Podcasts about Chinese Americans

Today we talk about workplace drama! We dissect the different types of "drama" that happen in the workplace, and discuss how gossip in the office can enhance or detract from the work experience.Support the showFollow us on social media @eatyourcrustpod

Willie Macc, one of Jiaoying's dearest friends from the beginning pops onto the Tiger Mommy pod for a delicious episode. Jiaoying and Willie talk Asian women's feet, girls proposing to guys, and more!About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

This little bonus episode features international comedian, Jesse Appell. Jiaoying is an asian woman in America, and Jesse was a white man in China, bonding the two greatly. Jiaoying and Jesse flip between Chinese and English during this bilingual hang, talking white babies, comedy in China, and more! About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Last time we spoke about the beginning of the Pacific War. In late 1941, the Second Battle of Changsha ended with Chinese forces claiming victory despite suffering nearly 100,000 casualties against roughly 1,670 Japanese losses. Chiang Kai-shek's government launched an aggressive propaganda campaign, flooding international press with fabricated triumph narratives to sustain national morale. Behind closed doors, Chiang was furious at his generals' tactical failures, executing commanders and dismantling units. Meanwhile, geopolitical forces threatened China's survival. Japan's 1939 defeat at Nomonhan crushed hopes for a Soviet alliance against Tokyo. Germany's pact with the Soviet Union left China isolated, while Western powers remained reluctant to commit meaningful support. Britain offered little; the US provided only modest loans. By 1941, facing potential collapse, Chiang desperately searched for allies while Wang Jingwei's Japanese-backed rival government beckoned as an alternative. China's exhausted people endured horror—including a 1941 bombing massacre in Chongqing that killed over 400 trapped civilians. Then Japan unleashed a surprise attack on Pearl Harbor.   #215 An Implosion in the East Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War.   In the early morning of December 7, 1941, the US Pacific Fleet was anchored at Pearl Harbor in Hawaii. Two waves of Japanese bomber aircraft, launched from six aircraft carriers, attacked the vessels and their sleeping crews, destroying the battleship Arizona outright and damaging seventeen others, as well as most of the military aircraft parked nearby. Some 2,400 Americans died, and another 1,100 were wounded. Within a day Japanese invasion forces had attacked Siam, Malaya, and the Philippines. Chiang Kai-shek heard the news at one o'clock in the morning and immediately dictated a letter of support to President Roosevelt, pledging commitment to a new "common battle." The news reached Zhou Fohai in Shanghai as well. On December 8 across the international date line from Hawaii he had heard the sounds of firing as the Japanese took over the rest of the city, and then received reports that Japan had declared war on the Western powers. "I heard they'd bombed Honolulu, Manila, Singapore, and Hong Kong. From now on, the Pacific becomes a killing ground."   When Japanese carrier planes descended on Pearl Harbor on December 7, 1941, they were executing far more than a tactical strike. They were unleashing the culmination of a strategic vision that had shaped Japanese military planning since the 1920s: the Nanshin-ron, or "Southern Advance" doctrine.    The Nanshin-ron represented a critical strategic choice that emerged from internal Japanese debates during the 1920s and 1930s. Japan faced an inescapable vulnerability: it was an island nation with virtually no natural resources of its own. The nation's population had doubled since the Meiji Restoration, growing to over 70 million by 1941. An industrial economy of tremendous sophistication, capable of producing world-class warships, aircraft, and military equipment, depended entirely on imported raw materials. Oil, rubber, tin, iron ore, bauxite, copper, and manganese all had to be acquired through foreign trade or conquest. This resource dependency was not a luxury problem; it was an existential one. A nation that could not feed itself or fuel its economy was a nation vulnerable to strangulation by enemies who controlled the resources it needed. Japanese strategic thinkers divided into two camps on how to resolve this vulnerability. The Hokushin-ron advocates, primarily within the Army, pushed for expansion northward into Siberia and Mongolia, seeking to conquer Soviet territory and resources. The Soviet Union possessed vast tracts of land, mineral wealth, timber, and agricultural output. From a purely materialist perspective, the Northern Advance made geographic sense—it was contiguous with Manchuria, which Japan had already secured in 1931. Yet by the late 1930s, the Hokushin-ron strategy had suffered a catastrophic blow. In 1938 and 1939, Japanese and Soviet forces clashed at Khalkhin Gol in Mongolia in what the Japanese called the Nomonhan Incident. The battles revealed a terrifying truth: the Soviet Red Army, under General Georgy Zhukov, was far more formidable than Japanese military planners had anticipated. Soviet armor, air power, and coordinated tactics annihilated Japanese forces. Japan suffered over 60,000 casualties while inflicting perhaps 10,000 on the Soviets. The defeat was concealed from the Japanese public, but it was unmistakable to military planners. A direct clash with Soviet power could end catastrophically. The Northern Advance, it became clear, would almost certainly provoke war with a nation capable of destroying the Japanese Army. This strategic defeat tilted the balance decisively toward the Nanshin-ron. If Japan could not safely expand northward, it must expand southward, toward Southeast Asia, the Dutch East Indies, Indochina, and the western Pacific. The appeal of the Nanshin-ron was immediately apparent to the Navy, which had always been more oriented toward maritime commerce and expansion across the ocean. The territories to the south were not militarily formidable. The colonial powers, Britain, the Netherlands, France, were either already defeated in 1940 or distracted by their own desperate struggles leaving Britain fighting alone against Germany. The United States, though potentially a formidable adversary, was not yet at war, and there was a chance, however slender, that a decisive blow against American naval power might convince America to negotiate rather than fight. But beyond strategic opportunity, the Nanshin-ron offered something that the Hokushin-ron did not: it offered resources of staggering abundance. The Dutch East Indies possessed oil reserves that could dwarf Japan's consumption for years. Malaya produced the world's rubber. Thailand offered agricultural bounty and geographic position. Burma's timber and agricultural products could feed Japan's growing empire. The Philippines possessed harbors, airfields, and economic output. These were not marginal additions to Japan's economy—they were transformative. Together, they would convert Japan from a resource-hungry island nation into the master of an imperial domain encompassing hundreds of millions of people and containing most of the strategic materials necessary for sustained industrial warfare. In the last episode I explained the western sanctions and embargoes that drained Japan's military of the resources they required to continue the China War. By 1941, Japan faced a civilization crisis. Japan imported roughly 90 percent of its petroleum, and the bulk of that came from the Dutch East Indies and the United States. Suddenly, the American supply was cut off entirely. Reserves would last perhaps 18 months if Japan's military and industrial consumption continued at existing rates. After that, the military machine would sputter and die. The industrial economy would collapse. Even civilian life would become impossible to sustain. Japan was facing not merely economic inconvenience but literal strangulation by the Western powers.   Yet it would be a mistake to reduce Japanese motivation to just materialism. Japanese military leaders wrapped their conquests in an ideological framework, one that many of them genuinely believed, or wanted to believe, served a higher historical purpose. The concept of the Daitoa Kyoeiken, the "Greater East Asia Co-Prosperity Sphere," posited a new regional order in which Japan would play the leading role in liberating Asian peoples from Western colonial domination and creating an Asian-centered political and economic system. This ideology drew on genuine anti-colonial sentiment. For a century, Western powers had dominated Asia, treating Asian peoples and nations as subordinate, colonized territories existing to serve Western economic interests. Japan, which had modernized and Westernized enough to avoid colonization, saw itself as the natural leader of an Asian renaissance—a civilizing force that would restore Asian dignity and independence even as it established Japanese hegemony. Of course, this was propagandistic. Japanese conquest represented a substitution of one imperial master for another, and often a harsher and more brutal one at that. But for understanding Japanese decision-making, the ideology mattered profoundly. It provided Japanese leaders with a moral narrative for conquest. It allowed them to understand themselves as liberators rather than mere conquerors. It provided a rationale for extracting resources from occupied territories and for mobilizing subject populations to support the Japanese war effort. And it resonated with anti-Western sentiment throughout Asia, making Japanese occupation seem, in some quarters, preferable to continued Western colonial rule. The slogan Hakko ichiu—"eight corners under one roof", captured this ideological vision: a unified Asia and eventually world under Japanese guidance. Whether Japanese leaders truly believed this vision or cynically deployed it as propaganda, it shaped how they understood their actions and justified them to their subjects. Now I know this is a podcast dedicated to the century of humiliation, ie: China's experience. But I thought it was necessary just to have one episode explain what Dan Carlin titled "a supernova in the east" and I have titled an implosion in the east. I won't go into depth into the campaigns as some of them have a lot of Chinese involvement and we will be covering them in depth, but rather I will explain the rationale for Japan's numerous invasions following the surprise attack on Pearl Harbor.   Japan's assault on Malaya began within hours of the Pearl Harbor attack, indeed, Japanese troops were already landing on the Kota Bharu beachhead on the Malaysian peninsula before dawn on December 8, 1941 local time. Malaya was one of the world's largest rubber producers, and Singapore, at the tip of the peninsula, was the linchpin of British naval power in the Far East.The Japanese interest in Malaya was straightforward but crucial: rubber. The Japanese military consumed vast quantities of rubber for tires, gaskets, hoses, and countless other applications. American and Dutch rubber supplies were now cut off by embargo. Malaya's rubber plantations represented perhaps the world's richest reservoir of this strategic material. Beyond rubber, Malaya and the surrounding region were major tin producers—essential for alloys and manufacturing. For Japan to conduct prolonged warfare, Malaya was not a luxury target; it was a necessity. Singapore represented something different: a symbol of Western power in Asia and a strategic chokepoint. As the major British naval base in the region, Singapore served as the anchor of British imperial authority across the South China Sea. By seizing Singapore, Japan would not only capture crucial resources and port facilities but would also deliver a psychological blow to the entire edifice of Western dominance in Asia. The fortress city that the British considered nearly impregnable fell within seventy days, a stunning demonstration of Japanese military capability and the vulnerability of overextended Western empires. If Malaya was critical for rubber, the Dutch East Indies was essential for oil. The region, comprising present-day Indonesia, was the world's third-largest oil producer and had reserves that could sustain Japanese military operations for years. This was the jewel of the resource-conquest strategy. Japanese planners had long eyed the East Indies, but direct conquest had seemed risky while Britain and America remained neutral or opposed. With both now at war, the window of opportunity had opened. Japan needed the oil so desperately that when the Dutch East Indies Petroleum Company initially agreed to some Japanese oil purchases before the war, Tokyo was already planning its takeover. The conquest of the Dutch East Indies would provide not just oil but also tin, nickel, bauxite, and other materials essential to an industrial war machine. The islands would also provide air and naval bases from which Japan could defend its new empire and potentially threaten Australia. The Japanese invasion of the Dutch East Indies, which began in late December 1941 and accelerated through January and February 1942, was methodical and comprehensive. Various island groups were targeted systematically: Java, Borneo, Celebes, and the Moluccas. Dutch military forces, though brave, were overwhelmed. By March 1942, Japan had secured the entire archipelago,a stunning logistical and military achievement that delivered vast resources into Japanese hands. Thailand presented a fundamentally different case from Japan's other targets. Rather than conquest, Japan pursued alliance with military strongman Plaek Phibunsongkhram, who had seized power in a 1938 coup as a nationalist ideologue determined to reassert Thai sovereignty and recover territory lost to French colonialism in the nineteenth century. Thailand was the last independent state in mainland Southeast Asia, hemmed in by British-controlled Burma and Malaya to the west, and French Indochina to the east. For a century, Thailand had survived by playing European imperial powers against each other. But by the late 1930s, this strategy was becoming obsolete. Europe was distracted by Hitler's Germany. Colonial powers were weakening. Japanese power was visibly ascending. Phibunsongkhram recognized both danger and opportunity. He could resist Japan and invite invasion, or he could ally with Japan and profit from rising Asian power. Japanese diplomats approached Thailand with sophistication: they offered military alliance and support for Thai territorial expansion at French expense. This addressed Thailand's deepest national wound, the humiliation of nineteenth-century territorial losses to France. The Franco-Thai War of 1940-1941 became transformative. With Japan providing military support, advisors, tanks, aircraft, Thai forces defeated the French for the first time in history. By May 1941, Thailand had recovered 54,000 square kilometers of Cambodian territory and portions of Laos. For Phibunsongkhram, this was extraordinary: he had achieved what Thai leaders could not in a century, reclaiming territory from a Western imperial power. Domestically, his position was dramatically strengthened. The parallel to China's century of humiliation—the foundation of your podcast is striking: Thailand too was reversing colonial diminishment through association with rising Asian power. The Thai-Japanese relationship was unique. Unlike the Philippines, Malaya, or the Dutch East Indies, Thailand would retain nominal independence. Phibunsongkhram remained in power. Japanese occupation was light. Thai forces maintained their own command structure. Most importantly, Thailand's territorial gains from the Franco-Thai War were recognized and secured. Japan valued Thai cooperation more than conquest. Burma, controlled by the British, was the next target in Japan's southwestward advance. Japanese planners had multiple motivations for invading Burma. First, it was strategically positioned on India's eastern frontier, and Japan harbored ambitions of eventually striking toward India and linking up with Germany in the Middle East or at least destabilizing the British position in South Asia. Second, Burma was a significant producer of timber and agricultural products. Third, and perhaps most importantly, the invasion of Burma was meant to cut the Burma Road, the crucial supply line that allowed American aid to reach Nationalist China. The invasion of Burma began in late 1941 and accelerated through early 1942.  The invasion of the Philippines, which began on December 10, 1941, just days after Pearl Harbor, served multiple strategic purposes. Like the assault on Pearl Harbor itself, it was meant to neutralize American military power in the region, in this case, the American garrison under General Douglas MacArthur and the American colonial administration. But the Philippines were also valuable in their own right. The islands sat directly in the path of what Japan envisioned as its defensive perimeter. By controlling the Philippines, Japan would make it extraordinarily difficult for American forces to project power westward into Southeast Asia. The territory would provide naval and air bases critical to defending Japan's new empire. Additionally, the Philippines possessed some agricultural and industrial resources valuable to the war effort, and their conquest delivered a psychological victory, defeating American forces and ending American colonial rule in Asia, which appealed to anti-Western sentiment that Japan tried to cultivate. Beyond Southeast Asia and the Philippines, Japan rapidly invaded Guam and Wake island to extend Japan's defensive perimeter further into the Pacific and eliminate American air and naval bases that could threaten Japanese operations. Guam, seized on December 10, 1941, fell within two days, the American garrison was small and the island's strategic value lay primarily in denying the United States a forward staging ground for any counteroffensive. Wake Island, attacked the same day and finally captured on December 23 after a brief but heroic American defense, served similar purposes: cutting off American reconnaissance and interdicting potential supply lines to the Philippines.  Now I believe that's enough of the implosion in the east, let's get back to the situation in China. After Chiang Kai-shek sent his letter of support to President Franklin D. Roosevelt, pledging Chinese commitment to what he termed a new "common battle." he did something most revealing about his mood towards the global war. He played "Ave Maria" on his gramophone, celebrating with an almost spiritual gratitude the implications of what had just transpired in the American Pacific. This moment crystallized the profound difference Pearl Harbor would mean to different members of the emerging Allied coalition. For the United States, the attack was pure shock, a violation of the sanctity of American soil and the complacency of American isolationism. For Britain, it was like the pricking of a large, painful blister—painful but perhaps not entirely unexpected given Japan's regional ambitions. But for China, the relief that surged through the government and the consciousness of the Chinese people surpassed even Britain's response. For four long years, China had fought Japan almost alone, watching as Western nations remained neutral or limited their commitment to rhetorical support and modest material assistance. Now, suddenly, the trajectory of the entire conflict had shifted with breathtaking speed. Chiang's emotional state at this moment could scarcely be contained, and those close to him understood that beneath his carefully maintained Confucian composure burned an intoxicating sensation of vindication. These Western powers who had been so impatient with Chinese strategy, who had mocked the retreats of the Nationalist Army and spoken scornfully of Japanese capabilities, were now themselves in headlong retreat from those very islanders. In Hong Kong, Singapore, and Manila, British and American forces would be fighting desperately for their lives against the Japanese military that China had been contending with for years. Chiang could not have failed to perceive the irony: the Japanese had conquered vast stretches of China through relentless campaigns, yet Westerners had dismissed Chinese resistance as inadequate. Now the Japanese were proving that they posed a formidable challenge to Western military power as well. There was a bitter satisfaction in this vindication, even as Chiang understood that the strategic implications of American entry far outweighed any emotional satisfaction. What was pragmatic and strategically clear to Chiang, however, was far more important than any emotional satisfaction. The United States was now at war, and it was on China's side. This represented the transformation for which Chiang had labored for years, bringing the full weight of American industrial capacity and military might to bear against the Japanese enemy. The diplomatic foundations for this alliance had already been laid in the months preceding Pearl Harbor. Beginning in the spring of 1941, the United States had begun to commit significant resources to supporting China. In April 1941, following the conclusion of the Soviet-Japanese neutrality agreement, which had devastated Chinese morale by suggesting that Japan might attack the Soviet Union rather than move southward, the Roosevelt administration had determined to provide $45 million worth of militarily useful commodities to China as an immediate gesture of support. Then, on May 6, 1941, President Roosevelt had made a more formal commitment by announcing that the munitions provisions of the Lend-Lease Act applied to China, declaring a phrase that captured the strategic logic of American assistance: "defending China is the key to defending America." This declaration represented a significant shift in American policy, elevating China from a regional concern to a central element of American grand strategy in Asia. Subsequently, in July 1941, Roosevelt had sent Owen Lattimore to China to serve as political adviser to the Chinese government, a position that signaled deepening American engagement with Chinese affairs. In August, the administration appointed John Magruder as military attaché and head of the American Military Mission to China (AMMISCA), with the primary responsibility of overseeing the delivery of Lend-Lease material to the Chinese armed forces. On the diplomatic front, Chiang moved with remarkable alacrity. He had already severed relations with Germany on July 2, 1941, the very day after Hitler had formally recognized the Wang Jingwei puppet government in an attempt to appease Japan and encourage it to finally implement the Southern Advance. Now, on December 8, 1941, just one day after the Pearl Harbor attack, Chiang took the decisive step of formally declaring war against the Axis powers, Germany, Italy, and Japan. This declaration transformed China's position from a beleaguered nation fighting a war of survival into a formal member of the Allied coalition. Chiang had seized the opportunity that Pearl Harbor presented to ally China with a genuinely strong power against Japan, a gambit that fundamentally altered the diplomatic weight and international legitimacy of both the Chinese government and the Chinese cause. From a strategic perspective, the Japanese had committed what Chiang and others immediately recognized as a catastrophic blunder. On the operational level, Pearl Harbor was indeed a devastating tactical success, the American Pacific Fleet was crippled, and Japanese forces now enjoyed temporary naval superiority throughout much of the Pacific and Southeast Asia. Yet strategically, Pearl Harbor represented a failure of epic proportions, a miscalculation rooted in a fundamental misunderstanding of the intangibles of warfare: what motivated the Chinese people and what motivated the Americans. The Chinese had understood, through four years of brutal conflict, that warfare was about more than territorial conquest and resource acquisition. It was about will, about endurance, about the capacity to absorb punishment and continue fighting. The Japanese had learned this lesson imperfectly in China, where despite overwhelming military advantages they had been unable to force a decisive conclusion or compel Chinese surrender. The Americans would teach the Japanese this lesson even more emphatically. The attack on American sailors in Hawaii instantly galvanized the American population to prosecute an unlimited war, with Tokyo itself as the ultimate destination of American counterattack. While Americans would remember the "date that will live in infamy" primarily because of the assault on Pearl Harbor itself, the strategic consequence was that Japanese actions in Hawaii had introduced numerous new adversaries into the Pacific conflict: not only the United States, but also Britain, Australia, New Zealand, and the Netherlands. These additions transformed what had been, from the Japanese perspective, a regional conflict with manageable parameters into a global war that Japan could not possibly win through any conceivable means. What made this particularly disastrous for Japan was the context in which the new theater had been opened. Japan was already deeply mired in a quagmire in China—a "malignant quagmire," as one observer would later characterize it, that had consumed vast resources, inflicted enormous casualties, and failed to produce decisive victory. In military strategy, it is sometimes wise to open a new theater in order to attack an enemy from an additional and unexpected direction, thereby dispersing their forces and creating new challenges for them to manage. But opening a new theater that introduces an entirely new, powerful adversary, and doing so when one is already overextended in an existing theater is a prescription for strategic catastrophe. This was precisely what Japan had done at Pearl Harbor. Chiang Kai-shek understood the magnitude of Japan's miscalculation with crystalline clarity. He understood that whatever the military complexities that lay ahead, whatever the challenges of coordinating with Western allies, and whatever the limitations of Western military assistance to China might be, the fundamental equation had changed. The United States would ultimately defeat Japan. The Chinese did not need to defeat Japan by themselves; they merely needed to survive long enough for American industrial and military capacity to grind the Japanese military into defeat. In the immediate aftermath of Pearl Harbor, Chinese and American officials moved swiftly to formalize the alliance and establish the mechanisms of wartime cooperation. Roosevelt asked Chiang Kai-shek to serve as commander in chief of the Allied forces in the China theater, a designation that recognized China's central role in the Pacific War and elevated Chiang's international standing to something he had long sought: a position as an equal partner in the Allied coalition, a seat at the "top table of global decision-making" alongside Roosevelt, Churchill, and Stalin. To support this expanded role and to ensure effective coordination of the military effort, Roosevelt dispatched Lieutenant General Joseph W. Stilwell to China. Stilwell was not chosen randomly; he brought fifteen years of experience in China, a deep familiarity with the country, its military, and its complexities that few American officers possessed. Stilwell was appointed to serve simultaneously as the U.S. government's military representative in China, as chief of staff of the China Theater, and as commander in chief of the American forces in the China-Burma-India (CBI) theater. This appointment established the framework for joint Chinese-American military cooperation and represented an American commitment to the Asian theater that, while never receiving the resources devoted to the European theater, nonetheless signified recognition of China's strategic importance. Trust me, going forward we will be having a lot of time dedicated to the hilarious bromance / bro hatred of Vinegar Joe and Peanut.  Yet the formation of an alliance and the establishment of command structures was easier than the practical implementation of military cooperation. The fundamental challenge that would plague Chinese-American relations throughout the war emerged almost immediately: the problem of delivering military assistance to China. Before Pearl Harbor, the United States and China had reached agreement on three major points regarding military assistance. First, the United States would provide training and technical support to assist China in establishing a modern air force. Second, the United States would provide training and equipment for a ground army consisting of thirty divisions. Third, the United States would assist China in constructing railways and highways from Yunnan to Burma, along with the provision of rolling stock and vehicles to support these new transportation routes. These were ambitious plans, reflecting the extent of Chinese need and American willingness to support the Chinese war effort. However, the outbreak of the Pacific War threw American plans into disarray. The fundamental strategic doctrine guiding American policy was the "Europe first" strategy, which meant that the European theater and the defeat of Nazi Germany received priority over the Pacific theater. Additionally, China's geography made it extraordinarily difficult to supply. China could only be reached through supply lines of extraordinary length and complexity, either through the port of Rangoon in Burma and then overland via the treacherous Yunnan-Burma Road, or through the port of Hong Kong, which immediately fell into Japanese hands after Pearl Harbor. The first Sino-American loan agreement had specified that the United States would deliver commodities worth $45 million to China in 1941. However, shipping shortages meant that only $26 million worth of commodities actually left the United States. These commodities were shipped to the transit port of Rangoon, where a massive traffic jam developed as supplies accumulated faster than they could be distributed onward to China. Along the Yunnan-Burma Road, that "much-contested life line" as it came to be known, conditions were chaotic. The road had always been a source of trouble: it was long, extraordinarily difficult to keep in repair, fantastically dangerous to travel, and too narrow to permit much volume of traffic at any one time. Due to mismanagement and pilfering, the commodities that were shipped out of Burma suffered heavy losses in transit, and only one-third of them eventually arrived in Chongqing. Yet the United States had already established one valuable asset in China that could be deployed relatively quickly: an air force nucleus. Just before Pearl Harbor, a group of American aviators had been formally organized in Chongqing who worked on volunteer status for China under the command of Colonel Claire Chennault, an American aviation officer who served as instructor at the Chinese Air Force Cadet School. Some of these men had been flying in China since the Kuomintang first began purchasing American aircraft, having come to demonstrate the aircraft and remaining to pilot and teach. Others had hurried to China after being released from their volunteer service in Spain, where they had gained combat experience during the Spanish Civil War. It was a familiar joke that pilots from both sides of the Spanish conflict were likely to meet and work side by side in China, but political convictions proved immaterial to these professional aviators, they got on well enough with each other, mercenaries of the twentieth century united by their expertise and their willingness to fight. When American traffic on the Burma Road swelled in volume and became chaotic, with cargo lost to pilfering and trucks breaking down from mishandling, the air freight service into Chongqing became increasingly vital to maintaining Chinese military capabilities. The backbone of this organization was American, and it had been in operation for months before the Japanese attack. Halfway down the Burma Road, over the border in Burma, was a plane factory backed by American and Chinese capital, providing some degree of repair and maintenance capacity for the aircraft operating out of China. Recognizing the strategic value of these experienced aviators and the need to formalize and expand their operations, American and Chinese officials moved quickly to incorporate this volunteer group, formally known as the American Volunteer Group or "Flying Tigers," into the U.S. Army Air Force. This transformation of volunteer aviators into official American military personnel represented a commitment to providing air support to Chinese operations, recognizing that air power could compensate to some degree for Chinese numerical disadvantages in ground combat. In Chongqing, it was clear that among the United Nations fighting Japan, America was the only one taking China seriously, the only one prepared to invest significant resources in Chinese military capabilities and the Chinese war effort. Yet Pearl Harbor brought consequences that extended far beyond the strategic and diplomatic spheres. For Western civilians living in China,missionaries, teachers, doctors, businessmen, and journalists, the attack represented a catastrophic change in their status and their fate. Until December 8, 1941, Westerners residing in China had maintained a curious protected status as foreign neutrals, even in areas nominally controlled by the Japanese. This status had provided them with a measure of distance from, and protection against, the grinding reality of the war that had devastated Chinese populations. For a century, Americans had been part of an imperial presence in China, sometimes benevolent, sometimes violent, but always ultimately under Western control. That world came to an abrupt end on December 8, 1941. All across eastern China, Americans and Britons were rounded up and interned. The International Settlement of Shanghai—that remarkable oasis of neutrality that had persisted in the midst of a war-torn city—was now reunified under Japanese control. Thousands of foreigners with Allied nationality were sent to holding camps scattered throughout occupied China. Some, like the eleven-year-old British boy Jim Ballard, would remain imprisoned for the remainder of the war, enduring hunger, cold, and disease in camps like Longhua, which housed approximately 2,000 detainees. Forty years later, as the novelist J. G. Ballard, he would memorialized this experience in his semi-autobiographical novel Empire of the Sun. For missionaries like Velva Brown, the evacuation process was degrading and final. The missionary staff were permitted to pack no more than three suitcases with their belongings. As they prepared to leave, Japanese and Taiwanese "sightseeing" parties arrived to decide which houses they might want to occupy. The journey home aboard crowded Japanese ships offered no concessions to status or dignity; ambassadors, consuls, merchants, and missionaries alike were given "bed-sized strips of Chinese matting which we spread side by side on the iron floor of the hold," as Brown recorded. The humiliation was compounded by the finality of it all. For many, their decades-long presence in China was ending not in orderly retreat but in hasty evacuation, leaving behind "servants, many of whom had been with us for fifteen or twenty years." Despite these immediate human tragedies, the strategic transformation that Pearl Harbor wrought for China was undeniable. Chiang Kai-shek now embarked on an entirely new sort of life, heavily involved with the leaders and generals of the Western powers. He held diplomatic discussions with the leaders of the United Nations and military planning sessions with Western generals. In these unfamiliar circumstances, he did his best to live up to the Confucian ideal of the gentleman, seldom permitting the mask to slip—though the pressure of these new responsibilities and the intoxicating combination of vindication and anxiety would occasionally prove too much even for his considerable self-control. Within weeks of Pearl Harbor, Chiang demonstrated the value he could bring to the new alliance. He visited India and spoke with the leaders of the Indian independence struggle as an ally and friend, as a fellow non-European speaking to others seeking to escape from colonialism and imperial domination. He joined the Allies in their first joint campaign, not in China but in the jungles of neighboring Burma, committing Chinese forces to operations outside China's borders in support of the broader Allied military strategy. Yet the price that Chiang would pay for China's belated entry into the global alliance against the Axis powers would prove to be a heavy one. Chiang desperately needed his new American and British partners, but accepting this alliance would unleash forces within Chinese society that would threaten the very basis of his political control. The complexities of this bargain would become most visible in the four-year struggle between Chiang and General Joseph Warren Stilwell, the American officer who would become simultaneously his chief of staff and the administrator of American military assistance to China. This relationship, shaped by mutual suspicion, different strategic visions, and incompatible political agendas, would define Chinese-American military cooperation during the Pacific War and would have profound implications extending far beyond the battlefields of Asia. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Pearl Harbor's shock reverberated through Asia. Japan's assault on Hawaii, combined with invasions of Burma, the Philippines, Guam, and Wake Island, inadvertently transformed regional conflict into global war. Chiang Kai-shek, vindicated after four years of isolation fighting Japan, embraced American alliance with profound relief. The U.S. committed military aid, appointed General Stilwell as chief of staff, and recognized China as a co-belligerent. For Chiang, this partnership brought diplomatic status but also internal tensions that would define the Pacific War's final chapter.

Welcome to Season 6, Episode 33! Our guest this episode is the award-winning broadcast journalist Carol Lin. Her career has placed her at the center of some of the most consequential moments in modern American history. Other than being a broadcast journalist Carol is also an author and educator, and her work has spanned more than two decades at the local, regional, and national levels of TV News.  A Los Angeles native and UCLA graduate, Carol began her career covering politics in Washington, D.C., before reporting and anchoring in Los Angeles and eventually joining the national ranks at ABC News and CNN. Throughout her career, Carol reported on many of the defining stories of the 1990s and early 2000s, covering everything from presidential politics and natural disasters to international conflicts and breaking news that shaped the nation.  Her memoir, When News Breaks: A Memoir of Love and War, offers an intimate look at the person behind the headlines, exploring not only the excitement of a remarkable journalism career but also the deeply personal experiences that shaped her life away from the camera. It's an honest and beautifully written memoir and it gives insight into how she overcame both personal and professional challenges to become one of the most recognized faces on TV. Along the way, her work earned some of journalism's highest honors, including a National Emmy Award, a George Foster Peabody Award, and the prestigious Alfred I. duPont–Columbia Award. She has also been recognized by the Los Angeles Press Club and became the first recipient of the Organization of Chinese Americans' National IMAGE Award for her contributions to journalism and the Asian American community. In our conversation, we talk about the differences between being a correspondent and an anchor, some of the difficulties that Asian American women faced in broadcast journalism, the challenges with breaking news like 9/11 when you're sometimes learning just before reporting, the beauty of living in Hawaii, and so much more. To learn more about Carol, you can visit her website carollinnow.com, follow her on instagram @carollinnow, buy her memoir When News Breaks, or follow her substack to read about stories of 9/11 whennewsbreaks.substack.com. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Local Australian legends, Luke & Sassy Scott, join Jiaoying Summers on the Tiger Mommy podcast! Perfectly timed ahead of her Australian tour, the brothers keep Jiaoying in the loop on what's going on in each city she's traveling to. The group chats Australian critters, rich cum, and more! About Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Hosts Miko Lee & Guest Host Mia Nakano celebrate Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. We speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Links for more information: More information on our guests: Golden State Valkyries Al Perez, President of the Filipino American Arts Exposition Artist Venazir Martinez DJ P-LO Cultural Practitioner Kristian Kabuay Carolyn Sideco Coaching Kapwa Raquel Redondiez SOMA Pilpinas     Show Transcript: [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. [00:01:13] Miko Lee: Welcome to Apex Express. I'm your host, Miko Lee, and tonight is Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. Tonight, please join me and my guest host, Mia Nakano, as we speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Join us. Today I have the honor of having my bestie with me who's gonna co-host Welcome to Apex, Mia Nakano.  [00:01:59] Mia Nakano: Hi, Miko. Thank you for having me.  [00:02:01] Miko Lee: I was invited to a Valkyries game, and I said, “Oh, my gosh, I need somebody with me that can speak basketball.” And so I thought of you.  [00:02:10] Mia Nakano: And here we are. And the Valkyries do put on a show. That's one of the things that makes them so great.  [00:02:15] Miko Lee: Yeah, it was super fun. It was Filipino Heritage Night, and so we got a chance to talk with the different artists that are there, what is the night about, what's the cultural celebration. What were some of the things that stood out to you?  [00:02:28] Mia Nakano: I think that it really got to the roots of, one, what a great sports city San Francisco and then just the broader Bay Area is, and two, the deep connections to the Filipino community that exists within the Bay Area. When you look at how historically the Warriors really came up and the fan shots from when they were at Oracle Arena, the huge fan base that was there initially was the Filipino community. To see that translate in a very different way as the Valkyries are coming up in the WNBA as this incredible team, second year, on their way to probably making the playoffs for the second year in a row, bringing that community back, particularly with all the connections of the artists, the activations, and even the food that they have in Chase Arena brings it full circle. [00:03:26] Miko Lee: Having Natalie Nakase as the coach there is so powerful and important representation for Asian Americans as well. The other thing that stood out to me was I did not know there was this history of basketball in the Philippines, and then to talk to the different guests on our show tonight about what that history represents, where it comes from, the connection to colonization, and then also how it's really developed into its own cultural phenomena in the Philippines. [00:03:55] Mia Nakano: I played basketball- All throughout junior high and high school and was very immersed in it in Southern California, but I had no idea that basketball was the national sport of the Philippines. After we came back from the game, I did a little a bit of a deep dive, and it was really wonderful to see that it actually started in the Philippines as a women's sport? And it was making sports more accessible to folks, and also very clearly connected to,, roots of colonization and religion. But to still have that anchor and connection there, and then this interesting juxtaposition where right now there has still never been a Filipina player in the WNBA. There are folks who people really thought were almost gonna make it. So there's still that one last phase that they need to break into this sport that is their national sport, but in the United States they're not quite there yet in terms of representation.  [00:04:55] Miko Lee: And talking with Coach Caroline, which people can hear later in the episode, about that history and how it was intended to be this women's sport in the Philippines because it was easier. They thought they'd give it to the women to play. But the men were watching going like, “Oh, this looks fun. This looks more fun than baseball. So it really just took off. I love that transition for that it went and across the country. A few of our guests talked about tenement basketball courts. It's just so wildly different from this country.  [00:05:25] Mia Nakano: I think that that is contextually just how sports are played in a lot of different countries in the world where they don't have access. When you think about people playing football, right, like soccer, in different areas where they are playing barefoot. They are playing in dirt or, like, fields that are not necessarily fields. I think that in the context of playing basketball differently in the Philippines versus the United States or even in European leagues, when the United States goes to play in the Olympics, even though you have the USA women's team, USA men's teams who are supposed to be the best of the best in the world, the way that the game is played at that particular level and arena is quite different. And so they all have to adjust to the physicality, to how calls are called just slightly differently. With smaller players in the WNBA what I find really incredible, and this is what Carolyn talks about a little bit, is like the layup packages? When you get close to the rim, you don't have a Filipino who just goes up and makes a regular layup. They do it with flair, right? There's a part of that maybe is a little bit of showmanship, but also it's a part of trying to sneak your way around bigger players so that you can get the basket. And anybody that you play against, even in a league that is familiar to you, you're gonna have to change your game up, and play to your strength, and also just know what you can't do in the game, and go to another person who has more of those strengths  [00:07:03] Miko Lee: One of the other things that stood out to me in talking with one of the artists, Christian, who was there in the outside, in the cultural area, and he was doing, pre-Filipino writing with folks, and we'll interview him later in the episode. He was saying how he does this activity at a lot of different games, but it was very different. That was the first time at the Valkyries, and he said the crowd was so different, that it felt like back in the day. It felt like community. There weren't tech bros. You feel like it, The audience was way more women, As someone that goes to Warriors' and Valkyries' games, do you notice a difference in the audience?    [00:07:41] Mia Nakano: The first Valkyries game that I had the opportunity to go to last year was their Pride Night, and that is the game that my wife and I always go to for the Warriors. It's a special feeling there. I noticed there was a whole parking lot area for strollers on different levels. There was such great energy, and people just talking about the game, people cheering or rooting for players on the other team. There was not a lot of negative energy going around. When Christian mentions, the tech bro energy, the people rolling around with Patagonia shirts, and sweatshirts, that is so true. You truly feel this family environment that's also very queer friendly. There's so many folks of color, and they're not just there because the team's winning, because last year we didn't know if the team was gonna win or not. They were just showing up. The Valkyries have really created such a strong culture that is team based. That's what you see with the Valkyries, but I also think that that's a testament to the coach, to the players, who really trust in one another, and to the community that we have in the Bay Area. I think even the players did not understand when they came here what they were stepping into, and they talk about talking to other players on opposing teams who are like, “Is it always like this? Is it every night?” They're like, “Every single night, this is how our fans are, and we love it.”  [00:09:14] Miko Lee: So it's in different WNBA hometowns it's not like that? [00:09:18] Mia Nakano: Absolutely not. The Valkyries have sold out every single game from day one. They are the first WNBA team, and I think the first women's professional sports team, to reach $100 billion in valuation. then you see other teams, like the Atlantic Dream, who are playing in arenas of 3,500, or the Dallas Wings, who are playing in much smaller arenas, even though they have all these franchise players like Angel Reese and Paige Bueckers and AZ Fudd. The Dallas Wings are actually moving to the same arena that the Mavericks are gonna play in next year. It's an interesting juxtaposition given where the context of our world is at, who's in office right now, the battles that we're having to fight to keep women's rights, queer rights, trans rights in the forefront and not have them stripped away. Yet on the other side of this, we have this huge, meteoric rise of women's sports, and it's not just basketball. It's baseball. It's hockey. It's all these different leagues that are starting to emerge and have huge fan bases where you can watch women's professional sports all year round. They're nationally televised games. [00:10:31] Miko Lee: Thank you for the history lesson and current events of women's sports. I love it. One of the other things that was really special for this Filipino heritage night was the halftime show where they had DJ P-Lo playing. And then they brought onto the court, the director of SOMA Pilipinas, Raquel Redondiez, and she runs San Francisco's Filipino Cultural Heritage District. She got her name on a Valkyries jersey, and was announced in the halftime moment as a big show. [00:11:05] Mia Nakano: I had a conversation with her said, ” the work that you are doing, particularly in this moment, bringing together the artists, the culture of Filipinos and Filipino history is so critical right now because so many of our communities, cultures, and stories are getting erased, that we are the culture bearers and culture keepers, and so thank you for doing that work.” [00:11:31] Miko Lee: SOMA Pilipinas, for those that don't know, was established as a Filipino cultural heritage district in 2016 and was one of the first in the state designated as an arts district by California Arts Council in 2017. So they do so much great work, they host great things from the, United States of Asian America Festival every year. Self-defense workshops for women. I've taken those in Kapwa Gardens that were amazing. They do mental health services for Filipino folks and provided groceries and COVID education and, Filipino language training, and then artists, as you were saying. They pulled together all these different folks, for this wonderful night to introduce a sense of heritage and a sense of pride that was really powerful. [00:12:19] Mia Nakano: , It's a really lovely connection back to the Filipinos banding together with Chinese American folks in Chinatown that really helped create the broader Asian American movement and what that word and power even means. [00:12:38] Miko Lee: From the I-Hotel to today [00:12:40] Mia Nakano: exactly, and all of that being really anchored and rooted in San Francisco, as well as everything that Larry Itliong did with union organizing that I think has just recently started to get recognized in the broader social justice movement.  [00:12:58] Miko Lee: I'll put links to past shows that we've done on the I-Hotel, on Larry Itliong, because folks, if they don't know about either of those movement le- leaders and huge moments in our Asian American history, they should. It's powerful part of our labor and housing rights history. Were there other things that stood out to you at this Valkyries game? [00:13:20] Mia Nakano: I know that this is probably not gonna be a surprise to you, but the fact that we honestly just got to go behind the scenes and see the inner workings of what the Valkyries, the tunnels and getting lost and trying to figure out where we're going. [00:13:34] Miko Lee: It was a maze down there, by the way. It was like, which direction? Go to this press room. No, this press room. This place. It was very much kind of, in theater-wise, it's like going backstage and seeing how the tech is done.  [00:13:46] Mia Nakano: The thing that was the most exciting about this unique experience was being able to see Natalie Nakase talk after the game, and the snippet in here is really incredible because it shed light into not just who she is as a coach and how she approached the game, but her investment in people, and the importance of seeing people for their full selves, and the importance of the whole WNBA as a league, as a business. They have a lot of money and power, so who are we gonna lift up? It's a always a very intentional choice of what is happening at Chase Arena, at the Valkyries nights, these heritage nights that really uplift so many wonderful communities that are doing incredible work.  [00:14:36] Miko Lee: We're gonna get a chance to do an interview with Coach Natalie in a different episode, so stay tuned for that. Is there anything else that you would like to share with our audience?  [00:14:45] Mia Nakano: Go see a Valkyries game. Go to Balhalla. It will change your life.  [00:14:50] Miko Lee: Experience Balhalla. Okay. Thank you for joining me, and hopefully you'll join me back when we do an interview with Coach Natalie too.  [00:14:59] Mia Nakano: Oh, absolutely.  [00:15:00] Miko Lee: To frame the conversation, we start with Valkyries coach Natalie Nakase, the first Asian American woman to coach a WNBA team. Last year, she was named WNBA Coach of the Year, and at the post-game presser, a reporter asked her, “Tonight is Filipino National Heritage Night, so can you talk a little bit about what it means for fans to be seen around the league?” This is her response. [00:15:25] Natalie Nakase: Yeah. It's huge. I love the fact that we can celebrate and acknowledge different cultures. I'm really big on that. I think it gives people almost like a superpower or a confidence for, you know, the day to be recognized like that and to be celebrated for everything that their, their culture brings. it also, I think, educates people about different cultures. And so I love the fact that we're super intentional about that because I think we have to do that more than not. And, it's exciting. I think this world needs more celebration. I think this world needs more love, more care, especially when some people are not seen as much. [00:16:01] Miko Lee: In the very loud outdoor Chase Arena area, we spoke with several of the folks involved in Filipino Heritage Night at the Valkyries. Please note that the sound quality is due to the nature of being outside a really excited fan base at the game. First off, listen in as we hear from Al Perez, who helped to curate this community celebration. [00:16:23] Al Perez: Hello, my name is Al Perez. I am a community organizer. I'm serving as president of a nonprofit called the Filipino American Arts Exposition, and we partnered with the Valkyries to help curate their cultural activation for Filipino Heritage Night tonight. [00:16:41] Miko Lee: Since the Valkyries are named after women warriors, is there a Filipina version of a woman warrior? [00:16:48] Al Perez: Absolutely. We have one that's local. Her name is Victoria Manalo Draves. She was the first American woman to win two Olympic golds in the Olympics in nine- 1928. She happens to be Filipina-American. So yeah, she was born and raised here in, in San Francisco Bay Area, so we're very proud of her to be, to represent us and be the warrior and an inspiration for all of us.  [00:17:11] Miko Lee: Excellent. And since Valhalla or Valhalla is the space that we want to get to, what is the Filipino version of that place you want to see? [00:17:19] Al Perez: Wow. [00:17:20] Miko Lee: That perfect world you wanna get to. [00:17:21] Al Perez: I think for us, we have this tradition called bayanihan. That's when we help each other towards a common goal. Yes. No matter how Herculean that task is, it's just coming together to help each other. So it's not necessarily a destination. It's more like an attitude of, coming together as a community towards a common goal, towards a cultural pride and community empowerment. [00:17:46] Miko Lee: Great. And tell us what you're doing here today with all these groups. [00:17:47] Al Perez: So we have an outreach table here because we're part of the organizing committee to curate tonight's event. So we actually have an event next weekend called the Pistahan Parade and Festival. It's the largest Filipino cultural celebration in the country, happening August 8th and 9th at the Yerba Buena Gardens, so please come check us out. There's a big parade down Market Street on Saturday to kick off the festival weekend, and then the festival's at the Yerba Buena Gardens, 11 to 5. We're here to promote that event as well as all our other upcoming events in the fall. We're also curating the Filipino Heritage Night with the Golden State Warriors, with the Giants, San Jose Sharks, and San Jose Earthquakes. And then one more. October is Filipino American History Month in the country. So we also produce official celebration proclamation by the mayor at City Hall. So we have a reception, we have entertainment, and we light the City Hall building with Philippine flag colors.  [00:18:42] Miko Lee: And when folks are coming out to these Filipino nights, what should they expect? What's happening?  [00:18:47] Al Perez: Our goal is to be here to be in community, to help showcase our beautiful culture, our traditions. So when these events happen, we usually have, cultural performances, either a pre-game or a halftime. Tonight you're gonna see, P-Lo, a Filipino rapper and a hip hop singer. Here in the plaza we have some basketball hoops, because basketball is a big thing in the Philippines, our national sport. There's also, Sarap Shop is a concession inside. They have Filipino food there. Our goal is to get people a little taste of our Filipino culture, so hopefully they'll be inspired to, to learn more about our community and our culture. [00:19:29] Miko Lee: And what's your dream for the game tonight?  [00:19:31] Al Perez: Of course, to win, right? Number, yeah, number one, Valkyries to win. And also, I hope that people will come and learn about our culture, and to appreciate it more. Maybe it will inspire them to try some Filipino food, or even come to our Pistahan Festival next weekend. Also Señor Sisig is right here in the plaza. They also do fusion Filipino food. I'm hoping that, by being here, people can get to be a little bit more familiar and curious about Filipino culture and community. We have such a, vibrant and diverse culture, we love to be in community. Our food's delicious, and entertainment's fantastic. So come check us out wherever and whenever you can.  [00:20:14] Mia Nakano: I'm wondering if you could talk a little bit about the artists who are here and the community organizations that are here tonight.  [00:20:19] Al Perez: So there's several of us nonprofit organizations here. Our group's the Filipino American Arts Exposition, our mission is more about broadening awareness and deepening understanding of Filipino culture and traditions by doing these cultural events. There's another group here called Young Filipino Professionals Association, or YFPA. They're more about, , uplifting young entrepreneurs, young career-minded, individuals to help them on their path to being more successful. There's also SoMa Pilipinas Cultural District is here. That's a new, relatively new, neighborhood in San Francisco. You know, there's Chinatown, there's Japantown, there's North Beach, so now we also have a Filipino community. It's called SoMa Pilipinas, they're also celebrating their 10th anniversary this year as being, designated as a cultural district. There's also Venazir is a visual artist. She's doing live art mural here inspired by Filipino culture and the intersection of culture and basketball. So it's a great way for people to kind of learn about our fine arts, our visual arts, and our he- heritage. Kristian Cabuay is doing script writing of traditional pre-colonial Philippine script. You know, Chinese and Japanese have their own script writing. The Phi- Filipino community also did before we were colonized by Spain. It's kind of almost forgotten and almost wiped out, so there's a few people now that's trying to revive that, that old tradition of writing .. It's called Baybayin.    [00:21:42] Mia Nakano: Can you talk a little bit about the history or why basketball is the national sport of the Philippines?   [00:21:48] Al Perez: Yeah. It's interesting. Yeah, why is basketball the national sport? I'm not sure exactly, but I think it has to do when after the Philippines was colonized by Spain, and then it, the country became, a commonwealth of the United States, right? And during that time, a lot of Americans came to the Philippines, to establish educational institutions, and one of them is sports. It just got introduced to us, and somehow it clicked. Everybody loves basketball. No matter where you are in the Philippines, in every little barrio, every little town, there's always a game happening [00:22:21] Miko Lee: So are people playing in school, like they start in elementary school, or is it more community based?  [00:22:26] Al Perez: I think it's both. It's just kinda grow, ingrown when you're just a kid growing up in your community. There's always basketball around you, surrounded by basketball. And then of course in more, elementary, high school, it became more teams dynamic, and you got competitions , intramural games. Even between little neighborhoods and little towns, they also have competitions. It's really a big deal. In fact, they love NBA. All the American basketball players are so popular. Everybody knows who they are. [00:22:54] Miko Lee: Al mentioned artist Venazir Martinez, and we pulled her away from the beautiful mural she was creating to talk with us. Again, this is outside, so the sound is quite loud. Venazir is a muralist and a visual anthropreneur. She weaves a tapestry of narratives that explore the connections between human traditions and the ever-changing landscapes that shape them. Listen as she tells us about her work and how she utilizes a symbolic red thread [00:23:25] Venazir Martinez: I'm Venazir Martinez. I am a muralist and a visual entrepreneur, and I am invited to create a live painting for the Golden State Valkyries. [00:23:36] Miko Lee: What has inspired you to create this work of art? [00:23:39] Venazir Martinez: So first and foremost, of course, women empowerment, and we have a lot of very talented Filipino Americans who play basketball. In the Philippines, because I grew up in the Philippines, basketball is such a huge deal. Everywhere in the most promote areas in the Philippines, basketball is their way of enjoying themselves and just pretty much having a time of their life. Basketball tenements are everywhere in the most remote areas in the Philippines. There's this concept of Filipino resiliency that I wanted to incorporate in my work, there are basketball hoops that is made out of wood scraps and like discarded metals. I wanted to highlight that part of Philippine ingenuity. That's why I'm here is to just shed light on that beautiful concept of Filipino ingenuity that we have.  [00:24:40] Miko Lee: I love that. Thank you for sharing. Can you break down what a basketball tenement is?  [00:24:44] Venazir Martinez: Oh, basketball tenement. So tenement courts, these are,.. How do I say this? In America, there's basketball courts that is, like, roofed. Okay. With a roof, and-  [00:24:54] Miko Lee: Like in a gymnasium.  [00:24:56] Venazir Martinez: In a gymnasium, yes. But in the Philippines, anywhere can be a basketball tenement court. They'll just put up a basketball hoop in a pole, like an electricity pole, and they can already play basketball in that area. [00:25:12] Miko Lee: So their court's just made up anywhere. Yeah. Anywhere in the community.  [00:25:14] Venazir Martinez: Anywhere in the community, in the most remote areas in the Philippines, they do that all the time. I grew up in the Philippines, so, it's that really is an immersive experience of having to see basketball really change lives for young people in our community. [00:25:32] Miko Lee: So we're at a WNBA game, and I'm wondering if there was a woman basketball player that you looked up to when you were growing up.  [00:25:39] Venazir Martinez: Growing up, my dad plays basketball. That's the only experience I know that, remembering what basketball is like. ‘Cause I'm mostly in martial arts. But here I am trying to experience a different, like, more empowering way of sports. And it's when I came to America that I experienced this kind of really, it's kind of empowering.  [00:26:01] Miko Lee: And since the Valkyries are women warriors, is there a Filipina equivalent of the woman warrior? Is there a Filipina equivalent of a woman warrior? [00:26:01] Venazir Martinez: There's a lot. There's a lot of very empowering Filipina. First and foremost, it's the Filipina community leaders that I know of in the Bay Area. They are my women warriors. They helped me from the ground up. They created a home for me. They, you know, so they welcomed me. The filipina community in the Bay Area welcomed me. They're all women.  [00:26:31] Miko Lee: Who would you say are some of those folks, some of those women?  [00:26:34] Venazir Martinez: Sonia Villarin, she wears so many hats. She's president of Filipina Food Movement, founder of summer camp in the University of the Philippines Alumni Association in San Francisco. She was the, senior vice president for Bank of America Global Leasing, and she welcomed her home to me and, pretty much, helped me establish my life here as an artist. So those are my women warriors. [00:27:00] Miko Lee: And when people see your beautiful work, what do you want them to walk away with feeling? [00:27:05] Venazir Martinez: I want them to take a second look again in my work, because these, my work pretty much talks about Filipino immigrants, and immigration at large, and pretty much our contributions and the harvested hopes that we have contributed in this cultural landscape,  [00:27:28] Miko Lee: this show is a pop-up tonight, so where can folks find out more about your work or see your work in the community? [00:27:34] Venazir Martinez: I have a huge, huge mural, 2,500 square feet mural in 5th and Folsom in San Francisco, downtown San Francisco in SoMa. It's called Ani, meaning to harvest. There's one in downtown Santa Cruz. There is one in Yuba City. There are multiple murals in Michigan, in New York, mostly in Queens. It's pretty much everywhere, but if you follow the red thread, which is my signature, my artist signature, you'll know that it's my work.  [00:28:08] Miko Lee: Thank you so much. Thank you so very much. Appreciate you taking the time. Another artist presenting their work was Kristian Kabuay working on pre-Philippines calligraphy. His line was so long that we ended up interviewing him separately. Christian is an artist, entrepreneur, futurist who specializes in endangered writing systems and tattoos from the Philippines. Hello, and welcome to Apex Express. Can you tell me your name, your background and what you were doing at the Valkyries Filipino Heritage Night? [00:28:40] Kristian Kabuay: Yeah. My name is Kristian Kabuay. I'm a cultural practitioner specializing in our old, uh, pre-colonial, I say pre-Philippine, writing system and tattooing traditions. I was at the Valkyries, Filipino Heritage Night to interact with the community. I've done a lot of work with the Warriors, you know, going back to Oracle for these cultural nights, the Giants, as well. So most of the teams in the Bay Area, but it was my first time with the Valkyries, and it was quite different. [00:29:16] Miko Lee: How was it different?  [00:29:17] Kristian Kabuay: The vibe was, um… I'm telling everybody that it was my first Valkyries game, too. So the vibe was different. It reminds me of the old Oracle, it wasn't full of, like, tech money that are, you know, Patagonia vests watching the game. It felt very homegrown and it just brought me back to those days in old Oakland A's and when the Warriors were in Oracle. [00:29:42] Miko Lee: What does that evoke for you? What is that feeling like?  [00:29:46] Kristian Kabuay: It gives me a stronger sense of community and the audience is different. The demographics is different. There isn't that toxic male energy. I don't have to worry about someone being drunk and going off and, it was very homey and welcoming. It brings back, as a kid, when I used to watch A's games in the bleachers, watching at Oracle, the community, and not everyone was there to be seen. They were really there for the team.  [00:30:15] Miko Lee: Oh, I love that. I actually do feel like it is, it's such a we're together community vibe. [00:30:20] Kristian Kabuay: Yeah. They even had the wave. I know some snooty teams, they don't have the wave, so-  [00:30:26] Miko Lee: That wave went on for a long time, too.  [00:30:29] Kristian Kabuay: Exactly. I've been to a lot of games. They're, “Oh, I don't wanna look stupid,” or whatever? So that's a big part of my childhood.  [00:30:36] Miko Lee: So I was gonna try and talk with you at the game like I did the other artists, but you had a huge line waiting to see you and talk to you. Talk with me a little bit more about your art form and this pre-clo colonization form of writing.  [00:30:52] Kristian Kabuay: Yeah. Most civilizations had a writing system. It was prior to the land alphabet when the Spanish came and colonized the Philippines in the 1500s. We have this writing. There's only one ethnolinguistic group left in the Philippines that writes it. I come from a background of calligraphy, graffiti and abstract art. When I started to practice it, I incorporated those things. Later I found that I had to become an educator. Then starting to do the cultural festivals. Then you make your parents proud. It wasn't until I started to interact with the community that, there was this responsibility. I didn't come from a highly academic background, but I was being invited to Stanford and Berkeley to give talks about this. So, you know, that imposter syndrome kicked in. Because of the efforts that I've started in, 2010s, the idea of education around this specific writing system, my service isn't really needed. It's out there. Wikipedia, even AI can do it now, and there's a lot of influencers on TikTok that are, building on the stuff that I did 10 years ago. It goes in line with my idea of putting myself out of business. ‘Cause if it's a cultural practice, then you shouldn't be this gatekeeper, this apex of this this knowledge or this practice. It needs to be spread  [00:32:15] Miko Lee: What is the writing system called?  [00:32:17] Kristian Kabuay: A couple names. One of the popular names is Baybayin, and that literally means to spell. It's an adverb, but then it became a noun. So there's many different names depending on the languages in the Philippines.  [00:32:30] Miko Lee: And you said that there's a village of folks that still utilize it. Have you been there?  [00:32:34] Kristian Kabuay: Yeah, I was there in 2016 with a research trip. I stayed with them for a few days to learn, a bit about more about the culture and to donate some time and volunteer, 'cause there's the Mangyan Heritage Foundation. I did some technology work with them. But then also meet with the elders that were there. The village elder did an interview for a film project that I'm doing, but also met the heirs, the daughters in the family that ultimately inherited this practice. [00:33:02] Miko Lee: And so they know that you're teaching this cultural practice around the world, and what is their opinion of that? What do they think?  [00:33:09] Kristian Kabuay: They like it, because it's a different perspective, and a lot of questions. When I go home they go, “Oh, why are you interested in this?” It's a totally different perspective. ‘Cause out here, we have our identity, and the diaspora issues. But back home, because of circumstances, colonization, et cetera, then, the priority is to eat, to live, not to preserve these cultural practices. I've had some indigenous elders tell me that when People come over there, to do their dissertation and they need to figure out their paper to get their PhD. They ask them, “What are you doing to preserve this?” It's kind of extractive or, like, information gathering. Honestly, it really is you strip it down, it is, survival: food, clothing, and shelter.  [00:33:52] Miko Lee: When people were standing in line for you at the actual Valkyrie's game, what were they asking you to write? Were they asking you to write notes or their name, or what was the request?  [00:34:03] Kristian Kabuay: Yeah. Yeah, the line… I was telling people I've never had a line that long when I've done the Warriors. So- … you know, it's kind of different.  [00:34:10] Miko Lee: That's interesting. Just saying [00:34:11] Kristian Kabuay: Yes. I was writing mainly people's names- Mm um, and some words. Maybe a, a good third were non-Filipino, some were there just curious and asking and cultural sharing. Someone knows a Filipino and they go, “Oh, can you write mahal kita?” Like, I love you. And so, we pick up things, just here in the Bay Area. I have conversations with people wanna hear a family name that I never heard about. I say, “Whoa, where's your family from?” Kids learn the stories on how they combine names and some of the origins. It's always interesting when I do this with folks. [00:34:44] Miko Lee: I love that. And you're also a tattoo artist. Do you use some of this writing in your tattoo artistry?  [00:34:51] Kristian Kabuay: Yeah, I do. And that's where the separation between the art and the cultural practice is. Where the writing wasn't tattooed traditionally, but that's where I kind of balance the art. And I separate those two where art is my expression, my personal expression on paper or maybe even on a body, but a cultural practice is more about them and their lineage. So I have to be clear to make those two distinctions.  [00:35:20] Miko Lee: So a question I've asked all the different people that have been involved in this night is that the Valkyries are based on women warriors, and I wonder if there's a Filipina woman warrior that comes to mind to you? [00:35:32] Kristian Kabuay: Yeah, there is. There's one that, part of the lore. Where my dad's from, in his area called Pangasinan, the land of the salt. There's a princess warrior named Princess Urduja that was thought of as a great warrior. This specific Princess Urduja has that Valkyrie's spirit. All the artwork that you see and Academics will say, “Oh, it's you're romanticizing,” and things like that. But you know what? We need a little romance in our lives, right? And romance leads to action.  [00:36:03] Miko Lee: Ah, we certainly do. I'm wondering, with all those people, the long line that stood waiting for you, and you're having these conversations, what would you like them to walk away with after interacting with you?  [00:36:14] Kristian Kabuay: Yeah. That's why there was a sign, and I took a picture of it. It doesn't say, Philippine writing. So it says pre-Philippine calligraphy. I made that term up in 2007 as a way to jolt someone's idea of what pre-Hispanic, pre-colonial is. ‘Cause those things kinda just fly overhead. But if I said pre-Philippines, people, they take a step back and they, “What's that mean?” Or they try to have a smart comeback, “Well, what were we before then?” And my question's always then, “Well, I don't know. Let's talk about it.” That gray area, that being uncomfortable, leads to more curiosity, and ultimately, that's what I want folks to go ahead and, you know… oh, I have this banana leaf. I ran out of index cards. I brought 100 of them. I had these banana leaves that I just meant to decorate the table. I said, “You know what? Let me write on these banana leaves like how our ancestors did.” People are asking, “Oh, what, we wrote on banana leaves?” I'm all, “Yeah, we wrote on, organic materials.” So this thing is probably gonna wilt away in a few weeks or a month or so, but that's how it is. So it's a metaphor for our physical selves, but then also, the message. Maybe they can go ahead and learn how to write it themselves or until we reconnect again. [00:37:31] Miko Lee: Hmm. That's beautiful. And how can our audience find out more about you and your work?  [00:37:36] Kristian Kabuay: Yeah, you can just search for me online. My last name's K-A-B-U-A-Y. First name's Kristian, both with a K. All over the internets and the socials, pretty easy to find.  [00:37:46] Miko Lee: Thank you. And we'll put links to your website in our show notes, so thank you so much for chatting with me today. [00:37:52] Kristian Kabuay: Thanks, Miko [00:37:54] Miko Lee: I honestly didn't know that basketball was such a revered sport in the Philippines. So wanting to find out more, I reached out to a bunch of community folks, and multiple people said, “Reach out to Coach Carolyn Sudeco. She's the one. She's in the know.” So talking to me from her vacation spot halfway around the world is Coaching Kapwa's Carolyn Sudeco. Welcome, Carolyn Sideco, to Apex Express. I'm so happy to have you here.  [00:38:19] Carolyn Sideco: Thank you for having me.  [00:38:21] Miko Lee: Can you first start by telling me who are your people and what legacy do you carry with you? [00:38:27] Carolyn Sideco: Oh my gosh, my people are, collectively, folks who identify as, Philippinics, Filipina, Filipino, and American, and, migratory, and those who claim blood relation and those who I'm still looking for. I live in San Francisco, California, Ohlone land, and also in the land of Choctaw Bulbancha, which is New Orleans, Louisiana. Those are the two places I reside.  [00:39:04] Miko Lee: Can you share about your work with Coaching Kapwa?  [00:39:08] Carolyn Sideco: Coaching Kapwa is what I love to do, and my background professionally is as a certified athletic administrator. I'm a physical educator at the high school level by profession, by certification, by training. But really what I love to do, and so what I do in my consultancy, is I explore and I examine and I think about and learn about everything related to sports cultures and how the culture of sports in all its various ways affect our societies. Specifically, I geek out over learning about my own Filipino American histories and other peoples. Learning that through the concept or the constructs of culture and how sports really is, for me, the funnest way to investigate who I am and who we are to each other. I call myself a sports relationship coach. I am a sports cultures consultant. I also like to identify as a sports liberator. [00:40:16] Miko Lee: Ooh, can you break down what a sports liberator is? [00:40:20] Carolyn Sideco: Miko, I took that from a friend of mine, Danya Cabello, also from the East Bay. Played at Cal, played professionally, and when I first met her years ago, she identified as such, and I said, “That is exactly the kind of person that I wanna be, like, in sports.” I wanted sports to be a way that I could share with people who we are to one another. I wanted to teach young people that they can express themselves in a way that helps make them feel free. With my background in sports administration, I was feeling like the sports industrial complex was really the antithesis of that. And what a lot of people in my profession were striving for was this success that was not defined in the same way that I was defining what my liberation was, and what I felt through sports. So I adopted that. I asked Dania, “Can I call myself a sports liberator too?” And she said, “Girl, you call yourself whatever you want.” So that's what I go by.  [00:41:37] Miko Lee: Ooh, thank you for sharing. That's so interesting in the midst of our kind of capitalization of sports, how corporate it has become. Interesting. Thanks. I also wanted to thank you for sharing with me, Rafe Bartholomew's Hoop Nation and Cassidy Hubbard's, Hoop's Paradise. So those, along with your YouTubes, really gave me a grounding in the connection to between basketball and the Philippines. I'll put a link to those in the show notes for other people that like to do deep dives like me. But can you just give our audience a sense of why basketball is so popular in the Philippines?  [00:42:10] Carolyn Sideco: I learned about the history of basketball and Filipino culture in the Philippines through various people, Rafe Bartholomew one of them, and his book Pacific Rims. A friend of mine here in the San Francisco Bay Area, Kevin Santos, was doing his master's thesis on the history of basketball in the Philippines, and putting an ethnic studies frame on it, so he was the one who actually, practiced his thesis and presentation with me, and I learned a lot through him, and through other people as I was learning about this myself, and how basketball when it was initially, or as we, the modern game of basketball was invented, by Dr. Naismith in Massachusetts with the peach tree basket. Most of us are familiar with that history, but also that was around the time of the Philippine-American War, and US colonization was at its beginning. And so what did the United States export, was its culture, and a lot of that was through sports, mainly baseball, 'cause baseball was already the national pastime. Basketball was relatively new, and basketball was taught in the Philippines also, like in conjunction with the American education system by teachers, by the Thomasites, and by others who were using that form of colonization. They gave basketball to the women and the girls, because it was the lesser sport. It was the newer sport, so it was the lesser sport. They gave it to the women. The men were supposed to play baseball. The Philippines is a collective society- Baseball is a spread out sport, and people aren't close to one another. You're out on a field, it's hella hot, and it's boring. [00:44:17] Miko Lee: Agree. Totally agree …  [00:44:19] Carolyn Sideco: it's easy, to make this assumption that these people playing baseball were watching the girls and women play basketball, and it's faster. Close to one another. It's easy to make a space. So they started playing basketball.  [00:44:39] Miko Lee: Also, you don't need all the things. You need a ball. [00:44:41] Carolyn Sideco: Exactly. In the early days, you didn't even need shoes. Yeah. So it took off in that way because basketball already itself was an activity that Filipino people, kinda took hold of already, and they made it their own. Trained teams started forming and the Philippines had national teams that were already very successful in Asian context, so Asian tournaments they were dominating. In 1975, the Philippine Basketball Association became the first men's, basketball league in Asia, and the first after the NBA in America. So the Philippines has had a long history of relationship with the sport of basketball, but because it's been so long, the sport itself was formed in response to all the cultural aspects that were already existing, right? a lot of town squares had basketball courts 'cause it was so easy to put there. So the same plazas, meeting spaces where people would have their town gatherings, social places, were also courts  [00:45:56] Miko Lee: And why do you think or just surmise that basketball has taken off more than, football or American term soccer, which is developed so much in other countries, which is also a little bit more communal? [00:46:08] Carolyn Sideco: My opinion is that American colonization, in the United States dictated, much more the United States cannot dictate because football or soccer is a more global sport, and the US didn't have as much stake in guiding that as a colonization tool as they did basketball. [00:46:29] Miko Lee: Hmm. Interesting. Speaking of the colonization and politics, I'm wondering about the connection between basketball and politics. In, Cassidy's podcast, they were talking about a politician who released their own basketball shoe, which is wild to me. Yes. So I wonder if there's other connections between basketball or politics, and if that's generally somebody who's more on the colonizer's viewpoint or more conservative viewpoint. Hmm.  [00:46:58] Carolyn Sideco: Hmm. Interesting. I, hmm, I go back and forth with this a lot, Miko, the colonizing tool that is sports, especially the capitalistic sort of, extraction, of sports, right? Of its players, who I like to think of as workers. They're also workers, right? The professional, Philippine Basketball Association is not much different than even professional sports in America with the way they're set up, right? You have owning groups or companies, and so you have these ways that exploitation and that workers' rights are… how do I say it? Because it's at the professional level, these concepts are very much at play, excuse the pun. The Philippines also has a governmental arm related to sports. So sports in and of itself is recognized, right? It doesn't have as much of this sort of altruistic thing as, as we say in the United States, like the sports is like the good of mankind, like that sort of thing. Like, I think, you know-  [00:48:08] Miko Lee: The kind of Olympic idea of unity, it brings us all together. [00:48:11] Carolyn Sideco: Right, like that, those conceptual sorts of virtues.  [00:48:15] Miko Lee: Mm-hmm.  [00:48:15] Carolyn Sideco: Yeah. So in the Philippines, I think it's so much more practical because it's fun, and you could get in a game anywhere, and it's accessible. Mm-hmm. It's accessible to all strata, economic strata, right? You see basketball courts everywhere, in rural areas in cities. Everywhere you'll see basketball courts. The Philippines itself as a country- I think that relationship to sports is something different than the American relationship to professional sports, where dominance and, winning and, beating others and making as much money as possible in that is at the forefront. In the United States even with youth sports now. I do some consulting work, especially in youth sports spaces, and the privatization and the extraction of the youth sports space is, is… We could go on all day about that. I think, this is obviously from a Filipino American perspective. For sure. I've never lived in the Philippines. I was born in the Philippines, but my relationship to the Philippines is also, being mitigated by how I experience American sports, right? So when I think about how I've experienced basketball when I've gone to the Philippines, , and it's the same as any aspect of that culture, right? It's warm, it's welcoming, it's friendly, and those are the cultural aspects that kind of, , supersede the fact that basketball… Basketball has its place, but it's in service to the cultural needs, right? To the need to be social, to participate in a town gathering. It's so sociopolitical.- And because it is, it's still a colonizing tool, right? But it's still mitigated in a way that I think just like Filipino basketball players are so, like, quick. They're known for quickness, agility, and finesse, and, like, drama, right? I used to joke around, like, you can always tell where a Filipino basketball player is in the United States 'cause no Filipino who has Filipino blood in them can do a regular layup. Like they have to make it all fancy. I think that, those sorts of aspects that are not tangible, that bring to light, the way a culture of people affect the sport. it enables a culture to push out through the boundaries of that sport what was given to them. What was given to them is, “This is how you play. These are the rules,” and all that kinda stuff, and that's great, but Filipino history of basketball is always, like, how do you integrate all the really cool things about your culture? It's something that's very different, and it emerges as something that's not quite American. [00:51:36] Miko Lee: Thank you so much. I'm wondering how our audience can find out more about you and your work.  [00:51:43] Carolyn Sideco: They can, follow me on Instagram at coachingkapwa, K-A-P-W-A. Kapwa is the Filipino word for the concept of interrelationship, interconnectedness. And so everything I learned about being, being a person really is through being a good teammate, and sports is the funnest way, like I've said before to practice being a good teammate  [00:52:12] Miko Lee: Thank you so much, Coach, for sharing with me about Sports Liberation and your work, and I'll put links to all that in our show notes. And I thank you so much for joining us on Apex Express.  [00:52:23] Carolyn Sideco: Thank you, Miko [00:52:25] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.    The post APEX Express – 8.13.26 – Bayanihan in Ballhalla appeared first on KPFA.

Today we talk about how we handle conflicts in friendships! We chat about how factors like age and compatibility can affect how conflicts manifest, discuss how we evaluate whether something is worth bringing up or not, and muse about wording things in delicate conversations.Support the showFollow us on social media @eatyourcrustpod

Welcome to Season 6, Episode 32! It's food time again!In this episode, we're talking about a dish that may not be as widely known… Yakamein. It's one of those dishes that feels inseparable from New Orleans, but it does show up throughout the U.S. South as well as the Eastern seaboard. In New Orleans, where it may be best known, it shows up at second line parades, food festivals, neighborhood corner stores, and pop-ups.  We love it's nickname… "Old Sober"… which it gets from its reputation as a hangover cure. But more than that, it's a dependable comfort food that may be Chinese in origin, but it's been adapted and influenced by the area both in and outside of New Orleans. We'll talk about where Yakamein or variations of it show up across the South and Eastern U.S. as well as some of the different chefs who are known for making versions of it… including NOLA's Miss Linda. In our recurring segment, we talk about the Southern Foodways Alliance, an organization that documents, studies and explores the food culture in the American South. They have some great articles on how Chinese Americans and other Asian Americans have impacted food in the South. To learn more, you can visit southernfoodways.org, follow them on Instagram @southfoodways, and donate at southernfoodways.org/donate.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Introduction 02:47 The History of Old Sober… The Chinese, Black, and Creole Origins of Yakamein 18:53 Organizations to Know:  Southern Foodways Alliance

Will and Jeremiah discuss new releases by Mallory Hawk, Chinese American Bear, and Twisted Teens, plus a live report, the media death of the week, and bonus songs.

For the first time since the 1990s, Chinese immigrants have surpassed Dominicans as New York City's largest foreign born population. CUNY Baruch College professor Kenneth Guest explains what is driving that growth, how Chinese communities are expanding beyond Manhattan's Chinatown and what the shift could mean for services, political influence and the future of immigrant New York. -Got any questions, comments or story ideas? Send us a message at NYCNow@WNYC.org Photo Cred: Selcuk Acar/Anadolu via Getty Images Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week's episode features the lovely Sarah Lawrence! From launching her upcoming tour, to Obsession, Jiaoying and Sarah cover it all. Make sure to like, subscribe and share with your friends!#jiaoyingsummers #comedy #tigermommypodcastAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Kailee Pedersen returns to discuss her new psychological novel, The Minimalist.The story follows gifted composer Mia Voss as she inherits her late mentor's unfinished final composition and confronts the destructive legacy surrounding it.Kailee explores how classical music, repetition, perfectionism, and artistic scrutiny shaped the novel's structure and psychological intensity.We also discuss Asian American adoptee identity, assimilation, grief, self-harm, and the mythology surrounding artistic genius.Kailee reflects on writing without an outline, deleting half a manuscript, balancing revision with instinct, and knowing when creative work is finally complete.The conversation also touches on opera, software engineering, video games, and her research for a forthcoming Western about a Chinese American family in Hell's Canyon.KAILEE PEDERSENOfficial Websitehttps://kaileepedersen.com/Eventshttps://kaileepedersen.com/events/Presshttps://kaileepedersen.com/press/Amazon Author Pagehttps://www.amazon.com/Kailee-Pedersen/e/B0C7NPQ67LGoodreads Author Pagehttps://www.goodreads.com/author/list/18460978.Kailee_PedersenSOCIAL MEDIAInstagramhttps://www.instagram.com/kailee_pedersen/Blueskyhttps://bsky.app/profile/kaileepedersen.bsky.socialThreadshttps://www.threads.net/@kailee_pedersenXhttps://x.com/KaileePedersenTHE MINIMALISTOfficial Book Pagehttps://kaileepedersen.com/the-minimalist/Macmillanhttps://us.macmillan.com/books/9781250328274/theminimalist/Amazon Hardcoverhttps://www.amazon.com/Minimalist-Kailee-Pedersen/dp/1250328276Amazon Kindlehttps://www.amazon.com/Minimalist-Novel-Kailee-Pedersen-ebook/dp/B0FMSDQXYZBarnes and Noblehttps://www.barnesandnoble.com/w/the-minimalist-kailee-pedersen/1148028599Bookshop.orghttps://bookshop.org/p/books/the-minimalist-a-novel-kailee-pedersen/74a63d1b17d3a226Apple Bookshttps://books.apple.com/us/book/the-minimalist/id6751198732Google Play Bookshttps://play.google.com/store/books/details/Kailee_Pedersen_The_Minimalist?id=fnF-EQAAQBAJAudiblehttps://www.audible.com/pd/The-Minimalist-Audiobook/B0GTX94PVDPowell's Bookshttps://www.powells.com/book/9781250328274Books-A-Millionhttp://www.booksamillion.com/product/9781250328274Targethttps://www.target.com/p/the-minimalist-by-kailee-pedersen-hardcover/-/A-1005450482Signed Copieshttps://murderbooks.com/pedersenGoodreadshttps://www.goodreads.com/book/show/240019985-the-minimalistSACRIFICIAL ANIMALSOfficial Book Pagehttps://kaileepedersen.com/sacrificial-animals/Macmillanhttps://us.macmillan.com/books/9781250328243/sacrificialanimals/Titan Books UKhttps://titanbooks.com/71950-sacrificial-animals/Amazon Hardcoverhttps://www.amazon.com/Sacrificial-Animals-Novel-Kailee-Pedersen/dp/1250328241Amazon Kindlehttps://www.amazon.com/Sacrificial-Animals-Novel-Kailee-Pedersen-ebook/dp/B0CGRY74QKBarnes and Noblehttps://www.barnesandnoble.com/w/sacrificial-animals-kailee-pedersen/1143881197Bookshop.orghttps://bookshop.org/p/books/sacrificial-animals-a-novel-kailee-pedersen/3c7d99648106284dApple Books Ebookhttps://books.apple.com/us/book/sacrificial-animals/id6476883510Apple Books Audiobookhttps://books.apple.com/us/audiobook/sacrificial-animals/id1707863330Google Play Ebookhttps://play.google.com/store/books/details/Kailee_Pedersen_Sacrificial_Animals?id=BlHTEAAAQBAJGoogle Play Audiobookhttps://play.google.com/store/audiobooks/details/Sacrificial_Animals_A_Novel?id=AQAAAECSQ3gD-MAudiblehttps://www.audible.com/pd/Sacrificial-Animals-Audiobook/B0CKM6BMJ1Libro.fmhttps://libro.fm/audiobooks/9781250349880-sacrificial-animalsPowell's Bookshttps://www.powells.com/book/9781250328243Books-A-Millionhttp://www.booksamillion.com/product/9781250328243Goodreadshttps://www.goodreads.com/book/show/195790677-sacrificial-animalsSUPPORT THE DARK MIND PODCASThttps://www.patreon.com/c/thedarkmindpodcast

What does it mean to walk in the footsteps of an ancestor whose life connected China and America more than a century ago?In this episode, Ben Lee shares how moving to Wuhan in 1992 pushed him to learn Chinese for survival—and eventually led him back to a remarkable family legacy. His great-grandfather was part of the Qing Dynasty's Chinese Educational Mission, became an early voice in Chinese American literature, and even crossed paths with Mark Twain.Ben and Jared explore heritage, identity, education, and the lifelong rewards of learning Chinese. Ben also shares practical advice for learners, including why the best approach is simple: start, keep going, and accept that there will always be more to learn.Links from the episode:“When I was a boy in China” by Yan Phou Lee | Project Gutenbert and AmazonMandarin Companion Graded Readers

Bridging Two Worlds: An American Immigrant's Story of Faith, Anxiety, and Political Calling   Today, we are sharing a conversation between Curtis Chang and Lee C. Camp on the Signal Award-winning and 2026 Ambie Award-nominated podcast No Small Endeavor. Hosted by award-winning teacher and Professor of Theology and Ethics Lee C. Camp, No Small Endeavor explores what it means to live a good life through conversations about culture, ideas, and the habits that help people flourish.   In this episode, you'll hear from Curtis Chang as he reflects on his experience as a Chinese American immigrant, former pastor, and public theologian, and argues that anxiety sits at the root of America's political crisis. Chang explains how anxiety is rooted in a fear of future loss, and offers actionable ways to name, face, and move through that anxiety with compassion rather than avoidance.   You'll also hear Chang and Camp dig into how institutions are made up of people rather than systems, why that means they're capable of being healed rather than torn down, and why refocusing on the how of politics rather than just the what is essential to moving beyond our current moment of division.   Follow and listen to more episodes of No Small Endeavor   00:00:19 - Introducing You to No Small Endeavor 00:04:07 - What Is Curtis Chang's Earliest Memory? 00:05:26 - Immigrant Curtis and Cultural Displacement 00:07:24 - The Subtle Art of Bridge Building 00:11:44 - Henry Kissinger and Harvard 00:16:32 - Reconciliation Work in South Africa 00:20:20 - Is Anxiety an Opportunity? 00:27:54 - Anxiety in American Politics 00:39:20 - Are Institutions Multipliers of Humanity? 00:43:44 - The "How" vs. The "What" of Politics 00:50:21 - Curtis Navigates Cynicism 00:54:23 - Pessimism, Hope, and the Resurrection 00:59:40 - The Practice of Contemplative Prayer     Mentioned in This Episode: Listen to episodes and follow No Small Endeavor Lee C. Camp's Scandalous Witness: A Little Political Manifesto for Christians  Curtis Chang & Nancy French's The After Party: Toward Better Christian Politics  Curtis Chang's The Anxiety Opportunity: How Worry Is the Doorway to Your Best Self    Projects and Courses: Video Course: The After Party Video Course: The Anxiety Opportunity   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.  

Before the Hearsts and the Pulitzers, before the front page as we know it, the American newspaper was built by teenagers covered in soot, women who risked hanging, and editors who settled arguments with pistols. Alex Wright joins Blaine DeSantis to talk about Empire of Ink, his sweeping history of how a young republic printed itself into existence between the 1700s and the close of the 1800s. It's a project that started as a personal search into Wright's own family of country newspaper publishers in Georgia and turned into fifteen years of research.The conversation moves fast and covers ground most newspaper histories skip entirely. Wright explains what a printer's devil actually was and why the job cut a man's life expectancy in half. He tells the story of the entrepreneur who imported Egyptian mummies by the boatload because their wrappings were cheaper than American rags, and the French naturalist who watched wasps chew wood into pulp and wondered whether people could do the same thing. There's Mary Katherine Goddard, whose name appears at the bottom of the first Declaration of Independence to carry the signers' names, an act she knew could be read as treason. There's the Vicksburg Sentinel, which burned through eight editors in roughly a dozen years, several of whom died in the line of duty.Wright also takes us to the corners of the story that shaped whole communities. The Cherokee Phoenix, published in an alphabet invented from scratch by Sequoyah, became a political voice for the Cherokee people until their press was taken from them. In San Francisco, Yee Gen hand-built a workaround for printing thousands of Chinese characters and launched the first Chinese American paper. Union soldiers carried portable presses into camp and printed papers with blank pages so the men could write home on the other side. And a young Samuel Clemens swept floors as a print shop apprentice before he ever thought to call himself Mark Twain. If you have ever suspected that today's media chaos is something new, this episode is a useful corrective.

Today we visit our latest thoughts and musings on our Asian-American identity. We talk about the latest trends in boba and what these changes may signal. We discuss whether our Asian identity can be seen in the choices we make around mealtime, whether its utensil selections or our carb of choice. We chat about the complex feelings we feel when international perception of our mother country changes.Support the showFollow us on social media @eatyourcrustpod

Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media personality who rose to prominence through viral comedy clips and sold-out tours across the United States. She has built a large online following with comedy centered on her experiences as an immigrant. To see her live, check out her website jiaoyingcomedy.com. IN THE NEWS: Black United Airlines employee threatens to call ICE on Hispanic passenger, then the two take turns calling each other racist, Jasmine Crockett says people were rooting against Argentina in the World Cup because of its “racist history”, New Jersey governor says "software error" caused 6,600 foreigners to be registered to vote, Jason Alexander Apologizes to Courtney Stodden for Resurfaced VideoFOR MORE WITH JIAOYING SUMMERS:SHOW DATES: (jiaoyingcomedy.com)Sep 4-Sep 6–Washington, DC–DC ImprovSep 11-12–Stanford, CT–New York Comedy ClubSep 15–Pasadena, CA–The Ice HousePODCAST: Tiger MommyINSTAGRAM: @jiaoyingsummersFOR MORE WITH ADAM YENSER:YOUTUBE SHOW: The Cancelled NewsINSTAGRAM: @adamyenser TWITTER: @cleancomedian69LIVE SHOWS: July 25 - Huntington Beach, CAJuly 26 - Torrance, CA (2 Shows)July 30 - Freehold, NJ (2 Shows)July 31 - New York, NY (2 Shows)August 1 - Uncasville, CTAugust 2 - Albany, NYThank you for supporting our sponsors:ForThePeople.Com/ADAMoreillyauto.com/ADAMhttps://www.rosettastone.com/adampluto.tvPodcastOneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What Does the Confederacy's Legacy Mean for the Modern South and Christian America?   Host Curtis Chang and New York Times columnist, and Good Faith podcast "founding friend," David French confront the enduring power of the Confederate myth. David reflects on growing up as a white Southerner in a culture shaped by Confederate symbols, revisionist history, racial injustice, and a deeply rooted shame-and-honor code. Curtis, a Chinese American immigrant, brings an outsider's perspective that challenges familiar assumptions about heritage, memory, and belonging. Together, they examine Confederate monuments, the theological defenses of slavery, the meaning of "heritage, not hate," and whether honest historical reckoning can lead to redemption and reconciliation.   02:51 - Curtis Congratulates David on the Birth of His Latest Grandchild 05:54 - Why Does the Confederacy Still Matter? 10:12 - The South's Distinct Cultural Cohesion 22:19 - "Heritage, Not Hate": A White Southern Perspective 29:52 - Race, Religion, and Revisionism in the South 42:13 - The Resurgence of Explicit Racism 47:20 - What to Do with Confederate Memorials 56:32 - Repenting of Southern Shame-Honor Culture 01:01:32 - Institutions Founded on Injustice Can Carry Spiritual Darkness   Sign up for The After Party Informational Webinars Sign up for The Good List   Mentioned in This Episode: Learn about the Tulsa Race Massacre Learn about The Great Migration Watch MLK50 Conference (video) More about General George H. Thomas More about the Southern Baptist Convention and slavery What is Kinism More about the South's resistance to Reconstruction Read the Civil Rights Act of 1964 Watch: Selma and the Voting Rights Act of 1965 (video)   Scriptures: Ephesians 6:12 (ESV) Colossians 2:15 (ESV) Luke 10:25–37 (ESV) Matthew 20:16 (ESV) Matthew 10:39 (ESV)   More From David French: David French's New York Times pieces HERE Follow David French on Threads   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.

Underground History host Chelsea Rose explores the healthy relationship between a Chinese doctor in eastern Oregon and pioneer settlers of the 19th century.

Host Evie Stokes sits down with indie pop sensation Gelli haha to talk about that music that’s moving her. The two dig into the life in Los Angeles, Gelli’s spectacular tour, and why she loves Seattle band Chinese American Bear. Chinese American Bear’s song “No No Yeah Yeah (不不好啊好啊)” comes from their latest album Dim Sun & Then Some, out now on Moshi Moshi Music.Produced by: William Myers and Dusty HenryMastered by: William MyersProduction support: Serafima HealyListen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube.Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Photo by Charina PitzelSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

In this episode, we sit down with human rights lawyer and national bestselling author Eve J. Chung to discuss her powerful sophomore novel, The Young Will Remember . Following her acclaimed debut, Daughters of Shandong, Chung returns with a gripping historical fiction thriller that centers on Ellie Chang, a Chinese American war correspondent who becomes stranded behind enemy lines during the freezing winter of the Korean War in 1950. Chung shares insights into the extensive historical research that brought this narrative to life, the forgotten stories of female wartime journalists, and the profound, enduring strength of mothers and women navigating the catastrophic human toll of the "Forgotten War."

Today we talk about the multitude of feelings we have about babies - everything from watching people our age have kids, to understanding baby milestones, to our personal apprehensions on becoming parents.Support the showFollow us on social media @eatyourcrustpod

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Ken Hong, who grew up in San Mateo, California. Mr. Hong now lives in Pennsylvania, where he serves as executive director of Make Us Visible Pennsylvania, a group that, according to its website, supports a "nationwide initiative to update school curricula with accurate information about Asian American & Pacific Islander history and culture." Mr. Hong visited the National Archives in San Bruno, California - one of the two branches, along with Chicago, which was abruptly targeted for closure by the National Archives and Records Administration - with his father 25 years ago. Over many visits and with help from National Archives staff, they discovered priceless documents about their family history and photos of family members from as far back as the 1880s. Mr. Hong wrote about that visit and those discoveries (and shared images) in a Facebook post, which we have shared at the CASCADE OF HISTORY Facebook page. CASCADE OF HISTORY spoke with Ken Hong on the evening of Monday, July 13, 2026. Make Us Visible Pennsylvania Website: https://www.makeusvisiblepa.org/ Save Our National Archives (SONA) Website: https://www.saveournationalarchives.org/ Save Our National Archives (SONA) Facebook page: https://www.facebook.com/profile.php?id=61591576467894 CASCADE OF HISTORY BONUS EPISODE from June 27, 2026 with more information: https://soundcloud.com/cascadeofhistory/bonus-nara-closure Links to more information as well as images related to most topics discussed on the show are often available at the CASCADE OF HISTORY Facebook page: http://www.facebook.com/groups/cascadeofhistory CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Harry Mok, assistant editor, columnist and editorial board member for the Opinion section of The San Francisco Chronicle newspaper. Mr. Mok published a piece earlier this week criticizing the imminent closure of the San Francisco (San Bruno) branch of the National Archives. The closure was quietly announced on June 26, 2026 on the NARA website; NARA leadership and public affairs officials have still not responded to CASCADE OF HISTORY's multiple inquiries seeking more information. Mr. Mok's piece is called "Trump is trying to bury Bay Area window into Chinese American history." CASCADE OF HISTORY spoke with Harry Mok on the evening of Thursday, July 9, 2026. Harry Mok's SF Chronicle Opinion Piece from July 8, 2026: https://www.sfchronicle.com/opinion/article/national-archives-san-bruno-chinese-immigration-22336316.php Save Our National Archives (SONA) Website: https://www.saveournationalarchives.org/ Save Our National Archives (SONA) Facebook page: https://www.facebook.com/profile.php?id=61591576467894 CASCADE OF HISTORY BONUS EPISODE from June 27, 2026 with more information: https://soundcloud.com/cascadeofhistory/bonus-nara-closure Links to more information as well as images related to most topics discussed on the show are often available at the CASCADE OF HISTORY Facebook page: http://www.facebook.com/groups/cascadeofhistory CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Dr. Stephanie J. Wong shares a conversation with Carol Chin who is featured alongside her son in a new documentary short, Home Plate. The documentary short from Breakwater Studios in association with McDonald's, spotlights a Chinese American family's story of immigration, resilience, community impact, and entrepreneurship across generations. The film captures an intimate conversation between Carol and her son Andrew, during which Carol reflects on starting over (twice) - including the risks, sacrifices, and determination required to create stability and opportunity for the next generation. As Carol shares her story, Home Plate draws powerful parallels to Andrew's transition from a former New York Yankees draft pick to a part of the family business, revealing how her perseverance becomes a blueprint as he navigates setbacks and redefines success. Carol makes us think about the value of customer service, adaptability, and hard work. Home Plate can now be streamed on McDonald's YouTube.  

The Supreme Court just upheld birthright citizenship, striking down Trump's executive order in a 6-3 ruling that leans directly on a case 130 years in the making. We're re-releasing our deep dive into Wong Kim Ark — the Chinese American son of immigrants who won this exact fight at the Supreme Court in 1898 — because Chief Justice Roberts built this week's decision on Wong's story, by name. In this episode: the history of the 14th Amendment, the Chinese Exclusion Act, Julia Lynch's 1844 citizenship case, and how "subject to the jurisdiction thereof" has been the most contested phrase in American immigration law for over a century. Plus a new opening and closing segment breaking down this week's ruling, the rejected "domicile" argument, and why the fight isn't actually over. Birthright citizenship. The 14th Amendment. American identity. Immigration history. All still unfinished business. Show Notes Episode Summary Originally released in 2025, this episode traces the legal and racial history of birthright citizenship in America — from the Naturalization Act of 1790 through Wong Kim Ark (1898), Lynch v. Clarke (1844), and Trump's January 2025 executive order. This re-release adds new bookend segments covering the Supreme Court's June 30, 2026 ruling in Trump v. Barbara, which upheld birthright citizenship 6-3. What's New in This Re-Release Breakdown of the Supreme Court's ruling and Chief Justice Roberts' majority opinion Why the administration's "domicile" argument failed Fact-check: can Congress end birthright citizenship by passing a law? (No — here's why) What comes next for immigration policy after this ruling Topics Covered The 14th Amendment's Citizenship Clause United States v. Wong Kim Ark (1898) Lynch v. Clarke (1844) The Chinese Exclusion Act and the Naturalization Act of 1790 Dred Scott v. Sandford and its legacy Trump's 2025 executive order on birthright citizenship Trump v. Barbara (2026) Host & Producer: Saadia Khan I Content Writer: Michaela Strauther I Editorial review: Shei Yu I Sound Designer & Editor: Lou Raskin I Immigrantly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound Immigrantly Podcast is an Immigrantly Media Production. For advertising inquiries, contact us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠info@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠BOYOT (Belong On Your Own Terms) ⁠⁠⁠⁠⁠⁠is the next step. It's our new app, designed to help you think through identity, culture, ambition, relationships, and the stories we carry with guided reflections, prompts, and frameworks developed over years of conversations on this show. It's thoughtful. It's challenging. And honestly, it's the kind of space many of us wish existed earlier in our lives. If you're ready to go deeper than the podcast, subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BOYOT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and start the journey. Don't forget to subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Immigrantly Uninterrupted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for insightful podcasts. Follow us on social media for updates and behind-the-scenes content. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ana Huang spent years living a double life: international relations scholar, Georgetown grad, geopolitical consultant by day, and secret romance novelist by night. She quietly uploaded chapters to Wattpad under a pen name no one in her life knew, and kept writing even as she built a conventional career that would make her immigrant parents proud. On this episode of She Pivots, Ana shares how COVID cracked her life open, how she taught herself TikTok before BookTok was even a thing, and how she built a community of millions one chapter at a time, all while still clocking in at her day job. She talks about the moment she finally told her family the truth, why she said no to major publishers when Twisted Love blew up, and what it means to bet on yourself. Her Twisted series has now sold over 25 million copies, been translated into 34 languages, and is headed to Netflix—and her new book, King of Gluttony, is out now. You can keep up with Ana Huang on her website anahuang.com, as well as on Instagram and TikTok @authoranahuang. Episode Chapters: 00:00 - Welcome to She Pivots 00:28 - Double Life to Literary Sensation 01:58 - Ana's Childhood and Cultural Identity 05:55 - Early Career and Secret Writing 12:14 - Rediscovering Writing During the Pandemic 13:38 - The Romance Genre and TikTok Success 24:24 - Self-Publishing and Traditional Offers 27:22 - Navigating Fame and Fan Expectations 31:16 - King of Gluttony and Future Plans 33:03 - From Low Point to Launch 34:51 - What Does Success Look Like Now? 36:32 - Do You Think You'll Pivot Again? 37:24 - Reflections on Ana's Writing Evolution 38:11 - Podcast Credits Be sure to subscribe so you never miss a pivot story, leave us a rating (it really helps!), and share this episode with a woman in your life who you think needs a little inspiration. She Pivots is a podcast created by host Emily Tisch Sussman to highlight influential women voices, share stories of bold career moves, and inspire women with interviews about career reinvention and how personal pivots can redefine professional success. Join our Substack community! Subscribe here for exclusive content and to connect with other pivoters: shepivots.substack.com Learn more about the inspiring women in our pivoter community by following us on instagram @ShePivotsThePodcast, and check out our website shepivotspod.com for resources and updates. She Pivots is proud to be an iHeart podcast.Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

Today we talk about the various archetypes of couples that we have seen and dissect the different factors that help a couple form their own identity! We talk about how our own couple identities can change depending on the setting that we are in, and explore relationship routines like setting a game plan or doing post-game analysis!Support the showFollow us on social media @eatyourcrustpod

#jiaoyingsummers #comedy #tigermommypodcastAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

What if a child's quest to uncover her family's legacy could reveal timeless truths about identity, freedom, and the search for peace? Tune in for an inspiring discussion  J.J. Cheng (aka Phoenixa Cheng 程一若) on her Nautilus Award Winning book Phoenixa: The Nest: A Mystical Quest for the Cheng Legacy. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.com  J.J. Cheng (aka Phoenixa Cheng 程一若) is an award-winning Chinese American author, filmmaker, Cheng family historian, founder of East-West Corridor Press, and the creator of the PHOENIXA Saga, A Mystical Quest for Peace — a mythic cross-media literary universe exploring mythology, ancestry, civilization, and humanity's search for peace.   Born in Beijing into a renowned intellectual family on the eve of the Cultural Revolution, Cheng was among the first generation of pioneering English-language broadcasters at China Central Television (CCTV), introducing China to the world before immigrating to the United States in 1988. A bilingual storyteller working across literature, film, and visual media, she draws from Chinese philosophy, family history, mythology, and lived experience between East and West. www.phoenixacheng.com Order on Amazon: https://a.co/d/0ja6isQM Discover inspiring conversations with today's leading authors, celebrities, thought leaders, and changemakers. To learn more about the Moments with Marianne Radio Show, explore guest interview opportunities, connect with Marianne, and follow her on social media, visit https://www.mariannepestana.comExplore the Moments with Marianne Book Club and find your next great read: https://www.mariannepestana.com/book-club/Listen to the Moments with Marianne Radio Show on KMET 1490AM & 98.1FM, an ABC News Radio Affiliate, weekdays at 8:06 AM PT / 11:06 AM ET and Sundays at 10:06 AM PT / 1:06 PM ET. Learn more at: https://www.kmet1490am.com/moments-with-marianne

Growing up Chinese American in the 70s-80s meant you weren't gong to see a lot of people that looked like you on TV. One reliable presence (for the last 48 years on PBS) was Chef Martin Yan! He has brought Chinese and other Asian cuisine into houses around the world for almost half a century. Thank you @chefmartinyan for sharing our culture and food with the world! Thank you for being our teacher and friend! We can't compare to that, but we are celebrating our 5th pod-i-versary! It's been a wonderful 5 years of bringing you episodes with amazing Asian artists, creators, and game-changers. Thanks for tuning in and giving us a listen. I'm still having fun producing episodes, so I don't see myself stopping anytime soon.  So please keep tuning in! Let me know who you are! Send me an email at Infatuasianpodcast@gmail.com, or you can connect directly through our website https://infatuasian.com/  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast  #asianamerican #infatuasian  #representationmatters

In this episode, Daniel and Yulee welcome Jenn Suen Chen—author of Dim Sum and Faith and Yulee's Khora Collective co-founder—for a conversation about story, formation, and what it means to know yourself in God. The episode opens around the dim sum table itself: must-order dishes, the comfort of walking into a restaurant full of people who look like you, and why "dim sum" isn't a cute device for the book but the actual organizing metaphor—many small dishes, no single linear way to grow. From there, the conversation moves into the heart of the book. Jen talks about why the writing process pushed her toward deeper honesty, why spiritual formation isn't meant to be done alone, and how Psalm 139 became a recurring anchor—not as a tidy verse, but as an ongoing invitation to ask, "God, do you know me? Am I okay with who you made me to be?" Jen also opens up about: Living in China for 17 years as a Chinese American missionary, and the disorienting experience of "returning" to a homeland that didn't feel like home Channeling her "inner white woman" and what authenticity actually means—not a personality trait, but a fruit of formation The instinct to curate our own stories (including the story of her own family's immigration) and why we have to let go of the curated version to find the true one Encouraging young adults to know and tell their stories, and why age shouldn't determine who gets to be in the room An expensive, hard-won lesson about leadership, isolation, and the cost of not having mentors who could mirror her story back to her Jen closes with a charge to the Asian American Christian community: we are not meant to do this alone, and we need to be better at showing up for each other. Additional Resources: Khora Collective: https://www.khoracollective.com/ Dim Sum and Faith by Jenn Suen Chen https://www.ivpress.com/dim-sum-and-faith?srsltid=AfmBOoo64aWPyngRHw39Ci6jntFWi69AWTSsOFeiKWzS0Cs0jFmSwZ8N

Joining us today is Carl Zha, a Sichuan-born Chinese-American political commentator, raised between China and the United States, with education at Caltech, and living in Bali. He tells us the story of the PRC's rise to geopolitical superpower. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, co-host Ryan Coonerty speaks with Wyoming House Democratic Leader Mike Yin. They discuss how his district includes Jackson Hole -- one of the most beautiful and wealthiest places in the world, sitting alongside Grand Teton National Park. But beneath that natural beauty are serious challenges, from growing income inequality to limited access to affordable housing and healthcare. The conversation covers what it means to represent a community facing those realities while serving in one of the most Republican states in the country. Yin shares how he works across the aisle to build support for legislation that improves healthcare access, addresses housing affordability, and responds to local communities' needs. They also talk about Yin's path to elected office and the challenge of balancing public service with a full-time career, and his experience as the first Chinese American legislator in Wyoming history. Tune in to learn about governing across divides and finding ways to create change where it matters most. IN THIS EPISODE:  • [01:04] Introducing Wyoming State Representative Mike Yin and the community he serves. • [02:41] Governing in a legislature where Democrats hold only a small minority. • [03:50] Building bipartisan coalitions to advance healthcare and infrastructure policy. • [08:13] The state of healthcare access and rural healthcare funding in Wyoming. • [10:36] Addressing housing affordability and inequality in one of America's wealthiest regions. • [13:33] Balancing legislative service with a full-time career as a software developer. • [15:29] Advice for governing effectively and finding common ground in red states. • [16:43] The realities of balancing legislative service, full-time work, and private life. • [18:41] Why Mike sees opportunities for Democrats to gain ground in Wyoming. • [19:35] What being Wyoming's first Chinese American legislator means to him. • [21:33] Why Mike remains focused on local leadership and serving his community.

The story of the Moy family—U.S.-born Chinese-American siblings who grow up in the first half of the 20th century—is one that spans the Pacific, covering New York, Chicago, and cosmopolitan Shanghai. It's a story that spans the Great Depression, the Second World War, the Chinese Civil War, and the early Cold War—and stars one sibling who was an early participant in the Kuomintang…and another who records propaganda for Germany and Japan during the Second World War. In her new book, The Moys of New York and Shanghai: One Family's Extraordinary Journey Through War and Revolution (University of California Press, 2026), historian Charlotte Brooks follows the Moys as they confront discrimination in the United States, search for opportunity in cosmopolitan Shanghai, and wrestle with questions of loyalty, identity, and belonging that still resonate today. Charlotte is a historian and author who has published widely on Asian American history, especially Chinese American and Chinese diaspora history. Originally from California, she graduated from Yale and worked in mainland China and Hong Kong before earning a PhD from Northwestern University. She is a professor of history at Baruch College and the CUNY Graduate Center. In this conversation, we talk about Charlotte's research, the lives of the Moy siblings, and what their experiences tell us about being Chinese American in a turbulent century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of the Moy family—U.S.-born Chinese-American siblings who grow up in the first half of the 20th century—is one that spans the Pacific, covering New York, Chicago, and cosmopolitan Shanghai. It's a story that spans the Great Depression, the Second World War, the Chinese Civil War, and the early Cold War—and stars one sibling who was an early participant in the Kuomintang…and another who records propaganda for Germany and Japan during the Second World War. In her new book, The Moys of New York and Shanghai: One Family's Extraordinary Journey Through War and Revolution (University of California Press, 2026), historian Charlotte Brooks follows the Moys as they confront discrimination in the United States, search for opportunity in cosmopolitan Shanghai, and wrestle with questions of loyalty, identity, and belonging that still resonate today. Charlotte is a historian and author who has published widely on Asian American history, especially Chinese American and Chinese diaspora history. Originally from California, she graduated from Yale and worked in mainland China and Hong Kong before earning a PhD from Northwestern University. She is a professor of history at Baruch College and the CUNY Graduate Center. In this conversation, we talk about Charlotte's research, the lives of the Moy siblings, and what their experiences tell us about being Chinese American in a turbulent century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The story of the Moy family—U.S.-born Chinese-American siblings who grow up in the first half of the 20th century—is one that spans the Pacific, covering New York, Chicago, and cosmopolitan Shanghai. It's a story that spans the Great Depression, the Second World War, the Chinese Civil War, and the early Cold War—and stars one sibling who was an early participant in the Kuomintang…and another who records propaganda for Germany and Japan during the Second World War. In her new book, The Moys of New York and Shanghai: One Family's Extraordinary Journey Through War and Revolution (University of California Press, 2026), historian Charlotte Brooks follows the Moys as they confront discrimination in the United States, search for opportunity in cosmopolitan Shanghai, and wrestle with questions of loyalty, identity, and belonging that still resonate today. Charlotte is a historian and author who has published widely on Asian American history, especially Chinese American and Chinese diaspora history. Originally from California, she graduated from Yale and worked in mainland China and Hong Kong before earning a PhD from Northwestern University. She is a professor of history at Baruch College and the CUNY Graduate Center. In this conversation, we talk about Charlotte's research, the lives of the Moy siblings, and what their experiences tell us about being Chinese American in a turbulent century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The story of the Moy family—U.S.-born Chinese-American siblings who grow up in the first half of the 20th century—is one that spans the Pacific, covering New York, Chicago, and cosmopolitan Shanghai. It's a story that spans the Great Depression, the Second World War, the Chinese Civil War, and the early Cold War—and stars one sibling who was an early participant in the Kuomintang…and another who records propaganda for Germany and Japan during the Second World War. In her new book, The Moys of New York and Shanghai: One Family's Extraordinary Journey Through War and Revolution (University of California Press, 2026), historian Charlotte Brooks follows the Moys as they confront discrimination in the United States, search for opportunity in cosmopolitan Shanghai, and wrestle with questions of loyalty, identity, and belonging that still resonate today. Charlotte is a historian and author who has published widely on Asian American history, especially Chinese American and Chinese diaspora history. Originally from California, she graduated from Yale and worked in mainland China and Hong Kong before earning a PhD from Northwestern University. She is a professor of history at Baruch College and the CUNY Graduate Center. In this conversation, we talk about Charlotte's research, the lives of the Moy siblings, and what their experiences tell us about being Chinese American in a turbulent century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

It's a big year for all of us ‘96 babies, which means our calendars are filled with lots of birthday parties! We talk about how birthday parties look now (in our late twenties/early thirties) vs. how they looked when we were younger. We also talk about various factors that we consider when throwing a birthday party, from scheduling to cost to activities!Support the showFollow us on social media @eatyourcrustpod

In this episode of Centering the Asian American Christian Podcast, hosts Daniel Lee and Yulee Lee sit down with church historian and theologian Dr. Kenneth “Ken” Woo, author of John Calvin, Refugee Theologian: Introducing a Reformer in Exile. Together, they explore what happens when one of Christianity's towering Reformation figures is read through the eyes of an outsider, a refugee, and an Asian American. What if John Calvin—often caricatured as a cold, hyper-intellectual champion of predestination—was actually writing from the margins, as a displaced person longing for home? And what might that mean for Asian American Christians who have inherited and love the Reformed tradition, but have often met it in heavily “whitened” or de-contextualized forms? Through stories of family migration, pastoral ministry, and academic work, Ken shares how his own Chinese American refugee heritage reshaped the way he reads Calvin, and how reframing Calvin as a refugee can open space for Asian American believers to see themselves not as perpetual guests in the Reformed tradition, but as genuine heirs and contributors. Resources Mentioned John Calvin, Refugee Theologian: https://bakeracademic.com/products/9781540963055_john-calvin-refugee-theologian Fuller's Asian American Center - aac.fuller.edu Sign up to receive more updates from the AAC: https://aac.fuller.edu/newsletter/ If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac.

The Space Show Presents Rick Fisher, Tuesday, June 9, 2026Quick SummaryThe Space Show featured a discussion with national security consultant Rick Fisher about China's space program and its implications for national security. Rick explained that space has become a major component of American global national security considerations, with China positioning itself either as a major antagonist or cooperative partner depending on Earth-based conflicts. He detailed China's lunar program, including their Lanyue lunar lander and their manned capsule, while warning that Chinese dual-use systems on the moon could potentially extend Earth conflicts to lunar territory. The conversation covered China's energy independence efforts through nuclear fission, space solar power, and fusion energy development, as well as their reusable rocket capabilities with 20-25 Chinese companies developing reusable launch vehicles similar to SpaceX's approach. Rick also discussed the Artemis program's goals of establishing a semi-permanent presence on the moon by 2036, requiring 79-81 space launches and approximately $30 billion in total investment. The discussion concluded with analysis of Taiwan's potential response to Chinese aggression and the role of other Asian countries like India and Japan in balancing Chinese space ambitions.Detailed SummaryDavid and Rick discussed the role of space in national security, particularly regarding China's lunar program and its implications for Taiwan and the South China Sea. They also touched on UAPs (Unidentified Anomalous Phenomena), with John contributing insights about China's interest in UAPs and the government's handling of the topic. The conversation highlighted differing perspectives on the significance of UAPs and the potential motivations behind government secrecy regarding the subject.David, Rick, and John discussed concerns about Chinese influence and espionage in the United States, including allegations against politicians like Feinstein and a California politician. They questioned why such activities are tolerated despite being known. The conversation then shifted to SpaceX's upcoming IPO and its performance. The conversation continued with the guest continuing to discuss China's space program and its broader implications for national security.Rick discussed the increasing importance of space in American national security, particularly in relation to China's space activities. He explained that space has become a determinant factor in global security, with both countries positioning themselves as either antagonists or cooperative partners. He praised President Trump's focus on returning to the moon through the Artemis program as a way to deter conflict and secure American access to space. He noted that Trump's second-term goal of establishing a permanent presence on the moon could help prevent conflicts not only on the moon but also in low Earth orbit and potentially on Earth.Rick was asked about China's energy strategies and vulnerabilities, explaining that China's reliance on oil passing through the Straits of Hormuz presents a strategic weakness. He detailed China's multi-pronged energy approach including nuclear fission plants, space solar power research, and fusion energy development. When asked about space-based data centers, he indicated China is following the American trend with plans to launch such facilities in the near future, potentially on a large scale to support AI functions on Earth. The discussion was cut off before John's question about potential lunar conflict could be addressed.Our guest discussed the potential risks and challenges associated with China's lunar lander program, particularly regarding the Lanyue lunar lander and its propulsion stage, which could pose hazards to other lunar missions or bases. He highlighted the need for deconfliction and transparency from China regarding their lunar lander operations. Rick also mentioned the deployment of hopper drones by both the United States and China around the moon, noting the potential for these to be modified for combat purposes if tensions escalate on Earth.China's potential space ambitions were brought to our attention, noting that if China were willing to use technology for political intimidation in low Earth orbit, they might extend similar activities to lunar or Martian environments. John suggested that getting to space first could provide an advantage in staking territorial claims. Dr. Kothari asked three questions about China's plans: circumnavigating the moon with astronauts in 2027, deploying thorium molten salt reactors for terrestrial use, and developing reusable rockets. Rick acknowledged limited knowledge about China's reactor plans but noted that China has 20-25 companies working on reusable space vehicles, with the potential for first stage recovery this year.Rick discussed China's space launch vehicle developments, focusing on the Long March 12, Long March 10, and the proposed Long March 9. He explained that Long March 10 could become a popular reusable launch vehicle, while the three-stage Long March 9, if developed, would be the world's most powerful space launch vehicle with a massive 19-meter payload fairing. Rick speculated that China might be developing the three-stage Long March 9 to avoid the complexity of low Earth orbit refueling required for Elon Musk's Starship, though he acknowledged that many technical details about its feasibility remain unknown.Rick discussed the potential impact of China's Long March 9 rocket on SpaceX's Starship, noting that while the first stage would be reusable, it remained unclear whether China would pursue reusability for the second stage. When asked about credible resistance movements in China, Richard explained that while there is a will among some people to resist the government, the Chinese Communist Party effectively prevents such movements through extensive digital surveillance and control systems. He compared China's digital surveillance capabilities to Iran's and highlighted how Israel's ability to take control of Iran's digital systems and use them against the regime should serve as a warning to China about potential threats from Taiwan and Israel.Ajay asked Rick about Taiwanese opinions on potential reunification with China. Rick explained that while many Taiwanese benefit economically from China relations, over 90% of the population values their democratic freedoms and would not willing give them up to become part of a Chinese communist dictatorship. He noted that the Chinese Communist Party's failure to acknowledge historical atrocities under Mao, including the deaths of 50-70 million people, undermines their historical appeals to Taiwanese people.Rick talked about the potential for Asian and oceanic countries like India and Australia to balance China's space activities through collaboration with the United States and the Artemis program. He noted that as these countries develop their own heavy launch vehicles, they will gain more autonomy to pursue lunar and Mars programs independently of potential Chinese-American conflicts. Richard also praised NASA's Artemis program revealed on March 23, which aims to establish a semi-permanent presence on the moon by 2036 through 79-81 space launches and $30 billion total investment, describing it as essential for winning the race to the moon and potentially deterring Chinese aggression.Our guest also discussed the relationship between China's space program and the US, noting that while competition exists, cooperation could follow a similar path to Cold War-era US-Soviet relations. He expressed confidence that the Artemis program would continue regardless of political party in power, though funding levels might vary. Richard believed the program would maintain strategic importance in the Earth-Moon-Mars system and would only be disrupted by major global conflicts.The conversation ended with David thanking Rick for his participation and discussing upcoming shows featuring Chris Carberry from Explore Mars and guests from Peruvian satellite systems and Luxembourg.Special thanks to our sponsors:American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4548: Zoom: Chris Carberry | Friday 12 Jun 2026 930AM PTGuests: Chris CarberryZoom: Chris Carberry of Explore Mars, see discussion details on blog and Substack later this week.Broadcast 4549 Zoom: Manuel Cuba & Cesar Santisteban | Sunday 14 Jun 2026 1200PM PTGuests: Manuel Cuba, Cesar Sa SantistebanZoom: Manuel and Cesar or Peru space and more, Details to follow Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Before Crazy Rich Asians and long before Hollywood started embracing more diverse storytelling, Saving Face quietly delivered one of the most heartfelt romances of the 2000s. This week, Jackie and Danielle celebrate Pride Month by revisiting the 2004 indie gem that blended love, family expectations, cultural identity, and queer representation into a story that still feels fresh today.Join the No More Late Fees crew as they break down Saving Face, the feature debut from writer-director Alice Wu. From Wil's struggle to balance her personal life with her family's expectations to Vivian's pursuit of love on her own terms, the hosts explore the film's layered characters, emotional storytelling, and lasting impact. Along the way, they share behind-the-scenes trivia, production challenges, casting stories, and the surprising studio notes that almost changed the movie completely.Jackie and Danielle also discuss the film's box office performance, critical reception, New York filming locations, and the cultural significance of seeing an authentic Chinese American and LGBTQ+ story on screen in 2004. Plus, they dive into the memorable mother-daughter dynamics, community gossip, favorite moments, funny observations, and whether Saving Face still earns a top spot in their Y2K movie rotation.Did Saving Face deserve more recognition when it was released? Let us know your thoughts in the comments, and share your favorite scene from the film. Don't forget to subscribe, leave a review, and follow No More Late Fees for more nostalgic deep dives into the movies that shaped a generation.

Welcome to Season 6, Episode 23! Our guest today is Eve J. Chung, a Taiwanese American lawyer and women's human rights specialist. She has worked on a range of issues, including torture, sexual violence, contemporary forms of slavery, and discriminatory legislation, and she's also a best-selling author! Eve's latest novel is The Young Will Remember, a work of historical fiction set during the Korean War. In this gripping story, Eve sheds light on a "Forgotten War," The resilience of love within our darkest histories, and the indefatigable determination of mothers to protect their children. The story centers on Ellie Chang, a twenty-eight year old Chinese American journalist trying to cover a battle in the mountains of North Korea. After her plane is shot down, she survives through undying determination, the help of a few North Korean women, and sheer luck. Ellie is rescued by Emma, a North Korean mother searching for her lost daughter who thinks Ellie is who she's looking for. The story builds from there with other people who help take Ellie in… sometimes reluctantly. As Ellie works her way back towards the frontlines of where the Americans are fighting in the ever intensifying war, she faces hard decisions of loyalty, friendship, and her journalistic instincts. In our conversation, we talk about her journey to being an author, the research she did, some of the inspiration for Ellie, the challenges that Asian Americans face that Eve tried to convey, the challenges of today, and so much more. Eve's previous novel was the Daughters of Shandong, and all her writing is inspired by social justice movements, and the continued struggle for equality and fundamental freedoms worldwide. To learn more about Eve, you can visit her website https://evejchung.com/ or follow her on instagram @eve.j.chung.writes. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Today we talk about our personal theories on what differentiates only children from people with siblings - from difficulty with sharing, to relationships with parents, to…a general attitude towards life (?!) We also chat about how only child characteristics look different from younger child or older child characteristics specifically. Shoutout to the other only children out there!!!Support the showFollow us on social media @eatyourcrustpod

Today's Song of the Day is “Turn Up The Radio” from Chinese American Bear's album Dim Sum & Then Some, out now.Chinese American Bear will be performing at Cloudland Theater on Friday, June 26.

In Eastern Oregon’s John Day, a 160-year-old building holds one of the biggest collections of traditional Chinese medicine in the world. Kam Wah Chung and Company, once part of a thriving Chinatown, was owned and operated by Lung On and Ing Hay for over half a century. It was a home, a general store, a community center and a medical clinic where Ing Hay served as a beloved doctor to residents across the region. His practice included herbal remedies, non-invasive treatments, essential women’s healthcare and more.   Archaeologists and historians are continuing to deepen our understanding of the legacy of Kam Wah Chung and traditional Chinese medicine in Eastern Oregon. We join them to learn more about Ing Hay’s important contributions to rural communities in John Day and beyond, as part of our special series in collaboration with OPB’s “Oregon Experience,” the Southern Oregon University Laboratory of Anthropology, and Jefferson Public Radio about unearthing Oregon history.

Victoria Lai has lived several careers in one lifetime: presidential appointee at the U.S. Department of Homeland Security, entrepreneur, and now business advisor and nonprofit COO. But her biggest pivot came when she nurtured her passion for making ice cream on nights and weekends while working a serious government job. In this extra sweet episode, Victoria walks us through how a $25 Craigslist ice cream maker and a promise to herself led to Ice Cream Jubilee, the award-winning DC-area business celebrated by Food & Wine, the Washington Post, and Thrillist, and what it felt like to eventually sell the business she'd spent nearly a decade building. She also opens up about her family's Chinese immigrant history and how it shaped both her flavors and her sense of purpose, and why she considers her latest pivot back to mission-driven work the most fitting chapter yet. Chapters: 00:00.160 Welcome to She Pivots 00:28.360 Guest Introduction: Victoria Lai 01:58.160 Childhood Memories and Family Influences 06:57.320 The Path to Law School and Government Work 10:58.576 Finding Inspiration in New York City 13:02.754 The Birth of Ice Cream Jubilee 26:36.392 Taking the Leap: From Government to Ice Cream 32:46.677 "Ice cream-preneurship" 36:07.043 Achieving Success and Letting Go 39:02.320 A New Chapter: Coaching and Personal Growth 44:18.680 Closing Thoughts and Gratitude 44:40.626 Podcast Credits You can keep up with Ice Cream Jubilee at their website, www.icecreamjubilee.com Be sure to subscribe so you never miss a pivot story, leave us a rating (it really helps!), and share this episode with a woman in your life who you think needs a little inspiration. She Pivots is a podcast created by host Emily Tisch Sussman to highlight influential women voices, share stories of bold career moves, and inspire women with interviews about career reinvention and how personal pivots can redefine professional success. Join our Substack community! Subscribe here for exclusive content and to connect with other pivoters: shepivots.substack.com Learn more about the inspiring women in our pivoter community by following us on instagram @ShePivotsThePodcast, and check out our website shepivotspod.com for resources and updates. She Pivots is proud to be an iheart podcast.Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

Trumpflation continues to rise. Highest levels since 2022. Donald in China and his awkward remarks about Chinese-Americans. US intelligence community believes Xi is using the Iran War for leverage over Trump. Xi's warning about Taiwan. Donald attacked another woman journalist. Donald is about to steal a giant pile of your money. Chris Van Halen vs. Kash Patel. The woman who posts Donald's troths. The triumphal arch grift. With Jody Hamilton, David Ferguson, music by Everyday Dolores, The Wildwoods, and more! Brought to you by Russ Rybicki, SharePower Responsible Investing. Support our new sponsor and get free shipping at Quince.com/bob!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Larry Mizell Jr. fills in for host Evie Stokes to talk with Seattle band Chinese American Bear. The duo bonds with Larry about their mutual love of breakbeats with shoegaze guitars. All perfectly embodied in their song choice this week, Melody’s Echo Chamber’s song with El Michels Affair, “Daisy,” from her 2025 album Unclouded – out now on Domino Records.Produced by Dusty HenryMastered by: William MyersProduction support: Serafima HealyListen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube.Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org. Photo Credit: Diane SagnierSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.