POPULARITY
3 episodes with Take This Waltz
3 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
2 episodes with Take This Waltz
HALLELUJAH (1984) CLOSING TIME (1992) DEMOCRACY (1992) TAKE THIS WALTZ (1986) AIN'T NO CURE FOR LOVE (1988) A THOUSAND KISSES DEEP (2001) DANCE ME TO THE END OF LOVE (1984) FIRST WE TAKE MANHATTAN (1988) EVERYBODY KNOWS (1988)
Canciones: «Carretera otra vez» de Carlos Singer. Take This Waltz de Leonard Cohen Miss Sarajevo. U2 y Luciano Pavarotii «These Arms Of Mine» de Otis ReddingTonight David Bowie & Tina Turner
In this episode, Melissa Jean Miller returns to discuss the second film of Sarah Polley's directorial carrier, "Take This Waltz" (2011). Along with host Andrew Hunter Scholey, they discuss and work through their complicated feelings of the film as well as what the show tagline "our relationship with film" really means when being honest with film discussion. Oh, and did you know that there is an amazing Feist song in this film that has never been released? Yep that's a thing.
Welcome to another episode of our podcast, where we delve into the fascinating world of filmmaking.Today, we have the pleasure of hosting Christopher Donaldson, a seasoned video editor whose work spans an extensive variety of dramatic and documentary features and television.Christopher's impressive credits include Sarah Polley's “Women Talking” and “Take This Waltz”, David Cronenberg's “Crimes of the Future”, "Reacher" for Amazon Prime, "The Handmaid's Tale" for Hulu, Atom Egoyan's "Remember", and "Penny Dreadful" for Showtime/SkyAtlantic. His work for television includes "Vikings" for History/Shaw, “Flashpoint” for CBS/CTV, "The Kids in the Hall: Death Comes To Town" for CBC, and "Slings & Arrows" for TMN/Showcase/Sundance Channel.Born and raised in Toronto, Canada and Seoul, South Korea, Christopher began his journey in filmmaking with short videos in high school before attending Queen's University, where he received his BAH in Film in 1994.Upon graduating, he embarked on his editing apprenticeship in Toronto, working under noted Canadian film editors Ronald Sanders, Susan Maggi, and Reginald Harkema.Christopher's editing career took off with director Alan Zweig, with whom he shared a passion project/obsession - the film "Vinyl". Over the years, he continued to pursue a personal and passionate approach to editing and collaboration, making films with directors Kevin McMahon, Peter Wellington, and two more "Mirror" documentaries with Alan Zweig.It was with Peter Wellington that Christopher moved into dramatic television, editing all 18 episodes of the acclaimed "Slings & Arrows".His exceptional work has earned him two Director's Guild of Canada awards for "Slings & Arrows", a Gemini Award for "The Border", and a Canadian Cinema Editors award for "Penny Dreadful".Apart from editing, Christopher is also the writer and director of the film "2:14pm", part of a compilation entitled "Little Films About Big Moments".In this episode, we delve into Christopher's journey, his approach to editing, his collaborations, and his transition from documentaries to dramatic television. Stay tuned for an insightful conversation about the art and craft of storytelling through editing.Also, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagramhttps://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsitehttp://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswabyThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4532542/advertisement
Sarah Polley is an Academy Award-winning screenwriter, director, and actor. After making short films, Polley made her feature-length directorial debut with the drama film Away from Her in 2006. Polley received an Oscar nomination for the screenplay, which she adapted from the Alice Munro story “The Bear Came Over the Mountain.” Her other projects include the documentary film Stories We Tell (2012), which won the New York Film Critics Circle prize and the National Board of Review award for best documentary; the miniseries adaptation of Margaret Atwood's novel Alias Grace (2017); and the romantic comedy Take This Waltz (2011). Her most recent film is WOMEN TALKING. Her new book is Run Towards the Danger.You can hear Sarah's other piece of advice on the evolving stories we tell ourselves here.---Support TBAS by becoming a patron!!!! - https://www.patreon.com/bestadviceshow---Call Zak with your advice @ 844-935-BEST---IG: @bestadviceshow & @muzacharyTWITTER: @muzacharybestadvice.show
Veronica Phillips (Filmdaze, The Daily Beast) joins us for Sarah Polley's dissection into monogamy with Take This Waltz! Together we dive into the careers of Seth Rogan and Michelle Williams, this idiosyncratic vision of Toronto on film, marrying young and Barry Jenkins' The Lion King 2 --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message
We saw the film WOMEN TALKING and we couldn't rest until we had the chance to speak with the genius who wrote, directed, and is nominated for an Oscar for it: Sarah Polley. This conversation is about hope, survival, imagination, and revolution. It's about burning it all down and building from the ashes. Please listen to this conversation and then please watch the film. You will be powerfully changed. CW // sexual assault About Sarah: SARAH POLLEY is an Oscar-nominated director and award-winning actor whose works include Away From Her, Take This Waltz, and Stories We Tell. As an actor, Polley starred in a variety of films including The Sweet Hereafter, Go, Dawn of the Dead, Mr. Nobody, and My Life Without Me. In 2022, Polley released an autobiographical collection of essays – Run Towards the Danger: Confrontations with a Body of Memory. More recently, Polley wrote and directed the film adaptation of Miriam Toews's novel Women Talking, which has since been nominated for several awards, including the Academy Awards, Critics' Choice Awards, and Golden Globe Awards. IG: @realsarahpolley To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
As we approach the Oscar's we get a little taste from the filmmakers behind two of this year's Best Picture nominees: Sarah Polley (Women Talking) and Todd Field (Tar).
In this episode, we discuss why the film Women Talking didn't work on every level. This includes the didactic screenplay, the bland and placeless production design, the typecasting, and the poor direction of group scenes. We are joined by special guest Dr. Angelo Muredda, who has a PhD in CanLit. To read the show notes and get the AI-generated transcript of the episode, click here. At Seventh Row, we've been long-time fans of Sarah Polley. We have even published episodes on her films Take This Waltz and Stories We Tell. Women Talking is her first bad, if well-intentioned, film. But it's been getting enormous Oscar buzz since its Telluride premiere. Angelo and Alex read the book by Miriam Toews, on which the film is based. We discuss the problems in the source text that get translated into the film — and how the film works (or doesn't) as a page-to-screen adaptation. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, as well as special guest Dr. Angelo Muredda. About the film Women Talking Based on a true story that happened in Bolivia, Women Talking is a fictional reimagining with an alternate ending. Almost every woman and girl in a small Mennonite community has been raped in their sleep by men or boys in the community. Traumatized and beaten down, a group of women volunteers from three families convene for a couple of days to discuss what the women should do. They must decide whether to stay and fight or to leave. The film then follows them through their discussions. The film Women Talking was adapted from the Miriam Toewes novel of the same name by Sarah Polley. Timings 00:00 Introduction 04:40 Why are talking about Women Talking? 07:20 An overview of our problems with Women Talking 25:05 Adapting Miriam Toews's novel 34:00 The lack of specificity in Women Talking's depiction of a Mennonite community 36:50 The casting and performances in Women Talking 52:10 The film's treatment of its trans and disabled characters 1:06:05 Sarah Polley's direction and the film's cinematography 1:19:55 How Women Talking fits into CanLit 1:24:00 Why is this film resonating? Show Notes Read the 2019 New York Times article that Alex cites on the episode: in the piece, mennonites are interviewed about their thoughts on Miriam Toews's novel, Women Talking. Read Alex's interview with the writer-director of Felix & Meira, a film about a Hasidic Jewish woman who decides to leave her community. On the episode, Alex compares Women Talking to films about Hasidic Jews. Read Alex's interview with the writer-director of Menashe, a film about Hasidic Jews made with actors who are part of the Hasidic Jewish community. On the episode, Alex compares the depiction of mennonites in Women Talking to the depiction of Hasidic Jewish characters in Menace Read Angelo's recent review of Armageddon Time for Film Freak Central. Related episodes Ep. 43: Take This Waltz and Paper Year: Canadian marriage stories (Members Only) - We go deep on Sarah Polley's second feature, Take This Waltz, a film about a marriage breaking up, and compare it to another female-directed Canadian film about a troubled marriage, Paper Year. Ep. 40: Stories We Tell, Louder Than Bombs, & Mouthpiece: Dead mothers (Members Only): We discuss Sarah Polley's third feature, the creative nonfiction film Stories We Tell alongside two of our favourite films that are also about dead mothers. All three films were on Seventh Row's 50 favourite films of the decade list. Ep. 73: Promising Young Woman and The Assistant: Explorations of rape culture (Members only): We discuss two films that explore rape culture, one that does it thoughtfully (The Assistant) and one that does it poorly (Promising Young Woman). In the current episode, we regularly compare Women Talking to Promising Young Woman and refer back to this discussion in Ep. 73 Bonus 27: Empathy on film with Dr. Brett Pardy (FREE to everyone) - Dr. Pardy did his PhD research on how films can create empathy, and we discuss on Ep. 132 how Women Talking fails to create empathy. Where to find us Special Guest Angelo Muredda holds a PhD in disability studies on Canadian Literature and is a lecturer in the English department at Humber College. Angelo has also contributed to our ebook Portraits of resistance: The cinema of Céline Sciamma with an essay on the female gaze, and to our ebook Roads to nowhere: Kelly Reichardt's broken American dreams with an essay on Wendy and Lucy. You can find Angelo on Twitter and Instagram @amuredda. Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste. Host Orla Smith is the Executive Editor of Seventh Row. Find her on Twitter @orlamango and on Instagram @orla_p_smith. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, become a member at http://seventh-row.com/join
Sarah Polley and Face2Face host David Peck talk about her new film Women Talking, curiosity, imagination, the patriarchy, trauma and grief, de and re-construction, the power of community, what it means to heal, inspiration and the greater Good.Blurb:Rooney Mara, Claire Foy, Jessie Buckley, and Judith Ivey, with Ben Whishaw and Frances McDormand, star in Sarah Polley's fearless adaptation of Miriam Toews'acclaimed novel about a cloistered world where women struggle with an epidemic of abuse.Oscar-nominated writer-director Sarah Polley's fearless adaptation of Miriam Toews' acclaimed novel grants us access to a tight-knit, cloistered religious colony inwhich women struggle to recover from an epidemic of abuse. Featuring riveting, emotionally complex performances from a stunning ensemble that includes Oscarnominees Rooney Mara and Jessie Buckley and Oscar winner Frances McDormand, Women Talking is a drama of harrowing revelations, fraught alliances, and thesearch for grace.Reeling from multiple counts of sexual abuse, newly uncovered within their Mennonite colony, a group of women gather in a hayloft to discuss how to respond. Whilethe men are away, the women narrow their options down to three: do nothing, stay and fight, or leave. Some fear that any act of defiance will jeopardize their entry intoheaven, while others believe they cannot survive without husbands and sons. Some are willing to take any measures to escape the terror of their domestic lives andinsist that “the truth is stronger than the rules.”With her first feature in almost a decade, Polley showcases her unmatched skills as both a screenwriter and a director. The film is at once ferocious in its critique ofpatriarchal oppression — a critique that clearly extends to our broader, secular culture — while respectful of the beliefs and traditions in which its characters wereraised. Though it is suffused with the pain of trauma, a stubborn sense of wonder and quiet joy in community permeate the film. Women Talking ushers us through ajourney of rage, grief, wisdom, and hope through to a triumphant, most gratifying conclusion.Adapted from Jane Schoettle's Synopsis, TIFFAbout Sarah:Sarah Polley, actor, director, writer, producer, she is one of Canada's most talented and well-known actors. Sarah is also an acclaimed director and a committed political activist. As a child actor, her natural and unaffected performances on television series such as CBC's Road to Avonlea, and in films such as Atom Egoyan's Exotica and The Sweet Hereafter.After choosing to pursue a career in Canadian and independent films, she embarked on a highly successful second career as a writer-director with such award-winning films as Away from Her, Take This Waltz and Stories We Tell. Her latest film is Women Talking. She has won multiple Genie and Gemini Awards, and numerous international honours.Sarah is the first woman to receive a Genie Award for best director, and is an Officer of the Order of Canada and a member of Canada's Walk of Fame.Image Copyright and Credit: Universal Studios.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here. Hosted on Acast. See acast.com/privacy for more information.
Sarah Polley has been acting in film and television since the age of five. She appeared in films like The Adventures of Baron Munchasuen was dubbed “Canada's Sweetheart” for her starring role in the hit television series The Road To Avonlea. Though she continued acting through her teens, starring in acclaimed films like The Sweet Hereafter, she's made her career as a writer and director. Her 2006 debut feature, Away From Her, garnered an Best Actress Oscar nomination for star Julie Christie and a Best Adapted Screenplay nomination for Polley. Her other films include Take This Waltz and the 2012 documentary Stories We Tell. Polley's latest film, Women Talking, is her first American studio release and features an almost all-female cast, including Rooney Mara and Frances McDormand. In this interview, Sarah talks about her entire body of film work as well as Run Towards The Danger, a collection of essays she published earlier this year. A longtime political activist with a particular commitment to emotional and physical safeguarding of the casts and crews on her movie sets, she also discusses the complexities of some of the current conversations around #MeToo movement and other social justice movements. Guest Bio: Sarah Polley received an Oscar nomination for Best Adapted Screenplay for her first film as director- Away From Her, based on the short story The Bear Came Over the Mountain by Alice Munro. This film also garnered an Oscar nomination for Best Actress for star Julie Christie. Her next film Take This Waltz starred Michelle Williams, Seth Rogen, and Sarah Silverman. Stories We Tell, her documentary which examines secrets and memory in her own family, won Best Documentary Film awards from the Los Angeles Film Critics Association, National Board of Review, and the New York Film Critics Circle, as well as a Writer's Guild of America award for its screenplay. As an actor, Polley starred in a wide variety of films including Atom Egoyan's The Sweet Hereafter (Best Supporting Actress award from the Boston Society of Film Critics), Doug Liman's Go (Independent Spirit Award nomination), Zack Snyder's Dawn of the Dead, Jaco Van Dormael's Mr. Nobody opposite Jared Leto, Kathryn Bigelow's The Weight of Water opposite Ciaran Hinds, David Cronenberg's Existenz, Isabel Coixet's The Secret Life of Words and My Life Without Me (Canadian Screen Award, Best Actress), Audrey Wells' Guinevere, Wim Wenders' Don't Come Knocking, Michael Winterbottom's The Claim, and Terry Gilliam's The Adventures of Baron Munchausen. In 2022, Polley released Run Towards the Danger: Confrontations with a Body of Memory, an autobiographical collection of essays detailing her relationship with her body and how her memory of past and present experiences has contributed to her evolving understanding of self.
On this weeks episode of Editors on Editing, Glenn is joined by Christopher Donaldson and Roslyn Kalloo. Chris's editing credits include Take This Waltz, Crimes Of The Future, The Handmaid's Tale, Reacher, Slings and Arrows, American Gods and Penny Dreadful. Roslyns editing credits include Vikings: Valhalla, Hemlock Grove, Mary Kills People, The Mystery of Mazo De La Roche and Late Fragment. Now they have joined together to craft one of the most moving and powerful films of the year: Women Talking, in theaters December 25th. Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://anchor.fm/artofthecut/support
The bois moved to LA and saw The Fabelmans! They talk tourists, getting older, Steven Spielberg, Hollywood referencing itself, Michelle Williams, Take This Waltz, David Lynch, and how corny this movie is . linktr.ee/welcomebackpod twitter.com/welcomebackpod instagram.com/welcomebackpod patreon.com/welcomebackpod Art by: Randi Hamel @artbunns on Instagram and rannibuns.tumblr.com
The Festival Line Up Announcements just keep coming, and we wouldn't have it any other way. This week, we touch on some early NYFF news before digging deep into the first big announcement from TIFF: Galas and Special Presentations. After clearing out some of the obvious picks, what deeper cuts are worth getting excited about? We endeavor to decide! We then look at a few more NYFF announcements, some San Sebastian News, and the TIFF lineups for 5 more sections, before taking a look at Sarah Polley's fascinating sophomore feature TAKE THIS WALTZ, starring Michelle Williams, Seth Rogen, Luke Kirby, and Sarah Silverman, in anticipation of TIFF Title WOMEN TALKING! Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber
Stage and screen veteran Graham Abbey (Defendor, Take This Waltz, Degrassi: The Next Generation, Under the Banner of Heaven), who's also the artistic director of Prince Edward County's Festival Players, takes a run at Hugh Hudson's Chariots of Fire, the film about the unlikely friendship between British Olympians Eric Liddell (Ian Charleson) and Harold Abrahams (Ben Cross) that went on to triumph over Atlantic CIty, On Golden Pond, Reds and Raiders of the Lost Ark at the 54th annual Academy Awards. Your genial host Norm Wilner is still a little sore about that, if we're being honest.
Sarah Polley is an Academy Award-nominated screenwriter, director, and actor. After making short films, Polley made her feature-length directorial debut with the drama film Away from Her in 2006. Polley received an Oscar nomination for the screenplay, which she adapted from the Alice Munro story “The Bear Came Over the Mountain.” Her other projects include the documentary film Stories We Tell (2012), which won the New York Film Critics Circle prize and the National Board of Review award for best documentary; the miniseries adaptation of Margaret Atwood's novel Alias Grace (2017); and the romantic comedy Take This Waltz (2011). Polley began her acting career as a child, starring in many productions for film and television. Her new book is Run Towards the Danger.---Leave Zak your advice by calling 844-935-BEST---IG: @bestadviceshowhome: bestadvice.show See acast.com/privacy for privacy and opt-out information.
Sarah Polley is an Academy Award-nominated screenwriter, director, and actor. After making short films, Polley made her feature-length directorial debut with the drama film Away from Her in 2006. Polley received an Oscar nomination for the screenplay, which she adapted from the Alice Munro story “The Bear Came Over the Mountain.” Her other projects include the documentary film Stories We Tell (2012), which won the New York Film Critics Circle prize and the National Board of Review award for best documentary; the miniseries adaptation of Margaret Atwood's novel Alias Grace (2017); and the romantic comedy Take This Waltz (2011). Polley began her acting career as a child, starring in many productions for film and television. Her new book is Run Towards the Danger.---Leave Zak your advice by calling 844-935-BEST---IG: @bestadviceshowhome: bestadvice.show See acast.com/privacy for privacy and opt-out information.
Take This Waltz is a fantastic character-driven film. Directed and written by Sarah Polley and starring Michelle Williams, Seth Rogan, Sarah Silverman, Luke Kirby. It provoked some really terrific conversation between us, which is a really good thing. The reveal of each character's story was artfully done. There are a lot of great lessons in this movie for everyone, from behind the scenes to being in front of the camera. It's funny, thought-provoking, and one of the top films we've seen. Sarah Polley presents women in a fashion that is true, honest, and enjoyable to witness. Also, check below to help out our friends we mentioned at the end of the episode. Let's do some good for some folks who need some good. *Kenny decided to forego assistance and get himself back on track with just hard work. Much respect for that. Take This Waltz can be found on Tube. Miles Linkshttps://www.gofundme.com/f/donate-to-help-the-family-of-keith-hanford
Sarah Polley is an Academy Award-nominated screenwriter, director, and actor whose films include AWAY FROM HER and TAKE THIS WALTZ. In her new essay collection RUN TOWARDS THE DANGER, Polley contemplates stories from her own life ranging from stage fright to high-risk childbirth to endangerment and more. In this extraordinary book, Polley explores what it is to live in one's body, in a constant state of becoming, learning, and changing. Margaret Atwood is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her award-winning work includes THE HANDMAID'S TALE, CAT'S EYE, and ALIAS GRACE. In her new essay collection BURNING QUESTIONS, Atwood offers her funny, erudite, endlessly curious, and uncannily prescient take on everything from debt and tech to the climate crisis and freedom and the importance of how to define granola. Join us now for this fascinating conversation between authors Sarah Polley and Margaret Atwood.
Sarah Silverman's had a one-of-a-kind journey in this industry, making the most of the exceptional comedic chops that have been on display since day one and also building on that skill set more and more with each new project. With her newest feature film, Marry Me, now in theaters and available to stream on Peacock, Silverman took the time to join us for an episode of Collider Ladies Night to retrace her steps from her earliest inspirations to her latest releases. As for Marry Me, that one stars Jennifer Lopez as Kat Valdez, a music superstar who's also a power couple with the hugely popular Bastian (Maluma). Just before getting married in front of a massive concert crowd, Kat comes to learn that Bastian's been cheating on her. She goes back out on stage anyway and spirals, making the impulsive decision to marry someone in the audience instead — Owen Wilson's Charlie Gilbert. The spontaneous stunt turns into so much more when the two really do develop feelings for one another. But, can the connection last when they come from such different worlds? Check out this edition of Collider Ladies Night to hear all about why Silverman chose work over college, her one-year run on Saturday Night Live, why Sarah Polley's Take This Waltz made such a big impression on her, what wowed her most while watching Lopez work, and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
Nesse episódio conversamos sobre Minha Vida Sem Mim (My Life Without Me, 2003), dirigido e escrito por Isabel Coixet, adaptado do livro de Nanci Kincaid. Na história, Ann, vivida por Sarah Polley, é uma jovem de 23 anos que descobre que vai morrer e decide não contar para as pessoas ao seu redor. Conversamos sobre a imanência e ausência de metafísica, o não julgamento sobre as ações da protagonista e o impressionante elenco, coroado pela atriz principal. O programa é apresentado por Isabel Wittmann, Stephania Amaral e Rosana Íris. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-156-minha-vida-sem-mim Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann, Stephania Amaral e Rosana Íris Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Amanda Menezes http://www.behance.net/tupiguarana Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata e Tiago Maia Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl Mencionados: [VOTAÇÃO] Troféu Alice 2021 https://forms.gle/W6qARomNNSySXbor6 [FILME] Antes de Partir (The Bucket List, 2007), dir. Rob Reiner [FILME] P.S. Eu Te Amo (P.S. I Love You, 2007), dir. Richard LaGravenese [FILME] Namorados Para Sempre (Blue Valentine, 2010), dir. Derek Cianfrance [FILME] A Livraria (The Bookshop, 2017), dir. Isabel Coixet [FILME] Elisa e Marcela (Elisa y Marcela, 2019), dir. Isabel Coixet [FILME] Frida (2002), dir. Julie Taymor [FILME] Homem-Aranha 2 (Spider-Man 2, 2004), dir. Sam Raimi [FILME] A Despedida (The Farewell, 2019), dir. Lulu Wang [FILME] Em Carne Viva (In the Cut, 2003), dir. Jane Campion [FILME] E se Fosse Verdade (Just Like Heaven, 2005), dir. Mark Waters [FILME] De Repente 30 (13 Going on 30, 2004), dir. Gary Winick [FILME] Minhas Mães e Meu Pai (The Kids Are All Right, 2010), dir. Lisa Cholodenko [FILME] O Tempo de Cada Um (Personal Velocity, 2002), dir. Rebecca Miller [FILME] O Mundo de Jack e Rose (The Ballad of Jack and Rose, 2005), dir. Rebecca Miller [FILME] Morangos Silvestres (Smultronstället, 1957), dir. Ingmar Bergman [FILME] Longe Dela (Away from Her, 2006), dir. Sarah Polley [FILME] Entre o Amor e a Paixão (Take This Waltz, 2011), dir. Sarah Polley [FILME] Histórias que Nós Contamos (Stories We Tell, 2012), dir. Sarah Polley [SERIADO] Felicity (1998-2002), criado por J.J. Abrams e Matt Reeves Relacionados: [PODCAST] Feito por Elas #06 Jane Campion https://feitoporelas.com.br/feito-por-elas-06-jane-campion/ [PODCAST] Feito por Elas #28 Sarah Polley https://feitoporelas.com.br/feito-por-elas-28-sarah-polley/ [PODCAST] Feito por Elas #127 A Despedida https://feitoporelas.com.br/feito-por-elas-127-a-despedida/
Having made three films as a director, Sarah Polley has become one of my favorite storytellers. All of her work has reflected an experience I've had to one degree or another and I've been a fan of hers going all the way back to her roles in films like GO and THE SWEET HEREAFTER. Joining me for an insightful discussion on her extraordinary three movies is returning guest and friend Kate Blair, who has written for several film websites and remains one of my favorite people to talk movies with. For this episode, we go through Polley's exceptional work starting with her debut feature AWAY WE GO and ending on the hybrid docudrama STORIES WE TELL. And of course, there's a lot to say about the rather divisive TAKE THIS WALTZ as well. Be sure to preorder Polley's first memoir coming out next year and check out her interviews and podcasts because she's passionate, articulate and remarkably brave and revealing in so many ways. In addition, we briefly talk about the HBO show SUCCESSION, PTA's LICORICE PIZZA and the heartbreaking new Netflix documentary PROCESSION which was recently shown at the 2021 Chicago Critics Film Festival. 00:00 - 09:08 - Introduction 09:09 - 32:30 - What We Watched Recently 32:31 - 02:04:09 - Sarah Polley's Films 02:04:10 - 02:12:16 - Outro Kate Blair's Letterboxd Sarah Polley on The Thin Red Line DGC Podcast: Sarah Polley | Adaptation Process & Changing Expectations for Directors Sarah Polley Opens Up About What Really Matters to Her Sarah Polley - Interview Magazine Preorder Sarah's Memoir Out in 2022
In de programmareeks Scènes voor een huwelijk onderzoekt Floortje Smit wat we zoal van films kunnen opsteken over liefde en relaties. Dit keer praat ze met relatiefilosoof Jan Drost. De film van dienst is dit keer 'Take This Waltz', de Canadese speelfilm uit 2011, geschreven en geregisseerd door Sarah Polley. 'Take This Waltz' is te zien via: Pathé Thuis: https://www.pathe-thuis.nl/film/8896/take-this-waltz YouTube: https://www.youtube.com/watch?v=XpIfd3si0jY&ab_channel=YouTubeMoviesYouTubeMovies
Alguna cosa tenen els ritmes terciaris que ens enamoren. Per aquest motiu, volem compartir amb vosaltres els nostres valsets preferits, i deixar que ens gronxin compassadament mentre passa l'hivern. 01 The Band - "Theme from The Last Waltz" 02 Kate Bush - "Army dreams" 03 Bob Dylan - "Wallflower" 04 Ben Folds Five - "Boxing" 05 Tom Waits - "Innocent when you dream" 06 The Smiths - "Please, please, please let me get what I want" 07 Cass McCombs - "You saved my life" 08 The New Raemon - "Te debo un baile" 09 Pau Alabajos - "Inventari" 10 Elliott Smith - "Waltz #2" 11 The Byrds - "Hickory wind" 12 Iron & Wine - "Flightless bird, american mouth" 13 Perfume Genius - "Normal song" 14 Calexico - "Sunken waltz" 15 Leonard Cohen - "Take this waltz"
Attack of the Nerds: Finn Deserved Better! Episode 23 brings The Ebonistas back to their love for all things film with special guest, Mighty Vicious of the Made in Dreams and The Unexamined Life Podcasts. Fine Print: Doreen and Vicious get into it over Star Wars and. It. Is. Awesome!Episode Release: Sunday, February 7, 2021Platforms: Apple Podcasts; Audible; Spotify; Google Podcasts; iHeartRadio, Pandora, StitcherSources: The BabaDook, Antebellum, The Break Up, Blue Valentine, Take This Waltz,Fenimore Cooper's Literary Offenses, The Mandalorian, Marvel, Wanda Vision, Disney+, One Night in Miami, The Alamo Draft House, Jamie Foxx, Tom Cruise, CNBC, Wikipedia, CNet
Attack of the Nerds: Finn Deserved Better! Episode 23 brings The Ebonistas back to their love for all things film with special guest, Mighty Vicious of the Made in Dreams and The Unexamined Life Podcasts. Fine Print: Doreen and Vicious get into it over Star Wars and. It. Is. Awesome!Episode Release: Sunday, February 7, 2021Platforms: Apple Podcasts; Audible; Spotify; Google Podcasts; iHeartRadio, Pandora, StitcherSources: The BabaDook, Antebellum, The Break Up, Blue Valentine, Take This Waltz,Fenimore Cooper's Literary Offenses, The Mandalorian, Marvel, Wanda Vision, Disney+, One Night in Miami, The Alamo Draft House, Jamie Foxx, Tom Cruise, CNBC, Wikipedia, CNet
Come along and take a slow ride on a rickety wagon through KELLY REICHARDT’s filmography from Florida to Oregon. From her debut, RIVER OF GRASS, to WENDY AND LUCY, her first of many with MICHELLE WILLIAMS, as well as MEEK’S CUTOFF, and her latest (and greatest?), FIRST COW. Be one of the few, the proud, the I heart Reichardt.www.hardlythehottest.com00:00 - Intro - When the Reichardt bandwagon is rolling that slow, it’s easy to hop on!05:45 - River of Grass (1994) - Sometimes when you run away from your problems, you just end up running into new ones.16:21 - Wendy and Lucy (2008) - You don’t watch Kelly’s films, you read them. Strike ONE for Duncan being a pretentious prick.24:26 - Meek’s Cutoff (2010) - With a little bit of inspiration, and a whole lot of desperation, these characters are stuck in the middle of nowhere.32:38 - Quick Takes - Night Moves & Certain Women34:40 - First Cow (2020) - The greatest bakery themed heist thriller I’ve ever seen46:00 - Our Top 5 Reichardt48:07 - Our Top 5 Michelle Williams53:16 What Else Are We WatchingAll the Films & Filmmakers we talked aboutRiver of Grass , Wendy And Lucy, Meek’s Cutoff, First CowGummo, Badlands, Breathless, Queen And Slim, Thelma And Louise, Bonnie and Clyde, Hostiles, Slow West, True Grit, Night Moves, If A Tree Falls, Certain Women, 20th Century women, Dawsons Creek, 4 Take This Waltz, 3 Wendy & Lucy , 2 The Baxter, 1 Broke Back Mountain, my week with marilyn, Manchester By The Sea, Failure to Launch, How to lose a guy in ten days, Searching For Sugarman, The Painter And The Theif, Minding the Gap, Leaning Into The Wind, John McEnroe in the Realm of Perfection, Margaret, Big NightTo be a part of the conversation:Talk About the Ep on Reddit - https://bit.ly/2LKF0yMOur Letterboxd List - https://bit.ly/3mvGARLEpisode Notes - www.hardlythehottest.com/podcoast/002-kelly-reichardtThanks for being a part of this!Recorded July 28, 2020www.hardlythehottest.com
Clark Johnson and Face2Face host David Peck talk about his new film Percy, starring Christopher Walken, Zach Braff and Christina Ricci. We talk about yield to field, activism, GMO’s, seed saving, resisting and telling stories that matter. TrailerSynopsis:Can you patent something that’s alive? Percy is based on the events of an independent canola farmer’s six-year long crusade against global corporate monolith, Monsanto. Accused of growing the company's genetically modified organisms (GMOs) without a licence and forced to risk losing his land, 67-year-old Percy Schmeiser (Christopher Walken) takes his fight to the highest court, challenging the multinational’s right to own life itself.Publicly disgraced by the agrochemical giant, Schmeiser becomes all-consumed by his fight for justice and soon he’s neglecting his farm and family in his need to “set things right.” As he begins to explore Monsanto’s business practices, Schmeiser soon realizes his battle is not isolated. Rather, he is fighting for hundreds of thousands of disenfranchised farmers around the world. Hitting the road to raise money for his defence, Percy talks to crowds large and small, building a movement. Suddenly, he is an unsuspecting folk hero and leader in a war to protect farmers’ rights and the world’s food supply against corporate greed. What can an ordinary man do against global corporations that are more powerful than countries?The task seems insurmountable, hopeless. But Schmeiser and his wife, Louise (Roberta Maxwell), never give in to bullies and together they face the final battle against Monsanto’s multi-million-dollar legal team. Percy suits up with lawyer Jackson Weaver who is played by Zach Braff (Garden State, Scrubs) and gains support from anti-GMO activist Rebecca Salcau played by Christina Ricci (Sleepy Hollow, Monster).Joining them, and Academy-Award winner Christopher Walken, are others in the film’s impressive ensemble, including Roberta Maxwell (Brokeback Mountain, The Postman) as Percy’s wife; Adam Beach (Hostiles, Suicide Squad) as Percy’s field hand Alton Kelly; Luke Kirby (Marvelous Mrs. Maisel, Take This Waltz) as Percy’s son; Martin Donovan (Ant-Man, Insomnia) as Monsanto’s lead lawyer Rick Aarons, and Peter Stebbings (Immortals) as Rebecca’s NGO boss.About Clark:Clark Johnson is an accomplished actor and director whose work includes a wide range of both comedy and drama.On television, he has played such notable characters as Senator Robert Bettencourt on the Amazon series Alpha House, the edgy news editor Gus Haynes on The Wire for HBO, and detective Meldrick Lewis on NBC’s long-running series Homicide: Life on the Street.Clark’s recent credits as a filmmaker include S.W.A.T. starring Samuel L. Jackson and Colin Farrell and The Sentinel starring Michael Douglas and Kiefer Sutherland.His most notable work as a television director, which is extensive, includes Homeland, Law & Order, The Get Down, Luke Cage, The Good Fight, Orange is the New Black, The Walking Dead and The Shield.Image Copyright and Credit: Inferno Pictures and Clark Johnson.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
Actor and filmmaker Sarah Polley credits one film with launching her on the path that led to Away from Her, Take This Waltz, Stories We Tell and Alias Grace: Terrence Malick’s 1998 war epic The Thin Red Line. Your genial host Norm Wilner has been looking forward to this conversation for years.
Well writer/director Sarah Polley doesn't seem to have a full feature film after this and she was on the crest of a wave at the time. Truly one of the most problematic times I've had reviewing a film and there's an awful lot here that fills me with revulsion. One of my favorite actresses Michelle Williams being case in point, wonderful, searing performance but here character made me genuinely angry. Lots of terrible dramatic and narrative decisions really clouded what ultimately was a pretty powerful film with a killer last shot.
Passend zum Erscheinen von "Doctor Sleep" in den Kinos schauen wir uns dieses Mal an, was den Vorgänger "The Shining" zu seinem bis heute anhaltenden Ruhm verholfen hat. Außerdem erzählen wir euch, welche Filme wir bei ersten Dates schauen würden, wir schwitzen und ballern mit bei 80er-Jahre-Action und wir besprechen Filme zum Schlussmachen. _______________________________________ SPOILERWARNUNGEN: (1:47:36) bis (1:53:04): Nocturnal Animals [2016] (2:04:47) bis (2:42:43): The Shining [1980] _______________________________________ Hauptfilm: (7:40) The Shining [1980] Filme für das erste Date: (15:43) Intro zu: Filme für das erste Date (17:50) The Big Lebowski [1998] (31:15) Superbad [2007] (41:12) Portrait einer Jungen Frau in Flammen [2019] 80er-Action: (54:43) Intro zu: 80er-Action (57:12) Phantom Commando [1985] (1:12:40) Lethal Weapon [1987] (1:18:53) Predator [1987] Filme zum Schlussmachen: (1:30:00) Intro zu: Filme zum Schlussmachen (1:30:58) Blue Valentine [2010] (1:40:30) Nocturnal Animals [2016] (1:53:05) Take This Waltz [2011] (2:04:47) Spoilertalk zu The Shining [1980] (2:42:43) Verabschiedung und Ausblick _______________________________________ Hier kannst du uns überall finden:iTunes/Apple Podcasts: https://apple.co/2TgWvY3 Spotify: https://spoti.fi/34jfB68 YouTube: https://www.youtube.com/c/JahierFilmePodcast RSS-Feed: https://jahierfilme.podcaster.de/ Instagram: @jahierfilme Twitter: @jahierfilme Linktree: https://linktr.ee/jahierfilme_______________________________________ Alle unsere Filme im Überblick: https://letterboxd.com/jahierfilme/lists/ _______________________________________ Ahoi und viel Spaß - Hoffi, Deedz und Jan
Get ready for some chicken and let's head to Toronto to see what Colin thinks of Sarah Polley's 2011 relationship driven drama. Will they? Won't they? Does Seth Rogen pull it off as a straight man? Take a listen to see for yourself. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/moviesimissed/message
On this episode we guess that the new film LONG SHOT starring Seth Rogen as the forever unfuckable is just the latest in this real life ogre's filmography of strangely being chosen by beautiful women. So do we go with Kevin Smith's 2008 film where America was disgusted by Elizabeth Banks choosing to have sex with this man in ZACK AND MIRI MAKE A PORNO. Or perhaps we side with our neighbors to the north where Michelle Williams decides that she's had enough of a cleaned up Mr. Rogen in Sarah Polley's TAKE THIS WALTZ. Along the way your hosts Chris & Mike discuss the decline of narrative in pornography and possibly the declining state of one host's marriage. It's a real treat for you people. Support what we do with bonus content and early episodes on Patreon Facebook/Twitter/Instagram: @projectingfilm Hosts: Chris @Following_Films Mike @warmachinehorse Email us suggestions on indie films you are looking forward to at projectingfilm@gmail.com Theme music provided by the band Good Talk Russ. The song is Build It Up off their album The Panglossian Travels of the White Elephant.
Chris and Perry are back with a bonus episode! Sarah Polley’s “Take This Waltz” was ignored by critics and audiences upon its release in 2012, despite being the second film from a director whose last work (“Away From Her”) had been critically acclaimed. It also co-stars Seth Rogen, who was on a hot streak at that time. Perry is here to tell audiences to seek out this smart, heartbreaking look at marriage and the plight of being in your late-twenties. This bonus episode, as well as one coming in two weeks, will be available at no cost through April. Starting in May, bonus episodes will be available only to supporters on Patreon. If you enjoy this episode and would like to keep hearing them, please consider supporting the show on Patreon. “We’re Watching Here” Facebook page “We’re Watching Here” Twitter “We’re Watching Here” Instagram Support us on Patreon! Perry Seibert on Twitter Chris Williams on Twitter
Introducing Canadian director Sarah Polley’s 2012 documentary film Stories We Tell along with some information on Polley’s other films. She directed the 2006 film Away From Her and the 2011 film Take This Waltz.
El Poemario, "Poeta en Nueva York" del poeta Granadino Federico García Lorca, incluía este "Pequeño vals vienés", que Leonard Cohen convirtió en el tema "Take This Waltz" incluido en su álbum "Im Your Man" de 1988. Tras él, otros artistas revisaron esta adaptación del poema en distintos estilos musicales. Los escuchamos en este podcast.
Becky Shrimpton, co-host of the Royal Canadian Movie Podcast, stops by to discuss Sarah Polley’s “Mamma Mia! situation”/docu-drama Stories We Tell. This may be our most Canadian episode yet, but we will not be apologizing for loving a somber ending, wanting more people to worship cinematographer Iris Ng, or defending Michelle Williams’ character in Take This Waltz. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
Becky Shrimpton, co-host of the Royal Canadian Movie Podcast, stops by to discuss Sarah Polley’s “Mamma Mia! situation”/docu-drama Stories We Tell. This may be our most Canadian episode yet, but we will not be apologizing for loving a somber ending, wanting more people to worship cinematographer Iris Ng, or defending Michelle Williams’ character in Take This Waltz. Produced by Emily Gagne and Danita Steinberg. Edited by Sonya Suraci. Theme music by Emily Milling.
The podcast lets Jason off the hook in this episode by focusing on the movies and TV that aren't just shot in Toronto, but actually use the city as their setting. Robert sits down with a friend of the show, Kate Wilkinson, to talk movies like SCOTT PILGRIM VS. THE WORLD, ENEMY, TAKE THIS WALTZ, and TV shows like ALIAS GRACE and THE HANDMAID'S TALE. Come for the Canadian pride, and stay for the gin and tonic sound effects. Theme music: "Downtown" by Podington Bear. [CC BY-NC 3.0]
William and Alexander apply their new rating system to two previously discussed movies on this mini episode. You can hear their original comments on Ginger Snaps and Take This Waltz on earlier episodes. Also, hear a teaser from a future episode with a special guest.Download this episode here. (20 MB) IMDb links to the movies mentioned in this episode are here: Carrie, In the Mood for Love. We talked about Ginger Snaps and Take This Waltz on previous episodes of this podcast.
Actor, musician, Charlie Kerr, is open about his take on love and relationships. At one point in the interview, he comes close to labeling himself as a serial monogamist. I’m not sure how accurate that assessment is. Maybe it's not serial monogamy but simply a youthful approach to enjoying his time with whoever he’s with. Or, perhaps, he simply loves love. Whatever it is, it plays well into Charlie’s choice for a double bill: Sarah Polley’s Take This Waltz and Edgar Wright’s Scott Pilgrim Vs. the World. Combing all of these things about Charlie, his openness, his youthful approach to romance, and his love of love, makes Charlie Kerr the ideal guest for This Movie’s About You
A dialogue and ADR specialist, David was a founding partner at Tattersall Sound & Picture in Toronto, now part of SIM International. David's film work includes Take This Waltz and Away From Her for director Sarah Polley, as well as screen adaptations of Jose Saramagos' Blindness and Salman Rushdies' Midnights Children. His most recent screen credits include the acclaimed television dramas The Handmaids Tale, Vikings, and Alias Grace, along with the Canadian crime drama Cardinal. David's recent sound work for the big screen includes The Man Who Invented Christmas, about Charles Dickens and the creation of A Christmas Carol and the Golden Globe nominated, Molly's Game.
Writer Christy Cozby drops by the podcast to talk about listening to nothing in the car, crime documentaries, obsessively arranging flowers, local wines, Take This Waltz, tough love, reading past her bedtime, lobbying in the state capital, her bathroom/kitchen combo, Sammy the Dingo Cattle Dog, the old woman she wants to be, wedding culture, sitcom dating, copywriting, Cleo Wade, Rudy Francisco, the novel she's never let anyone read, writing in different voices, making people feel good, experimenting with God because her friends were doing it, and what she hopes heaven is like. Find her online at: http://christycopywriting.com/ Or follow her on Instagram: @christylcozby
1 Treaty 2 Going Home 3 Famous Blue Raincoat 4 Dance Me to the End of Love (Live) 5 If I Didn't Have Your Love 6 Never Any Good 7 You Want It Darker 8 It Seemed the Better Way 9 On That Day 10 Everybody Knows 11 Suzanne 12 Darkness 13 Tower of Song 14 Closing Time 15 Anthem 16 So Long, Marianne 17 If It Be Your Will 18 Steer Your Way 19 Hallelujah 20 In My Secret Life 21 Lullaby 22 Leaving the Table 23 The Future 24 I'm Your Man 25 Hey, That's No Way to Say Goodbye 26 Take This Waltz
Sarah Polley began her career in film at the age of four, appearing in the Disney movie ONE MAGIC CHRISTMAS. After her roles in Atom Egoyan’s THE SWEET HEREAFTER, Terry Gilliam’s THE ADVENTURES OF BARON MUNCHAUSEN and Doug Liman's GO gained her attention as an emotionally intuitive and intelligent young actor, she attended the Director’s Lab at the Canadian Film Centre in 2001. Polley’s first feature AWAY FROM HER, an adaption of the Alice Munro short story “The Bear Came over the Mountain,” which she wrote and directed, nabbed her a nomination for “Best Adapted Screenplay” at the 2008 Academy Awards. Her follow-up films, 2011’s TAKE THIS WALTZ and the 2012 documentary STORIES WE TELL (all of which have premiered at TIFF) have cemented the filmmaker as one of Canada’s most indelible auteurs. In this episode of TIFF Un/cut, you’ll hear Sarah Polley interviewed onstage by documentary programmer Thom Powers in a discussion originally conducted for the 2012 Industry Doc Conference when STORIES WE TELL premiered at TIFF. They discuss the knotty complexities of revealing family secrets, how to show many sides of one story, and why documentary is her favourite medium. Sarah Polley’s newest project, a forthcoming miniseries adaptation of Margaret Atwood’s 1996 novel ALIAS GRACE on which she serves as showrunner and executive producer, will premiere at TIFF ‘17 with the series’ star Sarah Gadon and director Mary Harron in attendance.
Join some margarita-swigging guys as they bring you their take on Cold in July, Take This Waltz, and Zodiac. See if Adam actually hits Patrick this time. It's bound to happen soon. Also - please ignore Dottie sending e-vites to her weekly vegan cook-outs as our devices alert throughout. We love to hear from you! 1890Studios.comDrop us a line: TheNetflixExplorers@gmail.comFACEBOOK: https://www.facebook.com/thenetflixexplorersTWITTER: @TheNetExITUNES: https://itunes.apple.com/us/podcast/netflix-explorers-podcast/id1200124353?mt=2Leave a comment on Facebook and review us on iTunes!Advertising inquiries: dale@1890Studios.com
No podcast de hoje conversamos sobre a filmografia da cineasta, roteirista e atriz canadense Sarah Polley, que começou a atuar aos quatro anos e a dirigir com vinte, com forte posicionamento político e inspiração em suas vivências pessoais. Os filmes discutidos foram Longe Dela (Away From Her, 2006), Entre o Amor e a Paixão (Take This Waltz, 2011) e Histórias que Contamos (Stories We Tell, 2012). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e O Espanador, Camila Vieira do Sobrecinema e Verberenas e Samantha Brasil do Delirium Nerd, PartidA Feminista e Cineclube Delas. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas
What a joyous day. Canon of Sunnydale (https://sunnydalenc.bandcamp.com), talks with writer/actress Kate Ferguson about the industry and emotions as a concept. You're not living right if you're not following lady Ferg's on Instagram and Twitter with @KateFerg. Some of Kate's fav movies worth a watch are The Shinning (http://www.imdb.com/title/tt0081505/?ref_=nv_sr_1) and The Royal Tenenbaums (http://www.imdb.com/title/tt0265666/?ref_=nv_sr_1), while two of Canon's are, Vanilla Sky (http://www.imdb.com/title/tt0259711/?ref_=nv_sr_1) and the oh so depressing, Take This Waltz (http://www.imdb.com/title/tt1592281/?ref_=nv_sr_1). Also be sure to check out Kate's IMDB at (http://www.imdb.com/name/nm6157735/). Support the good people folks! To learn more about this show and others on the network, be sure to head over to www.lastchancepodcastnetwork.com/allthingspopped hey and while you're over there, sign up for our newsletter and stay in the know of all our happenings.
This is The Recommendation Game episode one. This week we discuss 'Weekend' the 2011 film by Andrew Haigh. Spoilers ahead of course! Follow us on Twitter: http://bit.ly/2fRzZzW Like us on Facebook: http://bit.ly/2fdF848 Here's that Take This Waltz clip Orla was talking about http://bit.ly/2eTTxXN
William and Alexander talk about Sarah Polley's 2011 movie Take This Waltz. Michelle Williams stars as a woman whose stagnant marriage is threatened by her desire for a hunky neighbour. William reveals his impatience for rickshaw drivers while Alexander practices pronouncing Toronto. Plenty of smouldering passion for your ears on this episode.Download this episode here. (30 MB)
Punch-Drunk Love, Take This Waltz and Django Unchained
We discuss the 2011 movie "Take This Waltz" and the 2002 book "Spider-Man: Blue" as part of our discussion of Equilateral Love Triangles.
Hugh Jackman has donned his adamantium claws and muttonchops for another summer movie culled from comic book pages. Alan & Chris have checked out "The Wolverine" and offer their thoughts on this episode of Footcandle Films. If big budget films are not of interest to you fear not. Also in this episode they have a discussion of independent filmmaker Sarah Polley's documentary "Stories We Tell". Afterwards an attempt is made to answer some listener comments from the Footcandle Mailbag and the hosts give their recommendations for films you can check out online. Recommendations – "Stranger Than Fiction", "Take This Waltz"
Sarah Polley sees no sign of zombies on the set of Take This WaltzRC-2013-105: Take This Waltz (2011)Your browser does not support this audioSarah Polley's intelligent second film takes its name from a Leonard Cohen song, and speaking in my deepest, most morose voice I explore the really brightly colored poetry of Take This Waltz. Praising Polley's directorial skills, I compare the film to her first feature, Away From Her, and decide that this latest film is refreshing in many ways and slightly missing the mark in others. Before long, I decide I know best about comedians acting in movies, waxing arrogant on the acting of Sarah Silverman and Seth Rogen. The commentary gets weird during an explanation of how handsome men like Luke Kirby learn how to "work that thing" ("that thing" = their handsomeness). Come for the commentary; stay for the dissection of why mere mortal men should not try to pick up women using the rap Luke Kirby's character lays down in the infamous "martini scene." No Canadians were harmed in the recording of this commentary.Listen to the mp3. Or flirt with those kinky fuckers over at iTunes.
This week, ArMAYgeddone continues as we head back to the Atlantic with Richard Lester's Juggernaut, a disaster-thriller starring Omar Shariff, Richard Harris and a very young Anthony Hopkins. Is it explosive or just a bomb? Tune in to find out. We also chat about Take This Waltz, The Master, Where the Sidewalk Ends and The Ghost and the Darkness. Given recent events, we have decided to make a donation to the Red Cross for every download of an ArMAYgeddon episode this month, so please spread the word. Voicemails to 206-338-0793 Email to marriedwithclickers@gmail.com
In questo episodio: [00:05:54] Spotify in Italia, intervista a Veronica Diquattro [00:38:04] Players Roundtable: Under The Dome, Take This Waltz, Backup [00:46:54] Outro
In this episode, Luke Annand counts down his list for the Best Films of 2012 (along with his honorable mentions and worst of the year) with Christopher Misch, who brings his own list as well.M83 "Outro"
Pedro Figueirinha voltou ao Director’s Cut. Depois de discutir os típicos filmes de Páscoa, falamos de notícias que incluem todas as novidades da Marvel, o possível papel de Will Arnett no reboot das Tartarugas Ninjas, mais um sequela para G.I. Joe, a road trip de Robert Redford, as actrizes que poderão fazer de Cinderella, a Velocidade Furiosa da produção de franchises, o contínuo drama de Jane Got A Gun e os cameos de Anchorman 2. Relembramos ainda Roger Ebert. Finalmente, analisamos Rust and Bone, The Deep Blue Sea (e comparamo-lo com o Take This Waltz), G.I. Joe: Retaliation e a sua mensagem progressista, Sur la piste du Marsupilami, Gambit, Welcome To The Punch e o regresso de Taxi Driver às salas de cinema. http://archive.org/download/cinema_Ep71/ep73.mp3
Zero Dark Thirty ReviewOur Top 10 Most Anticipated Films of 2013What We Watched: Jiro: Dreams of Sushi, Take This Waltz, Futurama, The Great Happiness Space, Indie Game: The Movie, Somewhere Between, Lincoln & Chasing GhostsYou can listen to or download our episode here. (right click to save) Next Episode: Reviews of Mama and The Last StandThanks again to Jim and Patrick from The Director's Club Podcast for their support.If you'd like to check out their podcast go here: http://directorsclubpodcast.comIf you would like to read Jim's awesome blog on why he loves movie podcasts, go here: http://instantjim.com/post/40536863106/moviepodcasts2012
0:00-2:00 - Introduction; it's a new year and it's called 20132:00-12:20 - "Promised Land" review 12:20-22:30 - "The Impossible" review22:30-33:40 - "Not Fade Away" review, plus a mention of "Take This Waltz"33:40-38:00 - "Any Day Now" review, plus an anecdote about Alan Cumming38:00-42:20 - QOTW assignment, and parenting (it's connected)42:20-52:35 - Pitch Me (dramatic thriller with James Gandolfini and Tommy Lee Jones52:35-55:20 - iTunes review55:20-58:40 - Wrap-up; Bayer is going to the Critics' Choice Awards on Jan. 10; goodbyesQOTW: What are your parents' favorite movies? For extra fun, make your best guess, then ask your parents to find out if you were right. Anecdotes are welcome too.
Safety Not GuaranteedHoly MotorsThe ImposterWhat We Watched: Bernie, Take This Waltz, Nightmare Before XMas, This Is 40, The Perks of Being a Wallflower, End of Watch, The Campaign & Paranorman (kinda).Listen to or download the episode here. (Right click to save)Email us at thefilmclubpodcast@gmail.com or leave us a voicemail at 773-245-3476.
Os leks conversam sobre The Walking Dead (que agora Gus e Erik terminaram) Spec Ops: The Line, Big Money Rustlas, Take This Waltz, Sonic & All-Stars Racing Transformed, os Spike VGA’s e recebem Thiago Tonkiel para responder suas dúvidas. Baixe ... Conte-me mais sobre isso
Peter can often get lost in the history of cinema that he often forgets that movies were born in the industry, and Hollywood keeps that art alive. So for his last interview of the 2012 season, CinemaBlend editor-in-chief Katey Rich joins him for a lively conversation about the ins and outs of the movie industry. Katey discusses her origins as a moviegoer in South Carolina and her interest in why things were popular to the trials, tribulations, and pleasures of running a site that is always about the "now." They then get into some of the more interesting pieces she's written about the depiction of women in Hollywood, as well as why it's okay to nitpick. Finally, they dive into one of 2012's more intimate and underrated films, Take This Waltz, and discover how Sarah Polley can add real magic to a story as old as time. 0:00-1:01 Opening1:52-5:37 Establishing Shots - Zero Dark Thirty5:52-46:16 Deep Focus - Katey Rich47:11-1:01:19 Double Exposure - Take This Waltz (Sarah Polley)1:01:19-1:09:10 Spoiler Discussion of Take This Waltz1:09:12-1:12:03 Close and Outtakes
En eneste film har premiere denne uka, men hvilken film! Vi har ventet i lengsel og spenning på Peter Jacksons retur til Midgard, og på onsdag var det endelig klart for verdenspremiere på Hobbiten: En uventet reise. I dag får du høre min anmeldelse av filmen, og hele Filmpoliti-redaksjonen skal diskutere den til vi blir gule og blåe. Dessuten skal du få høre hvilke filmer som ligger best an etter gårsdagens nominasjoner til den prestisjefulle prisen Golden Globe, jeg markerer at en av årets søteste filmer, Take This Waltz, er ute på DVD.
On this weeks show we take our usual look at the UK Box Office top 10 and go over the latest movie news.We review 2 films this week, insane over the top action film Expendables 2 and romantic drama Take This Waltz.
Colin Farrell talks to Simon Mayo about starring in the remake of Total Recall. Boyd and Floyd - Boyd Hilton and Nigel Floyd - review the week's new films including Brave, The Bourne Legacy, The Expendables 2 and Take This Waltz. Plus the Box Office Top 10.
With John Wilson. Canadian singer-songwriter Alanis Morissette reflects on her career so far, and her latest album, Havoc And Bright Lights. Michelle Williams, Seth Rogen and Sarah Silverman star in the film Take This Waltz, a story of eroticism and infidelity that plays out through a sweltering Toronto summer. The film is directed by Sarah Polley. Antonia Quirke reviews. The author of the music business satire Kill Your Friends, novelist John J Niven, reveals why he's written his first crime thriller, Cold Hands American composer John Cage is celebrated for the way he challenges assumptions about what constitutes music. His work Branches uses cactuses as instruments. Ahead of a performance at the BBC Proms, cactus-player Robyn Schulkowsky brings cactuses to the studio, to demonstrate what Cage had in mind - and why. Producer Rebecca Nicholson.
Total Recall er nok en nyinnspilling vi ikke trenger. Ted er det morsomste jeg har sett på lenge. Tom Cruise imponerer som rockegud i Rock Of Ages, mens Michelle Williams og Seth Rogen sliter i Take This Waltz. Dette er premierefilmene som skal anmeldes I dagens Filmpoliti, der vi også forteller om Charlie Sheens nye tv-serie Anger Management, og gir deg filmnytt om blant annet Justice League, Doctor Who, Hangover 3 og ALF! Dette bør bli interessant!
Dave and Alonso say "Make mine music!" OK, they don't, but they do discuss ape raves, movie soundtracks, candy-colored pop princesses and a movie named for a Leonard Cohen song. Follow us on Twitter @linoleumcast, like us on Facebook, drop us a line at linoleumpodcast@gmail.com, check in at GetGlue.com, subscribe on iTunes, listen on Stitcher Radio, call your mother.
Hey, folks! We're back with more Box Office Poison, and it's a pretty special one because, for the first time ever (excluding Movies of the Month), we've all seen the same movie: Prometheus! We go into a pretty lengthy discussion (a whopping 40 minutes!) on the Sci-Fi epic, and I know you'll really enjoy it. We also cover such flicks as Jeff Who Lives at Home, Project X, The Machinist and God Bless America. In the second segment we go over some good ol' Trailer Trash: Django Unchained, Take This Waltz, Wreck-It Ralph and Argo. There are a couple real gems in there, so be sure to tune in. Want to recommend a movie we ought to see? Let us know via email (crosstawk@gmail.com), Twitter (@crosstawk) or in the comments section on the site. See you again on Friday for another brand new BOP!
This week on the show we go over one of our most favorite, and least favorite films in a monthly segment called best and worst, featuring Trainspotting, George Washington, Trash Humpers, and Into the Wild. we talk about what we've been watching including Indie Game: The Movie, Exporting Raymond, Hit So Hard, Moonrise Kingdom, Adventureland, Take This Waltz, Keyhole, Sound of Noise, Alien, and Aliens. We go over some of the latest news including TMNT being delayed, A Twilight remake, the Tonka movie, and The Suicide Forest. And finally we go over our weekly opening film predictions and highlight some Amazon deals of the week. We want to hear your suggestions and feedback! Send us an e-mail at feedback@filmpulse.net or leave us a message on our voicemail line at (850) 391-6075 and we'll feature your comments on the show!
This week on the show we weigh in on Ridley Scott's Prometheus, we make Ryan watch Jack and Jill, in honor of That's My Boy coming out this week, we talk about some other movies we watched including Pariah, Distant, American Animal, Take This Waltz, and Declaration of War, and finally we go over our weekly film predictions. We want to hear your suggestions and feedback! Send us an e-mail at podcast@filmpulse.net or leave us a message on our voicemail line at (850) 391-6075 and we'll feature your comments on the show!
This week on the show we weigh in on Ridley Scott's Prometheus, we make Ryan watch Jack and Jill, in honor of That's My Boy coming out this week, we talk about some other movies we watched including Pariah, Distant, American Animal, Take This Waltz, and Declaration of War, and finally we go over our weekly film predictions. We want to hear your suggestions and feedback! Send us an e-mail at podcast@filmpulse.net or leave us a message on our voicemail line at (850) 391-6075 and we'll feature your comments on the show!
In a crossover Filmspotting/SVU episode, Matt and Alison discuss Sarah Polley's new film available on demand, "Take This Waltz," and share their Top 5 Infidelity Movies you can get via streaming. Plus, the Listener's Choice discussion of Gus Van Sant's "Drugstore Cowboy." Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we're featuring video performances of various artists doing the songs of Leonard Cohen. The video was recorded live at this year's South by Southwest Music Festival in Austin, TX. At Waterloo Records, Laura Gibson performed a song from Cohen's 1988 record 'I'm Your Man'. The track, "Take This Waltz," features accordion, a saw, some percussion and Laura's poignant voice.
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