English poet, playwright and actor
POPULARITY
Categories
Merriam-Webster's Word of the Day for October 25, 2025 is: wreak REEK verb Wreak means “to cause something very harmful or damaging.” It is often used with on or upon. // The virus wreaked havoc on my laptop. See the entry > Examples: “Ours is a geography of cataclysm: Santa Anas wreak their psychic wrath; the odor of disaster seeps from the street like that sulfurous egg smell of the La Brea Tar Pits.” — John Lopez, The Hollywood Reporter, 6 Sept. 2025 Did you know? In its early days, wreak was synonymous with avenge, a meaning exemplified when Shakespeare's Titus Andronicus proclaims “We will solicit heaven, and move the gods / To send down Justice for to wreak our wrongs.” This sense is now archaic, but the association hasn't been lost: although wreak is today most often paired with havoc, it is also still sometimes paired with words like vengeance and destruction. We humbly suggest you avoid wreaking any of that, however, no matter how badly you may crave your just deserts.
That little girl in the hayloft always wanted to be a writer. I'm the poster child for following your dreams in midlife because I didn't write my first book until I was 55. -Hank Phillippi Ryan Imagine a 43-year career as an investigative reporter with 37 EMMYs and 14 Edward R. Murrow awards. Now imagine a brilliant midlife move, where all that experience manifests itself into writing mystery novels that are nail-biting thrillers. Welcome to the incredible story of Hank Phillippi Ryan. This queen of invention sat down in my living room with a cup of tea and the willingness to share a story filled with life lessons in bravery, curiosity, imagination, and just plain smarts. The author of 16 books, her latest is called All This Could Be Yours. The story follows Tessa Calloway, a debut author on a book tour, with a stalker who threatens everything she holds dear. Raised in rural Indiana, Hank (real name: Harriet Ann) admits she was a nerdy kid who wanted nothing more than to read her Nancy Drew books up in the hayloft. A Shakespeare major at Western College for Women in Oxford, Ohio, her career has taken her from politics to writing for Rolling Stone Magazine to radio and television, where her news director at WHDH in Boston tapped her as the station's investigative reporter. “I'm not the funny one, says Hank. I hate to be lied to, and I love discovering the truth. Every one of those 37 EMMY awards represents a secret somebody didn't want me to tell.” In this interview, she shares wisdom from her mother, and plenty of her own, including: “Worry is glue under your feet” and “success to me is one good idea a day.” For 27 minutes on the joy of reinvention, just hit that download button. #reinvention #mystery #author #television #investigativereporter
Merriam-Webster's Word of the Day for October 22, 2025 is: frolic FRAH-lik verb To frolic is to play and move about happily. // We watched the seals as they frolicked in the harbor. See the entry > Examples: “Harper's consciousness ends up in the body of her mom, Anna. Lily bodyswaps with her soon-to-be grandma Tess. And vice versa. Meaning Lohan and Curtis are playing teens again. While their younger co-stars mug sternly, make jokes about regaining a metabolism ‘the speed of light,' and frolic on electric scooters, Freaky Friday's dynamic duo fling themselves into silly sequences ...” — Kristy Puchko, Mashable, 5 Aug. 2025 Did you know? Frolic is a word rooted in pleasure. Its most common function today is as a verb meaning “to play and move about happily,” as in “children frolicking in the waves,” but it joined the language in the 16th century as an adjective carrying the meaning of its Dutch source vroolijk: “full of fun; merry.” Shakespeare's Puck used it this way in A Midsummer Night's Dream, saying “And we fairies … following darkness like a dream, now are frolic.” Verb use quickly followed, and by the early 17th century the word was also being used as a noun, as in “an evening of fun and frolic.”
In part one of the 500th episode, Andrew Pudewa and Julie Walker reflect on the history and growth of the Arts of Language podcast. They share lighthearted stories about podcast listening habits and discuss how far the podcast has come since its early days. The conversation turns to memorable episodes, such as interviews with Andrew’s son about the hidden strengths of dyslexia, guest appearances from Dr. Leonard Sax and Dr. Carol Swain, and discussions of books like How to Think like Shakespeare. Go to Part 2. (available 10/23/25) Go to Part 3. (available 10/24/25) Referenced Materials Episode 54: What Are We Really Doing Here? Part 1 Episode 197: While Andrew's Away – Living with Dyslexia—An Interview with Chris Pudewa, Part 1 Episode R07: Why Gender Matters – An Interview with Dr. Leonard Sax Episode 398: Think like Shakespeare, Part 1 Episode 382: Announcing IEW’s Partnership with Hillsdale College! Episode 481: Writing across the Curriculum with Dr. O’Toole Amber O’Neal Johnston Heidi St. John MomStrong 365 A Daily Devotional to Encourage and Empower Everyday Moms The Read-Aloud Family by Sarah Mackenzie Episode R05: Are You a Part of a "Read-Aloud Family"? A Conversation with Sarah Mackenzie Episode 435: Becoming Homeschoolers with Monica Swanson Episode 282: A Visit with Dr. Carol Swain† Episode 264: The Benefits of Mastery Education Episode 299: The Profound Power of Poetry Episode 283: A Bookish Discussion, Part 1 Episode 272: The Different Stages of Learning Episode 273: Culture, Curriculum, and Care, Part 1 Episode 281: Talking about the Intangibles Episode 296: Impacting English Language Learners with Structure and Style Episode 288: Reaching the Reluctant Writer, Part 1 Episode 293: Process versus Product Episode 294: Writing across the Curriculum Episode 269: The Mighty Pen – Teaching Students to Change the World through Language Episode 311: Optimizing Instruction for Boys and Girls Episode 306: Speaking of Spelling Episode 305: Homeschool 101, An Interview with Sam Sorbo Episode 447: Alternative Learning with Jennifer Mauser Episode 478: What’s in Your Audible Account? Soul School by Amber O’Neal Johnston Twelve Days of Christmas Giving Episode 261: When Technology in Education Makes Sense Transcript of Podcast Episode 500 Part 1 If you have questions for Andrew, send them to podcast@IEW.com Perhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com
CC Madhya 19.118-154 https://vedabase.io/en/library/cc/madhya/19/advanced-view/ ------------------------------------------------------------ I had long conversations with Rādhikā Ramaṇa Prabhu when we stayed with him the year Sādhu Saṅga was in Utah. Rādhikā was saying it's the glory of a person, and it makes them more glorified when those after them first of all choose to write about the materials following that luminary. He gave the example of Shakespeare. How many thesis papers have there been in the humanities department about any of Shakespeare's works or his life in general? Millions. And did that eclipse Shakespeare's writings? No. On the contrary, it's a light shining on them saying, "Wow, so many people were writing about him and, you know, taking points from his writings that he must be like the super guy," and he is in literary history. So his point was, after every ācārya, there are always thousands of commentaries. We only see a few of them, but there are thousands of writings about any luminary, any of the mahātmās who have written, and so forth, and it glorifies them, because, of course, that person made a stir, they hit a nerve. They actually had something potent to say, and therefore there's a lot more to say about it and a lot more to churn within what they said. Therefore his opinion was and is, that it's the glory of Prabhupāda that more people write about what he said and what he brought to bear—the whole canon of Vedic literatures—and how we can bring it into the modern light so that people can take advantage of it. That shows Prabhupāda's potency. And case in point was the Bṛhad Bhāgavatāmṛta, because Joseph T. O'Connell, who at the time was the preeminent expert on Gauḍīya Vaiṣṇavism in the academic world, if you read his foreword to the book, he says that very thing: that nobody in the world up to this point, after hundreds of years, has been able to do what Gopīparāṇadhana Prabhu has done, which is to effectively translate what Sanātana Gosvāmī wrote as prose, as commentary, he wrote in Sanskrit, and nobody had been able to take it and put it into a natural flow of language that people could read and understand. And He said it's perfectly done. He said, "This points to the greatness of His Divine Grace A.C. Bhaktivedānta Swami Prabhupāda, that he could attract and then train disciples who could do that." What to speak of how the devotees headed by Hṛdayānanda Mahārāja were able to finish the Tenth, Eleventh, and Twelfth Cantos of the Śrīmad Bhāgavatam, which sometimes people say, "Oh, you don't read those. They're not Prabhupāda's books." But my opinion is, they're as much Prabhupāda's books as before that, because who trained them to talk like that and have a perfect grasp of the siddhānta and to be able to present it in the same mood that comes through the disciplic succession? It shines a light on the greatness of Prabhupāda that somebody was able to be there and continue that, as Prabhupāda asked them to do. (excerpt from the discussion) To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------
In this College Deep Dive, Jennifer Hemphill, the new Music Theater Director at Baldwin Wallace University and Charlie Murphy, Director of MTCA chat about: How Jennifer's leadership is shaping a new chapter in the program's curriculum Faculty checking social media and your digital footprint How BW is focusing on students who value process over product “Match or Beat” mindset — schools want to work with you, not against you. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook. Follow Us! Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions) TikTok: @mtcollegeauditions Charlie Murphy:@charmur7 About MTCA: Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit. About Charlie Murphy: Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Episode Website Link Learn more about your ad choices. Visit megaphone.fm/adchoices
While navigating the expectations of women's work in the sixteenth century, some women created works that have lasted hundreds of years. Ramie Targoff shares how women's words help us understand the Renaissance.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Ramie Targofframietargoff.comShakespeare's Sisters: How Women Wrote the RenaissanceThe Life of Vittoria Colonna: Renaissance WomanPosthumous LovePoems of WomanhoodJohn Donne, Body and SoulHistory shows us what's possible.
Measure for Measure; Act 2, Scene 4 ClaudioOctober 20, 2025 If the goal is to be a working actor, is training optional? Terry Knickerbocker offers his perspective on the purpose of actor training. And in Shakespeare's Measure for Measure, we confront a timeless dilemma: is it better to perish for the sake of principle, or debase yourself and survive? Click here to follow along with the text. Click here to see the Folio Version. Click here for a scanned version of the text.
1126. This week, we look at words for fear and why "wherefore" doesn't mean what many people think it means.The false friends segment was written by Karen Lunde, a career writer and editor. These days, she designs websites for solo business owners who care about both words and visuals. Find her at chanterellemarketingstudio.com.
William Shakespeare is one of history's most famous names – but how much do we really know about the man himself? And how did his family, education and marriage shape his works and influence his worldview? Speaking to Emily Briffett, Dr Paul Edmondson charts Shakespeare's story, from humble beginnings to global cultural afterlife. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's October, the perfect month to celebrate the master of mystery and the macabre. In this episode, Jacke talks to author Richard Kopley about his book Edgar Allan Poe: A Life, a comprehensive critical biography that combines a narrative of Poe's enduring challenges (including his difficult foster father, poverty, alcoholism, depression, and his numerous personal losses) with close readings of his works. PLUS we look at Virginia Woolf's view of what made Jane Austen so great even at the age of 15, and Christopher Herbert (Jane Austen's Favourite Brother, Henry) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you know there's MAGIC in your Meditation Practice? Say Goodbye to Anxiety and Hello to More Peace & More Prosperity! Here Are the 5 Secrets on How to Unleash Your Meditation Magic https://womensmeditationnetwork.com/5secrets Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player. Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Quiet the mind, And let relaxing space fill it. Any thought that Drops in, Just observe, And let it float by. PAUSE Now, let your mind Drift to thoughts Of love. Welcome the thoughts, And let them flow by you. PAUSE And, as these thoughts Gently parade before you, Breathe in. Breathe in love. And hold that Loving space. Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life. If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want! Namaste, Beautiful,
The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene iv - Regan and Oswald reappear, discussing various pressing concerns. Written and presented by Conor Hanratty
Don't Quill the Messenger : Revealing the Truth of Shakespeare Authorship
Steven welcomes Dr. Erminia Passannanti to this first of a two-part episode discussing the obvious influences Italian literature had upon the works of Shakespeare. Passannanti's knowledge and expertise in Italian literature and English culture provide exceptional insight into how Italy and its writers influenced literature around the world. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger Made possible by Patrons: Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com
This podcast explores the complexities of personal identity, change, and leadership through the lens of literature and storytelling. Edward Nelson, a lawyer and actor turned coach, discusses how archetypes and polarities can be used to understand ourselves and facilitate organisational change. The conversation delves into the challenges of authenticity, the power of empathy, and the importance of risk-taking in leadership. Edward shares insights from his work using Shakespeare's plays, particularly Henry V, to help leaders navigate difficult decisions and team dynamics. Key points: 1. Stories and archetypes provide a safe way to explore personal and organisational challenges. 2. Effective leadership requires balancing empathy with the ability to take risks and make unpopular decisions.
Today's topic comes from our dear friend, costumer extraordinaire and friend of the pod, Nancy Nichols!!! Thank you, Nancy!!!Regret and remorse are BIG themes in a lot of the Shakespeare canon. In this episode we discuss who regrets the actions of their past, who doesn't regret the actions of their past, and who thinks they won't ever give a rat's ass but alas, that ain't how it's going to go.What do YOU regret?? Or not??To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash! ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!
In 1945, the Nobel Committee awarded its prize for literature to Gabriela Mistral (1889-1957) "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." Born in a rural Andean valley and abandoned by her free-spirited father at the age of three, Mistral struggled for the right to be a teacher - and then went on to help reform the Chilean educational system to improve the lives of women and the impoverished. After experiencing heartbreak and several tragedies, her poetry collection Desolación ("Desolation" or "Despair") (1922) made her one of Latin America's most revered writers. In this episode, Jacke looks at the life and works of this remarkable poet, whose constant search for truths in nature and humanity informed a body of work that continues to delight and inspire. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our exit today has us searching for Love in the Time of Cholera. This week, we are talking about Serendipity, written by Marc Klein and directed by Peter Chelsom.Along the way, we talk Jeremy Piven, great high-concept romantic comedies, Town & Country, Underworld, Jane Austen adaptation, Shakespeare, Eugene Levy, hot chocolate in New York, and Tripp goes in deep with the Saturn awards.Thememusic by Jonworthymusic.Powered by RiversideFM.CFF Films with Ross and friends.Movies We've Covered on the Show on Letterboxd.Movies Recommended on the Show on Letterboxd.
Shakespeare's First Folio is an incredible historical treasure. It also might be an encrypted treasure map. According to the theories, the First Folio's secret code reveals the “real” Shakespeare author, a royal cover-up, a Freemason conspiracy, and of course, a map to priceless buried treasure. Treasure that may still be out there. Keep up with Conspiracy Theories! YouTube: @ConspiracyTheoriesPodcast Instagram: @theconspiracypod TikTok: @conspiracy.pod Learn more about your ad choices. Visit podcastchoices.com/adchoices
Some names feel harmless—until you speak them out loud. For her, that name was Jerry. Or maybe it was Miguel. She still isn't sure which one is real… or which one answered her that night. After moving into a new house in Denver, she believed the presence that haunted her childhood home was finally behind her. But it followed. This time, Jerry didn't come alone—there was another figure she called Bobby. The haunting began with small things: a framed Art Festival picture that seemed to change on its own, Shakespeare's tiny portrait shifting expressions, sometimes replaced with a face that wasn't human at all. As a child, she noticed it first. Years later, the same unease returned in Denver—cold drafts in warm rooms, the metallic scent of iron, the sound of a cough coming from empty hallways. The most terrifying moment came when she dared to say the name “Miguel” out loud—only to feel the air turn frigid, as if something unseen had crept up behind her to listen. This is a haunting that followed her across state lines and, a presence that seems to respond to a name she's now afraid to speak. #GhostStories #JerryTheHaunting #HauntedByNames #ShadowFigures #ParanormalStory #SleepParalysisOrNot #HauntedObjects #DarkPresence #TrueHaunting #NameThatShouldNotBeSpoken Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Some names feel harmless—until you speak them out loud. For her, that name was Jerry. Or maybe it was Miguel. She still isn't sure which one is real… or which one answered her that night. After moving into a new house in Denver, she believed the presence that haunted her childhood home was finally behind her. But it followed. This time, Jerry didn't come alone—there was another figure she called Bobby. The haunting began with small things: a framed Art Festival picture that seemed to change on its own, Shakespeare's tiny portrait shifting expressions, sometimes replaced with a face that wasn't human at all. As a child, she noticed it first. Years later, the same unease returned in Denver—cold drafts in warm rooms, the metallic scent of iron, the sound of a cough coming from empty hallways. The most terrifying moment came when she dared to say the name “Miguel” out loud—only to feel the air turn frigid, as if something unseen had crept up behind her to listen. This is a haunting that followed her across state lines and, a presence that seems to respond to a name she's now afraid to speak. #GhostStories #JerryTheHaunting #HauntedByNames #ShadowFigures #ParanormalStory #SleepParalysisOrNot #HauntedObjects #DarkPresence #TrueHaunting #NameThatShouldNotBeSpoken Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
In honor of Jane Austen's 250th birthday, we teamed up with Hot and Bothered and blended our formats for a special crossover episode covering the 2007 fanfic Becoming Jane! Topics discussed include why it's so hard to write dialogue for writers, the 2007 of it all, Anne Hathaway's terrible British accent, what this movie believes about love, the movie's lack of Austen's genius, digging your own potatoes, and Austen in popular culture. Glossary of People, Places, and Things: Penelope, Atonement, The Last King of Scotland, Joe Wright, Shakespeare in Love, Les MisIf you loved hearing us chat with Vanessa, check out Hot and Bothered at hotandbotheredrompod.com and follow them on Instagram at @therompod.Next Episode: Mansfield Park Chapters 1 - 2Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/
A hundred years on from the Harlem Renaissance, Gerrad Alex Taylor has adapted Langston Hughes's Shakespeare in Harlem, which is having its world premiere this month at the University of Maryland Baltimore County, running from October 30 to November 9, 2025. Taylor shares how he's collaborating with both Hughes and Shakespeare to canonize the Black experience; how we call upon our ancestors, both personal and literary; the power of the written word, from dramatic poetry to a letter written to your city council; how Shakespeare takes us, in his "Seven ages of man" speech through a man's life, while Hughes takes us through a man's blues; and finally, Taylor's mission to turn Shakespeare into a verb! (Length 21:48) The post Shakespeare In Harlem appeared first on Reduced Shakespeare Company.
In this episode recorded live at Shakespeare and Company, historian and cultural critic Andrew Hussey joins Adam Biles to discuss his powerful new book, Fractured France: A Journey Through a Divided Nation. With wit, erudition, and decades of on-the-ground insight, Hussey examines how France—once the model of revolutionary ideals and republican universalism—has splintered along social, cultural, and political lines. From the banlieues to the boulevards, from secularism to identity politics, Hussey traces the fractures that now define the French experience and asks whether the nation can still live up to its promise of liberté, égalité, fraternité. Their conversation moves between history, journalism, and personal reflection, exploring nationalism, colonial legacies, and the uneasy relationship between Paris and the rest of the country. Fractured France is both an elegy and a challenge: can a republic built on unity survive in an age of division?Buy Fractured France: https://www.shakespeareandcompany.com/books/fractured-france*Andrew Hussey was Director of the Centre for Post-Colonial Studies in the School of Advanced Study, University of London. He is a regular contributor to the Guardian and the New Statesman, and the writer/presenter of several BBC documentaries on French food and art. He is the author of The Game of War: The Life and Death of Guy Debord (2001), and Paris: The Secret History (2006). He was awarded an OBE in the 2011 New Years Honours list for services to cultural relations between the United Kingdom and France. His latest book, The French Intifada, was published by Granta Books in 2014. He lives in Paris.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.
A look at the ship schedule, the weather and the origin of the term "ides" on this, the Ides of OctoberIn the ancient Roman calendar, the Ides of March marked the 15th of that month, and a fateful day in history for Roman Emperor Julius Caesar. In Shakespeare's play, named for him, the story recounts a historical fact: that Caesar was assassinated on March 15 (the Ides of March) in the year 44 BC.Thanks to Shakespeare, that term "ides" persists in our culture, but it's not just March. October has one too. And today is the Ides of October, a day that marks the middle of the month.We'll also take a look at our seesawing fall weather, and see who's on the river today moving cargo.
Let's talk about the first track of Taylor's new album, The Life of a Showgirl! This one is full of parallels to old songs. And we had so much fun talking about all the Hamlet references!At 00:10:09, we read the passage from Shakespeare's Hamlet about Ophelia's death. Since we're Italians and our accent might be a bit difficult to understand when we're reciting 16th century literature, you can follow along by reading the text here (line 3315).Click here for a free Palestine.Support us on Ko-Fi!You can find us here:Instagram: @secretsessionpodcast_TikTok: @secretsessionpodcastTwitter: @secretsessiontsSpotify for CreatorsYoutubeGoogle PodcastsApple Podcastse-mail: secretsessionpodcast@gmail.com Hope you'll join us in the next episodes, streaming every Wednesday.Disclaimer: we are not in any way affiliated/associated with Taylor Swift or her labels.
“Aw, don't come the raw prawn!” (Barry McKenzie)“There's too many Barrys!” (Tyler)Based on the character created for Private Eye, The Adventures of Barry McKenzie was a huge hit in Australia when it was released in 1972, surpassing $1m in box office receipts thus making it the first Australian film to do so. Starring Barry Crocker in the titular role, it tells the story of the misadventures of a lantern-jawed larrikin when he leaves Australia and travels to London with his aunt (Edna Everage, played by co-writer and creator of Barry McKenzie, Barry Humphries). See what I mean about too many Barrys?Directed by the up-and-coming Bruce Beresford (thankfully Mr & Mrs Beresford decided against christening him Barry too), the film explores the cultural gulf between Australian and British culture in the early nineteen-seventies in a comic and often quite dark fashion. Jokes about ‘chundering' and ‘unbuttoning the mutton' abound as Barry navigates his new environment, along the way falling in with a sex-mad actress, a flamboyant ad man, a masochistic war veteran, his repressed daughter and her mad mother, exploitative hippies, a hard-nosed agent, doctors, a loopy psychiatrist, a lesbian and her sympathetic friend, a fickle television executive and Spike Milligan. Barry McKenzie is one of life's innocents, a fish out of water, and we could almost believe he's a distant cousin of Mick Dundee, though possessing none of the latter's intuition, agility, courage or ‘success with the sheilas'. And what about the charge often levelled against the character that he is an outrageous depiction of the typical Aussie male? Barry Humphries said “I consider Barry McKenzie as no more representative of the average Australian than Macbeth was of the average Scotsman in Shakespeare's audience.”The film is worth watching for the Spike scene alone, but there is plenty else amusing enough – the ‘One Eyed Trouser Snake' song, the terrible Gort family, Barry with underpants full of beef curry – to keep audiences engaged. Joining Tyler this week to talk about it is co-host of Waffle On podcast Simon Meddings. You can check out Waffle On HERE: https://waffleon.podbean.com/As mentioned in this week's show, Griff Rhys Jones is currently touring: https://www.ents24.com/uk/tour-dates/griff-rhys-jones
"The Shakespeare of our time." Stephen Sondheim practically reinvented musicals with his flair for theatrical storytelling through his lyrics and music. A lesser known fact is that Sondheim also played a huge role in the puzzling world. Before he was famous for musicals like West Side Story, Sweeney Todd, and Sundays in the Park with George, Sondheim was the first puzzle editor for New York Magazine in the 1960s. Sondheim's obsession with puzzles and games lasted his whole life. He discovered escape rooms while in his 80s, and played many of them! Sondheim famously said "art, in itself, is an attempt to bring order out of chaos," and the same could very much be said for puzzles. Barry Joseph joins us on REPOD to talk about his new book, Matching Minds with Sondheim, which dives into Sondheim's love of puzzles and games. The types of puzzles spanned everything from crosswords, to treasure hunts, jigsaw puzzles, and parlour games. Little known fact—Stephen Sondheim is credited with bringing British style cryptic crosswords to the USA! He also commissioned custom jigsaw puzzles as opening night gifts for the cast and crew of his Broadway shows. As prolific as Sondheim was with his musicals, he was equally invested in his puzzles and games. Guest Barry Joseph digs deep into all the different ways Sondheim incorporated puzzles into his creative work and daily life. If you found this topic interesting, be sure to get his book, Matching Minds with Sondheim and check out his podcast of the same name. I'd recommend starting with the two podcast episodes that featured our very own David and Lisa Spira: Escape Room Episode (ft. Lisa & David), Jigsaw Puzzles Episode (ft. David). Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community. Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy. PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse. Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer. COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout. Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht
This episode is part of a new series, Jung in the World B-Sides, where we go off-road to explore the rugged psychological terrain of our current culture. "Know thyself"—from Socrates to Shakespeare, this wisdom echoed across centuries. But the digital age is turning it inside out. As online influencers rise to fame, persona is overtaking the self. The obsession with self-representation has eclipsed the drive to be true to oneself. What does it mean to live your life as someone else? In this two-part interview, host Patricia Martin talks with the infamous Jerry Gogosian—real name Hilde Helphenstein—about the hidden psychological costs of her seven-year experiment living as her persona and how she clawed her identity back. Watch the video of this interview: https://www.youtube.com/watch?v=mqN8oLeQQaQ Hilde Lynn Helphenstein is a visual artist, digital storyteller, and the creative mind behind @jerrygogosian, a popular satirical Instagram meme account that critiques and comments on the global art world through viral images, videos and text pieces. It has since transformed into a community and platform. Patricia Martin, MFA, is the host of Jung in the World. A noted cultural analyst, she applies Jungian theory to her work as a researcher and writer. Author of three books, her work has been featured in the New York Times, Harvard Business Review, Huffington Post, and USA Today. She holds an MFA in writing and literature from Bennington College and an MA in cultural studies at the University College, Dublin (honors). In 2018, she completed the Jungian Studies Program at the C. G. Jung Institute Chicago where she is a professional affiliate. A scholar in residence at the Chicago Public Library, for the last decade she's been studying the digital culture and its impact on the individuation process. Patricia travels the world giving talks and workshops based on her findings, and has a private consulting practice in Chicago. Be informed of new programs and content by joining our mailing list! Support this free podcast by making a donation, becoming a member of the Institute, or making a purchase in our online store! Your support enables us to provide free and low-cost educational resources to all. This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. You may share it, but please do not change it, sell it, or transcribe it.Executive Producer: Ben LawHosts: Patricia Martin, Judith Cooper, Daniel Ross, Adina Davidson, and Raisa Cabrera2025-2026 Season Intern: Zoe KalawMusic: Peter Demuth
In this episode of The Classical Mind, we take on Shakespeare's most provocative comedy, The Taming of the Shrew. Junius and Wesley dig into the play's strange structure—from the unclosed frame of Christopher Sly to the unsettling symmetry between performance and identity. What does it mean that the “prologue” is itself a play? And how does that affect the way we read Katherina's transformation—or her apparent submission?Along the way, we explore the tension between romantic idealism and pragmatic marriage, trace the medieval roots of love as both commerce and devotion, and consider how Shakespeare's comedy holds the contradictions of his culture up to the mirror. We talk about mimesis, medieval “speculum” thinking, and why comedy works best when it exposes absurdity rather than preaches morality.The result is part literary diagnosis, part philosophical reflection: a conversation about performance, freedom, and what it means to find truth in the masks we wear.Endnotes Get full access to The Classical Mind at www.theclassicalmind.com/subscribe
After three (very full!) weeks of Shakespeare, we reluctantly leave England for Italy—and step into the vivid world of Renaissance art. Ted Gioia's Immersive Humanities List serves up a refreshing change of scene with Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.Both were brand-new to me, and both were a delight. Vasari, himself an accomplished painter and architect, profiles the greats—Giotto, Botticelli, Leonardo da Vinci, Raphael, and Michelangelo—not as remote geniuses but as human beings: witty, flawed, brilliant, and endlessly ambitious. His writing reminded me of Suetonius' Lives of the Caesars—a chronicle of greatness, but with warmth instead of gossip. Vasari captures not just the artists but the culture that shaped them: a world where beauty was power, art was currency, and patrons competed to prove their taste and influence.Each artist glows in Vasari's telling. Giotto, kind and devoted to the Church; Botticelli, charming and hopeless with money; Leonardo, the restless perfectionist who could give a lizard wings; Raphael, the graceful imitator who died too young; Michelangelo, the divine genius who could never quite trust the world that adored him. Reading Lives left me wondering how Florence could possibly have produced so many masters at once—and wishing we could live, just for a moment, in a world that valued art that deeply.Then came Benvenuto Cellini, the goldsmith, sculptor, and self-styled rogue whose Autobiography reads like an adventure novel. He's talented, impulsive, funny, and so honest that you can't help but like him. Cellini's stories—his fiery temper, his father's musical ambitions, his devotion to Michelangelo—make the Renaissance feel wonderfully alive.This week's title, “True Colors,” fits perfectly. Vasari and Cellini reveal the true colors of art and ambition—divine inspiration, human pride, and all the messy brilliance in between.This is a year-long challenge! Join me next week for Cervantes and Molière.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)All the video links are available in this Substack PostCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate -
Join us as we dive into the lovers fight: Helena is pursued by both Lysander and Demetrius, Hermia threatens Helena, and Lysander and Demetrius prepare to duel - from Shakespeare's A Midsummer Night's Dream.
In this episode, Zale is joined by Sam Kelly, author of 'Human History on Drugs', to explore the complex morality surrounding drug use throughout history. They discuss the historical context of drug perception, the stigmatization of drug use, and the philosophical views on drugs. The conversation delves into notable historical figures such as Freud, Marcus Aurelius, Shakespeare, and Alexander the Great, examining their relationships with drugs and how these experiences shaped their legacies. Human History on Drugs - https://www.penguinrandomhouse.com/books/747457/human-history-on-drugs-by-sam-kelly/ Hosted on Acast. See acast.com/privacy for more information.
Showgirl Caro beschäftigt sich mit dem tragischen Schicksal der Ophelia. Miguel blickt zurück auf die 3nach9-Skandalsendung mit Franz Schönhuber. Content Warnung: Caro behandelt in ihrem Tab die Themen Suizid und psychische Gesundheit. Solltet ihr euch damit unwohl fühlen, skippt den Tab gerne oder hört die Folge nicht allein. 00:08:38 ophelia 00:32:40 schönhuber bei 3nach9 Den Deep-Dive von Quarks Daily zum Thema „Nichtstun“ und noch mehr wissenschaftlich geprüfte Themen findet ihr hier: https://1.ard.de/quarks-news-shownotes Hier kommt ihr zur ALLERersten Folge too many tabs: https://www.ardaudiothek.de/episode/urn:ard:episode:232bb32da2b7ebb2/ Auch zu tief im Netz gegraben? Schickt uns eure rabbit holes und offenen Tabs an toomanytabs@ndr.de.
In this conversation, Lorne Buchman discusses his book Make to Know: From Spaces of Uncertainty to Creative Discovery. It's based on interviews he did with creators in a range of fields. These interviews connect with the same themes in my book Learning to See--powerful features of creativity like iteration, uncertainty, engaging with materials, and an improvisational dialogue with the unfolding work. He shares his personal journey in discovering creativity, emphasizing the importance of engaging with uncertainty and the role of improvisation in art and life. Buchman highlights how constraints can stimulate creativity, and the significance of fostering a dialogue with materials in the creative process. For 13 years, Lorne Buchman was the president of one of the top art and design schools, ArtCenter College of Design, and he's now the President Emeritus. He's been a theater director, a dramatic literature professor, and the author of a book on filmic adaptations of Shakespeare's plays. He hosts the podcast Change Lab. For more information: Lorne Buchman's web site: Lorne Buchman - ikar Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2025 Keith Sawyer
In this episode, Jacke talks to author David Denby about his new book, Eminent Jews: Bernstein, Brooks, Friedan, Mailer, a group biography (loosely inspired by Lytton Strachey's Eminent Victorians) that describes how four larger-than-life figures upended the restrained culture of their forebears and changed American life. PLUS in honor of War and Peace, which lands at #13 on the list of the Greatest Books of All Time, Jacke takes a look at an early essay by Virginia Woolf that explains what made Tolstoy's works so great. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chris Cochrane is a listener of the show who joins to talk with J about her unique background and perspective on science and yoga. They discuss working for NASA analyzing semiconductor crystals grown on the space station, scientists and engineers who are into yoga, micro-gravity and crystal structures, distortions in the atomic order, connection between science and spirit, water witches, probability and preciousness of life, benefits of practice, horse wisdom, equestrians, Patanjali, Shakespeare, and living your dream. New Teacher Training Group starting October 20, 2025 - REGISTER NOW! Live Workshops in New Jersey and Boston - REGISTER HERE To subscribe and support the show… GET PREMIUM.
CFN's Brian McCall interviews Joseph Pearce on his new book 'Great Books for Good Men', including conversations on the Western Canon, Chesterton, Shakespeare, Tolkien, and moreThe book: https://ignatius.com/great-books-for-good-men-gbgmp/Joseph Pearce's website: https://jpearce.co/#catholic #shakespeare #literature #homer #catholicchurch #josephpearce
Episode 190:'Julius Caesar' has proved to be one of Shakespeare's most malleable plays through the centuries as it's political narrative has been applied to just about every period of history since it was first performed, either in the moment or retrospectively. In most people's estimation it is one of Shakespeare's truly great plays, but that does not mean that there is always a consensus of opinion over the details of the plot or the motivations of the main characters, but by now that is pretty much what we have come to expect from Shakespeare.The dating of the playThe early performance history of the playThe publication history of the playThe sources for the playA brief synopsis of the playWhy did Shakespeare choose to write about Roman history?The play as Ceasar's tragedyThe play as the tragedy of BrutusAnthony as the playboy and political strategistThe role of words, letters and misunderstandings in the playThe death of Cinna the poetThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
“What's in a name? That which we call a rose by any other name would smell as sweet.” – Romeo and Juliet, Act II, Scene ii.In Shakespeare's England, roses were more than poetic symbols of love and beauty—they were political emblems, medicinal ingredients, culinary flavorings, and the foundation of a flourishing perfumery trade. From the red and white blooms of civil war to the distillation practices in early modern households, the rose occupied a central place in the sensory world of the 16th and 17th centuries.This week, we're speaking with historian Dr. Aysu Dincer, whose research uncovers the real-life role roses played in Shakespeare's lifetime. From cultivation and trade to the recipes for perfumes and rosewaters that would have been familiar to Shakespeare's contemporaries, Aysu joins us to share the historical backstory of this iconic flower and explore what it meant to smell sweet in the Elizabethan age. Hosted on Acast. See acast.com/privacy for more information.
Both cohosts found today's puzzle to be particularly crunchy due to cruciverbial challenges in different areas of the grid. Jean struggled mightily in the southeast corner, while Mike was temporarily waylaid by his ignorance of sports -- and any pop culture references more recent than around 1850.Still, both eventually prevailed, and lived to tell (podcast) the tale. Deets inside!Show note imagery: Benedick, the comic relief in Shakespeare's Much Ado About Nothing, who swore he'd never marry, but, eventually back tracked.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!
Go to www.LearningLeader.com for full show notes This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. My Guest: Helen Lewis is a staff writer at The Atlantic and author of The Genius Myth: Great Ideas Don't Come from Lone Geniuses. Notes: Shakespeare: Talent + Luck + Timing - William Shakespeare died in 1616 at age 52, celebrated but not yet immortal. His icon status required massive luck: friends published the First Folio (saving King Lear), then 50 years later, Charles II reopened England's theaters after Puritan closures and needed content. Companies turned to Shakespeare's IP, adapting his work (including changing tragedies to happy endings). Helen: "If anyone deserves to be called a genius, it's him. But he died as a successful man of his age. Scenius Over Genius - Brian Eno coined "scenius" - places that are unusually productive and creative. Shakespeare moved from Warwickshire to London for the theaters and playwrights. Helen: "You don't just have to be Leonardo, you also need Florence... Where do you find the coolest, most interesting bleeding edge of your field?" Modern example: Joe Rogan's Comedy Mothership in Austin created an alternative to LA/NYC for comedians like Shane Gillis and Tony Hinchcliffe. Ryan: "Put yourself in rooms where you feel like the dumbest person... force you to rise up, think differently, work harder." Tim Berners-Lee vs. Elon Musk - Tim Berners-Lee invented the World Wide Web. Has knighthood, lives an ordinary life, kids named Alice and Ben. Most people have never heard of him. Elon Musk has a lot of children, talks about his genes needing to live on, and lives a very public life. Helen: "We overrate the self-promoters, the narcissists. We demand oddness and specialness... We don't call modest people geniuses because they're too normal." Elizabeth Holmes (Theranos) and Sam Bankman-Fried (FTX) exploited this - looked like a genius (Steve Jobs cosplay, messy math prodigy) but stood on houses of cards. Trauma and the "I'll Show You" Engine - Matthew Parris wrote Fracture after noticing how many "great lives" had traumatic childhoods - loss of parents, being unloved, bullied. Helen: "I don't think that's necessarily genius in objective achievement. It's more like a hunger for recognition or fame... a kind of 'I'll show all of you' engine." Stephen Hawking on IQ - Stephen Hawking: "I have no idea. People who boast about their IQ are losers." The Flynn Effect shows average IQ rose over the 20th century through better nutrition, schooling, and living conditions. Higher IQ correlates with better outcomes. But at the top end, every IQ point ≠ is one success point. Christopher Langan (the highest IQ guy) thinks he has a theory to overturn Einstein, and that Bush did 9/11 to cover it up. No history of achievement. Helen: "Smart people don't always prosper. You need the gears that connect the engine to the wheels on the road." Conspiracy Theories: Narcissism as Driver - Narcissism is the most correlated personality trait with conspiracy thinking. Helen: "The sheeple, the NPCs think this, but I alone have seen the truth. It positions you as the protagonist of reality." The Internet is a "confirmation bias engine." But conspiracies are sometimes true (Epstein's corrupt plea deal), which is why conspiracy thinking persists. Researcher Karen Stenner's solution: Get back to depoliticized conspiracies like Bigfoot, crop circles, Area 51 - harmless things that got people outside instead of "shoot up a pizza restaurant." The Beatles: Finiteness Creates Legend - Psychologist Han Isaac said geniuses should either die before 30 or live past 80. Middle is "eh." The Beatles had both: a short career that ended definitively, then John Lennon was shot at 40, frozen in time. Paul McCartney lives on, performs at Glastonbury with John's vocals. Craig Brown: "The Rolling Stones just go on and on, but there's never as much of the Beatles as you want." Quality Over Quantity - Helen: "Incentive now is producing constantly for algorithms... That's neither fun nor produces the best work." Early career: say YES. Later career: "The most important thing you can say is no." Her metric: "Can I say honestly, that was the best I could do? I didn't cut corners. That's the metric." Podcast: advised to do 2-3 episodes weekly for rankings, has been doing weekly for 10.5 years. Shows that went daily? He stopped listening. "I'm gonna increase the quality bar, not the quantity." Robert Greene: "Do not speak unless you can improve upon the silence." Improving the Silence - "My dad's not the loudest at family gatherings, doesn't have the most words, but when he speaks, we all stop and listen. That's who you want to be." Applies to meetings: people vomit garbage to show how smart they are instead of waiting for something valuable. When you speak, people should want to listen. Thomas Edison: Execution Over Ideas - The Light bulb wasn't Edison's conceptual innovation - the idea dated to Humphrey Davy. What was incredible: Edison made it work (vacuum seal, filament) and created the New York power grid. Helen: "Lots of people can have the idea that a man should be an ant. Not everybody can write the Ant-Man screenplay and have it produced." His Menlo Park lab lasted because he worked with brilliant people on problems they cared about. Logbook shows assistants' names on breakthroughs - collaborative. We underrate logistics and execution. Most "light bulb moments" are actually slow, incremental, contested creations. Why Helen Chooses Teams Over Independence - Could go independent on Substack for more money. Works at The Atlantic for: resources, legal support, editorial integrity, and colleagues she doesn't want to let down. Helen: "You must have people in your life, you think, I wanna do work that they like. Finding those people who make you your best version of yourself." Ryan connects to athletics: "Being surrounded by people better than me forces me to raise my game. That's why we want to be part of a great team." Sample First, Specialize Later - High achievers have "hot streak" later, but sample early - trying different things, learning transferable skills. Helen: "Take the first job at a publication you could learn from. Even if not wildly interested, if it's good and they'll hold you to high standards, do it. Your second job is infinitely easier to get than your first." Work Around People Who Care - Helen: "If you work somewhere where no one cares, it's very hard. You can't care on your own. You'll become infected by the apathy around you." Nothing is more boring than a job you don't care about. Don't Wait to Live - Some devote long hours to something for money, promising they'll retire at 30 and then live. Helen: "What if you spent all that time chasing something and then you get hit by a truck? Don't wait for it. Just try and enjoy what you're doing right now." Quotes: "You don't just have to be Leonardo, you also need Florence." "We overrate the self-promoters and underrate the humble achievers." "Smart people don't always prosper. You need the gears that connect the engine to the wheels." "The most important thing you can say is no." "Do not speak unless you can improve upon the silence." - Robert Greene "You can't care on your own. You'll become infected by the apathy around you." It's funny that we have come to use the phrase ‘lightbulb moment' to describe a momentary flash of inspiration, because the birth of the lightbulb was slow, incremental, and highly contested.
The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene iv - Cordelia hears reports of her father and hopes her Doctor can help make him better. Written and presented by Conor Hanratty
Hockeyn har sin Wayne Gretzsky, basketen har sin Michael Jordan och världslitteraturen har sin William Shakespeare. Han är störst.Sonen till en handskmakare från en liten engelsk skitstad blev på något vänster hela världens bard. Hur är det möjligt? Är det ens möjligt? Kan det verkligen stämma? I 200 år var det ingen som ställde den frågan. Men under det tidiga 1800-talet kom en ny generation Shakespeare-kännare som inte fick mannen och texten att gå ihop. De som anser att handelsmannen Will Shakespeare var en front för en eller flera egentliga upphovsmän kallas anti-stratfordianer. De har lanserat en uppsjö olika kandidater.Konspirationsteorierna om Shakespeare är en finkulturens Q-anon. Oförarglig, men lika benfast övertygad om att hemliga koder gömmer sig ibland stavelser och rim. Vi ger oss ut på en vild jakt som tar oss till drottning Elisabeths privata kammare, små hålor i Ohio samt till de svenska kultursidornas debatter anno 2006.Ett kul avsnitt, tycker vi.----Varför in prenumerera på podden? historiepodden.supertcast.com——Läslista:Bergsten, Staffan, ”Kärt besvär förgäves”, Uppsala Nya Tidning, 2006-10-20Bryson, Bill, På spaning efter William Shakespeare: en kortfattad historik, Forum, Stockholm, 2008Burman, Carina, ”Att vara eller att inte vara Shakespeare”, Svenska Dagbladet, 2006-10-22Ekerwald, Carl-Göran, Shakespeare: liv och tänkesätt, Norstedt, Stockholm, 1998Friberg, Gösta & Brodin, Helena, Täcknamn Shakespeare: Edward de Veres hemliga liv, Stockholm: Bonnier, 2006Hägglund, Kent, William Shakespeare: en man för alla tider, Ordfront, Stockholm, 2006Johansson, Ulf & Bomba, Andreas (red.), Vad hände egentligen?: nytt ljus över historiens mysterier!, Det bästa [Reader's Digest], Stockholm, 1992 Hosted on Acast. See acast.com/privacy for more information.
Melvyn Bragg and guests discuss 'the greatest poet of his age', Thomas Wyatt (1503 -1542), who brought the poetry of the Italian Renaissance into the English Tudor world, especially the sonnet, so preparing the way for Shakespeare and Donne. As an ambassador to Henry VIII and, allegedly, too close to Anne Boleyn, he experienced great privilege under intense scrutiny. Some of Wyatt's poems, such as They Flee From Me That Sometime Did Me Seek, are astonishingly fresh and conversational and yet he wrote them under the tightest constraints, when a syllable out of place could have condemned him to the Tower. With Brian Cummings 50th Anniversary Professor of English at the University of York Susan Brigden Retired Fellow at Lincoln College, University of Oxford And Laura Ashe Professor of English Literature at the University of Oxford Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production Reading list: Thomas Betteridge and Suzannah Lipscomb (eds.), Henry VIII and the Court: Art, Politics and Performance (Routledge, 2016) Susan Brigden, Thomas Wyatt: The Heart's Forest (Faber, 2012) Nicola Shulman, Graven with Diamonds: The Many Lives of Thomas Wyatt: Courtier, Poet, Assassin, Spy (Short Books, 2011) Chris Stamatakis, Sir Thomas Wyatt and the Rhetoric of Rewriting (Oxford University Press, 2012) Patricia Thomson (ed.), Thomas Wyatt: The Critical Heritage (Routledge, 1995) Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005) Thomas Wyatt (ed. R. A. Rebholz), The Complete Poems (Penguin, 1978) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.
Thanks to his invention of Europe's first typographic printing method, and his pioneering work on the first printed Bible, the fifteenth-century German inventor Johannes Gutenberg has a fame and reputation that continues to this day. In 1997, Time magazine credited him with the most important innovation of the past one thousand years. However, due to scant and vague documentation, Gutenberg's actual life and career have been clouded in myth and speculation. In this episode, Jacke talks to scholar Eric Marshall White about his new book, Johannes Gutenberg: A Biography in Books, which seeks to correct the record by analyzing Gutenberg and the books that remain his lasting monument. PLUS HOL pays tribute to Lolita, Vladimir Nabokov's beautifully told tale of a dark and ugly obsession (and #14 on the list of the Greatest Books of All Time), by repeating excerpts from three previous interviews, in which Jenny Minton Quigley, Jim Shepard, and Joshua Ferris talk about Nabokov and his highly controversial novel. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Renaissance English History Podcast: A Show About the Tudors
Taylor Swift's new album references “the fate of Ophelia”, but who was Ophelia, and why does her story still matter? In this episode, we look at Shakespeare's tragic heroine, her fate in Hamlet, and what her story shows us about women's lives in Elizabethan England. Hosted on Acast. See acast.com/privacy for more information.
In this episode, Andrew Pudewa and Julie Walker address how to assist students who join midyear. They discuss whether it is necessary to teach all the previous units before new students join the rest of the class and how to handle customizing the checklist. Listen to this helpful conversation that focuses on the best practices that will truly benefit a student. Referenced Materials Bible-Based Writing Lessons Episode 398: Think like Shakespeare, Part 1 Teaching Writing: Structure and Style® Structure and Style Overview Four Deadly Errors of Teaching Writing audio talk by Andrew Pudewa IEW Checklist Generator™ “IEW's Checklist: Supporting Student Success” Premium Membership Principles of Motivation audio talk by Andrew Pudewa “Perfecting Style with Time and Practice” If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com
Shakespeare's plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare's Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare's plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain's most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.