One of the Fates of Greek Mythology
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We've finally cleared Akiba April, so this week we're getting into backstories of all sorts. First, Hanto is the last to learn Rakia's backstory. Kinjiro and Sumino learn the backstory of the Reiwa Era: the Showa Era. Then, we learn the backstory of the human who got turned into Lachesis from Gotchard, and it's a bloody good time. Casters Present: Blue Gray Orange Green Red Show Notes: https://www.patreon.com/posts/128034619 Required Viewing: Kamen Rider Gavv 32, No.1 Sentai Gozyuger 10, Kamen Rider Gotchard - The Dark Revelation: Lachesis Watch on YouTube: https://www.youtube.com/watch?v=hSsYDmYY90w Hungry? Get CA$15 off your first 3 UberEats orders of CA$20 or more! https://ubereats.com/feed?promoCode=eats-christopherm5931ue Get $5 off your first order with SkipTheDishes! https://www.skipthedishes.com/r/6YaJc65HKg
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/5HGK0HM1iI0 "Oh moi vous savez, j'ai pas envie de vous embêter avec mes problèmes… mais si vous voulez absolument savoir… en fait on m'a volé ma tête." Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://www.youtube.com/live/NwJ98rSNVbM?si=b6UiNdVOWSKjbkRR Thirsty' Sword Lesbians rend hommage aux amours, à l'énergie et à l'existence des personnes queer. Si vous aimez les JdR, le second degré et les personnages lesbiens tiraillés par leurs émotions, alors ce jeu est fait pour vous ! Portraits des personnages par June Insta Bluesky https://editions-spectrum.fr/products/thirsty-sword-lesbians Joueur·euses: Catty, Err0rStats, Morgane, Lachesis.
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https://youtube.com/live/ATOe3UIgTNE L'Hôtel du Lion rouge est un jeu narratif imaginé par Côme Martin et Nicolas Folliot, pour 2 à 6 joueurs et des parties d'une heure ou plus. Il vous propose d'imaginer l'intérieur d'un grand hôtel au début du XXe siècle et les personnages, clients et membres du personnel, qui y déambulent.Le jeu est en financement participatif sur BackerKit jusqu'au 3 avril. https://www.backerkit.com/c/projects/nessundove/the-red-lion-hotel Joueurs: Taliesin, Guylène, Lachesis, Côme.
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/Kp4G2AZMP9s "Punk is undead" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/FBe2osLS-oc "On va rappeler à Bavlorna les doux souvenirs du poing dans la gueule." Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
The School of Homeopathy offers fully accredited and awarding winning online courses, from beginner to practitioner level. They have helped thousands of graduates into practice across the world since 1981. www.schoolofhomeopathy.com Misha Norland explores the four elements—fire, air, water, and earth—transitioning from energy to matter, linked to seasons, temperaments, and life stages. He emphasises these as symbolic maps, not absolutes, inviting reinterpretation. Through vivid imagery, he connects elements to homeopathic personalities like Lachesis, Nux Vomica, and Lycopodium. Here is a bio for Misha: The School of Homeopathy's Founder, Misha Norland (13/6/1943 - 27/11/2021) was a Fellow and a founding member of The Society of Homeopaths and was the first editor of its journal. A practitioner for over 40 years, he was Head of Homeopathic Research at the first UK homeopathic college. Internationally respected for his teaching and practice skills, he influenced and taught many of the world's leading homeopaths. As well as establishing the School of Homeopathy in the UK in 1981 (the longest running School in the UK). He developed the distance learning course established in 1987 and also helped develop partner School's in New York (no longer running), Tokyo and Hong Kong & China. In 2024 he was awarded the Maesimund B. Panos MD Homeopathy Educator Award by the National Centre of Homeopathy in the USA in recognition for his impact on homeopathy in North America.
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/upKwyfHY-Wk "Tu sais, je vais te faire une confidence honteuse : je commence à découvrir ce que ça fait d'avoir des choses à perdre." Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/Lsf1VOA8T-M "Créature de chaos, je suis le paladin de la vengeance et je suis venu te régler ton compte." Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/WZsFxpqJa9w "Madame pour cette beauté de tous les jours chacun de mes souffles vous rend grâce" Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/LZE6XmgQPvw "C'est dur n'est-ce pas ? De côtoyer, parfois d'aimer des gens qui n'ont jamais comme toi senti la tête d'un tyran tranchée dans leurs mains…" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/CmDtuan1f7g "Les lois ici sont fondamentalement au nombre de trois…" Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/jspuHObbKG0 "Tu donnes ton sang le premier soir William?" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric,Volsung Guest: Lamson
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/SiMckKlOIj4 "Ce que cette chose a fait de vous, je ne sais pas si je pourrais le supporter…" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/wc93HkXEcfo "Si tu me ressembles un peu, tu ne m'en voudra pas…" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric, Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/psz14CH6mxg "Qui parmi vous mérite cette récompense ultime et le présent qui l'accompagne ?" Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
Bonjour à tous, ici Loremlaw ! Aujourd'hui, j'ai le très grand plaisir de vous présenter un petit projet qui aura mis son temps à aboutir. Il traite d'un sujet qui me passionne : l'intelligence artificielle. Ce récit de science-fiction donne un point de vue très certainement exagéré du bouleversement que cette nouvelle technologie aura sur nos vies à court ou moyen terme. Une révolution qui est, à mon sens, du niveau de celle que l'on a connue avec Internet, la machine à vapeur ou l'imprimerie.J'ai commencé à rédiger ce script il y a un moment et vous verrez que certains concepts sont déjà dépassés par la réalité. Mais pas tout, je vous rassure !Synopsis :Ethan Gabbing est un lycéen brillant qui travaille sur un projet fou : “Calie”, une intelligence artificielle capable de s'auto-améliorer…Un grand merci à nos relecteurs : Anya Kristen, Gary et Rosstail.. Merci tout particulièrement à Lachesis pour avoir prêté sa voix dans ce rôle pas évident et pour avoir été patiente alors que ce projet a été enregistré il y a un moment déjà. Et enfin, un grand merci à Decibhell pour avoir donné de son incontestable talent pour la réalisation de ce projet, tant en termes de montage/mixage que pour le sound design et la musique. Une fois n'est pas coutume, la pochette a été générée par intelligence artificielle. Je trouvais que c'était plutôt méta. J'espère que cette petite histoire vous plaira autant qu'il m'a plu de l'écrire. Je vous dis à très bientôt pour de futurs projets. Ils sont 62 et ils ont soutenu financièrement cet épisode :Sur Tipeee : Meringue à l'Orange, Nicolas S, Mlakuss, MrBadger, Sashiro, AiwwAy, Kalwyn, Lord Purple Peignoir, Monololo, Zenigata, Yotti, Claxus, LaurentDoucet, Thomas S, JPPJ, Flamingfox et Yohann Lorant.Sur Patreon : Aceik, Coralie Bouteloup, Gremy, Nanaa, Jeff, Benjamin Baudu, Mélina, Cécilux, Greedette, DucGoeland, Gary, Lya_&_Vlad, Emilien Mazé, Youri Charbonnel, Mineroll, Iarn, Leowhitelighter, Gandanlf, Achdeuzos, Guélik Ly, Richoult, Stan Le Gris, Lerrianh, Orchidée choucroute, Thomas Lecavelier, Jean-Marie Poincelet, Erminig Bihan, Lyndex, Ellana, MissKami, Yuki, Ningario, Anya Kristen, Kapoué, Raven Harley, Arthur milchior, Melectrik, Lord Purple Peignoir, Goose37FR, Daphmotte, Gaxune, Marie Holmes, Lmorel, Clemensi et Socolin - Merci infiniment ! Participez au programme de fidélité Patreon : En vidéo : https://www.youtube.com/watch?v=gqmG3RLDLak En audio : Téléchargement : Découvrir nos mono mp3 Nos mono mp3 sont disponible aussi sur :
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/Si1vABAAu0Y "C'est la fête dans mon gosier et vous êtes tous invités!" Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung Dossier en accès libre "Si le Rassemblement national accède au pouvoir " https://www.mediapart.fr/journal/politique/dossier/en-acces-libre-si-le-rassemblement-national-accede-au-pouvoir
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/0Mhq19SzdzI "Vous voulez savoir comment tenir une ville, comment devenir son Prince ?" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric, Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/H33lMniiZ6I?si=nED-bBdMydcALb2r "Sache qu'elle parcourt les champs de l'Elysée joyeusement..." Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/nXjfGHBLF1U "Tu sais je trouve dramatique que l'on me considère comme la drama queen du groupe, ce n'est pas moi" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/ICF88_aPKLo "Si tu veux retrouver ton visage, tue-la" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric, Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/xPNK_pSgaS0 "Toutes les actions ont des conséquences et ce sera pire de l'autre côté... Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/xuAbQ9y1gjM "Êtes vous digne de confiance ?" A nous le Carnaval de Sorcelume! Joueurs: Morgane, JCN, Volsung, Lachesis. Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/TDTzLG9KNlA "C'est le dernier test que je t'imposerai, il y a tout ce qui te retiens à la vie dans cette ville…Ton fils est ici" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric, Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/YnZDJpg_dSE "J'ai envie de te faire confiance Orfeo ; le problème, c'est lui " Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/SQtBpUKqEjk "Donne moi une bonne raison pour ne pas assommer ma coterie , les charger dans un coffre et partir pour le Kansas" Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Ulfric, Volsung
Continuing their conversation examining stories about the threads of fate, Rowan and Tracey discuss the Three Fates of Ancient Greek Mythology: Clotho, Lachesis, and Atropos. Tracey tells a story from the perspective of god experiencing manic love, the pair learn about marriage practices in Ancient Greece and China, and they explore reasons why stories of fated love might be especially important for young women in arranged marriages.SourcesWikipediahttps://en.wikipedia.org/wiki/Red_thread_of_fatehttps://en.wikipedia.org/wiki/Yue_Laohttps://en.wikipedia.org/wiki/Time_and_fate_deitieshttps://en.wikipedia.org/wiki/Chinese_mythology#Important_deities,_spirits,_and_mythological_peoplehttps://en.wikipedia.org/wiki/Chinese_mythologyhttps://en.wikipedia.org/wiki/Hang_the_DJhttps://en.wikipedia.org/wiki/San_Juniperohttps://en.wikipedia.org/wiki/Confucianismhttps://en.wikipedia.org/wiki/Taoismhttps://en.wikipedia.org/wiki/Mahayanahttps://en.wikipedia.org/wiki/Tu%27er_Shenhttps://en.wikipedia.org/wiki/Moiraihttps://en.wikipedia.org/wiki/Parcaehttps://en.wikipedia.org/wiki/Wei-ming_templehttps://en.wikipedia.org/wiki/Graeaehttps://en.wikipedia.org/wiki/Marriage_in_ancient_Greecehttps://en.wikipedia.org/wiki/Traditional_Chinese_marriageSnow Pavillionhttp://snowpavilion.co.uk/2388-2/The Guardianhttps://www.theguardian.com/world/2023/mar/07/how-a-rabbit-god-became-an-icon-for-taiwans-gay-communityPub medhttps://pubmed.ncbi.nlm.nih.gov/20438219/Mediumhttps://medium.com/@safofive/the-red-string-of-fate-acd26c61bd1fhttps://medium.com/@chloewarnock8/the-red-thread-of-fate-a-chinese-idea-of-lovers-connected-by-destiny-d575defbefd8Bright Sidehttps://brightside.me/articles/the-red-string-of-fate-a-beautiful-japanese-legend-140105/American Psychological Associationhttps://www2.psych.ubc.ca/~ara/Manuscripts/Norenzayan%20&%20Lee%20JPSP%202010.pdfTV Tropeshttps://tvtropes.org/pmwiki/pmwiki.php/Main/FateDrivesUsTogetherhttps://tvtropes.org/pmwiki/pmwiki.php/Main/RedStringOfFatehttps://tvtropes.org/pmwiki/pmwiki.php/Main/BecauseDestinySaysSohttps://tvtropes.org/pmwiki/pmwiki.php/Main/YouCantFightFateLocaliizhttps://www.localiiz.com/post/chinese-mythology-101-yue-lao#:~:text=Yue%20Lao%20(%E6%9C%88%E8%80%81%3B%20jyut6,a%20humble%20and%20old%20god.Timeless Mythshttps://www.timelessmyths.com/gods/chinese/yue-lao/Mythopediahttps://mythopedia.com/topics/yue-laoGods and Goddesses of Love in Mythologyhttps://vocal.media/futurism/gods-and-goddesses-of-love-in-mythologyThe Red Thread – Michael's Musings. https://mikeo.blog/2020/10/01/the-red-thread/The China Projecthttps://thechinaproject.com/2020/10/09/how-fujian-was-once-an-lgbt-mecca/The Collectorhttps://www.thecollector.com/fates-greek-mythology/Theoihttps://www.theoi.com/Daimon/Moirai.htmlThe Methttps://www.metmuseum.org/toah/hd/angk/hd_angk.htm#:~:text=336%E2%80%93323%20B.C.)%2C%20more,as%20well%20as%20precious%20stones.PBShttps://www.pbs.org/empires/thegreeks/background/46.htmlPErseus Digital Libraryhttps://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0009%3Achapter%3D5%3Asection%3D29#:~:text=The%20woman%20brought%20with%20her,case%20of%20a%20divorce5.Center for Hellenistic Studies at Harvard Univeristyhttps://classics-at.chs.harvard.edu/wp-content/uploads/2021/05/ca1.2-lyons.pdfEncyclopedia.comhttps://www.encyclopedia.com/history/news-wires-white-papers-and-books/wedding-customs
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://youtu.be/bsfdCljLUws?si=MszXU0gaVAJ2wpRz Rien que pour vos likes :) Joueurs: Ulfric, Lachesis, Kalyphera, Volsung, JCN Montage: Volsung
TODAY ON THE ROBERT SCOTT BELL SHOW: Dr. Bryan Ardis, Free Speech, Food as medicine, Glyphosate levels, Removing phosphorous, Homeopathic Hit – Lachesis, Spirituality, 5G symptoms, Fasting for Alzheimer's, Rand Paul vs Electric cars/AM Radio and MORE! http://www.robertscottbell.com/natural-remedies/free-speech-food-as-medicine-glyphosate-levels-removing-phosphorous-homeopathic-hit-lachesis-spirituality-5g-symptoms-fasting-for-alzheimers-rand-paul-vs-electric-cars-am-radio-and-more/
In dieser Folge erfährst Du, wie mit Homöopathie eine Eierstockzyste erfolgreich behandelt werden konnte.
Know us by our sacred form; as Clotho, Lachesis, Atropos; yuanshi tianzun, lingbao tianzun, daode tianzun; final fantasy 10, final fantasy 10-2, final fantasy 10-3 (on ao3, lulu is in a reeducation camp, yuna is given more guns)— and yes, at times in the form of OK, Lucia, and Sarah on Art and Labor: Audio … Continue reading "187 – Anon Anon Meeting"
2D6 plus Cool | Actual Play / Live play de JDR / Jeu de rôle
https://www.youtube.com/live/OzGnaitHVv0 On compte sur vous! Ne manquez pas le financement participatif de la deuxieme édition de ce classique de la scène indé :) https://www.gameontabletop.com/cf1941/monsterhearts.html Joueurs: Ulfric, Lachesis, Noodle, JCN, Volsung
Hello everyone and welcome to Episode Eighty Four! And while we're at it, I hope you all remain safe and healthy out there. It's good to be back in the recording studio after a long absence, and I appreciate everyone's patience while I was out having a good time. I spent several weeks in Thailand, on a herping trip that started in Bangkok and finished at the southern tip of the country, on the border with Malaysia. I saw some amazing herps and other wildlife, lots of pit vipers including several Wagler's pit vipers, one of those bucket list serpents for me. So Much Pingle Patrons! A big thank you to the show's newest patron, Daren Riedle! I'm sure you all remember my conversation with Daren back in Episode 78 – that was a fun one and I get a lot of comments about that show. So thank you so much Daren for supporting the show and for taking part as well! And as always, I want to thank everyone who keeps the show rolling along. And if you're out there listening and you would like to kick in a few bucks, it's easy to do, you simply go to the So Much Pingle Patreon page. You can support the show for as little as three bucks a month – less than a fancy cup of coffee! You can also support the show via one-time contributions via PayPal or Venmo (please contact me via email to somuchpingle@gmail.com). So this episode arises out of some singular events that happened in Peru earlier this year. I was down there with Matt Cage for three separate herp tours, and the crazy bit is that we encountered 7 bushmasters across the three trips – one on the first, FIVE on the second, and one on the last trip in February. Now, we are happy to get one Lachesis muta on an expedition – there's no denying that the chance to see a bushmaster is a big draw for our clients – and sometimes we may even find two. But during our second trip, after five bushmasters were found, I decided to record with some of the folks involved, attempting to capture some of the experience. So please enjoy my conversations with Jill Rials and Michael Moffat, Jeff and Berk, the Brothers Martineau, and Richard Legere. Thanks for listening everyone! And as always, please keep the comments and suggestions coming, and please take time to rate the show on your podcast platform! The show email is somuchpingle@gmail.com, and there's also a So Much Pingle group on Facebook, for discussion, comments, feedback, suggestions, herp confessions, tips for herping better, etc. -Mike
Welcome back, Witches! Today we are returning to Greece for more folklore for more supernatural beings! Music is by Alexander Nakarada.Support the show
Explorez avec moi les mystères et les merveilles du cycle menstruel à travers mon podcast dédié aux différentes phases qui rythment ce processus naturel si essentiel à la vie des personnes menstruées. Plongez dans un voyage éclairant à travers les fluctuations hormonales, les changements émotionnels et physiques qui accompagnent chaque étape de mon cycle. Que vous soyez curieuse d'en savoir plus sur votre propre corps, que vous cherchiez à mieux comprendre les cycles de vos proches ou que vous souhaitiez simplement démystifier ce sujet souvent tabou, ce podcast est fait pour nous. Rejoignez-moi alors que nous explorons ensemble les nuances de chaque phase, de l'énergie créative de l'ovulation à l'introspection apaisante de la phase menstruelle. Préparez-vous à découvrir une perspective nouvelle et inspirante sur cette expérience cyclique qui nous lie, depuis des millénaires. Écoutez mon podcast sur les différentes phases de mon cycle menstruel et embarquez dans un voyage de connexion profonde avec mon corps féminin.Les astuces de médecine douce: L'aromathérapie: En cas de cycles irréguliers, de règles abondantes et douloureuses: la sauge sclarée, l'estragon et l'anis vert. La phytothérapie: Le gattilier, l'achillée millefeuille, la sauge, l'alchémille, le persil et la bourse-à-pasteur.L'homéopathie: Pour réguler le cycle menstruel, vous pouvez vous tourner vers le Cyclamen et le Pulsatilla. Si vous souhaitez agir sur les symptômes prémenstruels et les règles douloureuses, optez pour le Folliculinum et le Lachesis. Enfin, pour traiter les règles abondantes, tournez-vous vers le Melilotus et le Phosphorus.La gemmothérapie: L'extrait de bourgeon de framboisier et le macérat de bourgeons de pommier.LINKS: Instagram: @glowyshanyNatural Cycles: @naturalcyclesXxShany Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Talking Supernatural Season Six Episode Seventeen, My Heart Will Go On. Can you spot all the easter eggs? What about all the Titanic references? We will go over all of that AND talk about the fates! Research LinksSamgong bon-puri - WikipediaThe Fates: Greek Goddesses of Destiny | History CooperativeThe Fates (Moirai): Clotho, Lachesis and Atropos | Mythology.netThe Fates: Greek Mythology's Most Powerful Deities | Fate & Fabled - YouTube
Bushmasters are massive vipers that remain somewhat of a mystery. This episode we look at a paper investigating their spatial ecology and habitat preferences. Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Padrón DF, Mebert K, Pareja-Mejía D, Bauer A, Fernandes Vasconcelos LD, Correia D, Fernandez Giné GA, Solé M. 2022. Living in a mosaic of Brazilian Atlantic Forest and plantations: spatial ecology of five bushmaster Lachesis muta (Viperidae Crotalinae). Ethology Ecology & Evolution:1–21. DOI: 10.1080/03949370.2022.2123860. Other Mentioned Papers/Studies: Guedes P, Alves-Martins F, Arribas JM, Chatterjee S, Santos AMC, Lewin A, Bako L, Webala PW, Correia RA, Rocha R, Ladle RJ. 2023. Eponyms have no place in 21st-century biological nomenclature. Nature Ecology & Evolution. DOI: 10.1038/s41559-023-02022-y. Quah ESH, Grismer LL, Anuar MSS. 2023. Observations and description of a rare escape mechanism in a snake: Cartwheeling in Pseudorabdion longiceps (Cantor, 1847) (Squamata, Colubridea). Biotropica n/a. DOI: 10.1111/btp.13213. Other Links/Mentions: Pipa parva call from - https://amphibiaweb.org/cgi/amphib_query?where-genus=Pipa&where-species=parva Editing and Music: Podcast edited by Emmy – https://www.fiverr.com/emmyk10 Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com
SCP-1113 Lachesis' SpinnerRead: https://scpwiki.com/scp-1113Also available on youtube:https://scpaudioarchive.github.io/go/ytCopyright: CC-BY-SA 3.0Join the Discord! https://scpaudioarchive.github.io/go/discordEmail: scpfoundationaudioarchive@gmail.comBlog: https://scpaudioarchive.github.io/Support us: https://scpaudioarchive.github.io/supportSuggestions: https://scpaudioarchive.github.io/suggest/Live Events: https://scpaudioarchive.github.io/liveTwitter: https://twitter.com/scpaudioarchiveInstagram: https://instagram.com/scpaudioarchiveFacebook: https://facebook.com/scpaudioarchivepod/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Crypto dev Andre Cronje is back, advising the Fantom Foundation after publically turning his back on crypto earlier this year. We speak to Fantom Foundation CEO Michael Kong to find out more... Why you should listen Fantom is a high-performance, scalable, EVM-compatible, smart-contract platform. Fantom's mainnet deployment, Fantom Opera, is built on Fantom's consensus mechanism, Lachesis. Fantom is a leaderless, asynchronous, and byzantine fault-tolerant Layer 1 blockchain protocol. Crypto dev Andre Cronje is back, advising the Fantom Foundation after publically turning his back on crypto earlier this year. We speak to Fantom Foundation CEO Michael Kong to find out more... Supporting links Fantom Andy on Twitter Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.
This week the Cru look forward to a life well-lived; look backward in a vivid memory; and contemplate the meaning of the Curse of the Fire Ants. From Brewer's Dictionary of Phrase and Fable: The (Cruel) Fates. The Greeks and Romans supposed there were three Parcae or Fates, who arbitrarily controlled the birth, life, and death of every man. They were Clotho (who held the distaff), Lachesis (who spun the thread of life), and Atropos (who cut it off when life was ended); called "cruel" because they paid no regard to the wishes of anyone.
ตัวที่ 120 หนึ่งในสามจากพี่น้อง Moirae หรือ Sisters of Fates แห่งตำนานกรีก
Join me on this episode as we discuss the remedy Lachesis and why the keyword to remember is LOQUACIOUS. I will share some personal examples of how I have used homeopathy in my home this week to help myself and my family's allergies. I will also share some of the benefits of fermented foods and the main fermented foods we consume in my home. Including yogurt, sauerkraut, sourdough and kombucha. Feel free to reach out to me with any questions or comments at honesthomeopathypodcast@gmail.com I would love to hear from you and for us to journey together! This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app Allergy Remedy: https://www.boironusa.com/product/rhinallergy-tablets/ Fermented Foods Podcast: https://www.westonaprice.org/podcast/247-whats-so-good-about-fermented-foods/ Home Summit Learning Opportunity: www.homeosummit.com --- Support this podcast: https://anchor.fm/honest-homeopathy/support
Michael joins us for a great dive in Fantom which, according to Michael, is a high-performance, scalable, and secure smart-contract platform. It is designed to overcome the limitations of previous-generation blockchain platforms. Lachesis, its revolutionary aBFT consensus mechanism, allows Fantom to be much faster and cheaper than older technologies, yet extremely secure. We learn why DeFi developers like Andre Cronje (known from Yearn Finance and other notable projects) have been spending time here building and much more.
Zeus ist nun der Herrscher auf dem Olymp. Er verteilt die Macht und hat ganz besondere Strategien, um seine eigene Macht zu sichern... Für Hinweise oder Feedback schreibt mir gerne auf: www.chaoskinderpodcast.wordpress.com oder an: chaoskinderkontakt@gmail.com Instagram: @chaos.kinder Spenden könnt ihr hier: PAYPAL In dieser Folge: Zeus, Hades, Poseidon, Hestia, Demeter, Hera, Metis, Rhea, Themis; Horen: Dike, Eunomia, Irene; Moiren: Klotho, Lachesis, Athropos; Aphrodite, Ares, Hebe, Eileithyia. Sonstiges: Olymp, Nektar und Ambrosia, Achilles, Styx, Kreta, Zypern.
Zeus ist nun der Herrscher auf dem Olymp. Er verteilt die Macht und hat ganz besondere Strategien, um seine eigene Macht zu sichern... Für Hinweise oder Feedback schreibt mir gerne auf: www.chaoskinderpodcast.wordpress.com Spenden könnt ihr hier. In dieser Folge: Zeus, Hades, Poseidon, Hestia, Demeter, Hera, Metis, Rhea, Themis; Horen: Dike, Eunomia, Irene; Moiren: Klotho, Lachesis, Athropos; Aphrodite, Ares, Hebe, Eileithyia. Sonstiges: Olymp, Nektar und Ambrosia, Achilles, Styx, Kreta, Zypern.
#SHIBA #FANTOM #BITCOIN #CRIPTOMONEDAS Fantom es una cadena de bloques de capa 1 que utiliza una sola capa de consenso para respaldar la creación de múltiples cadenas de ejecución. La capa de consenso independiente de la red llamada Lachesis, que presenta un mecanismo de consenso novedoso desarrollado por la Fundación Fantom denominado "Protocolo Lachesis". Lachesis puede proporcionar seguridad a muchas otras capas, la primera de las cuales es la cadena de contrato inteligente compatible con EVM de Fantom llamada Opera. El objetivo del proyecto es albergar un ecosistema de capas de ejecución al mismo tiempo que les permite ofrecer transacciones rápidas y rentables debido a los beneficios proporcionados por el Protocolo Lachesis. Historia La Fundación Fantom ha construido un nuevo modelo para llegar a un consenso sobre las transacciones llamado motor de consenso Lachesis (o protocolo Lachesis). Utiliza un algoritmo basado en gráficos acíclicos dirigidos (DAG) para lograr la tolerancia a fallas bizantinas asíncronas (aBFT). Lachesis tiene cuatro cualidades clave: Asíncrono: los participantes tienen la libertad de procesar comandos en diferentes momentos Sin líder: ningún participante juega un papel "especial" en la producción de bloques Tolerancia a fallas bizantina: admite un tercio de los nodos defectuosos Finalidad casi instantánea: las transacciones se confirman en 1-2 segundos. Fantom ha implementado Lachesis como una capa de consenso que puede extenderse a capas adicionales dentro del sistema. El ecosistema Fantom eventualmente puede consistir en múltiples capas de blockchain con Lachesis en el centro. La primera capa adicional dentro de Fantom fue Opera, una plataforma de contrato inteligente compatible con EVM que se lanzó en diciembre de 2019. Opera es una capa de prueba de participación (PoS) cuyo conjunto de validadores usa Lachesis para validar transacciones y producir nuevos bloques. Ahora presenta varias aplicaciones de finanzas descentralizadas (DeFi), incluidas SushiSwap y Curve. En mayo de 2019, Fantom anunció que trabajaría con Binance Chain para mejorar la interoperabilidad mediante la creación de un ecosistema de múltiples activos y cadenas cruzadas. Esta iniciativa de activos múltiples introduciría varios estándares de token nuevos en Fantom, incluidas las versiones Fantom de ERC-20 de Ethereum y BEP-2 de Binance Chain. Estos estándares preparan el escenario para la integración de aplicaciones populares de Ethereum en Opera a principios de 2021. La Fundación Fantom ha centrado su atención en los casos de uso de DeFi con la ayuda del fundador de Yearn Finance, Andre Cronje, quien se desempeña como asesor técnico de Fantom. Andre ha asesorado y ayudado a promover los esfuerzos de múltiples cadenas de Fantom, como el lanzamiento del puente de Fantom a Ethereum. #BTC #CRIPTO #CRIPTOMONEDAS #CRYPTO #CRYPTOCURRENCY #DEFILLAMA #WHALES
Good morning! Somehow I manage to fly over entire rabbit hole worlds of topics this morning as I talk about everything from what DeFi 2.0 is, to a bunch of various different OHM forks on various blockchains, to getting into Fantom and talking about Hashgraph, Lachesis, DAGs, aBFT, and then I spend a little time reading comments comparing Hedera Hashgraph and Fantom. Is Fantom susceptible to a lawsuit by the big, bad Hedera? Sources: https://hectordao.com/ https://app.hectordao.com/#/stake https://wiki.rugdoc.io/docs/how-to-connect-metamask-with-the-fantom-network-ftm/ https://fantom.foundation/ https://fantom.foundation/ftm-staking/ https://fantom.foundation/lachesis-consensus-algorithm/ https://coinguides.org/fantom-network-metamask-ftm-chain/ https://www.paypervids.com/fantom-ftm-vs-hedera-hashgraph-hbar/ https://www.reddit.com/r/hashgraph/comments/lp1xdf/hedera_hashgraph_vs_fantom/ https://hazelcast.com/glossary/directed-acyclic-graph/ https://101blockchains.com/hashgraph/
In this episode we will be looking at the history, folklore and mythology surrounding spinning and weaving. Hear about Valkyries weaving bloody tapestries, how the sun is linked to spinning , why it is advisable to rest sometimes and what terrible things may befall you if you don't. Sources: Christopher Dyer, 'Making a Living in the Middle Ages: The People of Britain 850-1520' (2002). D.L. Ashliman, 'Superstitions from Europe' https://www.pitt.edu/~dash/superstition.html Donald Haase, 'The Greenwood Encyclopedia of Folktales and Fairy Tales: Q-Z' (2008). Freyalyn Close-Hainswoth, 'Spinning a Tale: Spinning and Weaving in myths and Legends' https://folklorethursday.com/folklife/spinning-a-tale/ Gunnvôr Silfrahárr, 'Women and Magic in the Sagas: Seidr and Spa' http://www.vikinganswerlady.com/seidhr.shtml Gunnvôr Silfrahárr, 'Valkyries, Wish Maidens and Swan Maidens' http://www.vikinganswerlady.com/seidhr.shtml Icy Sedgwick, 'Spinning in Folklore: Impossible Bets and Crafting with the Fates' https://www.icysedgwick.com/spinning-in-folklore/ John Martin Crawford, 'The Kalevala: Rune VIII Maiden of the Rainbow' https://www.sacred-texts.com/neu/kveng/kvrune08.htm Lisa Schnaidau, ' Botanical Folk Tales of Britain and Ireland' (2018). Marianna Vertsman, 'Kikimora, Domovoi, Baccoo, and Other Strange and Spooky Creatures', https://www.nypl.org/blog/2015/10/30/scary-creatures-world-folklore Mark Norman, 'Telling the Bees and other Customs: The Folkloer of Rural Crafts' (2020). 'Njal's Saga', trans. Magnus Magnusson and Herman Pálsson (1960). Ronesa Aveela, 'A Study of Household Spirits of Eastern Europe' (2018). Transcript: Pohyola's fair and winsome daughter, Glory of the land and water, Sat upon the bow of heaven, On its highest arch resplendent, In a gown of richest fabric, In a gold and silver air-gown, Weaving webs of golden texture, Interlacing threads of silver; Weaving with a golden shuttle, With a weaving-comb of silver; Merrily flies the golden shuttle, From the maiden's nimble fingers, Briskly swings the lathe in weaving, Swiftly flies the comb of silver, From the sky-born maiden's fingers, Weaving webs of wondrous beauty. Hello, welcome to the History and Folklore podcast, where we look at different folk beliefs through history and how these beliefs shape people's perceptions of nature. Today we're looking at spinning and weaving, why these crafts were important to people in the past and how they are depicted in folklore and mythology. Spinning is one of the oldest crafts. Very early in human history, as far back as ten thousand years ago, people learned how to get fibre from plants and would twist it between their fingers to strengthen it, creating string that could be used for tools and weapons. The first items that were used to facilitate this process were simple stones and sticks that were used to wind the twine. At some point these were combined together to make spindles, one of humanity's oldest tools and one that has been found in nearly every culture across the world. In the neolithic period, as people started developing settled communities, the methods of spinning and and working with fibre also developed. Looms could be used to weave large pieces of fabric that could be used for clothes, blankets and sails for boats. Sheep began to be kept domestically on farms, and their fleece was used to make wool. The fact that both of these skills became so widespread across the globe at such an early point indicates how integral these skills were to humanity. They enable us to make clothes to stay warm and protected from the elements, make nets and traps for hunting, rope and sails for ships, rope to pull heavy loads and string to fix blades and handles together to make weapons and tools. Despite its importance, spinning was considered to be a low-skilled activity and, with a distaff, the stick used for holding the unspun fibre, tucked into a belt or under the arm, a spinner could produce yarn while doing other tasks. It takes a lot of time to make enough yarn for your needs and there are medieval images of rich and poor women spinning while sat chatting together, while riding on horses, caring for children and feeding the chickens, among other activities. It is apparent that at some point in European history spinning came to be seen as a predominantly female activity, unlike weaving which was considered to be more skilled. Anthony Fitzherbert, in his book of husbandry, states that it was not really possible to make a living from spinning, but that ‘it stoppeth the gap.' Weaving, on the other hand, was a respected and established industry as shown by the existence of weavers guilds in larger towns by the twelfth century. The strong connection between women and the work of spinning is probably most well known through the term ‘spinster' to describe older, unmarried women. This term often has negative connotations and has historically been used as an insult. The association between women and spinning seems to have been strongly entrenched by the late 1300s, with the English Lollard priest John Ball stating in a sermin in 1381 ‘when Adam delved and Eve span, who was then the gentleman?', alluding to gendered work after the loss of Eden, despite no mention of Eve spinning in the Bible. It has been argued that while spinning was predominantly done by women, it was probably not solely their domain, and it was likely men working in jobs such as travelling traders or shepherds would have been spinning to help meet the large demand for yarn. Unsurprisingly, as an important part of culture and society, many superstitions, taboos and celebrations developed around spinning and weaving. It was forbidden to spin or weave during certain times of the year - the exact taboo days varied across Europe, but they tended to be on particularly certain holy or rest days, with the longest taboo on spinning being over the twelve days of Yule. In Iceland it was expected that all spinning, weaving and sewing chores were completed by the end of this year, an expectation reflected in the tales of the Yule cat, who would eat children who had not received a new piece of clothing for Christmas - a sign that these jobs had remained uncompleted. In England this period of rest over Christmas ended on the 7th January, known as distaff day, when women picked up their spindles to work again. Although according to a seventeenth century poem this day was probably only slightly productive, as the men and women would play pranks on each other to impede the work - the men setting fire to the flax and the women throwing water over the men in retribution, a sign that the return to work was not necessarily an enthusiastic one. In many areas spinning during these taboo times was assumed to invite the wrath of a deity. In Romania spinning and other domestic activities were forbidden on Tuesdays, a semi-holy day in honour of a deity named Martolea. Those who were caught spinning on this day may have their guts ripped out and spread around their home or their husbands and children killed or possessed by a demon-like entity. Assuming that these traditions were developed to enforce rest periods from a task that was important and ever present it says something about the importance of the task that meant they needed such strong disincentives to stop. Other superstitions upholding these taboos and times of work were less severe. Spinning on a Good Friday would cause your fingers to become inflamed. In Germany not putting your spinning away on a Saturday evening ready for the Sunday rest would cause it to tangle, while any spinning left undone by the end of Saturday would ruin any leftover flax, making it impossible to spin or bleach. In this case the superstition was to encourage good time management, hard work and good housekeeping. Similarly in Slavic countries it was said that a type of household spirit known as a kikimora would come and tangle any textile crafts left out overnight. While in these instances leaving spinning out overnight is punished in some way, there is another German superstition that says that if someone gets up from a spinning wheel without loosening the thread, an elf will sit and begin spinning on it. The elf will not be seen, but the spindle will be heard whirring by itself. Traditional accounts of spinning in fairy tales often reflect the real life attitudes and folklore surrounding the craft. Characters are often shown spinning to represent their industrious and domestic nature. For example, in the Grimms tale of Mother Holle, the sister who gets rewarded for her hard work finds Mother Holle's realm by spinning so much her fingers bleed, thereby dropping the spindle into the well that leads to her domain. Another Grimm tale spindle, shuttle and needle tells of an orphan girl who is left these three instruments by her grandmother after her death, using them to scrape by a living. When the King visits the village searching for a bride who was at once richest and poorest. He comes across the orphan spinning, but leaves when she shyly looks away. She remembers the rhyme taught by her grandmother "Spindle, my spindle, haste, haste thee away, and here to my house bring the wooer, I pray." her spindle magically flies out of her hand to follow the king, who follows it back to find her house beautifully decorated by the shuttle and needle. He declares her both poorest and richest through her skills and proposes marriage. Other tales recall assistance in the tasks of spinning and weaving by the fairy folk. One tale from the Isle of Man tells of a young woman who is given an impossible amount of spinning to do by her employer, but who manages to achieve it with the help of the fynoderee, the fairies native to the island. In the tale of Rumplestiltskin, a woman is imprisoned by a king after her father boasts she can turn straw into gold. This is not an entirely outlandish claim when looked at metaphorically, as a skilled spinner could turn straw-like plant fibre into fine yarn that could be used for weaving, and was worth far more than its original form. Taken literally, though, the task is impossible and Rumpelstiltskin agrees to help the lady in return for her first born child, a deal she gets out of after correctly guessing his name. A similar story is the Norwegian tale of the three sisters, in which a king hears other people's claims about a young womans spinning and agrees to marry her if she can prove that these claims are true. This is unfortunate for the young woman as she actually has no idea how to do either. She is spotted weeping by three old women, who agree to help her at her task if she recognises them as her aunts at her wedding. When the wedding day comes the three old women arrive and, acknowledging the widespread alarm at their ugly appearance and the disbelief that they could possibly be related to the beautiful bride, claim that it was their years of hard work spinning and weaving that hunched their backs, wrinkled their faces and shortened their sight. Upon learning this the king decreed that his wife should never spin or weave again, despite her obvious skill, to maintain her beauty - letting her off the high expectations that had been set for her. In other tales it is the act of spinning itself that holds the wonder and magic. In the tale of the six swans a young girl is only able to lift a spell that is placed upon her brothers, turning them to swans, by silently spinning and sewing them shirts made of nettles. It is also unsurprising that many deities were associated with spinning and weaving, considering their importance. The Finnish Kalevala, compiled in the nineteenth century from oral folklore, contains a number of references to spinning and weaving, such as in the poem Rune 8 quoted at the start of this episode. In northern Europe sun and moon deities seemed to have a link to these crafts. The Sami goddess Beiwe, whose name derives from the regional word for the sun, was closely associated with spinning and flax and spinning wheels are left as offerings to her during major festivals. Similarly, in Baltc countries the sun goddess Saul is said to spin sunbeams and is represented by a spinning wheel. In this region spindles made from amber, known locally as sun stones, have been found in graves, further suggesting a link between the two, while in Finland the moon Goddess Kuutar spins and weaves golden yarn. Further south, in Ancient Greece, Ariadne, the granddaughter of the sun God Helios, was said to have spun the thread used by Theseus in the Minotaur's labyrinth, while Athena was so proud of her weaving she turned Arachne into a spider for challenging her skill. Interestingly, I was not able to find any European gods of spinning or weaving, reinforcing the feminine link with these crafts. Spinning and weaving were so integral to society that they were both used as a metaphor or lens through which to understand the world. In Plato's republic he likens the axis of the universe as a spindle with the starry heavens as a whorl that spins round the centre. Telling stories, the means through which people communicate and explore ideas to understand the world, are also often referred to as ‘spinning yarns' possibly because women would tell each other tales when they got together to spin, a theme found in the fifteenth century collection of stories named the spinners tales, framed through the motif of ladies telling each other the stories as they spin, in a similar manner to the Canterbury Tales and the Decamaron. Stories, and lives are also sometimes seen as a tapestry, with the individual strands of a single life woven tightly together, influencing the pattern of the whole. In some mythologies the deities responsible for the fates of gods and humans are spinners and weavers. In Ancient Greece the three fates worked the fibre that shaped a person's life. Clotho spun the thread of life, Lachesis measured its length and, in some versions spun it into a tapestry, and their sister Atropos cut the thread to mark the end of life. In Norse mythology, the three Norns cared for and lived at the base of the world tree Yggdrasil, that connected the nine realms. Together they spun the threads of fate, determining who's life thread was cut short. In The First Lay of Helgi Hundingsbane, found in the Poetic Edda, the Norns visit Helgi Hundingsbane at his birth and wove the golden threads of the web of fate to determine the shape of his life. The Valkyries were also known for their weaving abilities. While these entities are often seen as warrior women due to their association with battles and their role of carrying the slaughtered to Folkvangr or Valhalla but this is not either primary role in early literature. Often they were portrayed as having a role not dissimilar to that of the Norns, watching over the battle, weaving the fates of those fighting. The epic Beowulf tells of the valkyires crafting the weavings of victory. The Skaldic poem Darraðarljóð, found in the eleventh century Njal's saga describes twelve valkyries weaving the fate of warriors in battle. This poem goes into quite gruesome detail saying. ‘Blood rains from the cloudy web, Of the broad loom of slaughter. The web of man, grey as armour, Is now being woven; the Valkries Will cross it with a crimson weft. The warp is made of human entrails, Human heads are used as heddle wights, The heddle rods are blood-wet spears, The shafts are iron bound and arrows are the shuttles, With swords we will weave this web of battle.' I find the conflicting attitudes to these skills, but particularly spinning, to be absolutely fascinating. Both were obviously important skills to ensure people remained clothed, and also as a means of gaining a source of income. Vast quantities of yarn and cloth were needed to meet the needs of society, yet rest days were enforced with such conviction that horrors were threatened to those who ignored them. Those who span and wove were considered to be industrious, virtuous and ideal wife material, yet the skill of spinning in particular was not particularly valued outside of this. Spinning was in some ways such a low status activity that the word spinster was used as a pejorative insult towards women who had passed the expected age of marriage without a husband, and yet was the primary skill held by the very deities that maintain life on earth and controlled the lives and fates of men. Thank you for listening to this episode of the History and Folklore podcast. I hope you enjoyed it and found it interesting. An extra thank you goes to my patreons Robin, DD Storyteller, the Fairy Folk Podcast, Louise, Ben, John and David. Patrons help pay towards the cost of running the podcast and are greatly appreciated. If you would like to support the History and Folklore Podcast tiers range from £1-£3 a month in exchange for benefits including early access to podcast episodes, a monthly zine with more in-depth information about the topic of that month's episode and a chance to vote on the next month's episode theme. You can also follow the podcast on Instagram at history and folklore, twitter at HistoryFolklore and Facebook at the History and Folklore podcast where I post hopefully interesting history and folklore facts pretty much daily and answer any questions or feedback. Thank you so much for listening, and I look forward to seeing you next time.
With your whole will surrender yourself to Clotho to spin your fate into whatever web of things she will.----------Plato: The Republic, Book X... the distaff rotates on the knees of Necessity … and seated around, at equal interval, three, each upon a throne, daughters of Necessity, in white garments, with wreaths on their heads, Lachesis, Clotho, and Atropos, the Fates, singing to the Sirens' song; Lachesis, the past: Clotho, the present: Atropos, what is to be.----------If you have questions, comments, or feedback, I would love to hear from you! Please feel free to contact me at rabbischneeweiss at gmail.----------Stoic texts:The Meditations of Marcus AureliusLetters from a Stoic Master (Seneca)The Discourses of EpictetusThe Enchiridion (Handbook) of Epictetus----------Patreon: https://www.patreon.com/rabbischneeweissYouTube Channel: https://www.youtube.com/user/rabbischneeweissBlog: https://kolhaseridim.blogspot.com/Twitter: https://twitter.com/rmschneeweiss"The Mishlei Podcast": https://mishlei.buzzsprout.com"The Stoic Jew" Podcast: https://thestoicjew.buzzsprout.com"Rambam Bekius" Podcast: https://rambambekius.buzzsprout.com"Machshavah Lab" Podcast: https://machshavahlab.buzzsprout.com"The Tefilah Podcast": https://tefilah.buzzsprout.com
This episode on Strangers' Fiction Violet, Jasmine, Dan and Casey are playing Lasers & Feelings, GM'd by Cassidy.The raptor receives a distress signal from a nearby Vyres Hive, they are under attack by Goodland Reeves ships (Adonis, Lachesis, and Nausicaa). The GRN is attempting to blow up the void crystals on their asteroid, to shatter the asteroid and the hive onto a nearby Pan-Galactic CO farming planet. When the wreckage crashes down the Hive will be scared and separated, unable to respond to the psionic commands of the hive Regent. It would lead to slaughter all around.The Crew of the Raptor is out in space, scanning for a nearby corporate dealings to skirmish.ReshVioletCassidyJasmineDan
Is there such a thing as fate, or is fate simply the whipping-boy of human experience, a catch-all for what we cannot explain? The Mirriam-Webster Collegiate Dictionary defines fate as "that which remains destined to happen." Our English word comes from the Latin fatum which meant something ordained from the gods. It grew out of a story from Greek mythology which involves three goddesses. The first, Clotho, or the Spinner, was supposed to weave the thread of life while the second, Lachesis, or the Disposer of Lots, determined the length of the thread. It was the third in the trilogy, Atrophos, or the Inflexible One, who allegedly cut the thread of life causing fate to strike its sinister blow.
Our Western civilisation essentially goes back to ancient Greece. But yes there is Egypt, Sumeria and Anatolia in Turkey. However, Bill starts with the 'Fates' that were embedded in Greek & Roman Mythology, the three goddesses who preside over the birth and life of humans. Each person was thought of as a spindle, around which the three Fates (Clotho, Lachesis, and Atropos) would spin the thread of human destiny. We need to remember the word 'psyche', the ancient Greek word for Soul. This translates to a psychiatrist being, essentially a Soul Doctor - however in Western medicine Soul has been lobotomised out of the medical vernacular. Science does not educate us in the spiritual realm as - if it cannot be measured and quantified, it does not exist. If we go to Wikipedia - (which sadly is not the resource it could be) there are on earth today 7.8 billion humans of which ‘supposedly’ these numbers below show, that: 2.4 billion are Christian 1.9 billion are Moslem 1.2 billion are Hindu 0.5 billion are Buddhist .394 Million are China Traditional and 1.2 billion Secular[a]/Nonreligious[b]/Agnostic/Atheist https://en.wikipedia.org/wiki/List_of_religious_populations So with Christianity and Islam betwen them - there are 3.3 billion adherents who would beleive that they are going to live beyond this mortal life. That in scripture in the first book of the Bible in ‘Genesis’ we learn about ‘soul’. That Hindu and Buddhist also believe in an afterlife solely because they (like other minor religions and sects) believe in an essence / consciousness that leaves one body and after a time enters the baby of another human body. https://en.wikipedia.org/wiki/Afterlife So there is a very considerable number of humanity who believe in a soul essence that inhabits the human body. That is most definitely spiritual in nature and that science does not want to utilise the vast number of 25,000 universities planet round to further research this perennial doctrine that has been embedded in all world religions, beliefs and cultures. Yet, there are now thousands of recordings over the last hundred years of 'Out of the body' and 'Near Death' experiences everywhere on planet earth. Even doctors and professors and hard core atheists have experienced them - however the ‘medical establishment’ only sees the human body as a physical machine made of flesh, bone and organs. So they still refuse to take this step. Science has made up its mind that ‘nothing’ exists. This subject of ‘out of the body’ and ‘near death experiences’ is one of the more divisive questions on earth. For there are many who have been brought up to believe that we are only a body that has evolved by chance via Dawinian evolution. This idea consolidated when science later added on the fluke of the big bang bringing all into existence. Even God was taken out of the equation. That when we reduce the human body down to its constituent components you will find no evidence whatsoever of a soul or a spirit. The non theist - better known as an atheist will argue and battle this subject out even though people who have OBE and OTB experiences can tell you what their parents were doing, wearing and saying - even though they lived in another country at that exact time - they will argue vehemently that it is all a hallucination and that these ‘other’ facts don't matter. For some unknown reason the disbelievers will in most cases not give up until they expire on their last out-breath. Though we did not cover this in any depth at all, Bill mentioned that C S Lewis said - we don't have a soul - we are a soul - to which I heartily agreed and when looking for this quote on the web, I find that C S Lewis never mentioned it - so we apologise for this. Here is the link: https://www.firstthings.com/blogs/firstthoughts/2014/01/the-spiritualist-origins-of-you-dont-have-a-soul-you-are-a-soul Tim mentions that we are being dumbed down as a society and a civilisation and that we are seeing the censorship of information - even that of the distant past is increasing, and it is hidden in plain sight. For example the Bible which was supposedly first written 3,400 years ago. See at the end of each quote that the word mutates from 'Soul' - to 'Being' - to living ‘Person’ - then to 'Creature.' With such a rapid change in description, will the next iteration become a - 'robot? I jest - however I trust you get the gist. www.kingjamesbibleonline.org › Genesis-2-7 The Bible "And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul." www.biblegateway.com › passage › search=Genesis 2:7 Then the LORD God formed a man from the dust of the ground and breathed into his nostrils the breath of life, and the man became a living being. Genesis 2:7, KJV: "And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living person." Genesis 2:7 NKJV - And then the LORD God formed the man of dust from the ground and breathed into his nostrils the breath of life, and the man became a living creature. https://www.bibleref.com/Genesis/2/Genesis-2-7.html Because of time constraints we did not cover anything from both Vedic and Egyptian writings. Though in the Vedas they mention Soul, because Ātman is a Sanskrit word that means inner self, spirit, or soul, being in the Hindu philosophy. Shaman and medicine men in indegenous cultures also believe in soul as their whole cosmology is grounded in this notion. A search for ‘sole’ on the web brings up: the spiritual or immaterial part of a human being or animal, regarded as immortal. emotional or intellectual energy or intensity, especially as revealed in a work of art or an artistic performance. The only Hebrew word traditionally translated "soul" (nephesh) in English language Bibles refers to a living, breathing conscious body, rather than to an immortal soul. This is interesting, because even Albert Einstein did not speak of the soul, unless it was in generic terms. What Bill focussed on was, what are the virtues of a soul and Bill talks of James Hillman - who has much to say on the soul https://thesunmagazine.org/search?search=james+hillman&with=section%2Ccategories%2Ccontributors&useShould=true&type=article Have a listen to what he says ... However in relating to today reality Bill says that the human species have in so many ways has lost its moral compass. He explains this … listen Also, Transhumanism comes up - that people who don’t believe in souls and eternal life are doing their best to build computers / robots so as to ‘house their consciousness’ - see Ray Kurzweil of Google to get an understanding. https://en.wikipedia.org/wiki/Ray_Kurzweil Bill also mentions that we are in a shift of consciousness that is happening and there is a huge cycle that we are all enmeshed in and that by 2027 we will see changes that we have not planned for. Listen There was much in this interview, Bill speaks of the challenges the human race has found itself in and offers up a way for us to heal our being. This healing Bill says is very important if we as a society are going to resolve our differences, and become well. The words karma and past lives come into this conversation - so I do suggest that you listen - it is only a 20meg download. What comes across is Bill’s duty of care and concern - he says that Bach Flower remedies are very good ways to heal our emotional realm and bring us back into our true self. Bach flower remedy tinctures - healingherbs.co.uk We also need to constantly remember that “we are spiritual beings having an earth experience”. There is an old First Nations saying that you can hear of in America - of an old Cherokee teaching his grandson about life. “A fight is going on inside me,” he said to the boy. “It is a terrible fight and it is between two wolves. One is evil – he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego.” He continued, “The other is good – he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you – and inside every other person, too.” The grandson thought about it for a minute and then asked his grandfather, “Which wolf will win?” The old Cherokee simply replied, “The one you feed.” So it is imperative that we have the ‘correct’ thought, right words, and right actions - as we chart our course in life. Captain Edgar Mitchell, 6th man on the moon had this to say ... God sleeps in the minerals, awakens in plants and walks in the animal and thinks in man … And the question is - what do you intuit is man’s next evolutionary-spiritual step? 13 Best Books on Near-Death Experienceshttps://www.joincake.com/blog/near-death-experience-books/ These books will give you an inkling of a great reality - however the subject of this interview was based on what is SOUL and do we have one? Extra: There is a new movie coming out this November called ‘Soul’ - it's a blend of Soul music that the Black community of America put their heart into when singing and playing music but it also covers another unique side by having a ‘discarnate’ soul floating around telling ‘his’ story that is totally integrated with the soul music of the main black character living in America . I have not seen it in its entirety - but the three trailers are very interesting. https://www.youtube.com/watch?v=d4zAAMpRe-Y Next Week’s Interview: Stephen Simon Producer of the film ‘Somewhere in Time’ with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced ‘What Dreams May Come’ with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr. On January 3, 2018, his wife and forever love Lauren suddenly passed away in her sleep. She was only 54. Six weeks later, Lauren began to communicate with him … and in October 2018, they started writing a book together. Wives, husbands, mothers, fathers, sons, daughters, grandparents, and many others have experienced communication with loved ones who preceded them beyond the veil that separates life and what comes after life. Many of you are having that experience now, and many more will experience it in the future. You... we... are most definitely not alone. Love and Aroha coupled with courage are our greatest gift.
Bushmasters are giant – egg laying vipers of Latin American Rainforests. Chris talks with friend Dr. Andy Whitworth about these amazing animals including their reproduction, predators, feeding, habitat, and conservation. But the conversation starts with stories of Pumas in the front yard of Andy’s remote rainforest home. They also discuss conservation of rainforests in Costa Rica and the nonprofit Osa Conservation’s role.
Gianmaria Finardi"Sine die"Eric ChevillardCronaca del confinamentoPrehistorica Editorehttps://www.prehistoricaeditore.it/L'ho chiamato Lachesis. È un bel nome, trovo, per un ragno. Da qualche giorno, al fine di rompere il mio isolamento e non limitare le interazioni affettive ai tre membri della mia famiglia reclusi con me, ho iniziato ad addomesticarlo. Il suo filo di seta è l'ultimo legame che mi tiene attaccato al mondo […]. Mi capita di rimanere tutta la notte seduto in bagno a raccontargli la mia vita, a confidargli i miei tormenti, angosce, dispiaceri, ambizioni, non mostra mai alcun segno di impazienza lui.Storicamente, in corrispondenza di eventi straordinariamente tragici, persino la più superficiale e cinica delle società torna a interrogarsi sulla necessità dei propri fondamenti, rivolgendosi ai grandi pensatori. Così è anche per il confinamento a oltranza, dettato dall'emergenza covid-19, che sta mettendo e metterà a durissima prova la tenuta della popolazione planetaria. Proprio in questo periodo, una Francia sconcertata ha guardato alle cronache quotidiane di Éric Chevillard – date alle stampe inizialmente presso "Le Monde" poi sul seguitissimo blog dell'autore.Approfondendo il solco tracciato da Kafka e Beckett, con la sua penna affilata Chevillard sonda l'assurdità, la nausea, la noia, il dolore cieco di questi tempi nuovi. Prehistorica Editore presenta quindi per l'Italia –in anteprima mondiale– questa raccolta di cronache, quale doveroso e coraggioso tentativo di opporre una parola al silenzio.Éric Chevillard è nato nel 1964 a La Roche-sur-Yon e, come recita non senza ironia il suo sito, “ieri il suo biografo è morto di noia”. Si tratta indubbiamente di uno dei massimi scrittori francesi contemporanei, che ha saputo suscitare il vivo interesse di critica e pubblico, anche all'estero. Ideatore del fortunatissimo blog letterario, L'Autofictif, ha nel corso degli anni ottenuto diversi e prestigiosi premi, come il Prix Fénéon, Il Prix Wepler, il Prix Roger-Caillois, il Prix Virilo e il Prix Vialatte per l'insieme della sua opera. Molti dei suoi capolavori sono tradotti, in inglese, spagnolo, tedesco, russo, croato, romeno, svedese e cinese. Nel 2013, la traduzione di un suo romanzo, Préhistoire (1994; Prehistoric Times), si è aggiudicata il Best Translated Book Award – premio statunitense assegnato dalla rivista “Open Letters” e dall'università di Rochester. Ha scritto oltre venti opere - volendo menzionare solo i romanzi - pubblicate dalla leggendaria casa editrice francese Les Éditions de Minuit, diventata grande con Samuel Beckett e il Nouveau Roman. Sul riccio è il primo testo in assoluto pubblicato da Prehistorica Editore, ed è a oggi il terzo romanzo dell'autore edito in Italia: tutti sono stati tradotti da Gianmaria Finardi.Gianmaria Finardi, il traduttore di questo libro, è dottore della ricerca in letteratura francese ed editore. I suoi lavori si concentrano principalmente sulla semiotica e l'ermeneutica, per estendersi alla critica letteraria, sino agli aspetti teorici della traduzione. È autore del blog di Prehistorica Editore, Incisioni del traduttore. È il traduttore, in Italia, di tutte le opere di Éric Chevillard.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
The Legends, free of being on Fate created TV shows, reach out to Charlie to let her know they are ready to take down the Fates. Charlie declines and says her sisters are too powerful. The Legends proceed anyway and try to destroy the Loom. When Atropos shows up to stop Sara, Constantine and Astra in the Loom room, Sara fights her while the other two try to destroy the Loom. When Constantine starts struggling, Sara launch Atropos into the Loom and destroys it. The team gets picked up by the rest of the Legends in the Waverider (which is running without Gideon). The team jumps ahead a few months and comes out to bask in victory only to find out that the Fates are still in control. The eldest Fate, Lachesis, is now controlling the world through smart watches that transmit the Loom. The Legends try again to get Charlie to help but she passes. The rest of the team go to take on Lachesis and learn that the Loom was destroyed. Instead. Lachesis is using Gideon to run the smart watches and control humanity. The Legends start fighting Lachesis who has brought Encores with her to do the fighting. Lita finds Charlie and convinces her that rejoining the Legends and stopping Lachesis is the right thing to do. While the Legends deactivate Gideon and free the populace, Charlie finds Lachesis and instead of destroying her, apologies for her actions and tells Lachesis that they both have a chance as humans to embrace the chaotic nature of life. With the threat ended, Zari 1.0 realizes that her being alive is causing Behrad to be torn apart by dueling timelines. To save him, Zari 1.0 decides to return to the totem. Zari says her goodbyes to the Legends and dissolves back to the totem. The Legends celebrate their victory by heading back to the 70’s and watching Charlie play with her band, the Smell. Afterwards as the Legends leave, Charlie tells them that she is going to stay and live her life there. Sara tells her if she ever needs the Legends that they will be there for her. As Charlie returns to the bar and the Legends returning to the Waverider, no one notices Sat being abducted by an alien spaceship that takes off into space. Frank Moran (@happygojackie) Dave Child (@MrDaveChild) -- Production Team AfterBuzz TV NetworksFollow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more After Shows for your favorite TV shows and the latest news in TV, Film, and exclusive celebrity interviews, visit http://www.AfterBuzzTV.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
It’s something that we all do on occasion — working longer hours than we should or thinking about work on the weekend. When our work-life filters into our personal lives, we often lose sight of what we want from our careers, and our ideas of success no longer look like our own. It’s at these points that we need to make a change. In today’s episode, Cassandra talks with Diana Morris, a clarity coach who helps millennials recognize what they want from life and then prepare them to work towards their potential. Diana shares her story about how she was over-invested in her job and about what it meant when she lost this job due to restructuring. She delves into how this was an opportunity to pause, reflect, and redefine her purpose on her own terms because, in pursuit of success, your mission can often be defined for you. In telling her story, Diana explores her role as a clarity coach — a business that she runs while also working as a university administrator. This episode is valuable both for those reevaluating their career goals and for those looking to transition from being a professional to a fully-fledged entrepreneur — a transition that Diana is currently undergoing herself.Key Points From This Episode:Diana talks about the link between her professional and entrepreneurial life. After getting laid-off, Diana realized that your purpose can be defined for you.Diana’s lesson that caring shouldn’t come at the cost of personal neglect.Diana’s mission is to help people define their aspirations and to then root them in reality.Why over-investment in your job prevents you from following your personal mission. Learning to recognize your natural affinities as unique and marketable strengths. Diana’s advice to people in a state of transition; stop and define what success means to you. How figuring out your mission will give you guidance. Diana’s final message — the world needs what you can offer, just ask for help along the way. Tweetables:“If you don’t define your own mission, then it gets defined for you.” — Diana Morris [0:10:31]“I was so invested and dedicated in their mission, that I forgot my own.” — Diana Morris [0:14:52]“Entrepreneurs or creative people are so used to their strengths that they don't recognize them as strengths.” — Diana Morris [0:23:35]“Take a moment to pause and find your own voice — and define your own version of what success looks like.” — Diana Morris [0:28:41]“It’s very easy to say ‘one day I’ll do this’. But it’s presumptuous to think that you’ll get there. Rather use the time that you are guaranteed.” — Diana Morris [0:30:04]“Figure out what it is that you actually want and let that be the guide that you need.” — Diana Morris [0:30:36]Links Mentioned in Today’s Episode: Diana Morris Diana Morris on Instagram Diana Morris on TwitterDiana Morris on LinkedinDiana’s book — Lachesis' Allotment
At Home. In God. A sermon preached by Rev. Ginger Gaines-Cirelli for Foundry UMC May 17, 2020, the sixth Sunday of Easter. “Life Interrupted” series. Text: Acts 17:22-31 In this moment in our shared life, people are suffering in many different ways. People are suffering the ravages of COVID-19 in their bodies, people are grieving deaths of loved ones to the disease, people are losing their jobs, losing their homes, are without access to healthcare or insurance, are falling into addiction, reeling with anxiety, paralyzed by depression. People are grieving losses of all kinds, even as they continue to grapple with everything that comes with being human—messy relationships, vulnerable bodies, weighty responsibilities. Siblings of color have this collective grief compounded by exhaustion and rage in the face of ongoing, often unchecked, acts of racial aggression in our society. People of conscience who have more resources and privilege add guilt to their grief plates as they wonder, in light of what others are going through, whether it’s OK to admit that they’re struggling, too. And as is always the case, the poor and marginalized will continue to carry the brunt of the suffering; the ones already on the edge will be the first ones to fall. Over the past many weeks, as we’ve been grappling with life interrupted by grief and suffering, I wonder how many times I have proclaimed “we are not alone,” “God is with us,” or “No matter where you are or what you’re holding, God’s with you there.” How or why, with so much that could be argued to the contrary, can I make such an affirmation? I must admit that, at times over the past months, I’ve felt I needed to explain or even apologize for repeating it so often. I’ve wondered how many folks receive my assurance of God’s abiding presence and just get angry—because they don’t perceive that presence or feel that God has broken the promise and abandoned them. If that resonates with you, be assured of this: you share in a time-honored reaction—at least if our scriptures are any indication. There are moments in our lives when we join an ancient chorus and cry out to God—“Where are you??” “How long will you leave me alone?” And yet, alongside this refrain, another song rises, telling stories of an ever-present God. This God is not a fairy tale, a narrative projection of the human psyche, a divine ATM machine, a macho bully, or a nebulous ball of energy. This God acts concretely in history, is relational, loving, and involved. Testimonies of this God include: The steadfast love of the Lord is present from generation to generation! God receives and responds to the cries of God’s people! Even if we try, we can’t escape God’s presence! God is with us and loves us and there is nothing we can do about it! This God proves the testimonies true by coming into the world in flesh as Emmanuel, meaning “God is with us.” Jesus reveals that “God is with us” in every experience of human relationship, joy, suffering, even death. And Jesus promises not to leave us orphaned, a promise fulfilled at Pentecost as Spirit appears with fresh energy and power in and among the disciples. It is because this particular God is the one I worship that I’m compelled to assure over and again, “You are not alone.” The highly educated, philosophically curious people of Athens in the first century of the Common Era knew many gods but not this God. The ancient Greek gods were each connected to different parts and energies of creation. These gods had desirable qualities and special powers but were involved in all sorts of internecine drama among themselves, and—unpredictably—exacted favor or vengeance on each other and upon humans. As with many ancient religious cults, it was a quid pro quo kind of spiritual economy. You wanted to keep your gods happy! So you honor them with statues of their likeness and bring presents to their temples to curry favor. The Greeks also had to grapple with the three goddesses called the “Fates.” Clotho (the spinner) spun the “thread” of human fate, Lachesis (the alotter) dispensed it, and Atropos (the inflexible) cut the thread (sets the moment of death). This strand of religious philosophy left humans powerless. Your fate was set and you just had to suffer through it. // Buzzing in and around all these idols were many lines of philosophical inquiry, including some mentioned earlier in the story, Stoicism and Epicureanism. It was into this religious, philosophical, and curious soup that Paul steps. After acknowledging the religiosity of the Athenians, he mentions a monument tucked among the many idols. This monument “To an unknown god,” may seem strange at first. Why would such a monument be needed? Well, if the goal was to keep the gods happy, what if you inadvertently missed one? This provides a space to cover your…bases… In any case, Paul uses this as his opening to share that while the Athenians may not know this God, this God knows them. Paul paints the picture of this God for them: This is the God who hurled the stars into orbit and stirred the seas to make waves, who gathered stardust into earth, scooped up those crystals into shapes of creatures, breathed into them and chanted, “Live!” This God, whose name you don’t know, has known you by name from the beginning. This God, bidden or unbidden is present with you. This is the God who is not divided into discrete energies of creation, but is the life-giving energy and breath of all things. (17:24-25) This is not a God of one people, one tribe, one nation, but is the Mother and Father of all nations. (17:26) This God knows you as a parent knows their child. This God has been loving and longing for you all along. And this God, as a loving parent, is not playing with you as though your life is a pawn in a game, is not demanding sacrifices in order to give you life and blessing, but freely and joyfully provides all that you need. As a loving parent, this God doesn’t cause you suffering but draws near to you when you suffer and cries with you. And the presence of this loving God, present and at work even without your knowledge, has revealed wisdom to your own philosophers who rightly expressed: “We are God’s offspring” and “In God we live, move, and have our being.” This is the God we search and long for as a child searching for a parent, as a river searching for the sea, as a traveler searching for home. Paul lays out this vision and then says, in essence, “Now you know! And you can choose to turn toward this God of life-giving love.” (17:30) That, after all, is what it means to “repent,” it means to turn toward love and life and mercy and grace, to turn away from the “idols” of your own making that may be beautiful, interesting, and even helpful in some ways, but that are ultimately unable to sustain you. You can turn away from the quid pro quo ways into which you’ve been indoctrinated, the ways of having to earn favor, grace, love. You can turn toward the God who loves you, whose mercies are new every morning, free of charge. You can turn away from the lie of uncaring Fates before which you have no power. You can turn toward a life of agency and creativity, participating in the mighty works of God’s mending and new creation in the world. You dwell in God and God dwells in you. And because you live and move and have your being in God who has proven to be the God of life through the resurrection of Jesus, you don’t have to fear death—because in life, in death, in life beyond death, we are in God. We are held in that steadfast, everlasting, eternal, present-before-the-world-was-a-thing love of a God who is the Lord of Lords. // The Athenians got to ponder and wonder about what difference this newly revealed God could make. What we believe about our God—the nature of our God, the presence or absence of our God, the desire of our God—makes a difference in how we live our lives. It determines how we form community and what we do and value together. If we believe that God is or should be formed in our image instead of the other way around, then our perspectives, desires, and prejudices will consistently, comfortably align with “God’s will!” (magic!) If we believe God is out to get us, we will live in fear and feel like victims. If we believe that God has to be paid off in order to love us, we will likely treat others as transactions, too. If we believe that the ways of God are separate from and hostile to scientific knowledge and the various arts of human discernment and understanding, then we can ignore information coming from those disciplines while claiming to be acting in faith. If we believe that God is our nation’s God and that God has destined our nation to be the best and baddest nation in the world and, further, that our nation is supposed to look, think, and worship one way, then we will dehumanize and devalue anyone or anything that hinders that vision—to the point of destruction—and we will do that in the name of God. I have written elsewhere, “In God we trust” may be written on our money, but our money serves other gods. There is growing proof that plenty of people who call themselves Christian worship at these altars.” Today we are reminded of the steadfast presence and love and life-giving power of YHWH, the God in whom we ALL live, move, and have our being. The particular God not of one tribe or nation but the God of all, who is not vengeful or prejudiced or partial toward any (Acts 10:34), who freely gives to all love and grace, who endows all of us with minds to use well and hands and hearts to offer one another in lovingkindness. A God who has given us in Jesus an example and teacher of what life in the Kin-dom looks like, and we seek to be formed by that God instead of the other way around. In this moment, formed in the God we know, and based on science, human study, and the teachings of our faith, our call is to love God and neighbor and that means privileging human health and life over other considerations and erring on the side of safety. This means staying home, wearing masks in public, washing our hands, sharing our resources generously if we have them so as to support those who are struggling in this time, asking for help when we need it, having patience with others, being gentle with ourselves, taking one day at a time, staying connected in healthy ways with other people—for their sakes and for our own, praying for and concretely supporting in any way we can our leaders, essential workers, and folks on the frontlines. And staying connected with God. That last bit is in some ways the easiest of all since the assurance is that we are always, already in God. There are many unknowns in this moment in our history. But one thing that is known for sure: You are not alone. We are not alone. God is with us. Thanks be to God. https://foundryumc.org/
Goooooooooo sisters! The girls start a sorority, Nate is corrupted by Dionysus and Mick bonds with his daughter. Constantine and Gary take a back seat in this episode. Entertaining as it was, there was not a lot of substance here. Aside from Lachesis calling in a chit with Astra. Contact Information If you want to join in the discussion, you can submit feedback via email to tomorowslegends@gmail.com. Please submit all feedback on Wednesday following the show. You can also join the Facebook group at facebook.com/groups/tomorrowslegends. And you can follow us on twitter @tomorowslegends. Extras Wikipedia Page with Air Dates and Show Titles
And the Encores return! Who would have thought? Not us! Lachesis and Atropos have figured out that Charlie is a companion of John Constantine and they track him down through time and space using his Hell coin. In an attempt to find the last piece of the Loom of Fate, Zari and Constantine are sent back in time and must work together to defeat the Encores and uncover the ring. Contact Information If you want to join in the discussion, you can submit feedback via email to tomorowslegends@gmail.com. Please submit all feedback on Wednesday following the show. You can also join the Facebook group at facebook.com/groups/tomorrowslegends. And you can follow us on twitter @tomorowslegends. Extras Wikipedia Page with Air Dates and Show Titles Enchantress DC Wiki Page
On this very special episode we sit down with She Scotia to talk about their ritual music and upcoming show on 12/21/19 in Portland, Oregon. They create and channel beautiful music but don't just take our word for it, we've including their song Crafting the Wyrd at the end of the episode so you too can fall in love like we have. Find She Scotia here: https://www.shescotia.com or on facebook or instagram @SheScotiaTo buy tickets to their first ritual show and event go here - https://www.eventbrite.com/e/she-scotia-solstice-ritual-show-tickets-82097984281Oh did you want lyrics too? Well here they are:Clotho, Lachesis, AtroposWeave our will into the fabric of becomingThe very thread of fate we are becomingWhat is your will....Lady Fates weaving the threads of timeHear our call, raise it's powerRelease the will of those gathered hereMagnify our intentManifest the Craft which brings us hereCast fate in our favorSpin, Measure, Cut...The spell is cast.The spell is done.So it is.So it is.So it is.
42 Fish swim into summer with great gusto! Funkadelic - Free Your Mind and Your Ass Will Follow Donna Lytle on the The Powell River Public Art Gallery and Lachesis Tino & Meat Beat Manifesto - Basic Beat Miche Braden & The Postmodern Jukebox - Old Town Road The International Languages Conference: https://www.fpcflanguageconference.com/ Songs for the Grads and Friends The Grateful Dead - Scarlet Begonia Reverand Billy and the Stop Shopping Choir: Can I shop Enough For Africa http://www.revbilly.com/ A tribute to Farmer Rob Mister Dobalina Farmer Rob, Bob Dobalina, you will be missed and remembered for a long long time Cousin.
"Do not be afraid; our fate Cannot be taken from us; it is a gift." — Dante Alighieri The three join to spin, measure and cut a handful of lives that span time and worlds. The Fool's Journey is designed by Cheyenne Wall-Grimes and published by Glittercats Fine Amusements. Check out our rules primer here. The Framing: We're assuming the roles of the three fates, Atropos, Lachesis, and Clothos and using the following script for our framing. One Player: We are the three, sometimes called women, sometimes goddesses, sometimes one who is three, sometimes three who are one. Those who have loved us call us the Graces, those who fear us the Furies. They have called us the Parcae, Matronae, the Norns, the Moirai, the Fates. 1st: The first of us, youngest and oldest, is Clotho - the spinner, who creates the thread from the raw stuffs 2nd: The second of us, the eternal and ever-changing, is Lachesis - the allotter, who measures the thread and tests its strength 3rd: The last of us all, the oldest and the youngest, is Atropos - the unturnable, who cuts the thread and marks the end. 1st: Sisters, we have come to the table to tell a life Hand each player a suit of cards and place the Major Arcana Aside 2nd: Sisters, we begin as all lives begin, a fool at the start and a death at the end Place the Death Card to the right and the fool card to the left, shuffle the rest of the arcana 3rd: Sisters, we will take measure of this life and test its integrity PHASE ONE 1st: Sisters, we can stir the pool before the child emerges. I choose to...2nd: Sisters, we can adjust the slope of the path before the child steps. I choose to…3rd: Sisters, we can darken the sky before the child opens their eyes. I choose to…PHASE TWO.UNISON: This life is spun, measured, and cut. The Tarot: We're using the Aquarian Tarot from David Palladini Find Joe DeSimone on twitter @iheartfargo Find John on twitter @LordJoho Find Ken on twitter @Berlingsbeard Follow us on twitter @boredghostworld Our Bored Ghost theme song is by the amazing Pat Cupples, see his band website Hotels and Highways. Bored Ghosts we hope you found some distraction from your eternity in the void this week!
"Once you make a decision, the universe conspires to make it happen." — Ralph Waldo Emerson The three join to spin, measure and cut a handful of lives that span time and worlds. The Fool's Journey is designed by Cheyenne Wall-Grimes and published by Glittercats Fine Amusements. Check out our rules primer here. The Framing: We're assuming the roles of the three fates, Atropos, Lachesis, and Clothos and using the following script for our framing. One Player: We are the three, sometimes called women, sometimes goddesses, sometimes one who is three, sometimes three who are one. Those who have loved us call us the Graces, those who fear us the Furies. They have called us the Parcae, Matronae, the Norns, the Moirai, the Fates. 1st: The first of us, youngest and oldest, is Clotho - the spinner, who creates the thread from the raw stuffs 2nd: The second of us, the eternal and ever-changing, is Lachesis - the allotter, who measures the thread and tests its strength 3rd: The last of us all, the oldest and the youngest, is Atropos - the unturnable, who cuts the thread and marks the end. 1st: Sisters, we have come to the table to tell a life Hand each player a suit of cards and place the Major Arcana Aside 2nd: Sisters, we begin as all lives begin, a fool at the start and a death at the end Place the Death Card to the right and the fool card to the left, shuffle the rest of the arcana 3rd: Sisters, we will take measure of this life and test its integrity PHASE ONE 1st: Sisters, we can stir the pool before the child emerges. I choose to...2nd: Sisters, we can adjust the slope of the path before the child steps. I choose to…3rd: Sisters, we can darken the sky before the child opens their eyes. I choose to…PHASE TWO.UNISON: This life is spun, measured, and cut. The Tarot: We're using the Aquarian Tarot from David Palladini Find Joe DeSimone on twitter @iheartfargo Find John on twitter @LordJoho Find Ken on twitter @Berlingsbeard Follow us on twitter @boredghostworld Our Bored Ghost theme song is by the amazing Pat Cupples, see his band website Hotels and Highways. Bored Ghosts we hope you found some distraction from your eternity in the void this week!
As a Frankenstein's Monster, Strideforth escapes into the churning underbelly of Carcos' more disreputable districts, only to be recruited by a mysterious organization with obscure intentions, which lead him to question his true nature...For upcoming live shows see www.unseenhour.com/live-shows.Written by James Carney, performed by him, Joey Timmins and Brice Stratford. Monologue written by Thomas Jancis and performed by Alice Osmanski. Guest musician: David Gunawardana. Produced by James Carney and Andy Goddard. Recorded Odinn Orn Hilmarsson and Ella Watts.@unseenhour
Joanne Clarkson was taught card reading as a child by her grandmother, psychic Esther Monson Erdman. Wanting to have a skill not practiced by other family members, in her early teens, she learned palmistry by reading every book she could find in the public library.Joanne has used her Insights throughout her life for self-fulfillment and to encourage others. With palm readings, she explores talents, tendencies and life paths. Using Tarot, she helps seekers answer questions, make contact, and reach a deeper understand of self and surroundings. Joanne is a Registered Nurse and enjoys writing poetry.Her book THE FATES contains 58 poems arranged into three sections, each headed by a poem about one of the three Fates or Morae from Greek mythology: Klotho who spins the thread of life, Lachesis who measures it and Atropos who snips it at the end.The point of the book is the exploration of ‘fate versus free will.’ How much control do we have over our lives? The character that occurs most frequently is her maternal grandmother, Esther, a Swedish immigrant, who was also a psychic medium. Her struggles, mental and physical, have often given Joanne poetic inspiration.The fact that her grandmother was a seamstress and a milliner as well as a card reader, ties in well with the stories of the Fates. Joannes work as a Hospice Nurse is also reflected in these poems as is the presence of death in her personal life. While hardship might seem prevalent, hopefully courage, love and beauty are truly the dominant themes. Joanne is also the author of THERE’S ALWAYS A MIRACLE dive into her years caring for the dying as a hoscpice nurse that changed her way of thinking about body and spirit.These pages contain twenty-four stories of ghosts and music and a failed GPS system. Of UFOs and convicts. Of a fateful traffic accident and imaginary roses. Five chapters from her personal life frame nineteen examples of how final moments become extraordinary. In this book, small coincidences make a great difference. Single acts of unselfish love let us know we are not alone in our sorrow and wonder.Check out her website at joanneclarkson.comMusic by Chronox, Kevin Mcleod and Spaceboy at spaceboymusic.com
Phillip Vercammen is a Belgian Blacksmith that has been invited to design a forged panel for the Ypres 2016 International Event in Belgium. What We Talked About Philip received a degree in 1986 for graphic design. He then went to the Academy of Fine Art in Brussels, Belgium for 7 years and received a Blacksmithing degree. Belgium is one of the only countries in the world that has an art school sponsored by the Government and it offers a Blacksmithing degree! Philip is now a teacher for the blacksmith program at the Academy. Besides teaching the skills and techniques of the craft he also teaches about the history of ornamental ironwork to his students. As a teacher, Philip encourages his students to draw every day to help enhance their own style and body of work. He thinks it is very important to sketch ideas out first and then make a scaled 1:1 drawing before going into the shop. Philip’s design for the Ypres panel has beautiful pointed tabs as connections that wrap around a rod. The tabs are part of three masks that are the main design of the panel. The three masks represent the three fates. Three sisters appeared in Greek and Roman mythology and were believed to “spin out” the destiny of a child at birth, through spinning the thread of life. Their names in Greek were Clotho, (“the spinner”), Lachesis (“the apportioner”, measurer) and Atropos (“the inevitable”, the cutter). He will make and bring very fine chisels to the Ypres event because his design involves a lot of fine cuts for the pointed tabs. Philip two grandfathers were involved with WW1, one worked in a war camp and escaped and the other grandfather was in the underground Resistance. Philip is also the editor of the Belgian Blacksmith Association’s newsletter that is released every three months, it is called “The Rivet”. The Association has around 200 members.
Slides Here: https://defcon.org/images/defcon-22/dc-22-presentations/Klafter-Swanson/DEFCON-22-Richard-Klafter-and-Eric-Swanson-Check-Your-Fingerprints-Cloning-the-Strong-Set.pdf Check Your Fingerprints: Cloning the Strong Set Richard Klafter (Free) SENIOR SOFTWARE ENGINEER, OPTIMIZELY Eric Swanson (Lachesis) SOFTWARE DEVELOPER The web of trust has grown steadily over the last 20 years and yet the tooling that supports it has remained stagnant despite staggering hardware advancement. Choices that seemed reasonable 20 years ago (32bit key ids or even 64bit key ids) are obsolete. Using modern GPUs, we have found collisions for every 32bit key id in the strong set, with matching signatures and key-sizes (e.g. RSA 2048). Although this does not break the encryption the web of trust is built on, it further erodes the usability of the web of trust and increases the chance of human error. We will be releasing the tool we developed to find fingerprint collisions. Vanity GPG key anyone? Richard Klafter is a senior software engineer at Optimizely specializing in web security. In his free time you’ll find him writing new software or breaking existing software. He coauthored scallion (https://github.com/lachesis/scallion), a vanity address generator for Tor’s hidden services. Eric Swanson is a freelance software developer with a passion for netsec. He coauthored scallion, a vanity address generator for Tor’s hidden services.
The Blackburn Gaslight Adventures are rated AD-PG(Parental Guidance is advised due to war, danger, and death) (Rating System) The Blackburn Gaslight Adventures: Arc 1-The Lachesis Project ep 2 Written and Post-Produced by A. J. Clarkson Produced by Gwendolyn Jensen-Woodard and A. J. Clarkson Starring: Sebastian Blackburn – James Leeper Elizabeth Blackburn – Gwendolyn Jensen-Woodard Dr. […]
The Blackburn Gaslight Adventures are rated AD-PG(Parental Guidance is advised due to war, danger, and death) (Rating System) The Blackburn Gaslight Adventures: Arc 1-The Lachesis Project ep 1 Written and Post-Produced by A. J. Clarkson Produced by Gypsy Audio Cast in this episode includes: Sebastian Blackburn – James Leeper Elizabeth Blackburn – Gwendolyn Jensen-Woodard Dr. […]
Volume: 2By: Linné, Carl von, 1707-1778 - Smith, James Edward, 1759-1828Publication Details: London :White and Cochrane,1811.Contributed By: University of California Libraries (archive.org)
Volume: 1By: Linné, Carl von, 1707-1778 - Smith, James Edward, 1759-1828Publication Details: London :White and Cochrane,1811.Contributed By: University of California Libraries (archive.org)
Tierärztliche Fakultät - Digitale Hochschulschriften der LMU - Teil 01/07
In dieser Studie wurde geprüft, ob die Anwendung homöopathischer Komplexmittel einen positiven Einfluss auf die unspezifischen Abwehrmechanismen des Euters gesunder Kühe im peripartalen Zeitraum hat. Der Versuch wurde an insgesamt 39 Tieren der Landesanstalt für Landwirtschaft Grub und des Staatsguts Hirschau als Doppelblindstudie durchgeführt. Das Behandlungsschema umfasste 6 Behandlungszeitpunkte. Zeitpunkt A war am Tag des Trockenstellens, Zeitpunkt B mit Beginn der Euteranbildung, Zeitpunkt C am Tag der Geburt innerhalb der ersten 12 Stunden p.p., die Zeitpunkte D, E und F 7 ± 1 Tage p.p., 14 ± 1 Tage p.p. und 21 ± 1 Tage p.p.. Den Tieren der Versuchsgruppe (VG) wurden zu den Behandlungszeitpunkten verschiedene Komplexmittel subkutan verabreicht. Die Tiere der Kontrollgruppe (KG) erhielten das gleiche Volumen 0,9%ige NaCl-Lösung. Untersucht wurden Blut- und Milchproben. Zusätzlich zu den 6 Behandlungen wurde 28 ± 1 Tage p.p. eine Abschlussuntersuchung (Zeitpunkt G) durchgeführt. In den Blutproben wurden die Konzentrationen von Gesamtbilirubin, Aspartat-Amino-Transferase, Glutamat-Dehydrogenase, Gesamtprotein und Beta-Hydroxy-Buttersäure (BHB) bestimmt und ein Differentialblutbild erstellt. Zur Beurteilung der Selenversorgung der Tiere wurden die Serumproben gepoolt und untersucht. In den Milchproben wurden die Konzentrationen somatischer Zellen, die Phagozytoseaktivitäten der Milchzellen und die Lysozymkonzentrationen der Milchseren bestimmt und Viertelgemelksproben bakteriologisch untersucht. Zur Auswertung der Untersuchungen wurden sowohl die Ergebnisse gleicher Zeitpunkte von VG und KG miteinander verglichen, als auch innerhalb jeder Gruppe die Ergebnisse der verschiedenen Zeitpunkte. Beim Vergleich von VG und KG ergaben sich mehrere signifikante Unterschiede: Der Mittelwert der Gesamtproteinkonzentrationen zum Zeitpunkt B war in der VG signifikant höher als in der KG (p < 0,05), der Mittelwert der BHB-Konzentrationen war zum Zeitpunkt F in der VG signifikant geringer als in der KG (p < 0,05), der Mittelwert der Konzentrationen somatischer Zellen in der Milch war zum Zeitpunkt D in der VG signifikant geringer als in der KG (p < 0,01) und der Mittelwert der Phagozytoseaktivitäten der Milchzellen war zum Zeitpunkt D in der VG signifikant geringer als in der KG (p < 0,01). Die Mittelwerte der BHB-Konzentrationen, der Konzentrationen somatischer Zellen und der Phagozytoseaktivitäten waren in der VG zu allen postpartalen Zeitpunkten niedriger als in der KG. Zu den Zeitpunkten, an welchen die Mittelwerte der Phagozytoseaktivitäten der Milchzellen in der VG deutlich niedriger waren als in der KG waren auch die prozentualen Anteile der bakteriologisch positiven Befunde der untersuchten Milchproben in der VG geringer als in der KG. Die Ergebnisse führten zu der Schlussfolgerung, dass die durchgeführte Komplexmittelanwendung zu einer Verbesserung der Eutergesundheit post partum führte und einen positiven Einfluss auf den Energiestoffwechsel hatte. Die Komplexmittel bewirkten eine Modulation des Niveaus der unspezifischen Abwehrmechanismen des Euters und des Energiestoffwechsels bei gesunden Tieren. Die Ergebnisse fordern dazu auf, weitere exakte Untersuchungen zur klinischen Wirksamkeit homöopathischer Arzneimittel durchzuführen.