Podcasts about Freebase

'I_NY' (The Studio Album) Track 07- eye(s). Uptown A, ft. c o l o r s prod. By Blū Tha Gürū “Tears of a Clown” eye(s) official music video I_NY. (The Studio Album) By Uptown A A Short Film Concept Written and Directed by C'cxell Soleïl [Prod. By Blū Tha Gürū] CONEY ISLAND, circa 1903 A carnival entertainer is swept through time and into an unknown world—as the clown/mime struggles to find something familiar in the new world, the clown soon realizes they may be trapped forever and unable to return to the past. FORWARD TO; CONEY ISLAND— PRESENT DAY Afraid and bewildered, the clown makes his way through the city in an inescapable escapade. SHOOTING DATE: TBD LOCATION: CONEY ISLAND, NY- LUNA PARK AND SURROUNDING AREAS Video will be shot on iPhone to give authenticity to the handheld POV-style of the overall project (I_NY: A Short Folm Concept) Character Analysis: The clown seems out of place to begin with, even in 1903; we do not know where the clown belongs—or even with clarity if the character is even meant to be a clown or a mime; the ill-fitting and off-kilter period dress raises questions to whether this clown has time traveled before—and yet—the general bewilderment and chaotic confusion of the clown is telling to that of the treasurer that he has been uprooted out of place, and transported into an unfamiliar world, unable to communicate with people in the modern era, and deeply upset by his own lack of understanding; the clown may even be mute, unable to speak—limiting his ability further— though appearing to be in some ways, anyhow, a magical l creature, the clown eventually succumbs to the fact that he may become a permanent artifact of the new age—unwilling and unable to continue to search for another portal back from whence he came, he becomes complacent and settles in the new world, nearly seeming to be, in the end Not so entirely out of place after all—another lost soul amongst the masses of modern day New York City; the clown makes himself at home. Fuck man, I need to write a 1990's happy ending movie Well, first of all, it's all in the music. The maid is working overtime, A bloodymary; doctor's order Hollywood's oldest secrets, kept safe Hollywood's oldest martyr; Don't bother. Father comes home early; Don't bother calling, Sorry Father knows best; You know what– Father knows best, You know Hollywood's oldest soul (you sold it) Hollywood's oldest post-mortem award and Hollywood's oldest post-modern art installation. You're on air. Statues and old movies, Like words Colors that move like my Someone other; Simply a color, or bouquet of Card tricks. Beg your pardon. Shut up. Excuse me?! Do you do card tricks?! …what are you asking? Did I stutter? Blue, and pink balloons Cerulean and a meridian of fuchsia Just the undertones of code, If what you wanted was to Discover your own world, Well, welcome, Welcome, Welcome home. Milky rain and thunderstorms, Dramatic music Cue the montage All my heart is hurting Just to not belong on television Tell me, what's it like in a body Or to be wanted I would not know that Tell what is was to be young And beautiful; I will never know now I would never know that. Little white witches and Occultic gestures, pegan rituals and All the knowing even if he did want you The competition is fierce And by that I refer to Black magic; non hermetic, of course But still powerful and often as deadly Despite the consequences Rockstars and show hosts, Musicians and of course –whoever else might rescue you Top of the line, Back of the queue Top of the pile Back of the Harvard I'm police brutality I'm police brutality Police brutality Police brutality Police britality Police brutality Police brutality Police brutality Police brutality Police brutality You wish your heart was A remote control, God A harvard asshole A pinecone, aarvvark Creamy white and plum sugar All your futures, wives and mistresses Lovers and masters, and mistresses, lovers creamy afterwards, Envy, aardvark Envy Jaguar, Envy, hearthrob I only saw your show once, And never breathed outward after Jealousy, awkward Potruding, After, Again, You aardvark Ahgain, You aardvark I'll kill myself on the mark Organized, the blocking I almost admire Beautiful creatures And beautiful creatures And how it burns when it seeps in that i'll never be one It's good to meat you, then leave in a half hour I missed my hard mark I went to birthmark I missed my entrance I miss you, aardvark I miss you aardvark Beat the blonde Freebase the boundless Infinite boundary infinite boundless Classic hollywood breakfast Hard bourbon, Los Angeles Laced tumbler, Long monologue, A second thought And now, Polygamy. Ah, that painting–I love that painting. It hags in my favorite coffee shop in LA; What's that place called, anyway? Don't call it. Why not. Don't call it. Keep your favorite places sacred. Ah, come on, i flunked fame school. Everyone flunks fame school. What? It's the only way. That doesn't make any sense. I promise not to think of you so adoringly or watch you at all, as long as you also promise Never to show up on any monitor Here or ever after, at random Forever after, Not happily, but at least One without the other …the whole movie was ridiculous, but it was the paint can rolling back and forth that really did it for me. “COME TO MAMA MY LITTLE DIDGITS: LET ME LAY MY 20/20'S ON YA. “ FUCK THIS MOVIE. YOU CAN TELL IT”S THE BLACK VERSION OF THE WIZARD OF OZ, CAUSE THIS SHIT IS FUCKKKED UP. ALL THE WAY FUCKED UP: AND THE ORIGINAL IS FUCKED UP. I'm like, “WHERE”S MICHAEL JACKSON? “I'M READY TO GETTING THE FUCK OUT OF HERE.'“FUCK THIS.” ohh , she's from new york No wonder her concussion dream is fucked up. This is aaaallll fucked up. Not everything needs to be black. They should have kept this white. Give me judy garland And them racist ass midgets Aaaannnyyyy day Over this shit. No. no ‘the wiz' “Where's michael jackson?” I don't like this. “Where he at?” “I gotta pay my respects, and I gotta go.” I gotta GO. BYE. i had to keep watching it. You know why? Cause it kept getting WORSE. I kept watching it, I'm like “How much worse could it be?” WORSE. They added a snorting lion, A womanizer tin man, and a homeless. YES. You got that right. They added an actual homeless To the black ass ghetto ass New york ass version of The wizard of Oz And actually thought Michael Jackson dressed as a scarecrow Was gonna soften this out. It DIDN'T. It just got worse; So i was like “Fuck this. I hate this.” But i just kept watching it, Because i'm like: It can't be WORSE, can it? It CAN They added a homeless But that's not the scary part about this guy So they're in the New York Subway, And they add a homeless, I'm like “that's …accurate” So this homeless like follows them underground and like, traps them And that's scary right? No. This is the scary part: He's not just a regular fuckin underground subway dude He's a fuckin vetriloquist puppeteer homeless. WHAT. You heard that right. THE WORST. So this guy like traps them all underground in the subway station, And they try to escape, And they run up the stairs, And they escape, to like The subway station And I'm like “ what station is this?” “Seems like uptown.” “It's got the gate, that closes– Yeah, that's uptown. That's uptown. But then I was instantly reminded that i was watching a movie, Because they escaped upstairs, And the trash can started moving, The trash cans came alive, and started chasing them– And I'm thinking, “That's how you know this is a movie: that's two trashcans In an uptown subway station. That's unheard of. Not one trash can: But two?! Nah, This a movie. Not to mention the fact that they're alive and chasing these motherfuckers around I'm like “No. that's inaccurate” There are no trashcans in uptown. None at all. Then I'm thinking, Well, this movie is kind of dated: Maybe that's what happened to them! There used to be trash cans, But one too many half-eaten McDonalds cheeseburgers– They went nuclear. They just got up– walked away. Started chasing people. Too much coca cola. Them suckers grew eyes and legs and was like “Ah hell naw” “WE IN UPTOWN?” “we in uptown new york city?!” “AH HELL NAH” We in uptown! Lets get the fuck outta here! They wasn't even chasing them people in the movie They're just like “WHERE'S THE EXIT” “FUCK THIS PLACE” “THIS BETTER NOT BE DA BRONX.” “FUck outta here.” FUck this movie. And the whole time, Dorothy just look terrified. Terrified with a bad afro. Just look terrified; NO range of emotion whatsoever–just 0.0 But with the worst afro i've ever regretted. No. This movie is all wrong. Ain't no lollipop guild in this motherfucker! You know Richard Pryor was high as hell when he thought this one up. I'm assuming it was his idea. Who else would proclaim themselves, As the Wizard of Black Oz?! Of course. The african sweatsshop choreography was phenomenal, however. Yes, i just said that. This joke was pretty much pre-determined; I didn't even have to write it. I was just dictating. Yo. “What the FUCK.' Actually, that last part is inaccurate. I had to look it up I had to fact check myself. I did some digging; And come to find out– a white man wrote it. What in the actual fuck. I'm almost like “No wonder though.” That was fucked up. Come to find out, Dude who wrote is name is “Joel” White dude from new york. He went to Parsons! He went to Parson's school of Design And then wrote “the wiz” Goddamn! What goes on at Parson's? I know it's Downtown, But gotDAMN. I'm just saying. I did not like that movie. Powerhouse cast. Revolutionary for its time; But absolutely the fucking worst. Fuck The Wiz. Gimmie the old version. Gimmie the KKK and the actual midgets, I don't give a fuck. KKK MGM Same difference, yes? The Wiz was like LSD vs PCP; I'm like “nahp.' Fuck that. Get me the fuk up out of here. Had to look it up, And then i realized: No wonder why I don't like it: [beat] It was shot in QUEENS. FUCK QUEENS. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

'I_NY' (The Studio Album) Track 07- eye(s). Uptown A, ft. c o l o r s prod. By Blū Tha Gürū “Tears of a Clown” eye(s) official music video I_NY. (The Studio Album) By Uptown A A Short Film Concept Written and Directed by C'cxell Soleïl [Prod. By Blū Tha Gürū] CONEY ISLAND, circa 1903 A carnival entertainer is swept through time and into an unknown world—as the clown/mime struggles to find something familiar in the new world, the clown soon realizes they may be trapped forever and unable to return to the past. FORWARD TO; CONEY ISLAND— PRESENT DAY Afraid and bewildered, the clown makes his way through the city in an inescapable escapade. SHOOTING DATE: TBD LOCATION: CONEY ISLAND, NY- LUNA PARK AND SURROUNDING AREAS Video will be shot on iPhone to give authenticity to the handheld POV-style of the overall project (I_NY: A Short Folm Concept) Character Analysis: The clown seems out of place to begin with, even in 1903; we do not know where the clown belongs—or even with clarity if the character is even meant to be a clown or a mime; the ill-fitting and off-kilter period dress raises questions to whether this clown has time traveled before—and yet—the general bewilderment and chaotic confusion of the clown is telling to that of the treasurer that he has been uprooted out of place, and transported into an unfamiliar world, unable to communicate with people in the modern era, and deeply upset by his own lack of understanding; the clown may even be mute, unable to speak—limiting his ability further— though appearing to be in some ways, anyhow, a magical l creature, the clown eventually succumbs to the fact that he may become a permanent artifact of the new age—unwilling and unable to continue to search for another portal back from whence he came, he becomes complacent and settles in the new world, nearly seeming to be, in the end Not so entirely out of place after all—another lost soul amongst the masses of modern day New York City; the clown makes himself at home. Fuck man, I need to write a 1990's happy ending movie Well, first of all, it's all in the music. The maid is working overtime, A bloodymary; doctor's order Hollywood's oldest secrets, kept safe Hollywood's oldest martyr; Don't bother. Father comes home early; Don't bother calling, Sorry Father knows best; You know what– Father knows best, You know Hollywood's oldest soul (you sold it) Hollywood's oldest post-mortem award and Hollywood's oldest post-modern art installation. You're on air. Statues and old movies, Like words Colors that move like my Someone other; Simply a color, or bouquet of Card tricks. Beg your pardon. Shut up. Excuse me?! Do you do card tricks?! …what are you asking? Did I stutter? Blue, and pink balloons Cerulean and a meridian of fuchsia Just the undertones of code, If what you wanted was to Discover your own world, Well, welcome, Welcome, Welcome home. Milky rain and thunderstorms, Dramatic music Cue the montage All my heart is hurting Just to not belong on television Tell me, what's it like in a body Or to be wanted I would not know that Tell what is was to be young And beautiful; I will never know now I would never know that. Little white witches and Occultic gestures, pegan rituals and All the knowing even if he did want you The competition is fierce And by that I refer to Black magic; non hermetic, of course But still powerful and often as deadly Despite the consequences Rockstars and show hosts, Musicians and of course –whoever else might rescue you Top of the line, Back of the queue Top of the pile Back of the Harvard I'm police brutality I'm police brutality Police brutality Police brutality Police britality Police brutality Police brutality Police brutality Police brutality Police brutality You wish your heart was A remote control, God A harvard asshole A pinecone, aarvvark Creamy white and plum sugar All your futures, wives and mistresses Lovers and masters, and mistresses, lovers creamy afterwards, Envy, aardvark Envy Jaguar, Envy, hearthrob I only saw your show once, And never breathed outward after Jealousy, awkward Potruding, After, Again, You aardvark Ahgain, You aardvark I'll kill myself on the mark Organized, the blocking I almost admire Beautiful creatures And beautiful creatures And how it burns when it seeps in that i'll never be one It's good to meat you, then leave in a half hour I missed my hard mark I went to birthmark I missed my entrance I miss you, aardvark I miss you aardvark Beat the blonde Freebase the boundless Infinite boundary infinite boundless Classic hollywood breakfast Hard bourbon, Los Angeles Laced tumbler, Long monologue, A second thought And now, Polygamy. Ah, that painting–I love that painting. It hags in my favorite coffee shop in LA; What's that place called, anyway? Don't call it. Why not. Don't call it. Keep your favorite places sacred. Ah, come on, i flunked fame school. Everyone flunks fame school. What? It's the only way. That doesn't make any sense. I promise not to think of you so adoringly or watch you at all, as long as you also promise Never to show up on any monitor Here or ever after, at random Forever after, Not happily, but at least One without the other …the whole movie was ridiculous, but it was the paint can rolling back and forth that really did it for me. “COME TO MAMA MY LITTLE DIDGITS: LET ME LAY MY 20/20'S ON YA. “ FUCK THIS MOVIE. YOU CAN TELL IT”S THE BLACK VERSION OF THE WIZARD OF OZ, CAUSE THIS SHIT IS FUCKKKED UP. ALL THE WAY FUCKED UP: AND THE ORIGINAL IS FUCKED UP. I'm like, “WHERE”S MICHAEL JACKSON? “I'M READY TO GETTING THE FUCK OUT OF HERE.'“FUCK THIS.” ohh , she's from new york No wonder her concussion dream is fucked up. This is aaaallll fucked up. Not everything needs to be black. They should have kept this white. Give me judy garland And them racist ass midgets Aaaannnyyyy day Over this shit. No. no ‘the wiz' “Where's michael jackson?” I don't like this. “Where he at?” “I gotta pay my respects, and I gotta go.” I gotta GO. BYE. i had to keep watching it. You know why? Cause it kept getting WORSE. I kept watching it, I'm like “How much worse could it be?” WORSE. They added a snorting lion, A womanizer tin man, and a homeless. YES. You got that right. They added an actual homeless To the black ass ghetto ass New york ass version of The wizard of Oz And actually thought Michael Jackson dressed as a scarecrow Was gonna soften this out. It DIDN'T. It just got worse; So i was like “Fuck this. I hate this.” But i just kept watching it, Because i'm like: It can't be WORSE, can it? It CAN They added a homeless But that's not the scary part about this guy So they're in the New York Subway, And they add a homeless, I'm like “that's …accurate” So this homeless like follows them underground and like, traps them And that's scary right? No. This is the scary part: He's not just a regular fuckin underground subway dude He's a fuckin vetriloquist puppeteer homeless. WHAT. You heard that right. THE WORST. So this guy like traps them all underground in the subway station, And they try to escape, And they run up the stairs, And they escape, to like The subway station And I'm like “ what station is this?” “Seems like uptown.” “It's got the gate, that closes– Yeah, that's uptown. That's uptown. But then I was instantly reminded that i was watching a movie, Because they escaped upstairs, And the trash can started moving, The trash cans came alive, and started chasing them– And I'm thinking, “That's how you know this is a movie: that's two trashcans In an uptown subway station. That's unheard of. Not one trash can: But two?! Nah, This a movie. Not to mention the fact that they're alive and chasing these motherfuckers around I'm like “No. that's inaccurate” There are no trashcans in uptown. None at all. Then I'm thinking, Well, this movie is kind of dated: Maybe that's what happened to them! There used to be trash cans, But one too many half-eaten McDonalds cheeseburgers– They went nuclear. They just got up– walked away. Started chasing people. Too much coca cola. Them suckers grew eyes and legs and was like “Ah hell naw” “WE IN UPTOWN?” “we in uptown new york city?!” “AH HELL NAH” We in uptown! Lets get the fuck outta here! They wasn't even chasing them people in the movie They're just like “WHERE'S THE EXIT” “FUCK THIS PLACE” “THIS BETTER NOT BE DA BRONX.” “FUck outta here.” FUck this movie. And the whole time, Dorothy just look terrified. Terrified with a bad afro. Just look terrified; NO range of emotion whatsoever–just 0.0 But with the worst afro i've ever regretted. No. This movie is all wrong. Ain't no lollipop guild in this motherfucker! You know Richard Pryor was high as hell when he thought this one up. I'm assuming it was his idea. Who else would proclaim themselves, As the Wizard of Black Oz?! Of course. The african sweatsshop choreography was phenomenal, however. Yes, i just said that. This joke was pretty much pre-determined; I didn't even have to write it. I was just dictating. Yo. “What the FUCK.' Actually, that last part is inaccurate. I had to look it up I had to fact check myself. I did some digging; And come to find out– a white man wrote it. What in the actual fuck. I'm almost like “No wonder though.” That was fucked up. Come to find out, Dude who wrote is name is “Joel” White dude from new york. He went to Parsons! He went to Parson's school of Design And then wrote “the wiz” Goddamn! What goes on at Parson's? I know it's Downtown, But gotDAMN. I'm just saying. I did not like that movie. Powerhouse cast. Revolutionary for its time; But absolutely the fucking worst. Fuck The Wiz. Gimmie the old version. Gimmie the KKK and the actual midgets, I don't give a fuck. KKK MGM Same difference, yes? The Wiz was like LSD vs PCP; I'm like “nahp.' Fuck that. Get me the fuk up out of here. Had to look it up, And then i realized: No wonder why I don't like it: [beat] It was shot in QUEENS. FUCK QUEENS. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

'I_NY' (The Studio Album) Track 07- eye(s). Uptown A, ft. c o l o r s prod. By Blū Tha Gürū “Tears of a Clown” eye(s) official music video I_NY. (The Studio Album) By Uptown A A Short Film Concept Written and Directed by C'cxell Soleïl [Prod. By Blū Tha Gürū] CONEY ISLAND, circa 1903 A carnival entertainer is swept through time and into an unknown world—as the clown/mime struggles to find something familiar in the new world, the clown soon realizes they may be trapped forever and unable to return to the past. FORWARD TO; CONEY ISLAND— PRESENT DAY Afraid and bewildered, the clown makes his way through the city in an inescapable escapade. SHOOTING DATE: TBD LOCATION: CONEY ISLAND, NY- LUNA PARK AND SURROUNDING AREAS Video will be shot on iPhone to give authenticity to the handheld POV-style of the overall project (I_NY: A Short Folm Concept) Character Analysis: The clown seems out of place to begin with, even in 1903; we do not know where the clown belongs—or even with clarity if the character is even meant to be a clown or a mime; the ill-fitting and off-kilter period dress raises questions to whether this clown has time traveled before—and yet—the general bewilderment and chaotic confusion of the clown is telling to that of the treasurer that he has been uprooted out of place, and transported into an unfamiliar world, unable to communicate with people in the modern era, and deeply upset by his own lack of understanding; the clown may even be mute, unable to speak—limiting his ability further— though appearing to be in some ways, anyhow, a magical l creature, the clown eventually succumbs to the fact that he may become a permanent artifact of the new age—unwilling and unable to continue to search for another portal back from whence he came, he becomes complacent and settles in the new world, nearly seeming to be, in the end Not so entirely out of place after all—another lost soul amongst the masses of modern day New York City; the clown makes himself at home. Fuck man, I need to write a 1990's happy ending movie Well, first of all, it's all in the music. The maid is working overtime, A bloodymary; doctor's order Hollywood's oldest secrets, kept safe Hollywood's oldest martyr; Don't bother. Father comes home early; Don't bother calling, Sorry Father knows best; You know what– Father knows best, You know Hollywood's oldest soul (you sold it) Hollywood's oldest post-mortem award and Hollywood's oldest post-modern art installation. You're on air. Statues and old movies, Like words Colors that move like my Someone other; Simply a color, or bouquet of Card tricks. Beg your pardon. Shut up. Excuse me?! Do you do card tricks?! …what are you asking? Did I stutter? Blue, and pink balloons Cerulean and a meridian of fuchsia Just the undertones of code, If what you wanted was to Discover your own world, Well, welcome, Welcome, Welcome home. Milky rain and thunderstorms, Dramatic music Cue the montage All my heart is hurting Just to not belong on television Tell me, what's it like in a body Or to be wanted I would not know that Tell what is was to be young And beautiful; I will never know now I would never know that. Little white witches and Occultic gestures, pegan rituals and All the knowing even if he did want you The competition is fierce And by that I refer to Black magic; non hermetic, of course But still powerful and often as deadly Despite the consequences Rockstars and show hosts, Musicians and of course –whoever else might rescue you Top of the line, Back of the queue Top of the pile Back of the Harvard I'm police brutality I'm police brutality Police brutality Police brutality Police britality Police brutality Police brutality Police brutality Police brutality Police brutality You wish your heart was A remote control, God A harvard asshole A pinecone, aarvvark Creamy white and plum sugar All your futures, wives and mistresses Lovers and masters, and mistresses, lovers creamy afterwards, Envy, aardvark Envy Jaguar, Envy, hearthrob I only saw your show once, And never breathed outward after Jealousy, awkward Potruding, After, Again, You aardvark Ahgain, You aardvark I'll kill myself on the mark Organized, the blocking I almost admire Beautiful creatures And beautiful creatures And how it burns when it seeps in that i'll never be one It's good to meat you, then leave in a half hour I missed my hard mark I went to birthmark I missed my entrance I miss you, aardvark I miss you aardvark Beat the blonde Freebase the boundless Infinite boundary infinite boundless Classic hollywood breakfast Hard bourbon, Los Angeles Laced tumbler, Long monologue, A second thought And now, Polygamy. Ah, that painting–I love that painting. It hags in my favorite coffee shop in LA; What's that place called, anyway? Don't call it. Why not. Don't call it. Keep your favorite places sacred. Ah, come on, i flunked fame school. Everyone flunks fame school. What? It's the only way. That doesn't make any sense. I promise not to think of you so adoringly or watch you at all, as long as you also promise Never to show up on any monitor Here or ever after, at random Forever after, Not happily, but at least One without the other …the whole movie was ridiculous, but it was the paint can rolling back and forth that really did it for me. “COME TO MAMA MY LITTLE DIDGITS: LET ME LAY MY 20/20'S ON YA. “ FUCK THIS MOVIE. YOU CAN TELL IT”S THE BLACK VERSION OF THE WIZARD OF OZ, CAUSE THIS SHIT IS FUCKKKED UP. ALL THE WAY FUCKED UP: AND THE ORIGINAL IS FUCKED UP. I'm like, “WHERE”S MICHAEL JACKSON? “I'M READY TO GETTING THE FUCK OUT OF HERE.'“FUCK THIS.” ohh , she's from new york No wonder her concussion dream is fucked up. This is aaaallll fucked up. Not everything needs to be black. They should have kept this white. Give me judy garland And them racist ass midgets Aaaannnyyyy day Over this shit. No. no ‘the wiz' “Where's michael jackson?” I don't like this. “Where he at?” “I gotta pay my respects, and I gotta go.” I gotta GO. BYE. i had to keep watching it. You know why? Cause it kept getting WORSE. I kept watching it, I'm like “How much worse could it be?” WORSE. They added a snorting lion, A womanizer tin man, and a homeless. YES. You got that right. They added an actual homeless To the black ass ghetto ass New york ass version of The wizard of Oz And actually thought Michael Jackson dressed as a scarecrow Was gonna soften this out. It DIDN'T. It just got worse; So i was like “Fuck this. I hate this.” But i just kept watching it, Because i'm like: It can't be WORSE, can it? It CAN They added a homeless But that's not the scary part about this guy So they're in the New York Subway, And they add a homeless, I'm like “that's …accurate” So this homeless like follows them underground and like, traps them And that's scary right? No. This is the scary part: He's not just a regular fuckin underground subway dude He's a fuckin vetriloquist puppeteer homeless. WHAT. You heard that right. THE WORST. So this guy like traps them all underground in the subway station, And they try to escape, And they run up the stairs, And they escape, to like The subway station And I'm like “ what station is this?” “Seems like uptown.” “It's got the gate, that closes– Yeah, that's uptown. That's uptown. But then I was instantly reminded that i was watching a movie, Because they escaped upstairs, And the trash can started moving, The trash cans came alive, and started chasing them– And I'm thinking, “That's how you know this is a movie: that's two trashcans In an uptown subway station. That's unheard of. Not one trash can: But two?! Nah, This a movie. Not to mention the fact that they're alive and chasing these motherfuckers around I'm like “No. that's inaccurate” There are no trashcans in uptown. None at all. Then I'm thinking, Well, this movie is kind of dated: Maybe that's what happened to them! There used to be trash cans, But one too many half-eaten McDonalds cheeseburgers– They went nuclear. They just got up– walked away. Started chasing people. Too much coca cola. Them suckers grew eyes and legs and was like “Ah hell naw” “WE IN UPTOWN?” “we in uptown new york city?!” “AH HELL NAH” We in uptown! Lets get the fuck outta here! They wasn't even chasing them people in the movie They're just like “WHERE'S THE EXIT” “FUCK THIS PLACE” “THIS BETTER NOT BE DA BRONX.” “FUck outta here.” FUck this movie. And the whole time, Dorothy just look terrified. Terrified with a bad afro. Just look terrified; NO range of emotion whatsoever–just 0.0 But with the worst afro i've ever regretted. No. This movie is all wrong. Ain't no lollipop guild in this motherfucker! You know Richard Pryor was high as hell when he thought this one up. I'm assuming it was his idea. Who else would proclaim themselves, As the Wizard of Black Oz?! Of course. The african sweatsshop choreography was phenomenal, however. Yes, i just said that. This joke was pretty much pre-determined; I didn't even have to write it. I was just dictating. Yo. “What the FUCK.' Actually, that last part is inaccurate. I had to look it up I had to fact check myself. I did some digging; And come to find out– a white man wrote it. What in the actual fuck. I'm almost like “No wonder though.” That was fucked up. Come to find out, Dude who wrote is name is “Joel” White dude from new york. He went to Parsons! He went to Parson's school of Design And then wrote “the wiz” Goddamn! What goes on at Parson's? I know it's Downtown, But gotDAMN. I'm just saying. I did not like that movie. Powerhouse cast. Revolutionary for its time; But absolutely the fucking worst. Fuck The Wiz. Gimmie the old version. Gimmie the KKK and the actual midgets, I don't give a fuck. KKK MGM Same difference, yes? The Wiz was like LSD vs PCP; I'm like “nahp.' Fuck that. Get me the fuk up out of here. Had to look it up, And then i realized: No wonder why I don't like it: [beat] It was shot in QUEENS. FUCK QUEENS. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

This week on the teaser we have STASH author - Laura Cathcart Robbins! Laura has a very unique story - all about pills, divorce and raising children in the throws of addiction! PLUS emails and getting ready for our January event! 1/1/25 - DOPEYWOOD! Join Patreon here: https://www.patreon.com/dopeypodcast Here is what AI says: keywordsDopey, addiction, recovery, Laura Cathcart Robbins, Ambien, harm reduction, DopeyCon, quit lit, black women in recovery, cultural narratives summaryIn this episode of Dopey, host David Manheim discusses various themes surrounding addiction and recovery, including reflections on listener feedback from DopeyCon, the importance of harm reduction, and a deep dive into the experiences of Laura Cathcart Robbins, an author and advocate for black women in recovery. The conversation explores the cultural narratives of addiction, the impact of medications like Ambien, and the need for diverse voices in the recovery community. takeaways Dopey has evolved significantly since its inception, reflecting the growth of its community. Listener feedback is crucial for shaping the content and direction of the show. Harm reduction strategies are essential in addressing addiction in various communities. The representation of black women in recovery narratives is limited but necessary. Ambien can have profound effects on sleep and addiction, often overlooked in discussions. Cultural contexts play a significant role in shaping addiction stories and experiences. Personal connections made at events like DopeyCon are invaluable for recovery. The importance of sharing diverse recovery stories to inspire others. The conversation around addiction needs to include voices from all backgrounds. Acknowledging contributions from team members is vital for community building. titles Exploring the Depths of Addiction DopeyCon Reflections and Community Growth Sound Bites "I hope everybody's doing just great." "The show has changed so much over the years." "Ambien addiction is a thing." "I had the best night's sleep I've ever had." Chapters 00:00Introduction to Dopey and Patreon 02:59Reflections on DopeyCon and Listener Feedback 05:49Harm Reduction and Recovery Experiences 09:11Interview with Laura Cathcart Robbins 12:04Exploring Ambien Addiction 14:58Cultural Context of Addiction Stories 17:53Closing Thoughts and Acknowledgments

Les sommeliers du rap poursuivent l'exploration de la discographie de Kekra. Dans ce deuxième épisode, la carrière du rappeur masqué prend un nouveau tournant avec Land et continue d'enrichir sa discographie à la recherche du hit ! Tracklist : Kekra - Wing Chun (Land) Kekra - CLS (Vréalité) Kekra - Putain de salaire (Freebase, Vol. 04) Kekra - Datejust (Freebase, Vol. 04) Kekra - Phénomène (Kekra) Kekra - Nuages (Stratos) Enregistré en direct à Radio Campus Bordeaux le 02/05/2024 avec Jérôme et Etienne.

Les sommeliers du rap se replongent dans la riche discographie de Kekra, pour vous proposer une rétrospective de sa carrière en deux parties. Dans ce premier épisode, retour sur les débuts du rappeur masqué du 92 avec les 3 premiers Freebase et les 3 premiers Vréel. Un régal ! Tracklist : Kekra - C kom ça (Freebase, Vol. 01) Kekra - Pas joli (Vréel) Kekra - Hein (Vréel) Kekra - Roll Deep Style (Freebase, Vol. 03) Kekra - Hilguegue (Vréel 2) Kekra - Intermission (Vréel 3) Enregistré en direct à Radio Campus Bordeaux le 18/04/2024 avec Jérôme, Etienne, Julian et Thibault.

In this episode, my guest is Dr. Bonnie Halpern-Felsher, PhD, FSAHM. She is a professor of pediatrics and adolescent medicine and a developmental psychologist at Stanford University School of Medicine. Dr. Halpern-Felsher is a world expert in adolescent decision-making and risk-taking behaviors. She explains the huge increase in vaping (e-cigarettes) by young people. She explains why vaping nicotine and cannabis is particularly dangerous to the developing brain. We discuss the rise in vaping addiction, the unique social pressures and social media influences faced by youth that make quitting challenging, and interventions to aid them in quitting or reducing use. We also discuss the role of technology and social media. And, the use of alcohol, nicotine pouches, fentanyl, and other risky behaviors that adolescents face now. This episode should interest parents, teachers, coaches, teens, and families. It covers the current youth substance use landscape and also covers resources and ways to quit these addictive behaviors.  For show notes, including referenced articles and additional resources, please visit hubermanlab.com. Use Ask Huberman Lab, our new AI-powered platform, for a summary, clips, and insights from this episode. Thank you to our sponsors AG1: https://drinkag1.com/huberman Eight Sleep: https://eightsleep.com/huberman  Mateina: https://drinkmateina.com/huberman  LMNT: https://drinklmnt.com/huberman  Waking Up: https://wakingup.com/huberman Momentous: https://livemomentous.com/huberman Timestamps (00:00:00) Dr. Bonnie Halpern-Felsher (00:01:40) Sponsors: Eight Sleep, Mateina & LMNT  (00:05:38) Adolescence (00:09:19) Household Conflict, Parents; Smart Phones (00:12:35) Smart Phones & Social Media (00:18:25) Vaping, E-Cigarettes, Nicotine & Cannabis (00:23:46) Adolescent Nicotine Use: Marketing, Flavors (00:30:41) Sponsor: AG1 (00:32:13) Nicotine Initiation, Freebase vs. Salt-Based Nicotine, Concentration (00:41:35) Addiction & Withdrawal; E-Cigarette Access (00:48:48) Vaping Health Hazards, Aldehydes, Flavors (00:56:32) Sponsor: Waking Up (00:57:48) “Just Say No”, Adolescent Defiance (01:04:21) Cannabis & Potency, Blunts, E-Cigarette Combinations (01:10:30) Psychosis, THC & Adolescence (01:14:11) Quitting Nicotine & Cannabis; Physical & Social Withdrawal Symptoms (01:23:05) Social Pressures, Quitting Vaping, Environment Concerns (01:30:08) Teen Activities, Social Media, Autonomy (01:36:28) Risky Behaviors, Alcohol, Driving, Sexual Behavior (01:43:27) International E-Cigarette Use, Regulation (01:46:10) Nicotine Pouches, Health Risks; Tolerance (01:53:25) Tools: Vaping Interventions, Decision Making, Harm Reduction (02:02:37) Fentanyl, Drug Testing, Recreational Drug Use (02:13:45) Tool: Organic Conversations & Risky Behavior (02:17:20) Long-Term Goals & Teens; Vaping, Pornography & Teens (02:24:08) Mental Health Crisis & Substance Use (02:29:11) Zero-Cost Support, Spotify & Apple Reviews, Sponsors, YouTube Feedback, Momentous, Social Media, Neural Network Newsletter Disclaimer

Freeway Rick Ross: The Untold Autobiography is an intimate look at the day-to-day dealings of a drug kingpin in the heart of the ghetto. It's also the story of a boy born in poverty Texas who grew up in a single-parent household in the heart of South Central, who was pushed through the school system each year and came out illiterate. His options were few, and he turned to drug dealing. This Untold Autobiography is not only personal, but also historical in its implications. Rick Ross chronicles the times by highlighting the social climate that made crack cocaine so desirable, and he points out that at the time, the “cops in the area didn't know what crack was; they didn't associate the small white rocks they saw on homies as illegal drugs.” All Rick Ross knew was people wanted it.13 minutes ago #freeway rick ross: the untoldThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

Welcome back to purgatory!!! This week Jo, Mike and Jeremy do a commentary for Edge of Sanity from 1989 and directed by Genard Kikoine and starring Anthony Perkins, Gylnis Barber, Sarah Maur Ward, David Lodge, Jill Melford, Lisa Davis and Briony McRoberts! Thanks for checkin us out and find out back catalogue on podbean.com  Intro Opening-By Frederic Talgron https://youtu.be/BCnnpZhB438 Outro- The Frayed ends of sanity by Metallica  https://youtu.be/x6wxm0POHBE  

Cocaine, Crack and Freebase -In this episode of Cracking Addiction we explore cocaine, it's origins, the difference between powder cocaine and crack and freebase and the effects of cocaine on various organ systems and in pregnancy.Cocaine is a stimulant drug that is made from the leaves of the coca plant. It is a powerful psychoactive substance that is commonly used for recreational purposes. When ingested, cocaine produces feelings of increased energy, alertness, and euphoria. It is also a potent anesthetic and can be used medically to numb tissues and decrease bleeding during surgery.Crack is a form of cocaine that has been processed to create a rock crystal, which can be smoked. Crack cocaine is highly addictive and produces a strong, immediate high that lasts for only a few minutes. The high is followed by a crash that leaves the user feeling exhausted and depressed.Freebase is another form of cocaine that has been processed to create a more pure, potent form of the drug. It is made by mixing cocaine with ammonia or sodium bicarbonate and heating the mixture to remove the hydrochloride salt, which makes the cocaine more soluble in water. This allows the drug to be smoked, producing an intense, short-lived high. Freebase cocaine is extremely potent and can be very dangerous due to the high risk of overdose.It is important to note that all forms of cocaine are potentially harmful and can have serious short-term and long-term health effects. Regular use of cocaine can lead to addiction and can have detrimental effects on mental and physical health.Latest Blogshttps://www.meducate.com.au/blogAbout Meducate ®Meducate provides online education for doctors, clinicians, health professionals and the public.See the website to browse the many different talks and courses available https://www.meducate.com.au

This week on Dopey! In probably the "Cokiest" Dopey episode in the history of the show we have club owner, model, entrepreneur and bestie of Madonna, Ingrid Casares! Ingrid lays it down, one crazy story after another. And just when you thought the Dopey would slow down she came with more! So buckle in and get ready for easily the Cokiest episode in the history of Dopey! PLUS my Dad and much more on the brand new coke smoking, frog catching, lake swimming new episode of the good ol' Dopey Show!   More about Dopey: Dopey Podcast is the world's greatest podcast on drugs, addiction and dumb shit. Chris and I were two IV heroin addicts who loved to talk about all the coke we smoked, snorted and shot, all the pills we ate, smoked, all the weed we smoked and ate, all the booze we consumed and all the consequences we suffered. After making the show for 2 and a half years, Chris tragically relapsed and died from a fentanyl overdose. Dopey continued on, at first to mourn the horrible loss of Chris, but then to continue our mission - which was at its core, to keep addicts and alcoholics company. Whether to laugh at our time in rehab, or cry at the worst missteps we made, Dopey tells the truth about drugs, addiction and recovery. We continually mine the universe for stories rife with debauchery and highlight serious drug taking and alcoholism. We also examine different paths toward addiction recovery. We shine a light on harm reduction and medication assisted treatment. We talk with celebrities and nobodies and stockpile stories to be the greatest one stop shop podcast on all things drugs, addiction, recovery and comedy!

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We getting a lil wise and deep today. Bout to throw some comical gems in ya face. Italy enjoys porno (3:00mins) Xbox is still garbage (14 mins) we breaking down eternals and showing excitement for moon knight. What are you doing in a zombie apocalypse? (27 mins) then we get to the real deal diamonds of the night with “What is a Hoe?”(36 mins) and can niggas be submissive?(1:19:30)

Episode 142 The Lunar Saloon Every Friday from 11P - 1A PST 99.1 FM Long Beach Streaming at KLBP.org Airdate: December 17, 2021 -=-=-=-=-=-=-=-=-=- Psychemagik, Ghost Particle, I Feel How This Night Should Look Karsh Kale, Cinematic Reprise, Liberation Flying Vipers, Mash Tun Babylon, Cuttings Księżyc, MM, Księżyc Enya, Caribbean Blue, Shepherd Moons Rogér Fakhr, Insomnia Blue, Fine Anyway Manfred Hubler & Siegfried Schwab, Shindai Lovers, Vampyros Lesbos: Sexadelic Dance Party Gerardo Iacoucci, Tradimento, Flipper Psychout Mr. Scruff, Do You Hear, Keep It Unreal Gnoomes, City Monk, Tschak! Soul, Tribes, Tribes APB, What Kind Of Girl, What Kind Of Girl (Are You)? Lost Gringos, Troca Troca Culebrero, Troca Troca L E O, Fee Fi Fo Fum, Space Funk: Afro Futurist Electro Funk In Space 1976-84 Smersh, Pop Timmy Black (Dub Mix), Deep House Anthems Willesden Dodgers, B.P.M. 110, Jive Scratch Trax Twilight 22, Rubber Band Clown, Twilight 22 The Kondi Band, Thank You Mama, Salone Mamaki Boys, Takkai, Patriote Denis Mpunga & Paul K, Dou Niya, Criola Benis Cletin, Soul Fever, Nigeria Soul Fever (Afro Funk, Disco And Boogie: West African Disco Mayhem!) Billy Foster & Audio, I Need Your Love, Eccentric Disco Shake, Two People Working Together, Music Is The Only Way We Can Communicate The Mike Flowers Pops, Freebase, A Groovy Place DJ Me DJ You, Soul Transportation, Dimension Mix: A Tribute To Dimension 5 Records - The Music Of Bruce Haack And Esther Nelson Phase Selector Sound, version, Disassemble Dub Taco (タコ), な・い・し・ょのエンペラーマジック, Taco (タコ) The Keeper, Golden Round Circus, Golden Round Circus / I Couldn't Fool Around No More Monica Beale, Monitor, Sound Stage 12: Music For Micros Mladen Franko, Back From Wonderland, Amazing Space Vol. 1 Super Souris, Mariage Sideral (Dolphin's Lullaby), Super Souris Zombies, La Rebelión De Los Objetos, La Contra Ola Os Mulheres Negras, Só Quero Um Xodó, Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992 Minimal Compact, Low Flight, Songs Of Earth And Sky / Jola Dool / Low Flight / The Conference Of Snakes Dip In The Pool, It's So Different Here, 10 Palettes Astral Sounds, Strata, Kaleidoscope

On this episode we welcome 2021 Isaiah House alum, Client Care Navigator, and resident road warrior REUBEN HICKS. Reuben comes from a place of experience in the trenches himself as a former addict. As a graduate of Isaiah House Treatment Center, Reuben is a relational representative of addiction recovery, pouring into the lives of our men all over the state on a daily basis...he's passionate and pulls no punches...recovery is in his blood! He keeps it real and doesn't candy coat the facts!Be sure to subscribe to THE REAL HOPECAST on your favorite podcast platform (Apple Podcasts, Google Podcasts, Spreaker, Spotify and others), and leave a review! Call our studio line and leave your thoughts (502-509-1020). For more information on Isaiah House Treatment Center, please call (859)375-9200 or visit us on the web at Isaiah-House.org

https://anorexicchlorinesextoymuseum.blogspot.com https://www.spdbooks.org/Products/9781944697464/sir-william-forsythes-freebase-nuptials-a-screenplay.aspx https://www.saggingmeniscus.com/catalog/sir_william_forsythe/

En réalité, il n'existe pas de consensus réel sur la définition d'entité nommée, puisqu'elle est souvent dépendante de son champ d'application, qui peut être multiple et varié. Toutefois, lorsqu'il s'agit de traitement automatique du langage naturel et de recherche du sens d'un texte ou d'une requête (puisque c'est bien de ça dont nous souhaitons parler dans cet épisode), on peut définir une entité nommée comme un objet textuel (c'est à dire un mot ou un groupe de mots) catégorisable dans des classes qui peuvent être par exemple des lieux, des personnes ou des organisations, auxquelles nous pouvons rattacher des caractéristiques ou attributs. Le concept de reconnaissance et d'exploitation des entités nommées au sein d'un document textuel est apparu dans le milieu des années 90. Il est aujourd'hui un élément incontournable dans le traitement automatique du langage naturel. Selon une étude menée par Microsoft en 2010, entre 20 et 30% des requêtes soumises dans Bing, son moteur de recherche, étaient des entités nommées à parts entières, et 71% d'entre elles contenaient au moins une entité nommée dans la question posée. On comprend alors tout l'intérêt pour un moteur de recherche de constituer une gigantesque base de données d'entités nommées permettant de catégoriser des requêtes et des pages web afin de simplifier l'extraction de la bonne information et d'améliorer la pertinence des résultats. 2010, c'est également l'année où Google rachète Metaweb, une société connue pour avoir développé Freebase, une base de données de plusieurs millions d'entités nommées. C'est avec cette base de données, qui rassemble aujourd'hui 500 milliards de faits au sujet de 5 milliards d'entités selon les dernières informations données par Google en 2020, que le moteur de recherche a déployé son knowledge graph, ou arbre de connaissances, à partir de 2012. Il faut cependant savoir que la reconnaissance des entités nommées se heurte à plusieurs défis de taille, parmi lesquels nous pouvons en citer 2. Le premier défi est celui de la désambiguïsation sémantique lexicale. Un même terme peut en effet avoir plusieurs sens différents. On dit alors qu'il est polysémique. L'exemple classique qu'on donne en SEO est le terme jaguar, qui peut à la fois désigner l'animal sauvage mais également la marque de voiture de luxe. Dans le cadre d'une recherche d'information sur un moteur de recherche, lorsque l'utilisateur utilise le terme jaguar (qui est donc une entité qui peut soit avoir pour type “le nom d'une organisation”, soit avoir pour type “le nom d'un animal”) dans sa requête, le moteur de recherche va devoir analyser le contexte dans lequel se trouve le terme (qui peut être les mots entourant jaguar, mais également l'historique des recherches de l'utilisateur ou encore sa position géographique au moment où il effectue sa recherche) pour comprendre le véritable besoin de l'internaute et lui renvoyer les résultats les plus pertinents. Un scoring sera par ailleurs mis en place afin de déterminer la probabilité qu'un utilisateur recherche plutôt telle ou telle information lorsqu'il tape une requête de type “jaguar” dans le moteur de recherche. Etc. Retrouvez le podcast Une entité nommée c'est quoi sur YouTube : https://www.youtube.com/watch?v=DzCTpHNIC-o

John Holmes unexpectedly found fame in the 1970s with a freakishly large appendage that proved a gateway into the burgeoning adult entertainment industry. He appeared in over 2,000 porn films and is alleged to have slept with over 14,000 women. But a severe drug habit put him in close contact with some strange bedfellows in the Los Angeles underworld, including a ragtag gang of junkies and dealers, and Eddie Nash, a dangerous criminal mastermind. Drugs, desperation, and double-crossing would eventually lead to the infamous murders at 8763 Wonderland Avenue on July 1, 1981.Follow Badlands wherever you get your podcasts to hear new episodes of BADLANDS Season 1: HOLLYWOODLAND each Wednesday. As a bonus, Amazon Music listeners can hear all 10 episodes of BADLANDS Season 1: HOLLYWOODLAND on demand right now at amazon.com/badlands.This episode contains themes that may be disturbing to some listeners, including domestic violence and sex with minors.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is Cocaine dangerous? Are cocaine and crack the same? How popular is cocaine? Cocaine used to be the drug of the 80’s. Business people and movie stars living large. Cocaine is making a comeback all over the world. In this episode we’ll be talking about cocaine and crack.  Tune in to this week’s episode of All Things Substance.

In Chur gibt es seit Jahrzehnten eine offene Drogenszene. 90 bis 100 Stammgäste, vor allem Drogenabhängige und Alkoholiker:innen, treffen sich regelmässig im Stadtgarten. Unser Reporter Livio Chistell wohnt nur wenige Gehminuten vom zentral gelegenen Park entfernt und traute sich bisher noch nie durch den Park zu laufen. Damit ist er in Chur nicht alleine. Viele Menschen machen einen grossen Bogen um den Stadtgarten und seine Drogenszene. In der Reportage taucht Livio 4 Tage lang in die Szene ein und blickt hinter die Mauern des Parks. Ist es da wirklich so gefährlich, wie alle glauben? Was für Menschen sind da anzutreffen? Am ersten Tag begleitet Livio die Streetworkerin Romina Beeli auf einer ihrer Touren durch den Stadtgarten. Sie verteilt hygienisches Spritzenmaterial, pflegt bei Bedarf offene Wunden und spricht mit den Menschen. Livio kommt mit verschiedenen Leuten in Kontakt, die ihm über ihr Leben und vom Stadtgarten erzählen. Ueli verkehrt schon seit 30 Jahren in der Szene und würde sich einen geschützten Konsumraum wünschen. Würde es einen solchen geben, so wie in anderen Schweizer Städten, gäbe es auch keine offene Drogenszene, meint er. Ein Dealer und Drogenkonsument lädt Livio sogar zu sich nach Hause ein und kocht vor seinen Augen Kokain zu «Base». «Base» sei die gängigste Droge im Stadtgarten und habe in letzter Zeit auch viele neue, junge Menschen angzogen. «Freebase» ist in Ammoniak aufgekochtes Kokain. Es wird geraucht und macht schwer psychisch abhängig. Der Dealer erzählt Livio, wie brutal es manchmal im Stadtgarten zu und her gehen kann: «Wenn die Süchtigen ihren Stoff brauchen, kennen sie nichts. Für einen "Stein" würden sie dich niederstechen.» Elia ist vor 12 Jahren wegen den Drogen obdachlos geworden. Heute lebt er wieder in einer Wohnung und sucht einen Job. Er zeigt Livio, wo er in kalten Nächten geschlafen hat. Obwohl er heute nur noch gelegentlich «based», zieht es ihn immer wieder in den Stadtgarten. Dort sei sein Umfeld. Andere Kollegen hätte er praktisch keine mehr. Eine Frau, die anonym bleiben möchte, erzählt, der Stadtgarten sei ihr zweites Daheim. Ihre Mutter habe schon im Stadtgarten verkehrt. Sie sei also quasi in diesem Park aufgewachsen. Sie wünscht sich, dass sich mehr «normale» Menschen trauen, in den Park zu kommen. «Wir lassen alle in Ruhe, solange sie uns in Ruhe lassen.»

On this episode of ‘Grab A Glass’, DT celebrates episode 40, breaks down the Netflix documentary about the crack epidemic in America, and comments on the Biden/Harris Inauguration.

Tab Birt from Here's What I Don't Get joins the show again for an update! Internet censorship is a thing and so is being un-personned! Ray ignores his “family”' Mike had some trouble; A militia update; HDNB returns with Dick of the Week and Satanists; An aggressive boss TWYD; Madcucks stops by for a visit and we catch up with him; and a sobering reminder of the world we're currently living in. Remember, it's okay to feel down. Reach out to your friends or your friends at TRDS if you need to talk. They and We will be there for you. Much Love.   Check out Tab on Here's What I Don't Get!

On this edition of Soul Partizan, we head back in time as I reminisce good vibes and stories with Two Original boogie down Shoreditch Pioneers: Lynnford Jones: AKA FREEBASE (Reinforced Records) & SIMBAD (SMBD/Brownswood Recording). We celebrate this wonderful diverse culture and throw down a musical menu designed to make your move!! We have tracks from: #ESKA, #Warriorsofthedystotheque #CLEOSOUL #SUNRA #KEHLANI #SIR #FKJ, a special FREEBASE mini soul mix just for this show, plus much more...

In this interview I speak with Holle Thee Maxwell about her musical journey and recent book, Freebase Ain't Free, which depicts her 15 years working with and helping the Legendary Ike Turner. Chicago-born vocalist Holly Maxwell, now professionally known as Holle Thee Maxwell, found her early fortune in the vibrant California music scene of the 1970s, eventually bringing her to the audience of rock n’ roll icon Ike Turner. What started off as a professional relationship became a strange adventure through the music studios, hotel rooms, and drug houses of Los Angeles, with Maxwell acting as Turner's personal assistant, bodyguard, confidante, and surrogate sister. Holle Thee Maxwell recounts the many years she spent in the company of Ike Turner during his period of self-facilitated seclusion (also known as his “fifteen-year party”), his brief prison stay where he kicked his drug habit, and his eventual return to prominence as the successful and influential musician he was born to be. Freebase Ain’t Free tracks the intersecting and intertwining of these two kindred spirits, their mutual ups and downs, and the arc of their inexplicably dynamic relationship. https://www.facebook.com/FreeBase-Aint-Free-711234022568199/ https://books.google.com/books/about/Freebase_Ain_t_Free.html?id=yhJhuwEACAAJ For more information on the healthy alternative for coffee - https://lnk.bio/d_pearl_lee?fbclid=IwAR0pr98i-Nqnlmi8jofRB8aMGqg-EfKnN24V9cMcZuM2MVOCQWL7R-6AyIk And follow Mrs. Pearrley on Instagram @d_pearl_lee To donate to or sponsor content for Jack Dappa Blues Radio https://www.paypal.me/LamontJack --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support

Schönen 3. Sustanzsonntag! Heute ist das Thema nach der Funktionsweise von Drogen im Gehirn und Benzodiazepinen, KOKAIN. Es wird sowohl die positive Wirkweise von Kokain, wie diese im Gehirn funktioniert, der Unterschied zwischen Crack, Freebase und Kokain, die Nebenwirkungen und die Nachweisbarkeit erklärt. Am Schluss wird auch noch auf den Mischkonsum eingegangen. Informationen zu Safer Use findet ihr auf folgenden Seiten: https://mindzone.info/drogen/kokain/ oder https://www.take-stuttgart.de/take-information/substanzinformation/ oder https://drugscouts.de/de/lexikon/kokain Der Substanzsonntag ist da um Informationen zu liefern und Menschen aufzuklären und nicht um den Konsum zu verherrlichen oder zum Konsum zu motivieren. Hier geht es um eine Hilfestellung für informierte Entscheidungen! Einen Konsum ohne Risiko gibt es nicht.

Shigechi wasn't Steely Dan levels of bad, but he still had it coming.

This week, we travel back in time for a super swingin', cocaine snortin', late 70's/early 80's good time! He overcame some odds with his immense talent, but hit a major stumbling block with drugs.  He partook in everything the New York lifestyle had to offer. He had all the women, partied at Studio 54 & Plato's Retreat, and snorted millions of dollars up his nose.  Did he ever come out the other side, or did the whole thing end in tragedy? Either way, he has some of the most hilarious quotes in history. This is a fun one!!   Achieve the dream of making a better life for your family, discover the glory of freebasing cocaine, and throw away a potential hall of fame career with Micheal "Sugar" Ray Richardson!! (yes, that's how he spells it)   Check us out, every Tuesday!   We will continue to bring you the biggest idiots in sports history!!    Hosted by James Pietragallo & Jimmie Whisman    Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com    Get all the CIS & STM merch at crimeinsports.threadless.com    Go to shutupandgivememurder.com for all things CIS & STM!!    Contact us on... twitter.com/crimeinsports  crimeinsports@gmail.com  facebook.com/Crimeinsports  instagram.com/smalltownmurder# See omnystudio.com/policies/listener for privacy information.

Clear skies, full moon. Wear headphones.  Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Discipline Of Enthusiasm by Lorenzo Senni on Scacco Matto (Warp Records) 5′00″ Floatin' by Cool Company on Single (Cool Company Music) 11′40″ Get Away by The Colours That Rise on Grey Doubt (Rhythm Section International) 12′33″ Isle Of Taste (Patrice Scott Remix) by Session Victim on Single (Night Time Stories) 22′38″ Hush by Defsharp on Single (Night Owl Collective) 27′07″ The Prance by Johannes Albert on Single (Fine) 30′43″ Goultili Bye Bye by Nordine Staifi on Maghreb K7 Club (Bongo Joe) 38′41″ Fixed Elections by Deadbeat on Something Borrowed, Something Blue (BLKRTZ) 44′34″ Flower District by Alex Martian on Single (Night Owl Collective) 47′41″ 9mm by Drae Da Skimask on Freebase 5 (901464 Records DK) 50′48″ Fade Away by Roisin Marie on Single (SMG Ent) 54′20″ A Lover's Haze by Isaac Winemiller on Single (Isaac Winemiler) 61′02″ Flutes by Jessamine on ://About Blank 008 (://About Blank) 67′18″ I Have A Dream by Minors, Struna on Single (Minors) 75′02″ Felina by Lexer on Single (Einmuskia Recordings) 82′51″ Le Tigre by Overmono on Poly011 (Poly Kicks) 91′33″ In My Heart by Tapan on 5 Year Compilation (Malka Tuti) 100′17″ The Trade by Jack Bannon on Single (Jak Bannon) 103′49″ Photo ID by Remi Wolf on Single (Remi Wolf) 107′55″ Treat You Right by Yellow Days on Single (Sony Music Entertainment) 113′08″ A Song For Mia by Patrice Scott on Moments & Concepts (Sistrum) 113′09″ Downlink by Patrcia on Single (Ghostly International)

Emission replay spéciale 2 Chainz Confinement oblige, le podcast Les Bons Crus est en pause. En attendant un retour dans les studios de Radio Campus Bordeaux, les sommeliers du rap vous proposent de réviser vos classiques avec la rediffusion de nos émissions focus sur des artistes : Les Bons Replay ! Pour ce volume 3, l'émission est dédiée à 2 Chainz, l'homme téton aux deux chaînes. Playlist de l'émission : 2 Chainz - Bigger than you feat Drake & Quavo The Game - Ali Bumaye feat 2 Chainz 2 Chainz - No lie Feat Drake (Based on a T.R.U. Story) 2 Chainz - Where U been ? (B.O.A.T.S. II: Me Time) 2 Chainz - PIMPS Feat Bun B & Big Krit (Codeine Cowboy) 2 Chainz - Trap back (Freebase) 2 Chainz - Ounces Back (Daniel Son Necklace Don) 2 Chainz - Saturday Night (Pretty Girls like trap music) 2 Chainz - Good Drank Feat Gucci Mane & Quavo (Pretty Girls like trap music) 2 Chainz - Hot Wings

Version vidéo sur Youtube: https://youtu.be/lFEd9BUc83U Dans ce nouvel épisode de ASR, Analyse des sorties rap numéro 28, on parle des dernières news avec notamment Sadek de retour chez lui, MHD contaminé en prison... Mais aussi d'énormement de sorties de clips en ce vendredi avec GLK feat Heuss, Bosh, Imen ES, les frères lumières aka Hayce Lemsi et Volts ... et beaucoup d'autres Et on termine bien entendu avec les albums de ce vendredi 27 mars: Youv dee, Tswe the kid et sa réedition, Pazzo jeune rappeur montpellierain, Inspire avec son projet appel manqué, Haristone qui nous fait l'immense plaisir de revenir avec un très beau projet, Final avec Mon reflet, Coehlo avec son projet Odyssée qui est inévitablement un rappeur à suivre de très près ! Les confrères de chez Raplume sui sortant une compilation intitulée: le chant des oiseaux, Shotas qui balance son projet Capuché volume 2, Infinit qui a envoyé le très attendu Ma vie est un film 2, Bosh, une des grosses têtes d'affiche de la série Validé qui arrive avec son projet Synkinisi, GLK qui se fait sa place dans le game avec l'album Indécis et de très gros featurings et Kekra qui a sorti le très attendu Freebase volume 4 et son ennemi juré Ateyaba qui n'a pas manqué de revenir sur l'histoire de leur bagarre en lançant une très vive polémique sur Twitter. Alors Team Kekra ou team Ateyaba ?? J'espère que l'épisode vous aura plu! J'ai aussi travaillé sur une nouvelle intro en mode analyse ahah j'espère que ça vous fera kiffer! J'essaye toujours d'améliorer des petits trucs par ci par là. Bon visionnage et bon weekend. Peace Retrouvez toutes mes vidéos et les liens de clips directement sur Rap2louis.com --

This week on Dopey! Dave has a lot of company as he and his mysterious friend, R.B are joined by NFL great, Reggie Brown, friend of the show and big time journalist Emily Sullivan and Alan. PLUS we get an update from Billy Barroo, and hear some tragic awful news from a new friend of the show. All that plus voicemails, emails, an unfortunate Artie update and much much more. On a straight learning disabled, bananas flambe episode of Dopey. 

主播：健崔来听一些来自法兰克福的电子跳舞音乐吧。有一家叫做Gosu的年轻唱片店，同时它也是一个独立舞曲厂牌。在2016年他们继承了传奇唱片店Freebase的精神，继续为热爱音乐的年轻人提供音乐的供给。如果你去到法兰克福的话，除了香肠，一定不能错过这座城市的电子音乐，以及那些宝藏一般的唱片店。本期歌单：Thomas Rooge - ID Valid MixManuel Schatz - TanquiChristian Burkhardt / Meat / Chris Wood - Plain (Original Mix)Roman Flügel - In Your Wardrobe Pt. 2Thomas Rooge - I Ce工作人员：节目管理：阿聊设计：Common Gender欢迎关注订阅我们的账号：CommonGender了解更多节目信息

Ich erkläre in dieser Episode den unterschied von Crack und Freebase. Ich berichte über meinen ersten selbst gekochten Stein. Mit dem Kiffen wurde der ganze Kreislauf erst so richtig abgerundet. Hoch rauchen, runter rauchen... und das den ganzen verdammten Tag. Ich wurde ein Crackhead!

The engineers had to sit in this episode again. Well, they didn't have to but they did anyway! Henny Hardaway is back on load management! The NBA is the hottest topic in sports right now. Its a got damn soap opera out there. We kick it off with KD opting out of his contract with GSW (4:09) Is Kawhi King of Canada (9:26) NBA Free Agency is going nuts (15:51) Press Run Iggy is out here spilling all the tea on the NBA and The Golden State Warriors (38:43) Will Bron be able to have an excuse if he doesn't get a ring next year? (46:40) NBA Awards (58:12) Lavar Ball being banned from ESPN (1:16:27) MORE Free Agency talk (1:19:00) and is Carmelo cheating again? (1:26:00) Be sure to like and subscribe to keep the brand strong! Comment on our post, chime in on our lives! We here every Friday Morning at 8 am with a new episode, and live on Wednesday Nights at roughly 830pm. Follow @The4CastPodcast for all the details! *WE DO NOT OWN THE RIGHTS TO ANY AUDIO IN THIS PODCAST, OUTSIDE THE SOUND OF OUR VOICES* Social Media: @OT_CoachJamo_ (Instagram) @QueReligion (Instagram) @DeeArnett (Instagram) @Artyflexxin(Instagram) Big shout out to our sponsors! Our newest Sponsor @Heart_ofthe_city_313 please please please shop with him, he putting on for DETROIT! heartofthecitydetroit.bigcartel.com #Evolution stay up to date with shirt releases for their brand at @top10collections_ Follow @skills.youth.training for all your athletic training needs. Follow @idolworldwide_ for some dope clothing. "I DAILY OVERCOME LIFE" be an IDOL. . . . #sports #football #basketball #The4Cast #spotify #SportsTopics #sportsnews #nfl #nba #mlb #pocketcasts #sportspodcast #detroitpodcasters #MichiganMade #podcastersofinstagram #podcastnetwork #applepodcast #anchor #patreon #Youtube #MichiganPodcast #Googlepodcasts #UnsportsmanlikeConduct #UnsportsmanlikeConductWithThe3WiseMen #Breaker #RadioRepublic --- Send in a voice message: https://anchor.fm/the-4cast/message Support this podcast: https://anchor.fm/the-4cast/support

This week, we wax nostalgic over childhood dreams destroyed and construct a dietary plan for those on the verge of destroying theirs...and they ankles. It got a little weird. Skate or Die 2 theme:https://youtu.be/X8TmIxHSBcUThis episode's bedmusic:https://open.spotify.com/user/127995718/playlist/4JIfHvl5uuzHCz5v2GfL1h?si=00roIKgiResources we barely mentioned:https://www.healthline.com/nutrition/8-fad-diets-that-work#section5https://livehealthy.chron.com/skateboarding-good-losing-weight-8457.htmlhttp://www.jenkemmag.com/home/2011/09/11/plus-size-skateboarding/https://www.laderaskateboards.com/longboard/longboard-for-heavy-riders/https://m.youtube.com/watch?v=xAUa8AWL6tQ

For historians, there are only few better biographies than that of Dorian Paic to illustrate the Techno and House history of Frankfurt: the jet set disco Dorian Gray, a place called Music Hall, Sven Väth's legendary Omen, the cult club XS or the younger high altars like the Monza or the Robert Johnson in Offenbach - Paic has been involved in one or another way. His mind had been inflamed already years ago. For the intensity and ecstasy that could be found in the clubs in the early years. For the strange mixture of people from all social levels and ways of life and for the taste of the smoke coming from the fog machines. And, of course, for the music. The nineties went by in a blur and Paic did not only become an authority of the downtown hot spot Monza, he also influenced the sound of his city in front of and behind the counter of the record shop institution Freebase. Ricardo Villalobos had Dorian support him on his highly acclaimed "Fabric Mix", Sven Väth chooses him as his preferred opening DJ at the Love Family Park and also in Ibiza, he is a welcome guest at the Cocoon parties. Laurels all around. But this is no coincidence. Experts don't appear out of the blue. This can also be seen in Dorian's work at his label "raum...musik". Being both the A&R and one of the releasing artists there, he proves that you can also form a great artist roster with convincing releases apart from major/indie mindsets. Enjoy! www.upfestival.cz

Can Paul stop Daniel from falling asleep as he rattles on about his obsession with Oi punks Hard Skin. Can Dan finally put to rest the overlong battle between the pair on exactly how you would pronounce Mastodon. Only listeners of Episode 27 will find out. MAXIMUMROCKNROLL Issue 275: April 2006 // TERRORIZER Issue 218: Feb 2012 Hard Skin . Greydon Square . The Losers . Parasites . Lamb Of God . MaximumRockAndRoll . Terrorizer Magazine . Freebase . Biohazard . Sublime . The Wretched End . Burzum . Winterfylleth . Lords Of Chaos . MASTODON . Devon Townsend . The Boss . Avenge Thee & Naime

A l’heure du bilan 2017, NoFun invite trois auditeurs pour élire l’homme rap de l’année, et non, ce n’est pas Damso. Rappeur masqué, discret mais extrêmement influent, Kekra a brillé en 2017 avec deux nouveaux volumes de Vréel et a fait parler de lui en signant presque un sans faute pour les fans de rap. Mais loin de la trap qui cartonne en ce moment, est-ce que le grand public est prêt pour son grime autotuné à la française ? 9 Milli, Charbonne, UZI … autant de titres qui ne sont pas réellement des tubes. Peut-être Kekra n’a-t-il juste pas l'ambition de devenir une tête d’affiche du rap français ? Podcast animé par Mehdi Maïzi Aaron Piana, Jonatan Masson et GolgoseizeRÉFÉRENCES CITÉES DANS L’ÉMISSIONFreebase, Freebase 2, Freebase 3 (Kekra, 2016), Vréel (Kekra, 2016), Vréel 2, Vréel 3 (Kekra, 2017), 9 Milli (Kekra, Vréel 2, 2017), Charbonné (Kekra, 2017), Aixmax (Grems, 2006) Lescop, PNL, Lacrim, SCH, Zone (Orelsan feat Dizzee Rascal & Nekfeu, La fête est finie, 2017), Dans ma ville on traine (Orelsan, La fête est finie, 2017), Picard Brothers, Pas millionné (Kekra, Vréel 3), Tout Seul (Vréel 3, 2017), UZI (Kekra, Vréel 2, 2017), Moment présent (Vréel 2, Kekra, 2017), Zombie life (Hamza, 2016), 1994 (Hamza, 2017), DKR (Booba, Trône, 2017), Tchoin (Kaaris, 2017), MHD, Madre Mia (Sadek feat. Ninho, #VVRDL, 2017), Pas Joli (Kekra, Vréel, 2106), Master P, Famous Dex, Lil’Boosie (Boosie Badazz), Lexro, United in Love (The Commodores, United, 1986), The Tonight Show (DJ Fresh, 2013), NSMLM (Infinit’, 2017), Plusss (Infinit’, 2015), DJ Weedim, Don Dada Records, M.I.L.S (Nihno, 2016), Alonzo, Fianso (Sofiane), Hornet la Frappe, Rohff, Heuss L’enfoiré, Demi Portion, Alpha Wann, Ipséité (Damso, 2017), Vitrine (Vald feat. Damso, 2017), Mwaka Moon (Kalash feat. Damso, 2017), Mobali (Siboy feat. Benash & Damso, 2017), Noche (Lacrim feat. Damso, 2017), 113 (Booba feat. Damso, 2017), Batterie Faible (Damso, 2016), Intermission (Kekra, Vréel 3, 2017), La petite marchande de porte-clefs (Orelsan, Le Chant des sirènes, 2011). CRÉDITSEnregistré le 06 décembre 2017 au Théâtre de L’Antenne Paris (10 rue la Vacquerie, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Camille Regache. Rédacteur en chef : David Carzon. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Jules Krot. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) par Nodey. NoFun est une production du réseau Binge Audio www.binge.audioPOUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'Antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.com See acast.com/privacy for privacy and opt-out information.

Look guys, we probably offend a couple of you this week. And we're sorry in advance for that. One day we will be able to take some of these ideas serious. And y'know what for a bit we do. But then for twice as much time we don't take it seriously. This week we have a new segment called "Adam Smasher". The movies we tackle are V for Veg.ina, The Book of eManual: Gettin with it Even When You Aren’t, and Home of the Freebase.  Also this week we have our VERY good friend Nate Thompson and you can find his talented guitar playing can be heard in the band Better Love on Spotify iTunes Bandcamp ---------------------­----------------------------------------­---------------------- Ideas used: Second Born‏ @AdamLeezy Rhyming becomes outlawed and a ragtag team of rappers led by Dr. Dre fight the hierarchy with straight fire mixtapes. A freak accident happens where every toilet in the world is Flushed at the same time and it causes a global blackout. Or brown out. Scientists accidentally develop a more insidious form of the common cold. And they name it the uncommon cold. Archeologists discover a Pharoahs Tomb and buried with the dead king are slates of hieroglyphics depicting his fanfics. All of the blind people are on the same sleep schedule and it just freaks people out. Carrie‏ @carrodactyl - veggie tales movie but instead of teaching about god they teach kids about sexual health Kaitlyn Jeffers‏ @jeffernaut - A Hasidic Jewish boy dreams of becoming a professional skateboarder. @SydneyAnd -Talk about the childhood heroin addiction epidemic in Afghanistan   ---------------------­----------------------------------------­---------------------- Eric Lee and Thomas Stapleton takes your suggestions and ideas and adapt them into good movie pitches for the Hollywood big wigs who are straight up desperate for material. ----------------------­----------------------------------------­---------------------- Our theme was written and recorded by Nate Thompson. For updates on his future projects please follow him on twitter @natepthomps Our logo was done by Kyle Smith. For more of his good stuff please go to https://www.ultrafeel.us/ ----------------------­----------------------------------------­---------------------- Please follow us on twitter too! Radaptation - @RadaptationPod Eric Lee - @Ericleeeeeee Thomas Stapleton - @Tstape03 ----------------------­----------------------------------------­---------------------- SUBSCRIBE to RADAPTATION on iTunes: https://itun.es/i67R6gr Google Play:  goo.gl/qywr8Bcontent_copy Tunein: http://tunein.com/radio/Radaptation-p981196/ Blubrry: https://www.blubrry.com/radaptation/ RSS: http://radaptation.libsyn.com/rss YouTube: Radaptation Podcast Stitcher: http://www.stitcher.com/podcast/radaptation ----------------------­----------------------------------------­---------------------- Follow RADAPTATION: Twitter: http://twitter.com/RadaptationPod Facebook: http://facebook.com/RadaptationPod ----------------------­----------------------------------------­----------------------   For Inquiries, please email: Radaptation@gmail.com ----------------------­----------------------------------------­---------------------- Literally EVERYTHING we talked about in this episode: Billy Crystal, Better Love, Adam Lee, Nate Thompson, The Oscars, Oscars, IMDB, rapping, Dr. Dre, fire mixtape, mixtape, hip-hop, regina spector, get out, Hamilton, Toilets, Blackout, Men in Black II, Jerry McGuire, Christian Bale, Micheal Keaton, Val Kilmer, George Clooney, A Talking Cat?,  Egypt, pharaoh, tomb, pyramid, Ra, birthing hips, fanfiction, blind people, baby carrot, dildo, sex, gourd, broccoli, artichoke, veggie tales, Tom Cruise Brad Pitt, Chris Pratt, Chris Hemsworth, Chris Rock, Bill O’Reilly, Fox News, Gretchen Carlson, Jewish, Rodney Mullen, Madisyahoo, George Lopez, skateboarding, Tony Hawk, Jesus Christ, Christ, Exodus, Goldfinger, Streetlight Manifesto, Moses, The Mighty Mighty Bosstones, ollie, elbow pads, golden calf, Bam Margera, Jackass, Johnny Knoxville, Weeman, Tony Hawk’s Pro-isralie defense force, Shameless, Nimrod, Gob, Kush, Dungeon’s and Dragons, DnD, D&D, Johnny Depp, Deppth Perception, Afghanistan, heroin, epidemic, documentaries, Ken Burns, Holocaust, Documentary, heroin baby, Kabul, Weed, Straight-edge, Marijuana, The Sandlot, Needle, IED, General David Petraious, James Earl Jones, Adam Sandler, Smack, Call of Duty, Angel Dust, Arabic, PCP, Sand a lot, horse, American Flag, American Imperialism, Satire, The Onion, Home of the Freebase

In this episode we discuss: Ron Johnson Ask Tom Price To Suspend the FDA's E-Cig Rule VapeWild Releases Their Own Cigalike Product Study Suggests Vaping Could Be Associated With Cardiovascular Risk Nicotine Salts vs Freebase Nicotine Psychological Tips To Help You Quit Smoking Show notes can be found on this episode's page on VapePassion.com Subscribe to the VapePassion YouTube channel   --- Support this podcast: https://anchor.fm/the-vapepassion-podcast-vaping--electronic-cigarettes/support

Artist On The Bubble The Alliyance – All The Way Up Remix Single: Meek Jaffe – Fly Paper Single: JFP – Dollar Bills Single: Coy ft Elmoh – Tip Single: Neff Narko ft Chio Young – Freebase (10 Wks, Last #37, Pk #15) Single Ether L Banks – BLVK Hennessy (14 Wks, Last #25, Pk […]

In the twenty first episode of this podcast, your hosts Francesc and Mark interview three of the engineers at Instrument, responsible for some of the amazing demos at GCP Next. Cool thing of the week Monitor your application errors with Stackdriver Error Reporting blog post Stackdriver Error Reporting docs Interviews We interviewed three engineers working at Instrument, an independent digital creative agency in Portland, Oregon. They're on GitHub. Take a tour of GCP Next playground on YouTube: John Brown Technical Director at Instrument Overview of “Emotobooth”, “360 datacenter tour”, and “Query It” Emotobooth tweet for the GCPPodcast hosts tweet Emotobooth gist with all photos and JSON data gist Violet Peña Engineer working on Emotobooth Cloud Vision API Face Detection tutorial Landmark Detection Using Google Cloud Storage docs Nick Tzaperas Backend Developer at Instrument working on QueryIt! Query Plan Explanation docs Freebase: a community-curated database of well-known people, places, and things docs Google Data Center 360° Tour YouTube Question of the week How do you use variables in Deployment Manager Cloud Deployment Manager docs Passing variables to templates docs

Booking contact: www.timesartists.com We avidly announce that Times Artists Podcasts 02 is contributed by Chris Wood & Meat. The Vinyl-only Label and record store Freebase, run by both of them together are an evidence for a long lasting and trustworthy relation to music. In terms of productions, we would like to chart releases like „Playing What“ (on Moon Harbour/MHR074) or Cock Robin (on Souvenir Berlin/Souvenir 054) as characteristic for their kind of work. The next months you can see Meat in Asia while Chris Wood will take care of the records in France, Switzerland and, of course, Germany. Times Artists is proud to represent Chris Wood & Meat as a Team and in their solo appearances, as well. Hot City Orchestra - Metropolis - Dora Brilliant OCH - Scammell Remix Mihai Popoviciu - Human (Daze Maxim Remix) Chris Carrier - Bag of Bones Remix Chris Carrier - Get Down Daniel Roth & Christian Burkhardt - Knilch Bunte Bummler- Rom Scale Chris Wood & Meat - Stones Jimmy Edgar - Let Me Tell U Tanzmann & Stefanik - Swamp Flash Master G and the Furious Bassheads

Large knowledge graphs increasingly add great value to various applications that require machines to recognize and understand queries and their semantics, as in search or question answering systems. These applications include Google search, Bing search, IBM’s Watson, but also smart mobile assistants as Apple’s Siri, Google Now or Microsoft’s Cortana. Popular knowledge graphs like DBpedia, YAGO or Freebase store a broad range of facts about the world, to a large extent derived from Wikipedia, currently the biggest web encyclopedia. In addition to these freely accessible open knowledge graphs, commercial ones have also evolved including the well-known Google Knowledge Graph or Microsoft’s Satori. Since incompleteness and veracity of knowledge graphs are known problems, the statistical modeling of knowledge graphs has increasingly gained attention in recent years. Some of the leading approaches are based on latent variable models which show both excellent predictive performance and scalability. Latent variable models learn embedding representations of domain entities and relations (representation learning). From these embeddings, priors for every possible fact in the knowledge graph are generated which can be exploited for data cleansing, completion or as prior knowledge to support triple extraction from unstructured textual data as successfully demonstrated by Google’s Knowledge-Vault project. However, large knowledge graphs impose constraints on the complexity of the latent embeddings learned by these models. For graphs with millions of entities and thousands of relation-types, latent variable models are required to exploit low dimensional embeddings for entities and relation-types to be tractable when applied to these graphs. The work described in this thesis extends the application of latent variable models for large knowledge graphs in three important dimensions. First, it is shown how the integration of ontological constraints on the domain and range of relation-types enables latent variable models to exploit latent embeddings of reduced complexity for modeling large knowledge graphs. The integration of this prior knowledge into the models leads to a substantial increase both in predictive performance and scalability with improvements of up to 77% in link-prediction tasks. Since manually designed domain and range constraints can be absent or fuzzy, we also propose and study an alternative approach based on a local closed-world assumption, which derives domain and range constraints from observed data without the need of prior knowledge extracted from the curated schema of the knowledge graph. We show that such an approach also leads to similar significant improvements in modeling quality. Further, we demonstrate that these two types of domain and range constraints are of general value to latent variable models by integrating and evaluating them on the current state of the art of latent variable models represented by RESCAL, Translational Embedding, and the neural network approach used by the recently proposed Google Knowledge Vault system. In the second part of the thesis it is shown that the just mentioned three approaches all perform well, but do not share many commonalities in the way they model knowledge graphs. These differences can be exploited in ensemble solutions which improve the predictive performance even further. The third part of the thesis concerns the efficient querying of the statistically modeled knowledge graphs. This thesis interprets statistically modeled knowledge graphs as probabilistic databases, where the latent variable models define a probability distribution for triples. From this perspective, link-prediction is equivalent to querying ground triples which is a standard functionality of the latent variable models. For more complex querying that involves e.g. joins and projections, the theory on probabilistic databases provides evaluation rules. In this thesis it is shown how the intrinsic features of latent variable models can be combined with the theory of probabilistic databases to realize efficient probabilistic querying of the modeled graphs.

This month's Moon Harbour Radio set was recorded live at Frankfurt's Freebase Records & Sneakers shop in February. The occasion was the 20 years anniversary of the record shop, which was founded by Carsten Schuchmann aka MEAT in 1995. This set is, of course, recorded only with the use of vinyl records. The Moon Harbour Radio Show is presented by Allen & Heath. Tracklist Dan Drastic DJ Set (1 Hour) Tom Ellis - Yah Yah - Telegraph Cleymoore - Seikou - Xquisite Tanzmann & Stefanik - Basic Needs (Shonky Edit) - Moon Harbour East End Dubs - Tools Vol. 3 A1 - East End Dubs Entlet - Tramontina - Saint Vitus Chris Wood & MEAT - Playing What (Matthias Tanzmann Remix) - Moon Harbour Duky - I Keep On - Rooted Series Jeff Samuel - Drap - Logistic Johnny D - Poluc - 8Bit Franck Roger & D'Julz - In The Rush - Home Invasion Matthias Tanzmann - Keep On (2015 Version) - Moon Harbour Pure Science - Brighter Days (Californian Sunshine Mix) - P.S. Communications Chris Wood & MEAT DJ Set (1Hour) John Dimas - High Motions - Taverna Groovabilisme - Adult Only Einzelkind/Frost - Just In Jack - Pressure Traxx010 Audio Werner - Before - Hello Repeat Ark & Pitspector - Song Of Everyone - Prospector001 Vid - Schite Si Note Eddie Fowlkes- Ghetto Juice - Detroit Wax Daze Maxim - Mudhole Chris Wood & Meat - So Far Away - Moon Harbour Natural Rhythm - Subway System Nu Guinea - D Alliance - Early Sounds Nastia - February59 Octo Octa - More Times EP - Running Back

I sat down with Freebase & Nagchampa to talk about music, art, and women.

Jon Voss will discuss Civil War Data 150 ("CWD150"), a collaborative project of the Archives of Michigan, the Internet Archive, and Freebase. CWD150 seeks to link Civil War archives and data from separate state and national sources in an open community-maintained database (Freebase), and create interactive web applications to help crowdsource the data linking. The project presents research questions of particular interest to archivists regarding the use of strong identifiers and shared ontologies, as well as uses for shared metadata in the context of the Semantic Web.

Jon Voss will discuss Civil War Data 150 ("CWD150"), a collaborative project of the Archives of Michigan, the Internet Archive, and Freebase. CWD150 seeks to link Civil War archives and data from separate state and national sources in an open community-maintained database (Freebase), and create interactive web applications to help crowdsource the data linking. The project presents research questions of particular interest to archivists regarding the use of strong identifiers and shared ontologies, as well as uses for shared metadata in the context of the Semantic Web.