Podcasts about shakespeare

William Shakespeare is undoubtedly one of the greatest literary geniuses of all time. Author of over 30 plays and over 150 poems, he masterfully knit together over 20,000 English words, all out inventing some 1,700 of them, to beautifully capture full ranges of complex emotions and subtle nuances of human nature that still capture audiences over 400 years later. Pretty impressive for a 16th century man from a modest family with only a grammar school education, illiterate parents, illiterate children, who never left the country, didn't seem to own any books, and has no surviving handwritten letters or documents of any kind today. So impressive, in fact, it actually raises some pretty big questions. How exactly did a man like William Shakespeare write such an impressive collection of literary masterpieces? Or didn't he? Let's fix that. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: poets.org "About William Shakespeare"Shakespeare Birthplace Trust "William Shakespeare Biography"shakespeareauthorship.com "How Do We Know That Shakespeare Wrote Shakespeare?"History Extra "The Globe Theatre Fire of 1613"Book Brunch "The British and Reading: a Short History"Shakespeare Birthplace Trust "Shakespeare's Words"History.com "10 Things You Didn't Know About William Shakespeare"Encyclopedia Britannica "William Shakespeare"biography.com "Was Shakespeare the Real Author of His Plays?"EBSCO "Shakespeare Authorship Question"Shakespeare Oxford Fellowship "How Wrote Shakespeare? Shakespeare Authorship 101"Shoot me a message!

Merriam-Webster's Word of the Day for September 13, 2025 is: consummate • KAHN-suh-mut • adjective Someone or something described as consummate is very skilled or accomplished. Consummate can also mean “of the highest degree” and “complete in every detail.” The adjective is always used before the noun it describes. // Ever the consummate professional, the planner ensured that no one attending the event was aware of all the elements that had not gone as planned. See the entry > Examples: “... KEM's legacy serves as a blueprint for excellence. Offstage, his charm extends beyond the microphone. Friends and collaborators describe him as a consummate gentleman and leader with an infectious sense of humor.” — Raquelle Harris, Vibe, 25 July 2025 Did you know? Consummate is a consummate example of a word that's shifted in meaning over the centuries. A 15th century addition to the language ultimately from Latin consummare, meaning “to sum up, finish,” the word first described something that has been brought to completion. Shakespeare used the word this way in Measure for Measure: “Do you the office, friar; which consummate, Return him here again.” By the early 16th century consummate had taken on the meaning of “complete in every detail.” Today it usually describes someone or something extremely skilled and accomplished, but it can also describe that which is supremely excellent, as well as that which is simply extreme.

In last week's episode of the Book Review podcast, host Gilbert Cruz and his fellow editor Joumana Khatib offered a preview of some of the fall's most anticipated works of fiction. This week they return to talk about upcoming nonfiction, from memoirs to literary biographies to the latest pop science offering from the incomparable Mary Roach.Books discussed in this episode:“All the Way to the River,” by Elizabeth Gilbert“Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival,” by Stephen Greenblatt“Mother Mary Comes to Me," by Arundhati Roy“Poems and Prayers,” by Matthew McConaughey“The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us,” by John J. Lennon“We The People: A History of the U.S. Constitution," by Jill Lepore“Electric Spark: The Enigma of Dame Muriel,” by Francis Wilson“Joyride: A Memoir," by Susan Orlean“Next of Kin,” by Gabrielle Hamilton“Paper Girl,” by Beth Macy“Water Mirror Echo: Bruce Lee and the Making of Asian America,” by Jeff Chang“Book of Lives," by Margaret Atwood”The Great Contradiction: The Tragic Side of the American Founding,” by Joseph J. Ellis“History Matters," by David McCullough“The Wounded Generation: Coming Home After World War II,” by David Nasaw“Family of Spies: A World War II Story of Nazi Espionage, Betrayal and the Secret History Behind Pearl Harbor,” by Christine Kuehn“Replaceable You: Adventures in Human Anatomy," by Mary Roach Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Filmmaker and stuttering ally Andy Phillips joins Maya to mark the 10-year anniversary of his short film WORDS, a story born from two loves: New Orleans and spoken-word poetry. Andy shares how a friend who stutters, late-night script pages in a dreaded Shakespeare class, and a chance connection to a Lower Ninth Ward community center shaped the film's heartbeat. A tour with neighborhood elder “Mr. Robert,” the Katrina watermark still visible on walls, inspired the opening poem and grounded the story in place and resilience. Andy also talks about researching stuttering to avoid tired stereotypes and building an indie crew through tiny miracles that kept showing up, sometimes literally with a Steadicam. A decade later, WORDS still ripples through his life, even guiding his path into podcast producing.You can watch WORDS here.-----

On this week's stroll down Magnolia Street, we're digging up the tangled roots of one of the most legendary plants in history: the Mandrake Root, or Mandragora. From ancient mythology and biblical “love fruit” lore to its dangerous role as a hallucinogen, narcotic, and surgical anesthetic, the mandrake has fascinated healers, witches, and storytellers alike for thousands of years. We'll explore its reputation as both a poison and a cure, the chilling myths surrounding its human-shaped root and fatal scream, and its presence as a magical talisman through history.We'll also uncover how the mandrake found its way into art, literature, and pop culture—from Shakespeare to Machiavelli to comic strips—and how a modern kibbutz even experimented with mandrake wine. And yes, long before the Harry Potter craze made screaming mandrakes a household name, the 1998 film Practical Magic slipped in a sneaky nod to this magickal root, planting it firmly in the witchy cinematic canon.Join us as we unearth the mandrake's journey from myth to medicine to movie magic.SOCIALS:⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERO SOURCESDISCLAIMER:The Magnolia Street Podcast intends to discuss the movie, “Practical Magic” in its entirety. This will evidently result in spoilers and it is recommended that you watch and or read the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons, Book of Magic. The Magnolia Street Podcast is for entertainment and informational purposes and should not be used as a substitute for professional or medical advice. Do not attempt any of the discussed actions, solutions, or remedies without first consulting a qualified professional. It should be noted that we are not medical professionals and therefore we are not responsible or liable for any injuries or illnesses resulting from the use of any information on our website or in our media.The Magnolia Street Podcast presenters, Kristina Babich and Justina Carubia are passionate fans of Alice Hoffman's work and the Practical Magic word she has created. There is no copyright infringement intended, all characters and story lines are that of Alice Hoffman. We do not own any of that material as well as any of the move score music shared within the podcast.All intellectual property rights concerning personally written music and or shared art are vested in Magnolia Street Podcast. Copying, distributing and any other use of these materials is not permitted without the written permission from Kristina Babich and Justina Carubia.

'Macbeth' es una de las tragedias más oscuras y poderosas de William Shakespeare, sumergiendo al espectador en un mundo de ambición, brujería, locura y traición. La obra se centra en Macbeth, un valiente guerrero escocés, y su esposa Lady Macbeth, quienes, consumidos por la ambición y las profecías de tres brujas, trazan un plan para asesinar al rey Duncan y tomar el trono de Escocia. La trama se desenreda en un espiral de violencia y paranoia, con Macbeth asesinando a aquellos que sospecha que amenazan su poder, incluyendo a su amigo Banquo y la familia de su rival Macduff. A medida que el derramamiento de sangre aumenta, Macbeth se ve acosado por la culpa y las visiones, mientras que Lady Macbeth, igualmente atormentada, desciende a la locura. WILLIAM SHAKESPEARE (Stratford-upon-Avon, Warwickshire, Reino de Inglaterra, 23 de abril de 1564 - ib., 23 de abril/3 de mayo de 1616) ha sido considerado unánimemente el escritor más importante de la literatura universal. Se mantiene que nació el 23 de abril de 1564 y que fue bautizado, al día siguiente, en Stratford-upon-Avon, Warwickshire. Su llegada a Londres se ha fechado hacia 1588. Cuatro años después de su llegada a la metrópoli, ya había logrado un notable éxito como dramaturgo y actor teatral, éxito que pronto le valió el mecenazgo de Henry Wriothesley, tercer conde de Southampton. Con solo haberse dedicado a la poesía, Shakespeare ya habría pasado a la historia por poemas como Venus y Adonis, La violación de Lucrecia o los sonetos. Sin embargo, si hay un campo en el que Shakespeare realizó grandes y trascendentales logros fue en el teatro; no en vano es el responsable principal del florecimiento del teatro isabelino, uno de los mascarones de proa de la incipiente hegemonía mundial de Inglaterra. A lo largo de su carrera escribió, modificó o colaboró en decenas de obras teatrales, de las cuales podemos atribuirle plenamente treinta y ocho, que perviven en nuestros días gracias a su genio y su talento. Cuento extraído de Tragedias de Shakespeare, de 451Editores, autorizado por el autor Andrés Barba para su publicación en Historias para ser leídas. Andrés Barba, Licenciado en Filología Hispánica, es autor de la novelas 'La hermana de Katia', finalista del premio Herralde de Novela, 'Ahora tocad música del baile' y 'Versiones de Teresa', premio Torrente Ballester, así como el libro de relatos 'La recta intención'. Coautor junto a Javier Montes de 'La ceremonia del porno', premio Anagrama de ensayo, ha publicado la novela infantil 'Historia de nadas', y el poemario en prosa 'Libro de las caídas'. Ilustración by Scott McKowen Narración y sonido Olga Paraíso https://instabio.cc/Hleidas Apertura Las tres brujas La Tragedia de Shakespeare, ACTO 1. Música Epidemic Sound con licencia premium para este podcast Cierre opera Verdi, Eva Rydén swedish soprano sing "Ambizioso spirto...Vienni t´affretta" from the opera Macbeth - Verdi. Hay nombres que no conviene pronunciar en voz alta. Nombres que cargan con siglos de sombras y supersticiones. Entre ellos, uno en particular: Macbeth. Shakespeare escribió esta tragedia hacia 1606, y con ella puso en escena no solo la ambición y la sangre de un noble escocés, sino también los susurros de tres brujas que, dicen, hablaban con un lenguaje demasiado verdadero. Hechizos reales, robados a quienes no perdonan la profanación. Desde entonces, la obra arrastra un halo maldito. Se cuenta que cada vez que alguien osa pronunciar su título dentro de un teatro, la desgracia acecha. Para evitarlo, existe un ritual: salir, girar tres veces sobre sí mismo, escupir al suelo, lanzar una blasfemia y pedir permiso para volver a entrar. ¿Exageración? Quizá. Pero en los pasillos oscuros del teatro, donde la ficción y la realidad se rozan, más de un actor prefiere no tentar al destino. Y ahora, abramos el telón de esta tragedia… ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!!🚀 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Could a long-hidden miniature painting unlock the mystery of Shakespeare's most intimate poetry? Unearthed after 400 years in a private collection, a portrait depicts a strikingly androgynous youth—jewelled and enigmatic. But this is no ordinary likeness. Concealed within its layers lies a coded message of love, betrayal, and secrecy. Could it depict Henry Wriothesley, the 3rd Earl of Southampton, Shakespeare's patron and perhaps the true “Mr. W.H.” of his most homo-erotic sonnets? In this thrilling episode, Professor Suzannah Lipscomb is joined by Dr. Elizabeth Goldring and Emma Rutherford to reveal a breathtaking find that could rewrite literary history.MORE:A Tudor Mystery: The Girl who Could be Queenhttps://open.spotify.com/episode/7ah4FWEOjfcDKCK9QVFmVEElizabeth I's Favourite Painter: Hilliardhttps://open.spotify.com/episode/0Ozixx69Vx10DncZhgGYXtPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Jacke starts the episode by looking at the different ways that ten writers have viewed the Bible, #18 on the list of the Greatest Books of All Time. Then he's joined by scholar Kate Loveman, one of the few people in the world who's been able to read the diaries of Samuel Pepys in the original shorthand, for a discussion of her book The Strange History of Samuel Pepys's Diary. PLUS: The one quick trick Jacke's been using to stay healthy. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the fifth and final episode in this series of conversations with RICHARD SCHOCH, author of the acclaimed book, HOW SONDHEIM CAN CHANGE YOUR LIFE. This week Richard and I discuss two of Stephen Sondheim's most challenging musicals, ASSASSINS and PASSION, as well as his final show HERE WE ARE. If you missed the first four episodes in this series, you may want to catch up with them before listening to this one. Richard Schoch is a Professor of Drama at Queen's University Belfast in Northern Ireland. He is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

A Prayer to Combat Jealousy Jealousy is a subtle but destructive force that can creep into our hearts and relationships. In today's episode, we look at King Saul’s jealousy of David, the “green-eyed monster” Shakespeare warned of, and how jealousy can consume us if left unchecked. Through personal stories—including a lesson from kids’ soccer trophies—we explore how jealousy separates us, while love and gratitude draw us closer to God and one another. Reference: Proverbs 14:30 Prayer: Jesus, forgive me for being jealous of others. Help me to remain humble and grateful for all the blessings in my life, and to rejoice when blessings come to others. Show me the warning signs when the green-eyed monster rears its ugly head in my or my kids’ hearts, and give me the wisdom to help them navigate those situations with grace. Lord, set my children free from jealousy so that they may see others as co-laborers for Christ, rather than competitors. In Jesus' Name, Amen. LINKS:How to Pray God's Word For Your Children Guide Follow Everyday Prayers @MillionPrayingMoms Get today's devotion and prayer in written form to keep for future use! Support the ministry with your $5 monthly gift through Patreon. Discover more Christian podcasts at LifeAudio.com and inquire about advertising opportunities at LifeAudio.com/contact-us Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

This week, James Shapiro celebrates New York's love affair with Shakespeare; Mark Nayler goes on the hunt for monsters; and Lily Herd introduces this issue's In Brief pages. 'Monsterland: A journey around the world's dark imagination', by Nicholas Jubber'The Perilous Deep: A supernatural history of the Atlantic', by Karl BellProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Send us a textStep into Stratford-upon-Avon with us as we review Shakespeare & Hathaway: Private Investigators (Season 1), now streaming on Hallmark Plus. Eric and Andrea dive deep into this quirky British cozy mystery series, unpacking the standout episodes, character dynamics, and whether it earns a place alongside favorites like Rosemary & Thyme and The Coroner. Expect lively debate, surprising takes, and a few laughs along the wayIn this episode, we cover:

Classical Christian schools have inspiring goals for their students and offer a stunning curriculum of Homer, Plato, Dante, Shakespeare, and many more great books. But our education won't work without good teachers. How do we spot a good teacher? How can teachers become better? And what can parents do to help? Dr. Chris Perrin, a leading figure in the Classical Christian education movement, joins the podcast to help us find out, in this friendly guide to Classical Christian Education. Click here to learn more about Dr. Perrin's new book, The Good Teacher: Ten Key Pedagogical Principles That Will Transform Your Teaching.

How does one navigate the journey from English teacher to Superintendent? In this episode, I sit down with the recently retired Marie Wiles in a unique in-person interview. We dive deep into her 36-year-long career, from early teaching days and curriculum development to her tenure in various leadership roles, including her time as a BOCES district superintendent. Marie shares her insights on the importance of instructional experience, the challenges of transitioning roles, the value of networks, and her unexpected journey into authoring a book, “Lessons from the Bard: What Shakespeare Can Teach Us about School District Leadership”. This engaging episode unfolds Marie's remarkable experiences and her perspectives on the future of education amid financial uncertainties.   If you have questions, feedback, or suggestions for future episodes, including great non-education books with lessons for school leaders you can email me at Dr.mike.doughty@gmail.com. I would really appreciate it if you could leave a rating and review on Spotify or Apple Podcasts. It helps a lot. And if you found this episode helpful, please share it with your colleagues. If you are interested in sponsoring the podcast, feel free to contact me directly at Dr.mike.doughty@gmail.com. Stay connected with me here: Official Website: theschoolleadershipshow.org YouTube: youtube.com/@theschoolleadershipshow Facebook: facebook.com/theschoolleadershipshow Instagram: instagram.com/theschoolleadershipshow   Chapters: 00:00 Introduction and Special Guest Announcement 00:49 Marie Wiles' Early Career in Education 01:46 Transition to Higher Education and Doctoral Studies 05:21 BOCES Experience and Leadership Roles 08:53 Personal Life and Career Moves 17:19 Balancing Lesson Plans and Student Interaction 19:51 The Dunning-Kruger Effect in Leadership 20:31 Challenges and Realities of Leadership Roles 23:23 Gender Disparity in Educational Leadership 25:49 Concerns for the Future of Education 28:48 Hope and Faith in Youth 31:46 Writing a Book: Lessons from Shakespeare 32:03 The Process of Writing and Publishing 37:26 Final Thoughts and Gratitude

**REPOST** On this week's annotated deep dive, The Cultists present Baz Lurman's 90s frenetic teen angst extravaganza, Romeo + Juliet (1996).  Known for his kinetic color-fueled explosions of images and sound, Lurman's “red curtain trilogy” put him on the film world's map as an Auteur with a distinct and immediately recognizable style. Bright, brash, and unforgiving to anyone who prefers a more minimal Mise-en-scène, Lurman's penchant for decadence was ripe for a world of high octane emotions, brawls, masquerades, and the lush arc of an epic demise. However, Lurman's vision of bringing the dusty pages of the oft produced Shakespearean play into the hearts and minds of the notoriously apathetic 90s teenage market was a rather unprecedented and hard sell for commercial studios at the time. Particularly when Lurman insisted that not only would he win over a teen audience, he would do it all without altering a single syllable of the original Shakespearean language of the play. And he would use a cast of mostly young people to do it. Lurman's vision succeeded and the decade to follow would be one stuffed with Shakespearean adaptations for teens, and yet, ‘R+J' remains distinct among them all. A burning strange indefinable star, that shall not be defied. Deep dives include: The film's production history, editing and cinematography; the lineage of Romeo and Juliet literature that lead to Shakespeare's 1596 adaptation of the tale; the 1996 film's comparisons with the exactly 400 years older play; the historical roots of the warring Guelph vs. Ghibelline factionalism that led to such constant civil brawls; how amazing it is that Romeo spends a full third of the play desperately and despondently in love with someone else; why the developing teenage mind lacks impulse control; and why even Dante personally hated the Montagues and Capulets enough to write them into his levels of Hell two centuries before Shakespeare was even born. Episode Safe Word(s): “impulse control” (REPOSTED Episode from 2023 that traveled over from the old Anchor platform with a broken link).

Fresh shirt drop at new store: https://occultsymbolism.com/On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we are joined with a guest that's been doing some massively deep research into Shakespeare, Francis Bacon and the impending Scientific Technocracy- it's Robert Frederick! He's the host of The Hidden Life is Best podcast and Substack and today he explains to us why Shakespeare is so important that he has a Cult! We'll catch up with his inspiration for this topic and then we get into some major concepts on how Shakespeare was burying occult concepts into his works, the Shakespeare Hoax, connections to Stanley Kubrick and David Lynch (including a story about meeting Lynch!), and Shakespeare's impact on modern pop culture. We talk about Francis Bacon's connections to use propaganda for British Empire building and hidden Rosicrucian symbolism in Shakespeare, as well as the Scientism Gnostic religion of the Technocracy and how Peter Thiel is pushing us into the digital matrix for immortality!Supporters: I run an announcement from 1:40-6:20 about new shirts and such on my new store at https://occultsymbolism.com/; you are ad-free but this is more of an announcement than an ad, my apologies if it's annoying. My shirt guy has availability if you want to print some shirts: https://www.instagram.com/bryant_prints/Links:Follow Robert Frederick for MUCH more:The Hidden Life is Best podcast: https://thehiddenlifeisbest.comThe Hidden Life is Best Substack: https://substack.com/@robertfrederickThe Hidden Life is Best Patreon: https://www.patreon.com/u28774359Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

Karl White is a graduate of King's College London where he tutored for several years in ethics, philosophy in film and literature. He has published work on Samuel Beckett and has also authored work on Shakespeare for secondary-level education. His writings have appeared in several philosophical and literary magazines. Book link: https://www.bloomsbury.com/uk/e-m-cioran-and-the-human-condition-9781350498563/---Become part of the Hermitix community:Hermitix Twitter - ⁠⁠ / hermitixpodcast⁠⁠ Hermitix Discord - ⁠⁠ / discord Support Hermitix:Hermitix Subscription - ⁠⁠https://hermitix.net/subscribe/⁠⁠ Patreon - ⁠⁠ www.patreon.com/hermitix⁠⁠ Donations: - ⁠⁠https://www.paypal.me/hermitixpod⁠⁠Hermitix Merchandise - ⁠⁠http://teespring.com/stores/hermitix-2⁠⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0xfd2bbe86d6070004b9Cbf682aB2F25170046A996

In this College Deep Dive,  Tom Delbello the Co-head of Musical Theatre: Head of Production and New Works at Texas State and MTCA Director Charlie Murphy discuss:  Shared leadership brings balance and collaboration. Texas State's political climate Affordable tuition + hub auditions = great value  Even after an early audition, staying in touch builds relationships. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley. Learn more about your ad choices. Visit megaphone.fm/adchoices

We finally learn the weirdest thing that Joyce and Gogarty got up to.Topics in this episode include Giacomo Joyce and dirty love letters, the pain of not being invited, Æ's New Songs and Joyce's exclusion from it, why Æ Russell hasn't released any new songs this year, Aristotle's experiment, the meaning of nookshotten, Shakespeare plays as political propaganda, so much theosophy, the true yogibogeybox, a pawned Pali book, the time Gogarty and Joyce vandalized the chambers of the Hermetic Society, Æ the chick magnet, Joyce's incel era, Louis H. Victory, T. Caulfield Irwin, elitism in theosophy, and Æ the gulfer of souls.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.On the Blog:Decoding Dedalus: Yogibogeybox in Dawson chambers.Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

My motto is "History shows us what's possible." But what does that mean? I turn to the terrific book What is History Now?, edited by Helen Carr and Suzannah Lipscomb to explore what history can be when open our minds and make room for more.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen What is History NowHelen H Carrhttps://www.helenhcarr.com@helenhcarr Twitter@helencarr_author InstagramSuzannah Lipscombhttps://suzannahlipscomb.com/@SixteenthCGirlHistory shows us what's possible.

The New Jersey Department of Health issued an executive order effectively allowing New Jerseyans six months or older to get a COVID shot. Plus, two million New Yorkers insured through Healthfirst could lose coverage this fall for a major hospital network. And finally, while hundreds spend hours in line for tickets to Shakespeare in the Park, they're entertained by Garald Farnham playing the lute.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. This episode explores Caliban's role in The Tempest and the ways his character has been shaped by and interpreted through race, class, and colonialism. We begin with a close look at “the pinch” and unpack how Shakespeare's audience would have understood its connections to resource scarcity and punishment.  We then chart Caliban's performance history from the 19th century to the early 1980s, revealing how shifting portrayals reflected cultural attitudes. We end with a discussion of how the play's deep entanglement with colonial discourse has led to it being banned in some U.S. classrooms.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Akhimie, Patricia. “Pinching caliban: Race, husbandry, and the working body in  the Tempest.” Shakespeare/Sense, 2020, pp. 269–290, https://doi.org/10.5040/9781474273268.ch-012. Griffiths, Trevor R. “‘This Island's Mine': Caliban and Colonialism.” The Yearbook of English Studies, vol. 13, 1983, pp. 159–80. JSTOR, https://doi.org/10.2307/3508119. Accessed 1 Sept. 2025. Espinosa, R. (2017). Beyond The Tempest: Language, Legitimacy, and La Frontera . In: Fazel, V., Geddes, L. (eds) The Shakespeare User. Reproducing Shakespeare. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-61015-3_3 Favate, Sam. “Shakespeare's ‘The Tempest' Barred from Arizona Public Schools.” The Wall Street Journal, January 17, 2012. https://www.wsj.com/articles/BL-LB-41723.

The CMA nominations came out yesterday. Bobby gives his predictions on who he thinks will win based on data. Bobby shares the list of the Top 5 haunted crime scenes in the US and the origins behind them. Bobby shares why he thinks Hellen Keller’s story may have been exaggerated. Bobby asks his assistant why people think William Shakespeare wasn’t real. A listener called in to give us his own Tuesday Reviewsday and another listener tries to convince Bobby to come to the Ole Miss / Arkansas game this weekend. Carolina Roy calls in and needs to ask Bobby for a birthday favor.See omnystudio.com/listener for privacy information.

Isaac Butler is an author, critic, theater director, and professor known for his books The Method: How The Twentieth Century Learned to Act and The World Only Spins Forward: The Ascent of Angels in America, co-written with Dan Kois. Butler’s writing has appeared in numerous publications such as New York magazine, The Guardian, the Los Angeles Review of Books, and Slate magazine. For Slate, he also created and hosted the podcast “Lend Me Your Ears”, about Shakespeare and politics, and currently co-hosts “Working”, a podcast about the creative process. Butler’s work as a theater director has been seen on stages throughout the United States and he is the co-creator of “Real Enemies”, which was named one of the best live events of 2015 by the New York Times. Butler currently teaches Theater History and Performance at NYU Tisch.See omnystudio.com/listener for privacy information.

From our live show at the Toronto Film Festival, James McAvoy discusses the true story behind his directorial debut, California Schemin'. Then, Hamlet star Riz Ahmed joins us to explain why the Shakespeare drama still resonates. Recorded from the St. Regis Hotel in Toronto. Learn about your ad choices: dovetail.prx.org/ad-choices

In this conversation, Marcus Du Sautoy explores the intricate relationship between mathematics and various forms of art, including music, literature, and visual arts. He discusses how mathematical concepts such as prime numbers, symmetry, and randomness influence creative processes and artistic expressions. Through examples from renowned artists like Shakespeare and Dali, Du Sautoy illustrates how mathematics serves as a blueprint for understanding and creating art, while also emphasizing the emotional and aesthetic dimensions of both fields.Takeaways Mathematics and art are deeply interconnected. The circle is fundamental to both mathematics and nature. Prime numbers are essential building blocks in mathematics. Music often employs mathematical structures for creativity. Shakespeare used prime numbers to disrupt rhythm. Symmetry plays a crucial role in both art and mathematics. Dali's work reflects his fascination with scientific ideas. Theatre allows for abstract exploration of mathematical concepts. Ambiguity is embraced in art but avoided in mathematics. Randomness can lead to unexpected creative outcomes.Chapters 00:00 Blueprints of Mathematics and Art 02:35 Defining Creativity and Its Interplay 04:24 Mathematicians as Collaborators with Artists 07:17 The Fractal Nature of Jackson Pollock's Art 12:54 The Significance of Circles in Mathematics 16:31 Exploring the Mystery of Prime Numbers 19:52 The Role of Primes in Music Composition 28:01 Mathematics and the Structure of Music 29:00 The Mathematical Foundations of Music 31:50 Art and Mathematics: Dali's Exploration 38:56 Theatrical Structures and Mathematical Concepts 43:46 The Distinct Narratives of Numbers and Art 48:07 Symmetry and Randomness: Blueprints of Creativity 58:49 Exploring Creativity Through MathematicsFollow Professor du Sautoy on Twitter, BlueSky, and find his new book here.Subscribe to Breaking Math wherever you get your podcasts.Follow Breaking Math on Twitter, Instagram, LinkedIn, Website, YouTube, TikTokFollow Autumn on Twitter, BlueSky, and InstagramBecome a guest hereemail: breakingmathpodcast@gmail.com

Ever wondered if the father of modern science was also the architect of secret societies and a hidden empire? In this mind-bending episode, we welcome first-time guest Robert Frederick, host of The Hidden Life is Best podcast. We unravel the mysterious connections between Sir Francis Bacon, Shakespeare, Freemasonry, Rosicrucianism, and Gnosticism—asking how much influence one man might still have over modern Western thought. From Templar secrets and occult symbolism to the foundations of the American experiment, this conversation will leave you questioning everything you learned in history class.https://unrefinedpodcast.comThe Hidden Life is Best – Robert's podcast and research platform.sirbacon.org – A resource dedicated to Francis Bacon research.Francis Bacon Research Trust – Run by Peter Dawkins, deeply tied to Rosicrucian scholarship.Francis Bacon Society – Historical research group dedicated to Bacon's legacy.Rosicrucian America: How Secret Societies Influenced the Destiny of a Nation

✦ English actor and producer Jon Boyega gained international recognition for his role as Finn in the Star Wars sequel trilogy; however, that was not Boyega's first dip into science fiction. His debut feature-length film, 2011's "Attack the Block," and his most recently released film, "They Cloned Tyrone," both use the science fiction comedy genre to explore deeper social issues. Boyega appeared at Dragon Con over Labor Day weekend, and City Lights Collective co-host Kim Drobes caught up with him to discuss his passion for acting, his role as a film producer, and his love for Atlanta. ✦ City Lights Collective member and award-winning Atlanta comedian Joel Byars is one of the hardest-working people in the business. He hosts many comedy events around town, and his podcast, "Hot Breath Pod," aims to uplift his fellow comedians. Byars joins us weekly to share his picks for this week's must-see comedy, and today his mix includes a couple of big-name touring stars and a local treasure returning home to play the Fox Theater. ✦ There's no better place for Shakespeare than an outdoor theatre, and this fall, the Atlanta Shakespeare Company launches "A Shakespeare Happening," the first-ever free public Shakespeare festival in DeKalb County, taking place in the picturesque neighborhood of Avondale Estates. Alongside the theatrical performances, there will be live music and workshops for all ages. The first day of festivities is this Saturday and begins with "Tempest Jr.," an adaptation of "The Tempest" for young audiences. WABE arts reporter Summer Evans recently discussed the series with festival creator Nicole Sage, and Atlanta Shakespeare Company associate managing director Katie Grace Kirby. ✦ Long before modern choirs and vocal coaches, there was Sacred Harp—a uniquely American way of singing that turned everyday people into music-makers. This powerful and historic tradition dates back to the early 1800s and continues to thrive today, bringing together communities in spirited, four-part harmony. The 120th convention of the United Sacred Harp Musical Association comes to the Foundry at Puritan Mill on September 13 and 14, 2025. It is expected to be the largest gathering in a generation, drawing hundreds of singers from across the US and beyond. City Lights Collective producer Josh Thane sat down with Matt Hinton, a longtime Sacred Harp singer and scholar, to learn more about this enduring and uniquely American form of group singing. ✦ Atlanta's vibrant world of cocktails and zero-proof beverages thrives in our bars and restaurants as well as our local distilleries and non-alcoholic bottle shops. Few may know this world better than Beth McKibben, editor in chief and senior dining editor at Rough Draft Atlanta. Beth's expertise is invaluable as she continually explores our city's elevated beverage programs and examines the latest trends in mixology. She joins The City Lights Collective monthly for "The Beverage Beat," and this month, McKibben discusses what she calls "transitional cocktails," sips to savor during our fake-fall slash second summer season—also known as September in Atlanta.See omnystudio.com/listener for privacy information.

durée : 00:38:22 - Le 18/20 · Un jour dans le monde - L'autrice interroge dans son nouveau roman, « Hamlet, le long du mur » salué partout dans le monde, c'est quoi être palestinien aujourd'hui ? Elle le fait en passant par le Hamlet de Shakespeare en nous amenant de Haïfa à Ramallah Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:38:22 - Le 18/20 · Un jour dans le monde - L'autrice interroge dans son nouveau roman, « Hamlet, le long du mur » salué partout dans le monde, c'est quoi être palestinien aujourd'hui ? Elle le fait en passant par le Hamlet de Shakespeare en nous amenant de Haïfa à Ramallah Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

From our live show at the Toronto Film Festival, James McAvoy discusses the true story behind his directorial debut, California Schemin'. Then, Hamlet star Riz Ahmed joins us to explain why the Shakespeare drama still resonates. Recorded from the St. Regis Hotel in Toronto. Learn about your ad choices: dovetail.prx.org/ad-choices

The CMA nominations came out yesterday. Bobby gives his predictions on who he thinks will win based on data. Bobby shares the list of the Top 5 haunted crime scenes in the US and the origins behind them. Bobby shares why he thinks Hellen Keller’s story may have been exaggerated. Bobby asks his assistant why people think William Shakespeare wasn’t real. A listener called in to give us his own Tuesday Reviewsday and another listener tries to convince Bobby to come to the Ole Miss / Arkansas game this weekend. Carolina Roy calls in and needs to ask Bobby for a birthday favor.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Jess is joined by “The Shakespeare of Pop Culture” (per NYT), writer-performer Ryan Raftery (@ryanraftery), to debut his new show exploring society's obsession with true crime. Topics — Stephen Sondheim summoning Ryan to his townhouse, a Kabbalah circle with Madonna & Christopher Ciccone, possibly writing the Patricia Field musical with Hedwig's Stephen Trask, Barbra Streisand's disdain for Sunset Boulevard starring Glenn Close—and more! Catch Ryan Raftery at Joe's Pub in The Ballad of JonBenét Ramsey Sep 12-17! IG: @jessxnyc | @ryanraftery

Responding to a special request from a listener, Jacke discusses Fyodor Dostoevsky, his novel The Brothers Karamazov, and the search for meaning in a meaningless world. This episode was originally released as episode #250 on October 7, 2020. For reasons Jacke discusses, it has not been available for several years. One show note: at several points in the discussion, Jacke mentions a song, Jason Faulkner's version of "Blackbird," that is no longer in the episode. It has been replaced by original music composed by Gabriel Ruiz-Bernal. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Al Letson as a journalist—he's the host of the popular investigative podcast Reveal. Before that, he created and hosted the public radio show State of the Re:Union. But Letson is also an actor, writer, playwright, and poet. His play Julius X: A Re-envisioning of The Tragedy of Julius Caesar by William Shakespeare kicks off Folger Theatre's 2025-26 season. Julius X isn't an adaptation of Julius Caesar — it's a new play that borrows from Shakespeare's language, characters, and plot to tell a different story. In Letson's play, Julius X is a fictionalized version of Malcolm X. The play mixes lines from Shakespeare with Letson's original poetry and songs. It expands the roles of Shakespeare's female characters, as well as that of Cinna the poet. Letson discusses the origin story of Julius X - a hint: it involves an audition, his lifelong love for Malcolm X, and the lessons he learned as an artist from Bill Moyers' series, The Language of Life: A Festival of Poets. From the Shakespeare Unlimited podcast. Published September 9, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Al Letson is the Peabody Award-winning host of Reveal. Born in New Jersey, he moved to Jacksonville, Florida, at age 11 and, as a teenager, began rapping and producing hip-hop records. By the early 1990s, he had fallen in love with the theater, becoming a local actor and playwright, and soon discovered slam poetry. In 2000, Letson placed third in the National Poetry Slam and performed on Russell Simmons' Def Poetry Jam, which led him to write and perform one-man shows. In Letson's travels around the country, he realized that the America he was seeing on the news was far different from the one he was experiencing up close. In 2007, he competed in the Public Radio Talent Quest, where he pitched a show called State of the Re:Union that reflected the conversations he was having throughout the US. The show ran for five seasons and won a Peabody Award in 2014. In 2015, Letson helped create and launch Reveal, the nation's first weekly investigative radio show, which has won two duPont Awards and three Peabody Awards and been a finalist for the Pulitzer Prize twice. He has also hosted the podcast Errthang; written and developed several TV shows with major networks, including AMC+'s Moonhaven and Apple TV+'s Monarch; and DC Comics recently released his series Mister Terrific: Year One.

Just about everyone agrees that Jesus was a great man who spoke with wisdom, served the poor, and even worked miracles. But is that all Jesus was - a really great guy? Throughout the years, this world has seen plenty of great men come and go: names like Alexander, Leonardo, Shakespeare, and Churchill come to mind. But nobody worships or prays to other great men like we do with Jesus. So what sets Jesus apart ? Why is he worthy, not only of our admiration, but of our worship? For four weeks in September at The Story Church, we'll explore what makes Jesus unique, and we'll discover why the greatness of Jesus surpasses that of even the greatest men on earth.

In a world increasingly dominated by AI and computational thinking, we've been taught that logic is the ultimate form of intelligence. But what if an over-reliance on pure reason is making us more fragile and less equipped to navigate uncertainty? Angus Fletcher is a professor at Ohio State's Project Narrative and the author of the best-selling book, Primal Intelligence. Angus's has had an extraordinary career path to say the least, from building mutant neurons in neuroscience labs to studying Shakespeare at Yale, and being recruited by US Army Special Operations to train their elite operators. Angus argues that the human brain is less a computational machine, and more a dynamic, narrative-based engine built for action and foresight. This "biological intelligence," often overlooked and untrained, is what allows us to operate with limited information, adapt in volatile environments, and innovate in ways no machine can. For his groundbreaking work on this very topic, Angus was awarded the Commendation Medal by the US Army in 2023. Listen as we dive into the science of your innate intelligence and how narrative thinking works, and how understanding what feelings are telling you can transform how you deal with uncertainty.  Some highlights from the episode: Angus's journey from neuroscience to Shakespeare to Army Special Operations Why hard skill, soft skill distinction misses the point entirely How biological intelligence differs from computational intelligence The Army's discovery about decision-making in volatile environments A novel take on the purpose of emotions  What fear and anger signals (and what to do about it) Special operators' techniques for turning anger on and off Why gratitude works best when applied to specific negative experiences The brain as a Swiss Army knife rather than calculator How to use emotions like a dashboard for better decision-making How an integrated past and branching future creates anti-fragility If you're curious about the kinds of intelligence that AI can't replicate, and how to better utilize yours, this conversation provides the science and practical tools to get started. For show notes and more, visit larryweeks.com

This week, we explore the legacy of Shakespeare's wife, Anne Hathaway, through the only epitaph in the Shakespeare family plot that's written in Latin and engraved on brass. Our guest, Katherine Scheil, walks us through the historical significance of Anne's burial placement, the meaning behind the poetic language of her epitaph, and what these choices tell us about Anne's relationship with her daughters, with William Shakespeare, and with the 17th-century culture of commemoration. Hosted on Acast. See acast.com/privacy for more information.

Spike Dudley - Get The Tables! RVD welcomes longtime friend and ECW legend Spike Dudley to the show! Spike shares stories on the origins behind The Dudley Boyz, Paul Heyman, Shakespeare and wrestling + more! Visit BlueChew.com and try your first month of BlueChew FREE when you use promo code RVD -- just pay $5 shipping. Available NOW for #VanDamFam Members! Join the crew! https://www.youtube.com/channel/UCnijCkH5ti2-xYP_R6efECg/join

For anyone who has seen Michael B. Jordan's excellent new movie Sinners, it's clear that any sort of deal with the devil - what has become known as the Faustian Bargain - is still very much alive. So relevant, in fact, that cultural historian Ed Simon has a book, just out in paperback, about its enduring relevance entitled Devil's Contract. From Shakespeare and Goethe to Thomas Mann and Donald Trump, Simon argues, the Faustian Bargain is more than just a literary trope. In fact, he suggests, it is as relevant today, in our social media age of the Mephistophelian Donald Trump as it was in the German Reformation of the equally populist Martin Luther. The Art of a Deal with the Devil. And we all know how it ends. Go and see Sinners. Spoiler warning: not without the spilling of a great deal of innocent blood. 1. The Faustian Bargain is Fundamentally About Irrationality Despite knowing the terrible consequences, Faust signs the contract anyway. As Simon explains, "if you know that the devil is real and that the Devil collects souls at the end of your life, then like you'd never sign on the dotted line. And yet these characters continually do." This captures our human tendency to act against our own best interests.2. The Contract Makes It Modern What distinguishes the Faust legend from earlier devil stories is the literal paperwork. Simon argues this bureaucratic element - signing on the dotted line - transforms it into a distinctly modern tale about legal systems, capitalism, and bureaucracy. It's not just about temptation; it's about documentation.3. AI is Our Latest Faustian Bargain Simon sees artificial intelligence as having "a shockingly obvious kind of Faustian gloss" - from the magic of conjuring something from nothing to the environmental destruction of massive server farms. We're trading our future for technological convenience, knowing the costs.4. Trump is Mephistopheles, Not Faust In Simon's reading, Trump isn't the one making the deal - he's the devil others make deals with. JD Vance becomes the perfect example: fully aware of what Trump is, yet "willing to seemingly abandon whatever principles he may have had in the past... for power alone."5. Sometimes Faust Wins (But Usually Doesn't) While Goethe's Faust finds redemption and salvation, most versions end badly. The American "Yankee Faust" tries to trick the devil but still gets his house burned down. The lesson? You might think you're clever enough to beat the devil, but the house always wins.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this heartfelt and revealing episode of Still Here Hollywood, Emmy-winning actress Michael Learned—best known as Olivia Walton on the iconic TV series The Waltons—sits down with host Steve Kmetko for an unforgettable conversation. Michael opens up about her unconventional journey to Hollywood, her years as America's mom, and the challenges she faced both on and off set. From battling alcoholism and overcoming depression, to rediscovering joy in the theater and reflecting on a lasting career that spans Shakespeare, soap operas, and Dahmer, Michael is candid, witty, and inspiring. She shares stories about working with Ralph Waite, her Emmy wins, playing Daisy in Driving Miss Daisy, and why she has no regrets about leaving The Waltons before it ended. This is the definitive interview with a living television legend. #MichaelLearned #TheWaltons #StillHereHollywood #SteveKmetko #ClassicTV #TVLegends #EmmyWinner #HollywoodInterview #DrivingMissDaisy #JeffreyDahmerNetflix #BehindTheScenes #WomenInHollywood #AlcoholRecovery #AAStories #ActressInterview #OldHollywood #WaltonsReunion #OliviaWalton Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

Daniel and David continue Troma Summer '25 with a more modern Kaufman movie, Shakespeare's Shitstorm! Is this appropriately named movie all Troma or all theater? Find out on this episode of Shiver: A Troma Podcast!   #Shiver #Horror #HorrorMovies #HorrorPodcast #ShakespearesShitstorm #Shakespeare #TheTempest #Troma #TromaVille #LloydKaufman #Comedy #HorrorComedy #2010sHorror #TromaHorror #FrightYaVeryMuch

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2025. This coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book #1 in the Ghost Armor series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLSERPENT50 The coupon code is valid through September 15, 2025 (please note the shorter expiration date). So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 267 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 5, 2025 and today I'm doing a review roundup of the movies and streaming shows I saw in Summer 2025. Before we do that, we will have Coupon of the Week and a progress update on my current writing and audiobook projects. First up, this week's coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book One in the Ghost Armor series (as excellently narrated by Hollis McCarthy) at my Payhip store. That is FALLSERPENT50. This coupon code will be valid through September 15th, 2025 (exactly one week). So if you need a new audiobook to listen to as we head into fall, we have got you covered. Now for an update on my current writing and audiobook projects. I am pleased to report that the rough draft of Blade of Flames, which will be the first book in my new Blades of Ruin epic fantasy series is finished. The rough draft came at about 90,000 words long, which was what I was aiming for. Next up, I will be writing a short story set as sort of a bonus in that plot line called Thunder Hammer and that will be the backstory of one of the characters in Blade of Flames. And when Blade of Flames comes out (which will hopefully be later this September), newsletter subscribers will get a free ebook copy of Thunder Hammer. So this is an excellent time to subscribe to my newsletter. I am also 8,000 words into Cloak of Worlds. At long last, I am coming back to the Cloak Mage series after nearly a year's absence. Longtime listeners will know the reason was that I had five unfinished series and I wanted to spend the summer of 2025 finishing the unfinished ones and focusing up so I will only have three ongoing series at any given time. I'm hoping Blade of Flames will come out before the end of September and Cloak of Worlds before the end of October, and after that I will be able to return to the Rivah series at long last. In audiobook news, recording is finished on Shield of Power. That will be excellently narrated by Brad Wills and hopefully once it gets through processing and quality assurance and everything, it should be showing up on the various audiobook stores before too much longer. Hollis McCarthy is about halfway through the recording of Ghost in the Siege, which was, as you know, the last book in the Ghost Armor series that just came out. And if all goes well, the audiobook should be coming out probably in October once everything is done with recording and quality assurance and all that. So that is where I'm at with my current writing and audiobook projects. 00:02:34 Main Topic: Summer 2025 Movie/TV Roundup So without further ado, let's head into our main topic. The end of summer is nigh, which means this time for my summer movie review roundup. As is usual for the summer, I saw a lot of movies, so this will be one of the longer episodes. For some reason I ended up watching a bunch of westerns. As always, the movies are ranked from least favorite to most favorite. The grades of course are totally subjective and based on nothing more than my own opinions, impressions, and interpretations. Now on to the movies. First up is the Austin Powers trilogy, the three movies of which came out in 1997, 1999, and 2002. The Austin Powers movies came out just as the Internet really got going in terms of mass adoption, which is likewise why so many Austin Powers and Dr. Evil memes are embedded in online culture. Despite that, I had never really seen any of them all the way through. They've been on in the background on TBS or whatever quite a bit when I visited people, but I've never seen them all. But I happened upon a DVD of the trilogy for $0.25 (USD), so I decided for 25 cents I would give it a go. I would say the movies were funny, albeit not particularly good. Obviously the Austin Powers movies are a parody of the James Bond movies. The movies kind of watch like an extended series of Saturday Night Live skits, only loosely connected, like the skit is what if Dr. Evil had a son named Scott who wasn't impressed with him or another skit was what if a British agent from the ‘60s arrives in the ‘90s and experiences culture clash? What if Dr. Evil didn't understand the concept of inflation and demanded only a million dollars from the United Nations? What if Dr. Evil was actually Austin's brother and they went to school together at Spy Academy? Michael Caine was pretty great as Austin's father. Overall, funny but fairly incoherent. Overall grade: C- Next up is Horrible Bosses, a very dark and very raunchy comedy from about 14 years ago. It came out in 2011. Interestingly, this movie reflects what I think is one of the major crises of the contemporary era, frequent failures of leadership at all levels of society. In the movie Nick, Dale, and Kurt are lifelong friends living in LA and all three of them have truly horrible bosses in their place of employment, ranging from a sociopathic finance director, the company founder's cokehead son, and a boorish dentist with a tendency to sexual harassment. At the bar, they fantasize about killing their horrible bosses and then mutually decide to do something about it. Obviously, they'd all be prime suspects in the murder of their own bosses, but if they killed each other's bosses, that would allow them to establish airtight alibis. However, since Nick, Dale and Kurt are not as bright as they think they are, it all goes hilariously wrong very quickly. Bob Hope has a hilarious cameo. If the best “crude comedies” I've seen are Anchorman, Zoolander, Tropic Thunder, and Dodgeball, and the worst one was MacGruber, I'd say Horrible Bosses lands about in the middle. Overall grade: C Next up is Cowboys and Aliens, which came out in 2011. Now I almost saw this in 2011 when it came out, but I was too busy to go to the theater in July of 2011, so I finally saw it here in 2025 and I would say this was almost a great movie, like the performances were great, the concept was great, the scenery was great, the special effects were great, and the story was packed full of really interesting ideas, but somehow they just didn't coalesce. I'm not entirely sure why. I think upon reflection, it was that the movie is just too overcrowded with too many characters and too many subplots. Anyway, Daniel Craig portrays a man who wakes up with no memory in the Old West, with a mysterious bracelet locked around his wrist. He makes his way to the town of Atonement, and promptly gets arrested because he is apparently a notorious outlaw (which he doesn't remember). While he is locked in jail, space aliens attack the town. The aliens, for unknown reasons, abduct many of the townspeople, and Daniel Craig's character, who is named Jake even if he doesn't remember it, must lead the town's effort to recover their abducted citizens. Harrison's Ford has an excellent performance as this awful cattle baron who nonetheless has virtues of courage and fortitude that you can't help but admire. An excellent performance. That said, the movie was just too packed, and I thought it would work better as a novel. After I watched the movie, it turned out that it was indeed based off a graphic novel. Novels and graphic novels allow for a far more complex story than a movie, and I don't think this movie quite managed to handle the transition from a graphic novel to a film. Overall grade: C Next up is Heads of State, which came out in 2025. This was kind of a stupid movie. However, the fundamental question of any movie, shouted to the audience by Russell Crow in Gladiator is, “are you not entertained?!?” I was thoroughly entertained watching this, so entertained I actually watched it twice. Not everything has to be Shakespeare or a profound meditation on the unresolvable conflicts inherent within human nature. Anyway, John Cena plays Will Derringer, newly elected President of the United States. Idris Elba plays Sam Clark, who has now been the UK Prime Minister for the last six years. Derringer was an action star who parleyed his celebrity into elected office (in the same way Arnold Schwarzenegger did), while Clarke is an army veteran who worked his way up through the UK's political system. Needless to say, the cheerful Derringer and the grim Clarke take an immediate dislike to each other. However, they'll have to team up when Air Force One is shot down, stranding them in eastern Europe. They'll have to make their way home while evading their enemies to unravel the conspiracy that threatens world peace. So half action thriller, half buddy road trip comedy. The premise really doesn't work if you think about it too much for more than thirty seconds, but the movie was funny and I enjoyed it. Jack Quaid really stole his scenes as a crazy but hyper-competent CIA officer. Overall grade: C+ Next up, Captain America: Brave New World, which came out in 2025 and I think this movie ended up on the good side of middling. You can definitely tell it went through a lot of reshoots and retooling, and I suspect the various film industry strikes hit it like a freight train. But we ended up with a reasonably solid superhero thriller. Sam Wilson is now Captain America. He's not superhuman the way Steve Rogers was and doesn't have magic powers or anything, so he kind of fights like the Mandalorian – a very capable fighter who relies on excellent armor. Meanwhile, in the grand American political tradition of failing upward, Thaddeus “Thunderbolt” Ross, who spent years persecuting The Hulk and whose meddling caused the Avengers to disband right before Thanos attacked, has now been elected President. To Wilson's surprise, Ross reaches out and wants him to restart the Avengers. But Ross (as we know) did a lot of shady black ops stuff for years, and one of his projects is coming back to haunt him. Wilson finds himself in the middle of a shadowy conspiracy, and it's up to him to figure out what's going on before it's too late. I was amused that lifelong government apparatchik Ross wanted to restart the Avengers, because when the Avengers had their biggest victory in Avengers: Endgame, they were essentially unsanctioned vigilantes bankrolled by a rogue tech billionaire. Overall grade: B- Next up is Ironheart, which came out in 2025. I'd say Ironheart was about 40% very weird and 60% quite good. It's sort of like the modern version of Dr. Faustus. The show got some flak on the Internet from the crossfire between the usual culture war people, but the key to understanding it is to realize that Riri Williams AKA Ironheart is in fact an antihero who's tottering on the edge of becoming a full-blown supervillain. Like Tony Stark, she's a once-in-a-generation scientific talent, but while she doesn't have Stark's alcohol problems, she's emotionally unstable, immature, ruthless, indifferent to collateral damage and consequences, and suffering from severe PTSD after her best friend and stepfather were killed in a drive-by shooting. This volatile mix gets her thrown out of MIT after her experiments cause too much destruction, and she has to go home to Chicago. To get the funds to keep working on her Iron Man armor, she turns to crime, and falls in with a gang of high-end thieves led by a mysterious figure named Hood. It turns out that Hood has actual magic powers, which both disturbs and fascinates Riri. However, Hood got his magic in a pact with a mysterious dark force. When a job goes bad, Riri gains the enmity of Hood and has to go on the run. It also turns out Hood's dark master has become very interested in Riri, which might be a lot more dangerous for everyone in the long run. Overall, I'd say this is about in the same vein as Agatha All Along, an interesting show constructed around a very morally questionable protagonist. Overall grade: B Next up is A Minecraft movie, which came out in 2024. I have to admit, I've never actually played Minecraft, so I know very little about the game and its ecosystem, only what I've generally absorbed by glancing at the news. That said, I think the movie held together quite well, and wasn't deserving of the general disdain it got in the press. (No doubt the $950 million box office compensated for any hurt feelings.) One of the many downsides of rapid technological change in the last fifty years is that the Boomers and Gen X and the Millennials and Gen Z and Gen Alpha have had such radically different formative experiences in childhood that it's harder to relate to each other. Growing up in the 1980s was a wildly different experience than growing up in the 2010s, and growing up in the 2010s was an even more wildly different experience than growing up in the 1960s. Smartphones and social media were dominant in 2020, barely starting in 2010, and implausible science fiction in 2000 and earlier, and so it was like the different generations grew up on different planets, because in some sense they actually did. (A five-year-old relative of mine just started school, and the descriptions of his school compared to what I remember of school really do sound like different planets entirely.) The Minecraft game and A Minecraft Movie might be one of those generation-locked experiences. Anyway, this has gotten very deep digression for what was essentially a portal-based LitRPG movie. A group of people experiencing various life difficulties in a rural Idaho town get sucked into the Minecraft world through a magic portal. There they must combine forces and learn to work together to master the Minecraft world to save it from an evil sorceress. As always, the fundamental question of any movie is the one that Russell Crowe's character shouted to the audience in Gladiator back in 2000. “Are you not entertained?” I admit I was entertained when watching A Minecraft Movie since it was funny and I recognized a lot of the video game mechanics, even though I've never actually played Minecraft. Like, Castlevania II had a night/day cycle the way Minecraft does, and Castlevania II was forty years ago. But that was another digression! I did enjoy A Minecraft Movie. It was kind of crazy, but it committed to the craziness and maintained a consistent creative vision, and I was entertained. Though I did think it was impressive how Jack Black's agent managed to insist that he sing several different times. Overall grade: B Next up is Back to School, which came out in 1986 and this is one of the better ‘80s comedies I've seen. Rodney Dangerfield plays Thornton Melon, who never went to college and is the wealthy owner of a chain of plus-sized clothing stores. His son Jason is attending Great Lakes University, and after Thornton's unfaithful gold-digging wife leaves him (Thornton is mostly relieved by this development), he decides to go visit his son. He quickly discovers that Jason is flailing at college, and decides to enroll to help out his son. Wacky adventures ensue! I quite enjoyed this. The fictional “Great Lakes University” was largely shot at UW-Madison in Wisconsin, which I found amusing because I spent a lot of time at UW-Madison several decades ago as a temporary IT employee. I liked seeing the characters walk past a place where I'd eat lunch outside when the day was nice, that kind of thing. Also, I'm very familiar with how the sausage gets made in higher ed. There's a scene where the dean is asking why Thornton is qualified to enter college, and then it cuts to the dean cheerfully overseeing the groundbreaking of the new Thornton Melon Hall which Thornton just donated, and I laughed so hard I almost hurt myself, because that is exactly how higher ed works. The movie had some pointless nudity, but it was only a few seconds and no doubt gets cut in network broadcasts. Overall grade: B Next up is Whiskey Galore, which came out in 1949 and this is a comedy set in Scotland during World War II. The villagers living on an isolated island have no whiskey due to wartime rationing. However, when a government ship carrying 50,000 cases of whiskey runs aground near the island, wacky hijinks ensue. I have to admit the first half of the movie was very slow and deliberate, gradually setting up all the pieces for later. Then, once the shipwreck happens, things pick up and the movie gets much funnier. Definitely worth watching both as a good comedy movie and an artifact of its time. A modicum of historical knowledge is required – if you don't know what the Home Guard is, you might have to do some Googling to understand the context of some of the scenes. Regrettably, the version I watched did not have captioning, so I had to pay really close attention to understand what the characters were saying, because some of the accents were very strong. Overall grade: B Next up is Happy Gilmore 2, which came out in 2025. This was dumb and overstuffed with celebrity cameos but thoroughly hilarious and I say this even though it uses one of my least favorite story tropes, namely “hero of previous movie is now a middle age loser.” However, the movie leads into it for comedy. When Happy Gilmore accidentally kills his wife with a line drive, he spirals into alcoholism and despair. But his five children still love him, and when his talented daughter needs tuition for school, Happy attempts to shake off his despair and go back to golf to win the money. But Happy soon stumbles onto a sinister conspiracy led by an evil CEO to transform the game of golf into his own personal profit center. Happy must team up with his old nemesis Shooter McGavin to save golf itself from the evil CEO. Amusingly, as I've said before, the best Adam Sandler movies are almost medieval. In medieval fables, it was common for a clever peasant to outwit pompous lords, corrupt priests, and greedy merchants. The best Adam Sandler protagonist remains an everyman who outwits the modern equivalent of pompous lords and corrupt priests, in this case an evil CEO. Overall grade: B+ Next up is Superman, which came out in 2025 and I thought this was pretty good and very funny at times. I think it caught the essential nature of Superman. Like, Superman should be a Lawful Good character. If he was a Dungeons and Dragons character, he would be a paladin. People on the Internet tend to take the characterization of superheroes seriously to perhaps an unhealthy degree, but it seems the best characterization of Superman is as an earnest, slightly dorky Boy Scout who goes around doing good deeds. The contrast of that good-hearted earnestness with his godlike abilities that would allow him to easily conquer and rule the world is what makes for an interesting character. I also appreciated how the movie dispensed with the overused trope of the Origin Story and just got down to business. In this movie, Lex Luthor is obsessed with destroying Superman and is willing to use both super-advanced technology and engineered geopolitical conflict to do it. Superman, because he's essentially a decent person, doesn't comprehend just how depraved Luthor is, and how far Luthor is willing to go out of petty spite. (Ironically, a billionaire willing to destroy the world out of petty spite is alas, quite realistic). Guy Gardener (“Jerkish Green Lantern”) and the extremely competent and the extremely exasperated Mr. Terrific definitely stole all their scenes. The director of the movie, James Gunn, was quite famously fired from Disney in 2018 for offensive jokes he had made on Twitter back when he was an edgy young filmmaker with an alcohol problem. I suppose Mr. Gunn can rest content knowing that Superman made more money than any Marvel movie released this year. Overall grade: A-   Next up is Who Framed Roger Rabbit?, which came out in 1988. This was a very strange movie, but nonetheless, one with an ambitious premise, strong performances, and a strong artistic vision. It's set in post WWII Los Angeles, and “toons” (basically cartoon characters) live and work alongside humans. Private eye Eddie Valiant hates toons since one of them killed his brother five years ago. However, he's hired by the head of a studio who's having trouble with one of his toon actors, Roger Rabbit. Roger's worried his wife Jessica is having an affair, and Valiant obtains pictures of Jessica playing patty cake (not a euphemism, they actually were playing patty cake) with another man. Roger has an emotional breakdown, and soon the other man winds up dead, and Roger insists he's innocent. Valiant and Roger find themselves sucked into a dangerous conspiracy overseen by a ruthless mastermind. This movie was such an interesting cultural artifact. It perfectly follows the structure of a ‘40s film noir movie, but with cartoons, and the dissonance between film noir and the cheerfulness of the toons was embraced and used as a frequently source of comedy. In fact, when the grim and dour Valiant uses the toons' comedy techniques as a tactical improvisation in a moment of mortal peril, it's both hilarious and awesome. Christopher Lloyd's performance as the villainous Judge Doom was amazing. (I don't think it's a spoiler to say that he's villainous, because his character is named Judge Doom and he's literally wearing a black hat.) Like, his performance perfectly captures something monstrous that is trying very hard to pretend to be human and not quite getting it right. And the amount of work it must have taken to make this movie staggers the mind. Nowadays, having live actors interact with cartoon characters is expensive, but not unduly so. It's a frequent technique. You see it all the time in commercials when a housewife is smiling at an animated roll of paper towels or something, and Marvel's essentially been doing it for years. But this was 1988! Computer animation was still a ways off. They had to shoot the movie on analog film, and then hand-draw all the animation and successfully match it to the live film. It wouldn't have worked without the performance of Bob Hoskins as Eddie Valiant, who plays everything perfectly straight in the same way Michael Caine did in A Muppet Christmas Carol. So kind of a strange movie, but definitely worth watching. And it has both Disney and Warner Brothers animated characters in the same movie, which is something we will never, ever see again. Overall grade: A Next up is K-Pop Demon Hunters, which came out in 2025. Like Who framed Roger Rabbit?, this is a very strange movie, but nonetheless with a clear and focused artistic vision. It is a cultural artifact that provides a fascinating look into a world of which I have no knowledge or interest, namely K-pop bands and their dueling fandoms. Anyway, the plot is that for millennia, female Korean musicians have used the magic of their voices to keep the demons locked away in a demon world. The current incarnation is a three-woman K-Pop group called Huntrix, and they are on the verge of sealing away the demons forever. Naturally, the Demon King doesn't like this, so one of his cleverer minions comes up with a plan. They'll start a Demon K-Pop Boy Band! Disguised as humans, the demon K-Pop group will win away Huntrix's fans, allowing them to breach the barrier and devour the world. However, one of the Huntrix musicians is half-demon, and she starts falling for the lead demon in the boy band, who is handsome and of course has a dark and troubled past. Essentially a musical K-drama follows. I have to admit I know practically nothing about K-Pop groups and their dueling fandoms, other than the fact that they exist. However, this was an interesting movie to watch. The animation was excellent, it did have a focused vision, and there were some funny bits. Overall grade: A Next up is Clarkson's Farm Season Four, which came out in 2025. A long time ago in the ‘90s, I watched the episode of Frasier where Frasier and Niles attempt to open a restaurant and it all goes horribly (yet hilariously) wrong. At the time, I had no money, but I promised myself that I would never invest in a restaurant. Nothing I have seen or learned in the subsequent thirty years has ever changed that decision. Season 4 of Clarkson's Farm is basically Jeremy Clarkson, like Frasier and Niles, attempting to open a restaurant, specifically a British pub. On paper it's a good idea, since Clarkson can provide the pub with food produced from his own farm and other local farmers. However, it's an enormous logistical nightmare, and Clarkson must deal with miles of red tape, contractors, and a ballooning budget, all while trying to keep his farm from going under. An excellent and entertaining documentary into the difficulties of both the farming life and food service. I still don't want to own a restaurant! Overall grade: A Next up is Tombstone, which came out in 1993. The Western genre of fiction is interesting because it's limited to such a very specific period of time and geographical region. Like the “Wild West” period that characterizes the Western genre really only lasted as a historical period from about 1865 to roughly 1890. The Western genre was at its most popular in movies from the 1940s and the 1960s, and I wonder if it declined because cultural and demographic changes made it unpopular to romanticize the Old West the way someone like Walt Disney did at Disneyland with “Frontierland.” Of course, the genre lives on in different forms in grittier Western movies, neo-Westerns like Yellowstone and Longmire, and a lot of the genre's conventions apply really well to science fiction. Everyone talks about Firefly being the first Space Western, but The Mandalorian was much more successful and was basically a Western in space (albeit with occasional visits from Space Wizards). Anyway! After that long-winded introduction, let's talk about Tombstone. When Val Kilmer died earlier this year, the news articles mentioned Tombstone as among his best work, so I decided to give it a watch. The plot centers around Wyatt Earp, played by Kurt Russell, who has decided to give up his career in law enforcement and move to Tombstone, Arizona, a silver mining boomtown, in hopes of making his fortune. However, Tombstone is mostly controlled by the Cowboys outlaw gang, and Earp is inevitably drawn into conflict with them. With the help of his brothers and Doc Holliday (Val Kilmer's character), Earp sets out to bring some law and order to Tombstone, whether the Cowboys like it or not. Holliday is in the process of dying from tuberculosis, which makes him a formidable fighter since he knows getting shot will be a less painful and protracted death than the one his illness will bring him. Kilmer plays him as a dissolute, scheming warrior-poet who nonetheless is a very loyal friend. Definitely a classic of the Western genre, and so worth watching. Overall grade: A Next up is Mission Impossible: The Final Reckoning, the eighth Mission Impossible movie. Of the eight movies, I think the sixth one was the best one, but this one comes in at a close second. It continues on from Dead Reckoning. Ethan Hunt now possesses the key that will unlock the source code of the Entity, the malicious AI (think ChatGPT, but even more obviously evil) that is actively maneuvering the world's nuclear powers into destroying each other so the Entity can rule the remnants of humanity. Unfortunately, the Entity's source code is sitting in a wrecked Russian nuclear sub at the bottom of the Bering Sea. Even more unfortunately, the Entity knows that Hunt has the key and is trying to stop him, even as the Entity's former minion and Hunt's bitter enemy Gabriel seeks to seize control of the Entity for himself. A sense of apocalyptic doom hangs over the movie, which works well to build tension. Once again, the world is doomed, unless Ethan Hunt and his allies can save the day. The tension works extremely well during the movie's underwater sequence, and the final airborne duel between Hunt and Gabriel. I don't know if they're going to make any more Mission Impossible movies after this (they are insanely expensive), but if this is the end, it is a satisfying conclusion for the character of Ethan Hunt and the Impossible Mission Force. Overall grade: A Next up is Deep Cover, which came out in 2025. This is described as a comedy thriller, and I didn't know what to expect when I watched it, but I really enjoyed it. Bryce Dallas Howard plays Kat, a struggling comedy improv teacher living in London. Her best students are Marlon (played by Orlando Bloom), a dedicated character actor who wants to portray gritty realism but keeps getting cast in tacky commercials, and Hugh (played by Nick Mohammed), an awkward IT worker with no social skills whatsoever. One day, the three of them are recruited by Detective Sergeant Billings (played by Sean Bean) of the Metropolitan Police. The Met wants to use improv comedians to do undercover work for minor busts with drug dealers. Since it plays 200 pounds a pop, the trio agrees. Of course, things rapidly spiral out of control, because Kat, Marlon, and Hugh are actually a lot better at improv than they think, and soon they find themselves negotiating with the chief criminals of the London underworld. What follows is a movie that is both very tense and very funny. Kat, Marlon, and Hugh are in way over their heads, and will have to do the best improv of their lives to escape a very grisly fate. Whether Sean Bean dies or not (as is tradition), you will just have to watch the movie and find out. Overall grade: A Next up is Puss in Boots: The Final Wish, which came out in 2022. I don't personally know much about the history of Disney as a corporation, and I don't much care, but I do have several relatives who are very interested in the history of the Disney corporation, and therefore I have picked up some by osmosis. Apparently Disney CEO Michael Eisner forcing out Jeffrey Katzenberg in the 1990s was a very serious mistake, because Katzenberg went on to co-found DreamWorks, which has been Disney's consistent rival for animation for the last thirty years. That's like “CIA Regime Change Blowback” levels of creating your own enemy. Anyway, historical ironies aside, Puss in Boots: The Final Wish was a funny and surprisingly thoughtful animated movie. Puss in Boots is a legendary outlaw and folk hero, but he has used up eight of his nine lives. An ominous bounty hunter who looks like a humanoid wolf begins pursuing him, and the Wolf is able to shrug off the best of Puss In Boots' attacks. Panicked, Puss hides in a retirement home for elderly cats, but then hears rumors of the magical Last Wish. Hoping to use it to get his lives back, Puss In Boots sets off on the quest. It was amusing how Little Jack Horner and Goldilocks and the Three Bears were rival criminal gangs seeking the Last Wish. Overall grade: A Next up is Chicken People, which came out in 2016. A good documentary film gives you a glimpse into an alien world that you would otherwise never visit. In this example, I have absolutely no interest in competitive chicken breeding and will only raise chickens in my backyard if society ever collapses to the level that it becomes necessary for survival. That said, this was a very interesting look into the work of competitive chicken breeding. Apparently, there is an official “American Standard of Perfection” for individual chicken breeds, and the winner of the yearly chicken competition gets the title “Super Grand Champion.” Not Grand Champion, Super Grand Champion! That looks impressive on a resume. It is interesting how chicken breeding is in some sense an elaborate Skinner Box – like you can deliberately set out to breed chickens with the desirable traits on the American Standard of Perfection, but until the chickens are hatched and grow up, you don't know how they're going to turn out, so you need to try again and again and again… Overall grade: A Next up is The Mask of Zoro, which came out in 1998. I saw this in the theatre when it came out 27 years ago, but that was 27 years ago, and I don't have much of a memory of it, save that I liked it. So when I had the chance to watch it again, I did! Anthony Hopkins plays Diego de la Vega, who has the secret identity of Zorro in the final days before Mexico breaks away from the Spanish Empire. With Mexico on the verge of getting its independence, Diego decides to hang up his sword and mask and focus on his beloved wife and daughter. Unfortunately, the military governor Don Montero realizes Diego is Zorro, so has him arrested, kills his wife, and steals his baby daughter to raise as his own. Twenty years later, a bandit named Alejandro loses his brother and best friends to a brutal cavalry commander. It turns out that Montero is returning to California from Spain, and plans to seize control of California as an independent republic (which, of course, will be ruled by him). In the chaos, Diego escapes from prison and encounters a drunken Alejandro, and stops him from a futile attack upon the cavalry commander. He then proposes a pact – Diego will train Alejandro as the next Zorro, and together they can take vengeance upon the men who wronged them. This was a good movie. It was good to see that my taste in movies 27 years ago wasn't terrible. It manages to cram an entire epic plot into only 2 hours and 20 minutes. In some ways it was like a throwback to a ‘40s movie but with modern (for the ‘90s) production values, and some very good swordfights. Overall grade: A Next up is Wick is Pain, which came out in 2025. I've seen all four John Wick movies and enjoyed them thoroughly, though I've never gotten around to any of the spinoffs. Wick is Pain is a documentary about how John Wick went from a doomed indie movie with a $6.5 million hole in its budget to one of the most popular action series of the last few decades. Apparently Keanu Reeves made an offhand joke about how “Wick is pain” and that became the mantra of the cast and crew, because making an action movie that intense really was a painful experience. Definitely worth watching if you enjoyed the John Wick movies or moviemaking in general. Overall grade: A The last movie I saw this summer was Game Night, which came out in 2016. It was a hilarious, if occasionally dark comedy action thriller. Jason Bateman and Rachel McAdams play Max and Annie Davis, a married couple who are very competitive and enjoy playing games of all kinds. Jason has an unresolved conflict with his brother Brooks, and one night Brooks invites them over for game night, which Max resents. Halfway through the evening, Brooks is kidnapped, with Max and Annie assume is part of the game. However, Brooks really is involved in something shady. Hilarity ensues, and it's up to Max and Annie to rescue Brooks and stay alive in the process. This was really funny, though a bit dark in places. That said, Max and Annie have a loving and supportive marriage, so it was nice to see something like that portrayed on the screen. Though this also leads to some hilarity, like when Annie accidentally shoots Max in the arm. No spoilers, but the punchline to that particular sequence was one of the funniest things I've ever seen. Overall grade: A So no A+ movie this time around, but I still saw a bunch of solid movies I enjoyed. One final note, I have to admit, I've really come to respect Adam Sandler as an entertainer, even if his movies and comedy are not always to my taste. He makes what he wants, makes a lot of money, ensures that his friends get paid, and then occasionally takes on a serious role in someone else's movie when he wants to flex some acting muscles. I am not surprised that nearly everyone who's in the original Happy Gilmore who was still alive wanted to come back for Happy Gilmore 2. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show enjoyable and perhaps a guide to some good movies to watch. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene ii - Albany arrives but does not give Goneril the welcome she is expecting. Written and presented by Conor Hanratty

Grandson of Mary Boleyn. Cousin to Elizabeth I. Patron to Shakespeare's company. On 8 September 1603, George Carey, 2nd Baron Hunsdon, died, leaving a legacy that runs from court politics to the playhouse. Some even whispered he was Henry VIII's grandson. Rumour or not, Carey stood right behind the stage that gave us Hamlet, Henry V and more. I'm historian and author Claire Ridgway. In today's “On This Day,” meet the steady court insider who helped shape the English Renaissance, from border forts and the Isle of Wight to the Lord Chamberlain's Men. What you'll learn: Carey's Boleyn roots & royal connections Missions to Scotland and a knighthood at Berwick (1570) Roles that kept him close to Elizabeth I (Marshal of the Household, JP, Constable of Bamburgh, Captain of the Isle of Wight) How he supported the fleet during the Spanish Armada Why becoming Lord Chamberlain (1596) mattered to Shakespeare's troupe Honours (KG, Privy Council) and his late-life legacy under James I The enduring rumour about Tudor blood in the Carey line If you enjoyed this, please like, subscribe, and ring the bell for daily Tudor stories. Tell me in the comments: Do you think the Carey–Tudor blood rumour holds water? #TudorHistory #AnneBoleyn #ElizabethI #Shakespeare #LordChamberlainsMen #OnThisDay

Episode 185:For today's guest episode it's a warm welcome to the podcast for Christine and Jonathan Hainsworth, co-authors of the recently published book ‘The Shakespeare Ladies Club'.Their book explores the lives of four ladies who were crucial in ensuring the original work of Shakespeare was not forgotten in the 18th Century and beyond. In 1736, these three ladies of quality, two from the aristocracy and one a writer who ran a stationery shop, formed the ‘Shakespeare Ladies Club'. All three were so enraptured by the plays of William Shakespeare that they met to read and discuss his them and his genius. Not content with this, they used their power and influence to campaign for a statue of their literary idol to be placed in Westminster Abbey. They were successful in that endeavour, but their role in these achievements has never been properly recognised. Along with other scholars Christine and Johnathn's book is part of the process of putting that right. It is a very entertaining and informative read that I thoroughly enjoyed as I hope you will our conversation with just a taster of some of the details Christine and Jonathan have revealed.Christine and Jonathan Hainsworth live in Adelaide, South Australia and have a passion for historical investigation and challenging the 'conventional wisdom' regarding famous historical subjects.Christine spent several decades working for the Australian government in social services. Her work on a program to re-connect lone parents with training, education and employment opportunities gave her a unique insight into family and societal challenges.Jonathan was educated in Britain and Australia and has over thirty years of experience as a high school teacher of Modern and Ancient History, and English Literature. He is a graduate of The University of Adelaide and the University of South Australia.Link to Christine and Jonathan's website: https://hainsworthwardagius.comLink to The Shakespeare Ladies Club on Amberley Publishing: https://www.amberley-books.comLink to The Shakespeare Ladies Club on Amazon UK: https://www.amazon.co.uk/Shakespeare-Ladies-Club-Forgotten-Rescued/dp/1398127442/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Ted Zurkowski in conversation with David Eastaugh https://www.tedzurkowski.com/ https://www.honeywestmusic.com/ted-zurkowski.php An acclaimed member of New York's acting community, Ted Zurkowski is a Lifetime Member of the Actors Studio. He's also been playing in bands and composing songs since his tender, pre-shaving years. In 1994, he and fellow Studio member Lynnea Benson founded the venerable Frog & Peach Theatre Company, one of New York's most popular Shakespeare ensembles. A man of many talents, Ted sometimes found himself serving as Frog & Peach's Lead Actor; sometimes as Director, often as a Producer, and frequently, as a Composer. With a burgeoning musical career, and a great many fish to fry, Ted bid farewell to theatre to return to his first love: playing music and writing songs full time. In 2017, he joined with British rock and roll legend Ian McDonald (King Crimson, Foreigner) to form the band Honey West, releasing their debut album, "Bad Old World".

On this episode, we discuss the best (and worst) film adaptations of Shakespeare's OTHELLO and why it translates well cinematically!  Panel: Kristin Battestella, Amy Thomasson, Jaylan Salah Visit insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe on your podcast app of choice! insessionfilm.com/subscribe

The race hits Shakespeare country. There is also some talk of David Beckham.Sign up to BIKMO for the best bike insurance in the world!Sign up and show your support to NSF - Live in France! Hosted on Acast. See acast.com/privacy for more information.

Jacke looks forward to a new season by exploring the language and imagery of John Keats's famous ode to autumn. Then he talks to Graham Watson about his new book The Invention of Charlotte Brontë: A New Life, which tells the story of how how Charlotte reinvented herself as an acclaimed author, a mysterious celebrity, and a passionate lover. PLUS Sara Charles (The Medieval Scriptorium: Making Books in the Middle Ages) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices