Podcasts about Stockmann

Mace and Jeff put Matt Walsh's antidepressant episode under the clinical microscope — and it does not pass the functional impairment test. They break down the 2022 Molecular Psychiatry umbrella review that dismantled the low-serotonin narrative, explain why that finding doesn't indict SSRIs as a category, and make the case that the “chemical imbalance” pitch was always more pharmaceutical advertising than clinical science. They also tackle what functional impairment actually means in diagnosis, the gender disparity in antidepressant prescribing, whether the SSRI-to-mass-violence argument is causal or just really committed to showing up in the same sentence, and what clinicians should actually be telling clients about medications they can't fully explain. For anyone who has ever explained serotonin to a client and quietly wondered if they knew what they were talking about: this one's for you. Music: “Machine Heart – Instrumental version” by Icarus. Licensed via Artlist Pro License #JeMO9k. Bielefeldt, A. Ø., Danborg, P. B., & Gøtzsche, P. C. (2016). Precursors to suicidality and violence on antidepressants: systematic review of trials in adult healthy volunteers. Journal of the Royal Society of Medicine, 109(10), 381–392. https://doi.org/10.1177/0141076816666805 Brody, D. J., & Gu, Q. (2020). Antidepressant use among adults: United States, 2015–2018. NCHS Data Brief, No. 377. https://www.cdc.gov/nchs/products/databriefs/db377.htm Chua, K. P., Volerman, A., Zhang, J., Hua, J., & Conti, R. M. (2024). Antidepressant dispensing to US adolescents and young adults: 2016–2022. Pediatrics, 153(3), e2023064245. https://doi.org/10.1542/peds.2023-064245 Healy, D., & Mangin, D. (2024). Post-SSRI sexual dysfunction: barriers to quantifying incidence and prevalence. Epidemiology and Psychiatric Sciences, 33, e44. https://doi.org/10.1017/S2045796024000441 Kuehner, C. (2017). Why is depression more common among women than among men? The Lancet Psychiatry, 4(2), 146–158. https://doi.org/10.1016/S2215-0366(16)30263-2 Moncrieff, J., Cooper, R. E., Stockmann, T., Amendola, S., Hengartner, M. P., & Horowitz, M. A. (2023). The serotonin theory of depression: a systematic umbrella review of the evidence. Molecular Psychiatry, 28, 3243–3256. https://doi.org/10.1038/s41380-022-01661-0 Salk, R. H., Hyde, J. S., & Abramson, L. Y. (2017). Gender differences in depression in representative national samples: Meta-analyses of diagnoses and symptoms. Psychological Bulletin, 143(8), 783–822. https://doi.org/10.1037/bul0000102 Stone, M., Laughren, T., Jones, M. L., Levenson, M., Holland, P. C., Hughes, A., Hammad, T. A., Temple, R., & Rochester, G. (2009). Risk of suicidality in clinical trials of antidepressants in adults: analysis of proprietary data submitted to US Food and Drug Administration. BMJ, 339, b2880. https://doi.org/10.1136/bmj.b2880

Die Journalisten Henning Rosenbusch und Ulrike Stockmann sind sich einig. Das Vertrauen in den Staat ist nicht mehr vorhanden. In der neuen Folge von „Thomas Eglinski AUF1“ analysieren die beiden beliebten Aufklärer die Geschehnisse in Ungarn, den USA und in Deutschland. Sie kommen zu dem Ergebnis, die Zeiten werden leider noch härter…

Die Journalisten Henning Rosenbusch und Ulrike Stockmann sind sich einig. Das Vertrauen in den Staat ist nicht mehr vorhanden. In der neuen Folge von „Thomas Eglinski AUF1“ analysieren die beiden beliebten Aufklärer die Geschehnisse in Ungarn, den USA und in Deutschland. Sie kommen zu dem Ergebnis, die Zeiten werden leider noch härter…

A 80ª edição do Festival de Avignon decorre de 4 a 25 de Julho e tem, no cartaz, um enorme ponto de interrogação para destacar a importância de questionar o mundo através da arte. O tema acabou por surgir "de uma forma bastante livre", conta Tiago Rodrigues, o director do festival, que apresentou, esta quinta-feira, a programação no Théâtre du Rond-Point, em Paris. Foi aí que conversámos com o encenador e dramaturgo português sobre os nomes que preenchem uma edição em que, mais do que nunca, “é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia”. Tiago Rodrigues é o artista português que dirige um dos mais prestigiados festivais de teatro do mundo e que este ano cumpre a 80ª edição. Desta vez, a linha de força de Avignon está estampada no cartaz do evento: de um fundo amarelo solar sobressai um enorme ponto de interrogação. A força das dúvidas e dos questionamentos talvez seja a chave para entrar no espírito de Avignon, a cidade-teatro que abre portas para o mundo durante os dias do festival. Tiago Rodrigues assume que “o questionamento” acabou por se impor como um tema natural desta edição porque todos os espectáculos e eventos programados deixam no ar perguntas que são antídotos contra as “respostas simplistas” que “criam a violência” dos tempos que correm. O encenador e dramaturgo sublinha que juntar pessoas no mesmo espaço para fazerem perguntas através da arte “é uma coisa absolutamente essencial e cheia de futuro”. Talvez por isso, o teatro é hoje ainda mais urgente e “claro que não está em vias de extinção”, avisa. Aos comandos do festival desde 2023 e reconduzido para um segundo mandato até 2030, Tiago Rodrigues alerta que “é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia”, exemplificando com o medo que o assola quando vê artistas como o libanês Ali Chahrour a viver sob bombardeamentos em Beirute. Mas vamos à programação do festival, que divulgámos esta quarta-feira depois da apresentação no espaço La FabricA, em Avignon. Um dia depois, Tiago Rodrigues foi ao Théâtre du Rond-Point, em Paris, para a conferência de imprensa do lançamento desta edição e a RFI teve a oportunidade de falar com ele. Começámos por abordar os nomes lusófonos e o director do festival apontou, desde logo, a artista brasileira Carolina Bianchi como “a grande revelação nos últimos anos no teatro mundial”, lembrando que ela foi a grande aposta de Avignon em 2023 (o primeiro ano programado por Tiago Rodrigues). A encenadora, actriz e escritora vai estrear em Avignon o terceiro capítulo da trilogia "Cadela Força", três anos depois de ali ter apresentado o primeiro capítulo, “A Noiva e o Boa Noite Cinderela”, que ganhou o Leão de Prata da Bienal de Veneza. Por outro lado, haverá dois dias de maratona teatral de 10 horas em que as três peças poderão ser vistas de seguida: “A Noiva e o Boa Noite Cinderela”, “The Brotherhood” e “Uma Luz Cordial”. Sobre os também brasileiros Christiane Jatahy e Wagner Moura, que vão apresentar “Um Julgamento – Depois do Inimigo do Povo”, Tiago Rodrigues lembra que “Christiane Jatahy é uma artista muito amada pelo público do festival” e que, pela primeira vez, trabalha com Wagner Moura, “neste momento, o actor brasileiro mais conhecido no mundo” e que regressa ao teatro 16 anos depois “com essa vontade de quem regressa à essência do trabalho de actor”. Nesta edição, acabam por ser poucos os artistas lusófonos, mas fica a promessa que, depois de portugueses, cabo-verdianos e brasileiros terem estado em edições anteriores, “os artistas moçambicanos, angolanos e guineenses” também merecem ter o seu palco em Avignon. Continuando o seu projecto de convidar línguas para o festival, depois do inglês, espanhol e árabe, Tiago Rodrigues justifica a escolha, este ano, da língua coreana como “uma vontade de viajar até longe”. Daí que um quarto da programação seja constituída por artistas da Coreia do Sul e uma das convidadas de honra, que inspira dois espectáculos, é a Nobel da Literatura Han Kang. De resto, mais de metade dos projectos são dominados por artistas mulheres com “propostas absolutamente extraordinárias”. Na entrevista, o director do Festival de Avignon mostrou-se, ainda, muito “preocupado com o que está a acontecer em Portugal, nomeadamente em Lisboa”, algo que descreveu como “uma espécie de cerco à liberdade de criação” e “um grande abandono da verdadeira democratização” do acesso às artes e à criação. RFI: Na apresentação da programação, o Tiago Rodrigues falou na vontade de que o festival seja uma “festa de questionamentos” e o cartaz apresenta um grande ponto de interrogação. Quais são as linhas de força que cosem as entrelinhas desta edição e até que ponto o questionamento é uma delas? Tiago Rodrigues: “O questionamento foi uma forma bastante livre de darmos um tema a este festival, de relembrarmos ao público que este festival - que faz muito trabalho sobre a sua história, sobre o seu arquivo - ao chegar à 80ª edição, queria estar muito concentrado também no presente e no futuro, perguntar o que é que vamos fazer nos próximos 80 anos de festival. Hoje, quando defendemos a importância das artes, do teatro, da dança na vida das pessoas, muitas vezes dão-nos a entender que estamos a defender qualquer coisa que está em vias de extinção ou qualquer coisa que é antiga e que estamos a tentar ainda fazer sobreviver não se sabe bem porquê, quando o que nós defendemos é uma coisa absolutamente essencial e cheia de futuro que é a possibilidade de nos reunirmos em sociedade, pessoas juntas fisicamente no mesmo espaço para fazer perguntas juntos, mas fazer perguntas através da arte. E é isso que o festival faz há 80 edições e queríamos relembrar-nos a nós, os artistas, mas também ao público, que é isso que nós fazemos aqui. Num mundo onde estamos cheios de más respostas - poucas respostas mas más na maioria dos casos - respostas violentas, respostas simplistas, respostas pouco informadas, nós queremos colocar as boas perguntas. Perguntas às vezes complexas, perguntas também com prazer, perguntas com dúvida, perguntas que permitam o debate em vez de respostas que criam a violência. Eu acho que as artes podem ter esta função e certamente um festival onde vêm pessoas do mundo inteiro e se reúnem numa cidade que duplica a sua população no momento do festival para acolher o mundo inteiro que a visita, esse é o momento em que podemos fazer perguntas juntos.” Há três artistas brasileiros em destaque nesta edição: Carolina Bianchi, Christiane Jatahy e Wagner Moura. Comecemos por Carolina Bianchi, que foi revelada no primeiro ano de Tiago Rodrigues à frente do Festival de Avignon, em 2023. O que nos traz Carolina Bianchi? “Carolina Bianchi foi uma aposta do festival em 2023, na primeira edição que eu programei, porque acreditava que seria um grande acontecimento para o teatro europeu e mundial descobrir o trabalho de Carolina Bianchi que era um trabalho que estava muito discretamente escondido na cidade de São Paulo, que não rodava muito, que não era muito conhecido mesmo no Brasil. Tivemos a oportunidade de a desafiar a começar um projecto, uma trilogia. Ela sonhava fazer uma trilogia com três espectáculos consagrados à questão da violência e, sobretudo, a violência sobre as mulheres. O primeiro episódio é consagrado a essa violência na história da arte e na performance. O segundo no teatro e o terceiro na literatura mas como também a escrita pode ser uma forma de libertação, de emancipação. Ao ouvir essa ideia, dissemos imediatamente: ‘Vem fazer o primeiro espectáculo no Festival de Avignon'. O que aconteceu a seguir é do conhecimento geral. Carolina Bianchi, depois desse espectáculo, ganha o Leão de Prata da Bienal de Veneza, torna-se uma artista que faz todas as cenas europeias e mundiais, é revelada por esse festival. Criou o segundo capítulo entretanto, “Brotherhood”, e nós tínhamos combinado há muito que ela encerraria esta trilogia de novo em Avignon. A grande sorte que temos é que encerra com um espectáculo que será absolutamente fenomenal, “Uma Luz Cordial”, mas também conseguimos preparar, pela primeira vez, a hipótese de ver a trilogia seguida. São dez horas de teatro, uma grande aventura que tem ocupado esta artista durante quase cinco ou seis anos da sua vida e vamos poder ver não só a estreia mundial do último capítulo da trilogia, mas também, pela primeira vez, toda a trilogia seguida no Festival de Avignon, com cerca de 20 intérpretes brasileiros liderados por esta grande artista. É uma grande revelação dos últimos anos no teatro mundial.” E em relação a Christiane Jatahy, que já esteve em Avignon, e Wagner Moura, o que é que eles trazem ao festival? “Christiane Jatahy é já uma artista muito amada pelo público do festival, muito conhecida em França, uma encenadora que também é muito conhecida do público lusófono, seja no Brasil, seja em Portugal, que tem marcado as cenas europeias nos últimos anos, com as suas adaptações de repertório e desta vez, pela primeira vez, trabalha com Wagner Moura, que decide voltar ao teatro 16 anos depois. Ele tem vivido a sua aventura cinematográfica, televisiva, neste momento é, sobretudo, talvez o actor brasileiro mais conhecido no mundo com a nomeação ao Oscar, com o Globo de Ouro que ganhou e com a Palma de Ouro em Cannes que ganhou pelo filme “O Agente Secreto”. E é muito comovente ver Wagner Moura regressar ao teatro com essa vontade de quem regressa à essência do trabalho de actor. Aqui, Christiane Jatahy e Wagner Moura escreveram juntos, inspiraram-se no “Inimigo do Povo”, de Henrik Ibsen, autor norueguês, e pegando na história do “Inimigo do Povo”, onde o protagonista acabou de anunciar que as águas de uma vila termal estão contaminadas e, portanto, ao salvar a saúde das pessoas, condenou economicamente essa cidade, ele é acusado de ser inimigo do povo. O que vemos nesta peça é que imediatamente a seguir a esta história há um julgamento e nesse julgamento há vários testemunhos, nomeadamente o do Dr. Stockmann, interpretado por Wagner Moura e escrito por Wagner Moura com Christiane Jatahy, que defende que não é inimigo do povo, pelo contrário, enquanto outros defendem que ele é inimigo do povo. Será o público a decidir o resultado deste julgamento e o espectáculo tem dois finais em função da decisão do público.” Em termos de lusofonia, não há muitos mais nomes lusófonos. Porquê? “Porque o Festival de Avignon é uma página em branco onde nós tentamos responder às mesmas questões com respostas diferentes todos os anos. Evidentemente, a língua portuguesa, nem que seja pela minha presença na direcção do festival, tem estado mais presente do que no passado na história do Festival de Avignon, com artistas portugueses, cabo-verdianos e brasileiros também. Este ano, a presença da língua portuguesa está defendida por duas grandes artistas brasileiras e no futuro voltará a estar defendida por, não sei, artistas angolanos, moçambicanos, guineenses, porque não? Portanto, a língua portuguesa tem essa riqueza de poder ter artistas, nomeadamente no teatro e na dança, que merecem ser descobertos e mostrados no Festival de Avignon. Certamente que a cena lusófona - e não só lusófona, também a cena especificamente portuguesa - continuará a ter presença no Festival de Avignon. Este ano não tem, porque nem todos os países podem estar todos os anos no festival. Há países, por exemplo, como a Coreia do Sul, que, através do convite à língua coreana como língua convidada, este ano regressa ao Festival de Avignon depois de 25 anos de ausência. Há 25 anos que não havia um artista coreano no festival. O mundo é grande, o festival também é muito grande, mas não é tão grande como o mundo. E, portanto, embora gostássemos de fazer um festival que tivesse artistas de todos os países do mundo todos os verões, esse sonho terá que ficar para mais tarde. Por agora, queremos ter todos os artistas do mundo, mas um festival de cada vez.” Até porque o Tiago Rodrigues foi reconduzido até 2030 na direcção do festival, não é? “Tenho a grande sorte de ter sido reconduzido para um segundo mandato que começará após este festival. Este é o meu último festival do primeiro mandato, mas estou já a preparar os próximos quatro festivais até 2030. Sem dúvida que até 2030 não faltarão artistas de língua portuguesa.” O que é que o incitou a convidar a língua coreana? “A vontade de viajar até longe esteve na origem deste convite à língua coreana. É a quarta língua que convidamos para o Festival de Avignon. Começámos com o inglês, depois com o espanhol, duas línguas globais, mas de origem europeia. A terceira língua foi o árabe, uma língua de origem não europeia, mas muito presente na Europa e muito presente em França, onde é a segunda língua mais falada. Portanto, estas três línguas, por serem globais e também, por uma certa proximidade, por serem línguas que nos dizem coisas quando somos público do Festival de Avignon, que é um público maioritariamente francês, e o internacional que é maioritariamente europeu, merecia ser provocado pela distância. Então, começámos a procurar as línguas asiáticas que poderia ser interessante propor e percebemos que a língua coreana, sendo uma língua que só é falada numa península, é também uma espécie de 'soft power' através do K-pop, da música popular, através do 'K-drama', as séries televisivas coreanas que são muito populares no mundo inteiro...” Da Prémio Nobel da Literatura... “Da Prémio Nobel da Literatura. Mas por trás dessa presença global, há um grande desconhecimento, por exemplo, do teatro e da dança da Coreia, portanto, fomos pesquisar. Fomos muitas vezes à Coreia do Sul, a várias cidades, descobrimos muitos artistas e compusemos aquilo que corresponde a um quarto da programação do festival, com artistas coreanos. Há muito teatro, muito teatro documentário, muita dança, muitas formas tradicionais como o pansori ou outras formas populares de circo, de música, de teatro, de dança, mas actualizadas com uma leitura contemporânea. E também a literatura porque Han Kang [Prémio Nobel da Literatura] estará no Festival de Avignon, será uma das figuras centrais do festival. Haverá uma grande leitura de partes do seu romance, dirigida por Julie Deliquet, pela actriz Isabelle Huppert e pela actriz coreana Hyeyoung Lee, que juntas lerão, em francês e em coreano, partes do romance de Han Kang em presença da própria Han Kang. Haverá espectáculos que adaptam outros romances de Han Kang. E haverá também encontros e entrevistas públicas com a Prémio Nobel e ela será uma das grandes presenças da língua convidada.” Há uma artista lusodescendente, percussionista da cena electro-pop francesa Lucie Antunes, que faz um espectáculo com Mathilde Monnier, uma presença conhecida em Avignon. São duas mulheres fortes, "guerreiras", como o nome de um dos álbuns de Lucie Antunes. Também está programada Rébecca Chaillon, que faz igualmente espectáculos muito fortes. Nesta edição, há mais mulheres a dirigirem projectos do que homens. Qual é a mensagem subjacente? “É a mensagem natural de que não é difícil fazer uma programação que eu considero de grande, grande, grande qualidade, tendo uma grande maioria de mulheres à frente dos projectos. Não queremos passar outra mensagem que aquela de dizer que deveria ser perfeitamente normal haver muitas programações em muitos festivais do mundo onde há uma maioria de mulheres, porque há enormemente artistas mulheres que fazem projectos absolutamente extraordinários. A mensagem termina aí e depois as conclusões são tiradas pelas pessoas. Foi sem esforço que chegámos a uma programação maioritariamente feminina e por pura paixão pelo trabalho proposto por estas artistas. Quando fomos fazer as contas no final, porque gostamos sempre de poder perceber até que ponto é que estamos a respeitar a nossa vontade de paridade, percebemos que estávamos muito para lá da paridade. E ainda bem que sim, porque artistas como por exemplo Lucie Antunes e Mathilde Monnier, que vão colaborar nesse espectáculo “Silence”, são grandes artistas. Uma vem pela primeira vez ao Festival de Avignon, a Lucie, e a Mathilde Monnier é a artista - depois do fundador do festival Jean Vilar - que mais vezes se apresentou no Festival de Avignon. Mas temos também toda uma geração de grandes encenadoras francesas, como Rébecca Chaillon, Jeanne Candel, Marion Siéfert, Tiphaine Raffier, que vêm marcar presença no festival e mostrar como uma boa parte da pujança, da qualidade e da diversidade do teatro francês passa pelas encenadoras.” No seu primeiro ano na direcção do Festival de Avignon, em 2023, disse-nos que quando se vem a Avignon pela primeira vez, sai-se transformado. Que utopias ainda faltam cumprir em Avignon? No mundo tão complicado em que vivemos hoje, ainda é possível sonhar? “Não só é possível, como é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia. Eu hoje, nesta apresentação, pude mencionar o choque com que vi as mensagens expressas por Ali Chahrour, um artista libanês que esteve no ano passado no festival e que está neste momento em Beirute sob bombardeamentos, e pude exprimir a minha perplexidade, o meu medo, o meu choque e, ao mesmo tempo, perante isto, é absolutamente imperativo sonhar, concretizar os sonhos e propor sonhar a outros. É por isso que nós falamos desta ideia de questões no festival. Questões podiam ser aqui um sinónimo de sonho. No Festival de Avignon eu diria que há ainda muitas coisas que eu gostaria de conseguir fazer até 2030. A batalha essencial, que é aquela que dá sentido ao facto de acompanharmos a criação artística, de defendermos a liberdade artística, de procurarmos meios para os artistas poderem trabalhar, é de conseguir completar, aperfeiçoar, prolongar a aventura do acesso democrático às artes. A democratização do acesso à criação continua a ser a enorme aventura não só em Avignon, mas no mundo inteiro e - porque estou a falar em português - preocupa-me muito o que está a acontecer em Portugal, em muitas cidades, nomeadamente em Lisboa, onde é completamente inesperado o que é uma espécie de cerco à liberdade de criação, ingerências políticas, mas também um grande abandono da verdadeira democratização. O acesso democrático às artes não é um exercício populista, uma flor que se põe na lapela nos dias de festa. É um trabalho quotidiano que deve permitir o acesso fácil à criação exigente, criação de grande qualidade feita em liberdade e à qual todas e todos devem ter acesso. Se fosse fácil, não era um serviço público. A cultura é um serviço público porque não é fácil de fazer. É preciso tempo, é preciso investimento e é preciso sonhar.”

Tällä historiallisella päivämäärällä Ruotsin kuningas Kaarle IX päätti, että Pohjois-Suomeen tarvitaan kaupunki ja niin syntyi Oulu. Aleksanteri I taas siirsi Suomen pääkaupungin Turusta Helsinkiin ja Tampereelle avattiin oma Stockmann. Myöhemmin taikuri David Copperfield hämmästytti maailmaa kadottamalla Vapaudenpatsaan suorassa tv-lähetyksessä ja Yhdysvalloissa nähtiin ensimmäinen jakso kulttisarjasta Twin Peaks.

Finale bei Couple Challenge und Belina konnte es in Costa Rica nicht sehen

This week on Sinica, I speak with Daniela Stockmann and Ting Luo, co-authors of Governing Digital China, a new book that examines how an authoritarian state governs a digital ecosystem it doesn't fully own, can never fully control, and yet fundamentally depends on. Danie — a professor of digital governance at the Hertie School in Berlin and a returning Sinica guest, having joined us way back in 2014 to discuss her earlier book on media commercialization and authoritarian rule — and Ting, associate professor in government and artificial intelligence at the University of Birmingham, together offer a richly empirical account of the triangular relationship between the Chinese state, major platform companies, and ordinary internet users. Rather than treating firms as mere instruments of party control or citizens as passive subjects of surveillance, they develop a framework they call "popular corporatism," which captures how bargaining, incentives, and user preferences shape what is and isn't permissible in China's digital spaces — including the endlessly misunderstood social credit system.4:32 — The digital dilemma: how digital platforms simultaneously empower economic development and create political risk for the party-state — a tension that isn't unique to authoritarian regimes7:45 — Why the command-and-control model falls short: platforms require technical expertise and user engagement the state lacks, and firms like Tencent and Sina have real leverage as a result11:41 — Popular corporatism explained: why users — including the "silent majority" of lurkers — must be foregrounded in any account of China's digital governance, and how firms become state "consultants" and "insiders"21:09 — The survey: GPS-based nationally representative sampling, how to desensitize politically sensitive questions, and why this kind of research can no longer be conducted in China27:22 — Lurkers vs. discussants: the 90-9-1 rule and the counterintuitive finding that users who perceive more openness on platforms like WeChat and Weibo report higher political trust in the central government35:40 — Functional liberalization: why partial openness should be understood as governance strategy, not mere concession — and what the fandom-community doxing wars illustrate about that39:23 — The social credit system: what it actually is, what it is not, and why the Black Mirror version is a myth42:38 — Two subsystems, one misunderstood system: the financial/commercial credit infrastructure, the local-government behavioral programs, and how Sesame Credit and court blacklists actually fit together46:20 — The privacy paradox and political trust: why convenience routinely overrides stated privacy preferences — and why where Alipay is most embedded, residents trust the state most52:42 — Stability, exportability, and the Orwell-versus-Huxley question: what preconditions popular corporatism requires, which other developmental states it might apply to, and why China's digital governance is better understood as a coercion-cooption balancing actPaying It ForwardTing Luo recommends Ning Leng, assistant professor at Georgetown University and author of Politicizing Business: How Firms Are Made to Serve the Party State in China.Daniela Stockmann recommends Felix Garten, postdoctoral researcher at the Hertie School, whose work examines how Chinese tech companies behave when operating in regulatory environments outside China — including the EU, Malaysia, and Singapore.RecommendationsDaniela: The Legend of the Female General 《锦月如歌》, a Chinese historical drama available on YouTube with English subtitles, especially for anyone interested in internal martial arts and martial heroines in Chinese popular culture.Ting Luo：Bordeaux, France — specifically, just going there and drinking excellent wine.Kaiser: Two Substack newsletters for following China's relationship with the Middle East, especially as the American-Israeli war against Iran continues to unfold: Jonathan Fulton's China-MENA Newsletter and Jesse Marks's Coffee in the Desert See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Zusammen mit Psychologin Pauline Stockman reden wir über Folge 13+14 von Couple Challenge, über Narzismus im Reality-TV, den Streit von Emmy und Aleks, und wie Aleks es geschafft hat zur Führungsperson zu werden.

I veckans avsnitt gästas vi av Lindex Groups VD, Susanne Ehnbåge. Vi går igenom bolagets resa, från Stockmanns förvärv 2007 till namnbytet till Lindex Group 2024, och pratar om hur verksamheten är uppbyggd, vem kunden är och hur marknaden utvecklas. Vi diskuterar även konsumentläget under 2026, vilka signaler Lindex Group ser just nu och hur det påverkar efterfrågan. Avslutningsvis går vi in på bolagets strategi, tillväxtambitioner och vad som driver försäljning och lönsamhet framåt. I den andra delen av avsnittet ansluter ansvarig analytiker Hjalmar Jernström. Han sammanfattar investment caset, går igenom gruppens två verksamheter, Lindex och Stockmann, och lyfter de viktigaste riskerna att ha med sig och delar vår syn på värderingen. Länk till fullständiga aktieanalyser på Lindex Group: https://access.dnbcarnegie.com/companies/1624 Vid frågor, funderingar och önskemål når ni oss på analyspodden@dnbcarnegie.se

Das Dschungelcamp lässt uns weiterhin nicht los... Wir philosophieren über den perfekten Cast! Außerdem schauen wir uns das Finale von Make Love Fake Love und die erste Folge Promis unter Palmen an. Wird Edith ihre Tattoos überstechen? Sprachis könnt ihr uns über Instagram oder via Mail an hallo@generation-trash.de schicken! Last but not least reden wir über Couple Challenge. Und dafür haben wir uns Verstärkung geholt. Pauline ist klinische Psychologin und Reality TV Fan. Wir analysieren mit ihr ganz genau, was das ab- bzw. falsch läuft! Paulines Instagram: https://www.instagram.com/pauline.stockmann/Paulines Website: https://paulinestockmann.de/Paulines Buch “Lass mal über Anxiety reden” https://wonderl.ink/@paulinestockmann?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnANQyGy4uCPw1Tj-pFzAsdis162UIeMAmIRu1xCQi7tG53BbNZxtxjm5qhb8_aem_8hClh0Edp8zyPgyaA651zAKapitel:Randoms der Woche (00:02:55)Make Love Fake Love Finale (00:14:15)Promis unter Palmen (00:29:07)The Race - Wildcard Challenge (00:33:35:07)Couple Challenge mit Pauline (00:37:01)Memes und Extras könnt ihr auf unseren Socials finden...Generation Trash IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/generation.trash/⁠⁠⁠⁠⁠⁠⁠⁠⁠Belina: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/belinalilly/⁠⁠⁠⁠⁠⁠⁠⁠⁠Nate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/nateseason/⁠⁠⁠⁠⁠⁠⁠⁠⁠Generation Trash YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@GenerationTrash⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch Nate: https://twitch.tv/nate_plusYouTube Nate: https://www.youtube.com/@nate_plusLiebesbriefe oder Kooperationsideen gerne an: ⁠⁠⁠⁠⁠generation.trash.podcast@gmail.com⁠⁠⁠⁠⁠

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics.

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

China's approach to digital governance has gained global influence, often evoking Orwellian 'Big Brother' comparisons. Governing Digital China (Cambridge UP, 2025) challenges this perception, arguing that China's approach is radically different in practice. This book explores the logic of popular corporatism, highlighting the bottom-up influences of China's largest platform firms and its citizens. Drawing on extensive fieldwork and nationally representative surveys, the authors track governance of social media and commercial social credit ratings during both the Hu Jintao and Xi Jinping eras. Their findings reveal how Chinese tech companies such as Tencent, Sina, Baidu, and Alibaba, have become consultants and insiders to the state, thus forming a state-company partnership. Meanwhile, citizens voluntarily produce data, incentivizing platform firms to cater to their needs and motivating resistance by platforms. Authors Daniela Stockmann and Ting Luo unveil the intricate mechanisms linking the state, platform firms, and citizens in the digital governance of authoritarian states. Daniela Stockmann is Director of the Centre for Digital Governance and Professor of Digital Governance at the Hertie School. Ting Luo is an Associate Professor in Government and Artificial Intelligence at the University of Birmingham. Interviewer Peter Lorentzen is an associate professor of economics at the University of San Francisco, where he leads the Master's program in International and Development Economics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Måske du har mærket det: at der er sket noget med de sociale medier. Eller nærmere at der er sket noget med dig og hvordan du selv har det med den tid, du bruger på Facebook, Instagram, Tiktok og Snapchat. Rigtig mange siger, at de gerne vil forlade de sociale medier. Og nogen mener ligefrem, at de sociale medier, som vi kender dem, ligger for døden. I dagens afsnit af 'Du lytter til Politiken' tager vi med Politikens Camilla Stockmann på en tidsrejse tilbage til 2007. Til dengang Facebook blev allemandseje og videre op gennem de sociale mediers nu 18 år lange, omskiftelige liv.See omnystudio.com/listener for privacy information.

Journalistin Ulrike Stockmann (x.com/ulrikestockmann) spricht mit Milena Preradovic (x.com/punktpreradovic) und Paul Brandenburg (x.com/docbrandenburg) über Einäugige unter Blinden, Trumps Drohungen gegen den Iran, fraglicher Inlandsterror in den USA, Rückzugsgefechte der "WHO", ein titelloses Mettbrötchen, ohne, die intellektuelle Verteidigungsunfähigkeit der "EU"-Eliten, die nächsten Angriff der "EU-Kommission" gegen die Plattform "X", die erste "15-Minuten-Stadt" in England, die kommende Bargeld-Obergrenze in der gesamten "EU", eine angebliche Privatbemerkung von Fritz Blackrock über Moslems in Deutschland und den Stand der deutschen Gasspeicher (Erstveröffentlichung: 31.01.2026).Become a supporter of this podcast: https://www.spreaker.com/podcast/nacktes-niveau--5136972/support.

➤ Conscious: Love - Dating für Bewusste Menschen https://www.conscious-love.com/ ➤ Fühl dich wieder wohl in deiner Haut – mental gestärkt, körperlich versorgt. 15% mit dem Code "fairtalk-wb-15" https://evolution-international.com/winterblues ➤ Entdecke flexgold! Investiere in physisches Gold und sichere Deine Werte. Außerdem unterstützt Du Fair Talk bei Deinem nächsten Goldkauf über diesen Link: https://www.fairtalk.tv/flexgold ➤ Unsere Gäste trinken Wasser gefiltert mit AQUOSS Filteranlagen. AQUOSS Lichtwasser erhellt die Sinne und bringt den Bewohnern der Erde Vitalität und Wohlergehen. https://aquoss.com Die Talk-Show mit Jens Lehrich und seinen Gästen Ulrike Stockmann, Aukse Schlichenmaier, Christian Schneider und Borris Brandt

Journalistin Ulrike Stockmann (x.com/ulrikestockmann) spricht mit Milena Preradovic (x.com/punktpreradovic) und Paul Brandenburg (x.com/docbrandenburg) über gewaschene Ratten, Putin in Budapest, 200 Millionen deutsche "Soforthilfe" für die Hamas, politisches Asyl in den USA für Europäer, ein Gerichtsurteil über den Bezahlungszwang zum Staatsfunk, die AfD-Umfragewerte in Sachsen-Anhalt und Baden-Württemberg, eine Hamburger Volksabstimmung zur "grünen" Selbstabschaffung, den bevorstehenden Sturz von "Kulturstaatsminister" Wolfram Weimer nach dessen Diebstahl an Alice Weidel, die Tradition deutscher KZ-Ärzte, die einsetzende Realitätswahrnehmung über die Umvolkung im Mainstream und den Staatsökonomen von Sinnen (Erstveröffentlichung: 18.10.2025).Become a supporter of this podcast: https://www.spreaker.com/podcast/nacktes-niveau--5136972/support.

In Ibsen's “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann's is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother's is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education.

Why are we still treating acute uncomplicated diverticulitis with antibiotics? There is plenty of evidence from several randomized controlled trials demonstrating that symptomatic management alone yields similar results. If we should continue prescribing antibiotics for acute uncomplicated diverticulitis, which patients should undergo treatment and when? Join Drs. Jared Hendren, Elissa Dabaghi, Joseph Trunzo, Ajaratu Keshinro, and David Rosen as they discuss the management of uncomplicated diverticulitis while reviewing groundbreaking literature. Hosts: -Jared Hendren, MD Institution: Department of General Surgery, Digestive Disease Institute, Cleveland Clinic Foundation, Cleveland, Ohio - Elissa Dabaghi, MD Institution: Department of General Surgery, Digestive Disease Institute, Cleveland Clinic Foundation, Cleveland, Ohio - Joseph Trunzo, MD Institution: Department of Colon and Rectal Surgery, Digestive Disease Institute, Cleveland Clinic Foundation, Cleveland, Ohio Social Media Handle: X/Twitter @joseph_trunzo - Ajaratu Keshinro, MD Institution: Department of Colon and Rectal Surgery, Digestive Disease Institute, Cleveland Clinic Foundation, Cleveland, Ohio Social Media Handle: X/Twitter- @AJKesh - David Rosen, MD Institution: Department of Colon and Rectal Surgery, Digestive Disease Institute, Cleveland Clinic Foundation, Cleveland, Ohio Social Media Handle: X/Twitter- @davidrrosenmd Learning Objectives: By the end of this episode, listeners will be able to: 1.     Identify criteria for managing acute uncomplicated diverticulitis without antibiotics based on recent literature 2.     Define uncomplicated and complicated diverticulitis 3.     Discuss nuanced management decisions of patients with uncomplicated diverticulitis to determine when antibiotics may be appropriate for management References: 1.     Azhar, N., Aref, H., Brorsson, A., Lydrup, M.‑L., Jörgren, F., Schultz, J. K., & Buchwald, P. (2022). Management of acute uncomplicated diverticulitis without antibiotics: Compliance and outcomes – a retrospective cohort study. BMC Emergency Medicine, 22(1), Article 28. https://doi.org/10.1186/s12873‑022‑00584‑X  2.     Mora‑López, L., Ruiz‑Edo, N., Estrada‑Ferrer, O., Piñana‑Campón, M. L., Labró‑Ciurans, M., Escuder‑Perez, J., Sales‑Mallafré, R., Rebasa‑Cladera, P., Navarro‑Soto, S., Serra‑Aracil, X., & DINAMO‑study Group. (2021). Efficacy and safety of nonantibiotic outpatient treatment in mild acute diverticulitis (DINAMO‑study): A multicentre, randomised, open‑label, noninferiority trial. Annals of Surgery, 274(5), e435–e442. https://doi.org/10.1097/SLA.0000000000005031 3.     Daniels, L., Ünlü, Ç., de Korte, N., van Dieren, S., Stockmann, H. B., Vrouenraets, B. C., Consten, E. C., van der Hoeven, J. A., Eijsbouts, Q. A., Faneyte, I. F., Bemelman, W. A., Dijkgraaf, M. G., & Boermeester, M. A. (2017). Randomized clinical trial of observational versus antibiotic treatment for a first episode of CT‑proven uncomplicated acute diverticulitis. British Journal of Surgery, 104(1), 52‑61. https://doi.org/10.1002/bjs.10309 4.     Chabok, A., Påhlman, L., Hjern, F., Haapaniemi, S., & Smedh, K.; AVOD Study Group. (2012). Randomized clinical trial of antibiotics in acute uncomplicated diverticulitis. British Journal of Surgery, 99(4), 532–539. https://doi.org/10.1002/bjs.8688 Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review Download our App: Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

In Ibsen's “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann's is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother's is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education.

Ulrike Stockmann (x.com/ulrikestockmann) spricht mit Milena Preradovic (x.com/punktpreradovic) und Paul Brandenburg (x.com/docbrandenburg) über Sommergenuss, Trumps neuer Ärger über Putin, Pistorius geplante Zwangsrekrutierungen, Trumps Umfallen in der Causa Epstein, einen Hitler-Ausfall der KI "Grok", die Verhinderung der SPD-Horrorjuristin Frauke Brosius-Gersdorf, die inszenierte Empörung der Kartellparteien über die Rede Alice Weidels in der Generaldebatte, die AfD-Abkehr von der Remigration, das Verbeamtungsverbot für AfD-Mitglieder in Rheinland-Pfalz, den Staatsterror in der "EU" gegen Journalisten, 50-Prozent-Staatsdiebstahl an den Einkommen aller Deutschen (Erstveröffentlichung: 12.07.2025).Become a supporter of this podcast: https://www.spreaker.com/podcast/nacktes-niveau--5136972/support.

In this episode, we're continuing with Part 8 of the Back to the Basics series by exploring the vital role that comprehensive lab work plays in healing anxiety and depression. I break down why we take a physiology-first—but not physiology-only—approach, the truth behind the outdated “chemical imbalance” theory, and how functional labs can uncover real root causes that are often missed in standard care.In this episode, you'll learn:Why focusing on your body is often the missing piece in mental health treatmentHow the “chemical imbalance” theory got started—and why it doesn't hold upWhat's often missing from standard lab work and how comprehensive blood testing can uncover hidden drivers of anxiety or depressionWhat markers we include in our custom lab panel and whyHow optimizing your biology creates capacity for deeper healing3 Key Takeaways:Physiology First, Not Only: There's an interplay between physiology and psychology but if your body is depleted or stressed, it changes how your brain functions. You can't mindset your way out of a nervous system stuck in survival mode.The Chemical Imbalance Theory is outdated and debunked. This oversimplified narrative can prevent people from exploring the root causes of their symptoms and keeps many stuck in medication-only treatment plans that don't fully support their healing.Comprehensive Lab Work can take out some of the guesswork. It helps uncover hidden imbalances—like nutrient deficiencies or hormone issues—that may be driving anxiety or depression. It gives you clear, personalized data to support your healing.Looking for more personalized support?Book a FREE discovery call for RESTORE, our 1:1 anxiety & depression coaching program (HSA/FSA eligible & includes comprehensive bloodwork)Join me inside Regulated Living, a mental health membership and nervous system healing space (sliding scale pricing available)Order my book, Healing Through the Vagus Nerve today!*Want me to talk about something specific on the podcast? Let me know HERE.**Referenced Sources: Moncrieff, J., Cooper, R. E., Stockmann, T., Amendola, S., Hengartner, M. P., & Horowitz, M. A. (2022). The serotonin theory of depression: A systematic umbrella review of the evidence. Molecular Psychiatry, 28(8), 1–14. https://doi.org/10.1038/s41380-022-01661-0Website: https://www.riseaswe.com/podcastEmail: amanda@riseaswe.comInstagram: https://www.instagram.com/amandaontherise/TikTok: https://www.tiktok.com/@amandaontherise

Ny vecka och då rivstartar vi med att dra några av våra hetaste case just nu. Rockad är på gång i Gött Tjöts SAVR-portfölj, men vad ska vi välja?Stötta Gött tjöt och bli medlem via länken nedan:https://track.adtraction.com/t/t?a=1315701143&as=1958246592&t=2&tk=1Totalt kokar vi idag till sju bolag. Det är många case där ute som lockar, så det är svårt att hålla köpfingret i styr. Först lite löst snack och sedan blir det case. Först ut blir Paxman (00:06:58). Bolaget har lagt bud på Dignitana och gör emission. Mycket spännande framåt, men är det dags att köpa nu?Sedan blir det Lammhults Design Group (00:25:12). Det kanske låter tråkigt, men det ser inte tråkigt ut framåt. Om bolaget med alla sina åtgärder bara hittar tillbaka till gammal form så handlas bolaget otroligt lågt. Åtgärderna är många och Q4'24-rapporten skvallrar om vad som kan vara på gång. Nästa case blir Pierce Group (00:41:18) som kränger MC-grejer för miljarder. Lönsamheten har haltat, men nu händer det grejer i bolaget. En lite ljusare marknad, uppstyr av verksamheten och starka underliggande kassaflöden lockar. Vidare till Lindex Group (00:51:57). Lindex är stabila och levererar fint, men andra benet Stockmann not so much. Planen är att sälja av Stockmann och bara sitta kvar med juvelen. Ett renodlat Lindex på den här värderingen är alldeles för billigt. Asymmetrisk risk när det är som bäst? Eller blir man inte av med sorgebarnet Stockmann?Vi skiftar helt fokus och över till OssDsign (01:00:19). Är bolaget bättre än stavningen i bolagsnamnet? Skyhög tillväxt, renodlad verksamhet och massa marknad att penetrera. Gedda kikar till caset och drömmer om en Bonesupport-resa i repris. Det blir P/S-multiplar och annan hausse och när att det touchas på EV/TAM. Från bendefekter till badrum. Svedbergs (01:11:51) handlas till P/E 12 på 2025e och man har imponerat i tuffa tider. Bolaget har gjort riktigt bra förvärv och hanterat byggkrisen väl. Möjligen har vi lagt det värsta bakom oss och ett höjt ROT-avdrag som grädde på moset kanske gör detta högintressant? Känns som det finns en ganska fin uppsida på 2025e här till begränsad risk. Vi ogillar ju inte matkassar och avslutar därför med Hellofresh (01:18:00). Matkassegiganten som har en aktie som är volatil likt ett bolag på smålistorna. Bolaget ska göra en Cheffelo här framåt, men marknaden verkar inte tro på detta alls. Blankarna flockas och insiders köper. Vem får rätt? Vi tror ändå på Hellofresh och lyckas bolaget kan det bli bra ös. Vad landar vi i då? Den som lyssnar får veta. Vi avslutar med en veckans volley i sedvanligt manér. Gedda vet inte vad han ska göra med alla sina pengar. Blir det att ha de på börsen, köpa fastigheter, onoterat eller möbelbets? Erik ogillar saker med flytt och hoppas att någon driftig person startar en tjänst som löser allt med ett knapptryck. Som sagt, stort tack till SAVR. Vill du bli kund så gör det via länken högst upp.Kolla in vår SAVR-portfölj på Twitter/X och Bluesky: @GottTjotAktierMaila in till: gotttjotomaktier@gmail.comFölj oss på Twitter/X och Bluesky: @GottTjotAktier, @MarkusGedda & @aktiehesten-(00:04:48) - Cheffelo(00:06:58) - Paxman(00:22:16) - SAVR(00:25:12) - Lammhults Design Group(00:41:18) - Pierce Group(00:51:57) - Lindex Group(01:00:19) - OssDsign(01:11:51) - Svedbergs(01:18:00) - Hellofresh(01:37:54) - Sammanfattning(01:42:37) - SAVR-utlottning(01:45:25) - Veckans volleySupport this show http://supporter.acast.com/nantingomaktier. Hosted on Acast. See acast.com/privacy for more information.

Journalistin Ulrike Stockmann (x.com/UlrikeStockmann) spricht mit Milena Preradovic (x.com/punktpreradovic) und Paul Brandenburg (x.com/docbrandenburg) über einen Anruf bei der Meldestelle, die Nachwahlparty der Wahlverlierer, absehbare Anfechtung des Wahlergebnisses, die NGO-Frage der CDU, die Verhaftung des Gewinners der rumänischen Präsidentschaftswahl, die Erosion der „EU-Macht“ vor allem im Osten, die Geringschätzung für die EU in den USA, die „Enthüllung“ der Epstein-Files, die Impf-Überprüfung durch den US-Gesundheitsminister, Deutschlands aufziehender Staatsbankrott, die Posse um Baerbocks jüngsten Afghanistan-Flieger (Erstveröffentlichung: 01.03.2025)Become a supporter of this podcast: https://www.spreaker.com/podcast/nacktes-niveau--5136972/support.

Lohn – eigentlich nur eine Zahl auf dem Papier, doch sie löst oft starke Emotionen aus. Es geht um Wertschätzung, Sicherheit und das Gefühl, fair behandelt zu werden. In einem Team kann das Thema Geld schnell zu einer Quelle von Spannung oder Zufriedenheit werden, je nachdem, wie die Erwartungen erfüllt werden. Deshalb fragen wir uns: Soll ein Team offen über Geld sprechen? Diese und weitere Fragen beantwortet Svetlana Stockmann in diesem Podcastinterview. Die erfahrene HR Leiterin teilt ihre langjährige Erfahrungen und Beobachtungen aus ihrem Berufsalltag und findet klare Worte für den Umgang mit Lohn im Team. Viel Freude beim Reinhören!In dieser Folge erfährst du:✅ Warum du mit deinen Kolleg:innen nicht über den Lohn sprechen sollst✅ Wie du mit Lohn umgehen sollst, wenn du Teilzeit arbeitest✅ Ob es Unterschiede gibt zwischen Frauen und  Männer in  Bezug auf Lohn und dessen Verhandlung✅ Wie du dich verhalten sollst, wenn die Familienplanung sich mit der Lohnverhandlung kreuzt✅ Welche Message Svetlana den Führungskräften und HR Kolleg:innen da draussen mitgeben möchte Mehr zu Svetlana Stockmann findest du hier Wenn dir der TEAMWORKS Podcast gefällt, dann freuen wir uns sehr, wenn du den Podcast auf deiner Lieblingsplattform mit fünf Sternen bewertest ⭐⭐⭐⭐⭐.Herzlichen Dank für deine Unterstützung!

"Die Welt ist voll mit Arschlöchern!", sagt Greta. Bis sie sich in einen Computerspezialisten verliebt. Der arbeitet an einem sehr besonderen Programm. Zwischen Leben und Tod.  Mit Birthe Schnöink, Daniel Hoevels, Anjorka Strechel, Ole Lagerpusch, Jens Wawrzeck u. a. | Regie: Iris Drögekamp | SWR 2022 

As anyone who's experienced depression can tell you, it's brutal. And, with almost 1 in 4 American women taking antidepressants, it's clear many of us are suffering. What's going on? What's to be done? In this latest episode of our “Love & Life:  Let's Talk About It” series, Miriam Conner and I explore depression in America—especially as it relates to women. Specifically, we consider: How depression is conceptualized.  The evidence that debunks the “chemical imbalance” explanation. Why antidepressants don't work. Lifestyle factors that contribute to depression. Spoiler alert:  pretty much everything in the standard American lifestyle contributes to it! Research based strategies to liberate us from the clutches of depression! Join us to learn how to break free from the grip of depression! N.B. Please DO NOT quit taking antidepressants without the consultation and guidance of a professional trained in how to taper off SSRIs safely. Antidepressant Discontinuation Syndrome can result when abruptly terminating SSRIs. This conversation does not prescribe medical or psychological advice and should not be taken as such.   Sponsor The Wellness Company Website: ⁠https://www.twc.health/lovelife⁠ Code: LOVELIFE for 15% off your order! Miriam Conner Podcast: ⁠aParently Speaking⁠ Facebook: https://www.facebook.com/aParentlySpeakingPodcast/ Dr. Karin  Website: http://loveandlifemedia.com/ Instagram: @dr.karin  Sources: Our conversation was based on Dr. Joseph Mercola's article, “Gross Misconduct—The Final Nail in the Coffin for Antidepressants.”  Mercola, J. (2024, January 29). Gross misconduct—The final nail in the coffin for antidepressants. Substack.  Moncrieff, J., Cooper, R.E., Stockmann, T. et al. (2023). The serotonin theory of depression: A systematic umbrella review of the evidence. Molecular Psychiatry 28, 3243–3256. https://doi.org/10.1038/s41380-022-01661-0 https://www.madinamerica.com/2023/09/the-stard-scandal-scientific-misconduct-on-a-grand-scale/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/love-and-life-media/message

Our guest, Andrew Stockmann, is trying to preserve sports history. He is wrapping up post-graduate studies with the desire to run a sports museum near you. He is also the host of the Hallowed Ground Podcast, which showcases many museums and sports curators that honor the legends and the legendary.We chat with Andrew about everything from his beloved KC Chiefs to his internship in the Pro Football Hall of Fame and everything in between.Follow Andrew on X at: https://twitter.com/astockmann8Join us at the Pigskin Dispatch website and the Sports Jersey Dispatch to see even more Positive football news! Sign up to get daily football history headlines in your email inbox @ Email-subscriberMiss our football by the day of the year podcasts, well don't, because they can still be found at the Pigskin Dispatch website.

pWotD Episode 2433: Tom Wilkinson Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 367,046 views on Saturday, 30 December 2023 our article of the day is Tom Wilkinson.Thomas Geoffrey Wilkinson (5 February 1948 – 30 December 2023) was an English actor. Known for his role on stage and screen he received numerous accolades including a BAFTA Award, a Golden Globe Award, and a Primetime Emmy Award as well as nominations for two Academy Awards and two Laurence Olivier Awards. In 2005, he was made an Officer of the Order of the British Empire (OBE). Wilkinson trained at the Royal Academy of Dramatic Art before making his West End debut portraying Horatio in Hamlet (1980) for which he received a nomination for the Laurence Olivier Award for Best Actor in a Supporting Role. He returned to the West End playing Dr. Stockmann in the Henrik Ibsen play An Enemy of the People (1988) receiving a Laurence Olivier Award for Actor of the Year in a Revival nomination.Wilkinson received the BAFTA Award for Best Actor in a Supporting Role for The Full Monty (1997) as well as two Academy Award nominations, one for Best Actor for In the Bedroom (2001) and Best Supporting Actor for Michael Clayton (2007). He became known as a character actor, acting in numerous films such as In the Name of the Father (1993), Sense and Sensibility (1995), Shakespeare in Love (1998), The Patriot (2000), Girl with a Pearl Earring (2003), Eternal Sunshine of the Spotless Mind (2004), Batman Begins (2005), Valkyrie (2008), The Ghost Writer (2010), The Best Exotic Marigold Hotel (2011), Belle (2013), Selma (2014), The Grand Budapest Hotel (2014), and Denial (2016).In 2009, he won a Golden Globe Award and a Primetime Emmy Award for Best Supporting Actor in a Miniseries or Movie for playing Benjamin Franklin in the HBO limited series John Adams (2008). His other Emmy-nominated roles were as Roy/Ruth Applewood in the HBO film Normal (2003), James Baker in the HBO film Recount (2008), and Joseph P. Kennedy Sr. in the limited series The Kennedys (2011).This recording reflects the Wikipedia text as of 02:20 UTC on Sunday, 31 December 2023.For the full current version of the article, see Tom Wilkinson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Amy Standard.

durée : 00:28:58 - Le Feuilleton - Le lendemain, Stockmann et sa femme ramassent encore les pierres jetées contre leurs fenêtres. Licencié ainsi que sa fille, il comprend que personne n'osera les soutenir et projette de partir en Amérique avec sa famille lorsqu'arrive son beau-père.

durée : 00:29:01 - Le Feuilleton - Le docteur tient une conférence devant l'assemblée houleuse des citoyens. Ceux-ci refusent qu'il expose sa découverte, le bailli les ayant convaincus qu'il affabulait. Stockmann leur fait part alors d'une révélation d'une tout autre portée.

durée : 00:28:51 - Le Feuilleton - La cause du docteur est soutenue par Hovstadt, rédacteur du journal et Aslaksen, imprimeur et représentant de l'association des petits propriétaires. Celui-ci propose d'user de son influence pour que Stockmann ait la majorité compacte derrière lui.

Michell Stockmann is the President & CEO of TechKnow Solutions, LLC and is the Co-Founder & CEO of Women Empowering Women National. Listen as we talk to Michell about starting her business as well as Women Empowering Women and the impact that networking has had on her career. In this episode get insight into just the way networking is done here in St. Louis. 

durée : 00:28:51 - Le Feuilleton - La cause du docteur est soutenue par Hovstadt, rédacteur du journal et Aslaksen, imprimeur et représentant de l'association des petits propriétaires. Celui-ci propose d'user de son influence pour que Stockmann ait la majorité compacte derrière lui.

durée : 00:29:01 - Le Feuilleton - Le docteur tient une conférence devant l'assemblée houleuse des citoyens. Ceux-ci refusent qu'il expose sa découverte, le bailli les ayant convaincus qu'il affabulait. Stockmann leur fait part alors d'une révélation d'une tout autre portée.

durée : 00:28:58 - Le Feuilleton - Le lendemain, Stockmann et sa femme ramassent encore les pierres jetées contre leurs fenêtres. Licencié ainsi que sa fille, il comprend que personne n'osera les soutenir et projette de partir en Amérique avec sa famille lorsqu'arrive son beau-père.

Dr. Peter Bongiorno discusses An Integrative Approach to Depression and Anxiety at the Functional Medicine Discussion Group meeting on September 28, 2023 with moderator Dr. Weitz.   [If you enjoy this podcast, please give us a rating and review on Apple Podcasts, so more people will find The Rational Wellness Podcast. Also check out the video version on my WeitzChiro YouTube page.]    Podcast Highlights 9:27   The Neurotransmitter Theory of Depression and Anxiety.  This theory is that specific neurotransmitters are responsible for mood disorders. For example, this theory includes the idea that depression is caused by a deficiency of serotonin.  In 2008 the New England Journal of Medicine published a paper suggesting that maybe this whole serotonin theory wasn't true, and a lot more people who took SSRIs actually didn't have as positive effect. [Belmaker RH, Agam G. Major Depressive Disorder. N Engl J Med 2008; 358:55-68.]  Then Fournier in JAMA published a paper showing that SSRIs had no better effect than placebo for mild to moderate depression, though they are beneficial for severe depression. In 2020 a paper discussed that the evidence is that "The main areas of serotonin research provide no consistent evidence of there being an association between serotonin and depression, and no support for the hypothesis that depression is caused by lowered serotonin activity or concentrations." [Moncrieff, J., Cooper, R.E., Stockmann, T. et al. The serotonin theory of depression: a systematic umbrella review of the evidence. Mol Psychiatry (2022).]  Some studies show that a medication, Stablon, which lowers serotonin, is equally effective as SSRI drugs that raise serotonin levels.  This is not to say that serotonin has no effect but only 27 to 35% of patients who take an antidepressant have a positive response.  Even if serotonin is a factor, there may be other factors that affect whether that antidepressant can be effective, such as do they have enough amino acids in their diet to make neurotransmitters?  It could also be because estrogen or other hormones are low or their adrenals or thyroid are off. Even if depression or anxiety are related to a neurotransmitter issue, we should be trying to figure out what caused this dysregulation of neurotransmitters.  Those reasons can include physiology, nutrients, hormones, inflammation, digestion, lack of sleep, not enough exercise, too much exercise, mitochondrial dysfunction, toxicity, mold. 16:02  SSRIs.  Drugs that potentially modulate serotonin and the other neurotransmitters, like the Selective Serotonin Reuptake Inhibitors (SSRI) even when they do work, tend to stop working after a period of time. And there are many problems with these drugs, including that they are very difficult to get off of these drugs when you want to stop taking them and they have significant side effects, including a significant increase in all-cause mortality.  Dr. John Neustadt spoke at the Connecticut Naturopathic Conference about how SSRIs increase the risk of osteoporosis by changing osteoblastic and osteoclastic activity.  Also when you place someone on these SSRI medications, it does change the function of the HPA axis and does change the ability and the balance of how the body regulates things like circadian rhythm, how it regulates the production of neurotransmitters, how it regulates the production of receptors. 20:32  Dietary Factors.  Two of the most important factors are the patient sleeping and pooping?  It is critical that the patient is having a good bowel movement daily.  We need to facilitate that whether it is adding fiber, water, magnesium, etc. If the patient has a lot of anxiety, that tends to put them into sympathetic mode, which shuts down the bowels. So we need to calm their anxiety, whether that is through supplements or acupuncture. Then the next step is to look at their diet and see what we can change to get them eating better.

Henrik Ibsen (1828 - 1906)Translated by R. Farquharson Sharp (1864 - 1925) A small coastal town in Norway is experiencing an economic boom from its newly found hot springs. When Dr. Thomas Stockmann finds that the waters are contaminated and dangerous, the people refuse to accept his statement, and Dr. Stockmann's friends turn against him. --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

In dieser Episode spricht Philipp Sandner mit Timo Bernau, Partner und Lawyer bei GSK Stockmann, über die Regulierung von digitalen Assets in Europa durch die MiCA. Timo teilt seine umfangreichen Erfahrungen im Bereich Tokenregulierung und erklärt, wieso der MiCA durch ihre allgemeine Gültigkeit eine besondere Rolle in der Regulierungswelt zukommt. Dabei gehen die beiden auf die Folgen der MiCA für bereits etablierte und regulierte Marktteilnehmer ein. Beispielsweise könnten bestehende Krypto-Börsen, wie die BSDEX der Börse Stuttgart ihr Geschäftsmodell ungehindert fortsetzen, während Lending Token, wie Aave eine entsprechende Lizenz beantragen müssten. Abschließend wird auch die Frage geklärt, wie stark dezentralisierte Netzwerke, wie Bitcoin, von der MiCA behandelt werden können.

Unsere Gossip und Genuss Helden haben sich in dieser Woche mal wieder einen Live-Gast in die heiligen Hamburger Podcast-Hallen geholt, nämlich Schauspielerin, Moderatorin, Podcasterin und Unternehmerin Jessica Stockmann. Nach ihrer Karriere im Showgeschäft, widmet sich die zweifache Mutter inzwischen Immobilien, die sie kauft, nach ihrem Geschmack umbaut und wieder verkauft. Diese Ausgabe wird also fast ein bisschen zum Einrichtungs-Podcast, denn es gibt spannende Fragen zu klären: Zum Beispiel, wieso Baustellen Jessicas große Leidenschaft geworden sind. Warum sie Besitzern einer Traumimmobilie, in die sie sich verliebt hat, auch gern mal einen handgeschriebenen Brief zukommen lässt. Oder: Weshalb in Luxusimmobilien inzwischen ein Ankleidezimmer die altehrwürdige Bibliothek ersetzt. Also, schiebt Eure Sofas um, dekoriert schön den Esstisch und dann lauscht einfach unseren Podcast-Helden und Heldinnen. Lebensmittel der Woche ist in dieser Folge der Sesam. Vorschläge und Anregungen jederzeit an podcast@isswashase.de Jessicas Homepage: https://www.stockmann3.com/ Jessica auf Instagram: https://www.instagram.com/_jessicastockmann_/?hl=de Cornelias Skrei-Rezept: SKREI - WINTERKABELJAU
MIT BLUMENKOHL, ROMANESCO & KAPERNSCHAUM Rezept für 2 Personen ZUTATEN ZUBEREITUNG Für den Kapernschaum: 1 Limette
1 EL Butter
1 EL Kapern, nonpareille 1 Schalotte
1 Knoblauchzehe
100 ml Weißwein
50 ml Noilly Prat Kapernwasser
150 ml Geflügelbrühe
80 ml Sahne Für das Püree: 250 g Blumenkohl
120 ml Milch
120 ml Schlagsahne 20 g gebräunte Butter Für den Skrei: 2 Stücke Skreifilet mit Haut (je ca. 200 g)
1 Knoblauchzehe
1 Zweig Thymian Olivenöl zum braten Für das Kohlgemüse: 1/2 kleinen Blumenkohl 1/2 kleinen Romanesco 4 Zweige Petersilie
1 EL Butter Feines Meersalz Pfeffer aus der Mühle Zur Fertigstellung: Salt Flakes Einige frittierte Kapernbeeren Die Limette filetieren. Die Schalotten und den Knoblauch in feine Streifen schneiden.
Die Butter in einem Topf erhitzen und die Schalotten, den Knoblauch, die Kapern und die Limettenfilets darin anschwitzen. Mit dem Noilly Prat und dem Weißwein ablöschen und einkochen lassen. Die Brühe und die Sahne angießen, aufkochen und auf 2/3 einkochen lassen. Die Sauce mit dem Stabmixer mixen und durch ein feines Sieb passieren. Mit Salz und Kapernsaft abschmecken. Den Blumenkohl mit der Milch und der Sahne in einen großen Topf geben und etwa 25 Minuten köcheln lassen, bis der Blumenkohl gar ist. Den Blumenkohl mit etwas Kochflüssigkeit im Standmixer fein pürieren, nach Bedarf noch etwas mehr von der Flüssigkeit zugeben und mit der braunen Butter und Salz abschmecken. Die Skreifilets kalt abbrausen und trocken tupfen.
Das Olivenöl in einer Pfanne erhitzen und die Skreifilets darin zuerst auf der Fleischseite anbraten. Wenden, die Thymianzweige dazu geben und im vorgeheizten Ofen bei 120 °C ca. 5 Minuten fertig garen. Die Blumenkohl- und Romanescoröschen getrennt in reichlich gesalzenem, kochendem Wasser bissfest blanchieren. In gesalzenem Eiswasser abschrecken. Die Petersilie waschen, trockenschütteln und die Blättchen fein schneiden. Die Kohlröschen trocken tupfen und in schäumender Butter goldbraun braten und mit Salz, Pfeffer und Petersilie abschmecken. Das Blumenkohlpüree, und das gebratene Kohlgemüse auf 2 vorgewärmten Tellern anrichten. Den Fisch mit Salt Flakes würzen und dazu anrichten. Den Kapernschaum aufschäumen und dazu anrichten. Mit den Kapernbeeren fertig stellen und sofort servieren. ------Werbung------ NORWEGIAN SEAFOOD CCOUNCIL: Erfahren Sie auf Skrei.com in einer einzigartigen Geschichte mehr darüber, wie der Winterkabeljau Skrei nur für kurze Zeit in Norwegen gefangen wird. ------Werbung------ ____________________ falkemedia: https://www.falkemedia.de/ hesse und hallermann: http://www.hessehallermann.com/ Carl Group: https://www.carl-group.de/

Album: Max Reger Selected Organ Works, Volume 1 – Disc 1MHS 1563 Artist: Werner Jacob Composer: Max Reger Fantasia On “Straf' Mich Nicht In Deinem Zorn,” Op. 40 No. 2Fantasia and Fugue In D Minor, Op. 135bFantasia On “Ein' Feste Burg Ist Unser Gott,” Op. 27 Organ: 1963 IV/95 Stockmann, St. Cornelius Catholic Church, Dülken,...

Vlad Merkulov at the age of 18 created his brand of skateboards, which he produced in Canada. Currently, Vlad is the founder and CEO of Beta Digital Production. He has 12 years of experience in design management and art direction, and 128 website awards. Created digital products for Beeline, METRO Cash and Carry, Rosbank, Sheremetyevo, Badoo, Alfa-Bank, Sibur, Hansa, Absolut Insurance, Tsvetnoy department store, Stockmann, Tatneft, and others. The creator and organizer of the main creative industry party - BEZ PRAVOK, which gathers 4500+ people. FIND VLAD ON SOCIAL MEDIA LinkedIn | Facebook | Instagram | Telegram | VKontakte ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

On July 20, 2022 a review was published in the journal of Molecular Psychiatry. This review compiled 30 years of research into serotonin and depression in full showing little evidence of any abnormality of serotonin in people with depression.The Chemical Imbalance theory of depression has been widely publicized by Doctors and the Media for decades. This serotonin theory of depression has influenced millions to take or continue antidepressant medication.IT IS REALLY IMPORTANT THAT YOU DO NOT STOP YOUR ANTIDEPRESSANTS SUDDENLY OR TOO FAST.Today we discuss this review and its implications. RADICALLY GENUINE PODCASTRadically Genuine Podcast Website Twitter: Roger K. McFillin, Psy.D., ABPPInstagram @radgenpodTikTok @radgenpodRadGenPodcast@gmail.comIf you are in a crisis or think you have an emergency, call your doctor or 911. If you're considering suicide, call 1-800-273-TALK to speak with a skilled trained counselor.ADDITIONAL RESOURCESMoncrieff, J., Cooper, R.E., Stockmann, T. et al. The serotonin theory of depression: a systematic umbrella review of the evidence. Mol Psychiatry (2022)10:30 - Zoloft 2002 TV Ad Commercial19:00 - RollingStone: Who Is the Psychiatrist Behind the Antidepressant Study Taking Over Right-Wing Media?33:00 - The naturalistic course of unipolar major depression in the absence of somatic therapy36:00 - Relabeling the Medications We Call Antidepressants - PMC45:00 - How to take the news that depression has not been shown to be caused by a chemical imbalance | Joanna Moncrieff

Kammerspiel · Culture Clash in Japan: Zwei Paare machen zusammen Urlaub in Tokio - doch in der Fremde prallen die unterschiedlichen Lebensentwürfe aufeinander. Der Kampf ums eigene Wertesystem beginnt - und keiner kann gewinnen. // Mit Falk Rockstroh. Claude De Demo, Urs Fabian Winiger, Effi Rabsilber, Jack Triebel, Chiaki Ikuta/ Komposition: Jakob Böttcher/ Regie: Oliver Sturm/ BR 2022// Exklusive Hörspiel- und Kultur-Tipps unter br.de/kultur-newsletter