Podcasts about zankel hall

"I had to trick myself into believing that I could win a gold medal." Career highlight. Life highlight. Welcome to Ali on the Run Show LIVE with Gabby Thomas, presented by New Balance, held at Zankel Hall at Carnegie Hall in New York City, two days before the 2024 TCS New York City Marathon. (What a big sentence!)  Gabby Thomas is a three-time Olympic gold medalist, and an Olympic silver and bronze medalist. She's a 200m specialist with a Harvard University degree in Neurobiology and a Masters in Public Health from the University of Texas. She is one of the starts of the Netflix documentary Sprint, and Sprint Season 2, out next week. Gabby was the grand marshal at this year's New York City Marathon, and, allegedly, she makes a great salad. Biggest THANK YOU to the New Balance team (Kristen, James, Sean, Summer, and so many more), the Mirror team, and the team at Carnegie Hall. This live podcast audio was recorded by Noriko Okabe. The pre-show musicians (enjoy the opening rendition of "Shake It Off!") were Mikhail Romanov and Galina Romanova. FOLLOW GABBY @gabbythomas SPONSOR: New Balance. Click here to shop New Balance's latest releases for the season. (The SuperComp Trainer is my favorite daily shoe, and I race in the SC Elite v4!) Follow Ali: Instagram @aliontherun1 Join the Facebook group Twitter @aliontherun1 Support on Patreon Subscribe to the newsletter SUPPORT the Ali on the Run Show! If you're enjoying the show, please subscribe and leave a rating and review on Apple Podcasts. Spread the run love. And if you liked this episode, share it with your friends!

Daisy Prince's directing work includes the Original Off-Broadway production of The Last Five Years and the Original Off-Broadway production of Songs for a New World, both by Jason Robert Brown; It's Only Life: The Songs of John Bucchino at Rubicon Theatre (Los Angeles Ovation Award and Independent Award, Best Direction) also at Theatre Row for SPF and American Songbook at Lincoln Center; Jessica Molaskey's Pentimento with John Pizzarelli, Christine Ebersole, and Frank McCourt at The 92 Street Y. Daisy's concert staging includes Jason Robert Brown and Stephen Sondheim at Town Hall 50th SubCulture Residency Concert June 2019, NYSF Public Theater, PUBLIC SINGS!, Jazz at Lincoln Center's American Songbook Lance Horne: First Things Last, Lyrics and Lyricists at 92nd St. Y, The Genius of Autism, Zankel Hall at Carnegie Hall, and Tom Kitt: An Evening at Stella Del Mare at Joe's Pub. As a performer, Daisy's credits include Merrily We Roll Along (Meg, Original Broadway Cast), Follies in Concert (Young Phyllis, Lincoln Center); Pal Joey (Linda English, Encores! City Center), Michael John LaChiusa's The Petrified Prince (Elise, NYSF Public Theater), and featured performer with The New York Pops at Carnegie Hall. Her recordings include all the above and Grateful: The Songs of John Bucchino. In addition, she co-produced three plays with Bonnie Metzgar and Thalia Field as House Frau, inc. at BACA downtown. Daisy is a graduate of Brown University, has spent 20 years teaching as part of the New York City faculty of Syracuse University's The Tepper Semester, and is a proud member of the SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The German-born, New York-based singer and actress Ute Lemper's career has spanned a century of songs from the worlds of cabaret jazz, avant-garde pop, musical theater, even contemporary classical music. But when she sings the music of Kurt Weill, a much earlier German-born, NY-based artist, she has few equals. So when Carnegie Hall decided to launch its series exploring the music of the Weimar Republic, Ute Lemper had to have a featured role to play. On Friday, Feb. 9, she'll be performing her tribute to Weimar Berlin at Zankel Hall, and she's in the studio to give us a preview of what that'll sound like. Ticket info for Ute Lemper at Carnegie Hall's Zankel Hall in the round on Feb. 9. Set list: 1. Solomon Song/Pirate Jenny 2. Cabaret Songs (Medley of Sexual Liberation) 3. En Brecht/ Die Moritat von Mackie Messer

On Sunday afternoon, January 14, at 4:00 PM in Zankel Hall at Skidmore College in Saratoga Springs, The Battenkill Chorale will present “From Light to Night” featuring John Rutter's “Requiem” scored for chorus, soprano solo, and chamber ensemble.Gene Marie Callahan is the conductor and Artistic Director. She was the organist and choir director for the First Congregational Church (Old First Church) in Bennington, Vermont, and is a Lecturer in Creative Arts at Siena College where she directs the chorus and teaches Basics of Singing.

In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and  enjoy a few other surprises as well.   Our guest for the January episode was Haana.  Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation.  In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.  Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth  SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).

"I Didn't Look For The Fula Flute; It Came And Got me!"Our guest for this episode of MFM Speaks Out is Sylvain Leroux. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor and many others.A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea.He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019.As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group Source. His 2002 CD Fula Flute achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album Quatuor Creole was hailed as “a perfect contemporary music release.”He curated New York's “Griot Summits” that featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars.As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate L'ecole Fula Flute, a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition.Topics discussed:Sylvain's studies of classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio under Don Cherry, the Art Ensemble of Chicago, Karl Berger, and Cecil Taylor, his time with Adam Rudolph's Orchestra, the jazz and world music Canadian music scene at that time and now, how he became interested in the Fula flute, his band “Source” and their time at New York's Zinc Bar for over a decade. How the combination of Guinean music and jazz has been accepted among Jazz audiences, his 2002 release Fula Flute and how it was received, his new album Qromatica, why he chose Julia Haines on accordion and harp and Mamadou Ba on bass,  his performances at Zankel Hall with the Fula Flute Ensemble and curated New York's “Griot Summits”, his performances and recordings with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, and some of the West African musicians he played with, how and why he founded music literacy program L'ecole Fula Flute, how Covid affected the people's spirit and economy in Guinea, government support of the arts, his business of making and selling Fula flutes,  how he invented and patented the Qromatica, his activities in MFM, the present African/world music scene in NY, the cultural separation between African-American musicians and African musicians, NY's GlobalFest for presenting African bands to the US audience, the Visa fee raise proposal to Congress, and his future plans in the areas of music activism.Music featured in this episode:1) Zoe2) Mane Gauche3) In Walked Bud"Zoe" and  by Sylvain Leroux, used with permission. "In Walked Bud" composed by Thelonious Monk (EMBASSY MUSIC CORPORATION BMI), performed by Sylvain Leroux.  https://www.fulaflute.net/

Tenor Mark Padmore and Pianist Mitsuko Uchida have received glowing acclaim for their performances of Schubert and Beethoven song repertoire in 2022. “Two Schubert masters,” wrote the New York Times in a review of their Zankel Hall recital in March, “it's difficult to avoid superlatives when writing about Mitsuko Uchida and Mark Padmore”.TRACKLISTBeethoven: An die ferne Geliebte Op. 981. Auf dem Hügel sitz ich spähend2. Wo die Berge so blau3. Leichte Segler in den Höhen4. Diese Wolken in den Höhen5. Es kehret der Maien, es blühet die Au6. Nimm sie hin denn, diese Lieder Schubert: Schwanengesang D9577. Liebesbotschaft8. Kriegers Ahnung9. Frühlingssehnsucht10. Ständchen11. Aufenthalt12. In der Ferne13. Abschied14. Der Atlas15. Ihr Bild16. Das Fischermädchen17. Die Stadt18. Am Meer19. Der Doppelgänger14. Die TaubenpostHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Cindy is a classical piano producer at New York Carnegie Hall. She has been involved in sold out concerts in UBC Chan Centre (Vancouver), United Nations Day Gala (New York), Carnegie Hall: Weill Hall & Zankel Hall & Stern Auditorium (New York), Tainan Cultural Center, and Asia Pacific.  Cindy specializes in bringing classical pianists to the international stage. She is an ex-Investment Banker., but forever finance girl. Pecha-Kucha Speaker 2020Cindy is a Taiwanese-Canadian living in New York and Hungary Budapest and traveling the world producing concert tours. One of her artists is Adam Gyorgy, Pianist and at the end of this episode is a beautiful version he recorded at of La Campanella by F Liszt. Connect with Cindy here: https://www.linkedin.com/in/hsucindy/A little about Cindy's artist Adam Gyorgy. He is recognized world-wide as one of the finest classical pianists of today. His televised live performance at the UEFA European Football Championship in Warsaw was broadcasted to 300 million international viewers. The prestigious Steinway Artist played in multiple sold- out performances at Carnegie Hall (New York), Chan Centre (Vancouver), Palace of Arts.#galeforcewins is an inspirational podcast with New episodes every Tuesday evening on Youtube or wherever you get your podcasts.We also launched Gale Force Wins on the Rogers Television Network in St. John's on January 31st 2023 with a series of 12 episodes.You can also visit https://galeforcewins.com/To message Gerry visit: https://www.linkedin.com/in/gerrycarew/To message Allan visit: https://www.linkedin.com/in/allanadale/

Clive Gillinson became Executive and Artistic Director of Carnegie Hall in July 2005, having been appointed the previous season. He is responsible for developing the artistic concepts for Carnegie Hall presentations in its three halls—the celebrated Stern Auditorium/Perelman Stage (cap. 2804), innovative Zankel Hall (cap. 600), and intimate Weill Recital Hall (cap. 268)— representing up to 170 performances each season, ranging from orchestral concerts, chamber music, solo recitals, to jazz, world, and popular music. He oversees the management of all aspects of the world-renowned venue, including strategic and artistic planning, resource development, education, finance, and administration and operations for the Weill Music Institute, which taps the resources of Carnegie Hall to bring music education and social impact programs to more than 800,000 people in the New York City metropolitan region, across the United States, and around the world each year. Since his arrival in New York, Mr. Gillinson has worked to build upon the quality, creativity, diversity, and extraordinary history for which Carnegie Hall is known worldwide. Under his leadership, Carnegie Hall has embarked upon many bold new directions in its concert and education programming, including augmenting and integrating current offerings to create large-scale multi-cultural citywide festivals. Partnering with many of the greatest cultural institutions in the City, the festivals use the full range of Hall's artistic and educational resources to take audiences on journeys of discovery that extend beyond single performances and concert series to encompass theater, literature, dance, the visual arts, talks, and film. Carnegie Hall's first major international festival, Berlin in Lights, was presented in November 2007, exploring the vibrant city that is Berlin today. It was followed by two city-wide festivals examining the dynamic culture and distinctive history of American culture—Bernstein: The Best of All Possible Worlds in fall 2008 and Honor! A Celebration of the African American Cultural Legacy in spring 2009. Ancient Paths, Modern Voices, exploring Chinese music and culture took place in fall 2009. These were followed by JapanNYC, an ambitious two-part festival in December 2010 and spring 2011; Voices from Latin America in November/December 2012; Vienna: City of Dreams featuring the Vienna Philharmonic Orchestra and Vienna State Opera in February/March 2014; Ubuntu: Music and Arts of South Africa in October/November 2014; La Serenissima: Music and Arts from the Venetian Republic in February 2017; The 60's: The Years that Changed America in January-March 2018; and Migrations: The Making of America in March-April 2019. Voices of Hope, Carnegie Hall's first-ever digital festival, will take place in April 2021. Mr. Gillinson served as Chairman of the Association of British Orchestras; was one of the founding Trustees of the National Endowment for Science, Technology and the Arts; and was founding Chairman of the Management Committee of the Clore Leadership Programme. He was awarded the CBE (Commander of the British Empire) in the 1999 New Year Honours List and received the 2004 Making Music Sir Charles Grove Prize for his outstanding contribution to British music. Mr. Gillinson was appointed Knight Bachelor in the Queen's Birthday Honours List 2005, the only orchestra manager ever to be honored with a Knighthood. Brought to you by the British Consulate General, New York. Follow us on Twitter and Instagram.

In episode 32 of Talking To The Dead In Suburbia, host Anna Raimondi – spiritual medium, motivational speaker, healer, and author – interviews award-winning composer, pianist, and artist Karen Salicath Jamali. “Art is. It's just a question of connecting to it.” - Karen Salicath Jamali To hear some of Karen's relaxing piano music, check out the music video for Capella, the song mentioned in this episode. The video can be found here: https://www.youtube.com/watch?v=UtcFopDAd5A Connect with Anna Raimondi: Instagram: https://www.instagram.com/anna.raimondi Facebook: https://www.facebook.com/annalraim/ Website: https://www.annaraimondi.com YouTube: https://www.youtube.com/annaraimondi Connect with Karen Salicath Jamali: Instagram:https://www.instagram.com/karen_salicath_jamali/ Facebook: https://www.facebook.com/KJAMALImusic/ Website: https://kjamali.com YouTube: https://www.youtube.com/c/KarenSalicathJamali/ Connect with The Angel Cooperative: Instagram: https://www.instagram.com/angelcooperative/ Facebook: https://www.facebook.com/AngelCooperative Website: https://theangelcoop.com/ YouTube: https://www.youtube.com/theangelcooperative About this week's guest: Karen Salicath Jamali Is an Award-winning Composer, Pianist, and Artist born in Denmark and living in the USA. She has performed solo at Carnegie Hall, Weil Recital Hall, and Zankel Hall. Her music career was born out of a near-death experience. Her experience took her from not playing the piano to playing spiritual meditative music. As a painter, Karen has received many awards from the international art community, including an Oscar Award in Art. It is her hope that her works speak to the soul and entices the viewer to see beyond the mere physicality of a piece, to a deeper level of personal understanding and emotional meaning.  As a sculptor Karen works predominantly in bronze and glass, drawing on the human figure as a common language that speaks to us all. They lack detailed hands and faces so that they embody universality.

Anna Kiraly is a visual artist, set and video designer. Her collaborations include set design for CHEKHOV LIZARDBRAIN, ISABELLA, and PAY UP with the Pig Iron Theatre Company, set design for TIME'S JOURNEY THROUGH A ROOM with Dan Rothenberg/The Play Co., set and video for CITY OF NO ILLUSIONS, BURNISHED BY GRIEF, THE GOLDEN TOAD, MARCELLUS SHALE and FLIP SIDE with the Talking Band, set design for WALK ACROSS AMERICA (with Taylor Mac/The Talking Band) and MISALLIANCE, PARADISE PARK and THE CASTLE with Tina Brock/IRC. Other recent and past productions include set for THE SEAGULL at Colgate University, set/video for TRANSLATIONS and UBU (with S. Fogarty for Barnard College) and DOG AND WOLF (J. Randich at 59E59), installation design for 36 PEAKS (with S. Sunde at the Baryshnikov Arts Center), THE GARDEN (N. Canuso Dance Company), costumes for KAFKA FRAGMENTS (P. Sellars at Zankel Hall).She was awarded a NYSCA 2021 grant for set design for a Beckett collaboration with Sharon Fogarty (in progress). She is a recipient of the Arts Link Grant, the NEA/TCG Program for Designers and the TCG New Generations (with the Talking Band). Her "noir" multimedia pieces THE QUAKE (at Ideal Glass), SLOW ASCENT and UFO (St. Ann’s Warehouse) won the Jim Henson Foundation’s support. Anna has collaborated with universities and colleges such as Barnard/Columbia, Fordham, The New School, Smith, Montclair, Lehigh and Colgate and designed for opera productions (AOP, Hungarian Opera, Zankell Hall) and concerts (YPC/ New York Philharmonic). She is an adjunct lecturer teaching Scenic Design and Media at Barnard College/Columbia University.~~~~~~~To explore past episodes of Into the Absurd, visit our Facebook page:https://www.facebook.com/pg/Idiopathi...​ORThe IRC's YouTube channel: https://www.youtube.com/playlist?list...​And while you’re there, be sure to SUBSCRIBE, so you don't miss any future episodes.

I'm very exciting to have international violin soloist Leila Josefowicz on the show for the second time. Leila shares incredible wisdom in our conversation, including: Her outlook for how things are going to be like in the coming months How her recent incredible project at The Metropolitan Museum of Art unfolded, from where it originated to the vision coming to reality The significance of her performing Bach, and how she sees Bach as the music of infinite possibilities What she calls the performance headspace Thoughts about performance preparation and performance anxiety What having fun in performance means to her And many other wonderful musings !   This discussion is a window on the way artists like Leila approach a project - the power of the intention and the thoughtfulness they put behind each decision. How each aspect is carefully evaluated, weighed, and curated, and very angle crafted with care and love.   Partita   for Leila Josefowicz   Unseen in the field a sapling trembled naked. You touched   its slim trunk with flayed fingertips, tenderly and hard,   and it gave forth a cry, oh. Sun ran like water on line upon   line of buds. Bare, you stood, electric, head in this world,   feet planted. We heard what we never knew before. _________ Natania Rosenfeld Writer Independent Scholar Professor Emerita of English, Knox College     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!   THE MUSIC MASTERY EXPERIENCE will be back in June 2021!  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses!     MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ YouTube: https://www.youtube.com/results?search_query=Leila+Josefowicz Facebook: https://www.facebook.com/LeilaBJo Leila Josefowicz at the The Metropolitan Museum of Art: The Condo Concerts: Fred Sherry String Quartet: In Performance: Leila Josefowicz at Hauser & Wirth  Leila's first conversation on the Mind Over Finger Podcast: Episode 82 - The Art of Authentic Music Making Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider!  I genuinely appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

I'm very excited to have world-renowned violinist Leila Josefowicz on the show for you today! As you'll hear in our discussion, Leila is a profoundly passionate and dedicated musician who approaches her craft with great depth and she shares incredible wisdom with us. Among many things, Leila elaborates on: The power of memorization What the “practice of violin playing” means to her How exploring new repertoire helped her transition out of her “child prodigy” years Her advice to all musicians suffering from lack of motivation The importance of desire and dedication in the cultivation of talent How our need to feel comfortable while performing is counterproductive Vivid mindful practice This is a particularly powerful conversation, and I know you'll find inspiration and incredible value in this episode.   MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ Facebook: https://www.facebook.com/LeilaBJo   Find all the details for Leila's World Premiere performance of ‘la linea evocativa. un disegno per violino solo' by Matthias Pintscher HERE. On the occasion of ‘George Condo. Internal Riot' we are honored to host classical violinist Leila Josefowicz in the gallery to perform a new piece of original music in response to ‘George Condo. Internal Riot,' an exhibition of the artist's new paintings and works on paper that runs through 23 January 2021 at Hauser & Wirth New York. ‘Music is such a huge part of my life, without it I don't know if I'd ever have painted anything. There are so many great pieces of music that have inspired me to paint…My favorite thing is to put on a record in the studio and to still be painting without noticing the fact that the music has stopped playing for hours and is just running through my head.'–George Condo The performance comes at an incredibly challenging time for professional musicians. Condo is deeply aware of the adversity they face, and this specially organized event signifies his support for live music and for new ways in which it can reach people. Join us on Friday 20 November 2020 11 am PST / 2 pm EST / 7 pm GMT.  Click here to register. The performance will be streaming live from New York City on hauserwirth.com     Leila's last Pre-Covid performance in Prague, Performing the Alban Berg Violin Concerto with the Prague Radio Symphony Orchestra:  https://prso.czechradio.eu/leila-josefowicz-and-prso-8179758   Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. You can check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday by visiting: www.mindoverfinger.com/resources!   And click here for details on how to work with me: https://www.mindoverfinger.com/workwithdrg   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

This week Inwood Art Works On Air Live N' Local welcomes opera singers Lori Phillips and Mary Phillips. Soprano Lori Phillips debuted at the Metropolitan Opera as Senta in Der Fliegende Holländer in 2010, which was also the year she appeared (in a role debut) as Brünnhilde in Die Walküre with the Hawaii Opera Theater. Since then she’s performed to tremendous accolades throughout North America and Europe. Mezzo-soprano Mary Phillips has performed most of the mezzo roles in Wagner’s Ring cycle, including Brangäne in Tristan und Isolde for Dallas Opera and Schwertleite in the Metropolitan Opera’s production of Die Walküre. In 2012 she received a Grammy for her solo work in the Met’s recording of Wagner’s Der Ring Des Niebelungen. Mary has sung throughout North America and Europe, including Carnegie’s Zankel Hall and the Library of Congress. Incidentally, Lori and Mary are not just sisters, but identical twins. For this episode Aaron is joined by Gordon Ostrowski, recently retired stage director and assistant dean at the Manhattan School of Music.

Ghiora Aharoni is an artist and designer whose work is centrally premised on humankind’s interconnected existence, as well as a nonlinear concept of time. Descriptively, his work is at the “intersection of art, design and architecture.”  Experientially, his work is the soul’s conscious expansiveness across time. Aharoni’s own faith is foundational to his creativity, but his explorations and creations are not limited to any one religious belief, culture or medium.  Instead, his artwork frequently expresses an interest in exploring dualities, such as the intersection of religion and science, and the intertwined relationships of seemingly disparate cultures. Much of his work involves text, traditional objects or symbols—such as cultural artifacts or sacred texts—that have been recontextualized and imbued with meaning that asks the viewer to question or reconsider their conventional social/cultural significance.   An Israeli-born descendent of Yemeni Jews, Aharoni grew up near Tel Aviv, and his grandfather introduced him to the central texts of Jewish mysticism at an early age. At 21, he left Israel to study at the City University of New York where he graduated summa cum laude from the Spitzer School of Architecture, and later went on to receive a Master of Architecture from Yale University. In 2004, he opened Ghiora Aharoni Design Studio  to “engage with all the disciplines” he adores. The studio’s work encompasses interior design, art, product design and museum exhibitions. The design principles that govern his studio are “guided by the tenets of gesamtkunstwerk—engaging multiple disciplines to create a total work of art.” Every year, Aharoni, takes a month-long sabbatical. He always travels with an amulet in his bag that belonged to his great-grandmother, and usually goes to India, where spiritual practices co-exist with architecture in a similar juxtaposition as his art and design. In India, he says the ancient resides within the urban center and one can time travel by walking a few hundred yards. "In much of Aharoni’s work," it has been said, "the unification of multiple narratives offers an exquisite commentary on the potential of human life in a celestial universe – whether it be Indian and Jewish, divinity and humanity, or the natural and industrial materials integrated in his design work in the form of walnut and steel. To paraphrase Aharoni, ultimately there is an expansive vitality, which springs from intercultural co-existence, and an unending dynamic process that resonates in both divine and mortal existence." Aharoni’s work is in the permanent collection of the Pompidou Center in Paris, The Vatican Library in Rome, The Beit Hatfutsot Museum in Tel Aviv, The Kiran Nadar Museum in New Delhi and the Morgan Library & Museum in New York—as well as numerous private collections in North America, Europe, Israel and India. In February of this year, Aharoni was the Artist-in-Residence at the India Art Fair in Delhi, and his sculptures were on view at the Jewish Historical Museum in Amsterdam from March through August 2019 in the exhibition Kabbalah: The Art of Jewish Mysticism. In February 2019 he was invited to present a solo artist project at the India Art Fair in New Delhi that explored cultural interconnectivity via sculptures and works on paper, some of which included Hindru© (a phrase-based melding of Hindi and Urdu he created in 2016). In 2018, his work was exhibited at the Jewish Museum in Vienna, Austria. From November 2017 through October 2018, Aharoni’s solo exhibition, The Road to Sanchi, was on view at the Rubin Museum in New York. Aharoni traveled to four different pilgrimage sites (Buddhist, Hindu, Sufi, and Jewish) throughout India to create the art for The Road to Sanchi, which invite viewers “to question our relationship to time and imagine a world where past, present, and future can exist simultaneously.” The sacred sites are never seen so the work becomes a pilgrimage for the viewer, an expression of India’s history of cultural plurality, a co-mingling of sacred and secular, and a focus on the act and action of pilgrimage for the benefit of one’s future self. In 2017, his work was selected for the Jerusalem Biennale. Aharoni also added two works to his eight-part series Menorah Project, the Antiochus Scroll Menorah and Paradesi Menorah. The work represents the core values of respect and advocacy, intercultural understanding and the “narrative of victory over oppression” which Aharoni characterizes as “our obligation to defend cultural freedom and to engender light in a time of darkness,” as well as, “the responsibility of the individual in the role of social vigilance.” In 2016 in conjunction with the Biennale, two of his sculptures were exhibited in Divided Waters, a group exhibition of international contemporary art at the Palazzo Fontana in Venice, Italy, commemorating the 500th anniversary of the founding of the Jewish Ghetto in Venice. In the spring of 2016, Aharoni was commissioned to create a public art installation—a series of stainless steel sculptures of Hebrabic/Arabrew© (a combination of Hebrew and Arabic that he conceived in 1999 while at Yale)—at the New York Live Arts Performance Center in Chelsea. In May of 2012, he was commissioned to create a large-scale art installation at the 14thStreet Y in Manhattan of Hebrabic/Arabrew© entitled, The Divine Domesticated. Four panels from the installation were permanently installed that fall in the theater lobby of the Y. Missives, Aharoni’s first solo exhibition in India, opened the Fall 2013 season at the Dr. Bhau Daji Lad Museum in Mumbai, India. Inspired by the discovery of a trove of his mother’s love letters written as an adolescent in Israel, the artworks and installations included collages with reproductions of his mother’s letters and his drawings, installations of vintage photographs with the letters, and antique Phulkaris embroidered with snippets of her letters. The exhibition reflects the confluence/fluidity of time, universal notions of desire and collective memory, as well as his love for India.  Aharoni’s designs and commissioned pieces are also in numerous private collections. Since establishing his studio, Aharoni has designed many residential and commercial projects in New York—ranging from the DeKooning residence and a duplex penthouse in a landmark building in the West Village to a storefront studio/performance space in Williamsburg and the offices of an art law firm on 57th Street. Aharoni’s work has been published internationally in books—most recently in The Word is Art from Thames & Hudson—as well as newspapers, journals and magazines including The New York Times, The New York Times Magazine, Elle Decor U.K., L’Architecture d’Aujourd’hui, Architectural Digest Spain, Art India, IDEAT, Elle Decor Italia and New York Magazine. His essay proposing the displacement of Jerusalem’s monuments was included in the book “The Next Jerusalem.” Prior to opening his own studio, Aharoni worked at several distinguished architectural firms including Polshek Partnership [now known as Ennead Architects] and Studio Daniel Libeskind. While at Polshek Partnership, he worked on the design for Carnegie Hall’s Zankel Hall; the space planning and design of The American Museum of Natural History’s subterranean entrance and public spaces; as well as the space planning of The New York Botanical Garden’s Museum Building. His design work for Studio Daniel Libeskind included the competition submission for The Ground Zero World Trade Center Design Study, and the façade design for Hyundai Development Company, Seoul, Korea. In addition, Aharoni was on the winning design competition team with Zaha Hadid and Arata Isozaki for the building and urban planning of Milan, Italy’s Fiera Convention Center. Of his designs and art, one sculpture that is particularly stirring, timeless and relevant today is “Parting Waters”— a sculpture that Aharoni completed a few years ago just before Passover. It was inspired by the biblical story of Exodus and the current-day Syrian and African refugees. Descriptively, “Parting Waters” is composed of wooden crates containing slender-necked beakers used to test if milk was diluted with water in the mid-20th century. Had the beakers been filled with diluted milk, the water would have risen into the necks, forming columns of water—an allegory of Moses’ parting of the Red Sea, representing both the Israelites’ and contemporary refugees’ journey, “the universal human desire for freedom and the leap into the unknown.” Experientially, Parting Waters transports the viewer’s soul into that compassionate space bridging past, present and future where faith is foundational to creation. His work will be exhibited later this year in the Asia Society Triennial in New York.   Join us in conversation with this gifted creator of sacred containers and spaces for the divine!

Tosca Opdam is among the most prominent artists to have emerged from the Netherlands in recent years. Dividing her time between the US and Europe, she embraces the idiosyncratic qualities of both cultural worlds to enrich a personal expressiveness in music. We talked to her about her debut of a new violin concerto and various projects.  On April 23, 2020 she performs again at Carnegie Hall, Zankel Hall.  

In this episode, international soloist Stefan Jackiw talks to us about his journey overcoming a serious injury.  He tells us how he got injured, the steps he took to heal, the mental impact it had on him, and how he stays injury free. He also elaborates on: What his musicology studies brought to his playing What collaborating with other musicians mean to him Establishing strong fundamentals on the instrument How he maximizes his practice time His injury story: How it happened Facing the stigma attached to being an injured musician The mental impact it had on him and the new mindsets he developed as a result The reflection he did, the changes he implemented and how he overcame it How he modified his setup and technique as a result How he remains injury free The very important concept of surrendering in practicing How our level of stress and the amount of pressure we tolerate affects our playing How to plan practice     Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use every day!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we're currently discussing The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT STEFAN JACKIW: Website: https://stefanjackiw.com/ YouTube: https://www.youtube.com/results?search_query=stefan+jackiw Instagram: https://www.instagram.com/stefanjackiwviolin/ Facebook: https://www.facebook.com/StefanJackiw/   Stefan Jackiw is one of America's foremost violinists, captivating audiences with playing that combines poetry and purity with an impeccable technique. Hailed for playing of "uncommon musical substance" that is “striking for its intelligence and sensitivity” (Boston Globe), Jackiw has appeared as soloist with the Boston, Chicago, Cleveland, New York, Philadelphia, and San Francisco symphony orchestras, among others. This season, he will re-unite with Juraj Valcuha to make his debut with the Konzerthaus Orchestra Berlin performing Korngold's Violin Concerto. He also returns performing Stravinsky to the Bournemouth Symphony with Kirill Karabits, the Helsinki Philharmonic with Hans Graf, and the RTÉ National Symphony in Dublin with Leonard Slatkin.  Other highlights include performances with the San Diego Symphony and Rafael Payare, the Indianapolis and Baltimore Symphonies with David Danzmayr, and the Omaha Symphony. In recital, Stefan continues touring the complete Ives Sonatas with Jeremy Denk, with whom he has recorded the sonatas for future release on Nonesuch Records. He also appears on tour with harpsichordist Mahan Esfahani, exploring works for violin and harpsichord and featuring a new commission by Lester St. Louis, and continues to perform alongside pianist Conrad Tao and cellist Jay Campbell as part of the Junction Trio, with stops this season in Massachusetts, Washington D.C., Ohio, California, Texas, New Mexico, Florida, and more. Highlights of recent seasons include his debut with the Cleveland Orchestra and Juraj Valcuha, with whom he also re-united for performances in Dallas, Detroit, and Luxembourg; performances of Prokofiev's Second Violin Concerto at Carnegie Hall with Mikhail Pletnev, as part of a multi-city tour with the Russian National Orchestra; as well as performances with the St. Louis Symphony under Nicholas McGegan, the Minnesota Orchestra under Ilyich Rivas, the Rotterdam Philharmonic under Yannick Nézet-Séguin, the Indianapolis Symphony under Krzysztof Urbanski, and the Pittsburgh Symphony under Valčuha. Other highlights in Europe included his performances with the Netherlands Radio Symphony and Ludovic Morlot at the Concertgebouw. In Asia, Stefan has appeared with the Tokyo Symphony at Suntory Hall under the direction of Krzysztof Urbanski, and the Seoul Philharmonic under Venzago. He has also toured Korea, playing chamber music with Gidon Kremer and Kremerata Baltica. In Australia, Stefan toured with the Australian Chamber Orchestra play-directing Mendelssohn. He also gave the world premiere of American composer David Fulmer's Violin Concerto No 2 “Jubilant Arcs”, written for him and commissioned by the Heidelberg Festival with the Deutsche Kammerphilharmonie under Matthias Pintscher. Recital highlights have included his performances of the complete Ives violin Sonatas with Jeremy Denk at Tanglewood and Boston's Jordan Hall, and performance of the complete Brahms violin sonatas, which he has recorded for Sony. He also recently recorded the Beethoven Triple with Inon Barnatan, Alisa Weilerstein, Alan Gilbert and Academy St. Martin in the Fields. Jackiw has performed in numerous important festivals and concert series, including the Aspen Music Festival, Ravinia Festival, Caramoor International Music Festival, Schleswig-Holstein Music Festival, New York's Mostly Mozart Festival, the Philharmonie de Paris, Amsterdam's Concertgebouw, the Celebrity Series of Boston, and the Washington Performing Arts Society. As a chamber musician, he has collaborated with such artists as Jeremy Denk, Steven Isserlis, Yo-Yo Ma, and Gil Shaham, and forms a trio with Jay Campbell and Conrad Tao. At the opening night of Carnegie Hall's Zankel Hall in New York, Jackiw was the only young artist invited to perform, playing alongside such artists as Emanuel Ax, Renée Fleming, Evgeny Kissin, and James Levine. Born to physicist parents of Korean and German descent, Stefan Jackiw began playing the violin at the age of four. His teachers have included Zinaida Gilels, Michèle Auclair, and Donald Weilerstein. He holds a Bachelor of Arts from Harvard University, as well as an Artist Diploma from the New England Conservatory, and is the recipient of a prestigious Avery Fisher Career Grant. He lives in New York City.     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Living Legends Offer Today on The Neil Haley Show, The Total Tutor Neil Haley will interview Caregiver Dave. He will discuss the big event coming up at Carnegie Hall. https://www.livinglegends2019.com.  LIVING  LEGENDS of  ENTREPRENEURIAL MARKETING ? The Ultimate Business-Building Instant Celebrity Positioning  Experience with Unique No-Limits Immersion Training by: ? MARTHA STEWART DAN KENNEDY ICE T & COCO MICHAEL GERBER JERRY GREENFIELD DYLAN HOWARD WALTER O'BRIEN HAL ELROD PRINCESS MARYANNE PARKER STEVE LARSEN CLINT ARTHUR ? These Entrepreneurs and Business Legends will Share With YOU Secrets They Would Tell Their Own Children About "How to Thrive as an Entrepreneur" Dan Kennedy is bringing his Daughter and Grand-Son to this event. ? September 26, 27, 28, 2019 ? Zankel Hall  at  CARNEGIE HALL Seventh Avenue between 56th & 57th Streets New York, NY 10019

A new CD showcases the two-piano collaboration of two star soloists. WNYC's Sara Fishko has more, in this edition of Fishko Files. Stravinsky: The Rite of Spring & Other Works for Two Pianos Four Hands is available on iTunes and Amazon. On March 1, Carnegie Hall presents an evening of live two-piano performances by Daniil Trifonov and Sergei Babayan, with music by Schumann, Rachmaninoff, and others. (Zankel Hall) Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Bill Moss and Wayne ShulmisterEditor: Karen Frillmann

Pamela Stein Lynde is a busy person. She is a singer, composer, producer, and music educator. She began her career as a classically trained singer but as the years went on she realized that her abilities were applicable in other areas. We go into detail about the journey of her career and how she was able to create two non-profits that help musicians, composers, and singers. MEET PAMELA STEIN LYNDE Praised for her “rich dramatics” (The Boston Globe), Pamela Stein Lynde is a versatile soprano, composer, contemporary music performer, music educator, and producer, known for inspiration, introspection, and passion in all aspects of her work. Recent performances have included premiering Lesley Flanigan’s haunting sound sculpture VOICES for four singers and loop pedals at Roulette; premiering New York-based composer Eric Lemmon’s The Impossible Will Take a Little While with the Highline Chamber Ensemble at the DiMenna Center for Classical Music; and performing a concert of chamber music by contemporary female composers, including a premier by Philadelphia-based composer Jenny Beck, at the National Opera Center. The 2015 launch of her company Stone Mason Projects has brought exciting performances of contemporary vocal chamber music to the National Opera Center, Arts on Site, Wilmer Jennings Gallery, and multiple other venues across the ti-state area, about which reviews have said, “The singing was stellar, on par with anything I’ve heard recently at higher profile venues such as Zankel Hall or National Sawdust. These concerts deserve a wider audience.” In the fall of 2016, Stone Mason Projects released its first music video, From the Mountain, a co-production with Contemporary Undercurrent of Song Project. Stone Mason’s upcoming endeavors include the commissioning and producing of a new chamber opera and the launch of the inaugural New Hope Sound(e)scape Festival in New Hope, PA in June of 2017. Stone Mason Projects has appeared on a panel discussing contemporary opera creation with will New York Opera Alliance during New York Opera Festival and will be presenting this May at the third annual New Music Gathering conference at Bowling Green State University in Ohio. Pamela has appeared as a singer in prior seasons with Helix New Music Ensemble, The Nouveau Classical Project, American Opera Projects, Beth Morrison Projects, Rhymes With Opera, Saratoga Fine Arts Festival, Yamaha Concert Artist Series, Yale’s New Music, New Haven series, and many others. She has worked with award-winning composers including David Lang, Tristan Perich, Jacob Cooper, Trevor Weston, Daniel Felsenfeld, Lisa Bielawa, Jenny Beck, and many others. She appears as a vocalist on minimalist composer Alexander Turnquist’s album Flying Fantasy, released on the Western Vinyl label. She was a featured guest composer at Phoenix’s OME New Music Marathon concert in 2015 and has had her compositions premiered by Patchwork American Song Project in both New York and Chicago, Guided Imagery Opera, Princeton-based group CUSP, and many other ensembles across the country. Pamela has taught voice, composition, music theory, vocal pedagogy, music history, performance practice and chamber music at the College of Saint Elizabeth, Rutgers University’s Mason Gross School of the Arts, and City College of New York. Pamela teaches masterclasses and workshops and gives lectures on creating new music for voice at colleges, universities, and conservatories around the country. She was invited to speak about teaching new music in higher education at the inaugural New Music Gathering conference at the San Francisco Conservatory of Music. Her organization Your Music Bus, co-founded with superstar composers Lisa Bielawa and Aaron Jay Kernis, has been serving the needs of the university and conservatory composition students and departments across the country since 2014. CONTACT: www.pamelasteinlynde.com (http://www.pamelasteinlynde.com)...

Jim Caruso made his Broadway debut alongside Liza Minnelli in the smash hit Liza’s At The Palace!, singing, dancing and celebrating the music and arrangements of the late, great Kay Thompson and the Williams Brothers. The show was honored with a 2009 Tony Award for Best Special Event and the recording was nominated for a Grammy.For his nightclub work, Caruso has won six MAC Awards and two BackStage Bistro Awards for sold-out shows at Birdland, The Oak Room at the Algonquin Hotel, and The Russian Tea Room. He has also performed at clubs in Los Angeles, Chicago, Atlanta, Palm Beach and London.His recent studio recording, “The Swing Set,” was called “a top drawer, first-rate swinger” by Jazz Times and “a completely entertaining experience” by All About Jazz. His first CD, "Caruso Live and In Person," went to number one on both the album and singles charts at Outvoice.com. Jim was featured in a Tribute to Kander & Ebb at Carnegie Hall, backed by the New York Pops, and performed in a Tribute to Hope & Crosby in an evening hosted by Michael Feinstein at Zankel Hall. He and singer/pianist Billy Stritch are regular performers at Bemelmans Bar at The Carlyle Hotel in NYC.With his award-winning jazz vocal and comedy trio, Wiseguys, he performed in an all-star Inaugural extravaganza for President Clinton, and were then invited to sing at his First State Dinner at the White House in an evening hosted by Lauren Bacall. The trio performed in concert at the Weill Recital Hall in Carnegie Hall, and in "the big room" with Rosemary Clooney.On the small screen, Jim was seen co-starring with Kathie Lee Gifford on Showtime Television in “Personal Assistant,” which was written and directed by Charles Busch. He also co-starred on the Nostalgia Network variety sit-com, “Café DuArt” for two seasons.As a writer, Jim has contributed to InStyle Magazine, Theatermania and InTheater Magazine He has produced and booked television talk and entertainment programs like "Jim J. & Tammy Faye" and "Fox After Breakfast," and was a Field Producer for E! Entertainment Television, working the red carpets, conducting interviews for "Celebrity Profiles" and covering the Tony Awards.Caruso hosted "Broadway On Broadway" in Times Square for a crowd of 100,000 theater fans, hosted MAC Awards at Town Hall in Manhattan and co-hosted the Drama Desk Award webcasts for four years. His radio series was heard on BroadwayWorld.com for four years, and his podcast “Here! On Broadway” was honored with a Summit Award. He can currently be heard on Legends 100.3 FM Radio with his weekly “New York Minute” segment.For the past fifteen years, he has hosted a weekly Monday night showbiz bash at Birdland called "Jim Caruso’s Cast Party,” which has brought him two BroadwayWorld Awards, a New York Nightlife Award, MAC Award and the Sidney Meyer Award. He’s taken celebrity versions of the Party to Lincoln Center and Town Hall in New York, and celebrated local talent at venues in London, Los Angeles, Las Vegas, San Francisco, Chicago, Austin, Dallas, Orlando, Pittsburgh, Cleveland, and on the high seas. The weekly “Broadway at Birdland” series he produces has also been honored with a Nightlife Award.

Join Jenni Brandon and ‘She' as they explore composition, music, collaboration, listening focus and discipline. Jenni will share her wisdom and way in the world of music, yoga and everyday life.  Jenni Brandon (b. 1977) is an award-winning composer whose music has been commissioned by many ensembles and performed in venues across the world, including Zankel Hall in Carnegie Hall. Among the ensembles that have performed her works are the Musical Arts Quintet, Yale Glee Club, The Singers-Minnesota Choral Artists, UT Arlington Wind Symphony, Conundrum, the Young New Yorkers Chorus, Vox Femina, the Sundance Trio, and Voices of Ascension.  Jenni also makes guest composer appearances across the country, frequently giving talks on the business of music and musician collaboration.   She is active as a conductor and was the music director of The Concert Singers in Los Angeles for nine years, and often makes guest appearances with ensembles to conduct her works and other works.  Active also as a mezzo-soprano, she has appeared with the Boston Pops, Pacific Chorale, Los Angeles Philharmonic, and at the Hollywood Bowl. Songs shared Spider Suite, The Sequoia Trio  and The Giver of Stars   Jenni Brandon  Music Yoga with Jenni Facebook  Twitter  

VIDEO: The Pacifica Quartet & Anthony McGill Play Mozart When a long-established string quartet brings in a fifth collaborator, questions inevitably arise: how will the four players interact with the newcomer? Who will call the shots in rehearsals, and how does the group dynamic change? When the Pacifica Quartet gave a performance of the Mozart Clarinet Quintet in the WQXR Café, that fifth member was Anthony McGill, the principal clarinetist of the Metropolitan Opera Orchestra. He recently recorded the clarinet quintets of Brahms and Mozart with the Pacifica, for an album due out next spring. "It's great to have that influx of new energy and new thoughts," Pacifica violist Masumi Per Rostad told host Jeff Spurgeon. "It changes our rehearsal process. It changes the way we interact with each other when it's just the four of us." McGill joked that the group puts on its polite company face when he enters the room. "What's kind of funny about that, especially with a string quartet, is that most of the time, you’re really welcome, because they spend a lot of time with each other,” said McGill. "Every group has its own specific dynamic and it’s really fascinating to be able to feel that." Along with his job at the Met, McGill is active as a chamber musician and soloist. He encounters a lot of Mozart, be it his chamber music or operas like Cosi fan tutte. "The way he captures the overtones and the sweetest part of the instrument is better than any other composer," McGill said of his clarinet writing. "The part of the instrument that sounds like the human voice – that’s the part that he zeroes in on and uses to the best of his abilities." The Pacifica's Cafe Concert came one day after the quartet appeared at Carnegie’s Zankel Hall to perform with another notable artist, pianist Marc-Andre Hamelin, in the rarely-heard Leo Ornstein Piano Quintet. Next year, the ensemble will mark its 20th anniversary with the premieres of commissioned works by Shulamit Ran and Julia Wolfe, the latter of which will be a string quintet with cellist Johannes Moser. The Pacifica has seen other changes lately too. Last year, the group left the University of Illinois after nearly a decade as the resident quartet to join the Indiana University Jacobs School of Music. It is the first quartet-in-residence at a school with a long string pedagogy tradition but much less of a chamber music bent. The quartet now teaches some 35 ensembles. Does the name “Pacifica” – a holdover from the group’s founding in Los Angeles – ever seem strange given their Midwestern orientation now? “It’s a nice name and we’ve been happy with it," said Rostad. "Our students like to joke that they could call us the Cornfield-ica.” Video: Amy Pearl; Sound: Noriko Okabe; Text & Production: Brian Wise

OMAR SOSAOmar Sosa (born April 10, 1965, in Camagüey, Cuba) is a composer, bandleader, and jazz pianist. Sosa began studying marimba at age eight, then switched to piano at the Escuela Nacional de Musica in Havana, where he studied jazz. Sosa moved to Quito, Ecuador, in 1993, then San Francisco, California, in 1995. In San Francisco he became deeply involved in the local Latin jazz scene and began a long collaboration with percussionist John Santos. He also made a series of recordings with producer Greg Landau, including the ground-breaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz. Sosa and Landau recorded with Carlos “Patato” Valdes and Pancho Quinto and worked on several film scores. Around 1999 Sosa moved to Barcelona, Spain.Omar Sosa is one of the most versatile jazz artists on the scene today: composer, arranger, producer, pianist, percussionist, and bandleader. He fuses a wide range of world music and electronic elements with his native Afro-Cuban roots to create a fresh and original urban sound – all with a Latin jazz heart. On stage, Mr. Sosa is a charismatic figure, inspiring his fellow musicians with his dynamic playing and improvisational approach to the music – an approach full of raw emotional power and humor. Mr. Sosa invariably inspires audiences to their feet and to join him in chorus vocals, heightening the sense of spontaneity and connection.Mr. Sosa’s latest CD on Otá Records, Mulatos , features Latin jazz master Paquito D’Rivera on clarinet. The recording is an adventurous, finely wrought, and wholly delightful mélange of Cuban jazz, Latin dance grooves, French chanson, North African trance music, and European folk. It dances with rhythmic inspirations of Indian tabla, jazz drums, and studio mixing. Also featured is the delicate voice of the Arabic lute, the oud, and the composer himself on marimba. “Mulatos” was recently nominated for Latin Jazz Album of the Year by the NYC-based Jazz Journalists Association.Mr. Sosa’s music is a unique style of Afro-Cuban jazz, and while it is rooted in the folkloric traditions of the African Diaspora, he always takes an exploratory approach – never one to let orthodoxy stand in the way of his pursuit of freedom. Sosa offers a joyful mix of jazz and Afro-Caribbean rhythms, combining percussive forays inside the piano and a series of electronic effects with his inspired, passionate playing at the keyboard. His tempos are fluid, and his moods change freely. Sosa revels in the irresistible clave grooves of Latin jazz, while adding experimental touches to keep his listeners on their toes.Omar Sosa has released 15 recordings on the Oakland-based Otá Records label since 1997, including 2002’s GRAMMY-nominated Sentir . He performed recently with his Octet at the opening of Carnegie Hall’s new Zankel Hall, about which Alex Ross of The New Yorker remarked that Sosa has “a ferocious flair for rhythm and a keen musical wit”. Composer John Adams, who curated the opening of Carnegie Hall’s new venue, commented that “Sosa is a deeply creative musician with an extraordinary harmonic sense. His piano playing is sui generis : It has obvious roots in Cuban music, but he’s taken his approach to the keyboard into completely new regions”. And Don Heckman of The Los Angeles Times recently wrote “Sosa’s vision of contemporary jazz reaches across every imaginable boundary”. For more information, please visit www.melodia.com.Omar Sosa was nominated in 2003 for a BBC Radio 3 Award for World Music in the ‘Americas’ category, along with Ibrahim Ferrer, Caetano Veloso, and Os Tribalistas. He began 2004 with the debut of his first work for symphony orchestra, entitled From Our Mother , performed at the Paramount Theatre in Oakland by the Oakland East Bay Symphony under the direction of Michael Morgan. The 45-minute work in three movements, which combines folkloric elements from Cuba, Venezuela, and Ecuador with modern jazz harmonies, was co-commissioned by Yerba Buena Center for the Arts in San Francisco and the Oakland East Bay Symphony, with partial funding from the Rockefeller FoundationEGGUN released 2013 (OTA1024)EGGUN: The Afri-Lectric Experience began as an Omar Sosa commission from the Barcelona Jazz Festival in 2009. The assignment: to compose and produce a tribute performance to Miles Davis’ classic recording, Kind Of Blue, on the occasion of its 50th anniversary. Inspired by various musical elements and motifs from Kind Of Blue, Omar wrote a suite of music honoring the spirit of freedom in Davis’ seminal work.Featuring trumpet and two saxophones, Eggun provides a medium for musical elements from Africa to shape and develop the music. The resulting jazz textures are further enhanced by the subtle and expressive use of electronic elements. At the heart of the recording is the spirit of Mother Africa.The featured horn players are Joo Kraus on trumpet (Germany),Leandro Saint-Hill on alto saxophone and flute (Cuba), and Peter Apfelbaum on tenor saxophone (U.S.A.). Omar’s longtime rhythm section of Marque Gilmore on drums (U.S.A.) and Childo Tomas on electric bass (Mozambique) create the foundation.Special guests on the project include Lionel Loueke on guitars (Benin),Marvin Sewell on guitars (U.S.A.), Pedro Martinez on Afro-Cuban percussion (Cuba), John Santos on percussion (U.S.A.), and Gustavo Ovalles on Afro-Venezuelan percussion (Venezuela). The CD was recorded primarily in Brooklyn, NY. Of particular interest is a set of sixInterludios interspersed among the primary tracks of the recording, inspired by melodic elements from the solos of Bill Evans.Eggun, in the West African spiritual practice of Ifá and its variousexpressions throughout the African Diaspora, are the spirits of those whohave gone before us, both in our immediate families and those who serve as our Spirit guides.From the liner notes, by Joan Cararach, artistic director of theBarcelona Jazz Festival:Harmony, peace, respect, freedom. That has been Omar Sosa’sresponse to our proposal: to revisit Kind of Blue, by Miles Davis, from his own (quite exceptional) aesthetic assumptions. The year was 2009. The 41st Voll-Damm Barcelona International Jazz Festival had hired drummer Jimmy Cobb – the only surviving member of the group’s original line-up who created that record – and a tribute band committed to revive, in concert, the memory of that iconic jazz piece. But Kind of Blue, rather than a museum piece, is a mysterious record with an intimacy to be disclosed very slowly, generation after generation, beyond the commonplaces of history books.That’s why we asked two artists who are familiar with our festival to revisit Kind of Blue from another perspective, following the artistic principles evoked by Bill Evans in his notes to the record signed by Davis: be yourself, be spontaneous, give all you have to give, everything you learned from those who came before and those you are sharing the road with. We selected Chano Domínguez, from Andalucía, who contributed Flamenco Sketches (Blue Note, 2012), and Cuban Omar Sosa, who did a powerful research of Miles Davis’ record.Eggun (ancestors) is not a typical record, just as Sosa is not a typical pianist. The artist, at first reluctant, became obsessed probing into Kind of Blue to find nothing else but the paradoxes of a never-ending search: love and indifference; exile and emigration; being here and now with the lessons of those who illuminated us; restless energy and deliberate contemplation; the uncanny twists and turns of our souls and the shades of our lives; the constant strain between grief and joy, contradictory and supplementary at the same time.Eggun essentially derives from the melodic cells of Kind of Blue’s solos and has the aim of honoring that record, which, let’s say it once more, is hardly known in spite of having been used and abused. Eggun is like all of Sosa’s works, an invitation to a journey plentiful with luxury, peace and sensuality (thanks, Baudelaire!). We have a welcome withAlejet – whitein Arabic – and El Alba. All the sounds of the African diaspora – where Moroccan bendir meets Dominican merengue and Puerto Rican plena: So All Freddie. The interludes, almost sacred invocations to the genius of Bill Evans. And a passionate desperation in the finale, as in records conceived the old way, like a narrative, followed by the final rest, grace in a religious sense, like an overflowing energy which at the end of the journey becomes pure togetherness. Kindness, in short.To visit Omar Sosa's website CLICK HERE

Host, Laura Theodore, the Jazzy Vegetarian,  chats with Lance Horne who is an Emmy Award winning composer, lyricist, singer, pianist, producer and music director. We’ll chat about his  CD, "First Things Last," and share some recipes and views on vegetarian food! Mr. Horne writes in various genres such as musical theater, rock, classical, film and broadcast television. Mr. Horne received a 2008 Daytime Emmy for Best Original Song (“Chemistry,” One Life to Live), 2010 Bistro for Best Album (Alan Cumming), 2006 Jonathan Larson Award (composer-lyricist), and multiple ASCAP Young Composer/Member Awards. His CD, "First Things Last," is his debut recording bridging pop, rock, theater and jazz. The CD features stage and screen stars such as Alan Cumming, Cheyenne Jackson, Ricki Lake, and more. Lance served as a musical consultant for the film Burlesque, starring Christina Aguilera and Cher. He co-produced Alan Cumming’s album I Bought A Blue Car Today and has served as Music Director for the NBC Orchestra and performances with Sandra Bernhard, Sydney Dance Company, the Boston Pops, Atlanta Symphony,  Adam Lambert, Ann Hampton Callaway and the New York Pops. Lance has been heard at Carnegie Hall, American Opera Projects, Sirius XM Satellite Radio, and at Sydney Opera House. He holds a Bachelors and Masters in Music Composition from The Juilliard School and has provided arrangements for the Boston Pops and the Broadway production of Little Women. His opera, Three Lost Chords, was praised in The New York Times when it debuted at New York’s Zipper Theater in 2008. In 2009 Ourboros, his classical composition for flute and piano, debuted at Zankel Hall. Horne is serving as Music Director for the workshop Alice By Heart, the new musical from Spring Awakening Tony Award-winners Duncan Sheik and Steven Sater.