Podcast appearances and mentions of Spike Lee

David and Richard catch Rebecca up on the premiere of 'Highest 2 Lowest', which included a surprise Palme d'Or honor for the film's star Denzel Washington -- along with some red carpet drama. Then they discuss the tepid reactions for 'Titane' filmmaker Julia Ducournau's new film 'Alpha'.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

Of COURSE Reggie Miller is trolling Knicks fans because he owes his star-power & reputation & broadcasting career to the Knicks & his 8 points in 9 seconds/Spike Lee at MSG. Knicks made him relevant. Plus, a visit from MLB Insider Jon Paul Morosi!See omnystudio.com/listener for privacy information.

Spike Lee’s biopic of Malcolm X attempts to include Malcolm entire life, short as it was. The post A060: Malcolm X (1992) appeared first on .

Notre critique du film "Highest 2 Lowest" réalisé par Spike Lee avec Denzel Washginton, Jeffrey Wright, Ilfenesh Hadera et A$AP Rocky. Le film est présenté hors compétition au Festival de Cannes 2025Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast   ---   Titre : Highest 2 LowestSortie : 5 septembre 2025 sur AppleTV+Réalisé par Spike LeeAvec : Denzel Washginton, Jeffrey Wright, Ilfenesh Hadera et A$AP RockySynopsis : Un magnat de la musique, réputé pour avoir "les meilleures oreilles de la profession", est la cible d'une demande de rançon qui l'accule à un dilemme moral, entre vie et mort.#Highest2Lowest #Cannes2025 #CINECASTHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Knicks advance to the ECF, and NYK fans are back. When the Knicks are good, its great for business. Timmy Chalamet has taken Spike Lee's throne as the number one New York Knick fan. The fans were so crazy this weekend that the Iciest Play of the Week goes to one of them! 20+ turnovers lead the Thunder to beat the Nuggets. Alex Caruso had the game of his lifetime guarding Joker, and SGA and the Thunder are looking like a championship contender. Meanwhile, Nikola Jokic is going to drink a bunch of beer and Aaron Gordon complains that there isn't enough time to rest between games. Oh, and Russell Westbrook was bad. Like really bad. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Knicks advance to the ECF, and NYK fans are back. When the Knicks are good, its great for business. Timmy Chalamet has taken Spike Lee's throne as the number one New York Knick fan. The fans were so crazy this weekend that the Iciest Play of the Week goes to one of them! 20+ turnovers lead the Thunder to beat the Nuggets. Alex Caruso had the game of his lifetime guarding Joker, and SGA and the Thunder are looking like a championship contender. Meanwhile, Nikola Jokic is going to drink a bunch of beer and Aaron Gordon complains that there isn't enough time to rest between games. Oh, and Russell Westbrook was bad. Like really bad. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fourth episode from the sunny shores of southern France, Film Comment contributor Mark Asch and critics Kong Rithdee, and Isabel Stevens join Editor Devika Girish to discuss some of the festival's buzziest titles, including Kristen Stewart's The Chronology of Water (3:35), Lynne Ramsey's Die My Love (12:00), Richard Linklater's Nouvelle Vague (29:22), and Harris Dickinson's Urchin (40:35). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Send us a textOn the podcast this time, Steven and Sean are learning a lot about what it takes to be a decent guy. We watched the 1986 film from Spike Lee, She's Gotta Have It.Honestly, I'm not joking about that first sentence. I believe that Steven and I are nowhere near as bad as Jamie, Greer, and Mars. Watching them is enough to send a chill down one's spine. They are a cautionary tale to men everywhere.Nola deserves better than them, and I hope that one day she finds it. What we did was find and talk about a phenomenal director's excellent first film. Enjoy!(Recorded on April 09, 2025)Links to Stuff We Mentioned:She's Gotta Have It - The Movie Database (TMDB)She's Gotta Have It trailer - YouTubeSpike Lee — The Movie Database (TMDB)Tracy Camilla Johns — The Movie Database (TMDB)Tommy Redmond Hicks — The Movie Database (TMDB)John Canada Terrell — The Movie Database (TMDB)Raye Dowell — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show

On today's Arts24 from Cannes with Eve Jackson, we're front row for the red carpet return of Spike Lee and Denzel Washington, back together for "Highest 2 Lowest" – a bold reimagining of Kurosawa's "High and Low". It's Lee's fifth collaboration with Washington, who stars as a troubled New York music mogul opposite A$AP Rocky in his first major film role. Denzel Washington was even surprised with an honorary Palme d'Or ahead of the premiere. 

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our third episode from the sunny shores of southern France, Film Comment contributors Mark Asch and Beatrice Loayza join Editor Devika Girish to unpack two of the most go-for-broke selections to screen so far—Oliver Laxe's Sirât (2:25) and Ari Aster's Eddington (21:20)—before turning to the more modest charms of Hafsia Herzi's The Little Sister (41:20). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Stephen A. Smith, Chiney Ogwumike, Brian Windhorst and special guest Spike Lee continue to talk tonight's massive Game 6 matchup between the Knicks and Celtics Stephen A. provides his Top 5 priorities for what MUST happen if the Knicks are going to close it out tonight Learn more about your ad choices. Visit podcastchoices.com/adchoices

On Friday's ENN, Spud Murray. Belichick on GMA. Plan for Dart and Daboll pronunciation. Spike Lee on Game 6 and Soto reception tonight at Yankee Stadium.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our second Podcast from the French Riviera, Isabel Stevens and Thomas Flew from Sight and Sound sit down with Film Comment Editor Devika Girish to discuss Mission: Impossible – The Final Reckoning, the purported final installment of the long-running action series. To set things up, Isabel talks about her recent career-spanning interview with Tom Cruise, the cover story of the latest issue of Sight and Sound, before the group leans into the high-octane pyrotechnics of the film. Next, they turn to two other hotly anticipated premieres: Two Prosecutors (19:55), from Ukrainian auteur Sergei Loznitsa, and Left-Handed Girl (32:20), directed by longtime Sean Baker–collaborator Shih-Ching Tsou. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

This episode we talk to comedian and filmmaker Spencer Wright about his rap phase, the Diddy trial and the masterpiece ‘Sinners'. To join our patreon and get free stuff click here now patreon.com/LE2B

Welcome back, dear listener! In today's episode, I'm thrilled to introduce my dear friend and colleague from way back in my TV career—and now, my coaching colleague—Janis Vogel. Janis is a powerful pivot coach who helps people heal from toxic relationships and careers, guiding them to rebuild both their personal lives and businesses with confidence. Her work is deeply impactful, not just because of her expertise, but because she's lived through it all herself—healing from childhood trauma, navigating divorce, evolving her career, and learning to trust herself along the way to build an unshakeable foundation of self-partnership.With decades of experience in the film industry, working with directors like Ben Stiller, Celine Song, and Spike Lee, Janis knows firsthand what it takes to pivot and reinvent yourself. Now, she brings that invaluable experience to her coaching practice, helping others do the same.In our conversation, we dive into the concept of self-trust, exploring the tools and techniques that have helped Janis cultivate courage and confidence in her personal and professional life. She shares insights on money mindset, the courage to make bold pivots, and how taking a leap of faith can lead to life-changing growth.Whether you're just starting your journey toward self-trust or you've been on it for a while, Janis' wisdom is sure to inspire you. Let's dive in!You can find Janis at:www.janisvogel.comhttps://insig.ht/aqA798fIhRbhttps://www.instagram.com/janisvogelhttps://www.linkedin.com/in/janis-vogel/https://janisvogel.substack.com/And you can find me at:Instagram: ⁠⁠⁠⁠⁠⁠@anna_holtzman⁠⁠⁠⁠⁠⁠Email: anna@annaholtzman.comWebsite: ⁠⁠⁠⁠⁠⁠www.annaholtzman.com⁠

What's Happening Star Ernest Lee Thomas "Raj" Reveals Untold Stories!Ernest Lee Thomas delivers a powerful and deeply personal account of his journey through fame, adversity, and redemption. He begins with wild, unforgettable moments surrounding his audition for What's Happening!!, sharing how Fred Berry landed the role of Rerun and his first encounters with Haywood Nelson, Shirley Hemphill, and Danielle Spencer. He recalls the support Shirley received from Jimmy Walker and reflects on working with the iconic Mabel King. Ernest discusses the shock of overnight stardom, his eventual fall into despair, and the personal trauma of childhood molestation and racism.He shares an emotional and humorous story about a life-changing meeting with Muhammad Ali and his struggle to finance a film. Ernest explains how he helped bring What's Happening Now!! to life, the behind-the-scenes drama with Fred Berry, and his work with rising stars like Martin Lawrence.He opens up about a painful experience with Bill Cosby and cherished encounters with Sidney Poitier, James Earl Jones, and auditioning for Malcom X for Spike Lee. Ernest also discusses his iconic role as Mr. Omar on Everybody Hates Chris, his chaotic time working with Robert Blake on Baretta, and incredible memories working with Adam Sandler and Robin Williams.From Broadway origins to nearly being cast as Kunta Kinte in Roots, Ernest's story is rich with Hollywood history, spiritual growth, and a triumphant 35 years of sobriety. His honesty, humor, and resilience made for a moving and unforgettable journey. Thank you so much Ernest!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.

Cannes 2025 has at last arrived—and while news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood your feed, you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. To kick off our patented daily Cannes Podcasts, Film Comment Editor Devika Girish gathered FC Podcast veterans Jonathan Romney and Guy Lodge to discuss the first day's offerings. Jonathan begins by describing the Opening Night selection, Amélie Bonnin's Leave One Day (7:00), before the group debates other early festival premieres like Robin Campillo's Enzo (11:20) and Mascha Schilinski's Sound of Falling (22:17).

Send us a textThe conversation shifts to Marvel's surprising box office hit "Thunderbolts," which has topped charts for two consecutive weekends. We break down why this particular entry has connected with audiences when recent Marvel offerings have faltered – examining how its grounded approach, practical location shooting, and thoughtful mental health themes provide a refreshing alternative to CGI-heavy spectacles. Florence Pugh's star power and David Harbour's charismatic performance contribute to a film that feels contained yet consequential within the larger Marvel universe.Summer movie season approaches with promising titles, and we analyze recent trailers for Spike Lee's "High to Low," Celine Song's rom-com "The Materialist," the final "Conjuring" installment, and Zach Cregger's anticipated horror follow-up "Weapons." With Cannes Film Festival underway, we speculate about potential award contenders like Ari Aster's "Eddington" and Julia Ducournau's "Alpha," considering how the festival increasingly predicts Oscar success. Between passionate discussions of cinema, friendship, and even NBA playoff drama, this episode captures the joy of reconnecting as a team across distances while celebrating our enduring love of film.Send us your thoughts using the link in our show description, and follow us on Instagram and Letterboxd to join the conversation between episodes!Support the show

We're talking about heists, the more elaborate and far-fetched the better! None of this "drill open the safe" hooey, these heists have squibs, Mini Coopers, motor boats and alternate identities that have aged poorly! THE SCORE (2001, Frank Oz) THE ITALIAN JOB (2003, F Gary Gray) INSIDE MAN (2006, Spike Lee)

Qatar plans to give President Trump a plane to use as Air Force One, which even some supporters say crosses a line. But the appearance of corruption doesn’t stop there. The Trump administration gave refugee status to white South Africans, despite no evidence they face more danger than Black South Africans.  “Uptown Girl” Christie Brinkley is out with a new biography about becoming the biggest model of the 1980s. The Cannes Film Festival kicks off today. There’s a new “Mission: Impossible” and films from Spike Lee, Ari Aster, and Lynne Ramsay.

#craftbeer #gta6 #spikelee Horror movies, Lilo & Stitch controversies, a new Spike Lee joint with Denzel, GTA 6 gets pushed back, Gears of War finally burrows its way to PlayStation, and Trump tries to trample Hollywood with 100% tariffs on films made outside of the US. Cheers! Beer of the Week: Martin House Brewing Co. The Salty Lady Gose 0:00 Thunderstorm Intro 6:04 Trailer Trash: The Long Walk 16:36 Trailer Trash: Highest 2 Lowest (A Spike Lee Joint) 32:37 The Live Action Lilo & Stitch Culture Controversy 40:13 Trailer Trash: Together 41:16 Grand Theft Auto 6 Delay and Details 50:24 The Conservative Controversy Begins 1:04:00 Gears of War is Coming to PlayStation 1:07:03 Trump Tariffs Take Aim at Hollywood 1:25:36 Cheers of the Week: Timesplitters & The Met Gala 1:34:32 Beer Review

EPISODE 267 WORD TO YA MOTHER 2025 . Summary . In this episode, hosts Tommy B, Tonya B, and Vi The Country Commentator discuss a variety of topics including Mother's Day celebrations, Rihanna's pregnancy announcement, and the political landscape in Georgia with the election of a new Democratic chair for Georgia. They delve into current events, celebrity news, and cultural reflections, including the Diddy trial and Smokey Robinson's legal issues. The episode also highlights fashion from the Met Gala and pays tribute to influential figures in music and media. The hosts wrap up with insights on the resurgence of soap operas and the challenges of representation in politics. . Chapters 00:00 Introduction and Mother's Day Celebrations 02:55 Political Commentary and Economic Concerns 05:33 Entertainment News and Celebrity Updates 10:17 Tributes and Remembrances 11:48 Legal Issues in the Entertainment Industry 14:52 Cultural Reflections and Community Conversations 29:25 Spike Lee's New Film and ASAP Rocky's Breakout Role 31:36 Denzel Washington and Spike Lee: A Legendary Collaboration 32:28 Anderson .Paak and Mariah Carey's Musical Reunion 32:56 The Success of 'Beyond the Gates' Soap Opera 39:31 Political Landscape in Georgia: New Leadership and Elections 40:01 Brian Kemp's Political Moves and Future Aspirations 42:48 The Rise of MAGA Candidates in Georgia 44:22 Potential Candidates for Georgia's Governorship 46:02 The Future of Politics: Predictions and Trends 56:30 CLOSE . #podcast #news #politics #popculture #MothersDay #Rihanna #Georgia #Diddy, #SmokeyRobinson #MetGala #entertainment . SUPPORT THE PODCAST! Give $25 For 2025  https://linktr.ee/thisisthegpodcast . ALL THINGS HAROLD MICHAEL HARVEY www.haroldmichaelharvey.com    ON SUBSTACK  https://haroldmichaelharvey.substack.com/

It's episode 401 and we've reassembled, now with Kevin Avery at the helm. Back in the guest chair is the familiar voice of Jordan Morris, Maximum Fun superstar and writer of TV and comics. And the movie is Thunderbolts* , the MCU's little gang of misfits film that just might have what it takes to make you feel again.** Then we'll have a movie quiz to test our memories of MCU Phases past.What's GoodAlonso - “my first dump salad”Drea - WhatsApp + voicenotes = “friendship podcast”Jordan - The River Has Roots by Amal El-MohtarKevin -  Sea of Tranquility by Emily St. John MandelITIDICSpike Lee's New Film, Which Reunites Him With Denzel, To Premiere at CannesOscar Voters Have to Watch the Movies NowStaff PicksDrea - SacramentoAlonso - Godard's King Lear (Wiki)Kevin - Magic Mike XXLJordan - Black Bag*yes we're still calling it that**about Marvel movies specifically. General depression reduction not guaranteed. But hey, worth a shot! Follow us on BlueSky, Facebook, or InstagramWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

In this 25th Episode of Ain't Chit Podcast, the pod squad talk current NBA Playoff picture, Spike Lee skipping Knicks game, New York Mets on fire, Topps Industry Summit, Panini Flawless Logoman pull, and more!.#aintchitpodcast #podcast #sports #sportscards #sportstalk #thehobby #breakersclub #nbaplayoffs #mets #knicks #spikelee #topps #fanatics

Do you blame Spike Lee for going to the Met Gala instead of Game 1 between the Knicks and Celtics? Plus, the Mets have fallen on a tough stretch. Learn more about your ad choices. Visit podcastchoices.com/adchoices

George Vernon Willborn II is a Chicago native who got his big break as the house MC at All Jokes Aside in 1992; which was Chicago's first primarily African American comedy club. George's overwhelming success at All Jokes Aside propelled him into many television opportunities, such as: Def Comedy Jam, BET's Comic View, Showtime at the Apollo, Comedy Central and TV One. After many years of ripping the stage and providing comedic relief, fans across the country dubbed George as “The Stress Reliever”! George has gone on to perform on many comedy tours, national stage plays and currently, headlining a plethora of Funny Bones and Improvs nationwide. In 2015, George landed a supporting role in Spike Lee's “Chi-raq”. George currently resides in the heart of Midtown Atlanta, GA with his fiancé and 10 yr old son. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda briefly react to the news that President Donald Trump wants to impose a 100 percent tariff on any films produced outside of the United States (1:46). Then, they react to the new trailer for Spike Lee's film ‘Highest 2 Lowest' and discuss ‘Another Simple Favor,' the sequel to ‘A Simple Favor,' starring Blake Lively (7:41). Later, they create their 2025 Movie Star Rankings, where they select and rank the 35 biggest movie stars over the age of 35 (21:11). Finally, Sean is joined by Nicolas Cage to talk about his new film, ‘The Surfer'; what attracts him to certain projects at this stage of his career; and the actors who have inspired him as a performer (1:51:17). Hosts: Sean Fennessey and Amanda Dobbins Guest: Nicolas Cage Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Met Gala over Knicks Game 1, say it ain't so Spike

The Knicks beat the Celtics in Boston (Game 1). Boomer discussed bench performances and Boston's record number of missed threes, calling their 60 three-point attempts "lazy basketball." He noted three road teams won Game 1, attributing it to excessive rest. Gio sees reasons for Knicks' series belief, praising OG Anunoby and Jalen Brunson's ball-handling. Jerry's update included the Knicks' post-game sound. The Nuggets also won Game 1 on the road. The Mets beat Arizona with homers from Lindor and Alonso, while the Yankees lost to the Padres. The Ravens released Justin Tucker, and the Islanders won the draft lottery. Actor Timothee Chalamet skipped the MET Gala to support the Knicks, while Spike Lee attended the Gala instead.

Hour 1 The Knicks beat the Celtics in Boston (Game 1). Boomer discussed bench performances and Boston's record number of missed threes, calling their 60 three-point attempts "lazy basketball." He noted three road teams won Game 1, attributing it to excessive rest. Gio sees reasons for Knicks' series belief, praising OG Anunoby and Jalen Brunson's ball-handling. Jerry's update included the Knicks' post-game sound. The Nuggets also won Game 1 on the road. The Mets beat Arizona with homers from Lindor and Alonso, while the Yankees lost to the Padres. The Ravens released Justin Tucker, and the Islanders won the draft lottery. Actor Timothee Chalamet skipped the MET Gala to support the Knicks, while Spike Lee attended the Gala instead. Hour 2 Last night, the Knicks won Game 1 in Boston, fueled by Villanova players Jalen Brunson, Josh Hart, and Mikal Bridges. Boomer observed Hart sometimes seems hesitant to shoot, while Gio apologized to Bridges (Boomer's reaction: "who cares?"). Jerry's update featured Kevin Harlan's call of the Knicks' victory and Coach Thibs discussing their road playoff performance. The Yankees lost their third straight game. Lindor and Alonso homered in the Mets' win in Arizona. The hour concluded with Knicks fan calls. Hour 3 Can the Knicks win the first two in Boston? Boomer noted the Celtics' off night and injuries, highlighting the Villanova players' performance. While Boomer was happy with the Knicks' win, Gio insisted it doesn't preclude criticizing Towns. A reluctant woman now enjoys the show. Jerry's update included Tommy Lugauer's pre-Game 1 "Knicks in six" prediction, the Celtics missing 45 of 60 three-pointers, and Evan Roberts' reaction. The Yankees lost again due to Devin Williams' rough inning. The Mets won in Arizona despite bullpen struggles. The Islanders won the draft lottery. Game 2 is tomorrow in Boston, followed by a Saturday game at the Garden. Gio almost gave up watching when the Knicks were down 20. Hour 4 Gio shared a story about young kids driving to McDonald's. Jerry's final update featured Kevin Harlan's call of the Knicks' Game 1 win in Boston. The Mets homered to victory, while the Yankees lost at home. Roger Goodell and Donald Trump announced the 2027 NFL Draft in DC. The Moment of the Day highlighted a listener's change of heart and a jab at Evan's attire. In the final segment, former Sixers fan Abdul Carter might become a Knicks fan. They discussed Carter's jersey number and the Giants' decision to give Malik Nabers the retired #1. The show ended with a clip of Bill de Blasio promoting vaccinations with free food.

This week, we wrap up our special edition of our "In Conversation" series! We've partnered with the Dayton Black Women's Film Festival as the media sponsor, spotlighting some of the incredible filmmakers who will be taking part in the events this month, May 15-18. Get your tickets! https://www.daytonbwff.org/ In this episode, we are chatting with Aisha Ford, an award-winning writer, director, and storyteller! Aisha shares her journey including her filmmaking process and getting to work with Spike Lee on her latest short film “Brownies,” premiering at this year's festival. She also shares her Mount Rushmore of favorite up-and-coming directors: Savanah Leaf; Rashad Frett; Terrance Daye; AV Rockwell (01:00) To check out more on Aisha and her work: https://aishafordfilm.com/ We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast FB: reCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com      

L'actu culture-médias de ce mardi 6 mai : Les prix Pulitzer, prestigieuses récompenses annuelles de la presse et de la littérature américaines, ont été remis hier soir par l'université Columbia à New York. Une journaliste russe critique de l'invasion de l'Ukraine exfiltrée en France par Reporters Sans Frontière. Le réalisateur Spike Lee et l'acteur Denzel Washington sont réunis à l'écran pour la première fois depuis 20 ans. Le film Thunderbolts de Marvel et Disney s'impose en tête du box-office nord-américain. Présenté par Nicolas Bogaerts Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Visit redwebpod.com to get this full episode of Movie Club, our exclusive podcast exploring movies from classic to crap. On this week's episode of Movie Club, we continue to branch out into other genres and tackle the Spike Lee heist movie Inside Man. Sensitive topics: racism, war crimes, gun violence "Awkward Meeting", "Crypto", "Echoes of Time v2", "Redletter", "Stay the Course" Kevin MacLeod (⁠incompetech.com⁠) Licensed under Creative Commons: By Attribution 3.0 ⁠http://creativecommons.org/licenses/by/3.0/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Chioma and Chloe are joined by Vogue contributor/Met Gala Fairy Godmother Eaddy Kiernan Bunzel and GQ's Global Fashion Director Miles Pope for a live taping answering all of your burning questions about this year's May issue and Met Gala. From the Dalmatians (A.K.A dogues) on-set for A$AP Rocky's shoot to the details on how Vogue and GQ collaborate with attendees on their looks, we cover it all! Plus, Miles takes us behind-the-scenes of one of the most epic photoshoots in Vogue and GQ's combined history, which was styled by Law Roach, shot by Tyler Mitchell, and features over 40 icons including Dapper Dan, Janelle Monae, Spike Lee, and so many more.  Learn about your ad choices: dovetail.prx.org/ad-choices

Bienvenidos de nuevo a un directo desde Twitter, esta vez voy a darles una clase magistral sobre como funciona nuestra red eléctrica, algo complejo y sencillo a la vez. No hay ningún medio de comunicación que hable claramente sobre esto y por ello la gente no se puede formar una opinión al respecto. Se habla de oido y por regla general los tertulianos no tienen ni idea de lo que hablan. Os explicaré a grandes rasgos mi formación: Título de FP2 en la especialidad Líneas y maquinas eléctricas, eso antiguamente eran 5 años. Luego pasé algunos meses como técnico para un autónomo que trabajaba para Balay antes de irme a la mili. La mili la realice en la base aérea de Getafe como electricista dentro de la central eléctrica donde ayude a los electricistas civiles, allí teníamos varios grupos electrógenos, de varios tamaños y potencias. Al volver de la mili entre en una empresa de verificación trafos en fábricas y permisos para poner en marcha instalaciones. Después entre en una de las empresas eléctricas mas antiguas de España, J.Gil, se trata de una empresa de las primeras que construyó nuestra red eléctrica. Decir que los antiguos trabajadores de Hidroeléctrica Española hacían horas en esa empresa y que nosotros celebrábamos la comida de nochebuena con ellos. En esa empresa viví la unificación de Hidroeléctrica Española e Iberduero dando como resultado el monstruo de Iberdrola. Esa empresa empezó a ir mal y entre a otra del sector y entre las dos estuve más de 10 años en las empresas que construyen y mantienen centrales de generación y distribución trabajando por toda España. Dentro de esas dos empresas trabajé en todo tipo de instalaciones: nucleares, térmicas de carbón, hidroeléctricas, de fuel, eólicos, de todo salvo solar. Y en todo tipo de tensiones, desde las subestaciones de distribución en 20KV a las grandes centrales de 400KV. Participe en la construcción desde cero de subestaciones y centrales, instalacion de cableado de control, montaje de bastidores de protecciones y pruebas en todo tipo de instalaciones. Estuve trabajando en el cinturón de 400KV que rodea Madrid y también en la instalación de los telemandos para manejar las centrales a distancia. Trabajando en el parque de 400 KV de Vandellos se pusieron en contacto conmigo para que echara el curriculum en REE, Red eléctrica de España. Tuve que ir a Zaragoza a realizar una entrevista para ver si estaba capacitado para ser operador del sistema con ellos. Lo pase y realice también un test de conocimientos básicos y otro psicológico que también pase…pero al final mi apellido no era el adecuado y no entre. Luego contaré una anécdota al respecto. Pude ir a trabajar a Brasil y deje esta última empresa porque me querían contratar en Iberdrola y mi jefe lo impidió. Le di quince días y me marché a una pequeña ingeniera de valencia. Alli trabaje un año como delineante diseñando telecontroles, teledisparos, equipos de protección de red y modificaciones en centrales eléctricas. Allí colaboré en el diseño de subestaciones para Brasil. Pero yo soy un técnico de campo, una rata de calle y parque al aire libre, por lo que terminé yéndome a la empresa donde sigo trabajando hoy dia. Dicha multinacional fue a su vez comprada por otra aún mayor, nada menos que GE. Así que sí, he trabajado para GE (General Electric) como técnico de campo, incluso me dieron un cuadro de reconocimiento, ja, ja, ja. En esta empresa llevo los últimos 25 años. Se trata de una empresa que produce energía y la inyecta a la red todos los días desde todas partes del mundo. Así que sí, creo estar capacitado para hablar sobre el apagón del dia 28, otro fatídico 8, a las 12:33 Decir que las explicaciones que ha dado REE a través de Eduardo Prieto como director de servicios para la operación de Red eléctrica son claramente insuficientes. Un escueto video de 50 segundos publicado en su página web donde simplemente nos dicen que la demanda había sido repuesta en un 77% a las 4 de la mañana… De momento nadie ha dado una respuesta verosímil sobre lo que de verdad a pasado. REE, la empresa privado-estatal que maneja la red eléctrica ha dicho esto en su sala de prensa. Tan solo ha explicado que a las 12 de la noche se recuperó el 60% de la demanda y a las 2 de la mañana el 77%. Esto es largo de explicar a través de unos tuits...pero digamos que es la pescadilla que se muerde la cola. Muchas instalaciones generadoras no están diseñadas para producir mientras la red está caída, lo que se denomina blackout, y necesitan que haya tensión de red para empezar a inyectar potencia a la red. Las instalaciones grandes como las nucleares y otros grupos de generación necesitan horas o incluso días para estar disponibles. Es más, las nucleares necesitan una enorme cantidad de energía eléctrica para refrigerar sus núcleos nada más desconectarse de la red. La propia distribución eléctrica consume un montón de potencia eléctrica que se disipa en forma de calor y de emisiones de radiación electromagnética en todos los cientos de miles de kilómetros del cableado eléctrico de AT (alta tensión) y en los bobinados de los trafos. Por lo tanto, la primera generación que se va recuperando debe enviarse a qué las nucleares tengan red y no utilicen sus grupos electrógenos de emergencia y en inundar las redes de distribución con tensión. De momento no he escuchado ni una explicación técnica sobre el #apagon de parte de REE o de algún medio oficial. Aquí, Eduardo Prieto, director de Servicios para la Operación de Red Eléctrica en declaraciones a los medios nos contó como iban reponiendo esta tensión para que todos tengamos electricidad en casa. Eso fue a las 20:35 y es el último comunicado publicado en la web de REE. Ya está circulando por ahí la posibilidad de que este apagón haya sido debido a la presencia de masiva de energia procedente de los paneles solares fotovoltaicos, leo: "En un sistema eléctrico dominado por paneles solares, aerogeneradores e inversores, la inercia física es prácticamente nula. Los paneles solares no producen rotación mecánica. La mayoría de los aerogeneradores modernos están desacoplados electrónicamente de la red y proporcionan poca fuerza estabilizadora. Los sistemas basados ​​en inversores, que predominan en las redes modernas de energía renovable, son precisos pero delicados. Siguen la frecuencia de la red en lugar de resistir cambios repentinos”. El tuitero Principia Marsupia decía: “Veremos si tiene algo que ver con el apagón de hoy o no, pero hay un concepto del que se habla muy poco: la **inercia** de un sistema eléctrico. La inercia funciona como un amortiguador ante las fluctuaciones. Las centrales nucleares, las hidroeléctrica, las de gas, etc. proporcionan inercia al sistema xq tienen el mismo principio de funcionamiento: turbinas muy pesadas que giran muy rápido (a 50 vueltas por segundo = 50 hertzios). Esos bichos tan pesados girando a tanta velocidad tienen una inercia muy grande. Newton nos enseñó que cuanta más inercia tienes, más fuerza tiene que ejercer el exterior para cambiar tu velocidad de rotación. Dicho de otra manera: esos sistemas "absorben" las fluctuaciones de forma instantánea y muy eficiente. Por supuesto, todo tiene su límite y también puede haber apagones con esas centrales. ¿Y la solar y la eólica? La solar y la eólica producen electricidad sin una masa que proporcione inercia. (Los molinos eólicos no giran a 50 vueltas por segundo). Ojo: yo soy muy partidario de las renovables. Son más baratas y nos hacen depender menos de los países que exportan petróleo o gas. Pero creo que no se explica bien que cuando dependemos *sólo* de las renovables, el diseño y la gestión de la red es mucho más compleja. Y dicho esto, repito: no sé si el apagón de hoy ha sido un problema con la inercia del sistema. En todo caso, os he podido dar la chapa con un tema que me parece interesantísimo.” Es cierto que el dia del apagón el aporte de la energia fotovoltaica fue mayor de un 60% dentro del mix energético, concretamente un 60,64% con 17.657 MW. Pero hace solo unos días, el 21 de abril de 2025, la energía fotovoltaica alcanzó un récord en España, aportando el 61,5% del mix energético peninsular a las 13:35 horas, con una producción instantánea de 20.120 MW. El 19 de marzo de 2023, a las 11:37 horas, la energía solar fotovoltaica cubrió el 64,5% de la demanda eléctrica en España, marcando un récord histórico…sin que sufrieramos un apagón. ………………………………………………………………………………………. contar que es la red…tendréis que escuchar mi explicación ………………………………………………………………………………………. Decir que consultando los datos vemos que a las 12 y 20 no solo estábamos produciendo lo que consumían los españoles sino que estábamos exportando o guardando energia en forma bombeo. En concreto estábamos exportando 1 GW (a grosso modo una central nuclear) a Francia, 2,6 GW a Portugal y 3 GW se estaban destinando a bombear agua en presas para luego turbinarla, esto es, para en otro momento donde la energia sea mas cara vender de nuevo esa energia. Y casi un 1 GW más destinado a Marruecos, Andorra, etc… O sea, a las 12 y 20, 13 minutos antes del desastre nos sobraban casi 7 GW. En ese momento teníamos algunas de nuestras centrales nucleares en marcha, en torno a la mitad, por lo que estábamos produciendo unos 3 GW de forma nuclear. Por no decir que en España existe también el servicio de Interrumpibilidad por el que cobran y muy bien algunas de las empresas que mas energia eléctrica consumen. Este servicio significa que en caso de necesidad estas empresas serán desconectadas de la red por el operador y tendrán que funcionar en isla, o sea, se tendrán que generar ellas mismas su energía. Este servicio se empezó a gestionar en la Orden ITC/2370/2007, de 26 de julio, y hoy dia no está claro cuantos gigavatios hay destinados a esto. Esto funciona por subasta, el gobierno ofrece este chollo solo a las empresas afines, ya que como yo he comentado en mis artículos y podcast titulados “La red de araña” la corrupción y el oscurantismo en este sector es generalizado. Hace años que no busco datos sobre este respecto pero han habido años donde habían mas de 7 GW destinados a esto. Por ello estas empresas pagan su energia mas barata que la señora Maria que utiliza la electricidad para usar su secador de pelo y cuatro bombillas. Hoy se llama Servicio de Respuesta Activa de la Demanda (SRAD) y son solo unos 2 GW, podemos leer esto: “Las subastas de interrumpibilidad, tal como se conocían tradicionalmente, han evolucionado en España. Desde 2022, se han reemplazado por un nuevo mecanismo denominado Servicio de Respuesta Activa de la Demanda (SRAD), según el Real Decreto-ley 17/2022. Este servicio permite a grandes consumidores, como la industria electrointensiva, y otros agentes con al menos 1 MW de potencia reducir su consumo eléctrico en momentos críticos para el sistema eléctrico, a cambio de una retribución económica. A diferencia del antiguo sistema, la retribución se basa en la disponibilidad y, en caso de activación, en la ejecución efectiva de la reducción de consumo. En 2024, se anunció que la subasta para el SRAD de 2025 se celebraría el 14 de noviembre, con un requerimiento de 2.116 MW. Estas subastas, gestionadas por Red Eléctrica de España (REE), son telemáticas, anuales y abiertas a más participantes que las antiguas subastas de interrumpibilidad, que estaban restringidas principalmente a la gran industria. Por tanto, las subastas de interrumpibilidad como tal ya no existen, pero el SRAD cumple una función similar, adaptada a un marco regulatorio más moderno y flexible, alineado con las directrices de la Unión Europea.” Esto nos dice que en cualquier momento nos podríamos deshacer de la producción de 9 GW…ya saben que supuestamente todo ha sobrevenido porque nos faltaron de golpe 15GW en un consumo de entorno 26. Les hablare de como se calcula la energia necesaria que tenemos que producir para no tener problemas. Toda la energia que podemos producir se denomina “capacidad efectiva” y toda la energia que necesitamos en un instante se llama “demanda máxima bruta coincidente”. Lógicamente esta ultima debe ser menor que lo que podemos producir, esa diferencia se denomina “margen de reserva”. Y aqui es donde vienen las curvas. Lógicamente no todas las instalaciones están operativas: Puedes estar paradas debido a un mantenimiento programado, a un fallo, a la degradación por el paso del tiempo o al cajón de sastre que denominan “causas ajenas”. Asi que ese margen de reserva que teníamos antes se nos ha reducido hasta lo que se conoce como “margen de reserva operativo”. Por tanto tenemos una capacidad neta disponible que debe superar a la demanda máxima neta en ese “margen de reserva operativo”. Dicho margen esta compuesto por el margen de reserva de generación, la demanda interrumpible y la capacidad de interconexión (nuestra red está conectada a la de otros países y podemos exportar o importar electricidad). Nuestra interconexión principal es con Francia, pueden buscarla como Inelfe, una linea que pretende que pasemos del 3% de interconexión actual a un 10%...o sea aproximadamente 10 GWh… esto solo puede servir para enviar nuestra energía sobrante ...porque a nosotros nos sobra aproximadamente un 70% de todo lo que hay instalado en este santo país. Hice unos cálculos sobre el margen de reserva en 2014, son estos: Pues bien, si nosotros tenemos oficialmente 108 GWh (yo creo que son mas bien 120 GWh...pero "aceptamos pulpo") y consumimos en una franja entre los 22 y 36 GWh...¿Cuantos GWh nos sobran?... Pues bastante mas de esos 10 GWh que si no paran en Francia (que pararan, vaya si pararan)...y le dejo aqui los fríos datos extraídos de ese pdf que Vd. obvio y ojo es un pdf muy, pero que muy pronuke… Le remarco lo de la flechita para que vea que ES PARA EXTRAER NUESTRA ENERGIA SOBRANTE CREADA EN INSTALACIONES QUE EMPLEAN ENERGIA RENOVABLE LA QUE CIRCULARA POR LAS REDES FRANCESAS...PORQUE ELLOS DE ESO POCO... Para calcular el margen de reserva de nuestra red necesitamos conocer estos tres factores: MRG ó margen de reserva de generación. Como tenemos parados casi todos los ciclos combinados, y según Iberdrola, este margen es grande de casi 30 GWh (datos del 2010, ahora sera mayor) y ya que cobran sumas astronómicas en concepto de disponibilidad pues que estén preparados para empezar a generar, leñe. DI ó demanda interrumpible. Esto por si no lo saben nuestros oyentes se trata de un convenio entre las empresas eléctricas y los grandes consumidores via subvención del estado para que sean avisados y dada la circunstancia de un preapagon se queden fuera de la red, esto es, les sea cortado el suministro eléctrico para compensar la demanda en ese momento, a veces simplemente para gestionar las tensiones en la red. La ultima orden de interrumpibilidad se produjo en diciembre del 2009 en el sur de España. Solo se pueden sumar a estas "primas" los grandes consumidores de mas de 100MW, o sea, a estas grandes industrias la luz les sale bastante mas barata por este y otros motivos que a un pequeño consumidor. CI ó capacidad de interconexiones. Actualmente gozamos de unos 10 GWh que serán ampliados en breve gracias al proyecto INELFE pasando a los 15 GWh ampliable a los 25 GWh, que consiste en enterrar unas líneas de corriente continua entre Francia y España. Todo esto hace que nuestra capacidad bruta de 108 GWh oficiales y nuestra capacidad efectiva que es la suma de la demanda bruta coincidente y el margen de reserva sean bastante grandes y parecidos. Yo calculo a grosso modo que esta capacidad efectiva seria de: 36GWh del pico máximo actual, ya que no volveremos en mucho tiempo a los 45 GWh de nuestra burbuja mas los 30 GWh del margen de reserva de generación mas los 6 GWh de la demanda interrumpible mas los 10 GWn actuales de la capacidad de interconexión nos arroja un total de 82 GWh. Unos 82 GWh, que descontandole el aproximadamente el 25 % de fallos, degradación, causas ajenas y al mantenimiento de equipos nos arroja una potencia de margen de reserva operativo mas demanda bruta coincidente de 61,5 GWh y esa y no otra seria la potencia bruta instalada mínima que precisaríamos en estos momentos. Sin embargo nosotros que hemos tenido un pico máximo de demanda de 45 GWh en plena burbuja inmobiliaria, tenemos instalada la friolera de 108 GWh lo que nos arroja un margen de reserva del 59%. Vamos por último a comparar estos valores con dos países, el primero México: En el informe del 2012 de la comisión nacional de energia eléctrica podemos leer los datos del 2011, esto es, México tuvo una demanda media de 38,85 GWh y una capacidad bruta de generación de 54 GWh, lo que deja un margen de reserva operativo del 24 %, o lo que es lo mismo en Mexico hacen los deberes. Veamos ahora el caso de Francia: Su pico máximo de demanda en el año 2010 fue de 96 GWh y ellos tienen una capacidad bruta instalada de 123,5 GWh así que esto nos arroja un margen de reserva operativo de tan solo un 22 %, o sea peor margen de reserva que México y no digamos con nuestro abultadisimo margen del 59 %. Todos los autores están de acuerdo en que este valor de reserva se debe situar entre el 25 y el 30%... así que le dedico estos datos a un pronuclear cabezón que sigue opinando que nuestra red no puede funcionar sin la mano que nos echan los franceses...pero ya vemos que es al revés y que en breve aun necesitaran mas de nuestras energias renovables. ………………………………………………………………………….. Quería comentar que los cortes eléctricos que puedan inestabilizar el sistema no son tan poco frecuentes, yo he vivido dos. El más importante, sin lugar a dudas fue el de 1987 provocado por un fallo en un trafo de 220 KV en la subestación de Sentmenat. Durante aquellos días estaba trabajando en la ET de la Plana (Castellon), punto estratégico donde se pudo aislar la avería junto con la ET de la Mudarra en Valladolid. Para ello fue preciso el sacar las “palas” de los relés de protección de sobreintensidad (que por cierto eran GE , como casi todos) y controlar la línea “a mano”. Os dejo un fragmento del libro histórico de REE , donde se recoge aquel accidente, en la pág. 31 podemos leer esto: “…El apagón de Cataluña de 1987 El 14 de octubre de 1987 se produce un apagón en Cataluña que deja sin servicio al 91 % del mercado catalán y desacopla las conexiones con Francia. El incidente se origina a las 22:44 horas en la subestación de Sentmenat (Barcelona), al explotar un polo de un interruptor. La situación se agrava a las 23:20 horas al dispararse la línea Aragón-La Plana, lo que afecta al resto de las centrales eléctricas de la zona. En concreto se disparan los grupos de La Robla, Teruel, Ascó, Vandellós I y Garoña. La potencia de la central de Cofrentes se queda en 80 megavatios. Para superar esta situación, se acoplan grupos de fuelóleo en Sant Adriá de Besós, Foix, Cercs y Castellón. El suministro se normaliza al cien por cien a la 1:45 horas de la madrugada. «Se puede hablar de perturbación general. Es la incidencia mayor que se ha registrado en la etapa de la explotación unificada», asegura José Alburquerque, que fue jefe del CECOEL entre 1990 y 1999 y ahora está jubilado…” (OJO 4 Nucleares paradas, y bajar a 80 MW Cofrentes es una parada técnica de emergencia en toda regla, la situación se puso al rojo vivo) Sobretodo se han dado situaciones de peligro en la zona de Cataluña, aunque tras crear el doble anillo de 400 KV de la red eléctrica se ha mejorado muchísimo. Figuraos que hasta hace no tanto tiempo toda la energía eléctrica que salía y/o entraba a Segovia lo hacía por un único interruptor de 400 KV. ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Canal en Telegram @UnTecnicoPreocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq Invitados JuanMa @KbmEa7 Superior de Telecomunicaciones Radioaficionado, testing Radiohack, SDR, DSD+ tetra, TTTracker, SDRsharp. …. ¡Danterior! @Suptedax CIUDADANO GALLEGO ESPAÑOL Y EUROPEO LUCHO POR UNA SOCIEDAD HUMANA Y MÁS JUSTA. LOS NIÑOS SON EL FUTURO. AMARAS AL PRÓJIMO COMO A TI MISMO DIOS ES AMOR …. Española @Espaola100 Yeshúa es el gran YO SOY. La verdad es sólo UNA. Biblia. Profecía. Geopolítica. Sionista. LIBERTAD. …. (((VerdadesOfenden ن @verdadsmolestas "Censura, hija del miedo, padre de la ignorancia, arma del tirano. Defender hoy la verdad es nadar contracorriente" #PuraSangre https://t.me/Verdadesofenden …. El Profe @ElProfeOscar2 …. MinarcatMEGA @Rodrigo198718 liberal, capitalista, libertario, VLLC. DON'T TREAD ON ME 100% MAGA y antisocialista. Termo Milei, Termo Donald Trump, fvck Gaza fvck hamas …. Santiago Usoz @SantiagoUsoz Nací en Pamplona, donde Hemingway, Heston, Gardner, Welles y Spike Lee fueron a la plaza a ver matar toros …. Astudillo @4studill0 ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ Orden ITC/2370/2007, de 26 de julio, por la que se regula el servicio de gestión de la demanda de interrumpibilidad para los consumidores que adquieren su energía en el mercado de producción. https://www.boe.es/buscar/doc.php?id=BOE-A-2007-14798 30052013 CANAL ZERO-Gaia-La Red de Araña https://www.burbuja.info/inmobiliaria/temas/30052013-canal-zero-gaia-la-red-de-arana.427877/ UTP 12 La red de araña https://www.ivoox.com/utp-12-la-red-arana-audios-mp3_rf_10917493_1.html UTP13 La red de araña II https://www.ivoox.com/utp13-la-red-arana-ii-audios-mp3_rf_10943328_1.html UTP17 El Amperio contra Antonio Primera Parte https://www.ivoox.com/utp17-el-amperio-contra-antonio-primera-parte-audios-mp3_rf_11352806_1.html UTP18 El amperio contra Antonio Segunda Parte https://www.ivoox.com/utp18-el-amperio-contra-antonio-segunda-parte-audios-mp3_rf_11352896_1.html UTP26 El Déficit de Tarifa y otras malas hierbas https://www.ivoox.com/utp26-el-deficit-tarifa-otras-malas-audios-mp3_rf_12312715_1.html UTP27 El déficit de tarifa y otras malas hierbas. Segunda parte https://www.ivoox.com/utp27-el-deficit-tarifa-otras-malas-audios-mp3_rf_12509855_1.html PUNTO DE NO RETORNO RED ELÉCTRICA EN 2002 https://tecnicopreocupado.com/2014/03/23/punto-de-no-retorno-red-electrica-en-2002/ Inelfe http://www.eib.org/at ta chm ents/inelfe_es.pdf FILOMENA Y EL GRAN APAGÓN QUE NO FUE NI SERÁ https://tecnicopreocupado.com/2021/01/15/filomena-y-el-gran-apagon-que-no-fue-ni-sera/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros Epílogo Maná - Bendita Tu Luz (Video Oficial) https://www.youtube.com/watch?v=44kityInDvM

Ma$e, Cam'ron & Treasure "Stat Baby" Wilson are back with another one!! On this episode, Ayooo Killa have you heard what's good with Vado, Mase wants to give him a shoutout! Jamal Murray reminded everyone that YALL MUST'VE FORGOT with his 43 point game 5 win for the Nuggets as they take a 3-2 lead over the Clippers. Then, Knicks fans buckle up because we've seen this before as the knicks are going back to D-Town to play the Pistons after Cade and them boys won game 5 in MSG. Killa is back to blaming Spike Lee and Mase wants to know who is getting fired from MSG for letting him take the elevator?? Next, Adam Silver must be listening to the show because he wants to do the World vs. USA at the All star game and Killa is fed up with people not giving us any credit! Lastly and before we go, Bill Belichick and his 24 year old GF are wildin' and Cam loves role play (pause)  Please rate, review, and follow the podcast for more content.  Support the show and sign up for Underdog Fantasy HERE with promo code CAM and get a $1000 first deposit match, and a Special Pick'em pick. Follow the show and our hosts on social media: It Is What It Is, Cam'Ron, Ma$e, and Treasure "Stat Baby" Wilson , Producer Ayooo Nick Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been a while but finally, the door has been closed on 2024 with last week's Deucie Awards (congrats to all the winners!) and Mikey, d$, and #XLessDrEarl are here with their first batch of post-Deucie ReFlicktions, plus the first Top Five of the Year list!   Off the top of the show, Miss Independent and The Pride of Tifton Garrison Ryfun, along with hosts Mikey and d$, assign foreign, aka InternationEARL, movies to the Good Doctor for watching and reviewing in an upcoming episode. Then, the list of films seen over the last 7 or 8 weeks... d$ sees classic Warren Beatty... Dr Earl takes on controversial Netflix... and Mikey finds rare Kevin Smith.  Plus, a longer talk on the good and bad of Mickey17... love for Soderbergh... not love for the latest Chris Pratt... docs about Clue, Kaufman (Andy, not Jen), and murderous daughters... prescient pope stuff... Reggie Miller vs Spike Lee... Jack Black successfully always being Jack Black... and much love for the latest Michael B Jordan joint. Then, the first Top Five of 2025!

Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe

Episode 146: From Actor to Therapist—Reclaiming Identity & Embracing Self-Energy with Adeshola Nnamdi, LMFT What does it look like to live with deep intention—and how can our past lives, creativity, and cultural roots shape the therapists we become? In this episode of The Innovative Therapist Podcast, I had the absolute pleasure of talking with Adeshola Nnamdi, MA, LMFT—an actor who made a pivot into clinical psychology and psychotherapy, is IFS-trained, and deeply passionate about storytelling, healing, and identity. Shola is the first male guest on the podcast—and the first to serenade us too! We covered so much in this heartfelt, funny, and powerful conversation: Shola's journey from acting to therapy Why he changed his name to honor his Nigerian roots What creativity and presence really look like in therapy His experience with Internal Family Systems (IFS) and Emotion Focused Therapy (EFT) How therapists can reclaim joy, connection, and authenticity in their work From the Stage to the Therapy Room Before becoming a therapist, Shola had a rich acting career—appearing in many films and on television, including on a hit NBC sitcom called The Single Guy that aired between Seinfeld and Friends, working with Spike Lee (check out the video just below this paragraph!), and even hanging out at Saturday Night Live. But despite his outward success, he found himself burnt out, disconnected, and chasing applause rather than purpose. Eventually, through sobriety and soul-searching, he found a new path: one rooted in service, meaning, and connection. “What would my life look like if I stopped seeking validation and just trusted?” Therapy as Art: The Performance of Presence Shola's artistic background deeply informs his work as a therapist. He describes therapy as a kind of performance art—not because we're faking it, but because we're bringing our full selves into the room and responding in real time. “Bad acting is pushing… having an agenda. That can happen in therapy too.” IFS, in particular, allowed him to slow down, be present, and trust in both his clients and himself. Instead of working from parts that strive or fix, he now leans into the power of Self-energy—and it's transformed his clinical work. Why He Changed His Name—and What It Means Shola also shares the powerful story of changing his name from Shawn Michael Howard to Adeshola Nnamdi, a decision rooted in personal healing and cultural reclamation. After George Floyd's murder and years of reflection, he realized he no longer wanted to carry a name passed down from a history of enslavement. “I didn't want to die with a slaveholder's name on my tombstone.” The name Adeshola means “he brings prosperity” and Nnamdi means “my father lives.” It's a name he carries with honor, intention, and power. Creativity, Joy, & the Therapist's Zone of Genius We also explored how creativity plays a crucial role in the therapist's life—not just through hobbies, but through presence, flexibility, and flow. “We're creating in there. It's art.” Shola's Zone of Genius is connection. Whether on stage or in the therapy room, he brings joy, attunement, and aliveness to the people around him. He's passionate about helping others do the same—both professionally and personally. Want to Feel More Alive in Your Work? If you've ever questioned your career path, felt boxed in by your therapist role, or longed to bring more you into your work—this episode is for you. Looking for a Therapist in California or Arizona? Shola offers individual, couples, and group therapy and brings warmth, wisdom, and a strong grounding in both EFT and IFS.

NAACP Image Award-nominated actor Omar Benson Miller joins Tavis in studio to talk about his newest film “Sinners," written, produced, and directed by Ryan Coogler, and reflect on his notable roles in "8 Mile," "CSI: Miami," “The West Wing," “Ballers," and the Spike Lee joint "Miracle at St. Anna.”Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Continuing our special series about moms in honor of Every Mother Counts. Christy and I recently spent an unforgettable Saturday afternoon talking to the singular force of nature that is Spike Lee about his mother, Jackie, who died when Spike was a sophomore at Morehouse College. Spike has 134 directing credits over four+ decades, in each case imploring us to Wake Up. Here's a chance to understand something about the development of this legendary voice. Please share. (Previously aired) This series hopes to raise $100,000 to support safe and respectful pregnancy, delivery and postpartum care in 9 countries through Every Mother Counts, founded in 2010 and led every day since by Christy Turlington Burns. Please join us with a donation here. Maternal health is a human right. Love it? Don't like it? Have an idea? We love to hear from listeners. Write us anytime — hello@kellycorrigan.com - or sign up for our weekly list of takeaways here. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ryan Coogler began his career in film as a realist with “Fruitvale Station,” which tells the story of a true-to-life tragedy about a police killing in the Bay Area. He then directed the class drama of “Creed,” a celebrated “Rocky” sequel. But then he moved to the epic fantasy of Marvel's hit “Black Panther” movies. In his newest project, “Sinners,” Coogler continues to deal with themes of history, faith, and race, but through the lens of horror. Jelani Cobb sat down with the director to discuss setting the film in the South, the mythology of the blues, and how he made a vampire story his own. 

Sean Palmer, Pam Blair, Zach Gillis, Jason Miller - On March 28th and 29th, we gathered at the Tribune to watch three films that explore dynamics of race in modern America, and to hear from some thoughtful panelists reflecting on the films. Here on the podcast, we're releasing the panel discussions for those who weren't able to join us. We encourage you to first watch the film, and then listen in. Our third film was BlacKkKlansman. This 2018 film from Spike Lee combines drama, comedy, and satire in the creative retelling of a surprising true crime story that reveals much about our country and its ongoing struggles around racism and equality. Our host through the weekend was Sean Palmer, and our panelists for this film were Pam Blair, Zach Gillis, and Jason Miller.  Some Ways to Watch BlacKkKlansman Rent or Buy on Apple TV Rent or Buy on Amazon Prime Rent or Buy on YouTube

4/14/25 - Hour 2 Actor Delroy Lindo joins Rich in-studio to discuss his new ‘Sinners' movie, and talks Spike Lee, Denzel Washington, ‘Gone in 60 Seconds' and more in a round of ‘Celebrity True or False.'   In ‘Overreaction Monday' Rich weighs in on the Dallas Cowboys, Cleveland Browns, NFL Draft, NBA Playoffs, and the Masters.   Rich and Brockman get into a heated debate on which is better: Super Bowl Sunday or the Final Round of the Masters.  Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday  What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jonathan Majors was an actor on the rise—indie credits, prestige television, a Spike Lee joint, a superhero film. But all of that looked like it was over when Majors was found guilty of assault and harassment in 2023.   Now Majors is back on the promotional circuit for the film “Magazine Dreams.” Is this evidence of the #MeToo movement's waning power, or is it more of the same from an industry that's always eager for a man's redemption story? Guest: CT Jones, culture writer at Rolling Stone Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your  other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Ethan Oberman, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Majors was an actor on the rise—indie credits, prestige television, a Spike Lee joint, a superhero film. But all of that looked like it was over when Majors was found guilty of assault and harassment in 2023.   Now Majors is back on the promotional circuit for the film “Magazine Dreams.” Is this evidence of the #MeToo movement's waning power, or is it more of the same from an industry that's always eager for a man's redemption story? Guest: CT Jones, culture writer at Rolling Stone Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your  other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Ethan Oberman, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Majors was an actor on the rise—indie credits, prestige television, a Spike Lee joint, a superhero film. But all of that looked like it was over when Majors was found guilty of assault and harassment in 2023.   Now Majors is back on the promotional circuit for the film “Magazine Dreams.” Is this evidence of the #MeToo movement's waning power, or is it more of the same from an industry that's always eager for a man's redemption story? Guest: CT Jones, culture writer at Rolling Stone Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your  other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Ethan Oberman, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Majors was an actor on the rise—indie credits, prestige television, a Spike Lee joint, a superhero film. But all of that looked like it was over when Majors was found guilty of assault and harassment in 2023.   Now Majors is back on the promotional circuit for the film “Magazine Dreams.” Is this evidence of the #MeToo movement's waning power, or is it more of the same from an industry that's always eager for a man's redemption story? Guest: CT Jones, culture writer at Rolling Stone Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your  other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Ethan Oberman, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices