Podcasts about shakespeare

What if the dead never stopped writing? From Mark Twain and Shakespeare ghostwriting books, to A.I. uncovering ancient secrets, to CIA psychics claiming the Ark of the Covenant's resting place — this week's Paranormal 60 News is packed with stories that blur the line between history, mystery, and the supernatural.Dave Schrader, Chachi, Sweet-T, and Greg also uncover eerie discoveries in Jerusalem, Navy UFO patents, the dangers of Annabelle, and the latest “solution” to the Bermuda Triangle. Hold tight — this is one news edition you won't forget.Ghost Writer Edition - The Paranormal 60 NewsPLEASE SUPPORT THE ADVERTISERS THAT SUPPORT THIS SHOWHappiness Experiment - https://go.happinessexperiment.com/begin-aff-o2?am_id=podcast2025&utm_source=podcast&utm_medium=podcast&utm_campaign=michaelFactor Meals - Get 50% off your first order & Free Shipping at ⁠⁠www.FactorMeals.com/p6050off⁠⁠ & use code: P6050off at checkoutMint Mobile - To get your new wireless plan for just $15 a month, and get the plan shipped to your door for FREE, go to ⁠⁠www.MintMobile.com/P60⁠⁠Shadow Zine - ⁠⁠https://shadowzine.com/⁠⁠Love & Lotus Tarot -  ⁠⁠http://lovelotustarot.com/⁠⁠PLEASE RATE & REVIEW THE PARANORMAL 60 PODCAST WHEREVER YOU LISTEN! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 182:Although it feels like a while since Shakespeare had produced a history play, we must remember that all the plays I have discussed so far were written and played in a very compressed timescale. If we take Henry 6th part 1 as being from 1591 then eight years and eighteen plays later, we get to Henry 5th.The sources for the playThe dating of the playThe printing history of the playThe early performance history of the playA brief synopsis of the playA play that works on several levelsThe central role of the ChorusThe multiple linguistic registers in the playThe conclusion of Henry's character arcThe different aspects to Henry's characterHenry's meditations on the responsibilities of kingshipThe supporting characters – the soldiersPrincess Katerine and her English lessonThe demise of PistolThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Kulturwissenschaftlerin Elisabeth Bronfen ging schon immer ungewöhnliche Wege. Ihre Habilitationsschrift über schöne Frauenleichen sorgte einst für Aufsehen. Jetzt ist die Anglistin emeritiert, leidenschaftliche Köchin und schreibt weiter Bücher. Wiese, Tim www.deutschlandfunkkultur.de, Im Gespräch

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene i - Gloucester asks Edgar (as Poor Tom) to lead him to Dover. Written and presented by Conor Hanratty

With his exceptionally explicit and startlingly revelatory Sonnet 144 William Shakespeare addresses head on the fact that his mistress and his lover are certainly friends, and that he suspects – rather strongly, we get the impression – them to be so with benefits.By identifying the man as 'right fair' and contrasting him with a woman who is 'coloured ill', he confirms what we have long thought to be the case: this is a constellation that has turned triangular, and it involves these precise three individuals, the poet, his younger male lover, the Fair Youth of the first 126 sonnets in the collection, and the Dark Lady around whom 25 of the remaining 28 sonnets revolve. This rather puts paid to the suggestion espoused by some scholars that these sonnets can or let alone should be read in isolation, that no narrative of any kind should ever be deduced from them, or that they may have been written to and about any number of lovers of any gender over the period of their composition. What Sonnet 144 shows beyond anything that might still be considered reasonable doubt, and much in line with Sonnets 33 through 42 in the Fair Youth section and Sonnets 133 and 134 in this, the Dark Lady section of the collection, is that these two groups of poems overlap, that they concern themselves with the same 'two loves' of Shakespeare's, and that our poet is profoundly disturbed by the fact that, as he sees and presents it, his mistress has seduced his young man.

Quando l'ironia si tinge di giallo. Puntata speciale del cacciatore di libri Estate dedicata a romanzi che narrano con una certa leggerezza storie di indagini e misteri. Interviste a: Alessia Gazzola, con la sua serie di Miss Bee che mescola romanticismo e giallo alla Agatha Christie, Felicia Kingsley, considerata una delle massime esponenti del genere Romance che però in questo caso crea un mix fra indagine, storia d'amore e l'opera di Shakespeare, Marco Malvaldi con l'ironia dei vecchietti del BarLume e Giancarlo De Cataldo con la serie sul pubblico ministero Manrico Spinori, detto "il contino".Ospite del caffè letterario: Viviana Peloso responsabile della libreria "Vecchie Segherie Mastrototaro" di Bisceglie, in Puglia.

Dr. Travis Cooper recently facilitated this lively discussion on Shakespeares classic, A Midsummer Night's Dream.  If you weren't there live, here is your chance to listen! At AMI, we believe in the power of great questions that lead to more questions, in an education that focuses on discernment and freedom. Senior Fellow, Dr. Jospeh Hattrup sums it up beautifully, "In our culture nowadays... there's just so much of a reality where you're being fed ideas. This is what you're supposed to think about the world. This is what you're supposed to think about all sorts of human issues- whatever they might be, political, moral, religious. There's so many questions. And it really is a serious question... in developing yourself as a person in your education... Am I really developing myself into somebody who sees truth as independent of fashion, independent of fads, independent of current events? Can I see it... as timeless and everlasting, but as something that I can really possess with other people as a common good through the discipline of my own mind? Do you want this form of education for yourself? See how the Magnus Fellowship can provide just such an education.   

Alex Gleason was one of the main architects behind Donald Trump's Truth Social. Now he focuses on the intersection of nostr, ai, and bitcoin. We explore his latest tool, Shakespeare, which enables anyone to easily vibe code an app in their browser. I vibe my first app live on air. Alex on Nostr: https://primal.net/p/nprofile1qqsqgc0uhmxycvm5gwvn944c7yfxnnxm0nyh8tt62zhrvtd3xkj8fhggpt7fyShakespeare: https://shakespeare.diy/Soapbox Tools: https://soapbox.pub/toolsThe app I vibed live: https://followstream-3slf.shakespeare.to/ EPISODE: 174BLOCK: 910195PRICE: 853 sats per dollar(00:00:01) Treasury Secretary Bessent Intro(00:01:29) Happy Bitcoin Friday(00:05:12) AI and Freedom Online(00:07:04) Shakespeare: Vibe Coding Made Simple(00:08:03) Concerns About Big AI(00:15:05) Self Hosting AI and Technical Challenges(00:22:24) Energy and AI Development(00:28:14) Building Personalized Experiences with AI(00:38:02) Nostr's Future and Mainstream Adoption(00:45:02) Decentralized Hosting and Shakespeare's Future(00:54:01) Collaborative Development with Nostr Git(01:02:24) Open Source Renaissance and Future ProspectsVideo: https://primal.net/e/nevent1qqstzds6pmkpaser62kme8dk74r4ea4ae3hv9fr2wur0kpc3yyws96gx2pa59more info on the show: https://citadeldispatch.comlearn more about me: https://odell.xyz

Akira Kurosawa is one of the world’s most revered directors, his films often cited as inspiration amongst other auteurs. Sometimes that inspiration has led to full-on remakes of Kurosawa’s films, such as Spike Lee’s Highest 2 Lowest (2025), an adaptation of Kurosawa’s High and Low (1963). Other adaptations of Kurosawa’s work include Seven Samurai and Yojimbo. Kurosawa himself liked to adapt pre-existing stories. Many of his films are interpretations of Shakespeare plays. Even High and Low is based on a novel. So how does one go about adapting and remaking a film by a great director like Kurosawa? How is the story updated for new audiences? And what kind of films lend themselves to adaptations? Today on FilmWeek, we discuss Hollywood’s attempts to remake some of Kurosawa’s most beloved films and what makes a good adaptation. Joining Larry Mantle is Peter Rainer, film critic for LAist and the Christian Science Monitor, Tim Cogshell, film critic for LAist, Alt-Film Guide and CineGods.com, and Charles Solomon, film critic for LAist, Animation Scoop and Animation Magazine. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

Immortalised by Shakespeare, Scottish king Macbeth was killed in battle near Lumphanan, Aberdeenshire on 15th August 1057; a demise that brought significant changes to Scotland's monarchy. But the real Macbeth, contrary to his portrayal in the play, ruled for 17 relatively peaceful years and displayed generosity toward the church. That said, his relationship with the real Lady Macbeth - Gruogh, widow of Gilear, the previous king - was, let's agree, rather complicated.  In this episode, Arion, Rebecca and Olly explain why witches were included in the script to satisfy King James I; offer a pragmatic explanation for the superstition that actors must never speak the name "Macbeth" in a theatre; and reveal the, er, creative way the Danish minister for finance once escaped responsibility for a nasty shipwreck… Further Reading: • ‘The Real Macbeth: King of Scots, 1040-1054' (History Today, 1957): https://www.historytoday.com/archive/real-macbeth-king-scots-1040-1054 • ‘Macbeth (r. 1040-1057)' (The Royal Family): https://www.royal.uk/macbeth-r-1040-1057 • ‘Who Was The Real King MacBeth?' (Timeline, 2018): https://www.youtube.com/watch?v=xq75Cl_osxk This episode first aired in 2023 Love the show? Support us!  Join 

In this episode, Dave and Andrew dive into a work inspired by Shakespeare's The Tempest. Will the work live up to the Bard's reputation? And does this piece fit into the typical mold of a Pulitzer Prize winning work?    If you'd like more information about Paul Moravec, we recommend: Paul Moravec's personal website Dialogue with Moravec for the Kansas City Lyric Opera's production of The Shining Paul Moravec's short article “Tonality and Transcendence.” Contemporary Music Review vol. 6. no. 2 (1992): 39–42.

El programa se abre con la 42ª edición del Festival Sagunt a Escena, que se celebra hasta el sábado 23 de agosto bajo la dirección de María José Mora. Además de su papel al frente del festival, Mora dirige el área de artes escénicas del Institut Valencià de Cultura y el certamen Dansa València. La actual edición arrancó el pasado 31 de julio con la representación de 'Los dos hidalgos de Verona', puesta en escena por el director Declan Donnellan. Este montaje, estrenado inicialmente en Avilés, ha viajado por distintos escenarios antes de llegar a Sagunto.En el espacio de estrenos de cine, repasamos las novedades de la cartelera junto a Conxita Casanovas. Entre ellas, 'Materialistas', dirigida por Celine Song, y la producción española 'Mr. Nadie'.Posteriormente, nos sumamos a un paseo literario con Jesús Marchamalo, que nos lleva a descubrir rincones y referencias culturales a través de sus recorridos personales y evocadores.El cierre llega con la sección musical de Alberto Vega, que propone una selección variada para acompañar las últimas horas del día, uniendo géneros y estilos en una experiencia sonora que complementa la propuesta cultural del programa.Escuchar audio

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Kaitlyn Dever, originally episode 475 from 2022-09-21.Original writeup below:If you are unaware of Kaitlyn in your adventures through the wide world of broadcast media, prepare to make fast friends with a true great, and an absolute gem of a person at that. Kaitlyn's been putting down serious moves since childhood, including a Shakespeare stint at RADA (Royal Academy of Dramatic Arts for those pondering), and her filmography is stellar - ranging from Justified, to Dopesick, to Unbelievable, and more recently Ticket To Paradise (starring alongside Julia Roberts and George Clooney, where the cinema screen actually cracks midway through from so much gorgeous). This is a lovely chat, properly engaging and it's such a treat to hear Kaitlyn's story. OH and as Pip hints at in the intro, prepare for a Kaitlyn fact that will blow yer mind. She casually peppers it in there but thankfully Pip mashes on the brakes and reverses and double takes seamlessly. Enjoy! You shall!PIP'S PATREON PAGE if you're of a supporting natureIMDBTHE LAST OF USINSTAGRAMTWITTERTICKET TO PARADISEJUSTIFIEDDAN LE SAC VS SCROOBIUS PIP BANDCAMPPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Eight Internet addicts gather in a support group called "Friends of Saul" in a church basement and share their stories. Dave Malloy's Lucille Lortel Award winning musical “Octet” is running at Hudson Valley Shakespeare in Garrison, New York through September 7.

Before Shakespeare's Hamlet, there may have been another… Written by a man history almost erased. On this day in Tudor history—15th August 1594—playwright Thomas Kyd was buried in London, aged just 36. In his short life, he wrote The Spanish Tragedy, one of the biggest theatrical hits of the Elizabethan age—performed 29 times at the Rose Theatre and published in 11 editions, more than any of Shakespeare's plays at the time. But Kyd's meteoric career ended in scandal. Kyd was imprisoned, possibly tortured, and his health was ruined. And then there's the tantalising mystery—did Thomas Kyd write the now-lost Ur-Hamlet, the play that inspired Shakespeare's masterpiece? Join me, historian and author Claire Ridgway, as I uncover the life, works, scandals, and enduring influence of one of Elizabethan theatre's most important—yet overlooked—figures. If you love forgotten Tudor stories, this one's unmissable. #ThomasKyd #Hamlet #TudorHistory #ElizabethanTheatre #TheSpanishTragedy #OnThisDay #Shakespeare #ClaireRidgway

Enough With The Door To Door Folks | Knowing Dogs Is Just A Part Of Life | Big Dink Guy Breaks His Arm & It's News For Some Reason | Machines Acting Out Shakespeare? | Framing Dead People's Tattooed Skin | Sure Fire Way To Win Rock Paper Scissors | Smelling Like Vinegar

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Shakespeare with a twistLuke Fanning of northeast Minneapolis has his eye on Zach Christensen of Jackdonkey Productions, whose staging of “Henry V” is now at Theatre in the Round.Fanning says Christensen has “an uncanny knack for taking something that might be a little bit old and dusty and shaking it up and making it new and fun.”This production promises music, movement and “weird vibes” while still exploring the play's central themes of war, power and their effects on people. “Henry V” runs through Aug. 18.Luke says: I know I can trust Jackdonkey to add music, movement, weird vibes in a way that I'm gonna lean in instead of zone out.— Luke FanningTim Harding's shimmering ‘Double Vision'Minneapolis visual artist Carolyn Halliday has followed Tim Harding's textile work for decades, but his new series “Double Vision” is something entirely different.Harding prints his own photographs on polyester, reprints them at a different scale on organza, then layers, gathers and stitches the fabrics to create a stereopticon-like effect.The result, Halliday says, “moves and shimmers and distorts the view.” The show is on view at Groveland Gallery in Minneapolis through Aug. 30.Carolyn says: It's really dramatic.— Carolyn HallidayA symphonic ‘Ring' in BrainerdJustin Lucero, artistic director of Theatre Latté Da, says the Lakes Area Music Festival in Brainerd is preparing its largest-ever orchestra for an ambitious weekend.The festival will present an orchestral program featuring music from “The Lord of the Rings,” a new work by French composer Camille Pépin, and “The Ring: An Orchestral Adventure,” a 70-minute distillation of Wagner's epic 15-hour cycle.More than 100 musicians will perform on the Gichi-ziibi stage Aug. 16 and 17.Justin says: It'll be the largest ever orchestra that has been involved with the Lakes Area Music Festival.— Justin Lucero

In this special LIVE podcast episode, MTCA Director Charlie Murphy sits down with MTCA alum Steven Telsey to discuss Steven's journey through the college audition process and beyond—plus, they answer audience questions live during Summer Faculty Masterclass Week! If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at  mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Scottish Ballet's new production Mary, Queen of Scots is a punk inspired production which tells the story of the ill-fated queen through the imagination and memories of her cousin, Elizabeth I, who authorised her execution. And a Fringe production Mary Queen of Rock portrays Mary as a rock star in a world in which rock and roll is banned. We discuss why her story continues to inspire so many productions today. Eva Victor, star of Sorry, Baby, the opening film of this year's Edinburgh International Film Festival, talks about her darkly comic treatment of the aftermath of a sexual assault. Theatre critics Fergus Morgan and Neil Cooper talk us through some of the highlights of this year's Edinburgh Festival Fringe - from Eat the Rich (But Maybe Not Me Mates X), a one-woman show by Liverpudlian actor and director Jade Franks in which she tells the story of being a misfit at Cambridge University to Lost Lear, a retelling of Shakespeare's King Lear told through the eyes of a woman with dementia. Plus a live performance from musician Hamish Hawk, who is paying tribute to the late great poet and eccentric Ivor Cutler at this year's Edinburgh International Book Festival, complete with Cutler's own harmonium.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we explore how The Tempest reflects—and at times challenges—patriarchal power structures in Shakespeare's world and in its performance history. First, we examine how Prospero's control over Miranda, Ariel, and Caliban reflects early modern ideas and debates about gender, political authority, and service. Then, we look at how changing the gender of Prospero reshapes the play's dynamics,  how productions across stage and screen have used gender to reimagine magic, hierarchy, and power, and what the critical response to these productions reveals about modern gender politics.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Goodland, Katharine. “From Prospero to Prospera: Transforming Gender and Magic on Stage and Screen.” Shakespeare and the Supernatural, edited by Victoria Bladen and Yan Brailowsky, Manchester University Press, 2020, pp. 218–42. JSTOR, http://www.jstor.org/stable/jj.21996273.16. Accessed 7 Aug. 2025. Sanchez, Melissa E. “Seduction and Service in ‘The Tempest.'” Studies in Philology, vol. 105, no. 1, 2008, pp. 50–82. JSTOR, http://www.jstor.org/stable/20464307. Accessed 10 Aug. 2025.

Batman ’66 S2 Ep31 – The Puzzles Are Coming The Puzzler, a villain with a fondness for both Shakespeare and aviation, indicates he is after the fortunes of Artemus Knab. He convinces the billionaire to invest in his puzzle balloon business, but when the Dynamic Duo find that Knab seems too intelligent to fall for […] The post BatChums Episode 67 – The Puzzles Are Coming appeared first on The ESO Network.

Harley Mumford (Fandamentals podcast) and Tom Davies (The Proper Mental Podcast) return to Flixwatcher to review Harley's choice The King. The King (2019) is a historical drama based on William Shakespeare's Henriad. Directed by David (War Machine) Michôd it's star studded cast includes Timothée Chalamet as Henry V, Joel Edgerton as John Falstaff, Sean Harris as Chief Justice Sir William Gascoigne, Tom Glynn-Carney as Sir Harry "Hotspur" Percy, Lily-Rose Depp as Catherine, Thomasin McKenzie as Phillippa, Queen of Denmark, Robert Pattinson as Louis, Duke of Guyenne and Ben Mendelsohn as King Henry IV. This adaptation of Shakespeare's Henriad focuses on the rise Henry V after his father's death while he navigates the politics involved and discovers while the loyalties lie. The King is much more a character study that action film, there is action but it explores in the emotional side as well. Recommendability for The King was mixed, its length and subject proved tricky to be universally recommended and it scores 2.85 overall. [supsystic-tables id=403]     Thanks to the Episode # 390 crew of Harley Mumford and Tom Davies You can find their website here ⁠⁠⁠ And at ⁠⁠⁠⁠ Please make sure you give them some love   For more info on The King can visit ⁠⁠⁠⁠⁠The King IMDB⁠⁠ ⁠⁠⁠page here ⁠⁠⁠⁠⁠The King Rotten Tomatoes⁠⁠⁠⁠⁠ page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. More about The King Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

“What's in a name? That which we call a rose, by any other word would smell as sweet.”Those of you who know your Shakespeare will immediately recognise that quote from Romeo and Juliet, but how much truth is there in it?Is your name intrinsically part of your personality, or is it an incidental element of who you are?Writer and Filmmaker Molly Furey has been contemplating this very question in today's Irish Times. She joins guest host Fionnuala Jones to discuss.

Debs Newbold is an award winning theatre maker who reinterprets the works of Shakespeare through storytelling Hosted on Acast. See acast.com/privacy for more information.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - wraps up its discussions on Act 5 of Shakespeare's masterpiece, as Siskoid discusses some of the section's bigger questions and themes with special guest Gene Hendricks. They also discuss Gilligan's Island's take on the play. Plus, your feedback on Act 5's episodes AND an announcement about the future of the show. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Leave a comment, I love to read!

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

Join us as we dive into Clarence's dream and murder in Shakespeare's Richard III.

Thousands of students in San Diego Unified are back in their classrooms this week. Then, we take a closer look at the Trump administration's plans for Afghan allies who've fled due to Taliban rule. Then, SDG&E reminds us to call 811 before digging and explains why. Finally, an all-female production of Shakespeare's work that's taking place in our county and where to watch.

In this episode Gary Mansfield speaks to Graeme Messer (@GraemeMesser) Graeme Messer is a London-based multidisciplinary artist whose work spans assemblage, photography, text, and performance. Originally from South Africa, he moved to the UK in the 1980s and built a successful early career in theatre, directing works by Shakespeare and Tennessee Williams, and founding the award-winning company Out of Bounds.Since 2010, Messer has focused solely on visual art, bringing his theatrical flair into the gallery space. Messer's work is often autobiographical, exploring themes such as identity, shame, self-worth, and the complex interplay between vulnerability and resilience. He is known for his distinctive mirror pieces—vintage mirrors etched with bold, confrontational or affirming text, illuminated with LED lighting. These works prompt viewers to reflect—both literally and metaphorically—on themselves and the world around them. Messer continues to push boundaries, using art as a means to question, provoke, and connect. For more information on the work of Graeme Messer go tohttps://www.Graeme Messer.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Ken Follett is a man who doesn't really need much introduction, but introduce him I will anyway. Thirty-eight books written. 197 million copies sold in 80 countries and in 40 languages. Very popular across the world — and even in China and Brazil, according to the man himself.• Listen to Country Life podcast on Apple Podcasts• Listen to Country Life podcast on Spotify• Listen to Country Life podcast on AudibleYou would think that might be enough to retire on, but Ken is not interested in retirement. Rather he would like to talk about his latest book Circle of Days, which is about the building of Stonehenge and is out on September 23 (but is very much available to pre-order now).Ken has long been the master of historical fiction, with his bestseller Pillars of the Earth adoring most bookshelves up and down the country. He joins the podcast to discuss his writing process, and how he combines his painstaking research with fiction to create his much-loved tales.We also chat about cathedrals, the revival of Notre Dame, whether he's played his own video game, a fictional dinner with Shakespeare, and his favourite place in the UK (the answer to which might just surprise you).Episode creditsHost: James FisherGuest: Ken FollettEditor and producer: Toby KeelMusic: JuliusH via Pixabay Hosted on Acast. See acast.com/privacy for more information.

In this enchanting episode, we head to the redwoods to catch Into the Woods at Santa Cruz Shakespeare!

As Franco Zeffirelli prepared to film his critically acclaimed version of Shakespeare’s Romeo and Juliet, he made a daring decision. He chose two unknowns to play the lead characters and insisted they be close to the age of the characters as Shakespeare had penned them. Zeffirelli ultimately selected seventeen-year-old Leonard Whiting as Romeo and sixteen-year-old Olivia Hussey as Juliet. Some might think that Jesus took a similar risk with the selection of His disciples, who would be charged with an infinitely more important role. The task of taking His message of forgiveness to the world would be entrusted to simple men who were, at the very least, undereducated. In fact, when some of these early believers in Jesus were arrested and questioned, the religious leaders were stunned. Acts 4:13 says, “When they saw the courage of Peter and John and realized that they were unschooled, ordinary men, they were astonished.” Any assumed risk was more than overwhelmed by the real story behind these simple fishermen: “They took note that these men had been with Jesus” (Acts 4:13). The seemingly unqualified disciples had not only been with Christ, but they also had His promise to be with them always (Matthew 28:20). We share that promise as well (Hebrews 13:5) and can be assured that, in His presence and with His grace, no task set before us will be too great for Him.

Baseball's Danny Gardella was no ordinary ballplayer. A compact powerhouse — “not much taller than a fire hydrant,” yet a left-handed pull hitter with undeniable talent — he hit .267 with 24 homers and 85 RBIs in just 169 Major League Baseball games. That blazing two-year stretch with the New York Giants in 1944–45 proved his major-league mettle. But Gardella's story didn't end in the box score. Humble and working-class, he was a true Renaissance man — writing poetry, quoting Shakespeare, Freud, and Dewey, singing opera and vaudeville, boxing Golden Gloves, and defying gravity with acrobatic stunts in the clubhouse and on the field. When many veterans returned after World War II, Gardella's once-promising career faltered. Faced with limited opportunities and bound by baseball's reserve clause, he made a bold move — “jumping” to the Mexican League's Azules de Veracruz in 1946. That leap didn't just cost him his place in Organized Baseball — it catalyzed his fight for justice. In "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes," author Rob Elias recounts how this “little-known but remarkable ballplayer” took the sport's reserve clause to court, sparking a legal battle that would echo through decades. Gardella's act of defiance set the stage in later years for Curt Flood, Marvin Miller, and the struggle for free agency — and ultimately helped birth the modern MLB Players Association. It's a compelling blend of baseball lore, legal drama, and the human story of a forgotten pioneer who dared to challenge the game — and, eventually, changed it forever. PLUS: "Gardella Gardens" - the upper left-field balcony section of the old Polo Grounds, where ardent Giants fans cheered on their favorite player - affectionately nicknamed "Gardenia".   + + +   SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable "Good Seats" Store: https://www.teepublic.com/stores/good-seats-still-avalable?ref_id=35106 BUY THE BOOK (AND SUPPORT THE SHOW!):   "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes": https://amzn.to/4m7tklY   SPONSOR THANKS (AND SUPPORT THE SHOW!):  Old Fort Baseball Co. (15% off promo code: GOODSEATS): https://www.oldfortbaseballco.com/?ref=seats   Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2   Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats  Yinzylvania (20% off promo code: GOODSEATSSTILLAVAILABLE): https://yinzylvania.com/GOODSEATSSTILLAVAILABLE   417 Helmets (10% off promo code: GOODSEATS): https://417helmets.com/?wpam_id=3 FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

6.68Leicester's Men: A Conversation with Laurie JohnsonEpisode 181:For today's guest episode it's a pleasure to welcome Laurie Johnson to the podcast. Laurie's book ‘Leicester's Men and their Plays' is a fascination study of one of the most influential of the playing troupes of the Elizabethan period and the story of how they lived and functioned under one of the most influential nobles in the land. As you will hear Laurie's research to try to draw an ever-better picture of the players and playing in the period is ongoing and leading to some interesting postulations.Laurie Johnson is Professor of English and Cultural Studies at University of Southern Queensland and a Fellow of both the Society of Antiquaries of London and the Royal Historical Society. His current roles include President of the Marlowe Society of America, Research Dramaturg for the Oxford Marlowe Project, Academic Adviser to the Museum of Shakespeare, Shoreditch, and Project Researcher for the Weather Extremes in England's Little Ice Age,1500-1700 database. His publications include The Earl of Leicester's Men and their Plays and Shakespeare's Lost Playhouse: Eleven Days in Newington Butts.UK Link to 'Leicester's Men': https://www.amazon.co.uk/Leicesters-Men-their-Plays-Elizabethan/dp/1009366491/ref=sr_1_1?US Link to 'Leicester's Men': https://www.amazon.com/Leicesters-Men-their-Plays-Elizabethan-ebook/dp/B0CG28GHN9/ref=sr_1_1?Link to the Oxford Marlowe Project: https://research.kent.ac.uk/marlowe-works/Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

When you picture a Shakespeare play, you likely imagine a continuous performance—scene following scene, act following act—until the final bow. But in Shakespeare's lifetime, especially at indoor theatres like the Blackfriars, plays weren't always presented without pause. Candlelight, used to illuminate the stage, had to be trimmed, replaced, or even relit during performances, which meant intentional gaps were built into the show itself. These intervals weren't just practical; they were part of the theatrical experience—inviting music, moments of reflection, and a rhythm that modern audiences rarely consider. Today we're diving into this largely overlooked aspect of early modern theatre: the interval. What did it look like? What happened during it? And how did it influence the pacing and experience of Shakespeare's plays? To help us explore this topic, we're delighted to welcome Mark Hutchings, whose latest research shines a spotlight on the physical and performative realities of candlelit stages, and their intervals, for the 16th and 17th centuries. Hosted on Acast. See acast.com/privacy for more information.

August signals the end of summer break, and students across Louisiana are heading back into the classroom. Monday  is the first day of  school for public school students in Orleans, Jefferson and Lafayette parishes. Students in Baton Rouge returned to class last week – and were met with a host of changes.Charles Lussier covers education for The Baton Rouge Advocate. He joins us to break down those changes.The Louisiana Shakespeare Company is presenting an adaptation of William Shakespeare's “The Tempest.” And many Louisianans will find the story of a storm that decimates a town rather familiar. In fact, the setting for this performance is modern-day New Orleans.  Director Jennifer Bouquet and actor Timmie Callais tell us about this upcoming rendition of a classic Shakespeare tragedy. New Orleans is getting hotter. You can see that in numbers and charts — but what does it sound like? The Gulf States Newsroom's Drew Hawkins talked to musicians in New Orleans about how the heat is affecting them — and to get some help turning the data into music.—Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene i - Gloucester and Edgar find each other, but it is not the recognition we might imagine. Written and presented by Conor Hanratty

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Send us a textIn this special revisit episode of Fabulously Delicious: The French Food Podcast, we return to one of our most loved series — the A to Z of French Herbs — to rediscover a plant that's as intriguing as it is bold: Absinthe, also known as wormwood. Far more than just the legendary green spirit, this herb has a rich history in French cuisine, medicine, and folklore. From ancient Greece to the cafés of Paris, absinthe has left its unmistakable mark on culture and gastronomy.We'll explore wormwood's origins, from its growth in North Africa and Eurasia to its medicinal use dating back to 1552 B.C. Discover how it found its way into drinks like vermouth and bitters, spiced mead in the Middle Ages, and even became a natural pesticide in organic gardens. Along the way, we'll uncover its myths, its medicinal risks, and its reputation as both a healing tonic and a dangerous indulgence.Absinthe's influence in French cuisine is equally fascinating. You'll hear how chefs have used it to season meats, fish, oysters, and escargot, as well as in a striking 1889 creation — Absinthe Sorbet — served to celebrate the unveiling of the Eiffel Tower. We'll also discuss its place in art and literature, from Shakespeare's Romeo and Juliet to its infamous association with bohemian Paris.So pour yourself a glass of wine, slice some baguette, and join me for this deep dive into the bitter, aromatic world of absinthe. Whether you're a longtime listener or discovering the A to Z of French Herbs for the first time, this episode is a journey into the flavours, stories, and culinary magic that make French food so endlessly captivating.Looking to deepen your culinary journey beyond the podcast? Andrew's latest book, Paris: A Fabulous Food Guide to the World's Most Delicious City, is your passport to gastronomic delights in the City of Lights. Packed with recommendations for boulangeries, patisseries, wine bars, and more, this guide ensures you savor the best of Parisian cuisine. Find Andrew's book Paris: A Fabulous Food Guide to the World's Most Delicious City and explore more at ⁠⁠⁠⁠⁠⁠⁠www.andrewpriorfabulously.com⁠⁠⁠⁠⁠⁠⁠. For a signed and gift-packaged copy of the book, visit ⁠⁠⁠⁠⁠⁠⁠⁠ Support the show If you are planning a trip to France then why not come join me for a cooking experience in Montmorillon or a small group food tour in Lyon and/or Cote D'Azur. Don't want to do a tour or class but want a fabulous holiday here in France, Paris, Nice, Lyon or so many other places then I can help you plan it. Click the link below to book your call now. https://www.buymeacoffee.com/andrewprior/e/123498 Subscribe to my newsletter for updates on new episodes, cooking in France, travel around the French countryside, and recipes from my fab French kitchen via the link here. http://eepurl.com/hj-zFf...

Was Richard III really the monster Shakespeare painted him to be? Or have centuries of myth and propaganda hidden the man he truly was? In this exclusive interview, I (Claire Ridgway, historian and author) sit down with the creative team behind "A Taste of Loyalty"—a powerful new short film (inspired by Matthew Lewis's novel "Loyalty"), which explores one of the most pivotal (and misunderstood) moments in Richard III's life. Join me as I talk with: - Matt Lewis, historian and novelist - Thomas Dennis, director, screenwriter, and the man portraying Richard III - Tiffany Lunn, composer and musical visionary for the film Together, we discuss: - Why this isn't your typical Richard III story - How they're balancing historical accuracy with powerful storytelling - The challenges and joys of adapting a novel for the screen on a tight budget - The emotional depth behind the music, the costumes, and the character of Richard - Their long-term vision for the project—and how you can help make it happen Whether you're a Ricardian, a Wars of the Roses enthusiast, a lover of historical fiction, or just curious about how history comes alive through film—this conversation is packed with insight, passion, and behind-the-scenes gems. Listen now and meet the team rewriting Richard III's legacy. SUPPORT the film: https://www.indiegogo.com/projects/a-taste-of-loyalty#/ #ATasteOfLoyalty #RichardIII #WarsOfTheRoses #TudorHistory #ClaireRidgway #HistoricalFiction #MattLewis #ThomasDennis #HistoricalFilm #Ricardian #BehindTheScenes #MedievalDrama #RewritingHistory

**Originally Aired on Place to Be Nation Wrestling Feed in February 2021** On the landmark episode 10 of NWA Crock & Roll, Shawn, Dr. G and Calum are joined by first time guest, Rory McNamara (Special Relations, Seen Your Video, Wrestling 20 Years Ago podcasts) to discuss the first half of November 85! After a brief intro of Rory and his Crockett viewing history they open with the amazing storytelling of the build to Tully/TA “I Quit” match in 20 minutes worth of TV that has one of the best “real” angles ever and is the feud better than Dusty/Flair? Jim Crockett no selling President Bob Geigel mandates, Tully's continued trend of making fedoras look good, the “Soviet Union Ambassador of Destruction” Nikita Koloff, an atrocious Billy Graham/Abdullah match, several “uncomfortable” promos that would not hold up well in 2021, Starrcade 85 Update, complete with a Wahoo match announced much to Calum's chagrin, Dusty's “special” boot and return to the ring after injury, Arns continued claim to the now vacant TV Title, a trip to Mid South as Flair faces Butch Reed in a non title match with a shocking ending, why Sam Houston and Terry Taylor should stay away from microphones, the iconic first mention of the Four Horseman and close the show with the even more iconic greatest promo of all time... “Hard Times” as read by Calum Rhodes with a thought provoking breakdown by the newly tagged “Shakespeare of Special Relations” Rory McNamara. Starrcade 85 build continues and we are only halfway through the month! We aren't Tony & Conrad and don't pretend to be, but possibly our best episode to date!

Cinema Junkie presents this month's Midday Movies, with Beth Accomando and Yazdi Pithavala, and an exploration of unconventional cinematic adaptations of the Bard.

There are SOOO many times that characters break bread (sometimes humans in the form of a pie, but I digress...) together in the Shakespeare canon. So we were thinking... which of these famous banquets and dinners would we want to attend? Which ones would we not touch with a ten foot halberd??  In this episode, we dive into the soup, as it were. Come on in!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!The Education News Comedy Quiz -- Some of the AbovePlay along with guest contestants from the education world. Laugh some & learn some...Listen on: Apple Podcasts Spotify

A scholar remains behind as pestilence silences the college. The gates are locked, the chapel dim, and a single window glows with the light of something unfinished. In the stillness of old stone, a man pursues his solitary work—methodical, precise, and unknowable. What follows is not a tale of horror in the usual sense, but something quieter, older, and threaded with the weight of ritual. Memory lingers in the cloisters. The dead are not always absent. *The True History of Anthony Ffryar* was first published in *Tedious Brief Tales of Granta and Gramarye* (W. Heffer & Sons, 1919), under the pen name “Ingulphus.” The story was reissued in the Ghost Story Press edition of 1993 with an additional tale. Arthur Gray (1852–1940) was Master of Jesus College, Cambridge, and a scholar of Shakespeare and local history. He wrote ghost stories rooted in the architecture, liturgy, and institutional memory of the university he called home. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patrick Willingham, executive director of the Public Theater, and Saheem Ali, associate artistic director at the Public Theater and director of the upcoming run of Twelfth Night at the Delacorte Teater, talk about the reopening of the Delacorte Theater in Central Park and the return of Free Shakespeare in the Park.

Merriam-Webster's Word of the Day for August 6, 2025 is: largesse • lahr-ZHESS • noun Largesse is a somewhat formal word that refers to the act of giving away money or the generosity of a person who gives away money. It can also refer to the money that is given away. // The community has benefited greatly from the largesse of its wealthiest family. // The local business owner is a philanthropist known for his largesse. See the entry > Examples: "Over the years, ShelterBox USA, an outgrowth of the Rotary Club and named for the relief boxes it distributes, has helped nearly 3 million people in some of the world's worst disaster zones. It hands out basic survival needs: tents, tools, and household supplies. Twice the organization has been nominated for the Nobel Peace Prize for its life-preserving largesse." — The Olney (Texas) Enterprise, 20 Mar. 2025 Did you know? The English language has benefited from the largesse of Anglo-French, through which a generous number of words have passed; examples range from simple to account to desert. English speakers owe Anglo-French a huge thanks, in particular, for its adjective large. That word, meaning "generous, broad, or wide," is the source of both largesse and the familiar duo of large and enlarge. Most people understand enlarge to mean "to make larger," but a less common sense (used in Shakespeare's Henry V) is "to set free." Largesse also contains the notion of freedom, specifically with regard to a lack of financial constraints: it's not about having a "large" amount of money but rather being "free" with it. Incidentally, the English word large wasn't about size when it was first adopted in the 13th century. Back then it meant "lavish."

Douglas Murray is a journalist and bestselling author of 8 books, including: On Democracies and Death Cults: Israel and the Future of Civilization (2025); The War on the West (2022); The Madness of Crowds: Gender, Race and Identity(2019); and The Strange Death of Europe: Immigration, Identity, Islam (2017). He has been a contributor to Spectator since 2000 and associate editor since 2012. He is a columnist at the New York Post and regularly writes for the Telegraph and the Sun.  Mr. Murray is also a senior fellow at the Manhattan Institute and contributing editor of City Journal.  On this episode of The One Way Ticket Show, we begin the conversation with Mr. Murray sharing his one way ticket back in time to Elizabethan England which he describes as the greatest period of the flowering of the English language. There, he would meet Shakespeare, attend performances at the Globe Theatre, and marvel at the Court of Queen Elizabeth I.  We then delve into his latest book, On Democracies and Death Cults: Israel and the Future of Civilization and cover topics and thoughts, including: Vasily Grossman's quote from his book, Life and Fate: “Tell me what you accuse the Jews of, I'll tell you what you're guilty of” How many in the West don't understand that for Hamas and people like Sinwar, their war against Israel is a religiously motivated jihad           It's a myth that all people – everywhere – want the same thing          The extent to which and the consequences of populations being misled in closed societies           Divorcing a performer's politics from their performance (and how it would be wonderful if actors just “shut up” about politics in the first place!)           The strange landscape that is the (news) media today           His break mechanism of: "Never forget how much damage can be done by willful optimism" Why he never talks about his next book project And much more . . . LINKS: https://douglasmurray.net/ Douglas Murray on: X: https://x.com/DouglasKMurray Instagram: https://www.instagram.com/douglaskmurray/ Facebook: https://www.facebook.com/DouglasKMurrayOfficial Books: On Democracies and Death Cults: Israel and the Future of Civilization The War on the West  The Madness of Crowds: Gender, Race and Identity The Strange Death of Europe: Immigration, Identity, Islam  

Comedian Elyse DeLucci welcomes you into her Upper East Side kitchen talking: The reopening of two NYC icons: Waldorf Astoria and Central Parks' Delacorte Theater (free performances! .. Shakespeare in the Park, etc), New Yorker Cartoon, my need for a leggings budget, a new brightening eyeliner…AND MORE! LOVE TO LOVE YA! SUBSCRIBE TO MY YT CHANNEL: https://www.youtube.com/channel/UCrl_... Follow Elyse on Instagram: https://www.instagram.com/elysedelucci/?hl=en

School is in session this week on Lone Lobos. Xolo Maridueña and Jacob Bertrand talk about returning to school, the costs of higher education, taking a gap year, and offer advice. Xolo shares insights from his Shakespeare class, while Jacob discusses his character in Sakamoto Days. Jacob excitedly tells Xolo about rewatching his favorite childhood film, “Speed Racer” (2008). Lobitos Exclusivos features an extended conversation with the hosts about how AI is used to generate instant animated TV shows, available only on Supercast. Free Discord Access:https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode:https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobos.Follow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrand.Follow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram:https://www.instagram.com/officialmonicat_http://www.heyxolo.com/Jacobs Channel: @ThreeFloating

The Dean's List with Host Dean Bowen – With a focus Homer, Aristotle, Virgil, Euclid, and Shakespeare, a Classical Education is the education of our Founding Fathers and what is necessary for the future of the Republic. Such foundational teaching begins with focusing on the student's heart, soul, and mind. For example, we ask such questions as...