Podcast appearances and mentions of ali farka toure

JB spins the best in folk and roots from the likes of Tim Edey, Notify, Barrule and Ali Farka Toure

Comenzamos con propuestas desde Senegal: la mítica banda Dieuf Dieuf de Thies, tocando música de bailes desde los 80 con aires de mbalax, y los Assiko Golden Band, con una música basada en las percusiones ancestrales del oeste africano. La congoleña Queen Lilas que toca rumba y ndombolo, y una de las más combativas bandas actuales, los chilenos Newen Afrobeat. Además, recuperamos al gran bluesman del desierto, Ali Farka Toure, y rendimos homenaje a la gran cantante caboverdiana Sara Tavares. Además, escuchamos al rapero togolés Elom 20ce, la pareja maliense Amadou & Mariam, los congoleses Quartier Latin, los benineses Orchestre Poly-Rythmo de Cotonu y el ghanés Oscar Sulley Track List Dieuf Dieuf de Thies - Galo Assiko Golden Band - La Musique du Coeur Queen Lilas - Femme Newen Afrobeat - Grietas Ali Farka Toure - Bandolobourou Sara Tavares - Coisas Bonita Elom 20ce - Umoja Ni Nguvu Amadou & Mariam - Batoma Quartier Latin - Ultimatum Orchestre Poly-Rythmo de Cotonu - Iya Me Dji Ki Bi Ni Oscar Sulley - Bukom Mashi

Comenzamos hoy nuestra temporada número 23, desde 2001 difundiendo la música africana en Radio Enlace y Radio Círculo, y lo que nos queda !! Arrancamos con novedades discográficas, la potente banda de Zimbabwe Mokoomba, el highlife ghanés de Ahemaa Nwomkro, la diva nigeriana de afrobeats Tiwa Savage, el afrofunk electrónico de Bosq & Kaleta, y la reedición de música guineana de los 70 con Leon Keita. En la segunda parte, highlife de Ghana con C.K.Mann, y de Nigeria con Dele Ojo, la voz de la caboverdiana Sara Tavares, el blues del desierto con Ali Farka Toure y la rumba keniata de Orchestre Shika Shika. Seguimos, 23 añitos !! Track List Mokoomba - Tamwela Mama Mokoomba - Nzara Hapana Ahemaa Nwomkro - Yebre Ma Owvo Tiwa Savage - Pick Up Bosq & Kaleta - Meji Meji Leon Keita - Diarabi Mana C.K.Mann - Womma Yen Som Dele Ojo - Jekoyema Sara Tavares - Fitxadu Ali Farka Toure - Kenouna Orchestre Shika Shika - Diabanza

Aquesta setmana dediquem el programa al mestre de la Kora Toumani Diabate. Fill d'una família de griots ha mantingut la tradició d'aquest noble instrument antecedent de l'arpa i alhora l'ha obert a la modernitat amb noves interpretacions i col·laboracions amb el flamenc (Songhai amb Ketama) el blues (Ali Farka Toure o Taj Mahal). Actualment és un dels músics de Mali amb més reputació internacional.

If you've followed the news out of Mali since 2012, you may be discouraged by the conflict, violence and political turmoil in the headlines. But Mali has a long and profound history. It has met many challenges in the past. In this program, Professor Cherif Keita expertly guides us through the early history of Mali, up through the end of the 20th century, told through the music of the country's great musical artists, Salif Keita, Toumani Diabate, Ali Farka Toure and others. It's a classic! Produced by Banning Eyre in 2010 APWW #588

A la fin des années 90s, le monde entier découvre le Buena Vista Social Club et se passionne tout à coup pour la musique cubaine. Il faut dire que le célèbre film documentaire de Wim Wenders y est pour quelque chose. Si leur musique s'est répandue dans le monde entier, c'est d'abord grâce à un gros fan de musiques, Nick Gold, et au bluesman Ry Cooder, qui décide un jour de réaliser un rêve : réunir d'authentiques musiciens cubains, des légendes oubliées pour produire un putain d'album !   Ce disque, paru en 1997, pourrait bien être l'album le plus important de la musique cubaine de la fin du 20e siècle, et à coup sûr celui qui a permis à ses membres de devenir mondialement reconnus.  Dans cet épisode Olivia vous raconte la story de Cumpay Segundo, Eliades Ochoa, Ruben González et Ibrahim Ferrer ; Grégoire nous emmène dans les studios mythiques de la EGREM, et Fanny revient sur les documentaires de Wim Wenders et Lucy Walker.    Crédits  Générique : Dr Alban "Sing Hallelujah" Titres écoutés dans l'émission : “Chan Chan”, “De Camino A La Vereda”, “El Cuarto De Tula”, “Pueblo Nuevo”, “Dos Gardenias”, “¿Y Tú Qué Has Hecho?”, “Veinte Años”, “El Carretero”, “Candela”, “Amor De Loca Juventud”, “Orgullecida”, “Murmullo”, “Buena Vista Social Club”, “La Bayamesa”.  Ali Farka Toure, Ry Cooder “Bonde”, Arsenio Rodriguez “Dundunbanza”. Extraits : “Buena Vista Social Club” de Wim Wenders (1999) et “Buena Vista Social Club : Adios” de Lucy Walker (2017)   Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Gregoire Sauvage. Enregistrée chez Greg Cook. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio.   LAISSEZ UN MESSAGE APRÈS LE BIP ! Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode ! Sinon, retrouvez-nous sur les internets : — Twitter : @RadioK7Podcast — Instagram : @radio_k7 — Facebook : @Radiok7podcast

Novedades en AfricaPachanga con el blues del desierto de Ali Farka Toure, el afrobeat de la banda nigeriana Bantu, los ritmos urbanos, también nigerianos de Ayra Starr y Patoranking, y el gumbé de Tabanka Djaz, de Guinea Bissau. Además, fusiones de música latina y africana con Papa Noel y la Orquesta Baobab, la extraordinaria voz de la angoleña Karina Santos, el sonido del ngoma tanzano con la Mlimani Park Orquestra, y el pionero de la electrónica en los 80, Nkono Teles Track List Ali Farka Toure - Safari Ali Farka Toure - Sadjona Bantu - Wayo And Division Ayra Starr - Bloody Samaritan Patoranking - Abobi Tabanka Djaz - Mendigo Papa Noel - Bana Congo Orchestra Baobab - Nijaay Karina Santos - Semba Kente Mlimani Park Orchestra - Mume Wangu Jerry Nkono Teles - Love Got A Hold Of Me

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with... the most honorable of mentions the runners-up that fill our cup the best of the rest of 2022  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Música

Trippy Texan rockers Khruangbin and Malian guitarist Vieux Farka Touré mesh their synergy to honor Vieux's late father, the great Ali Farka Toure, via a collaborative album called “Ali.” Building on Ali's language of desert blues, let's dive into 5:33 minutes of  bliss-building on “Tonga Barra.” 

Inspired by the recent album from Vieux Farka Toure, in partnership with Khruangbin, celebrating his late father Ali Farka Toure, I'm sharing some of my favourite Malian music. A country deep in the cultural heritage of many deep and diverse natures, Mali has produced some deeply emotive music from a wide range of musicians and musical styles. I've included many different types of Malian music in this mix for your enjoyment, from the 'Desert Blues' of groups such as Tinariwen, Imarhan and Toumast, to the international [but still very Malian] sound of Salif Keita, Amadou & Miriam. There are iconic women artists such as Fatoumata Diawara and Oumou Sangare, and political commentators and campaigners, such as Anansy Cisse and Seckou Keita. Music in Mali for the last 10 years, since a coup in 2012, has been difficult, owing to the extreme nature of some aspects of the government. This has led to many musicians leaving for other countries or attempting to go underground in their own country. Maybe I will get to Mali one day, but in the meantime let the music take us there together. Full Track listing below: Music from Mali Tracks 1 Street Musicians From Bamako on Balafon - Recording From Senegal Mali Project 0:00 2 Vieux Farka Toure & Khruangbin - Tongo Barra 8:23 3 Toumast - Innulamane 13:53 4 Anansy Cisse - Sekou Amadou 18:37 5 Seckou Keita ft Baaba Maal - Homeland 23:46 6 Fatoumata Diawara - Sowa 27:24 7 Bassekou Kouyate & Ngoni Ba - Ladon 30:29 8 Afel Bocuum - Alasidi 35:57 9 Salif Keita - Ignadjidje 40:25 10 Imarhan - Ibas Ichikkou 46:09 11 Etran Finatawa - Anadjibo 51:42 12 Rokia Traore - Sara 57:08 13 Mali Musicians inc. Afel Bocuum & Toumani Diabate - Niger 1:03:05 14 Amadou & Miriam - Dans Ce Monde Trouble 1:06:55 15 Miria [Union Malian Des Aveugles] - Farinya Maji 1:11:24 16 Kasse Mady Diabate - Bandja 1:16:44 17 Djelimady Tounkoura - Fanta Bourana 1:21:27 18 Tinariwen - Tenhert [The Doe] 1:27:09 19 Oumou Sangare - Djoloren 1:32:34 20 Vieux Farka Toure - Fafa 1:40:45 21 Toumani Diabate - Cantelowes 1:45:40 22 Ali Farka Toure - Timbindy 1:52:31

On this week's show, we... kick off the scary old month of Rocktober with a Genreview of 70s U.K. & U.S. glam rock spend quality time with superlative new records from Nikki Lane and Vieux Farka Toure with Khruangbin bid adieu to the late, great Loretta Lynn All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

As broadcast October 6, 2022 with plenty of purified water from Lake Minnetonka.  Tonight we go back to 2016 where, in the unfortunate aftermath of Prince's all-too-early demise, his estate decided to open up The Artist's compound in Paisley Park for the viewing public.  For the remainder of the first hour we kept it funky with our Sampled weekly, and new tunes from Dustbowl Revival, Al Green, and Arjuna Oakes kept the fresh cuts coming through part 2.  Dan Lloyd once again dropped in for our weekly AMPED rock sesh, highlighting some big tunes out this past week and albums that drop tomorrow, with Slipknot, LCD, Paramore, and Anxious being highlights.  We also debuted our rock spotlight to finish the show, which honestly is not just two weeks too late, but several seasons, and we highlighted Baek Yerin's rock project The Volunteers to close things.#feelthegravityTracklist (st:rt)Part I (00:00)Prince – MusicologyDustbowl Revival – Set Me FreeLady Wray – Through It AllLucas/Heaven – Every City Has a RhythmVieux Farka Toure & Khruangbin – LobboArjuna Oakes & Serebii – Guava Part II (32:03)Durand Jones & The Indications – Giving UpKelly Finnigan – Catch Me I'm FallingAaron Frazer – You Don't Wanna Be My BabyBuddy Guy feat James Taylor – Follow The MoneyAl Green – Wanna SayFela Kuti & Afrika 70 – Alu Jon Jonki Jon Part III (70:21)Slipknot – AdderallYeah Yeah Yeahs – FleezBush – Heavy is the OceanParamore – This is WhyLCD Soundsystem – New Body Rhumba Part IV (1:44:35)Anxious – SunsignVUKOVI – QUENCHThe Beatles – Tomorrow Never Knows (Take 1)King Gizzard and the Lizard Wizard – Iron LungThe Volunteers – Let Me Go! Anxious – Sunsign

This week Oliver looks at some crazy psyched out punk rock from a live album from Thee Oh Sees. Then we look at the first single from the upcoming Khruangbin album which pays tribute to legendary Malain guitarist Ali Farka Touré. Also featured are some exciting new releases from Alvvays and The Beths. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

On this week's show, we...  spend quality time with the latest records from Dawes, Pedro The Lion & Jack White  spin fresh tracks from Plains, The 1975 & Titus Andronicus add a third bullet point for the sake of adding a bullet point All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

As broadcast August 4, 2022 with plenty of defiant escapism for your streaming experience.  Tonight we highlight the 50th anniversary of release for Superfly in 1972, which was not only a revolutionary film for it's time but is mostly known as one of the most iconic soul soundtracks ever made.  Curtis Mayfield made what would be his indelible trademark on this OST, getting signed up late to the game to compose, arrange, and perform what became total legend.  After opening, we have killer new tunes just out this week from Say She She, Khruangbin, Chaka Khan, Robert Glasper, and Robohands just to highlight a few.  For hour two Dan Lloyd brings more rock heat even as he's on vacation from the likes of Screeching Weasel, Guerilla Toss, Off!, and also highlights some of the big rock acts in country this weekend for the first Pentaport Rock Festival since the pandemic began.#feelthegravityTracks (ST:RT)Part I (00:00)Curtis Mayfield – No Thing On Me (Cocaine Song)Say She She – NORMAPaul McCartney – Pretty Boys (Khruangbin remix)Brooklyn Funk Essentials – Scream!Fort Frances – Nothing Ever Change In AmericaIkebe Shakedown – Waiting for the Storm Part II (32:05)Robohands – NightshadeElijah Nang feat nogymx – Shaped by the SeaRobert Glasper feat Masego – All Masks Chaka Khan – Woman Like MeGloria Scott – All of the Time, You're On My MindVieux Farka Toure & Khruangbin – SavanneIdris Muhammad – Brother, You Know You're Doing Wrong Part III (65:35)Anti-Flag – LAUGH. CRY. SMILE. DIE.Flatliners – Rat KingBush – More Than MachinesScreeching Weasel – Kill to CureGuerilla Toss – Zum HerzBrutus - Liar Part IV (96:40)Off! – War Above Los AngelesThe Wonder Years – Low TideVampire Weekend – Harmony HallDeafheaven – In BlurMogwai – I'm Jim Morrison, I'm DeadGinger Wildheart and the Sinners – Lately, Always 

Borchi song as we call it, is being curated here for the sake of the illustration of a blogpost translated in Hindi by Ashok Pande. A post cooked with a light heartedly manner to bring the Indian music scene into the focus. Asking forgiveness from the great Malian singer and multi instrumentalist Ali Farka Toure (31 October 1939 – 6 March 2006) Cover art: Google --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message

COREY HARRIS is a powerful singer/songwriter and accomplished guitarist. Starting in New Orleans then Cameroon, West Africa, he has found his niche in the world of blues by focusing on an original sound influenced heavily by blues, reggae, soul, rock, and West African music. He's been featured with artists such as BB King, Taj Mahal, Buddy Guy, R.L.Burnside, Ali Farka Toure, Dave Matthews Band, Tracy Chapman, Olu Dara, Wilco, and others. ORDINARY ELEPHANT met at an open mic in College Station, Texas back in 2009. After moving to Houston, the husband and wife duo came to be with Crystal Damore on acoustic guitar and Pete Damore on clawhammer banjo. They have recently released their latest album HONEST, deemed ‘one of the best Americana albums of the year' by the Associated Press. WoodSongs Kid: Wyatt Ellis is a twelve-year-old, Tennessee based musician starting to make big waves in the roots and bluegrass scene. In 2020, he was chosen for a Tennessee Folklife apprenticeship with Sierra Hull. Sierra joins Wyatt for a can't be missed performance on the WoodSongs Stage.

Author and podcaster Giovanna Fletcher trained as an actor, but with several bestselling novels under her belt and her hit podcast Happy Mum Happy Baby featuring guests stars such as the Duchess of Cambridge, she has had little time to take to the stage in recent years. Now she stars in the West End in Danny Robins's terrifying new play 2.22 A Ghost Story at London's Gielgud Theatre. During lockdown, Femi Fadugba's debut novel, which combines his expertise in quantum physics with a thrilling time travel story set in Peckham, became a bestseller and was quickly snapped up by Netflix for a film adaptation. Ben Norris combines his skills as a poet, actor and playwright in The Choir of Man, a new feelgood show in the West End, which uses hits by the likes of Sia and and Guns'n'Roses to celebrate the power of community. After an incredible story from listener Helen Kirkham on last week's show about the devastating accident that almost took her life, we reunite Helen with someone very special. Darling Buds of May, Matilda and Call the Midwife actor Pam Ferris chooses her Inheritance Tracks: You Are My Heart's Delight by Richard Tauber and Bonde by Ali Farka Toure with Ry Cooder. And we have a Thank You from Topsy Kennedy. Producer: Tim Bano

You Are My Heart's Delight by Richard Tauber and Bonde by Ali Farka Toure with Ry Cooder

Wat komt er allemaal kijken bij vrijwilligerswerk in verzorgingshuizen van Amsta? En wat maakt dat het beeld ‘gezellig thee drinken met oma'tjes' zo'n misverstand is? Ook vertelt Ansje over de impact van corona op het vrijwilligerswerk: verpleeghuizen dicht, bewoners met alzheimer die niet begrijpen waarom hun zoon of dochter niet meer mag komen, etc. Ansje zit vol energie en levenslust. Naast haar werk doet ze zelf ook vrijwilligerswerk, als OBA-maatje, is ze veel met kunst bezig en heeft ze een passie voor verzamelen. Ze heeft er zelfs een boek over geschreven. En ze vertelt over haar jeugd als schipperskind. Veel luisterplezier! Boek Amsterdam verzamelt: https://www.ansvisser.nl/index/360950249_Nieuws.html#.YQFUJo4zaUk Vrijwilligerswerk bij Amsta: https://vacaturebank.vca.nu/?t=amsta&dist=5km&sortBy=Datum Muziekfragment waar Ansje over vertelt: Ai Du van Ali Farka Toure en Ry Cooder Mensen Maken Mokum is de podcast van Vrijwilligers Centrale Amsterdam. In deze serie nemen wij je mee in de wondere wereld van Amsterdammers die Mokum ieder op hun eigen manier weten te verrijken. Wil jij ook impact maken? We helpen je graag op weg bij het vinden van een vrijwilligersklus waar je blij van wordt! Kies uit zo'n 1000 mogelijkheden in de stad, hier zit altijd iets tussen dat aansluit bij jouw talenten en agenda. Check: https://www.vca.nu/voor-vrijwilligers/vrijwilligerswerk-vinden/ Vragen, suggesties, samenwerken? Mail ons op: amsterdam@vca.nu Volg ons op Insta @amsterdamimpact

Registrato oltre Atlantico nel 2010, e pubblicato dalla etichetta americana Clermont Music, New York Live arriva opportunamente, a tre anni dalla sua scomparsa, a ricordarci Khaira Arby, che pur non avendo raggiunto una particolare notorietà internazionale è stata tra le figure più significative della musica maliana degli ultimi decenni. Nata nel '59 nei dintorni di Tombouctou, Khaira a dieci anni comincia a cantare con un gruppo culturale locale, e avvia poi una promettente carriera, stroncata però nel '76 dalla decisione del padre di darle un marito insensibile alla sua vocazione artistica. Ma nell'83 Khaira divorzia, riprende la sua carriera anche grazie all'aiuto di Ali Farka Toure, e nel '90 esce il suo debutto Moulaye, esempio pionieristico di cassetta pubblicata da una cantante del nord del Mali: più in generale Khaira Arby sarà una delle prime cantanti maliane ad affermarsi sulla scena nazionale. Poi, a causa dell'occupazione jihadista del nord del Mali del 2012 e delle condizioni di insicurezza nella regione, Khaira Arby, così legata a Tombouctou, ha dovuto rifugiarsi nella capitale Bamako, conoscendo negli ultimi anni della sua vita l'amarezza dell'esilio nel propio paese. In una intervista del 2016 con il quotidiano Libération aveva commentato: "Il Profeta fu accolto con canti quando arrivò alla Mecca. Toglierci la musica è come impedirci di respirare: ma continueremo a batterci, e andremo avanti, inshallah".

Registrato oltre Atlantico nel 2010, e pubblicato dalla etichetta americana Clermont Music, New York Live arriva opportunamente, a tre anni dalla sua scomparsa, a ricordarci Khaira Arby, che pur non avendo raggiunto una particolare notorietà internazionale è stata tra le figure più significative della musica maliana degli ultimi decenni. Nata nel '59 nei dintorni di Tombouctou, Khaira a dieci anni comincia a cantare con un gruppo culturale locale, e avvia poi una promettente carriera, stroncata però nel '76 dalla decisione del padre di darle un marito insensibile alla sua vocazione artistica. Ma nell'83 Khaira divorzia, riprende la sua carriera anche grazie all'aiuto di Ali Farka Toure, e nel '90 esce il suo debutto Moulaye, esempio pionieristico di cassetta pubblicata da una cantante del nord del Mali: più in generale Khaira Arby sarà una delle prime cantanti maliane ad affermarsi sulla scena nazionale. Poi, a causa dell'occupazione jihadista del nord del Mali del 2012 e delle condizioni di insicurezza nella regione, Khaira Arby, così legata a Tombouctou, ha dovuto rifugiarsi nella capitale Bamako, conoscendo negli ultimi anni della sua vita l'amarezza dell'esilio nel propio paese. In una intervista del 2016 con il quotidiano Libération aveva commentato: "Il Profeta fu accolto con canti quando arrivò alla Mecca. Toglierci la musica è come impedirci di respirare: ma continueremo a batterci, e andremo avanti, inshallah".

In 2003 Ibrahim released his second solo album for World Circuit, ‘Buenos Hermanos,' an album that is firmly rooted in tradition but at the same time expands the horizons of Cuban music with its varied repertoire, or as Ry Cooder simply put it, ‘I think the album's a goddam classic.' The album received almost universal praise, going on to win both GRAMMY and Latin Grammy awards. The album was reissued in early 2020 with new mixes of the full album overseen by Ry Cooder, and with 4 previously unheard tracks from the original studio sessions.Source: http://www.buenavistasocialclub.com/albums/buenos-hermanos/Whether serving as a session musician, solo artist, or soundtrack composer, Ry Cooder's chameleon-like fretted instrument virtuosity, songwriting, and choice of material encompass an incredibly eclectic range of North American musical styles, including rock & roll, blues, reggae, Tex-Mex, Hawaiian, Dixieland jazz, country, folk, R&B, gospel, and vaudeville. In addition to his American music bona fides, Cooder is an unofficial American cultural ambassador: He was partially responsible for bringing together the Cuban musicians known globally as the Buena Vista Social Club, recording with Ali Farka Toure, Vishwa Mohan Bhatt, and Manuel Galban, to name a few.https://www.allmusic.com/artist/ry-cooder-mn0000175708/biographyThis episode is from an archive from the KPFK program Rock Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.  Support the show

Ryland Peter Cooder is an American musician, songwriter, film score composer and record producer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in roots music from the United States, and his collaborations with traditional musicians from many countries.  The virtuoso guitarist has been a musician other musicians have followed closely, and no popular musician has a broader or deeper catalogue. He has played songs so simple that they are hardly songs, and songs so complex that they would tax, if not overwhelm, the capacities of most talented guitarists.  Rolling Stone, in 2003, named him the 8th greatest guitarist on their list of the 100 Greatest Guitarists of All Time, his influence has been felt more than his records have been heard, with perhaps some exceptions: the group of elderly Cuban musicians whom he assembled and recorded in 1997 and called the Buena Vista Social Club, Also recording with Ali Farka Toure, Vishwa Mohan Bhatt, and Manuel Galban, to name a few.  On July 11, 1979: The first U.S. digitally-recorded LP of (with vocals), Bop 'Til You Drop by guitarist Ry Cooder, was released by Warner Bros. Records.  Ry Cooder - Look at Granny Run Run Ry Cooder - Get Rhythm - 2018 Remastered Ry Cooder - Think It's Going to Work out Fine Ry Cooder -Buena Vista Social Club - Chan Chan Ry Cooder - I Can Tell by the Way You Smell Ry Cooder - The Dark End of the Street – Live Ry Cooder - Paris, Texas Ry Cooder - The Very Thing That Makes You Rich (Makes Me Poor) Ry Cooder & V.M. Bhatt Ganges - Delta Blues Ry Cooder - Let's Have a Ball Ali Farka Touré, Ry Cooder - Ai Du Ry Cooder - Across the Borderline Ry Cooder - Down in Hollywood

Aquesta setmana dediquem tot el programa a fer un homenatge a Ali Farka Toure, el músic i guitarrista que va obrir la música de Mali a l'èxit internacional. Acaba de fer 15 anys de la seva mort, un 7 de març de 2006 i a la seva ciutat de Niafunké li dediquen un macrofestival que organitza el seu fill Vieux Farka Toure i on actuen artistes com Afel Boucoum, Bassekou Kouyate, Oumou Sangare...

עלי פארקה טורה • 15 שנים למותו • Ali Farka Toure

Hoy comenzamos AfricaPachanga con el último disco del gran maestro de la salsa africana, el angoleño Ricardo Lemvo. Más novedades con la música de baile de la nigeriana Yemi Alade, la delicadeza de la voz de la sudafricana Simphiwe Dana, el exitazo del año pasado de Master KG - Jerusalema; y la potente banda de afrobeat de Budapest The Mabon Dawud Republic, con un tema donde colabora Pat Thomas. Además, tenemos hoy a los maestros malienses Ali Farka Toure y Zani Diabate, y a Gnonnas Pedro, de Benín, en clave afrobeat. También, un pequeño espacio para Baloji y Blitz The Ambassador, dos de los raperos africanos más inquietos y arriesgados, que basan su propuesta en la rumba congoleña y en el highlife, respectivamente Track List Ricardo Lemvo - Terraco Do Caldo Ricardo Lemvo - Ficofico Cocó Yemi Alade - Deceive Simphiwe Dana - You Keep Calling Master KG - Jerusalema The Mabon Dawud Republic - Gyae Abrabo Ali Farka Toure - Soya Zani Diabate - Ambou Wele Baloji - L'Hiver Indien - Ghetto Mirador Blitz The Ambassador - Shine Gnonnas Pedro - How Much Love Naturally Cost

Scaletta: .- ROBERT CRAY: Acting this way...- omaggio al "King biscuit time", mitica trasmissione blues di KFFA Radio condotta per più di 50 anni da "Sunshine" Sonny Payne...- MUDDY WATERS: Mannish boy...- FANTASTIC NEGRITO: In the pines...- FANTASTIC NEGRITO: Push back...- BETTYE LAVETTE: Things have changed...- SAM COOKE: A change is gonna come ...- SAM COOKE: Pilgrim of soul...- PUBLIC ENEMY: Fight the power...- BEYONCE: Black parade...- ALI FARKA TOURE': Savane

Scaletta: .- ROBERT CRAY: Acting this way...- omaggio al "King biscuit time", mitica trasmissione blues di KFFA Radio condotta per più di 50 anni da "Sunshine" Sonny Payne...- MUDDY WATERS: Mannish boy...- FANTASTIC NEGRITO: In the pines...- FANTASTIC NEGRITO: Push back...- BETTYE LAVETTE: Things have changed...- SAM COOKE: A change is gonna come ...- SAM COOKE: Pilgrim of soul...- PUBLIC ENEMY: Fight the power...- BEYONCE: Black parade...- ALI FARKA TOURE': Savane

Empezamos hoy presentando Bandé-Gamboa, que en realidad son 2 super-bandas, una de Guinea Bissau y otra de Cabo Verde, que se han formando para rejuvenecer tema clásicos y raros de estos dos países con un sonido actual. Más novedades con un potente tema de afrobeat de los madrileños Ogun Afrobeat y Dele Sosimi, con un tema de rap Sarkodie, y hablamos del trágico asesinato del músico etíope Hachalu Hundesa. Y como siempre, espacio para los clásicos de la música africana, hoy con Ali Farka Toure, Kasse Mady Diabaté, Ernesto Djedje, Busi Mhlongo, Khaled y la nueva estrella del raï, Sofiani Saidi. Track List Bandé-Gamboa - Pe Di Bissilon Bandé-Gamboa - Festa Na Praia Ogun Afrobeat - Benefit For All Hachalu Hundesa - Maalan Jira Sarkodie - Brown Paper Bag Ali Farka Toure - Erdi Kasse Mady Diabaté - Sinanon Saran Sofiani Saidi - El Ndjoum Khaled - Baroud Busi Mhlongo - Zithinizizwe Ernesto Djedje - Oyeno

Welcome to Fluxedo Junction! Each episode we bring you the best music of all genres from throughout the world, and this week we're featuring music from Van Morrison, The Grip Weeds, Taj Mahal, Ali Farka Toure, The Kinks, Remain, and The Doughboys.

En el programa de hoy, hablaremos sobre Ali Farka Toure, un guitarrista de Mali considerado padre de la música africana.

Presentamos hoy el segundo disco de Les Amazones d'Afrique, un colectivo de cantantes africanas, fuertemente involucradas en la defensa de los derechos de la mujer. Más novedades con la fusión de Penya con Msafari Zawose y el afrobeat de Kelele, además de la reedición de un disco del camerunés Ondigui, con su estilo llamado highlife-soukous. Además grandes músicos africanos con Ali Farka Toure, Toumani Diabate, Alpha Blondy, Eric Agyeman y Pepe Kalle Track List Les Amazones d'Afrique - Power Les Amazones d'Afrique - Red Penya ft Msafari Zawose - Penya Safari Kelele - Samedi Soir Ondigui - Beza Bakili Ma Nyon Ali Farka Toure - Kadi Kadi Toumani Diabate & Symmetric - Mamadou Diaby Alpha Blondy - Apartheid Is Nazism Eric Agyeman - Matutu Mirika Pepe Kalle - Pedro

The unique and primal sound of Desert Blues from the musicians of Mali and nomadic tribes of the Sahara is less an offshoot of "the blues" as closer to its original root before the music was filtered through the African slave experience, through the Delta, and permeated American culture. This music is a modern interpretation of that ancient music, lovingly crafted by African musicians since the '70s, including some highly prominent and now-famous musicians including Ali Farka Toure, who once said, "The guys in Mississippi are playing American-Malian music, not the other way around."

Le Collimateur reçoit cette semaine Aline Leboeuf, chercheuse au centre des études de sécurité de l’IFRI, et auteur d’un récent « Focus stratégique » intitulé « La compétition stratégique en Afrique : approches militaires américaine, chinoise et russe ».   Avec Alexandre Jubelin, elle évoque d’abord la Guerre froide et ses héritages sur le théâtre africain (1:45), le creux de l’investissement étranger dans les années 1990 puis le retour d’intérêt américain à la suite du 11 septembre 2001 (6:00). Ils font ainsi un tour d’ensemble des différents niveaux de pénétration des grandes puissances en Afrique (10:30), et des logiques qui poussent tel ou tel pays à nouer des liens avec ces puissances (18:20). Puis ils détaillent les emprises concrètes et infrastructures déjà déployées par les trois pays sur le continent africain (26:00), avant de parler des actions directes sur le territoire africain (31:00), et d’évoquer que le théâtre africain soit un « terrain d’essai » pour la projection de forces armées chinoises. Ils abordent ensuite la présence récente de conseillers militaires russes, notamment en Centrafrique, et les réactions que cette présence provoque (40:00), avant de parler de la présence de ces pays par les ventes d’armes (44:15). Enfin, ils abordent le cas de la France et de la manière dont elle s’insère dans ce paysage (47:30). Extrait audio : Ali Farka Toure, Ry Cooder, « Ai Du » sur l’album Talking Timbuktu (1994)

Episode 019 of *The Upful LIFE Podcast* welcomes our good friend LUKE QUARANTA to the show for another long and winding discussion, the last interview I conducted over two weeks in NOLA during Jazz Fest 50. I first encountered Luke and his band TOUBAB KREWE at Bear Creek Music and Arts Festival, at Spirit of Suwannee Music Park, around 2008 or 2009. Ever since, I've been a big fan of his percussion magic, and of course the amazing Toubab Krewe, who released their latest LP Stylo in 2018. Toubab Krewe is always very active over Jazz Fest, and the members play in a lot of other bands as well, not the least of which is Luke himself. Nonetheless we were able to track him down at the end of our stay in NOLA, and he more than delivered with a fascinating interview that was at once informative and entertaining. LUKE QUARANTA Intro>Interview at 11 Mins Quaranta takes us on a lengthy journey of his inspiring career as a drummer, starting with his humble beginnings growing up in New Rochelle, NY and spending some time in the Bronx as a young adult. He discusses formative influences on him as a youth, and how he developed an interest in the different drums he employs when creating with Toubab Krewe. Originally and primarily based in Asheville, NC, Toubab Krewe members came together in organic fashion, shared a passion for West African instrumentation and it's music, and a strong curiosity to make it something new and evolved of it, yet still in tribute to the traditions. Over time, Luke began working with Djembe, Congas, Dundun, Sangban, and KenKeni drums, and he explains how he came in contact with these instruments and where he picked up knowledge and understanding of these ancient drums along the way. From there, Quaranta describes the context of these instruments, music from Mali, Guinea, and the Ivory Coast, and how he/his bandmates internalized it, and then repurposed it as their own creation, with permission and a blessing. Quaranta discusses mentors and friends from his travels in West Africa. I asked him how he was able to get together and study at length with master drummers in Africa and in the US, to such depth and understanding. He describes several trips to Africa to live with and make music among the people in Mali, Guinea and Ivory Coast. Quaranta explains how they received blessings from the master teachers to take this music to the West; they were invited to live with them and their families, spending a month a time, on more than one occasion, to get a proper orientation from the musicians who know it best. We talk a bit about Toubab Krewe in the early days, and Luke appears to have a fond time reminiscing on the start of this band and it's journey in the early 00's, he takes great detail in the narrative of how the music was instilled in them in Africa, how they hosted master drummers here in the States and traveled extensively with them and traditional dance groups too, and how it all tied together with the embryonic phase of Toubab Krewe.   Luke explains how Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, but are ambassadors of the music into the future, they are not bound by the same traditions, and the Krewe was encouraged to play this music from their own hearts.  From there, Quaranta explains the etymology of the name "Toubab Krewe", how it pertains to non-Africans AND is a nod to the heartbeat of jazz music, New Orleans, where our conversation was taking place. Which brings us to the discussion around current Toubab Krewe drummer Terrence Houston, who's been George Porter Jr's drummer for several years and is very admired in the local community and around the US. Quaranta explains how Houston came into the Toubab picture, and how his inclusion has informed the sound of the band in their modern era, most specifically with regard to the material found on STYLO. We finish up the conversation on Toubab with discussing their newest LP STYLO, including the writing and recording processes for both studio and live efforts past and present. After a lengthy powwow on all things Toubab, we take some time to talk about the incredible Weedie Braimah, who appeared on Episode 004 of *The Upful LIFE Podcast*, a master djembefola whom Luke has studied with, collaborated with, and befriended for many years. They both live and work in New Orleans, and the two have united for some amazing musical endeavors, not the least of which is Weedie Braimah & the Hands of Time. Quaranta takes a few minutes to flesh out the concept for this group and explain the nature of their music in a language everybody can easily understand. This is a powerful collection of world music masters and it was quite informative to hear about what goes into making the Hands of Time happen. A little bit about Jazz Fest, and the myriad of side bands that come to life in NOLA that Weedie, Luke, and collaborators include Raja Kassis (Antibalas), and Terence Higgins (Mad Skillet, Ani DiFranco). We touch on Luke's role in some of those bands, such as Pirate's Choice, Wahala Boys, FuFu All-Stars, and MEGAWATT, a project spearheaded by Kassis that include's musicians from outside of NOLA, such as Lettuce's Adam Deitch, Break Science's Borahm Lee, among others. Blake Quick/Rachel Murray (THE QUICKENING) Interview at 1hr 11mins  After Luke's chat, we pivot to a NOLA-based buzz-band I'm very fond of, The Quickening, with a sweet 22-minute interview with founder/guitarist/vocalist Blake Quick and vocalist Rachel Murray. Their 2018 LP Begin Again made Upful LIFE's Favorite 18 Albums of 2018, and we've had our eyes and ears on The Quickening for a couple years now. Enjoy a peak behind the scenes of a Crescent City band cutting their teeth in that great environment, and some perspective on the hard work and grueling efforts it takes to make or break a band in this crowded, vibrant, and often cut-throat music scene. Both Quick and Murray also shout out some of their favorite underground NOLA musicians. Vibe Junkie JAM of the Week   Garage-a-Trois debut EP, vinyl only, "Mysteryfunk". Fog City Records, 1999. I just let the whole 24mins EP ride out. 3 full songs and a minute-long outro. This features the original lineup of Stanton Moore, Charlie Hunter, and Skerik, Produced by Dan Prothero. You may think you know these guys as players, or even GAT, but you likely haven't heard them quite like this. Almost an electronic album, Moore unfurling boukou trip-hop breakbeats and drum & bass jungle riddims, underneath the kaleidoscopic eccentricities of Hunter and Skerik in full bloom. The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE

Nel 2018 la World Circuit, l'etichetta che pubblicò Buena Vista Social Club, ha proseguito nella sua politica di ristampe di grandi album del suo catalogo: in questa conduzione ascoltiamo brani da Introducing... Rubén Gonzalez, A toda Cuba Le Gusta, Cachaito di Orlando Cachaito Lopez, Moussolou di Oumou Sangare, The Source di Ali Farka Toure, Né La Thiass di Cheikh Lo; ma anche da From Nubia To Cairo di Ali Hassan Kuban, altro classico ristampato dall'etichetta tedesca Piranha.

Nel 2018 la World Circuit, l'etichetta che pubblicò Buena Vista Social Club, ha proseguito nella sua politica di ristampe di grandi album del suo catalogo: in questa conduzione ascoltiamo brani da Introducing... Rubén Gonzalez, A toda Cuba Le Gusta, Cachaito di Orlando Cachaito Lopez, Moussolou di Oumou Sangare, The Source di Ali Farka Toure, Né La Thiass di Cheikh Lo; ma anche da From Nubia To Cairo di Ali Hassan Kuban, altro classico ristampato dall'etichetta tedesca Piranha.

Nel 2018 la World Circuit, l'etichetta che pubblicò Buena Vista Social Club, ha proseguito nella sua politica di ristampe di grandi album del suo catalogo: in questa conduzione ascoltiamo brani da Introducing... Rubén Gonzalez, A toda Cuba Le Gusta, Cachaito di Orlando Cachaito Lopez, Moussolou di Oumou Sangare, The Source di Ali Farka Toure, Né La Thiass di Cheikh Lo; ma anche da From Nubia To Cairo di Ali Hassan Kuban, altro classico ristampato dall'etichetta tedesca Piranha.

Ørkenen er måske nok tør, men den har inspireret en frodig buket af musik og bands. P6 Beat City børster støvet af amerikansk ørkenrock med bands om ZZ Top, Queens of The Stone Age og Calexico og kaster sig ind i afrikanske sandstorme med Tinariwen og Ali Farka Toure. Vært: Niels Fez Pedersen.

This episode is a deep dive into the story of Mamoudou Gassama. In this episode I celebrate Gassama while problematizing some of the surrounding events, and the placement of value on things we tend to overlook when hearing about 'heroes' and their 'heroic' events. Music used for this episode comes from Ali Farka Toure, a Mali native and one of Africa's most internationally renowned musicians. References: Helen Gardner (2016). "The Myth of the Noble Savage." TheConversation.com Shree Paradkhar (2018). "It Takes a superhuman feat for a Black Muslim migrant to be deemed worthy." The Toronto Star.

Hoy empezamos en el AfroClub con novedades discográficas de música africanas de estilos muy variados. Nuestra primera propuesta es una de las mejores voces femeninas del continente, Sia Tolno con su nuevo disco mucho más vital y alegre de lo que suele ser habitual en su obra, un cocktail de los ritmos que más le gustan, que van desde el rock, el reggae hasta el funk.Y hablando de este último estilo, tenemos hoy también a Patrick Ruffino, un músico de Benín que reivindica el sonido del afrofunk basado en los ritmos de la tradición vudú de su país. También escuchamos a Hailu Mergia, una leyenda del ethio-jazz, que actualiza y moderniza este estilo de los años 70. A ritmo de afrobeat, Leeroy nos presenta su homenaje a Fela Kuti, con versiones de clásicos del creador del afrobeat, claramente enfocadas a la pista de baile, con un sonido muy urbano y moderno. De Cabo Verde, nos sigue asombrando la facilidad con que aparecen grandes voces femeninas, y Lucibela ha sido la última revelación, demostrando en su álbum de debut que es una mujer con una técnica vocal asombrosa y con influencia de las grandes vocalistas brasileñas.La segunda parte del programa la dedicamos al blues del desierto del Sáhara. Empezamos con novedades discográficas de este estilo con dos músicos que graban en un sello independiente llamado Clermont Music, especializado en los sonidos del norte de Malí. Hama Sankaré fue colaborador del gran Ali Farka Toure, al que acompañaba en las percusiones y en los coros. Ahora desarrolla su propia carrera musical, y en su primer disco podemos apreciar el respeto que siente por la obra del que fue su gran maestro. También escuchamos a Mamadou Kelly, que nos ofrece un blues más eléctrico y moderno. Aprovechamos para recuperar a las figuras más representativas de este estilo, escuchando primero a Ali Farka Toure, que nunca entendió muy bien porqué a esta música se le llamaba blues, ya que para él era simplemente la música que se tocaba en su pueblo desde tiempos inmemoriales. El otro gran maestro es Boubacar Traoré, del que volvemos a escuchar un tema de su último disco, que grabó en el delta del Mississippi, donde viajó para añadir elementos del blues americano a su música. La despedida de hoy está dedicada al recuerdo de Hugh Masekela, el grandísimo trompetista sudafricano que nos acaba de dejar. Recordamos su música y también que fue un importante activista político contra el régimen del apartheid.

Hop on The Worldwide Hour with DJ Wynn and hear the world's music from Gotan Project, Ali Farka Toure, Bebel Gilberto, and Jehro. Gotan Project Ali Farka Toure Gipsy Kings 00:00 - DJ Wynn 01:06 - Lunatico - Gotan Project 04:01 - Chan - Chan - Kora Jazz Trio 08:37 - Mentira - Manu Chao 13:14 - Compliments For The Peace - Sierra Leone Refugee All Stars 17:26 - J'en Connais - Carla Bruni 19:56 - Penda Yoro - Ali Farka Toure 25:15 - Learning - The Mothers 28:57 - DJ Wynn 29:09 - Continuando - Jehro 32:44 - Brulots - CHloe Sainte-Marie 35:49 - August Day Song (King Britt Remix) - Bebel Gilberto 39:56 - Criminal - Gotan Project 43:23 - Rythmes Gitans - Patrick Saussions & Alma Sinti 45:39 - Soy - Gipsy Kings 48:49 - Justicia - Adrian Quesada & Ocote Soul Sounds 53:37 - Tive Razao - Seu Jorge 58:07 - DJ Wynn 58:50 - Tamba Zimba Navashe - Hallelujah Chicken Run Band 62:06 - Finish

Misha talks to her sister about what it means to be cool, makes flash cards for NSYNC songs and looks for the root of her insecurities as an immigrant. Produced by Misha Euceph, with help from Robin Miniter and Sammy Miller. Music by Podington Bear, Ali Farka Toure, Sanam Marvi and the Rumi Symphony Project by Hafez Nazeri.

Longtime friend and collaborator Timothy Pinecone of Machine Should Be joins via FaceTime from Brooklyn, NY and reminisces with me on our first podcast a decade ago; Russian Bathhouses, a made up form of currency in the Caribbean's, Brexit's aftermath and the invasion of Mexico and Belize by miniatures. Great music from Bobby Digital aka RZA, Ry Cooder and Ali Farka Toure, Blink 182 and Wyclef Jean.

Radio Ritmundo staat vandaag in het teken van het Afrovibes festival. Stan heeft zijn mooiste Afrikaanse muziek uitgezocht. Muziek van Ali Farka Toure, Orchestra Laye Thiam, Orchestre Special Liwanza, Bitori en Udokotela Shange Namajaha.

Michael Berkeley's guest today is the sitar player and composer Anoushka Shankar, one of the stars of world music today. She studied exclusively with her father, the great Indian sitar player Ravi Shankar, made her debut at age 13 in New Delhi, and released her first solo recording in 1998. In 2001 her third album, Live at Carnegie Hall, was nominated for a Grammy award. In 2002 she appeared at the Royal Albert Hall in a tribute concert to the late George Harrison, conducting a new piece by her father which featured Eric Clapton on solo guitar. Until 2005 she was primarily a solo performer of Indian classical music, but in that year she branched out with her fourth album, Rise, a fusion of East and West employing both acoustic and electric instrumentation, on which she appeared as composer, arranger and producer. It won her another Grammy nomination. She toured extensively in the wake of the new album, forming the Anoushka Shankar Project to present her new non-classical ensemble works to a live audience, and in 2007 released another album, Breathing Under Water, in collaboration with the Indian-American producer Karsh Kale It features guest appearances by her father and her half-sister, Norah Jones. She now applies her expertise as a fine Indian classical musician to working with top-quality musicians from a range of traditions to create innovative music that appeals to a wide audience. She has just released her next album, Traveller. Her eclectic choices for Private Passions include piano pieces by Debussy and Erik Satie; the Andantino from Faure's Piano Trio, Op.120; a piece by Ali Farka Toure and Toumani Diabate, a collaboration which she particularly admires; a raga played by her father; a flamenco piece, and Nick Cave's song 'Into My Arms'.

There is no sense. There's only life. Breath in, Breath out. details about this episode : http://gelivan.com/eclectic-soul-38 http://gelivan.com http://facebook.com/gelivan http://soundcloud.com/costalsdelmar --- Send in a voice message: https://anchor.fm/eclecticsoul/message

This week Eric sits down with economist Richard Wolff to discuss capitalism, its inefficiencies, and its discontents. They examine how the US and European economies have evolved in the era of neoliberalism, how financialization has pervaded every aspect of our economic lives, and how debt has become the central pillar of modern capitalism's house of cards. Eric and Richard also focus on solutions to the crisis of capitalism including the need for cooperative, worker self-directed enterprises and the democratization of the workplace. Putting the means of production in the hands of workers is no fantasy, but rather increasingly seems to be an absolute necessity. Musical interlude: Ali Farka Toure - "Soya" More The post Richard Wolff – Episode 40 appeared first on CounterPunch.org.

This week Eric sits down with economist Richard Wolff to discuss capitalism, its inefficiencies, and its discontents. They examine how the US and European economies have evolved in the era of neoliberalism, how financialization has pervaded every aspect of our economic lives, and how debt has become the central pillar of modern capitalism's house of cards. Eric and Richard also focus on solutions to the crisis of capitalism including the need for cooperative, worker self-directed enterprises and the democratization of the workplace. Putting the means of production in the hands of workers is no fantasy, but rather increasingly seems to be an absolute necessity. Musical interlude: Ali Farka Toure - "Soya"

This week Eric discusses threats to the planet and human civilization with regular CounterPunch contributors Robert Hunziker and John LaForge. First, Eric welcomes back to the show environmental journalist Robert Hunziker to discuss climate change, the latest research from the Arctic, and ways of reorienting our thinking to tackle these immense problems. The discussion touches on the record warmth of January and February, the melting Arctic and Antarctic ice, and the interconnected nature of the global ecosystem. Eric and Robert also discuss lifestyle modifications, new technology, and the importance of these issues to millennials as they have families of their own. In the second part of the show Eric sits down with John LaForge to talk about Fukushima five years later, and the active threat of nuclear power to the environment, and life on this planet. They talk the conspiracy of silence over Fukushima, the "ticking time-bomb" at Indian Point (New York), and the political and economic obstacles to shutting down the nuclear facilities. John and Eric also discuss potential solutions, and the state of the anti-nuke movement. Musical Interludes: Gospel Beach - "California Steamer" Ali Farka Toure - "Soya" Chumbawamba - "Enough is Enough"

This week Eric discusses threats to the planet and human civilization with regular CounterPunch contributors Robert Hunziker and John LaForge. First, Eric welcomes back to the show environmental journalist Robert Hunziker to discuss climate change, the latest research from the Arctic, and ways of reorienting our thinking to tackle these immense problems. The discussion touches on the record warmth of January and February, the melting Arctic and Antarctic ice, and the interconnected nature of the global ecosystem. Eric and Robert also discuss lifestyle modifications, new technology, and the importance of these issues to millennials as they have families of their own. In the second part of the show Eric sits down with John LaForge to talk about Fukushima five years later, and the active threat of nuclear power to the environment, and life on this planet. They talk the conspiracy of silence over Fukushima, the "ticking time-bomb" at Indian Point (New York), and the political and economic obstacles to shutting down the nuclear facilities. John and Eric also discuss potential solutions, and the state of the anti-nuke movement. Musical Interludes: Gospel Beach - "California Steamer" Ali Farka Toure - "Soya" Chumbawamba - "Enough is Enough" More The post Robert Hunziker & John LaForge – Episode 33 appeared first on CounterPunch.org.

Le antiche pentatoniche del fiume Niger, dal maestro Ali Farka Toure fino a "Kar Kar", padre dei bluesmen maliani.

Prima parte di Tropicalia dedicata ad alcuni artisti di culto della scena Africana e le loro contaminazioni: Ali Farka Toure, Boubacar Traore, Baba Sissoko e altri.

Afropop Worldwide recently won a highly prestigious Peabody Institutional Award honoring the entire 27-year body of our work. And the Peabody Awards threw a big party at Cipriani Wall Street hosted by Saturday Night Live alum Fred Armisen. Hear highlights of the evening from the Red Carpet and from the stage. And we'll enjoy excerpts from some of our favorite programs over the years: Our meeting with Ali Farka Toure, in his hometown Niafounke; visits with two giants of Congolese music, Franco Luambo Makiadi and Tabu Ley Rochereau at their palatial homes in Kinshasa; and an audience with Mama Africa, Miriam Makeba. Also on parade are our Hip Deep programs on samba in Brazil and the musical legacy of Al-Andalus in medieval Spain.

JIMMY SCOTT. NOTHING COMPARES 2U – 6:15Holding Back The Years, WEA, 1998 JOHN LENNON. JEALOUS GUY – 4:10Imagine, Apple, 1971 TOBIAS JESSO JR. JUST A DREAM – 4:40Goon, True Panther Sounds, 2015 THE BLACK KEYS. YOU'RE THE ONE – 3:25Magic Potion, Nonesuch, 2006 BOMBINO. HER TENERE – 4:20Nomad, Nonesuch, 2013 ALI FARKA TOURE & RY […] Cet article Errance #34 : De Jimmy Scott à Levon Helm est apparu en premier sur Eldorado.

Another NEW episode is here!!! This week, we are featuring Electric Light Orchestra, Aloe Blacc, Thelonius Monk, Stan Getz, Bill Harris, 311, Romey Gill, Lawrence Bray, Stevie Wonder, and Ali Farka Toure and Toumani Diabate!!! Subscribe: iTunesLike us on: Facebook Follow us on Twitter: @MusicFirstPcastAnd as always, we'd love to hear from you! Email us at: MusicFirstPodcast@gmail.com

Da Enzo Jannacci ad Ali Farka Toure e Ry Cooder

Africa is the world's second-largest and second most-populous continent, after Asia. At about 30.2 million km² (11.7 million sq mi) including adjacent islands, it covers 6% of the Earth's total surface area and 20.4% of the total land area. Egypt has long been a cultural focus of the Arab world, while remembrance of the rhythms of sub-Saharan Africa, in particular West Africa, was transmitted through the Atlantic slave trade to modern samba, blues, jazz, reggae, hip hop, and rock. The 1950s through the 1970s saw a conglomeration of these various styles with the popularization of Afrobeat and Highlife music. Modern music of the continent includes the highly complex choral singing of southern Africa and the dance rhythms of the musical genre of soukous, dominated by the music of the Democratic Republic of Congo. Indigenous musical and dance traditions of Africa are maintained by oral traditions, and they are distinct from the music and dance styles of North Africa and Southern Africa. Arab influences are visible in North African music and dance and, in Southern Africa, Western influences are apparent due to colonisation. Psyholirik - AfriCast Tracklist : 1. Le Grand , Don Gonzalo, Manu Dibango – Africa Boogaloo 2. Ali Farka Toure & Toumani Diabate – Sabu Yerkoy 3. The Rwezori's – Handsome Boy (E Wara) 4. Rio Band – Vamos A Bailar 5. Wali And The Afro Caravan – Hail The King 6. Pierre Tchana And Orchestre Poly Rythmo – II N'Est Jamais Trop Tard 7. Various South African Artist – Little Lemmy 8. Ashanti – Everydody's Groove

Hello to all of the music listeners everywhere! HELLA GIMMIX SAY WHAT !?! So, I decided to do something a little different this time around after being inspired by a friend of mine to think about this topic: A Soundtrack to Your Life. I really liked the idea and began connecting it to certain songs or feelings in music and how they corresponded to different times or feelings in my life. For this particular episode, I just put together a bunch of tracks from different artists that I felt were "Classic" in some way. Either what they represented for music overall, or what it represented for me personally. I did the mix one time through with no preconceived mix sequence. What you get is a raw blend of some of the best music I've heard to date. Clearly, I could not capture perfectly all of the ideas and influences that make up the story of my life from a musical perspective, in just this one take. I at least have one more hour if I were to make a soundtrack for a "standard" movie and to be honest, I hope this life is more than just standard. ;) So, we'll see what comes out in a future session where I help you and I to discover the music for The Soundtracks to Our Lives. (Stevie Wonder, Jimi Hendrix, Marvin Gaye, The Say What !?! ;) Thank you for listening! Humbly yours, J HOUSE !?! ARTISTS INCLUDE: Stevie Ray Vaughn, Operation Ivy, Ali Farka Toure, Bob Marley, NOFX, UGK AND MANY MORE !?!

Radio Three Sixty Part 64: WORLD MUSIC: MU, VIEUX FARKA TOURE, ALI FARKA TOURE, TOMMY T, SIBA, SALMA EL ASSAL, YUN THEARA.

Album of the week: Ali and Toumani from Ali Farka Toure and Toumani Diabate on World Circuit. Welcome to your next round the world music adventure. For those of you who like your African Music with a deep and heavy funk groove and a touch of fuzz guitar you'll jump with joy at Strut's re-release of Afro-Rock Volume One - out of print since 2002 and credited with started the "craze" for record digging and retro releases from the motherland. Hear a track on this week's broadcast along with a cut from Ofege's album Try and Love and some seriously heavy rocked out fuzz guitars from Zambia in the 70's courtesy of Amanaz, who's re-release on the Shadoks label is "a hallucinogenic £32" from Honest Jons. We play a track from Amanaz today - see what you reckon. Our album of the week, in complete contrast is some of the most beautiful music I've heard so far this year, Ali and Toumani with three cuts from the album you'll hear an on the spot improvisation from Toumani, Ali with some deep Peul grooves and the extraordinary love and empathy these two musicians have for each other's music. A contender for album of the year. Starting with some Brit folk and tracks from the Imagined Village with a little known Ewan McColl composition and the marvellous Chumbawamba mocking the BNP's attempts to infiltrate the British Folk scene. Slotting a track from the new Bollywood Funk album into the mix aswell, we have another eclectic round the world music adventure. Come visit our website for playlists, news, reviews from the world of global roots and grooves. http://www.gondwanasound.co.uk

Mali's bluesman Ali Farka Touré has passed the torch onto his son Vieux Farka Touré, whose self-titled first album on World Village Music (www.worldvillagemusic.com, US release: February 13; Canada, February 6, 2007) features the final studio recordings of the older Touré before his death in March 2006. The album, which also features kora-player Toumani Diabaté, draws heavily on the same blues-inflected North African desert traditions that Ali Farka Touré made famous on such albums as the Grammy-winning Ry Cooder collaboration Talking Timbuktu (World Circuit). Vieux's debut pays musical homage to his father's roots with familiar trancey guitar-work while incorporating new musical influences from reggae to rock. He will be singing many of these songs on his debut North American tour in July and August. “Here in Africa, he who teaches you in life, you will follow his path,” explains Vieux in his austere yet grounded way. “Our lives here in Mali are like that. Much of what I sing on the album was his wisdom, teachings that he passed down to me. As he neared the end of his life, I knew that the wisdom he imparted on me was important to spread.”