Podcasts about Vern Gosdin

National Oyster day.  entertainment from 1998. William Wallace captured by the English, First electric traffic light installed in Cleveland, Civil War naval battle at Mobile Bay.  Todays birthdays - Anita Colby, Neal Armstrong, Vern Gosdin, Sammi Smith, Loni Anderson, Maureen McCormick, Pete Burns, Adam Yauch, Terri Clark.  Alec Guiness died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/The oyster is our friend - Lloyd VivolaThe boy is mine - Monica  BrandyTheres your trouble - The Dixie ChicksBirthdays - In da club - 50 Cent    https://www.50cent.com/I can tell by the way you dance - Vern GosdinHelp me make it through the night - Sammi SmithWKRP in Cincinnati TV themeGolden Throats - Maureen McCormickBrass monkey - Beastie BoysPoor poor pitiful me - Terri ClarkExit - Its not love - Dokken     https://www.dokken.net/Picture is of Anita ColbyFollow Jeff Stampka on facebook and cooolmedia.com

If you are a fan of country music, you have probably listened to something Buddy Cannon has written or produced. A true storyteller... he has been apart of songs by artist like Kenny Chesney, Sammy Kershaw, Craig Morgan, Vern Gosdin and so many more. It was an honor to get to pick the brain and hear the stories of this country music legend. Our Insta: https://www.instagram.com/rcm_podcast/ --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-corbliss/support

Date: October 11, 2023Name of podcast: Backstage Pass RadioEpisode title and number:  S5: E8 - Dave Roe (Johnny Cash, Dwight Yoakum, John Mellencamp, Jerry Reed, Chet Atkins) - The Legacy Lives OnBIO:Born David Roe Rorick, bassist/vocalist/songwriter Dave Roe grew up in Hawaii and started playing bass in funk and R&B bands in the late '60s and '70s. After moving to Nashville in the early '80s, he joined Jerry Reed's band.  Over the next several years Dave toured the world with several country artists including Mel Tillis, Vern Gosdin, Charlie Louvin, Dottie West, Chet Atkins, Vince Gill, and others.In the early '90s,  Johnny Cash hired Dave to play in his band the Tennessee Three.  Dave has said ‘That started my love affair with the upright bass, and slap bass in particular, that lingers till this day.'  Dave worked with Cash for eleven years, and toward the end, he played bass on most of the American Recordings sessions produced by Rick Rubin.After Cash passed away,  Dave toured and recorded for five years with Dwight Yoakam. He got off the road after that, since his recording session work had picked up substantially. Coinciding with this, he was a member of the Don Kelley Band for 13 years, considered one of America's best honky-tonk bands.With over 500 album credits, including numerous platinum, gold, and Grammy-winning records, over the years Dave has worked with such diverse artists as John Mellencamp, Sturgill Simpson, Chrissie Hynde, Taj Majal, Loretta Lynn,  Merle Haggard, Kris Kristofferson, Ian Hunter, Brian Setzer, Dan Auerbach, CeeLo Green, Kurt Vile, Yola, John Anderson, Carrie Underwood, Marcus King, Malcolm Holcombe, Brandy Clark, Joe Ely, Gretchen Peters, Ray LaMontagne, Jake Bugg, Richard Lloyd, Don Schlitz, Faith Hill, Duane Eddy, Kathy Mattea, Rodney Crowell and others.These days, Dave continues to work sessions and play live regionally with a few artists.  He has his own band, the SloBeats, formed with guitar great from Marty Stuart's band Kenny Vaughan, and drummer Pete Abbott from the Average White Band. Dave also regularly books sessions in his own studio, Seven Deadly Sins, located right outside Nashville in Goodlettsville, TN. He is a life member of AFM Local 257 in Nashville, TN.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.daveroe.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey 

National oyster day. Entertainment from 1965. William Wallace captured by the English, 1st English colony in North America, Worlds 1st electric traffic signal installed in Cleveland. Todays birthdays - Anita Colby, Neal Armstrong, Vern Gosdin, Sammi Smith, Loni Anderson, Maureen McCormick, Adam Yauch, Pete Burns, Terri Clark. Alec Guinness died.https://coolcasts.cooolmedia.com/show/history-factoids-about-today/Intro - Pour some sugar on me - Def Leppard http://defleppard.com/The oyster is our friend - Lloyd VivolaSatisfaction - The Rolling StonesThe first thing every morning - Jimmy DeanBirthdays - In da club - 50 Cent http://50cent.com/I can tell by the way you dance - Vern GosdinHelp me make it through the night - Sammi SmithWKRP in Cincinnati TV theme songGolden Throats - Maureen McCormickYou spin me right round - Dead or AliveBrass Monkey - Beastie BoysPoor poor pitiful me - Terri ClarkExit - It's not love - Dokken http://dokken.net/

#887 - Melonie Cannon Melonie Cannon is a special guest on The Paul Leslie Hour. Are you here? Ladies and gentlemen, we love it when you're here. So let me take a moment to welcome you and hopefully make you feel at home. We're about to have Melonie Cannon, a great singer and recording artist on the line in just a moment. She's a phenomenal talent in country music. Vern Gosdin, the late great country legend said this about our guest MelonieCannon:  _“She's one of the best female voices I've ever had the pleasure to sing with.” _ Here in 2023, Melonie Cannon has released a whole album of songs either co-written or made famous by Vern Gosdin. It's entitled "A Tribute to Vern Gosdin," and we can't recommend it enough! Before we bring out Melonie Cannon, we want to cordially invite you to subscribe to The Paul Leslie Hour on YouTube and like us on Facebook. It helps us in a lot of ways and you'll keep up with all of the interviews and reviews we release. I get a feeling it's time to start the interview portion of the show. What do you ladies and gentlemen and home think? Are we ready to hear from Melonie Cannon?

Glen Caruba is one of the most in-demand percussionists in the Nashville scene having recorded or performed with artists such as Jimmy Buffett, Max Carl, Lynda Carter, Beth Nielsen Chapman, Sara Evans, Steve Forbert, Glenn Frey, Vern Gosdin, Jack Jezero, Denny Jiosa, John Jorgensen, Toby Keith, Hal Ketchum, Tom Kimmel, Barry Manilow, The Mavericks, K.T. Oslin, Kenny Rodgers, Lionel Richie, Leon Russell, SheDaisy, Dan Seals, Pam Tillis, Rick Trevino, Kirk Whalum, Lari White, Maurice Williams, Trisha Yearwood amongst many others.  His percussion can also be heard on TV commercials and movie soundtracks such as:  HBO, Land O Lakes, Pepsi Cola, Coors Light Beer, American Express, Nintendo, King of the Hill, Cape Fear, Contact, and Hope Floats.  Glen has three percussion instructional books and videos distributed by Hal Leonard: Afro Cuban Drumming, Modern Percussion Grooves, and The Contemporary Percussionist (DVD).  Look for Glen's record released in 2015 – Mambo, Mambo, Mambo! Glen is also a VP at Pearl (drums).https://pearldrum.com/artist/glen-carubaHost - Trey Mitchelltreymitchellphotography IGfeeding_the_senses_unsensored on IGtrey mitchell: facebook.com/profile.php?id=100074368084848Sponsorship Information or submitting for interviews -  ftsunashville@gmail.comTheme Song - Damien HorneTake It From Me @damienhorne

Brian Mesko was born into a family of musicians, and raised in Little Rock, AR, Mesko began piano lessons at age 8, moving to guitar at age 10. By 12 he was playing drums, and he picked up the bass at age 14. As a teen Brian was gigging professionally, and even played drums on a short tour in Turkey at age 18. While still in high school he studied Jazz Theory & Ensemble at UALR under Michael Carenbauer (who studied under Pat Metheny at Berklee). Taking these credits on to MTSU, Brian completed a bachelor's degree in Recording Industry. Mesko lived in the Nashville area from 1997 – 2005 and played with such international jazz greats as Les McCann, Tony Monaco, Dr. Lonnie Smith, John Jorgensen and Jeff Coffin. After moving to central Virginia in 2005, Brian has been privileged to work with such jazz artists as Robert Jospe, Butch Taylor, Dane Alderson, John D'earth, Bobby Read, Charles Owens, Jonah Kane-West, Liz Barnes, any many more. Brian formed The Rootdowns organ trio with members of Butcher Brown, DJ Williams Projekt, The Big Payback, and Skydog, and they released their debut album, "Songs With Friends" in 2013. In 2015 he started The Danktet, an instrumental trio whose collective influences create a unique blend of jazz, funk, rock, pop, reggae, blues, and R&B. With Australian native Dane Alderson of the Yellow Jackets on bass, and multi-instrumentalist and visual artist Forrest Young on drums, they released their first album, "One Thing Right" in 2016. Aside from his own original projects, Brian has since joined several local projects, playing guitar and/or bass with the Robert Jospe Express, Lenny Marcus, Terry Brown Ascension Project, The Ambassador, Mojo Parker, Melissa and the Growlers, The Meskos Electric Revue, Jstop Latin Soul and Andrew Winn. Brian currently resides with his wife and son in Roanoke, VA working as a session player, performer, and guitar professor/ensemble director at the University of Lynchburg. Tim Martin started his solo career at the ripe age of 16 playing every Friday and Saturday evening at a restaurant called the Olde Tinker Mill Inn. It was a formal dining area upstairs with a pizza and beer meeting place downstairs. He would play for the diners upstairs during dinner then move downstairs for the later, livelier crowd. Building a song list of artists such as James Taylor, Dan Fogelberg, CSN&Y, Eagles, and originals he developed his style. Getting paid 15 dollars a night and free pizza seemed like a good deal to the teenaged Tim. What this job did was help him learn how to be comfortable and entertaining on stage and find what kind of tunes worked with different audiences. 42 years later he is still going strong as ever. Tim has played and still works in clubs, resorts, festivals, concerts, and private functions across southwest Virginia such as The Hotel Roanoke, Wintergreen Resort, Primeland Resort, Snowshow, Greenbrier, Homestead and more. He plays local Roanoke clubs such as The Quarter, Awful Arthurs, Annie Moore's Tavern, Brambleton Deli and more. He has shared the stage and opened for artist such as Savoy Brown, Vern Gosdin, Jonathan Edwards, Ted Nugent, Lynyrd Skynyrd, Atlanta Rhythm Section, Little River Band, Southern Culture on The Skids and more. He has released two albums over the years. Real Life Dreamers in 1992 with his duo partner Mark Wilbourn and Wishes in 2000, both all original songs written by Tim.

Kristina Murray sits down with CloudwatcherUno in her Nashville home to talk about her albums “Southern Ambrosia” and “Unravelin”, her ongoing progress to produce a new as yet untitled third album and the latest project of killer covers featuring Logan Ledger “That Just About Does It” (a Vern Gosdin classic) and “I'm Gonna Hurt Him On The Radio” (based on Keith Whitley‘s original). Also on the musical horizon Kristina will be supporting Jamie Wyatt in 2022 on her tour of the West Coast. Love the podcast? Then by all means feel free to share the news with your friends on social media and help the show grow! PLAY. LISTEN. ENJOY.

#684 - Buddy Cannon Returns Buddy Cannon Returns to The Paul Leslie Hour. The name "Buddy Cannon" is heard in many parts of the music business. Cannon is a songwriter who has written songs recorded by Willie Nelson, Vern Gosdin, The Oak Ridge Boys, Mel Tillis, Alison Krauss, George Strait, Billy Ray Cyrus, Craig Morgan and Sammy Kershaw. Buddy Cannon was recently inducted into the Nashville Songwriters Hall of Fame. He's made a name for himself as a record producer. Learning from people like the great Jimmy Bowen, Buddy Cannon has made some great albums. He's the producer of choice for Willie Nelson and Kenny Chesney. This is an in-depth interview with Buddy Cannon. We're honored to feature him and honored to have you listening in. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture. Support The Paul Leslie Hour by contributing to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Ontario's Brittany Brodie drops by the podcast to chat about her new single "Not My Business" written with pure honesty. She'll also share a past single "Sober" based again on her life. Brittany grew up on traditional country music from Vern Gosdin and Dottie West to Johnny Horton and George Strait. In later years, she was listening to LeAnn Rimes, The Chicks, Lee Ann Womack and Martina McBride. She even found inspiration in The Spice Girls. They were what got her through her formative years having been bullied throughout her childhood. Brittany says: "People always ask me, 'When did you get into music?' Music was not something I woke up one day and decided to do. It chose me. I was born to have this life, this career. I have never had to think about my purpose in life. I've know since day one."

My guest today is Randy LeRoy a musician, engineer, A&R, and mastering engineer in Nashville TN and Takoma Park Maryland. A graduate of the recording program at Middle Tennessee State University (also my alma mater) he got his first gig cutting publishing demos on Nashville's “Music Row” in CBS Song's basement studio, editing radio spots on ¼” tape for a company called Starliners and hanging out in small studios around town.  Eventually, he was offered a job with CBS Records as an A&R coordinator and spent time in high-end facilities like Emerald, Stargem, The Dog House, Masterfonics, Sound Shop, Treasure Isle, Studio 19, and even legendary studios like The Record Plant in LA while working for CBS. Randy worked with a variety of the label's many noteworthy artists such as Ray Benson, George Jones, Ricky Van Shelton, Tammy Wynette, Vern Gosdin, and Exile. In 1988 Glenn Meadows at Masterfonics offered him a job as his mastering assistant where Randy learned how to cut reference lacquers, assemble and quality checking masters, and help out engineers during mixing, while mastering small projects on his own.  At Masterfonics he would work alongside notable country music producers like Jimmy Bowen, Tony Brown, James Stroud, Jerry Crutchfield, and Barry Beckett. And in 1991 Randy left Masterfonics to start his own mastering studio, Final Stage Mastering located in Sound Stage Studios on Music Row in Nashville where he worked on more Grammy nominated and winning projects throughout the 1990s and 2000s such as Relient K's Two Lefts Don't Make A Right… but Three Do, Allison Brown's Fair Weather, Nappy Root's Humdinger, and Jamey Johnson's That Lonesome Song, to name a few.  In June of 2010, Randy left Nashville to become the Senior Mastering Engineer at Tonal Park in Takoma Park, MD where he has mastered some of the biggest names in country, bluegrass, folk, Americana, and gospel such as Jim Lauderdale, Bryan Sutton, Jamey Johnson, Dale Ann Bradley, Colin Hay, Kelsey Waldon,  Frank Solivan & Dirty Kitchen, Gold City, and John Cowan.  including the 2020 Grammy Winning, Michael Cleveland's “Tall Fiddler” and two other Grammy nominated albums in the Best Bluegrass Album category. Thanks so much to Justin Francis for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/6JbAJgIR1mNn5jbgVsTZXK?si=6b4c33eed528406f If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/330

August 19th, 2021 - This week in The Ranch Local Spotlight:We shine a light on Mount Forests, Brittany Brodie!"Brittany Brodie is a singer-songwriter who admires every genre of music. From a young age she knew she would have a career in the music business. Her strong work ethic, talent, and positive attitude has made her the artist she is today. Brittany grew up on traditional country music from Vern Gosdin and Dottie West to Johnny Horton and George Strait. In later years she was listening to LeAnn Rimes, The Dixie Chicks, Lee Ann Womack and Martina McBride.  She even found inspiration in The Spice Girls. They were what got her through her formative years, being bullied throughout her childhood. “One day I will thank them in person!” Brittany has a powerful set of pipes with full vocal range. She loves a power ballad. She began performing in singing competitions at the age of 8 and never looked back. She now has several singles on Country Radio, also available on all digital music platforms.​​Brittany has been writing from a very young age and has a variety of songs she has written with special reasons in mind ...“Phoenix” was co-written by Brittany to reflect on growing up being bullied. It has been an Anti-Bullying Campaign song in Canada and Australia.​Brittany travels the world finding new fans along the way, and she shows no signs of slowing down. Throughout the USA and Canada, Brittany performs the Canadian and American National Anthems at major events. Brittany played at the Nashville Meets London Showcase in July 2019 and will be performing at Belladrum in Scotland July 28-30, 2022. ​In August 2021, Brittany released a new single. Written from her personal life, “Found The One” was the top added song at Country Radio in Canada just 24 hours after releasing. Brittany Brodie is on the rise worldwide."

There is only one artist in this history of country music whose singing is so revered, he's referred to simply as "The Voice." But the career of Vern Gosdin also may contain one of the most sinister secrets in the history of country music. Did Vern Gosdin really contract two men to murder his producer Gary S. Paxton?

Ontario's Brittany Brodie grew up on traditional country music from Vern Gosdin and Dottie West to Johnny Horton and George Strait. In later years she was listening to LeAnn Rimes, The Dixie Chicks, Lee Ann Womack and Martina McBride. She even found inspiration in The Spice Girls. They were what got her through her formative years, being bullied throughout her childhood. “One day I will thank them in person!”  People always ask her, 'When did you get into her music? Her answer is: 'Music was not something I woke up one day and decided to do. It chose me. I was born to have this life, this career. I have never had to think about my purpose in life. I've know since day one." Brittany visits me on the podcast to chat about her love story that inspired her latest single "Found The One".

We have Vern Gosdin on the show The Erwins, Allen Jackson, and lot of good comedy cuts to make you smile.

We had a blast on the road meeting up with our friend (and brilliant guitarist) Charlie White. He tours with Wynonna Judd and The Big Noise, and has also worked with Pam Tillis, Highway 101 and Vern Gosdin. We'll hear about his first guitar (purchased with rolled up pennies), jamming with Bob Weir of the Grateful Dead, and he brings by a beautiful 1930s Martin guitar that he's working on in his repair shop. Plus, the best place to get enchiladas in Heber Springs, AK!

(P)1978 Elektra Records, a Warner Music Group Company

Duffy's Tavern was an American radio situation comedy  that ran for a decade on several networks (CBS, 1941–42; NBC Blue Network, 1942–44; and NBC, 1944–51), concluding with the December 28, 1951, broadcast. Here you will hear some of their best.Music is from the sound of one of America's most loved Country Music icons, Mr. Vern Gosdin. Although no longer with us, Vern is here to present some of his most memorable songs.There is also Grady L.  who presents a memorable presentation of his unique comedy. Unique to say the least.Enjoy!

Jim's talent on the steel guitar has made him one of the top "A" team recording musicians in the world. He is the recipient of the "Super Picker Award" (for musicians who have played on million-selling records). Some of the artists Jim has recorded with include: Waylon Jennings, Ronnie McDowell, David Allan Coe, T. G. Sheppard, Tammy Wynette, Johnny Duncan, Charlie Louvin, Pee Wee King, Bobby Vinton, John Anderson, Janie Frickie, Shelby Lynne, Grandpa Jones, Joe Stampley, Vern Gosdin, Freddy Weller, Linda Davis, Tim Mensey, George Jones, Roy Acuff, Less Taylor, Charlie Rich, Kansas, Moe Bandy, Willie Nelson, Hank Cockran, Boxcar Willie, Ray Price, Statler Brothers, Ivory Joe Hunter, Lorrie Morgan, and many more.

Melonie Cannon, background vocalist for Jamey Johnson and studio session singer, shares experiences from the road and the studio. She grew up among Nashville superstars, shared a room with Shania, learned harmony vocals for Vern Gosdin - and much more! Buckle up - this self-proclaimed outlaw is a pistol!

El pasado lunes, día 23, supimos que Hal Ketchum, el artista de Greenwich, en el estado de Nueva York, había muerto en su hogar tejano de Fischer por complicaciones con su demencia, dejando vacante otro de los taburetes destinados a los grandes trovadores. En 1989, editó un primitivo álbum titulado "Threadbare Alibis" en la independiente Watermelon, producido por él mismo y cuyos beneficios siempre fueron a parar a sus dos hijos, Sarah y Graham, fruto de un anterior matrimonio lleno de frustraciones. Durante su carrera tuvo la consideración de ser uno de los más brillantes vocalistas y compositores de la country music, aunque él siempre prefirió que su música hablara por él, prefiriendo la privacidad del anonimato. Tuvimos el privilegio de conocerle personalmente en los mejores momentos de su carrera y comprobar su extraordinario talento para compartir historias. La popularidad llegó con "Small Town, Saturday Night", una canción compuesta por Pat Alger y Hank DeVito que consiguió el primer puesto de las listas de sencillos en 1991 con el apoyo de un video rodado en blanco y negro bajo la dirección del fotógrafo Jim McGuire y basado en el film "The Terror Of Tiny Town". Había pasado un año desde su firma con Curb Records. Los singles posteriores de Hal Ketchum, sobre todo "Past The Point Of Rescue" -la canción que titulaba aquel trabajo-, dieron una imagen más cercana a la realidad de este cantautor que siempre poseyó una rara habilidad para recordar letras de canciones desde sus años más jóvenes, incluso cuando tocaba la batería en una banda de rhythm and blues a los 15 años. Tuvo una infancia con el tocadiscos siempre sonando en casa. Su padre, linotipista para Gannett Press, era un fanático de Marty Robbins y Hank Snow, además de tocar el banjo de cinco cuerdas. Su madre, que sufría de esclerosis, adoraba a Nat King Cole, Duke Ellington y Frankie Laine, mientras su abuelo era un experto violinista clásico. Aquello ayudó sobremanera a que se despertara su interés por la música. Han sido 31 años de carrera, desde su debut en aquel pequeño sello independiente, con un buen número de espléndidas canciones que no debemos olvidar. Este 2020 sigue siendo un año terrorífico que también parece ensañarse con artistas de nuestro amplio paraguas sonoro. 10 días antes de la muerte de Hal Ketchum perdíamos a Doug Supernaw debido a un cáncer irreversible de pulmón y vejiga que le diagnosticaron hace año y medio. La búsqueda de nuevos valores en el mercado de Nashville al comienzo de los 90 lanzó a la palestra a un tejano de Houston que se movió durante seis años por la ciudad y en quien se fijó el productor Richard Landis para publicarle el álbum Red And Rio Grande, un disco equilibrado entre canciones propias, como la que le daba nombre genérico, y algunas otras de los compositores básicos de aquellos tiempos. Su impresionante aspecto externo, propio de un jugador de fútbol americano, contrastaba con sus interpretaciones emocionantes en la línea de Vern Gosdin y Gene Watson. Doug Supernaw tuvo la paciencia de esperar a que se produjeran los cambios oportunos en su compañía de discos para empezar a hacerse popular a finales de 1993. Casi un año después publicó su segundo álbum, Deep Thoughts From A Shallow Mind, en el que destacaba su versión al éxito de 1975 para David Allan Coe, "You Never Even Called Me By My Name", que esta vez grabó con el propio Coe, Charley Pride y Merle Haggard como invitados por orden de aparición. La canción había sido compuesta por Steve Goodman y John Prine, pero este último pidió no figurar como autor porque no quería ofender a la comunidad de la country music, de cuya industria de Music Row hablaba en un tono especialmente satírico. Spencer Burton parece haber regresado a sus raíces naturales en "Nothing's Changed", el tema de anticipo de su nuevo álbum, Coyote, que reflexiona sobre la vida de los lugares en que deambulan los búfalos y donde, como dice su título, nada ha cambiado. Coyote es el quinto quinto álbum de estudio en solitario de este canadiense originario de Toronto, en Ontario, que se mudó a la zona rural de Niágara. Tal vez por eso quiso que la grabación de este trabajo se hiciera con un equipo analógico aunque para ello tuviera que trasladarse a Nashville. Como en otros casos, Spencer Burton estuvo tocando punk rock con Attack in Black y fue miembro de una banda indie como City and Color. Pero pareció entrar en razón y cambiar su perspectiva. Es algo que le acerca mucho a lo que suena cada fin de semana en nuestros aperitivos compartidos. Colorado" es una de las canciones más poderosas de las últimas fechas en la voz de Ward Davis, un ejemplo del outlaw country de los nuevos tiempos y de cómo músicos tan reconocidos como Willie Nelson, el desaparecido Merle Haggard o Trace Adkins han interpretado sus creaciones. La canción la conocimos hace un par de años, cuando Cody Jinks, que la compuso junto a él, la incluyó en su álbum Lifers, y sigue manteniendo el poderío de entonces y su tono vocal conmovedor. Este músico de Monticello, en Arkansas, se muestra especialmente artesanal en su nuevo álbum, Black Cats and Crows, donde muestra de forma evidente su esfuerzo por recoger el legado que sus predecesores en el terreno del country han dejado, y trabajar en su desarrollo segundo terminamos la segunda década del siglo XXI. El camino de Sean Harrison parece el inverso al de Ward Davis, ya que el primero nació en Nashville y se crió en el estado de Arkansas, en concreto en Fayetteville, donde siempre regresa. Así lo ha hecho, tras recuperar su prometedora carrera debido a decisiones personales poco afortunadas. De ello habla en Halfway From Nashville, un álbum que tiene en “Gravel & Dirt” su tema de apertura, revelando un sentido del humor lleno de ingenio y poco común, que a veces incluso desprecia su propia manera de comportarse. Sean Harrison es un tipo curioso con una categoría como contador de historias que recuerda a James McMurtry o Slaid Cleaves. "Hasta luego Nashville, TN / No puedes quedarte con lo que queda de mí / Y por lo que puedo decir / Ya es hora de que te desee lo mejor / Me construiste, me liberaste"... Así canta Chris Stapleton en “Nashville, TN”, la canción de cierre de su último álbum, Starting Over, dando pie a todo tipo de especulaciones. Mitad lamento y mitad homenaje a la ciudad que, en cualquier caso, le ha hecho extraordinariamente popular. Es bien cierto que Stapleton tenía pensado grabar una buena parte de este proyecto en Muscle Shoals, pero un corte de energía en toda la ciudad determinó el cambio de planes. La composición de “Nashville, TN” está compartida con su mujer, Morgane, la mujer que se ha convertido en imprescindible desde sus comienzos. Este cuarto álbum del artista de Kentucky vuelve a mecerse con los latidos de los forajidos del country, como Willie, Waylon y Merle Haggard. y los del rhythm and blues como Ray Charles, Otis Redding o Aretha Franklin, con la significación que todos ellos tienen en la historia de la música popular.  Desde las tierras de Downey, en California, el veterano Dave Alvin también ha aprovechado estos tiempos extraños que nos han obligado al confinamiento para mirar en sus archivos y completar From an Old Guitar: Rare and Unreleased Recordings, descubriendo algunas de sus debilidades personales como es el caso de Marty Robbins, que nunca nos ha parecido suficientemente reconocido, a pesar de ser una influencia constante en muchos de los artistas cercanos a la música de raíz. “Man Walks Among Us” es un ejemplo de su gran talento, siendo una canción que compuso y grabó en 1963 para su álbum Return of the Gunfighter con ciertos tintes agridulces. Lo que dejaba claro era su cariño por los paisajes del Oeste y, sobre todo, los de su Arizona natal. Steve Earle se ha acogido a su banda de acompañamiento de estos últimos años, The Dukes, donde militan nuestros buenos amigos Eleanor Whitmore y Chris Masterson, para grabar J.T. Es un trabajo que se ha convertido en el disco que nunca hubiera querido lanzar. En él rinde homenaje a su hijo, Justin Townes Earle (J.T.), que falleció el pasado 20 de agosto en Nashville, su ciudad natal. Se publicará digitalmente el 4 de enero de 2021, el día en que hubiera cumplido 39 años, mientras el vinilo y el CD verán la luz pasado el invierno, a mediados de marzo. El álbum se titula J.T. porque era así como le llamaban familiarmente, tras apodarle Cowboy en su infancia. Steve Earle & The Dukes han versionado 10 de las canciones que Justin nos dejó desde su debut discográfico en 2007 con el EP Yuma, que le trajo por primera y única vez a España, y su último registro, The Saint Of Lost Causes, del pasado año. Hoy anticipamos la lectura sonora que han realizado de “Harlem River Blues”, el tema que dio nombre genérico a su trabajo de 2010 y que se convertiría en la mejor canción del año siguiente para la Americana Music Association en su entrega de premios anuales. Todos los derechos de este álbum que, según Steve, son la mejor forma de decir adiós a un hijo que vivió siempre de forma apasionada, serán entregados a Etta St. James Earle, la hija de tres años de Justin. Su única hija. Si una guitarrita de enorme prestigio decide rendir homenaje a otro guitarrista legendario convertido, además, en uno de sus grandes amigos organizando un festival que reúna, a su vez, a una lista interminable de guitarristas… estamos en una gozosa reiteración de los sonidos de seis, ocho, 10 o 12 cuerdas interpretando canciones de casi cualquier género musical. Eric Clapton, uno de los guitarristas más sobresalientes de la historia, lo hizo en 1999 cuando se produjo el primer concierto benéfico de Crossroad en el Madison Square Garden de Nueva York. Su amigo del alma era JJ Cale. El Crossroads Guitar festival hizo su debut en 2004 en el Cotton Bowl de Dallas, del que se publicó un doble DVD que pasa por ser uno de los más vendidos de la historia en ese formato. Las publicaciones de las siguientes ediciones, en 2007, 2010 y 2013, también fueron millonarias. Tras una pausa de seis años, regresó en 2019 en la capital del estado de Texas y con un listado infinito de colaboraciones estelares como las de Gary Clark Jr., Robert Cray, Sheryl Crow, Buddy Guy, John Mayer, Keb 'Mo', Bonnie Raitt, la Tedeschi Trucks Band, Peter Frampton o Vince Gill, entre otras muchas. Clapton siempre ha manifestado un enorme respeto hacia el country, sus grandes figuras y sus guitarristas. Músicos como Albert Lee o Vince Gill han sido habituales en sus Crossroads y en esta última edición hemos podido escucharles junto a Jerry Douglas en esta versión de “Tonight The Bottle Let me Down”, con Vince Gill de cantante solista y el espíritu de Merle Haggard en el ambiente. El Crossroads Guitar Festival recauda fondos para el Crossroads Center de las llamadas Pequeñas Antillas, un centro educativo y de tratamiento contra la drogadicción que el músico fundó en 1998. La despedida del programa de hoy, antes de citarnos para mañana a la hora del aperitivo, es la de un tipo que ha marcado su recorrido con un estilo al que siempre llamamos rock pantanoso. Es John Fogerty, el líder indiscutible de la Creedence Clearwater Revival, que en los últimos tiempos ha venido recreándose en las grandes canciones del legendario grupo californiano para presentarse en directo. Todo ello se vio interrumpido por la llegada de la pandemia y su aislamiento en casa y decidió, ante la imposibilidad de trabajar con sus músicos habituales, que su banda de acompañamiento la formarán sus hijos pequeños: Shane, de 28; Tyler, de 27; y Kelsy, de 18. Empezaron a tocar juntos y a compartirlo en su canal de YouTube, de tal forma que ahora ha decidido convertirlo en un álbum que ha titulado Fogerty’s Factory, como un guiño al medio siglo que ha cumplido el álbum de Creedence Clearwater Revival Cosmo’s Factory. De hecho la portada es una puesta al día de la original. En realidad, todo fue una idea de su mujer, Julie, como una especie de antídoto ante la situación creada por la pandemia. En Fogerty’s Factory hay canciones de álbumes en solitario de John Fogerty y clásicos de Creedence Clearwater Revival, pero también se incluyen un par de versiones. Una es “Lean On Me” de Bill Whiters y la otra la inmortal “City Of New Orleans” Steve Goodman convertida en la mejor canción de trenes de la historia. Escuchar audio

470 - Dean Dillon Returns Dean Dillon is a returning guest on The Paul Leslie Hour. Dean Dillon is one of America's foremost songwriters and has been inducted into the 2020 class of the Country Music Hall of Fame, the highest recognition the world of country music. Mr. Dillon was inducted along with Marty Stuart and Hank Williams, Jr. Dillon has written songs recorded by the greatest country recording artists ever. In fact, almost every single George Strait album has at least one Dean Dillon song on it. Willie Nelson, George Jones, David Allan Coe, Vern Gosdin, Toby Keith, Kenny Chesney, Pam Tillis and countless other singers have all recorded songs written by Dillon. Some of the classic songs written by Dean Dillon include "A Lot of Things Different," "Tennessee Whiskey," "Set 'Em Up Joe," "Here for a Good Time," "Ocean Front Property," "Marina Del Rey," "The Chair" and so many others. Dean Dillon appeared on The Paul Leslie Hour, Episode #2 when we were just getting off the ground. He's back and I couldn't be more pleased. Congratulations, Dean Dillon!

Comenzamos el último fin de semana de nuestra temporada número 47. Los mejores y los peores momentos casi siempre tienen un punto de encuentro: una canción para recordar. Ese es el argumento de “A Song To Remember”, el nuevo tema de A Thousand Horses, que lo relaciona con el mejor y peor recuerdo de tu ex. Todo se resume en "No puedo saber si esta noche te echo de menos o me alegro de que te hayas ido", reuniendo lo bueno, lo malo y lo desconcertante en el angustioso purgatorio que suele continuar a una ruptura. La producción de Dave Cobb envuelve todo en una especie de normalidad cotidiana. A Thousand Horses provienen de Newberry, en Carolina del Sur, aunque dos de sus miembros son de Georgia y en realidad se formaron en Nashville hace 10 años. A lo largo de esta década los hemos encontrado a medio camino entre los Black Crowes, la Marshall Tucker Band o Lynyrd Skynyrd. Cuando escuchas a Robert Jon & The Wreck aparecen recuerdos de los riffs de guitarra de los Stones y los solos de Lynyrd Skynyrd junto a los juegos psicodélicos de Grateful Dead. La apertura de miras de la banda del sur de California tiene que ver con la larga experiencia de sus cinco miembros, tantos como álbumes jalonan su carrera. Su más reciente propuesta es Last Light On The Highway, con una apertura llena de sugerencias como es el caso “Oh Miss Carolina”, con influencias conmovedoras de Memphis, Nashville y Muscle Shoals hasta convertirla en un tema épico. Antes de que concluya esta temporada de TOMA UNO, seguimos anticipando álbumes que saldrán al mercado el próximo otoño. Así ocurre con Arm in Arm, la nueva apuesta de Steep Canyon Rangers, que tiene prevista su publicación a mediados de octubre pero que ya te anticipamos. "Every River" es la fusión perfecta del bluegrass y el góspel que la banda de Carolina del Norte ha utilizado para animarnos a enfrentarnos a los desafíos del presente con una nota de esperanza. El nuevo trabajo está grabado en los estudios Southern Ground de Nashville, siendo la la primera vez que la banda ha trabajado en su álbum fuera de su estado natal desde que se formaron hace 20 años. Producidos por Brandon Bell, Steep Canyon Rangers rinden homenaje a las tradiciones más vitales del bluegrass, aun cuando siguen explorando nuevas rutas sonoras. A primeros de septiembre, cuando Radio 3 inaugure su nueva temporada, verá la luz The Country, el nuevo álbum de Tennessee Jet, que tiene que ver con sus experiencias infantiles en los circuitos de rodeos que tenían a su padre como jinete y se reflejan en un ambiente de honky tonk honesto. Junto a su amigo Cody Jinks ha compuesto "The Raven & the Dove", una canción esperanzadora sobre encontrar el equilibrio en un mundo lleno de tensiones como el actual. El tejano está redefiniendo sus ideas sobre la country music desde la perspectiva de la Costa Oeste desde que se mudó a California y ha contado con el arrope de los músicos que suelen acompañar a Dwight Yoakam. John Baumann es posiblemente el menos conocido de los miembros de The Panhandlers, aunque su capacidad como compositor le haya llevado a firmar uno de los cortes más populares del álbum Songs for the Saints para Kenny Chesney hace un par de años. Tras el éxito con los Panhandlers, el tejano decidió retomar su carrera en solitario y ha completado un tercer álbum en ese formato que ha titulado Country Shade, editado poco antes de que William Clark Green, otro de los componentes de los Panhandlers, diera positivo en Covid-19, anulando toda su actividad. "The Country Doesn't Sound The Same" es una canción autobiográfica que hace referencia a los cambios de la country music en los momentos actuales, la influencia del estado social y lo complicado que parece resultar todo. Es una mirada al pasado con tintes nostálgicos que tiene que ver con las experiencias familiares. Hace tres años Aaron Watson alcanzó uno de los puntos culminantes de su carrera con Vaquero, después de que The Underdog le pusiera en el mapa desde la más absoluta independencia. El Honky Tonk Kid ha continuado la racha con Red Bandana del año pasado, pero la pandemia le ha hecho continuar su tarea de compositor y ya podemos adelantar una nueva canción que bien podría ser un adelanto de otro álbum. “Whisper My Name” tiene referencias al comienzo de su ya larga carrera, cuando viajaba en una vieja camioneta con su banda y el dinero escaseaba. Habla de uno de sus lugares favoritos, la Texas Hall of Fame de College Station, donde empezaron a llenar sus conciertos. El músico de Amarillo la compuso junto al también productor Phil O’Donnell, que ha escrito temas para nombres tan relevantes como George Strait, Brad Paisley, Randy Travis y muchos más. Dentro de un mes, aproximadamente, aparece el nuevo registro de Josh Turner, un artista de Carolina del Sur de profundas convicciones religiosas que guarda mucho del clasicismo del country-gospel y de hecho se inspiró en las formas de Luke The Drifter, el nombre que adoptó Hank Williams en su momento. El álbum, llamado Country State of Mind, se centra en algunas de las canciones que más han inspirado a Turner a lo largo de los años. Eso significa hablar de Randy Travis, John Anderson, Johnny Cash, Hank Williams y Vern Gosdin como pilares básicos de su carrera. La voz de Keith Whitley ha sido posiblemente una de las más perfectas de la escena de country music. Proveniente del bluegrass, aquel nativo de Sandy Hook, en Kentucky, pasó a formar parte del grupo de los Clinch Mountain Boys de Ralph Stanley, se reencontró con Ricky Skaggs, con quien grabó a duo y fue el cantante solista a J.D. Crowe & The New South. Como artista en solitario tuvo un enorme éxito que culminó con "I'm No Stranger To The Rain", el último No. 1 en vida, sobrepasado por la fama. Josh Turner la ha recuperado ahora. “Long Black Train”, aquella canción con la que Josh Turner había debutado dos años antes en el Grand Ole Opry, dio título a su disco de debut en 2003, Era un tema propio que se convirtió en uno de los favoritos de TOMA UNO porque es una de esas canciones que no te dejan indiferentes. Estuvo a punto de entrar en el Top 10 y sirvió para que todos nos fijáramos en una voz portentosa, que logró educar tras sufrir graves problemas en su adolescencia. Desde entonces, Josh Turner ha recibido el reconocimiento que se ha ido ganando con el tiempo y la perseverancia. Tras muchos años de pretendida retirada, Garth Brooks está enfrascado en un regreso que no acaba de culminar. Su nuevo álbum es Fun, del que se van conociendo nuevos temas con cuentagotas y cuya fecha de publicación se va retrasando según se complica la gestión del Covid-19 en Estados Unidos. El más reciente anticipo es “We Belong To Each Other”, que ha inaugurado su nuevo estudio casero de Nashville, y que se suma a los muchos mensajes de unidad que están apareciendo en estos tiempos. A nosotros nos recuerda mucho a “We Shall Be Free” del 92, centrándose en lo que nos hace iguales, independientemente del color de la piel, el género, las preferencias sexuales o la propia ideología. En cuanto a la composición, parece ser que el artista de Oklahoma ha compartido la composición con otro artista muy popular, pero por el momento no quiere revelar su identidad. Desde que en 1976 apareció “Let Your Love Flow”, David y Howard Bellamy, la pareja de hermanos del Pasco County, en Florida, ha dejado una lista casi interminable de canciones dotadas de un sentimiento de positividad que no han perdido en el presente. Los Bellamy Brothers acaban de publicar Bucket List, un nuevo EP en el que se incluye "No Country Music for Old Men", inspirado por el fallecimiento de Kenny Rogers a principios de este año y para el que pidieron la colaboración de su viejo amigo John Anderson. Los hermanos Bellamy estaban de plena gira Friends and Heroes junto a Blake Shelton, Trace Adkins, Lauren Alaina y el propio John Anderson cuando debieron confinarse debido al Covid-19. El dúo regresó a su hogar en Florida, en cuyo estudio casero se grabó el nuevo proyecto y donde se filma el reality Honky Tonk Ranch, cuya segunda temporada se estrenará a finales de este verano. Recientemente, los Bellamy Brothers se han asociado con la compañía de marihuana medicinal Trulieve, con una línea de productos llamada Old Hippie Stash. The Rosewood Tapes Volume One es otro de esos Eps que a veces pasan inadvertidos hasta que las emisoras de radio se empeñan en programar una de sus canciones. Hace un par de años, Jody Booth, originario de la tejana Livingston, publicó ese trabajo e invitó a Tracy Byrd a cantar con él una de las canciones emblemáticas de Waylon Jennings, uno de sus indiscutibles referentes junto al californiano Merle Haggard. Procedente de Beaumont, también en Texas, porque Vidor, a 15 millas de la ciudad, no tenía hospital, Tracy Byrd creció escuchando a los Eagles, Boston, Marshall Tucker Band y Tom Petty, pero tiene una voz profunda y unas claras influencias de la música que ha definido a su Estado natal por el hecho de pertenecer al llamado "Golden Triangle", entre Houston y la frontera de Louisiana que ha marcado sus inclinaciones artísticas. El dúo de Jody Booth y Tracy Byrd en “Lonesome, On’ry and Mean” es uno de los temas favoritos de las emisoras tejanas en estas fechas. La canción que compuso Steve Young y dio nombre al álbum de 1973 de Waylon estableció definitivamente al legendario artista como elemento integrador del movimiento Outlaw. Despedimos el programa con Zephaniah OHora que parece empeñado en demostrar que no es preciso haber nacido en Nashville o Texas para hacer country music, sino que lo imprescindible es contar historias honestas y auténticas. Con el espejo de Merle Haggard en el que mirarse, este músico de Brooklyn va a editar dentro de un mes su segundo álbum, Listening To The Music, dedicado a Neal Casal, que murió precisamente en agosto del año pasado y que fue el productor de ese registro. Compuesta poco después de que Zephaniah OHora hubiera terminado This Highway, su disco de debut en 2016, “Black & Blue” trata sobre esa relación que en realidad nunca terminan, a pesar de rupturas y separaciones. Escuchar audio

In this week's episode we're featuring the third and final album on Giant Records for Daryle Singletary: "Ain't It The Truth" (1998). One of the 90s finest and loudest voices for traditional country music, Singletary was only with Giant a short time and was dropped from it's roster following this album's three singles lacklustre chart performance. The year before it's release, Giant Records had been restructured and Singletary was rightly nervous about his position - however, when president Doug Johnson saw the Georgia baritone perform Randy Travis' "1982" and Vern Gosdin's "Do You Believe Me Now" at Nashville's Wildhorse Saloon, he was sold. There was genuine label hype around "Ain't It The Truth" - plenty of speak of a "career record" and "The Note" was supposed to be a big smash, but none of that happened. However, Singletary's third and last record for Giant gives us a taste of what was to come: a hardcore country traditionalist slipping into the shoes of a torchbearer for a cause and an artform, which is what he remained until his terribly sad passing in 2018. Sterling stuff from a legend.

In this week's episode we're featuring Vern Gosdin's final charting album on Columbia: "Out Of My Heart" (1991). Already into his 50s by the time commercial success finally came his way in the 1980s and having suffered his share of setbacks, Gosdin's voice had aged to perfection by 1991. Described as "a walking heartache" by one reviewer, Gosdin's music during his commercial peak relied heavily on haunting background vocals - hearkening back to his history with brother Rex Gosdin in the 60s as some of the West Coast's finest harmony singers. With three divorces to draw from it was true that Gosdin's musical trademark was sorrow. And there are plenty of weepers on this week's feature album. The equally painful "A Month Of Sundays"; "The Song Wrote Itself" (while I cried) and the forlorn "The Bridge I'm Still Building On" have Vern in comfortable territory. But to see the lines on his face when Gosdin sang the exquisite and tragic "The Garden" on The Grand Ole Opry in 1991 is to understand the feeling the man put into his music and how he earned the nickname "The Voice".

In this week's episode we're featuring Vern Gosdin's final charting album on Columbia: "Out Of My Heart" (1991). Already into his 50s by the time commercial success finally came his way in the 1980s and having suffered his share of setbacks, Gosdin's voice had aged to perfection by 1991. Described as "a walking heartache" by one reviewer, Gosdin's music during his commercial peak relied heavily on haunting background vocals - hearkening back to his history with brother Rex Gosdin in the 60s as some of the West Coast's finest harmony singers. With three divorces to draw from it was true that Gosdin's musical trademark was sorrow. And there are plenty of weepers on this week's feature album. The equally painful "A Month Of Sundays"; "The Song Wrote Itself" (while I cried) and the forlorn "The Bridge I'm Still Building On" have Vern in comfortable territory. But to see the lines on his face when Gosdin sang the exquisite and tragic "The Garden" on The Grand Ole Opry in 1991 is to understand the feeling the man put into his music and how he earned the nickname "The Voice".

About Kenny Lee: Kenny Lee, is a member of that rare breed of Country rock stars, that prefers to display his compassion with his music and his lyrics. Kenny's father introduced him to music at a young age. He spent much of his youth harmonizing with friends. Kenny mixes Country with R&B, which transcends the preachy trappings, of most music, with an inspirational message. I try to stay positive, says Kenny Lee. but this world is not all about positive living, so I just write what I feel in my heart at the time. He is also a dedicated philanthropist and continues to support many charitable organizations. Kenny Lee has written songs for movies such as "ELVIS IS ALIVE“ Kenny was influenced by close friends in his life such as the late, Brook Benton; famous for the song "Rainy Night in Georgia" and the late, Vern Gosdin, famous for "Chiseled In Stone" and many others. Kenny has also worked along side, all time greats such as; Willie Nelson, Ronnie Millsap, Ronnie McDowell , Percy Sledge, T.G. Sheppard, Reba McEntire, Billy Dean, The Drifters to name a few. Kenny has directed and produced many TV shows, not to mention acting in a few. Kenny has taught serval artist the art of acting singing and writing, Kenny was instrumental in the mentoring of a few big stars of today Lucy Hale for one, from the television show "Pretty Little Liars" as well as pop artist; Megan McCauley who has written and performed many movie soundtracks such as "Beverly Hills Chihuahua“ 1&2” as well as several other top shelf box office hits. Kenny also supports our veterans. He wrote a song called “We never did come home” based on a true story Kenny's father told him years ago after coming back from war. Kenny does all he can to help support our troops. One of Kenny’s hit songs Called “The Trump Card” it helped to elect our President, Donald Trump in 2016. Kenny got to meet with then candidate Trump and did a photo opt. then he hit the campaign trail. Kenny now has a new campaign song out for 2020 called “We’re all Trumped up” the song is spreading like wildfire. And has gone viral making its way across the country. Kenny has won many awards and been very successful over the years. He is a true patriot in every way. What Kenny Lee does: Actor, script writer, Director, Producer, DP, Film and Music video editor and script writer, Song writer, Singer, Audio engineer, Vocal couch. Kenny loves to act. Kenny has had lead rolls in a few TV shows such as “Hicksville Junction” you can find on Nashville Country Stars TV on Roku. A Popular Station Kenny owns. Kenny has produced thousands of songs plus music video’s on hundreds of artist over the years. When Kenny does a concert you can rest assured he’s going to give you all he’s got and he will leave you wanting more every time. Kenny says... "My fan's feel what I feel inside when I preform for them and that means more to me than anything, we seem to read each others' hearts and minds.” Look for Kenny on the 2020 “ We’re all Trumped up tour” in a town near you. We're all Trumped up: https://youtu.be/jrvrL5ukf78 Facebook: https://www.facebook.com/kenny.lee.35380 The Flag Song: https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fkenny.lee.35380%2Fvideos%2F1954645297895871%2F&show_text=1&width=560  The Trump Card: https://youtu.be/kW5ZzpdKOQA

Our guest today is Rachael Kennerly, host of the Cannabis Heals Me podcast. (http://bit.ly/2laYAY1) We talk about prohibition and hope; of music and being well behaved. (Seriously folks, I’m not even sure she curses on our show.) Here are some of the topics we talked about: Barbra Striseand https://spoti.fi/2lbeTUJ  Barry Manilow https://spoti.fi/2kZQyBt  Florence & the Machine https://spoti.fi/2kWmqXD  George Jones https://spoti.fi/2LET5xc  Keith Whitley https://spoti.fi/2kYWvi2  Vern Gosdin https://spoti.fi/2l88VEb  Steve Warner https://spoti.fi/2laYOhM  Free Markets Green Earth http://bit.ly/2l9NRx8  Adam Ant https://spoti.fi/2mapQGu  Sidney Gottlieb http://bit.ly/2mz5RRN  Jack Johnson https://spoti.fi/2kYLM7j  John Mayer https://spoti.fi/2mi1L08  Shiller Math http://bit.ly/2l9NjHA  Billy Ocean http://bit.ly/2lbzHeN  John Cusak Movies https://imdb.to/2kCo0gY  Chillderburg http://bit.ly/2maO3wm  Libertarian Party National Convention 2020 http://bit.ly/2mC9576  Nick Sarwark on Part of the Problem http://bit.ly/2me6K23  Liberty Hippie Network http://bit.ly/2mcv6Jy  Voluntary Vixens  http://bit.ly/2mdTnim  Featured Music Show Intro Damn Beach by Burns To The Soul https://burnstothesoul.bandcamp.com/track/damn-beach Show Outro: Closure by Tenwatch https://www.youtube.com/watch?v=NetR3FiAFag 1st Song: The Horror Show by Jordan Page http://bit.ly/2kcMn4O  2nd Song: Cliffhanger by Fylo http://bit.ly/2mdETz0  3rd Song: Missing Milestones by Zama Rripa http://bit.ly/2myjFvQ  4th Song: Medicate Me by The Swindlin Hearts http://bit.ly/2miVrFJ  Find all the episodes at http://www.ancapmusic.com Check out the show’s spotify soundtrack here:https://spoti.fi/2MFxkKG To Support Us Join The Freedom Choir here: http://www.supportsll.com Click here to sign up for email list:http://bit.ly/2MDWoSg Want the best course in music & liberty online? http://freedomsong365.com

287 - Buddy Cannon Musician Buddy Cannon is a large part of the equation when it comes to the success of several iconic country music recording artists. He is the longtime producer for the bulk of Kenny Chesney's discography and for the past few years he has been the producer of choice for country music legend Willie Nelson. Other artists he has produced include George Jones, Chely Wright, Reba McEntire, and Merle Haggard. Buddy Cannon has also been very successful as a songwriter. With country artists Bill Anderson and Jamey Johnson, he wrote the hit song “Give It Away.” He's written and co-written songs for artists as diverse as Vern Gosdin and Willie Nelson. Although this interview covers many topics, it takes a close look at the acclaimed Willie Nelson album “Heroes." Originally broadcast on FM radio, it's a pleasure to present this digitally remastered podcast version right here on The Paul Leslie Hour. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Frequent Willie Nelson collaborator, award-winning producer, and co-writer of the CMA and ACM Song of the Year "Give It Away" Buddy Cannon joins us for an in-depth conversation.   EPISODE DETAILS: PART ONE Scott and Paul talk about their friends at Pearl Snap Studios and share a listener-submitted clip highlighting what Pearl Snap can do for you, too! PART TWO - 3:47 mark Paul shares a recent eye-opening musical experience. PART THREE - 8:47 mark Scott calls up Buddy Cannon to learn about how he went from growing up in a family so poor they didn't have a car to becoming a legendary Nashville songwriter and record producer; how he started writing songs out of boredom, the circumstances of getting his first four cuts in two days (all by the CMA's Entertainer of the Year); how his first charting single became a #1 hit; the experience of writing his first song after getting sober; why he had to tell Kenny Chesney he couldn't produce his early albums; the real-life conversation that became his biggest hit; the time he freaked out when his musical hero called him on the phone; and how he and Willie Nelson only co-write via text message. ABOUT BUDDY CANNON Though widely recognized as a respected Nashville record producer, Buddy Cannon initially made his mark in the music business as a songwriter. His first charting single came with Mel Tillis’ recording of “I Believe in You,” which reached #1 on the Billboard country rankings in 1978. He went on to write several Vern Gosdin hits, including the #1 singles “Set ‘Em Up Joe” and “I’m Still Crazy.” George Straight took his “I’ve Come to Expect it from You” to #1, but his greatest success with Straight came in 2006 when “Give It Away” hit the top spot on the charts and went on to be named Song of the Year by both the Country Music Association and the Academy of Country Music. Additionally, Buddy’s songs have been recorded by Hank Snow, Loretta Lynn, David Allan Coe, Billy Ray Cyrus, George Jones, Gene Watson, Alabama, Bill Anderson, Don Williams, Tracy Byrd, and others. As a producer he’s worked on projects for Sammy Kershaw, Sara Evans, Chely Wright, Craig Morgan, John Michael Montgomery, Reba McEntire, Joe Diffie, Joe Nichols, Jamey Johnson, Randy Travis, Lionel Richie, Eric Clapton, Rhonda Vincent, Dolly Parton, and Merle Haggard. He has produced most of Willie Nelson’s recent albums, and has produced every Kenny Chesney album since 1997. His work with Chesney includes nearly two dozen #1 singles. A multiple Grammy winner, Cannon has also won a CMA and three ACM awards for his production work, including the ACM’s Producer of the Year honor in 2005.

KOLT BARBER is just a good, ole boy—plain and simple. He’s a hard-working, hands-on Georgia native who’ll be the first to say he’s endured bumps and bruises from life mistakes; but with a cowboy spirit that runs deep, the maverick has the tenacity to get back on the horse. He’s a devout patron of the land whose favorite canvas is painted from a front porch swing view that gazes across the crop fields and grazing horses. Marrying his passion for the land with his love for music, Kolt has spent years writing and performing before heartland country music fans. His dedication to his fellow blue-collar crop growers and livestock wranglers, and his country music following, make him a standout in both fields. With the grit of toughened leather and a gentle man’s demeanor, Kolt Barber is a true country purist. The rugged, loyal man with a mysterious aura, untamed spirit and innocent charm feels as much at home roaming the pastures on his ranch by day as he does setting fire to the stage with an electric performance each night. Playing nearly 70 shows a year, he’s shared the stage with numerous country music legends, including Travis Tritt, John Anderson, Tanya Tucker and has sat across the dining table swapping jokes and exchanging wisdoms with Waylon Jennings—one of his biggest influences (in line with Haggard, Cash, Vern Gosdin and The Eagles). When it comes down to it, the laid-back, real time cowboy is as honest as the day is long. Before a crowd of 40,000 or 400, Kolt Barber does not disappoint. His deep, rich, baritone voice captivates with the drop of every heartfelt note; his dynamic stage show is a must-see attraction. With gumption to give it his all, Kolt Barber delivers a performance as exciting as an 8-second ride. Resources: Follow Kolt Barber Facebook (https://www.facebook.com/officialkoltbarber/) Instagram (https://www.instagram.com/officialkoltbarber/) Show Music: “The Ropin Pen” By: Trent Willmon Trent Willmon Website (https://www.trentwillmon.com/) MC Podcast Production & Editing: Matt Kirschner Website Right Trac Media (https://www.righttracmedia.com/)

This Is Lou Reid Of The Seldom Scene Playing Mandolin For Me.  After touring 250 annual dates per year with Ricky, Lou decided to come off of the road to slow down a bit and take the lead singer and guitarist position with The Seldom Scene.  Working with John Duffey proved to be one of Lou's career highlights.  As a teenager and learning to be a bluegrass musician, John gave Lou insight into singing that Lou still calls upon today.  After spending six years with the Scene, Lou went off to work in Nashville with some of the top traditional artists of the day, Vince Gill and Vern Gosdin.  He also decided to start his own band with lifelong friend Terry Baucom. The result was Lou Reid, Terry Baucom and Carolina. After putting out two very successful albums, Carolina Blue and Carolina Moon, Terry left the band to pursue his own career.  In 1996, John Duffey passed away suddenly, leaving the Seldom Scene without it's heart and soul.  Ben Eldridge wanted to keep the Scene on the map, and bringing Lou Reid in to take John's place as mandolin player and tenor singer seemed the right thing to do.  Lou has now been with the Seldom Scene for a combined total of 25 years.  He has managed to not only keep his band Carolina current, but thriving.   

EP114: Rick and Dave discuss marrying ghosts, a stabbing in Antarctica, Rick’s brush with country legend Vern Gosdin and interview billionaire Dallas Mavericks owner and Shark Tank co-star Mark Cuban. The post Minutia Men – 11/03/18 appeared first on Radio Misfits.

Dean Dillon Dean was born March 26, 1955. Hailing from the small Tennessee town, Lake City. Located in East Tennessee right outside of Knoxville with a population of around 1,700 people. Dean’s songs would go on to be known all around the world. Dean was inducted into the Nashville songwriters hall of fame in 2002. Dean also has the look of the quintessential cowboy, complete with a mustache that even Sam Elliott would appreciate. Dean wrote “Set em up Joe” recorded by Vern Gosdin which is probably the song most identified with Vern to this day. “Is it raining at your house” is also one of the most popular ballads Gosdin ever recorded. Also wrote Keith Whitley’s first single “Miami My Amy” and the hit “Homecoming 63” Also my favorite Brooks and Dunn song “I’ll never forgive my heart” Kenny Chesney “A lot of things different” which is probably the most pure country song of Kenny’s career. Dean also wrote Tennessee Whiskey which was one George Jones signature songs and later helped Chris Stapleton burst onto the national scene with his bluesy rendition of the song. But Dean’s biggest success was writing for George Strait. From the beginning Dean, was George’s go to for hit songs and album cuts as well. Dean even wrote “Unwound” which was George Strait’s first single and kicked off Strait’s unbelievable 35 plus year career. Here’s a few of the song “It ain’t cool to be crazy over you” “I’ve come to expect it from you” “If I know me” “Easy come, easy go” “Marina Del Ray” “Nobody in his right mind would have left her” “Ocean Front Property” “The Chair” which both are two of the most clever lyrically that Strait ever recorded. “The chair” was co-written with another country music songwriting legend Hank Cochran. And was written in about 20 minutes after a late night song writing session. Also “Back to being me” which is one of my favorite album cuts from the “ If you ain’t lovin, you ain’t livin” album. Dean also has written songs for Toby Keith, Leann Womack, Alabama, and Shenandoah. Dean has a great website deandillon.com that has a ton of cool information about his career. In 2017, a documentary was released entitled “Tennessee Whiskey, The Dean Dillon Story.”

Do you remember the days when you could call into your local radio station and make a request, or even a dedication? Well, in this week's episode, we're remembering the roots of radio with a good old fashioned all-request show. You told us what you wanted to hear, and we've got it for you this week: including listener requests from Illinois, Georgia, Texas, Alberta, New Zealand, Australia, Northern Ireland and many more. Our listeners have good taste too - we've got music this week from Vern Gosdin, Moe Bandy, Keith Whitley, Kris Kristofferson and we'll also be remembering the forgotten career of Kentuckian Marty Brown. Lots of fun this week - get you some!

Do you remember the days when you could call into your local radio station and make a request, or even a dedication? Well, in this week's episode, we're remembering the roots of radio with a good old fashioned all-request show. You told us what you wanted to hear, and we've got it for you this week: including listener requests from Illinois, Georgia, Texas, Alberta, New Zealand, Australia, Northern Ireland and many more. Our listeners have good taste too - we've got music this week from Vern Gosdin, Moe Bandy, Keith Whitley, Kris Kristofferson and we'll also be remembering the forgotten career of Kentuckian Marty Brown. Lots of fun this week - get you some!

Hugh Prestwood has written twenty charting singles on the Billboard rankings, including eight Top 10 hits. He began his professional career as a folk singer/songwriter in Greenwich Village in the 1970s before finding commercial success as a writer when Judy Collins began recording his songs toward the end of the decade. In the 1980s he appeared on the country charts with the #1 singles “The Sound of Goodbye” by Crystal Gayle and “The Moon Is Still Over Her Shoulder” by Michael Johnson. By the following decade Prestwood was regularly topping the charts with titles such as Randy Travis’ “Hard Rock Bottom Of Your Heart,” which earned him the BMI Country Song of the Year Award. Similarly, Trisha Yearwood’s recording of “The Song Remembers When” earned him NSAI’s Song of the Year honors and an Emmy award for Outstanding Individual Achievement in Music and Lyrics. Other artists who’ve recording his songs include Alison Krauss, Anne Murray, Conway Twitty, Shelby Lynne, John Conlee, Barbara Mandrell, Gene Watson, The Judds, Lee Greenwood, Tanya Tucker, Alison Krauss, Jimmy Buffet, Sammy Kershaw, Don Williams, Kristin Chenoweth, Vern Gosdin, Kathy Mattea, and Collin Raye, who took the song “On the Verge” to the top of the charts in 1997. Hugh recently released his first full-length album as an artist, I Used to Be the Real Me, on Judy Collins’ Wildflower Records. He was inducted into the Nashville Songwriters Hall of Fame in 2006. 

Of Symphonies, Dogwhistles and Western Nationalism. The Triggered Left Reacts to Trump's Speech in Poland. And yes, it seems, they really do want to destroy Western Civilization. But are their Politically Correct bromides wearing thin? Meanwhile, President Trump has a long meeting with Vladimir Putin, described by eminence grise David Gergen as "promising" and "presidential big league stuff." Also, the New York Times confesses to an "honest mistake" in its libeling of Sarah Palin, the sanctimonious Senator Ben Sasse contemplates a presidential run in 2020, columnist Bret Stephens tells the American people they should learn to "admire" more educated elites, and Trump toys with a flailing John Podesta. Plus, the Politico offers sympathy for increasingly isolated "leakers" now living in "fear" of getting caught by the Trump Administration. With Listener Calls & Music via Vern Gosdin, Roy Acuff and Astrid S of Norway.See omnystudio.com/listener for privacy information.

Brittany Brodie is a singer-songwriter who appreciates every genre of music. From a young age, she’s always known she wanted a career in the music business and her strong work ethic and positive attitude has made her the artist she is today.   Brittany grew up on traditional country music from Vern Gosdin and Dottie West to Hank Williams and George Strait. In later years, she was listening to The Dixie Chicks, Lee Ann Womack and Rascall Flatts. With an appreciation for all genres of music, she found inspiration from The Spice Girls. “They were a game changer for me. They inspired me in more ways than I ever imagined. I owe them a lot.”   Brittany has a love of all that is musical and a full vocal range means you’ll find her singing a wide variety of tunes. “I will be driving along in my car listening to Katherine Jenkins (classical) and then some Bryan Adams (Summer of ’69) … one of the greatest songs ever.” This talented Ontario Country artist is here to talk about her music career, the recent CCMAS and her two latest singles Together Never Alone & Phoenix.  

Bienvenidos a Country music la aventura americana edicion del sabado hoy con Filipo Marco hoy tenemos lo nuevo de Robert Earle Ken,el veterano James House,nos adentraremos en los 70 con Freddy Weller y Vern Gosdin y con el ultimo single de Lee Kernaghan todo ello desde La aventura americana radio GRACIAS A TODOS DE CORAZON

Special guestsKari and Billy are rising country music stars and creators or Whitetail Ridge, a song that has resonates to the very soul of the Big Buck Registry Community.  Billy Arnold grew up in Florida and found himself singing in kareoke bars before heading to Nashville where he hopes to bring his country music career to the next level. Kari Nelson grew up in Minnesota studying the arts and playing the violin.  Together they are Kari and Billy!  They share everyting from how they got into music to how they found each other to how hunting and fishing plays a roll in their lives.  Both have lead promising careers as solo artists. Kari has played with John Rich, Big and Rich, Gretchen Wilson, Steel Magnolia's, Trace Adkins, and Joanna Smith. Billy has played with Craig Morgan, Tracy Byrd, Daryle Singletary, Rhett Atkins, Mark Wills, Vern Gosdin, Arron Tippin, and Confederate Railroad.  Billy and Kari share all their experiences with us here on the Big Buck Registry's Big Buck Podcast! Stay tuned for their first single to hit country music radio stations called Play Me a Fiddle Tune...call your local radio stations and request it!