Podcasts about shakespeare

 In this episode of Wisdom of the Sages, Raghunath and Kaustubha unpack a controversial passage from the Śrīmad-Bhāgavatam — the ancient Sanskrit text of Vedic wisdom centered on Krishna and the path of Bhakti Yoga. The story describes Krishna interacting with the gopīs of Vrindavan — the cowherd women whose consciousness was completely absorbed in devotion to Him. At first glance the scene appears morally troubling, but the sages explain that it reveals a deeper spiritual principle: divine love exists beyond ordinary moral frameworks. Along the way the discussion moves between the Śrīmad-Bhāgavatam, the Bhagavad Gita, Shakespeare, and classic jazz love songs, showing how even great romantic lyrics can echo the bhakti insight that the deepest love longs to give everything. In Bhakti Yoga this is called ātma-nivedanam, the complete offering of oneself to the Divine — and when devotion reaches that level, Krishna reciprocates and awakens the soul's highest consciousness. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

How do you motivate your students to do more than the bare minimum? Are there ways to help your students write better topic-clincher sentences? Join Andrew Pudewa and Julie Walker as they discuss these questions and more in another Ask Andrew Anything episode. You never know what question Julie may ask! Referenced Materials Episode 478: What’s in Your Audible Account? Episode 231:The Dyslexic Advantage – A Conversation with Brock and Fernette Eide, Part 1 Episode 159: IEW and Dyslexia – A Conversation with Susan Barton Principles of Motivation audio talk by Andrew Pudewa Memoria Press Logic courses The Art of Argument The Argument Builder Fix It!® Grammar Structure and Style® for Students: Year 1 Level A Episode 398: Think like Shakespeare, Part 1 Link to Episode 520 video Transcript of Podcast Episode 520 If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com

“Takes All Kinds”—An American Public Affairs Discussion and Demonstration of Journalistic Theatre Actor and playwright Dan Hoyle and his director, celebrated director/actor Aldo Billingslea, provide an inside look at the creation of their widely acclaimed new solo performance piece “Takes All Kinds.” Dan's blog reminds the viewer that  ”I'll be disappearing into these different characters and stories and you'll be glad to journey there with me. They've been traveling with me these last couple years. I think they'll stay with you too.” With “Takes All Kinds,” Hoyle and Billingslea use journalistic theater and embodied storytelling to portray powerful, funny and complex people caught in the social and political currents roiling our society. They create portraits of everyday Americans through moving and funny true stories of American democracy: school board showdowns in Florida, grassroots organizers in Atlanta, barber shops in Las Vegas, deprogrammers of violent extremists in Missouri and more. In this mostly offstage oriented “talk-back” presentation, listeners and observers will have an opportunity to explore with Hoyle and Billingslea how thousands of hours go into a little over an hour show. The artists' view reveals (somewhat) the amazing mystery of live transformative theatrical narrative that has everyone laughing and pin-drop listening with the next moment. And always has the audience talking as they depart. Yes—it's about politics, but could experiencing public affairs embodied theatre journalism bring people something they needed more than they realized?   “Stunning…something almost supernatural happens,” according to the  San Francisco Chronicle. Currently based at the Marsh Theatre, “Takes All Kinds” has toured elsewhere in California plus New York City, Charleston and Chicago, and will be heading to Idaho, Florida and more in 2026. About the Speakers Oakland-based Dan Hoyle is an actor and writer whose immersion research theater work has been hailed as "riveting, funny and poignant" (The New York Times) and "hilarious, moving and very necessary" (Salon). His solo shows, all originated at The Marsh in San Francisco, have played across the country at The Public Theater, Culture Project, Baltimore Center Stage, Berkeley Rep, Cleveland Playhouse, Mosaic Theater Company, Oregon Shakespeare Festival, Portland Center Stage, Playmakers Rep, Painted Bride, Pure Theater and abroad in India, Ireland, Wales, Mexico, Canada and Nigeria. Aldo Billingslea (director) is a professor of theater at Santa Clara University (SCU). SCU's associate provost for diversity and inclusion, and served as the vice president of the 100 Black Men of Silicon Valley; he's a board member of TheatreWorks Silicon Valley, theatre program director for The222.org in Healdsburg, California.As an academic, he is a professor of American theatre from the Black perspective, acting styles, Shakespeare, and seminars on August Wilson. Billingslea is a lifelong professional actor featured in more than two dozen Shakespeare plays, productions of August Wilson's Gem of the Ocean, Ma Rainey's Black Bottom, and Fences, Arthur Miller's Death of a Salesman, Tennessee Williams' A Streetcar Named Desire, and Lorraine Hansberry's The Sign in Sydney Bernstein's Window. He also worked at the American Conservatory Theater, the Aurora Theater, California Shakespeare Theater, Lorraine Hansberry Theater, and the Marin Shakespeare Theater. An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.  Organizer: Anne W. Smith  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey HBs! When we left you yesterday, Baby had moved in with her pack, she made sure the other women didn't get thrown out, she's forging relationships with each of her horny alphas, and she got knotted for the first time! It's been a big week for Baby. Today we've got a bad rival MC, a BFF to save, more knots to take, and a heat vacation to the nest of her dreams! Also, kidnappings and other nefarious deeds. Bonus Content: the Shakespeare of insults and so much more! Lady Loves: Mel: When science catches up with your lived experience! A new study reveals that women with ADHD often experience perimenopause up to 10 years earlier and more extremely than their neurotypical counterparts. So THERE doctor who told me I was too young for hot flashes! Sabrina: privacy window clings! Especially when they're pretty, crystally, prismatic clings that make you super happy when you look at them! Want more of us? Check out our PATREON! This week Sabrina and some pals are gonna tell Mel all about the rest of the Sweetverse series! Credits: Theme Music: Brittany Pfantz  Art: Author Kate Prior  Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast at gmail  Follow our socials:  Instagram @heavingbosoms Tiktok @heaving_bosoms  Facebook group: the Heaving Bosoms Geriatric Friendship Cult The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Many readers turn to Shakespeare for the beauty of his language or the power of his stories. But in Thinking Through Shakespeare, Oxford scholar David Womersley suggests that the plays offer something else as well: a way of exploring some of the deepest questions about human life. Womersley looks at tragedies like Othello, Hamlet, Macbeth, and King Lear to show how Shakespeare places audiences inside difficult moral and philosophical problems. The plays raise questions about identity, power, and the tension between doing what is right and doing what is personally advantageous. Rather than presenting clear answers, Shakespeare lets these ideas collide on stage. In this episode, Womersley explains how Shakespeare's plays become what he calls “crucibles” for thinking. As characters struggle with competing values and impossible choices, audiences go on that journey with them—testing ideas, reconsidering assumptions, and confronting the same enduring dilemmas that have shaped human thought for centuries.

William Sutton has memorized all of Shakespeare's sonnets so you don't have to, and created ILoveShakespeare.com (above), an online collection and examination of all 154 of Shakespeare's sonnets organized by themes of Love, Death, Nature, Pain, and Time. Will is an actor, educator, and alumnus of The Shakespeare Institute in Stratford-upon-Avon, and reveals the possibly real reason Shakespeare wrote exactly 154 sonnets; how he mastered Elizabethan English by learning and speaking the sonnets; how you too can join the pantheon of actors who've come before us; how Shakespeare's words are only the beginning; that time he was invited to recite a sonnet at Shakespeare's gravesite; how he was able to pluck from memory Sonnet 138; and the way in which a self-described ‘bear of very little brain' has come to understand not only Shakespeare's sonnets, but his plays. (Length 22:19) The post Memorizing Shakespeare's Sonnets appeared first on Reduced Shakespeare Company.

When Riz Ahmed feels lost in his creative endeavors, he asks two questions: Does it stretch me? Does it stretch culture? Those questions have guided Ahmed to an Oscar- and Emmy-winning acting career (The Long Goodbye and The Night Of, respectively), a boundary-pushing music catalog, and stories that have redefined who gets to be seen at the center of the frame. And now, in the latest chapter of his career as WePresent's guest curator, he's posing those two questions to all creatives.    In this episode of Creative Control, we explore how Ahmed is utilizing his role as WePresent's guest curator (a role previously held by the likes of Marina Abramović, Solange Knowles, and Olafur Eliasson) and how his upcoming version of Shakespeare's Hamlet ties directly into his vision of stretching culture—particularly at a time when it needs it most.  For more of the latest business and innovation news, go to https://www.fastcompany.com/news To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control

In Shakespeare's Hamlet, guilt does not stay buried. It festers beneath crowns and costumes, slipping through rehearsed smiles and whispered prayers. A kingdom rots from the inside, not because of the murder alone, but because of the secret that follows it,  heavy and impossible to silence. “O, my offence is rank,” King Claudius confesses, discovering that even a throne cannot shield a poisoned conscience. In the bedroom of a teenager, centuries later, those same words would land a little too close to home.In this case we will explore a modern tragedy shaped by Shakespearean shadows: ambition without a crown, desperation without a dagger, and a confession that would echo far beyond the pages of a play. Because sometimes the most dangerous poison isn't poured into a cup, it's carried in the heart, waiting for its moment to speak.Sourceshttps://www.texasmonthly.com/true-crime/poisoning-daddy/https://www.folger.edu/explore/shakespeares-works/hamlet/read/3/3/https://www.sigmaaldrich.com/US/en/product/sigald/243671https://www.newspapers.com/image/644815133/?terms=Marie%20Robardshttps://www.newspapers.com/image/823666883/?match=1&terms=Marie%20Robardshttps://www.newspapers.com/image/644815129/?match=1&terms=Marie%20Robardshttps://www.newspapers.com/image/646308983/?match=1&terms=Marie%20Robards

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 06 March 2026See omnystudio.com/listener for privacy information.

SUMMARY: Brad Sherwood returns with exciting news about improvising Shakespeare with Matt, Paul, and Spadoni. A callback on "Why are you so hot?" leads the discussion to Brad and Paul's looks in their youth. Plus, a nod to a recent Justin Robert Young podcast on crime and statistics, what constitutes yacht rock, and an 'equal shot answer' Scoopardy.

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on the politics of Shakespeare's historical plays. Release date: 06 March 2026See omnystudio.com/listener for privacy information.

Episode 206Last time I discussed the dating and sources for Shakespeare's tragedy ‘Othello', the early performance history, and some points about the structure and poetry in the play. Then I took you through the first part of the play, up to the point where Iago had managed to sow seeds of doubt into Othello's mind about the constancy of women and get his professional rival Michael Cassio so drunk and fired up that he got involved in a brawl with the town governor and is demoted. In doing so I looked at the characters of Iago, Brabantio and Cassio, so on this occasion listening to that episode is essential before starting on this one. If you need to do that as soon as you are back, I will be picking up from exactly where I left off last time.The character and expected role of EmeliaThe relationship of Emelia and DesdemonaThe character of Bianca and the Venetian courtesanHow Bianca contrasts with DesdemonaConflicting views of the character of DesdemonaThe character of OthelloThe play as a tragedy of Greek proportionsThe disintegration of Othello from strong leader to murdererOthello as a social disruptorThe ‘noble savage' Vs the veneer of sophisticationThe role of resentment and honour in the playLater performances of the playSome very selected criticism of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Welcome to episode 238 of Last Nights Coffee with Chuck and Jon! This week the guys go back to their roots by talking conspiracy theories! Thanks for tuning in Nightshifters!

This episode is titled: The Story of Sack Wine in Early Modern Europe.Imagine walking into the lively taverns and candlelit theaters of early modern Europe, where one drink stood out among both the fashionable and the literary: sack. Think of Sir John Falstaff, the unforgettable character from Shakespeare's Henry IV, Part II, delivering his famous speech. With great enthusiasm, he says that if he had a thousand sons, the first lesson he would teach—the most important of all—would be to avoid weak, watery drinks and instead dedicate themselves to sack.Falstaff's love for sack was not just a joke; it reflected a real trend that spread through England and beyond in the 16th and 17th centuries. Sack was a fortified white wine—rich, strong, and often sweet—similar to what we now call sherry or white port. The origin of the name “sack” is still debated. According to several dictionaries cited by Wikipedia, some believe it comes from the French word “sec,” meaning “dry,” though this explanation has certain linguistic uncertainties.Others suggest it may derive from the Spanish word “sacar,” which means “to withdraw,” referring to the process of drawing wine from a solera. Some historians suggest that the name “sack” comes from the Spanish verb “sacar,” which means “to withdraw,” possibly in reference to drawing wine from barrels for export. The wine itself was traditionally produced in the vineyards of Spain and Portugal. In Spain, the Canary Islands became a major producer after colonization in the 1400s, and regions such as Málaga, Jerez, and Andalusia also produced well-known types. Portugal also played a part, with wines from the north and center of the country, and especially from Madeira. Merchants labeled their shipments by where they came from—” Canary sack,” “Malaga sack,” “Madeira,” or “Jerez”—and these names appeared in trade records from London to Dublin.The trade was massive, especially to the British Isles. According to Jerez-Xeres-Sherry, in 1517, the Duke of Medina Sidonia, Don Alfonso Pérez de Guzmán, granted extended privileges to English merchants operating in Sanlúcar, many of whom were facing difficulties with the Inquisition. Later, in the 1530s, English merchants formed the Spanish Company to facilitate trade, exporting cloth and importing sack wine. So intertwined were the goods that some wines earned the cheeky nickname “bastard”—a nod to the English cloth measure and the back. Even war did not stop people from wanting to sack. During the Anglo-Spanish conflict from 1585 to 1604, smugglers risked crossing the Channel to keep the wine coming when official trade was blocked. Official trade faltered.One of the most memorable moments was Sir Francis Drake's bold raid on Cádiz in 1587, when he set out to “singe the King of Spain's beard.” During the attack, Drake's men took about 2,900 pipes, or butts, of sack, with each holding around 600 liters. This added up to more than a million liters of wine taken as loot. Back in England, drinking this captured wine became a patriotic gesture, a playful way to celebrate victory while enjoying the spoils.Sack became a big part of English culture. On the London stage, it was often mentioned. Ben Jonson praised “a pure rich cup of Canary wine” in his poetry, and later writers, such as John Dryden, who was appointed poet laureate in 1670, according to Samuel Johnson, even accepted barrels of sack as payment. But Shakespeare was its biggest fan. Falstaff talks about the amazing effects of sack: it clears the mind, sharpens wit, warms the blood, and gives courage. “Skill in the weapon is nothing without sack,” he says, and his friends joke about how much he loves it. Audiences in the late 1590s would have recognized sack everywhere, seeing it as a symbol of English energy.Read the full textMore Podcasts

What if the guy who literally wrote the book on asset allocation told you your biggest risk isn't the market…it's the person in your bathroom mirror? Neurologist-turned-market-historian William (Bill) Bernstein joins us for a fascinating conversation about his unlikely path from photochemistry to medicine to becoming the quiet godfather of Boglehead-style investing. He shares what shaped his "simple but not easy" philosophy, why he thinks all of investing is "half math, half Shakespeare," and how a homemade website in the 1990s turned into "The Intelligent Asset Allocator" and a second career. This episode covers: ✅ How a frustrated young scientist became a neurologist, then a financial theorist and writer ✅ Early investing mistakes (Palladium futures, hot funds, overconfidence) and what finally clicked ✅ The five hurdles from If You Can and why history and psychology matter as much as math  ✅ What makes a true bubble: social buzz, career-changing speculators, hostility to skeptics, wild predictions ✅ Predictions vs forecasts, and how Bill "called" the dot-com bubble and GFC without betting the farm ✅ His current mix: modest small/value tilts, cash/T-bills for sanity, and a TIPS ladder for 30 years of expenses ✅ Why a TIPS ladder feels different from a TIPS fund and why most investors still won't use one ✅ The 30-years-working / 30-years-retired "toy model" and why it implies 20–25%+ savings rates ✅ Teaching kids about money via your own behavior, crappy college jobs, and tiny three-fund portfolios ✅ A sober view of FIRE as a way out of the cubicle and into meaningful work—not a 36-year-old beach fantasy ====================   DEALS & DISCOUNTS FROM OUR TRUSTED PARTNERS   MONARCH MONEY The modern way to manage money! Monarch will change the way you organize your financial life. Track, budget, plan, and do more with your money – together. Get 50% off the first year using this link and entering code: CATCHINGUP50   For a full list of current deals and discounts from our partners, sponsors and affiliates, click here: catchinguptofi.com/our-partners    SUPPORT  THE  SHOW

This week's podcast is presented by Jacqueline and Stephen. We hear from: · Claire from Clapham, who is very cross with Tony; · Witherspoon, who is concerned about Brian, Tony and Will; · Glyn, who has thoughts about the temptations of Helen; · Chris, who is not in Indiana, but is a first-time caller-innerer at last, with thoughts on Ruairi, Helen, George and Shakespeare; · And finally Globetrotting Richard who has good advice for Chelsea and he approves of the Bridge Farm business audit; And we have an email from Edna Cloud.As usual we'll hear a roundup of the Dumteedum Facebook group, this week from Jacquieline, and the Tweets of the Week from Theo, plus the roundup of this Week in Ambridge, from Suey.Please call into the show using this link:www.speakpipe.com/dumteedum Or send us a voicenote via WhatsApp on: +44 7770 764 896 (07770 764 896 if in the UK) – Open the WhatsApp app, key in the number and click on the microphone icon. Or email us at dumteedum@mail.com How to leave a review on Apple podcasts: https://support.apple.com/en-gb/guide/podcasts/pod5facd9d70/mac***** The Patreon feed for Dumteedum is at www.patreon.com/DumteedumPodcast and the subscription rate is £5.00 per calendar month plus VAT. ***** Also Sprach Zarathustra licence Creative Commons ► Attribution 3.0 Unported ► CC BY 3.0https://creativecommons.org/licenses/..."You are free to use, remix, transform, and build upon the materialfor any purpose, even commercially. You must give appropriate credit." Conducted byPhilip Milman ► https://pmmusic.pro/ Funded ByLudwig ► / ludwigahgren Schlatt ► / jschlattlive COMPOSED BY / @officialphilman Hosted on Acast. See acast.com/privacy for more information.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act V Scene i - At Dover, Edmund, Albany, Regan and Goneril start to plan for the impending battles. Written and presented by Conor Hanratty

In Much Ado About Nothing, Shakespeare beckons women to “sigh no more” over deceitful men but instead to give themselves over to blithe and bonny (i.e. Happiness and Cheer). Amidst the countless sighs of our lives, is that what Jesus calls us to—sigh no more, just be happier? In this message we look at two specific sighs of Jesus and how they point us to a deeper, stronger, more enduring, and more satisfying brand of blithe and bonny than Shakespeare offers! Series: The Gospel of Mark Speaker: Cor Chmieleski Hope Community Church - Downtown Minneapolis Download Message Slides For more resources or to learn more about Hope Downtown, visit hopecc.com/downtown.

This episode is a replay from The Existential Stoic library. Enjoy! Do you compare yourself to others? Does it always seem like other people are doing better, living better, than you? Who should you compare yourself to? In this episode, Danny and Randy discuss self-worth and making healthy comparisons.Subscribe to ESP's YouTube Channel! Thanks for listening!  Do you have a question you want answered in a future episode? If so, send your question to: existentialstoic@protonmail.com

Actor Michael Bakkensen returns to the podcast to talk about the craft of acting, William Shakespeare and the Oxford / Stratford situation, Shakespeare as stoner and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/MichaelBakkense x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Migdalia Cruz, an award-winning playwright and the translator/adaptor of Shakespeare's “Macbeth” at the Magic Theatre, in conversation with host Richard Wolinsky, discussing her play, her career, and her ideas about the nature of theatre. Migdalia Cruz is best known for her plays “Featherless Angels” and “Miriam's Flowers” studied playwrighting with the legendary Irene Fornes before embarking on her own career. With fifty plays under her belt, she has been produced in numerous venues around the United States. She has also translated plays from Spanish. Growing up in the South Bronx, to Puerto Rican parents, she originally planned to study math but found that theatre was her real calling. Her focus is on social justice, and presenting voices of those who rarely have voices in the American arts. “Macbeth,” the Scottish play, has been reset in New York in the 1970s, and in Brooklyn for this production. The three witches become a major element of the play, and here both Macbeth and Lady Macbeth are played by women. The interview was recorded by computer on March 3, 2026. The post Migdalia Cruz, Playwright, Adaptation/Translation “Macbeth” at the Magic Theatre appeared first on KPFA.

Let us know what you think of the showPioneering comedian Angie Belcher and Emmy Award-winning TV writer Roland Moore bring in panels from a 21st century modern kids classic and an enduring British kids comic staple.See the images from the episode here (they're also in the podcast artwork).Every episode, the guests reveal a panel from a comic, we try and guess where it's from, then we chat about it. Half an hour later hopefully we've learned something, or just shown off and had fun along the way.If you've enjoyed this, why not buy us a virtual coffee at Kev F's Ko-Fi page.Your host, and series creator, is Kev F Sutherland, writer and artist for Beano, Marvel, Oink, The Scottish Falsetto Sock Puppet Theatre, and most recently author and artist of graphic novels based on Shakespeare. kevfcomicartist.comJoin the Official Comic Cuts Facebook Page, aka Youtoobling, and comment on the show there too, why not?

Perdita and Polixenes debate whether it is permissible to crossbreed flowers. Embedded in this debate are three kinds of conflict still with us today: of elite and lower social class, of elite and popular art, of Christianity and paganism. Shakespeare's attempt at a liberal humanist position.

Irish actor Jessie Buckley is nominated for an Oscar for her starring role as Shakespeare's wife in ‘Hamnet.' She talks about the film and how motherhood has changed her. “The thing this story offered me that brought me into this next chapter of my life as a mother was tenderness.” Also, documentary filmmaker Morgan Neville tells us about his new documentary, ‘Man on the Run,' which focuses on Paul McCartney's life and music after the break-up of The Beatles. John Powers reviews ‘Kokuho,' a Japanese film about a gangster's son who dreams of being a star in Kabuki theater.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"The English have Shakespeare, the French have Molière, and the Russians have Dostoyevsky. What do we own? What do we have? The Western".A few weeks we lost a great and legendary actor who was also one of our top favourite actors. The great Robert Duvall passed away at the age of 95 on the 15th of February 2026. An actor regarded for his amazing versatility, immense range of performances, an actor who always strived for authenticity and realism. He could be big and theatrically booming but he could also be low-key and subtle. A terrific actor. He starred in many films. The Godfather, The Conversation, The Godfather Part 2, Network, Lonesome Dove, Tender Mercies, Jack Reacher, Days of Thunder, Falling Down, To Kill a Mockingbird, M*A*S*H and of course Apocalypse Now. One of the most dedicated and respected actors of his generation. We wanted to pay tribute to Duvall on this episode and hope we did a good job with that. Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch's brilliant film Mulholland Drive. Hosted on Acast. See acast.com/privacy for more information.

Irish actor Jessie Buckley is nominated for an Oscar for her starring role as Shakespeare's wife in ‘Hamnet.' She talks about the film and how motherhood has changed her. “The thing this story offered me that brought me into this next chapter of my life as a mother was tenderness.” Also, documentary filmmaker Morgan Neville tells us about his new documentary, ‘Man on the Run,' which focuses on Paul McCartney's life and music after the break-up of The Beatles. John Powers reviews ‘Kokuho,' a Japanese film about a gangster's son who dreams of being a star in Kabuki theater.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Was Wuthering Heights ever actually romantic—or have we been misreading it for generations? Stacy and bestie Daynah takes a closer look at Emily Brontë's classic and the cultural myth of the “passionate love story.” Catherine and Heathcliff are often framed as one of literature's greatest romances, but their relationship may be far closer to obsession, trauma, and toxic attachment than enduring love. They unpack how adaptations and modern retellings have softened the novel's darker themes, why brooding male anti-heroes still dominate romantic storytelling, and how destructive relationships keep getting rebranded as passion. The discussion also turns to Hamnet, the film that reframes Shakespeare's legacy through grief, motherhood, and the emotional labor often erased from history. Together, these stories open a bigger conversation about passion vs. stability—and why media still struggles to portray healthy love as compelling. In the end, it raises a simple question: why do we keep romanticizing the relationships that hurt the most? Find Stacy: ⁠⁠⁠⁠⁠⁠realeverything.com⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠instagram.com/realstacytoth⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠missionmakersart.com⁠⁠ ⁠⁠missionalchemists.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven welcomes Dr. Scott Shershow, English professor from UC Davis, to discuss a piece he wrote titled, "Shakespeare Beyond Shakespeare," and his book, "Marxist Shakespeares." Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Frank Lawler, Garrett Jackson, Heidi, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Sent us a text, you dicks!!We've been surrounded lately by the abuse of power running rampant in our country. It's disheartening. So how do we combat this?We connect it to the Bard!!!  What characters are guilty of misusing their office and/or position for nefarious uses? Why? And how does it serve the play?In this episode, we discuss just that.To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!Support the show

Receiving a degree from an Ivy League institution has historically implied a level of educational prowess and prestige—but is that still the case today? In this episode, we sit down with Adam Kissel, Rachel Alexander Cambre, and Madison Marino Doan to discuss their research on the eight Ivy League universities and how their general education curricula have shifted over the years—and not for the better. When a student today can receive a world-renowned degree by learning about Cardi B where their contemporaries a century ago might have been learning about Shakespeare or Aristotle, what does Ivy League status truly amount to in the modern world, and how easy is it to slack one's way to the illusion of education?

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAndLaurence Publicover Associate Professor in the Department of English at the University of BristolProducer: Simon TillotsonReading list:Hailey Bachrach, Staging Female Characters in Shakespeare's English History Plays (Cambridge University Press, 2023)Warren Chernaik, The Cambridge Introduction to Shakespeare's History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

"And one man in his time plays many parts," wrote Shakespeare in As You Like It, "[h]is acts being seven ages." We all know the feeling of passing from one phase to the next. But what happens when something dramatic mashes these acts together? In this episode, Jacke talks to New York Times bestselling author (and HOL superguest) Laurie Frankel about her novel Enormous Wings, in which a woman who should be enjoying her golden years is suddenly forced to contemplate a return to an earlier stage of life. PLUS Shakespeare scholar Rhodri Lewis (Shakespeare's Tragic Art) stops by to discuss his choice for the last book he will ever read. Will he turn to Shakespeare during his final act, or opt for something else? The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sign up for the Chicago CWT Listener Meetup. Henry Oliver is the preeminent literary critic for non-literary nerds. His Substack, The Common Reader, has thousands of subscribers drawn in by Henry's conviction that great literature is where ideas "walk and talk amongst the mess of the real world" in a way no other discipline can match. Tyler, who has called Henry's book Second Act "one of the very best books written on talent," sat down with him to compare readings of Measure for Measure and range across English literature more broadly. Tyler and Henry trade rival readings of the play, debate whether Isabella secretly seduces Angelo, argue over whether the Duke's proposal is closer to liberation or enslavement, trace the play's connections to The Merchant of Venice and The Rape of Lucrece, assess the parallels to James I, weigh whether it's a Girardian play (Oliver: emphatically not), and parse exactly what Isabella means when she says "I did yield to him," before turning to the best way to consume Shakespeare, what Jane Austen took from Adam Smith, why Swift may be the most practically intelligent writer in English, how advertising really works and why most of it doesn't, which works in English literature are under- and overrated, what makes someone a late bloomer, whether fiction will deal seriously with religion again, whether Ayn Rand's villains are more relevant now than ever, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded January 12th, 2026. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Henry on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:01:40 - What Shakespeare is really saying in Measure for Measure 00:29:17 - The best way to consume Shakespeare 00:32:26 - Jane Austen, Adam Smith, and Jonathan Swift 00:39:29 - Advertising that works 00:44:37 - Things that are under- and overrated in literature 00:51:24 - Late bloomers 00:58:36 - Outro  Image Credit: Sam Alburger

An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-david-szalayThis week Adam Biles sits down with Booker Prize–winner David Szalay to discuss his novel Flesh — a work that begins in post-Soviet Hungary and expands into a stark portrait of Europe over the last three decades.Szalay describes writing a book that takes almost nothing for granted, grounding experience in the physical body rather than psychology. They explore the novel's emotionally charged yet morally unresolved relationships, its refusal of overt judgment, and its spare, withholding prose style.The conversation covers masculinity, violence, agency, and the seductive fantasy of “the West,” asking whether István is passive — or simply shaped by forces larger than himself. What happens when a novel resists explanation? When language reaches its limits? And how can restraint intensify emotional impact rather than diminish it?Buy Flesh: https://www.shakespeareandcompany.com/books/flesh-2*Winner of the Booker Prize 2025 for Flesh. David Szalay was born in Canada, grew up in London and now lives in Vienna. He is the author of six works of fiction that have been translated into over 20 languages, as well as several BBC radio dramas. His debut novel, London and the South-East, won Betty Trask and Geoffrey Faber Memorial prizes. All That Man Is was awarded the Gordon Burn Prize and Plimpton Prize for Fiction, and was shortlisted for the Booker Prize in 2016. He was selected for the 2013 edition of Granta's Best of Young British Novelists, and in 2010 appeared in the Telegraph's list of the top 20 British writers under 40. In November 2025, Flesh won the Booker Prize.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

In this special episode, MTCA Director Charlie Murphy interviews students, parents, and coaches at the Chicago and LA Unified Auditions!  If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced and edited by Kelly Prendergast. Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Club episodes discuss and review one book per episode. This week, it is STATION ELEVEN by Emily St John Mandel, a Theatre Fiction novel about a flu pandemic causing the collapse of America, and the Traveling Symphony that brings Shakespeare plays to the survivors. The interactions of the characters is nothing short of brilliant, and they all seem to be related in some way to former film actor Arthur Leander. "Station Eleven" is a fictitious graphic novel within this world that ties some together. Check out our main website for all info, videos, and episodes:https://www.sweetchildoftime.comPlease support the show athttps://patreon.com/mlmpod.comJoin us at our Marsh Land Media Discord channel:https://discord.gg/aRdKmv9YbcOur podcast is brought to you by Zencastr! Use "sweetchildoftime" as your promo code for 30% off if you join:https://zen.ai/34YswfAyb8Tg_68Rugun28BAv0U3EeXAvPbnN9FTzpOU9gDo6uemPt2NxY_ET4N0

Today on The Literary Life podcast, Angelina Stanford and Thomas Banks are here to offer some helpful ideas for reading Shakespeare plays and how to approach the Bard. They start off sharing their own stories of first being exposed to Shakespeare. Next, Thomas and Angelina address the idea that Shakespeare is too high-brow for the ordinary reader. Angelina also gives her hot take on whether you should watch or read a Shakespeare play first. She also tells some stories about reading the Bard with her children and students. Some other helpful topics they cover are the different types of plays and their forms, the cosmology behind the plays, and potential problems with some modern interpretations of Shakespearean drama.  Please visit our website to view the full show notes for this episode with links to previous episodes we have done on Shakespeare, as well as the books mentioned as resources in this discussion: https://theliterary.life/318.  Join us back again here next week when we begin our series covering Jane Eyre by Charlotte Brontë! You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past, at HouseofHumaneLetters.com.

The Coram Shakespeare Schools Foundation, one of the UK's oldest cultural education charities, hosts the annual Shakespeare Schools Festival, which gives young people the confidence and skills to succeed in life by using the unique power of Shakespeare to transform lives. Mike Tucker, the head of the Foundation, discusses how they demystify Shakespeare (for teachers and students alike) by removing him from his pedestal; how the process of creating theater creates essential life skills; the importance of failing and learning you are more than your mistakes; the necessity of understanding that the value is in the process, not the product; and how the rehearsal room is not a luxury, it's a training-ground for democracy. (Length 22:18) The post Shakespeare Schools Festival appeared first on Reduced Shakespeare Company.

Guest Matthew Collins is a writer, speaker, and voice coach whose career spans British television, travel writing, prison education, and Shakespeare. A former BBC presenter, he now leads voice and public speaking workshops and teaches Shakespeare to students ranging from ex-prisoners to members of the Women's Institute. His approach is non-academic. He encourages students to explore Shakespearean texts using spoken voice exercises - and to feel the effects they can have on the mind and body. (And soul...)  Matthew also gives entertaining talks. And last year, he launched the podcast "We Sons of World War II Vets," which explores the stories and remembrances of World War II veterans as told to their sons and daughters.  Summary In this episode, Jeff speaks with Matthew Collins—former BBC presenter, prison educator, and host of We Sons of World War Two Vets—about his podcast where he interviews the sons (and now daughters) of WWII veterans. Sparked by reflections on his own father's wartime experience and the stories left partially untold, Collins began recording conversations with baby boomers whose fathers fought in the war. Although many of these veterans "didn't really talk about it," their children absorbed attitudes shaped by hardship, stoicism, discipline, and emotional restraint. Matthew explores recurring themes: the cultural gap between pre-war fathers and post-war sons, delayed gratification versus modern immediacy, emotional desensitization born of trauma, and the quiet heroism often discovered only after a parent's death. Through stories ranging from aristocratic war heroes to working-class POWs, Matthew highlights how wartime experiences reverberated across generations—shaping parenting styles, masculinity, and family dynamics. Ultimately, the project preserves fading history while inviting younger generations to reconsider resilience, community, and the cost of freedom in an era that may no longer take peace for granted. A key reflection We often don't fully understand our parents until after they're gone, so try to explore their past now through gentle probes. Social Media & Referenced Website: https://www.matthewcollins.com/ Podcast: https://www.matthewcollins.com/we-sons-of-ww2-vets Elizabeth Keating interview: https://www.queticocoaching.com/blog/338-asking-essential-questions-to-uncover-and-preserve-family-history

Mark Lewisohn began his Beatles' trilogy in 2003, the first volume appearing ten years later. He's hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there's gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine's Boys”) becomes established fact … “people are reshaping the Beatles' story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown's invented spat with Beatles and the struggle to separate fact from fiction … Paul's private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753?mcid=3bbe6ad2416f31d59786d0f169b18876&th=1&psc=1&tag=googshopuk-21&linkCode=df0&hvadid=697210774528&hvpos=&hvnetw=g&hvrand=7934131385361801281&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-525100023999&psc=1&hvocijid=7934131385361801281-1408705753-&hvexpln=0&gad_source=1 Tune In (trade edition):https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=sr_1_1?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-1&ufe=app_do%3Aamzn1.fos.95fd378e-6299-4723-b1f1-3952ffba15af Tune In (Extended special edition):https://www.amazon.co.uk/Beatles-These-Years-Extended-Special/dp/1408704781/ref=sr_1_2?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-2&ufe=app_do%3Aamzn1.fos.0fa28f01-6fca-4422-af4e-d52d5ad71bfeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Romanian Artist, designer and musician Mihai (Mike) Bancila never expected to put down his paintbrush for a few weeks to help neighboring Ukrainian refugees find shelter, anywhere they could, in his hometown but that's exactly what happened. In this week‘s episode, he shares his frustration with the war, his love of art and how punk rock is giving his life some context.   We talk about the choice to be an artist and what it means to follow faithfully wherever that path takes you. How closing our studios and losing everything in 2020 taught us about creative courage and who we really are. How necessary is courage for creativity to live at the forefront of our lives? Can we overcome our collective hesitancy, as a result of the pandemic, through creative practice? We get into the importance of presence and why enjoying the process matters. He says “Art is the process of me being with me, enjoying what I am doing without thinking of the outcome”.  Mihai is high energy, inspiring and a part of a weekly artist's collective I facilitate, and today we deconstruct the most recent creative challenge he led our group in and share an inside look at our own creative process, emotional upsets and tools for problem solving that work. What we further explore in this conversation - How creative courage teaches us to correct our mistakes because we can't control- alt- delete them but instead must create solutions.- Why showing up consistently as an artist and to the work is critical.- How art teaches you the value of being present. - Why our art is our personal message to the world.  Enjoy this episode. I hope it makes you go out and make art! You can connect with Mihai (Mike) Bancilla, here: Website:: www.bcatelier.roYouTube::  https://youtu.be/N8d6fX7RYH4Insta:: https://www.instagram.com/mbancila/ Quick note, I just want to say thank you for listening to this episode. I know it means a lot to myself and my guests.  If you enjoyed this episode, you will also like: Episode #10: Catherine Just: Using Art as Medicine to Heal Your Life Episode #13: Evan La Ruffa: Building Community Through Art and Activism Episode #29: Cynthia Morris: Creativity Embodied Here, you'll discover even more deep wisdom and practical tools to be more present to your life and create what's next. Learn more about me, Robyn Ivy: https://www.robynivy.com/https://www.instagram.com/robynivy/https://www.facebook.com/robynivy/ What can you do to support this channel? Subscribe, every new listener counts to us!Engage, we are a community who supports each otherLeave a review, let us know what you thinkShare, know others who may get some value - then share out channel MORE ABOUT MIHAI: Mihai Bancila is a professional multidisciplinary artist. Graduate of The National University of Arts in Bucharest, Romania. He works on several media, including illustration, painting, sculpture, blown glass and graphic design. He came into contact with art from an early age, being practically raised in the studios of well known plastic artists (his father Dan Bancila is a well known Romanian artist).  After graduating, he worked in several companies as a designer or art director then opened an advertising agency where he was creative director. In parallel, he exhibited works of glass or painting in various group or solo exhibitions. For the last 5 years he shared a design studio “BC Atelier” together with a photographer friend.  The studio focused mainly on brand design and illustration, working a lot with theaters. Mihai bancila drew and illustrated over 50 posters for plays from Shakespeare to Fyodor Dostoevsky. He is no stranger to music either. He plays bass in a rock band from Bucharest with countless concerts - Gray Matters (band) and the story is yet to tell :))

Jessie Buckley spoke with Terry Gross about her role as Shakespeare's wife, Agnes, in ‘Hamnet,' directed by Chloé Zhao. She's nominated for an Oscar and already won a Golden Globe and a SAG Award for her performance. The Irish actor talks about motherhood, the singing competition show she did in her teens, and the infamous crying scene in ‘Hamnet.' To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to conclude a series on the politics of Shakespeare's historical plays. Release date: 02 March 2026See omnystudio.com/listener for privacy information.

“The first thing we do, let's kill all the lawyers,” sneers a rebel henchman in Shakespeare's “Henry VI.” Hélène Landemore, a political scientist at Yale, has another idea: let's fire all the politicians. She has a point, doesn't she? Most of 'em are beholden to donors, allergic to accountability, and more interested in stuffing their reelection coffers than serving the public good. But what's the alternative? Well, Hélène believes we could break the partisan gridlock and restore public trust by letting ordinary citizens, chosen at random, set the agenda and craft legislation. That may sound preposterous, but in her new book, Politics Without Politicians, she blends examples from ancient Athens to modern-day France to show citizen rule in action and argue that it might just save democracy. This episode was guest-hosted by one of our favorite citizens, Michael Kovnat. If you'd like more of his dulcet tones and shrewd insights, check out his daily podcast (The Next Big Idea Daily) and newsletter (Book of the Day). Watch The Next Big Idea on YouTube! You can find our episodes ⁠⁠⁠⁠here⁠⁠⁠⁠. Sponsored By: Bitdefender — Get 30% off your plan at ⁠bitdefender.com/idea⁠ Factor — Head to ⁠⁠factormeals.com/idea50off⁠⁠ and use code idea50off to get 50% off your first box Granola — Get three months free at ⁠granola.ai/idea⁠ Shopify — Start your $1/month trial at ⁠⁠⁠⁠shopify.com/nbi⁠⁠⁠⁠

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to conclude a series on the politics of Shakespeare's historical plays. Release date: 02 March 2026

Khalil Habib, associate professor of politics at Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to conclude a series on the politics of Shakespeare's historical plays. Release date: 02 March 2026See omnystudio.com/listener for privacy information.

Is every second of your life being recorded? In this mind-bending conversation, Trey Downes sits down with Dr. Josephine Hardman, a former academic who spent 9 years teaching Shakespeare and ancient literature at the college level before discovering the truth behind the Akashic Field.Josephine reveals that the universe isn't just a physical space—it's a vast, high-tech surveillance system that logs every human thought, choice, and action in a "storehouse" of energy. From the "Lords" who guard the gates of this database to the ancient "Book of Life" referenced in the Bible, we go deep into the mechanics of how our souls are being tracked.Are we living in a cosmic matrix, or is this the ultimate tool for human liberation? We discuss why this secret was hidden, the "imposter syndrome" of leaving academia for the spiritual world, and how to reclaim your sovereignty in a world that wants you to "go back to sleep".

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vii - We end Act IV with tears, forgiveness, and a little bit of German gossip. Written and presented by Conor Hanratty

Greg Jenner is joined in medieval England by Professor Marion Turner and comedian Mike Wozniak to learn all about Geoffrey Chaucer, author of the Canterbury Tales. Since the fifteenth century, Chaucer has been referred to as the father of English literature. He was one of the first authors to champion the use of Middle English for poetry instead of Latin, and after the invention of the printing press, his works became the foundation of the English literary canon – long before Shakespeare ever put quill to parchment. But Chaucer's life was as extraordinary as his legacy, living as he did through the Black Death, the Hundred Years' War between England and France, and the Peasants' Revolt. In this episode, Greg and his guests explore Chaucer's dramatic biography: growing up the son of a wine merchant in fourteenth-century London, his work for the royal court and long career as a medieval civil servant, his relationship with John of Gaunt through his mistress Katherine Swynford, and his travels throughout Europe. They also examine the poets that influenced him – including Petrarch, Bocaccio and Dante – and take a deep dive into the famous Canterbury Tales. If you're a fan of medieval literature, historical courtroom dramas, and the tumult of fourteenth-century England, you'll love our episode on Geoffrey Chaucer. If you want more literary history with Mike Wozniak, listen to our episodes on Charles Dickens at Christmas and the Legends of King Arthur. And for more fourteenth-century lives, check out our episode on medieval Muslim traveller Ibn Battuta. You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Rosalyn Sklar Written by: Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars