Podcasts about Dead zone

The NFL calendar has hit the deadzone, but dynasty managers are still making moves. The question is: are these trades calculated bets... or unnecessary risks? This week on the All Gas Trade Show, we're diving into real dynasty trades from the DDFFB community to explore what motivates managers to buy, sell, and shuffle assets when news is scarce and uncertainty is high. Is now the perfect time to exploit market inefficiencies, or are people simply getting antsy? Featured Topics: Trading during the NFL deadzone Buying future value before hype returns Selling risk before training camp narratives begin Rookie picks vs proven players Aggressive contenders and patient rebuilders Real dynasty trades from the DDFFB community Thank you for checking out the Podcast, be sure to follow and comment if you have any questions, we are always happy to answer any. For Access to our Premium Tools (Trinity, WAR & More) & Discord Community https://ddfantasyfootball.com/subscriptions/ Join the discord for FREE: https://discord.gg/TAeWz3B5VW Subscribe to the Youtube Channel DDFFB https://www.youtube.com/@DDFFB Sub to the Wake up YT Channel: https://www.youtube.com/channel/UCaIJqSepjl-eZ2YEaaLciFA Subscribe to Ray's Channel: https://www.youtube.com/@RayGQue Check out All of Ray's Articles at Yahoo!: https://sports.yahoo.com/author/ray-garvin/ Follow Ray on Bleacher Report: https://br.app.link/7ExIDsWfHVb Follow us on Twitter: https://x.com/destinationdevy Become a Member on Youtube for access to the Dynasty Deal Show Live, Destination Chill and other member benefits, like priority reply to comments and unique badges and emojis: https://www.youtube.com/channel/UCV84gHvtBMXxzN9ZPI9XHfg/join Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for your favorite Zombie Movie Podcast brought to you by Jay of the Dead's New Horror Movies, which is here to present another fascinating edition of Dead Man Still Walking with Dr. Walking Dead Kyle Bishop! This time, Dr. Bishop journeys back to 1974 for a double-feature exploration of two very different zombie films: Dead of Night (also known as "Deathdream") and Sugar Hill. One is a somber, politically charged meditation on the lingering trauma of the Vietnam War, while the other is a colorful blend of Blaxploitation cinema, voodoo lore, revenge storytelling, and classic raised-dead zombies. In this episode, Kyle examines how Dead of Night uses zombiism as a powerful metaphor for veterans struggling to return home after war, creating one of the most emotionally devastating zombie narratives of the 1970s. He also discusses Sugar Hill as a noteworthy revival of the voodoo zombie tradition, connecting it to earlier zombie cinema while highlighting its campy entertainment value, memorable Baron Samedi character, and undead revenge squad. Along the way, Dr. Walking Dead reflects on the evolution of zombie films during the years between Night of the Living Dead and Dawn of the Dead, offering historical context for this episode's two overlooked entries in zombie movie history. Note: This episode contains spoilers for both Dead of Night (1974) and Sugar Hill (1974). Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Welcome to Episode 179 of Deadzone the Podcast. After taking a short break, Bryan and Scott are back on the air and even getting some gaming in! April and May are crazy busy times for all and the team is no exception.  We've got games to recap, the latest news on the Michigan GT's shutting down, and a little hobby time in the mix. Bryan and Scott playing Warpath Bryan's ODST The Annual Novak Bowl   Rob Harper (1975 - 2025)     Scott's new game Battlecry Fantasy Battles https://www.wargamevault.com/product/510537/Battlecry-Fantasy-Battles   ~ Episode Sponsors ~ Hobby Table section is sponsored by: Corvus Games Terrain Corvus Games Terrain 15% off Code: DZPodcast15 Stay safe everyone!   Music Mega Man 2 "It's Been a Wily" by Diggi Dis (https://ocremix.org/) Deadzone the Podcast Travel Case (link)   Huge shout out to Rick for being an amazing co-host for 5 years!  Also big shout out to Rob and Jack for putting together an awesome show, Rob Phaneuf from Counter Charge for help with the technical side, and Thunderforge Studios for giving us space to record! . . ~All Images Copyright Mantic Games, Picture Owners & Deadzone the Podcast~ ~DZtP is on Spotify~ https://open.spotify.com/show/6Fz8YXcyCptO8ikd9eE3iU ~DZtP is on Twitch~ https://www.twitch.tv/deadzonepodcast ~DZtP is on Instagram~ https://www.instagram.com/deadzonepodcast/  ~DZtP is on TikTok~ https://www.tiktok.com/@deadzonepodcast  ~Check out our Discord~ https://discord.gg/YC2cdv3 ~Contact us at DeadzonePodcast@gmail.com and Follow Us on Twitter @deadzonepodcast and Subscribe to our YouTube and Twitch ~ ~DZtP merch at https://www.zazzle.com/store/deadzone_podcast ~ ~Visit BlackJackLegacy, FamilyOfGamers777 and DreadpathZone on YouTube for more great Deadzone coverage!~

The No Punt Intended crew wraps up the 2026 Breakouts & Sleepers series with a deep dive into fantasy football tight ends.Every season, fantasy managers chase last year's surprise TE production, creating the dreaded “TE Dead Zone” — but which tight ends are legitimate breakout candidates, and which players are set to disappoint at their current ADP?In this episode, we break down:2026 fantasy football TE breakoutsLate-round tight end sleepersTight ends to avoid in draftsDynasty fantasy football TE valuesRedraft and best ball strategyUndervalued fantasy football targetsPlayers who could finish inside the Top 12Whether you're preparing for dynasty rookie drafts, redraft season, or best ball tournaments, this episode will help you identify the tight ends worth targeting before your league mates do.Subscribe to Club Fantasy FFL for fantasy football rankings, NFL analysis, dynasty strategy, mock drafts, sleepers, breakouts, and winning fantasy football advice all offseason long.If you feel like talking ball with us, come and join the Club Fantasy FFL/Women of Fantasy Football Discord!

Horror in 1983: The Dead Zone with Duncan McLeish and Dennis CapicikA new series where I sit down with a guest and talk about a 1983 horror film and horror in 1983 as a whole.  The guests this time around Duncan McLeish - The host of The Podcast Under the Stairs Network. Duncan has produced over 1300 episodes including reviews, interviews, and the legendary Summer Series, which pits hosts against hosts to find the best horror films from every year.Dennis Capicik - Former contributing writer at Diabolique!, European Trash Cinema, Giallo Pages, Monster!, Spaghetti Western Digest, Video Watchdog, and Weng's Chop. I have also contributed essays for a few books and occasionally work at Arrow Video.The Dead Zone - 1983 - David Cronenberg Written by Stephen King and Jeffrey BoamProduced by Debra Hill and Dino De Laurentiis Christopher WalkenBrooke AdamsTom SkerrittHerbert LomAnthony ZerbeColleen DewhurstMartin SheenNicholas CampbellSean SullivanJackie BurroughsGéza KovácsRoberta WeissSimon CraigPeter DvorskyJulie-Ann HeathwoodBarry FlatmanRaffi TchalikianKen PogueGordon JocelynBill CopelandJack MessingerChapelle JaffeCindy HindsHelene Udy 

The future of war has been evolving before our eyes in Ukraine, yet the west still plans to fight the last war. In this special episode, guest host Noah Smith (@noahpinion) and Brandon Anderson sit down with Yaroslav Azhnyuk (@YaroslavAzhnyuk), a serial tech founder who went from building PetCube to founding The Fourth Law, one of the world's most advanced AI-guided drone companies. Over two hours we cover the technology, tactics, and geopolitics of drone warfare, and why the modern battlefield has already left the West behind:* Yaroslav's personal history and the Ukraine war [00:01:04 – 00:14:01]* The modern drone tech stack: why FPV drones are the new god of war, the future of the rifleman, fiber optic vs. AI, five levels of autonomy, and the eight dimensions of the autonomous battlefield [00:14:01 – 01:05:13]* The geopolitics and economics of drones: China's manufacturing advantage, the drone race, Western defense readiness, countermeasures, and why the gap is widening [01:05:13 – 01:58:57]For those looking for Noah Smith's commentary, it really gets going around the 00:51:31 mark.Yaroslav Azhnyuk / The Fourth Law:* X: https://x.com/YaroslavAzhnyuk* LinkedIn: https://www.linkedin.com/in/yaroslavazhnyuk/* The Fourth Law: https://thefourthlaw.aiNoah Smith:* Substack: Noah Smith * X: https://x.com/noahpinionTimestamps00:00:00 Cold Open: China's 4 Billion Drones and the Cameras-to-Explosives Pipeline00:01:04 Introduction: Brandon, Noah Smith, and Yaroslav Azhnyuk00:05:41 From Tech Entrepreneur to Defense: PetCube, Brave One, and the D3 Fund00:10:42 The Ethics of Building Weapons: Dual-Use Technology and the Wolf at the Door00:14:01 The Tech Stack: Cameras, Autonomy Modules, Interceptors, and a Semiconductor Fab00:18:47 Fiber Optic vs. AI: The Radio Horizon Problem and $32/km Cable00:25:32 FPV Drones: The New God of War — 70–80% of Frontline Casualties00:28:28 The Five Levels of Drone Autonomy: From Terminal Guidance to Full Autonomy00:41:37 The Eight Dimensions of the Autonomous Battlefield00:45:32 AI Safety and the Morality of Autonomous Weapons00:51:31 The End of the Rifleman? Noah's 2013 Prediction vs. Battlefield Reality01:05:13 China's Manufacturing Advantage and Western Vulnerabilities01:24:21 Policy Advice for Western Defense: Defense Valley and the Widening Gap01:32:54 The Drone Race: Who's Ahead, Category by Category01:41:57 Countermeasures: Shotguns, Jammers, Lasers, and Fishnets01:58:19 The Wedding and Final Takeaway: Be Prepared for WarTranscriptCold Open: China, FPV Drones, and the New Warning SignYaroslav [00:00:00]: Think about this. Last year, Ukraine produced 4 million FPV drones. Ukraine is not the most industrious nation in the world. China can produce 4 billion of these FPV drones.Noah [00:00:10]: Would you say that right now China is now the supreme conventional military power on Earth, given its ability to manufacture and deploy drones in the quantity and quality that you just described?Yaroslav [00:00:20]: I don't think we have all the information to claim that but we cannot count it out, and that alone should be a big warning sign. As I say, at some point in my life I went from making cameras that fling treats to pets to cameras that fling explosives to the occupiers. So that's the short story. And when you think about what your nation, what your patriots are going through, you realize that's the only morally right thing to do is to fight back, and it is immoral not to fight back, and then the choice becomes very clear.Introduction: Yaroslav Azhnyuk, Petcube, and the Last Flight into KyivBrandon [00:01:04]: Welcome to Latent Space. I'm Brandon. I normally do science podcasts, but today we're going to do something a little bit different. I'm joined by Noah Smith of Noahpinion on Substack and Twitter. And he has lots of interesting things to say about drones. And as a guest, we have Yaroslav Azhnyuk, founder of The Fourth Law and several other, drone-related startups. To get started, it is February 23rd, 2022. You are running a pet startup. You're connecting pets with their owners. Let's go in just a little bit of background. How did you get started in tech, and what were you working on before the Ukrainian war started?Yaroslav [00:01:50]: Good to be here. Thank you. On February 23rd, late in the evening, 11:00 PM Kyiv time, my wife and I landed in Kyiv. Actually, then she was a fiance. We came from Lviv, where we were looking at a church, where our wedding should have taken place. And we got into this cab ride from the airport to our home, and the driver was like, “You crazy. Like, everyone's leaving Kyiv. Why do you come?” We're like, “What? Nothing's going to happen. Dude, chill.” And then obviously, eight minutes later, or eight hours later, the bombs fell in the city. It was quite surreal. We probably landed on the last flight that landed in Kyiv, or one of those last flights. My background, I'm a tech guy. Studied applied mathematics in Kyiv Polytechnics, born and raised in Kyiv. My parents are old PhDs from academia, and grandparents too. Like, everything, from linguistics to nuclear physics. And I'm an entrepreneur, so I've built a bunch of companies. Petcube is the one you were referencing. So I lived in San Francisco 2014 to 2020, building Petcube, which is one of the leading, pet device companies in the world, selling lots of pet cameras. And then, yeah, as I say, at some point in my life I went from making cameras that fling treats to pets to cameras that fling explosives to the occupiers. So that's the short story.February 24th: Leaving Kyiv as the Invasion BeginsNoah [00:03:28]: February 24th, I guess a few hours after you, go to check out your wedding chapel, what do you do?Yaroslav [00:03:37]: We had a plan for this situation. So my parents and family live in Kyiv, and we're like, “Okay, this has actually started. The worst has, come true.” And so we basically packed our belongings and got in the car and spent 17 hours driving west. And that was pretty sure most people in our audience watched at least one apocalyptic movie in their life, so that was exactly like that. Like, felt exactly like that. Missiles are falling. Like, there was smoke in Kyiv. Like, my dad and I went, like, to central part of the cities. It's probably, likeYaroslav [00:04:20]: 800 meters from presidential office, to pick some stuff up at his workplace. Because he's, like, the head of an academic institution, so he had to get some of the things with him. And super surreal. Like, the streets are empty. Like, the gas stations are out of gas. Like, we found some gas station. We didn't have, like, spare canisters with us, so we're like, We figured out, like, the car was diesel, so like, we figured out, if it's diesel, you can actually store it in plastic, canisters, and we bought some window wash for the cars. We poured it out of the canisters, and we poured the diesel into that. Yeah, so it was like that. And then, like, helping friends get out, like my friend and his dog. Like, we found Like, my brother was also, like, riding in a separate car. We found a place for my friend who didn't have a car. It was like, yeah, it was like, totally surreal. And we didn't know of course, and you didn't know this will last for so long. You didn't know whether Ukraine will be able to defend Kyiv. And it was like, yeah, very little information and very little insight into future.From Pet Cameras to Defense Tech: Building for Ukraine and the Free WorldNoah [00:05:42]: What are your thoughts with regards to how do you, defend, Ukraine? So you eventually start building drones Like, what is the process to get from there from where you were building, devices that connect owners with pets to building drones, and what other things did you do to help the war effort in the process?Yaroslav [00:06:07]: It's definitely non-trivial, right? Like, I didn't go, to I didn't get any, like, military education when I was a student. Like, normally, in Ukraine, you would, you would go to like, this military school even if you're getting higher education in any other, sphere. I decided to skip that which is like, an unusual way to go. And I never thought that I will be somehow engaged in a war effort. Like, what is war? Of course, wars are over. It's the end of history. So one thing you got to understand about, like, many Ukrainians and like, I guess, it's also true about most of the people I met here in the US, that your who you are in terms of your nationality is a big part of your identity. So when that gets under attack, it's something deeper than just the country you live in gets under attack, right? And I Day one, I figured I'm going to I'm going to fight back with everything I can, right? But I didn't think on day one that I'm actually going to do, weapons. And a bunch of things. We were reaching out to a number of American, congresspeople and senators, and basically advocating for support of Ukraine, for voting for lend lease, which has happened in May 2022, but didn't actually work as expected. We helped start, Brave One, which is now a very important defense innovation cluster, sort of like a DIU here in the US. We helped start, a fund called D3. It's like, it was started or co-started by Eric Schmidt, former CEO of Google. So a bunch of these odd things, but then eventually I was like, “Okay,”by 2023 it was obvious this thing, A is going to last a lot more time, and B, that the whole world is shifting and that there's going to be a new arms race, that the warfare is redefined by drones as platforms. And for the first time in history, you have a platform that is software defined, that can increase your battlefield capabilities, in a in a step change just overnight. So it's like if you were able to push a software update and get all of your Roman legionnaires a new helmet? That has never been possible before. It's the first time in the history of war this is possible. So all of that and many other things like, supply chain fragilization, and the impact that AI is going to have on all of this all these things have become evident to me in 2023, and it's like, “Okay, I should do what I do best, or what I know how to do best, start a tech company, and sort of leverage the global techno capitalist machine, to provide, defensibility to Ukraine and the free world.” So that's literally the mission of the company, increase defensibility of Ukraine and the free world. And then there was some sort of soul-searching and like, asking yourself. It's like, “Okay, am I Actually, I know nothing about weapons. Am I actually, like, ready to make, things that other people use to kill other bad people?”Yaroslav [00:09:36]: When you think about what your nation, what your Compatriots are going through And think about all the terror of places like Bucha, the occupied cities in the east and south, the abducted children, the raped women, all the economic damage that's being done, and the intention to destroy a whole nation, to genocide the people of Ukraine, you realize that's the only morally right thing to do is to fight back, and it is immoral not to fight back. And then the choice becomes very clear. And look, we're just passing the ammunition. We're not doing the actual job. The actual fighters and defenders and heroes are people in the armed forces. We're just support.The Moral Question: Weapons, Responsibility, and Fighting BackNoah [00:10:33]: I have so many questions. Actually, I know you seem to have a question. Do you want to ask anything?Yaroslav [00:10:38]: No, I'm just listening. Go ahead.Noah [00:10:40]: I do want to talk about, some of let's say, the moral issues, like you just said. You endYaroslav [00:10:50]: I think there are no issues there.Yaroslav [00:10:52]: What would an example of a moral question be in this case?Noah [00:10:55]: No, I mean Okay. As you just said, you are creating the tools, but others are using them.Noah [00:11:05]: I was maybe thinking of having this conversation later, but one of the questions is like, is it actually you are going to be building them for your homeland, which you are building it for your homeland, which is I think, very a strong morally defensible position, but this technology is not going to stay with you, right?Noah [00:11:26]: This you will probably be selling these to other people Yeah. So the future is really where the moral issues may come into playYaroslav [00:11:38]: The this question becomes, easier and more complete if we ask this not about a particular technology or particular weapon, if we think that this question actually applies to any kind of technology Right? So -Knife or fire. You can use knife to do surgery and save people's lives, or you can use it as a weapon to take people's lives.Noah [00:12:06]: Cut tomatoes, too.Yaroslav [00:12:08]: Cut tomatoes too.Noah [00:12:09]: Yes, knife.Yaroslav [00:12:09]: That's helpful.Noah [00:12:10]: In Japan, sword and knife, they, call the same word.Yaroslav [00:12:14]: It's like, it's with any technology. Large language models, right? Look at how powerful they are and yet they're available to anyone in North Korea or in Russia.Yaroslav [00:12:29]: That's one side of the argument. The other side is As a maker, what is your responsibility for how the tools you're creating, will be used? There's definitely some responsibility, right? Then How should the decision process look like? Should you, like, try to calculate all the possible scenarios before starting to work on something? Or do you create something that is needed now to save people's lives, and then think about, addressing the unwanted edge cases later? In ideal world where there's like, or okay, it's not ideal world. In a mythical world where there is some one governing party and it gets to decide everything, and there is no other country, that can, decide on their own, you could say, “Well, we need to calculate for all the consequences, and only then, maybe build this building, by replacing this park because, maybe we need this park in the city,”right? So that kind of situation. But when you're in a situation where you're in a forest, in front of a wolf, you first going to deal with the wolf that wants to eat you, and then you're going to go consult Greenpeace. So that's kind of situation that Ukraine is in.The Fourth Law, Odd Systems, and Ukraine's Drone StackNoah [00:13:59]: Enough. Because this is a tech podcast, I did want to spend some time talking about, sort of the tech in that you've developed and what you've been working on. So can you explain, I guess, first of all, like, the problem that you were trying to solve from a technical standpoint? And I think, and then maybe, like, go into some of the solutions and some of the design process that led you from designing, little laser-guided, guiding lasers with a with an iPhone versus Having drones.Yaroslav [00:14:34]: Like, it so happened, that my partners and I, we sort of So I started one company called The Fourth Law, and its goal was and is to Make, massively scalable on-drone autonomy. And then In parallel with that together with my, Petcube co-founders, partners, and friends, we started another company called Odd Systems Which, was focused on making thermal cameras. Cameras, thermal cameras are seeing thermal radiation and are used to see at night. And we're now sort of those companies are getting closer and closer together and we're probably going to merge them. And this group of companies is currently the leading, team in on-drone AI and thermal imaging on the Ukrainian battlefield, and Likely one of the leading, if not the leading in the world. So We have these, like, three sort of business units, which are cameras, drone autonomy, and drones. So the cameras and drone autonomy sell daytime and nighttime cameras and different types of drone autonomous modules to other drone manufacturers, over 200 drone manufacturers in Ukraine. And then the UAV, business unit sells the drones themselves to the armed forces of Ukraine, Ukrainian government. And there are different types of drones. Those are sort of front strike, as we call them, so those are sort of FPV strike drones and the bombers, and then interceptors. And there are different kinds of interceptors. We do Shahed interceptors and we do ISR interceptors. We don't do the deep strike-FPV Drones, Interceptors, and Battery-Powered WarfareNoah [00:16:32]: What's an ISR interceptor?Yaroslav [00:16:33]: ISR is stands for intelligence, surveillance, reconnaissance, and those are basically drones which are which, Russians are using to watch over positions and then communicate where, the targets are coming.Noah [00:16:48]: It's a reconnaissance.Yaroslav [00:16:48]: That's, the ISR is sort of a classical term for a for a reconnaissance drone.Noah [00:16:53]: Are all of these battery-powered drones that you just described? ‘Cause I know that the sort of deep strike drones still have, like Some sort ofYaroslav [00:17:01]: Internal combustion engine?Noah [00:17:02]: Internal combustion engine. Are all the things you're talking about battery-powered?Yaroslav [00:17:06]: What we're working on is all battery-powered, right? We don't do the deep strikes, right? And then in terms of autonomy-Noah [00:17:12]: You can catch a Shahed with a battery-powered thing. It's not Fast to catch.Yaroslav [00:17:17]: No, absolutely. Look, Shahed interceptor, like ours, it's called Zero, it goes up to 326 kilometers per hour.Noah [00:17:26]: For reference, how fast is a Shahed?Yaroslav [00:17:28]: Eight, like, in internal phase it could be 280, but in cruise phase it's, like, 220-ish.Yaroslav [00:17:36]: Yeah. And sorry, I'm not like you can convert that into miles if you're interested.Noah [00:17:41]: No, that's fine.Noah [00:17:41]: Multiply by two thirds or point six or something.Yaroslav [00:17:44]: That's easy. Yeah, I was saying that for autonomy modules, right, we, -We make systems, autonomous systems for frontline, for interceptors and some for deep strikes as well, and then different levels of autonomy. So from terminal guidance, which is like lasts 500 meters, give or take, to autonomous bombing, to autonomous target detection, to autonomous navigation and all of that across day and night, different terrains, different time of the year, different platforms like quadcopters and fixed wing, and maybe some other platforms. So it's quite a wide variety of products. We also have like our own simulation. We have our own training school for the war fighters. And we're about to start construction of two, semiconductor plants to make, sensors for thermal cameras. So that's super exciting for me as a computer science guy is Doing semiconductors. Super cool.Noah [00:18:49]: Like in terms of kind of core drone technologies, you basically are one is an FPV replacement without fiber optics, and the other isYaroslav [00:18:59]: YouNoah [00:18:59]: Signal tracking with interceptorsYaroslav [00:19:00]: With or without fiber optics. Fiber optics Is just like, sort of a communication module.Yaroslav [00:19:05]: You can, you can use classical analog, video link and radio link. Those would be two separate radios. You can do digital, or you can do fiber optic, and then fiber optic Has its own advantages but also adds weight and decreases, the distance and decreases, how fast you can, sort of turn and With a drone. Yeah.Noah [00:19:33]: Do you need AI for fiber optic drones?Yaroslav [00:19:36]: Like you can use AI for fiber optic drones. AI replaces a human, right? Fiber optic is making your communication link more resilient. So those are slightly different goals. Like if you want, you can have, AI controlling hundreds of fiber optic drones instead of having 100 operators for each.Fiber Optics, Radio Horizons, and Terminal GuidanceNoah [00:20:03]: I guess I thought that the key reason that people moved to fiber optic drones was for like electronic, countermeasures. Or I guess to counter those.Yaroslav [00:20:13]: I think that's a correct assessment from sort of a public awareness standpoint. In practice it's somewhat more difficult Because besides electronic countermeasures, you have these issues of a radio horizon For FPV drones, which means that asYaroslav [00:20:36]: I believe Earth is round Some people disagree. But basically if you fly a drone and you have a land station over here and a drone flying over hereYaroslav [00:20:49]: If your drone is flying high, you have good direct radio visibility. If your drone goes low, and usually, Russian infantry and vehicles, they're on the ground and you want to hit them, you need to go low. Lower you go, maybe you'll get behind a hill or behind a forest, and if you're far enough, you'll just get behind the curvature of the earth. You get into what's called a radio shadow. And then That is a real bummer because for the last, be it 60 or 20 meters, you won't be able to see anything and it will be very difficult to hit the target. So to counter that what-- And then the distances that these FPV drones, act on they're, they can be quite large. So for example, here in the US there was this drone dominance program competition, and in drone dominance the furthest distance was about 10 kilometers.Noah [00:21:44]: What was drone dominance? What was that competition?Yaroslav [00:21:47]: Drone, the drone dominance is a is a program started, by the US government, to accelerate the development of drone technology here in the US.Noah [00:21:57]: Got it. And the longest range thing they were using was 10 kilometers.Yaroslav [00:22:00]: Was 10 kilometers, right. In Ukraine, like if your drone doesn't fly at least 20, 25, it just, no one's interested in it, and the usual hits are happening. It was like, okay, many hits are happening between 30 and 40 kilometers, and that's what expected from a regular 10-inch, FPV drone. So at that distance, even at altitudes of like 60 to 100 meters, you might start losing, the link. So some of the earlier AI technology that was fielded in FPV drone was this terminal guidance technology. That was the first product that we ever, launched that helped you as an operator, once you see the target from two, three, 500 meters, you lock onto the target and then, it just, drives the drone towards the target no matter what, even after you lost the visual connection. So optic fiber solves that. However, if you want to go like 20 kilometers with optic fiber, that will add an extra three kilos, of useful weight to your drone. SoNoah [00:23:12]: ‘Cause the cable that you have to unspool as you go weighs.Noah [00:23:15]: It is heavy.Yaroslav [00:23:15]: At first, like the spool is about 800 grams, so a bit less than a kilo, and then, and then think about 10, 10 kilometer optic fiber is another kilo, something like that. That takes away from your useful mass and then now you have like, you need a 15-inch drone and it can only carry maybe one or two kilos of explosives if you want to go, 20 kilometers. If you want to go to 30 or 40, like 30 is probably max. 40 is like very problem problematic on optic fiber. And then the problem with optic fiber is it's actually getting super expensive. So and why? Because of all the data centers for AI. That's literally the same optic fiber-Noah [00:24:01]: We're running out of centersYaroslav [00:24:02]: That's being used there.Yaroslav [00:24:02]: Like when Ukrainians and Russians come to Chinese factories to buy the optic fiber, they're like, “We're out. We sold it out to the Americans.”? That's the craziest thing. So optic fiber went up in price from like, $4 per, kilometer to like, $32 per kilometer in a few months in the beginning of this year. And I'veBrandon [00:24:26]: Claude Code is stopping the Russian drone effort here.Yaroslav [00:24:30]: Ukrainian as well. Yeah.Brandon [00:24:31]: Ukrainian. But I read somewhere that the Russians had grown more dependent on fiber optic drones relative to the Ukrainians, and that's one reason why the Ukrainians have sort of regained the initiative in drones recently.Brandon [00:24:42]: How accurate's that?Yaroslav [00:24:43]: The Russians were the first ones to scale that. I think by as of now, Ukraine has caught up. I think, like, as of maybe three months ago, Ukraine is mostly caught up on fiber optic. Yeah.Brandon [00:24:57]: What percent of damage would you say is in terms of FPV drone damage would you say is now fiber optic versus, like autonomous?FPVs as the New God of War: Tanks, Artillery, and Cost per KillYaroslav [00:25:07]: For our, for our audience, I actually, I cannot answer that question. Like, it's like I know the answer, but I would not disclose that. But for our audience, I think another interesting fact is out of all the casualties on the front line Between 70 and 80% are done by FPV drones.Brandon [00:25:30]: FPV drones are the new weapon of universal weapon of warfare.Yaroslav [00:25:34]: It'sBrandon [00:25:35]: Land warfare, anywayYaroslav [00:25:35]: They used to say that artillery is a god of war because artillery used to cause, like 80% of casualties, and now On that ranking-Brandon [00:25:46]: FPVYaroslav [00:25:47]: FPV drones rule.Brandon [00:25:48]: FPV drones are the god of war.Yaroslav [00:25:51]: Sort of. Dethroned artillery. But it's not to say that artillery is not useful, is not needed. Like, all of these systems are needed. Maybe except cavalry, although Russians still use it. I know, have you seen the videos of Russians using mules and horses?Brandon [00:26:09]: What is the usefulness-Yaroslav [00:26:10]: It'Brandon [00:26:10]: Of a tank in the in the modern-Yaroslav [00:26:11]: That's where we need Greenpeace to say a word, but they're silent. Yeah.Brandon [00:26:15]: What's the use of a tank on the modern battlefield?Yaroslav [00:26:21]: It's diminishing.Brandon [00:26:22]: Diminishing.Yaroslav [00:26:22]: However, I think there might be technologies which will, revive the tank. Look, tank still provides you armor, and armor is important. Like, you still need to armor and firepower, right? Like, you can be an armor personal carrier that provides you, armor. The challenge that currently exists is armor is not very well protected against incoming drones. However, there are ways to do to protect it. We were previously talking about this before the podcast. The CEO of Rheinmetall, recently sort of ridiculed, Ukrainian drone industry, saying that like, there is nothing interesting there, no real innovation, no to stand Compared to like, Rheinmetall or Boeing, and it's all made by housewives. There was like, obviously a ton of memes about this people ridiculing the CEO of Rheinmetall. And one of the best quotes, I heard on this topic is from my friend, Alexey Babenko, who's, the head of and founder of VIARI Drone, which is one of the largest manufacturers of FPV drones. They're our partner. They're using our autonomy. So he said that the drones we manufacture in one day will be more than enough to destroy all the tanks Rheinmetall manufactures in a year.Yaroslav [00:27:52]: Then, yeah, cost-wise, of course, a drone is like, $500 and a Rheinmetall tank is what, probably 5 million-ish or maybe more.Brandon [00:28:00]: Don't mess with those housewives.Yaroslav [00:28:03]: Drone wives.Brandon [00:28:04]: Drone wives.Yaroslav [00:28:06]: That's it.Noah [00:28:06]: There's a classic saying that everyone always fights the last war.Noah [00:28:12]: Yet do How did So from your standpoint, how did we get to the point where tanks became irrelevant in at least for now In a matter of just a few years?Yaroslav [00:28:24]: Look, I think it's the same way, how do we get to the point that calculators become irrelevant?Yaroslav [00:28:31]: Now we have iPhones. Like, why would you need a calculator? Technology progresses and its influence grows non-linearly. It's all exponential. So I can tell you that full autonomy, when you put it on a drone Look, so if you, if you think about a tank and a like, it's not a direct comparison, but even, like, a drone and a artillery shell or like, sort of cost per kill, an artillery shell for 155 caliber, which is a standard NATO caliber Currently market price is about $4,000 per piece. So compare that to say, $400 per drone. That's 10 times more expensive. Account for the amortization of the artillery gun and for how vulnerable it is and what is the sort of tactical, capabilities it gives you as compared to a drone. You'll figure out that an FPV drone is maybe three orders of magnitude, more versatile, more useful, more capable than artillery and many of than a classic artillery. Many of Because there are different types of artillery. Not just, like, one 155. You have mortars, you have all that. But give or take, roughly three orders of magnitude maybe. Again, it doesn't have that firepower. It's not one-to-one comparison still.Yaroslav [00:29:53]: Now, take that FPV drone. When you put full autonomy on that FPV drone, which can be not very expensive, like systems that we're, producing are like, in hundreds of dollars of pure bombFull Autonomy: From Human Pilots to Smartphone-Directed Drone MissionsNoah [00:30:06]: Just interrupt. You said full autonomy Just a second ago you were saying that the autonomy here is guidance, right? It's not decision-making.Yaroslav [00:30:14]: No, I was I was saying that's the f-First and sort of easiest pieces of autonomy that was fielded by us. But if you, if you add full autonomy to a droneBrandon [00:30:24]: He, I think he's asking what does it can you, for the listeners, can you explain What the term full autonomy means?Yaroslav [00:30:29]: Basically, I think a good way to think about an FPV drone is like an iPhone of warfare. It's, like, very inexpensive, very mass producible, very versatile. You don't need a bunch of other things when you have a iPhone in your pocket. You don't have, need an MP3 player, you don't need a calculator, don't need other things. All right? So FPV drone is an iPhone. Or like, okay, Apple please don't sue me, is a smartphone. And then, when you add autonomy to it sort of becomes like Uber or ride sharing. Okay? So what it means is instead of actually being a trained pilot who has this complex remote controller device which requires a couple months of training to actually pilot the drone, and then having to pilot it for 30 minutes, flying towards the target, et cetera, et cetera, now you basically, you have your smartphone, you have a drone, you pick your smartphone, you say, “We are here. The bad guys are here. Go and get them.” And the drone goes up, flies in a given direction, localizes itself on the map, finds the dedicated area where they, the bad guys are supposed to be sees the bad guys, bombs them, return, like, watches, so does a damage assessment, returns back, sits down, and then you can pick it up and watch the video if you didn't have the radio link, right?Noah [00:31:59]: That's a bomber drone.Yaroslav [00:32:00]: That's full autonomy for a bomber drone, right?Noah [00:32:03]: You're saying that no human decision is made in this entire process?Brandon [00:32:06]: That's not, that's not what he's saying.Yaroslav [00:32:07]: A human decision was made at the beginning of the process-Noah [00:32:09]: I get it. I get itYaroslav [00:32:09]: The same way as you would fire an artillery.Yaroslav [00:32:12]: When you fire an artillery, you don't stop at like, 500 meters away from a target and ask it whether, you want to strike or not. That's exactly, a human decision is always made at some point. So when you do that's full autonomy, and such full autonomy is happening as we speak. And such full autonomy increases the capabilities of an FPV drone, which is already, like, three orders more powerful than an artillery shell. Full autonomy increases its capabilities by four orders of magnitude because now you can have 100 times as many people who can use it, because you don't need to train those people, and this is important. You can have 10 times, mission success rate, and you can have 10 times utility per drone because now instead of being one-way kamikaze, it's, it can be a bomber.Brandon [00:33:05]: Now wait, let's, you said 10 times mission success rate, which means that fully autonomous bomber drones succeed in their missions 10 times more often than human piloted bomber drones do. That's an important thing to know.Noah [00:33:17]: Maybe, to push back onBrandon [00:33:19]: They're super, they're superhuman. They're, they' 10X superhuman.Yaroslav [00:33:22]: They're not vulnerable to electronic warfare. They don't care about the radio horizon. They don't lose track during navigation. They are not susceptible to human error when, an artillery shell or other drone blows up besides you and you're like, “Hell no,”like, “I'm getting out of here.” Right? That doesn't happen to an autonomous drone. Like, all of those things. Like, we have, like, one of the brigades that's using our drones with just first level autonomy They literally said that their success rates-Brandon [00:33:53]: What's first level autonomy?Yaroslav [00:33:54]: First level autonomy is just the terminal guidance.Yaroslav [00:33:57]: By the way, we have video of that. We can watch that.Brandon [00:33:59]: Terminal guidance means a human gets it nearby and then the AI takes over.Yaroslav [00:34:03]: The human flies it all the way, like 30 kilometers towards the target, and obviously the target was probably given to that human by someone who's flying some ISR drone, some reconnaissance drone, right? So all the way to the target, and once you see the target from a distance of 500 meters, you do target lock, and from there drone flies autonomous. So just that feature alone, it has increased the guy's, his call sign is Grom, so it has increased his, mission success rate, like precision of mission, yeah, mission success rate from 20% to 71%, and it also increased his kill zone from three kilometers to 10 kilometers, which means there's certain area around the front line which is designated kill zone. Whenever enemy goes into that area, it's almost guaranteed to be to be destroyed by a drone. And then obviously the drones are not launched from like, the zero line. They're usually launched from like, minus 10 kilometer-Mission Success, Failure Modes, and the Five Levels of AutonomyBrandon [00:35:03]: What is a zero line?Yaroslav [00:35:05]: Zero line is sort of an imaginary line of control, of two conflicting forces.Brandon [00:35:14]: It's important to explain these things to a lot of the listeners who areYaroslav [00:35:17]: Thank you for askingBrandon [00:35:18]: Familiar with warfare.Noah [00:35:20]: Myself.Noah [00:35:20]: I'm one of those listeners.Brandon [00:35:20]: You said that level one autonomy, in other words just terminal guidance, just, like, human gets it to the finish line and then it goes over the finish line, increases mission success from 20 something percent to 71%, or something like that.Yaroslav [00:35:33]: Increases the kill zoneBrandon [00:35:34]: Increases the kill zoneYaroslav [00:35:34]: Three kilometers to 10 kilometers.Brandon [00:35:36]: Got it.Yaroslav [00:35:36]: On both parameters-Brandon [00:35:37]: What is full autonomy, dude? AndNoah [00:35:38]: Actually on real quick, can we define mission success and like, maybe in a way, what are the failure modes of missions?Brandon [00:35:44]: I have a guess what mission success is.Noah [00:35:46]: But I couldBrandon [00:35:47]: Get ‘em.Yaroslav [00:35:49]: No, but that's a very good question, in fact, because, even if you fly into the target, well, first the target can be damaged or destroyed. Those are two different modes. Then there can be different targets. A sole infantryman is one kind of target. A dugout where supposed there are some, enemies there is another kind of target, and a some mechanical equipment is another type of target. Radio emitting equipment, which, like, often, like, the targets that the military want to get more than anything else is the some enemy radio tower or something like that or some small radio dish that really makes life difficult in that area, in that combat area. So those are different targets, right? It can be destroyed, can be damaged.Then sometimes, the drone hits but doesn't explode. Like, that happens. And then, there are other failure modes. You didn't even reach the target because you were A jammed by electronic warfare; B, you lost the control over drone because of the radio horizon; C, you were jammed by a different type of electronic warfare that happens way before You hit the target area. It's, impacting your, video receiver. So like jamming on video or jamming on control are two different types of jamming. Then something malfunctioned on a drone, just a mechanical malfunction, maybe like a motor broke or like, whatever. So all of those are different failure modes. Yeah, or maybe you got lost, you're navigate navigating to your, to your target. That happens, too.Noah [00:37:41]: The Level one autonomy, basically you manage to point in a direction.Noah [00:37:49]: You go there, and then the last mile The drone taking over.Yaroslav [00:37:52]: We define this like, I define that but it sort of got picked up by the industry. We define five levels of autonomy. So level one is terminal guidance. It's what we just discussed. Level two is bombing. Level three is autonomous target detection and engagement decision. Level four is autonomous navigation. And level five is autonomous takeoff and landing.Noah [00:38:15]: Those are good things to knowYaroslav [00:38:16]: Those are five levels of autonomy. Now, if youNoah [00:38:19]: I have a question for you.Yaroslav [00:38:19]: Sorry. Like, let me finish withNoah [00:38:21]: SorryYaroslav [00:38:21]: Theoretical part.Noah [00:38:23]: What is Tesla running at right now?Yaroslav [00:38:25]: Tesla?Noah [00:38:25]: No, sorry.Yaroslav [00:38:26]: That's very good point. Like, it's exactly, it was inspired by the levels of self-driving autonomy.Noah [00:38:32]: Waymo's level five, right?Noah [00:38:35]: You just tell it where you want to go, it picks you up, and then you go there.Yaroslav [00:38:36]: I think, like, if you, if you look at the classic definitions of self-driving cars, Waymo is still, like, level four because it still requires even remote, but still, like, human control. It's like if Waymo gets in trouble, there is an operator who takes over and resolves this. So that would still be a level four. It doesn't map directly, but it's also five levels.Brandon [00:38:58]: Can I, can I interject a question here? In terms of an FPV drone that's like a suicide drone that'll just blow itself up killing something, how do what it hit? Like, does it, just transmit back, or do you sort of like, lose track of it and hope it hit? Like, what happens to that?Yaroslav [00:39:16]: That's a great question. SoBrandon [00:39:18]: You need another droneYaroslav [00:39:19]: Like, the current battlefield in Ukraine is saturated with different types of drones. So obviously you have all the FPV drones and last year alone, Ukraine manufactured about 4 million of these, and then Russia's maybe, like, 20% less than that. And for this year, the publicly voiced target was 7 million on Ukrainian side. So it's, like, serious numbers. We're getting in serious numbers here. And then besides those, there are different, reconnaissance drones, ISR as we call them, and there are sort of tactical level ISR where we, both Ukrainians and Russians usually use, Mavic, drone by DJI. And then there are a bunch of locally produced drones, which are sort of fixed wing drones that can stay in the air for much longer than Mavic, maybe, like, half an hour. And then, there are drones that can stay for many hours or even up to a day. And those drones have, are more expensive, have more expensive cameras, et cetera, et cetera. We hunt those drones that Russians launch. The Russians hunt our drones, and so on. But ideally, when you, are a group of soldiers operating an FPV, you'll have someone in your, company, or someone in your platoon who has an ISR asset that will do target designation for you. They'll say, “Oh, like, there's a Russian vehicle over there. Go and get him.”and you go there, you get it, and they're like, “Okay, confirmed.”Battlefield Surveillance and the Eight Dimensions of AutonomyBrandon [00:40:57]: Those guys are watching. They have their own drones in the sky.Yaroslav [00:40:59]: Target destroyed. They have, like, a carousel of drones because One Mavic cannot stay more than 30 minutes. ItBrandon [00:41:06]: They're constantly surveilling the battlefield.Yaroslav [00:41:07]: Almost every spot on the battlefield.Yaroslav [00:41:11]: It's not always the case. Sometimes you will not have a surveillance asset, so then you would launch another FPV just to confirm that there was a hit. Then if you see there was a hit and you're not sure if it completely destroyed, you maybe hit again for good measure.Brandon [00:41:26]: You double tap.Yaroslav [00:41:28]: That's how it works. But I was about to give you another sort of piece of taxonomy. So you have five levels of autonomy, right? Then you have sort of eight dimensions of autonomous battlefield. So what is eight dimensions? It's crucial to understand how autonomy evolves in a modern, battlefield environment. So dimension number one is level of autonomy. What are the capabilities that your asset has? Dimension number two is the platform you're operating on. So it can be a quadcopter, a fixed wing drone, different types of maybe, like, a long range drone or short range drone, but it can also be a missile. You can have autonomy even on an artillery shell or a ground vehicle or a sea vehicle. So all of those are different platforms. Level three would be domain. So it's ground to ground or ground to air as an intersection, or ground to sea or sea to air. They're all, like, all the nuances with different domains. Then level four, would be higher levels of autonomy, such as swarming, drone carriers, drone nests, et cetera.Brandon [00:42:39]: Now when you're saying level, you're talking about dimensions, not about-Yaroslav [00:42:42]: Sorry. YeahBrandon [00:42:43]: Autonomy levels. So dimension four.Yaroslav [00:42:43]: The dimension. Yeah, I used to say I was supposed to say dimension. I say dimension because each of them works with another, right? So you might have, like third level autonomy, fixed wing drone operating in land to air, and stuff like that right? And then operating in a swarm or operating from a nest. Right? Then you have, sort of dimension number five is environment. So is it day or night? Is it summer or winter? Is it, humid, cold, dry? What kind of target is it? Is your target hiding in a forest, or is it, behind a hill or within buildings? So all of that is environment. Then you have, dimension number six is command and control. How are you dealing with or like, tens of thousands of those assets around the battlefield? How are you coordinating that on the higher levels of command? How are you collecting data? All that.Yaroslav [00:43:44]: Dimension number seven would be infrastructure, so things like simulation, data collection tools, security, deployment mechanisms, et cetera. So all those systems have to be developed separately and integrate with all the others. And finally, dimension number eight is sort of distribution. Have you deployed 100 of these systems or 100,000 of these systems? Because those are two very different ballgames. So that now gives you a more broad overview of how autonomy propagates across the battle space.Targeting, Human Responsibility, and Rules of EngagementNoah [00:44:23]: As someone who has done machine learning and had gone out of distribution and had things, go horribly wrong, you were talking several of these, kind of axes of thinking about drone warfare seem like they could be very susceptible to some sort of distribution shift if you start making things autonomous.Yaroslav [00:44:41]: Like what?Noah [00:44:41]: I mean Well, first ofYaroslav [00:44:43]: If the I'm very interested Sort of sort of kinds of scenarios that you're thinking about.Noah [00:44:48]: Like the most obvious one is you, if I assume these are computer vision guided systems for at least the last mile, how do you ensure that oh, well, like you now have some fog roll in or something, and you, the drones just attack the wrong thing? Or maybe, it probably will not turn around and fly back and attack you, but youYaroslav [00:45:10]: Same, the same, the same question, how do you ensure that your mortar fire hits the right thing? Well, it's like mortar fire, give or take half a kilometer could be plus or minus. So maybe you fire one, and then you fire another. So drones are actually, much better in being precise in those scenarios. And I think, to your point, I think five to 10 years from now it will be immoral to use weapons without AI.Yaroslav [00:45:44]: ‘Cause weapons without AI will be more likely to cause, collateral damage or unwanted damage. Same way, it will be immoral to drive your own car manually on a public road because it's more likely to cause, unwanted damage.Noah [00:46:02]: Wow, I never considered that mightBrandon [00:46:04]: Really? That's definitely coming.Yaroslav [00:46:07]: Anyway.Brandon [00:46:07]: No, but that' I don't know, it's an obvious, an obvious thought. I agree with you.Brandon [00:46:12]: I, No, they, obviously they're not going to let you drive once most of the cars on the road are autonomous.Noah [00:46:17]: No, that one, don't I believe.Yaroslav [00:46:19]: No, I think you were you were talking about drones, right?Brandon [00:46:21]: The drones, right. Cool.Yaroslav [00:46:22]: The weapons, right?Brandon [00:46:23]: Friendly fire and collateral damage and stuff like that is all minimized with AI.Brandon [00:46:27]: Here's my question. Take all let's go to level six autonomy. Let's take all of the target selection. Let's take all the battlefield data, integrate it into one big AI, and have that big AI basically be in command of the battlefield And agentically do target selection.Yaroslav [00:46:44]: Be the general, right?Brandon [00:46:44]: It's a general. It's, you've cut humans out of the loop except maybe as dexterous robots, repairing drones and fastening things to drones or maybe something like that because you don't have those robots yet. How soon are we there? AI general.Yaroslav [00:46:58]: The most important thing to ask ourselves is who will be faster to that us or our adversaries?Brandon [00:47:07]: I assume us, but how fast will we be to that? I hope us.Yaroslav [00:47:11]: I hope so too.Brandon [00:47:12]: How fast can we Like when are we looking at that in terms of like horizons years?Yaroslav [00:47:18]: Like technically, it could be done now. The question is of course, there's, some engineering work to be done. The bigger challenge is deployment. Right? So okay, technically Like operation in Iran, right? They, the publicly, it was claimed that I think Palantir system was used for target designation, et cetera, et cetera. So it is not exactly as you say, the AI makes all the decisions, but basically AI goes through all the data you have, gives you these 1,027 different targets and says, “You-- To confirm, please press Okay.” And you look at the targets and you're like, “Yeah, sounds right. Press Okay.”so that's, I think that's where we are now already, or we were a couple weeks ago as we're recording this on April 10th. Another question is how massively deployable it is. Is it, like, every decision being made like that or is it, like, just some of the decisions made like that? And then different levels of command and control. There you have, like, the platoon, the company level, the battalion, et cetera, et cetera, et cetera. But the tricky thing here when we get into that territory, the tricky thing is If your enemy is getting advantage of being Thousand times faster than yourself by deploying such systems What do you do?Yaroslav [00:49:10]: You got to-Brandon [00:49:12]: The if the enemy is a thousand times faster than you at deploying those systems?Yaroslav [00:49:16]: Like, if enemy starts deploying level six autonomy, as you call And you have not started doingBrandon [00:49:22]: You're in troubleYaroslav [00:49:23]: Yes, exactly. So you have to catch up. So my point is that it is very important to think about the safety of these systems, but that thinking should not slow you down in developing them because they are critical for your existential, survival, right? And like, one person who doesn't think, doesn't get to think about the ethics of the war is a dead person. That person surely doesn't get to think about that.Brandon [00:49:52]: What would be the safety risk of such a system?Yaroslav [00:49:55]: Of course-Brandon [00:49:56]: Friendly fire?Yaroslav [00:49:56]: Just wrong decisions, right?Brandon [00:49:59]: I see.Yaroslav [00:49:59]: Maybe, these decisions-AI Command Decisions, Dead Zones, and Complex BattlefieldsBrandon [00:50:06]: Skynet AI decides it's going to useYaroslav [00:50:08]: No, these-Brandon [00:50:08]: Drone army to kill usYaroslav [00:50:09]: Decisions will not only be made about drones. They are likely to made about what the humans should do on your side as well. Then obviously some environments are more like Ukrainian-Russian war, where you haveBrandon [00:50:26]: It will have to choose to risk lives. It will have to choose to sacrifice human lives-Yaroslav [00:50:28]: Of courseBrandon [00:50:29]: On your side.Yaroslav [00:50:29]: Of course. And then some environments are just, like, dead, like, dead zones and there are no civilians there, or virtually no civilians close to the front line because, like, super dangerous. Everyone has evacuated from there. But there are other environments which are more like, okay, there's a counterterrorist operation. There's, like, a group of terrorists or a group of civilians. Or like, it's like the recent operations in Iran, I imagine that the US and Israeli forces do not want to harm civilians. They only targeted the military targets there, right? So in those situations, it's a different level of responsibility for that decision-making as well. And then there is just such a big variety of those military missions, and I'm not even, like, well-informed or well-educated in military science to tell you about all those scenarios. We would need to put some general besides me, and maybe a Ukraine general and American general would have told you very different stories about these things.Brandon [00:51:34]: Got it. Can I ask a few more questions? All right. So in 2013, I wrote one of my first, paid articles ever was about how the era of drones will change human society. I was just sitting around bored thinking about things.Yaroslav [00:51:54]: You were way ahead of your time.Brandon [00:51:55]: I said, I said, “The following will happen.”Yaroslav [00:51:57]: It's, this article is real. I've read it.Yaroslav [00:51:58]: It's actually-Brandon [00:51:59]: I said small autonomous, suicide drones, will cleanse the battlefield of human infantry. Human infantry will not be able to stand against swarms of AI-powered, suicide drones. That was I didn't even know about, like, AlexNet at the time, I think.Yaroslav [00:52:19]: You're just an avid sci-fi reader.Brandon [00:52:23]: I'm an avid sci-fi reader, but also, like, it's not Like, there will be a way to do that. It's a it's a nonlinear multidimensional search problem, and you get enough compute, you'll find some search algorithm that will get you there. And soBrandon [00:52:38]: I, yeah, I think that one sentence describes the bitter lesson right there.Brandon [00:52:41]: It's just like it's a multidimensional search space. You search it somehow. I don't know. Figure out some get a grad student-Yaroslav [00:52:47]: Sooner or laterBrandon [00:52:47]: To make a search algorithm.Brandon [00:52:48]: It's not that hard. Anyway, so but then, but I guess the point is The point is that human infantry on the battlefield will be will be gone at the end. I wrote that in 2013. Many people on social media laughed at me for that called me hysterical, said things like, “Electronic warfare will knock all the drones out of the sky.”like, “You need humans to hold ground.”that's something you still hear from a lot of people on social media today. I feel that this article that I've written has never been directionally wrong. It has gotten more and more right steadily over time, and that we're very reading the battlefield reports from Ukraine, where, human infantry are basically guy, like a few guys hiding in dugouts for months, and I'm not sure what they're doing.Yaroslav [00:53:35]: That's on Ukraine's side. On the Russian side, that's just like a zerg rush.Brandon [00:53:38]: The zerg rush, and then they just die. Then, but they have some guys in dugouts too, right? Like hiding in dugouts for months.Yaroslav [00:53:45]: They have. Yeah.Brandon [00:53:45]: Like, but that like, what are those guys doing in the dugouts? Are providing, like, frontline, like, reconnaissance? Like, what are they doing?Yaroslav [00:53:54]: If there is a guy in a dugout with some bullets and automatic weapon, the other guy cannot come and take the that dugout. That'Brandon [00:54:07]: I seeYaroslav [00:54:08]: They are they're establishing control over territory.Brandon [00:54:10]: I see. So that is so there still is a use for human infantry on the battlefield as of today.Yaroslav [00:54:15]: LikeBrandon [00:54:15]: How long will that last?Yaroslav [00:54:17]: I think it will last for a while. This is funny. There's this whole Layer of the modern culture, a modern Ukraine culture built around the war-related stuff. So there is this -Punk rock band, that is called SZC, I guess in English that would be. Which stands short for like a deserter or something like that. So anyhow, this band has a song titled “2030.” It's basically about the year 2030, and the war still goes on as like the whatever, third world war or whatever. And they basically, they, sang about the AI and like cyborgs and everything, but the simple infantry is still needed, and we're still, like, getting cold in those dugouts, and we're still doing our job. That's sort of the theme of the song. And it seems like that's actually what's going to happen. There areGround Robots, Simulation, and the Limits of World ModelsBrandon [00:55:30]: Ground robots will not replace humans in the dugouts soon.Yaroslav [00:55:34]: I'm very much interested in following the whole humanoid robot theme andBrandon [00:55:39]: What about like a dog robot?Noah [00:55:41]: Or just mobile controlled platforms or something.Brandon [00:55:44]: Spider robot, yeah.Brandon [00:55:45]: Everything evolves into a crab.Brandon [00:55:46]: You build a crab robot.Yaroslav [00:55:47]: A humanoid-Noah [00:55:48]: The carcinization of warfare.Yaroslav [00:55:51]: There is a lot of utility in humanoid robots because the world is designed around humanoids. So I would not, like, 100% disqualify the possibility that sometimes 10 years in the future, humanoid robots, will be actually fighting. So that's an actual Terminator kind of scenario.Brandon [00:56:14]: Yeah, in the first Terminator movie, you look at what they've got on the battlefield, they've got flying bomber drones and humanoid robots.Yaroslav [00:56:20]: Look, the cost of large language models of running them is getting so low, you can have basically an inexpensive computer running, what was a state-of-the-art model a year and a half ago, running it locally on a device with an open source model, which also means that the Chinese can have it, the Russians can have it, the North Koreans can have it, et cetera. So that is already possible. And with when we're looking at the acceleration of the neural nets, I would've, if not the acceleration of the large language models, I would've said that I don't think that humanoid robots will be able to be useful in the battlefield earlier than in 10 years. But if you account for the exponential, it might be five years or so. The problem with all of the autonomous systems, and it's like starts with self-driving cars and even with all the AI, like modern day AI agents, to make them really, useful, you have to solve such a long tail of edge cases, that it's really difficult to make them useful. Like we were promised, self-driving cars, what, like 2007, Sebastian Thrun and Google, and even before that all the challenges, everything. And Elon of course told us it's going to be one year from 2014, and now we still don't have self-driving Teslas everywhere. We have Waymos in SF and some other places, but they're still, like, not perfect. So I think, I expect something similar from self-flying drones and fully autonomous drones, and we saw that firsthand as with each level of autonomy that we're adding, there is a very wide distance between a prototype and something that is ready to be scaled to millions of units and something that has been scaled to millions of units. But the race with like AI coding tools is just insane. So things might accelerate very fast, faster than we can imagine.Noah [00:58:46]: I think your point is that with due to this long tail behavior Level one autonomy as you've defined it, is actually very natural. Like you basically are just solving an image recognition and tracking system.Yaroslav [00:59:02]: It's actually interesting that you say it that way, and I thought about this the very same way, and we have this joke that there are like 200 companies in Ukraine which are trying to solve last mile, targeting or terminal guidance. It seems like we're like the only company that actually solved that because even that problem-Noah [00:59:22]: I'm not saying it's, I'm not saying it's trivial, but it's at least something that you imagine given our current state.Yaroslav [00:59:26]: Like us and Eric Schmidt, like Eric Schmidt's companies are pretty good.Yaroslav [00:59:29]: Like, I actually have lots of respect to what they're doing, and they're, they have been practically influential and helpful on the battlefield, and they have good engineering.Noah [00:59:38]: I wasn't, I wasn't saying it's trivial. I'm just saying this is a something naturally adaptive based upon things that we know work, well. But some of the other domains that where you do have to make decisions and you have a long tail become much harder, and you worry about edge cases more.Yaroslav [00:59:57]: Like the more, the more complex behavior you're trying to simulate, the more edge cases there are right? The more ways to do it wrong there are. And then there are different approaches. It's like if you think about, if you read academic papers about robotics, right? You sort of the robot is represented as something that has the sort of sensor input, and then you have three, levels of sort of logics or decision-making, which are perception, planning, and control, and then you have actuators as output.So pre-neural nets, you would do perception output and control all with classic logics, right? Then, with AlexNet and computer vision, you could do perception with neural nets and the rest with logic. You cannot currently do each of those separately with neural nets, each of those separately with logics, or you can just have one huge neural net that just takes lots of sensory data. It's not just pixels. Could be sound, could be accelerometer, could be everything, as input, and just outputs the controls. And some of the self-driving car companies are doing that or like, experimenting between different ways of doing that. So you can also, like, think about that and the way you implement those features, also influences how much degrees of freedom the system would have, right? Like control, you can do it classical algorithmic control with common filters and PAD filter, PAD controllers, et cetera, or you can do a neural net, that was trained in a gym with a reinforcement learning, et cetera. And those would be two different behaviors of a system.Noah [01:01:53]: I-- Maybe my point was just much more high level. It'Yaroslav [01:01:56]: Or you can If you go even like, if you go high level, you can, you can like train to like have whatever, like Feifei Li and folks who are doing like physical, sortBrandon [01:02:08]: World modelsYaroslav [01:02:08]: World models, right, physical intelligence, they're trying to make these big models and sort of understand the world and then supposedly you have such model and you can tell a drone, “Okay, like, go over that hill and like, find the bad guys and then get them,”or “Make me a video, make me a photo of the guy smiling and get back to me.” Right? That's one way. Another way you have like these subsystems, like one is navigation, another is finding the person, another is like getting to them to take a photo. And those are again, very different behaviors. And then it's not that one is necessarily better than the other, and we might have more technological ability to do one or another. But all of those systems will exist. And then again, you should always keep in mind that it's only the not only the good guys that are developing these systems, the bad guys are developing these systems as well.China's Drone Supply Chain and the West's Manufacturing GapNoah [01:03:00]: I guess where I'm going with this back to Noah's original thought with the end of the end of the soldier. And so in order to replace-Brandon [01:03:10]: Or at least the end of the rifleman.Noah [01:03:11]: Or the end of the rifleman, yeah.Yaroslav [01:03:13]: I'm not seeing that very close, and it was like I'm, as much as I'm a lover of sci-fi and all of that and a technologist, the more I try to beYaroslav [01:03:27]: Like the I try to have certain humility about these things, and like the military, domain and there was just so much human history and blood and tears, dedicated to sort of understanding this art of war and perfecting it and so on. There is so much knowledge in there that I don't feel like I even started to comprehend, a lot of that. But one thing that I really understood is that even though drones are now making eighty percent of the casualties, you go to the actual officers, you talk to the actual, like, brigade commanders, corps commanders, and they explain to you, how all of it fits together, how when you're thinking about an operation that involves a couple thousand people to get this piece of land, out of the enemy's hands, deoccu deoccupy it, how it is so complex, it involves, dozens of different types of drones and then land operations and reconnaissance operations, psychological operations and then aviations and tanks and logistics and all kinds of these different assets. So modern warfare is really very complex, and the fact that the drones are the latest, coolest thing, and then the AI is latest, coolest thing, doesn't mean that now it's that and only that right? So yeah. Whoever's looking into that I think should realize that it's not just what the press talks about, that the reality is much more difficult, much more complex.Brandon [01:05:17]: Let's talk about China and China's manufacturing capabilities. So suppose that someone, like suppose the United States went to war with China. AndYaroslav [01:05:26]: I hope not.Brandon [01:05:27]: I hope not as well. And then but suppose that drones were very essential to that war of all the types of drones that we're talking about here, and that suppose that China said, “All right, well, you need X and Y and Z, to make those drones to fight us, and we control the production of X and Y and Z, so we're just going to cut you right off, and now you have no drones.”Brandon [01:05:47]: I know that a number of countries, including Ukraine and Taiwan, have been making moves to China-proof their drone productions that China couldn't do that. Examples of things they might be able to cut off might include rare earths, fiber optic cable that you were talking about before, various other things that where even if they don't control one hundred percent of the production, they control enough of the production that would be extremely expensive to produce it without relying on Chinese sources. Or the market's fragmented enough, et cetera. What do you see as China's key bottlenecks, and how easy are those to overcome in terms of China-proofing drone production in case of a war against China?Yaroslav [01:06:30]: Let me start with a saying that -Although China does not sell directly to Ukraine and it does sell directly to Russia, a lot of Ukrainian supply chains, they start in China, right?Yaroslav [01:06:49]: We're not in a conflict with China, and we would not want to be in a conflict with China. And we'd hope that China stays a neutral power between Ukraine and Russia and the US as well. That said, the scenario that you're describing, everything is much worse.Yaroslav [01:07:11]: Think about this. Last year, Ukraine produced four million FPV drones. Ukraine is not the most industrious nation in the world.Yaroslav [01:07:19]: China can produce four billion of these FPV drones.Yaroslav [01:07:23]: China can make them not drones with propellers, but fixed-wing drones, which go not forty kilometers far, but maybe two to three hundred kilometers inland.

This week, Brent Leuthold joins me to review the new cozy murder mystery, The Sheep Detectives in a feature review. Then we review the Damian McCarthy horror film, Hokum in this week's secondary review. We also discuss recent news and Indianapolis movie events. Support David Mitchell's Liver Transplant on Gofundme  Timestamps Show Start - 00:28 Introducing Brent - 02:05 News and Film Events - 10:09 Feature Review  The Sheep Detectives (2026) - 23:55 Spoiler - 58:38 Secondary Review Hokum (2026) - 1:28:15 Closing the Ep - 1:49:29 Patreon Clip - 1:52:01 Related Links Support David Mitchell's Liver Transplant on Gofundme OV491 - HIFF2025: Filmmaker Interviews - A Simple Machine (2025) & Disposable Humanity (2025) The Year of Underrated Stephen King: 167. The Dead Zone with Matt Hurt! Pop Culture Jeopardy! Season 2 Teaser Follow the IFJA on Letterboxd Brent's Letterboxd Brent's Writing on Awake in the Dark My 2026 Podcast and Writing Archive The Long Walk Book Reactions on Patreon The Gotham Project on Patreon Immediate Reaction - Exit 8 (2026) - Apr 22, 2026 Immediate Reaction - Real Genius (1985) - May 7, 2026 Book Reaction - Nemesis Games (The Expanse 5) by James S.A. Corey - Part 1 (Prologue-Chapter 8) - Mar 2, 2026 Patreon Companion Episodes Collection Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.7.3) Brent: Earthworks ICON Pro in Riverside FM  Episode Homepage: ObsessiveViewer.com/OV505  Next Week on the Podcast OV506 - Obsession (2026) & The Drama (2026)

Välkommen till AVK: Marvelhyllan, en podcast om MCU-filmerna med Alexander Wahlgren och Eric Braafnäs.I det åttonde avsnittet i miniserien om MCU-filmerna pratar Alex och Eric om Thor: The Dark World.Eric är norsk, Alex avskyr Jim Carrey och Natalie Portman vill inte vara med.Det pratas även om sjalen, seabass, att förlora handen, sminkstolstid, att få mer att göra, Muddy Paws, begravningen, vad postern lovar, presskonferenser på comic-con, The Dark Knight Rises, varför Loki överlevde, Agents of S.H.I.E.L.D, vad som behöver klippas bort, Nextwave: Agents of H.A.T.E, Thors jobbiga vecka, varför vissa karaktärer aldrig träffas, Gåsmamman, Champions League, The Dead Zone, Marvel Television, otrolig CGI, Korg, The Creative Committee, Jeph Loeb, Kurse, Guillermo del Toros Hulkenserie, Kevin Feiges mappar, varför Kenneth Branagh inte återvände, Malekith svagheter, styrkor och öde, alla nörd-youtubers våta dröm, The Truman Show, Chris Hemsworths kläder, Chris Hemsworths hår, traserade rum, Zachary Levis sammanbrott, den oplanerade planeringen, 9/11-filmer, mörkrets blekhet och Rene Russo.Var är Tyr? Hur mörk är The Dark World? Är det här den första moderna MarvelfilmenDetta och mycket, mycket mer i veckans avsnitt av AVK: Marvelhyllan.Följ oss gärna på Instagram, Twitter och Facebook.Patreon.com/avkfilmhyllanInstagram.com/audiovideoklubbenFacebook.com/audiovideoklubbenTwitter.com/audiovideoklubb Hosted on Acast. See acast.com/privacy for more information.

THE DEAD ZONE (1983)—Johnny Smith awakens from a coma with psychic abilities, able to foresee future events and the dark paths of those around him. As he navigates the ethical dilemmas of his gift, Johnny uncovers a looming political threat that could bring disaster to millions.  Johnny Has the Keys enters the mysterious, foreboding world … Continue reading Ep. 08-35: The Dead Zone (1983) →

Screenwriter Jeremy Slater (Moon Knight, The Exorcist, Mortal Kombat II) returns to The Kingcast to talk about... not Stephen King. Well, not directly, anyway. The topic up for discussion is Joe Hill's 2025 epic horror tome King Sorrow which contains many familial references and those don't just include his famous father. The story centers a group of college friends who uncover the ability to summon a dark force to combat their enemies, but like most dark forces this protection comes at a price.Hill tells this story over multiple decades and litters the narrative with nods to many King titles, from The Dead Zone to The Dark Tower.We discuss the book without spoilers for the first half of the conversation and dig into some of the more spoilery stuff in the back. Don't worry, make it very clear when we're transitioning to spoiler territory.Make sure to catch Mortal Kombat II written by our guest Jeremy Slater in theaters this weekend!

If you've ever felt stuck in the “middle” with your pricing, this episode will challenge everything you think you know. I break down the truth about the so-called dead zone and what's actually happening beneath the surface.In this episode, I unpack pricing psychology, client behavior, and how to position yourself to attract the right people.Why price is never just a numberThe different client types at each price tierWhere the “dead zone” idea comes fromHow to know if you're mispricedHow to escape the middle and growIf you've been second-guessing your rates, this will shift your perspective.⭐️Get the Free Inquiry & Follow Up Email & Text Templates Here!⭐️Nathan's Signature Coaching Program: THE BUSINESS BLUEPRINTQuestions about the Business Blueprint? Email info@nathanchanski.co to ask Nathan directly.Follow Nathan on Instagram:https://instagram.com/nathanchanski

It's alive! Your favorite Zombie Movie Podcast shambles back into your ears once again — Dead Man Still Walking, starring the ever-insightful (and occasionally curmudgeonly) Dr. Walking Dead himself, Kyle William Bishop! In this episode, the good doctor is joined by none other than special guest Jay of the Dead for a thoughtful — and at times boisterous — discussion of "Weapons" (2025). In this edition, Dr. Bishop digs into a provocative question: Is Weapons actually more of a "true" zombie film than even the works of George A. Romero? It's a bold claim, and one that sparks plenty of analysis about what really defines a zombie narrative, beyond just shambling corpses and apocalyptic backdrops. That said, it's not all praise. Dr. Bishop shares some pointed gripes, chief among them his distaste for the film's title, "Weapons," which he argues undersells the thematic depth and complexity of the story. But where the film truly wins him over is in its non-linear narrative structure, a storytelling approach he absolutely loves and champions throughout the episode. Meanwhile, Jay of the Dead brings his own observations to the table, noting how the characters in Weapons are united by a pervasive and unsettling theme: powerlessness. Whether facing societal collapse, personal limitations, or existential dread, the film's characters struggle against forces far beyond their control — a hallmark, perhaps, of the most effective zombie storytelling. Join Dr. Bishop and Jay of the Dead for another unforgettable trek into the undead. Notes: This episode contains major plot spoilers for Weapons, so proceed with caution if you haven't seen it yet! This episode was recorded on August 14, 2025. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 26 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

In which Stuart & Bella head out onto the ice...BellaWatchesFilms returns to the pod, as we delve into the world of David Cronenberg and discuss his 1983 Christopher Walken starring Stephen King adaptation; The Dead Zone.SPOILER WARNING (obviously) for THE DEAD ZONE (and mild spoilers for the TV series)At the time of posting, The Dead Zone is available in the UK on DVDLINKS:BellaWatchesFilms - Substack - Instagram - Tik Tok - ThreadsThe Film Magazine - WebsiteGet Your Comic On - WebsiteBonus Features - WebsiteAnd Why Not? - LinktreeThe Dead Zone - IMDbTitle Music - Storytelling Man by Ruth's CurtainThis episode was recorded on Monday 20th April 2026 Hosted on Acast. See acast.com/privacy for more information.

I Boarded a Midnight Train to Report on Rail Upgrades But Somewhere in the Dead Zone Passengers Were Being TakenBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

The very funny Nick Kocher and Brian McElhaney had never seen David Cronenberg's The Dead Zone, so naturally we had to make them watch it and report back. You know Nick & Brian collectively as BriTANiK from their sketch work at SNL, their writing on It's Always Sunny in Philadelphia and the two movies they have coming out this April: Pizza Movie, which they wrote and directed and is out now on Hulu, and Over Your Dead Body, hitting theaters this very weekend. So, what did they think of Cronenberg's film? Well, you'll have to listen and find out, but I will say that had just as many questions for Vespe and Breznican as the hosts had for them.

When multiple major developments land at once, a neighborhood doesn't just grow—it transforms. A once-overlooked stretch of Downtown Raleigh is quickly becoming the city's next live-work-play hub, offering a real-time look at how modern neighborhoods are built—and how fast they can change.Stay in the KnowGet SocialMeet Our Sponsors:SwimWoodhouse Spa RaleighTimber PizzaGet the issue to your door! Subscribe Now

I Boarded a Midnight Train to Report on Rail Upgrades But Somewhere in the Dead Zone Passengers Were Being TakenBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

Christopher Walken awakens from a coma with clairvoyance and the dilemma of what to do with it. Should he spare himself from the future cowbell skit? Or focus more on carrying his war buddy's watch up his wazoo?  The Brains know, do you? Watch this, and many more episodes in full video on your YouTube channel at: https://www.youtube.com/@TheFilmWithThreeBrains

This month, Chris is taking Jeff to a Stephen King double header directed by a pair of horror legends. The post Recurring Nightmares Ep. 72: The Dead Zone (1983) v The Dark Half (1993) appeared first on Critically Sane.

Welcome to Episode 178 of Deadzone the Podcast. Adepticon was here, there, and everywhere!  Our trusty roving reporter Bryan sangs a few interviews, covers the tournament results, and muses about how far Mantic has come after another amazing event!       Brandon Rospond of Winged Hussar brandon.rospond[at]gmail.com         Stay safe and warm!   Rob Harper (1975 - 2025)     Scott's new game Battlecry Fantasy Battles https://www.wargamevault.com/product/510537/Battlecry-Fantasy-Battles   ~ Episode Sponsors ~ Hobby Table section is sponsored by: Corvus Games Terrain Corvus Games Terrain 15% off Code: DZPodcast15 Stay safe everyone!   Music Mega Man 2 "It's Been a Wily" by Diggi Dis (https://ocremix.org/) Deadzone the Podcast Travel Case (link)   Huge shout out to Rick for being an amazing co-host for 5 years!  Also big shout out to Rob and Jack for putting together an awesome show, Rob Phaneuf from Counter Charge for help with the technical side, and Thunderforge Studios for giving us space to record! . . ~All Images Copyright Mantic Games, Picture Owners & Deadzone the Podcast~ ~DZtP is on Spotify~ https://open.spotify.com/show/6Fz8YXcyCptO8ikd9eE3iU ~DZtP is on Twitch~ https://www.twitch.tv/deadzonepodcast ~DZtP is on Instagram~ https://www.instagram.com/deadzonepodcast/  ~DZtP is on TikTok~ https://www.tiktok.com/@deadzonepodcast  ~Check out our Discord~ https://discord.gg/YC2cdv3 ~Contact us at DeadzonePodcast@gmail.com and Follow Us on Twitter @deadzonepodcast and Subscribe to our YouTube and Twitch ~ ~DZtP merch at https://www.zazzle.com/store/deadzone_podcast ~ ~Visit BlackJackLegacy, FamilyOfGamers777 and DreadpathZone on YouTube for more great Deadzone coverage!~

"The Ice is Gonna Break!" Please Welcome Back to TYOUSK, My Stephen King Bestie and Host of Tower Junkies & Obsessive Viewer Podcasts, Matt Hurt! In this SPOILER-HEAVY Exploration of 1979's, The Dead Zone, Matt and I Discuss the Following: -Introductions and Matt's 2026 Thus Far-Personal History with the Dead Zone Novel -The 1983 Cronenberg Film Adaptation-Sarah Brecknell's Brazen Move-Greg Stillson and Modern-Day Politics-Vera Smith/Margaret White & Religious Zealotry More from Matt Hurt:Tower Junkies – A Stephen King Podcast – Presented by ObsessiveViewer.com (towerjunkiespod.com)The Obsessive Viewer – Film and TV Reviews and PodcastsAnthology – The Twilight Zone and Classic Sci-Fi Podcast | Presented by ObsessiveViewer.com (anthologypod.com)The Long Walk Walking Project | Collection from Obsessive Viewer Podcasts | 6 posts | PatreonObsessive Viewer Podcasts | PatreonInstagram/Threads: UnderratedSKPodcastPatreon.com/dansewithkimcKim C. will return soon!

I Boarded a Midnight Train to Report on Rail Upgrades But Somewhere in the Dead Zone Passengers Were Being TakenBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

In this brand new spin-off to my podcast, Being Bookish, I am reading my way through Stephen King's novels, specifically those where characters reside, or experience something, in Castle Rock.These episodes will be every 6 weeks, as there is a lot to cover, and I am reading them with my friend, and fellow podcaster, Lorraine.In this episode, we're looking at the novel, The Dead Zone. Released in 1979, the story of Johnny Smith, a man with extraordinary powers, is the first novel where Castle Rock makes an appearance.Join us both as we take a tour through Stephen King's universe, and experience some of these books for the first time in decades!If you prefer, you can watch this on

Hark, what podcast through yonder window breaks?It's Casual Trek! We have a fun topic today with Star Trek episodes with titles which are Shakespeare quotes!Listen to Charlie's terrible attempt at acting, followed by our James Van Der Beek memorial and three fun episodes of Star Trek!Dagger of the Mind has Kirk and a doctor arrive in a mind-fixing bunker which would feel at home in Space: 1999 and somehow, Kirk willingly gets in the machine that messes with your brain.Thine Own Self has a crumpled Data show up in a Ren Faire village with amnesia and a deadly package.Mortal Coil lets us see Neelix die AND Ethan Phillips act up a storm as he has to confront the lack of a bit Avatar tree.Then in writing the show notes, Charlie realises we never actually confronted how Shakespearean the plots were, so you'll have to do that yourself after you listen to the show!00:05:02 What Non-Star Trek Things We've Been Enjoying: The Dead Zone (book), Wuthering Heights (2026)00:13:46 James Van Der Beek Memorial Segment00:17:29 Star Trek: The Original Series: Dagger of the Mind00:46:55 Star Trek: The Next Generation: Thine Own Self01:13:33 Star Trek: Voyager: Mortal Coil (CW: suicidal ideation)Talking points include: The time that Miles ‘trod the boards', the various incarnations of The Dead Zone, various old SyFy shows, Wuthering Heights, James Van Der Beek, Charlie poorly tries to quote Shakespeare, Talur would believe in QAnon, jobbing actors, Miles is off on another one about Doctor Who, the cosmic horror of the Teletubbies, Neelix is a man about town, Chakotay ‘helps' Neelix, Silicon Heaven, you can hear when Charlie finds out that Neelix leaves Voyager right near the end, . Oh, and occasionally Star Trek.Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com

Hark, what podcast through yonder window breaks? It's Casual Trek! We have a fun topic today with Star Trek episodes with titles which are Shakespeare quotes! Listen to Charlie's terrible attempt at acting, followed by our James Van Der Beek memorial and three fun episodes of Star Trek! Dagger of the Mind has Kirk and a doctor arrive in a mind-fixing bunker which would feel at home in Space: 1999 and somehow, Kirk willingly gets in the machine that messes with your brain. Thine Own Self has a crumpled Data show up in a Ren Faire village with amnesia and a deadly package. Mortal Coil lets us see Neelix die AND Ethan Phillips act up a storm as he has to confront the lack of a bit Avatar tree. Then in writing the show notes, Charlie realises we never actually confronted how Shakespearean the plots were, so you'll have to do that yourself after you listen to the show! 00:05:02 What Non-Star Trek Things We've Been Enjoying: The Dead Zone (book), Wuthering Heights (2026) 00:13:46 James Van Der Beek Memorial Segment 00:17:29 Star Trek: The Original Series: Dagger of the Mind 00:46:55 Star Trek: The Next Generation: Thine Own Self 01:13:33 Star Trek: Voyager: Mortal Coil (CW: suicidal ideation) Talking points include: The time that Miles ‘trod the boards', the various incarnations of The Dead Zone, various old SyFy shows, Wuthering Heights, James Van Der Beek, Charlie poorly tries to quote Shakespeare, Talur would believe in QAnon, jobbing actors, Miles is off on another one about Doctor Who, the cosmic horror of the Teletubbies, Neelix is a man about town, Chakotay ‘helps' Neelix, Silicon Heaven, you can hear when Charlie finds out that Neelix leaves Voyager right near the end, . Oh, and occasionally Star Trek. [ Additional Show Notes ] Music by Alfred Etheridge-Nunn. Read Miles's blog or Charlie's blog. [ Support this show on Ko-fi ] Subscribe to this Podcast: Apple PodcastsSpotifyAndroidRSSThe post 92. A Tale Told By An Idiot first appeared on Nerd & Tie Network.

Another oldie but a moldy

The long winter is over, and the convention floor is calling! In this episode Black Nerd Podcast, we're breaking down the ultimate survival guide for the upcoming Con Season. From the mad dash of securing badges to the precision engineering of a last-minute cosplay, we cover everything you need to know to survive the exhibit hall without losing your mind (or all your savings).Open show: Join Our Patreon: http://patreon.com/vvclifeGrab Some Gear: http://vvcmerch.comGeneral TalkWeekly Recap Sign Up For PatreonBNP TourBaldur's Gate 3 Session 20 at 8pm!Monday Night Co Op “Operation Tango!!Vote For New GameThe Precious: JS-1: https://amzn.to/47jwCx8Fame: Jaelyn: https://www.planetnerdtees.com/product/the-real-justice-league-tee/RLLSPH4BBVSRD2BGULVO33CZ?cp=true&sa=false&sbp=false&q=false&category_id=JVPWJVTYKQMVPXJD5MPWIJ7M&fbclid=PAVERFWAQaxIRleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAadLUSPGFc8of1R_FW1b-HKwU_hU1G0aYhPJ5CEBNzi6587SZdYdM1Gnhlb22Q_aem_hCPKWH0RIfd0aGk8psAuqwSloan: https://www.instagram.com/p/DVlZ2CaE1xB/?igsh=ZXE0aDY4NnN5emd4Commercial #1Main Topic: Key highlights of this episode include:The "Con-Budget" Reality Check: How to hunt for exclusive variants and autographs without ending up on a diet of instant noodles for the rest of the year.Cosplay Crunch Time: Tips for finishing that suit, handling "con-funk" in crowded spaces, and why comfortable shoes are more important than screen-accurate boots.Panel Strategies: How to navigate the schedule, which hall lines are actually worth the wait, and the art of the "snack-and-dash" to keep your energy up.The Blerd Community: A look at the meetups, parties, and networking events that make con season the best time of year for the culture.Riddle Me this: Commercial: #2Games:Dead ZonePhantom LineSpecies UnknownNews: Netflix Bought something from Ben AfleckX Box movesShadow Ecomony'sXAI CO Founder QuiteInvest In Pokemon CardsSauce Walka Has a video coming?Comic Of The week: Monsters We Make Instagram:  http://instagram.com/blacknerdpodcast  facebook:   http://facebook.com/blacknerdpodcastReddit: https://www.reddit.com/r/blacknerdgang/s/uftLsO0Ad9website: http://blacknerdpodcast.com

SEASON 4 EPISODE 66: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: It's literally a disaster of BIBLICAL PROPORTIONS. Some of Trump’s Troops are being told that it isn't 'war with Iran' - it's a war to start a Biblical Armageddon: “Trump has been anointed by Jesus to light the signal fire in Iran to cause Armageddon and mark his return to earth” says one whistle-blower NCO about his commanding officer. You heard it: a non-zero number of Trump Commanders aren't just fighting an illegal, ill-prepared, ill-fated war against an Iran that posed no realistic threat. To them it's a literal Holy War, start the apocalypse, end times, and then they all get raptured. More than 200 reports of such religious insanity, to a group called MRFF (Military Religious Freedom Foundation) and reported by one of my former MSNBC Coordinating Producers, Jonathan Larsen. MRRF is pushing back against us doing the whole Book of Revelations Crusades thing - and the newest development: the religious nuts in the military are holding emergency bible classes for those who may be deployed. Maybe not Apocalypse Now but Apocalypse SOON. The religious nut jobs are in charge, Hegseth may be in on the delusion, and so: no sign of bad luck in Rapture. B-Block (35:00) THE WORST PERSONS IN THE WORLD: The right wing allegation that MAGA Twitter twerp "Gunther Eagleman" only retweets if you pay him; Markwayne Mullin mistakes the smell of plumbing for the smell of war and keeps referring to "President Hegseth", and Weijia Jiang, CBS News reporter and president of the White House Correspondents Association. She and they not only actually insulted every journalist ever by inviting Trump to the Correspondents' Dinner - but he accepted and thinks he's getting an award. Trump is a man who has literally tried to get reporters killed for a decade, and they're going to sit in the same room with him. I guess because Goebbels is dead and is unavailable. I don't usually say 'I really went off on these idiots' but - I really went off on these WHCA idiots. C-Block (50:00) THURBER'S VERSION OF THINGS I PROMISED NOT TO TELL: His magazine-length version of his only non-fiction book, "The Years With Ross" about the founding of "The New Yorker" magazine (and its legendary, almost mythical founder, Harold Ross). It is as hysterical - and sometimes nearly as impossible to believe - as the best of his fiction.See omnystudio.com/listener for privacy information.

COUNTDOWN BULLETIN PODCAST FEB. 28 2026: WAR WITH IRAN (2:30) BULLETIN: While you were sleeping Trump illegally and unconstitutionally declared war on Iran, began to bomb its cities including Teheran and its parliament and its security council and its military targets and its schools and its ordinary people – and its militia allies in neighboring Iraq. Israel has joined in the assault. To quote Marty Sheen as the president in The Dead Zone: the missiles are flying, hallelujah hallelujah. To quote Trump to President Zelensky: you are playing with World War 3. Trump has called it a war, USED the term “war” repeatedly, and inanely told Iranians to stay in their homes, which this country is bombing. It is war, he is calling it war, and yet he has sought no congressional approval and Trump is thus acting as a dictator – a military dictator – at this moment. Israel has joined the military action, dubbed "Operation Epic Fury" - because "Operation Epstein Distraction" didn't sound poetic enough And apparently the FIFA Peace Prize just doesn’t mean anything any more. Novel thought: You know what would be right and just? We should have our new war in Iran fought by our new patriotic triumphant flag-waving unbeatable brave American heroes who so inspired us at the State of the Union: The Olympic winning U.S. Hockey Team! See omnystudio.com/listener for privacy information.

Welcome to Episode 177 of Deadzone the Podcast.  Adepticon is right around the corner and that means frantic painting, list building, and tournament prep.  Bryan is joined once more by Rick Hall to give a run down on all the Adepticon goodies we'll get to see as well as a preview of the scenario packs. Dvergrhold set from Corvus Games Terrain Adepticon (link) Rebs Social Campaign (link)   Stay safe and warm!   Rob Harper (1975 - 2025)     Scott's new game Battlecry Fantasy Battles https://www.wargamevault.com/product/510537/Battlecry-Fantasy-Battles   ~ Episode Sponsors ~ Hobby Table section is sponsored by: Corvus Games Terrain Corvus Games Terrain 15% off Code: DZPodcast15 Stay safe everyone!   Music Mega Man 2 "It's Been a Wily" by Diggi Dis (https://ocremix.org/) Deadzone the Podcast Travel Case (link)   Huge shout out to Rick for being an amazing co-host for 5 years!  Also big shout out to Rob and Jack for putting together an awesome show, Rob Phaneuf from Counter Charge for help with the technical side, and Thunderforge Studios for giving us space to record! . . ~All Images Copyright Mantic Games, Picture Owners & Deadzone the Podcast~ ~DZtP is on Spotify~ https://open.spotify.com/show/6Fz8YXcyCptO8ikd9eE3iU ~DZtP is on Twitch~ https://www.twitch.tv/deadzonepodcast ~DZtP is on Instagram~ https://www.instagram.com/deadzonepodcast/  ~DZtP is on TikTok~ https://www.tiktok.com/@deadzonepodcast  ~Check out our Discord~ https://discord.gg/YC2cdv3 ~Contact us at DeadzonePodcast@gmail.com and Follow Us on Twitter @deadzonepodcast and Subscribe to our YouTube and Twitch ~ ~DZtP merch at https://www.zazzle.com/store/deadzone_podcast ~ ~Visit BlackJackLegacy, FamilyOfGamers777 and DreadpathZone on YouTube for more great Deadzone coverage!~

Tim Drapeau, CEO of CLIAwaived Inc, joined Over the Counter to discuss the Test Yourself @ Home tool and how it is bridging care gaps between patients, pharmacists, and other providers.

This episode uses the estuary “dead zone” metaphor to explain how excess sugar in the body leads to chronic conditions like neuropathy, arthritis, and carpal tunnel syndrome. Dr. Rick Jacoby and Grock highlight how glycation and high fructose corn syrup damage tissue, making traditional treatments less effective. They advocate for regenerative medicine—especially red light therapy and Wharton's Jelly stem cell injections—to restore blood flow and repair damage. The episode also addresses regulatory hurdles and the promise of these innovative therapies for musculoskeletal pain.

Great news! If you make a purchase from any link of the links below, the channel earns a small affiliate commission from the site. Many thanks ahead of time. BETTER HELP: https://www.betterhelp.com/JAYREELZ save 10% OFF of your first month. OLIPOP Soda: https://www.drinkolipop.com use promo code JAYREELZ for 15% off of your purchase. BOMBA SOCKS: https://www.gopjn.com/t/2-561785-354075-142593 SAVE 20% CONSUMER CELLULAR: https://www.pntrs.com/t/2-593611-354075-293459 We're about to hit a slow period in the world of sports (A Dead Zone, Part 1?), but you know I'll always bring life into what's happening as the latest podcast is here. On deck: (5:53) Now that the Super Bowl is behind us, what can we look forward to over the next month or so as the sports world takes a bit of a ‘pause'? (12:05) Four days after the Seahawks win on Sunday, I'll have some leftovers from the big game, take a look at where next year's destination for the 61st version will be and what day it falls on? Plus, some news and shots taken at former Steelers QB Ben Roethlisberger by a former teammate? (26:25) The NBA is about to head into the All-Star Break after tonight. I'll talk about the recent rash of skirmishes in the league, harkening back to the 1990's. Is there blatant tanking going on in Washington and Utah? I'll take a lay of the land as the Association takes a respite for a week. (43:00) College basketball gets back into our consciousness as I'll discuss Arizona losing for the first time against Kansas, among other things. (50:03) I'll review the first two-thirds of the NHL season as we're less than two weeks away from resuming due to the Olympic break. (56:58) Speaking of which, I cannot get into the Winter Olympics for the life of me. I'll explain why. (1:02:17) A recent rash of hamate bone injuries have struck across MLB, including Mets SS Francisco Lindor. How long will he be out and what will that do for psyche of the team? And MUCH MORE in between. Please subscribe, leave a rating and post a review on Apple Podcasts, Google Podcasts, Spotify, Audacy, Amazon Music and iHeartRadio or wherever you get your podcasts. For daily shorts, weekly vlogs and then some, please subscribe to my YouTube channel at: https://www.youtube.com/channel/UCMucZq-BQrUrpuQzQ-jYF7w If you'd like to contribute to the production of the podcast, please visit my Patreon page at: www.patreon.com/TheJAYREELZPodcast   Many thanks for all of your love and support.   Intro/outro music by Cyklonus. LINKS TO SUBSCRIBE, RATE & REVIEW: APPLE: https://podcasts.apple.com/us/podcast/the-jayreelz-podcast/id1354797894 SPOTIFY: https://open.spotify.com/show/7jtCQwuPOg334jmZ0xiA2D?si=22c9a582ef7a4566 AUDACY: https://www.audacy.com/podcast/the-jayreelz-podcast-d9f50 iHEARTRADIO: https://www.iheart.com/podcast/256-the-jayreelz-podcast-43104270/ AMAZON MUSIC: https://www.amazon.com/The-JAYREELZ-Podcast/dp/B08K58SW24/ref=sr_1_1?dchild=1&keywords=the+jayreelz+podcast&qid=1606319520&sr=8-1

durée : 00:28:09 - Archives des Fictions de France Culture - Le succès continue avec la parution de Shinning et de Dead Zone. Accompagné par l'enfer des paradis artificiels. - réalisation : Laure Egoroff

Welcome to Episode 176 of Deadzone the Podcast.  Happy New Year gang!  Bryan and Scott dive right into the news with all the latest for Mantic's Adepticon plans and some upcoming pricing news.  To top it all off, we have some breaking news that slid under the radar but it's coming in hot over the soundwaves!  Also Bryan geeks out about The Protomen for those who are interested. Adepticon (link) Rebs Social Campaign (link)   Stay safe and warm!   Rob Harper (1975 - 2025)     Scott's new game Battlecry Fantasy Battles https://www.wargamevault.com/product/510537/Battlecry-Fantasy-Battles   ~ Episode Sponsors ~ Hobby Table section is sponsored by: Corvus Games Terrain Corvus Games Terrain 15% off Code: DZPodcast15 Stay safe everyone!   Music Mega Man 2 "It's Been a Wily" by Diggi Dis (https://ocremix.org/) Deadzone the Podcast Travel Case (link)   Huge shout out to Rick for being an amazing co-host for 5 years!  Also big shout out to Rob and Jack for putting together an awesome show, Rob Phaneuf from Counter Charge for help with the technical side, and Thunderforge Studios for giving us space to record! . . ~All Images Copyright Mantic Games, Picture Owners & Deadzone the Podcast~ ~DZtP is on Spotify~ https://open.spotify.com/show/6Fz8YXcyCptO8ikd9eE3iU ~DZtP is on Twitch~ https://www.twitch.tv/deadzonepodcast ~DZtP is on Instagram~ https://www.instagram.com/deadzonepodcast/  ~DZtP is on TikTok~ https://www.tiktok.com/@deadzonepodcast  ~Check out our Discord~ https://discord.gg/YC2cdv3 ~Contact us at DeadzonePodcast@gmail.com and Follow Us on Twitter @deadzonepodcast and Subscribe to our YouTube and Twitch ~ ~DZtP merch at https://www.zazzle.com/store/deadzone_podcast ~ ~Visit BlackJackLegacy, FamilyOfGamers777 and DreadpathZone on YouTube for more great Deadzone coverage!~

durée : 00:28:09 - Archives des Fictions de France Culture - Le succès continue avec la parution de Shinning et de Dead Zone. Accompagné par l'enfer des paradis artificiels. - réalisation : Laure Egoroff

It's time we retire the debate over whether or not AI can improve outcomes in business. New data out of PWC from over 4,000 global CEOs indicates that for one-third of the market, the financial returns are real. However, while the headlines are quick to celebrate the winners, they are burying the hard reality that the majority of companies are stalled and some are actively paying an "innovation tax" with nothing to show for it.This week, I'm framing my conversation around two key charts from the 2026 PwC Global CEO Survey. What's hidden in them is a reality check on the cognitive dissonance happening in the C-Suite. I'm exposing an uncomfortable mirror test facing leadership and the survival strategy for the teams reporting to them. I'll explain why the high confidence in culture and tech is often a mask for a lack of execution and highlight why the pressure is about to boil over.My goal is to strip away the optimism to expose the critical gaps hidden in the data and why they are fatal for your ROI:​ The "Dead Zone" Reality (Stalled vs. Bleeding): It's not just that companies aren't winning; 13% are seeing costs rise with no revenue growth. I break down why you might be paying a tax on innovation rather than investing in it, and why staring at the P&L won't fix the leak.  ​ The C-suite Mirror Test (Vibes vs. Velocity): 69% of leaders believe their culture is ready, yet only 29% can access their own data. I explain why you cannot "mindset" your way to ROI and why confusing sentiment with strategy is a trap.  ​ Escaping the Trap (Lead vs. Lag Measures): The winners aren't overemphasizing the lag measures “Cost" and "Revenue.” I discuss why chasing the scoreboard leads to bad decisions (like the Grok crisis) and how to pivot to the operational metrics that actually remove friction.  ​ The Direct Report's Survival Guide: Your boss sees the winners and expects results. I provide the specific defense strategy for functional leaders to turn "we're working on it" into a data-backed case for better resources before the heat turns up.  By the end, I hope you see this not as a critique of your readiness, but as a call to operational rigor. You cannot build a future-focused organization on "vibes," and you cannot join the winning 33% without doing the unsexy work of fixing the roadmap.⸻If this conversation helps you think more clearly about the future we're building, make sure to like, share, and subscribe. You can also support the show by ⁠buying me a coffee at https://buymeacoffee.com/christopherlindAnd if your organization is wrestling with how to lead responsibly in the AI era, balancing performance, technology, and people, that's the work I do every day through my consulting and coaching. Learn more at https://christopherlind.co⸻Chapters:00:00 – The Hook: "Does AI Work?" is Retired01:45 – The Context: PwC's 2026 Global CEO Survey02:45 – The Data: Visualizing the "Dead Zone" vs. The "Winners"07:35 – To the CEO: The "Mirror Test" (Vibes vs. Reality)17:30 – To the Team: Surviving the "Heat" from the C-Suite29:20 – Now What: Auditing the Bleed & Fixing the Plumbing  #AIStrategy #PwC #LeadershipDevelopment #OperationalRigor #FutureOfWork #DigitalTransformation #FutureFocused #ChristopherLind #ROI #BusinessStrategy

Bill Kanasky, Jr., Ph.D. describes what he calls the dead zone in opening statements. The dead zone is the middle part of the opening where juror attention is at its lowest. Bill lays out a 3 x 3 framework for the dead zone in the opening: 3 core issues supported by 3 high impact facts. He talks about how the opening statement should be focused on teasing and framing your case, not getting into the weeds, and letting your witnesses handle the details later. Lastly, Bill describes the concepts of dilution and repetition in opening statements.

Brian From is joined by Adam Holz from Plugged In to talk about the January “dead zone” at the movies and why so many big releases feel absent right now. They dive into the Netflix-only crime thriller The Rip, starring Matt Damon and Ben Affleck, discussing what parents should know—especially its extreme and distracting level of profanity. The conversation also explores the bigger shift of major Hollywood stars moving to streaming platforms and what that means for movies, storytelling, and family viewing choices.See omnystudio.com/listener for privacy information.

A short review for one of the best Stephen King adaptations...in 4K! The Dead Zone (1983) - 4K UHD Review ROCKFILE Podcast 949 #thedeadzone #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.  

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

It's time for one of those huge episodes. Well, it's a 4 parter anyways. The 80s were a prime decade for horror. That's what history tells us. Well lets investigate ourselves because, as the old saying goes, history is written by the victors and horror always wins. So, what do I think was the very greatest horror movie that came out during 1983? Well, here we have the top 10. The worst 10. A slew of also rans. Plus some bangin' mates, a few Skeleton Crew gin shots and an 8+ hour running time. This is 1983, A Year In Horror. 0.00 - Also Rans 319.37 - Eyes of Fire (w/ Eric Ellicock)42.40 - The Dead Zone47.09 - Christine53.39 - V (w/ Paul Chanter)2.04.16 - Outro

Andrea Kail, Matthew Kressel, and Tom Gerencer join us to discuss the Stephen King movie adaptations The Running Man, The Long Walk, The Dead Zone, and The Mist. Time stamps: The Running Man (17:44), The Long Walk (47:14), The Dead Zone (1:10:45), The Mist (1:30:20). Ad-free episodes are available to our paid supporters over at patreon.com/geeks. Learn more about your ad choices. Visit megaphone.fm/adchoices

There you are. We've been looking for you. The time has come, once again, for your favorite Zombie Movie Podcast, the one and only Dead Man Still Walking, featuring your favorite zombie expert (and ours), Dr. Walking Dead (Kyle William Bishop)! Here in this 57th edition of DMSW, the mad doctor discusses a new and noteworthy zombie flick. You see, this past summer, Dr. Bishop's esteemed colleague, the literary and cultural scholar Sarah Juliet Lauro ("The Transatlantic Zombie" and "Zombie Theory: A Reader"), recommended Outside (2024), a Filipino, post-apocalyptic Zombie Horror film co-written and directed by Carlo Ledesma. We hope you enjoy Episode 173 of Jay of the Dead's New Horror Movies, and if you don't, then it's Dr. Walking Dead's fault. However, we still think you will love it, so join us! Note: This episode was recorded in August 2025. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Lina Chern, the Mary Higgins Clark Award-winning author of Play the Fool, is here this week to discuss psychics solving crime, predestination and tarot onscreen, and the beauty of free will on film in Minority Report, The Dead Zone, The Gift, and Three Colors: Red. Her delightful sequel to Fool, Tricks of Fortune, was released over the summer, and we did a full-length video interview about the book, her writing, and our taste in pop culture, which you can see on the Poisoned Pen Bookstore YouTube Channel.Originally Posted on Patreon (12/20/25) here: https://www.patreon.com/posts/145545464Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi & PayPalTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Due to finished up the 4 recent DBZ movies decided to start at the beginning of the DBZ Films. We take a look at Dead Zone and The World's Strongest. Two very early Dragon Ball Z films that are refreshing to see lower power levels again.  Come hear what we thought about these 2 films.  Starring Mike Albertin, Joe Butler, John, and Barry Carenza.  https://www.pm-studios.com/ A Gamer Looks at 40 - https://agamerlooksat40.com/ Phoebe's Twitch - https://www.twitch.tv/theletsplayprincess Phoebe's Podcast - https://nerdsabroadcast.podbean.com/ Zac's Podcast - https://linktr.ee/absolutelythebest Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/ Dragon Ball Advanced Adventure (Mini  78) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-advanced-adventure-mini-78-gmmf Dragon Ball Super Super Hero (Film 149) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-super-super-hero-film-gmmf Dragon Ball Z Budokai (Mini 72) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-z-budokai-mini-72-gmmf Dragon Ball Z Buu's Fury - GMMF 319 https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-z-buus-fury Dragon Ball Super Broly (Film 133) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-super-broly-film-133-gmmf Dragon Ball Z Resurrection F (Film 108) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-z-resurrection-f-film-108-gmmf Dragon Ball Z Battle of Gods (Film 104) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dragon-ball-z-battle-of-gods-film-104-gmmf Dragon Ball Z Legendary Super Warriors (Mini 25) - GMMF https://gamesmymomfoundpodcast.podbean.com/e/dbz-legendary-super-warriors-mini-25-gmmf Dragon Ball Z  Legacy of Goku 2 - GMMF 52 https://gamesmymomfoundpodcast.podbean.com/e/dbz-legacy-of-goku-2-gmmf-52  

There's a hole in the map of Chicago. It turns out, it's a cemetery. But there are many other cemeteries in Chicago that don't show up as holes on the map, so what's up with this one? We take you to the 19th Ward and explore the history of this dead zone.

SEASON 4 EPISODE 12: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: I suppose it could've been worse. Rather than reacting to Russia’s drone attack on Poland the way he did (“What’s with Russia violating Poland’s airspace with drones? Here we go!”) Trump could’ve done the Martin Sheen bit from “Dead Zone” where as the messianic psychopath president Greg Stillson he starts World War 3 and announces “The missiles are flying hallelujah, hallelujah.” "What’s with Russia violating Poland’s airspace…?” Seriously, jackass? That’s your JOB, you great decaying pile of burger grease. YOU are supposed to KNOW “what’s with Russia violating Poland’s airspace?” and if you DON’T, get out, turn the government over to a general or an ex-general or somebody who understands that your owner Putin PLAYED YOU AGAIN, and that when everybody, everybody in this country with an IQ greater than 47 said that we have to support Ukraine because if we do not stop Putin in Ukraine his next stop was Poland and you twisted your bulbous face into that stupid 45-degree angled smirk, you were WRONG and everybody else in AMERICA – all 340,111,000 of us – WE were RIGHT. There are 10,000 American troops IN Poland. What would have happened if mere DEBRIS from one of the drones destroyed in the air hit a U-S base, or ONE U-S soldier? Would Trump have tweeted out a shrug emoji? Does it even register any more that even in the narrowest of views of this disaster – Trump IS the commander-in-chief and he is RESPONSIBLE for keeping American soldiers safe. ANYBODY NOTICE THAT GHISLAINE MAXWELL'S OLD LAWYER went on CNN and admitted that there was a quid pro quo that got her moved from a high-octane Florida prison to Club Fed in Texas? Now there’s ANOTHER Trumpstein cover-up? AND LASTLY, No I’m not in favor of shooting commentators. Or politicians. Or anybody. But my god, this is America. All we have done for virtually all our history is shoot political opponents. Add to it THIS America that MAGA wanted, where the military is politicized, and politics are militarized, and Trump has spent a decade stochastically encouraging terrorism against, and assassination of, his opponents, where conservatives REPEATEDLY call for the killing of Trump’s opponents. Trump was shot a year ago and not one of his supporters was willing to support meaningful gun restrictions. You can have many reactions to the death of Charlie Kirk and I hope sorrow and disgust are among them for you as they are for me - but surprise shouldn’t be one of them. Kirk himself said in April 2023: "You will never live in a society when you have an armed citizenry and you won't have a single gun death. That is nonsense. It's drivel. But I am -- I think it's worth it. I think it's worth to have a cost of, unfortunately, some gun deaths every single year so that we can have the Second Amendment to protect our other God-given rights. That is a prudent deal." B-Block (30:13) THE WORST PERSONS IN THE WORLD: The online poster who says it's ok for JD Vance to boast about war crimes because his mother was an addict. We started, writes an Andrew Klavan, to lose our civil rights as a result of the civil war. And to prostitute yourself as Jeff Shell has: from liberal anti-Trump head of NBC to installing a political officer inside CBS News to rat on journalism and anti-Trump facts. What a waste of life. C-Block (42:07) 24 YEARS SINCE 9/11: Apart from applying the "midpoint" rule to really sense how long ago something was (9/11 was the "midpoint" between September 1977 and today) there is one story that has stayed with me permanently. The man's name was Tomas Reyes, he wasn't anywhere near the World Trade Center - but he was supposed to be. How I came to meet him as part of my reporting on that horrible day.See omnystudio.com/listener for privacy information.

Florida Dead Zone, Al Capone, And That's Why We Drink