Podcasts about Grateful Dead

Hosted by Brad Zerbo and Jaytriot with special guest Ashe in America, this special edition of The Audio Files dives deep into the culture, history, and philosophy behind jam bands. Ashe traces the musical lineage from The Grateful Dead's touring-first rebellion to The Allman Brothers' Southern rock harmonies, Derek and the Dominos' blues influence, Widespread Panic's Red Rocks legacy, and the sovereign spirit of Jack Johnson. Along the way, the trio explores bootleg culture, improvisation, musical community, and how bands built movements without relying on radio gatekeepers. The conversation crescendos with Dave Matthews Band, featuring a live COVID-era performance that became a lifeline during lockdowns, and a surprise guitar remix from Brad that bridges skepticism with appreciation. The episode closes with Rusted Root and a heartfelt tribute to a dear friend, reminding listeners why live music and shared experience matter so much. Themes of musical freedom, community resilience, artistic sovereignty, and the emotional power of live performance run throughout this episode.

This week, I talk with Bill Rogers, who has a very diverse legal career: civilian practice, Air Force, Air Force Reserve, government servant, general counsel, advisor, BnB owner/operator, back to private practice, and farmer. In light of that, the title of this podcast is a hat tip to the Grateful Dead.

In light of what the Epstein Files taught us about Bob Weir and Bohemian Grove, we ask the question: Is there any merit to the conspiracy theory regarding the Grateful Dead as a CIA psyop? What exactly was the band's relationship to the MK Ultra program and what's up with all those hippie pop stars with military and defense contractor parents? Plus, as always, your voicemails, texts, dms, emails and more. Check out our extensive archive for more great episodes like these: Episode 189 - Metallica Episode 34 - Jim Morrison To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

New York-based organ trio Organ Fairchild joins me for a chat about potential name litigation, John Lee Hooker licks, Grateful Dead covers, basement party bands, retro advertising aesthetics, bothersome hymn chords, plus Corey's dogs chime in, too.Check out Organ Fairchild!Websites: https://www.organfairchild.com/ | https://organfairchild.bandcamp.com/ | https://www.nugs.net/organ-fairchild-concerts-live-downloads-in-mp3-flac-or-online-music-streamingSocial: https://www.instagram.com/organfairchildSpotify: https://open.spotify.com/artist/2K4yMzbJpAlMu50i1letMh?si=ut1KitO9R_yDlSB2HfLU1w40 Minutes of Funk is an interview podcast focusing on Funk practitioners, their philosophies, and their music. Listen on all podcast networks and please subscribe, rate, and leave feedback for the show. Follow on social media: https://www.facebook.com/40minutesoffunk | https://instagram.com/40minutesoffunk.Support at only $5/month or more and receive exclusive perks at https://www.patreon.com/40minutesoffunk. Check out the website for more info at http://www.40minutesoffunk.com!Listen to my weekly funk radio show, Tonic: The Funky Groove Show https://www.funkygrooveshow.com, every Friday night at http://www.kgou.org and follow on social media: https://www.facebook.com/FunkyGrooveShow | https://www.instagram.com/funkygrooveshow - thanks!Send me a text, yo!Support the show

Why was the Grateful Dead's Bob Weir a member of the secretive Bohemian Club? Maybe the answer lies in the Epstein Files or in early MK Ultra efforts? Listen to find out why a counterculture icon, one of the architects of the most consequential communities in music history, was part of a community that included conservative presidents and war criminals. To listen to Disgraceland ad free and get access to exclusive bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Join Deadheads Alex and Dave talkin' about the newest official release from the Grateful Dead, Dave's Picks Volume 57! We break down one-and-a-half shows from the second set of January 31 and the entirety of February 1, 1978 from the beautiful Uptown Theatre in Chicago. It's a longer episode because there is so much good stuff to talk about, which is a good thing! Get on the bus with Workingman's Pod!Links to this year's artist in residence Chelsea Housand's official page:https://www.housandarts.com/Please send us an email with any and all of your Bob Weir stories as we continue to mourn Bobby's passing.Follow us @workingmans_pod on Instagram, or email us at workingmanspod@gmail.com.

ReferencesGuerra, DJ 2026. Unpublished LecturesThe Journal of Biological Chemistry 2018 293, 19001-19011 Int J Mol Sci. 2025 Apr 27;26(9):4147Cell Death & Disease 2019. v 10, Article number: 315 Hunter/Garcia/Kreutzmann. 1975 Franklin's Tower. Grateful Dead.https://open.spotify.com/track/3PgIhd4XmwtmV2XGU5qhzZ?si=7714f01313ca477bTravis, M. 1946. !6 Tons. Tennessee Ernie Fordhttps://open.spotify.com/track/3P6OwCX7Ofiaaqtvujb6i5?si=4b8704749b6e4390

Hey now, let's enjoy some music together including several Grateful Dead songs, Tom Rush, Joan Baez and David Crosby.

Bootlegging whiskey, acid tests, grass, and songs about murder. The origins of the Grateful Dead are fascinating and not what most people think. Born out of the tradition of “old, weird America”; bluegrass, jug band music and deadly folk tales, the Grateful Dead, as young adults, were into some strange stuff and we are all better for it. The band would go on to create their very own “new, weird America” due in part to the cultural impact they would have over their near 40-year career. But their connection to the traditional music that spawned them was due in large part to their harmonica player, singer, and keyboardist, Ron “Pigpen” McKernan, who lived “the life” so authentically that he died at the age of just 27. This is the Grateful Dead origin story and the Ballad of Pigpen. To view the full list of contributors, see the show notes at ⁠⁠www.disgracelandpod.com⁠⁠. This episode was originally published on October 13, 2020. To listen to Disgraceland ad free and get access to exclusive bonus content and more, become a Disgraceland All Access member at ⁠⁠disgracelandpod.com/membership⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠GET THE NEWSLETTER⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠Instagram⁠⁠ ⁠⁠YouTube⁠⁠ ⁠⁠X⁠⁠ (formerly Twitter)  ⁠⁠Facebook Fan Group⁠⁠ ⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Goose vs. Geese | The Battle of the Waterfowl! In this episode of Derringer Discoveries, we are officially “winging it” as we dive into the avian-obsessed world of rock and roll. Join Paul, Laura, Alton, and our newly minted co-host, Rob Derringer, as we settle a debate over two of the most talked-about bands in the current scene: Connecticut's jam-band kings, Goose, and Brooklyn's post-punk provocateurs, Geese. In This Episode, We Discuss: The "Apex Predators" of Bird Bands: We look at the industry's obsession with our feathered friends, from The Eagles and The Black Crowes to The Yardbirds, The Byrds, and Wings. We break down two very different modern rock stories: Geese, the Brooklyn post‑punk critical darlings who exploded after an SNL appearance and now boast millions of monthly listeners; and Goose, the Connecticut‑born jam‑band phenomenon whose marathon live shows and festival breakout turned them into a touring powerhouse. Geese – The Post-Punk Anarchists: How a group of friends from Stuyvesant High School went from a basement studio called “The Nest” to a bidding war over their demos. The fallout from their polarizing Saturday Night Live performance that split the internet between "rock saviors" and "derivative impostors". Their meteoric rise to over 2 million monthly listeners and critical acclaim for albums like 3D Country and Getting Killed. Goose – The Indie-Groove Torchbearers: The band's "Big Bang" moment at the 2019 Peach Music Festival that transformed them into a national sensation overnight. Why they are considered the new leaders of the jam-band scene, blending the spirit of the Grateful Dead and Phish with a Vampire Weekend sensibility. Their impressive resume of sold-out shows at Madison Square Garden and Red Rocks.  The Final Vote The team steps off the fence to choose their winner in the Battle of the Waterfowl. Who takes the crown: the singular Goose or the plural Geese? Connect with Derringer Discoveries We want to hear from you! Is "jam band" a badge of honor or a warning label? Are you Team Goose or Team Geese? Email us: feedback@derringerdiscoveries.com  WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/095 Spotify Playlist: Stevie Wonder Inspired Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

Goose vs. Geese | The Battle of the Waterfowl! In this episode of Derringer Discoveries, we are officially “winging it” as we dive into the avian-obsessed world of rock and roll. Join Paul, Laura, Alton, and our newly minted co-host, Rob Derringer, as we settle a debate over two of the most talked-about bands in the current scene: Connecticut's jam-band kings, Goose, and Brooklyn's post-punk provocateurs, Geese. In This Episode, We Discuss: The "Apex Predators" of Bird Bands: We look at the industry's obsession with our feathered friends, from The Eagles and The Black Crowes to The Yardbirds, The Byrds, and Wings. We break down two very different modern rock stories: Geese, the Brooklyn post‑punk critical darlings who exploded after an SNL appearance and now boast millions of monthly listeners; and Goose, the Connecticut‑born jam‑band phenomenon whose marathon live shows and festival breakout turned them into a touring powerhouse. Geese – The Post-Punk Anarchists: How a group of friends from Stuyvesant High School went from a basement studio called “The Nest” to a bidding war over their demos. The fallout from their polarizing Saturday Night Live performance that split the internet between "rock saviors" and "derivative impostors". Their meteoric rise to over 2 million monthly listeners and critical acclaim for albums like 3D Country and Getting Killed. Goose – The Indie-Groove Torchbearers: The band's "Big Bang" moment at the 2019 Peach Music Festival that transformed them into a national sensation overnight. Why they are considered the new leaders of the jam-band scene, blending the spirit of the Grateful Dead and Phish with a Vampire Weekend sensibility. Their impressive resume of sold-out shows at Madison Square Garden and Red Rocks.  The Final Vote The team steps off the fence to choose their winner in the Battle of the Waterfowl. Who takes the crown: the singular Goose or the plural Geese? Connect with Derringer Discoveries We want to hear from you! Is "jam band" a badge of honor or a warning label? Are you Team Goose or Team Geese? Email us: feedback@derringerdiscoveries.com  WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/095 Spotify Playlist: Stevie Wonder Inspired Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

The Grateful Dead became one of the most influential bands of all time and propelled themselves with improvisation, LSD and an ethos of “freedom”. Through drug busts and CIA surveillance, they thrived and created one of the largest, most fervent and commercially consequential fan bases of all time. Freedom, LSD and improvised blues in the key of bummed the fuck out on this episode of Disgraceland. For a full list of contributors, see the show notes at ⁠⁠disgracelandpod.com⁠⁠ This episode was originally published on April 16, 2019. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Dead Buddhas stopped by Fox Cities Core on Code Zero Radio (WCZR) to celebrate the release of their debut album Sludge Americana.The Dead Buddhas are a band from Oshkosh, Wisconsin — Connor (vocals/guitar), JT (bass/vocals/recording & mixing), and Kevin (vocals/guitar) — who have been playing together since their high school days at Oshkosh West. They describe their sound as "sludge shoegaze" — a genre-bending collision of heavy, abrasive noise, dreamy post-rock atmospherics, and rootsy Americana influences. Think Black Sabbath meets the Grateful Dead, with a healthy dose of Johnny Cash and Korn thrown in for good measure. There's no single frontman here — all three members share vocal duties, which means any given song can swing from delicate, melodic singing to full-on aggressive screaming. Listening on headphones is strongly recommended.Sludge Americana was recorded and engineered at TR's Recording Studio in Oshkosh, a space the guys have deep connections to through longtime Fox Valley music community figure Uri Weber. JT handled all the recording, mixing, and mastering himself — a testament to the band's fully DIY approach. The album was written mostly on acoustic guitars, which is actually how the album got its name: when Connor and JT first started playing those heavy riffs acoustically, they looked at each other and said, "that kind of sounds like sludge Americana." The name stuck.In this interview we get into the full story — from their early open mic nights at New Moon in Oshkosh (where they were influenced by artists like Sarah Vos Winkle of Dead Horses and Nick Raymond of Traveling Suitcase) to their previous projects (Trying Tribals, Everything Went Silent... don't look those up, they said), to the making of Sludge Americana and what's coming next. We talk about the richness of the Oshkosh music scene, the DIY ethics driving the Fox Valley underground, and why they believe this region could become a legitimate hotbed for alternative music.We also get into the deeper themes of the album — nature, loss, urbanization, the anxiety of watching the world change around you — as well as some lighter moments: dream instruments (saxophone, cello, and lap steel), JT's hiccup phobia, the story behind the song "The Stairwell," Connor's dad and his bagpipes, and the band's whiteboard that doesn't have any markers yet.Sludge Americana is available now on all major streaming platforms and on physical CD.Fox Cities Core airs on Code Zero Radio (WCZR) — broadcasting live from Appleton, Wisconsin.

Mike Smith sits is joined live in-studio by Bill Payne (Little Feat co-founder, keyboardist, singer/songwriter) and documentary director Jesse Lauter ahead of the World Premiere screening of Little Feat: The Documentary at the Big Sky Documentary Film Festival in Missoula.Now in its 23rd year, the Big Sky Documentary Film Festival (BSDFF) is the largest nonfiction film festival the American west and is presented by the Big Sky Film Institute, bringing filmmakers and audiences together for a packed slate of screenings, conversations, and community events in the heart of downtown Missoula. BSDFF is an Academy Award® Qualifying Festival.The film itself, Little Feat: The Documentary (2026, 137 min), is narrated by Jeff Bridges and dives deep into the of one of America's most influential (and often lesser-known) bands. Featuring never-before-seen footage and stories from friends and collaborators (including Bonnie Raitt, Linda Ronstadt, Jackson Browne, Elvis Costello among others, and members of the Doobie Brothers, Phish, and the Grateful Dead), the documentary fluidly traces Little Feat's remarkable musical legacy and the wide reach of their influence across generations and genres. World Premiere info: 'Little Feat: The Documentary' Wilma Theatre, Saturday, Feb. 21 @ 6:00 PM (Big Sky Documentary Film Festival). 

Today we head back to February 1982 and the Pauley Pavilion at UCLA for a fine‑sounding tape of a very tasty Grateful Dead set. They come out of the gate with a wonderful Shakedown; Brent and Phil are all over this one, and it makes for a perfect opener. A gritty New Minglewood Blues follows, with Bobby leaning into the slide work here and again later on Little Red Rooster. Jerry is in strong voice on Friend of the Devil and a spacious Bird Song, and the set wraps up in unusual fashion with Bertha sliding straight into Man Smart (Woman Smarter) as a first‑set closer. Grateful Dead Pauley Pavilion – University of California Los Angeles, CA – 2/21/1982 – Sunday One Shakedown Street > New Minglewood Blues  Friend Of The Devil  Me And My Uncle > Big River  Bird Song  Little Red Rooster  Bertha > Man Smart (Woman Smarter) You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod022026.mp3   

Episode 10 opens in the long-running genre they've accidentally perfected — two grown men versus consumer electronics — as Michael explains how he revived his ageing Samsung “smart TV” (now “a bit of a nuff-nuff”) with a cheap HDMI streaming box bought from an Australian online retailer that “rhymes with Hogan”.  The thrill here isn't just 4K; it's the moral victory of upgrading the brain while keeping the body.  The upgraded TV then becomes a portal to two YouTube documentaries that send the pair (and us) into a warmly nostalgic British lane. One is an ARTE doc on Madness — “Princes of Ska” — which prompts Michael to re-fall in love with a band he rates as not just a ska novelty act, but an elite singles machine whose later pop craftsmanship deserves more credit than the pigeonhole allows. The other find is the real rabbit hole: John Peel's Record Box — an hour built around the late BBC DJ's stash of 142 singles kept separate from his famously vast collection (more than 100,000 records). The documentary hauls the box around to fellow travellers and famous fans — Jack White, Elton John, others — letting them rummage, remember and speculate on why those particular records were kept close.  Peel, it turns out, could contain multitudes: Sheena Easton's “9 to 5”, some Status Quo, a heavy White Stripes presence… and a special extra shrine for The Fall, who were apparently too important even for the box.  Then Brian takes the wheel for the episode's marquee music moment: Bob Dylan's Blonde on Blonde turns 60, marked with a concert at Tulsa's legendary Cain's Ballroom, presented by the Bob Dylan Center (sitting right next to the Woody Guthrie Center, because Tulsa is quietly running a curriculum).  Brian's spoken with the Center's director, Steve Jenkins, who teases an event titled Sooner or Later with a lineup that reads like an alternate-universe festival poster:  Naturally, they can't leave the album itself alone. They circle around what makes Blonde on Blonde such a gravitational object: the New York-to-Nashville recording shift, Al Kooper and Robbie Robertson in tow, and the snap-in brilliance of Nashville players like Charlie McCoy and Joe South.  Michael calls it the culmination of Dylan's ridiculous 18-month streak from Bringing It All Back Home through Highway 61 Revisited to Blonde on Blonde — productivity that makes modern “content schedules” look like a wellness day.  Song picks follow: Michael is unwavering on “Visions of Johanna”; Brian leans toward “Most Likely You Go Your Way (And I'll Go Mine)”, while also marvelling that Dylan had “Positively 4th Street” sitting on the bench, unused, like a spare masterpiece. There are lighter detours too: a surprisingly vivid discussion of a film built around stand-up comedy as therapy (Will Arnett, Laura Dern, John Bishop's life story, Bradley Cooper popping up in a minor role because he can), and then Brian's recommendation of Mackenzie Crook's Small Prophets — a title that briefly defeats Michael because he searches the wrong spelling and finds financial advice instead.  Once located, it lands hard: whimsy, sadness, small acts, and a specific episode-four moment that gets Brian teary without him wanting to spoil why. Michael flags the return of Gillian Welch & David Rawlings, apparently digging deep into the back catalogue (with a Guardian five-star review from Toowoomba), plus the pair's Grateful Dead-adjacent moves and upcoming US tribute tour. They also talk up Robert Finley, the 71-year-old, legally blind Louisiana singer with the late-blooming career arc (carpenter most of his life, first records in his 60s, produced by Dan Auerbach of The Black Keys), heading to Australia in May for intimate shows.  Finley's story lands like a parable for anyone who's ever thought they missed their chance. (Michael, who's finishing his own record — under the gloriously self-aware pseudonym Imposter Syndrome, album titled Oversharing with Strangers — certainly hears it that way.) Episode 10, then, is classic On The Record: a podcast held together by cable management, cultural memory, and the belief that the best stories are found when you stop pretending you have a plan. Important Links: Madness - Princes Of Ska (2025 Documentary) John Peels Record Box {Full show} The Fall Bremen Nacht (Vinyl Version) BOB DYLAN CENTER PRESENTS “SOONER OR LATER,” ALL-STAR CONCERT CELEBRATING SIXTIETH ANNIVERSARY OF DYLAN'S CLASSIC ALBUM “BLONDE ON BLONDE”  Emma Swift - "Visions of Johanna" (Live at Layman Drug Company) Bob Dylan - Most Likely You Go Your Way (And I'll Go Mine) (Official Audio) IS THIS THING ON? | Teaser Trailer | Searchlight Pictures Small Prophets | Official Trailer - BBC Gillian Welch & David Rawlings - Brokedown Palace (Grateful Dead) Capitol Theatre, Port Chester, NY Robert Finley - Helping Hand (Later... with Jools Holland) Robert Finley First Australian Tour Details and Tix   

An era comes to an end...Garcia shreds Greatest Story opener....Looks Like Rain tears....Supplication sizzles...Exceptional Terrapin...Wheel into Shakedown inside a Playin' loop...One of the top shows of 1979

“Look who’s back” es la nueva entrega de The Nude Party. Los siete mismos amigos que se juntaron en una universidad de Carolina del Norte siguen unidos tras cuatro álbumes, asentados en una casa comunal en el estado de Nueva York. Su receta sonora mezcla a los Rolling Stones con Lou Reed pasando por los Byrds, T-Rex, los Kinks, Gram Parsons o Grateful Dead. De su alquimia salen canciones que llegan para quedarse. Es un placer que hayan vuelto.Playlist;THE NUDE PARTY “Look who’s back” (Look who’s back, 2026)THE NUDE PARTY Juarez” (Look who’s back, 2026)THE NUDE PARTY “Love is electric” (Look who’s back, 2026)DANIEL ROMANO’S OUTFIT feat CARSON McHONE “Cardinal star” (Preservers of the Pearl, 2026)JE’TEXAS “Love is teasin” (Suit yourself, 2025)THE SHEEPDOGS “I do” (Keep out of the storm, 2026)FAST KIDS “Too busy hatin’ to understand love” (Fast Kids forever, 2026)ADAM AMRAM “Locked in” (To the end, 2025)AWEFUL KANAWFUL “A horse with no name” (Endless pleasure, 2025)RATBOYS “Anywhere” (Singin’ to an empty chair, 2026)THE PARANOID STYLE “Known associates” (Known associates, 2026)SNÜFF “Luciana” (2026)OLD LADY “Giggle” (Kissing creek, 2023)JEFF CLARKE “Sparrow” (Miracle after miracle after…, 2025)JACUZZI BOYS “Ozone” (Too cold to Tango, 2025)PROGRAM “Sparks” (It’s a sign, 2024)Escuchar audio

Seven years ago, Zac Clark walked into a treatment center to speak at a Tuesday night meeting – and met a guy in pajama pants wearing a “Grateful Dead” tee who had no idea if he was going to make it.That guy was Blake Porter.In this episode, Zac and Jay sit down with Blake – now Vice President of Business Development at Release Recovery – to trace the full arc: growing up in a small town in upstate New York, the fear and insecurity that shadowed his talent, the slow slide from booze and cocaine into opioids and heroin, and the moment his dad found a needle and the truth finally had nowhere to hide.Blake opens up about what early sobriety actually looked like: structure, accountability, humility, and the near-relapse that still scares him to remember – five months sober, back home, texting a dealer from a hotel bathroom… right up until something intervened and he chose honesty instead.Topics include:The AA meeting in treatment that changed everythingSmall-town upbringing, big fear, and the need to escapeAddiction, grief, and the cost of avoiding painThe truth-telling moment with Blake's dadWhy Release Recovery felt like “home”A near-relapse story that shows how real the obsession can beBuilding a life (and career) rooted in serviceIf you're trying to get sober right now, Blake's message is simple – and it might save your life: be honest.

Bob Weir passed away just over a month ago. He was a giant in the world of American roots music. A founding member of the Grateful Dead, after Jerry Garcia's death he went on the play with RatDog, Dead & Company, and of course Bob Weird and Wolf Bros. His musical legacy is unparalleled and his tunes will live on! In this episode we take a look at three songs he wrote; Truckin', Sugar Magnolia, and Touch of Grey. RIP Bob Weir! 

Hey now, here are some Grateful Dead tunes for you in addition to some folk music. Click on the link/picture and enjoy. 

  Welcome to this week's Deadpod! We're diving into the second set from the Grateful Dead's homecoming performance at the Oakland Coliseum on February 26, 1990 — the middle night of their Mardi Gras run. The boys were clearly thrilled to be back in the Bay Area, and that energy radiates through this exceptional set. The pre-drums sequence is absolutely stellar: nearly 30 minutes of Scarlet > Fire flows seamlessly into a spirited Playing, which then blooms into the full Terrapin suite. It's the kind of sustained improvisation that reminds you why these songs belong together. Coming out of Space, the emotional arc deepens — I Need a Miracle's urgency gives way to one of Jerry's most tender Stella Blues of the era, before Bobby unleashes a joyful, rollicking Lovelight that brings everyone home. The Baby Blue encore provides the perfect denouement to a magical night. This Mardi Gras run always promised good times, and the band delivered in spades. Grateful Dead Oakland-Alameda County Coliseum Arena Oakland, CA | February 26, 1990 (Monday) Set 2 Scarlet Begonias [13:02] > Fire On The Mountain [15:42] Playing In The Band [9:58] > Terrapin Station [12:54] > Drums > Space > I Need A Miracle [4:59] > Stella Blue [8:53] > Turn On Your Love Light [5:58] Encore It's All Over Now, Baby Blue [7:13] Listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod021326.mp3 Happy Valentine's Day, everyone!  

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When Matt Fogelson's father died of lung cancer during his senior year of college, he turned to music to express what words couldn't - rage, self-loathing, and grief so profound he didn't know where to put it.  In this conversation, Matt - author of the new memoir Restrung - talks about the silence that surrounded his father's terminal illness, the vacuum left by an absent but beloved parent, and how grunge music (especially Soundgarden and Pearl Jam) created space for him to feel what was hard to put into words.  Matt shares how his Aunt Wendy became his unlikely guide, why he wore his father's suits to work for years trying to feel close to him, and the breakthrough moment when Pearl Jam's "Release" helped him shift his relationship with his father's memory and his grief.  We also discuss how grief shaped his approach to parenting, why he sang a Grateful Dead song to his son every night for 14 years, and the three songs he wishes he could share with his father now.  Resources Matt's memoir Restrung (released February 3, 2026)  Matt's Substack and music blog (Fine Tuning)  More at dougy.org  Grief Out Loud is a production of Dougy Center, the National Grief Center for Children and Families. 

On this episode we're hanging with Austin, TX based guitarist Josh Pearson. Josh is an accomplished player and works as a touring musician with several acts including "Touch of Trey" - a tribute group playing the music of phish and the Grateful Dead. We both share a deep appreciation of Trey Anastasio and this episode might get nerdy and phishy, so strap in while we talk guitar, gear and life on the road. Hosted on Acast. See acast.com/privacy for more information.

Join Washington Examiner Senior Writer David Harsanyi and Federalist Editor-In-Chief Mollie Hemingway as they reflect on the legacy left by Mollie's late father, analyze Bad Bunny's Super Bowl halftime show, discuss the lack of patriotism at the Olympics, and mock Axios' crackpot take on the plummeting crime rate under President Donald Trump. Mollie and David also share their thoughts on the Melania documentary, Rumble Fish, and Long Strange Trip.Pre-order Mollie's book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution here.The Federalist is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going.

This week on Dopey!Dave dives headfirst into the surprisingly powerful world of Yellow Balloon groups — sober support tables that have become lifelines for recovering addicts and alcoholics at jam-band shows. The episode blends personal stories, history, and community vibes with guests Benji Rosenzweig (Storied Podcast, One Show at a Time) and Jen Dawson (Alia Health Group, hardcore Fellowship member). We hear the origin of Wharf Rats (Grateful Dead sober scene), how Fellowship (Phish-focused) branched off, and how dozens of similar groups now exist for bands like Goose, Billy Strings, Umphrey's McGee, Tyler Childers, and more. Dave shares his own outsider curiosity as someone who used shows purely as open-air drug markets, while Benji and Jen describe how the yellow balloon became a beacon in chaotic concert environments. It's part recovery fellowship, part parking-lot hang, part set-break gratitude circle, and — for many — the place where real connection replaced isolation.ALL THAT AND MORE ON THE BRAND NEW HIPPY CENTRIC EPISODE OF DOPEY!“Yellow Balloons Saved My Concert Life” – How Sober Hippies Built Secret Recovery Tables at Phish, Dead & Billy ShowsFrom Drug-Seeking to Hug-Seeking: The Insane Story of Yellow Balloon Groups“You're With Family Now”: The Grateful Dead Sober Scene That Spread to Every Jam BandChasing the Yellow Balloon: How Fellowship & Wharf Rats Keep Addicts Sober at ShowsSober Raging at Dicks: The Secret Society of Jam-Band Recovery Tables Exposed  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join Washington Examiner Senior Writer David Harsanyi and Federalist Editor-In-Chief Mollie Hemingway as they reflect on the legacy left by Mollie's late father, analyze Bad Bunny's Super Bowl halftime show, discuss the lack of patriotism at the Olympics, and mock Axios' crackpot take on the plummeting crime rate under President Donald Trump. Mollie and David also share their thoughts on the Melania documentary, Rumble Fish, and Long Strange Trip.Pre-order Mollie's book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution here.The Federalist is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going.

Doug Schmell joins us to discuss the opening night of the Grateful Dead's final run in the Fillmore East....Outstanding performances of Hard to Handle and Morning Dew highlight this underrated gem...a consistent and seamless performance featuring several new additions to the band's repertoire...

HOUR 4 - The San Francisco Standard reports 49ers DE Keion White was shot at Dahlia SF after a Lil Baby concert. We preview the new Earthquakes kit inspired by the Grateful Dead’s psychedelic roots. Plus, “Quad God” Ilia Malinin shows off his skills for Snoop Dogg.See omnystudio.com/listener for privacy information.

HOUR 4 - The San Francisco Standard reports 49ers DE Keion White was shot at Dahlia SF after a Lil Baby concert. We preview the new Earthquakes kit inspired by the Grateful Dead’s psychedelic roots. Plus, “Quad God” Ilia Malinin shows off his skills for Snoop Dogg.See omnystudio.com/listener for privacy information.

In this episode of "Seeing Them Live," host Charles welcomes back Paul Peterson, a retired technology manager and lifelong audiophile who hosts the podcast 'An Avid Listener.' Together, Charles and Paul explore the complex world of bands performing with significantly changed lineups. The conversation was sparked by Paul's recent concert experiences, including seeing Alan Parsons and the Doobie Brothers with almost entirely new members, which led him to question what makes a band authentic and what concertgoers are really seeking when they buy tickets based on a famous name.Charles and Paul examine numerous examples of lineup changes with varying outcomes. They contrast successful transitions like AC/DC replacing Bon Scott with Brian Johnson and Iron Maiden swapping Paul Di'Anno for Bruce Dickinson, with more questionable situations like Grand Funk Railroad touring without Mark Farner, the Beach Boys performing with only Mike Love, and Queen continuing with Adam Lambert. The discussion reveals how fans often purchase tickets unaware of major personnel changes, raising questions about transparency and the power of brand names in the music industry.Paul encourages listeners to research bands before attending concerts and seek experiences that offer more than nostalgia. He emphasizes the value of artists sharing stories and offering unique performances rather than simply recreating studio recordings, praising innovative approaches like Steely Dan performing entire albums in sequence and intimate acoustic sets from aging rockers. While lineup changes are inevitable, the key is transparency and delivering an experience that justifies the ticket price—whether through musical excellence, storytelling, unique venues, or discovering new bands at smaller, more intimate settings.BANDS: AC/DC, Alan Parsons, Beach Boys, Beatles, Black Sabbath, BoDeans, Brian Auger, Doobie Brothers, Duke Tomato and the All Stars, Eagles, Emerson Lake and Palmer, Flaming Lips, Fleetwood Mac, Gov't Mule, Grand Funk Railroad, Grateful Dead, Heart, Iron Maiden, James Gang, Johnny Reno and the Sax Maniacs, Led Zeppelin, Led Zeppelin Two, Motley Crue, Pink Floyd, Queen, Rolling Stones, Scorpions, Steely Dan, Super Tramp, The Doors, The Who, Toto.VENUES: Arcadia, Auditorium Theater, Candlestick Park, Chicago Stadium, City Winery, Empty Bottle, Fitzgerald's, Hollywood Bowl, House of Blues, Living Room, Riot Fest, Shea Stadium, The Sphere. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Join Deadheads Alex and Dave talkin' about a 2023 Bobby Weir and the Wolf Brothers (featuring the Wolfpack) show from the legendary Capitol Theatre in Port Chester, NY! We set out to explore more of the music Bobby was playing in his later years as we continue to mourn his passing. While not our usual coverage of the Grateful Dead, you can still get on the bus with Workingman's Pod!Link to Archive taper edition of this show: https://archive.org/details/wolfbros2023-12-17.aud.mkh8040.nico11104.flac24Follow us @workingmans_pod on Instagram, or email us at workingmanspod@gmail.com

Plus the latest theatre news and reviews and a few thoughts on the passing of the Grateful Dead's Bob Weir.Introduction (0:05)Alex Miller hosts solo this week as co-host Toni Tresca is out of town. Preview of upcoming interview with playwright Edith Weiss about her comedy Fierce Satire and Mediocre Sex opening at Buntport Theater.Theater Season Update (0:35)Colorado's busy theater scene - 16 shows reviewed in January, 20 more expected in February. Alex highlights OnStage Colorado's active coverage of the state's performing arts.Recent Reviews Roundup (1:15)Burning Bluebeard (Catamounts) - Toni's review praises this Colorado premiere at Boulder Dairy CenterGodspeed (Denver Center) - Toni reviews this Western that moved from reading to full productionThe Game's Afoot (StageDoor Conifer) - Garth Gerstin's mixed review of the Ken Ludwig mysteryThe Odd Couple Female Version (Miner's Alley) - Garth praises this well-done productionUpcoming Coverage & News (5:45)Preview of shows being reviewed including touring productions, new works, and dance. Interview preview with Kenya Mahogany about Happy to be Nappy at Manos Agrados in Aurora.Colorado Theater News (7:20)Rich Cowden's sudden departure from Aurora Fox after 2.5 yearsShrek the Musical controversy and canceled performances at Parker-Pace CenterInterview: Fierce Satire and Mediocre Sex (8:30)Conversation with playwright/actor Edith Weiss and director Susan Lyles (And Toto too Theatre Company) about their world premiere comedy featuring eight short plays exploring human foibles, opening February 13-28 at Buntport.Key topics discussed:And Toto too's 21-year mission promoting female playwrightsThe play's structure as interconnected vignettesThemes of commonality, landing in unwanted lives, and finding hopeCast includes Edith Weiss, Chris Kendall, Jeff Jesmer, Meredith Young, Sophia BajjaThe Shakespeare's Jeopardy segment and other memorable scenesPersonal Reflection: The Grateful Dead (31:54)Alex shares emotional reflections on Bob Weir's death, his experiences as a teenage Deadhead seeing 30+ shows, and the concept of "hiraeth" - longing for a time you can't revisit.Next Episode Preview (39:15)Upcoming interview with Thunder River Theater Company (Carbondale) about K2 - a climbing play featuring actors in harnesses for the entire show. Runs February 13-March 1.Show runs approximately 40 minutes

Hey Now! Here is my music podcast featuring the music of The Grateful Dead, Jefferson Airplane, Neil Young and Crazy Horse, Country Joe and The Fish and more Grateful Dead recorded live on KMRE 88.3 FM from Monday February 9, 2026. Enjoy and tell all our tribe. The Grateful Dead is alive!!!

Grant shares his big picture thoughts about the 2025-2026 NFL season, and outlines his final preview thoughts for Patriots vs. Seahawks. NFL VP of Player Performance and Strategic Innovation Mackenzie Herzog joins Grant to talk about helmets, playing surfaces and international travel. 98.5 The Sports Hub's Mike Felger returns to talk Packers, Giannis, Brewers and Grateful Dead. See omnystudio.com/listener for privacy information.

Walter Martin spent decades making and playing music, most famously with the indie rock bands Jonathan Fire*Eater and The Walkmen. Recently, he's started a new crazy good turn,  helping people like you and me rediscover the joy of music through his Walter Martin Radio Hour show and Substack. In this episode, we discuss: How a single instrument (like the organ) can change how you hear a song. Why Walter chooses positivity over rock criticism. Moving past the "judgmental" years to love bands you once dismissed. The "Crazy Good Turn" of human-to-human music discovery. Chapters & Timed Links: [05:07] The Austin Kleon Connection: How two creators found each other through "the magic of the internet." [07:29] From NYC to Upstate: The origin of The Walter Martin Radio Hour. [10:16] The Classical Club: Why Walter is diving deep into Strauss and Stravinsky. [12:07] The Organ Episode: Learning to hear the difference between a Hammond and a Farfisa. [21:43] Breaking the "Teenage Rules": How Walter learned to love the Grateful Dead and Neil Young. [23:52] Walter's Favorite new musician right now.  [28:57] Walter's Songs: Discussing "The Rat" and the autobiographical beauty of "The Soldier." [31:33] Who's done a Crazy Good Turn for Walter?  

Send us a textI'm really excited to bring you this episode's guest. When I began ultramarathoning several decades ago, the only way I could learn about races and people in that space was through a black-and-white magazine delivered to my mailbox called Ultrarunning. It had pages and pages of mundane rows of race results that still held fascination for me. Plus stories about races in exotic-sounding places like Auburn, Calif. and where I first heard about this crazy race called the Barkley Marathons that at that time no one had ever finished, and long before Netflix, no one else but me and a few others had heard of. I also read about people who became my first idols in the sport like Marshall Ulrich and Roy Pirrung, who I've had the great honor to chat with both on this podcast and in-person. But one who absolutely left me in awe who I never got to meet was Ann Trason, who I got to see – briefly – when she zoomed past me on Hope Pass in the Leadville Trail 100 in the 90s. Ann won the Western States 100 a mind-boggling 14 times, twice less than two weeks after winning the Comrades Marathon in South Africa. Western States is considered the most prestigious 100-miler in the US, and Ann, who in 1994 set a course record of 17:37:51, now lives close to the 99-mile mark of the course. Comrades is the oldest ultramarathon in the world, having begun right after WW1, and is roughly 55 miles, and is so esteemed that the entire country basically shuts down to watch it. Very few Americans have ever won it. Ann set the Leadville course record of 18:06:24 in 1994 that was only broken this past year by Anne Flower. She finished second, not just among women, but overall. In 1996, she not only completed the Grand Slam of 100-milers – Western States, Leadville, Vermont, and Wasatch Front – but she won them all. Ann set 20 world records, including for 50 miles in 5:40:18 and 100K in 7:00:47. All the way back in 1987, Ann became a Nike-sponsored athlete when women's sports hadn't taken hold like they have today, and ultramarathoning hadn't achieved any of the attention and popularity it now has. Ann retired from ultramarathoning in the 2000s due to injuries and the onset of rheumatoid arthritis, which has ravaged her body. As a result of her many accomplishments, as well as her continuing contributions to the sport as a race director, coach, writer, supporter, and much more, she was inducted into the Ultrarunning Hall of Fame in 2020. After a long time out of the spotlight, Ann arrived at an Arizona race called Across the Years, which begins three days before New Year's and finishes three days after it, just wanting to engage with the ultrarunning community in her joyous way, and push her walker – with all of its lights and decorations – for some laps around the 1.41-mile looped course. I have spoken with several people who told me how delighted they were to get to chat with Ann out there, and in the end, one of the event's highlights was when she completed 100 miles and earned a buckle – all while pushing that walker. With such a long, colorful career, you can imagine that Ann and I cover a lot of ground in this very fun chat, including her talking with Nelson Mandela after she won Comrades, swapping hats with the Jester, the Grateful Dead, being vegetarian and a race director, including the best way to make peanut butter and jelly sandwiches at races, long-lost Nike shoe models, the fun of reading that old Ultrarunning magazine, her inspirations in the sport and those who have followed her, her relationship with her parents, and about the joy and gratitude she has for life and the running community.Ann TrasonInstagram @ann_trasonBill Stahlsilly_billy@msn.comFacebook Bill StahlInstagram and Threads @stahlor and @we_are_superman_podcastYouTube We Are Superman PodcastSubscribe to the We Are Superman

Patrick is joined by Rob Gates, Kevin Bartlett and Jason Goebel to discuss the musical legacy of Bob Weir, who passed on January 10, 2026, at the age of 78. In the first episode of this three-part tribute, the panel share their stories of discovering the Grateful Dead and Bob. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Super sweet talk with Anders Beck! Say it with an 'ah-nders' not 'and-ers'. Anders tells us jis whole musical/drug/alcohol story! Nothing left out - including the crazy intervention and playing with phil lesh! May he rest in peace! PLUS sick email from Montana in prison! (thanks Nicole!) An amazing dildo filled voicemail from Daniel G! A nice mention from Steve from New Hampshire and so much more more more!PLUS Ander's beautiful song 'Born Again' performed by Greensky Bluegrass, Anders' bonus dobro playing, Damon's 'Dopey World' and Jake from West Virginia's classic version of 'Good So Bad'ALL THAT and more, more, more on this brand new episode of that good old Dopey Show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

BEST SHOW BESTS! In this classic clip, Tom gets a call from BRYCE PREFONTAINE, who wants to talk about the final Grateful Dead show! (Originally aired July 8th, 2015)New to the Best Show? Check out Best Show Bests, the greatest hits of The Best Show! Available every Friday on your podcast app.SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grammy are most interesting when they mess up—snubbing NWA, the Grateful Dead, Metallica and others. We get into all of it plus some extra awards show hijinks in the exclusive All Access section, and as always Jake takes your voicemails, text, emails, and more. For more wild stories from the world of music and true crime, check out these Disgraceland episodes: ⁠U2⁠ ⁠Bob Dylan⁠ ⁠Whitney Houston⁠ ⁠Bob Marley⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

INTRO (00:24): Kathleen opens the show drinking an Bluewing Berry Wheat Ale from Flyway Brewing Company in Little Rock, AR. She reviews her weekend in Hot Springs, AR hanging with race horses and eating the best pizza she's ever had in her life.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (2:39): Kathleen samples Mikey V's Ranch Flavored Fried Garlic and Frank's Red Hot Spicy Gummy Bears.   COURT NEWS (22:27): Kathleen shares news involving Dolly's 80th birthday, Martha Stewart launches a skin care line, Taylor Swift is the youngest inductee into the Songwriter's HOF, and Stevie Nicks adds to her 2026 Tour schedule.    UPDATES (32:44): Kathleen shares updates on Australia's new social media ban, Michael Jackson's Bubbles the Chimp is thriving in Florida,    FRONT PAGE PUB NEWS (45:39): Kathleen shares articles on the 10 rising restaurant chains that will take over in 2026, Oklahoma City Zoo's newly born langur, there's a mystery buyer who purchased a Wyoming ranch 4x the size of NYC, thousands of fans celebrate the life of Grateful Dead founder Bob Weir, Colorado moves forward with a plan to reintroduce wolverines into the wild, and Gen Z replaces problematic women referred to as “Karen” with “Jessica.”   HOLY SHIT THEY FOUND IT (41:35): Kathleen reads about an uncontacted South American tribe in the Amazon, and rare images of Europe's “ghost cat' are captured in the Doupov Mountains, Doomsday fish encountered in Monterey Bay.    WHAT ARE WE WATCHING (28:44): Kathleen recommends watching “Heated Rivalry” on HBO Max.    SAINT OF THE WEEK (1:20:16): Kathleen reads about St. Andrew, patron saint of Scotland and golfers.   

We remember Bob Weir, founding member of the Grateful Dead, who died last week at 78. The guitarist spoke with Fresh Air Executive Producer Sam Briger in 2016 about working on a ranch, learning to ride, and getting to know cowboys. Also, we remember jazz singer Rebecca Kilgore, who was known for her interpretations of the Great American Songbook. She died at age 76. Kilgore often performed and recorded with pianist Dave Frishberg. We listen to excerpts of their in-studio concerts with Terry Gross. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy