Podcasts about Chinese Americans

SLANTED is the debut of writer-director Amy Wang, about a Chinese-American teenager (Shirley Chen) who undergoes an experimental surgery in order to become white. Not like skin-bleaching white. I mean, blonde hair, blue-eyed, McKenna Grace.Joan Huang, ever since her emigration to the U.S. from China as an elementary-school-aged kid, has absorbed and subsequently lived by racial hegemony. Fair-skinned, thin blondes reign supreme. Dark-haired Chinese girls do not. Prom queens don't look like her. The artists plastered on her bedroom walls also don't look like her. Hell, her Snapchats don't even look like her, partially due to a skin-lightening filter made by Ethnos, a company who keeps sending texts praising her loyalty to said filter, offering her a chance to change her life forever.Joan can dress the part of the school's local Regina George protege Olivia (Amelie Zilber), even dye her hair the same color, but as Olivia says, in one of the movie's most scathing lines, "I can still see your black roots." Something more drastic must occur.Joan finally gives Ethnos a shot. They offer her the ability to surgically transform her body, skin tone, hair color, facial structure, all of it, in order to abandon her Chinese identity and become white.Enter Jo (McKenna Grace). She looks like the ideal Joan's always searched for. On the street, she turns heads, elicits the warmest, friendliest smiles. Joan is now beloved, at the expense of the body and face she's always known.And as one can expect from a body horror movie, the MONKEY'S PAW of it all eventually rears its head but what I think allows SLANTED to stand apart from its most-often pitched combination of THE SUBSTANCE & MEAN GIRLS is the length of time by which I learn about Joan Huang. I meet her hard-working dad (Fang Du) who's more optimistic about adopting Americanisms than her mom (Vivian Wu). The movie reveals how racial hegemonies, contradictions and all, are adopted into the psyches of immigrant children. Joan doesn't see this rejection of her Chinese self in service of the benefits of assimilation as anything other than normal. To her, a surgery that rips her hair out of her scalp and cracks her jaw/orbital bones into a mold of a different genetic makeup is merely the logical path forward. She wants to be prom queen, right? Exalted, loved, adored? Like we all do. The roots of this self-hatred run deep and as a result, craft a portrait of someone with little stability regarding her own identity. It's already tough to be a teenager but Joan thinks she has no other recourse. Hell is the body of a teenage girl rejected and judged by the world.SLANTED is now playing, only in theaters.---Music provided Content ID free by @goodkidbandFollow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!⁠

SLANTED is about a Chinese-American teen (Shirley Chen) who undergoes an experimental surgery to transform her body into that of a blonde, blue-eyed white girl. She steps in looking like Shirley Chen, comes out looking like McKenna Grace. Why? She wants to be prom queen. She wants to be exalted, adored, loved, appreciated for her contributions, not dismissed or treated unfairly due to her race and oh...this is gonna backfire, isn't it?I interviewed writer/director Amy Wang about the movie, its origins, symbology, production process and the intricacies of building a unique dual role using two actresses. Listen on and venture forth!SLANTED is now playing, only in theaters.---Music provided Content ID free by @goodkidbandFollow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!⁠

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight our show is called Feed Your Heart. Host Miko Lee speaks with the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network: Elli Nagai-Rothe & Tatiana Chaterji.   Restorative Justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted people working together to repair the harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, First Nation Canadian, and so many others. To find out more about Restorative Justice and the work of our guests check out Info about the AAPI RJ Network on the Ripple website: www.ripplecollective.org/aapirjnetwork NACRJ conference in New Orleans: www.nacrj.org/2026-conference Show Transcript [00:00:00] Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:44] Miko Lee: Good evening. I'm your host Miko Lee, and tonight our show is called Feed Your Heart. And we are speaking about the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network with the collaborators, Elli Nagai-Rothe and Tatiana Chaterji.   [00:01:03] Restorative justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted folks working together to repair that harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, first Nation Canadian, and many others. So join us as we feed your heart.    [00:02:01] Welcome to Apex Express. My lovely colleagues, Elli Nagai-Rothe, and Tatiana Chaterji. I'm so happy to speak with you both today. I wanna start off with a question I ask all of my guests, and Ellie, I'm gonna start with you and then we'll go with to you, Tati. And the question is who are your people and what legacy do you carry with you?   [00:02:24] Elli Nagai-Rothe: Hmm. I love that question. Thank you. My people come from Japan and Korea and China and Germany. My people are community builders and entrepreneurs survivors, people who have caused harm, people who have experienced harm people who've worked towards repair dreamers, artists and people who like really good food.   [00:02:51] And I carry their legacy of resilience and of gaman, which is a Japanese word that's a little hard to translate, but basically means something like moving through moving through the unbearable with dignity and grace. , And I carry a legacy to continue healing the trauma from my ancestral line the trauma and justice. And that's informs a lot of the work that I do around conflict transformation and restorative justice.   [00:03:19] Miko Lee: Thank you so much. And Tati, what about you? Who are your people and what legacy do you carry with you?    [00:03:25] Tatiana Chaterji: Thank you for the question, Miko. The first thing that comes to mind, my people are the people we're, we're, we're coming up on the cusp of a possible teacher strike, and I'm thinking about workers and the labor, movement and comrades in my life from doing work as a classified school worker for about a decade.   [00:03:46] Then my people are also from, my homelands. The two that I feel very close to me are in Finland, from my mom's side, and then in Bengal, both India, west Bengal, and Bangladesh. And my people are also those who are facing facing the worst moments of their life, either from causing harm or experiencing harm as a survivor of violence.   [00:04:08] I think about this a lot and I think about also the smaller conflicts and tensions and issues that bubble up all the time. So my people are those that are not afraid to make it better, you know, to make it right. And I carry, oh gosh, what legacy do I. I wanna say first kind of the legacy of the Oakland RJ movement that really nurtured me and the youth that I've encountered in schools and in detention on the streets in the community.   [00:04:39] Youth who are young adults and becoming bigger, older adults and, and, and also elders. To me. So sort of that's whose legacy I carry in shaping the. Society that we all deserve.    [00:04:52] Miko Lee: Thank you both for answering with such a rich, well thought out response that's very expansive and worldly. I appreciate that. Ellie, I think it was two years ago that you reached out to me and said, I'm thinking about doing this thing with Asian American Pacific Islanders around restorative justice and you're working on a project with Asian Law Caucus. Can you like roll us back in time about how that got inspired, how you started and where we're at right now?   [00:05:22] Elli Nagai-Rothe: Yeah, absolutely. Yeah, I'd forgotten that we, I had reached out to you at the early stages of this miko. The idea for this emerged in the context of conversations I was having with Asian Law Caucus around, anti-Asian violence and restorative justice. There was an enthusiasm for restorative justice as a pathway toward healing for AAPI communities. One of the things that kept coming up in those conversations was this assumption that there are no, or very few Asian restorative justice practitioners. And I kept thinking this, that's not true. There are a lot, plenty of Asian practitioners. And I think that for me reflects the larger context that we're living in the US where Asians are both at the same time, like hyper visible, , right. In terms of some of the violence that was happening. If you roll back several years ago I mean it's still happening now, but certainly was, was at the height several years ago. So like hyper visible around that, but also in terms of like my model minority status, but also at the same time like invisibilized. So that strange paradox. And so my part of that was thinking about, well, what, what opportunities exist here, right? How can we actually bring together the restorative justice, Asian restorative justice practitioners in the Bay Area to be like regionally focused to come together to talk about how do we bring our identities into more fully into our work, , to build community with each other, and then also to build this pathway for new, for emergent practitioners to join us in this work. That's a little bit of the background of how it came to be, and I'd love Tati to speak more to some of that context too.   [00:07:00] Tatiana Chaterji: Yeah, thanks Ellie. Definitely thinking about work that I was doing in Chinatown and San Francisco. I was working with Chinese Progressive Association just before actually Asian Law Caucus reached out to us with this idea. I wanna shout out Lewa and Cheyenne Chen Le Wu, who are really envisioning an alternative process for their the members of this organization who are immigrant monolingual Cantonese speakers and, and working class immigrants. What are the options available to them to respond to harm and violence in any, any number of ways? And one of the things that we really saw.   [00:07:37] Miko Lee: Non carceral, right? Non carceral options to violence and harm, right?    [00:07:42] Tatiana Chaterji: Yes, exactly. That's exactly what we were thinking of is, and in the period of time where people are talking about anti-Asian hate, they're talking about hate crimes and violence against Asian Americans, there's a simultaneous rhetoric and a belief that Asian people love police or want police interventions or actually believe al punishment. And no doubt that can be true for, for some of our community, but it is not the overwhelmingly dominant truth is what I would say. What I would say, and that actually by believing that Asian folks loved the police was its own bizarre and very toxic racial stereotyping that. Very vulnerable communities who are non-English speakers and living un under wage exploitation and other conditions.   [00:08:34] And so what we were doing was looking at what are the ways that we think about justice and the right way to respond to things and our relational ecosystems. And we began with messages from our home and family dynamics and kind of went outwards and, and everything was presented in Cantonese. I'm not a Cantonese speaker. I was working closely with those two women I mentioned and many others to think about. What is. Not just the, the linguistic translation of these concepts, but what is the cultural meaning and what applies or what can be sort of furthered in that context. And there were some very inspiring stories at the time of violence across communities in the city, and particularly between the Chinese community and the African American community and leaders in those spaces working together and calling forth the abolitionist dreams that were kind of already there.   [00:09:28] That people just want this kind of harm or violence not to happen. They don't want it to happen to anyone again. And this is some thing I think about a lot as a survivor, that that is the dominant feeling is like we, you know, vengeance are not desires for some sort of punishment or not, that this should not happen again. And what can we do to prevent that and really care for the healing that needs to happen.    [00:09:53] Miko Lee: I appreciate you bringing up this solidarity between the African American and, and specifically Chinese American communities wanting a more abolitionist approach. We don't hear that very much in mainstream media. Usually it's pitted the Asian against black folks. Especially around the anti-Asian hate. We know that the majority of the hate crimes, violence against Asian folks were perpetrated by white folks. That's what the data shows, but the media showed it was mostly African American folks. So I really appreciate lifting that part up. So take us from that journey of doing that work with a Chinese progressive association, powerful work, translating that also from, you know, your English to Chinese cultural situations to this network that you all helped to develop the A API Restorative Justice Network, how did that come about?   [00:10:45] Tatiana Chaterji: Part of the origin story is, is work that had been happening across the Bay Area. I was speaking about what's happening in Chinatown. There's also this coalition of community safety and justice that really has been diving into these questions of non carceral response to harm and violence. Then on the other side of the bay in Oakland, the Asian Pacific Environmental Network has been working with Restore Oakland to sit with survivors of crime and build up skills around circle keeping and response. So that's just a little bit of this beautiful ecosystem that we are emerging out of. It almost felt like a natural extension to go here, you know, with a pen and restore Oakland. They were thinking a lot about interpretation and language justice. And so this is also just pulling these threads together for more robust future and practice.    [00:11:41] Miko Lee: Thank you so much for making those connections. We'll put a link in our show notes because we did a recent episode on the Coalition for Community Safety and Justice, and particularly the collective Knowledge based catalog, which captures all these different lessons. So I think what you're pointing out is that all these different groups are coming together, Asian American focus groups to, Pacific Islander focus groups to be able to find, alternatives to the Carceral system in an approach to justice.    [00:12:08] Elli Nagai-Rothe: Well, so it came about through lots of conversations, lots of collaborations I feel so, honored to be able to collaborate with Tati in this work. And other folks who were, , partnering alongside the Asian Law Caucus in this larger grant that was being offered to address anti-Asian hate and violence. Ultimately through many conversations, just wanting to create a space that was created for and by Asian restorative justice practitioners. And as far as we know, it's the only. Gathering or, or network if it's kind in the Bay Area, maybe in the nation. Somebody who's listening maybe can chime in if that's true, that's not true. But as far as we know, that's the only space that's like this. And part of what we've wanted to create is certainly first and foremost because this is so much of the work of restorative justice, at least for us, is about relationships. At the end of the day, it's how we relate to each other and thinking of, of different ways than is often modeled in mainstream world about how we relate to each other.   [00:13:11] We wanted to start with those relationships and so. We created space for current practitioners in the Bay Area to come together. And we had a series of both in-person and virtual conversations. And really it was a space to offer to really build this sense of community and these relationships to share our knowledge with each other, to offer really deep peer support. And specifically we were really interested in bringing and weaving more of our cultural and ancestral ways of being into our practice of restorative justice. And so what does that look like? Can we bring more of those parts of ourselves into our work, our lived experiences into our work, and how we address and hold conflict and harm. I'll speak for myself, such a nourishing space to be part of with other practitioners. Just really allowing more of like a holistic sense of ourselves into our work. And what all the things that could that have come from that. So we've been continuing to meet, so what has this been like two years now? [00:14:12] Almost? We had, in addition to the existing practitioners who were based in the Bay Area, we held a training for like an introduction to restorative justice training that built on the things we were thinking about and learning about with each other around our Asian identities. And that was for folks who were kind of in an adjacent field, social workers, therapists, educators, folks who are doing work with API community workers. And so then we train them up and then they join this net, this larger network. And we've continued to have conversations every month, in a community of practice space. For me, such a wonderful space to be able to connect, to continue, explore together how we can bring more of ourselves into our work in a more relational, integrated and holistic way.   [00:14:56] Miko Lee: Thanks so much for that overview. I wanna go into it a little bit more, but I wanna roll us back for a moment. And Tati, I'd love if you could share with our audience what is restorative justice and what does a restorative justice practitioner do.    [00:15:08] Tatiana Chaterji: The big one. Okay. I think of restorative justice as an alternative to criminal and punitive responses to harm and wrongdoing. I think that's where the definition really comes to life. Although people who are in the field will say that actually it's before the harm or wrongdoing happens, and that it's about cultural norms and practices of caring for each other in a communal way, having each other's back relying on relationships, which also includes effective communication and compassionate communication. So Restorative justice in how I've learned it in the, in the Oakland community was, a lot of the practices were carried by a European Canadian woman named Kay PRUs, who's one of my teachers and who had also, studied with first Nations people in Canada that ish and klingit people, and that there's been some controversy over how she carried those teachings and that there's native people on all sides who have sort of taken a stand.   [00:16:12] I wanna name, this controversy because it feels important to talk about cultural appropriation, cultural survival, that circle practice and how circle is done in many restorative justice spaces will feel very foreign to a person who is indigenous, who perhaps has these ancestral practices in their own lineage, their own history and family. And this is because of colonialism and, and erasure and displacement, and. Reckoning with all of this as immigrants who are on native land, you know, from all, most of us in the API RJ network. Just what, what is this? What, how do we grapple with this? You know, how do we do an appropriate recognition of practices and traditions and how do we build and think about interconnection or the inherent and intuitive knowledge that we have to do non-car work, which is at the core, I've sort of expanded off of your prompt, but an RJ practitioner is someone who holds space for for these conversations, kind of when things are the hardest, when there is heartbreak and betrayal and harm or conflict and also what, the work of setting conditions for that not to happen or for the way that we move through those difficulties to go as best as possible.    [00:17:43] Miko Lee: Thank you for expanding on that. I'm wondering if Ellie, you could add to that about like what is a circle practice, what does that look like?   [00:17:51] Elli Nagai-Rothe: A circle practice. It can look like a lot of different things, but ultimately it's being in a circle, and being able to connect with each other. Again, I talked about how relationships are at the core. That might be when we're, when we're in circling together, we are relating to each other. We're telling our stories. We're weaving our stories together that might be happening when there's no conflict and when there's no harm. In fact, ideally that's happening all the time, that we're being able to gather together, to share stories, to be known by each other and so that if and when conflict does occur, we know how to, how to connect and how to come back to each other because the relationships matter. We know. Okay. 'cause conflict will happen. We will, we are gonna hurt each other. We're humans. That's part of being human. We're gonna mess up and make mistakes. And so a prac having a practice to come back together to say, well, what, what can we do to repair this? How can we make this right, as Tati was saying? [00:18:46] And, and so then circling, be circling up and having a circle practice can also mean when there is conflict, when harm has happened, how can we have people be able to hear one another, to understand what's happening and to repair as much as possible. Um, while doing that again in the ecosystem of relationships. So sometimes that's happening with a, a couple folks and sometimes that's happening with a whole community or a whole group of people.   [00:19:10] Ayame Keane-Lee We're going to take a quick pause from the interview and listen to Tatiana recite an excerpt from the A API RJ Network Reflection document.   [00:19:18] Tatiana Chaterji: Mirrors of each other. To prepare for our closing ritual, I pull a small table with a candle and incense from the back room into the circle. This is our last in-person gathering, and we want to end with building a collective altar for the future of RJ that is rooted in the wisdom of our Asian cultural lineages.Please think of an offering to make this vision a reality. I explain that we use our imaginations to sculpt the air in front of us, shaping it into the essence of the offering. As I have done in prison with incarcerated artists who create textures and depth of story without material props, supplies, or the frills of theater production on the outside.   [00:20:01] I volunteered to go first and model how this is done. Standing and walking towards the altar. I bring my fingers to the center of my chest and pinch an imaginary ball of thread. I want to deepen my understanding of Bengali peacemaking and justice traditions. I say pulling the thread in a vertical motion, stretching up and down to create a cord of groundedness. Realizing there are actually many dimensions. I also pull the thread forwards and backwards in a lateral direction, saying this means looking to the past and dreaming the future. I hold this grided net, gather it around my body and ceremoniously place it on the altar. Others echo the desire for bringing forward parts of their Asian lineage that aren't accessible to them. People create shapes with their bodies, making offerings to the altar that symbolize taking up space, staying grounded in a world that is shaky, reciprocity with the earth, ancestors and descendants, bringing in more ancestors permission to create and play forgiveness to self and others. Timelessness with Earth as a mirror and patience.   [00:21:14] Sujatha closes her eyes and forms an image for us through stream of consciousness. She says, I see indra's net infinite with shimmering diamonds. At each point, I notice the goosebumps raise on the skin of my arms as she continues it is as if she has reached inside of me pulling from the sutra of ra, which was part of my childhood. It is a piece of scripture and a spiritual concept that deeply grounds my practice in RJ as an adult. I see her hands, which she has raised, and fingers trembling, glimmering ever so slightly. She speaks slowly carrying us with her in a visualization de drops, mirrors. I cannot be who I am meant to be unless you are who you are meant to be. RJ is the material of the web. This was a rare moment of belonging for me, as I seamlessly reflected in the speech and cultural symbols of a peer seamless. This integration as South Asian and as an RJ practitioner, seamless, being able to hang onto a reference from religious traditions that are hidden in the diaspora or distorted by mainstream social messaging.   [00:22:28] Ayame Keane-Lee We hope you enjoyed that look into the AAPI RJ Network Reflection. Let's get back to the interview.   [00:22:35] Miko Lee: Can you each share what brought you to this work personally?   [00:22:40] Tatiana Chaterji: Sure. As a young activist involved in Insight Women of Color against Violence and aware of the work of Critical Resistance, and I had a pretty clear politics of abolition, but I didn't. Really think that it impacted me as personally as it did when I was in my early twenties and I suffered a brain injury from a vehicular assault, a hit and run that may have been gang affiliated or, a case of mistaken identity. My recovery is, is, is complicated. My journey through various kinds of disabilities has shaped me. But I think the way that I was treated by the police and by the justice quote unquote justice system, which I now call the criminal legal system, it because there was no justice. I sort of don't believe that justice is served in the ways that survivors need. yeah, I really, I got very close to the heart of what an RJ process can do and what RJ really is. I got introduced to Sonya Shah and the work of Suha bga and I was able to do a surrogate victim offender dialogue and then later to facilitate these processes where people are kind of meeting at the, at the hardest point of their lives and connecting across immense suffering and layers of systemic and interpersonal internalized oppression. [00:23:59] Just so much stuff and what happens when you can cross over into a shared humanity and recognition. It's just, it's just so profound and and from that space of healing and, and, and compassion, I've been able to think about. Other ways that RJ can look and have sort of been an advan, what is it evangelical for it? You know, I think that because we don't see these options, I, I, because I knew people, I was able to connect in this way and I would just shout out David uim, who's the one who told me that even if I didn't know the person who harmed me, that this was possible. People so often give up, they're just like, well, I have to feel this way. I have to just deal with it. Swallow the injustice and the lack of recognition. Just sort of keep going. Grit your teeth. I think we don't have enough knowledge of what's possible and so we harden ourselves to that. Yeah, I'll stop there. Thanks for listening.    [00:24:59] Miko Lee: Oh, that's the gaman that Ellie was talking about, right? In Chinese we say swallow the bitter. Right. To be able to just like keep going, keep moving. And I think so much of us have been programmed to just something horrible happens. You just swallow it, you bite it down, you don't deal with it and you move on. Which is really what RJ is trying to teach us not to do, to recognize it, to to talk to it, to speak to it, to address it so that we could heal. Ellie, what about you? How did you get involved?    [00:25:30] Elli Nagai-Rothe: Yeah. And Tati, thanks so much for sharing. I always appreciate hearing. I like your story and what draws you to this work is so powerful. For me, I'll take it a little bit more meta further back. What draws me to this work is my family history. I'm multiracial. My family, my ancestry comes from many different places. And part of that my grandparents, my aunties, uncles, Japanese Americans who were, who were born, some of them, my grandpa, and his family here in Oakland, in this area. And, um, other my grand, my grandmother and her family in Southern California. During World War II, were unjustly incarcerated along with 125,000 Japanese Americans in ways that were so deeply harmful and traumatic and are so parallel to what is happening right now to so many communities who are being detained and deported. And that experience has deeply, deeply impacted certainly my community's experience, but my family's experience of trauma.   [00:26:30] And I'm yonsei, fourth generation Japanese American. And though I wasn't directly involved or impacted by that incarceration, I feel it very viscerally in my body, that feeling of loss, of disconnection of, of severance from community, from family, from place, and, . Even before I knew what restorative justice was, I was in my body striving to find justice for these things that have happened? That drew me into conflict transformation work and ultimately restorative justice work. And that's where I found really at the, at the core, so much of this, this intuitively feels right to me. I didn't wanna have a place of, I wanted to heal. That was what I wanted to feel the feeling of, can we heal and repair and can I heal and repair what's happened in this, my experience and my family's experience and community's experiences?   [00:27:23] That work ultimately led me to do restorative justice work here in the Bay Area. I started doing that work with schools and community organizations. And so I really hold the bigger possibilities of what's possible when we think differently about how we hold relationships and how we hold deep, deep pain and harm and what's possible when we can envision a different kind of, a world, a different kind of community where we can take accountability for things that have happened. And knowing that all of us at, at different places, I know that's true in my family line, have caused harm and also experienced harm, that those things can happen at the same time. And so how can we have a sense of humanity for what's possible when we actually come, come to each other with a humility of what, how can we heal? How can we heal this together? How can we make this as right as possible? So that's, that's a bit of my story.    [00:28:13] Miko Lee: Thank you both for sharing.   [00:28:15] Ayame Keane-Lee Next we're going to take a music break and listen to Miya Folick “Talking with Strangers”   MUSIC   [00:34:05] that was “Talking with Strangers” by Miya Folick   [00:34:09] Miko Lee: I'm wondering, I know this, Asian American, Pacific Islander, RJ Circle, a bunch of it has been online just because this is how we do in these times and I'm wondering if there's something unique and empowering about doing this online. I bring that up because there have been many in person gatherings. I've been a part of this circle, so I'm really happy to be a part of it. For me, the vibe of being in person where we're sharing a meal together, we're in a circle, holding onto objects, making art together is very different from being online. And I'm wondering, if there's something uniquely positive about being online?   [00:34:47] Tatiana Chaterji: I would just say that yeah, the intimacy and the warmth and the sort of the strength of the bonds that we have in this network are, are so beautiful and it's possible to have incredible, virtual experiences together. A lot of us do movement art or theater or creative. We have creative practices of our own. And when we lead each other in those exercises, we are really just a feeling of togetherness. Like that's so special. And for people who have had that online, they know what I'm talking about. That can be really, really incredible. And, you know, we've been in the Bay Area and really in Oakland, but we want to expand or we want to think about what are all the ways that we can connect with other people. Around this intersection of API identity and RJ practice. And so that's the potential, I guess is what I would say is just to really, move across time and space that way.   [00:35:47] Miko Lee: Ellie, do you have thoughts on this, the online versus in real life?    [00:35:51] Elli Nagai-Rothe: I think there's so many wonderful things about being in person because I feel like so much, at least I don't know about your worlds, but my world, so much of it is online these days on Zoom. There is something really special about coming together, like you said, to share a meal to be in each other's physical presence and to interact in that way. At the same time when we're online, there's still so much warmth and connection and intimacy that comes from these relationships that I've been building over now, like two years for some of us. The opportunities are more about being able to reach accessibility, right? Folks to be able to come online and, and potentially even broaden. I mean, who knows what that will look like right now it's regionally focused, but maybe there's a future in which that happens to be outside the Bay Area.   [00:36:31] Miko Lee: And speaking of the future and where it's going. This initially started by, funding from one of the Stop the Hate grants, which sadly has concluded in the state of California. I'm wondering what this means for this, process that it doesn't have any set funding anymore what does the future look like?    [00:36:52] Elli Nagai-Rothe: We really wanna continue this miko and being able to continue to meet and gather in community. Right now we're continuing to meet monthly in our community of practice space to support each other and to continue to explore really this intersection, right, of restorative justice in our idea, our Asian identities. There's so much more opportunity to continue to build together, to create a larger community and base of folks who are exploring and ex doing this work together. Also for the intention of what does that mean for our communities? How can we find ways to take this practice that many of us do, right?   [00:37:27] As practitioners, how can we translate that to our community so that we know, we know at its core that this work, there are things from our cultural practices that are just. So familiar, right? Certain practices around how we you know, this radical, some of the things we talked about, radical acts of hospitality and care are so intuitive to our Asian communities. How can we translate that practice in our work so that we can continue to make this these pathways available to our community? So we hope to continue, we wanna continue to gather, we wanted to continue to build, um, and make space for more people to join us in this exploration and this opportunity for yeah, more expansion of what's possible for our communities.   [00:38:11] Miko Lee: For me as somebody who's Chinese American and being a part of this network, I've learned from other Asian American cultures about some of the practices, well, I did know about things like tsuru folding a paper crane as part of the Japanese American culture, learning different things from different community members about elements that are part of their cultures and how they incorporate that, whether that's yoga or a type of, Filipino martial art or a type of Buddhist practice. And how they fit that into their RJ work has actually helped me kind of expand my mind and made me think about more ways that I could bring in my own Chinese American culture. So for me, that was one of those things that was like a blessing. I'm wondering what each of you has learned personally about yourself from being part of this network.   [00:39:02] Tatiana Chaterji: What comes to mind is the permission to integrate cultural identity and practice more explicitly and to know that there are others who are similarly doing that. It's sort of this, this acceptance of sort of what I know and how I know it that can be special. You know, in the, in the similar way that I mentioned about cultural appropriation and the violence that various communities have felt under capitalism and white supremacist structures. Everything there is, there is, I don't, something, something so magical to just step outside of that and be like, this is, it's a mess. It's a mess out there. We are constantly battling it. How do we actually not make ourselves smaller right here?    [00:39:50] Miko Lee: I totally hear that. And I'm thinking back to this gathering we had at Canticle Farms, where I think Tati, you said, when was the last time you were in a space where you were the only Asian person and how you walk through that mostly white space and what is that like for you and how do you navigate? And so many people in the room are like, what their minds were blown. For me, I'm in mostly Asian American spaces and Pacific Islander spaces, so I'm like, oh wow, that wasn't always true for me. So that's my time in my life right now. So it was really fascinating to kind of ponder that.   [00:40:24] Tatiana Chaterji: Yeah. And I think many of us, I'm so glad that you feel that because many of us, don't really know what exactly our ancestral technologies might be, or even what to name. This gave us, again, permission to look back or to reframe what we know or that we've understood from community as being from various traditions, homelands, you know, longer legacies that we're carrying and just to, to, to, to celebrate that or to even begin to, to, to bring language to that and feel a place of our own belonging. Whereas, I mean, as a South Asian diasporic member of the diaspora, I see so many the words that are coming from Sanskrit, which has its own, history of castes violence and like sort of what the expansion and the co-optation is, is, is really quite massive to the point where I feel like I'm on the outside and I don't believe that I should own it any more than anyone else. But I think if there's a way that it's practiced that is in, in, in integrity and less commodified because it is ancient, because it is medicine. You know, that I, I deserve to feel that, you know, and to tend to be welcomed into it in, in this you know, outside of the homeland to be here in Asian America or whatever it is, and to claim it is something quite special.   [00:41:50] Miko Lee: Love that. Thank you for sharing. Ellie, what about you? What have you learned from being in part of this network?    [00:41:55] Elli Nagai-Rothe: I was just gonna say like, yes, Tati to all the things you just said. So appreciate that. I, it's very similar, similar in some ways to what Tati was saying, like the, the permission giving, the space that we, oh, permission giving that we give to each other, to to claim, like, to claim and reclaim these practices. And I think that's what I heard so often from people in this network and continue to hear that this, the time, our time together and the things that we're doing. Feel like it's, it doesn't feel like a so much about like our, what is our professional practice. And I say professional with quotes. It's more of like, how do we integrate this part, this really profound journey of ancestral reclaiming, of remembering, of healing. And, and when we do that, we're working from this really. A deep place of relationship, of interdependence, of where we're like, our identity and our sense of who we are is so connected to our communities. It's connected to the natural world. And so like how can we, that's part of what I've appreciated is like really in this deep way, how can we remember and reconnect to, in some cases, like practices, pre-colonial practices and wisdom that was suppressed or taken away, certainly in my and family experience, right?   [00:43:11] It was very deliberately state sponsored violence severed those practices. And so some of this reclaiming as a part of my own healing has been really given me more voice and space to say like, yeah, I can, I can, I want to, and I, that's part of my own practice, but also share that with the, the groups that I'm part of. And that feels a little bit. We talked about that a little bit in the network of how do we share these practices in ways that feel authentic, like Tati said, with integrity, but also what does that mean to share these practices in spaces that are outside of, you know, Asian communities? I don't know, like that's a whole other conversation, right? It feels because there is so much cultural co-opting that's happening, right? And so I feel, I think that's why this network is so valuable and, and helpful to be in a space. Of course, it's a very diverse group of Asian identities and yet it's a space where we can feel like we can try on in these practices to see what that feels like in our bodies in ways that feel really like, have a lot of integrity and a lot of authenticity and to support each other in that.   [00:44:12] And so that we can feel able to then share that in spaces than, in our communities and the work that we're doing in terms of, restorative justice work.  [00:44:19] Miko Lee: So how can our audience find out more about these circles if they wanna learn more about how they could potentially get involved?   [00:44:29] Elli Nagai-Rothe: The best way to go is to look at the Ripple Collective website, ripple collective.org. We have some information about, the A API Restorative Justice Network there. I'm hoping that we can continue this. I really am excited about, members of the network continuing to stay in relationship with each other, to support each other. Tati and I are gonna be offering a session at the upcoming national Association for Community and Restorative Justice Conference that's happening in New Orleans in July. We're gonna be sharing what we learned about our experiences with this network and centering our Asian identities and restorative justice practice. We're gonna be holding a a caucus space for Asian practitioners to come and join us. Yeah, so what else? Tati.    [00:45:14] Tatiana Chaterji: We're also compiling reflections from various participants in the network around what this has meant. What, what have they learned or discovered, and what's to come. I think a question that I've had, a question that we've been stewing on with other South Asian, , practitioners is what does you know, what does caste how does caste show up and reckoning with harm doing? And our communities are not a monolith, and, and as we are treated as part of a, sort of like a brown solidarity, third world movement space in the West, there's just a lot of unrecognized and unnamed oppression that is actively happening. So, you know, really like being, being brave and humble to, to, to talk about that.    [00:46:01] Miko Lee: Thank you both so much for sharing your time with me today.    [00:46:05] Elli Nagai-Rothe: Thanks so much, Miko.    [00:46:06] Tatiana Chaterji: Thanks, Miko.   [00:46:07] Ayame Keane-LeeTo finish off our show tonight, we'll be listening to “Directions” by Hāwane.   MUSIC   [00:49:55] That was “Directions” by Hāwane.   [00:49:57] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. To find out more about restorative justice and the work of our guests, check out info about the A API RJ network on the Ripple website, ripple collective.org, and about the conference that Ellie and Tati will be presenting at at the NAC RJ Conference in New Orleans, both of which we'll have linked in our show notes.   [00:50:30] Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.   The post APEX Express – 3.12.26- Feed Your Heart appeared first on KPFA.

Today we sit down to talk about a spicy emotion…jealousy! We discuss how often we feel jealous and dive into specific things that can trigger it. We also talk about ways to process and handle our feelings of envy!Support the showFollow us on social media @eatyourcrustpod

Slanted is a 2025 American body horror-comedy film written and directed by Amy Wang. The film stars Shirley Chen as a Chinese-American teenager who undergoes an experimental ethnic modification surgery to try and fit in at school. Mckenna Grace, Maitreyi Ramakrishnan, and Amelie Zilber provide supporting roles.Hosted on Ausha. See ausha.co/privacy-policy for more information.

Lillian Li says Bad Asians was drawn from her upbringing in a hypercompetitive Chinese-American community. In the novel, four 20-somethings, who grew up in a similar environment, confront the challenges of the 2008 financial crisis and begin to let loose. Their former classmate documents their frustrations in what becomes one of the first viral YouTube videos. In today's episode, Li speaks with Here & Now's Scott Tong about the initial privacy of the early internet, exploding Asian American stereotypes, and why she wanted to write about friendship.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before Amy Liu built Tower28, the company that currently sells products every 10 seconds in Sephora, she was working in the beauty industry and struggling with sensitive skin. With encouragement and investments from close friends, Amy leveraged her 15+ years of experience to bet on herself and build Tower 28, a company that keeps sensitive skin at the core of its product development. During our conversation, Amy shared that she dealt with chronic eczema and sensitive skin her entire life. However, despite working in major roles at companies like Kate Sommerville and Josie Maran and having firsthand experience of how product efficacy could change her life, she still didn't feel ready to leap. Shortly after turning 40, Amy was in conversation with a former business school classmate who asked what she was waiting for. This friend affirmed her skills and experience, and then offered to invest in her dream. She reached out to other friends and family, all of whom were excited to support her vision for Tower 28. In the seven years since launching, Tower 28 has blossomed into a brand beloved by everyone from essential workers to “gym rats,” to celebrities, and influencers like Hailey Bieber and their recent collaborator, Toni Bravo.Amy offers us a glimpse into her life as CEO, mom, and lifelong advocate for clean beauty in this chat. She shared what it was like growing up in Los Angeles, in a predominantly white community, instead of a Chinese-American neighborhood. Amy details her parents' decision to move to America and why her dad, an entrepreneur, tried to dissuade her from starting a business. It's exactly this persistence that has allowed her to become a strong leader, despite having been exposed to some of the worst bosses you might imagine. Amy's leadership skills are defined by not only what she has done but also by her commitment to educating others. In the summer of 2020, she decided to develop Clean Beauty Summer School, a professional-development program that gives BIPOC founders industry access and education that they might otherwise not have access to. Amy has built a brand that is 100% compliant with the National Eczema Association and regularly gives back to minority founders. Amy Liu's story proves that a true commitment to inclusivity benefits every single one of us.Tune in as we discuss:(2:35) What Amy Learned In Her First Beauty Role At Smashbox(4:15) Growing Up In Los Angeles Without Close Proximity To Other Chinese People(6:00) Her Belief That The Beauty Industry Shapes Confidence(7:05) Her Family's Immigration Origin Story(10:48) What She Learned From Her Worst Bosses(15:00) Why Turning 40 Emboldened Her To Start Tower28(17:30) How A Friend's Investment Pushed Her To Take The Leap(21:10) The Organic Marketing Initiative That Helped Them Thrive During COVID-19(26:00) Why Eczema Affects 25% Children(30:00) The True Cost Of Creating Products For Sensitive Skin (34:18) The Secret Behind The Tower 28 Swipe Serum Concealer(37:22) Her Mission To Support BIPOC Clean Beauty Founders(46:07) Amy's Favorite Beauty And Wellness Products(49:29) Her Advice To Anyone Wanting To Take A Professional Risk(51:44) When She Feels The Most Beautiful Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Amy @amyliu_t28Tower 28 SOS Daily Rescue Facial Spray Hypochlorous AcidTower 28 Swipe Serum ConcealerCelluma Pro LED Light TherapyShani Darden Smooth & Glow EssentialsMARA Universal Hydrating Face Oil Sophie Pavitt Mandelic Clearing SerumRŌZ Foundation Shampoo Hosted on Acast. See acast.com/privacy for more information.

March is here! It's time to preview the Hallmark movies that we'll be reviewing this month.  Sugar & Vice: A Hannah Swensen Mystery Premieres: Saturday, March 7 at 8/7cNetwork: Hallmark MysteryStarring: Alison Sweeney, Victor Webster, Barbara Niven Hannah finds a body at the grand re-opening of the Lake Eden Inn. When a storm traps everyone inside, she must uncover the culprit before the roads clear—and the killer escapes. Nelly Knows Mysteries: All Manners of Murder Premieres: Saturday, March 14 at 8/7cNetwork: Hallmark MysteryStarring: Pascale Hutton, Kavan Smith While attending a lavish dinner, Nelly and Detective Michael must solve the murder of a guest before the evening's refined festivities turn even more deadly. Two for Tee Premieres: Saturday, March 21 at 8/7cNetwork: Hallmark ChannelStarring: Janel Parrish, Chris McNally Tee, a Chinese American pottery artist, meets community center handyman Will. As she reconnects with her family's traditions through art, the two team up to save the beloved center from closure—and may find love along the way. A Royal Setting Premieres: Saturday, March 28 at 8/7cNetwork: Hallmark ChannelStarring: Jen Lilley, Dan Jeannotte Ruby, a world-renowned gemologist, is hired by Prince Luca to restore the crown jewels and design his coronation crown. As she challenges tradition, she also complicates his already delicate relationship with his mother, the queen. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send a textREPRISE - After attending a recent event featuring Dr. Jemar Tisby, I had the chance to connect with the host of that gathering, Professor Jessica Wai-Fong Wong, Associate Professor of Systematic Theology at Azusa Pacific University and author of the groundbreaking book Disordered: Holy Icons and Racial Myths.In this episode, we reflect on that event, where Dr. Tisby shared moving stories about his relationship with the late Dr. Bill Pennell of Fuller Theological Seminary—a pioneering voice in racial awareness whose bold challenges to white evangelicalism began in the late '60s and continued for decades.Dr. Wong, herself deeply influenced by Dr. Pennell's legacy, joins me for a conversation that dives into the concept of whiteness as an archetype and its enduring impact on Christian theology and the history of race. Drawing from her own journey as a Chinese American woman raised in predominantly white spaces in Texas, Dr. Wong shares insights from her book, including what it means to "aspire to whiteness" and the painful experience of being cast as an "anti-icon" in a white-dominated religious context.We also explore my own experience within a Korean megachurch in Southern California, examining how whiteness becomes synonymous with order, while everyone else—Black, brown, Asian, Jewish, or female—is often seen as a threat to it.This is more than a theological discussion—it's a deep dive into history, identity, and the present-day political and spiritual moment we're all navigating. SHOW NOTESOriginally aired April 2025Support the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Our third and final film this week is the 2018 film Crazy Rich Asians. Directed by Jon M. Chu it follows a Chinese American professor, Rachel, who travels to Singapore with her boyfriend Nick and is shocked to discover that Nick’s family is one of the richest families in Singapore. The film stars Constance Wu, Henry Golding, Gemma Chan, Lisa Lu, Awkwafina, Ken Jeong, and Michelle Yeoh. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

In the decades since his untimely passing at the age of thirty-two, Bruce Lee's body of work has grown to an undeniably lasting legacy. He went on to become globally recognized after his death, his influence acting as a cultural bridge between the East and West – popularizing martial arts and providing inspiration and momentum for a new arena of Western martial arts films. While the impact of his work can be seen across genres and generations, cultural historian and journalist Jeff Chang is hoping to highlight the barrier-breaking importance of Bruce Lee's life to the development of Asian American identity over the last fifty years. In his new biography, Water Mirror Echo: Bruce Lee and the Making of Asian America, Chang highlights areas of Bruce Lee's story that have been overshadowed by acclaim. Chang unpacks the stark reality of Bruce Lee as a baby born in segregated San Francisco and a youth living in war-ravaged, fight-crazy Hong Kong. As he found his way back to America as a teenager, Bruce Lee embraced West Coast counterculture and meshed it with the Asian worldviews and philosophies that reared him. Water Mirror Echo – a title inspired by Bruce Lee's own way of moving, being, and responding to the world – explores how these transitions and unique vantage points created a figure whose very presence helped shape the idea of what being an Asian in America is, at a critical time in the early development of the culture. Chang presents this new work in conversation with a panel of figures directly affected by Lee's life– activist and former student Sue Ann Kay, long-time friend Doug Palmer, and daughter Shannon Lee. Water Mirror Echo layers an expertly collected archive of Lee's life with a thoughtfully nuanced analysis of the way Lee defied stereotypes and expectations. The complex biography draws from in-depth interviews, thousands of newly available personal documents, and features dozens of photographs from the family's archive, brought together by Chang's pursuit of heartfelt authenticity. Water Mirror Echo explores the man behind the iconography and shows Lee's growing fame ushering in something even more enduring: the creation of Asian America. Jeff Chang is an award-winning writer, host, and cultural organizer. His previous books include the critically acclaimed Can't Stop Won't Stop: A History of the Hip-Hop Generation, Who We Be: A Cultural History of Race in Post Civil Rights America, and We Gon' Be Alright: Notes on Race and Resegregation. Chang has been a Lucas Artist Fellow and has received the American Book Award, the Asian American Literary Award, and the USA Ford Fellowship in Literature. He is the host of the podcasts Edge of Reason and Notes from the Edge. His bylines have appeared in the New York Times, the Wall Street Journal, the Washington Post, The Guardian, and more. Shannon Lee is an author, producer, speaker, and acts as the steward of her father's legacy. She is the founder and president of the Bruce Lee Foundation and the host of the Bruce Lee Podcast as well as the short-form podcast A Little Leeway. Her published books include the philosophical guide Be Water, My Friend, and the YA fantasy novel Breath of the Dragon. Doug Palmer is a retired lawyer and the author of the memoir Bruce Lee: Sifu, Friend, and Big Brother published by Seattle-based Chin Music Press. He grew up in Seattle, where he met and learned gung fu from Bruce Lee. While attending Yale University, he spent a summer with Bruce and his family in Hong Kong. After graduating with a major in Chinese Studies and obtaining a law degree from Harvard Law School, he worked in Tokyo for 4-1/2 years. Sue Ann Kay is a third-generation Chinese American with family roots to early Seattle Chinatown (late 1800s) and the current Chinatown International District (CID). She was Bruce Lee's first female student, relishing lessons that included Chinese philosophy and martial arts. Kay is currently involved with grassroots groups like the CID Coalition (aka "Humbows not Hotels") and Eggrolls. She is also a singer with the Seattle Raging Grannies.   Buy the Book Water Mirror Echo: Bruce Lee and the Making of Asian America Wing Luke Museum Presented by Town Hall Seattle and Wing Luke Museum.  

Underground History host Chelsea Rose talks with Beth Lew-Williams about her book and the research behind it.

Prof Sally Wen Mao will present on Sally Forth, Sad Girl!, a novel-in-progress following a Chinese American poet living in an artist residency in Shanghai. The story explores themes of solitude, diasporic wandering, heartbreak, and art-making as the protagonist connects with fellow artists and seeks adventure. Professor Mao will read excerpts from the novel-in-progress and present some of the results of the novel research she conducted over the past year, supported by the AAARI research support award.

On this episode of OneHaas, learn about the incredible, globe-spanning career journey of alumna Ann Hsu, Founder and Head of School at Bert Hsu Academy. From high tech to yogurt to revolutionizing the approach to public education, this double bear's story is not one to miss!Born and raised in Beijing, China, Ann moved to the U.S. with her family at age 11 but has always maintained a strong cultural connection to China. After getting her Master's degree in electrical engineering from UC Berkeley, she moved back to China and launched into a successful career in high tech. When the need arose to add more business acumen to her skillset, she knew Berkeley Haas was her best option for an MBA. Ann's latest career pivot has been into education, where she's opened the first American-Chinese bicultural school in the U.S., named in honor of her father, Bert Hsu. Ann joins host Sean Li to discuss the exciting ways they are reimagining education at the Bert Hsu Academy, how her Berkeley degrees have supported her career journey, and her advice for current MBA students and young alumni. She also shares her memories of moving to the U.S. as a young girl in 1978, her family's history in China, and how her own bicultural experience has shaped her career and worldview. *OneHaas Alumni Podcast is a production of Haas School of Business and is produced by University FM.*Episode Quotes:On her assimilation to American culture“ I remember a discussion in class and they were talking about china, the bowls and plates. Well, I thought they were talking about the country of China. And I raised my hand, I said, ‘I'm from China.' Yes, I knew the word, but I didn't know that we were talking about plates and bowls china and not the country of China. That's what I mean by cultural assimilation or Americanization. It took me four years.”On where the idea for a Chinese-American bicultural school came from“ I thought back to my own experience of going to school in China and the U.S. and then watching my sons go to school in China …and about what's good about the Chinese education approach, what's good about the American ones, what's bad about each. And I thought, I want to combine the Chinese education philosophy, approach and practices with the American ones because both have pros and cons. And if I'm going to design [a school] from scratch, I'll just pick the good ones. The pros!”On her decision to name the school after her father“...It came to me that the person who embodies the bicultural and bilingual Chinese American experience, whom I have the utmost respect for, is my father. And he was bicultural, in addition to being bilingual. He not only survived, but thrived in both China and in the United States because he understood [the culture] and could really thrive in both cultures. And I thought, that should be the goal. I want all of our students to be able to do that.”Her advice to current MBA students“ MBA students, they fret about,what should I do [after MBA]? Which job should I take? What career should I pursue? what I tell them is that you only have so much information. You're never going to get complete information, and you're never going know whether that decision you made is the right decision. So what you do is you take all the information you have, make a decision, and then make that the right decision.”Show Links:LinkedIn ProfileBert Hsu Academy Website Support this podcast at — https://redcircle.com/onehaas/donations

Today we define what it means to have wholesome fun and explore how the way we have fun has changed over the years - from outdoor competitions, to sports, to book clubs and board games! We also talk about how these types of hobbies give us a sense of fulfillment and can help foster new or deepen existing relationships.Support the showFollow us on social media @eatyourcrustpod

Grace Young has been called "the poet laureate of the wok" by the esteemed food writer, Betty Fussell. An award-winning cookbook author, culinary historian, and filmmaker, Young has dedicated her life's work to advocate and uphold the value of Chinese-American culture and cuisine through her cookbooks, classes and award-winning video series. She is recipient of The Julia Child Award (2022), The James Beard Foundation Humanitarian Award (2022) and The IACP Lifetime Achievement Award (2021).Fearless Fabulous You is broadcast live Wednesdays at 12 Noon ET on W4WN Radio - Women 4 Women Network (www.w4wn.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).  Fearless Fabulous You Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

In this ep, Lee covers the latest Epstein documents that the DOJ has released—and what they are desperately trying to hide. Plus, a term coined by a Chinese-American content creator has gone viral across China that describes the precise moment an American falls off the economic cliff—the one emergency. All that and more! My comedy news show, Unredacted Tonight, airs every Thursday at 7pm ET/4pm PT. My livestreams are on Mon and Fri at 3pm ET/Noon PT and Wednesday at 8pm ET/5pm PT. I am one of the most censored comedians in America. Thanks for the support!

The U.S. defeats Canada for first Olympic gold since 1980, a Chinese-American skier claims another gold, Team USA completes its Winter Games-record gold haul, a five-time All-Star shines in basketball's biggest rivalry, another NASCAR victory for an NBA legend's team and a first-time winner in golf. Correspondent Gethin Coolbaugh reports.

This week, we got Andre Kim!! #jiaoyingsummers #comedy About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Yossi Mekelberg and Isabel Hilton discuss Donald Trump inaugurating the Board of Peace as potential conflict with Iran continues to linger. Plus: Venezuela’s return to diplomacy and the Chinese-Americans at the Winter Olympics.See omnystudio.com/listener for privacy information.

Today on the podcast, Erica sits down with Lulu Ge, a first-generation Chinese-American founder and former fashion executive who built Elix a modern wellness brand rooted in Traditional Chinese Medicine (TCM) and backed by over 240 clinical studies. What started as her personal healing journey after coming off birth control has become a growing wellness movement—one that asks you to look at your health differently. At Elix, users complete a digital health assessment—and yes, they upload a photo of their tongue. Why? Because in TCM, the tongue is a map of internal health—showing signs of stress, poor sleep, digestive imbalances, and more.  The brand is truly doing incredible things, revolutionizing women's health care and allowing them to take their care into their own hands. Elix focuses on providing options to people who have not had access to care, and invests in studies on conditions ignored by traditional healthcare, like fibroids and PCOS. What is most impressive is the over 500,000 cycles they have  supported with personalized, proven herbal formulas that target the root cause of menstrual symptoms – at accessible pricing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chinese President Xi Jinping has sent a Chinese New Year card in return to friends in the U.S. state of Iowa, saying the desire of the people of the two countries for exchanges and cooperation will not change no matter how the situation evolves.

Notes and Links to Lillian Li's Work      Lillian Li is the author of the novel Number One Chinese Restaurant, which was an NPR Best Book of 2018, and longlisted for the Women's Prize and the Center for Fiction's First Novel Prize. Her work has been published in the New York Times, Granta, One Story, Bon Appetit, Travel & Leisure, The Guardian, and Jezebel. Originally from the D.C. metro area, she lives in Ann Arbor. Buy Bad Asians   Kirkus Reviews for Bad Asians   Lillian Li's Website     At about 1:30, Lillian talks about her mindset as Pub Day is a day away, and she shares heartening feedback she's received on Bad Asians At about 3:00, Lillian talks about her early relationship with language and literature, including Amy Tan's Joy Luck Club, and coins a great term, a “Borders Kid” At about 4:40, Lillian describes growing up in a Chinese-American and Asian-American community in connection with ideas of representation  At about 6:30, Lillian reflects on “growing pains” with Joy Luck Club and having ambivalent feelings towards the book's lasting impact At about 8:50, Lillian highlights How to Commit a Postcolonial Murder as a standout text she's reading currently  At about 10:10, Lillian highlights Literati Bookstore as a great place to buy her book and interesting tour events coming up At about 12:05, Lillian gives background on starting the book with a map At about 13:10, Lillian talks about North Potomac, MD, and growing up there  At about 14:50, Pete sets the book's exposition through discussion of the Prologue, and Lillian comments on her interest in the experience of those who have gone viral At about 16:30, Grace as the “golden child” is discussed in terms of Lillian's childhood seeing comparison and "competitive friendships” At about 18:10, the two continue to describe the book's opening and main characters  At about 21:40, Lillian describes the original video that Grace recorded that morphs into the foundation for the “Bad Asians” viral video(s) At about 23:00, Lillian responds to Pete's asking about a middle-of-the-book scene with a caring/boundary-overstepping teacher  At about 25:20, Grace and her gilded rich girl life is described  At about 27:20, Lillian and Pete describe the ways in which the friends like Errol and Justin feel “unburdened” and free in filming with Grace, but also how Grace gets some controversial footage At about 28:55, “Going to the Mall on Molly” and its ramifications is discussed At about 30:40, Lillian describes how Vivían's phone call leads to Grace “running away” to LA At about 32:25, Lillian gives background on the plan that the group hatches in collaboration with Carrie Yang At about 35:00, Vivían and Errol and their post-vows life and rave culture are discussed by Lillian; she talks about MDMA as a sort of emotional regulation   At about 36:30, Lillian talks about the scenes in the book as emblematic of the 2008 recession and recovery in Detroit At about 37:20, Lillian riffs on “self-medication,” with regards to an article she read about overdoses in the Asian-American community/rave culture At about 38:40, Errol's dangerous “pranks” are analyzed  At about 40:00, Lillian discusses the “gilded cage” and “success trap” for Grace and her creative pursuits At about 42:10, the two discuss the notoriety that comes with leaked cell phone footage from the New York At about 42:45, Lillian talks about Justin's sexuality and provides background on her research on bisexuality, intimacy and love for his character  At about 46:00, Pete compliments the ending of the book, and Lillian expands on her mindset in ending the book that way        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 325 with Grant Ginder, the author of the novels Let's Not Do That Again, Honestly, We Meant Well, The People We Hate at the Wedding, Driver's Education, and This is How It Starts, a few of which have been made into movies. His latest is So Old, So Young.     The episode airs on February 20, three days after Pub Day for So Old, So Young.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.     You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

In this episode, we share a panoply of voices speaking out about the dangers of AI - Artificial Intelligence - and this insane boom in water-and-power-hungry data centers throughout the U.S. We engage with Steven J. Kung, an advocate against the construction of a massive data center in Monterey Park, California. Steven, a writer and director, shares his insights on the environmental implications, air pollution, blight, industrializing the landscape, in addition to the excessive water consumption and energy demands. Support the Podcast via PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url We also hear from Stanford professor and renewable energy expert Mark Jacobson, who discusses sustainable alternatives for powering data centers. Tech journalist Paris Marx weighs in from the 2025 Bioneers Conference on the social and political implications of this data center bubble economy. For some positive news, legislators in New York introduced the strongest data center moratorium proposal thus far [https://www.politico.com/news/2026/02/06/new-york-democrats-propose-sweeping-pause-on-data-center-construction-00768090]. The bill would pause data center construction for three years while appropriate regulations are drafted. Moreover, Vermont Senator Bernie Sanders suggests a national moratorium on this data center building boom. Join us as we explore the grassroots movement to protect local communities and the fight for environmental justice. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: True Cost of AI with Paris Marx - Bioneers: https://bioneers.org/the-true-cost-of-ai-water-energy-and-a-warming-planet-ztvz2507/ Stopping a Data Center in Monterey Park https://www.theguardian.com/us-news/2026/feb/07/california-monterey-park-stop-datacenter-construction Steven J. Kung is a proud Chinese American resident of Monterey Park who lives 1,300 feet from the proposed data center site. He is a writer-director who co-founded the grassroots activist group No Data Center Monterey Park [https://www.nodatacentermpk.org/]. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal Artbound project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 278

This week we're covering the history of the Pacific Northwest from the late 19th century to 1968 with Train Dreams! Join us as we learn about boot memorials, Chinese and Chinese-American railroad workers, women working as fire lookouts, and more! Sources: Dina Gachman, "The History of Lady Lookouts," Smithsonian Magazine, available at https://www.smithsonianmag.com/history/female-fire-lookouts-have-been-saving-wilderness-over-century-180977352/ Photo of Hallie Daggett and Her Dog, Fish and Wildlife: https://www.fws.gov/media/hallie-daggett https://www.facebook.com/ottawavalleywhereabouts/posts/loggers-memorial-griffith-on-45236783-77270483located-within-the-lower-madawaska/294395130019562/ https://www.google.com/books/edition/Canoe_Country/52-2DQAAQBAJ?hl=en&gbpv=1&dq=logging%20memorial%20boots%20nailed%20to%20tree&pg=PA66&printsec=frontcover https://www.facebook.com/100064525572391/posts/5518774848187361/ https://en.wikipedia.org/wiki/Dumoine_River https://www.imdb.com/title/tt29768334/ Bilge Ebiri, "Train Dreams Is a Staggering Work of Art," Vulture 21 November 2025, https://www.vulture.com/article/sundance-review-train-dreams-is-a-staggering-work-of-art.html  Bob Mondello, "The new film 'Train Dreams' is almost unbearably beautiful," NPR All Things Considered 7 November 2025. https://www.npr.org/2025/11/07/nx-s1-5598447/the-new-film-train-dreams-is-almost-unbearably-beautiful   Brian Tallerico, https://www.rogerebert.com/reviews/train-dreams-film-review-2025  Justin Chang, https://www.newyorker.com/culture/the-current-cinema/train-dreams-is-too-tidy-to-go-off-the-rails https://www.rottentomatoes.com/m/train_dreams  Jennifer Fang, "Erasure and Reclamation: Centering Diasporic Chinese Populations in Oregon History," Oregon Historical Quarterly 122, no.4 (2021): 324-41. https://www.jstor.org/stable/10.5403/oregonhistq.122.4.0324  Sarah M. Griffith, "Finding Chinese Immigrants in Unconventional Records," History News 58, no.1 (2003): 20-23.  John R. Wunder, "The Chinese and the Courts in the Pacific Northwest: Justice Denied?" Pacific Historical Review 52, no.2 (1983): 191-211. https://www.jstor.org/stable/3638795  Yukari Takai, "Asian Migrants, Exclusionary Laws, and Transborder Migration in North America, 1880-1940," OAH Magazine of History 23, No.4 (2009): 35-42. https://www.jstor.org/stable/40506013  Asian Workers in Kinsey Brothers Photographs of the Lumber Industry, 1890-1945, University of Washington Digital Libraries, https://digitalcollections.lib.washington.edu/digital/collection/clarkkinsey/search/searchterm/asian%20japanese/field/subjec/mode/any/conn/and/cosuppress/ https://digitalcollections.lib.washington.edu/digital/collection/clarkkinsey/id/416/rec/45 https://www.nationalgeographic.com/history/article/the-bloody-history-of-anti-asian-violence-in-the-west https://en.wikipedia.org/wiki/Lynching_of_Asian_Americans

#jiaoyingsummers #comedy About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

#jiaoyingsummers #comedy About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

**Special note to our listeners** Love the show? Help us keep the conversation going!Become a paid subscriber through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Your contributions help us continue to make contenton issues related to the Asian-American, immigrant, modern parent experience.THANK YOU to our super awesome listeners who have already signed up!---------------------------------------We welcome Daniel Tam-Claiborne back for a second recording because as Susan would say, there was just too much juice to squeeze in just one episode :) While we talked about his experience growing up as a Chinese-Jewish biracial kid in New York City in the last recording, we fast forward in this one to his experience of becoming a dad. Daniel experienced significant symptoms of postpartum depression after his daughter arrived and he talks us through that often hidden experience that many dads go through after they become parents. He started speaking to his quarter- Chinese daughter in Mandarin as he was coming out of the worst of his postpartum depression and we discuss how he and his wife arrived at the decision to commit to a bilingual upbringing for their child who doesn't easily "read" as Chinese or Chinese American.If you'd like to learn more about Daniel Tam-Claiborne and his work, check out:- His debut novel ⁠Transplants⁠ which was a 2023 PEN America Literary Award Finalist- Website at ⁠www.travelbreedscontent.com

Matt Chen is a Chinese American entrepreneur, social media content creator, and builder of Daily Hanzi, an app helping people learn to read Chinese.  Currently at 24 years old he's decided to ditch his aerospace engineering degree and restart his life by moving to China.  Focused on bridging East and West through content about language, culture and identity he hopes to reconnect with his Asian heritage while improving his own Chinese literacy, finding a different path for himself in a new world.  Today, we talk about Matt's experience growing up in the US as an ABC and compare it to our own experience from an older generation.  We talk about his choice to move to China just ten months ago, his revelation during a job interview with a US defense contractor, and what's behind the "A Very Chinese Time In My Life" trend happening in America.  We also talk about the broad anxiety amongst his younger generation, finding purpose, and balancing digital and analog life.   Happy Chinese New Year! _____________________ If you enjoy this show don't forget to leave a rating! Follow Us On Instagram: https://www.instagram.com/thehonestdrink_/ RedNote: THD The Honest Drink WeChat: THD_Official Find us on: Spotify, Apple, YouTube, 小红书, Ximalaya, 小宇宙, 网易云音乐, Bilibili or anywhere else you get your podcasts.

On Thursday's show: Last week, the dean of the University of Houston's College of Liberal Arts and Social Sciences asked faculty he oversees to sign a document attesting they are not "indoctrinating" their students but are instead teaching them to think critically. One of those professors, Robert Zaretzky, responded with an op-ed in the Houston Chronicle saying he will not sign the document. He joins us to explain why.Also this hour: Houston's diversity shows up everywhere, including in foster care. We discuss how families navigate caregiving of children from different cultural backgrounds.Then, we visit this year's ongoing Mardi Gras celebrations in Galveston to learn how they're different from what happens in New Orleans.And, ahead of the Chinese New Year, which begins Feb. 17, we learn more about Chinese Americans' cultural and economic impacts here in Houston. And we talk about some of the Chinese constellations in the night sky with an area astronomer.Watch

Matt Chen is a Chinese American entrepreneur, social media content creator, and builder of Daily Hanzi, an app helping people learn to read Chinese. Currently at 24 years old he's decided to ditch his aerospace engineering degree and restart his life by moving to China. Focused on bridging East and West through content about language, culture and identity he hopes to reconnect with his Asian heritage while improving his own Chinese literacy, finding a different path for himself in a new world. Today, we talk about Matt's experience growing up in the US as an ABC and compare it to our own experience from an older generation. We talk about his choice to move to China just ten months ago, his revelation during a job interview with a US defense contractor, and what's behind the “A Very Chinese Time In My Life” trend happening in America. We also talk about the broad anxiety amongst his younger generation, finding purpose, and balancing digital and analog life. Happy Chinese New Year!____________________下载节目文字版: Episode Transcripts____________________If you enjoy this show don't forget to leave a rating and subscribe!小红书: THD The Honest DrinkFollow Us On IG: @thehonestdrink_Join Us On WeChat: THD_OfficialEmail: thehonestdrink@gmail.comFind us on: Spotify, Apple Podcasts, YouTube, 小宇宙, 喜马拉雅, 网易云音乐, 小红书, Bilibili or anywhere you get your podcasts.

Today we sit down and try to figure out what our ‘type' is, for romantic relationships, personal friendships, and work connections! We try to describe each others' types because sometimes…it's easier for a third party to clock the pattern ;-) We also try to dissect our personal values and needs based on the common factors we see in our close connections!Support the showFollow us on social media @eatyourcrustpod

Don't look away - if you keep looking at those hard questions, the answers come. Listen as we chat about this today! Diana Hongcha is a Chinese American author whose debut thriller, If You Don't Go, earned a silver medal at the Global Book Awards and reached Amazon Bestseller status. Born and raised in China, Diana emigrated to the United States as a teenager. A frequent traveler to China and a self-appointed culture attaché, she aims to write compelling stories that bridge the gap between the China she knows and the one depicted in the headlines. Diana dreams of one day splitting her time between Chengdu and Bozeman, Montana. For now, she's happily immersed in family life and the next story waiting to be told. Find out more at www.dianahongcha.com

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Welcome to Season 6, Episode 5! Our guest today is XiXi Tian who is both a lawyer and acclaimed author. Her latest work is the novel All the Way Around the Sun, a YA Romance that focuses on themes of belonging, identity, and overcoming trauma. In it, the main character Stella, a Chinese-American protagonist who's forced into a college roadtrip with her childhood friend turned rival. Their complicated history is made even more difficult as Stella navigates how to overcome the grief of a recent family tragedy. We love how it's a complex story with some familiar themes, and really showcases the difficulties of expectations, both internal and external, that can create familial habits and routines. And these habits can actually be a hindrance to facing and overcoming grief.   XiXi Tian was born in China and immigrated to the United States when she was a year old. After college, which included Harvard Law School, she decided to pursue her love of writing and published her first novel, This Place is Still Beautiful, a story about two Chinese-American sisters who respond to a racist attack against their home.  To learn more about XiXi, you can visit her at xixiwrites.com, follow her on Instagram @xixiwrites, and of course buy All the Way Around the Sun or This Place is Still Beautiful. Enjoy the conversation! If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

This week we got Brooklyn's own Onika McLean! #jiaoyingsummers #comedy About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

IWP Ep100 A Hidden History of the Chinese in Sonoma Valley Wine - Coral Wang of Maison des Plaisances and Emma Lipp - Valley Bar and Bottle. Coral of Maison De Plaisances and I have been hard at work on this special episode about the Chinese in early California viticulture.  We're going to be focussed in the Sonoma Valley and focussed around Viniculture but Napa, Fresno, LA and orchard and row crops will also make an appearance.  Coral was the one who challenged me to get started on this episode and she contributed research, ideas, pronunciations and more.  Her energy and enthusiasm for it were infectious. You should really check out her wines if you haven't Maisondp.com or taste them at Dos Bar.  Emma Lipp of Valley Bar and Bottle joins us also.  Her and Coral have a great conversation about Chinese contributions in food and wine, cultural appropriation, paying homage and respect to other cultures, what it means to be a Chinese American winemaker and much more. After that, I contribute some deeply researched history and Coral provides some more thoughts and texture to that history.  Valley was an intentional choice to record at, Jacob Leese built this building in 1836 and it's one of the oldest in the town. Chinese homes and businesses used to line the nearby streets.There are some challenges in an episode like this, because we have much less to go on with any individual Chinese worker than we would like, for various reasons, those accounts just rarely exist.  We do our best to piece together the story and what life was like for the average Chinese laborer from about the years around the discovery of gold to Prohibition.  Their documented contributions on individual ranches and wineries are often incomplete.  You get glimpses and glimmers but rarely the entire story in 1 account. Lucky for us there were lots of curious people documenting what they saw when they visited this new state.  There is also no way to complete this work in any reasonable amount of time and so we present what we have but the work continues.  It goes without saying that too much of this episode feels like it could be happening in 2026. Our friends at Laughing Gems and Garage Gal provided some great wine for the episode.https://upload.wikimedia.org/wikipedia/commons/3/32/Paul_Frenzeny_-_The_vintage_in_California.jpgFollow the podcast ⁠⁠⁠⁠⁠at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/indiewinepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or email indiewinepodcast@gmail.com with questions, comments or feedback. Please rate or subscribe or if you are able consider making a donation to help me keep telling wine stories ad free and available for everyone. -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/IndieWinePodcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/indie-wine-podcast/id1673557547⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/06FsKGiM9mYhhCHEFDOwjb⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/indiewinepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We're back with season 8! Did you miss us? Today we sit down to catch up over our thoughts for this new year and speculate on how 2026, Year of the Fire Horse, will be for us two Fire Rats.Support the showFollow us on social media @eatyourcrustpod

Wine isn't often the drink of choice in Chinese restaurants, yet the country's immigrants played a key role in planting Northern California vineyards and building wineries after the Gold Rush. Now, a Chinese American winemaker is bringing a taste of that history — along with her Sonoma and Napa wines — to Chinatown restaurants in the Bay Area and beyond. Reporter: Tina Caputo California State University has reached a legal settlement with its faculty union over the sharing of faculty information with federal authorities. Reporter: Juan Carlos Lara, KQED After over a decade of planning, and years of construction, Butte County finally has a new jail. Reporter: Claudia Brancart, North State Public Radio Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have the young, talented, and starving Sienna Hubert-Ross!About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Today on AirTalk: LA transit agency seeks to override state law allowing more homes near train and bus lines (0:30) A check in on California’s effort to get plastic out of landfills (16:55) Food Friday: Jade Rabbit brings generations of Chinese American cuisine into one fast casual restaurant (34:44) FilmWeek: What to watch (51:16) Feature: The 101 Best LA Films…according to the LA Times (1:08:01) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

In Part 2, we pick up where we left off in Part 1. Kathy left her hometown of San Francisco for the first time to go to college at USC. Originally, she wanted to major in science. There was and perhaps still is a prevailing expectation in her culture to go into some sort of lucrative career. Surely, no one would want to go into the food business intentionally, so the trope goes. So Kathy set out to make her parents proud. Soon enough, though, she realized she doesn't like science, and switched to becoming a business major. She earned a bachelor's in entrepreneurship and operations and soon got a job in the corporate world at the stock brokerage Merrill Lynch. A short time later, not too happy, she moved to Johnson and Johnson, another job that ended up boring her. Despite this, she was getting more and more used to LA and wasn't thinking necessarily of coming back. Still in her Twenties, the idea of joining her parents at their restaurant started to grow on her, and she took the plunge. She moved back to San Francisco and lived with Lily and Peter for a time. She'd been bringing college friends to her hometown for a while, parading them around to ride cable cars or eat at places like Taddich Grill. They'd explore San Francisco neighborhoods and restaurants with Kathy as their guide. Her friends loved it here. Duh. Returning home felt good for Kathy. Her husband had lived in Hawaii and Georgia and would sometimes urge to go other places. But Kathy is a city girl, an SF girl. "It's always good to be back." Her first year back, she worked with Peter and Lily at House of Nanking every day. She aimed to prove to her dad that she was serious about restaurant work. After that year, Kathy went to culinary school. When she graduated, Peter lovingly let her know that three is a crowd at his eatery and asked his daughter what she wanted to do. "I kinda wanna open another restaurant," she told him. He'd resisted opening a second location for House of Nanking. The idea of Kathy branching out, however, offered an opportunity to do a second restaurant, but have it be unique and distinct from his own place. Because the new joint would be father/daughter (vs. the husband/wife structure at House of Nanking), it provided space for Kathy's dishes, Peter's dishes, and menu items featuring collaborations between the two. The scaffolding was there, and it was solid. But right away, Kathy found herself the victim of outdated stereotypes of what it means to be a chef. Some even felt that the operation was nepotistic, that Kathy was just riding her dad's coattails. They couldn't imagine that she'd because a great chef in her own right. People, amirite? I ask Kathy whether it's an apt metaphor to say that House of Nanking gave birth to Fang. She agrees. She uses this topic as a springboard to describe physical differences between the two restaurants. House of Nanking feels older, more disheveled, with dim lighting. Fang is newer, cleaner-feeling, brighter. I was sitting there that day at House of Nanking, talking with Kathy, and I couldn't help wonder whether Anthony Bourdain had eaten there. She wasn't sure on the spot that day, but I looked it up. I'm almost certain he did not, but I can't help but believe he eventually would've made it. House of Nanking is just "like that." Kathy seizes on the opportunity to share celebrities who have been to her parents' restaurant, and tells the story of a recent mention by comedian and writer John Mulaney. She was in London when Mulaney performed in SF. On stage in The City, he mentioned loving House of Nanking and wishing it was open after his show. Kathy made a few phone calls from across the Atlantic and had food delivered to him. The next night, Kathy Griffin basically said the same thing. And Kathy Fang once again came through, having food brought to the comic actor. Griffin let it be known that House of Nanking is on an unofficial "comedy circuit," meaning a group of comedians who share tips about various cities and what to do and eat there. We start to wind down the conversation by talking about the book that Kathy wrote. Along with her dad, Kathy's new book, The House of Nanking Cookbook, is something that's been in the works for a while. Folks kept asking them to share their recipes, and Peter resisted. But then the show Chef Dynasty: House of Fang came out on Food Network. After her dad saw the show (and he's in it, mind you), he changed his tune. He wanted there to be a record of everything they'd accomplished. Kathy convinced Peter that a book was the best way to do just that. The book is written in both Peter's and Kathy's voices. So it's got the story of opening and carrying on all those years. But it also has Kathy's perspective, growing up in the restaurant and eventually becoming a chef in her own right. After doing research and seeing a dearth of Chinese-American cookbooks, getting her family's recipes out there became even more important for Kathy. The House of Nanking Cookbook is available at local bookstores. House of Nanking, 919 Kearny Street, @houseofnankingsf Fang restaurant, 660 Howard Street, @fangrestaurantsf Find more about Kathy on her website, kathyfang.com.

Discover The Strength of Water memoir, a powerful story of Chinese reverse immigration. Learn how one woman survived moving from 1920s Detroit to a rural Chinese village.Episode Resources:Get your copy of "The Strength of Water" by Karin K. JensenConnect with Karin K. JensenIn this incredible interview, author Karin K. Jensen shares the astonishing true story behind The Strength of Water memoir, a book that details her mother's unbelievable journey of perseverance. Born in America, her mother Helen was taken to a remote Chinese peasant village in the 1930s at just 11 years old. After surviving war, disease, and near-starvation, she fought her way back to the United States alone as a teenager. How does a person endure such immense hardship and not only survive, but build a life of strength and independence? This episode uncovers a story of resilience you won't soon forget.Join us as we explore the profound narrative of this unique memoir about a Chinese mother, as told by her daughter and author, Karin K. Jensen. We delve into the complex history that shaped this family's destiny, starting with the paper sons and daughters history that allowed her grandfather to immigrate to the U.S. despite the Chinese Exclusion Act. Karin paints a vivid picture of her mother's early life in a 1920s Detroit Chinese laundry, a world that was abruptly torn away. The conversation details the extreme culture shock Helen experienced in the reverse immigration story, moving from a modern American city to a Cantonese village with no electricity or modern medicine. We discuss the family dynamics with her new stepmother, the harrowing experience of contracting malaria and malnutrition, and being left for dead on a "death board." Throughout the discussion of The Strength of Water memoir, Karin highlights the unwavering spirit that drove her mother to survive. The story follows Helen's return to America, her work as a teen domestic in California, the pain of a difficult first marriage to a man with a gambling addiction, and her ultimate triumph in achieving financial independence and finding true partnership. This is more than just a Chinese reverse immigration story; it's a testament to the power of a mother's dream for a better life and the strength that can be found in the face of impossible odds.About Our Guest:Karin K. Jensen is the author of "The Strength of Water," a powerful memoir written in the voice of her mother, Helen. By meticulously interviewing her mother, aunts, uncle, and other family members, Karin reconstructed a lost piece of Chinese-American history, capturing her mother's incredible journey from an American-born child to a survivor of 1930s rural China and back again.Timestamps / Chapters:(00:00) The Unbelievable Reverse Immigration Story of Helen Chu(01:32) Writing in a Mother's Voice: Capturing Authenticity(03:40) The Journey to America: Understanding the "Paper Son" System(06:12) Life in a 1920s Detroit Chinese Laundry(15:23) Culture Shock in Reverse: Returning to a 1930s Cantonese Village(23:57) Illness and Survival: A Brush with Death in Rural China(27:14) The Kindness of Strangers: Securing a Passage Back to America(33:01) Trapped in a Difficult Marriage and the Hidden Cost of "Settling Down"(37:14) Building Financial Independence and Finding True Partnership(39:07) The Meaning Behind the Title: "The Strength of Water"(40:08) What's Next? Adapting the Story for the Screen

The cowboy is one of the most potent symbols of American Western mythology. But while pop culture might call John Wayne or the Marlboro Man to mind, real history tells a different story than Hollywood or history books. Cowboys in the West were racially diverse, and in Eastern Oregon, Chinese Americans played a big role in ranching and local economies.   As part of work to reclaim histories of the early Chinese diaspora in rural Oregon, archaeologists and community historians are on the trail of Eastern Oregon’s Chinese cowboys. That pursuit takes us to the historic Stewart Ranch in Grant County to learn more about Buckaroo Sam, cook Jim Lee and others who lived and worked there. We're joined by historical archaeologist Chelsea Rose to kick off a special series in collaboration with OPB’s “Oregon Experience,” the Southern Oregon University Laboratory of Anthropology and Jefferson Public Radio about unearthing Oregon history — the real stuff. -   For more episodes of The Evergreen, and to share your voice with us, visit our showpage. Follow OPB on Instagram, and follow host Jenn Chávez too. You can sign up for OPB’s newsletters to get what you need in your inbox regularly.   Don’t forget to check out our many podcasts, which can be found on any of your favorite podcast apps:HushTimber Wars Season 2: Salmon WarsPolitics NowThink Out Loud And many more! Check out our full show list here.  

This week we have comedian Joe Wong! About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Deanna Wong, creator of Dwadlings Art, is a Chinese-American non-binary artist creating functional ceramics and large-scale murals featuring wiggly critter-filled illustrations. At an even five foot tall, Deanna could be described as "just a little guy" and also a "very long yardstick." https://ThePottersCast.com/1191  

This week on Sinica, recorded at Yale University, I speak with Michael Brenes and Van Jackson, coauthors of The Rivalry Peril: How Great-Power Competition Threatens Peace and Weakens Democracy. Their argument is that framing the U.S.-China relationship as geopolitical rivalry has become more than just a foreign policy orientation — it's a domestic political project that reshapes budgets, norms, and coalitions in ways that actively harm American democracy and the American people. Rivalry narrows political possibility, makes dissent suspect, encourages neo-McCarthyism (the China Initiative, profiling of Chinese Americans), produces anti-AAPI hate, and redirects public investment away from social welfare and into defense spending through what they call "national security Keynesianism."Mike is interim director of the Brady Johnson Program in Grand Strategy at Yale, while Van is a senior lecturer in international relations at Victoria University of Wellington and host of the Un-Diplomatic Podcast. We discuss the genesis of their collaboration during the Biden administration, how they navigate China as a puzzle for the American left, canonical misrememberings of the Cold War that distort current China policy, the security dilemma feedback loop between Washington and Beijing, why defense-heavy stimulus is terrible at job creation, how rivalry politics weakens democracy, recent polling showing a shift toward engagement, and their vision for a "geopolitics of peace" anchored in Sino-U.S. détente 2.0.5:47 – The genesis of the book: recognizing Biden's Cold War liberalism 11:26 – How they approached writing together from different disciplinary homes 13:20 – Navigating China as a puzzle for the American left21:39 – How great power competition hardened from analytical framework into ideology 28:15 – Mike on two canonical misrememberings of the Cold War 33:18 – Van on the security dilemma and the nuclear feedback loop 39:55 – National security Keynesianism: why defense spending is bad at job creation 44:38 – How rivalry politics weakens democracy and securitizes dissent 48:09 – Building durable coalitions for restraint-oriented statecraft 51:27 – Has the post-COVID moral panic actually abated? 53:27 – The master narrative we need: a geopolitics of peace 55:29 – Associative balancing: achieving equilibrium through accommodation, not armsRecommendations:Van: The Long Twentieth Century by Giovanni Arrighi Mike: The World of the Cold War: 1945-1991 by Vladislav Zubok Kaiser: Pluribus (Apple TV series by Vince Gilligan)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.