Podcasts about fotomuseum winterthur

Wie täuschen uns Bilder im Netz? Wie verführen und verlocken sie uns, wenn wir endlos scrollend in der digitalen Welt unterwegs sind? Kuratorin Doris Gassert geht mit ihrem Team in der neuesten Schau im Fotomuseum Winterthur diesen Fragen nach, zeigt wie KI-Bildgeneratoren von klischeehaften Fotos trainiert werden und dass Bilder im Netz auch zum Ausdruck des Protestes und Widerstandes werden können.

Das Zürcher Stadtparlament soll künftig bei der Asyl-Organisation Zürich mehr zu sagen haben. So soll es in gewissen Bereichen die Aufsicht haben, die zuvor beim Stadtrat lag. Weitere Themen: · Zürcher SVP-Politiker Walder freigesprochen. · Winterthurer Firma will Aargauer Shrimps retten. · Schaffhausen soll sich als "Kulturhauptstadt 2030" bewerben. · Wiedereröffnung Fotomuseum Winterthur.

Das Fotomuseum Winterthur genießt international ein hohes Ansehen. Zwei Jahre lang war das Haus nun geschlossen, wurde umgebaut und erweitert.

Luzerner Theater bröckelt, Berner Kantonspolizei übt für den 1. Mai, Fotomuseum Winterthur steht vor der Wiedereröffnung

(00:44) Ukrainische Stimmen kritisieren die aktuelle Preisvergabe der World Press Photo Awards. Welche Informationen brauchen wir als Betrachtende, um ein Bild einzuordnen? Ein Gespräch mit Nadine Wietlisbach, Direktorin des Fotomuseum Winterthur. Weitere Themen: (05:37) Giacomo Casanova war mehr als nur Womanizer: Eine intellektuelle Jahrhundertfigur, ein soziales Chamäleon und ein begnadeter Networker. (10:23) Edgar Wallace' Vermächtnis hallt bis heute nach: In Hollywood und im Krimigenre. (14:39) «Der Eismann» ist ein gelungenes filmisches Portrait über den Schweizer Klimaforscher Konrad Steffen und eine Hommage an ihn. (18:41) Per Zufall erben dank einem Los: Das Theaterstück «Jeeps» stellt eine Reform des Erbrechst vor.

"The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Ralph Gibson has photographed The Beatles, Lou Reed (with whom he also made the documentary Red Shirley), Laurie Anderson, and created album artwork for Joy Division. Gibson composes and plays his own music.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have a music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have a music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Ralph Gibson has photographed The Beatles, Lou Reed (with whom he also made the documentary Red Shirley), Laurie Anderson, and created album artwork for Joy Division. Gibson composes and plays his own music.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I believe that AI will be an incredibly useful tool. Humanity has endured primarily because of its inherent characteristics. I see things like NFTs and AI and Spotify and file sharing, and there was a time when I moved to New York where I could drift through the empty museum galleries of the moment, and have my epiphanies. Now you go to the same museum, it's like the Tokyo subway. You're, you know, it's a bunch of sardines. That's what's happening because there are too many people in the world for the delivery system to any longer be affected. Museums are delivery systems. We're moving into a world of the private museum now because the great collectors are building their own museums.I am happy to report since I've seen you, I have a museum in South Korea in my name. So, you know, I'm funneling, channeling, putting hundreds and hundreds of prints into this museum in Busan in an attempt to personalize the situation, but by the time you've got eight billion people living on the planet Earth for a hundred years, which I plan to do. There's a lot of people like me. We know that people are living longer now thanks to medicine and nutrition. I do tend to think that with file sharing, more people are listening to more music than ever before. You would have previously had to put a Tower Records on every street corner in order to effectively distribute that much music. Now, with NFTs, obviously, I, as the artist, as the audience spreads for a work of art quite often the content goes down. You could have a photograph and sell the original print and have 100 percent of your attention, or it could be reproduced on the cover of the New York Times at 72 dpi, 3 by 4 inches, and you'd get some of it, but you wouldn't get the whole thing, but a million people would see it. Now with the digital situation, working digitally, if the image stays in that digital space permanently, the only real shortcoming is the excessively bright, heavy saturated screen on your computer that tends to exaggerate things a bit."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I believe that AI will be an incredibly useful tool. Humanity has endured primarily because of its inherent characteristics. I see things like NFTs and AI and Spotify and file sharing, and there was a time when I moved to New York where I could drift through the empty museum galleries of the moment, and have my epiphanies. Now you go to the same museum, it's like the Tokyo subway. You're, you know, it's a bunch of sardines. That's what's happening because there are too many people in the world for the delivery system to any longer be affected. Museums are delivery systems. We're moving into a world of the private museum now because the great collectors are building their own museums.I am happy to report since I've seen you, I have a museum in South Korea in my name. So, you know, I'm funneling, channeling, putting hundreds and hundreds of prints into this museum in Busan in an attempt to personalize the situation, but by the time you've got eight billion people living on the planet Earth for a hundred years, which I plan to do. There's a lot of people like me. We know that people are living longer now thanks to medicine and nutrition. I do tend to think that with file sharing, more people are listening to more music than ever before. You would have previously had to put a Tower Records on every street corner in order to effectively distribute that much music. Now, with NFTs, obviously, I, as the artist, as the audience spreads for a work of art quite often the content goes down. You could have a photograph and sell the original print and have 100 percent of your attention, or it could be reproduced on the cover of the New York Times at 72 dpi, 3 by 4 inches, and you'd get some of it, but you wouldn't get the whole thing, but a million people would see it. Now with the digital situation, working digitally, if the image stays in that digital space permanently, the only real shortcoming is the excessively bright, heavy saturated screen on your computer that tends to exaggerate things a bit."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind? In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images." www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind? In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images." How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

OM HealsQuantum physics reveals that we are 99.9999% energy and only .00001% physical matter. When we flow, move, and balance blocked energies we hold, then our mind, body and soul return to its natural state of well being.We are committed to matching you with the best possible energy meta-cine practitioners to support your wellness with our customized algorithm. After each energy session, we will ask for your feedback on how well we are matchmaking you with energy practitioners so we may serve you as best as we can.Visit om-heals.com to learn more and to get started today! Welcome to the show the multi-talented Miguel Ribeiro, author of Beyond Darwin, The Program Hypothesis. The narrative of Miguel's book challenges the notion of transitioning from certainty to uncertainty, highlighting the complexities that lie in the unexplored realms of science.Are humans merely divine computer programs? This thought-provoking concept delves into the idea that our existence may be part of a grand design, prompting readers to question their place in the cosmic symphony.Then the question of free will inevitably arises. How can individuals possess autonomy if everything is pre-programmed? The dichotomy between fate and free will serves as a captivating centerpiece, keeping readers engrossed in the narrative's philosophical complexity.In his book, Miguel weaves together scientific discoveries, philosophical inquiry, and profound contemplation, inviting readers to embark on a transformative journey that questions the very fabric of existence and the Universe itself.In this interview with Miguel, you'll discover:-The inspiration behind writing Beyond Darwin...02:00-You can't go from certainty to uncertainty...07:15-"Coincidences" that cannot be explained in the realm of Darwinian science...10:30-All scientific norms are being challenged...15:00-Are humans simply divine computer programs?...19:45-Do we have free will when we believe everything is pre-programmed?...25:25-Why the Universe is not entirely random...29:50-And much more...Resources mentioned:Beyond Darwin, The Program HypothesisAbout the guest:Miguel Ribeiro was born in Lisbon, 18 August 1952. MDHe is Fellow of the College of Physicians of South Africa and worked as a consultant in Internal Medicine at Tygerberg Hospital, Cape Town. He is currently medical director of CMIL (Clínica Médica Internacional de Lisboa).Author of the books“Universo Programado, uma alternativa ao Darwinismo e à religião”, Gradiva, Oct 2013.“Beyond Darwin, the Program Hypothesis”, Amazon.com, Oct 2018; second edition June 2019.Photographer (miguelribeiro.net) One-man exhibitions Berliner Medizinhistorisches Museum, Berlin, Oct 2003–Feb 2004; “Abstract Body” IPSAR, Rome, June 2010; “Abstract Body”, Societa Umanitaria, Milan, Sept 2010; and also, one-man shows in Lisbon, Pretoria and Cape Town.Group exhibitions “The Century of the Body”, L'Elisée Museum, Lausanne, Sept–Dec 2000; Paris Photo 2002; “Parole de Peau”, Musée de la Civilisation, Quebec, Nov 2002–Jul 2003; Bienal de Nancy, April 2006. “Beauty, what for” Buenos Aires, winter 2006. “Darkside II”, Fotomuseum Winterthur, 2009.Books: “The Century of the Body”“Sleep”2005 and 2011 calendars of the Buhl Collection (USA)“Darkside II”, 2009“The Body”Magazines and...

Victor Burgin (b. 1941, Sheffield, United Kingdom) first came to prominence in the late 1960s as one of the originators of Conceptual Art. His work appeared in such key exhibitions as Harald Szeemann's Live in Your Head: When Attitudes Become Form (1969) at the ICA London, and Kynaston McShine's Information (1970) at The Museum of Modern Art, New York. Since then, he has had solo exhibitions at the Museum für Gegenwartkunst Siegen, Kunsthalle Bremerhaven, MAMCO Musée d'art moderne et contemporain, Canadian Centre for Architecture, Mücsarnok Museum, University at Buffalo Art Gallery, Musée d'art moderne Villeneuve d'Ascq, The List Visual Arts Center, Renaissance Society at the University of Chicago, Musée de la Ville de Calais, The Museum of Modern Art in Oxford, and Stedelijk van Abbemuseum in Eindhoven. His work appears in the collections of The Metropolitan Museum of Art, Museum of Modern Art, New York Public Library, Walker Art Center, Tate Gallery, Victoria and Albert Museum, Los Angeles County Museum of Art, Museum of Contemporary Art in Los Angeles, Museum Ludwig, Fotomuseum Winterthur, Musée national d'art moderne, Sammlung Falckenberg, and The Arts Council Collection in London. Burgin graduated from the School of Painting at the Royal College of Art, London, in 1965, where his teachers included the philosopher and novelist Iris Murdoch, and then went on to study Philosophy and Fine Art at Yale University School of Art and Architecture, where his teachers included Robert Morris and Donald Judd. Burgin is Professor of Visual Culture at the University of Southampton, Professor Emeritus of History of Consciousness at the University of California, Santa Cruz and Emeritus Millard Chair of Fine Art at Goldsmiths College, London. In 2015 he was a Mellon Fellow and Visiting Professor in the Department of Cinema and Media Studies at the University of Chicago. He lives and works in South West France and Paris. Victor Burgin, Photopath, 1967-69. instruction card; typewritten on card stock. 5 x 8 inches. Courtesy the artist and Cristin Tierney Gallery, New York Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York. Detail. Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York.

Dr. Peter Pfrunder. Direktor der Fotostiftung Schweiz in Winterthur. Wir sprechen über die Fotostiftung Schweiz und natürlich auch zum Schluss über die Bundesstiftung, die in Deutschland gerade gegründet wurde. Zitate aus dem Podcast: »Das Lesen von Bildern betrachte ich immer wieder als Schlüssel zur Fotografie.« »Ich bin kein Fotograf. Ich bin ein Bildbetrachter, der aus der Analyse heraus Zusammenhänge zu erschließen versucht.« »Das Archiv ist Ausdruck einer Kultur, einer Gesellschaft und einer Zeit.« »Frei nach Siegfried Giedion: Auch in einem Kaffeelöffel spiegelt sich die Sonne.« »Heute ist das, was Fotografie sein kann, nicht mehr eingebettet in einen kunsthistorischen Diskurs. Diese Befreiung ist nötig gewesen.« »Man kann heute Fotografie nicht mehr verstehen, wenn man sie von der sozialen Praxis abkoppelt.« »Das Kriterium für ein gutes Bild liegt nicht im Bild selbst.« »Als die Stiftung gegründet wurde 1971 ging es darum, Bilder zu retten, weil man Angst hatte, die gehen verloren.« »Heute sollten wir vielleicht eher darüber nachdenken, welche Bilder müssen wir wieder los werden, wie können wir uns schützen vor zu viel Bildern.« »In der Regel benutzen wir gesamtgesellschaftlich heute Fotografie als Kommunikationsmittel. Und nur in wenigen Fällen geht es um Bilder, die darüber hinaus einen Wert haben.« »Das entscheidende Merkmal ist der Stillstand, den wir mit Fotografie erzeugen können.« Dr. Peter Pfrunder wurde 1959 in Singapur geboren und wuchs in der Schweiz auf. Er studierte Germanistik, europäische Volksliteratur und englische Literatur in Zürich, Berlin und Montpellier. Er promovierte 1984 an der Universität Zürich. 1998 wurde er Direktor der »Schweizerischen Stiftung für die Photographie« im Kunsthaus Zürich, die 2003 in »Fotostiftung Schweiz« umbenannt wurde. In dieser Funktion entwickelte er zusammen mit Martin Gasser ein neues Konzept für die Aktivitäten der Stiftung, beruhend auf einer engen Kooperation mit dem Fotomuseum Winterthur. Seit 2017 ist Peter Pfrunder alleine für die administrative und künstlerische Leitung sowie für den Ausbau der Stiftung verantwortlich. Die Stiftung betreut heute rund 100 Archive, Teilarchive und Nachlässe von Schweizer Fotografinnen und Fotografen sowie eine umfassende Sammlung von herausragenden Werken aus der Geschichte der Schweizer Fotografie, von ca. 1840 bis heute. Analog zur »Cinémathèque Suisse« für den Film oder zum »Schweizerischen Literaturarchiv« für die Literatur kümmert sie sich im Auftrag des Bundes um das fotografische Erbe der Schweiz. Peter Pfrunder hat zahlreiche Monografien und Bücher zum Schweizer Fotoschaffen veröffentlicht, u.a. über Albert Steiner, Monique Jacot, Theo Frey, Gotthard Schuh, Roberto Donetta, Walter Bosshard, Pia Zanetti, Georg Aerni. Zu den wichtigsten thematischen Publikationen gehören: Schweizer Fotobücher. Eine andere Geschichte der Fotografie (2011); Adieu La Suisse. Bilder zur Lage der Nation (2013); Belichtete Schweiz. Was Fotografien über ein Land erzählen. DVD mit 20 Kurzfilmen von Heinz Bütler und Peter Pfrunder (2012); Kindheit in der Schweiz (2015); 99 Fotografien (2021); https://www.fotostiftung.ch Aktuelle Ausstellung bis Mitte Februar https://www.fotostiftung.ch/ausstellungen/aktuell/peter-knapp/ https://www.fotostiftung.ch/e-shop/ Publikationen https://www.lars-mueller-publishers.com/99-fotografien https://www.lars-mueller-publishers.com/bild-für-bild https://www.lars-mueller-publishers.com/schweizer-fotobücher-1927-bis-heute - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Privat Wer regelmäßig gut informiert sein möchte über das Festival, den deutschen Fotobuchpreis und den Podcast Fotografie Neu Denken, der trägt sich in den Newsletter ein. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Gestaltung, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz

Foam and Paris Photo present a brand-new serie of Foam Talks, this time featured around the latest issue of Foam Magazine M/otherlands. The topic or guiding question will be the political power of images. How do they shape not only our understanding, but also our opinion of the world? Each of the episodes welcomes a guest speaker that will be in conversation with Elisa Medde, Editor in Chief of Foam Magazine. Paris Photo will be running from the 10th until the 13th of November. The latest Foam Magazine called M/otherlands, the transnational issue can be found in the book section. Federica Chiocchetti is a writer, curator, editor, and recently appointed director of the Musée du Locle in Switzerland. Through her platform Photocaptionist she collaborates with international museums (Jeu de Paume, V&A, Kunsthalle Budapest), private collections (David Solo, Archive of Modern Conflict) festivals and fairs (Jaipur Photo, T3 Tokyo Photo Festival, Paris Photo), publishers (Spector Books, Aperture, Foam), bookstores (La Fabrica, Shakespeare and Company) and universities (University of Oxford, ECAL), among others. She holds a PhD in ‘Photo-Texts', from London's University of Westminster, which she is transforming into a touring exhibition, book and educational project, the Word and Image Workshop. She has won a number of residencies (Fondation Michalski, Cité internationale des arts), awards (Kraszna-Krausz Best Photography Book, Vienna Photo Book Dummy) and in 2016 she was included among the ‘16 female curators shaking things up' by Artnet. Her research on women in photography was presented in multiple forms by L'Uomo Vogue, Fotomuseum Winterthur, 10x10 Photobooks, London Art Fair and The Photographers' Gallery. Elisa Medde edits, curates and writes about photography and visual culture. With a background in Art History, Iconology and Photographic Studies, her research reflects on the relationship between image, communication and power structures. She has been nominator for a number of prizes and chaired various juries. She loves collaborating with educational programs as lecturer and jury member, such as KABK, ECAL, Brera Academy, Fotofilmic and many more. Next to curating paper and physical spaces, she regularly writes for Foam Magazine and various publications such as C4 Journal, Something We Africans Got, Vogue Italia / L'Uomo Vogue, YET Magazine and many artists' books. Elisa is Editor-in-Chief of Foam Magazine, Amsterdam, where she has based large part of her activities since 2012. Concept: Elisa Medde and Amelie Schüle Production: Nordin Janssen
 Mastering & Mixing: Yper Audio

(00:00:22) Die junge Zürcher Künstlerin machte in den letzten Jahren mit ihren lebensfrohen Bildern von sich reden. Als Feuilletongast ist Ona Sadkowsky im Gespräch über ihre ersten Comics, über ihre künstlerische Inspiration und über Achtsamkeit als Gegenpol zu ihrem übersprudelnden Naturell. Weitere Themen:  (00:11:56) Eine Premiere mit Schreckmoment: die «Walküre», der zweite Teil der Neuinszenierung von Wagners «Ring des Nibelungen» in Bayreuth. (00:18:27) Die erfolgreichste Schrifstellerin Lateinamerikas wird 80: eine Würdigung der Chilenin Isabel Allende. (00:22:44) «Wahlfamilie»: eine Ausstellung mit inszenierten Familienbildern im Fotomuseum Winterthur.

In Thomas Seelig's life and career photography takes center stage. Originally taking off to become a Photo Journalist and Photographer himself, Thomas soon understood that working with photography can take many forms and that photography itself is a fluid, ever changing medium. During his studies, still practicing the art himself, Thomas set out, with a couple of Companions, to run an exhibition space at his University. Their curiosity and pro-activity led them to internships in New York City and opened up the whole field in before unknown ways. For himself Thomas realized that communicating with people, exchanging knowledge and placing himself in larger networks, enabled him to research and campaign for photography in an extended way. His fields of work included SK Stiftung Kultur in Cologne, Galerie Ulrich Fiedler, Fotomuseum Winterthur. Since 2018 Thomas serves as Head of Collection at Museum Folkwang in Essen, where he looks at the history of the collection from the standpoint of the present moment, envisioning contemporary developments as well as the directions creating, exhibiting and collecting photography and it's many expressions may lead to. 44 min.,recorded 3 June, 2022, language english. Portrait photo by Anne Morgenstern. Shownotes: https://www.museum-folkwang.de/de/sammlung/fotografische-sammlung https://www.top-magazin.de/ruhr/2019/04/02/hans-martz-trifft-thomas-seelig/ https://fotografie-neu-denken.podigee.io/s2e60-seelig https://van-horn.net/   https://vanhornshowroom.com/viewingroom/podcast/  #voicesonart #podcast #thomasseelig #museumfolkwang #photography #danielasteinfeld #talk #storytelling #vanhorngallery #van_horn_duesseldorf

Dr. Patrizia Munforte ist Fotohistorikerin. Sie beschäftigt sich seit über 10 Jahren mit dem Thema der Totenfotografie und Trauerbilder. Ihre Dissertation wurde unter dem Titel: 'Trauerbilder und Totenporträts: Nordamerikanische Miniaturmalerei und Fotografie im 19. Jahrhundert' 2018 publiziert. Von 2012-2020 war sie am Center for Studies in the Theory and History of Photography der Universität Zürich als wissenschaftliche Mitarbeiterin und Dozentin, 2017-2018 in der Abteilung Historische Fotografie am Schweizer Landesmuseum und von 2019-2020 als wissenschaftliche Mitarbeiterin am Fotomuseum Winterthur tätig. Ab April 2022 wird sie Sammlungskuratorin am Fotomuseum Winterthur. Wir sprechen mit Patrizia über die Totenporträtfotografie des 19. Jahrhunderts, den Wandel der Erinnerungskultur und warum die Fotografie in den USA lange Zeit einen höheren Stellenwert genoss als in Europa. Patrizia Munfortes Dissertation ist 2018 im Reimer Verlag erschienen: http://www.reimer-mann-verlag.de/controller.php?cmd=detail&titelnummer=101606&verlag=4 Link zum Stanley B. Burns Archive, wo auch Beispiele von Totenporträtfotografien gesehen werden können: https://www.burnsarchive.com/historical-death-memorial Foto: Ricabeth Steige

Frank Schumacher. Leiter Abteilung Fotografie am Lette-Verein in Berlin. Zitate aus dem Podcast: »Fotografie ist so Alltag geworden, dass es nicht mehr diskutiert wird.« »Das Reden über Bilder ist das wichtigste in der Ausbildung.« »Fotografie ist Massenmedium und Teil der Popkultur.« »Das Ausbrechen aus der Foto-Blase ist wichtig.« »Die Fotografie mit der sich ein innerer Kreis beschäftigt, wirkt zu wenig nach außen.« »Die Fotografie mit der wir uns hier beschäftigen muss mehr Strahlkraft ins Gesamtgesellschaftliche bekommen.« »Ich weiß auch nicht, ob das Fotobuch heute noch das richtige Medium ist, bei einer Auflage von 500 Stück.« »Die Fotografie aus diesem inneren Kreis muss niederschwelliger werden.« »Die Fotografie wird viel zu unbewusst genutzt und der Rest bleibt im kleinen Kreis von Kulturinteressierten.« Frank Schumacher wurde 1965 in Köln geboren, studierte von 1988 bis 1994 Fotografie im Studiengang Visuelle Kommunikation an der Fachhochschule Bielefeld u.a. gemeinsam mit Thomas Seelig (Episode #048) und machte sein Diplom bei Prof. Gottfried Jäger. 1989 gründete er mit Kommilitonen an der FH Bielefeld das Fotoforum »Schwarzbunt« als Kunstverein zur Förderung der zeitgenössischen Fotografie. Für dieses Forum kuratierte er bis 1995 Ausstellungen, brachte Publikationen heraus und organisierte Symposien. Ab 1986 hatte er zahlreiche internationale Ausstellungen, darunter: ICA Institute of Contemporary Art Boston, Fotomuseum Winterthur, NRW-Forum Düsseldorf, Centre National de la Photographie Paris. Ab 1994 war er als freier Fotograf tätig und wurde 2001 als Nachfolger von Lewis Baltz an die Hochschule für Gestaltung in Offenbach berufen. Bis 2007 lehrte er dort im Rahmen der »Friederichs Stiftungsprofessur für Fotografie« in den Studiengängen Visuelle Kommunikation und Produktgestaltung. Seit 2008 leitet er den Fachbereich Fotografie am Lette Verein Berlin und lehrt hier Bildmedien Konzeption & Entwurf, Visuelle Kultur und Künstlerische Grundlagen Fotografie. 2010 wurde er in die Deutsche Gesellschaft für Photographie DGPh berufen. 2019 entwickelte er für die ZEIT Akademie das Online Seminar Angewandte Fotografie. https://www.letteverein.berlin/blog/person/frank-schumacher/ Schmidt Contemporary bei SOX https://www.sox-berlin.com/fotografinnen-lette-verein-berlin/ Seminar Angewandte Fotografie der ZEIT Akademie (mit Begleitbuch) https://www.zeitakademie.de/seminare/schoene-kuenste/angewandte-fotografie/# https://www.instagram.com/frankschumacherstudio/ DGPH Netzwerk Fotostudium https://www.dgph.de/foto-studium Teilnehmer des Panels »Die Zukunft der fotografischen Ausbildung« im Rahmen des EMOP 2020 in Berlin in der Akademie der Künste https://www.youtube.com/watch?v=lZzPgHyYze4 Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Johanna Bodemer Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2021. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ http://photography-now.com/exhibition/150189 https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ http://andyscholz.com/ http://photography-now.com/exhibition/147186

Andy Scholz. Kurator vom Festival Fotografischer Bilder. »Fotografie Neu Denken. Der Podcast.« Bisher sind 75 Episoden bei allen gängigen Podcast-Anbietern online zu hören. Es waren über 80 Expert*innen zu Gast bei Andy Scholz. Alle Interviews wurden bis auf zwei Ausnahmen mit dem Smartphone aufgenommen. Der Podcast hat über 1800 Abonnenten und 5000 regelmäßige Hörer. DIE IDEE: In dem Audio-Podcast geht es darum, die Bedeutung von Fotografie und fotografischen Bildern für unsere Gesellschaft, für die Bildung und für unsere Kinder in den Fokus zu nehmen. Es geht u. a. um Fragen wie: Welche Rolle spielt der wachsende Bilderberg? Was bringt die Digitalisierung mit sich und was hat sie verändert? Welche Bedeutung sollte das Fotografische in der Bildung und der Ausbildung haben? Wie gehen wir in Zukunft damit um? Wie können fotografische Bilder neu, anders, weiter gedacht werden? Es geht um Gesellschaft, Kultur, Kunst, Digitalisierung. DIE BISHERIGEN GÄSTE (Auswahl): Ich empfehle die Gespräche Nummer #075 mit Inka Schube (Fotokuratorin Sprengel Museum Hannover), #072 mit Nicolas Oxen (Medienphilosoph, Düsseldorf), #069 mit Beate Gütschow (Professorin Kunsthochschule für Medien Köln), #064 mit Wolfgang Ullrich (Philosoph), #063 mit Thomas Dworzak (Fotojournalist Agentur Magnum Paris-New York), #059 mit Simone Klein (Gutachterin Kunsthaus Lempertz und Sothebys), #052 mit Dr. Stefan Gronert (Fotokurator Sprengel Museum Hannover), #043 mit Peter Truschner (Journalist, perlentaucher, fotolot), #040 mit Urs Stahel (Gründungsdirektor Fotomuseum Winterthur), #033 mit Prof. Dr. Jens Schröter (Lehrstuhlinhaber Medienkulturwissenschaft Universität Bonn), #029 mit Dr. Nadia Ismail (Leiterin Kunsthalle Gießen), #014 mit Dr. Franziska Kunze (Sammlungsleiterin Pinakothek der Moderne München), #013 mit Prof. Dr. Volker Jansen (Professor Hochschule der Medien Stuttgart). Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2021/2022. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ http://photography-now.com/exhibition/150189 https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ http://andyscholz.com/ http://photography-now.com/exhibition/147186

(00:00:00) Ramon De Marco ist Klangkünstler und Sounddesigner. Er realisierte Projekte für verschiedene Kunstausstellungen und Festivals auf der ganzen Welt. Wir sprechen mit ihm unter anderem über Lärmverschmutzung und darüber, wie man Stille hörbar machen kann. Weitere Thermen: (00:10:31) Beklatscht aber nicht bezahlt: Wie es um die Berufsgruppen steht, die wenig im Gespräch sind, untersuchen Soziologin Nicole Mayer-Ahuja und Oliver Nachtwey in ihrem Buch «Verkannte Leistungsträger:innen» (00:15:16) Die brasilianische Fotografin Claudia Andujar bietet im Fotomuseum Winterthur eindrückliche Einblicke in die bedrohte Existenz der Yanomami – eines indigenen Stamms aus dem Amazonasgebiet. (00:19:54) Orchester aus der Unterwelt: Das Theater Basel adaptiert die Krabat-Saga und zeigt mit «Die Mühle von Saint Pain» eine Mischung aus Oper und Western Noir. (00:24:17) «Brave New Life»: Regisseur Dennis Schwabenland geht in seinem neuen Stück der Frage nach, ob ein perfektes, durchoptimiertes, ewiges Leben erstrebenswert sei.

Reingelegt: Auf die Titel-Frage findet ihr im Podcast keine Antwort. Dafür einen Beitrag zur Ausstellung «How to Win at Photography» und ein Interview mit einem der Kuratoren. Ausserdem stecken wir die Nase noch einmal in digitale Lehrmittel und schauen, wo der SMS-Nachfolger RCS bleibt. Der ganze Podcast im Überblick: (00:01:48) John McAfee ist tot (00:12:11) Wo bleibt der SMS-Nachfolger RCS? (00:21:38) Game-Tipp: «Operation Tango» (Windows PC, PlayStation, Xbox) (00:26:46) «How to Win at Photography» im Fotomuseum Winterthur  (00:37:54) Sollen Kinder ein Smartphone haben? Wenn ja: Welches? (00:48:13) Aufruf: Mach mit bei «SRF Digital bi de Lüt»! (00:51:03) Feedback und 2. Teil der digitalen Lehrmittel (01:24:02) Interview mit Kurator Marco De Mutiis

Reingelegt: Auf die Titel-Frage findet ihr im Podcast keine Antwort. Dafür einen Beitrag zur Ausstellung «How to Win at Photography» und ein Interview mit einem der Kuratoren. Ausserdem stecken wir die Nase noch einmal in digitale Lehrmittel und schauen, wo der SMS-Nachfolger RCS bleibt. Der ganze Podcast im Überblick: (00:01:48) John McAfee ist tot (00:12:11) Wo bleibt der SMS-Nachfolger RCS? (00:21:38) Game-Tipp: «Operation Tango» (Windows PC, PlayStation, Xbox) (00:26:46) «How to Win at Photography» im Fotomuseum Winterthur  (00:37:54) Sollen Kinder ein Smartphone haben? Wenn ja: Welches? (00:48:13) Aufruf: Mach mit bei «SRF Digital bi de Lüt»! (00:51:03) Feedback und 2. Teil der digitalen Lehrmittel (01:24:02) Interview mit Kurator Marco De Mutiis

Autor: Gampert. Christian Sendung: Kultur heute Hören bis: 19.01.2038 04:14

Simon Lehner. Frei schaffender Künstler in Wien. »Das narrative algorithmische Bild. How far is a lightyear?« Vor acht Jahren begann er mit fotografischen Bildern zu arbeiten und sein erstes Fotobuch erschien in Zusammenarbeit mit dem Fotohof Salzburg. Im Podcast erzählt er wie sein Leben mit fotografischen Bildern weiter ging. «Simon Lehner gehört für mich zu einer jungen Generation von Künstlern, die mit fotografischen Bildern arbeiten, die wunderbar ins Narrative gleiten und uns zudenken geben, was wir in Bildern eigentlich zu lesen vermögen. Der tänzelnde schmale Grad zwischen Behauptung und Tatsache in Lichtgeschwindigkeit. Wie ein Balance-Akt einer auf der Nase stehenden Spielkarte oder wie Insekten, die sich auf dem Rücken eines Heranwachsenden tummeln. »How far is a lightyear?«, das ist hier die Frage.« Andy Scholz, Juli 2020 Simon Lehner, Jahrgang 1996 lebt und arbeitet in Wien. Er schloss sein Studium der Fotografie und der Bewegtbilder an der Wiener Kunstakademie, die Angewandte ab. Sein erstes Fotobuch machte er mit 16 in Zusammenarbeit mit dem Fotohof Salzburg. Mit seiner Serie »How far is a lightyear?« gewann er 2018 den »Paris-Photo Carte Blanche Award + the Paris-Photo Maison Ruinart Prize«. 2019 wurde er ausgewählt als »Red Hook Labs New Artist – a Lensculture emerging Talent« und für den »Rencontres d'Arles Voies Off Award«. Er war 2019 nominiert für den »FOAM-Paul-Huf-Award«, für den »Leica Oscar Barnack Award«, für den »C/O Berlin New Talent Award« und bekam eine besondere Erwähnung bei »Plat(t)form Winterthur 19« vom Fotomuseum Winterthur. Sein Buchprojekt »Men don't play« mit einem Text von Brad Feuerhelm war auf der Shortlist für den »Unseen Dummy Award 2017« und ausgewählt für das Photo Vogue Festival »A Glitch in the system«. Seine Arbeiten sind in zahlreichen Publikationen in den USA, in Österreich, Großbritannien, Frankreich, Italien, Niederlanden, Marokko, Russland erschienen. Darunter FOAM Magazine, The British Journal of Photography, US-Vogue, i-D, Paper Journal Magazine, It's nice that, Document Journal, L'UOMO Vogue, Vogue Italia, die Zeit, Ain't Bad, Ignant, der Greif, Tique Art Magazine, Phases Magazine, Musée Magazine, C41 Magazine. Einen Auszug aus seiner Arbeit wird er in der großen Festival-Hauptausstellung HÖHER. SCHNELLER. WEITER. im Kunst- und Gewerbeverein Regensburg vom 22. Oktober bis 15. November 2020 zeigen. https://festival-fotografischer-bilder.de/portfolio/simon-lehner/ http://simonlehner.com/ https://www.westlicht.com/westlicht/en/program/exhibitions/simonlehner http://fotohof.net/ Aktuelle Ausstellung: SIMON LEHNER: MEN DON'T PLAY / MEN DO PLAY 11. September bis 25.Oktober 2020 WestLicht Schauplatz für Fotografie Westbahnstraße 40 1070 Wien, Österreich +43 (0)1 522 66 36 60 info@westlicht.com https://www.westlicht.com/westlicht/de/home Episoden-Cover-Gestaltung und Texte: Andy Scholz Episoden-Cover-Foto: Privat http://fotografieneudenken.de/ Save the Date: 22. Oktober bis 15. November 2020 FESTIVAL FOTOGRAFISCHER BILDER Regensburg Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020. Das FESTIVAL FOTOGRAFISCHER BILDER ist eine Kooperation mit dem Kulturamt der Stadt Regensburg. Der Initiator des Podcasts ist Andy Scholz, Jahrgang 1971, geboren in Varel am Jadebusen. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Fotografie in Essen an der Folkwang Universität der Künste (ehemals Gesamthochschule Duisburg-Essen) u.a. bei Jörg Sasse und Bernhard Prinz. Andy Scholz ist freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 hatte er verschiedene Lehraufträge u.a. Universität Regensburg, Fachhochschule Würzburg, Philipps-Universität Marburg, Ruhr Universität Bochum. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ http://andyscholz.com/

Ein Gespräch mit Thomas Seelig über seinen Weg vom Fotografiestudium in Bielefeld bis ins Museum Folkwang in Essen, das spannende Projekt 21.lettres.a.la.photographie@gmx.de, die Neueröffnung des Untergeschoss für die Fotografie, wie er sich über neue Strömungen und junge Künstler informiert und den einfachen Weg, einen Praktikumsplatz bei der Aperture Foundation zu bekommen. Auch zu dritt. Thomas Seelig ist Leiter der Fotografischen Sammlung am Museum Folkwang und folgte dort 2018 auf Florian Ebner. Er war seit 2003 Sammlungskurator des Fotomuseum Winterthur. Foto: Anne Morgenstern

Ein Gespräch mit Thomas Seelig über seinen Weg vom Fotografiestudium in Bielefeld bis ins Museum Folkwang in Essen, das spannende Projekt 21.lettres.a.la.photographie@gmx.de, die Neueröffnung des Untergeschoss für die Fotografie, wie er sich über neue Strömungen und junge Künstler informiert und den einfachen Weg, einen Praktikumsplatz bei der Aperture Foundation zu bekommen. Auch zu dritt. Thomas Seelig ist Leiter der Fotografischen Sammlung am Museum Folkwang und folgte dort 2018 auf Florian Ebner. Er war seit 2003 Sammlungskurator des Fotomuseum Winterthur. Foto: Anne Morgenstern