kevin Corcoran, Jeff York, Beverly Washburn and Chuck Connors. Next Time: Seven Chances (1925)

Beverly Washburn on Breaking it Down with Frank MacKay - Former Child Star Trek,Shane,Old Yeller by Frank MacKay

Old Yeller, Star Trek, Jack Benny or Loretta Young…they all have connections with Beverly Washburn. If you don't know her name odds are you know her face. She has had more bit parts than you can shake a stick at and is one of those celebrities that everyone didn't know they knew!! In addition, and even more importantly she is one of the sweetest and classiest actresses we have ever interviewed. Her stories of Jack Benny and Loretta Young are amazing. She was a child celebrity and worked with some of the greatest stars of classic television. Her stories are filled with classic trivia…oh, and be sure to ask her about what Trekkies say to her at conventions! Hilarious! ALSO, make sure to check out her new book “Reel Tears” on Amazon.com

In this Special Extended Episode of "Monster Attack!," Jim pays tribute to Horror Icon Sid Haig whose career spanned nearly six decades. Following this episode's review of 1967's cult classic "Spider Baby," starring Haig, Lon Chaney Jr., Beverly Washburn, Quinn Redeker and Jill Banner, Jim pulls an interview with Sid from 2014 on "Nerdvana Interviews" out of the P.E.N./ Projecti Radio vault. 

Two lovers learn that even a minor crime can have major consequences.  Ivan Cury and Beverly Washburn star in this live performance.

Are you looking for a special book?  A book full of insights and surprises?  One you just can't put down?  Then grab your library card and check out "The Librarian's Aide" an original production written by Kay Lutz and directed by Linda Rasmussen.  This live performance stars Ivan Cury and Beverly Washburn.

Beverly Washburn stars in this original production written and directed by John Greenway and inspired by the oldtime radio show from the 1950s.  Candy investigates the disappearance of an up and coming jazz singer in this live performance.

Two lovers learn that even a minor crime can have major consequences.  Ivan Cury and Beverly Washburn star in this live performance recorded at Radio Studio East 2016.

Beverly Washburn stars in this original production, written and directed by John Greenway, and inspired by the oldtime radio show from the 1950s. Candy investigates the disappearance of an up and coming jazz singer in this live performance recorded at ART's May, 2016 Radio Studio East.

Beverly Washburn was our special guest for Radio Studio 2014.  From radio to tv and movies, with a few cult classics along the way, Beverly has had an extraordinary career.,  She took a few minutes to reminisce  with us in this interview recorded at the conclusion of our Saturday evening show.

Beverly Washburn's Hollywood history brought her into contact with many legends, and Monster Bash brought her into contact with Monster Kid Radio! Comic Book Central's Joe Stuber set up the interview, and together Joe and Derek ask Beverly about her experience with Mole Men, Captain Kirk, and a really messed up family led by Lon Chaney, Jr. Beverly was a great guest, and we thank her for spending some time with us at Monster Bash. After the interview, Derek opens up the floor for a discussion about a particular piece of news that has the potential to break the internet . . . or at least, a few message boards. Voicemail: 503-479-5MKR (503-479-5657)Email: monsterkidradio@gmail.com (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Comic Book Central - Monster Bash - Beverly Washburn - The opening and closing song "Where's Captain Kirk?" (from the album In the 25th Century) appears by permission of The Nick Atoms - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC.

Come into my parlor, said the spider to the… On today’s show Juan from the Creepy Swamps will join us as we talk about the twisted Cult Classic from 1968 called Spider Baby or, The Maddest Story Ever Told. The film was written and directed by Jack Hill and stars Lon Chaney Jr., Beverly Washburn, […]

Episode 133 of On Screen & Beyond - Beverly Washburn joins us to chat about her classic film "Old Yeller", her "Star Trek" episode, Jack Benny, Jack Webb and so much more! --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message