Podcasts about Liquid Paper

GGAC remembers musician, songwriter, actor and filmmaker Michael Nesmith on what would have been his 82nd birthday (b. December 30, 1942) by presenting this ENCORE of a (rare) interview recorded at the 2015 New Jersey Chiller Convention. In this episode, Michael looks back on everything from his mother's invention of Liquid Paper to his original “Monkees” screen test in October '65. Also, Michael talks politics with John Lennon, pens a hit for Linda Ronstadt and remembers (sort of) Lon Chaney Jr. PLUS: Dennis Hopper! Tony Franciosa! The Monkees “sell out”! Roger McGuinn gets spiritual! And Jack Nicholson kills off the Prefab Four! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lo inventó una secretaria ejecutiva estadounidense, madre soltera y pobre, para corregir los errores al tipear en las máquinas de escribir, en la década del 60 del siglo XX. Pero sobrevivió al fin de la mecanografía para transformarse en un modo de expresión, como graffittis pequeños. Historia del Liquid Paper, la marca que se transformó en sinónimo del producto. Apertura de Pablo Marchetti del programa 1112 de AUNQUE ES DE NOCHE (3-9-2024)   AUNQUE ES DE NOCHE. De lunes a viernes de 14 a 16:20 AM (hora Argentina) por Radio AUNQUE FM (www.aunquefm.com) . Conducción: Pablo Marchetti. Con Laura Szerman. Diseño sonoro: Charly Escalante. Mensajes a nosoypablomarchetti@gmail.com  Mirá, escuchá y leé todo lo que hago, acá www.pablomarchetti.com

Skin brings up a new podcast to have on your radar - 'Mind the Game' with JJ Reddick and LeBron James before we get to the 1:40 Shorty - We have the BEST listeners ever, and one of them took the time to dig up the "Liquid Paper" song from Skin's past!

Chelsea Robbins & Spencer Rollins join me to talk sound person struggles, being at the last day of PUMP, being new coverts to to the majesty of the Vanderpump Empire, penis pipes, mystery pockets, Liquid Paper nails, Sandoval's travels, the state of Schwartz'N'Sandy's, lobster corndogs, Ann's burdens, the Katie of the group, Ariana's ascent to Broadway, Schwartz's spiritual & financial dilemmas, Rocky's reactive abuse, the show as mirror to society, predictions for the future and much more. Pump Rules Podcast on Instagram

Cleveland sits on the opposite side of Lake Erie from Canada. While this proximity is not worrisome to us today, there was a time when Cleveland was worried that Canadians might invade their city. They needed a military group for protection and so they formed one. This group eventually was known as the Cleveland Grays and they built an armory that is today a museum. A haunted one apparently. Join us as we explore the history and hauntings of Cleveland Grays Armory! The Moment in Oddity features Roland the Farter and This Month in History was suggested by Chelsea Flowers and features the invention of Liquid Paper. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2023/12/hgb-ep-515-cleveland-grays-armory.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) Vanishing by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4578-vanishing License: https://filmmusic.io/standard-license (This Month in History) In Your Arms by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3906-in-your-arms License: https://filmmusic.io/standard-license Outro Music: Happy Fun Punk by Muse Music with Groove Studios The following music was used for this media project licensed under CC BY 4.0: https://filmmusic.io/standard-license: War Nerve Loop [Loop] by MusicLFiles Free download: https://filmmusic.io/song/9614-war-nerve-loop-loop Escalation by Phat Sounds Free download: https://filmmusic.io/song/11623-escalation Forbidden Resurrection by Tim Kulig Free download: https://filmmusic.io/song/8490-forbidden-resurrection

When a single mother had to find work to take care of her family in the 1950s, she took on typing jobs. The only issue was that she wasn’t a very good typist and kept making mistakes. She looked for ways to cover up her errors and eventually created what’s known as Liquid Paper, a white correction fluid used to cover-up typing errors. Once it dries, you can type over the cover-up as if there were no errors. Jesus offers us an infinitely more powerful and important way to deal with our sin—no cover-up but complete forgiveness. A good example of this shows up in the beginning of John 8 in the story of a woman who was caught in adultery (vv. 3–4). The teachers of the law wanted Jesus to do something about the woman and her sins. The law said she should be stoned, but Christ didn’t bother to entertain what the law did or didn’t say. He simply offered a reminder that all have sinned (see Romans 3:23) and told anyone who hadn’t sinned to “throw a stone at” the woman (John 8:7). Not one rock was tossed. Jesus offered this woman a fresh start. He said he didn’t condemn her and instructed that she “leave [her] life of sin” (v. 11). Christ gave her the solution to forgive her sin and “type” a new way of living over her past. That same offer is available to us by His grace.

Skin has an incredible connection to liquid paper, and also, this hack could help you sleep better

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Comedian, writer, and friend Josh Gondelman joins us, adding one more sneaker lover to the panel for a look at a movie directed by Ben Affleck, starring Matt Damon and "the Michael Jordan of acting," Viola Davis. AIR puts  that puts the origin story of a famous shoe in the spotlight. but is there more to this one than leather and laces? What's GoodAlonso - new 1776 productionDrea - virtual CoachellaJosh - Yellowjackets S2Ify - Alice in BorderlandITIDICLuminate's Diversity Progress ReportWGA Members Vote Overwhelmingly To Authorize a StrikeVidiots is Finally Opening in LAStaff PicksJosh - Out of SightAlonso - High Flying BirdDrea - Polite SocietyIfy - Mystic PizzaFind out about Josh's tour dates and newsletter at JoshGondelman.com With:Ify NwadiweDrea ClarkAlonso DuraldeJosh GondelmanProduced by Marissa FlaxbartSr. Producer Laura Swisher

Hear how a single mom and clerical worker with few prospects transformed an industry through innovative thinking and prayerful inspiration.

It was never intended to be an Empire.  She just wanted to make her work easier.  Next thing you know.  Gillette comes a knocking with a truck load of cash. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I'm Stephen's sidekick and business partner, Dave Young. Before we get into today's episode, a word from our sponsor, which is, well it's us, but we're highlighting ads we've written and produced for our clients. So here's one of those. [Colair Cooling & Heating Ad] Dave Young: Dave Young, alongside Steven Simple here for the Empire Builders Podcast. And Steven just whispered in my ear what our topic is for today's podcast and for the life of me it's gone now. I can't, oh wait, it's been corrected. And then he's retyped over it. We're going to talk about Liquid Paper today. See what I did there with that little joke about he typed it into my head and then- Stephen Semple: Wiped it out? Dave Young: Yeah. It was a very small- Stephen Semple: Except not wiped out, liquid paper. Dave Young: It was a very small joke. Yeah. So I did get asked the clarifying question. Are we talking about Liquid Paper or White Out? It's not white. It's the other brand. The other guys. Stephen Semple: Yeah. No, we're talking about liquid paper. Dave Young: So I have to admit that I have read about this invention. I think it's a fabulous story. I think it's so cool. Stephen Semple: It was invented by a woman whose name is Betty Nesmith Graham. Bette Nesmith, later known as Bette Nesmith Graham. She was born in Dallas, Texas and she was not a chemist or an engineer. She was a single mom who was a secretary. She started the business in 1956 and in 1979, the business was sold for $47.5 million. Dave Young: 47.5 In 1979. Stephen Semple: '79, 1979. Dave Young: That's not a bad retirement. Are you going to dig into who her son is? Was? Stephen Semple: Absolutely. There's a neat tie in there. Dave Young: Yeah. Her middle name is the key there, right? Tell us her name. Stephen Semple: Yeah, it is. Yeah. Bette Nesmith Graham. Dave Young: Nesmith Graham. Yeah. Stephen Semple: Yeah, Bette Nesmith. So Bette's mother owned a knitting store and had taught her to paint along with doing other crafts. And her father was a manager in auto parts company. So she grew up in this very middle class family. And at 17 she dropped out of high school. She married a soldier, Warren and had a baby boy. And when Warren returned from World War II, they got divorced and Bette was left single to raise a child, which let's face it, back in the fifties. That's a tough gig. So to make ends meet, she worked as a secretary at Texas Bank and Trust. And money was tight for her and her son, but she worked hard and she started as a typist and eventually she rose to being the executive secretary at the bank, which at the time, that was the highest job available to women at the bank. So she did very, very well. So while she was doing this job, IBM came out with a new line of electric typewriter. So remember the one that had the ball on it and it was faster and it used a carbon film ribbon. Dave Young: The Selectric, I actually have, oh my gosh, this is going to take me just a second, but bear with me, Steven, because this is going to be worth it. It may not even be on my phone. If I choose an alarm, turn it on, go to the settings and choose the sound. You ready? You ready? Stephen Semple: Ready. Dave Young: This is part of their advertisement too. I have this one too. Speaker 7: There's a better way to put words on paper. Dave Young: There's a better way to put words on paper. And she figured out a better way to take them off. Stephen Semple:

Correction fluid goes by many names, but the OG was Liquid Paper. And it has a pretty cool origin story. See omnystudio.com/listener for privacy information.

Kleenex. Scotch Tape. Liquid Paper. Xerox. There are many products where the marketing folks did such a great job that the brand names they built came to represent the entire category. A consumer can ask for the product by the brand name and end up buying a version made by a different company. From brand glory to generic. Jon and Kurt dig into this topic and surprise each other with cool examples. You will be shocked to learn some products you use everyday were once trademarked as brands.

Before becoming the inventor of Liquid Paper, also called White Out, Bette Nesmith Graham was a single mother just barely scraping by working as a secretary.ANDA science experiment at home goes horribly wrong and now, a 12-year-old boy needs our prayers.To see videos and photos referenced in this episode, visit GodUpdates!https://www.godupdates.com/bette-nesmith-graham-inventor-of-liquid-paper/https://www.godupdates.com/science-experiment-at-home-goes-wrong/

This week, Erin talks with Chris Byrne, an OG skater from Delaware county, about his experience growing up as a skater in the 1980s, the creation of "The Atomic Zine" with Team Atomic, a real interview with legend Tony Hawk, and more!To learn more about the Delco Skatepark Coalition and to support its mission, go to: www.skatedelco.org

Welcome to the Instant Trivia podcast episode 545, where we ask the best trivia on the Internet. Round 1. Category: "Oil" 1: Petroleum as it comes to the surface is called this; that's why it has to be refined. Crude oil. 2: This Procter and Gamble product has nearly a third of the U.S. facial moisturizer market. Oil of Olay. 3: A long waterproof garment for sailors in sou'westers. Oilskin. 4: "Beds Are Burning" was a 1988 hit from this rock band led by Peter Garrett. Midnight Oil. 5: Familiar phrase meaning to calm a tense situation. "Pouring oil on troubled waters". Round 2. Category: Why Didn't I Think Of That? 1: This invention began in 1951 as a bottle of white tempera waterbase paint and a small brush. Wite-Out (or Liquid Paper). 2: In 1888 Nikola Tesla came up with the first practical system for generating and transmitting this type of current. A.C.. 3: Hiram Percy Maxim invented the muffler for a car and this for a gun. a silencer. 4: Andrew Beard invented an improvement for the device that coupled 2 of these when they bumped together. train cars. 5: Garrett Morgan's "safety hood" was one of these used by World War I soldiers. a gas mask. Round 3. Category: Origin Of The Specious 1: Forwarding an e-mail supposedly sent by this Microsoft chairman got you $1,000 and a free copy of Windows. Gates. 2: Altar-bound Jennifer Wilbanks' 2005 kidnapping proved to be less than true, so she was given this 2-word nickname. the "Runaway Bride". 3: This Caribbean leader's reported baseball tryouts for the Major Leagues in the '40s never happened. Castro. 4: Oprah Winfrey said that she was "deeply sorry" over the scandal that this man's "A Million Little Pieces" had caused. (James) Frey. 5: Words from Marianne Williamson's "A Return to Love" have been attributed to this African leader. (Nelson) Mandela. Round 4. Category: Tough Facts 1: Throughout the Middle Ages, it was the principal, if not the only table utensil. Knife. 2: Former county of England known for a pudding and a terrier. Yorkshire. 3: Spanky was part of "Our Gang" and Jiang Qing, Mao's widow, was part of this gang. The Gang of Four. 4: Opposed to the Stamp Act, the Sons of Liberty formed committees of this to spread the word. Committees of Correspondence. 5: From Arabic for "authority", it's the title used by monarchs of the Seljuk and Ottoman Empires. Sultan. Round 5. Category: Let's "Split" 1: A house with floors that differ by about half a story. split-level. 2: These singing and dancing animals hosted their own Saturday morning "Adventure Hour" from 1968 to 1970. the Banana Splits. 3: On May 25, 2000 Sony investors suddenly had twice as many shares thanks to one of these actions. stock split. 4: It could be slang for a town where divorced people live. splitsville. 5: In football, you'll find them outside the offensive tackles or when the quarterback has a bad hair day. split ends. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Invention of the dishwasher, Pneumatic tube technology, Silent velcro, History of the Slip-N-Slide, Liquid Paper origins, Ubiquity of the George Foreman Grill. Jennifer, Angie, and Way discuss a variety of curated links from the archives. Please consider supporting this ad-free content on Patreon.

Shop Talk reveals the 3 E's that Apple deploys when hiring. Caught My Eye includes a store in Chicago selling LEGO like Zelensky figures with Molotov cocktails. Also, “The Price is Right” celebrated their 50th Anniversary last month and kicked off the celebration by giving away 12 cars on the first show! Bette Nesmith Graham is our Business Birthday. She was the inventor of Liquid Paper and the mother to Michael Nesmith of The Monkees.We're all business. Except when we're not. Apple Podcasts: apple.co/1WwDBrCSpotify: spoti.fi/2pC19B1iHeart Radio: bit.ly/2n0Z7H1Tunein: bit.ly/1SE3NMbStitcher: bit.ly/1N97ZquGoogle Podcasts: bit.ly/1pQTcVWPandora: pdora.co/2pEfctjYouTube: bit.ly/1spAF5aAlso follow Tim and John on:Facebook: www.facebook.com/focusgroupradioTwitter: www.twitter.com/focusgroupradioInstagram: www.instagram.com/focusgroupradio

Scott and Aaron remember great women in history - including the lyricist for "Happy Birthday To You" and the inventor of Liquid Paper. The post History Matters: I Saw Her Face, Now I’m a Libertarian appeared first on Chapelboro.com.

Episode 144 of A History of Rock Music in Five Hundred Songs looks at “Last Train to Clarksville" and the beginnings of the career of the Monkees, along with a short primer on the origins of the Vietnam War.  Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a seventeen-minute bonus episode available, on "These Boots Are Made For Walking" by Nancy Sinatra, which I mispronounce at the end of this episode as "These Boots Were Made For Walking", so no need to correct me here. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, all the songs excerpted in the podcast can be heard in full at Mixcloud. The best versions of the Monkees albums are the triple-CD super-deluxe versions that used to be available from monkees.com , and I've used Andrew Sandoval's liner notes for them extensively in this episode. Sadly, though, the only one of those that is still in print is More of the Monkees. For those just getting into the group, my advice is to start with this five-CD set, which contains their first five albums along with bonus tracks. The single biggest source of information I used in this episode is the first edition of Andrew Sandoval's The Monkees; The Day-By-Day Story. Sadly that is now out of print and goes for hundreds of pounds. Sandoval released a second edition of the book last year, which I was unfortunately unable to obtain, but that too is now out of print. If you can find a copy of either, do get one. Other sources used were Monkee Business by Eric Lefcowitz, and the autobiographies of three of the band members and one of the songwriters -- Infinite Tuesday by Michael Nesmith, They Made a Monkee Out of Me by Davy Jones, I'm a Believer by Micky Dolenz, and Psychedelic Bubble-Gum by Bobby Hart. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've obviously talked in this podcast about several of the biggest hits of 1966 already, but we haven't mentioned the biggest hit of the year, one of the strangest records ever to make number one in the US -- "The Ballad of the Green Berets" by Sgt Barry Sadler: [Excerpt: Barry Sadler, "The Ballad of the Green Berets"] Barry Sadler was an altogether odd man, and just as a brief warning his story, which will last a minute or so, involves gun violence. At the time he wrote and recorded that song, he was on active duty in the military -- he was a combat medic who'd been fighting in the Vietnam War when he'd got a wound that had meant he had to be shipped back to the USA, and while at Fort Bragg he decided to write and record a song about his experiences, with the help of Robin Moore, a right-wing author of military books, both fiction and nonfiction, who wrote the books on which the films The Green Berets and The French Connection were based. Sadler's record became one of those massive fluke hits, selling over nine million copies and getting him appearances on the Ed Sullivan Show, but other than one top thirty hit, he never had another hit single. Instead, he tried and failed to have a TV career, then became a writer of pulp fiction himself, writing a series of twenty-one novels about the centurion who thrust his spear into Jesus' side when Jesus was being crucified, and is thus cursed to be a soldier until the second coming. He moved to Nashville, Tennessee, where he lived until he shot Lee Emerson, a country songwriter who had written songs for Marty Robbins, in the head, killing him, in an argument over a woman. He was sentenced to thirty days in jail for this misdemeanour, of which he served twenty-eight. Later he moved to Guatemala City, where he was himself shot in the head. The nearest Army base to Nashville, where Sadler lived after his discharge, is Fort Campbell, in Clarksville: [Excerpt: The Monkees, "Last Train to Clarksville"] The Vietnam War was a long and complicated war, one which affected nearly everything we're going to see in the next year or so of this podcast, and we're going to talk about it a lot, so it's worth giving a little bit of background here. In doing so, I'm going to use quite a flippant tone, but I want to make it clear that I'm not mocking the very real horrors that people suffered in the wars I'm talking about -- it's just that to sum up multiple decades of unimaginable horrors in a few sentences requires glossing over so much that you have to either laugh or cry. The origin of the Vietnam War, as in so many things in twentieth century history, can be found in European colonialism. France had invaded much of Southeast Asia in the mid-to-late nineteenth century, and created a territory known as French Indo-China, which became part of the French colonial Empire. But in 1940 France was taken over by Germany, and Japan was at war with China. Germany and Japan were allies, and the Japanese were worried that French Indo-China would be used to import fuel and arms to China -- plus, they quite fancied the idea of having a Japanese empire. So Vichy France let Japan take control of French Indo-China. But of course the *reason* that France had been taken over by Germany was that pretty much the whole world was at war in 1940, and obviously the countries that were fighting Germany and Japan -- the bloc led by Britain, soon to be joined by America and Russia -- weren't very keen on the idea of Japan getting more territory. But they were also busy with the whole "fighting a world war" thing, so they did what governments in this situation always do -- they funded local guerilla insurgent fighters on the basis that "my enemy's enemy is my friend", something that has luckily never had any negative consequences whatsoever, except for occasionally. Those local guerilla fighters were an anti-imperialist popular front, the Việt Minh, led by Hồ Chí Minh, a revolutionary Communist. They were dedicated to overthrowing foreign imperialist occupiers and gaining independence for Vietnam, and Hồ Chí Minh further wanted to establish a Soviet-style Communist government in the newly-independent country. The Allies funded the Việt Minh in their fight against the Japanese occupiers until the end of the Second World War, at which point France was liberated from German occupation, Vietnam was liberated from Japanese occupation, and the French basically said "Hooray! We get our Empire back!", to which Hồ Chí Minh's response was, more or less, "what part of anti-imperialist Marxist dedicated to overthrowing foreign occupation of Vietnam did you not understand, exactly?" Obviously, the French weren't best pleased with this, and so began what was the first of a series of wars in the region. The First Indochina War lasted for years and ended in a negotiated peace of a sort. Of course, this led to the favoured tactic of the time, partition -- splitting a formerly-occupied country into two, at an arbitrary dividing line, a tactic which was notably successful in securing peace everywhere it was tried. Apart from Ireland, India, Korea, and a few other places, but surely it wouldn't be a problem in Vietnam, right? North Vietnam was controlled by the Communists, led by Hồ Chí Minh, and recognised by China and the USSR but not by the Western states. South Vietnam was nominally independent but led by the former puppet emperor who owed his position to France, soon replaced by a right-wing dictatorship. And both the right-wing dictatorship and the left-wing dictatorship were soon busily oppressing their own citizens and funding military opposition groups in the other country. This soon escalated into full-blown war, with the North backed by China and Russia and the South backed by America. This was one of a whole series of wars in small countries which were really proxy wars between the two major powers, the USA and the USSR, both of which were vying for control, but which couldn't confront each other directly because either country had enough nuclear weapons to destroy the whole world multiple times over. But the Vietnam War quickly became more than a small proxy war. The US started sending its own troops over, and more and more of them. The US had never ended the draft after World War II, and by the mid sixties significant numbers of young men were being called up and sent over to fight in a war that had by that point lasted a decade (depending on exactly when you count the war as starting from) between two countries they didn't care about, over things few of them understood, and at an exorbitant cost in lives. As you might imagine, this started to become unpopular among those likely to be drafted, and as the people most affected (other, of course, than the Vietnamese people, whose opinions on being bombed and shot at by foreigners supporting one of other of the dictators vying to rule over them nobody else was much interested in) were also of the generation who were the main audience for popular music, slowly this started to seep into the lyrics of songs -- a seepage which had already been prompted by the appearance in the folk and soul worlds of many songs against other horrors, like segregation. This started to hit the pop charts with songs like "The Universal Soldier" by Buffy Saint-Marie, which made the UK top five in a version by Donovan: [Excerpt: Donovan, "The Universal Soldier"] That charted in the lower regions of the US charts, and a cover version by Glen Campbell did slightly better: [Excerpt: Glen Campbell, "The Universal Soldier"] That was even though Campbell himself was a supporter of the war in Vietnam, and rather pro-military. Meanwhile, as we've seen a couple of times, Jan Berry of Jan and Dean recorded a pro-war answer song to that, "The Universal Coward": [Excerpt: Jan Berry, "The Universal Coward"] This, of course, was even though Berry was himself avoiding the draft. And I've not been able to find the credits for that track, but Glen Campbell regularly played guitar on Berry's sessions, so it's entirely possible that he played guitar on that record made by a coward, attacking his own record, which he disagreed with, for its cowardice. This is, of course, what happens when popular culture tries to engage with social and political issues -- pop culture is motivated by money, not ideological consistency, and so if there's money to be made from anti-war songs or from pro-war songs, someone will take that money. And so on October the ninth 1965, Billboard magazine ran a report: "Colpix Enters Protest Field HOLLYWOOD -Colpix has secured its first protest lyric disk, "The Willing Conscript,"as General Manager Bud Katzel initiates relationships with independent producers. The single features Lauren St. Davis. Katzel says the song was written during the Civil War, rewritten during World War I and most recently updated by Bob Krasnow and Sam Ashe. Screen Gems Music, the company's publishing wing, is tracing the song's history, Katzel said. Katzel's second single is "(You Got the Gamma Goochee" by an artist with that unusual stage name. The record is a Screen Gems production and was in the house when Katzel arrived one month ago. The executive said he was expressly looking for material for two contract artists, David Jones and Hoyt Axton. The company is also working on getting Axton a role in a television series, "Camp Runamuck." " To unpack this a little, Colpix was a record label, owned by Columbia Pictures, and we talked about that a little bit in the episode on "The Loco-Motion" -- the film and TV companies were getting into music, and Columbia had recently bought up Don Kirshner's Aldon publishing and Dimension Records as part of their strategy of tying in music with their TV shows. This is a company trying desperately to jump on a bandwagon -- Colpix at this time was not exactly having huge amounts of success with its records. Hoyt Axton, meanwhile, was a successful country singer and songwriter. We met his mother many episodes back -- Mae Axton was the writer of "Heartbreak Hotel". Axton himself is now best known as the dad in the 80s film Gremlins. David Jones will be coming up shortly. Bob Krasnow and Sam Ashe were record executives then at Kama Sutra records, but soon to move on -- we'll be hearing about Krasnow more in future episodes. Neither of them were songwriters, and while I have no real reason to disbelieve the claim that "The Willing Conscript" dates back to the Civil War, the earliest version *I* have been able to track down was its publication in issue 28 of Broadside Magazine in June 1963 -- nearly a hundred years after the American Civil War -- with the credit "by Tom Paxton" -- Paxton was a popular singer-songwriter of the time, and it certainly sounds like his writing. The first recording of it I know of was by Pete Seeger: [Excerpt: Pete Seeger, "The Willing Conscript"] But the odd thing is that by the time this was printed, the single had already been released the previous month, and it was not released under the name Lauren St Davis, or under the title "The Willing Conscript" -- there are precisely two differences between the song copyrighted as by Krasnow and Ashe and the one copyrighted two years earlier as by Paxton. One is that verses three and four are swapped round, the other is that it's now titled "The New Recruit". And presumably because they realised that the pseudonym "Lauren St. Davis" was trying just a bit too hard to sound cool and drug culture, they reverted to another stage name the performer had been using, Michael Blessing: [Excerpt: Michael Blessing, "The New Recruit"] Blessing's name was actually Michael Nesmith, and before we go any further, yes his mother, Bette Nesmith Graham, did invent the product that later became marketed in the US as Liquid Paper. At this time, though, that company wasn't anywhere near as successful as it later became, and was still a tiny company. I only mention it to forestall the ten thousand comments and tweets I would otherwise get asking why I didn't mention it. In Nesmith's autobiography, while he talks a lot about his mother, he barely mentions her business and says he was uninterested in it -- he talks far more about the love of art she instilled in him, as well as her interest in the deep questions of philosophy and religion, to which in her case and his they found answers in Christian Science, but both were interested in conversations about ideas, in a way that few other people in Nesmith's early environment were. Nesmith's mother was also responsible for his music career. He had spent two years in the Air Force in his late teens, and the year he got out, his mother and stepfather bought him a guitar for Christmas, after he was inspired by seeing Hoyt Axton performing live and thinking he could do that himself: [Excerpt: Hoyt Axton, "Greenback Dollar"] As he put it in his autobiography, "What did it matter that I couldn't play the guitar, couldn't sing very well, and didn't know any folk songs? I would be going to college and hanging out at the student union with pretty girls and singing folk songs. They would like me. I might even figure out a way to get a cool car." This is, of course, the thought process that pretty much every young man to pick up a guitar goes through, but Nesmith was more dedicated than most. He gave his first performance as a folk singer ten days after he first got a guitar, after practising the few chords in most folk songs for twelve hours a day every day in that time. He soon started performing as a folk singer, performing around Dallas both on his own and with his friend John London, performing the standard folk repertoire of Woody Guthrie and Lead Belly songs, things like "Pick a Bale of Cotton": [Excerpt: Michael Nesmith, "Pick a Bale of Cotton"] He also started writing his own songs, and put out a vanity record of one of them in 1963: [Excerpt: Mike Nesmith, "Wanderin'"] London moved to California, and Nesmith soon followed, with his first wife Phyllis and their son Christian. There Nesmith and London had the good fortune to be neighbours with someone who was a business associate of Frankie Laine, and they were signed to Laine's management company as a folk duo. However, Nesmith's real love was rock and roll, especially the heavier R&B end of the genre -- he was particularly inspired by Bo Diddley, and would always credit seeing Diddley live as a teenager as being his biggest musical influence. Soon Nesmith and London had formed a folk-rock trio with their friend Bill Sleeper. As Mike & John & Bill, they put out a single, "How Can You Kiss Me?", written by Nesmith: [Excerpt: Mike & John & Bill, "How Can You Kiss Me?"] They also recorded more of Nesmith's songs, like "All the King's Horses": [Excerpt: Mike & John & Bill, "All the King's Horses"] But that was left unreleased, as Bill was drafted, and Nesmith and London soon found themselves in The Survivors, one of several big folk groups run by Randy Sparks, the founder of the New Christie Minstrels. Nesmith was also writing songs throughout 1964 and 1965, and a few of those songs would be recorded by other people in 1966, like "Different Drum", which was recorded by the bluegrass band The Greenbriar Boys: [Excerpt: The Greenbriar Boys, "Different Drum"] That would more successfully be recorded by the Stone Poneys later of course. And Nesmith's "Mary Mary" was also picked up by the Paul Butterfield Blues Band: [Excerpt: The Paul Butterfield Blues Band, "Mary Mary"] But while Nesmith had written these songs by late 1965, he wasn't able to record them himself. He was signed by Bob Krasnow, who insisted he change his name to Michael Blessing, and recorded two singles for Colpix -- "The New Recruit", which we heard earlier, and a version of Buffy Saint-Marie's "Until It's Time For You To Go", sung in a high tenor range very far from Nesmith's normal singing voice: [Excerpt: Michael Blessing, "Until It's Time For You To Go"] But to my mind by far the best thing Nesmith recorded in this period is the unissued third Michael Blessing single, where Nesmith seems to have been given a chance to make the record he really wanted to make. The B-side, a version of Allen Toussaint's swamp-rocker "Get Out of My Life, Woman", is merely a quite good version of the song, but the A-side, a version of his idol Bo Diddley's classic "Who Do You Love?" is utterly extraordinary, and it's astonishing that it was never released at the time: [Excerpt: Michael Blessing, "Who Do You Love?"] But the Michael Blessing records did no better than anything else Colpix were putting out. Indeed, the only record they got onto the hot one hundred at all in a three and a half year period was a single by one David Jones, which reached the heady heights of number ninety-eight: [Excerpt: David Jones, "What Are We Going to Do?"] Jones had been brought up in extreme poverty in Openshaw in Manchester, but had been encouraged by his mother, who died when he was fourteen, to go into acting. He'd had a few parts on local radio, and had appeared as a child actor on TV shows made in Manchester, like appearing in the long-running soap opera Coronation Street (still on today) as Ena Sharples' grandson Colin: [Excerpt: Coronation St https://www.youtube.com/watch?v=5FDEvOs1imc , 13:30] He also had small roles in Z-Cars and Bill Naughton's TV play "June Evening", and a larger role in Keith Waterhouse's radio play "There is a Happy Land". But when he left school, he decided he was going to become a jockey rather than an actor -- he was always athletic, he loved horses, and he was short -- I've seen his height variously cited as five foot three and five foot four. But it turned out that the owner of the stables in which he was training had showbusiness connections, and got him the audition that changed his life, for the part of the Artful Dodger in Lionel Bart's West End musical Oliver! We've encountered Lionel Bart before a couple of times, but if you don't remember him, he was the songwriter who co-wrote Tommy Steele's hits, and who wrote "Living Doll" for Cliff Richard. He also discovered both Steele and Marty Wilde, and was one of the major figures in early British rock and roll. But after the Tommy Steele records, he'd turned his attention to stage musicals, writing book, music, and lyrics for a string of hits, and more-or-less singlehandedly inventing the modern British stage musical form -- something Andrew Lloyd Webber, for example, always credits him with. Oliver!, based on Oliver Twist, was his biggest success, and they were looking for a new Artful Dodger. This was *the* best role for a teenage boy in the UK at the time -- later performers to take the role on the London stage include Steve Marriott and Phil Collins, both of whom we'll no doubt encounter in future episodes -- and Jones got the job, although they were a bit worried at first about his Manchester vowels. He assured them though that he could learn to do a Cockney accent, and they took him on. Jones not having a natural Cockney accent ended up doing him the biggest favour of his career. While he could put on a relatively convincing one, he articulated quite carefully because it wasn't his natural accent. And so when the North American version found  in previews that their real Cockney Dodger wasn't being understood perfectly, the fake Cockney Jones was brought over to join the show on Broadway, and was there from opening night on. On February the ninth, 1964, Jones found himself, as part of the Broadway cast of Oliver!, on the Ed Sullivan Show: [Excerpt: Davy Jones and Georgia Brown, "I'd Do Anything"] That same night, there were some other British people, who got a little bit more attention than Jones did: [Excerpt: The Beatles, "I Want to Hold Your Hand (live on Ed Sullivan)"] Davy Jones wasn't a particular fan of pop music at that point, but he knew he liked what he saw, and he wanted some of the same reaction. Shortly after this, Jones was picked up for management by Ward Sylvester, of Columbia Pictures, who was going to groom Jones for stardom. Jones continued in Oliver! for a while, and also had a brief run in a touring version of Pickwick, another musical based on a Dickens novel, this time starring Harry Secombe, the British comedian and singer who had made his name with the Goon Show. Jones' first single, "Dream Girl", came out in early 1965: [Excerpt: Davy Jones, "Dream Girl"] It was unsuccessful, as was his one album, David Jones, which seemed to be aiming at the teen idol market, but failing miserably. The second single, "What Are  We Going to Do?" did make the very lowest regions of the Hot One Hundred, but the rest of the album was mostly attempts to sound a bit like Herman's Hermits -- a band whose lead singer, coincidentally, also came from Manchester, had appeared in Coronation Street, and was performing with a fake Cockney accent. Herman's Hermits had had a massive US hit with the old music hall song "I'm Henry VIII I Am": [Excerpt: Herman's Hermits, "I'm Henry VIII I Am"] So of course Davy had his own old music-hall song, "Any Old Iron": [Excerpt: Davy Jones, "Any Old Iron"] Also, the Turtles had recently had a hit with a folk-rock version of Dylan's "It Ain't Me Babe", and Davy cut his own version of their arrangement, in the one concession to rock music on the album: [Excerpt: Davy Jones, "It Ain't Me Babe"] The album was, unsurprisingly, completely unsuccessful, but Ward Sylvester was not disheartened. He had the perfect job for a young British teen idol who could sing and act. The Monkees was the brainchild of two young TV producers, Bob Rafelson and Bert Schneider, who had come up with the idea of doing a TV show very loosely based on the Beatles' film A Hard Day's Night (though Rafelson would later claim that he'd had the idea many years before A Hard Day's Night and was inspired by his youth touring with folk bands -- Schneider always admitted the true inspiration though). This was not a particularly original idea -- there were a whole bunch of people trying to make TV shows based in some way around bands. Jan and Dean were working on a possible TV series, there was talk of a TV series starring The Who, there was a Beatles cartoon series, Hanna-Barbera were working on a cartoon series about a band called The Bats, and there was even another show proposed to Screen Gems, Columbia's TV department, titled Liverpool USA, which was meant to star Davy Jones, another British performer, and two American musicians, and to have songs provided by Don Kirshner's songwriters. That The Monkees, rather than these other series, was the one that made it to the TV (though obviously the Beatles cartoon series did too) is largely because Rafelson and Schneider's independent production company, Raybert, which they had started after leaving Screen Gems, was given two hundred and twenty-five thousand dollars to develop the series by their former colleague, Screen Gems' vice president in charge of programme development, the former child star Jackie Cooper. Of course, as well as being their former colleague, Cooper may have had some more incentive to give Bob Rafelson and Bert Schneider that money in that the head of Columbia Pictures, and thus Cooper's boss' boss, was one Abe Schneider. The original idea for the show was to use the Lovin' Spoonful, but as we heard last week they weren't too keen, and it was quickly decided instead that the production team would put together a group of performers. Davy Jones was immediately attached to the project, although Rafelson was uncomfortable with Jones, thinking he wasn't as rock and roll as Rafelson was hoping for -- he later conceded, though, that Jones was absolutely right for the group. As for everyone else, to start with Rafelson and Schneider placed an ad in a couple of the trade papers which read "Madness!! Auditions Folk and Roll Musicians-Singers for acting roles in new TV series. Running parts for 4 insane boys ages 17-21. Want spirited Ben Frank's types. Have courage to work. Must come down for interview" There were a couple of dogwhistles in there, to appeal to the hip crowd -- Ben Frank's was a twenty-four-hour restaurant on the Sunset Strip, where people including Frank Zappa and Jim Morrison used to hang out, and which was very much associated with the freak scene we've looked at in episodes on Zappa and the Byrds. Meanwhile "Must come down for interview" was meant to emphasise that you couldn't actually be high when you turned up -- but you were expected to be the kind of person who would at least at some points have been high. A lot of people answered that ad -- including Paul Williams, Harry Nilsson, Van Dyke Parks, and many more we'll be seeing along the way. But oddly, the only person actually signed up for the show because of that ad was Michael Nesmith -- who was already signed to Colpix Records anyway. According to Davy Jones, who was sitting in at the auditions, Schneider and Rafelson were deliberately trying to disorient the auditioners with provocative behaviour like just ignoring them, to see how they'd react. Nesmith was completely unfazed by this, and apparently walked in wearing a  green wool hat and carrying a bag of laundry, saying that he needed to get this over with quickly so he could go and do his washing. John London, who came along to the audition as well, talked later about seeing Nesmith fill in a questionnaire that everyone had to fill in -- in a space asking about previous experience Nesmith just wrote "Life" and drew a big diagonal line across the rest of the page. That attitude certainly comes across in Nesmith's screen test: [Excerpt: Michael Nesmith screen test] Meanwhile, Rafelson and Schneider were also scouring the clubs for performers who might be useful, and put together a shortlist of people including Jerry Yester and Chip Douglas of the Modern Folk Quartet, Bill Chadwick, who was in the Survivors with Nesmith and London, and one Micky Braddock, whose agent they got in touch with and who was soon signed up. Braddock was the stage name of Micky Dolenz, who soon reverted to his birth surname, and it's the name by which he went in his first bout of fame. Dolenz was the son of two moderately successful Hollywood actors, George Dolenz and Janelle Johnson, and their connections had led to Dolenz, as Braddock, getting the lead role in the 1958 TV series Circus Boy, about a child named Corky who works in a circus looking after an elephant after his parents, the Flying Falcons, were killed in a trapeze accident. [Excerpt: Circus Boy, "I can't play a drum"] Oddly, one of the other people who had been considered for that role was Paul Williams, who was also considered for the Monkees but ultimately turned down, and would later write one of the Monkees' last singles. Dolenz had had a few minor TV appearances after that series had ended, including a recurring role on Peyton Place, but he had also started to get interested in music. He'd performed a bit as a folk duo with his sister Coco, and had also been the lead singer of a band called Micky and the One-Nighters, who later changed their name to the Missing Links, who'd played mostly covers of Little Richard and Chuck Berry songs and later British Invasion hits. He'd also recorded two tracks with Wrecking Crew backing, although neither track got released until after his later fame -- "Don't Do It": [Excerpt: Micky Dolenz, "Don't Do It"] and "Huff Puff": [Excerpt: Micky Dolenz, "Huff Puff"] Dolenz had a great singing voice, an irrepressible personality, and plenty of TV experience. He was obviously in. Rafelson and Schneider took quite a while whittling down the shortlist to the final four, and they *were* still considering people who'd applied through the ads. One they actually offered the role to was Stephen Stills, but he decided not to take the role. When he turned the role down, they asked if he knew anyone else who had a similar appearance to him, and as it happened he did. Steve Stills and Peter Tork had known of each other before they actually met on the streets of Greenwich Village -- the way they both told the story, on their first meeting they'd each approached the other and said "You must be the guy everyone says looks like me!" The two had become fast friends, and had played around the Greenwich Village folk scene together for a while, before going their separate ways -- Stills moving to California while Tork joined another of those big folk ensembles of the New Christie Minstrels type, this one called the Phoenix Singers. Tork had later moved to California himself, and reconnected with his old friend, and they had performed together for a while in a trio called the Buffalo Fish, with Tork playing various instruments, singing, and doing comedy bits. Oddly, while Tork was the member of the Monkees with the most experience as a musician, he was the only one who hadn't made a record when the TV show was put together. But he was by far the most skilled instrumentalist of the group -- as distinct from best musician, a distinction Tork was always scrupulous about making -- and could play guitar, bass, and keyboards, all to a high standard -- and I've also seen him in more recent years play French horn live. His great love, though, was the banjo, and you can hear how he must have sounded on the Greenwich Village folk scene in his solo spots on Monkees shows, where he would show off his banjo skills: [Excerpt: Peter Tork, "Cripple Creek"] Tork wouldn't get to use his instrumental skills much at first though, as most of the backing tracks for the group's records were going to be performed by other people. More impressive for the TV series producers was his gift for comedy, especially physical comedy -- having seen Tork perform live a few times, the only comparison I can make to his physical presence is to Harpo Marx, which is about as high a compliment as one can give. Indeed, Micky Dolenz has often pointed out that while there were intentional parallels to the Beatles in the casting of the group, the Marx Brothers are a far better parallel, and it's certainly easy to see Tork as Harpo, Dolenz as Chico, Nesmith as Groucho, and Jones as Zeppo. (This sounds like an insult to Jones, unless you're aware of how much the Marx Brothers films actually depended on Zeppo as the connective tissue between the more outrageous brothers and the more normal environment they were operating in, and how much the later films suffered for the lack of Zeppo). The new cast worked well together, even though there were obvious disagreements between them right from the start. Dolenz, at least at this point, seems to have been the gel that held the four together -- he had the experience of being a child star in common with Jones, he was a habitue of the Sunset Strip clubs where Nesmith and Tork had been hanging out, and he had personality traits in common with all of them. Notably, in later years, Dolenz would do duo tours with each of his three bandmates without the participation of the others. The others, though, didn't get on so well with each other. Jones and Tork seem to have got on OK, but they were very different people -- Jones was a showbiz entertainer, whose primary concern was that none of the other stars of the show be better looking than him, while Tork was later self-diagnosed as neurodivergent, a folkie proto-hippie who wanted to drift from town to town playing his banjo. Tork and Nesmith had similar backgrounds and attitudes in some respects -- and were united in their desire to have more musical input into the show than was originally intended -- but they were such different personalities in every aspect of their lives from their religious views to their politics to their taste in music they came into conflict. Nesmith would later say of Tork "I never liked Peter, he never liked me. So we had an uneasy truce between the two of us. As clear as I could tell, among his peers he was very well liked. But we rarely had a civil word to say to each other". Nesmith also didn't get on well with Jones, both of them seeming to view themselves as the natural leader of the group, with all the clashes that entails. The four Monkees were assigned instruments for their characters based not on instrumental skill, but on what suited their roles better. Jones was the teen idol character, so he was made the maraca-playing frontman who could dance without having to play an instrument, though Dolenz took far more of the lead vocals. Nesmith was made the guitarist, while Tork was put on bass, though Tork was by far the better guitarist of the two. And Dolenz was put on drums, even though he didn't play the drums -- Tork would always say later that if the roles had been allocated by actual playing ability, Jones would have been the drummer. Dolenz did, though, become a good drummer, if a rather idiosyncratic one. Tork would later say "Micky played the drums but Mike kept time, on that one record we all made, Headquarters. Mike was the timekeeper. I don't know that Micky relied on him but Mike had a much stronger sense of time. And Davy too, Davy has a much stronger sense of time. Micky played the drums like they were a musical instrument, as a colour. He played the drum colour.... as a band, there was a drummer and there was a timekeeper and they were different people." But at first, while the group were practising their instruments so they could mime convincingly on the TV and make personal appearances, they didn't need to play on their records. Indeed, on the initial pilot, they didn't even sing -- the recordings had been made before the cast had been finalised: [Excerpt: Boyce & Hart, "Monkees Theme (pilot version)"] The music was instead performed by two songwriters, Tommy Boyce and Bobby Hart, who would become hugely important in the Monkees project. Boyce and Hart were not the first choice for the project. Don Kirshner, the head of Screen Gems Music, had initially suggested Roger Atkins, a Brill Building songwriter working for his company, as the main songwriter for The Monkees. Atkins is best known for writing "It's My Life", a hit for the Animals: [Excerpt: The Animals, "It's My Life"] But Atkins didn't work out, though he would collaborate later on one song with Nesmith, and reading between the lines, it seems that there was some corporate infighting going on, though I've not seen it stated in so many words. There seems to have been a turf war between Don Kirshner, the head of Screen Gems' music publishing, who was based in the Brill Building, and Lester Sill, the West Coast executive we've seen so many times before, the mentor to Leiber and Stoller, Duane Eddy, and Phil Spector, who was now the head of Screen Gems music on the West Coast. It also seems to be the case that none of the top Brill Building songwriters were all that keen on being involved at this point -- writing songs for an unsold TV pilot wasn't exactly a plum gig. Sill ended up working closely with the TV people, and it seems to have been him who put forward Boyce and Hart, a songwriting team he was mentoring. Boyce and Hart had been working in the music industry for years, both together and separately, and had had some success, though they weren't one of the top-tier songwriting teams like Goffin and King. They'd both started as performers -- Boyce's first single, "Betty Jean", had come out in 1958: [Excerpt: Tommy Boyce, "Betty Jean"] And Hart's, "Love Whatcha Doin' to Me", under his birth name Robert Harshman, a year later: [Excerpt: Robert Harshman, "Love Whatcha Doin' to Me"] Boyce had been the first one to have real songwriting success, writing Fats Domino's top ten hit "Be My Guest" in 1959: [Excerpt: Fats Domino, "Be My Guest"] and cowriting two songs with singer Curtis Lee, both of which became singles produced by Phil Spector -- "Under the Moon of Love" and the top ten hit "Pretty Little Angel Eyes": [Excerpt: Curtis Lee, "Pretty Little Angel Eyes"] Boyce and Hart together, along with Wes Farrell, who had co-written "Twist and Shout" with Bert Berns, wrote "Lazy Elsie Molly" for Chubby Checker, and the number three hit "Come a Little Bit Closer" for Jay and the Americans: [Excerpt: Jay and the Americans, "Come a Little Bit Closer"] At this point they were both working in the Brill Building, but then Boyce moved to the West Coast, where he was paired with Steve Venet, the brother of Nik Venet, and they co-wrote and produced "Peaches and Cream" for the Ikettes: [Excerpt: The Ikettes, "Peaches and Cream"] Hart, meanwhile, was playing in the band of Teddy Randazzo, the accordion-playing singer who had appeared in The Girl Can't Help It, and with Randazzo and Bobby Weinstein he wrote "Hurts So Bad", which became a big hit for Little Anthony and the Imperials: [Excerpt: Little Anthony and the Imperials, "Hurts So Bad"] But Hart soon moved over to the West Coast, where he joined his old partner Boyce, who had been busy writing TV themes with Venet for shows like "Where the Action Is". Hart soon replaced Venet in the team, and the two soon wrote what would become undoubtedly their most famous piece of music ever, a theme tune that generations of TV viewers would grow to remember: [Excerpt: "Theme from Days of Our Lives"] Well, what did you *think* I meant? Yes, just as Davy Jones had starred in an early episode of Britain's longest-running soap opera, one that's still running today, so Boyce and Hart wrote the theme music for *America's* longest-running soap opera, which has been running every weekday since 1965, and has so far aired well in excess of fourteen thousand episodes. Meanwhile, Hart had started performing in a band called the Candy Store Prophets, with Larry Taylor  -- who we last saw with the Gamblers, playing on "LSD-25" and "Moon Dawg" -- on bass, Gerry McGee on guitar, and Billy Lewis on drums. It was this band that Boyce and Hart used -- augmented by session guitarists Wayne Erwin and Louie Shelton and Wrecking Crew percussionist Gene Estes on tambourine, plus Boyce and session singer Ron Hicklin on backing vocals, to record first the demos and then the actual tracks that would become the Monkees hits. They had a couple of songs already that would be suitable for the pilot episode, but they needed something that would be usable as a theme song for the TV show. Boyce and Hart's usual working method was to write off another hit -- they'd try to replicate the hook or the feel or the basic sound of something that was already popular. In this case, they took inspiration from the song "Catch Us If You Can", the theme from the film that was the Dave Clark Five's attempt at their own A Hard Day's Night: [Excerpt: The Dave Clark Five, "Catch Us If You Can"] Boyce and Hart turned that idea into what would become the Monkees theme. We heard their performance of it earlier of course, but when the TV show finally came out, it was rerecorded with Dolenz singing: [Excerpt: The Monkees, "Monkees Theme"] For a while, Boyce and Hart hoped that they would get to perform all the music for the TV show, and there was even apparently some vague talk of them being cast in it, but it was quickly decided that they would just be songwriters. Originally, the intent was that they wouldn't even produce the records, that instead the production would be done by a name producer. Micky Most, the Animals' producer, was sounded out for the role but wasn't interested. Snuff Garrett was brought in, but quickly discovered he didn't get on with the group at all -- in particular, they were all annoyed at the idea that Davy would be the sole lead vocalist, and the tracks Garrett cut with Davy on lead and the Wrecking Crew backing were scrapped. Instead, it was decided that Boyce and Hart would produce most of the tracks, initially with the help of the more experienced Jack Keller, and that they would only work with one Monkee at a time to minimise disruption -- usually Micky and sometimes Davy. These records would be made the same way as the demos had been, by the same set of musicians, just with one of the Monkees taking the lead. Meanwhile, as Nesmith was seriously interested in writing and production, and Rafelson and Schneider wanted to encourage the cast members, he was also assigned to write and produce songs for the show. Unlike Boyce and Hart, Nesmith wanted to use his bandmates' talents -- partly as a way of winning them over, as it was already becoming clear that the show would involve several competing factions. Nesmith's songs were mostly country-rock tracks that weren't considered suitable as singles, but they would be used on the TV show and as album tracks, and on Nesmith's songs Dolenz and Tork would sing backing vocals, and Tork would join the Wrecking Crew as an extra guitarist -- though he was well aware that his part on records like "Sweet Young Thing" wasn't strictly necessary when Glen Campbell, James Burton, Al Casey and Mike Deasy were also playing guitar: [Excerpt: The Monkees, "Sweet Young Thing"] That track was written by Nesmith with Goffin and King, and there seems to have been some effort to pair Nesmith, early on, with more commercial songwriters, though this soon fell by the wayside and Nesmith was allowed to keep making his own idiosyncratic records off to the side while Boyce and Hart got on with making the more commercial records. This was not, incidentally, something that most of the stars of the show objected to or even thought was a problem at the time. Tork was rather upset that he wasn't getting to have much involvement with the direction of the music, as he'd thought he was being employed as a musician, but Dolenz and Jones were actors first and foremost, while Nesmith was happily making his own tracks. They'd all known going in that most of the music for the show would be created by other people -- there were going to be two songs every episode, and there was no way that four people could write and record that much material themselves while also performing in a half-hour comedy show every week. Assuming, of course, that the show even aired. Initial audience response to the pilot was tepid at best, and it looked for a while like the show wasn't going to be green-lit. But Rafelson and Schneider -- and director James Frawley who played a crucial role in developing the show -- recut the pilot, cutting out one character altogether -- a manager who acted as an adult supervisor -- and adding in excerpts of the audition tapes, showing the real characters of some of the actors. As three of the four were playing characters loosely based on themselves -- Peter's "dummy" character wasn't anything like he was in real life, but was like the comedy character he'd developed in his folk-club performances -- this helped draw the audience in. It also, though, contributed to some line-blurring that became a problem. The re-edited pilot was a success, and the series sold. Indeed, the new format for the series was a unique one that had never been done on TV before -- it was a sitcom about four young men living together, without any older adult supervision, getting into improbable adventures, and with one or two semi-improvised "romps", inspired by silent slapstick, over which played original songs. This became strangely influential in British sitcom when the series came out over here  -- two of the most important sitcoms of the next couple of decades, The Goodies and The Young Ones, are very clearly influenced by the Monkees. And before the broadcast of the first episode, they were going to release a single to promote it. The song chosen as the first single was one Boyce and Hart had written, inspired by the Beatles. Specifically inspired by this: [Excerpt: The Beatles, "Paperback Writer"] Hart heard that tag on the radio, and thought that the Beatles were singing "take the last train". When he heard the song again the next day and realised that the song had nothing to do with trains, he and Boyce sat down and wrote their own song inspired by his mishearing. "Last Train to Clarksville" is structured very, very, similarly to "Paperback Writer" -- both of them stay on one chord, a G7, for an eight-bar verse before changing to C7 for a chorus line -- the word "writer" for the Beatles, the "no no no" (inspired by the Beatles "yeah yeah yeah") for the Monkees. To show how close the parallels are, I've sped up the vocals from the Beatles track slightly to match the tempo with a karaoke backing track version of "Last Train to Clarksville" I found, and put the two together: [Excerpt: "Paperback Clarksville"] Lyrically, there was one inspiration I will talk about in a minute, but I think I've identified another inspiration that nobody has ever mentioned. The classic country song "Night Train to Memphis", co-written by Owen Bradley, and made famous by Roy Acuff, has some slight melodic similarity to "Last Train to Clarksville", and parallels the lyrics fairly closely -- "take the night train to Memphis" against "take the last train to Clarksville", both towns in Tennessee, and "when you arrive at the station, I'll be right there to meet you I'll be right there to greet you, So don't turn down my invitation" is clearly close to "and I'll meet you at the station, you can be here by 4:30 'cos I've made your reservation": [Excerpt: Roy Acuff, "Night Train to Memphis"] Interestingly, in May 1966, the same month that "Paperback Writer" was released, and so presumably the time that Hart heard the song on the radio for the first time, Rick Nelson, the teen idol formerly known as Ricky Nelson, who had started his own career as a performer in a sitcom, had released an album called Bright Lights and Country Music. He'd had a bit of a career downslump and was changing musical direction, and recording country songs. The last track on that album was a version of "Night Train to Memphis": [Excerpt: Rick Nelson, "Night Train to Memphis"] Now, I've never seen either Boyce or Hart ever mention even hearing that song, it's pure speculation on my part that there's any connection there at all, but I thought the similarity worth mentioning. The idea of the lyric, though, was to make a very mild statement about the Vietnam War. Clarksville was, as mentioned earlier, the site of Fort Campbell, a military training base, and they crafted a story about a young soldier being shipped off to war, calling his girlfriend to come and see him for one last night. This is left more-or-less ambiguous -- this was a song being written for a TV show intended for children, after all -- but it's still very clear on the line "and I don't know if I'm ever coming home". Now, Boyce and Hart were songwriters first and foremost, and as producers they were quite hands-off and would let the musicians shape the arrangements. They knew they wanted a guitar riff in the style of the Beatles' recent singles, and Louie Shelton came up with one based around the G7 chord that forms the basis of the song, starting with an octave leap: Shelton's riff became the hook that drove the record, and engineer Dave Hassinger added the final touch, manually raising the volume on the hi-hat mic for a fraction of a second every bar, creating a drum sound like a hissing steam brake: [Excerpt: The Monkees, "Last Train to Clarksville"] Now all that was needed was to get the lead vocals down. But Micky Dolenz was tired, and hungry, and overworked -- both Dolenz and Jones in their separate autobiographies talk about how it was normal for them to only get three hours' sleep a night between working twelve hour days filming the series, three-hour recording sessions, and publicity commitments. He got the verses down fine, but he just couldn't sing the middle eight. Boyce and Hart had written a complicated, multisyllabic, patter bridge, and he just couldn't get his tongue around that many syllables when he was that tired. He eventually asked if he could just sing "do do do" instead of the words, and the producers agreed. Surprisingly, it worked: [Excerpt: The Monkees, "Last Train to Clarksville"] "Last Train to Clarksville" was released in advance of the TV series, on a new label, Colgems, set up especially for the Monkees to replace Colpix, with a better distribution deal, and it went to number one. The TV show started out with mediocre ratings, but soon that too became a hit. And so did the first album released from the TV series. And that album was where some of the problems really started. The album itself was fine -- ten tracks produced by Boyce and Hart with the Candy Store Prophets playing and either Micky or Davy singing, mostly songs Boyce and Hart wrote, with a couple of numbers by Goffin and King and other Kirshner staff songwriters, plus two songs produced by Nesmith with the Wrecking Crew, and with token participation from Tork and Dolenz. The problem was the back cover, which gave little potted descriptions of each of them, with their height, eye colour, and so on. And under three of them it said "plays guitar and sings", while under Dolenz it said "plays drums and sings". Now this was technically accurate -- they all did play those instruments. They just didn't play them on the record, which was clearly the impression the cover was intended to give. Nesmith in particular was incandescent. He believed that people watching the TV show understood that the group weren't really performing that music, any more than Adam West was really fighting crime or William Shatner travelling through space. But crediting them on the record was, he felt, crossing a line into something close to con artistry. To make matters worse, success was bringing more people trying to have a say. Where before, the Monkees had been an irrelevance, left to a couple of B-list producer-songwriters on the West Coast, now they were a guaranteed hit factory, and every songwriter working for Kirshner wanted to write and produce for them -- which made sense because of the sheer quantity of material they needed for the TV show, but it made for a bigger, less democratic, organisation -- one in which Kirshner was suddenly in far more control. Suddenly as well as Boyce and Hart with the Candy Store Prophets and Nesmith with the Wrecking Crew, both of whom had been operating without much oversight from Kirshner, there were a bunch of tracks being cut on the East Coast by songwriting and production teams like Goffin and King, and Neil Sedaka and Carole Bayer. On the second Monkees album, released only a few months after the first, there were nine producers credited -- as well as Boyce, Hart, Jack Keller, and Nesmith, there were now also Goffin, King, Sedaka, Bayer, and Jeff Barry, who as well as cutting tracks on the east coast was also flying over to the West Coast, cutting more tracks with the Wrecking Crew, and producing vocal sessions while there. As well as producing songs he'd written himself, Barry was also supervising songs written by other people. One of those was a new songwriter he'd recently discovered and been co-producing for Bang Records, Neil Diamond, who had just had a big hit of his own with "Cherry Cherry": [Excerpt: Neil Diamond, "Cherry Cherry"] Diamond was signed with Screen Gems, and had written a song which Barry thought would be perfect for the Monkees, an uptempo song called "I'm a Believer", which he'd demoed with the regular Bang musicians -- top East Coast session players like Al Gorgoni, the guitarist who'd played on "The Sound of Silence": [Excerpt: Neil Diamond, "I'm a Believer"] Barry had cut a backing track for the Monkees using those same musicians, including Diamond on acoustic guitar, and brought it over to LA. And that track would indirectly lead to the first big crisis for the group. Barry, unlike Boyce and Hart, was interested in working with the whole group, and played all of them the backing track. Nesmith's reaction was a blunt "I'm a producer too, and that ain't no hit". He liked the song -- he wanted to have a go at producing a track on it himself, as it happened -- but he didn't think the backing track worked. Barry, trying to lighten the mood, joked that it wasn't finished and you needed to imagine it with strings and horns. Unfortunately, Nesmith didn't get that he was joking, and started talking about how that might indeed make a difference -- at which point everyone laughed and Nesmith took it badly -- his relationship with Barry quickly soured. Nesmith was getting increasingly dissatisfied with the way his songs and his productions were being sidelined, and was generally getting unhappy, and Tork was wanting more musical input too. They'd been talking with Rafelson and Schneider, who'd agreed that the group were now good enough on their instruments that they could start recording some tracks by themselves, an idea which Kirshner loathed. But for now they were recording Neil Diamond's song to Jeff Barry's backing track. Given that Nesmith liked the song, and given that he had some slight vocal resemblance to Diamond, the group suggested that Nesmith be given the lead vocal, and Kirshner and Barry agreed, although Kirshner at least apparently always intended for Dolenz to sing lead, and was just trying to pacify Nesmith. In the studio, Kirshner kept criticising Nesmith's vocal, and telling him he was doing it wrong, until eventually he stormed out, and Kirshner got what he wanted -- another Monkees hit with Micky Dolenz on lead, though this time it did at least have Jones and Tork on backing vocals: [Excerpt: The Monkees, "I'm a Believer"] That was released on November 23rd, 1966, as their second single, and became their second number one. And in January 1967, the group's second album, More of the Monkees, was released. That too went to number one. There was only one problem. The group weren't even told about the album coming out beforehand -- they had to buy their own copies from a record shop to even see what tracks were on it. Nesmith had his two tracks, but even Boyce and Hart were only given two, with the rest of the album being made up of tracks from the Brill Building songwriters Kirshner preferred. Lots of great Nesmith and Boyce and Hart tracks were left off the album in favour of some astonishingly weak material, including the two worst tracks the group ever recorded, "The Day We Fall in Love" and "Laugh", and a novelty song they found embarrassing, "Your Auntie Grizelda", included to give Tork a vocal spot. Nesmith called it "probably the worst album in the history of the world", though in truth seven of the twelve tracks are really very strong, though some of the other material is pretty poor. The group were also annoyed by the packaging. The liner notes were by Don Kirshner, and read to the group at least like a celebration of Kirshner himself as the one person responsible for everything on the record. Even the photo was an embarrassment -- the group had taken a series of photos in clothes from the department store J. C. Penney as part of an advertising campaign, and the group thought the clothes were ridiculous, but one of those photos was the one chosen for the cover. Nesmith and Tork made a decision, which the other two agreed to with varying degrees of willingness. They'd been fine miming to other people's records when it was clearly just for a TV show. But if they were being promoted as a real band, and having to go on tour promoting albums credited to them, they were going to *be* a real band, and take some responsibility for the music that was being put out in their name.  With the support of Rafelson and Schneider, they started making preparations to do just that. But Don Kirshner had other ideas, and told them so in no uncertain terms. As far as he was concerned, they were a bunch of ungrateful, spoiled, kids who were very happy cashing the ridiculously large cheques they were getting, but now wanted to kill the goose that laid the golden egg. They were going to keep doing what they were told. Things came to a head in a business meeting in January 1967, when Nesmith gave an ultimatum. Either the group got to start playing on their own records, or he was quitting. Herb Moelis, Kirshner's lawyer, told Nesmith that he should read his contract more carefully, at which point Nesmith got up, punched a hole in the wall of the hotel suite they were in, and told Moelis "That could have been your face". So as 1967 began, the group were at a turning point. Would they be able to cut the puppet strings, or would they have to keep living a lie? We'll find out in a few weeks' time...

África nos habla de Bette Nesmith Graham quien fue una mecanógrafa y diseñadora industrial estadounidense, inventora del corrector líquido Liquid Paper. Realiza una donaciónGrupo de Telegram: t.me/geocastawaypodcast Web: http://geocastaway.com Twitter: http://twitter.com/geocastaway Facebook: http://facebook.com/geocastaway Youtube: http://youtube.com/geocastaway Correo: geocastaway@gmail.com Tienda: https://shop.spreadshirt.es/geocastaway/

La época más importante, la más comercial también tiene una mezcla de mitologías, costumbres y manipulaciones detrás que la hace una historia interesante de descomprimir.

Rants and ramblings regarding the Penn State game.

The Stupid History of Liquid Paper

Nos anos 90 tínhamos uma enorme variedade de material escolar, eram canetas, lapiseiras, estojos, apontadores, mochilas e merendeiras de tudo quanto era modelo! Mas surgiu então um item que prometia "apagar" os erros de escrita: O Liquid Paper! Muita gente queria usar esse corretivo liquido, mas ninguém contou como ele foi inventado, até agora. Muita nostalgia e curiosidades no episódio de hoje!

This week, Joshua and Briana discuss the Pencil and Liquid Paper. Time Stamps: Pencils- 6:30Liquid Paper- 23:11Sources: Liquid paper: https://www.cnbc.com/2018/07/19/inventing-liquid-paper-got-a-secretary-fired-and-then-made-her-rich.html (cnbc)https://www.nytimes.com/2018/07/11/obituaries/bette-nesmith-graham-overlooked.html (ny times)https://www.thoughtco.com/liquid-paper-bette-nesmith-graham-1992092 (thought co.)https://www.theatlantic.com/technology/archive/2019/03/who-still-buys-wite-out-and-why/567311/ (the atlantic)https://en.wikipedia.org/wiki/Liquid_Paper (wikipedia)Theme song by Briana Fogleman, Joshua Steckelberg, and Olivia Griffin. 

Bette Graham figured out a way to get rid of her mistakes and helped the whole world. --- Send in a voice message: https://anchor.fm/texas-slang-for-crazy/message Support this podcast: https://anchor.fm/texas-slang-for-crazy/support

¿Quién no ha querido borrar un error? Esto es lo que consiguió Bette Nesmith Graham cuando inventó el Liquid Paper, pero si quieres saberte la historia debes darle a reproducir esta cápsula. #inventoras #liquidpaper #tipex --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lainsurecta/message

In today's episode, we'll be talking about how a secretary by the name of Bette Nesmith Graham, got fired from her secretary job, started a business, and turned it into a multi-million dollar business. The product that she was selling is an office supply product that you can get in any stationery shop. It is one of the world's most popular and enduring office supplies that almost everyone uses, at least once in their lifetime. Most people use more than that. I've personally used it so many times before and I'm pretty sure you have too. So...guess what's the product? Well....this product is a white correction fluid used to conceal handwritten or printed typos, also known as Liquid Paper. Just like many other women in the 1950s, Bette Nesmith Graham made a living as a secretary. But between her sub-par typing skills, her critical boss, and the fact that she had to support herself and her young son Michael, she needed to find a way to hold onto her job. She wasn't a chemist or an engineer. She was a single mom from Texas who had a brilliant idea while working a 9-to-5 job as a secretary. Over several decades, she identified a need in the market, organically grew her business, there was no Facebook, Instagram, Google to promote her business, all marketing was done organically and offline, she also had to stave off competition, and bootstrapped her way to eventually selling her business at $47.5million, equivalent to $173m in today's money. And she did it all during a time when women were discouraged from pursuing business ventures. The question is, how did she do all of that and turn her business into a multi-million dollar business? That's what we'll be discussing in today's episode. Check out this episode to find out more! For more info about Delugne Investing, check out Delugne.com to find out more. Delugne Mastermind https://delugne.com/join-delugne-mastermind FREE Investment Analysis - The Next 100x Opportunity That Could Change Your Life https://delugne.com/free-investment-analysis FREE Index Investing Training - 10-Day Index Investing Training https://delugne.com/free-index-investing-training

Being successful requires more than having a great product or knowing something well. It requires continued learning, marketing what you have, and selling to a customer. That applies to getting a job, keeping a job, getting a promotion, or starting your own business. Do those and you can succeed in any way you want. Questions: 1. After 8 years and only making $10-20K, is it time to stop? 2. Do I have to start a second business to sell my art? 3. Can I join the 48 Days Eagles before I'm well established in my business? 4. Why do people fail to take action after they've been coached in what to do? 5. Are you sitting on top of a Liquid Paper kind of idea? Get direct links to the resources mentioned on the podcast, including free access to my workbook Who Are You and Why Are You Here as well as the book I'm reading right now in the show notes at https://www.48days.com/why-do-you-stay-stuck/

We're all here cause we're not all there.

In this episode of This Week in Business History, host Scott W. Luton shares the interesting ups & downs of the popular Stuckey's enterprise, where "every traveler is a friend." The 80+ year old company has visionary & passionate new leadership & is headed in exciting new directions. Scott also dives into the remarkable story behind Liquid Paper...including just how Liquid Paper, The Monkees & MTV are all connected. Additional Links & Resources: Subscribe to This Week in Business History and ALL Supply Chain Now Programming Here: https://supplychainnowradio.com/subscribe Connect with Scott on LinkedIn and share your feedback: https://www.linkedin.com/in/scottwindonluton/ Listen to our full interview with Stephanie Stuckey, President & CEO of Stuckey's: https://supplychainnow.com/episode-522/ This episode was hosted by Scott Luton. For additional information, please visit our dedicated show page at: https://supplychainnow.com/business-history-41.

Parte del libro "El año en que nos volvimos humanos", que se puede comprar en http://leopiccioli.com/cuartolibro, leída por su autor y, en muchos de los casos, con un comentario exclusivo.Más información en http://www.soysolo.com.ar

The kitchen blender has a lot to answer for.  These days there are plenty of experiments with what you can cram into the jug and then blur into a fine emulsion – not all of them entirely edible.  It's the ideal lockdown toy, but whilst it might permit all sorts of interesting smoothies it would be a slightly odd mind which decided to try and make one up out of egg white and titanium dioxide.    Doesn't sound like it would delight the taste buds – but then again it might have other uses, not least as a source of innovation.....This podcast looks at the surprising history of Liquid Paper and the way its inventor, Betty Nesmith Graham,  turned her frustration at work into a successful global business.You can find a transcript here

You won't believe this story. This lady is incredible. Enjoy.

Bette's creation saved her time and changed her life forever!

Crack and share. Until it is done. At least, if there's anything to crack. For the second time Bethesda have managed to release a game with a built-in crack for the Denuvo DRM. What's the story behind it? Incompetence, a rogue agent, or are Bethesda secretly the DRM free heroes we don't deserve? Doom Eternal is the latest casualty of Bethesda's DRM mistakes, and Professor wants to know why.DJ has a list of the newest anime to watch this spring, or autumn if you live in the south. Southern Hemisphere Best Hemisphere. Get the latest ridiculously long anime names here!Just when you thought it was safe to go outside after the fires, COVID-19 swept in. Where did it come from? A lab has dissected the DNA behind this threat and all signs point to COVID-19 not being a Chinese bioweapon. Keep the conspiracies coming, science knows what's what.This week, both nerds played a Doom related game. Professor plays an official series game, but DJ plays a parody.As usual, the Nerds discuss the latest shoutouts and events of interest. RIP Al Worden, Albert Uderzo and Kenny Rogers.We'll be back next week for another episode. We're not going anywhere, and by the looks of things, neither are you.DRM Eternal- https://arstechnica.com/gaming/2020/03/bethesda-apparently-broke-its-own-denuvo-protection-for-doom-eternal/Upcoming Spring Anime Lineup and other anime news-https://www.crunchyroll.com/anime-feature/2020/03/20-1/crunchyroll-announces-spring-2020-anime-lineupThe origin story of COVID-19-https://www.sciencedaily.com/releases/2020/03/200317175442.htm- https://www.nature.com/articles/s41591-020-0820-9Games PlayedProfessor- Doom 3 : BFG Edition - https://store.steampowered.com/app/208200/Doom_3_BFG_Edition/Rating – 3.5/5DJ– BDSM: Big Drunk Satanic Massacre Demo - https://store.steampowered.com/app/1209860/BDSM_Big_Drunk_Satanic_Massacre_Demo/Rating – 3/5Other topics discussedQueensland borders closed due to Coronavirus- https://www.abc.net.au/news/2020-03-26/coronavirus-threat-sparks-calls-to-close-nsw-border-with-qld/12091632MyGov is down due to a “cyber-attack” – Minister- https://www.abc.net.au/news/2020-03-23/mygov-website-down-centrelink-massive-queues-coronavirus/12080558Alcohol restrictions are now limited in Western Australia- https://www.abc.net.au/news/2020-03-25/coronavirus-covid-19-wa-alcohol-sales-from-bottle-shops-limited/12087974Panic buying in alcohol leads to more drinking- https://www.abc.net.au/news/2020-03-26/coronavirus-crisis-has-people-drinking-more-experts-say/12086790Rage 2 drops Denuvo DRM- https://www.kotaku.com.au/2019/05/rage-2-drops-denuvo-drm-in-record-time/Rage (a first-person shooter video game developed by id Software)- https://en.wikipedia.org/wiki/Rage_(video_game)- https://store.steampowered.com/app/9200/RAGE/Rime allegedly runs faster with Denuvo DRM stripped out- https://arstechnica.com/gaming/2017/06/crackers-say-denuvo-drm-caused-slowdown-on-rime/Bleach Anime Returning With Thousand Year Blood War Adaptation- https://www.cbr.com/bleach-anime-return-thousand-year-blood-war/Bleach: The Thousand-Year Blood War, Explained- https://www.cbr.com/bleach-thousand-year-blood-war-explained/Fate/Grand Order Announces New Solomon Anime- https://comicbook.com/anime/2020/03/21/fate-grand-order-final-singularity-solomon-anime-announced/Fate/Grand Order: Camelot Film Confirms Release Date with New Trailer- https://comicbook.com/anime/2020/03/22/fate-grand-order-camelot-film-release-date-trailer/Definition of anime filler- https://www.quora.com/What-does-a-filler-mean-in-animeTite Kubo’s reaction to the new anime announcement- https://comicbook.com/anime/2020/03/22/bleach-anime-comeback-revival-tite-kubo-comment-manga/Fullmetal Alchemist (Japanese anime television series adapted from the mangaof the same name written and illustrated by Hiromu Arakawa. During production, Arakawa requested an original ending that differed from the manga, leading to the series deviating into an original plot halfway through.)- https://en.wikipedia.org/wiki/Fullmetal_Alchemist_(TV_series)Fullmetal Alchemist: Brotherhood (Japanese anime television series adapted from the Fullmetal Alchemist manga by Hiromu Arakawa. Unlike the previous adaptation, Brotherhood is an almost 1:1 adaptation directly following the original events of the manga.)- https://en.wikipedia.org/wiki/Fullmetal_Alchemist:_BrotherhoodPrince Charles tested positive for Coronavirus- https://www.bbc.com/news/uk-52033845History of H.I.V/AIDS (AIDS is caused by a human immunodeficiency virus (HIV), which originated in non-human primates in Central and West Africa. While various sub-groups of the virus acquired human infectivity at different times, the global pandemic had its origins in the emergence of one specific strain – HIV-1 subgroup M – in Léopoldville in the Belgian Congo (now Kinshasa in the Democratic Republic of the Congo) in the 1920s)- https://en.wikipedia.org/wiki/History_of_HIV/AIDSPlague Inc.- https://www.ndemiccreations.com/en/22-plague-incGetting Over It with Bennett Foddy- https://store.steampowered.com/app/240720/Getting_Over_It_with_Bennett_Foddy/Markiplier plays Getting Over It with Bennett Foddy- https://www.youtube.com/watch?v=dH9w9VlyNO4Cacodemon (Doom 3) (The Cacodemon in Doom 3, as compared to the original monster, is taupe in color, has a wider mouth, and has multiple green eyes, as well as some longer, thin tentacles hanging from the bottom of its body.)- https://doom.fandom.com/wiki/Cacodemon/Doom_3Doom 3 (2004 horror first-person shooter video game, developed by id Software and published by Activision.)- https://en.wikipedia.org/wiki/Doom_3Rugby Football Union (The Rugby Football Union (RFU) is the governing body for rugby union in England. )- https://en.wikipedia.org/wiki/Rugby_Football_UnionShout Outs18 March 2020 – Alfred Worden passes away - https://www.forbes.com/sites/kionasmith/2020/03/20/apollo-15-astronaut-al-worden-has-died/#2315b43836c6Alfred Worden, American astronaut and engineer who was the Command Module Pilot for the Apollo 15 lunar mission in 1971. One of only 24 people to have flown to the Moon, he orbited it 74 times in the Command Module Endeavour. During Apollo 15's return flight to Earth, Worden performed an extravehicular activity to retrieve film cassettes from the exterior of the spacecraft, the Apollo command and service module. While orbiting the Moon alone, farther from other people than anyone has ever been, Worden mapped a quarter of the lunar surface, measured the composition of lunar rocks from space, picked out a landing site for the final Apollo mission, and launched a miniature satellite into lunar orbit to study the Moon’s gravity and magnetic field. It was the first "deep space" EVA in history, at great distance from any planetary body. As of 2020, it remains one of only three such EVAs that have taken place, all during the Apollo program's J-missions. He died from a stroke in Sugar Land, Texas at the age of 8818 March 2020 –The discovery of Asteriornis maastrichtensis, the oldest definitive species of modern bird, which lived at the end of the Mesozoic era.- https://www.newsweek.com/wonderchicken-oldest-known-modern-bird-dinosaur-1493000- https://www.nature.com/articles/s41586-020-2096-0Researchers have discovered the remains of an extinct animal that may represent the oldest "modern" bird known to science. An international team of palaeontologists identified the near-complete fossil skull of the bird, which they have dated to between 66.8 and 66.7 million years ago. Dubbed Asteriornis maastrichtensis, the extinct bird—affectionately nicknamed the "wonderchicken"—shares some features that can be seen in modern-day ducks and chickens, according to a study published in the journal Nature. The palaeontologists say the find sheds new light on the evolution of modern birds and could help explain why these animals survived the mass-extinction event, while large dinosaurs did not. "We have discovered the oldest modern bird fossil yet identified," Daniel Field, an author of the study from the University of Cambridge in the U.K., told Newsweek. "Asteriornis maastrichtensis is an early fossil bird close to the origin of the group that today includes chicken-like birds and duck-like birds. Asteriornis lived 66.7 million years ago, at the end of the Age of Dinosaurs, and provides new insights into what modern birds were like early in their evolutionary history."20 March 2020 – Kenny Rogers passes away - https://www.theguardian.com/music/2020/mar/21/kenny-rogers-country-music-star-dies-aged-81Kenny Rogers, the American country music star with hits popular across the world, has died. His husky voice and down-home narrative style won him three Grammy awards and put him at the top of the American music business for more than four decades. He sold over 100 million records worldwide during his lifetime, making him one of the best-selling music artists of all time. His fame and career spanned multiple genres: jazz, folk, pop, rock, and country. He remade his career and was one of the most successful cross-over artists of all time. His signature song, 1978's "The Gambler", was a cross-over hit that won him a Grammy Award in 1980 and was selected in 2018 for preservation in the National Recording Registry by the Library of Congress. The singer, who has been mourned by fans this weekend on social media, once summed up his success with mainstream audiences by explaining that the traditional lyrics to his songs “say what every man wants to say and that every woman wants to hear”. He died from natural causes in Sandy Springs, Georgia at the age of 81.24 March 2020 – Albert Uderzo passes away - https://www.bbc.com/news/entertainment-arts-52016721Albert Uderzo, one of the two creators of the beloved comic book character Asterix, who captured the spirit of the Gauls of yore and grew a reputation worldwide, has died. He created the famous stories - about the adventures of Gaulish warriors fighting the Roman Empire - with his friend René Goscinny in 1959. As well as illustrating the series, Urderzo took over the writing following Goscinny's death in 1977. The books have sold 370 million copies worldwide, in dozens of languages, and several stories have been turned into cartoons and feature films. The series continues to this day under new ownership, with the most recent book, Asterix and the Chieftain's Daughter, released last October. French Culture Minister Franck Riester said that Uderzo "found the magic potion", referring to his spirit, craftsmanship and long hours of work. He died from a heart attack in Neuilly-sur-Seine at the age of 92.Remembrances23 March 1981 - Beatrice Tinsley - https://en.wikipedia.org/wiki/Beatrice_TinsleyBeatrice Muriel Hill Tinsley, British-born New Zealand astronomer and cosmologist and professor of astronomy at Yale University, whose research made fundamental contributions to the astronomical understanding of how galaxies evolve, grow and die. Tinsley completed pioneering theoretical studies of how populations of stars age and affect the observable qualities of galaxies. She also collaborated on basic research into models investigating whether the universe is closed or open. Her galaxy models led to the first approximation of what protogalaxies should look like. In 1978, she became the first female professor of astronomy at Yale University. Her last scientific paper, submitted to the Astrophysical Journal ten days before her death, was published posthumously that November, without revision. She died from cancer at the age of 40 in New Haven, Connecticut.23 March 2001 - Margaret Ursula Jones - https://en.wikipedia.org/wiki/Margaret_Ursula_JonesEnglish archaeologist, best known for directing major excavations at Mucking, Essex. She worked at a number of sites, but is best known for her excavations at Mucking, a major Anglo-Saxon settlement and associated cemetery, with finds ranging from the Stone Age to the Medieval period. The Mucking excavation, which Jones directed from 1965 to 1978, became Britain's largest ever archaeological excavation. It produced an unprecedented volume of material, although some academic archaeologists have criticised the fact that the results did not appear in print until decades after the excavation had ended. Jones' work at Mucking, as well as her role in founding the campaign group Rescue, was influential in the establishment of modern commercial archaeology in Britain. Jones herself also gained a reputation as an eccentric and intimidating figure: "indomitable, formidable, disinclined to suffer fools but very kind to those she considered worth helping, dedicated and inventive". She died at the age of 84.23 March 2007 – Paul Cohen - https://en.wikipedia.org/wiki/Paul_CohenAmerican mathematician. He is best known for his proofs that the continuum hypothesis and the axiom of choice are independent from Zermelo–Fraenkel set theory, for which he was awarded a Fields Medal. Cohen is noted for developing a mathematical technique called forcing, which he used to prove that neither the continuum hypothesis (CH) nor the axiom of choice can be proved from the standard Zermelo–Fraenkel axioms (ZF) of set theory. In conjunction with the earlier work of Gödel, this showed that both of these statements are logically independent of the ZF axioms: these statements can be neither proved nor disproved from these axioms. In this sense, the continuum hypothesis is undecidable, and it is the most widely known example of a natural statement that is independent from the standard ZF axioms of set theory. While studying the continuum hypothesis, Cohen is quoted as saying in 1985 that he had "had the feeling that people thought the problem was hopeless, since there was no new way of constructing models of set theory. Indeed, they thought you had to be slightly crazy even to think about the problem." He died from lung disease at the age of 72 in Stanford, California, near Palo Alto.Famous Birthdays23 March 1890 – Cedric Gibbons - https://en.wikipedia.org/wiki/Cedric_GibbonsIrish-American art director and production designer for the film industry. He also made a significant contribution to motion picture theater architecture from the 1930s to 1950s. Gibbons designed the Oscar statuette in 1928, but tasked the sculpting to George Stanley, a Los Angeles artist. Gibbons was one of the original 36 founding members of The Academy of Motion Picture Arts and Sciences and designed the Academy Awards statuette in 1928. A trophy for which he himself would be nominated 39 times, winning 11. The last time for Best Art Direction for Somebody Up There Likes Me (1956). Gibbons' set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspired motion picture theater architecture in the late 1930s through 1950s. In February 2005 Gibbons was inducted into the Art Directors Hall of Fame. He was born in New York City.23 March 1907 - Daniel Bovet - https://en.wikipedia.org/wiki/Daniel_BovetSwiss-born Italian pharmacologist who won the 1957 Nobel Prize in Physiology or Medicine for his discovery of drugs that block the actions of specific neurotransmitters. He is best known for his discovery in 1937 of antihistamines, which block the neurotransmitter histamine and are used in allergy medication. His other research included work on chemotherapy,sulfa drugs, the sympathetic nervous system, the pharmacology of curare, and other neuropharmacological interests. In 1965, Bovet led a study team which concluded that smoking of tobacco cigarettes increased users' intelligence. He told The New York Times that the object was not to "create geniuses, but only [to] put the less-endowed individual in a position to reach a satisfactory mental and intellectual development". He was born in Fleurier.23 March 1924 - Bette Nesmith Graham - https://en.wikipedia.org/wiki/Bette_Nesmith_GrahamAmerican typist, commercial artist, and the inventor of the correction fluid Liquid Paper (not to be confused with competitor White-Out). She was the mother of musician and producer Michael Nesmith of The Monkees. To make extra money, she used her talent painting holiday windows at the bank. She realized as she said, "with lettering, an artist never corrects by erasing, but always paints over the error. So I decided to use what artists use. I put some tempera water-based paint in a bottle and took my watercolor brush to the office. I used to correct my mistakes." She eventually began marketing her typewriter correction fluid as "Mistake Out" in 1956. The name was later changed to Liquid Paper when she began her own company. She was born in Dallas, Texas.25 March 1920 - Patrick George Troughton - https://en.wikipedia.org/wiki/Patrick_TroughtonEnglish actor. He was classically trained for the stage but became most widely known for his roles in television and film. His work included appearances in several fantasy, science fiction and horror films, but he became best known for his role as the second incarnation of the Doctor in the long-running British science-fiction television series Doctor Who, which he played from 1966 to 1969; he reprised the role in 1973, 1983 and 1985. he was born in Mill Hill, Middlesex.Events of Interest23 March 1801 – Tsar Paul I of Russia is struck with a sword, then strangled, and finally trampled to death inside his bedroom at St. Michael's Castle. - https://en.wikipedia.org/wiki/Paul_I_of_Russia#AssassinationOn the night of 23 March 1801, a band of dismissed officers murdered Paul in his bedroom in the newly-built St. Michael's Castle. The assassins included General Bennigsen, a Hanoverian in the Russian service, and General Yashvil, a Georgian. They charged into his bedroom, flushed with drink after dining together, and found Paul hiding behind some drapes in the corner. he conspirators pulled him out, forced him to the table, and tried to compel him to sign his abdication. Paul offered some resistance, and Nikolay Zubov struck him with a sword, after which the assassins strangled and trampled him to death. Paul's successor on the Russian throne, his son, the 23-year-old Alexander, was actually in the palace at the time of the killing. General Nikolay Zubov announced his accession to the heir, accompanied by the admonition, "Time to grow up! Go and rule!" Alexander I did not punish the assassins, and the court physician, James Wylie, declared apoplexy the official cause of death.23 March 1888 – In England, The Football League, the world's oldest professional association football league, meets for the first time. - https://en.wikipedia.org/wiki/English_Football_LeagueThe first meeting was held at Anderton's Hotel in London on 23 March 1888 on the eve of the FA Cup Final. The Football League was formally created and named in Manchester at a further meeting on 17 April at the Royal Hotel. The name "Association Football Union" was proposed by McGregor but this was felt too close to "Rugby Football Union". Instead, "The Football League" was proposed by Major William Sudell, representing Preston, and quickly agreed upon. Each club played the others twice, once at home and once away, and two points were awarded for a win and one for a draw. This points system was not agreed upon until after the season had started; the alternative proposal was one point for a win only. Preston won the first league title without losing a game, and completed the first league–cup double by also taking the FA Cup.23 March 1965 – NASA launches Gemini 3, the United States' first two-man space flight (crew: Gus Grissom and John Young). - https://www.nasa.gov/content/march-23-1965-launch-of-first-crewed-gemini-flightNASA's two-man Gemini spaceflights demonstrated that astronauts could change their capsule's orbit, remain in space for at least two weeks and work outside their spacecraft. They also pioneered rendezvous and docking with other spacecraft. All were essential skills to land on the moon and return safely to Earth. Veteran Mercury astronaut Grissom was selected as command pilot of Gemini III, making him the first person traveling into space twice. Joining Grissom was Young, the first member of the second group of NASA pilots to fly in space. Young would go on to become the first person to make six spaceflights, including commanding Apollo 16 during which he walked on the moon. He also commanded STS-1, the first shuttle mission. Gemini III's primary goal was to test the new, maneuverable spacecraft. In space, the crew members fired thrusters to change the shape of their orbit, shift their orbital plane slightly, and drop to a lower altitude. The revolutionary orbital maneuvering technology paved the way for rendezvous missions later in the Gemini Program and proved it was possible for a lunar module to lift off the moon and dock with the lunar orbiting command module for the trip home to Earth. It also meant spacecraft could be launched to rendezvous and dock with an orbiting space station.Follow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094RSS - http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rssInstagram - https://www.instagram.com/nerds_amalgamated/General EnquiriesEmail - Nerds.Amalgamated@gmail.comRate & Review us on Podchaser - https://www.podchaser.com/podcasts/nerds-amalgamated-623195

In Episode 90, your host, Lee Uehara, shares with you her unexpectedly delightful way to de-goop-ify - or thin out - that white correction fluid known as Liquid Paper or Wite Out. You'll also find out where Lee will be this coming spring season in terms of conferences and trainings. You know, in case any of them are of interest to you - or someone you know! Please do share the show with at least two other people – it's as easy as clicking the “Share” button within your favorite podcast app or directing folks to www.HouseOfLeeNYC.com. Thank you for allowing me to be part of your day. [P.S. House of Lee NYC is on YouTube. Click HERE to see Lee in person. Sorta.] Show Mentions & Lee Sightings: Podcamp Western Massachusetts, February 29, 2020. www.podcampwm.org. PodfestExpo, Orlando, FL. March 6-8, 2020. www.PodFestExpo.com. NLP Certification (Neuro-Linguistic Programming), Newark, NJ, April 16-19, 2020. www.nlp.com. SEE, Spring Energy Event, Floral Park, NJ, April 24-26, 2020. www.springenergyevent.com. People of Video, Albany, NY, May 2-3, 2020. www.peopleofvideo.com. Want to Work With Lee? If you'd like to have Lee do the following for you or someone in your network: A). Host/Emcee your event - or record a live show at your function B). Photograph your business event or take care of your speaker photo needs: www.UeharaPhotography.com. C). Teach you how to ride a bike - or how to ride better: www.CityBikeCoach.com D). Help release certain blocks with EFT Tapping: www.Mind2BodyEFT.com. Then, please do reach out to her for availability: lee@wleefm.com  or via phone at (212) 655-9840. And, as always, thank you so much for listening. Would you please share the show with at least two other people and show them how to subscribe. (Thank you!) What tips or guests would you like to hear about or from next season? If you've wondered how to support Lee and the show, why not treat her to a cup of coffee - or a salad! Click here to support the show : ) The House of Lee NYC, a division of WLEE Media, LLC, is available at Apple Casts/iTunes, Spotify, Google Play, Stitcher and your favorite podcast app. (Lee is working on the issue with iHeart Radio.) Leave your comments and questions via voice for Lee at www.HouseOfLeeNYC.com - or call or email Lee at: lee @ wleefm.com or (212) 6 5 5 - 9 8 4 0. Lee can also be found on Facebook, Twitter and Instagram.

Axel y Valentín graban sin tocarse las narices. No están en distintos países, ciudades o principados pero la vida es compleja y a veces hay que darle cabida a todo eso que nos enseñan los libros. En este episodio hablan de series futuristas distópicas, de películas de giles que pierden sus ahorros pero no se comen los mocos, pipas y vecinos insoportables que como muestra de agradecimiento tapan el baño. Es entendible que distintas culturas tengan distintas prácticas y rituales pero no queda del todo claro por qué justo el baño de Valentín fuera terreno sagrado para tan noble práctica.

Movie Meltdown - Episode 496 This week we’re coming to you “live” from Harry Dean Stanton Fest - featuring our discussion with director Alex Cox! Listen as we discuss his early movie memories as well as stories of creating Repo Man, Sid and Nancy, Straight to Hell, hosting Moviedrome and the glory days of the L.A. punk scene.   And as we continue searching for the best burrito in America, we also address… Cisco Pike, Mysterio, Echo In The Canyon, Crawl, The Mattei Affair, Samuel L. Jackson, a dinosaur, nuclear war, an 18 year old girl on a beach, savage cowboys, Brian Wilson, the public library, the nature of making a drama, endless explaining what's going on - in Spanish, a Charles Bronson movie, A Strange Enemy, were available in the month of August of that year, I've mastered the one hand capture, they're horrible... they're an appalling pair, streaming services, Donnie Darko, pin-cushioned with arrows, people said the 70’s weren’t good - don’t believe ‘em… the 70’s were the best, sexy Kris Kristofferson, law undergrad, Sy Richardson, the BBC had all these films on their license, Mexican television, Welcome to Sweden, Edgar Wright, Popeye, a good time to be in prison, Timerider, junkie rock stars, Brian Wilson, being blacklisted, Child's Play, a high school kid, the script was kind of a potpourri, Aubrey Plaza, the whole room looked like a packet of Gitanes, Michael Nesmith, a cult movie, black and white and foreign language films, video stores everywhere, merely by putting an artistic frame around it, Spider-Man: Far from Home, the director’s cut, Liquid Paper, Turner Classic Movies and sir… please stop touching the movies.  “...I had to make money, in order to subsidize my hobby of being a filmmaker.” For more on Harry Dean Stanton Fest, go to: https://www.harrydeanstantonfest.org/

Remember when we thought Liquid Paper would solve all of our problems? Patrick Mahomes has been so busy, he's finally getting around to visit Jimmy Fallon and the interview is a complete bust.  A look around MLB.  Royals bullpen stumbles again, Ned Yost sticks up for his guys. Greinke one of the few pitchers who can "hit," and Bryce Harper doing his best to be a complete tool in D.C.

Bruce Yelk, renowned party promoter and producer of one of the nation's fastest growing club events, Distrkt C, joins Tim and John. The inventor of Liquid Paper, and research showing how heat affects cognitive ability caught our eye. Shop Talk asks whether you can get through dinner without checking your phone. We're all business. Except when we're not. Apple Podcasts: apple.co/1WwDBrC iHeart Radio: bit.ly/2n0Z7H1 Tunein: bit.ly/1SE3NMb Stitcher: bit.ly/1N97Zqu Google Podcasts: bit.ly/1pQTcVW YouTube: bit.ly/1spAF5a Also follow Tim and John on: Facebook: www.facebook.com/focusgroupradio Twitter: www.twitter.com/focusgroupradio Instagram: www.instagram.com/focusgroupradio

It's a quick show this week, but we still knock out three classic Flopcast segments for you, right before our big nap. In Chickens in the News, a rubber chicken museum is coming to Seattle (compliments of the mad geniuses at Archie McPhee), and yeah, we're sort of freaking out. Then in our Pudding Pages segment, we remember Liquid Paper, because why use autocorrect when you can clumsily paint over your mistakes and make a huge mess instead? And for National Whatever Day, we're wishing a happy birthday to Kate Pierson of The B-52s. We are pretty big fans of both rock and lobsters, so why not.

This week we talk about the plans for the Immortals and the Hall of Fame and marvel at the magnificence of Manly's big win on the weekend (and the other games of course...). See acast.com/privacy for privacy and opt-out information.

Reality check: GOD does not care (one iota) about how 'good' of a person we think we may be. Qualifying ourselves as good before THE HOLY GOD of all creation guarantees a reservation for eternal damnation. Romans 3:10 - As it is written, There is none righteous, no, not one... The most important decision our MAKER requires all to make prior to eternity? Acknowledge (with simple humility) that which manifests itself within our hearts, admitting that we (humanity) have been 'infected' with sin and remain unable to cure ourselves. Sin after sin. Day after day. Mistake after mistake. GOD demands that our sinfulness be dealt with (satisfactorily) prior to meeting HIM face to face for an eternal reckoning/meeting that none will miss, be late for or reschedule.

One of the four Monkees was actually a futurist. Did you know that he helped birth MTV? Did you know he put together one of the first country rock outfits of the late 1960's early '70's? How about the fact he wrote 'Different Drum' famously covered by Linda Ronstadt. Did you know that Mike Nesmith's mother invented Liquid Paper?   Shelly and Christian discuss this extremely interesting autobiography, 'Infinite Tuesdays: An Autobiographical Riff by Mike Nesmith.' Michael Nesmith’s eclectic, electric life spans his star-making role on The Monkees, his invention of the music video, and his critical contributions to movies, comedy, and the world of virtual reality.  Above all, his is a seeker’s story, a pilgrimage in search of a set of principles to live by. That search took Nesmith from a childhood in Dallas, where his single mother Bette invented Liquid Paper, to the set of The Monkees in Los Angeles; to the heart of swinging London with John Lennon and Jimi Hendrix; and to an unexpected oasis of brilliance in the Santa Fe desert, where his friendships with Douglas Adams and Los Alamos scientists would point him toward the power of the infinite and the endless possibilities of human connection. This funny, thoughtful, self-aware book is a window onto an unexpected life, inflected at every turn by the surprising candor and absurdist humor of an American original. Opening Infinite Tuesday is like stepping into the world of Michael Nesmith, where something curious is always unfolding, and where riffs on everything from bands to dogs to the nature of reality make for an endlessly engaging journey. "Beautifully written." —New York Times “Nesmith is an artist, adventurer and thinker whose nimble creativity soared far above the appellation he was given: “The smart Monkee.” In Infinite Tuesday, he details the inner forces, from personal to spiritual, that kept him forging ahead –and that created stumbling blocks as well. Unsparing and revealing, this book is an unusual, unforgettable read.” —Ben Fong-Torres Disclaimer: The views expressed here by Shelley Sorenson are made in her capacity as a private citizen, and do not necessarily reflect the views of the San Francisco Public Library or the City of San Francisco.

This month, Kristen Salzer-Frost introduces us to the relatively new discipline of fire engineering. And Nicole George and Cordon Purcell talk about why neuropsychologist Dr Brenda Milner’s work on memory and cognition has been so influential. Our Discovery of the Month is the intriguing story of Liquid Paper, invented by Bette Nesmith Graham in 1951. The Ada Lovelace Day podcast highlights the work of women in STEM. We talk to women from around the STEM world about their careers, as well as talking to women and men about historic and modern women’s achievements, discoveries, and inventions. Tickets to our annual science cabaret, Ada Lovelace Day Live!, on 10 October in London are on sale now at the Early Bird price of just £10! You can find out more about our fabulous speakers and book your tickets on our website, at findingada.com. Find out more about our podcast on our website, findingada.com/podcast/.

Peter Meinke is what he didn’t think was a real job when he started writing - a professional poet. The first Poet Laureate of St. Petersburg is now the Poet Laureate of Florida. He’s friendly and funny, sharp and engaging. And he’s passionate about the sound of words. You’ll enjoy Peter’s conversation with Barbara St. Clair, as he explains the special nature and appeal of poems, the hard work behind it and how poetry is part of life. Peter Meinke named Florida Poet Laureate, Tampa Bay Times - http://www.tampabay.com/news/humaninterest/st-petersburgs-peter-meinke-named-poet-laureate-of-florida/2233793 and Creative Loafing - http://www.cltampa.com/arts-entertainment/article/20761823/peter-meinke-named-florida-poet-laureate Peter Meinke’s Poet’s Notebook column in Creative Loafing - http://www.cltampa.com/news-views/poets-notebook Peter Meinke’s published works include: • Unheard Music: Stories (2007) • The Contracted World: New & More Selected Poems (2006) • Zinc Fingers: Poems A to Z (2000) • The Shape of Poetry: A Practical Guide to Writing Poetry (1999) • Scars (1996) • Campocorto (Sow's ear) (1996) • The Piano Tuner: Stories (1994) • Liquid Paper (1992) • Far from Home (1988) • Night Watch on the Chesapeake (1987) • Underneath the Lantern (1986) • Trying to Surprise God (1981) • The Rat Poems: Or, Rats Live On No Evil Star (1978) • The Night Train & The Golden Bird (1977) • Lines from Neuchatel (1974) • Very Seldom Animals (1969) • Howard Nemerov (1968) • The Legend of Larry, the Lizard (1968) Arts In is produced by Matt and Sheila Cowley. Executive Producer, Barbara St. Clair for Creative Pinellas.

Neste episódio Orelha Miguel e Jp Moraes falam (quase) tudo que você precisa saber sobre kimonos! É kimono ou gi? Qual a origem do kimono nas artes marciais? Qual o momento certo pra comprar e qual a melhor maneira de lavar o seu kimono? Aperte o play e divirta-se!   Links para o Café com Porrada: facebook.com/cafecomporradaoficial twitter.com/cafecomporrada instagram.com/_cafecomporrada   Mande seu feedback para: contato@cafecomporrada.com.br Assine o feed: feeds.feedburner.com/cafecomporrada * UM TRECHO DA MÚSICA “NEM TODO BRASILEIRO QUE GOSTA DE FUTEBOL GOSTA DO NEYMAR”, DO CONJUNTO DE MÚSICA JOVEM MERDA, FOI USADA NESTE EPISÓDIO.

Gilbert and Frank head to the 2015 Chiller Convention for a rare interview with musician, songwriter and producer Michael Nesmith, who looks back on everything from his mom's invention of Liquid Paper to his original "Monkees" screen test in October of '65. Also, Michael talks politics with John Lennon, pens a hit for Linda Ronstadt and remembers (sort of) Lon Chaney Jr. PLUS: Dennis Hopper! Tony Franciosa! The Monkees "sell out"! Roger McGuinn gets spiritual! And Jack Nicholson kills off the Prefab Four! Learn more about your ad choices. Visit megaphone.fm/adchoices

(Welcome to Best Of Week. As Tales from the "LiberryCAST" rockets toward its final episode, this is my chance to have a look back at some of my favorite episodes from this podcast adaptation of favorite blog entries from Tales from the "Liberry.") We're all neophytes at something in life, but the number of people who remain computer neophytes in 2012 is still pretty astounding to me.  Even more astounding are the people who are neophytes to libraries themselves--entire "famblies" of people who would only set foot in one if sent there by THEY.  This podcast tells a few such stories that befell me during my time working for a "liberry." (Featuring a guest appearance by Parka.)

(Welcome to Best Of Week. As Tales from the "LiberryCAST" rockets toward its final episode, this is my chance to have a look back at some of my favorite episodes from this podcast adaptation of favorite blog entries from Tales from the "Liberry.") We're all neophytes at something in life, but the number of people who remain computer neophytes in 2012 is still pretty astounding to me.  Even more astounding are the people who are neophytes to libraries themselves--entire "famblies" of people who would only set foot in one if sent there by THEY.  This podcast tells a few such stories that befell me during my time working for a "liberry." (Featuring a guest appearance by Parka.)

Show #23 for 90's NOW, and we're just trying to stay humble.  We're not nearly as old as Liquid Paper, but we'd be happy to help you cover up your mistakes too!  See what you know about the power couples of r&b with Kelly's trivia question, and check out a one hit wonder from 1990 with Sharon's 9&1!  Also, U2, Aaliyah and a whole bunch of Toni's!  Hip Hop just lost a young original, and we'll pay our respects to Chris Kelly of Kris Kross.  **Warning** 90's NOW might get you thinking about 'Just how many life sentences means y'ain't getting outta jail?' and 'Does the goal still count if it hits the Markie Post?'  Thanks for listening!

We're all neophytes at something in life, but the number of people who remain computer neophytes in 2012 is still pretty astounding to me.  Even more astounding are the people who are neophytes to libraries themselves--entire "famblies" of people who would only set foot in one if sent there by THEY.  This podcast tells a few such stories that befell me during my time working for a "liberry." (Featuring a guest appearance by Parka.)