Podcasts about East African

Caleb Weiss of the Bridgeway Foundation and the Foundation for Defense of Democracies examines the evolution of African jihadist movements. Weiss details the case of Jamal Chima, a Ugandan Guantanamo Bay alumnus who transitioned from Al-Qaeda to recruiting for the Islamic State Central African Province (ISCAP) in Kampala. Weiss explains that East African court systems frequently experience "catch and release" cycles due to strict evidentiary demands for terrorism cases. The segment also addresses the kidnapping of missionary Kevin Rideout by the Islamic State Sahel Province. Weiss describes how these groups raise funds through lucrative ransoms, utilizing regional coordination hubs like the Al-Furqan and Al-Karrar offices to move capital globally to active cells in regions like Afghanistan. Finally, he notes that eastern Libyan commander Khalifa Haftar has leveraged anti-jihadist operations to secure Western backing. (5)

TABLE OF CONTENTS THE JOHN BATCHELOR SHOW, 8-19-2026Rebecca Grant, Vice President of the Lexington Institute, discusses technological advancements on the aircraft carrier USS Gerald R. Ford. She details the transition from traditional steam-powered catapults to modern electromagnetic aircraft launch systems (EMALS), which offer superior, adjustable torque to launch both lightweight drones and heavily armed fighter jets. Additionally, Grant highlights the ship's new electromagnetic advanced weapons elevators, which double the capacity of older Nimitz-class systems and move much faster to significantly improve sortie generation rates. However, a White House executive order directing a study to reconsider steam systems threatens to disrupt these advancements. Grant warns that backtracking to older technology on carriers currently in construction, like the CVN-81, could delay delivery by up to seven years, creating dangerous operational gaps as Chinese naval threats rise in the Pacific. (1)Rick Fisher of the International Assessment and Strategy Center analyzes China's advancement in space and its competition with the United States. Fisher discusses China's Gandai constellation, a space debris monitoring satellite system controlled by the People's Liberation Army (PLA), which tracked a SpaceX Falcon 9 booster crashing near the moon's Einstein crater from over 380,000 kilometers away. He warns that this constellation can perform dual-use military targeting for space combat and missile defense. Fisher criticizes China's lack of transparency, noting its refusal to give advance notice for earthbound ICBM tests and its intention to let expendable propulsion stages crash into the lunar surface. Finally, he highlights the rapid progress of China's LandSpace with its liquid-fueled, methane-oxygen-powered reusable Zhuque-3 rocket, predicting that ten Chinese companies will offer cheap reusable launch services within five years and directly undercut Western competitors. (2)Greg Scarlatoiu, President and CEO of the Committee for Human Rights in North Korea, analyzes the multifaceted security threats posed by Pyongyang. Scarlatoiu describes North Korea as a post-communist, dynastic kleptocracy and a crime family masquerading as a nation-state. Under Kim Jong-un, the regime has consolidated its intelligence and police agencies while streamlining its nuclear and ballistic missile programs. Scarlatoiu explains that North Korea's war economy exploits its people's human rights and security to fund weapons, which it now exports globally to Russia and Iran. The discussion, co-hosted by Gordon Chang, highlights active military provocations along the Demilitarized Zone (DMZ), including recent boundary crossings. Finally, Scarlatoiu and Chang evaluate how controversial remarks by the Trump administration praising Kim Jong-un have strained trust in extended deterrence and undermined relationships within the vital US-South Korea alliance. (3)Craig Unger, investigative reporter and author, explores President Donald Trump's unstable foreign policy toward Russia and Ukraine. Unger contends that Trump behaves as a Russian appeaser whose real estate-linked advisers take marching orders from Vladimir Putin. The discussion highlights how Ukrainian-manufactured drones have successfully targeted Russian oil refineries, causing severe fuel shortages and long gas lines across Russia. While these military successes initially impressed Trump, leading him to publicly promise Patriot missiles and production technology to President Zelenskyy, Unger reveals that Trump subsequently withheld this critical support. Unger cautions that as Putin faces an existential crisis and potential military defeat, he may launch a limited incursion into Baltic states like Estonia or Poland. This would trigger NATO's Article 5, which Unger warns Trump would likely refuse to honor, thereby destroying the Western alliance. (4)Caleb Weiss of the Bridgeway Foundation and the Foundation for Defense of Democracies examines the evolution of African jihadist movements. Weiss details the case of Jamal Chima, a Ugandan Guantanamo Bay alumnus who transitioned from Al-Qaeda to recruiting for the Islamic State Central African Province (ISCAP) in Kampala. Weiss explains that East African court systems frequently experience "catch and release" cycles due to strict evidentiary demands for terrorism cases. The segment also addresses the kidnapping of missionary Kevin Rideout by the Islamic State Sahel Province. Weiss describes how these groups raise funds through lucrative ransoms, utilizing regional coordination hubs like the Al-Furqan and Al-Karrar offices to move capital globally to active cells in regions like Afghanistan. Finally, he notes that eastern Libyan commander Khalifa Haftar has leveraged anti-jihadist operations to secure Western backing. (5)Michael Bernstam of the Hoover Institution warns of a severe global crisis in refined petroleum products, especially diesel, gasoline, and jet fuel. Bernstam explains that the "crack spread"—the cost differential between crude oil and refined diesel—has reached an unprecedented historical peak of over $102 per barrel. This crisis stems from a fifty-year systemic failure, during which no major new refineries were built in the United States or Europe. Compounding this, sophisticated Ukrainian drone strikes have successfully knocked out 40% of Russia's refining capacity, forcing the major oil exporter to ban refined product exports and become an importer. Additionally, China has halted refined exports to meet its domestic demand. Bernstam warns that the resulting global diesel shortage directly threatens agricultural planting, harvesting, and regional food security, particularly for developing nations as winter approaches. (6)Peter Huessy of the Gold Institute for International Strategy critiques the Hollywood film House of Dynamite for its inaccurate depiction of US nuclear command and control. Huessy argues that the movie relies on flawed premises, such as the sudden, unexplained failure of Defense Support Program (DSP) tracking satellites and the total failure of US missile defense interceptors, to fabricate a helpless crisis scenario. He highlights that actual US missile defenses achieve 75% to 85% success in tests and up to 98% in combat scenarios like Israel's missile defense systems. Huessy strongly refutes the film's negative portrayal of military leadership as reckless warmongers and its central message that nuclear deterrence is ineffective. He asserts that the nuclear triad has successfully and perfectly preserved global peace for eighty years, keeping the country safe. (7)Simon Constable, writer for the Wall Street Journal, discusses European climate anomalies and their severe impact on global commodities. Speaking from the south of France, Constable reports temperatures reaching 35 degrees Celsius, contributing to low water levels in the Danube, Rhine, and Po rivers. These climate constraints, alongside maritime blockades of Ukrainian ports, have driven up prices for energy, wheat, and coffee. Turning to UK politics, Constable criticizes Prime Minister Keir Starmer for failing to spur house-building and notes that regional politicians like Manchester Mayor Andy Burnham lack an international profile. Finally, he reviews a longevity quiz from the Wall Street Journal, which highlights that the wealthiest Americans live fourteen years longer than the poorest. He notes that Japan leads the world in centenarians, emphasizing that geographic location and financial wealth are pivotal factors in determining an individual's healthy lifespan. (8)Andrea Stricker of the Foundation for Defense of Democracies examines Middle Eastern nuclear proliferation and the mystery surrounding legacy materials. Stricker details a positive, US-brokered development in which the post-AssadSyrian government agreed to cooperate and turn over legacy yellowcake uranium stored at a covert facility known as Site 99. This material was intended for a North Korean-built plutonium-producing reactor at Al-Kibar, which was destroyed by Israel in 2007. Despite long-standing Syrian secrecy and the site changing hands among various factions, environmental sampling by the International Atomic Energy Agency (IAEA) confirmed undeclared, man-made uranium particles at multiple locations. Stricker also raises concerns regarding Turkey's nuclear ambitions, highlighting its civilian programs' potential military purposes and Turkey's recent attempt to secure raw uranium contracts with the military regime in Niger. (9)Joel Kotkin, senior research fellow at the Civitas Institute at the University of Texas at Austin, examines California's economic and demographic challenges. Kotkin notes that California is on the verge of losing its population lead as middle-class families vote with their feet and move to states like Texas. He attributes this out-migration to exorbitant housing costs, a severe shortage of upwardly mobile middle-class jobs, and high electricity prices that hamper manufacturing and modern technology sectors like artificial intelligence. Furthermore, Kotkin highlights systemic social issues, including high teen unemployment, rising store break-ins, and a deteriorating public education system. These factors have depleted the state's middle class, leaving the tax base heavily dependent on a wealthy top one percent who can easily relocate to lower-tax states like Florida. Kotkin warns that this loss of middle-class families threatens California's future tax base and demographic vitality. (10)Corrections applied, several pending your confirmation: Bridgeway Foundation (transcribed as "Ridgeway," segment 5 — Weiss's actual affiliation), Al-Furqan and Al-Karrar offices (transcribed as "Al-Furkan and Al-Karr" — the standard renderings of the ISIS regional offices), LandSpace and Zhuque-3 (transcribed as "Land Space Corporation" and "Juk 3" — the Chinese firm and its rocket), Zelenskyy per house style, and "yellow cake" → yellowcake. One flag: "Gandaiconstellation" (segment 2) — I couldn't verify that name; the audio may be rendering a Chinese program name roughly, worth checking with the transcript or Fisher's notes. In segment 8, note the source describes Keir Starmer as PM and Andy Burnham as Manchester Mayor — this contradicts the recent batches where Burnham is PM. I've left it as the source has it since it's Constable's segment, but flag it if the summary tool garbled the timeline.R

In the last few episodes we have tracked the miraculous discovery of gold on the Witwatersrand — the importance of which cannot really be overstated. While diamonds placed South Africa on the map, gold was going to convert the struggling region into a financial paradise for British financiers — and therein lies the imperial rub. However, it's time to step back a tad to provide an historical overview for the late 1880s and it's also time to zoom out of southern Africa to take a good hard look at global events. For centuries before European powers drew border lines across maps of the continent, the western Indian Ocean functioned as a single economic basin. Fleets of dhow's linked Gujarat, the Persian Gulf, the South Arabian coast, and the Swahili littoral, their journey's dictated by the predictable rhythm of the monsoon winds which blow southwest toward Africa from November to March and reverse northeast toward Arabia and India from April to September, This was a commercial matrix of city-states fueled by the exchange of African ivory, timber, gold, and slaves for Indian textiles, Chinese porcelain, and Middle Eastern metalwork. The Sultanate of Zanzibar was born directly out of this maritime deep history. In 1840, Sultan Seyyid Said of Oman moved his royal court from Muscat to Stone Town on the island of Zanzibar. By anchoring his authority off the East African coast, he consolidated control over the lucrative trade routes stretching deep into the African interior to the Great Lakes. The island served as a massive commercial emporium and agricultural power, built heavily on clove plantations operated by slaves while Indian merchant financiers—the banyans—backed the long-distance caravans into the mainland. Sultan Barghash bin Said was a proud son of the legendary Seyyid Said, inheriting the throne of Stone Town in 1870 while his brother Majid was bequethed Oman itself. Sharper and more ambitious than Majid, Barghash spent his eighteen-year reign modernizing Zanzibar—building piped water systems, telegraph links, and grand stone palaces. But his survival relied on a faustian bargain. Guided by Sir John Kirk—the British Consul-General who became his shadow advisor—Barghash aligned his dynasty entirely with London. Kirk was the single most influential British official in East Africa during the late 19th century. A Scottish physician, naturalist, and explorer, he first gained prominence as David Livingstone's trusted second-in-command on the Zambezi Expedition between 1858 and 1864. In 1866, he was appointed to the British Agency in Zanzibar, eventually rising to become Consul-General and Political Agent. When German agent Carl Peters began seizing territory on the mainland, London chose European alliance-building with Berlin over its promises to Zanzibar. In 1873, under direct British gunboat pressure, Barghash signed the treaty that outlawed the maritime slave trade and shut down Stone Town's notorious public slave market. It was an act of political self-mutilation; it deeply alienated his own Omani elite and rich plantation owners, but Barghash traded his domestic standing for what he believed was an ironclad guarantee of British protection over his mainland empire. Unfortunately, that gamble proved fatal. The Foreign Office in London watched the global map with growing anxiety as rival flags sprouted across the continent. What infuriated British diplomats most was a sudden, unnatural alliance between their two greatest rivals: France and Germany. Furious over Britain's unilateral grab of Egypt in 1882, the French teamed up with Otto von Bismarck to check British ambition. London had tried a sly maneuver in West Africa—signing a treaty with a weak Portugal to recognize Portuguese control over the mouth of the Congo, effectively using Lisbon as a buffer to keep other powers out. But Bismarck saw right through it.

Alexis Ruhumuriza

Cape Clear. An island at the edge of Ireland. A ferry, a gig, a few instruments — and two men who apparently still think jumping into the Atlantic is a perfectly reasonable form of post-production.This episode is not a polished travel report. It is the sound of actually being there.Detlef and Dirk talk about the journey to Cape Clear, arriving on the island, the people they met, the atmosphere surrounding the gig, performing their music far away from the usual circuits — and what remains when the instruments are packed away and the evening is over.The conversation moves between music, friendship, island life, improvisation and those unexpected moments that turn a gig into something much larger than a gig.And somewhere between land and sea, performance and memory, WAW's KEEP CLEAR journey becomes exactly what it was meant to be:Not simply a tour.An encounter.An experience.A story worth bringing home.Keep Clear. Come closerAbout Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

In the last few episodes we have tracked the miraculous discovery of gold on the Witwatersrand — the importance of which cannot really be overstated. While diamonds placed South Africa on the map, gold was going to convert the struggling region into a financial paradise for British financiers — and therein lies the imperial rub. However, it's time to step back a tad to provide an historical overview for the late 1880s and it's also time to zoom out of southern Africa to take a good hard look at global events. For centuries before European powers drew border lines across maps of the continent, the western Indian Ocean functioned as a single economic basin. Fleets of dhow's linked Gujarat, the Persian Gulf, the South Arabian coast, and the Swahili littoral, their journey's dictated by the predictable rhythm of the monsoon winds which blow southwest toward Africa from November to March and reverse northeast toward Arabia and India from April to September, This was a commercial matrix of city-states fueled by the exchange of African ivory, timber, gold, and slaves for Indian textiles, Chinese porcelain, and Middle Eastern metalwork. The Sultanate of Zanzibar was born directly out of this maritime deep history. In 1840, Sultan Seyyid Said of Oman moved his royal court from Muscat to Stone Town on the island of Zanzibar. By anchoring his authority off the East African coast, he consolidated control over the lucrative trade routes stretching deep into the African interior to the Great Lakes. The island served as a massive commercial emporium and agricultural power, built heavily on clove plantations operated by slaves while Indian merchant financiers—the banyans—backed the long-distance caravans into the mainland. Sultan Barghash bin Said was a proud son of the legendary Seyyid Said, inheriting the throne of Stone Town in 1870 while his brother Majid was bequethed Oman itself. Sharper and more ambitious than Majid, Barghash spent his eighteen-year reign modernizing Zanzibar—building piped water systems, telegraph links, and grand stone palaces. But his survival relied on a faustian bargain. Guided by Sir John Kirk—the British Consul-General who became his shadow advisor—Barghash aligned his dynasty entirely with London. Kirk was the single most influential British official in East Africa during the late 19th century. A Scottish physician, naturalist, and explorer, he first gained prominence as David Livingstone's trusted second-in-command on the Zambezi Expedition between 1858 and 1864. In 1866, he was appointed to the British Agency in Zanzibar, eventually rising to become Consul-General and Political Agent. When German agent Carl Peters began seizing territory on the mainland, London chose European alliance-building with Berlin over its promises to Zanzibar. In 1873, under direct British gunboat pressure, Barghash signed the treaty that outlawed the maritime slave trade and shut down Stone Town's notorious public slave market. It was an act of political self-mutilation; it deeply alienated his own Omani elite and rich plantation owners, but Barghash traded his domestic standing for what he believed was an ironclad guarantee of British protection over his mainland empire. Unfortunately, that gamble proved fatal. The Foreign Office in London watched the global map with growing anxiety as rival flags sprouted across the continent. What infuriated British diplomats most was a sudden, unnatural alliance between their two greatest rivals: France and Germany. Furious over Britain's unilateral grab of Egypt in 1882, the French teamed up with Otto von Bismarck to check British ambition. London had tried a sly maneuver in West Africa—signing a treaty with a weak Portugal to recognize Portuguese control over the mouth of the Congo, effectively using Lisbon as a buffer to keep other powers out. But Bismarck saw right through it.

Annie Duncan

Wille och Jacob diskuterar i avsnitt 560 skillnaderna och likheterna mellan hur man tränar för distanslöpning i Östafrika jämfört med Norge. Som utgångspunkt använder vi oss av artikeln Training variability and threshold density: a conceptual comparison of East African and Norwegian endurance training systems. På Tyngre Träningssnacks instagram kan du hitta bilder relaterat till detta och tidigare avsnitt. Hålltider (00:00:00) Introsnack (00:06:07) Skillnader i träningsmetodik mellan östafrikanska och norska löpare (00:07:11) Östafrikanernas historiska dominans inom distanslöpningen (00:12:59) Norges framgångar inom konditionsidrotter rent generellt (00:17:06) Lite kort om själva artikeln vi diskuterar och dess styrker och brister (00:21:45) Ett snedspår kring texter och information som "skapats" av AI (00:28:17) Det typiska träningsmönstret för östafrikanska löpare (00:46:01) Det typiska norska träningsmönstret (00:58:57) Det som kallas högintensivt bland distanslöpare är inte det som lagidrottare kallar högintensivt (01:00:16) Det finns likheter och skillnader mellan metoderna

Growing up in a farming community in Southwestern Uganda eventually led Nabaasa Innocent to animal welfare work, and to organizing the country's first vegan festival. Founder of Uganda Vegan Society (now transitioning into Humane Shift Alliance Africa) and senior co-manager of Thrive Africa at Thrive Philanthropy, Nabaasa joins me to talk about why veganism gets dismissed as "a Western concept" in Uganda even though plant-based eating has always been the norm there. We also discuss how her organization is shifting its language from "vegan" to "plant-based" to reach more people, getting kids excited about tofu and beans in school lunch programs, and why she's rebranding to build a pan-African alliance. Plus: her favourite vegan meal, beans and matoke (starchy East African cooking bananas), and how you can support her work.

Why do so many African businesses collapse after their founders leave? In this episode of The Long Form Podcast, I sit down with Tara Fela-Durotoye, founder of House of Tara International and one of Africa's most influential entrepreneurs, to explore why building a successful business is only the beginning. We discuss entrepreneurship, leadership, scaling companies, founder dependency, wealth creation, Nigerian business culture, women in business, succession planning, and what it takes to build institutions that survive for generations. Tara also explains why so many founders become the biggest obstacle to their own success, what East African entrepreneurs can learn from Nigeria, and why making yourself replaceable is one of the most important leadership lessons in business. ShieldTech Hub- https://www.shieldtechub.com                                           Akagera Medicines- https://www.akageramedicines.com BasiGo Rwanda- https://www.basi-go.com/rwanda Join our Patreon to enjoy ad-free viewing https://www.patreon.com/cw/TheLongFormPod or support us via our MTN Mobile Money Code 95462 or directly to our phone number: +250795462739Visit Sanny Ntayombya's Official Website: https://sannyntayombya.comProduced by LF Media 

Alexis Ruhumuriza | New Hope Revival

Can sound be felt before it is heard?Arteetude 345 – The Skin That Listens grew directly from responses to our previous episode.Listener Wendy Chivers questioned whether feeling had been treated merely as an unusual side effect of hearing rather than as an essential form of perception. Pastora Braghini then shared a childhood memory of her deaf grandfather, who could detect the children approaching his armchair through vibrations travelling across the old wooden floor.Together with my AI co-host Sophia, I explore the territory between hearing and touch. The ear translates vibration into sound, while skin, bones, muscles and balance translate the same physical event into pressure, movement and spatial awareness.Perhaps listening has never belonged to the ear alone.Perhaps music enters a body already filled with rhythms—heartbeat, breath, memory and movement—and becomes part of us before language can explain what happened.The episode concludes with the new song by Los Inorgánicos:When Silence MovesResearch & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

For this episode, we shine the spotlight on one of Nairobi's most exciting cultural curators and selectors — SENDZ. A Kenyan-Beninese creative based in Nairobi, SENDZ operates at the intersection of music production, DJing, event production, brand partnerships, content strategy, and culture-building. Beyond the decks, SENDZ is the force behind Nani's Cafe & Party, an alcohol-free lifestyle and entertainment movement, and SENDAT, a platform dedicated to music, experiences, and community. Deeply rooted in East Africa's evolving electronic music landscape, SENDZ navigates effortlessly between Afro House, Afro Tech, 3Step, and Gqom, crafting sets that are both emotionally rich and irresistibly danceable. This exclusive Deeper Sounds of Nairobi guest mix is a masterclass in groove and storytelling, featuring unreleased gems, powerful edits, African electronic rhythms, and deep underground energy guaranteed to move both heart and feet.

New Hope Revival

Where does sound become meaning?In the latest part of The Future Has Ancestors, Sophia and I move beyond the ear and discover the body as the true receiver of music.If every listener brings memories, expectations and lived experience into every note, then musicians don't simply compose sounds—they compose possibilities. The body completes the final arrangement.Episode 344 explores resonance, embodiment, perception and asks one simple question:What if the most important instrument has always been ourselves?The episode closes with the brand-new Los Inorgánicos song:Where We ResonateResearch & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

In a Muslim village in East Africa, 47 people confessed belief in Christ. But then Christian persecution came. Radical Muslims went house-to-house, threatening new believers and demanding they return to Islam. All but two of the new Christians renounced their faith. Brother Paulo, a leader in YWAM Frontier Missions in East Africa, met the two young men who stood firm for Christ. He asked them how they'd stayed faithful under such intense pressure. "The experience I had with Jesus was so strong that I cannot deny Jesus," the younger of the two men told him. In places like Northern Mozambique, South Sudan, Malawi, Tanzania and other East African countries, Muslim-background believers face persecution from their families and communities. Even those who have grown up in Christian families are likely to face persecution from Muslim communities – especially if they are involved in evangelism or outreach to Muslims. Brother Paulo will share more stories from our persecuted Christian brothers and sisters in East Africa, tell how God called him into missions and describe the endurance of churches in the region amid persecution. He will also share how believers prepare to face persecution and how Christians in free nations can pray for our brothers and sisters in East Africa.

Send us Fan MailAnthony Sinople joined Liz Collin on her podcast. He's a Maple Grove resident who lives in the Evanswood neighborhood, which includes more than 200 homes with prices advertised from $600,000 to more than $1 million. Sinople and several others in Evanswood who reached out to Alpha News are concerned about ties to potential fraud. They say there are dozens of businesses—from group homes, to daycares, to foster homes—that can be traced to Somali homeowners. “Members of the East African community started to open up to me about what exactly was occurring and started to describe these plans … and how they would be able to make $10,000 to $24,000 a month per person for setting up these group homes,” said Sinople. “Then I started to receive offers that if I would purchase homes in the community under my name, they would be sponsoring these types of housing stabilization programs at these houses,” he added.Support the show

About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Le Négus de Nevers: The Sweet Born From a Press Error in 1902 | Food Tour de FranceLe Négus de Nevers — the soft chocolate-scented caramel enclosed in a hard caramel shell that has been made in Nevers since 1902 — is one of the most charming and most improbable origin stories in the whole of French confectionery. Today's Food Tour de France episode finishes in Nevers — the capital of the Nièvre department, a handsome city on the Loire — and tells the full story of a sweet born from a press error. In July 1902 a celebrated Ethiopian military leader called Ras Mekonnen visited France. The French press covered the visit enthusiastically — and some of those journalists, in their excitement, got the title wrong. They called him the negus — the title of the sovereign of Ethiopia, held at the time by Menelik II, who was Mekonnen's cousin and who never came to France at all. A confectionery in Nevers called Maison Grelier read the papers, created a sweet in honour of the visit and named it after the mistaken title. The négus. And the sweet has been made in Nevers under that name for over a hundred and twenty years.The episode covers the full story of the négus — from the Maison Grelier tradition of creating a new sweet named after a significant event each year, through the commercial success that caused the confectionery to rename itself Au Négus, to the four generations of the Hiriart family who ran it from 1909 until 2013 when it was sold to the Ménard chocolate company. We cover what the négus actually is — a soft chocolate-scented caramel inside a shell of hard caramel, presented in a round iron tin with golden writing on a green background — and its coffee-scented alter ego the Abyssin, named for Abyssinia, the historical name for Ethiopia, which gives the whole naming structure of the Maison Au Négus range a gentle century-old nod to the East African connection that inspired the original creation. And we sit the négus alongside the great tradition of French regional confections — the bouchon bordelais, the Vichy pastille, the nougatine de Nevers — that are specific to a place and synonymous with it.The Food Tour de France is a daily series running alongside the 2026 Tour de France on Fabulously Delicious — one episode for every stage start and finish. The négus episode connects directly to tomorrow's nougatine de Nevers episode — Nevers gets two consecutive episodes in this series, making it the most confectionery-rich city in the entire Food Tour de France. Two sweets. Two extraordinary stories. One city on the Loire. Search Fabulously Delicious on Spotify and Apple Podcasts for the full series.As Fabulously Delicious steps into its sixth year, one thing is clearer than ever: five years of French food culture has taught Andrew that the subject is genuinely inexhaustible. My book Paris: A Fabulous Food Guide to the World's Most Delicious City is your ultimate companion. This is a new 2026 update for the book and you'll find hand-picked recommendations for the best boulangeries, patisseries, wine bars, cafés, and restaurants that truly capture the flavor of Paris. You can order it online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠andrewpriorfabulously.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can help keep the show thriving by becoming a paid subscriber on substack where you'll also get fabulous extra content. Every contribution makes a huge difference. Join here at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merci beaucoup!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#FrenchFoodPodcast #FabulouslyDelicious #foodpodcast #LaNégusNevers #FrenchConfectionery #FoodTourDeFrance #TourDeFrance2026 #NeversFood

New Hope Revival

Is artificial intelligence really destroying music?Or are we simply repeating one of humanity's oldest conversations?In this episode of Arteetude, a chance encounter in a café in Bantry becomes the starting point for a media-archaeological investigation. A frustrated street musician blames AI for the end of creativity, while his girlfriend answers with humour, irony and unexpected wisdom.What begins as an amusing dialogue gradually unfolds into a much larger philosophical question:Has every generation feared the newest medium?From streaming and digital recording to radio, the gramophone and the earliest attempts to preserve music beyond human memory, this episode argues that today's AI debate may be only the latest chapter in a much older story.Together with Sophia, Detlef Schlich explores not only technology, but also fear, memory, economics and our persistent tendency to believe that history begins with our own generation.Perhaps the future has ancestors.The episode concludes with a brand-new Los Inorgánicos track:"The Future Has Ancestors."About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

In this Humanitarian AI Today episode, Michael Tjalve, Independent Humanitarian AI Advisor and co-author of the SAFE AI framework, speaks with guest host Jennifer Wilde, an AI strategy and social impact advisor, about AI governance, the SAFE AI initiative and the evolving security and operational landscapes. Against the backdrop of critical, sector-wide dialogues bringing together executive leadership and technical teams from organizations of all sizes, they explore the new safety and security topics of concern posed by advances in AI, compute distributed across agents, and the emergence of sophisticated models like Mithos that can expose and be used to exploit critical IT security vulnerabilities. Michael outlines his advisory work helping humanitarian organizations understand how they can confidently use AI in a way that is both effective and responsible, emphasizing the increasingly present role that artificial intelligence has in humanitarian action today. Jennifer and Michael discuss the SAFE AI framework next, the Standards and Assurance Framework for Ethical AI, which stands as the first operational, end-to-end AI governance framework tailored specifically for humanitarian actors. Developed through a vital collaboration between the CDAC Network, The Alan Turing Institute, and the Humanitarian AI Advisory, with critical funding from the UK Government's Foreign, Commonwealth and Development Office (FCDO) and deep consultation with East African researchers and communities, the toolkit bridges the gap between high-level policy and grassroots implementation. They walk through how both large and small organizations can start utilizing the toolkit today, what is essential to know to begin, and exactly where to start. Pointing out how organizational governance is lagging behind organic, "shadow IT" AI experimentation, Michael and Jennifer discuss in detail why structured guardrails are vital for the sector. They address how crucial it is for team members and staff across entire organizations, whether at global headquarters or country offices, to have access to appropriate training and a centralized focus on AI policy and strategy, highlighting how the SAFE AI framework provides actionable guidance to achieve this. Touching on rapid technological leaps, Michael notes how the emergence of agentic AI introduces an additional layer of complexity for responsible governance. With semi-autonomous processes executing tasks on an organization's behalf, the potential for compounding errors increases while transparency declines, a distance that challenges traditional accountability models and complicates oversight. Together, Michael and Jennifer advocate for starting any AI adoption journey with a clear focus on the specific human need or use case rather than deploying the technology for its own sake. Drawing on the core tenets of the framework, co-authored by Michael alongside Suzy Madigan, Helen McElhinney, Sarah Spencer, and Anjali Mazumder, they emphasize that true accountability requires an operational commitment to "communities in the loop". This means ensuring that frontline staff can confidently explain AI-driven outcomes to affected populations, and that AI systems never silently or inequitably exclude the very people humanitarians are bound to protect. Ultimately, they agree that while the rapid expansion of AI is exciting, organizations must maintain a healthy balance of curiosity and caution, allowing their concerns to drive continuous learning and the proactive questioning necessary to confidently take responsible steps forward. Because there is absolutely no margin to get it wrong in a humanitarian crisis, this collective effort reminds listeners that stress-testing AI governance under extreme, high-stakes conditions does not just safeguard vulnerable populations; it creates a vital proof of concept with profound lessons for how responsible AI should be governed anywhere in the world.

New Hope Revival

In Arteetude 341, Detlef Schlich welcomes back musician, artist, designer, project manager and builder Buko Pan Guerra, also known as Buko Sinigayan, for a deeply human conversation about survival, rejection, land, animals, music, community and the strange courage it takes to keep building when life has already asked too much.Buko has spent decades helping other people's visions become real — working across art, music, construction, education, entertainment, design, theme-park environments and complex project management. Now she is building something of her own: Golden Mirage Ranch in Leona Valley, California.But Golden Mirage Ranch is not just a ranch. It is a place for rescued animals, nature, music, workshops, food, learning, healing and community. It is where many of Buko's lives come together: the artist, the musician, the project manager, the daughter, the caretaker, the survivor and the dreamer.This episode is not simply about a fundraiser. It is about dignity. It is about creative resilience. It is about what happens when an artist refuses to disappear. It asks: How does an artist survive rejection and still build a place of care, land, animals, music and community?The episode ends with Buko's powerful song “In Search for Power” — a fitting musical closing for a conversation about vulnerability, survival and the search for strength.You can Donate here on Bukos Websitehttps://goldenmirageranch.com/https://www.instagram.com/goldenmirageranch/https://www.gofundme.comAbout Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Welcome to Tembo Sounds – The Culture, where music connects continents, cultures, and generations. Episode #646 explores the uplifting spirit of Roots Reggae before moving into soulful Afro House, Amapiano, and East African rhythms featuring Protoje, Buju Banton, Luciano, Gaba Cannal, Scotts Maphuma, Tony Nyadundo, and more. Genres: Roots Reggae • Afro House • Amapiano • Afro Fusion • East African Music Playlist: https://serato.com/playlists/Tembo_Sounds/tembosounds-646-a-tembo-global-radio-med Perfect For ✔ Driving ✔ Working ✔ Traveling ✔ Relaxing ✔ Weekend Vibes ✔ Discovering Global Music

In Arteetude 340 – The Artist After the Upload, Detlef Schlich continues the philosophical arc that began in Arteetude 338 with The Law of Acceleration. After the reflective pause of Arteetude 339 at Gallery Emptiness with Felicitas, this new episode moves into the world of media, reproduction, AI, and artistic presence.Together with his AI Co-Host Sophia, Detlef explores how Marshall McLuhan and Walter Benjamin can still help us understand what happens to art — and to the artist — after a work has been uploaded. McLuhan's famous idea that the medium is the message becomes a personal question: how does podcasting, social media, AI, video, streaming, and digital distribution reshape the artist's voice, rhythm, imagination, and nervous system?Benjamin's concept of aura opens another layer. If reproduction once seemed to threaten the unique presence of the artwork, what happens today when a work becomes file, stream, post, thumbnail, memory, comment, remix, and archive? Has aura disappeared — or has it migrated?Through Detlef's own concept of Multilayerism, the episode proposes that aura is not simply dead. It may now move through layers: physical, digital, emotional, historical, spiritual, technological, remembered, and misunderstood. But this movement is not automatically meaningful. Aura survives only where attention, imagination, and resonance still happen.The episode closes with a new musical reflection by Los Inorgánicos: “Beneath the Digital Moon” — a small love song to the organic, to the body, to the voice, and to the warmth that remains after the upload.About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Kenya's landmark debt restructuring deal with China, announced last year, converted $3 billion in outstanding China Exim Bank loans from U.S. dollars to Chinese yuan. The currency switch could save the East African country more than $200 million in debt servicing costs. Not surprisingly, other countries in Asia and Africa are now exploring similar arrangements to reduce their debt burdens. But a new report from the development finance research lab AidData argues that Kenya's savings came mostly from the restructuring terms — not from the yuan conversion itself. AidData's Oshin Pandey and Sailor Miao join Eric and Cobus to explain how the deal worked, why it matters, and why there is more to this arrangement than most headlines suggest.

El Niño is back, and *Cloud 9fin'*s LatAm and CEEMEA editors see credit risks spreading across energy, agriculture and sovereign balance sheets.Deputy LevFin Editor Sasha Padbidri speaks with LatAm Editor Xochitl Herrera and CEEMEA Editor Dan Alderson on how worsening weather shocks are feeding into leveraged credit and emerging market risk.In Colombia, drought could cut hydropower output just as gas production falls, forcing more imports while Canacol works through a Canadian restructuring process. Xochitl also flags Mexico's exposure to Henry Hub through gas imports, Chilean utilities' hydropower upside, and Brazil's soybean and corn vulnerability.Dan breaks down Africa's uneven El Niño effects, from Southern African drought to East African flooding, against a backdrop of food, fuel and fertilizer disruption.Here's a summary of the 9fin articles mentioned in the podcast:Africa vs Godzilla El Niño — Key battle lines for credit in 2026/27Colombia braces for perfect storm as El Niño looms over gas crisisFEMSA, KOF and Alsea may benefit from El Niño effectEl Niño could lift Chile utilities, but less than last timeBrazil climate whiplash could put key credits to the testHouston, we have a solution — How space data centers could be debt's next frontierHurricane Helene hits southeastern US borrowersHurricane Beryl shakes up Texas borrowers$98bn in AI projects disrupted by mounting environmental and labor risksResistance is fertile — Iran war's impact on agriculture and CPIHave any feedback for us? Send us a note at podcast@9fin.com. Thanks for listening!

Kenya's landmark debt restructuring deal with China, announced last year, converted $3 billion in outstanding China Exim Bank loans from U.S. dollars to Chinese yuan. The currency switch could save the East African country more than $200 million in debt servicing costs. Not surprisingly, other countries in Asia and Africa are now exploring similar arrangements to reduce their debt burdens. But a new report from the development finance research lab AidData argues that Kenya's savings came mostly from the restructuring terms — not from the yuan conversion itself. AidData's Oshin Pandey and Sailor Miao join Eric and Cobus to explain how the deal worked, why it matters, and why there is more to this arrangement than most headlines suggest.

Sermons from BelPres Church

Without Sophia, his AI Co-Host, Detlef Schlich returns to the physical presence of a real conversation: two people sitting inside a gallery, surrounded by paintings, sculptures, handmade objects, and the quiet energy of a space that has only recently been brought back to life. Felicitas speaks about discovering the empty room by chance, renovating it over nearly a month, and turning it into a living continuation of her artistic path.At the heart of the episode is the meaning of the name Gallery Emptiness. For Felicitas, emptiness is not a void, not absence, not nothingness. It is a space without fixed essence — a field of relation, vibration, energy, and possibility. This becomes the philosophical pulse of the conversation.The episode also opens towards future plans for the gallery: spoken word evenings, poetry, word games, small performances, mini theatre, workshops, clothing upcycling, and creative gatherings where people can explore expression in a personal and playful way. There is also a subtle but strong critique of disposable fashion culture — the tendency to buy, wear once, and discard. Felicitas offers another path: clothing as second skin, as personality, as self-made presence.Gallery Emptiness becomes more than a gallery. It becomes a small cultural chamber in Bantry — a place for art, words, encounter, transformation, and community.The episode closes with a new Los Inorgánicos song:“Emptiness Is Not a Hidden Void”A poetic reflection on Felicitas' statement, the gallery, and the strange beauty of a space that begins empty only so something alive can enter.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBandFrom the forthcoming WAW albumThe Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.The Niles Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Charles D. Smith spent his career as one of the NBA's premier shot blockers and an Olympian, but the transformation that defined his second act required something far more difficult than anything he faced on the court. After retiring from professional basketball, Smith spent seven years in therapy rebuilding how he thought, communicated, and led, a process he describes not as a transition but as a full transformation. Today, Smith is chairman and CEO of Urban Icon Global, a company working directly with governments and civic leaders across Africa to design sports, entertainment, and economic development projects. His investment conferences and cross cultural initiatives have generated over a billion dollars in collaborations across five continents, connecting CEOs, dignitaries, private equity firms, and family offices from New York to Dubai. With operations now active in Zanzibar and expanding into Nairobi, Ethiopia, and Uganda, Smith is positioning Urban Icon Global to unlock a piece of the 40 billion dollar African sports and entertainment market, built on a humanitarian foundation rather than a real estate model.On this episode of The Reboot Chronicles Podcast, we sit down with Charles D. Smith, chairman and CEO of Urban Icon Global, to unpack how he rebuilt himself after professional sports, why he chose Zanzibar as the starting point for an East African expansion, how faith and relationships became the foundation of his business strategy, and what it takes to build a scalable platform in a market most investors still misunderstand. Smith also shares the personal story behind his approach to leadership, accountability, and legacy.

In Arteetude 338 – The Law of Acceleration, Part One, Detlef Schlich and Sophia, his AI Co-Host, begin a two-part philosophical journey into acceleration, artistic exhaustion, media pressure, and the fragile search for resonance in the technological age.Following the reflections of Arteetude 336 and 337 — from Heidegger, Kurzweil, AI image floods, The Collapse of Wonder, and Ilen's Hopium — this new episode asks why artistic life today feels so permanently accelerated. Even a three-month release rhythm can feel like constant pressure when writing, producing, editing, uploading, promoting, and reflecting never truly stop.The episode brings together two major thinkers of speed and modernity. Paul Virilio — born in Paris in 1932 and deeply shaped by war, urban destruction, architecture, technology, and military acceleration — developed the idea of dromology, the logic of speed, and famously argued that every invention also invents its own accident.Hartmut Rosa — born in Lörrach, Germany, in 1965 — offers a later sociological diagnosis of modern life through his theories of social acceleration, alienation, and resonance. His work asks what happens when not only machines, but social expectations, communication, production, and everyday life itself accelerate.For Detlef, this is not only theory. It becomes a personal reflection on ageing as an artist, on WAW, Arteetude, AI images, podcast production, music videos, social media, and the strange condition of the independent artist who has gained freedom — only to discover that freedom can become infrastructure.At the heart of the episode is Detlef's 1990s song “Zeitrebell”, whose refrain becomes a poetic counter-gesture to acceleration:Ich bin ein Zeitrebell,und wenn es mir zu schnell wird,stelle ich mich auf den Schatten meiner Sonnenuhr.In this episode, the old Zeitrebell returns — not as nostalgia, but as a living message from Detlef's younger self to the ageing artist of today.The episode closes with a new musical reflection by Los Inorgánicos:“Zeitrebell — The Shadow of the Sundial.”Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBandFrom the forthcoming WAW albumThe Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.The Niles Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

In a Muslim village in East Africa, 47 people confessed belief in Christ. But then Christian persecution came. Radical Muslims went house-to-house, threatening new believers and demanding they return to Islam. All but two of the new Christians renounced their faith. Brother Paulo, a leader in YWAM Frontier Missions in East Africa, met the two young men who stood firm for Christ. He asked them how they'd stayed faithful under such intense pressure. "The experience I had with Jesus was so strong that I cannot deny Jesus," the younger of the two men told him. In places like Northern Mozambique, South Sudan, Malawi, Tanzania and other East African countries, Muslim-background believers face persecution from their families and communities. Even those who have grown up in Christian families are likely to face persecution from Muslim communities—especially if they are involved in evangelism or outreach to Muslims. Brother Paulo will share more stories from our persecuted Christian brothers and sisters in East Africa, tell how God called him into missions and describe the endurance of churches in the region amid persecution. He will also share how believers prepare to face persecution and how Christians in free nations like the United States can pray for our brothers and sisters in East Africa. The VOM App for your smartphone or tablet will help you pray daily for persecuted Christians in nations like North Korea, Nigeria, China and Iran, as well as provide free access to e-books, audiobooks, video content, and feature films. Download the VOM App for your iOS or Android device today.

“I do want to make money, but I want to make money in the right way, ethically. But more importantly, I want use this money to be able to give back.”Charles Gitonga speaks to entrepreneur and businessman Mohammed Dewji about becoming one of Africa's youngest billionaires and how he wants to use his wealth.Mohammed Dewji is a Tanzanian businessman, entrepreneur and philanthropist who has primarily accumulated his wealth from his family business, an East African conglomerate founded by his grandparents and expanded by his father in the 1970s. It deals with textile manufacturing, flour milling, beverages and edible oils. About twenty-five years ago, Africa had no dollar billionaires. Today, there are still only 23, not a huge number for a continent rich in mineral wealth and an abundance of relatively cheap labour. Their combined wealth has grown to more than 100 billion US dollars.Dewji signed the Giving Pledge in 2016 promising to donate at least half his fortune to philanthropic causes. He explains why he believes billionaires have a responsibility to give back.Thank you to the Focus on Africa team for its help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Sierra Leone's first lady Fatima Bio, former Sudanese leader Aisha Musa, and SungAh Lee from the International Organisation for Migration. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Charles Gitonga Producer: Cordelia Hemming Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Mohammed Dewji. Credit: Getty)

Sermons from BelPres Church

In Arteetude 337 – Ilens Hopium, Detlef Schlich and Sophia, his AI Co-Host, continue the philosophical journey begun in Arteetude 336, The Collapse of Wonder. After exploring the flood of AI-generated images, Heidegger's question concerning technology, and Ray Kurzweil's vision of technological acceleration, this episode moves closer to the river — not as a simple metaphor, but as a living method of thought.From the Nile of AfricaSmile to the River Ilen in West Cork, Detlef reflects on how rivers carry memory, sediment, wounds, names, and fragile possibilities of hope. The River Ilen becomes more than landscape: it becomes biography, artistic method, local presence, and a counter-image to technological acceleration.The episode explores the origin of the word Hopium, first used playfully by Dirk in relation to the emerging WAW song idea Ilens Hopium. What began as a joke opens into a deeper philosophical space: She — the River Ilen — is hoping for hope. Through Heidegger's lens, Hopium becomes a word that reveals contradiction: hope and suspicion, medicine and poison, survival and self-deception. Through Kurzweil's lens, the river offers another kind of intelligence — not singularity, but plurality; not acceleration, but return; not one final answer, but bend after bend, name after name.The episode closes with a new Los Inorgánicos piece titled “First Mist from the Ilen — Every Bend a Hope / Before the Song Appears.” This is not intended to replace the future WAW single Ilens Hopium, which Detlef and Dirk hope to release later this year. Instead, it functions as a philosophical companion in the universe of multilayerism — a sonic sketch, a small ritual support, and a first mist rising from the River Ilen before the full song appears.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBandFrom the forthcoming WAW albumThe Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.The Niles Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

What does it actually mean to be East African?In this episode of The Long Form Podcast, Marcus Kwikiriza reflects on living and working across Uganda, Kenya, and Rwanda, and why the dream of an integrated East Africa remains more complicated than many people assume.Drawing on his experience during Kenya's 2007–08 post-election violence, Marcus discusses ethnicity, identity, labour mobility, xenophobia, the decline of mass media, and whether a genuine East African citizen is emerging. We also explore the future of radio, political consciousness, and the impact of the Basketball Africa League on local sports systems.Sponsors:Threat Informat - https://threatinformant.io/                                               Akagera Medicines- https://www.akageramedicines.com Join our Patreon to enjoy ad-free viewing https://www.patreon.com/cw/TheLongFormPod or support us via our MTN Mobile Money Code 95462 or directly to our phone number: +250795462739Visit Sanny Ntayombya's Official Website: https://sannyntayombya.comProduced by LF Media 

When Tanzania gained independence in 1961, Julius Nyerere saw publishing as a key part of decolonization and nation-building. In 1966, he founded the Tanzania Publishing House (TPH), putting state publishing at the center of building national identity and culture, and of bringing people together through language.Tanzania's influence grew throughout the 1970s and 1980s. During this period, Dar es Salaam served as the headquarters for several Southern African liberation movements, such as FRELIMO, SWAPO, and the ANC. TPH was central in this era, publishing and distributing anti-imperialist works like Walter Rodney's How Europe Underdeveloped Africa, Agostinho Neto's Sacred Hope, Samora Machel's Establishing People's Power to Serve the Masses, and Issa Shivji's Class Struggle in Tanzania.Integral to TPH's influence during these years was Walter Bgoya, who served as managing director from 1972 to 1990 and played a major role in making TPH and Dar es Salaam a center for progressive intellectuals from around the world. His leadership was instrumental in shaping the publishing landscape.For publishers like TPH, state-led publishing ended in the 1990s. when the IMF's Structural Adjustment Program brought austerity and privatization, which hurt state-owned companies. This directly impacted TPH and changed the country's publishing landscape.When the government stopped supporting state publishing, Walter Bgoya decided to leave TPH in 1991. He went on to start Mkuki na Nyota Publishers, carving out a new path in independent publishing. Since then, Mkuki na Nyota has continued this legacy as a key force in East African publishing, producing critical academic, historical, and literary works. In this episode, we interview Walter Bgoya. We focus on his leadership at TPH and his founding of Mkuki na Nyota. The conversation explores African publishing as a tool for decolonization, culture, and independence. This episode is part of the Africanist Press's New Democracy Series.

Panel Discussion

In Arteetude 336 – The Collapse of Wonder, Detlef Schlich and Sophia, his AI Co-Host, enter the philosophical afterglow of the creative process behind the AfricaSmile music video.What began as an AI-assisted editing process became a deeper question: what happens when the world becomes endlessly imageable? When every vision can be generated, corrected, beautified, animated, and replaced, does art gain new freedom — or does wonder begin to collapse under the pressure of too much availability?Through the lens of Martin Heidegger's The Question Concerning Technology and Ray Kurzweil's The Singularity Is Nearer, Detlef reflects on AI not simply as a tool, but as a new mode of revealing the world. Heidegger warns that modern technology turns nature into “standing-reserve” — material waiting to be used. Kurzweil, by contrast, sees technological acceleration as part of evolution, moving toward the merging of human and machine intelligence.Between these two poles, Detlef asks: is AI helping us discover deeper secrets, or are we consuming revelation too quickly? From the Nile of AfricaSmile to the River Ilen of the upcoming Illens Hopium, this episode explores the river as a counter-image to machine speed — a slower force of memory, erosion, sediment, and hope.The episode closes with the new Los Inorgánicos song “Slow the River Down”, a dark, poetic reflection on image overload, artistic dignity, and the need to let mystery breathe.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker,ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBandFrom the forthcoming WAW albumThe Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young — a mythopoetic journey along the Nile, where river, memory, loss, cooperation and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm and myth.The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.The Niles Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Alexis Ruhumuriza

Raha Fidele

On Food Talk with Dani Nierenberg, Dani speaks with Jordan Chamberlin, an agricultural economist and a principal scientist at the International Maize and Wheat Improvement Center (CIMMYT). They talk about how new data and tools can help farmers manage risk, improving soil health without expensive inputs, and the impacts of conflict and funding shortages rippling through communities. Plus, shifting geopolitics threaten to push food prices higher, Fiji pushes a new organic farming policy forward, three-quarters of USDA researchers say they won't relocate, and the World Food Programme announces a record-breaking investment in home-grown school meals. While you're listening, subscribe, rate, and review the show; it would mean the world to us to have your feedback. You can listen to "Food Talk with Dani Nierenberg" wherever you consume your podcasts.

Sermons from BelPres Church

Today AC & Isaac welcome herbalist and teacher Olatokunboh Obasi back to the Plant Cunning Podcast for a second interview, now speaking from outside Nairobi, Kenya. Obasi shares that she's finishing a doctorate in clinical nutrition while working toward opening an integrative women's health clinic, and explains how nutrition, changing food systems, and modern indoor life affect herbal outcomes. She discusses divination and geomancy, genetics as “codes” responding to environment, and how she navigates multiple traditions—Yoruba as her root, alongside Taíno and Kenyan indigenous practices—without collapsing them into one. They explore Kenyan healing culture, including lineage-based herbalism, diviners, birth workers, and bone-setting (lila) meridian work, plus a story of discovering an East African betony for headaches. Obasi also defines traditional African medicine as diverse, spiritually centered, and regionally distinct, and critiques material reductionism in Western herbalism while pointing to figures like Culpeper and Hildegard as bridges back to spirit.00:00 Welcome and Guest Intro01:45 Ola's Life in Kenya03:50 Why Clinical Nutrition05:52 Divination and Genetics09:31 Lineages and Training11:41 Navigating Multiple Traditions16:47 Plants Calling in Kenya22:15 Healing Culture in Kenya24:40 Bone Setting and Lila28:32 Community-Based Medicine34:32 Defining African Traditional Medicine36:16 Spirit First Healing36:47 Lineage And Bioregions37:45 Cross Cultural Herbal Exchange41:37 Reclaiming Spirit In Herbalism44:02 Traditional Western Medicine45:44 Astrology, Culpeper, Hildegard50:17 Centering Over Scrolling53:07 Rest Boredom And Reading54:07 Rethinking Academia And Art58:27 Craft Culture And Kenya

New Guest Expert! On this week's Aftermath, Rebecca speaks with Dr. Erik Gilbert about the 1896 Anglo-Zanzibar War. Dr. Gilbert specializes in East African history and the Indian Ocean and shares some enlightening details about the formation of Zanzibar, the location of the palace and the technological advancements in British military arms which contributed to an extremely lopsided battle. Afterwards, Patreon subscribers can revisit the board with Fact Checker Faryn Einhorn and Producer Clayton Early to see if the verdict holds up. Not part of our Patreon family yet?! Click the link below and join us!Join our Patreon!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on TikTok @thealarmistpodcastSupport this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

The success of coffee globally is based on what coffee represents...community. A beverage that facilitates rootedness, growth, and fruiting of relationships through shared conversation over a cup in our shops or your home. But today, we are an industry. And our concerns tend to be exclusively around just the business of specialty coffee. Where is the heart?  Today I am honored and excited to present an interview with someone who is actively and tenaciously pursuing the heart of coffee in her community by honoring coffees root and growing the fruit of what it can bring to people. We are talking with Head Roaster, Co-founder, and Chief of Staff for Cxffee Black, Renata Henderson! Renata Henderson is Memphis, Tennessee's first Black female roaster and the co-founder and Chief of Staff of Cxffeeblack, the community-oriented, education-based coffee company she built alongside her husband Bartholomew Jones. Founded in 2019 on a mission to return coffee to its African roots and build an equitable Black future, Cxffeeblack made history by creating the first entirely all-Black coffee supply chain from Ethiopia to Memphis — with direct-trade relationships extending to producers like Stephen and Margaret Kuria of Liwani Estate in Nakuru, Kenya. She serves as Head Roaster, Creative Director, and HR lead, Renata brings her deep background in curriculum, instruction, and education into every dimension of Cxffeeblack, from its Specialist-in-Training internship program to the Barista Exchange Program. Her connection to coffee is deeply ancestral — rooted in Ethiopian women's 2,000-year roasting tradition and a family legacy that includes her grandfather marching alongside Dr. Martin Luther King, Jr. during the 1968 Memphis sanitation workers' strike, canteen of coffee in hand. Under Renata and Bartholomew's leadership, Cxffeeblack has earned the 2023 Sprudgie Award for Best Film in Coffee, the 2024 Sprudgie Award for Global Notable Roaster of the Year, and the inaugural 2024 Coffee Coalition for Racial Equity Innovator of the Year award. Built with support from more than 500 community investors, Cxffeeblack's new flagship café and global roasting headquarters opened in December 2025 at 3386 Bowen Avenue in Memphis's Mitchell Heights neighborhood — celebrated with an East African coffee ceremony, live music, and a community brunch — and is now equipped with a new roaster tripling the company's capacity as it expands into Memphis grocery stores and new café partnerships across the city. Cxffeeblack has been featured in Vice, NPR, The Hill, and Black Enterprise, and has collaborated with Miir, Oatley, La Marzocco, NBA player JaeShawn Tate, and West African coffee entrepreneurs at the Black Star Line Festival. For Renata, coffee has always been more than a beverage — it is, as she says "an open air church to experience God and His goodness." We discuss: Her Grandfather's coffee and community justice that inspired her Connecting with Coffee's Origin through Cxffeeblack How Cxffeeblack Is Redefining Coffee with Heart and Justice Living Among the People They Serve in Memphis The hard part and the joyful part of coffee work from the heart Navigating Authenticity and Business Guidelines Celebrating Individuality in Coffee Spaces Personal Growth and Community Impact Links: https://www.instagram.com/cxffeeblack/ https://cxffeeblack.com/   KEYS TO THE SHOP ALSO OFFERS 1:1 CONSULTING AND COACHING! If you are a cafe owner and want to work one on one with me to bring your shop to its next level and help bring you joy and freedom in the process then email  chris@keystothshop.com of book a free call now:  https://calendly.com/chrisdeferio/30min    Related episodes:  542: Founder Friday! w/ Nori and Tin Burmudez of Corridor Flow, Lomita, CA 488: Founder Friday! Honoring Coffee's Root w/ Bartholomew Jones of Cxffee Black! 230 : Making room for Community in your Shop 279 : Founder Friday! w/ Daniel Brown and Nephthaly Leonidas of Gilly Brew Bar 451: Business Growth, Integrity, and Coffee Farmer Equity w/ Martin Mayorga of Mayorga Coffee 530: Founder Friday w/ Aisha Bullard and Modou (MAD) Diongue of Original Drip in Dakar, Senegal 352: Music, Culture, and Coffee w/ Hip Hop Artist, Propaganda 139 : Founder Friday w/ Kusanya Cafe co-founder, Phil Sipka

It's Thursday, April 30th, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Jonathan Clark Algerian authorities have shut down virtually all Protestant churches Muslim authorities in Algeria, Africa have shut down nearly all Protestant churches in the country since January 2025. The finding comes from a new report by the European Centre for Law and Justice.  Algeria's Christian community has been steadily growing since the 1990s. Most of these believers are evangelical Protestants. However, the North African country imposed restrictions on non-Muslim worship in 2006. And most Protestant churches lost their legal status in 2012. These Christians now have little to no freedom of expression in the Muslim-majority nation. The report stated, “Any expression of Christian faith may be regarded as . . . an offence against the precepts of Islam, and may result in prosecution.”  In Matthew 5:10, Jesus said, “Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of Heaven.” Kenyan court rejects abortion as a “right” A court of appeal in Kenya  ruled against abortion last Friday. The court struck down a 2022 high court ruling that declared abortion was a constitutional right.  However, the constitution of the East African nation states that every person has the right to life and that life begins at conception. Last week's ruling affirmed that abortion is not a fundamental right.  Calum Miller, a pro-life doctor and ethicist, wrote on X, “This is a HUGE win in one of Africa's biggest legal cases ever.” United Arab Emirates wants exporting oil independence The United Arab Emirates, which borders Oman to the east and northeast, and Saudi Arabia to the southwest, is withdrawing from the Organization of the Petroleum Exporting Countries, or OPEC. The major oil producer made the announcement Tuesday and plans to withdraw on May 1. OPEC has limited the United Arab Emirates' oil production to about three million barrels per day. The Emirates wants to reach five million barrels a day by next year as global demand increases.  OPEC is led by Saudi Arabia. The group used to control over half of the world's oil production. Now, it controls less than a third of the production. The United States has become one of its biggest rivals in recent years. King Charles III emphasizes Christian faith before Congress Britain's King Charles III addressed the U.S. Congress in Washington, D.C. on Tuesday. It's the first time a British monarch addressed Congress since Queen Elizabeth II did so in 1991. King Charles emphasized international cooperation between the United States and the United Kingdom as well as the shared faith of the two nations. Listen. CHARLES: “Mr. Speaker, for many here, and for myself, the Christian faith is a firm anchor and daily inspiration that guides us, not only personally, (applause) guides us not only personally, but together as members of our community.” “So, to the United States of America, on your 250th birthday, let our two countries re-dedicate ourselves to each other, in the selfless service of our peoples, and of all the peoples of the world. God bless the United States and God bless the United Kingdom.” (applause and cheers) Psalm 33:12 reminds us, “Blessed is the nation whose God is the LORD, the people He has chosen as His own inheritance.”  Supreme Court ruled in favor of Christian pregnancy centers The U.S. Supreme Court ruled unanimously in favor of a group of Christian pregnancy centers yesterday.  The ruling allows First Choice Women's Resource Centers to challenge the state of New Jersey in federal court. State officials hit the pro-life group with an unconstitutional, coercive subpoena.  Attorney Erin Hawley with Alliance Defending Freedom said, “In this resounding victory, the Supreme Court held to its long-standing precedent of recognizing that the Constitution protects First Choice, and its donors, from demands by a hostile state official to disclose donor identities and contact information.”    Protestantism's net gain in Latin America And finally, Pew Research released a report on how religious switching has affected Protestants and Catholics. Religious switching refers to when an adult identifies with a religion that is different from the one they were raised in.  Catholicism has lost more people than it gained from religious switching in nearly all surveyed countries. People who leave Catholicism tend to become Protestant or religiously disaffiliated.  Meanwhile, Protestantism has seen a net gain in about as many countries as it has seen a net loss. In particular, Protestantism has had a net gain in Latin America, which is comprised of 20 countries, primarily Mexico, Central America, the Caribbean, and South America. Close And that's The Worldview on this Thursday, April 30th, in the year of our Lord 2026. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Edi Gathegi ("The Harder They Fall," "For All Mankind") stars in this East African story about twin brothers, enchanted fruit, and the magic of an open heart. Sign up for our monthly newsletter, "The Lion's Roar", here.