Podcasts about You Can Count On Me

Andrea Jaeger sets this Little Star Light episode tone with the help of Bruno Mars. Sing and Dance along to “You Can Count On Me” by Bruno Mars while learning from Doctors and Pioneers in the house including Dr. Jill Bolte Taylor and Dr. David Agus to help sync to your highest and best friendships and community. There is a Call to Action, a profound poem with the help of Alice Walker, with messaging you may be of or know someone who is. Learn, Laugh, Dance, Sing, Reflect and Enjoy – this is for you!Welcome to the Little Star Light PodcastIt is exciting to have you as a listener of Little Star Light, a podcast dedicated to sharing stories of courage and inspiration with our hosts and guests during uplifting, entertaining and intriguing conversations. Thank you for joining us. Each of us have a great story to live, you included. Hear and learn from, be inspired by and benefit from respected industry experts, brave pathfinders, curious adventurers, determined innovators, creative warriors, experienced leaders, and caring people who have joined together for you.Your hosts are Andrea Jaeger, Karen Vazquez and Adriana Solarova. In addition we have special co-hosts and guests from around the world, also doing their best to bring their own amazing light to you. Get ready! Here we go!www.littlestarlightpodcast.com For more information about the work Little Star Foundation does, please visit: https://www.littlestar.org/

When a film hits your eye like a big pizza pie, that's a-mamma. Christmas came early for Stuart this year, as we FINALLY get to discuss his new favorite movie, Mafia Mamma. And to sweeten the deal, everyone's favorite Flop House sometime-co-host and star of the show, Hallie Haglund, dropped by to join in the fun! Not to put any of our other shows down, but THIS IS A GOOD ONE, FOLKS.Wikipedia page for Mafia MammaRecommended in this episode:A Haunting in Venice (2023)Suitable Flesh (2023)Property (2022)You Can Count On Me (2000)

| Belong (No'West Vocal Remix)  | Eeskra feat. Llija Rudman, Petar Dundov, Yannah Valdevit, Ashley Beedle, Darren Morris & Jo Wallace | You Don't Know  | Leon Bridges | Hidden Highs (Radio Mix)  | Zaimie | Meet Somebody  | Entice | Tropical  | Seth Haapu | If It Feels Good (Then It Must Be)  | Leon Bridges | If I Love You (Vocal)  | G.C. Cameron | All Night (feat. Jack Tyson Charles)  | Lack Of Afro | Best Life (Radio Edit)  | LTJ XPerience | Got My Pride  | Cale Austin  | Digah D Bump (Radio Edit)  | Don-E | Dance  | Kiara | Build Me Up  | LoveLogiq  | Love Language  | Bobby Washington | Every Morning  | Alex Fanjul & Bass Barcelona | Choose It Right  | Sammy G & Friends | Too Good Alone  | Sidibe | Summertime  | Ezinne Nnorom | You Can Count On Me  | Lee Fields | A Better Woman  | Cole Williams with Soul Tune Allstars | The Falling  | Sipprell | Work It Out  | LeVelle | Sitting By The Phone  | Bill Albright | Medicine  | Pokey Bear, Tina P | Leave It Broken  | Numi | Muva Melanin  | Spring The Artist | Hidden Agenda (Radio Mix)  | Traycar | Sex Your Troubles Away  | DJ Vudu Spellz feat. M-Status | Can't Beat The Weekend  | B.K.W.H. | Got Somebody  | BigHomiePitts | Sweet Memories  | Robert Tanner | Questions  | Alicia Monae | Played  | Mytintie | Undulation  | Kayla Waters  | Close The Door (Radio Mix)  | Jtreece & The Terri Green Project | One Step At A Time (Radio)  | RJ's Latest Arrival, Slum Village | Not On The Outside  | Jerald Daemyon & The Motorsoul Collective | My Work (Rob Hardt Remix)  | Brandon Delagraentiss

J. Smith-Cameron is an Emmy and Tony-nominated stage, film, and television actress who most recently starred as “Gerri Kellman” on HBO's SUCCESSION. She can be seen starring in the Peacock film THE YEAR BETWEEN, as well as the miniseries WACO: THE AFTERMATH on Showtime. Her film credits include VENGEANCE, 84 CHARING CROSS ROAD, HARRIET THE SPY, YOU CAN COUNT ON ME and MARGARET. On tv she's had recurring roles on RECTIFY, TRUE BLOOD and DIVORCE and has appeared in countless others. Her Broadway credits include Lend Me a Tenor, Our Country's Good, Night Must Fall and After the Night and the Music. Her extensive Off-Broadway work includes As Bees in Honey Drown, for which she won an Obie Award, Fuddy Meers, The Starry Messenger, Sorry, Juno and the Paycock and Peace for Mary Frances. I LOVE this chat! J shares her journey from childhood through the season finale of SUCCESSION. It's a master class in acting and a truly fun-filled conversation with fascinating insights, funny anecdotes and inside tidbits from one of the most beloved, successful television shows of all-time. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel

Last Chance U Rob Robinson Teaches Through Basketball - #100 Rob Robinson teaches over coaching. As he is no longer an Assistant Coach at East Los Angeles College. After the 2021-2022 session, the coach left the team in order to become the Head Basketball Coach for MiraCosta Community College, located in Oceanside, California. Though he cherishes the time he spent at ELAC, especially his friendship with John Mosley, Rob decided to help the MiraCosta Spartans rise in the basketball circuit, hopefully in the 2022-2023 session.SUBSCRIBE to the channel: https://www.youtube.com/jonathanjonesspeaksFollow Coach Rob : https://www.instagram.com/coachrob_miracosta/Follow Jonathan: https://www.instagram.com/jonathanjonesspeaks/(00:00) - Snippet(02:00) - Jump Stop To Teach Life Lessons(04:42) - Efficiently Translates At Every Level (08:12) - How To Teach Off and On The Court(11:00) - The Curriculum is my basketball (14:00) - How To Teach Different Learning Styles(19:09) - Working With Josh Phillips (25:30) - Books, Tuition, Fees, Room and Board(28:28) - Coach Rob Making T-Shirts (31:31) - Block Party ( The Power of Print)(36:00) - If Jesus Could Wash Feet, I Can Do Uniforms(39:08) - You Can Count On Me(44:21) - Shemar Morrow's Story (50:58) - Rapid Fire(55:14) - Go To Shoe(56:40) - Winner Circle of the Week(58:35) - Dear Student-Athlete, Just Keep Rowing SUBSCRIBE to the channel: https://www.youtube.com/jonathanjonesspeaks

For our 30th episode David & Devon discuss a film that is very meaningful to them which is Kenneth Lonergan's 2000 film debut YOU CAN COUNT ON ME with two incredible central perfromances by Laura Linney and Mark Ruffalo as well as a great performance from an 11 year old Rory Culkin! 

Onze KINK FAST DJ’s Bart en Lesley nemen het er even van en zijn met vakantie. Vanaf 22 augustus is er weer een reguliere aflevering van KINK FAST. Tot die tijd laten de heren je achter met een fijne playlist om de zomer door te komen. Playlist: 01. Paramore – For A Pessimist, I’m Pretty Optimistic02. Boston Manor – Laika 03. 36 Crazyfists – I’ll Go Until My Heart Stops 04. Saosin – Sleepers 05. Stand Atlantic ft. tom the mail man – Dumb 06. Citizen – How Does It Feel 07. Something Corporate – Punk Rock Princess 08. Mom jeans. – Anime Theme Song 09. Papa Roach – Scars 10. Normandie – White Flag 11. Real Friends – Late Nights In My Car 12. Acceptence – In Too Far 13. Bowling For Soup – High School Never Ends 14. Circa Survive – I Felt Free 15. Machine Gun Kelly – make up sex 16. Roam – Playing Fiction 17. Trophy Eyes – You Can Count On Me 18. A Day To Remember – A Shot in the Dark

Onze KINK FAST DJ’s Bart en Lesley nemen het er even van en zijn met vakantie. Vanaf 22 augustus is er weer een reguliere aflevering van KINK FAST. Tot die tijd laten de heren je achter met een fijne playlist om de zomer door te komen. Playlist: 01. Paramore – For A Pessimist, I’m Pretty Optimistic02. Boston Manor – Laika 03. 36 Crazyfists – I’ll Go Until My Heart Stops 04. Saosin – Sleepers 05. Stand Atlantic ft. tom the mail man – Dumb 06. Citizen – How Does It Feel 07. Something Corporate – Punk Rock Princess 08. Mom jeans. – Anime Theme Song 09. Papa Roach – Scars 10. Normandie – White Flag 11. Real Friends – Late Nights In My Car 12. Acceptence – In Too Far 13. Bowling For Soup – High School Never Ends 14. Circa Survive – I Felt Free 15. Machine Gun Kelly – make up sex 16. Roam – Playing Fiction 17. Trophy Eyes – You Can Count On Me 18. A Day To Remember – A Shot in the Dark

"You Can Count On Me," Pastor Art Corral (May 25, 2022) by Praise Chapel Las Vegas

Danielle and Millie discuss YOU CAN COUNT ON ME (2000) and BASKET CASE (1982), sibling dynamics, 42nd Street, and another appearance from the scary hotel in BIG. Plus, the magnificent Sarah Marshall (You're Wrong About podcast) joins the ladies to talk about Anna Nicole Smith and “ripped from the headlines” TV shows.To see a full ISWYD movie list, check out our Letterboxd here:https://letterboxd.com/isawwhatyoudid/films/diary/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's very special episode we discuss 1957 noir-ish thriller "The Sweet Smell of Success." This film stars Hollywood legends Burt Lancaster and Tony Curtis and was based on the 1950 novelette "Tell Me About it Tomorrow" by Ernest Lehman. Joining us in this episode is screenwriter, producer, voice actor, professor, and overall real mensch of a guy Mr. Ross Klavan. Join A Reel Page Turner on Facebook:https://www.facebook.com/groups/352221223264794Visit our website:https://www.areelpageturner.com/Follow us on Instagram and Twitter:@AReelPageTurnerMore about Ross Klavan: Ross Klavan's work spans film, TV, stage, books and radio. His screenplay for the film Tigerland was nominated for an Independent Spirit Award and was directed by Joel Schumacher, starring Colin Farrell. Other screenplays were written for Miramax, Weinstein, Paramount, A&E, InterMedia, the BBC, Vortexplore, Walden Media, and TNT. He's acted as script consultant for SenArts Films and teaches screenwriting at the graduate level as well as privately. Klavan's darkly comic novel “Schmuck” was published by Greenpoint Press. Down and Out Books published three of his noir novellas: “Thump Gun Hitched,” “I Take Care Of Myself In Dreamland,” and “Cut Loose All Those Who Drag You Down.” His play, “How I Met My (Black) Wife (Again)” (co-written with Ray Iannicelli) was performed OffBroadway. As a performer, Klavan's voice has been heard in dozens of feature films including “Revolutionary Road,” “Sometimes in April,” “Casino,” “Sixth Sense,” “Snake Eyes,” “In and Out,” and “You Can Count On Me” as well as in numerous TV and radio commercials. In other lives, he was a reporter and anchorman for WINS Radio, RKO Network and LBC Radio (London, England) and a member of the NYC alternative art group Four Walls. He lives in New York City with his wife, the artist Mary Jones. 

Matthew Broderick is currently appearing opposite his wife, Sarah Jessica Parker, in the hit Broadway revival of Neil Simon's Plaza Suite. He made his stage debut at 17 in Horton Foote's On Valentine's Day (opposite his father, James Broderick), and quickly became one of the most respected and beloved actors of his generation.  Broadway credits include Brighton Beach Memoirs (Tony, OCC, Theatre World awards), Biloxi Blues, How to Succeed in Business... (Tony, DD, OCC awards), Night Must Fall, Taller Than a Dwarf, The Producers (Tony, DD, OCC nominations) The Foreigner, The Philanthropist, The Odd Couple, Nice Work If You Can Get It, Sylvia and It's Only a Play. Off-Broadway, Mr. Broderick has appeared in The Seafarer, The Closet, Evening at the Talk House, Shining City (Obie Award), Torch Song Trilogy (OCC, Villager awards), The Widow Claire, and in the recent London production of The Starry Messenger. Selected film and television credits include: Max Dugan Returns, WarGames, 'Master Harold'...and the Boys, Ladyhawke, On Valentine's Day, Ferris Bueller's Day Off, Biloxi Blues, Glory, The Freshman, A Life in the Theater, The Lion King, The Cable Guy, Infinity, Election, You Can Count on Me, Wonderful World, The Music Man, Margaret, Tower Heist, Rules Don't Apply, Manchester by the Sea and To Dust. Mr Broderick will next be seen in Painkiller for Netflix. Photo credit: Tawni Bannister

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Episode 263."Manchester by the Sea"Composer.Lesley Barber.Lesley Barber has scored a string of award-winning and highly acclaimed projects, most notably Kenneth Lonergan's Oscar-nominated film, Manchester by the Sea. A member of the Academy of Motion Picture Arts and Sciences Class of 2016, Lesley was recently elected to represent the music branch on the Board of Governors for the Academy of Motion Picture Arts and Sciences.A multi-instrumentalist, conductor and pianist, Lesley writes music marked by intelligence and emotional depth. Barber's interest in modern electronic programming, loops, and effects adds dimension to her work, creating hybrid atmospheric scores with lush orchestration with an innate ability to bring the essential to light and avoid the cliché.Lesley's recent films include Late Night, directed by Nisha Ganatra and starring Emma Thompson; Mindy Kaling's Four Weddings and a Funeral. series; American Woman, produced by Killer Films and directed by Semi Chellas; Stephanie Laing's Irreplaceable You; and Nappily Ever After, directed by Haifaa al-Mansour.Her distinguished list of credits also includes Lonergan's Oscar-winning You Can Count On Me; Jerry Rothwell's award-winning documentary How to Change the World; Patricia Rozema's Mansfield Park; Mira Nair's Golden Globe winning Hysterical Blindness; Mary Harron's Moth Diaries; the children's classic Little Bear with Maurice Sendak; Yo-Yo Ma: Six Gestures; and Boaz Yakin's Boarding School.Lesley is a proud and active member of the Alliance for Women Film Composers, which has taken a leading role in the much-publicized diversity conversation now occurring in Hollywood. She has a passion for good food, great cities and interesting company.Welcome, Lesley Barber.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticWebsite: www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com

Long before he found global fame in the MCU, Mark Ruffalo got his Hollywood break with You Can Count On Me, a bittersweet comedy-drama from writer-director Kenneth Lonergan.  Tune into this week's episode to discover our very polarised reactions to this movie, a heated debate about what constitutes a comedy and a truly bizarre story from Harry's childhood... ----- Beyond the Box Set is a movie podcast with a twist. Each week we take a look at a well-known standalone movie and compete to pitch ridiculous sequel, prequel and spin-off ideas to bring them back to the big screen.  If you enjoy this week's show, please hit subscribe to receive a brand new episode every Monday morning. You can also sign up to our Patreon to help support our show and access a number of incentives, including a weekly bonus show, extended episodes, a regular on-air promo slot and much more, all available for as little as $2 per month. beyondtheboxset.com patreon.com/beyondtheboxset twitter.com/beyondtheboxset facebook.com/beyondtheboxset instagram.com/beyondtheboxset 00.00: Laura Linney must be protected from Marvel at all costs  48.20: You Can Count On Me Drinking Games 53.30: You Can Count On Me sequel pitches 1.12.00: Listener Submissions & Episode 210 Preview

Have you ever fallen in love with music or a movie soundtrack? This is because there is a lot of work behind the scenes, where composers come up with the perfect melodies for a movie. Today's guest, Lesley Barber, is here to tell us a little more about this. Lesley is a film composer who writes music marked by intelligence and emotional depth. She has created wonderful compositions for film, theater, chamber and orchestral ensembles and is also a conductor, pianist, producer and multi-instrumentalist. With several young female composer awards to her credit, she graduated with a master's degree in music composition from the University of Toronto in 1988, studying with electro-acoustic music pioneer, composer Gustav Ciamaga, and composer Lothar Klein. Her distinguished list of credits include Kenneth Lonergan’s Oscar-winning You Can Count On Me, Jerry Rothwell’s award-winning documentary How To Change The World, Kenneth Lonergan’s multi-award-winning and Oscar-nominated film, Manchester by the Sea, and many more.Highlights Lesley tells how she ended up in the movie industry and why she loves collaborating with filmmakers.She states at what point in the filming process she prefers to get involved.Her experience working on Manchester by the Sea and why she chose an acoustic sound for the film's music.Lesley describes a typical day as a composer and how she develops an idea.She explains the difference between composing for movies, television series, and documentaries.Lesley tells the challenges she faces every day as a film composer.Lesley gives advice to people who want to succeed in the film industry.To learn more about Lesley, visit her website, or follow her on Twitter.Interested in knowing more about the show? Follow me on Instagram.

Alexander Payne’s ELECTION (1999) breaks down politics in the most basic of ways. Through sharp critique, biting satire & layered performances, the fresh relevance of this film rings true in its relatability. ELECTION’s brutal honesty & exposure of human imperfections makes it one of the most provocative comedies fo the ‘90s. ▶️Synopsis: Feeling that an over-achieving high school student needs to be sidelined, a well-liked teacher convinces a popular jock to join the race for student body president. In doing do, multiple feuds come to the forefront as everyone’s morals and ethics are tested. ⏩⏩Discussions include: The real-life inspirations for ELECTION, adapting the novel for film & pre-production journey; layered writing style & visual translation; themes & filming techniques; main character breakdowns & relatability; Payne’s dedication to detail with casting choices, rewrites, filming locations, set design & costuming; visual cues, metaphors, use of edgy, dark humor; critical reception & marketing. **Starring Reese Witherspoon, Matthew Broderick, Jessica Campbell, Chris Klein. Directed by Alexander Payne.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BILOXI BLUES (1988): An autobiographical tale of a young man’s observations & experiences while in boot camp during WWII. **Starring Matthew Broderick, Christopher Walken, Corey Parker. Directed by Mike Nichols.** —Justin’s Pick, YOU CAN COUNT ON ME (2000): In a story about reevaluating one’s life, an independent single mother becomes the beacon of strength & growth for her brother who drifts back into her life. **Starring Laura Linney, Mark Ruffalo, Matthew Broderick, Rory Culkin. Directed by Kenneth Lonergan.** ▶️MURRAYMOMENT: Billy’s turn as Franklin D. Roosevelt in HYDE PARK ON HUDSON, how he came to be involved, prep work for the role & anecdotes from the film’s cast. ▶️FINAL THOUGHTS: The decision to reshoot ELECTION’s climax. ▶️Next Up: WAYNE’S WORLD!

Welcome to Screen Tea Podcast! Jump on a bus and head to the small town of Ridiculous Podcasters, because this week Lisha and Jules are covering Kenneth Lonergan's directorial debut, 2000's You Can Count on Me! Let us all sit down for a mildly (wildly?) uncomfortable lunch together while Lisha spirals down a pit of Lonergan-dialogue obsession, Jules fights tooth and nail to pronounce ANYTHING related to the damn DIRECTOR of the film, and both of them cock their heads in confusion over Brian (seriously, what the fuck?). Actually, if you just want to grab some more refreshments, actually, and prepare yourself for some Mark Ruffalo, Laura Linney and Rory Culkin adoration, all you have to do is settle in and hit play...actually. Sources for information gathered for this episode were: www.imdb.com, www.wikipedia.org, www.rottentomatoes.com, www.metacritic.com, and https://www.newyorker.com/magazine/2016/11/07/the-cinematic-traumas-of-kenneth-lonergan, and https://writingstudio.co.za/kenneth-lonergan-talks-about-writing-and-directing-manchester-by-the-sea/. Find us on Facebook at www.facebook.com/screenteapodcast, hit us up on Twitter @screenteapod, shoot us an e-mail at thescreenteapodcast@gmail.com, and check out our website at www.screenteapodcast.com!Happy listening!Please go check out https://www.watershedvoice.com/, an independent nonprofit news organization based in Three Rivers, Michigan. Watershed Voice, on top of being a new and much needed strong journalistic presence, has also decided to feature Screen Tea Podcast on their digital news site! Support them with a subscription, by sharing their page on social media, and with good old fashioned word of mouth.(Excellent podcast logo commissioned from the talented Mel. Find Mel on Instagram @javadoodler, website www.javadoodleart.com, or on Facebook at www.facebook.com/Javadoodle.Art. Our incredible intro music was composed by Detroit musician Sasha Kashperko!)

Part Drunk: In this episode the Losers discuss our personal picks of 2000, Memento, High Fidelity, Wonder Boys, You Can Count On Me and Almost Famous. 

Three-time Oscar nominee, four-time Tony nominee, and four-time Emmy Award winner Laura Linney is known for her technical prowess and innate humanity in film, theater, and television—three mediums she approaches distinctly when building characters. Growing up the daughter of a playwright and realizing early just how much there is to learn about acting, Laura studied theater history before joining the Juilliard School and focusing on her mission to “make some tiny contribution to something that had been going on for centuries before me.” Star of “Tales of the City,” “You Can Count On Me,” “Wild Iris,” “Kinsey,” “Frasier,” “John Adams,” “The Savages,” “The Big C,” and 12 Broadway shows including this year’s solo show “My Name Is Lucy Barton,” Laura has for three seasons played the deceptively dangerous Wendy Byrde on Netflix’s crime drama “Ozark” opposite Jason Bateman. Read her Backstage cover story here: https://bit.ly/36jsAUS We also check in with Benjamin Lindsay, Backstage’s managing editor, for an update on virtual content offerings in The Slate: https://bit.ly/3cRTXaS --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Subscribe and listen to In the Envelope: - SoundCloud: https://bit.ly/2jUpnnw - Google Play: https://bit.ly/2DHkPwt - iTunes: https://apple.co/2rs0llz - Spotify: https://spoti.fi/2QNmu6C - Stitcher: https://bit.ly/2DJv6bD Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Browse Backstage casting listings: https://www.backstage.com/casting Check out Backstage’s community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social Media: Katie Minard - Design: Mark Stinson and Caitlin Watkins - Additional Support: Kasey Howe, Samantha Sherlock, Oriella St. Louis

We watch (some of) your recommendations in another Star Trek-free episode! Join us as we chat dystopian self-love in See, dubious apologies in The Morning Show, and ask if infertility can ever be funny after the fact. Meanwhile, Chris enjoys “tart with a heart” Billy Crudup, the Chris Evans Career Clinic gains an unexpected ally, and Jenny just wants to get through a kids' film emotionally unscathed. Listen now! Or don't! We watched: The Morning Show https://tv.apple.com/gb/show/the-morning-show Defending Jacob https://tv.apple.com/gb/show/defending-jacob See https://tv.apple.com/gb/show/see Grayson's Art Club https://www.channel4.com/programmes/graysons-art-club The Good Dinosaur https://www.pixar.com/feature-films/the-good-dinosaur Onward https://www.pixar.com/onward Links: The Descent of Man https://www.hive.co.uk/Product/Grayson-Perry/The-Descent-of-Man/20517435 The Book You Wish Your Parents Had Read https://www.hive.co.uk/Product/Philippa-Perry/The-Book-You-Wish-Your-Parents-Had-Read-and-Your-Children/23504588 Grayson Perry on Twitter https://twitter.com/alan_measles Philippa Perry on Twitter https://twitter.com/Philippa_Perry Gifted https://m.imdb.com/title/tt4481414/ You Can Count On Me https://m.imdb.com/title/tt0203230/ Bonkers nursing in Fantastic Four https://youtu.be/xNjpuX5rLzQ Thanks to everyone who got in touch – especially @antinbath and @bzamayo on Twitter. Final thing! We done got an Insta now! ⓘ https://www.instagram.com/howpicard ⓣ https://twitter.com/howpicard --- Send in a voice message: https://podcasters.spotify.com/pod/show/howpicard/message

IT'S EUROVISION MONTH (well, two weeks) on Shitshow and this week the BIG DOG round of the Best of Irish Tournament. This is not a league, it's a tournament. Two songs will face off in a battle to the DEATH and only one shall be claimed Ireland's Greatest Eurovision Song of all Time. We're calling this round Davina V Goliath, as the lower-ranked entries, your Jedwards, Ryan Dolans etc compete against the BIG DOGS, your Johnny Logans, your Dickie Rocks, your Danas. The scraps are as follows: 1992 -Linda Martin "Why Me?" 1976 - Red Hurley "When" 1986 - Luv Bug "You Can Count On Me" 1981 - Sheeba "Horoscopes" 1970 - Dana "All Kinds of Everything" 1982 - The Duskeys "Here Today Gone Tomorrow" 1968 - Pat McGeegan "Chance of a Lifetime" 1965 - Butch Moore "Walking the Streets in the Rain" 1984 - Linda Martin "Terminal 3" 2011 - Jedward "Lipstick" 1967 - Sean Dunphy "If I Could Choose" 1988 - Jump the Gun "Take Him Home" 1978 - Colm C.T. Wilkinson "Born to Sing" 1979 - Cathal Dunne "Happy Man" 1977 - The Swarbriggs Plus Two "It's Nice To Be In Love Again" 2013 - Ryan Dolan "Only Love Survives" 1993 - Niamh Kavanagh "In Your Eyes" 2018 - Ryan O'Shaughnessy "Together" 1966 - Dickie Rock "Come Back to Stay" 2007 - Dervish "They Can't Stop the Spring" 1980 - Johnny Logan "What's Another Year?" 2003 - Mickey Harte "We've Got the World" 1996 - Eimear Quinn "The Voice" 1989 - Kiev Connolly & The Missing Passengers "The Real Me" 1990 - Liam Reilly "Somewhere in Europe" 1974 - Tina Reynolds "Cross Your Heart" 1991 - Kim Jackson "Could It Be That I'm In Love" 1987 - Johnny Logan "Hold Me Now" 1998 - Dawn Martin "Is Always Over Now?" 1994 - Paul Harrington & Charlie McGettigan "Rock 'n' Roll Kids" 1969 - Muriel Day "The Wages of Love" 1997 - Marc Roberts "Mysterious Woman" Next episode will be on the Patreon but not to worry if you're not a patron, as the GRAND FINAL will be next Monday.

A Career Retrospective Conversation with Amy Ryan, currently starring in Lost Girls, on March 5, 2020. Moderated by Mara Webster. Amy Ryan is an Academy Award nominated actress, well-known for her work on the big and small screen, as well as her Tony-nominated work on stage. Ryan will next be seen in the Netflix Independent film, LOST GIRLS, which premiered at Sundance in January 2020 to critical acclaim. The Liz Garbus-directed film recounts a true story of the “Craigslist Killer,” who used the waterfront roadside on Long Island's South Shore as the dumping ground for his victims. Amy Ryan stars as ‘Mari Gilbert’ who tries to uncover what happened to her daughter following her sudden disappearance. LOST GIRLS will officially premiere on March 13, 2020. Amy Ryan also starred in a second film premiere at Sundance this year; WORTH, starring opposite Michael Keaton and Stanley Tucci. Keaton and Ryan play famed attorneys Ken Feinberg and Camille Biros who oversaw the 9/11 Victims Compensation Fund. Additional past film credits include the critically-acclaimed Amazon film, BEAUTIFUL BOY, opposite Steve Carrell, Timothée Chalamet and Maura Tierney and directed by Felix van Groeningen. She was also seen in Alejandro González Iñárritu’s Oscar®-winning BIRDMAN, for which she received the 2015 SAG Award for Outstanding Performance by a Cast in A Motion Picture, STRANGE BUT TRUE, CENTRAL INTELLIGENCE, LOUDER THAN BOMBS, Steven Spielberg's BRIDGE OF SPIES, GOOSEBUMPS, DON VERDEAN, and ABUNDANT ACREAGE AVAILABLE. Ryan is perhaps best known on the big screen for her performance in Ben Affleck’s GONE BABY GONE, for which she was recognized with Academy Award, Golden Globe and SAG Award nominations for Best Supporting Actress. She also won numerous Best Supporting Actress awards for this role, including those from the National Board of Review, the Broadcast Film Critics Association, the New York Film Critics Circle and the L.A. Film Critics. Her other film credits include LATE NIGHT opposite Mindy Kaling, Emma Thompson and Reid Scott, BREATHE IN with Guy Pearce and Felicity Jones, CLEAR HISTORY directed by Greg Mottola and co-starring with Larry David, DEVIL’S KNOT directed by Atom Egoyan and co-starring with Colin Firth, Tom McCarthy's WIN WIN, MOSTER TRUCKS, THE INFILTRATOR, ESCAPE PLAN, BOB FUNK, THE MISSING PERSON, GREEN ZONE, JACK GOES BOATING, CHANGELING, BEFORE THE DEVIL KNOWS YOU’RE DEAD, CAPOTE, DAN IN REAL LIFE, WAR OF THE WORLDS, KEANE, and YOU CAN COUNT ON ME. Amy is also widely acclaimed for her work on the small screen, including her memorable portrayals as Holly Flax on THE OFFICE, Adele on IN TREATMENT and Officer Beatrice ‘Beadie’ Russell on THE WIRE. Additional television credits for Ryan include HIGH MAITENANCE, ROBOT CHICKEN, BROAD CITY, CLEAR HISTORY, MILDRED PIERCE, KIDNAPPED, LAW & ORDER: CRIMINAL INTENT, M.O.N.Y., AMERICAN EXPERIENCE, LAW & ORDER, THIRD WATCH, HACK, BASEBALL WIVES, 100 CENTRE STREET, LAW & ORDER: SPECIAL VICTIMS UNIT, HOMICIDE: LIFE ON THE STREET, THE NAKED TRUTH, ER, and I’LL FLY AWAY. On stage, Amy Ryan had her Broadway debut in Wendy Wasserstein’s The Sisters Rosensweig. She received a Tony Award nomination for Best Featured Actress in a Play for her work in the 2000 production of Uncle Vanya, and she received her second Tony nod for her portrayal of ‘Stella’ in A Streetcar Named Desire. Ryan has also appeared in London’s West End during Neil LaBute’s The Distance From Here and Lisa D’Amour’s critically-acclaimed play Detroit, directed by Anne Kauffman at Playwrights Horizons.

Theatre First Episode 248Lobby Hero (fortyfivedownstairs,Melbourne Australia) When you can’t trust the law, who can you trust?Four New Yorkers become tangled in a murder investigation when a lobby security guard clashes with his controlling manager, an idealistic rookie cop, and her volatile senior partner during a night of suspense, humour and compromised morality.Oscar-winning writer Kenneth Lonergan is best known for his work on Gangs of New York (2002), You Can Count On Me (2000), Margaret (2011) and Manchester by the Sea (2016). Lonergan’s writing showcases an aching compassion for humanity and after being nominated for a Tony Award for ‘Best Revival of a Play’ last year on Broadway, Lobby Hero has stepped into a newfound relevance with modern audiences.For more information visit https://www.fortyfivedownstairs.com/wp2016/event/lobby-hero/ Theatre First RSS feed: https://feeds.megaphone.fm/ivetheatrereviews  Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia #lobbyhero #fortyfivedownstairs Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

In episode ninety-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Phoebe Waller-Bridge's sublime comedy series FLEABAG. Ben swiftly denounces the cast and crew of THE SQUID AND THE WHALE between analysis of the show's sly visual scheme, Daniel makes a declarative statement about YOU CAN COUNT ON ME while appreciating Waller-Bridge's structure around psychology, and Brandon stands behind THE SAVAGES after worshipping at the altar of wit and wisdom in the final scene between Fleabag and her father. See acast.com/privacy for privacy and opt-out information.

Given everything Mark Ruffalo's been through, it's a wonder that he isn't a total jerk. A superhero in real life, Mark has suffered the lowest of lows and yet stands tall (not literally) and makes everyone smile with his innate charm and humor. While you gear up for the end of an era, Avengers Endgame, here's a glimpse of the Academy nominated actor - Mark Ruffalo's tragic real-life story and how he smashed his way to the top, despite the downfall.From Dyslexia to bankruptcy, suffering from a fatal disease to its side effects, losing his loved ones to being called a terrorist, Mark has seen it all. Over 50 films old, Mark Ruffalo has worked on a diverse range of films like 13 going on 30, Begin Again, Zodiac, Now You See Me, Now You See Me 2, Collateral, Eternal Sunshine of the Spotless Mind, You Can Count On Me. and blockbusters like The Avengers. His movies have received a lot of accolades over the years, earning millions upon millions around the world and also got him 3 Oscar Nominations - However, when he pops up in films like Foxcatcher, Spotlight, and The Kids Are All Right. Hopefully, the bad luck has finally run its course, never to return.

This is Episode #207 The show that fills your ears with thick, rich musical gravy that feeds your heart and soul every week. This week starts with rockin' R&B and Popcorn from the other end of the 1960's into the 50's exploring the roots of the British Maximum RnB scene. What happens next will crack your skull. Get into it. Please Like the Facebook Page here: facebook.com/ontargetpodcast ------------------------------------------------- The Playlist Is: "Papa Oom Mow Mow" The Rivingtons - Liberty "Kissin' in the Kitchen" Gene Chandler - Vee-Jay "The Girl Cant Help It" Little Richard - Specialty "Say (That Your Love Is True)" Joe Simon - Vee-Jay "Annie Had A Baby" The Midnighters - King "Real Man" Ernie K-Doe - London "Dune Buggy" The Surfaris - Decca "You Baby" The Turtles - Quality "Baby Feelin'" The Guess Who - Quality "Breakaway (pt. 1)" Steve Karmen ft. Jimmy Radcliffe - United Artists "Much To Much" Bobby Rush - Checker "Lovey Dovey / You're So Fine" Bunny Sigler - Parkway "What About You?" Billy Preston - Apple "Soul Control" The Prophets - Smash "How Much Pressure ( Do You Think I Can Stand)" Roscoe Robinson - Wand "Baby Jane (Mo-Mo Jane)" Mitch Ryder & The Detroit Wheels - Stateside "Only Love Can Save You Now" The Mauds - Mercury "Gaslight" Ugly Ducklings - Yorkville "The Jupe" Dave Davani Four - Capitol "Tossin' & Turnin'" Dave Davani Four - Capitol "You Can Count On Me" Sammy Davis, Jr. - 20th Century

Kenneth Lonergan doesn't think there's a real difference between comedy and drama, at least not in the way he writes and directs. The playwright-screenwriter-director talks with Marc about the lie of sentimentality, how ideas collapse when he's writing and new ideas emerge, and why he hopes to get to 95% satisfaction with his work (he's gotten to about 90% so far). That work includes Manchester By The Sea, Margaret, You Can Count On Me, and plays like The Waverly Gallery, which is now on Broadway. This episode is sponsored by Loop Jewelry, Screen Dive from 20th Century Fox, YouTube Music, and Stamps.com. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

Today 5pm-6pm EST 10pm-11pm BST 2pm-3pm PDT bombshellradio.com Bombshell Radio Allen Bell Today's Bombshell (Bombshell Radio) Repeats 5am EST #Rock #Radio #alternative #Classics #NewMusic #AllenBell #interview w/ The Karpinka Brothers The Karpinka Brothers may very well be the truest and purest artists to ever come out of Saskatchewan. Their sound bridges a curious gap between Van Morrison, Joel Plaskett, and outsider artists like Daniel Johnston. You Can Count On Me, the band’s third album since 2008, is weighted with songs of forgiveness, acceptance, and understanding, which shouldn’t come as any surprise given that the brothers volunteer regularly to perform at a local longterm care home. Their songwriting and delivery is honest, blunt, and heartwarming – descriptors that can easily be misread as trivial, but they ring so true in the context of this album. They capture a magic that just can’t be faked. Even mastering legend John Golden (The Replacements, Sonic Youth, Black Flag) took the time to write them and let them know what a pleasure he had working on the record. They have shared the stage with songwriters as diverse as John K. Samson (of The Weakerthans), Gordon Lightfoot, and Tom Wilson. They were invited to perform this summer at the Regina Folk Festival, and Gateway Festival, and are currently gearing up for a national tour in fall 2015 in support of You Can Count O

Siblings. Love them or hate them, if you had one — or many — odds are they played a big role in your life. Song Exploder’s Hrishikesh Hirway talks about his relationship with his sister, and how You Can Count On Me shaped the type of brother he wanted to be.

Halfway to 100 it is Episode 50! Simon and Sam from the Picturehouse Podcast return for Simon's choice, the 2000 Kenneth (K-Lo) Lonergan drama You Can Count on Me staring the wonderful Mark Ruffalo and Laura Linney. Don't be fooled by the TERRIBLE promotional posters for this film, it isn't a romantic backpacker comedy one of the posters would imply or a grimacing laughter fest either - it is a complex and carefully observed film about family and grief. Both Linney and Ruffle are terrific in what were both breakthrough performances then, supported by a young Rory Culkin and the greatest performance by a moth in the history of cinema (Best Supporting Moth is yours little guy!). Scores [supsystic-tables id='51'] Scoring a very respectable 4.1 overall this is definitely worth a watch if only for the moth, JOKES! The film is great, go watch. Episode #050 Crew Links Thanks to the Episode #050 Crew of Sam Clements @sam_clements and Simon Renshaw @SiRenshaw from The Picturehouse Podcast @Picturehouses. Find their website online here Please make sure you give them some love! Flixwatcher Spotify Playlist   More about You Can Count On Me For more info on You Can Count On Me, you can visit the You Can Count On Me IMDB page here or the You Can Count On Me Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below.

Composer Lesley Barber takes some time to share her journey to becoming a composer and some insights into her process. Lesley's talents and versatility have brought us memorable scores to films such as Hysterical Blindness, Mansfield Park, You Can Count On Me, and recently the critically-acclaimed Manchester By The Sea. We chat about her process for Manchester By The Sea including reconnecting with writer/director Kenneth Lonergan for their second film together. Lesley explains how she came up with the inspiration to utilize vocals in her score, and how she navigated a heavy subject matter as well as source music. Lesley also gives her views on her score being rejected from Oscar consideration due to the use of classical pieces in the film. Lesley's unique style and strong talents as a musical storyteller make this a fun and fascinating interview for all. Interview Produced & Presented By: Kaya Savas Special Thanks:Lesley BarberChandler PolingAdrianna PerezWhite Bear PR

Laura Linney and Cynthia Nixon are both nominated for 2017 Tony Awards for their roles in The Little Foxes. These two stars of stage and screen switch roles nightly which is a stunning achievement, especially because the women they play are polar opposites. Here are my interviews with Cynthia and Laura, revisited in honor of their nominations and their beautiful work in Lillian Hellman's Tony Award nominated play. Laura Liney - Laura Linney is an American actress who works in film, television and theatre. Her film work includes Genius, Nocturnal Animals and The Dinner. Most recently she has been seen in Mr. Holmes, You Can Count On Me, Kinsey, The Savagaes, The Fifth Estate, Hyde Park on Hudson, The Squid and the Whale, Mystic River, Absolute Power, The Truman Show, Primal Fear, The Mothman Prophecies, Love Actually, The House of Mirth, The Details and Congo, among others. She starred in and produced the Showtime Series The Big C for four seasons for which she won a few awards, as she did for her portrayal of Abigail Adams in the HBO miniseries John Adams directed by Tom Hooper. Early in her career she starred as Mary Ann Singleton in Armistead Maupin’s Tales of the City series, a job for which she continues to be most grateful and proud. She appeared as Kelsey Grammer’s final girlfriend in the last six episodes of Frasier, was directed by Stanley Donen in Love Letters, and starred opposite Joanne Woodward in Blindspot.  She has appeared in many Broadway productions, most notably Time Stands Still and Sight Unseen both directed by Daniel Sullivan and written by Donald Margulies, and Arthur Miller’s The Crucible directed by Richard Eyre opposite Liam Neeson with whom she has worked many times. Other plays include Six Degrees of Separation, Honour, Uncle Vanya, Les Liaisons Dangereuses, Holiday and The Seagull. She has been nominated three times for the Academy Award, three times for the Tony Award, once for a BAFTA  Award, and five times for the Golden Globe. She has won one SAG Award, one National Board of Review Award, two Golden Globes and four Emmy Awards. She holds two honorary Doctorates from her alma maters, Brown University and The Juilliard School. Cynthia Nixon - Cynthia Ellen Nixon is an American actress, known for her portrayal of Miranda Hobbes in the HBO series Sex and the City for which she won the 2004 Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series. She reprised the role in the films Sex and the City and Sex and the City 2. Her other film appearances include Amadeus, The Pelican Brief, Baby's Day Out, Little Manhattan, 5 Flights Up, Stockholm, Pennsylvania, James White and A Quiet Passion. Nixon made her Broadway debut in the 1980 revival of The Philadelphia Story. Other Broadway credits include The Real Thing, Hurlyburly, Indiscretions and The Women. She played Eleanor Roosevelt in the HBO TV film Warm Springs. She went on to win the 2006 Tony Award for Best Actress in a Play for the original production of Rabbit Hole, a second Emmy Award in 2008 for her guest role in Law and Order: Special Victims Unit, and a Grammy Award for Best Spoken Word Album in 2009 for An Inconvenient Truth. In 2011, she played Michele Davis in the TV film Too Big to Fail, before returning to Broadway in the 2012 play Wit.    

Lesley is an active member of the Alliance for Women Film Composers and a 2016 Academy of Motion Picture Arts and Sciences initiate. Lesley's earlier film projects include When Night Is Falling, the Oscar winning You Can Count On Me and Mira Nair's Golden Globe winning Hysterical Blindness. Some of Lesley's other film credits include Los Locos, Yo-Yo Ma: Six Gestures, Mansfield Park, A Price Above Rubies, Marion Bridge, A Thousand Years of Good Prayers, The Moth Diaries, and the documentary, How To Change The World. Lesley's most recent projects include the Oscar winning Manchester by the Sea, The Apology, A Better Man, and Beaches.

This week we talk with Composer Lesley Barber who recently worked on Director Kenneth Lonergan's new film, Manchester by the Sea starring Casey Affleck and Michelle Williams. Barber previously worked with Lonergan on his acclaimed debut feature, “You Can Count On Me,” and she has provided music for films such as “Mansfield Park,” “Hysterical Blindness,” “A Price Above Rubies,” and “When Night Is Falling.” For ‘Manchester,’ Barber utilized harmonized vocal performances and atmospheric orchestral work to create a memorable score that makes an excellent companion to the classical pieces curated by the award-winning music supervisor Linda Cohen. After the death of his older brother Joe, Lee Chandler (Casey Affleck) is shocked that Joe has made him sole guardian of his teenage nephew Patrick. Taking leave of his job as a janitor in Boston, Lee reluctantly returns to Manchester-by-the-Sea, the fishing village where his working-class family has lived for generations. There, he is forced to deal with a past that separated him from his wife, Randi (Michelle Williams), and the community where he was born and raised.

Laura Linney is an American actress who works in film, television and theatre.  Her film work includes GENIUS directed by Michael Grandage, alongside Colin Firth, Jude Law and Nicole Kidman and Tom Ford’s upcoming NOCTURNAL ANIMALS and THE DINNER directed by Oren Moverman with Richard Gere, Steve Coogan and Rebecca Hall. Most recently she has been seen in MR. HOLMES directed by Bill Condon, starring Ian McKellan, She has appeared in YOU CAN COUNT ON ME, KINSEY, and THE SAVAGES (nominations), THE FIFTH ESTATE,  HYDE PARK ON HUDSON, THE SQUID AND THE WHALE, MYSTIC RIVER, ABSOLUTE POWER, THE TRUMAN SHOW, PRIMAL FEAR, THE MOTHMAN PROPHECIES, LOVE ACTUALLY,  P.S., THE HOUSE OF MIRTH, THE DETAILS and CONGO, among others. She starred in and produced the Showtime Series THE BIG C for four seasons for which she won a few awards, as she did for her portrayal of Abigail Adams in the HBO miniseries JOHN ADAMS directed by Tom Hooper. Early in her career she starred as Mary Ann Singleton in Armistead Maupin’s TALES OF THE CITY series, a job for which she continues to be most grateful and proud. She appeared as Kelsey Grammer’s final girlfriend in the last six episodes of FRASIER, was directed by Stanley Donen in LOVE LETTERS, and starred opposite Joanne Woodward in BLINDSPOT.  She has appeared in many Broadway productions, most notably TIME TIMES STILL and SIGHT UNSEEN both directed by Daniel Sullivan and written by Donald Margulies, and Arthur Miller’s THE CRUCIBLE directed by Richard Eyre opposite Liam Neeson with whom she has worked many times. Other plays include SIX DEGREES OF SEPARATION, HONOUR, UNCLE VANYA, LES LIAISONS DANGEREUSES, HOLIDAY and THE SEAGULL. She has been nominated three times for the Academy Award, three times for the Tony Award, once for a BAFTA  Award, and five times for the Golden Globe. She has won one SAG Award, one National Board of Review Award, two Golden Globes and four Emmy Awards. She holds two honorary Doctorates from her alma maters, Brown University and The Juilliard School. 

The boys are back and they have breakfast sandwiches from Starbucks! Perfect for podcasting. Casey Williams takes a brave stance on Swiss Cheese. Steve Ausburne has never seen Game of Thrones. It's the morning wood edition! There's a new spot called Duke's in Healdsburg that everyone needs to check out. A clip from Mr. Belvedere is broken down. You are using Vick's Vapo Rub wrong. Also out of nowhere George Michael. Oh, and we tasted whiskey! Baker's Kentucky Straight Bourbon Whiskey is on the menu today.   You Can Count On Me! Website = http://www.barrelproofcomedy.com/ Facebook = https://www.facebook.com/barrelproofcomedy   Email = barrelproofcomedy@gmail.com Twitter = @barrelproofpod iTunes https://itunes.apple.com/us/podcast/barrel-proof-comedy-podcast/id1029674204?mt=2

Krista Earle returns to chat about her songwriting career. A numerous 1st place winner in the Music Festival Vocal Competitions and shows, featured in several International Music Magazines and having done dozens of Radio Interviews. Krista was a finalist in the International Songwriters Competition, and the recipient of the prestigious Government of Ontario Arts Award. She also had the privilege to and continues to perform at the CCMA's Country Music Week, NSAI Tin Pan North, and Music Week in Toronto. She is a standing member of Country Music Association of Ontario, and Canada, Nashville Songwriters Association International, Songwriters Association of Canada, and Society of Composers, Authors and Music Publishers of Canada. Krista was represented at MIDEM 2013, the International Music Festival in Cannes, France. She also was nominated in three categories at the Country Music Association of Ontario Awards for Female Artist, Single and Songwriter of the Year for her single "You Can Count On Me" 2013, and the lst round nominations for Female Artist, Single and Songwriter of the Year 2014 for her single "I'm Done". Also, being offered a singing role in the movie about Winston Churchill "Struggle to the Light" to be filmed in the summer of 2015 in Pittsburg, Pennsylvania, USA. Krista's music story has also been shared with Nashville based award winning author Joyce Knudson's book titled "Music Throughout the Ages", where she can inspire other artists to persevere and follow their dreams.  

THE SKELETON TWINS inspires us to grow up with the siblings from 2000's YOU CAN COUNT ON ME and the 2007 release THE SAVAGES. Like the siblings in these films, we attempt adulthood, but somewhere along the way we fail, have us a good cry with some other films that may surprise you, and go to a very dark place by discussing the ending of REQUIEM FOR A DREAM at the end of this episode. Join Shane Conner, Michael Denniston, and Christopher Maynard as they discuss which one of us will become the heel for War Machine vs. War Horse.

Krista Earle, Country pop/rock singer and songwriter is hitting the International Music Scene. Her first single "Bad Hair Day" was released to Canadian National Radio followed by her single "Man Up" receiving heavy radio rotation. Krista Earle has a very original sound, a powerhouse of a voice with a sweet tone. Her music, a unique blend of catchy country/pop/rock melodies. Krista already has a strong fan base of tweens, teens and adults that follow her to her live performances across Canada.Born in Toronto, Ontario, Krista has had a great passion for singing and performing from an early age. Krista comes from a family whose talents were singing and playing numerous instruments. Krista has a solid track record in performance. She was contracted at the very early age of 14 to perform as a main stage Disney Performer for stage shows across Ontario which she continues to do, along with Bridal modelling for a Major Bridal Magazine.>Krista has worked with Producer Steve Ashley of Heritage Studios, Burlington, Ontario, Shannon Gunn Professor and Masters of Composition at Humber College, Toronto, Ontario, Canada's top vocal coach and producer Elaine Overholt, of Big Voice Studios, Toronto, Ontario and is presently working with Juno award winning producer, composer, and music director Glenn Morley in Toronto, Ontario, also collaborating with hit Canadian and Nashville based songwriters.>A numerous 1st place winner in the Music Festival Vocal Competitions and shows, featured in several International Music Magazines and having done dozens of Radio Interviews. Krista was a finalist in the International Songwriters Competition, and the recipient of the prestigious Government of Ontario Arts Award. She also had the privilege to and continues to perform at the CCMA's Country Music Week, NSAI Tin Pan North, and Music Week in Toronto. She is a standing member of Country Music Association of Ontario, and Canada, Nashville Songwriters Association International, Songwriters Association of Canada, and Society of Composers, Authors and Music Publishers of Canada.Krista was represented at MIDEM 2013, the International Music Festival in Cannes, France. She also was nominated in three categories at the of the Country Music Association of Ontario Awards for Female Artist, Single and Songwriter of the Year for her single "You Can Count On Me" 2013, and is in the lst round nominations for Female Artist, Single and Songwriter of the Year 2014 for her single "I'm Done". Also, being offered a singing roll in the movie about Winston Churchill to be filmed this summer in Pittsburg, Pennsylvania, USA. Krista's music story has also been shared in Nashville based award winning author Joyce Knudson's book titled "Music Throughout the Ages", where she can inspire other artists to persevere and follow their dreams. Also an advocate for numerous charities, Krista works with the Sicks Kids' Make A Wish Foundation. Also, just back from a recent trip to Nashville for songwriting and performing showcases, she was honoured to be asked to be a part of Women Rock for Charity Event, where she took women from all over the country, helped them form a Rock band, from writing, rehearsing, and performing a song, which was featured on Nashville Television. >Krista has just released her third new single I'm Done" to Canadian National Radio, already receiving heavy radio rotation in both Europe, Australia,and the US. The official music video has just been released to CMT Canada.Krista's dedication and passion is evident in both her writing and performance."Her experience as a performer is evident when listening to Krista sing and watching her perform. Watch out for Krista Earle! She is a force to be reckoned with a brand-spankin'-new powerhouse voice that'll caress your heart and lyrics that will turn your head around. I LOVE working with this girl!""Elaine Overholt""Krista Earle has the voice, looks and stage presence to catch your attention in a crowded field of female country artists, but it is the sense of both humor and depth in her lyrics that really sets her apart from her peers"."Glenn Morley"

Lisa Cohen, interested in her teacher. RC-2013-104: Margaret (Extended Cut) (2011) Your browser does not support this audioIt took a while, but Kenneth Lonergan's follow up to You Can Count On Me finally got seen by audiences in 2011. During the marathon commentary (for, Lonergan's extended cut stretches past the three-hour mark), I go into the legal wrangling that delayed the release of Margaret. I comment on the theatrical cut's benefit's and shortcomings before declaring that Lonergan's cut—the film he turned in—is a masterpiece. (Martin Scorsese and Thelma Schoonmaker oversaw the editorial paring-down process that produced the theatrical cut, and though Lonergan ultimately approved, I will argue in this episode, he knew his cut was better.) After pointing out some of the differences between the cuts—which include everything from sound design to score to whole storylines that were excised—I settle into gush mode and praise the film's fresh approach to familiar themes. I spend the rest of the episode (when I'm not sticking up for Anna Paquin) telling the world why Jeannie Berlin's performance may be the most under-appreciated supporting turn in the history of moving pictures. Lonergan himself, playing Lisa Cohen's distant dad, is chubbier than you probably imagined he'd be, and Matt Damon looks younger than you thought he'd look. This movie is weird like that. Grab your popcorn and a diet cola, and settle in—this three-hour urban opera is a doosie... And don't call me honey, okay?Listen to the mp3. Or turn your life into an iTunes opera—Bravi!

Key Take Away: Applying 5 words to every opportunity in our lives:You Can Count On Me

This week's playlist: • It's Never Too Hard To Be Humble (4:44) by Watermelon Slim, from Escape From The Chicken Coop (2009), available from NorthernBlues Music and the iTunes Music Store. Visit WatermelonSlim.com for more information. • You Can Count On Me (4:05) by Blueskillet, from Cure These Blues (2009); available from CDBaby and the iTMS. Visit Blueskillet.com for more information. • Homegrown (Radio Mix) (3:42) by The Kelly Bell Band, from Phat Blues Music (1998), available at the band's page at Garageband, the Phat store at their site, or from the iTMS. Visit PhatBlues.com for more information. • You Let Me Down (6:46), Common Man (4:01) and Shoot 'Em Up (4:12), all by Ramblin Dawgs, and all from Shoot 'Em Up (2009); available from the store at their site and the iTMS. Visit RamblinDawgs.com for more information. • Like The Bad Girls Do (2:47) by Jacks O' Diamonds, from Here There & Everywhere (2009). To buy Here There & Everywhere, send email to jdofjacksodiamonds (at) yahoo (dot) com. Visit JacksODiamonds.net for more information. • Stone Cold Blues (5:27), Mississippi Mud (4:36) and Bad in a Good Way (5:21), all by Omar & the Howlers, and all from Boogie Man (2003); available from Amazon.com and the iTMS. Visit OmarAndTheHowlers.com and their MySpace page for more information. • Brand New Blues (5:11) by Cyril Neville, from Brand New Blues (2009); available from MC-Records.com and the iTMS. Visit Nevilles.com and Cyril's MySpace page for more information. • Lost In The Sauce (4:48) by the JP Blues Band, from Die Happy (2007); available from the iTMS. Visit the band's Electronic Press Kit (EPK) for more information. • Foul Weather Blues (3:30) by Harpdog Brown. To buy Harpdog's most recent CD, Once in a Howlin' Moon, visit HarpdogBrown.com. Visit Harpdog's Garageband page or his MySpace page for more information. Mentioned during this show: AirplayDirect. To contact me: email me at murphyssaloon (at) gmail (dot) com - you can also contact me through: Facebook, MySpace and Twitter. My Flickr photo collection is here. My Google profile is here. You can read items I share in Google Reader here. You are welcome to write reviews of Murphy's Saloon Blues Podcast in the iTunes Music Store. Primary sources of information about the blues: The Blues Foundation and the Delta Blues Museum; be sure to download and listen to the DBM's top-notch (and free) podcast, the Uncensored History of the Blues; BluesRevue.com, the online home of Blues Revue magazine; BigCityBluesMag.com, the online home of Big City Blues magazine; and BluesCritic.com. Recommended reading: Today's Chicago Blues (Amazon link) by Karen Hanson, an excellent guide to all things blues in present-day Chicago. Karen also blogs about the blues at Today's Chicago Blues. For things to do in Chicago: The Local Tourist. Two wonderful non-traditional online sources of Chicago news: Gapers Block and the Chicagoist. (Something noteworthy being done by a hard working and very talented friend of mine: Flamenco Chicago) (The music you hear on Murphy's Saloon comes to you courtesy of the artists and their labels. One of the following may have provided assistance: IODA PROMONET, AirplayDirect, RadioSubmit.com, the Podsafe Music Network, Download.com or Garageband.com, )