Podcasts about Ella Fitzgerald

Send a textThis week on the ole pod john: Using AI to learn how to...use AI. Plus inspo from Shakespeare and Ella Fitzgerald. Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta: @dannypalmernyc @thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.) And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be: https://www.patreon.com/thedannypalmershow

Hunkered down but getting out anyway.  High Spirits in NYC.  The Testament of Ann Lee at the movie theater.  One Battle After Another on the small screen.  More Inspiration from Kpop Demon Hunters.  Mourning the demise of the Department Store.  Metrocard Artists losing their supply.  Ellen Hughes: more than your average hockey mom.  New Restaurant models - loving The Dutchess (Ojai!). Amor Towles - stepping into the Jazz Age via Cole Porter and Ella (Fitzgerald). Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer: Elizabeth Easton Aziz Art:  Zeke Abuhoff

Episode 347: Rachael Price became an American fixture as the dynamic and flawless lead singer of roots/pop phenomenon Lake Street Dive. Long before she and the Dive were headlining Madison Square Garden, she was a Hendersonville, TN native pursuing a career in classic jazz, after her girlhood idol Ella Fitzgerald. This is the story of how a music school friend - guitarist, singer, and songwriter Vilray - helped her build a parallel life pursuing her first musical love. They have incredible chemistry on and off stage, as you'll hear in this fascinating interview. 

Joe Piscopo navigates a series of technical difficulties while broadcasting live from a hotel balcony in Florida. Despite being forced to "phone in" the show due to equipment failure, Piscopo maintains an upbeat tone, utilizing the mishap to illustrate the theme of humility and his personal "humility gremlins." The program serves as a tribute to Black History Month, specifically highlighting how Frank Sinatra broke the color barrier in the entertainment industry by supporting legends like Sammy Davis Jr., Ella Fitzgerald, and Count Basie. Through a mix of classic tracks and personal anecdotes, Piscopo celebrates the enduring legacy of Sinatra's musicianship and his role as a social justice advocate who demanded equality for his African-American colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Does she sound like Adele, Billie Eilish, or Ella Fitzgerald? Glenn can't pick just one in this very special, music-filled edition of "The Glenn Beck Podcast" with rising star Emma Nissen. From the night B.B. King hit on Glenn's wife to Emma wiping her runny nose right before shaking John Legend's hand, the stories flow between live renditions of Emma's songs. She reveals how a hemorrhaging vocal cord forced her out of college, led her to serve God in Sweden during COVID, and ultimately birthed her first song. She then unpacks the limits of contemporary Christian music, what's missing in Taylor Swift's love songs, and how “Jesus and jazz” is the sound the next generation has been craving. With searing honesty, she opens up about her battles with anxiety, eating disorders, and body dysmorphia — and the cognitive shift that finally allowed her to declare, “I am beautiful.” Sit back and enjoy the sound of the next generation's Jesus music: full of unpredictable scat, unbounded joy, and the still, small voice of God.         GLENN'S SPONSORS:                 Home Title Lock: Go to https://hometitlelock.com/glennbeck and use promo code GLENN to get a FREE title history report and a FREE TRIAL of Triple Lock Protection! For details, visit https://hometitlelock.com/warranty.    Byrna: Byrna is the best alternative to deadly force. Visit https://byrna.com/GLENN for a 10% discount.     Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Sound Kitchen, you'll hear your fellow listeners from around the world offering their World Radio greetings. There's the answer to the question about France's voluntary military service, The Sound Kitchen Mailbag, your answers to the bonus question on “The Listeners Corner” with Paul Myers, and a tribute to our Magic Mixer Erwan Rome on “Music FOR Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counselled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload! This week's quiz: On 17 January, I asked you a question about our article “France launches recruitment for 10-month voluntary national military service”. You were to send in the answer to these two questions: How many volunteers will be accepted into the 2026 program, and what will their jobs be?  The answer is, to quote our article: “From September, around 3,000 volunteers will join the army, navy, or air and space force for missions carried out exclusively on French soil. Tasks will range from helping out during natural disasters and providing support for counter-terrorism surveillance, to more specialized jobs such as drone operation, mechanics, electrical work, baking, or medical support.” In addition to the quiz question, there was the bonus question: What is the most romantic thing that has ever been said to you? Or the most romantic action? Or the most romantic gift? Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Murshida Parveen Lata, who is the Co-Chairman of the Source of Knowledge Club in Naogaon, Bangladesh. Murshida is also the winner of this week's bonus question Congratulations on your double win, Murshida. Also on the list of lucky winners this week are Ashraf Ali, a member of the International RFI DX Radio Listeners Club in West Bengal, India; Sumara Sabri, a member of the RFI Online Visitors Club in Sahiwal, Pakistan; Sameen Riaz – also from Pakistan, this time from Sheikupura city – Sameen is a member of the RFI Listeners Club in that fair city, and last but not least, RFI Listeners Club member Sami Mossad from Giza, Egypt. Congratulations winners! Here's the music you heard on this week's programme: “Fast Bob” by Romane and Stochelo Rosenberg, played by the Rosenberg Ensemble; “La Marseillaise” by Claude Joseph Rouget de Lisle, arranged by Claude Bolling and performed by the Claude Bolling Big Band; “The Flight of the Bumblebee” by Nikolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “You're the Top” by Cole Porter, sung by Ella Fitzgerald.   Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Cambridge University Museum set to return Benin bronzes to Nigeria”, which will help you with the answer. You have until 9 March to enter this week's quiz; the winners will be announced on the 14 March podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Please enjoy this special preview of our upcoming conversation with Jennifer Jones, the first African-American member of the world renowned Radio City Rockettes, and an award-winning performer who is celebrated for her pioneering achievements and unwavering advocacy for equal rights in the arts. Jennifer's memoir, Becoming Spectacular: The Rhythm of Resilience from The First African-American Rockette, not only tells the story of how she helped establish a transformative era for The Rockettes while inspiring other Black dancers, but also recounts her triumphant battle against colorectal cancer in 2018. February is Black History Month. March is both Women's History Month and Colorectal Cancer Awareness Month. Becoming Spectacular is available wherever books are sold through Amistad Books, an imprint of HarperCollins. Our complete conversation with Jennifer Jones will air during the weekend of Feb. 27 on TV Confidential.  For our listeners in the Greater L.A. Metro area, Jennifer Jones' story is also included in This Joint is Jumping, a new exhibit at The Hollywood Museum that honors the contributions of many notable Black artists, singers, actors, writers and sports figures, including Whitney Houston, Lena Horne, Denzel Washington, Ella Fitzgerald, The Pointer Sisters, Dionne Warwick, Forrest Whitaker, Wesley Snipes, Eddie Murphy, Richard Pryor, Angela Bassett, Muhammad Ali, Will Smith, Halle Berry, Viola Davis, Diana Ross, and Oprah Winfrey. This Joint is Jumping becomes open to the public on Friday, Feb. 19. For tickets and more information: TheHollywoodMuseum.com

In this month's music history spotlight, Ryan explores the 1937 jazz standard “My Funny Valentine,” written by Richard Rodgers and Lorenz Hart. From its Broadway origins in Babes in Arms to iconic interpretations by Frank Sinatra, Chet Baker, Ella Fitzgerald, and Miles Davis, this episode reflects on why a song about imperfect love has endured for nearly a century.

durée : 00:59:57 - Ain't It The Truth - par : Nathalie Piolé -

Hello music lovers, and welcome to another edition of Why Music Matters. I'm your host, music journalist and musician Jeff Miers. Today, my guests represent a cross-generational journey through the ever-evolving world of jazz.  Alex McArthur is a singer and storyteller whose resume reads like that of a musician three times her age. A winner of multiple JazzBuffalo Vocalist of the Year awards, Alex brings a distinct soulfulness to any music she lends her voice to, whether she's singing something she wrote herself, or flexing her interpretive muscles on the works of legends like Ella Fitzgerald, Stevie Wonder, and Mavis Staples.  Alex is joined today by a man who has acted as a significant mentor in her musical journey.  Pianist George Caldwell is credited by Alex as, quote, “the first person I ever attempted to sing jazz in front of, and the person who encouraged me to explore vocal jazz and improvisation in the first place.”  In his role as Director of the Student Jazz Ensembles and Music Piano Performance Instructor at the University at Buffalo, George has employed his decades of experience as a Grammy-winning professional musician to help mold the musical imaginations of countless young artists-in-the-making.  Those decades of experience include tenures with the Count Basie Orchestra, the Duke Ellington Orchestra, tap dancer and choreographer Saivon Glover, R&B legend Ruth Brown, and right here in Buffalo, the awe-inspiring Star People, a Miles Davis Repertory Ensemble.  Currently, Alex and George are in the midst of performing Lady Day at Emerson's Bar & Grill, a recreation of Billie Holiday's final performance, with Alex inhabiting the role of Lady Day, and George acting as Musical Director.  The show, a MusicalFare production, is running at Shea's Smith Theatre in Buffalo's Theatre and Entertainment District, through February 15. (You can learn more about the production and purchase tickets through musicalfare.com.)  Welcome to Why Music Matters, Alex McArthur and George Caldwell! 

Après un premier album, Magic Place, remarqué par la critique, la chanteuse et compositrice de jazz Audrey Pierre est en tournée jusqu'en juin prochain en France. Avec sa voix profonde et ses compositions qui s'inscrivent dans le jazz traditionnel mais avec un swing étonnamment moderne, la messine de naissance a séduit jusqu'au public américain. RFI : Depuis la sortie de votre album Magic Place, vous enchaînez les concerts. Est-ce que cet album a changé quelque chose dans votre carrière ?  Audrey Pierre : Oui, je dirais que ça m'a ouvert beaucoup de portes. J'ai eu le soutien de pas mal de presses que je remercie notamment. Ça m'a ouvert plus de scènes, de scènes un peu plus grosses, ainsi que des dates de concert plus nombreuses.  Pourtant, vous avez déjà plus de 200 concerts en 4 ans à votre actif. Donc cet album finalement est à la fois un aboutissement et un nouveau départ ?  C'est à dire que je j'avais à cœur de jouer ces morceaux avant de les enregistrer, donc j'ai quand même pris le temps de les « emmener sur le terrain » avant de les sceller sur un disque ! Racontez-nous, Audrey Pierre, comment vous en êtes venu à la musique. J'ai cru comprendre qu'à l'origine vous étiez luthière, fabricante de violon.  Tout à fait. J'ai passé sept ans à Mirecourt, dans la capitale du violon (en France, grande ville de lutherie NDLR), à fabriquer des violons et je chantais déjà et je faisais déjà de la musique. Le désir était là, mais je n'osais pas y croire, jusqu'à ce que l'on me propose de plus en plus de concerts. J'ai commencé à prendre goût à la chanson, et ce désir est devenu plus fort que celui de l'établi, même si j'adorais le travail de luthier. Et donc j'ai vendu mes outils tout simplement pour pouvoir venir m'installer à Paris.    Vous avez donc renoncé à fabriquer des violons pour pouvoir vous consacrer à la chanson ?  C'est vrai que l'on peut parler de renoncement, mais ce n'est pas pour toujours. C'est du moins ce que je me dis pour me rassurer, parce qu'il est vrai que j'aimais beaucoup ça.  Qu'est-ce qui vous a donné confiance en vous au point de vous lancer dans cette carrière de chanteuse ? Vous êtes-vous dit « c'est vrai que ma voix est belle et que mes compositions tiennent la route » ? (Rires) Alors, je me suis vraiment jamais dit que ça ! Et j'espère ne jamais me le dire.  Pourquoi ? Vous doutez de votre voix ? J'ai envie de penser que le doute fait partie de la création. Je n'ai jamais ce sentiment de me dire "Ah ! Je suis prête, c'est suffisamment bien, je peux y aller." Non, c'était surtout les autres qui m'ont soutenue, que ce soient les musiciens ou le public. Et puis, il y a cette espèce de feu, on n'a pas le choix, il faut faire ça. Et ensuite, un jour, j'ai envoyé ce que je faisais au Sunset à Paris, (L'un des plus célèbres clubs de jazz de la capitale française NDLR). Et j'ai reçu une réponse à mon mail dans les trente minutes de la part de Stéphane Portet, (Directeur et programmateur du Sunset, NDLR) que je remercie d'ailleurs pour sa confiance. Il m'a proposé une date de concert et je me suis dit « Waouh, super, bon bah Paris quoi ! » Et par une chance incroyable, le soir du concert se trouvait dans le public une bookeuse (Programmatrice d'artistes NDLR) et musicienne de Los Angeles qui a beaucoup aimé le concert. Elle est venue me voir à la fin et m'a proposé une tournée à Los Angeles (Etats-Unis NDLR) Je n'ai pas réfléchi, j'ai accepté, et elle m'a invitée à jouer là-bas, dans une salle et puis un jazz club et également à l'hôtel café qui est en plein Hollywood.  Donc vous êtes passée de Mirecourt, à Paris, et ensuite le grand voyage aux États-Unis. Un rêve en quelque sorte ! Oui ! Je m'en souviens encore, cela fait à peine deux ans, j'étais dans l'avion et je n'arrivais pas à y croire, c'était très grisant.  Et vous aviez combien de titres à jouer dans votre valise ? Une dizaine. La bookeuse avait tout organisé pour moi, elle avait choisi l'équipe de musiciens, donc je leur avais envoyé l'album au préalable, mais je ne les connaissais pas, je ne savais pas trop où je mettais les pieds. Et là, j'arrive en répétition et ils connaissaient les morceaux note pour note ! C'était impressionnant, j'essayais de pas le montrer, mais j'étais impressionnée ! Revenons sur Magic Place, ce premier album. D'abord, c'est quoi cette Magic Place dont vous parlez ?  Eh bien, cet endroit magique, je dirais qu'il est plutôt intérieur. C'est un endroit apaisant là où se réfugier. En tout cas, moi j'arrive à toucher cet état grâce à des albums qui m'ont fait beaucoup de bien. Donc j'avais ce cette ambition, ce désir d'essayer à mon tour de procurer se serait-ce qu'un dixième de ce que certains albums m'ont procuré chez l'auditeur.  Dites-nous, quels sont les albums qui vous ont mis dans un état émotionnel particulier ? Je pense surtout au « Circlesongs » de Bobby McFerrin, qui est un album que j'écoute plusieurs fois par semaine depuis des années. J'ai un truc très monomaniaque avec la musique que j'aime. Sting aussi a pu me procurer cet effet, Ella Fitzgerald, Sarah Vaughan évidemment. Donc voilà, je voulais faire un album apaisant.  Je lisais sur votre site, vous parliez de vos références, des artistes qui vous ont inspiré, donc on a Sarah Vaughan, Chick Correa, Ahmad Jamal, Bobby McFerrin. Qu'est-ce qui relie tous ces artistes pour vous ? L'émotion et ce que ça me procure corporellement, car chez moi, beaucoup de choses passent par le corps. Même quand j'écris. Et faire face à de telles références du jazz et de la musique ne vous paralyse pas ? J'essaye de pas rentrer dans la comparaison, même si c'est dur. Je pense au contraire que ces artistes me tirent vers le haut. Mais jamais je n'oserais me comparer, sinon j'arrêterais tout de suite.  Parlez-vous de vos musiciens. Comment avez-vous connu Vladimir Torres, le contrebassiste, et Karim Blal le pianiste ? Vladimir, je l'ai rencontré à Paris, il est basé à Besançon. Mais c'est à Paris qu'on s'est rencontrés et je suis allée le voir en concert. Il m'a impressionnée. Puis, à l'issue du concert, on est allé boire un café, puis on s'est dit qu'il fallait que l'on fasse quelque chose ensemble parce qu'il aimait bien ce que je proposais initialement. Quant à Karim, je l'ai rencontré Karim dans une jam ( une session de musique NDLR) et c'est pareil, j'ai beaucoup aimé son jeu , c'est d'ailleurs lui qui m'a fait rencontrer le batteur Tom Perron, c'est comme ça que nous avons formé le quartet. Il y a quand même une patte Audrey Pierre que l'on retrouve sur tout cet album. Comment cela se passe avec les musiciens? Vous dirigez tout ? Vous leur laissez beaucoup de liberté ? Ça dépend vraiment des morceaux, il y a des morceaux plus écrits que d'autres. Mais en général, j'aime laisser une grande place aux musiciens, cela permet de garder une certaine fraîcheur et faire aussi que tous nos concerts ne se ressemblent pas. On parle beaucoup du « revival » du jazz, que ce soit en Angleterre, en Europe ou aux Etats-Unis, êtes-vous connectée avec cette génération montante ? J'essaie de suivre au maximum ce qui sort actuellement et ce qui me passionne. Et c'est vrai, que le jazz est quand même une musique en constante évolution, en constante réinvention. Ce qui me plait c'est de l'ouvrir à l'hybridation avec d'autres styles de musique. Sur mon prochain album, il y aura sans doute un rappeur londonien. Je suis ouverte à d'autres collaborations plus pop ou rap ou rap.

Après un premier album, Magic Place, remarqué par la critique, la chanteuse et compositrice de jazz Audrey Pierre est en tournée jusqu'en juin prochain en France. Avec sa voix profonde et ses compositions qui s'inscrivent dans le jazz traditionnel mais avec un swing étonnamment moderne, la messine de naissance a séduit jusqu'au public américain. RFI : Depuis la sortie de votre album Magic Place, vous enchaînez les concerts. Est-ce que cet album a changé quelque chose dans votre carrière ?  Audrey Pierre : Oui, je dirais que ça m'a ouvert beaucoup de portes. J'ai eu le soutien de pas mal de presses que je remercie notamment. Ça m'a ouvert plus de scènes, de scènes un peu plus grosses, ainsi que des dates de concert plus nombreuses.  Pourtant, vous avez déjà plus de 200 concerts en 4 ans à votre actif. Donc cet album finalement est à la fois un aboutissement et un nouveau départ ?  C'est à dire que je j'avais à cœur de jouer ces morceaux avant de les enregistrer, donc j'ai quand même pris le temps de les « emmener sur le terrain » avant de les sceller sur un disque ! Racontez-nous, Audrey Pierre, comment vous en êtes venu à la musique. J'ai cru comprendre qu'à l'origine vous étiez luthière, fabricante de violon.  Tout à fait. J'ai passé sept ans à Mirecourt, dans la capitale du violon (en France, grande ville de lutherie NDLR), à fabriquer des violons et je chantais déjà et je faisais déjà de la musique. Le désir était là, mais je n'osais pas y croire, jusqu'à ce que l'on me propose de plus en plus de concerts. J'ai commencé à prendre goût à la chanson, et ce désir est devenu plus fort que celui de l'établi, même si j'adorais le travail de luthier. Et donc j'ai vendu mes outils tout simplement pour pouvoir venir m'installer à Paris.    Vous avez donc renoncé à fabriquer des violons pour pouvoir vous consacrer à la chanson ?  C'est vrai que l'on peut parler de renoncement, mais ce n'est pas pour toujours. C'est du moins ce que je me dis pour me rassurer, parce qu'il est vrai que j'aimais beaucoup ça.  Qu'est-ce qui vous a donné confiance en vous au point de vous lancer dans cette carrière de chanteuse ? Vous êtes-vous dit « c'est vrai que ma voix est belle et que mes compositions tiennent la route » ? (Rires) Alors, je me suis vraiment jamais dit que ça ! Et j'espère ne jamais me le dire.  Pourquoi ? Vous doutez de votre voix ? J'ai envie de penser que le doute fait partie de la création. Je n'ai jamais ce sentiment de me dire "Ah ! Je suis prête, c'est suffisamment bien, je peux y aller." Non, c'était surtout les autres qui m'ont soutenue, que ce soient les musiciens ou le public. Et puis, il y a cette espèce de feu, on n'a pas le choix, il faut faire ça. Et ensuite, un jour, j'ai envoyé ce que je faisais au Sunset à Paris, (L'un des plus célèbres clubs de jazz de la capitale française NDLR). Et j'ai reçu une réponse à mon mail dans les trente minutes de la part de Stéphane Portet, (Directeur et programmateur du Sunset, NDLR) que je remercie d'ailleurs pour sa confiance. Il m'a proposé une date de concert et je me suis dit « Waouh, super, bon bah Paris quoi ! » Et par une chance incroyable, le soir du concert se trouvait dans le public une bookeuse (Programmatrice d'artistes NDLR) et musicienne de Los Angeles qui a beaucoup aimé le concert. Elle est venue me voir à la fin et m'a proposé une tournée à Los Angeles (Etats-Unis NDLR) Je n'ai pas réfléchi, j'ai accepté, et elle m'a invitée à jouer là-bas, dans une salle et puis un jazz club et également à l'hôtel café qui est en plein Hollywood.  Donc vous êtes passée de Mirecourt, à Paris, et ensuite le grand voyage aux États-Unis. Un rêve en quelque sorte ! Oui ! Je m'en souviens encore, cela fait à peine deux ans, j'étais dans l'avion et je n'arrivais pas à y croire, c'était très grisant.  Et vous aviez combien de titres à jouer dans votre valise ? Une dizaine. La bookeuse avait tout organisé pour moi, elle avait choisi l'équipe de musiciens, donc je leur avais envoyé l'album au préalable, mais je ne les connaissais pas, je ne savais pas trop où je mettais les pieds. Et là, j'arrive en répétition et ils connaissaient les morceaux note pour note ! C'était impressionnant, j'essayais de pas le montrer, mais j'étais impressionnée ! Revenons sur Magic Place, ce premier album. D'abord, c'est quoi cette Magic Place dont vous parlez ?  Eh bien, cet endroit magique, je dirais qu'il est plutôt intérieur. C'est un endroit apaisant là où se réfugier. En tout cas, moi j'arrive à toucher cet état grâce à des albums qui m'ont fait beaucoup de bien. Donc j'avais ce cette ambition, ce désir d'essayer à mon tour de procurer se serait-ce qu'un dixième de ce que certains albums m'ont procuré chez l'auditeur.  Dites-nous, quels sont les albums qui vous ont mis dans un état émotionnel particulier ? Je pense surtout au « Circlesongs » de Bobby McFerrin, qui est un album que j'écoute plusieurs fois par semaine depuis des années. J'ai un truc très monomaniaque avec la musique que j'aime. Sting aussi a pu me procurer cet effet, Ella Fitzgerald, Sarah Vaughan évidemment. Donc voilà, je voulais faire un album apaisant.  Je lisais sur votre site, vous parliez de vos références, des artistes qui vous ont inspiré, donc on a Sarah Vaughan, Chick Correa, Ahmad Jamal, Bobby McFerrin. Qu'est-ce qui relie tous ces artistes pour vous ? L'émotion et ce que ça me procure corporellement, car chez moi, beaucoup de choses passent par le corps. Même quand j'écris. Et faire face à de telles références du jazz et de la musique ne vous paralyse pas ? J'essaye de pas rentrer dans la comparaison, même si c'est dur. Je pense au contraire que ces artistes me tirent vers le haut. Mais jamais je n'oserais me comparer, sinon j'arrêterais tout de suite.  Parlez-vous de vos musiciens. Comment avez-vous connu Vladimir Torres, le contrebassiste, et Karim Blal le pianiste ? Vladimir, je l'ai rencontré à Paris, il est basé à Besançon. Mais c'est à Paris qu'on s'est rencontrés et je suis allée le voir en concert. Il m'a impressionnée. Puis, à l'issue du concert, on est allé boire un café, puis on s'est dit qu'il fallait que l'on fasse quelque chose ensemble parce qu'il aimait bien ce que je proposais initialement. Quant à Karim, je l'ai rencontré Karim dans une jam ( une session de musique NDLR) et c'est pareil, j'ai beaucoup aimé son jeu , c'est d'ailleurs lui qui m'a fait rencontrer le batteur Tom Perron, c'est comme ça que nous avons formé le quartet. Il y a quand même une patte Audrey Pierre que l'on retrouve sur tout cet album. Comment cela se passe avec les musiciens? Vous dirigez tout ? Vous leur laissez beaucoup de liberté ? Ça dépend vraiment des morceaux, il y a des morceaux plus écrits que d'autres. Mais en général, j'aime laisser une grande place aux musiciens, cela permet de garder une certaine fraîcheur et faire aussi que tous nos concerts ne se ressemblent pas. On parle beaucoup du « revival » du jazz, que ce soit en Angleterre, en Europe ou aux Etats-Unis, êtes-vous connectée avec cette génération montante ? J'essaie de suivre au maximum ce qui sort actuellement et ce qui me passionne. Et c'est vrai, que le jazz est quand même une musique en constante évolution, en constante réinvention. Ce qui me plait c'est de l'ouvrir à l'hybridation avec d'autres styles de musique. Sur mon prochain album, il y aura sans doute un rappeur londonien. Je suis ouverte à d'autres collaborations plus pop ou rap ou rap.

Podcast Jazztime 707 – 10.02.26 In dieser Ausgabe erfüllen wir Hörerwünsche. Das LIVE Anspiel ist : „It don't mean a thing (if it ain't got that Swing) – 1931 von Duke Ellington komponiert. Folgende Titel sind zu hören : 1. The Eel – Bud Freeman's Summa Cum Laude Orchestra 2:45 2. The Creator has a Master Plan (Peace) – Louis Armstrong & Leon Thomas 4:07 3. Silent Feet – Eberhard Weber 17:37 (…) 4. Fool on the Hill – Pascal von Wroblewski - 4:31 5.It don't mean a Thing (if it ain't got that swing) – Ella Fitzgerald 7:14 6.Love of my Life – Nils Landgren 3:32 7.Sweet Georgia Brown – Django Reinhardt & Stéphane Grapelli 3:14 Für Titelwünsche und Anregungen schreiben Sie gern an : jazztime.mv@ndr.de Keep Swingin' !!!

The fun of playing some songs is that we just never know what we're going to hear. This George Gershwin piece has been like that ever since Danny Cox brought us better chords for it a year or so ago. Now the song is like a shiny little red convertible parked in the garage just waiting for the next sunny day. You and your buddies pile in, not knowing where you're going, just enjoying the company and the sights and the sounds of each other's laughter. Hop in! We're going for a joy ride!About the SongAs reported earlier, “Lady Be Good” has been a perennial party favorite for more than a century now.Nineteen-Twenty-Four was a watershed year for Gershwin. After spending more than a decade pounding the pavement in New York's Tin Pan Alley, he composed his landmark "Rhapsody in Blue." Then, alongside his brother Ira, George scored his first major Broadway hit, the musical comedy Lady Be Good, which ran for more than 300 performances.The enduring significance of the show's title tune, "Lady Be Good," lies in its rare ability to transcend musical eras. A unique entry in the Great American Songbook, it beautifully bridged two distinct jazz ages, surviving the transition from the loose Dixieland style of the Roaring Twenties to the smooth swing sound of the 1930s.A favorite among jazz legends as diverse as Charlie Parker and Lester Young, the song's rich history also includes interpretations by vocal icons like Ella Fitzgerald and Mel Tormé.For more on the back story of this song, see this earlier Flood Watch entry.More Floodifaction?And if this has you hungry for a little more of the band's jazzier selections, drop by the free Radio Floodango music streaming feature and click on the “Swingin'” Channel.Click here to give it a spin. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Day 2 of the 30-Day Calm, Confidence & Self-Trust Planner Creating Calm Through Clear Goals and Positive Self-Affirmation What Is Day Two About in a 30-Day Calm and Confidence Planner? Printable Planner Click Here https://www.canva.com/design/DAG__3zBrsY/fWxfaHWXHOVCNws_J_9OlQ/view?utm_content=DAG__3zBrsY&utm_campaign=designshare&utm_medium=link2&utm_source=uniquelinks&utlId=h23d800a1b1 Day Two focuses on short-term goal clarity and confidence through action. When you clearly identify a goal you want to achieve in the next day or two, your nervous system relaxes. Your mind stops spinning. You move from overwhelm into grounded purpose. According to Psychic Christine Wallace of Mystical Charms and Things, this is one of the most effective ways to create calm quickly: “Confidence grows when your energy knows where it's going.” Why Identifying Small Goals Builds Calm and Optimism When people feel anxious, blocked, or emotionally drained, it's often because their energy is scattered. Setting one achievable goal restores a sense of control and inner safety. As Maya Angelou wisely taught: “You may not control all the events that happen to you, but you can decide not to be reduced by them.” Choosing a goal — even a simple one — an act of self-empowerment.   DAY TWO — STEP ONE: Identify a Short-Term Goal Prompt: Identify one goal you would like to achieve within the next day or two.Write it down clearly and confidently. Examples of calm-building goals: Organizing a small area of your home Completing a task you've been avoiding Creating space for rest or clarity Starting something you've been postponing Writing Exercise: The goal I would like to achieve within the next day or two is: When you write your goal, remind yourself: “Having confidence in my ability to achieve goals helps me build optimism and emotional balance.” This affirmation trains your mind and energy field to expect success. DAY TWO — STEP TWO: Describe the Exact Steps You Will Take This step is essential. Vague goals create anxiety. Clear steps create calm. Example Goal: Organizing Your Home Write it exactly like this — calm, specific, intentional: Tonight, I will take one full hour to organize my closet.I will turn off my cell phone to avoid distractions.I will play music that makes me feel relaxed and motivated.I will focus only on this task and allow myself to feel accomplished when I'm done. Now create your own step-by-step plan: To achieve my goal, I will take the following steps: As Maya Angelou also said: “Nothing will work unless you do.” This is not about perfection — it's about participation. How Goal-Setting Supports Emotional and Spiritual Healing In my work as a psychic and energy healer, I often see that emotional blocks lift when a person begins taking small, intentional actions. Confidence returns. Anxiety softens. Energy starts flowing again. This practice is especially helpful for: People who feel overwhelmed or stuck Those struggling with self-doubt Anyone recovering from emotional burnout Individuals seeking spiritual clarity and balance If you feel blocked in love, work, or personal direction, this daily practice pairs beautifully with intuitive guidance and energy work. Want Deeper Support? If you'd like personalized guidance, clarity, or emotional support, I offer one-on-one sessions where we work together to identify blocks, set aligned goals, and restore confidence and calm. ⭐ Clients consistently leave reviews sharing how grounded, clear, and empowered they feel after our sessions. Subscribe, Listen, and Stay Connected If this planner resonates with you, be sure to subscribe to my podcast where I guide listeners through calm-building practices, affirmations, and spiritual insight.

Voor veel jazzliefhebbers is jazz bijna synoniem met instrumentale muziek. Onterecht, naam mijn mening. Deze TORcast een aantal jazzklassiekers waarbij de tekst echt een centrale rol speelt — songs waarin het verhaal, de emotie of de poëzie minstens zo belangrijk is als de muzikale uitvoering. Billie Holiday – “Strange Fruit” (1939) Een van de meest aangrijpende jazznummers ooit. De tekst — gebaseerd op een gedicht van Abel Meeropol — beschrijft lynchpartijen in het Amerikaanse zuiden. De woorden maken het nummer; zonder de tekst zou de impact ondenkbaar zijn. Nina Simone – “Mississippi Goddam” (1964) Een scherpe, bijna cabareteske aanklacht tegen racisme en geweld. Simone gebruikt haar stem als politiek instrument, en de tekst draagt de volledige kracht van het nummer. Ella Fitzgerald & Louis Armstrong – “Summertime” (1935; jazzinterpretaties jaren '50) Oorspronkelijk uit Porgy and Bess. De tekst is simpel maar poëtisch; de dromerige, bijna wiegende woorden vormen de kern van elke jazzversie. Nat King Cole – “Nature Boy” (1948) Een mystiek, filosofisch verhaaltje in liedvorm. De tekst is poëtisch en tijdloos en draagt vrijwel volledig de melancholieke sfeer. Het nummer werd geschreven door eden ahbez, een excentrieke Amerikaanse songwriter die leefde volgens naturistische en spirituele principes. Hij schreef zijn naam bewust volledig in kleine letters en leefde jarenlang een ascetisch leven in Californië. Volgens biografische informatie ontstond “Nature Boy” terwijl ahbez bijna kluizenaarsachtig leefde in een grot nabij Palm Springs. [en.wikipedia.org] Sarah Vaughan – “Lullaby of Birdland” (1954) Een nummer waarin de tekst perfect de romantiek van jazz en nachtclubs vangt. Veel vocalisten laten hun improvisaties versmelten met de lyrische inhoud. Billie Holiday – “God Bless the Child” (1941) Holiday schreef het zelf. Het gaat over onafhankelijkheid, trots en de harde realiteit van financiële ongelijkheid. De woorden zijn essentieel voor de emotie. Eric Clapton – “Nobody Knows You When You’re Down And Out” (geschreven door Jimmy Cox, 1923) Het lied vertelt over iemand die ooit leefde als een miljonair, vrijgevig was naar vrienden en leefde in luxe. Maar zodra het geld op is, blijft er niets over — geen vrienden, geen middelen, geen status. De beroemde regel: “Nobody knows you when you’re down and out.” verwoordt op pijnlijke wijze de eenzaamheid die kan ontstaan door financiële tegenslag en het opportunisme van relaties die afhankelijk zijn van geld. Carmen McRae – “'Round Midnight” (met tekst van Bernie Hanighen) Oorspronkelijk een instrumentaal stuk van Monk, maar met de tekst krijgt het een totaal andere, intieme dimensie: een verhaal van nachtelijke melancholie. Frank Sinatra – “Angel Eyes” (1958) Een klassieker uit de bebop- en croonertraditie. De tekst vol liefdesverdriet staat centraal; Sinatra's interpretatie is bijna theater. Chet Baker – “My Funny Valentine” (1952) Hoewel vaak zacht en fragiel gezongen, draagt de tekst de hele emotionele lading. Een van de beroemdste jazzstandards waarbij de woorden de complexe liefde weergeven. Abbey Lincoln – “Throw It Away” (1980) Lincoln staat bekend om poëtische, spirituele teksten. In dit nummer zijn de woorden – over loslaten en innerlijke vrijheid – de kern van het stuk. Ella Fitzgerald, The Paul Smith Quartet – Mack The Knife (1960) Tijdens dit concert vergat Ella Fitzgerald de originele tekst van “Mack the Knife” — en in plaats van te stoppen, improviseerde ze ter plekke geheel nieuwe, geestige en ritmisch briljante teksten. Dit moment werd iconisch, omdat het haar ongeëvenaarde spontaniteit, muzikaliteit en humor liet zien. Volgens bronnen is dit optreden een van haar meest geprezen liveperformances ooit. Ze improviseert onder meer regels als dat ze “de tekst kwijt is”, en maakt zelfs grappen over hoe goed ze zichzelf vindt. Het publiek reageert uitzinnig; de performance werd meteen legendarisch.

> Friend of the Sunday Edition family of podcasts and a personal musical hero, Rhonda Selby joins us for an intimate and heartfelt conversation about music, vision, and life itself. > > Born and raised in the small town of Door, Michigan, Rhonda was diagnosed with retinoblastoma at just four months old and is totally blind. From an early age, sound and music became her language, her compass, and her constant companion. She began singing as a teenager, studying voice and keyboard, and later performing with bands across multiple genres, from pop and country to selections from the Great American Songbook. > > In this intimate evening, we journey through Rhonda's journeys. We explore her creative process, her return to music after a long hiatus, and her recent work teaching herself to mix and produce. Along the way, we talk about the twists and turns life offers us, how vision is experienced far beyond sight, and how music carries us through surprise, loss, and renewal. > > Rhonda also speaks to the wide and sometimes surprising range of artists who have shaped her musical ear. From the precision and emotional discipline of classical voices like Beverly Sills and Kathleen Battle, to the storytelling and swing of jazz greats Ella Fitzgerald and Billie Holiday, to the soul rich expression of R and B icons Minnie Riperton and Deniece Williams, her influences reflect a deep respect for vocal honesty and emotional truth. These artists did more than inspire technique; they modeled how a voice can carry vulnerability, power, and grace all at once. In our conversation, Rhonda reflects on how these influences continue to guide her as a singer, producer, and listener, reminding us that music is not confined by genre, but expanded by lived experience. > > This is not just a conversation about songs, but about listening, becoming, and finding your voice again. > > Listen live or tune in on 2020 The Beacon.You can stream from anywhere on the website.You can also ask Alexa devices to enable 2020 The Beacon.Available on GetMeRadio and Live365. > > You can also listen on Corona FM.Visit www.anthonycorona.com and click on the tab for Corona FM. > > For questions, comments, or to request the login information to join us live, send an email to:SundayEdition@anthonycorona.com > >

Cole Porter and George S. Kaufman teamed up to bring Billy Wilder's "Ninotchka" to the musical stage in 1955; here's a cornucopia of songs, featuring Fred Astaire, Ella Fitzgerald, Don Ameche, Bobby Short, and more.

【本节目由肯德基早餐特约赞助播出，感谢肯德基早餐，也欢迎大家在各大平台关注肯德基早餐的播客《一早肯聊|职场人的晨间灵感》节目】在爵士乐中，“双重奏”是一种非常有意思的演出形态。对于乐手来说，它是技术和默契的试金石；对于听众来说，它往往可以提供沉浸式的听觉盛宴。本期播客从“芝士双层牛肉帕尼尼”中得到灵感，向你推荐爵士乐中的五个经典又好听的双重奏，并为每一个双重奏都搭配了一款肯德基早餐爆款单品。音乐和美食有着共通之处，也希望通过这种方式，带给你从耳朵到舌尖的通感体验。其实除了音乐和美食，我们只需要用一点点心，就可以给自己的生活加层旋律。毕竟能把平凡日子过成“双重奏”的人，才是最会偷着乐的生活家。Timeline of the Show:[04:00] 爵士乐和肯德基的炸鸡都是美式复古文化的一部分[06:26] 双重奏推荐：Ella Fitzgerald & Louis Armstrong - 《Ella & Louis》[15:48] 双重奏推荐：Bill Evans & Jim Hall - 《Undercurrent》[23:03] 双重奏推荐：Michel Petrucciani & Lee Konitz - 《Toot Sweet》[30:18] 双重奏推荐：Stan Getz & Kenny Barron - 《People Time》[39:26] 双重奏推荐：Gerry Mulligan & Chet Baker - 《Line for Lyons》[46:49] 双重奏不仅仅是音乐和美食的概念，它同样可以运用到生活中【声明】本期关于爵士乐的解读，源自特约主播的个人体验，不代表本节目立场。肯德基限定新品，图片和节目中的描述仅作为参考，请以实物为准。

This month's mix is called Far From Home. I spent the holidays away from family for the first time in a long while, and I know many of us were in the same boat. Whether you were traveling, working, or simply embracing where life's taken you, this one's for everyone who found themselves far from home. As always, it's a journey through some of my favorite melodic electronic tracks of the moment, featuring Sébastien Léger, Bob DK, Makebo & Amonita, Eynka, and even Ella Fitzgerald remixed by Tourist. Thanks for being a Global Citizen! galestianmusic.com | globalentryradio.com | @galestianmusic 00. Galestian - Global Entry with Galestian 01. HAAi - Can't Stand To Lose [MUTE] 02. Giaggi - So Sweet [Alt Vision] 03. Madraas - Meiku [Songuara] 04. Who Else, Zagitar - NOTHING [ERRORR] 05. andhim, AMÉMÉ & Malou - Feel The Love [Insomniac Records] 06. Who Da Funk - Shiny Disco Balls (Makebo & Amonita Remix) [Promo] 07. SLIMFLO - Hear Me Out [Promo] 08. Eynka & Matador - The Way [Armada] 09. ALOTT - Far From Home [ALOTT] 10. D-Nox, Elan Myles - Shadows (Vocal Extended Version) [Songuara] 11. IDEMI - ATC [STORIES] 12. BobDK - Zora [GoDeevaLight Records] 13. Sebastien Leger, Lost Miracle - Ramses [Lost Miracle] 14. Ella Fitzgerald - We Three Kings (Tourist Extended Remix) [Verve Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Photo by Scott Gruber on Unsplash Published 4 January 2026 e537 with Michael M and Andy – ringing in the new year with the amazing power of music to move and heal, LEGO and retro builds and a whole lot more. Andy, Michael and Michael would like to wish all of our listeners a very happy 2026! Michael M and Andy start off 2026 on a good note – or perhaps better said – a series of good notes. Michael shares some of his vacation reading, beginning with the book, I Heard There Was a Secret Chord by Daniel Levitin. In this book, Levitin highlights the power of music to move and heal, and provides a Linktree to listen to the songs featured in the book, which is included in the show notes below. One particular example from the book was the Ella Fitzgerald recording of Mack the Knife in Berlin, and the magic she created in the moment when she forgot the lyrics. Andy highlights an amazing musical creation moment with Jacob Collier's improvisation with the National Symphony Orchestra. This reminded Michael of Rosamund Stone Zander & Benjamin Zander's book, Art of Possibility, and maestro Zander's TED talk on the power of classical music. Michael also brought up David Byrne's book, How Music Works, and his learning in Puerto Rico on how dancers conduct the musicians as they perform together. Byrne discussed mixtapes in his book, and the modern equivalent of them are the playlist, which is exactly what Levitin's Linktree leads to.  Michael created a mixtape to express musically what he was trying to say in words for his NCSSM convocation speech at the start of the 2025-26 school year.  Andy shares a couple of intriguing ways to create music through retro devices and common household products – all of these are in the links below. Moving to the building part of the episode, Andy and Michael start off with LEGO, and this is about to be a banner year for the company with so many new sets coming on the market. There's a new LEGO Icons building, which has in it a music store and includes a sousaphone player minifig. The cohosts touch on the Star Trek Enterprise set which was also just launched, which includes a minifig of Commander Riker with his trombone. Andy describes the awesomeness that is the LEGO GameBoy with the inventive buttons on the device, and the team then touch on a couple of retro consoles such as the Commodore 64 reboot. The team wraps up this episode with a mention of Andy's grumpiness on the year end Tech Grumps podcast. What music has inspired you in 2025? What builds (LEGO, retro or otherwise) are you planning for 2026? Have your bots

En este día 25 de diciembre unos elefantes con gorros de Papá Noël: John Pizzarelli ('Wonderful Xmas time'), Paolo Fresu ('I´ll be home for Christmas'), Madeleine Peyroux ('Have yourself a merry little Christmas'), Carla Bruni ('Jolis sapins'), Ayo ('Santa Claus is coming to town'), Tony Bennett & The Count Basie Big Band ('All I want for Christmas is you', 'Christmas time is here'), Vince Guaraldi ('Skating', 'Linus and Lucy'), Ella Fitzgerald ('White Christmas', 'The Christmas song'), Nat King Cole ('The Christmas song'), Ivan Lins ('Então é natal', 'Um feliz natal' -con José Feliciano-) y Toninho Horta & Oscar Castro-Neves ('Ave Maria'). Escuchar audio

Today on the Rarified Heir Podcast we are talking to guest Tamar Springer about her composer/songwriter father Philip Springer. Now, unless you are in music publishing or a collector of film soundtracks or possibly a musical academic, the name Philip Springer might not seem like a name you would know. A ha, but if I told you he was the composer & co-writer of the hit Eartha Kitt, Christmas song "Santa Baby" then would you know? Or perhaps you'd know some of his other work which has been sung by everyone from Frank Sinatra to Ella Fitzgerald, from Dusty Springfield to Elvis Presley. In all, Philip Springer has composed more than 500 songs and he's still writing songs today at age 99. Our conversation with Tamar centers around a documentary she made about her father that is Academy Award eligible and has screened at film festivals around the country. Her film about her father, More Than Santa Baby is Tamar's film about her father's career that spans performing classical music, writing some of the earliest electronic music, scoring film and television shows, writing for songwriters at the famed Brill Building and much much more. What's more, there is a familiar connection between Tamar and host Josh Mills family that even he didn't realize when they started the conversation. It's more than incredible, it's downright cosmic. This is the Rarified Heir Podcast and everyone has a has a story. But not like this. Not like the one guest Tamar Springer tells on this episode. She really lived up to her name!

Sie war Schauspielerin, Chansontexterin und -sängerin, Schriftstellerin. Mal vergöttert, mal verhasst, nie vergessen – die Knef. Ella Fitzgerald nannte sie mal: „Die größte Sängerin ohne Stimme“. Kaum eine hat ihr Innerstes – ihre Höhen und Tiefen – so nach außen getragen und manchmal auch zur Kunst gemacht wie Hildegard Knef. Sei es in ihren Liedern und Büchern oder aber auch in Interviews und in ihrem Umgang mit der Presse. Was bleibt von Hildegard Knef mehr als 20 Jahre nach ihrem Tod? Eva Röder diskutiert mit Jan Feddersen – Taz; Ulrich Michael Heissig alias "Irmgard Knef" – Kabarettist; Luzia Schmid – Dokumentarfilmerin ("Ich will alles. Hildegard Knef")

MUSIC - Putney Dandridge - Santa Claus Came in the Spring (1935); Clarence Williams - Santa Claus Blues (1924); Bernie Cummins - I Told Santa Claus to Bring Me You (1937); Ella Fitzgerald, Chick Webb - Holiday in Harlem (1937); James P. Johnson - Snowy Morning Blues (1943); Fats Waller - Winter Weather (1941); Ozie Ware, Duke Ellington Hot Five - Santa Claus, Bring My Man Back (1928); Elzadie Robinson - Santa Claus Crave (1927).

On tonight's show: Ella Fitzgerald, Holiday in Harlem (feat. Chick Webb and His Orchestra) Joe Holiday, Blue Holiday Louis Armstrong & Benny Carter and His Orchestra, Christmas in New Orleans Benny Carter, Roses in December Duke Ellington, December Blues Vince Guaraldi Trio, Christmas Time Is Here Vince Guaraldi Trio, Greensleeves Wes Montgomery, Snowfall Toshiko Akiyoshi, Santa Claus Is Coming to Town Art Pepper, Winter Moon Chet Baker, Silent Night Charlie Byrd And The Washington Guitar Quintet, Concierto De Aranjuez Al Di Meola, Etude

In this episode of My Music, join us as we welcome special guest Sydney Elliott, also known by her artistic name, FRANK. We kick off with a light-hearted discussion on the quirks of attending a school nativity play and the unexpected difficulties of voice control in young children. Sydney shares her personal journey from a chatty, inquisitive child to finding her artistic identity and the impact of iconic artists like Ella Fitzgerald. We explore the importance of space in music creation, the interplay between music and visuals, and Sydney's own evolution with her short hair and tattoos. Dive deep into the creative process, the influence of jazz, and the aspirational dream of scoring a film. This episode is brimming with insightful anecdotes, practical advice for budding musicians, and a heartfelt conversation on artistic expression. Don't miss out on the inspirations behind FRANKS innovative music and her thoughts on future collaborations.

Chuck and Roxy are back and open the show with a few quick notes and many "Thank you's" before welcoming back Episode 144 Rob Dundon for 5 "GREAT" minutes. He talks all about his 5th annual fundraiser in honor of his mom Cathy Dundon. Please click the link to donate. If you donate $25 or more you can choose one of the donated autographed books on his Facebook page. FACEBOOK: https://www.facebook.com/share/p/1GxnWZvaLS/Alzheimer's Page: http://act.alz.org/goto/CathysLegacy2025Next it's time to "Meet the Littles" as our hosts welcome Eilleen Robinson to the podcast! (17:30) FACEBOOK: Search Eileen Robinson LINKEDIN: Search Eileen RobinsonThen our hosts close out the show with 3 quick movie reviews and your emails / notes (43:45)SONG: "Red Ringed for Christmas" by MisCast Spotify and Bandcamp SEARCH: MisCast JINGLE: "Have Yourself A Merry Little Christmas" A parody of a song by Ella Fitzgerald.Recorded by John Fitzpatrick in Arlington, VARecorded: 12/02/2014  Released: 12/03/2014  First aired: 12/22/2014Podcast Website - www.loyallittlespod.com  Patreon: www.patreon.com/c/loyallittlespod/membershipPodcast Email - WTFCPODNET@GMAIL.COMTwitter:@loyallittlespod Instagram: @theloyallittlespodcastPODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop

Sleigh rides in July, swinging Santas, holidays in Harlem, ca. 1920s-1940s. Music: Swingin' Them Jingle Bells (1936) - Fats Waller & His Rhythm; Santa Claus Came in the Spring (1935) - Benny Goodman & His Orchestra; Santa Claus Blues (1924) - Eva Taylor, Clarence Williams' Blue Five; I Told Santa Claus to Bring Me You (1937) - Bernie Cummins, Holiday in Harlem (1937) - Ella Fitzgerald, Chick Webb; Snowy Morning Blues (V-disc 1943) - James P. Johnson; Winter Weather (1941) - Fats Waller & His Rhythm; Snowfall (1941) - Claude Thornhill & His Orchestra; I've Got My Love to Keep Me Warm (1937) - Billie Holiday; Christmas Morning Blues (1926) - Victoria Spivey, Lonnie Johnson; Santa Claus Crave (1927) - Elzadie Robinson; Santa Claus, Bring My Man Back (1928) - Ozie Ware, Duke Ellington Hot Five; At the Christmas Ball (1925) - Bessie Smith; Christmas Night in Harlem (1934) - Paul Whiteman; Winter Weather (1941) - Peggy Lee, Benny Goodman.

#224 Broadcast 224 - Episode 217 - The Crooners - 20251206 - 3 in 1 = Ella Fitzgerald by Jim Reeves

durée : 00:59:30 - Banzzaï du jeudi 04 décembre 2025 : Sur le moment - rediffusion - par : Nathalie Piolé -

Episode Description: In this episode of Backstage Bay Area, host Steven Roby sits down with vocalist and songwriter Sachal Vasandani. Known for a voice that critics call "transfixing," Sachal has collaborated with everyone from Wynton Marsalis to Bobby McFerrin.Sachal discusses his latest project, Best Life Now, and the surprising journey of taking that album—originally produced with deep grooves by drummer Nate Smith—and stripping it back to its raw, acoustic essentials. We dive into his philosophy on jazz improvisation, his "brush your teeth" approach to vocal discipline, and how he navigates the confusing headspace of post-pandemic life through song.In This Episode, We Cover:·       The Ella Effect: How listening to Ella Fitzgerald taught him to find new "nooks and crannies" in songs he has sung thousands of times.·       The Acoustic Pivot: Why a logistical travel snag turned into a creative breakthrough for his Acoustic Sessions EP.·       Lyrical Tension: The story behind the title track "Best Life Now" and why living your "best life" isn't always as simple as it sounds.·       Teaching Jazz: Sachal's unique philosophy on balancing technical discipline with the freedom to break the rules.·       Live at Joe Henderson Lab: Previewing his intimate reunion with Bay Area natives Dayna Stephens and Charles Altura.Featured Music:·       "Best Life Now" (Acoustic Version)·       "Too Easy"Links & Resources:·       Tickets: Sachal Vasandani at SFJAZZ (Dec 12)·       Album: Best Life Now & Acoustic Sessions EP (Available on all streaming platforms)Connect with Backstage Bay Area:·       Website: Backstagebayarea.com·       Host: Steven Roby

What does it take to blend the rich traditions of jazz with contemporary pop influences? Join us on this episode of takin' a walk as host Buzz Knight dives deep into the world of music with the incredibly talented Italian American jazz pop artist, Niia.. In this captivating conversation, Niia unveils the heartfelt journey behind her fifth studio album, "V," sharing insights that resonate with anyone passionate about music history and the creative process. As we explore Naya’s musical evolution, she reflects on her inspirations from legendary figures like Ella Fitzgerald and how their legacies continue to shape her artistry. This episode of takin' a walk offers a unique glimpse into the balance she strikes between honoring traditional jazz roots and embracing modern sounds, creating a bridge that connects diverse genres. Naya emphasizes the importance of collaboration and trusting her instincts, revealing the emotional depth that fuels her work. Listeners will appreciate Niia's candid discussion about her unique experiences navigating the music industry, her cultural identity, and her ambitious aspirations, including her dream of scoring films. Buzz Knight, as always, brings his signature style to the table, guiding the conversation to uncover the inside music stories that make Niia's journey so compelling. This episode is not just an interview; it's a heartfelt exploration of what it means to be an artist in today's world. Whether you're a fan of jazz, pop, or simply love musician interview podcasts, this episode of takin' a walk is sure to inspire and entertain. Tune in as we delve into the emotional and artistic layers of Niia's music, and discover how she navigates the complexities of her craft, all while staying true to herself. Don't miss out on this enriching episode filled with insights, passion, and the essence of creativity. Join us on takin' a walk with Buzz Knight, and immerse yourself in the stories that shape our musical landscape. Available now on iHeartPodcasts and wherever you get your podcasts! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

What does it take to blend the rich traditions of jazz with contemporary pop influences? Join us on this episode of takin' a walk as host Buzz Knight dives deep into the world of music with the incredibly talented Italian American jazz pop artist, Niia.. In this captivating conversation, Niia unveils the heartfelt journey behind her fifth studio album, "V," sharing insights that resonate with anyone passionate about music history and the creative process. As we explore Naya’s musical evolution, she reflects on her inspirations from legendary figures like Ella Fitzgerald and how their legacies continue to shape her artistry. This episode of takin' a walk offers a unique glimpse into the balance she strikes between honoring traditional jazz roots and embracing modern sounds, creating a bridge that connects diverse genres. Naya emphasizes the importance of collaboration and trusting her instincts, revealing the emotional depth that fuels her work. Listeners will appreciate Niia's candid discussion about her unique experiences navigating the music industry, her cultural identity, and her ambitious aspirations, including her dream of scoring films. Buzz Knight, as always, brings his signature style to the table, guiding the conversation to uncover the inside music stories that make Niia's journey so compelling. This episode is not just an interview; it's a heartfelt exploration of what it means to be an artist in today's world. Whether you're a fan of jazz, pop, or simply love musician interview podcasts, this episode of takin' a walk is sure to inspire and entertain. Tune in as we delve into the emotional and artistic layers of Niia's music, and discover how she navigates the complexities of her craft, all while staying true to herself. Don't miss out on this enriching episode filled with insights, passion, and the essence of creativity. Join us on takin' a walk with Buzz Knight, and immerse yourself in the stories that shape our musical landscape. Available now on iHeartPodcasts and wherever you get your podcasts! Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

What a show for the day after Thanksgiving! This week we roll out a two-hour celebration of bakery-inspired tunes—an irresistible mix of cakes, pies, donuts, cookies, and every sugary delight ever to find its way into a lyric. We'll be mixing up a blend from a century's worth of music, from early jazz confections and country-fried treats to soulful blues pastries, golden-era pop indulgences, and rock-and-roll slices served hot from the oven. It's all about how bakery imagery has sweetened American music's storytelling. Jazz bands swing like a spoon in batter; country artists offer homestyle wisdom baked into every verse; blues singers lean into the bittersweet with slow-cooked grooves; and rock outfits bring the heat with songs that crust, crackle, and pop. Whether it's a dusty 78 from the 1920s or a modern track with sprinkles of retro charm, the playlist draws straight from the musical pantry of the past hundred years. This week's highlights include performances from Dan Hicks, NRBQ, Curtis Salgado, Ella Fitzgerald, Fats Waller and a whole lot more. Tune into community radio for West Sonoma County. KOWS-LP 92.5 FM Occidental, streaming to planet Earth at kowsfm.com/listen. 

We would LOVE to hear what you think. Please drop a line. From Yonkers to the World: An Intimate Conversation with Northside FortyHosts: Infinite & BrickGuest: Northside Forty, a groundbreaking music artist hailing from Yonkers, NY (affectionately known as “Y O”)Overview:In this episode, Infinite and Brick sit down with Northside Forty, a rising star from Yonkers, NY, to explore the crossroads of grit, grace, and groove that shaped their sound. Yonkers—revered for its rich musical legacy—has birthed legends like The LOX, DMX, Mary J. Blige, Ella Fitzgerald, and even a claim to the throne of rock with Steven Tyler of Aerosmith. We dive into how the city's unique culture, neighborhoods, and history continue to influence Northside Forty's artistry, songwriting, and live performances.What listeners will hear:Personal origin stories from Yonkers and early musical influencesSegues from Yonkers' historic scenes to today's global stagesBehind-the-scenes anecdotes about recording, touring, and collaborationReflections on Yonkers' legacy and how it fuels the next wave of artistsA candid chat about creativity, resilience, and staying true to one's voiceWhy this episode matters:Yonkers has a storied musical tapestry that shaped some of the most influential voices in R&B, hip-hop, and beyond. This episode honors that lineage while spotlighting a contemporary artist who carries the Y O banner forward with fresh perspectives and fearless artistry.Release date: EARLY 2026Listen on: All Major PlatformsFollow the conversation:Infinite: @allaboutmepodcast7Brick: @GTVBLPGuest: @northsidefortyListener engagement: Share your favorite Yonkers-era memories or tell us which Yonkers icon inspired you most using Support the show

On this day in 1934, a 17-year-old Ella Fitzgerald took the stage at Amateur Night at the Apollo Theater — a last-minute switch from dancing to singing that captivated the crowd and launched her legendary career. The “First Lady of Song” went on to become one of the most celebrated voices in music history, leaving behind a legacy that continues to inspire.Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

In this playful bonus of The Spark, Katy Cowan welcomes back Zoë Thompson, founder of Sweet Thang and proud zine entrepreneur, for a quick-fire round of joy-filled questions. After sharing her creative journey in Monday's episode, Zoë returns to talk about creative jealousy and how she reframes it with her "love it for you, want it for me" list. She makes a strong case for anti-hustle creativity, too. Sometimes, doing nothing is where good ideas arrive. Zoë shares the small rituals that keep her grounded, including solo dance parties to a playlist that gets her out of her head and back into her body. She goes nostalgic with scents that pull her straight back to her childhood years in Brunei. Think bug spray, sunscreen, and memories of the rainforest. There are fairy folktales, a dream dinner with Ella Fitzgerald, and a defence of Helvetica that will make every designer nod. You also get TikTok envy handled with grace, a love letter to Pinterest, a new font purchase, and a gentle debate on spice levels. It is warm, funny, and honest. Listen if you need a creative lift, a reminder that balance beats hustle, and a nudge to make space for play.

Acclaimed international Jazz vocalist Lori Williams has a most impressive resume as a performing artist, veteran music educator, songwriter, producer, musical theater actress, radio host, business owner/founder (PositiveMusicPM.org), and artist-in-residence with over 30 years of experience. Her annual vocal jazz tour and performance at music festivals have taken her to Europe (Austria, Germany, Slovakia, Slovenia, Russia, Switzerland, Italy, Czech Republic, and Ukraine), Japan,  The Caribbean (including Barbados, British Virgin Islands, Curaçao, St. Lucia, Turks and Caicos, et. al), Mexico, and across the United States (performing at venues and festivals like The Atlanta Jazz Festivals, Berks Jazz Festival, The Birchmere, Birdland - Hamburg, Blues Alley, Blue Note Hawaii, Capital Jazz Fest/Cruise, City Winery, Disney's Pleasure Island, Gulf Coast Summer Jazz Festival, JazzFestBRNO, JazzHRAM, Jazzkeller - Esslingen, Jazzland - Vienna, The Kennedy Center, Keystone Korner, Mid-Atlantic Jazz Festival, Myrtle Beach Jazz Festival, Rams Head Live, Rehoboth Beach Jazz Festival, Riviera Maya Jazz Festival, Scullers Jazz, Spivey Hall, Trieste Loves Jazz, and more). Her vocal jazz artist residencies have allowed her to work with and mentor students on college campuses in the USA and abroad. As a veteran vocal music educator and private vocal coach, Lori's received many honors for her contributions to the arts, including The 2025 South Arts Jazz Road Award, The Atlanta Chapter of the National Hampton Alumni Association's 2023 Excellence in Arts and Entertainment Award, Outstanding Music Teacher in the October 2000 issue of Teaching Music, the 2007 Superintendent's Arts Teacher of the Year, and the 2010 Vincent E. Reed Teacher of the Year. Lori was nominated for a 2014 Helen Hayes Award as an Outstanding Lead Actress in a Resident Musical for her role as Ella Fitzgerald. Lori has received letters of recognition for her performances by President Joseph Biden (wherein he wrote that Lori Williams has "the voice of an angel…absolutely amazing"), Speaker of the House John Boehner, and Senator C. Anthony Muse.  Immersed in traditional jazz from an early age (earning a B.A. in Mass Media Arts from Hampton University, attending the Jazz Studies Program at The University of the District of Columbia, and currently working on her Master's degree in Music - Jazz Studies at Georgia State University), Lori Williams hosts a weekly radio program on JazzRadioWETF.org -  "Collector's Choice With Lori Williams". Her weekly broadcast highlights women in jazz, the international scene and young performers dedicated to the roots and traditions of the music. Lori is also the producer and host of Sunday Jazz Lounge at St. James Live! jazz club in Atlanta, Georgia (stjamesliveatl.com). For over three decades, Lori Williams has had the honor of working with many notable artists as lead / background / studio session / guest vocalist including Oleta Adams, Marcus Adams, Yolanda Adams, Nikita Agafonov, David Archuleta, Marcos Ariel, Rob Bargad, Regina Belle, Eric Benet, The Blackbyrds, Michael Bowie, Willie Bradley, Karen Briggs, Norman Brown, Tom Browne, Peabo Bryson, Chuck Brown, Wayne Bruce, Jerry Butler, Jonathan Butler, Paul Carr, Terri Lyne Carrington, TC Carson, Gene Chandler, Renato Chicco, Stanley Clarke, Nick Colionne, Collaboration, Michael Colyar, Adrian Crutchfield, John Davis, John Di Martino, Will Downing, Joris Dudli, George Duke, Nathan East, Rodney M. Edge, Troy Sol Edler, Kevon Edmonds (After 7), Herb Fame, Jorel "JFLY" Flynn (HBIYD), Derrick Gardner, James Genus, Jazmin Ghent,  Tres Gilbert, Savion Glover, Chelsey Green, Slide Hampton, Winard Harper, Christian Havel, Walter Hawkins, Norbert Heger, Howard Hewett, Dr. W. Weldon Hill, Tony Hightower, Corcoran Holt, William Hubbard, Daryl Hunt, Yoron Israel, Jessy J, Al Johnson and The A-Team, Allyn Johnson (Divine Order), Marcus Johnson, Stanley Jordan, Jackiem Joyner, Michael Keul, Kindred the Family Soul, Ben E. King, James King, Anatoliy Kirnichnyy, Antoine Knight, Yishai Knoll, Saltman Knowles Group, Ignat Kravtsov, Rayshun LaMarr, Lavahi, Evgeny Lebedev, Alex Malheiros (Azymuth), Jimmy Masters, Maysa, Daniel McClain (After 7), Frank McComb, Marion Meadows, Najee, Jimmy Masters, Nathan Mitchell, Ed Neumeister, Marat Nikolaev, Milan Nikolic, Julia Nixon, Daniel Nösig, Antonio Parker, Phil Perry, Robert E. Person, Anne Phillips, Benjie Porecki, Lloyd Price, Chuck Redd, Robert Redd, Althea Rene, Anton Revnyuk, Lenny Robinson, Gino Rosaria, Ellie Saitoh and The Love Tambourines, Erwin Schmidt, Sylver Logan Sharp, Avery Sharpe, Art Sherrod, Oli Silk, Brian Simpson, Dick Smith, John Toomey, Tony Terry, Unit 3 Deep, Gerald Veasley, Chris Walker, Kevin Walker, Kim Waters, Doug Weiss, Anthony Wellington, Matthew Whitaker, Roz White, Bernhard Wiesinger (Poysdorf All-Stars), Vesta Williams, Larry M. Wilson,  Angela Winbush, Sherry Winston, David Ylvisaker, Frederic Yonnet, et.al.  Lori Williams is the proud mother of two exceptionally talented and compassionate remarkable young adults — Lauren V. Highsmith (LAVAHI.me) and Yusef Khalil Chisholm - who inspire her daily with their creativity, passion, and accomplishments. She is also a member of Delta Sigma Theta Sorority, Inc., Sigma Alpha Iota International Music Fraternity, and the Recording Academy.

My Music with Graham Coath — Featuring Mary McAvoyIn this soulful and wide-ranging episode of My Music, host Graham Coath heads across the Atlantic to chat with Mary McAvoy, a singer-songwriter from Providence, Rhode Island, whose voice blends classic soul, blues, and pop into something timelessly human.Together they explore how community, creativity, and the sea itself inspire her work — from her early love of Whitney Houston and Celine Dion to her blues-infused originals that channel both comfort and catharsis. Mary talks openly about growing up in a musical household, the reality of life after appearing on The Voice USA, and what success really means when fame isn't the goal.There's humour, heart, and even a guest appearance from Mary's dachshund-beagle mix (who clearly approves of good music). The conversation dives into everything from Ella Fitzgerald to quantum physics, from the soul of live performance to why women in music are rewriting the rules of age and success.

On this week's show, Steve, Dana, and Julia pull up proverbially barstools at Sardi's to discuss Richard Linklater's latest film Blue Moon, which is about one night in the life of Broadway lyricist Lorenz Hart. As played by a transformed Ethan Hawke, Hart is witty, needy, and totally captivating. Next, they travel Down Cemetery Road by way of a conversation about the new conspiracy series starring Emma Thompson and Ruth Wilson based on a novel by Mick Heron of Slow Horses fame. Finally, they turn to a piece of real estate that may forever live in infamy as “The Pussy Palace” thanks to Lily Allen's brutally honest and stunningly well-crafted album West End Girl. On an exclusive bonus episode for Slate Plus subscribers, the hosts take up the issue of biographical pictures—aka biopics— and Slate's recent package Portrait Mode about the ubiquitous film genre.    Endorsements: Dana: Lily Allen's song “The Fear”— to listen to and perform at karaoke. Julia: A boule of chocolate sourdough bread from the bakery of Milo & Olive in Los Angeles.  Steve:  Roberto Bolaño's novella By Night in Chile and Ella Fitzgerald singing “Bewitched, Bothered, and Bewildered” on the album Ella Fitzgerald Sings the Rodgers & Hart Song Book.   Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Steve, Dana, and Julia pull up proverbially barstools at Sardi's to discuss Richard Linklater's latest film Blue Moon, which is about one night in the life of Broadway lyricist Lorenz Hart. As played by a transformed Ethan Hawke, Hart is witty, needy, and totally captivating. Next, they travel Down Cemetery Road by way of a conversation about the new conspiracy series starring Emma Thompson and Ruth Wilson based on a novel by Mick Heron of Slow Horses fame. Finally, they turn to a piece of real estate that may forever live in infamy as “The Pussy Palace” thanks to Lily Allen's brutally honest and stunningly well-crafted album West End Girl. On an exclusive bonus episode for Slate Plus subscribers, the hosts take up the issue of biographical pictures—aka biopics— and Slate's recent package Portrait Mode about the ubiquitous film genre.    Endorsements: Dana: Lily Allen's song “The Fear”— to listen to and perform at karaoke. Julia: A boule of chocolate sourdough bread from the bakery of Milo & Olive in Los Angeles.  Steve:  Roberto Bolaño's novella By Night in Chile and Ella Fitzgerald singing “Bewitched, Bothered, and Bewildered” on the album Ella Fitzgerald Sings the Rodgers & Hart Song Book.   Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Canadian vocalist-composer Caity Gyorgy joins Steve for a conversation about craft, collaboration, and why swing still feels newly minted when the writing is sharp and the band listens hard. Known for quicksilver phrasing and original tunes that travel between club intimacy and orchestral sheen, Gyorgy traces the path from early influences to her new string-driven project and previews her San Francisco debut at the Joe Henderson Lab.What you'll hear• How Caity discovered jazz and shaped her sound through singers like Ella Fitzgerald, Abbey Lincoln, Blossom Dearie, Betty Carter, and June Christy.• Inside Caity Gyorgy with Strings: writing with pianist-arranger Mark Limacher, assembling an all-Canadian orchestra, and channeling arranging touchstones (Don Costa, Nelson Riddle, Gordon Jenkins, Henry Mancini).• Song stories: “That Doesn't Matter” (a cheeky portrait of friendship and creative trust) and “You'll Learn” (a cinematic, voice-memo-to-lyric journey).• What Bay Area audiences can expect at the Joe Henderson Lab: standards from Loesser, Styne, Porter, and Kern alongside Gyorgy's originals, charted with wit and swing.Band for the Joe Henderson LabCaity Gyorgy — vocalsMark Limacher — pianoThomas Heinbach — bassAroma Jr. — drumsAbout the guestA three-time JUNO winner (pronounced “George”), Caity Gyorgy writes and sings with a composer's clarity and a bebop musician's reflexes. Recent releases include the orchestral album Caity Gyorgy with Strings and duo projects with Mark Limacher that showcase her ear for melody and narrative.CreditsHost & production: Steve Roby / Backstage Bay AreaEditing & mix: Backstage Bay AreaMusic excerpts: courtesy of the artist---Show Info & LinksEvent: Caity Gyorgy — Joe Henderson Lab (SFJAZZ Center), San FranciscoDates: Nov 7–9, 2025Set times: Two sets Friday (7:00 PM & 8:30 PM); additional performances across the weekend—see event page for current times and availability.Tickets & info: SFJAZZ event pageArtist website: CaityGyorgy.com

Two decades after his breakout album It's Time, five-time Grammy Award winner Michael Bublé sits down with Willie Geist at New York's Blue Note Jazz Club to reflect on his journey from Canadian fishing boats to global fame. Bublé opens up about the grandfather who introduced him to Frank Sinatra, Louis Armstrong and Ella Fitzgerald, the early gigs that shaped his craft, and the moment that changed everything in his career. He also talks about his love for Christmas music, the perspective he gained after his son's illness, and his return as a coach on NBC's The Voice, where he's chasing his third straight win. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get ready for an inspiring journey through untold stories of brilliance and creativity! In this episode, we dive deep into two incredible narratives that shine a light on overlooked pioneers who have transformed our understanding of science and music. First up, we meet Katie Hafner, the powerhouse behind the Lost Women of Science podcast and Middle Grade Novel. She's on a mission to uncover the remarkable stories of women scientists who have been systematically erased from history. Imagine brilliant minds whose groundbreaking work was stolen, ignored, or simply forgotten. From Dora Richardson, who synthesized the life-saving breast cancer drug tamoxifen, to Katie's own grandmother who researched premature infant blindness, these women are finally getting the recognition they deserve. Then, we switch gears to D A Royster's heartwarming tale of "Happy Music," a vibrant celebration of New Orleans jazz history. Through the eyes of a young girl, we explore the legendary Club Desire - a groundbreaking venue started by Dana's grandfather in the 1940s. This was no ordinary music club - it was a cultural landmark where legends like Fats Domino and Ella Fitzgerald got their start, breaking racial barriers one musical note at a time. Both stories share a powerful message: creativity, innovation, and passion know no boundaries. Whether you're a science enthusiast, music lover, or just someone who appreciates incredible human stories, this episode will inspire you to look beyond the surface and celebrate the unsung heroes who have shaped our world. Want to learn more? Check out "Lost Women of Science" and "Happy Music" - two books that prove extraordinary stories are waiting to be discovered. Don't miss this chance to be inspired, educated, and moved by the incredible journeys of remarkable women who refused to be forgotten. Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!  

Grandes cantantes estadounidenses con clásicos brasileños: Shirley Horn ('Love dance', 'The island'/'Começar de novo'), Sarah Vaughan ('Bonita', 'Copacabana', 'Dreamer'/'Vivo sonhando'), Carmen McRae ('Dindi', 'Like a lover'/'O cantador'), Ella Fitzgerald ('Fotograph'/'Fotografia', 'Wave', 'Triste') y Helen Merrill ('So many stars', 'Vera Cruz'). Escuchar audio

This episode of The Other Side of the Bell, featuring trumpet performer, composer and sound designer Tim Larkin, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Tim Larkin trumpet interview"   About Tim Larkin: Tim Larkin is a composer, trumpet player, and sound designer whose work spans decades across the gaming, jazz, and film industries. His credits include Portal, Dota 2, Team Fortress 2, and HBO's The Rat Pack, with past live performances alongside legends like Ella Fitzgerald, Sheila E., and Huey Lewis. Tim won an Academy Award creating sound design for Best Animated Short at the 75th Academy Awards for his work on The ChubbChubbs! Setting Standards is his long-awaited debut jazz album, and was released on August 1, 2025 on all major platforms. The album is a curated collection of reimagined classics and one original composition that captures the emotional breadth, musical depth, and cinematic storytelling that have defined Larkin's career across jazz, film, and video games. Setting Standards includes interpretations of songs by Bobby Caldwell, David Foster, Jimmy Webb, and more anchored by his own original composition, “Gumshoes.” “This album isn't about chasing trends,” says Larkin. “It's about honoring the songs that stuck with me and reimagining them in a way that feels honest keeping the soul intact but letting them breathe in a new space.” Setting Standards blends cinematic jazz, soulful arrangements, and live instrumentation into a cohesive listening experience that's both nostalgic and forward thinking. With contributions from longtime collaborators including John Paris (Earth, Wind & Fire) and renowned arrangers Maurizio Metalli, Lennie Moore and Joris Hoogsteder, the album is a modern take on the classic jazz experience.   Episode Links: Tim Larkin profile on IMDB Setting Standards streaming links Video of Tim conducting the orchestra at the Dota 2 International Championships in 2023, at Climate Pledge Arena in Seattle The Dota 2 2025 International Grand Championships Opening Ceremony   Upcoming Events: Virtuosity Musical Instruments Boston, October 17 & 18 Greg Black Mouthpieces, November 7 & 8 North Carolina Music Educators Association Conference, November 9 & 10   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Tim Larkin Audio Engineer - Ted Cragg  

On tonight's show: Ella Fitzgerald, Summertime Benny Goodman, Stompin' At The Savoy Count Basie and His Orchestra, Oh, Lady Be Good Earl Hines, Lightly and Politely Joe Sullivan, I Can't Give You Anything But Love Tal Farlow, Cherokee Claude Williamson Trio, Round Midnight Earl Bostic, East of the Sun Paul Desmond, Body and Soul Toots Thielemans, Flirt Hank Mobley, Soft Impressions McCoy Tyner, Days of Wine and Roses Al Jarreau, So Long Girl Lew Tabackin, Yesterdays Houston Person, Put It Right There

On tonight's show: Ella Fitzgerald, Summertime Benny Goodman, Stompin' At The Savoy Count Basie and His Orchestra, Oh, Lady Be Good Earl Hines, Lightly and Politely Joe Sullivan, I Can't Give You Anything But Love Tal Farlow, Cherokee Claude Williamson Trio, Round Midnight Earl Bostic, East of the Sun Paul Desmond, Body and Soul Toots Thielemans, Flirt Hank Mobley, Soft Impressions McCoy Tyner, Days of Wine and Roses Al Jarreau, So Long Girl Lew Tabackin, Yesterdays Houston Person, Put It Right There

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet's artistry is “timeless.” Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. On September 12, she released her album Simply 'S Wonderful-The Magic of Gershwin.