Podcasts about macarthur foundation fellowship

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination, wit, and sly humor. Born to sharecroppers in North Carolina who were descendants of enslaved people, Scott's family migrated to Baltimore, Maryland, where the artist was born and raised. Scott hales from a long line of makers with extraordinary craftsmanship adept at pottery, knitting, metalwork, basketry, storytelling, and quilting. It was from her family that the young artist cultivated the astonishing skills and expertise for which she is now renowned, and where she learned to upcycle all materials, repositioning craft as a forceful stage for social commentary and activism. In the 1990s, Scott began working with glass artisans to create blown, pressed, and cast glass that she incorporated into her beaded sculptures. This not only allowed her to increase the scale of her work, but also satisfied her desire to collaborate. In 1992, she was invited to the Pilchuck Glass School, Stanwood, Washington. Continuing her interest in glass, Scott has worked with local Baltimore glassblowers as well as with flameworking pioneer Paul Stankard and other celebrated glass fabricators. In 2012, Goya Contemporary Gallery arranged to have Scott work at Adriano Berengo's celebrated glass studio on the island of Murano in Italy, creating works that were part of the exhibition Glasstress through the Venice Biennale. Scott has worn many hats during her illustrious career: quilter, performance artist, printmaker, sculptor, singer, teacher, textile artist, recording artist, painter, writer, installation artist, and bead artist. Her wide-ranging body of work has crossed styles and mediums, from the most intricate beaded form to large-scale outdoor installation. Whether social or political, the artist's subject matter reflects her narrative of what it means to be Black in America.  Scott continues to live and work in Baltimore, Maryland. She received a BFA from the Maryland Institute College of Art and an MFA from Instituto Allende in San Miguel de Allende, Mexico. Selected solo museum exhibitions include The Baltimore Museum of Art (2024); Seattle Art Museum (2024 – 2025); and Grounds for Sculpture (2018), Trenton, NJ. She is the recipient of myriad commissions, grants, awards, residencies, and prestigious honors including from the National Endowment for the Arts, Louis Comfort Tiffany Foundation, Anonymous Was a Woman, American Craft Council, National Living Treasure Award, Lifetime Achievement Award from the Women's Caucus for the Arts, Mary Sawyers Imboden Baker Award, MacArthur Foundation Fellowship (2016), Smithsonian Visionary Artist Award, National Academy of Design Induction, and Moore College Visionary Woman Award, among others. In March of 2024, Scott opened a major 50-year traveling Museum retrospective titled Joyce J. Scott: Walk a Mile in My Dreams co-organized by the Baltimore Museum of Art and Seattle Art Museum. Also in 2024, Scott opened Bearing Witness: A History of Prints by Joyce J Scott at Goya Contemporary Gallery. Her latest exhibition, Joyce J. Scott: Messages, opened at The Chrysler Museum of Art on February 6, 2025 and will run through August 17, 2025 at the Glass Projects Space. This exhibition is organized by Mobilia Gallery, Cambridge, MA. Says Carolyn Swan Needell, the Chrysler Museum's Barry Curator of Glass: “We are thrilled to host this focused traveling exhibition here in Norfolk at the very moment when Scott's brilliant career is being recognized more widely, through a retrospective of her work that is co-organized by the Baltimore Museum of Art and the Seattle Museum of Art.”  In Messages, 34 remarkable beaded works of art spanning the artist's career express contemporary issues and concepts. Included in the show is Scott's recent beaded neckpiece, War, What is it Good For, Absolutely Nothin', Say it Again (2022). A technical feat in peyote stitch, infused with color and texture, this multilayered and intricate beadwork comments on violence in America. Embedding cultural critique within the pleasurable experience of viewing a pristinely crafted object, Scott's work mines history to better understand the present moment. The visual richness of Scott's objects starkly contrasts with the weight of the subject matter that they explore. She says: “I am very interested in raising issues…I skirt the borders between comedy, pathos, delight, and horror. I believe in messing with stereotypes, prodding the viewer to reassess, inciting people to look and then carry something home – even if it's subliminal – that might make a change in them.”   

“I tell people you don't have to say, ‘I'm just a drop in the bucket.' Well, take care of your drop. Your drop affects so many other people and whenever you speak or are in contact with people, you're shaping and changing every day.”Sandra is a prolific poet, author, and artist, perhaps best known for her book The House on Mango Street, originally published in 1984, which has gone on to sell over six million copies and is required reading in schools across the world. Recently, Sandra published her first book of poetry in 28 years called Woman Without Shame, a brilliant collection of songs, elegies, and declarations. She has received a number of awards and honors including the MacArthur Foundation Fellowship, two National Endowment for the Arts Literature Fellowships in poetry and prose. Sandra has also founded the Macondo Foundation, an association of socially engaged writers, and the Alfredo Cisneros Del Moral Foundation, a grant-giving institution that served Texas writers for fifteen years.Join us for a conversation about the ways in which we all have a gift to give, how invested teachers can really change a life, taking darkness and transforming it into a path out, and being courageous enough to taking the next step.In this conversation you'll find:* Being the only girl with six brothers* Her struggles in school to stay engaged and reign in her imagination* Growing up sensitive, and later realizing it was a gift* Writing in secret out of shame* The power dynamics and damage of an affair with a married professor* A 20 year “overnight” journey to success* Learning more from disasters than accolades* Having exactly what we need to make change* Not wasting our time in life This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shannonwatts.substack.com/subscribe

Dr. Laura Kiessling is the Novartis Professor of Chemistry at Massachusetts Institute of Technology (MIT) and Member of the Broad Institute. Laura's research focuses on carbohydrates, particularly all of the different carbohydrates found on the surfaces of cells. We still know relatively little about the functions of these carbohydrates, and Laura is eager to learn more. When she's not doing science, Laura likes being active through rowing, kayaking, cycling, lifting weights, or doing yoga. She also likes to spend her free time cooking, hiking, camping, and enjoying art. She received her BS degree in chemistry from MIT and her Ph.D. degree in organic chemistry from Yale University. After two years at the California Institute of Technology as an American Cancer Society Postdoctoral Fellow, she joined the faculty of the University of Wisconsin, Madison in 1991. She returned to MIT in 2017. Laura has received numerous awards over the course of her career, including the Ronald Breslow Award in Biomimetic Chemistry, the Centenary Prize from the Royal Society of Chemistry, the Tetrahedron Prize for creativity in Organic Chemistry or Bioorganic & Medicinal Chemistry, the Gibbs Medal, from the Chicago Chapter of the American Chemical Society, the Vilas Distinguished Faculty Award from UW-Madison, and others. Laura is an elected Member of the National Academy of Sciences, the National Academy of Medicine, the American Academy of Microbiology, and the American Academy of Arts & Sciences, and American Philosophical Society, as well as an elected Fellow of the American Association for the Advancement of Science. She has been awarded a Guggenheim Fellowship, an American Cancer Society Fellowship, a MacArthur Foundation Fellowship, and an Alfred P. Sloan Foundation Fellowship. She is also the founding Editor-In-Chief of the journal ACS Chemical Biology. In this interview, Laura shares more about her life and science.

In this episode I had the honor to sit down with artist Jeffrey Gibson joined by curator and co-editor of An Indigenous Present, Jenelle Porter. We were given space at SITE Santa Fe in Director Louis Grachos office to have a long and generative conversation while we celebrated the book's launch over Indian Market weekend. We talk about Jeff's practice and his journey to this moment and the Artist shares the vulnerable, complicated, difficult and joyous path of choosing to be an Artist, offering reflection from what he has learned along the way, understanding how the practice and studio has evolved in the 20 some years of being a working Artist. We then dive in with both Jeff and Jenelle to speak on Jeff's thought process behind An Indigenous Present, learning about the years of care and intention behind the project, which is, as Jeff reflects, an “Artist book about Artists”. We round out our 2 plus hour chat with the excitement and work that has come with Jeffrey being named the artist to represent the U.S. at the 60th Venice Biennale. As we end our chat, both Jeff and Jenelle share important and practical insight on how to navigate the art worlds and art markets and Jeffrey reminds us all that “Artists do have the power to set precedence in institutions”. Featured song: SMOKE RINGS SHIMMERS ENDLESS BLUR by Laura Ortman, 2023 Broken Boxes introduction song by India Sky More about the publication An Indigenous Present: https://www.artbook.com/9781636811024.html More about the Artist Jeffrey Gibson Jeffrey Gibson's work fuses his Choctaw-Cherokee heritage and experience of living in Europe, Asia and the USA with references that span club culture, queer theory, fashion, politics, literature and art history. The artist's multi-faceted practice incorporates painting, performance, sculpture, textiles and video, characterised by vibrant colour and pattern. Gibson was born in 1972, Colorado, USA and he currently lives and works in Hudson Valley, New York. The artist combines intricate indigenous artisanal handcraft – such as beadwork, leatherwork and quilting – with narratives of contemporary resistance in protest slogans and song lyrics. This “blend of confrontation and pageantry” is reinforced by what Felicia Feaster describes as a “sense of movement and performance as if these objects ... are costumes waiting for a dancer to inhabit them.” The artist harnesses the power of such materials and techniques to activate overlooked narratives, while embracing the presence of historically marginalised identities. Gibson explains: “I am drawn to these materials because they acknowledge the global world. Historically, beads often came from Italy, the Czech Republic or Poland, and contemporary beads can also come from India, China and Japan. Jingles originated as the lids of tobacco and snuff tins, turned and used to adorn dresses, but now they are commercially made in places such as Taiwan. Metal studs also have trade references and originally may have come from the Spanish, but also have modern references to punk and DIY culture. It's a continual mash-up.” Acknowledging music as a key element in his experience of life as an artist, pop music became one of the primary points of reference in Gibson's practice: musicians became his elders and lyrics became his mantras. Recent paintings synthesise geometric patterns inspired by indigenous American artefacts with the lyrics and psychedelic palette of disco music. Solo exhibitions include ‘THE SPIRITS ARE LAUGHING', Aspen Art Museum, Colorado (2022); ‘This Burning World', Institute of Contemporary Art, San Francisco, California (2022); ‘The Body Electric', SITE Santa Fe, New Mexico (2022) and Frist Art Museum, Nashville (2023); ‘INFINITE INDIGENOUS QUEER LOVE', deCordova Sculpture Park and Museum, Lincoln, Massachusetts (2021); ‘To Feel Myself Beloved on the Earth', Benenson Center, Art Omi, Ghent, New York (2021); ‘When Fire is Applied to a Stone It Cracks', Brooklyn Art Museum, Brooklyn, New York (2020); ‘The Anthropophagic Effect', New Museum, New York City, New York (2019); ‘Like a Hammer', Madison Museum of Contemporary Art, Madison, Wisconsin (2019); Seattle Art Museum, Seattle, Washington (2019); Mississippi Museum of Art, Jackson, Mississippi (2019); Denver Art Museum, Denver, Colorado (2018); ‘This Is the Day', Blanton Museum of Art, Austin, Texas (2019); Ruth and Elmer Wellin Museum of Art, Clinton, New York (2018) and ‘Love Song', Institute of Contemporary Art, Boston, Massachusetts (2013). For the Toronto Biennial 2022, Gibson presented an evolving installation featuring fifteen moveable stages at Museum of Contemporary Art Toronto, Ontario, Canada. Other recent group exhibitions include ‘Dreamhome', Art Gallery of New South Wales, Sydney, Australia (2022); ‘Crafting America', Crystal Bridges, Bentonville, Arkansas (2021); ‘Monuments Now', Socrates Sculpture Park, Queens, New York (2020); ‘Duro Olowu: Seeing Chicago', Museum of Contemporary Art, Chicago, Illinois (2020) and The Whitney Biennial, Whitney Museum of American Art, New York City, New York (2019). Works can be found in the collections of Denver Art Museum, Denver, Colorado; Eiteljorg Museum, Indianapolis, Indiana; High Museum of Art, Atlanta, Georgia; Museum of Fine Arts, Boston, Massachusetts; The Museum of Modern Art, New York City, New York; National Gallery of Canada, Ottawa, Canada; Rose Art Museum, Brandeis University, Waltham, Massachusetts; San Francisco Museum of Modern Art, San Francisco, California; Seattle Art Museum, Seattle, Washington; Smithsonian Institution, Washington, DC and Whitney Museum of American Art, New York City, New York, amongst others. Gibson is a recipient of numerous awards, notably a MacArthur Foundation Fellowship (2019), Joan Mitchell Foundation, Painters and Sculptors Grant (2015) and Creative Capital Award (2005). More about Curator/Writer Jenelle Porter: Jenelle Porter is a curator and writer living in Los Angeles. Current and recent exhibitions include career surveys of Barbara T. Smith (ICA LA, 2023) and Kay Sekimachi (Berkeley Art Museum, 2021); Less Is a Bore: Maximalist Art & Design (ICA/Boston, 2019); and Mike Kelley: Timeless Painting (Mike Kelley Foundation and Hauser & Wirth, New York, 2019). She is co-editor of An Indigenous Present with artist Jeffrey Gibson (fall 2023), and a Viola Frey monograph (fall 2024). From 2011 to 2015 Porter was Mannion Family Senior Curator at the Institute of Contemporary Art/Boston, where she organized Fiber: Sculpture 1960–present and Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams, as well as monographic exhibitions of the work of Jeffrey Gibson, Jessica Jackson Hutchins, Dianna Molzan, Christina Ramberg, Mary Reid Kelley, Arlene Shechet, and Erin Shirreff. Her exhibitions have twice been honored by the International Association of Art Critics. As Curator at the Institute of Contemporary Art, Philadelphia (2005–10), Porter organized Dance with Camera and Dirt on Delight: Impulses That Form Clay, the first museum surveys of Trisha Donnelly and Charline von Heyl, and numerous other projects. From 1998–2001 Porter was curator at Artists Space, New York. She began her career in curatorial positions at both the Walker Art Center and the Whitney Museum of American Art. She has authored books and essays including those on artists Polly Apfelbaum, Kathy Butterly, Viola Frey, Jeffrey Gibson, Sam Gilliam, Jay Heikes, Margaret Kilgallen, Liz Larner, Ruby Neri, and Matthew Ritchie, among others. An Indigenous Present: Conversation with Jeffrey Gibson and Jenelle Porter

Today's poem is by Alicia Elsbeth Stallings (born July 2, 1968), an American poet, translator, and essayist.Stallings has published five books of original verse: Archaic Smile (1999), Hapax (2006), Olives (2012), Like (2018), and This Afterlife (2022). She has published verse translations of Lucretius's De Rerum Natura (The Nature of Things) and Hesiod's Works and Days, both with Penguin Classics, and a translation of The Battle of the Frogs and the Mice.She has been awarded the Willis Barnstone Translation Prize, a Guggenheim Fellowship,[2] a MacArthur Foundation Fellowship[3] and has been a finalist for the Pulitzer Prize for Poetry[4] and the National Book Critics Circle Award.[5] Stallings is a Fellow of the American Academy of Arts & Sciences.[6] On June 16, 2023, she was named the University of Oxford's 47th Professor of Poetry.[7][8]—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Carolyn Bertozzi is the Anne T. and Robert M. Bass Professor of Chemistry and Professor of Chemical & Systems Biology (by courtesy) at Stanford University, the Baker Family Director at Sarafan ChEM-H, and an Investigator of the Howard Hughes Medical Institute. She completed her undergraduate degree in Chemistry from Harvard University in 1988 and her Ph.D. in Chemistry from UC Berkeley in 1993. After completing postdoctoral work at UCSF in the field of cellular immunology, she joined the UC Berkeley faculty in 1996. In June 2015, she joined the faculty at Stanford University as an Institute Scholar at Sarafan ChEM-H.Bertozzi's research interests span the disciplines of chemistry and biology. She invented the concept of “bioorthogonal chemistry” and has widely applied such reactions to study biological processes and build new types of molecular therapeutics. As well, her lab studies the roles of cell surface glycosylation in human health and disease. Her lab focuses on profiling changes in cell surface glycosylation associated with cancer, inflammation and bacterial infection, and exploiting this information for development of diagnostic and therapeutic approaches, most recently in the area of immuno-oncology. Bertozzi has been recognized with many honors and awards for both her research and teaching accomplishments. She is an elected member of the National Academy of Sciences, the National Academy of Medicine, and the German Academy of Sciences Leopoldina, and she is a Foriegn Fellow of the Royal Society, UK. Her efforts in undergraduate education have earned her the UC Berkeley Distinguished Teaching Award and the Donald Sterling Noyce Prize for Excellence in Undergraduate Teaching. Some awards of note include the Lemelson-MIT award for inventors, Ernst Schering Prize, MacArthur Foundation Fellowship, the ACS Award in Pure Chemistry, and just last week, the 2022 Nobel Prize in Chemistry. Alix Ventures, by way of BIOS Community, is providing this content for general information purposes only. Reference to any specific product or entity does not constitute an endorsement nor recommendation by Alix Ventures, BIOS Community, or its affiliates. The views & opinions expressed by guests are their own & their appearance on the program does not imply an endorsement of them nor any entity they represent. Views & opinions expressed by Alix Ventures employees are those of the employees & do not necessarily reflect the view of Alix Ventures, BIOS Community, affiliates, nor its content sponsors.Thank you for listening!BIOS (@BIOS_Community) unites a community of Life Science innovators dedicated to driving patient impact. Alix Ventures (@AlixVentures) is a San Francisco based venture capital firm supporting early stage Life Science startups engineering biology to create radical advances in human health.Music: Danger Storm by Kevin MacLeod (link & license)

SummaryWhy has it taken so long to mainstream disabled people's concerns, when 15% of the global population has some form of disability?Has it been helpful to see disability integrated into Diversity, Equity, and Inclusion (DEI) approaches -- or have there been some downsides to this approach?Are there disadvantages to being perceived as a single-issue organization (i.e. disabled people's organizations)?Today, I am interviewing Susan Sygall of Mobility International USA (MIUSA) about how NGOs go about claiming  rights for people with physical, mental and cognitive disabilities. Susan's Bio:Co-founder of the Disabled Women's Coalition at the University of California, BerkeleyCo-founder of the non-profit organization Mobility International USA  (MIUSA)Winner of the prestigious Henry Viscardi Achievement Awards in 2014 for her work in the disability sectorRecipient of a prestigious MacArthur Foundation Fellowship in 2000Wheelchair rider since the age of 18 We discuss: Mobility Int. USA (MIUSA) works on disability rights. It does programming with men and women, though its leadership development program WILD (Women's Institute on Leadership and Disability) has a special emphasis on women with a disability and their leadership, given these women's ‘double disadvantage'.Organizations like MIUSA and others are sometimes indicated as DPOs – Disabled People's Organizations -- , or OPDs – Organizations for People with DisabilitiesMIUSA's business model is built, among others, on a consulting offering: MIUSA advises ‘mainstream' NGOs as well as other international development actors on how to integrate disabled people's approaches into their workOne of the focal points of MIUSA's advisory work with non-disability-focused development actors is to make sure that these organizations do not just have policies on paper, but have integrated disability concerns into actual budgets, by adding 2-3% to the budget to allow for disability accommodations and 5-7% for integrating disabled people into program evaluationsSusan senses that disabled people's rights finally are getting more fully taken on board; the focus on DEI seems to have helped with this coming to fruitionIf funders request as a standard measure that grant applications indicate how disabled people will be incorporated into the programming, this supports mainstreaming in significant waysOne of the aspects common to disabled leaders is that in their biographical background, there often were one or more family members who believed in the capacities of the person and supported them wholeheartedly. Resources:Mobility International USA websiteProfile of Team and Staff at MIUSAWILD: Women's Institute on Leadership and Disability Five Oaks Consulting School's Online course on Virtual Team Leadership skillsUpcoming course dates: September 24 - November 5, 2022 Enroll now to catch the pre-sale discount! Youtube video of this podcastClick here to subscribe to&

In conversation with Tamala Edwards, anchor, 6ABC Action News morning edition, and Dr. Anthea Butler, Geraldine R. Segal Professor in American Social Thought and Chair of Religious Studies, University of Pennsylvania Introduced by legendary poet, Sonia Sanchez Nikole Hannah-Jones won the 2020 Pulitzer Prize for Commentary for her work on The 1619 Project, a continuing initiative started byThe New York Times Magazine to reexamine United States history through the consequences of slavery and the contributions of Black Americans. The co-founder of the Ida B. Wells Society for Investigative Reporting, Hannah-Jones has earned, among many other honors, a Peabody Award, two George Polk Awards, three National Magazine Awards, and a MacArthur Foundation Fellowship. She was recently was named the Knight Chair in Race and Journalism at Howard University. Interweaving 18 essays with 36 works of fiction and nonfiction by a group of writers of diverse backgrounds, skills, and experiences, The 1619 Project: A New Origin Story is a greatly expanded exploration of the continuing legacy of slavery in our cultural, political, and legal institutions. (recorded 11/17/2021)

Daphne Koller is the CEO and founder of insitro, a machine learning-enabled drug discovery company. Previously, she was a professor of computer science at Stanford University for 18 years, co-founder and co-CEO of Coursera, and the Chief Computing Officer of Calico, an Alphabet company in the healthcare space. She received the MacArthur Foundation Fellowship in 2004. In this conversation with Stanford adjunct lecturer Ravi Belani, Koller examines the key turning points in her diverse and innovative career, and speaks about how she searched for the opportunities that would have the greatest impact on the world.

Daphne Koller is the CEO and founder of insitro, a machine learning-enabled drug discovery company. Previously, she was a professor of computer science at Stanford University for 18 years, co-founder and co-CEO of Coursera, and the Chief Computing Officer of Calico, an Alphabet company in the healthcare space. She received the MacArthur Foundation Fellowship in 2004. In this conversation with Stanford adjunct lecturer Ravi Belani, Koller examines the key turning points in her diverse and innovative career, and speaks about how she searched for the opportunities that would have the greatest impact on the world.

In episode 73 of The Great Women Artists Podcast, Katy Hessel interviews one of the most trailblazing artists alive today, JORDAN CASTEEL !!!!!!!  Born and raised in Denver and now based in New York City, Casteel is hailed for her portraits and landscapes imbued with expressivity and authenticity, gestural brushwork and bold swathes of colour, which capture the fleeting and very real moments of life, closeness, and honest relationships.   Since receiving her BA from Agnes Scott College, Georgia for Studio Art in 2011, and her MFA in Painting and Printmaking from Yale School of Art, 2014, the past seven years for Casteel have been monumental. In 2020, she presented a critically-acclaimed major solo exhibition titled “Within Reach,” at the New Museum, New York; and other recent institutional solo exhibitions include “Jordan Casteel: Returning the Gaze,” presented at both the Denver Art Museum, CO (2019), and the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, CA (2019–20).   In recent years, she has participated in exhibitions at institutional venues such as SF MoMA; Art Institute of Chicago; the Metropolitan Museum of Art; Crystal Bridges; Museum of Contemporary Art, Chicago; MoCA Los Angeles, CA (2018); The Studio Museum in Harlem, NY (2017 and 2016), where between 2015–16 she participated in their prestigious residency programme, among many others. Casteel's paintings have graced the front cover of American Vogue, Time Magazine, and in 2019 were blown up to 1,400 square foot for Manhattan's High Line. As of 2021, Casteel is also the recipient of a MacArthur Foundation Fellowship.   But the reason why we are speaking with Jordan today, in London I might add, is because she has just unveiled one of the most hotly anticipated exhibitions of the year, and her first ever UK solo exhibition at Massimo De Carlo: “There is a Season”, a show focussing on the minutiae of daily interactions, conversations, and connections, which embraces the ebb and flow of lived experiences, articulated by the rhythmic tick of time, which I cannot wait to find out more about… FURTHER LINKS! https://www.massimodecarlo.com/exhibition/521/there-is-a-season http://www.jordancasteel.com/ https://caseykaplangallery.com/artists/casteel/ https://www.instagram.com/jordanmcasteel/?hl=en https://www.macfound.org/fellows/class-of-2021/jordan-casteel https://www.newmuseum.org/exhibitions/view/jordan-casteel-within-reach LISTEN NOW + ENJOY!!! Follow us:Katy Hessel: @thegreatwomenartists / @katy.hesselSound editing by Nada SmiljanicResearch assistant: Viva RuggiArtwork by @thisisaliceskinnerMusic by Ben Wetherfield https://www.thegreatwomenartists.com/

Dr. Michael Dickinson is the Esther M. and Abe M. Zarem Professor of Bioengineering  at the California Institute of Technology. His work focuses on the biomechanics and the biophysics of life with a particular focus on how animals fly. He looks at these questions through a neuroscientific lens, trying to understand behavior and flight control. In addition to being an excellent scientist, Michael is quite the enthusiastic musician. He played guitar for many years, and has been strumming on the ukulele for about 10 years as well. Much of his free time is spent gardening native plants and enjoying the company of his family. He received his PhD in Zoology from the University of Washington and afterwards worked briefly at the Max Planck Institute for Biological Cybernetics in Tübingen, Germany. Michael has received numerous awards and honors during his career, including the Larry Sandler Award from the Genetics Society of America, the Bartholemew Award for Comparative Physiology from the American Society of Zoologists, a Packard Foundation Fellowship in Science and Engineering, a MacArthur Foundation Fellowship, and the Quantrell award for Excellence in Undergraduate Teaching from the University of Chicago. He is also a Fellow of the American Academy of Arts and Sciences. Michael shares more about his journey through life and science in this interview.

There is a conversation that we are not having in medicine – and that is related to our dying.  Oftentimes when this conversation does happen, it is often too late for palliative care to do some good, to relieve suffering, to improve quality of life, during the time that we have left.  And because this conversation doesn’t happen, or doesn’t occur early enough, death has become painful.  Death is inevitable, it is a universal process that we all will go through one day, as we are living organisms.  I believe that we have lost our way in the practice of medicine.  We have forgotten the very foundation of medical practice, which is to relieve human suffering.  We sacrifice our human connections in the practice of medicine because health care is first and foremost a business.  We continue to treat patients even if the effort is futile, and sometimes we even offer harmful treatment, in the name of prolonging life- when it can be physically, emotionally, and spiritually damaging to our patients.  Join us in this eye-opening conversation about palliative care, as it is a field that still represents ‘the good and humane’ in medical practice.  Dr. Diane Meier, MD  is the founder and was the longtime director of the Center to Advance Palliative Care, a national organization devoted to increasing access to quality health care in the U.S. for people living with a serious illness.  She has received numerous awards and was the 2008 recipient of the MacArthur Foundation Fellowship (aka the MacArthur Genius Award).

Welcome to Season 3 of SolTalk! For our season premiere, David and Joey chat with living legend Luis Alfaro about his recent appointment as one of Center Theatre Group's newest Associate Artistic Directors, how The Great Pause has become The Great Possibility, and he shares his wisdom for young writers.     Luis Alfaro was born and raised in downtown Los Angeles and is Center Theatre Group's newest Associate Artistic Director. He is a Chicano writer known for his work in poetry, theatre, short fiction, performance, and journalism. He is the recipient of a MacArthur Foundation Fellowship, popularly known as the ‘genius' grant; the PEN America/Laura Pels International Foundation Theater Award for a Master Dramatist; United States Artist Fellowship and Ford Foundation's Art of Change Fellowship, among others.    Luis spent six seasons as the Mellon Playwright-in-Residence at the Oregon Shakespeare Festival (2013-2019); a member of the Playwright's Ensemble at Chicago's Victory Gardens Theatre (2013-2020); a resident artist at the Mark Taper Forum (1995-2005); and has been associated with the Ojai Playwrights Conference since 2002. His plays and performances include Electricidad, Oedipus El Rey, Mojada, Delano and Body of Faith. Luis spent over two decades in the Los Angeles poetry and performance art communities. He is an Associate Professor with tenure at the University of Southern California (USC). His recent book, The Greek Trilogy of Luis Alfaro, was released by Methuen Drama this past year, and is the winner this year of the prestigious London/Hellenic Prize for 2020.    Connect with Luis (he/him) https://www.instagram.com/theluisalfaro/?hl=en https://twitter.com/LuisAlfaroLA?s=20    Connect with David (he/they) http://www.davidmendizabal.com/ https://www.instagram.com/its_daveed/   Connect with Joey (they/them) https://www.instagram.com/mxjoeyreyes/ https://twitter.com/mxjoeyreyes   Follow The Sol Project http://www.solproject.org/about-us.html  https://www.facebook.com/solprojectnyc/ https://www.instagram.com/solprojectnyc/ https://twitter.com/solprojectnyc   This episode was mixed and edited by Iris Zacarías (she/they) https://www.iriszdesigns.com/ https://www.instagram.com/irismarcelina/

There is inequality in the United States, a fact most people accept and which data certainly bears out. But how bad do you think that inequality is, say, based on comparing the wealth held by the average Black person in America and the average white person? This is one of the questions that Jennifer Richeson, a social psychologist at Yale University, studies. She has news -- bad news -- about both the actual gap and what people across the board think that gap is. First off, the facts. The Black-white wealth gap in the United States is, in Richeson's words, “staggeringly large.” Citing figures from 2016, she notes that “the average Black family had about 10 percent of the wealth of the average white family.” The actual percentage in wealth improved slightly in the five years since, “but the important thing is that it's a huge, staggering gap that has been persistent for 50 to 60 years.” With the gap so large and so persistent, you might expect estimates of its size to reflect reality. You would be mistaken, as Richeson tells interviewer David Edmonds in this Social Science Bites podcast. “If you ask the average American on any given day, they will probably say the wealth gap is around 65, 70 percent. … That's not only wrong, it's very wrong compared to the actual wealth gap. … Part of the reason we're so wrong is because we really believe that since the 50s, 60s, 70s, 80s, things have gotten dramatically better and are continuing to get better.” The perception is that roughly since the Civil Rights era the gap narrowed from about half to near parity. Respondents to these sorts of questions “feel compelled to conform to this narrative of racial progress” in their estimates, a narrative that Richeson has likened to a mythology. “No, things are not fine – they are similarly bad as they were in the 60s. That's true for the wealth gap, that's true for the wage gap. Income is slightly better, but not much. It's a persistent and pervasive staggering inequality that's stubborn, and our psychology refuses to believe that.” Visions of this delusional economic advancement are shared broadly across the nation's economic and ethnic strata; “Black Americans,” Richeson says, “are more accurate but still really wrong.” Her research has found that the more you believe in a just world, the more your estimate will underestimate the gap. This suggests in part why Black Americans – with daily experiences of structural inequality – give estimates that are at least a little closer to the mark. “One reason we believe there is this gap between Black Americans and white Americans is because of the differential tendency to believe that outcomes are fair and only determined by your individual effort, talent, hard work.” This massive misperception matters. While “being this wrong about anything is interesting” academically, Richeson says, the magnitude of this misperception affects individual and societal wellbeing; it also undermines the idea behind the so-called American dream, that American society is a meritocracy. American cannot, she says, “just know the truth and do nothing about it.” Richeson, the Philip R. Allen Professor of Psychology at Yale, received the SAGE-CASBS Award in 2020 for her work and will deliver a COVID-delayed lecture at the Center for Advanced Study in the Behavioral Sciences at Stanford University later this year. That was one of a number of honors she has accumulated, including a 2007 John D. & Catherine T. MacArthur Foundation Fellowship (known as the “genius award”), a John Simon Guggenheim Memorial Foundation Fellowship (2015), the Mamie Phipps Clark and Kenneth B. Clark Distinguished Lecture Award from Columbia University (2019), the Career Trajectory Award from the Society of Experimental Social Psychology (2019), and a Carnegie Foundation Senior Fellowship (2020).

An-My Lê lives and works in Brooklyn, New York. Lê received her BA from Stanford University and a Master of Fine Arts from the Yale University School of Art. She is the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College, New York, where she has taught since 1999. In addition to her survey exhibition, On Contested Terrain, traveling in the US, she has had solo exhibitions at the MK Gallery, Milton Keynes (England) and Museum aan de Stoom (Belgium) in 2014; Baltimore Museum of Art in 2013; San Francisco Museum of Modern Art / SFMOMA in 2008; Dia:Beacon in 2006-07; and MoMA PS1 Contemporary Arts Center in 2002. As a teenager Lê fled Vietnam with her family in 1975. They eventually settled in the US as refugees. Her work often addresses the impact of war on culture and on the environment. Lê says her "main goal is to try to photograph landscape in such a way that it suggests a universal history, a personal history, a history of culture." Lê is the recipient of numerous awards and grants: in 2012 she was awarded the John D. and Catherine T. MacArthur Foundation Fellowship; in 2010, the Louis Comfort Tiffany Foundation Award; in 2007, the National Science Foundation, Antarctic Artists and Writers Program Award; in 2004 the John Gutmann Photography Fellowship; and in 1997 the John Simon Guggenheim Memorial Foundation fellowship. The exhibition, đô-mi-nô, runs from 24 June – 20 August 2021 at Marian Goodman Gallery New York (24 W 57 Street, New York, NY 10019). For further information, please contact the gallery at (212) 977-7160. An-My Lê Untitled, Ba Vi, Viêt Nam, 1998 Silver gelatin print Image: 16 x 23 in. (40.6 x 58.4 cm) Frame: 21 1/8 x 27 3/4 in. (53.7 x 70.5 cm) Courtesy of the artist and Marian Goodman Gallery Installation view An-My Lê ,“đô-mi-nô,” Marian Goodman Gallery, New York, 2021 Courtesy of the artist and Marian Goodman Gallery Photo credit: Alex Yudzon Installation view An-My Lê ,“đô-mi-nô,” Marian Goodman Gallery, New York, 2021 Courtesy of the artist and Marian Goodman Gallery Photo credit: Alex Yudzon

Stanley Nelson, documentary filmmaker and cofounder, Firelight Media, and Marcia Smith, writer, film producer, president and cofounder, Firelight Media In 2000, Stanley Nelson and Marcia Smith founded Firelight Media, a nonprofit production company dedicated to using historical film to advance contemporary social justice causes. Through initiatives like the flagship Documentary Lab, Firelight Media’s programming has expanded to mentor, inspire, and train a new generation of diverse young filmmakers committed to elevating underrepresented stories. Firelight also builds impact campaigns to connect documentaries to audiences and social justice advocates. Under Smith’s leadership, Firelight received a MacArthur Award for Creative and Effective Institutions in 2016. Nelson is a documentary filmmaker whose work combines compelling narratives with rich and deeply researched historical detail, shining new light on both familiar and underexplored aspects of the American past. In addition to honors for individual films, Nelson and his body of work have garnered every major award in the industry, such as the MacArthur Foundation Fellowship (2002), the National Humanities Medal (2013), and the Lifetime Achievement Award from the National Academy of Television Arts and Sciences (2016). As a writer and film producer, Smith has been the recipient of a Primetime Emmy nomination for writing (2003), the Writers Guild Award for best nonfiction writing (2004), the Muse Award for New York Women in Film and Television (2016), and a Luminary Award from BlackStar Film Festival (2019), among others. In this conversation recorded on September 24, 2020, as part of the Diamonstein-Spielvogel Lecture Series, Nelson and Smith discuss their own mentors and influences, their collaborative practice, and how Firelight has become a premier destination for nonfiction cinema by and about communities of color.

In this episode we speak with the inspiring and brilliant artist, Jeffrey Gibson. Jeffrey Gibson’s practice combines the cultural and artistic traditions of his Cherokee and Choctaw heritage with the visual languages of Modernism and themes from contemporary popular culture. Born in Colorado Springs, CO in 1972, Gibson grew up in urban centers in the United States, Germany, Korea, and England; which helped to influence his cross-cultural aesthetic. He earned a Bachelor of Fine Arts at the School of the Art Institute of Chicago and a Master of Arts in painting at the Royal College of Art in London. Gibson’s work is included in the permanent collections of the Whitney Museum of American Art in New York; Denver Art Museum; Museum of Fine Arts in Boston; and Crystal Bridges Museum of American Art in Bentonville, Arkansas - among many others. Gibson’s previous exhibitions include, Jeffrey Gibson, ‘LIKE A HAMMER,’ organized by the Denver Art Museum, and ‘This Is The Day,’ organized by The Wellin Museum. Other notable solo exhibitions include: ‘The Anthropophagic Effect’ (2019) The New Museum, New York; ‘Look How Far We’ve Come!’ (2017), Haggerty Museum of Art, Milwaukee; ‘Jeffrey Gibson: Speak to Me,’ (2017), Oklahoma Contemporary Arts Center, Oklahoma City; and ‘A Kind of Confession’ (2016), Savannah College of Art and Design Museum, Savannah. He was included in the 2019 Whitney Biennial and was featured in the outdoor exhibition “Monuments Now,” at Socrates Sculpture Park, in Long Island City. Gibson is a recipient of numerous awards, notably a MacArthur Foundation Fellowship; Joan Mitchell Foundation Painters and Sculptors Grant; and Creative Capital Foundation Grant. He is currently an artist-in-residence and professor at Bard College and is based in Hudson, New York. For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

Dr. Carolyn Bertozzi is the Anne T. and Robert M. Bass Professor of Chemistry and Professor of Chemical and Systems Biology and Radiology at Stanford University. She is also an Investigator of the Howard Hughes Medical Institute. Carolyn’s research combines chemistry and biology. Her lab develops tools from chemistry that can be used to study biology with the goal of ultimately creating new molecules that can cure diseases and help us live better, healthier lives. She has three young boys, and she keeps busy when she’s outside of the lab taking them to swimming lessons, gymnastics, and out to the movies. Carolyn received her undergraduate training in Chemistry at Harvard University and was awarded her PhD in Chemistry from the University of California, Berkeley. She went on to complete postdoctoral research at the University of California, San Francisco and then accepted a faculty position at UC, Berkeley. Carolyn just recently joined the faculty at Stanford in 2015. She is the recipient of the UCSF 150th Anniversary Alumni Excellence Award, the Hans Bloemendal Award from Radboud University, the Heinrich Wieland Prize, the Royal Society of Chemistry Organic Division Bioorganic Chemistry Award, the Lemelson-MIT Prize for Inventors, a MacArthur Foundation Fellowship, and many other national and international awards and honors. In addition, Carolyn is an elected Fellow of the National Academy of Inventors, the Institute of Medicine, the National Academy of Sciences, the American Academy of Arts and Sciences, the American Association for the Advancement of Science, and the German Academy of Sciences Leopoldina. In this interview, Carolyn shares her journey through life and science.

#005 - Join host Dr. Red Hoffman as she interviews Dr. Diane Meier, a professor of Geriatrics and Palliative Medicine, as well as well as a professor of Medical Ethics, at Mount Sinai School of Medicine in New York City (listen for NYC ambulances in the background!)   Diane is the founder of the Center to Advance Palliative Care (CAPC) as well as a recipient of the MacArthur Foundation Fellowship (also known as a "genius grant.")  She shares about the early days of CAPC and describes some of the educational offerings available through a CAPC membership (go online and type in your email to see if your organization is a member!).   Diane also discusses the importance of tailoring your message for your audience and reminds us to be thoughtful about our language, particularly when we are attempting to define palliative care.  I learned so much about communication from speaking with her!  Enjoy!Learn more about CAPC here.To learn more about the surgical palliative care community, visit us on twitter @surgpallcare.

On September 22nd, 2017 archaeologist and anthropologist, Prof. Jason De Léon met a panel of CIAMS students and faculty to discuss his ongoing Undocumented Migration Project and his award-winning 2015 book, “The Land of Open Graves: Living and Dying on the Migrant Trail.” Just two weeks after visiting us at Cornell, Jason was awarded a MacArthur Foundation Fellowship, also known as a Genius Grant, in recognition of his important, multidisciplinary research. The challenges, rewards, and necessity of such boundary-pushing work was the focus of our discussion.

Sam Harris speaks with Jared Diamond about the rise and fall of civilizations. They discuss political polarization, disparities in civilizational progress, the prospect that there may be biological differences between populations, the precariousness of democracy in the US, the lack of a strong political center, immigration policy, and other topics. Jared Diamond is Professor of Geography at the University of California, Los Angeles. Among his many awards are the U.S. National Medal of Science, Japan’s Cosmos Prize, a MacArthur Foundation Fellowship, a Pulitzer Prize for General Nonfiction, and election to the U.S. National Academy of Sciences. He is the author of the international best-selling books Guns, Germs, and Steel; Collapse; Why Is Sex Fun?; The World until Yesterday, and The Third Chimpanzee. He is also the presenter of a TV documentary series based on three of those books. His newest book is Upheaval: Turning Points for Nations in Crisis. Website: jareddiamond.org

https://www.makingbetterpod.com/wp-content/uploads/2019/06/Making-Better-04-Richard-Stallman.mp3 Richard Matthew Stallman leads the Free Software Movement, which shows how the usual non-free software subjects users to the unjust power of its developers, plus their spying and manipulation, and campaigns to replace it with free (freedom-respecting) software. Born in 1953, Stallman graduated Harvard in 1974 in physics. He worked at the MIT Artificial Intelligence Lab from 1971 to 1984, developing system software including the first extensible text editor Emacs (1976), plus the AI technique of dependency-directed backtracking, also nown as truth maintenance (1975). In 1983 Stallman launched the Free Software Movement by announcing the project to develop the GNU operating system, planned to consist entirely of free software. Stallman began working on GNU on January 5, 1984, resigning from MIT employment in order to do so. In October 1985 he established the Free Software Foundation, of which he is president as a full-time volunteer. Stallman invented the concept of copyleft, "Change it and redistribute it but don't strip off this freedom," and wrote (with lawyers) the GNU General Public License, which implements copyleft. This inspired Creative Commons. Stallman personally developed a number of widely used software components of the GNU system: the GNU Compiler Collection, the GNU symbolic debugger (gdb), GNU Emacs, and various others. The GNU/Linux system, which is a variant of GNU that also contains the kernel Linux developed by Linus Torvalds, is used in tens or hundreds of millions of computers. Alas, people often call the system "Linux", giving the GNU Project none of the credit. Their versions of GNU/Linux often disregard the ideas of freedom which make free software important, and even include nonfree software in those systems. Nowadays, Stallman focuses on political advocacy for free software and its ethical ideas. He spends most of the year travelling to speak on topics such as "Free Software And Your Freedom" and "Copyright vs Community in the Age of the Computer Networks". Another topic is "A Free Digital Society", which treats several different threats to the freedom of computer users today. In 1999, Stallman called for development of a free on-line encyclopedia through inviting the public to contribute articles. This idea helped inspire Wikipedia. Stallman is officially a Visiting Scientist at MIT. Free Software, Free Society is Stallman's book of essays. His semiautobiography, Free as in Freedom, provides further biographical information. He has received the following awards: • 1986: Honorary life time membership in the Chalmers Computer Society • 1990: MacArthur Foundation Fellowship • 1990: The Association for Computing Machinery's Grace Murray Hopper Award "For pioneering work in the development of the extensible editor EMACS (Editing Macros)." • 1996: Doctorate honoris causa from Sweden's Royal Institute of Technology • 1998: Electronic Frontier Foundation's Pioneer award • 1999: Yuri Rubinsky Memorial Award • 2001: The Takeda Techno-Entrepreneurship Award for Social/Economic Well-Being • 2001: Doctorate honoris causa from the University of Glasgow • 2002: United States National Academy of Engineering membership • 2003: Doctorate honoris causa from the Vrije Universiteit Brussel • 2003: Honorary professorship from the Universidad Nacional de Ingeniería del Perú • 2004: Doctorate honoris causa from the Universidad Nacional de Salta, in Argentina • 2004: Honorary professorship from the Universidad Tecnológica del Perú • 2005: Fondazione Pistoletto prize • 2007: Honorary professorship from the Universidad Inca Garcilaso de la Vega, in Peru • 2007: First Premio Internacional Extremadura al Conocimiento Libre • 2007: Doctorate honoris causa from the Universidad de Los Angeles de Chimbote, in Peru • 2007: Doctorate honoris causa from the University of Pavia

We live in a surreal and dangerous time – autocrats are on the rise and societies are regressing toward ethnic competition. Given this political moment, I decided to dedicate an episode of the podcast to the history of research on cooperation. My guest, Robert Axelrod, has been a professor of political science and public policy at the University of Michigan since 1974.  Prior to that, he was a professor at the University of California, Berkeley. He is a member of the U.S. National Academy of Sciences and a recipient of the MacArthur Foundation Fellowship, among many other awards. Pertinent to today’s episode, he received the 1990 National Academy of Sciences Award for Behavioral Research Relevant to the Prevention of Nuclear War. He also received the National Medal of Science from President Barack Obama. Axelrod is the author of seminal books in the field, such as The Evolution of Cooperation, published in 1984. In this episode, we discuss the famous computer competition on the prisoner’s dilemma that Axelrod ran in 1979, and the lessons learned regarding cooperation, altruistic behavior, kin selection, evolutionary stable strategies, and frequency dependent selection. The focus of our discussion is the winning strategy from the tournament, a strategy called tit for tat. We discuss modifications of tit for tat, including generosity and contrition to account for misunderstanding and misperception, and we discuss how this informs arms races and international relations. We also delve a bit into his interactions with Richard Dawkins, W.D. Hamilton, and E.O. Wilson, as well as his work related to cyberwarfare and cancer.

On our latest podcast, a conversation about chemistry and cancer with the assistant professor of chemistry from The University of Texas at Austin recently honored with a MacArthur Foundation Fellowship.

Susan Sygall is the CEO and co-founder of Mobility International USA, an organization that seeks to advance disability rights globally. An internationally recognized expert in the field of international education exchange and leadership programs for persons with disabilities, she has co-authored numerous publications, co-produced several award-winning videos and lectured around the world. A passionate advocate for disability rights and venerated civil rights leader, Sygall has received a MacArthur Foundation Fellowship, the Kellogg Fellows Leadership Alliance Matusak Courageous Leadership Award and the 2014 Viscardi Achievement Award. She was named an Ashoka Senior Fellow in 2013 and served as part of the US Delegation to the UN Commission on the Status of Women in 2015. On this episode of the podcast, Sygall discusses Mobility International's work to empower people with disabilities to gain their rights and specific initiatives the organization has implemented to help women with disabilities take their rightful place as leaders.   Key Interview Takeaways The barriers faced by women with disabilities mirror those encountered by women in general. Women with disabilities encounter more violence and have limited access to education, health care and jobs. Mobility International USA seeks to eliminate those barriers with an initiative called the Women's Institute on Leadership and Disability (WILD), an intensive program in which 20 girls with disabilities from Africa, Asia and Latin America meet to learn about media, policy and legislation, health care and parenting. They then return to their communities as leaders who can empower others to understand their rights and how to access those rights. Sygall offers strategies to build confidence in young women with disabilities. A wheelchair rider herself, she first emphasizes that the opportunity to connect with other women with disabilities fosters a sense of solidarity that breeds confidence. The second approach involves women with disabilities creating a new image for themselves by taking on pursuits they might not have believed were possible; the WILD program gives its participants the opportunity to participate in activities like a challenge course, river rafting, self-defense and sports. One thing we can do today to transform our culture into one that is more inclusive for women with disabilities is to ask ourselves, “Is this program accessible?” Marketing materials should welcome people with disabilities, your organization's website should be accessible to the blind, a sign language interpreter should be available at events, and events must be held in accessible places. Seek out groups of women with disabilities and meet with them to promote your programs and bring them into the fold.  Connect with Susan Sygall www.miusa.org twitter.com/mobilityINTL www.facebook.com/mobility.international www.makers.com/susan-sygall   Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Carolyn Bertozzi is the Anne T. and Robert M. Bass Professor of Chemistry and Professor of Chemical and Systems Biology and Radiology at Stanford University. She is also an Investigator of the Howard Hughes Medical Institute. Carolyn received her undergraduate training in Chemistry at Harvard University and was awarded her PhD in Chemistry from the University of California, Berkeley. She went on to complete postdoctoral research at the University of California, San Francisco and then accepted a faculty position at UC, Berkeley. Carolyn just recently joined the faculty at Stanford in 2015. She is the recipient of the UCSF 150th Anniversary Alumni Excellence Award, the Hans Bloemendal Award from Radboud University, the Heinrich Wieland Prize, the Royal Society of Chemistry Organic Division Bioorganic Chemistry Award, the Lemelson-MIT Prize for Inventors, a MacArthur Foundation Fellowship, and many other national and international awards and honors. In addition, Carolyn is an elected Fellow of the National Academy of Inventors, the Institute of Medicine, the National Academy of Sciences, the American Academy of Arts and Sciences, the American Association for the Advancement of Science, and the German Academy of Sciences Leopoldina. Carolyn is with us today to tell us all about her journey through life and science. 

Ralf Hotchkiss is a wheelchair-rider, engineer, inventor and for 35 plus years a wheelchair designer, builder, and trainer. In 1989 he was awarded a MacArthur Foundation Fellowship and has been the recipient of countless other honors and awards. Mr. Hotchkiss has worked in 42 countries teaching people who need wheelchairs how to build and maintain them for themselves. Carol Miller, who is a longtime peace activist and nuclear abolitionist. She is president of the Peaceful Skies Coalition of northern New Mexico and Colorado, which was founded to fight the US Air Force and its plans to turn 94,000 square miles of the Rocky Mountains into a low altitude spying and warfare training area. Peaceful Skies Coalition networks with and supports other community based, anti-militarization groups across the US as well as in other countries.

Dr. Michael Dickinson is the Esther M. and Abe M. Zarem Professor of Bioengineering  at the California institute of technology. He received his PhD in Zoology from the University of Washington and afterwards worked briefly at the Max Planck Institute for Biological Cybernetics in Tübingen, Germany. Michael has received numerous awards and honors during his career, including the Larry Sandler Award from the Genetics Society of America, the Bartholemew Award for Comparative Physiology from the American Society of Zoologists, a Packard Foundation Fellowship in Science and Engineering, a MacArthur Foundation Fellowship, and the Quantrell award for Excellence in Undergraduate Teaching from the University of Chicago. He is also a Fellow of the American Academy of Arts and Sciences. Michael is here with us today to tell us all about his journey through life and science.

Cathy Levy chats with dancer-choreographer Kyle Abraham who was at Canada's National Arts Centre in February 2014 to perform The Radio Show with his company Abraham.In.Motion. Kyle talks about his childhood in Pittsburgh, Pennsylvania, and how his passion for music led him to dance. With the support and guidance of his parents and teachers he pursued dance studies and eventually joined David Dorfman Dance and Bill T. Jones/Arnie Zane Dance Company. Kyle explains how The Radio Show, originally conceived as an homage to his father, also became a tribute to the Pittsburgh radio station WAMO. He then reflects on the accolades and awards he and his work received in late 2000 in the form of a Bessie Award and an important mention in Dance Magazine, as he and his company were struggling. Kyle Abraham also talks about his collaboration with world-class ballerina Wendy Whelan as well as the significance of receiving a MacArthur Foundation Fellowship, being named the 2012-2014 New York Live Arts Resident Commissioned Artist, and being labeled the “best and brightest creative talent to emerge in New York City in the age of Obama”. Finally, he gives us a sneak peak at his works in development.

Chimamanda Adichie, author of the novels Purple Hibiscus (2003), Half of a Yellow Sun (2006), and the short story collection That Thing Around Your Neck (2009), discusses her work with the Africa Initiative, a co-sponsored event with the Center for African and Africa American Research . Chimamanda Ngozi Adichie was born in Nigeria in 1977. She has received numerous awards and distinctions, including the Orange Broadband Prize for Fiction (2007) and a MacArthur Foundation Fellowship (2008). Half of a Yellow Sun is set to be released this year as a major motion picture starring Thandie Newton and 12 Years a Slave's star Chiwetel Ejiofor.

No bacterium lives alone – it is constantly encountering members of its own species as well as other kinds of bacteria and diverse organisms like viruses, fungi, plants and animals. To navigate a complex world, microbes use chemical signals to sense and communicate with one another. Filmed live on January 28th, 2013, at ASM's headquarters, catch a glimpse into the fascinating language of bacteria with discussions by Bonnie Bassler, Princeton University, and Steven Lindow, University of California, Berkley. Dr. Bonnie Bassler, Princeton University Bonnie Bassler Ph.D. is a Howard Hughes Medical Institute Investigator and the Squibb Professor of Molecular Biology at Princeton University. The research in her laboratory focuses on the molecular mechanisms that bacteria use for intercellular communication. This process is called quorum sensing. Bassler's research is paving the way to the development of novel therapies for combating bacteria by disrupting quorum-sensing-mediated communication. Dr. Bassler was awarded a MacArthur Foundation Fellowship in 2002. She was elected to the American Academy of Microbiology in 2002 and made a fellow of the American Association for the Advancement of Science in 2004. Dr. Bassler was the President of the American Society for Microbiology in 2010-2011; she is currently the Chair of the American Academy of Microbiology Board of Governors. She is also a member of the National Science Board and was nominated to that position by President Barak Obama. The Board oversees the NSF and prioritizes the nation's research and educational priorities in science, math and engineering. Dr. Steven Lindow, University of California, Berkeley Steven Lindow Ph.D. is a Professor at the University of California, Berkley where his research focuses on various aspects of the interaction of bacteria with the surface and interior of plants. Dr. Lindow' s lab uses a variety of molecular and microscopy-based methods to study the ecology of bacterial epiphytes that live on the surface of plants as well as certain bacteria that are vascular pathogens of plants. They also study bacteria that live in and on plants that are fostered by consumption of the alkaloids produced by endophytic fungi. The longer-term goal of their research is to improve plants' productivity by achieving control of plant diseases through altering the microbial communities in and on plants. Dr. Lindow is a member of the National Academy of Sciences, and was elected to fellowship in both the American Academy of Microbiology and the American Association for the Advancement of Science in 1999.

No bacterium lives alone – it is constantly encountering members of its own species as well as other kinds of bacteria and diverse organisms like viruses, fungi, plants and animals. To navigate a complex world, microbes use chemical signals to sense and communicate with one another. Filmed live on January 28th, 2013, at ASM's headquarters, catch a glimpse into the fascinating language of bacteria with discussions by Bonnie Bassler, Princeton University, and Steven Lindow, University of California, Berkley. Dr. Bonnie Bassler, Princeton University Bonnie Bassler Ph.D. is a Howard Hughes Medical Institute Investigator and the Squibb Professor of Molecular Biology at Princeton University. The research in her laboratory focuses on the molecular mechanisms that bacteria use for intercellular communication. This process is called quorum sensing. Bassler’s research is paving the way to the development of novel therapies for combating bacteria by disrupting quorum-sensing-mediated communication. Dr. Bassler was awarded a MacArthur Foundation Fellowship in 2002. She was elected to the American Academy of Microbiology in 2002 and made a fellow of the American Association for the Advancement of Science in 2004. Dr. Bassler was the President of the American Society for Microbiology in 2010-2011; she is currently the Chair of the American Academy of Microbiology Board of Governors. She is also a member of the National Science Board and was nominated to that position by President Barak Obama. The Board oversees the NSF and prioritizes the nation’s research and educational priorities in science, math and engineering. Dr. Steven Lindow, University of California, Berkeley Steven Lindow Ph.D. is a Professor at the University of California, Berkley where his research focuses on various aspects of the interaction of bacteria with the surface and interior of plants. Dr. Lindow’ s lab uses a variety of molecular and microscopy-based methods to study the ecology of bacterial epiphytes that live on the surface of plants as well as certain bacteria that are vascular pathogens of plants. They also study bacteria that live in and on plants that are fostered by consumption of the alkaloids produced by endophytic fungi. The longer-term goal of their research is to improve plants’ productivity by achieving control of plant diseases through altering the microbial communities in and on plants. Dr. Lindow is a member of the National Academy of Sciences, and was elected to fellowship in both the American Academy of Microbiology and the American Association for the Advancement of Science in 1999.

David Rudovsky is a Senior Fellow of the University’s Law School and one of the nation’s leading civil rights and criminal defense attorneys. In 1986, he was awarded a MacArthur Foundation Fellowship for his work on human rights. This year, he received his fifth Harvey Levin Award for Excellence in Teaching from the Law School; he has also received the University’s Lindback Award for Excellence in Teaching.

Panel Discussion about the world premiere of PLAN B: MOBILIZING TO SAVE CIVILIZATION (USA, 2011, 84 min.) World Premiere Called “one of the world’s most influential thinkers” by The Washington Post, environmentalist Lester Brown has received a MacArthur Foundation Fellowship, the United Nations Environmental Prize and Japan’s Blue Planet Prize. Shot on location in Beijing, Seoul, Tokyo, New Delhi, Rome, Istanbul, Ankara and Washington, D.C., the film features Lester Brown's recent visits with world leaders to discuss ways to respond to the challenges of climate change. It begins with a dramatic portrayal of a world where there is a mounting tide of public concern about melting glaciers and sea level rise and a growing sense that we need to change course in how we react to emerging economic and social pressures. The film also spotlights a world where ocean resources are becoming scarce, croplands are eroding and harvests are shrinking. But what makes Plan B significant and timely is that it provides audiences with hopeful solutions – a road map that will help eradicate poverty, stabilize populations and protect and restore our planet's fisheries, forests, soils and biological diversity. Produced by Emmy-Award winning filmmakers Marilyn Weiner and Hal Weiner. Introduced by Cristián Samper, Director, National Museum of Natural History. Panel moderated by filmmakers Marilyn Weiner and Hal Weiner follows screening. Panelists include Lester Brown, Earth Policy Institute, Thomas Lovejoy, Professor, College of Science, George Mason University, and Bruce Babbitt, former Secretary of the Interior. Held March 27, 2011 in Baird Auditorium at the Smithsonian's National Museum of Natural History.

This week: Duncan talks to "super G" certified genius artist Camille Utterback. Camille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world. Her work has been exhibited at galleries, festivals, and museums internationally, including The New Museum of Contemporary Art, The American Museum of the Moving Image, New York; The NTT InterCommunication Center, Tokyo; The Seoul Metropolitan Museum of Art; The Netherlands Institute for Media Art; The Taipei Museum of Contemporary Art; The Center for Contemporary Art, Kiev, Ukraine; and the Ars Electronica Center, Austria. Utterback’s work is in private and public collections including Hewlett Packard, Itaú Cultural Institute in São Paolo, Brazil, and La Caixa Foundation in Barcelona, Spain. Awards and honors include a MacArthur Foundation Fellowship (2009), a Transmediale International Media Art Festival Award (2005), a Rockefeller Foundation New Media Fellowship (2002) and a commission from the Whitney Museum for the CODeDOC project on their ArtPort website (2002). Utterback holds a US patent for a video tracking system she developed while working as a research fellow at New York University (2004). Her work has been featured in Art in America (October, 2004), Wired Magazine (February 2004), The New York Times (2009, 2003, 2002, 2001), ARTnews (2001) and many other publications. It is also included in Thames & Hudson’s ‘World of Art – Digital Art’ book (2003) by Christiane Paul. Recent public commissions include works for The Sacramento Airport, The City of San Jose, California, The City of Fontana, California, and the City of St. Louis Park, Minnesota. Other commissions include projects for The American Museum of Natural History in New York, The Pittsburgh Children’s Museum, The Manhattan Children’s Museum, Herman Miller, Shiseido Cosmetics, and other private corporations. Utterback holds a BA in Art from Williams College, and a Masters degree from the Interactive Telecommunications Program at New York University’s Tisch School of the Arts. She lives and works in San Francisco.

Please join us for an interview with Edward Hirsch, poet, essayist, editor, professor, and Guggenheim Foundation president. Hirsch is the author of the bestselling book How to Read a Poem and Fall in Love with Poetry, and his numerous awards include a National Book Critics Circle Award and a MacArthur Foundation Fellowship (genius grant). Hirsch has stated: "The poet wants justice. And the poet wants art. In poetry we can't have one without the other." Tiferet Journal has recently published a compilation of twelve of our best transcribed interviews. To purchase The Tiferet Talk Interviews book, please click here.

Best known for his Incompleteness Theorem, Kurt Gödel (1906–1978) is considered one of the most important mathematicians and logicians of the 20th century. By showing that the establishment of a set of axioms encompassing all of mathematics would never succeed, he revolutionized the world of mathematics, logic, and philosophy. Rebecca Goldstein is the author of Incompleteness: The Proof and Paradox of Kurt Gödel and most recently, Betraying Spinoza: The Renegade Jew Who Gave Us Modernity. She is a fellow of the American Academy of Arts and Sciences, and has received many awards for her fiction and scholarship, including a John D. and Catherine T. MacArthur Foundation Fellowship. She shares her insight into the life and work of Kurt Gödel.

Viet Thanh Nguyen is a Vietnamese-American novelist. He is the Aerol Arnold Chair of English and Professor of English and American Studies and Ethnicity at the University of Southern California.Nguyen's debut novel, The Sympathizer, won the 2016 Pulitzer Prize for Fiction, the Dayton Literary Peace Prize, the Center for Fiction First Novel Prize, and many other accolades. He was awarded a MacArthur Foundation Fellowship and a Guggenheim Fellowship in 2017.Nguyen is a regular contributor, op-ed columnist for The New York Times, covering immigration, refugees, politics, culture and SouthEast Asia. He is a Fellow of the American Academy of Arts and Sciences.Support this podcast at — https://redcircle.com/the-vietnamese-with-kenneth-nguyen/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy