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2 episodes with these boots are made
2 episodes with these boots are made
4 episodes with these boots are made
Ce 21 avril, Marjorie Hache entame une nouvelle semaine avec une programmation soignée mêlant légendes et nouveautés incisives. L'émission démarre avec Garbage et "There's No Future in Optimism", premier extrait de leur album à venir. En hommage à Robert Smith, qui fête ses 66 ans, Pop-Rock Station célèbre The Cure avec "Alone", tiré de "Songs For a Lost World". Parmi les découvertes, le metal habité de Sleep Token avec "Emergence", prélude à leur album "Even In Arcadia" prévu pour le 9 mai. Et pour le patrimoine, on revient sur Jim Morrison avec "L.A. Woman" des Doors, à l'occasion de l'inauguration d'une passerelle parisienne portant désormais son nom. L'album de la semaine est "Thee Black Boltz", premier disque solo du chanteur de TV On The Radio, Tunde Adebimpe. Le titre "Pinstack" en donne un aperçu sensible et puissant. Francis Zégut recommande le trio Hot Wax avec "One More Reason". La reprise du soir secoue les codes : Megadeth s'empare de "These Boots Are Made for Walkin'" dans une version provocante. La soirée se poursuit avec R.E.M., The Divine Comedy, Aretha Franklin et Sharon Van Etten, avant de se conclure sur une nouveauté : Split Chain avec "Bored Tired Torn", morceau grunge néo-metal signé sur le label Epitaph. Garbage - There's No Future In Optimism Electric Light Orchestra - Don't Bring Me Down The Cure - Alone Cold War Kids - Hang Me Up To Dry Sleep Token - Emergence April March - Chick Habit The Doors - L.A Woman Tunde Adebimpe - Pinstack The Clash - I Fought The Law Hotwax - One More Reason Cream - White Room The Limiñanas - Faded (Feat. Penny) Megadeth - These Boots Are Made For Walkin' (Live) R.E.M. - Imitation Of Life The Divine Comedy - Achilles Aretha Franklin - Respect Guns N' Roses - Since I Don't Have You Brian Setzer - Runaway Boys (Live) Steely Dan - Pretzel Logic Sharon Van Etten - Seventeen Splitchain - Bored. Tired. Torn. The Seeds - Can't Seem To Make You Mine Black Flag - Rise Above Pink Floyd - Dogs Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
"MixTape 114 Classic Oldies Favorites" TRACK 1 AUDIO TITLE "Stand By Me" PERFORMER "Ben E. King" INDEX 01 00:00:00 TRACK 2 AUDIO TITLE "The Sound of Silence - Acoustic Version" PERFORMER "Simon & Garfunkel" INDEX 01 02:46:70 TRACK 3 AUDIO TITLE "All I Have to Do Is Dream" PERFORMER "The Everly Brothers" INDEX 01 05:31:35 TRACK 4 AUDIO TITLE "All You Need Is Love - Remastered 2009" PERFORMER "The Beatles" INDEX 01 07:41:11 TRACK 5 AUDIO TITLE "Ring of Fire" PERFORMER "Johnny Cash" INDEX 01 10:36:31 TRACK 6 AUDIO TITLE "Suspicious Minds" PERFORMER "Elvis Presley" INDEX 01 13:00:26 TRACK 7 AUDIO TITLE "Sugar, Sugar" PERFORMER "The Archies" INDEX 01 17:01:33 TRACK 8 AUDIO TITLE "Travelin' Man - Remastered" PERFORMER "Ricky Nelson" INDEX 01 19:36:73 TRACK 9 AUDIO TITLE "Splish Splash" PERFORMER "Bobby Darin" INDEX 01 21:52:10 TRACK 10 AUDIO TITLE "Do You Love Me - Mono Single" PERFORMER "The Contours" INDEX 01 23:49:50 TRACK 11 AUDIO TITLE "Runaway" PERFORMER "Del Shannon" INDEX 01 26:21:04 TRACK 12 AUDIO TITLE "Johnny B. Goode" PERFORMER "Chuck Berry" INDEX 01 28:23:33 TRACK 13 AUDIO TITLE "Tutti Frutti" PERFORMER "Little Richard" INDEX 01 30:49:36 TRACK 14 AUDIO TITLE "I Walk The Line - Single Version" PERFORMER "Johnny Cash, The Tennessee Two" INDEX 01 33:06:73 TRACK 15 AUDIO TITLE "Only the Lonely" PERFORMER "Roy Orbison" INDEX 01 35:20:16 TRACK 16 AUDIO TITLE "Dream Lover" PERFORMER "Bobby Darin" INDEX 01 37:35:34 TRACK 17 AUDIO TITLE "Will You Love Me Tomorrow" PERFORMER "The Shirelles" INDEX 01 39:53:17 TRACK 18 AUDIO TITLE "Brown Eyed Girl" PERFORMER "Van Morrison" INDEX 01 42:17:71 TRACK 19 AUDIO TITLE "You Never Can Tell" PERFORMER "Chuck Berry" INDEX 01 44:58:04 TRACK 20 AUDIO TITLE "I'm a Believer - 2006 Remaster" PERFORMER "The Monkees" INDEX 01 47:27:06 TRACK 21 AUDIO TITLE "Runaround Sue" PERFORMER "Dion" INDEX 01 49:57:73 TRACK 22 AUDIO TITLE "These Boots Are Made for Walkin'" PERFORMER "Nancy Sinatra" INDEX 01 52:11:36 TRACK 23 AUDIO TITLE "Don't Be Cruel" PERFORMER "Elvis Presley" INDEX 01 54:34:24 TRACK 24 AUDIO TITLE "Bye Bye Love" PERFORMER "The Everly Brothers" INDEX 01 56:26:43 TRACK 25 AUDIO TITLE "Misirlou" PERFORMER "Dick Dale" INDEX 01 58:20:52 TRACK 26 AUDIO TITLE "Then He Kissed Me" PERFORMER "The Crystals" INDEX 01 60:24:66 TRACK 27 AUDIO TITLE "(What A) Wonderful World" PERFORMER "Sam Cooke" INDEX 01 62:45:16 TRACK 28 AUDIO TITLE "Do Wah Diddy Diddy - 2007 Remaster" PERFORMER "Manfred Mann" INDEX 01 64:44:71 TRACK 29 AUDIO TITLE "Be My Baby" PERFORMER "The Ronettes" INDEX 01 67:02:23 TRACK 30 AUDIO TITLE "Mambo Italiano (with The Mellomen) - 78rpm Version" PERFORMER "Rosemary Clooney, The Mellomen" INDEX 01 69:23:33 TRACK 31 AUDIO TITLE "Let's Twist Again" PERFORMER "Chubby Checker" INDEX 01 71:23:31 TRACK 32 AUDIO TITLE "Wipe Out - Hit Version / Extended Ending" PERFORMER "The Surfaris" INDEX 01 73:36:28 TRACK 33 AUDIO TITLE "Great Balls Of Fire" PERFORMER "Jerry Lee Lewis" INDEX 01 75:32:13 TRACK 34 AUDIO TITLE "Think" PERFORMER "Aretha Franklin" INDEX 01 77:16:50 TRACK 35 AUDIO TITLE "California Dreamin' - Single Version" PERFORMER "The Mamas & The Papas" INDEX 01 79:20:31 TRACK 36 AUDIO TITLE "Mrs. Robinson - From "The Graduate" Soundtrack" PERFORMER "Simon & Garfunkel" INDEX 01 81:42:59 TRACK 37 AUDIO TITLE "Don't Let Me Be Misunderstood" PERFORMER "The Animals" INDEX 01 85:02:61 TRACK 38 AUDIO TITLE "Oh, Pretty Woman" PERFORMER "Roy Orbison" INDEX 01 87:09:29 TRACK 39 AUDIO TITLE "Always On My Mind" PERFORMER "Elvis Presley" INDEX 01 89:59:40 TRACK 40 AUDIO TITLE "I Got You Babe" PERFORMER "Sonny & Cher" INDEX 01 93:19:73
Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. 00:26 „Valaki” Bud Spencert ordíttat a budaörsi tömegközlekedésen. 01:25 Elnézést, hogy becsapott Volna Gábor! A gond a naptárnevű közterületekkel. Ceausescu kucsmája. A Telex beszámolója a jeles eseményről. 07:35 Polconszaró György. A Hugyos Józsi Nemzeti Piszorárfelújítási program. A Qubit cikke Polconszaróról. A polc etimológiája. 12:05 Mit épített eddig Lázár János? A maffiállam felépítésének műszaki vezetője. A demokrácia lebontása svájci sapkában, colstokkal. Rogán Antal a készpénzes kasszánál. 15:12 Az Atlantic cikke az egyedüllét évszázadáról. A népességcsökkenés problémája és álproblémája. Motorkatalógus a vécén. Emberi kapcsolatok a New York-i HÉV-en. 21:21 Winkler Róbert szomszédol. A falu halála. Az ijedős kínai szomszéd. 26:10 Az ellenkulturális társasjáték-kávézók. Társas- és videojáték-élményeink.28:57 Bede Márton és a Hitster. These Boots Are Made for Walking. Vérfarkas. 33:54 Társasjáték Tommyboyjal és az emberiség végső pusztulása. A mindannyiunkban élő győzelmi kényszer. 36:29 Szolgálati közlemény: Mészáros Lőrinc a Pastramival nem azt a Monyót vette meg. 37:38 200 éves lenne Pfiffner Paulina. Párbaj a saját orvosoddal. 45:07 Boldog szülinapot Supershop! Magyar Péter elvenné a gazdák pénzét. Elfogytak az indoktrinálhatók, maradt Lomnici Zoltán. 49:17 Az ember, aki megmondta hogy baj lesz az autós üldözésekből. A kisinyovi Bros együttes. See omnystudio.com/listener for privacy information.
Send us a textOn this episode, we sit down with George Guerrero, a life-long New Yorker, now living on the left coast in San Francisco. George takes us back to his earliest music memories, painting vivid scenes of late-night drives with Dad in NYC to pick up Mom from her night shift at the hospital with the soulful tunes of Lou Rawls playing on the eight track player. We discuss the evolution of music technology in cars, exploring how it shapes personal and cultural identities, and reflect on the paradox of choice in today's digital age. In candid authenticity, George walks us through the moments of 9/11 as seen through someone in Manhattan on that day and opens up about the emotional solace he found in music during those tragic events, offering a poignant recount of how Des'ree's "Kissing You" became the guide that helped him create a video tribute to the make-shift memorial set-up just uptown from Ground Zero. In the closing chapters, we explore the transformative power of music in various aspects of life, from getting comfortable in the kitchen to recovery from physical injuries. George shares compelling personal stories, like how Nancy Sinatra's "These Boots Are Made for Walkin'" became a motivational anthem during his recovery from a serious ankle injury, and how, as a lifelong Yankees fan, Frank Sinatra's “New York, New York” is seared into his memory. We close with the impact of family trips, the magic of Disney experiences, and George's quest to create a more equitable financial system. This episode is a warm celebration of music's profound impact on our lives, filled with love, nostalgia, and the enduring power of melodies to bring us together.Connect w/ George on his Instagram and website. Check out Just Futures where George and his team are working to bring about a financial system that creates value for people, communities, and planet—not just a privileged few.Follow your hosts David, Raza, and Carolina every other week as they embark on an epic adventure to find the songs that are stuck to us like audible tattoos that tell the story of who we are and where we've been, to help us figure out where we're going. It's a life story told through 6 songs.RESOURCES & LINKSAre you a veteran who is struggling? Call the Veterans Crisis Line: Dial 988, then press 1.Liked songs from this life story? Check out A Life in Six Songs playlist on Apple Music and SpotifyFollow A Life in Six Songs on Instagram, LinkedIn, and YouTubeFind out more at www.alifeinsixsongs.comSupport the showCopyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit or educational use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of commentary, criticism, and education.
[This blog will always be free to read, but it's also how I pay my bills. If you have suggestions or feedback on how I can earn your paid subscription, shoot me an email: cmclymer@gmail.com. And yes, I am available for speaking engagements. And if all this is too big a commitment, I'm always thankful for a simple cup of coffee.]It's official: Beyoncé's eighth studio album "Cowboy Carter" dropped at midnight. It's the second album in her planned trilogy after 2022's "Renaissance.”Like many, I have been waiting for this album for so damn long, back when it was just a widespread musing and then a rumor and then an announcement. In some way, shape, or form, this has been a hope in the making for many years for her fans, myself included.I grew up on country music. And I grew up on Beyoncé. The fact that she's making a country album with Texas as such a huge theme for this album delights my little Texan heart to no end. It also serves as a reminder of the enormous contributions of Black artists to country music, something Beyoncé emphasizes with her spotlight on numerous Black country artists throughout the album. Simply put, there wouldn't be country music without Black artists, something I encourage everyone to explore in Ken Burn's “Country Music” documentary series from 2019. Also: check out Black Opry, a social media account that features news and tour updates on current Black artists in country music.As a side note, this album also serves as a gorgeous era for Beyoncé following the racist reception she received by some in the country music world after her performance with The Chicks at the 2016 Country Music Awards. She herself appeared to allude to this in an Instagram post several days ago in advance of this album's release.At midnight, I wrote up a first listen review, track by track. 27 tracks, 79:03 run time.Quick note on the track listing: the “ii” in the song titles are a play on this being the second album in her planned trilogy.Enjoy!1. "Ameriican Requiem" She opens up with the second longest track on the album. Beautiful texture. Gorgeous instrumentation. This is definitely a powerful opening salvo. It builds up to the last third with a response to people who claim she's not country: Look it there, look it in my hand The grandbaby of a moonshine man Gadsden, Alabama Got folks in Galveston, rooted in Louisiana They used to say I spoke "too country" And the rejection came, said I wasn't "country 'nough" Said I wouldn't saddle up, but If that ain't country, tell me, what is? Plant my bare feet on solid ground for years They don't, don't know how hard I had to fight for this When I sing my song Absolutely solid opening track. Gauntlet thrown down. I'm so excited for the rest of this.2. "Blackbiird" This is a gorgeous cover of the Lennon-McCartney classic. It has the bones of the original (acoustic guitar) with added harmonizing/vocalizing and soft strings. It features Brittney Spencer, Tanner Adell, Tiera Kennedy, and Reyna Roberts -- all four of whom are notable Black women country music artists. This is a fantastic cover. Music done right.3. "16 Carriages" It's like someone mashed up good country and good R&B into a sum far more than its parts. She's taking stock of her life up to this point and threading that journey with her musical roots in both genres. So well done.4. "Protector" This is a lovely ballad for her daughter Rumi, who's now six. It opens up with audio of Rumi's voice and quickly moves into soft, warm acoustic guitar. It's a comforting listen. Soothing.5. "My Rose" This is a 53-second interlude. Beautiful harmonizing over hushed guitar. I assume this is for Rumi, too:So many roses but none to be picked without thorns So be fond of your flaws, dear6. "Smoke Hour Willie Nelson" (featuring Willie Nelson) This is a 51-second interlude. I'll admit that I'm a bit bummed it's not a full length song, but it's pretty great, nonetheless. It starts outs with the listener turning the dial through several channels featuring snippets of prominent and pioneering Black voices in early country and rock: Son House ("Grinnin' In Your Face"), Sister Rosetta Tharpe ("Down by the Riverside"), Chuck Berry ("Maybellene"), and Roy Hamilton ("Don't Let Go"). There's also an early Black yodeler in there whose name I couldn't find. Apologies. If y'all find the name, reply to me with it. Beyoncé is paying homage but also saying: I'm not new, we've been here. The dial turns to the final station: Willie Nelson lends his voice as the jockey of an old timey country station program ("The Smoke Hour" on K-NTRY Radio Texas) and introduces the next track, presumably after lighting up some good stuff. It's a cute and funny feature. But damn, I wish we could have gotten a full song from these two.7. "Texas Hold 'Em" This is Beyoncé's smash country hit that was released last month, becoming her ninth solo #1 hit on Billboard Hot 100. It also made her the first Black woman with a #1 country song in Billboard history. Just pure fun and perfect for line dancing.8. "Bodyguard" Ooooh, I like this one a lot. Damn. It feels a bit Wilco-y, which absolutely works. Piano-pulsing love song with a relaxing beat. I'm gonna be listening to this frequently.9. "Dolly P" This is a 23-second interlude from Dolly Parton: "Hey, Ms. Honey B, it's Dolly P. You know that hussy with the good hair you sing about? It reminded me of someone I knew back when, except she has flamin' locks of auburn hair, bless her heart. Just her hair's a different color, but it's her, just the same." And then we go into "Jolene"...10. "Jolene" I would be shocked if this doesn't chart. Beyoncé keeps the driving spirit of Dolly's original with some gorgeous vocalizing and thumping beat. It wounds down with chorale backup. Simmering. Love it.11. "Daughter" I'm looking forward to write-ups on this one. It has heavy religious tones and Beyoncé giving a certain someone the business (ahem), reflecting on her father's influence in not backing down. Also: a gorgeous bridge singing the Italian aria "Caro Mio Ben."12. "Spaghettii" This opens with Linda Martell, the first commercially successful Black woman in country music and first to play at the Grand Ole Opry, saying the following: "Genres are a funny little concept, aren't they? Yes, they are! In theory, they have a simple definition that's easy to understand, but in practice, well, some may feel confined." And then it dives into an unapologetic rap track featuring Shaboozey, as if to say: oh, you thought I wouldn't allow myself to break lines of genre on this album? Think again.13. "Alliigator Tears" And we're right back to country w/o missing a damn beat. This is a locomotive love track, pleasing and unyielding. It sounds just a touch like Fleetwood Mac's "The Chain" in the best way. I really like this one. If there's justice, it'll chart easily.14. "Smoke Hour II" (featuring Willie Nelson) This is a 30-second interlude from Willie Nelson, playing his country jock character and saying the following: "You're turned into K-NRTY Texas, home of The Real Deal. If there's one thing you can take away from my set today, let it be this: sometimes, you don't know what you like and someone you trust turns you on to some real good stuff. And that, ladies and gentlemen, is why I'm here. Up next on The Smoke Hour is "Just for Fun" by Beyoncé. You're welcome."15. "Just for Fun" (featuring Willie Jones) Willie Jones is an artist who performs across genres, notably country, R&B, and hip-hop. Beyoncé here is once again featuring a notable Black country artist. The song is a gorgeous country ballad with Jones' vocals featured in the second verse. There's a touch of gospel and a lot of warmth. I really like this one.16. "II Most Wanted" This is a country pop duet with Miley Cyrus, and it's gonna be a chart-topper. I absolutely cannot wait for the inevitable internet-breaking live performance of this. It's balm for the ear drums.17. "Levii's Jeans" I cannot WAIT to be sippin' on a beer during a beach trip, watching the sun rise or set and listening to this track. It's an early, easy summer hit. Good vibes with a perfect complement in Post Malone's vocals.18. "Flamenco" A nugget of glitter and flamenco guitar, not even two minutes in length, it's a welcome treat. This far in the album, and she still hasn't missed.19. "The Linda Martell Show" (featuring Linda Martell) Ms. Martell is back in a 30-second interlude, telling an appreciative audience: "Okay (laughs), thank you so very much. Ladies and gentlemen, this particular tune stretches across a range of genres, and that's what makes it a unique listening experience. Yes, indeed. It's called 'Ya Ya.'"20. "Ya Ya" Oh my. Oooooh my. Ms. Martell wasn't kidding. This definitely has no regard for genre boundaries. It opens with a slowed down sample from Nancy Sinatra's "These Boots Are Made for Walkin'" and accelerates into a genre-bending dance hit, finding time along the way to nod to The Beach Boys. Fun as hell. Good s**t.21. "Oh Louisiana" We're back to Chuck Berry, featuring a high-pitched 52-sec. interlude of "Oh Louisiana" after a vocalizing intro from Queen Bey, with some pretty guitar work layered on it. I just know this is gonna get stuck in my head. It's already happening.22. "Desert Eagle" Sexy as hell. 72-second interlude of Beyoncé seducing with some Texas spice and funky bass.23. "Riiverdance" A shout back to Renaissance with country flavor. Think of it as a bridge between the two albums. It's a solid track and sure to be a fave on the dance floor this summer. I wanna get high and listen to this.24. "II Hands II Heaven" This picks up what "Riiverdance" just put down and runs with it. Gorgeous lyrics. You'll be singing this in your car when it comes on, guaranteed.25. "Tyrant" Dolly Parton intros this: "Cowboy Carter, time to strike a match, and light up this juke joint." Beyoncé does. Country sex lyrics over a hip-hop beat and backing strings. Flamin' hot. I'm sweating. Whew. Goddamn, we are so blessed. What a moment.26. "Sweet Honey Buckiin'" Many babies will be made to this song. Beyoncé intros with a snippet cover of Patsy Cline's "I Fall to Pieces" and then Shaboozey tags in with his great bars. It's sexy and fun.27. "Amen" The closing track leaves you with a hum in your heart and may hint at the tone of Beyoncé's next album in the trilogy. It's beautiful. I'm eager to read how others analyze this verse: This house was built with blood and bone And it crumbled, yes, it crumbled The statues they made were beautiful But they were lies of stone, they were lies of stone Trumpets blare with silent sound I need to make you proud Tell me, can you hear me now? She then closes with the verse that opened "Ameriican Requiem" and we're suddenly left thinking that 27 tracks weren't enough.My humble opinion: "Cowboy Carter" is one of Beyoncé's best albums and a seminal moment in her career, but moreover, it's easy to see this being a landmark moment in the landscape of American music. It's a celebration and a homecoming and a sermon and a seminar and sexy on top of all that. 10/10.Charlotte's Web Thoughts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Charlotte's Web Thoughts at charlotteclymer.substack.com/subscribe
This week, we continue our series of women in rock. Sadie introduces us to Carole Kaye, a trailblazing female bassist whose remarkable talent shaped the sound of American popular music in the 1960s and 70s. Despite her significant contributions to over 10,000 songs, Kaye remains relatively under-recognized and unsung. As a key member of a group of elite Los Angeles session musicians, she worked with iconic figures like The Beach Boys, Frank Sinatra, The Supremes, Sonny and Cher, and Ray Charles, featured on hits like "California Girls" and "These Boots Are Made for Walkin.' We discuss her legendary bass skills, how she not only broke barriers in a male-dominated industry but also inspired generations through her work as an educator, and how her enduring legacy stands as a testament to her exceptional skill, resilience, and influence, underscoring her role as a pivotal figure in the soundtrack of rock and roll's most celebrated era. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 398: "These Boots Are Made for Crushing: The Blessed Mother & the Battle for Everything" Fr. John Anthony Boughton, CFR | SANCTUS SERIES EPISODE 1 We are living in a very consequential time in a battle for everything. With eternal consequences. With an unquenchable thirst for us to live with Him forever, our God has been sending Our Blessed Mother through whom Salvation has come into our world, whom from the beginning was foretold would crush the head of the Enemy (Gen. 3:15). Do we recognize the truly amazing, prophetic alignment of Her messages with world events? Do we know what's at stake? Are we listening? Are we responding? Over the next weeks leading into Advent and Christmas, we are sharing with you this Sanctus Series, incredible presentations given by very gifted preachers of the Franciscan Friars of the Renewal at our first Sanctus weekend. In this exhilarating, challenging, and yet profoundly hopeful first episode, Fr. John Anthony Boughton, CFR, takes us on a deep dive into our Lady's messages, with an appeal for us to engage in the battle with a weapon our Enemy greatly fears: The Rosary. Fr. John Anthony is a graduate of the Virginia Military Institute, he's the first Catholic in his family line in 500 years and newly-elected General Servant (top dog) leader of the Franciscan Friars of the Renewal. In this podcast extended version of the radio episode, Fr. John Anthony shares his amazing conversion story, and answers questions including what mindset should we have regarding major conflicts in the world, reclaiming home culture, the role of fathers, penance for the conversion of sinners, the critical importance of apology and forgiveness, and more. OUR MISSION: We're about uniting families in building the Kingdom. We help families make their homes places of saint-making, culture-building, and territory-taking disciples of Jesus Christ. Over the past ten years, thousands have been blessed by a "family roadmap." We've been united in gathering in our respective homes on a weekly basis to talk and pray using a fun, meaningful "Live IT Gathering Guide" based on subsequent Sunday readings. Get your free LIT Guide at ILoveMyFamily.us or the Live IT App at MassImpact.us/APP. Commit right now to the Seven Week Challenge.Right now we are in particular need, and would be so grateful for your prayers, engagement, and Partnership.Holy Spirit, come! LISTEN NOW! SHARE! IGNITE Radio Live was named by Spotify as a top podcast globally. Access all our other great programs at IGNITERadioLive.com, an outreach of Mass Impact, a dynamic missionary movement of families united in seeking, proclaiming, living, and building the Kingdom. Find out more and get on board at ILoveMyFamily.us. Please click on that partner tab. We are a full-time missionary movement 100% dependent upon your prayers and financial partnership. LISTEN NOW! SHARE! IF YOU'RE A CATHOLIC MAN interested in missioned friendships, marked by the hearts of men united in striving to build the Kingdom. GO: Pentecost365.us. JOIN OUR Belief & Beverages Nights: MassImpact.us/BNB PARTNER WITH THIS MOVEMENT at MassImpact.us/PARTNER. SUPPORT CATHOLIC BUSINESSES and leaders committed to professional excellence and building the Kingdom. GO: MassImpact.us/KINGDOM Oh, Most Holy Spirit, come and IGNITE the Great FIRE of Your Love! Set it ABLAZE in our minds and hearts! #Catholic #Marriage #Family #ilovemyfamily #ThyKingdomCome #christian #home #faith #children #virtue #holiness #funny #inspiring #love #parents #happiness #heaven --- Send in a voice message: https://podcasters.spotify.com/pod/show/igniteradiolive/message Support this podcast: https://podcasters.spotify.com/pod/show/igniteradiolive/support
The Wrecking Crew WC40 w Phil Yale OMoM S2E2 HD 720p https://youtu.be/Gx0VaMZS9Vs The Wrecking Crew was a loose-knit group of studio musicians who played on countless hit records in the 1960s and 1970s. They were known for their versatility and skill, and their work can be heard on everything from pop and rock to country and jazz. Special thanks to: Phil Yale https://www.philyale.com/ Ingrid Fasching (@Facebook #HalBlaine Group) whose feedback, information sharing, and corrections :-) have been incredibly helpful. https://www.facebook.com/groups/drummerhalblaine/ @DennyTedesco and #TheWreckingCrew Facebook group: Denny's @WreckingCrewMovie was my starting point for learning about this amazing group of musicians, including Denny's father, Tommy Tedesco. The information the movie and Facebook site share have been invaluable in preparing this episode. http://www.wreckingcrewfilm.com/ https://www.facebook.com/WreckingCrewFilm/about #WreckingCrew #studiomusicians #LosAngeles #1960s #1970s #hitrecords #versatility #skill #pop #rock #country #jazz #fypage #musichistory #foryou #music #fypシ #fyp Included in this video: Artist, Song, Timestamp OurMindonMusic Intro 0:00 Phil's Intro (Phil's Tracks) 2:30 @WreckingCrewMovie 3:18 5:05 - 8:05 The Beach Boys Good Vibrations (Live On The Ed Sullivan Show, October 13, 1968) 9:20 - 10:49 José Feliciano California Dreamin' 13:19 - 14:51 Jan & Dean Dead Man's Curve (Remastered 1990/Stereo Remix) 18:08 - 18:35 Elvis Presley A Little Less Conversation 18:08 - 18:35 Elvis Presley Almost In Love 20:02 - 20:23 Petula Clark My Love (Performed live on The Ed Sullivan Show 11/28/65) 20:25 - 20:36 Petula Clark Downtown 22:01 - 22:34 Bobby Vee Take Good Care Of My Baby 22:36 - 23:14 Harry Nilsson Everybody's Talkin' 24:35 - 25:21 Ricky Nelson Travelin' Man 25:25 - 26:13 Bobby Darin If I Were A Carpenter (Live) 26:35 - 27:11 Frank Sinatra Strangers In The Night (Remastered 2008) 27:24 - 28:10 Frank Sinatra Somethin' Stupid (2011 Digital Remaster) 33:34 - 33:53 The Byrds Mr. Tambourine Man (Live at Colden Center Auditorium, Queens, NY - February 1970) 34:01 - 35:06 The Righteous Brothers You've Lost That Lovin' Feelin' 35:05 - 35:40 Gary Lewis & The Playboys This Diamond Ring (Remastered) 37:04 - 37:45 The 5th Dimension Aquarius/Let The Sunshine In (The Flesh Failures) (From the Musical "Hair") 41:41 - 42:19 The Association Never My Love (Remastered Version) 43:07 - 44:33 The Ronettes Be My Baby 44:31 - 46:00 The Crystals He's a Rebel 47:57 - 48:25 The Ventures Hawaii Five-O 48:32 - 49:12 Herb Alpert & The Tijuana Brass This Guy's In Love With You 50:04 - 50:54 David Cassidy, The Partridge Family I Think I Love You 52:00 - 52:36 Neil Diamond Cracklin' Rosie (Single Version) 54:42 - 55:25 Johnny Rivers Secret Agent Man (From "Secret Agent" CBS TV Show) 57:44 - 58:02 Sam Cooke You Send Me (Lyric Video) 58:34 - 59:10 Richard Harris MacArthur Park 1:00:04 - 1:00:47 Mark Lindsay Arizona 1:00:53 - 1:01:40 Sammy Johns Chevy Van 1:01:44 - 1:02:12 Hamilton, Joe Frank & Reynolds Don't Pull Your Love Out Some of the most famous members of the Wrecking Crew include: Hal Blaine (drums) Carol Kaye (bass) Larry Knechtel (keyboards) Tommy Tedesco (guitar) Glen Campbell (guitar) Leon Russell (keyboards) Earl Palmer (drums) Steve Douglas (saxophone) The Wrecking Crew played on countless hit records, including: "Good Vibrations" by The Beach Boys "My Way" by Frank Sinatra "California Dreamin'" by The Mamas and the Papas "Can't Help Falling in Love" by Elvis Presley "Hey Jude" by The Beatles "Bridge over Troubled Water" by Simon & Garfunkel "(They Long to Be) Close to You" by The Carpenters "I Got You Babe" by Sonny & Cher "These Boots Are Made for Walkin'" by Nancy Sinatra "Downtown" by Petula Clark "You've Lost That Lovin' Feelin'" by The Righteous Brothers "Cherish" by The Association #WreckingCrew #studiomusicians #LosAngeles #1960s #1970s #hitrecords #versatility #skill #pop #rock #country #jazz
The creator of “Always…Patsy Cline” brings to life “Honky Tonk Angels,” a musical celebration of the female stars of country music. The show runs at TheRep in Albany, New York through August 20th.The all-hit song list includes “I'll Fly Away,” “Stand by Your Man,” “9 to 5,” “Coal Miner's Daughter,” “Ode to Billy Jo,” “These Boots Are Made for Walking,” “I Will Always Love You” and “Harper Valley PTA.”We welcome the production's director, Gary John and one of the actors, Erin Edelle.
The boys compile a list of clickbait worthy metal songs, get sassy in go-go boots, and use the scientific method to conduct an autopsy on the corpse of Nancy Sinatra's 1966 chart-topping, foot-stomping hit, “These Boots Are Made for Walkin'.” --- Support this podcast: https://podcasters.spotify.com/pod/show/rocknrollautopsy/support
Nancy Sinatra lo tuvo todo para triunfar. La hija del eterno Frank Sinatra recibió siendo muy pequeña una educación orientada la arte. Frank no sabía si su hija sería cantante, pero tenía claro que él pondría todo de su parte para que la niña fuese lo que quisiese.Nancy pronto demostró talento para la música y su padre se volcó en ella. Pero nada resultaría sencillo y quizá lo más complejo de todo para la chica fuese cargar con un apellido tan pesado como el suyo.Tras unos inicios poco prometedores, Frank puso la carrera de su hija en las manos de Lee Hazlewood, un tipo con mucho más talento que reconocimiento. El compañero ideal, un músico, productor, arreglista y compositor que además sabía cantar pero que no tenía suficiente nombre para hacer sombra a Nancy.Juntos trabajaron duro y fueron dando pasos en la dirección correcta. Cambiaron el tipo de música, el estilo de Nancy y apuntaron hacía otra dirección. De pronto todo explotó con These Boots Are Made for Walkin', el primer gran éxito de Nancy.Tras algunos sencillos y los primeros álbumes de Nancy, producidos por Lee, la pareja dio un paso más y grabaron junto Nancy & Lee, un disco de duetos que es una maravilla y que fue el primero de una trilogía fantástica a la que dedicamos el Sofá Sonoro de esta semana junto a Fernando Navarro y Lucía Taboada.
The beginning of what historians will deem "the ASOBAP MPREG era". Chapters: AFFC Cersei V, Brienne V Outro music: These Boots Are Made for Walking by Nancy Sinatra ASOBAP is brought to you by Good Episode Productions. Join our Discord: https://discord.gg/w8APyXe2a2
Whether you're going to live in Portugal or travel to Portugal, there are a few things you may want to avoid during your time in this country. If you are moving to Portugal, it can definitely help to take some of these things into consideration ahead of your move to Portugal in order to help your life in Portugal. It doesn't matter if you're an American in Portugal or you are from any other country, there are certain things you may want to keep in mind. Some of these things may come as second nature and others may seem so simple that they may be easy to overlook. In this living abroad expat podcast episode of Not Your Average Globetrotter, we'll go over some do's and don'ts for living in Portugal so you can enjoy expat life in Portugal to the fullest! 1:19 - Portugal has its own language and culture 3:13 - Lost in the sauce... 6:54 - Green means go 7:30 - Falling into the trap 13:54 - You're the guest, not the host 16:12 - These Boots Are Made for Walkin' 18:06 - Here's your hat what's your hurry? 19:17 - Should have been an F1 driver...
**This Playlist is Incomplete. The Computer was Playing Games During The Show**Mavis Staples "Action"boygenius "Souvenir"The Highwomen "Redesigning Women"Memphis Minnie "Me and My Chauffeur Blues"Soccer Mommy "Bones"Maggie Bell "Souvenirs"Valerie June "Use Me"Loretta Lynn "Hanky Panky Woman"Amanda Shires "Take It Like A Man"Gillian Welch "Revelator"Alberta Hunter "You Reap Just What You Sow"Sister Rosetta Tharpe "Strange Things Happening Every Day"Brenda Patterson "Dance With Me Henry"Nicole Atkins "Darkness Falls so Quiet"Yola "Stand For Myself"Connie Smith "You're Getting Heavy On My Mind"Margo Price "All American Made"Nikki Lane "Highway Queen"Jade Bird "Open up the Heavens"Lilly Hiatt "Trinity Lane"Bonnie Raitt "Bye Bye Baby (Remastered Version)"Lucy Dacus "I Don't Wanna Be Funny Anymore"Koko Taylor "Blow Top Blues"Sandy Kelly "Walking After Midnight"Georgia Sea Island Singers "Sheep, Sheep"Sugar Pie De Santo "Soulful Dress"The Marvelettes "Please Mr. Postman"PJ Harvey "You Said Something"Bobbie Gentry "Fancy"Aimee Mann "Freeway"Dolly Parton "Don't Let It Trouble Your Mind"Eilen Jewell "79 Cents (The Meow Song)"Nina Simone "Work Song"Fiona Apple "On The Bound"The Mynabirds "What We Gained In The Fire"Neko Case "Night Still Comes"Nancy Sinatra "These Boots Are Made for Walkin'"Lucinda Williams "Car Wheels On A Gravel Road"Tina Turner "Workin' Together"Wanda Jackson "Kansas City"The Detroit Cobras "Bye Bye Baby"
Boots & Saddle | March 1, 2022 w/ guest-host Brian Saunderson 1. I Put My Boots On – Brent Amaker and the Rodeo (Year of the Dragon – 2013) 2. Hi Boots [Instrumental] – Walter Haynes (Steel Guitar Instrumentals – 1965) 3. These Boots Are Made for Walkin'- Loretta Lynn (You Ain't Woman Enough – 1966) 4. Saddled Up and Tamed – Vincent Neil Emerson (Vincent Neil Emerson – 2021) 5. Plastic Saddle – Nat Stuckey (Nat Stuckey Sings – 1978) 6. Take Me Where My Boots Are Walking – The Divorcees (Last of the Free Men – 2009) 7. Boot Heel Drag [Instrumental] – D.Rangers (We Stay High and Lonesome – 2004) 8. Daddy's Working Boots – Dolly Parton (My Tennessee Mountain Home – 1973) 9. Empty Saddle – Cameron Latimer (Fallen Apart – 2008) 10. Cowboy Boots – Dave Dudley (Six Days on the Road – 1963) 11. Saddle the Wind – Sarah Vista (Songs from the Silver Screen – 2020) 12. Saddle Justice [Instrumental] – The Modelos (Saddle Justice – 2008) 13. Back in the Saddle Again – Rodney Lay and the Wild West (Desert Rock – 1979) 14. Kiss My Boots – Charlie Marie (Ramble On – 2021) 15. Little Red Boots – Lindi Ortega (Little Red Boots – 2011) 16. Burr Under My Saddle – The Meat Purveyors (Someday Soon Things Will Be Much Worse! - 2006) 17. My Boots – Whitney Rose (South Texas Suite – 2017) 18. Saddle Tramp – Marty Robbins (Saddle Tramp – 1966) 19. Whose Bed Have Your Boots Been Under [Instrumental] – CMH Studio Artists (Pickin' on Shania Twain: An Instrumental Country Tribute – 2000) 20. Cowboy Boots – The Backsliders (Throwin' Rocks at the Moon – 1996) 21. Dirty Saddle [Instrumental] – Cousin Harley (B'hiki Bop – 2013) 22. $600 Boots – Mandy Marie and the Cool Hand Lukes ($600 Boots – 2009) 23. Teardrops on My Boots – Shaela Miller Threesome (Love Is Brave – 2010) 24. Ten Seconds in the Saddle – Chris Ledoux (Western Tunesmith – 1979) 25. Dear John (I've Sent Your Saddle Home) – John Prine (In Spite of Ourselves – 1999) 26. Saddle Old Mike [Instrumental] – Foghorn Duo (Lonesome Song – 2011) 27. Let Me Die with My Boots On – David Quinn (Letting Go – 2020) 28. Boots of Spanish Leather – Nanci Griffith (Other Voices, Other Rooms – 1993) 29. One in the Saddle, One on the Ground – Sturgill Simpson (The Ballad of Dood & Juanita – 2021) 30. Boot Scootin' Boogie – Asleep at the Wheel (Keepin' Me Up Nights – 1990) 31. Boots, Saddle and Surfboard [Instrumental] – Joy Boys (single – 1964) 32. My Saddle Horse Has Died – Corb Lund (Horse Soldier! Horse Soldier! - 2007) 33. The Ballad of Boot Hill – Johnny Cash (Johnny Cash Sings the Ballads of the True West – 1965) 34. Saddle Up – Rancho Deluxe (Notorious – 1997) 35. The Ambler Saddle – Ian Tyson (Songs from the Gravel Road – 2005) 36. A Dozen Pair of Boots – Red Steagall (Party Dolls and Wine – 1972) 37. Saddle Up and Say Goodbye – The Happening Thang (The Happening Thang – 1988) 38. Take Me Back to My Boots and Saddle [Instrumental] – The Ramrods (single – 1961) 39. Saddle Your Worries to the Wind – Sons of the Pioneers (Symphonies of the Sage - 2001)
ABOUT DEBBY BOONE AND THE REISSUE OF SWING THIS Debby Boone's exuberant album, "Swing This," will be reissued on all digital streaming platforms on February 4 via Time Life. The collection of jazzy standards is inspired by her experiences as a child in Las Vegas while her father headlined at iconic venues like the Sands and the Sahara during the 1960's. "When my father, Pat Boone, headlined Vegas in the '60s, I was there with him - and even though I was just a kid, I couldn't get enough of the music or the glamour," says Boone. "This is my take on the joyful, exhilarating music I heard that inspired me to become a singer," and led her to work with some of the Rat Pack era's biggest icons, including Frank Sinatra and Sammy Davis. Jr. Boone delivers her renditions of classic favorites such as "Sway," "That Old Black Magic," "These Boots Are Made for Walkin'," "Everybody Loves Somebody," "Mack the Knife" and more. Exclusively on this digital release, she ends with her signature hit, "You Light Up My Life," as a bonus track. In 1977, the song was a triple crown winner, taking home an Academy Award, a Golden Globe and a GRAMMY Award and became one of the biggest songs in history, hitting #1 on the Billboard chart for 10 weeks and selling more than four million copies. In 2008, "You Light Up My Life" was ranked #7 in Billboard magazine's 50th Anniversary list of All Time Hot 100 top charting songs. Boone also won a GRAMMY Award for Best New Artist and has received seven additional GRAMMY nominations and two wins since then. A multiple genre cross-over artist, Boone has enjoyed Top 10 successes on the Pop, Country, Adult Contemporary and Contemporary Christian charts. In addition to her GRAMMY success, she was named the Top New Female Vocalist in the same year by both the Academy of Country Music and the American Music Awards and has received two Dove Awards. Boone has also written six children's books and has performed in an array of musical theater productions. "Swing This" track list 1. Sway2. That Old Black Magic3. More Than You Know4. I'm Gonna Live 'Till I Die5. These Boots Are Made For Walkin'6. Cry Me A River7. Sing Sing Sing8. I'm Waiting Just For You9. Everybody Loves Somebody10. Get Me To The Church On Time11. Mack The Knife12. 'Round Midnight13. You And The Night And The Music14. Be Careful It's My Heart15. You Light Up My Life
We All Need a Dose of Comfort with Kip Baldwin and Evan Hirsch Description: Comfort You is a song, a video, and an inspiration for a global movement for our human family to connect in a new way. Soul Twin Messiah, who wrote and recorded the song, have planted the seed and created the hashtag #comfortyou as a gathering place for all who feel attracted to the idea that offering comfort, support, and LOVE to one another is a worthy step on our journey toward creating peace in the world. The more united we become, the more we can heal past damage and trauma, and move forward together in harmony as we create a world in which we are all better supported. This will give us the bandwidth to make significant enough change happen to be on the road to recovery for ourselves, our planet, and all of the other forms of life with whom we share this sacred home. As we witness the dramatic transformation from the current chapter in our collective story of humanity - which is largely rooted in fear - to one of LOVE, it is impossible to ignore the fact that (as futurist Barbara Marx Hubbard put it) our crisis is a birth. Birthing can be painful, and change can be a challenging thing to accept. We see symptoms of the transition all over the place. Systems don't function smoothly, customer service has become a rare thing to find, technology foils us constantly, business just keeps on growing, and the bulk of money and power are being funneled to a very select few, while so many humans continue to suffer from a lack of resources, support, and influence. To a sensitive person, it can be heartbreaking. We carry around frustration, confusion, and loneliness, which can lead to hopelessness, desperation and isolation, which so many of us are experiencing as we witness and feel empathy for those who are suffering. Since it feels like none of us are quite sure what will happen next, and so many feel powerless to impact significant change, we need something to bolster our motivation to stay the course for doing the work and helping to accelerate positive transformation. This is why a movement to bring comfort to one another feels vital now if we wish to narrow the growing polarization between us, and build a path to peace and thriving. Comfort You is here to soothe the tensions of a lifetime of challenges for us all. The song reminds us to give one another the full attention, compassion, and support that we all need. We won't always have answers and solutions, but we will always have LOVE to give. A hug, a sympathetic ear, and our time and attention are valuable things that we have to offer one another in support of healing, growth, and an acceleration to a healthier, more sustainable way to be. Follow #comfortyou to join the movement and be part of the action. Be among the first to hear the song and see the video once it premieres. And come check out Soul Twin Messiah at soultwinmessiah.love and on all the usual social platforms. STM Bio Soul Twin Messiah is an Evolutionary Rock band for the 21st century. Evan Hirsch (The Blue Rocker!) and Kip Baldwin (Oshalla) represent the creative core of the band, and do all of the songwriting as a team. The music ranges from light rock to hard rock, and even metal, with some downright soulful (and even gospel) moments and a few ballads thrown in for the LOVE of it. Call it “neoclassic rock” if you will, and that gives a hint of the groove, but know that the music is so much more than that. Each song is highly thematic, topical, and intended to awaken and inspire people through the universal emotional power of music and the intellectually stimulating content of the lyrics and messaging. The concept for the band's name was introduced by friend and author Dr. Jamie Turndorf (“Ask Dr. Love” website), who declared founders Kip and Evan “soul twins” while speaking together over the phone for the first time and feeling the almost identical vibration in their voices. The soul twins LOVED that concept and sought to raise it to Infinity! They believe that we all share an even more fraternal and innate connection than that of twins; we are truly one; with one another and the Universe. The name “Messiah” was initially jokingly suggested, but they quickly realized how profound the idea of Soul Twin Messiah actually was. Not only does it represent the aforementioned universal connection shared by all, but also their mission of promoting the practice of conscious evolution, as it sets us on the path to becoming our own gurus, sages, saviors, messiahs if you will. STM has recently been working with renowned producer Joel Jaffe to develop and record a number of their songs. Since the core of the band is the duo of Kip and Evan, Joel helped to assemble a group of world class musicians to accompany the recordings. Evan plays all guitars, bass on a few songs, and even drums on one track, as well as sings co-lead on a couple of songs and backgrounds on most. Kip sings lead on all songs, and background on many. These first recordings of eighteen songs are only the beginning, as the guys have so many more waiting to hit the recording studio. While they did provide a couple of songs for the soundtrack of the S.O.U.L. documentary A World Worth Imagining, Comfort You will be their first official single and debut music video. Head to soultwinmessiah.love to see and hear more, and be sure to follow them on social media to stay on top of the latest! Evan Hirsch - The Blue Rocker! It was obvious to all who knew him at age seven that Evan was massively inspired by rock music, as he used to carry a cassette boombox to school every day and blare rock tunes. Singing, dancing, and spreading the love through music were activities he was clearly born to do, and the rock and roll lifestyle was his destiny. The evolution of his musical discoveries helped him broadly expand his range of tastes and collect many genres of music to enjoy throughout his life. Initially attracted to the pop of the day, an early babysitter soon blew his mind with classic and hard rock. After moving, a new babysitter talked him into checking out some new wave. He was resistant at first, but soon found himself extremely attracted to that sound and culture. At age 12, he got a Billy Idol haircut, and by high school was full on new wave, goth, etc. Then a friend sold him his first three punk albums, and it changed everything. Something about punk music really resonated with him like none other before (or after). The energy, tempo, and passion attracted him, and he went deep into the scene, including the crossover to metal. Then, hanging out in front of a punk/new wave club at age 15, a new friend introduced him into the fascinating, wide world of the one and only Grateful Dead. He dove deep, and jumped into that late 80's Dead culture, going to many shows around the west coast. A musician friend from work shared with him the rest of the San Francisco psychedelic sounds, all definitely listen-worthy guitar and Hammond B3 organ driven rock. While wakeboarding in Florida in the early 2000's, he was exposed to underground hip hop, and finally felt an appreciation for beat-driven, rap-spoken music as well. After living half a century, these are some of the enduring bands that rank among his lifelong favorites: Rich Kids on LSD, Bad Religion, The Living End, Metallica, Duran Duran, Depeche Mode, The Cure, Grateful Dead, Cadillac Tramps, The More I See, AC/DC, Foghat, Gamma, and UFO. As for playing instruments, he grew up with a piano in the home, and dabbled in violin and saxophone in elementary school, but it was soon clear that formal music education wasn't the path for him. It wasn't until age 16 that he finally got his first electric guitar from a friend who also taught him those simple power chords to jam along with his favorite punk music of the day. Ironically, after watching his guitar heroes all play Marshall amps, he accidentally bought an Acoustic brand bass amp at the pawn shop. At 21, a coworker sold him his first drum kit, and that became another form of musical expression, including on some recent recordings. And ultimately, it was out of necessity, for demoing his solo tunes, that Evan started playing the bass and keys as well. Now he has even recorded some official bass tracks for STM songs. Evan played guitar in the Band Armagetiton from 2000 - 2006 (RIP Jen Slatten). He uses Gibson, Schecter, and Paul Reed Smith electric guitars and basses, Breedlove and Eastman acoustics, Mesa Boogie amplifiers, the Kemper Profiler, and DW Drums. Kip Baldwin - Oshallah Kip's first LOVE and lifelong passion in the creative realm has always been music. Early memories include dancing and singing to Nancy Sinatra's These Boots Are Made for Walking for his Great Grandmother Ruby, listening religiously to Casey Kasem's Top 40 on his AM Radio, and pawing through his parents' vinyl collection, which ran the gamut from the rock of Paul Revere and the Raiders, to Marty Robbins' country classic El Paso. In High School Kip joined the choir, did theater, and saw his musical tastes go from the pop of AM radio to the hard rock and heavy metal of FM, with some his favorites being Nazareth and Judas Priest. Kip's current musical fascination is talent shows - like The Voice and America's Got Talent - where he finds constant inspiration from children as young as seven (Angelina Jordan) of whom he could only hope to have half the talent. In 1985 Kip's passion for music saw him make the move from Camas, WA to San Francisco via semi-truck, knowing no one and with only a quarter to his name. When asked, “Why S.F. and not L.A.?” he often jokes that he came to S.F. looking for the 60s, but was 20 years too late. The ironic thing is that what he found in S.F. was pretty much the same 80s hair band scene that was going on in Hollywood. And while Kip looks back fondly on the musical and performance experience gained with his band King Roach, the scene and the industry left him creatively unfilled, burned out, and with a severe drinking problem. So he made peace with the fact that music did not seem be his career path, but instead just something he did for personal enjoyment. He then set out to find something to fill the hole in his soul that leaving the pursuit of his beloved music behind had caused. He spent the better part of the next decade focusing on local and sustainable foods, and while a worthwhile pursuit for sure, it did little to satisfy his need to create and share. After a near death experience left him with the realization that he either had to find what his purpose was and be happy or find a quicker way out, he quit drinking. This led him to heed the call of the entertainment industry, first as an actor and then ultimately as a producer, with some success co-creating the influential cannabis series Weed Country for the Discovery Network, co-founding the United Filmmakers Association, and starting the Just LOVE Movement (his life's purpose being sharing LOVE). Eventually this led him to co-founding S.O.U.L. Documentary with creative partner Evan Hirsch, after Kip had been recommended as a producer for a Bernie Sanders project for which Evan was looking for help. But it wasn't until a year into doing S.O.U.L. that Kip and Evan - who are both musicians - formed Soul Twin Messiah and began writing songs to perform at the Peace in the Park Festival that S.O.U.L. co-produced with the Brahma Kumari's in the Music Concourse/Band Shell of Golden Gate Park. Through all of this what Kip has come to realize is that while he and Evan have done so many amazing things in the past six years with S.O.U.L., it was truly Soul Twin Messiah that he and Evan were drawn together by the creative spirit to do. And how could Kip have known when they started S.OU.L. that it would ultimately not only fulfill his musical dreams beyond his wildest imaginings, but also his longing for tribe, and his unable-to-ignore drive to share LOVE… STM PROMOTIONAL LOVE PARADIGM VIDEO LINK: https://youtu.be/rhmJolWeEjY Video Version: https://youtu.be/RZFZtaywwVM Call in and Chat with Dr. Jamie during Live Show with Video Stream: Call 646-558-8656 ID: 8836953587 press #. To Ask a Question press *9 to raise your hand Tune-in to “Love Never Dies” and discover for yourself why reconnecting and Dialoguing with Your Departed loved ones is the only way to dry your tears and transform your grief to joy! For more information about Dr. Turndorf follow her on Facebook: askdrlove and Twitter: @askdrlove and visit www.askdrlove.com.
Ep. 41: These Boots Are Made for Walkin... from Cali to Texas
You can find Raina Rose at folkpotions.com, where you can not only purchase her latest album, Vesta, but also treat yourself to balms, butters, salves, soaps, and lubes from her handmade, herbal-infused skincare line, Folk Potions. Raina also has a new fantasy fiction novel in the works, called “Calendula Spark." It's not available anywhere yet... but you heard about it here first!Here's a link to the official Troubadours on Trek Spotify Playlist, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):-Raina's song pairing for this episode: "These Boots Are Made for Walkin,'” by Nancy Sinatra.-Grace's song pairing for this episode: "Unpretty," by TLC.-Raina's featured song is from her new album, Vesta: "One One Thousand."Corrections:Total encounters with Harcourt Fenton Mudd:"Choose Your Pain" - Star Trek: Discovery 01:05"Magic to Make the Sanest Man Go Mad" - Star Trek: Discovery 01:07"The Escape Artist" - Star Trek: Short Treks 01:04"Mudd's Women" - Star Trek: The Original Series 01:06"I, Mudd" - Star Trek: The Original Series 02:08"Mudd's Passion" - Star Trek: The Animated Series 01:10
This episode we talk to a personal hero of mine, Crispin Hellion Glover. Although probably best known for his mainstream roles in films such as Back to the Future, Charlie's Angels, and Willard, Crispin has blazed his own trail via art-house cinema, underground book publishing, and relentless touring. Join us once again as we venture into the world of Crispin Hellion Glover.Daddytank's musical treats this episode: Apostrophic - TXLS4 Dead Rider - Blank ScreenBenjamin Shaw - Break The Kettles And Sink The Boats Crispin Glover Biography Both onscreen and off, Crispin Glover earned notoriety as one of the most infamous oddballs in Hollywood, garnering vast critical acclaim for his bizarre character turns and intense performances. Crispin Hellion Glover was born September 20, 1964, in New York City. After his family's late-'60s relocation to Los Angeles, he began acting while still in elementary school, and by the age of 13 had already secured professional representation. After winning a lead role in an L.A. production of {+The Sound of Music} starring Florence Henderson, Glover graduated high school and began working regularly in television, appearing in guest roles on series like Happy Days, Hill Street Blues, and Family Ties. In 1981, he made his feature debut in the teen sex rompPrivate Lessons, and in 1983 appeared in My Tutor as well as a pair of TV movies, High School U.S.A. and The Kid with the 200 I.Q. Supporting roles in projects like 1984's Teachers, Racing With the Moon, and the American Film Institute-produced The Orkly Kid followed, but a highly idiosyncratic performance as Michael J. Fox's father in the 1985 blockbuster Back to the Future was Glover's ticket to stardom. In 1986, he delivered a brilliant performance in the disturbing teen drama River's Edge, but in the wake of its release he began to earn a notorious reputation for eccentric behavior: A July 1987 appearance on NBC's Late Night with David Letterman in which Glover -- clad in a ratty wig and platform shoes -- attempted to kick the program host in the head was the stuff of tabloid headlines, and the concurrent publication of {-Rat Catching}, an antique Victorian children's book updated with gruesome cut-up text and new drawings distributed through his mother's Volcanic Eruptions press imprint, did little to dispel questions about his sanity. In 1989, Glover issued an LP, {^The Big Problem Does Not Equal the Solution. The Solution Equals Let It Be}, containing a bizarro-world cover of the Nancy Sinatra hit {&"These Boots Are Made for Walkin'."} A follow-up, {^The Big Love Album}, remains unreleased. That same year, he shocked onlookers by refusing to return for the inevitable Back to the Future sequel. When another actor was outfitted with prosthetics as a substitute, Glover successfully sued 20th Century Fox, a legal victory which forced the Screen Actor's Guild to create new rules on the issue of performance "sampling." He then turned his back on the Hollywood mainstream, accepting supporting roles in off-kilter films like David Lynch's Wild at Heart and Lasse Hallstrom's What's Eating Gilbert Grape? In 1991, he even appeared as Andy Warhol in Oliver Stone's The Doors. By the mid-'90s, Glover had settled rather comfortably into his role as Hollywood's eccentric-at-large, appearing with some of the American independent community's most notable filmmakers. In 1993, he appeared in Gus Van Sant's Even Cowgirls Get the Blues, and in 1996 he delivered a memorable cameo in the opening scenes of Jim Jarmusch's masterfulDead Man. In 1995, Glover began directing his own film, What Is It?, starring a cast made up entirely of victims of Down's Syndrome. He also mounted The Big Slide Show, a traveling one-man performance-art piece incorporating footage from What Is It?, music from his records, and images from his books, which additionally included 1990's {-Oak Mot} and 1992's {-Concrete Inspection}. Though still a mainstay of smaller-minded independent films in the year 2000, Glover made a dramatic return to the Hollywood cotton candy blockbuster that year by gleefully sinking his teeth into his role as the creepy Thin Man in Charlie's Angels. Boiling over with a silent psychotic glee and displaying remarkable heretofore unseen dexterity (save for the aforementioned Letterman fiasco), Glover's Thin Man was a highlight of the film's action sequences and took his patented dementia to new heights. The following year found Glover in a rare starring role in Bartleby, a surreal adaptation of Herman Melleville's {-Bartleby the Scrivener}. The same year also found the wide release of Glover's little-seen pre-Rubin and Ed collaboration with directorTrent Harris, The Orkley Kid, a short that was included in Harris' The Beaver Kid. When a remake of the 1971 horror classic Willard was announced in 2002 and Glover was tipped to star, few could deny that his casting in the role was a stroke of genius. In 2005 he directed, wrote, edited, produced, and starred in the avant-garde feature What Is It? He followed that up with the equally idiosyncratic It Is Fine! Everything Is Fine. He returned to more mainstream ventures with Alice In Wonderland and Hot Tub Time Machine as well as the Elmore Leonard adaptation Freaky Deaky. He's also contributed his voice to several animated projects including 9, Beowulf, and the two direct-to-video sequels of Open Season. ~ Jason Ankeny, Rovi (Source: AllMovie)
We've got revenge coming in hot this week, and it's all because of our listener Amanda H. She wanted to hear about picks that satisfy that urge for payback, and we are here for it. Also in the episode, Amy and Erin are talking about our revenge fears and fantasies. Plus, we check in on our quarantine selves, and imagine that epic hug when this is all over. Don't forget to listen to the source of this week's episode title, "These Boots Are Made for Walkin'" by Nancy Sinatra. We'll just be over here reenacting that dance and spraining our ankles. _____Our picks this week: Novels:Amy: "The Five Forty-Eight," John Cheever (Short Story)Erin: The Better Liar, Tanen JonesOther Books:Amy: "Diana, Hunter of Bus Drivers," Yuri Herrera(Article / Radio episode)Erin: The Thief, Fuminori Nakamura, Translated by Satoko Izumo (Novel in translation)Pop Culture:Amy: Lorena (Documentary) Erin: McMillions(Documentary) And don't forget our past picks talking about revenge, especially Jane Doe from Episode 50!
These Boots Are Made for Walkin’, by Nancy Sinatra; and The Planets - Mars, by Holst.
#Mashups, #TheWipeOutMix, #Explicit, #Oldschool, #RnB, #Swing, #Electronic Welcome to the Beat! Beat Central Podcast, Episode 07 The Wipe Out Mashup Mix. Each episode is harmoniously & continuously mixed and mashed from start to finish. This is an experiment in sound bridging the gap between genres and time periods. Beat Central is a podcast featuring various artists & genres. Support the artists and musicians featured in this, and every, episode on Beat Central. Beat Central is free to subscribe, download, and enjoy for your listening pleasure. Experience the joy of mixed music together with me, Tippi, on Beat Central. For entertainment purposes only. Follow Beat Central on iTunes, Google Play, or at Beatcentral.Podomatic.com. Contact Tippi at Beatcentral1@outlook.com. Follow Tippi on Instagram @fictionbottle 1. Bring It All To Me, No Diggity (Tippi’s Mashup Remix) by Blaque ft. N’sync 2. No Diggity (Tippi’s Mashup Remix) by Blackstreet 3. Hit’Em Up Style (Tippi’s Mashup Remix) by Blu Cantrell 4. Pon De Replay (Tippi’s Mashup Nuttin But Love Remix) by Rihanna vs Heavy D N Da Boyz 5. Rockin’ Zoot Suit Riot (Tippi’s Rockin ‘ Mashup Remix Mega Mix) The Weekend VS. Cherry Poppin’ Daddies 6. Rockin’ by The Weekend 7. Misery Rockin’ (Tippi’s Rockin’ Mashup Remix Mega Mix) by Maroon 5 VS. TheWeekend. 8. Rockin’ Feel it Boy (Tippi’s Rockin’ Mashup Remix Mega Mix) by Beenie Man VS. The Weekend 9. Rockin’ Escapade (Tippi’s Rockin’ Mashup Remix Mega Mix) by Janet Jackson VS. The Weekend 10. Rockin’ Every Little Thing I Do (Tippi’s Rockin’ Mashup Remix Mega Mix) by Soul For Real VS. Janet VS. The Weekend VS. George Benson 11. Turn Your Love Around by George Benson 12. Turn You Suit and Tie Love Around (Tippi’s Mashup Remix) by Justin Timberlake VS George Benson 13. Tightrope by Janelle Monae Vs. Happy by Pharrell Williams (Tippi’s Mashup Remix Long Mix) 14. Happy Stitches (Tippi’s Mashup Remix) by Pharrell Williams VS. Shawn Mendes 15. These Boots Are Made for Walking (Tippi’s Mashup Remix) by Nancy Sinatra VS. Shawn Mendes Vs Portugal. The Man 16. Feel it Still (Tippi’s Mashup Remix) by Portugal. The Man Vs. Nancy Sinatra 17. All Night Wipe Out (Tippi’s Mashup Remix) by Damian Marley VS. Surfaris 18. Rehab Wipe out (Tippi’s Mashup Remix) Sufaris VS. Amy Winhouse 19. Shake it Off (Tippi’s Mashup Remix) by Taylor Swift 20. Locked Out Of Heaven (Tippi’s Mashup Remix) by Bruno Mars VS. Taylor Swift 21. Love So Soft (Tippi’s Mashup Remix) by Kelly Clarkson 22. Womanizer (Tippi’s Mashup Remix) by Britney Spears 23. Sweet But Psycho (Tippi’s Mashup Remix) by Ava Max 24. Monster Mash (Tippi’s Mashup Remix) by Bobby Pickette 25. Candy Man (Tippi’s Mashup Remix) by Christina Aguilera 26. Mambo No. 5 (Tippi’s Mashup Remix) by Lou Mega 27. Dance Monkey (Tippi’s Mashup Remix) by I and Tones 28. END Thank you for listening to Beat Central with Tippi.
Bombshell Radio Jazzamatazz Double Header Today 2pm-4pm ESTmusical kaleidoscope of 23 groovy,funky,jazzy,rocking,far-out & fun tracks. A genre juggling journey into sound. Volume 64. Enjoy the trip :)funksouljazz ,#groove, #lounge, #rocknroll , #funk ,#jazz , #raregroove ,#funky, #groovy, #jazzy ,#latin, #retro, #librarymusic1 Keep Truckin' Brian Bennett 2 The Jade Pussycat Keith Mansfield 3 Omar Khayyam [Si PuÚ Fare Molto Con Sette Donne] Franco DeGemini 4 Metropolis Suite Part 1 Brian Bennett 5 These Boots Are Made for Walking Nancy Sinatra 6 Theme from Return of the Saint Saint Orchestra 7 Sports Car Special Johnny Pearson 8 Tequila for Two Syd Dale 9 Come Ray and Come Charles Michel Legrand & His Orchestra 10 Warlock Reg Tilsley 11 New Project J Reids 12 Running From Danger Steve Gray 13 Kosmos 354 Thomas Natschinski Und Seine Gruppe 14 Grand Funk
From STUDIO 67 in Hollywood, join the BIG W for the next two hours as he explores, with a drink in hand, the Space-Age Pop Hi-Fi musical sounds of the 1950’s and the 1960’s in LIVING STEREO! Originally aired on 1420am The Breeze Radio — 3/3/19 • Jailhouse Rock - Buddy Morrow • Something's Gotta Give - Ella Fitzgerald • You're The Reason - Lawrence Welk • Music! Music! Music! - Leo Addeo and His Orchestra • You Turned The Tables On Me - Eydie Gorme • These Boots Are Made for Walkin' - Les Brown • Bluesette - Steve Lawrence • Love For Sale - Lee Evans • The Plumber's Tune - Murry Wilson • I Want To Be Happy - Lena Horne • Mr. Kiss Kiss Bang Bang - John Barry • Solo Busanova - Hugo Montenegro and His Orchestra • The Getaway - Lalo Schifrin • Listen To The Rockin' Bird - Peggy Lee • A Swingin' Fling - Alvino Rey • Something Extra Special - The Ray Charles Singers • Make Someone Happy - Bobby Darin • Gentleman Jim - Bert Kaempfert and His Orchestra • You and Me - Milton Delugg • Lover, Come Back to Me - Brook Benton • Brasileira - Derek And Ray • Shake - Machito and His Orchestra • Straight Shooter - Julie London • Private Eyeball - Ralph Marterie • Ja-Da - The Three Suns • Fabulous Places - Sammy Davis Jr. • Blue Moon - Dean Martin • Tie A Yellow Ribbon Round The Ole Oak Tree - Frank Sinatra • The Girl Friend - Bobby Troup • Wives And Lovers - Ted Heath & His Music • The World Is Waiting for the Sunrise - Sue Raney • The Fugitive Theme - Si Zentner • EveryThing I've Got - Vikki Carr • Jalousie - Esquivel • I'm Getting Sentimental Over You - Lorne Greene • Land Of 1000 Dances - Claus Ogerman • House of Bamboo - Andy Williams • The Song Is You - Dakota Staton
Join the women who make it all happen for the DCC, Kelli Finglass and Judy Trammell, for a very special episode of "These Boots Are Made for Talkin" the official podcast of the DCC!See omnystudio.com/listener for privacy information.
Join the women who make it all happen for the DCC, Kelli Finglass and Judy Trammell, for a very special episode of "These Boots Are Made for Talkin" the official podcast of the DCC!
KaShara and Amy are this week's special guests on These Boots Are Made for Talkin, the official DCC Podcast!See omnystudio.com/listener for privacy information.
KaShara and Amy are this week's special guests on These Boots Are Made for Talkin, the official DCC Podcast!
Sync up your DVD or digital copy of King Creole and watch along with Gurdip & Justin! From Michael Curtiz's direction to Elvis' co-stars like Carolyn Jones, Walter Matthau and Delores Hart, from the heavily Leiber/Stoller soundtrack to whether it really qualifies as film noir, this is a unique TCBCast episode for a truly unique highlight in Elvis' filmography. Please note: due to some editing issues, there are brief portions of the commentary where there are silences. These are intentional to keep the commentary synchronized with your copy of King Creole. For Song of the Week, the guys both manage to pick songs from Elvis' contemporaries, with Gurdip bemoaning the "Summertime Blues" and Justin digging into the history of "These Boots Are Made for Walkin," the biggest hit from Elvis' Speedway co-star, Nancy Sinatra - both songs with more Elvis connections than you might think! Songs of the Week Justin - These Boots Are Made For Walkin' (Nancy Sinatra) Gurdip - Summertime Blues (Eddie Cochran)
Nancy Sandra Sinatra Barbato (Nueva Jersey, Estados Unidos, 8 de junio de 1940) es una actriz y cantante estadounidense, mundialmente conocida tras el lanzamiento de su álbum debut Boots (1966), que incluye el sencillo «These Boots Are Made for Walkin'». Es hija del también artista e icono de los Estados Unidos, Frank Sinatra.
Nancy Sandra Sinatra Barbato (Nueva Jersey, Estados Unidos, 8 de junio de 1940) es una actriz y cantante estadounidense, mundialmente conocida tras el lanzamiento de su álbum debut Boots (1966), que incluye el sencillo «These Boots Are Made for Walkin'». Es hija del también artista e icono de los Estados Unidos, Frank Sinatra.
How Nancy Sinatra’s #1 hit, "These Boots Are Made for Walkin'," became a military anthem. Then, a bunch of students at the Rhode Island School of Design (RISD) try to change the world — and eliminate the threat of nuclear weapons — with design.
Nancy Sandra Sinatra (Nueva Jersey, Estados Unidos, 8 de junio de 1940) es una actriz y cantante estadounidense.Nancy Sinatra adquirió fama tras el lanzamiento de su álbum debut Boots (1966), que incluye el sencillo «These Boots Are Made for Walkin'». Es también reconocida, por ser la hija del también artista e icono de los Estados Unidos, Frank Sinatra.
Nancy Sandra Sinatra (Nueva Jersey, Estados Unidos, 8 de junio de 1940) es una actriz y cantante estadounidense.Nancy Sinatra adquirió fama tras el lanzamiento de su álbum debut Boots (1966), que incluye el sencillo «These Boots Are Made for Walkin'». Es también reconocida, por ser la hija del también artista e icono de los Estados Unidos, Frank Sinatra.
Michael Valerio is one of the most in-demand bassists in the Los Angeles studio scene. In fact, you’ve probably listened to Mike play bass more than just about any bass player. If you’ve ever heard a soundtrack from John Williams, Hans Zimmer, or Danny Elfman in the past couple of decades, you’ve probably heard Mike playing bass on it. I’ve been meaning to interview Mike for years. We actually met nearly 20 years ago when he was principal bassist for the New World Symphony and I was subbing in the group. Our mutual friend Stephanie Payne let me know that Mike was coming to town to play as a electric bass soloist with the San Francisco Symphony on John Adams’ oratorio The Gospel According to the Other Mary. This part is so challenging that Mike had an electric bass made specifically for this piece! We dig into that and a ton of other topics, including: the experience of studying with Homer Mensch when Mike was a young student studying with Lawrence Hurst at Indiana University playing with Roger Williams and the New World Symphony (where he was principal bass) simultaneously doing the Mancini Institute in LA in high school, which was an opportunity to meet Chuck Berghofer (Barney Miller Theme and These Boots Are Made for Walking) - one of the most famous bassists you’ve never heard of and the first person to suggest that he move out to LA why moving to Los Angeles was the right move for Mike how Michael Wilson Thomas helped Mike - introduced him to David Low - a major contractor in LA who was actually a former New World member developing the skills to read things on sight how the studio scene has changed in the nearly two decades that Mike has been working It was a pleasure to sit down with Mike and chat for the podcast. I know you'll enjoy listening! Links to check out: Mike's Discography Mike's LA Phil soloist page I left New York for LA because creativity requires the freedom to fail by Moby Mike playing Henry Purcell - Fantasias for Strings (YouTube) Thanks to our sponsor! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings!
2013 Inaugural Ball, Washington DC Rerecorded from Washington DC National Museum American Indian Inaugural Ball 1.Intro - Obama Inauguration Speech 2. Dancing Machine - Jackson 5 3. Devotion - Earth, Wind & Fire 4. Raspberry Beret - Prince 5. Electric Avenue - Eddy Grant 6. Got to Give It Up - Marvin Gaye 7. Break My Stride - Matthew Wilder 8. You're One of My Kind - INXS 9. All Night Long - Lionel Richie 10. I Cant Go For That - Daryl Hall & John Oats 11. Thats the Way (I Like It) - KC & The Sunshine Band 12. Brick - Dazz 13. Sir Duke - Stevie Wonder / Intro 14. Crazy in Love - Beyonce 15. Doo Wop! - Lauryn Hill 16. I Cant Wait - Nu Shooz 17. Genius of Love - Tom Tom Club / intro 18. Hung Up on My Baby - Isaac Hayes 19. My Mind is Playing Moombah - Geto Boys (Steve1der Remix) 20. I Wish - Stevie Wonder 21. Could You Be Loved - Bob Marley 22. Chillin on the Rez - Casper Loma-Da-Wa 23. Come and Get Your Love - Red Bone 24. A Night to Remember - Shalamar 25. Johnny B. Goode - Chuck Berry 26. Blitzkrieg Bop - the Ramones 27. These Boots Are Made for Walking - Nancy Sinatra 28. Land of 1000 Dances - Wilson Pickett 29.Tequila - The Champs 30. Give It to Me - Rick James 31. Dont Stop Til You Get Enough - Michael Jackson 32. I Wanna Dance With Somebody - Whitney Houston 33. Get into the Groove - Madonna 34. Funkytown - Lipps INC 35. Apache - Incredible Bongo Band 36. We Are Family - Sister Sledge 37. Dont Stop Believing - Journey (Sizzahands Remix) 38. Escapade - Janet Jackson 39. Heart of Glass - Blondie 40. Do Ya Think Im Sexy - Rod Stewart 41. Sexy Back Break - JT 42. Respect - Aretha Franklin 43. Rappers Delight - Sugar Hill Gang 44. All Nations - Clan-Destine 45. Feel for You - Chaka Chan www.twitter.com/djkisszuni www.facebook.com/djkisszuni www.djkiss87327.podomatic.com -------------- ShiwiStyle - Zuni - NM
In honor of his 100th Birthday joins us for a special TRIBUTE TO FRANK SINATRAFrank Sinatra was one of the most popular entertainers of the 20th century, forging a career as an award-winning singer and film actor.Born in Hoboken, New Jersey, on December 12, 1915, Frank Sinatra rose to fame singing big band numbers. In the '40s and '50s, he had a dazzling array of hit songs and albums and went on to appear in dozens of films, winning a supporting actor Oscar for From Here to Eternity. He left behind a massive catalog of work that includes iconic tunes like "Love and Marriage," "Strangers in the Night," "My Way" and "New York, New York." He died on May 14, 1998 in Los Angeles, California.Early Life and CareerFrancis Albert "Frank" Sinatra was born on December 12, 1915, in Hoboken, New Jersey. The only child of Sicilian immigrants, a teenaged Sinatra decided to become a singer after watching Bing Crosby perform in the mid-1930s. He'd already been a member of the glee club in his high school and began to sing at local nightclubs. Radio exposure brought him to the attention of bandleader Harry James, with whom Sinatra made his first recordings, including "All or Nothing at All." In 1940, Tommy Dorsey invited Sinatra to join his band. After two years of chart-topping success with Dorsey, Sinatra decided to strike out on his own.Solo ArtistBetween 1943 and 1946, Sinatra's solo career blossomed as the singer charted a slew of hit singles. The mobs of bobby-soxer fans Sinatra attracted with his dreamy baritone earned him such nicknames as "The Voice" and "The Sultan of Swoon." "It was the war years, and there was a great loneliness," recalled Sinatra, who was unfit for military service due to a punctured eardrum. "I was the boy in every corner drugstore who'd gone off, drafted to the war. That was all."Sinatra made his movie acting debut in 1943 with the films Reveille With Beverley and Higher and Higher. In 1945, he won a special Academy Award for The House I Live In, a 10-minute short made to promote racial and religious tolerance on the home front. Sinatra's popularity began to slide in the postwar years, however, leading to a loss of his recording and film contracts in the early 1950s. But in 1953, he made a triumphant comeback, winning a supporting actor Oscar for his portrayal of the Italian-American soldier Maggio in the classic From Here to Eternity. Although this was his first non-singing role, Sinatra quickly found a new vocal outlet when he received a recording contract with Capitol Records in the same year. The Sinatra of the 1950s brought forth a more mature sound with jazzier inflections in his voice.Having regained stardom, Sinatra enjoyed continued success in both movies and music for years to come. He received another Academy Award nomination for his work in The Man with the Golden Arm (1955) and earned critical acclaim for his performance in the original version of The Manchurian Candidate (1962). Meanwhile, he continued to be a formidable chart presence. When his record sales began to dip by the end of the 1950s, Sinatra left Capitol to establish his own record label, Reprise. In association with Warner Bros., which later bought Reprise, Sinatra also set up his own independent film production company, Artanis.Rat Pack and No. 1 TunesBy the mid-1960s, Sinatra was back on top again. He received a Grammy Lifetime Achievement Award and headlined the 1965 Newport Jazz Festival with Count Basie's Orchestra. This period also marked his Las Vegas debut, where he continued on for years as a main attraction at Caesars Palace. As a founding member of the "Rat Pack," alongside Sammy Davis Jr., Dean Martin, Peter Lawford and Joey Bishop, Sinatra came to epitomize the hard-drinking, womanizing, gambling swinger—an image constantly reinforced by the popular press and Sinatra's own albums. With his modern edge and timeless class, even radical youth of the day had to pay Sinatra his due. AsJim Morrison of the Doors once said, "No one can touch him."The Rat Pack made several films during their heyday: the famed Ocean's Eleven (1960), Sergeants Three (1962), Four for Texas (1963) and Robin and the Seven Hoods (1964). Back in the world of music, Sinatra had a big hit in 1966 with the Billboard No. 1 track "Strangers in the Night," which won a Grammy for record of the year. He also recorded the duet "Something Stupid" with daughter Nancy, who'd previously made waves with the feminist anthem "These Boots Are Made for Walkin'." The two reached No. 1 for four weeks with "Something Stupid" in spring 1967. By the end of the decade, Sinatra had added another signature song to his repertory—"My Way," which was adapted from a French tune and featured new lyrics by Paul Anka.After a brief retirement in the early 1970s, Sinatra returned to the music scene with the album Ol' Blue Eyes Is Back (1973) and also became more politically active. Having first visited the White House in 1944 while campaigning for Franklin D. Roosevelt in his bid for a fourth term in office, Sinatra worked eagerly for John F. Kennedy's election in 1960 and later supervised JFK's inaugural gala in Washington. The relationship between the two soured, however, after the president canceled a weekend visit to Sinatra's house due to the singer's connections to Chicago mob boss Sam Giancana. By the 1970s, Sinatra had abandoned his long-held Democratic loyalties and embraced the Republican Party, supporting first Richard Nixonand later close friend Ronald Reagan, who presented Sinatra with the Presidential Medal of Freedom, the nation's highest civilian award, in 1985.
This episode we talk to a personal hero of mine, Crispin Hellion Glover. Although probably best known for his mainstream roles in films such as Back to the Future, Charlie's Angels, and Willard, Crispin has blazed his own trail via art-house cinema, underground book publishing, and relentless touring. Join us once again as we venture into the world of Crispin Hellion Glover. Daddytank's musical treats this episode: Apostrophic - TXLS4 Dead Rider - Blank Screen Benjamin Shaw - Break The Kettles And Sink The Boats Crispin Glover Biography Both onscreen and off, Crispin Glover earned notoriety as one of the most infamous oddballs in Hollywood, garnering vast critical acclaim for his bizarre character turns and intense performances. Crispin Hellion Glover was born September 20, 1964, in New York City. After his family's late-'60s relocation to Los Angeles, he began acting while still in elementary school, and by the age of 13 had already secured professional representation. After winning a lead role in an L.A. production of {+The Sound of Music} starring Florence Henderson, Glover graduated high school and began working regularly in television, appearing in guest roles on series like Happy Days, Hill Street Blues, and Family Ties. In 1981, he made his feature debut in the teen sex rompPrivate Lessons, and in 1983 appeared in My Tutor as well as a pair of TV movies, High School U.S.A. and The Kid with the 200 I.Q. Supporting roles in projects like 1984's Teachers, Racing With the Moon, and the American Film Institute-produced The Orkly Kid followed, but a highly idiosyncratic performance as Michael J. Fox's father in the 1985 blockbuster Back to the Future was Glover's ticket to stardom. In 1986, he delivered a brilliant performance in the disturbing teen drama River's Edge, but in the wake of its release he began to earn a notorious reputation for eccentric behavior: A July 1987 appearance on NBC's Late Night with David Letterman in which Glover -- clad in a ratty wig and platform shoes -- attempted to kick the program host in the head was the stuff of tabloid headlines, and the concurrent publication of {-Rat Catching}, an antique Victorian children's book updated with gruesome cut-up text and new drawings distributed through his mother's Volcanic Eruptions press imprint, did little to dispel questions about his sanity. In 1989, Glover issued an LP, {^The Big Problem Does Not Equal the Solution. The Solution Equals Let It Be}, containing a bizarro-world cover of the Nancy Sinatra hit {&"These Boots Are Made for Walkin'."} A follow-up, {^The Big Love Album}, remains unreleased. That same year, he shocked onlookers by refusing to return for the inevitable Back to the Future sequel. When another actor was outfitted with prosthetics as a substitute, Glover successfully sued 20th Century Fox, a legal victory which forced the Screen Actor's Guild to create new rules on the issue of performance "sampling." He then turned his back on the Hollywood mainstream, accepting supporting roles in off-kilter films like David Lynch's Wild at Heart and Lasse Hallstrom's What's Eating Gilbert Grape? In 1991, he even appeared as Andy Warhol in Oliver Stone's The Doors. By the mid-'90s, Glover had settled rather comfortably into his role as Hollywood's eccentric-at-large, appearing with some of the American independent community's most notable filmmakers. In 1993, he appeared in Gus Van Sant's Even Cowgirls Get the Blues, and in 1996 he delivered a memorable cameo in the opening scenes of Jim Jarmusch's masterfulDead Man. In 1995, Glover began directing his own film, What Is It?, starring a cast made up entirely of victims of Down's Syndrome. He also mounted The Big Slide Show, a traveling one-man performance-art piece incorporating footage from What Is It?, music from his records, and images from his books, which additionally included 1990's {-Oak Mot} and 1992's {-Concrete Inspection}. Though still a mainstay of smaller-minded independent films in the year 2000, Glover made a dramatic return to the Hollywood cotton candy blockbuster that year by gleefully sinking his teeth into his role as the creepy Thin Man in Charlie's Angels. Boiling over with a silent psychotic glee and displaying remarkable heretofore unseen dexterity (save for the aforementioned Letterman fiasco), Glover's Thin Man was a highlight of the film's action sequences and took his patented dementia to new heights. The following year found Glover in a rare starring role in Bartleby, a surreal adaptation of Herman Melleville's {-Bartleby the Scrivener}. The same year also found the wide release of Glover's little-seen pre-Rubin and Ed collaboration with directorTrent Harris, The Orkley Kid, a short that was included in Harris' The Beaver Kid. When a remake of the 1971 horror classic Willard was announced in 2002 and Glover was tipped to star, few could deny that his casting in the role was a stroke of genius. In 2005 he directed, wrote, edited, produced, and starred in the avant-garde feature What Is It? He followed that up with the equally idiosyncratic It Is Fine! Everything Is Fine. He returned to more mainstream ventures with Alice In Wonderland and Hot Tub Time Machine as well as the Elmore Leonard adaptation Freaky Deaky. He's also contributed his voice to several animated projects including 9, Beowulf, and the two direct-to-video sequels of Open Season. ~ Jason Ankeny, Rovi (Source: AllMovie)
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