Podcasts about cold rain

Intro:  One More Night – Can 1. Eisiger Wind – LiLiPUT (3:26) 2.  Steal Softly Thru' Snow – Captain Beefheart & his Magic Band (2:16) 3.  Fifteen Feet of Pure White Snow – Nick Cave & the Bad Seeds (5:31)                                                                               4.  NY Snow Globe – Rachel's (2:22)                                                                                                 5.  Frozen Warnings – Nico (4:02)                                                                                                                                       6.  Des Pas sur la Neige (Footprints in the Snow) – Debussy, Barenboim (4:31)                                                                    7.  January Hymn – Decemberists (3:10)                                                                             8. Footprints in the Snow – Bill Monroe & his Blue Grass Boys (2:38) 9.  Frosty the Snowman – Leon Redbone & Dr John (1:54)                                                               10.  20 Years of Snow – Regina Spektor (3:28)                                                                           11.  Snowy Morning Blues – James P. Johnson (2:41)                                                                                                               12.  La Nevada – Gil Evans Orchestra (15:31)                                                                                                                                                13. Cold Rain and Snow – Grateful Dead (2:28)                                                                                                                       14.  Snow in San Anselmo – Van Morrison (4:34)                                                                                                                     15.  Under Ice – Kate Bush (2:22)                                                                                                         16.  The Snows – Pentangle (3:43)                           17.  Neuschnee – Neu! (4:03)                                                                                                                                                   18.  Snow Jumper's Harp – 75 Dollar Bill (8:56)                                                                                                                       19.  When the Frost is on the Pumpkin – Fred Jordan (1:17) 20. Cold, Cold, Cold – Little Feat (3:58)                                       21.  Cold Weather Blues – Muddy Waters (4:40)                                       22.  First Snow – Dave Holland Quartet (6:29)                                                                                                                      23.  The Snow Abides – Michael Cashmore (4:35)                                                                                                              24.  Blanche comme la Neige – Kate & Anna McGarrigle (3:45)                                  25.  A-Rovin' on a Winter's Night – Peter Bellamy (3:29)                                                                                                         Outro: Pogles Walk – Vernon Elliott Ensemble

Doug Schmell joins the podcast to relish the Dead's awesome New Year's '81 show. A huge night for Jerry commences with a monster Shakedown...This celebration has it all: Cold Rain, Terrapin, Dew, Dark Star, etc....Happy New Year!

Join Cal and Lou for a rambling and somewhat cohesive episode about cold rain, ice cream, and secret banks. Check out our tattoo studio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.CaliLousTattoos.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or @CaliLousTattoosAnd our YouTube Channel:https://www.youtube.com/@tattoohomewreckers266Please share your thoughts with us. On Instagram or TikTok @tattoo_homewreckers or leave us a voice mail ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/tattoo-homewreckers/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to like, follow, subscribe, and leave us a review if you liked it! --- Support this podcast: https://podcasters.spotify.com/pod/show/tattoo-homewreckers/support

Featured Songs: 00:38 - Eggy - 10-22-24 - Rubin and Cherise - Atomic - St.Louis, MO 13:26 - Dogs in a Pile - 10-25-24 - Dancing in the Streets - Brooklyn Bowl - Philadelphia, PA 23:57 - Goose - 10-25-24 - Cold Rain and Snow - Lawrence Joel Veterans Memorial Coliseum - Winston Salem, NC 31:11 - Kitchen Dwellers - 10-25-24 - Bertha - Cohoes Music Hall - Cohoes, NY 42:45 - Holly Bowling - 10-27-24 - Unbroken Chain - Hulaween - Live Oak, FL See omnystudio.com/listener for privacy information.

FENNELは、eスポーツシーンのみにとどまらない取り組みを推進しています。

Interview by Angela CroudaceHEAVY sat down with PK, the passionate frontman of Japanese heavy metal band Prompts. His journey from Korea to Japan, fueled by a love for metal, has become an inspiring tale of perseverance and friendship.PK shared his experiences growing up in Korea, where the overwhelming popularity of K-Pop shaped the music landscape. “Most kids were into K-Pop, but my small group of friends were metalheads. We would gather and play Metallica's Master of Puppets over and over,” he recalled with a smile. This early passion for heavy metal, however, came with its challenges. “There's very little money and promotion for artists in Korea outside of the pop genre,” he lamented. Many high school bands followed the K-Pop trend, but PK and his friends remained committed to their metal roots.Determined to break into the metal scene, PK made the pivotal decision to move to Japan. He spoke about the stark contrast between the Korean live music scene and Japan's vibrant touring and promotional ecosystem. “In Korea, it's tough to get noticed unless you're in the pop realm. In Japan, the opportunities are endless,” he explained. His aspirations extended beyond Japan; he even considered moving to Australia to kickstart his career, admiring the local metal scene and citing bands like Parkway Drive, Make Them Suffer, and Void of Vision as major influences.PK's journey took a significant turn when he connected with Kaito Nagai of Paledusk, who noticed his vocal cover of their song on X (formerly Twitter). “Kaito always inspired me and really helped me on my journey,” PK said. “He showed me how to navigate the Japanese metal scene and invited me to tour with them and Cold Rain. Thanks to my friends, everything with Grayscale Records went so smoothly.” Joining Grayscale Records marked a major milestone for Prompts, solidifying their place in the industry.Despite his metal roots, PK confessed to a surprising guilty pleasure: K-Pop. “I hated it when K-Pop took over the Korean music scene, but after listening to BTS and Blackpink, I realized maybe I was wrong. How can we not respect them? They do so much training before they even debut; it's the same passion for music,” he admitted, reflecting on the dedication shared across genres.With half of Prompts being Korean and currently living in Japan, PK expressed a strong desire to make an impact back home. “I'm proud I'm Korean because there are not many Koreans in the metal scene. There's no hardcore heroes right now, so maybe I can't be the first one, but I want to bring Prompts to Korea one day and do something for the Korean metal scene.”As we wrapped up the interview and talk turned to Prompt's current Australian tour with Diamond Construct, PK's excitement was palpable. “We're really happy to join another Australian tour after our fantastic trip in January. I can feel your guys' energy. I dreamed about that type of energy for years,” he said.With Prompts, he's not just chasing dreams; he's forging a path for others in the metal scene, creating a bridge between cultures and inspiring the next generation of musicians.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

A legendary six-song segment to launch set two...Ominous weather conditions lead to a Cold Rain & Snow Fire on the Mountain combo...The Dead kill it for Farm Aid TV...Bob Dylan then and now

Sketch, Paul, LaserKid and Colt recap Ninja Kamui episodes 11 and 12 but first they discuss the results of our listener survey and get caught up on recent Toonami schedule news. 00:00 - Listener Survey Results 27:00 - Toonami Schedule News 47:28 - Ninja Kamui Ep 11 and 12 Recap Music credits for this episode: "Vengeance" as performed by Coldrain

Live from Beale Street, Memphis,,,A life changing show in Philly....Cold Rain & Snow for those traveling through treacherous weather,...The only time the Grateful Dead played Shakedown, Terrapin, Morning Dew, and Sugar Mag in the same show.

Get on the LIRR, we're heading to Long Island! This week on the Help on the Way pod, our hosts Game and FiG are Going to Nassau to listen to the Grateful Dead's March 28th, 1990 show at Nassau Coliseum in Uniondale, NY. Discussions abound about Knob seeing Phil, gushing over Brent, and how it's important not to overlook the night before a big show. Cold Rain and Snow New Minglewood Blues Easy To Love You High Time Queen Jane Approximately Loose Lucy Cassidy Deal Foolish Heart Looks Like Rain Cumberland Blues The Weight Hey Pocky Way Drums > Space > The Other One > Wharf Rat > Good Lovin' Revolution 

Sketch, Paul, Kuro and LaserKid discuss episodes 2-5 of Entertainment District arc of Demon Slayer and the premiere Toonami's latest original series Ninja Kamui. But before all that, there's some late breaking Toonami schedule news. Music credits for this episode: "Vengeance" as performed by Coldrain

Wave that flag! This week on the Help on the Way pod, our hosts FiG and Knob are celebrating the fourth of July six months early! They're heading to Bonner, Kansas, for the Grateful Dead's July 4th, 1990 show at the Sandstone Ampitheatre. Discussions abound about Just a Little Light, the triumphant return of Scarlet > Fire, and Knob reads some comments in an award-winning British accent. Cold Rain and Snow > Walkin' Blues Mississippi Half-Step Uptown Toodeloo Queen Jane Approximately Loose Lucy It's All Over Now Loser Promised Land Victim Or The Crime Foolish Heart Just A Little Light Scarlet Begonias > Fire On The Mountain Drums > Jam > The Wheel > Gimme Some Lovin' > Stella Blue > Sugar Magnolia U.S. Blues 

Welcome to Episode 16 of the Nerdcast Empire!This is the second of a two-part episode talking about the year in anime 2022. Matt, Mike and Chris talk about their favorite anime music from 2022. Which songs were their favorite anime opening and ending themes from the year?Don't forget to check out part one of the Year in Anime 2022, already available, where the guys talk about their top anime shows of 2022.This week it's all about our top anisongs of 2022. Tune in!

Grateful Dead and Jerry Garcia Band on November 4, separated by four years. Jerry bringing to joy to the Deadheads of New York. Live snippets of "Cold Rain and Snow, Deal, and the greatest Mission in the Rain.

Come on Seawolves, we're heading to SBU! This week, our hosts Game, FiG, and Knob are all back and heading to SUNY at Stony Brook for the Grateful Dead's October 30th, 1970 show at the SUNY Gym. Discussions abound about New Riders of the Purple Sage, whether or not being "droll" is a good thing, and the debut of a brand new segment. Cold Rain & Snow Truckin' Sugar Magnolia Next Time You See Me Me & My Uncle Drums > Good Lovin' > Drums > Cumberland Blues > Good Lovin' Casey Jones Smokestack Lightning Beat It On Down The Line China Cat Sunflower > I Know You Rider Friend Of The Devil Truckin' Candyman It Hurts Me Too Dancin' In The Streets Big Railroad Blues Saint Stephen > Not Fade Away > Goin' Down The Road Feelin' Bad > Not Fade Away > Turn On Your Love Light 

Plug in that soft machine. This week on the Help on the Way podcast, FiG has recovered from dysentery, and he and Game are headed to Dallas, Texas to discuss the Grateful Dead's October 20th, 1988 show at the The Summit. Discussions abound about Farm Aid, the first Built to Last, and the venue's storied history from wrestling arena to megachurch. Cold Rain & Snow New Minglewood Blues Candyman Me And My Uncle > Mexicali Blues West L.A. Fadeaway Queen Jane Approximately Stagger Lee The Music Never Stopped China Cat Sunflower > I Know You Rider Playing In The Band > Built To Last > Drums > Space > I Need A Miracle > Dear Mr. Fantasy > Hey Jude > Turn On Your Love Light Black Muddy River

Music Recommendations: Nightcore, Linkin Park, Soul Music : like Khalid; The Weekend, Coldrain, EDM (EDM Gutter on youtube), Chris Brown as said former podcast ep, RED, Lady XO, Pop Smoke, Imran Khan, Yo Yo Honey Singh, Fateh, Zack knight, There For Tomorrow, Cardi B, Bruno Mars --- Support this podcast: https://podcasters.spotify.com/pod/show/aarish-kumar2/support

This week on the Help on the Way Podcast, our hosts Game, FiG, and Knob are joined by Zach Nugent, guitarist for Dead Set and former guitarist for the JGB. The four of them are heading to California to listen to the Grateful Dead's April 15th, 1970 show at the Winterland Arena. Discussions abound about the final (?) Dead and Company shows, Zach's favorite of Jerry's guitars, and whether Game is a Primal Dead Hater or not. Cold Rain and Snow Mama Tried It's a Man's World Candyman Hard to Handle Cumberland Blues That's It For the Other One > Dire Wolf Dancin' in the Streets Turn on Your Love Light > Not Fade Away > Turn on Your Love Light

Phil loves New York, and so do we. This week on the Help on the Way podcast, our hosts Game and Knob are going to Go the Nassau for the Grateful Dead's March 29th, 1985 show. Discussions abound whether or not there will be a special guest at the last Dead and Co show, the Drumstick Incident, and a nice interview with Knob's Dad about his first time seeing the Grateful Dead. Cold Rain and Snow Down In The Bottom > I Ain't Superstitious Friend Of The Devil Supplication > My Brother Esau Tennessee Jed Minglewood Blues > Don't Ease Me In Terrapin Station > Women Are Smarter > Goin' Down The Road Feelin' Bad > Baby What You Want Me To Do > Drums > Space > Wharf Rat > Throwing Stones > Johnny B. Goode Brokedown Palace 

This week is a first for the Deadpod as I've decided to bring you a fine audience recording of one of the recent Dead & Company Final Tour shows. This is from Philadelphia on June 15, 2023.  I think this tour has to rank among one of, if not the best, run that Dead & Co. has performed, and since they do not plan to tour after this I felt it worthwhile to try and document at least one of these fine performances. I'm not claiming this is the finest show on the tour - I haven't had the chance to hear all the shows, but it is a very fine recording thanks to Jeff Travitz who recorded the show. I do hope you enjoy it. I'll play set 2 next week.   Dead & Company Citizens Bank Park Philadelphia, PA, Thursday  6/15/2023 Set 1: Man Smart, Woman Smarter (King Radio cover) (tour debut) Shakedown Street (Grateful Dead cover) (>) Cold Rain and Snow (Obray Ramsey cover) Jack Straw (Grateful Dead cover) Brown-Eyed Women (Grateful Dead cover) Dark Star (Grateful Dead cover) (verse 1) (>) El Paso (Marty Robbins cover) (Weir on acoustic) (tour debut) Don't Ease Me In (Henry Thomas cover)   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod063023.mp3 My sincere thanks for your kind support.  Have a very Happy and Safe 4th of July!   

Vineyard Vibes playlist. Devon and Aj from Grapevine Gossip join us today to talk Anime, Weddings, Weed, what we can expect from upcoming Grapevine Gossip songs and a lot more! Give Grapevine Gossip a listen I've had them on repeat for weeks now. We have a Discord now so come hang out with us and for those who want to support the show go check out our Patreon we have some awesome perks and it'll help us out a lot. Links for both of those are in our LinkTree and on all of our socials. Make sure to follow us on all socials to keep up with interviews and playlists @VIPlaylistpod and we have a YouTube now so go subscribe to us!! Special thanks to Ghostshaft, Boo Lay, Keanu DiCaprio and FBD Media for making that amazing tune you hear at the end of the episode. Go check out their socials and jam some of their tunes on Spotify. Artists on the Vineyard Vibes Playlist are Properties of Nature, The Temptations, The Cure, Styx, Tool, Linkin Park, Limp Bizkit, Coldrain, Ryo, Survive Said The Prophet, Geek Music, ALI, AKLO, Jodeci, Salome Anjari, TK from Ling tosite sigure, Circa Survive, Cerulean Panda, Fire, Said the Albatross, Craig Owens, Your Best Friend, Laylines, Hot Mulligan, Movements, Coletta, alone., wind E, Tai Verdes, CORPSE, Scarlxrd, La Dispute, I met a Yeti, The Home Team, and --- Send in a voice message: https://podcasters.spotify.com/pod/show/viplaylistpod/message

Voska has a heart-to-heart with Mercy. Citlalli discusses sacrilege. Dewey makes a promise to Zephyr. And Øka ascends to Paragonhood. "The Second Stranger" is sponsored by Dmitry (https://twitter.com/DmitryOpines) and ExplainTrade (https://www.explaintrade.com/), a negotiation skills training consultancy; because you can't ask to roll persuasion in real life. Special thanks to our Heroes and Paragons: Alex, Brooke Brite, @brownestnerd, Charles, chillacres, Cora Eckert, Finn, Hat, Isabel, Kanding, Lex Slater, Lyle and Peanut, Moonflower Tea, Nicholas, Purplemouse, Riley, Rose, Scruffasus, Summer Rose Folta, Sunny, and Targott. Content warnings for this episode: complex and complicated relationships, death of loved ones, grief, romance and flirting, references to sexual entanglements, heights, and descriptions of food. CREDITS: Title - “The Branch Won't Survive” by Molly Weigel. Music - C.I.S. Music (https://soundcloud.com/cis_music), Fesliyan Studios (https://www.fesliyanstudios.com/), and Soundstripe (https://www.soundstripe.com/). Album art - Sea Thomas (https://twitter.com/pisharpart). Podcast editing - Connie Chang (https://twitter.com/ByConnieChang). Join our Discord server at https://discord.gg/rTbPwxRsBe!

Sacramento, preaching on the burning shore! This week, our hosts Game, FiG and Knob are heading out west for the Grateful Dead's May 19th, 1992 show at the Cal Expo Ampitheatre. Discussions abound about Vince Welnick, the Grateful Dead's first ever Baba O'Reilly, and one year of the Help on the Way podcast! Cold Rain and Snow Little Red Rooster Althea Queen Jane Approximately Tennessee Jed Let It Grow China Cat Sunflower > I Know You Rider Looks Like Rain Way To Go Home Terrapin Station > Drums > Space > I Need A Miracle > Black Peter > Sugar Magnolia Baba O'Riley > Tomorrow Never Knows 

Quinn and Thad discuss the end of the Walking Dead, The Last of Us, Marvel Burnout, Cold Rain & Snow, and the Grateful Dead.

Have you ever been distracted by weather conditions at a match? To some degree, we all have. In this episode, your hosts Chad and Francis talk about their thoughts on how gear and apparel can help create a competitive advantage if you are the one who is prepared and your opponents are not. Even the slightest amount of discomfort can be a distraction and take some of your focus away from the task at hand…yet other more serious issues can cause gear failure and cost you even more points. Join us in the discussion as match season kicks off in the middle of winter and we get to see how prepared we really are…

The Transformation Ground Control podcast covers a number of topics important to digital and business transformation. This episode covers the following topics and interviews: Hot Topics: Innovation in Aviation Start Ups, Food Tech Immersion in Africa, Bring Your Own Device Policies, Cold Rain in the Cloud (Eric Kimberling and Kyler Cheatham) Digital Transformation Implementation Lessons from 2022 (Bonnie Tinder, Raven Intel) The Future of Change Management (Tim Creasey, Prosci) We also cover a number of other relevant topics related to digital and business transformation throughout the show. This weekly podcast series premiers live on YouTube every Wednesday at 8am NYC time / 1pm London / 9pm Hong Kong. You can also subscribe to the podcast on Apple, Google, Spotify, Pandora, or your favorite podcast platform. WATCH MORE EPISODES HERE: https://youtube.com/playlist?list=PLyI-oIQSgI2DGXQKvUz-farHwls_B3G3i —————————————————————— DOWNLOAD MORE RESOURCES BELOW: —————————————————————— 2023 DIGITAL TRANSFORMATION REPORT: https://resource.thirdstage-consulting.com/2023digitaltransformationreport   TOP 10 ERP SYSTEMS RANKING: https://www.thirdstage-consulting.com/the-top-10-erp-systems-for-2020/   TOP 10 ERP SYSTEMS FOR SMALL BUSINESSES: https://www.thirdstage-consulting.com/top-erp-systems-for-small-businesses/   TOP 10 CRM SYSTEMS: https://www.thirdstage-consulting.com/top-10-crm-systems-for-digital-transformations   GUIDE TO ORGANIZATIONAL CHANGE MANAGEMENT: http://resource.thirdstage-consulting.com/the-definitive-guide-to-erp-hcm-organizational-change-management   20 LESSONS FROM 1,000 ERP IMPLEMENTATIONS: https://resource.thirdstage-consulting.com/lessons-from-1000-erp-implementations-ebook   ———————————————————— CONNECT WITH ME: ———————————————————— LINKEDIN: https://www.linkedin.com/in/erickimberling/ INSTAGRAM: https://www.instagram.com/erickimberling/ TIKTOK: https://www.tiktok.com/@erickimberling0 TWITTER: https://twitter.com/erickimberling CLUBHOUSE: https://www.joinclubhouse.com/@erickimberling THIRD STAGE LINKEDIN PAGE: https://www.linkedin.com/company/third-stage-consulting-group/ CONTACT ME TO BRAINSTORM IDEAS FOR YOUR DIGITAL TRANSFORMATION: eric.kimberling@thirdstage-consulting.com   ———————————————————— MUSIC IN THIS EPISODE: ———————————————————— Get I'm Ready by The Eiffels here https://t.lickd.co/geq6gnjo3Y8 License ID: k10MJnyDNVo    Get You Worry Me by Nathaniel Rateliff & The Night Sweats here https://t.lickd.co/XzBW917yD6r License ID: 1wElRorPmJ2   Get International Space Station by British Sea Power here https://t.lickd.co/5rM5pxr8zjn License ID: NgoqxY9GDM7   Get Can I Play With Madness (1998 - Remaster) by Iron Maiden here https://t.lickd.co/rPYy0OeVxlk License ID: VGaWjO5Gkq2   Get Relax by Frankie Goes To Hollywood here https://t.lickd.co/86xKJAXy5n0 License ID: Dd7m8DMDA4Q   Get Back on the Chain Gang by Pretenders here https://lickd.lnk.to/H2t9DXID!Eric%20Kimberling%20-%20Digital%20Transformation License ID: NPr6AYKyqdg   Get Epic by Faith No More here https://t.lickd.co/zG5VzByg51a License ID: kvjwvqe8GWL   Get Bad To The Bone by George Thorogood & The Destroyers here https://t.lickd.co/Ooy7kBDQy97 License ID: Kd0Wjxq5G28   Get this and other songs for your next YouTube video at https://lickd.co

Momentos que cambian la existencia transformando nuestra visión del mundo. En la música un determinado disco marca el devenir de éxito, pero también el carácter de un artista o una banda, algo intangible que en el mejor de los casos admiran propios y extraños. Puntos de inflexión, obras ambiciosas nacidas en noches en vela por parte de sus creadores, exploraciones extremas, ensoñaciones y anhelos bajo un mantra complejo de raíces Folk y Rock urbano de los 60 y Pop ambiental de los 80. Para mi Podcast número 136, me sumergiré en un océano sensorial, sus profundas y poéticas evocaciones, sonidos expansivos para lograr una cuadratura impensable, donde se unen el prisma espectral del Indie Rock con la música Americana de maestros como Dylan, Springsteen o Petty, a toda esta exposición la he querido recordar bajo el título de: Más allá de la grandeza.Playlist del programa:00 - Blaudzun-Solar (Intro).01 - The War On Drugs-I Don't Live Here Anymore(feat. Lucius).02 - Sam Fender-Seventeen Going Under.03 - Bleachers - How Dare You Want More.04 - Rag'n'Bone Man & P!nk-Anywhere Away From Here.05 - Huey Lewis & The News - Her Love Is Killin' Me.06 - The Vaccines-Alone Star.07 - Steely Dan-Time Out Of Mind.08 - DIIV-Under The Sun.09 - John Mayer-Til the Right One Comes.10 - Wide Valley-Under a Cold Rain.11 - Band of Horses - Is There a Ghost.12 - Placebo-Special Needs.13 - Travis-Waving At The Window.14 - Javier Blake-Réplica.15 - Blaudzun-Solar (Despedida).

  In this episode we talk about our resent anime convention experiences at Tekko 2022.  Joe from Anime Psycho joins in on the conversation. You can support him by visiting his blog at: https://animepsychomedia.com/After all that we dive into our thoughts on the summer 2022 anime season."Anime Psycho Media"  Intro is "Bloody Power Fame" by Coldrain  (Bastard OP)Outro is "Night Falls (Ending)" by Taku Inoue from the Tekken Tag Tournament 2 Soundtrack published by namco.   Visit our Podcast Store:  Anime BS Podcast Merch StoreFollow us on our social media accounts:Facebook      TwitterHave a question? Want to suggest a Topic/Improvement? Email us at:AnimeBSPodcast@gmail.com

Welcome to the Decibel Boost Podcast album roundup for the month of July 2022. The normal trio is down to just two for

Welcome back to the Hut. Jake of the Bleach Bros Podcast and Gnome of the Dads are back at it again. We are getting heavy and sweaty in this installment. We get right into the pit if you will. That's right first-time doing songs that get you ready for the pit. We hope to make this a reoccurring segment, so let's see what you think. Gnome and Jake have 5 songs each that we have or would love to be in the pit for. Next up we have live albums. Both Jake and Gnome share a certain passion for live albums.....which is usually toss them in the trash. But we have a couple that we enjoy and are going to share with Hut Nation. Of course, it wouldn't be the hut without the music recommendations. So, let's roll. Jake is bringing Trap God the new single by Hollywood Undead (which he stole from Gnome). Jake's album is the brand new Coldrain album. Gnome is also bringing TrapGod along with Reaper by Fit for a King. Album for Gnome is a throwback, 2007 Insomnia by Hed PE. Make sure to check the links to all of these artists below. Also make sure you are following the Bleach Bros (link below) as this show continues to alternate here on the Dad's feed and their feed bi-weekly. Also, make sure to follow all the new socials for the hut, Facebook, Instagram and Twitter. Horns UP and Stay Heavy.   Intro/Outro-Bloody Lip Season by Violent New Breed, all rights reserved. VIOLENT NEW BREED (@VNBofficial) / Twitter   Bleach Bros Podcast BleachBrosPodcast - Listen on Spotify - Linktree    Trap God-Hollywood Undead Spotify – Trap God Coldrain's newest album Spotify – Nonnegative Reaper-Fit For A King Spotify – Reaper Insomnia-Hed PE Spotify – Insomnia  

Welcome back to the Hut. Jake of the Bleach Bros Podcast and Gnome of the Dads are back at it again. We are getting heavy and sweaty in this installment.We get right into the pit if you will. That's right, first-time doing songs that get you ready for the pit. We hope to make this a reoccurring segment, so let's see what you think. Gnome and Jake have 5 songs each that we have or would love to be in the pit for. Next up we have live albums. Both Jake and Gnome share a certain passion for live albums.....which is usually tossing them in the trash. But we have a couple that we enjoy and are going to share with Hut Nation.Of course, it wouldn't be the hut without the music recommendations. So, let's roll. Jake is bringing Trap God the new single by Hollywood Undead (which he stole from Gnome). Jake's album is the brand-new Coldrain album. Gnome is also bringing TrapGod along with Reaper by Fit for a King. The album for Gnome is a throwback, 2007 Insomnia by Hed PE. Make sure to check the links to all of these artists below. Also, make sure you are following the Bleach Bros (link below) as this show continues to alternate here on the Dad's feed and their feed bi-weekly.Also, make sure to follow all the new socials for the hut, Facebook, Instagram, and Twitter. Horns UP and Stay Heavy.Intro/Outro Bloody Lip Season by Violent New Breed, all rights reservedhttps://open.spotify.com/artist/5xXuSv80rBXURrv2CqOHEj?si=c7tDfNK8QlO6x-JkFPJZmQHateful Gnome Merch:https://bleach-bros-podcast.creator-spring.com/listing/hateful-gnome-s-music-hut?fbclid=IwAR3TFCycBus0qKBpGn7_kkO0vOgzvxz2RF4KjtYbRo9bYL1mNBcMEZPCzwEThe Hateful Gnome's Music Hut Playlisthttps://open.spotify.com/playlist/0BYNgX47ulq1QUEujzqTZ5?si=3b03a942b3a44514Bleach Bros Podcasthttps://BleachBros.com Dads on DayQuill Podcast https://www.linktr.ee/dadsondayquillThe Hateful Gnome's Music Hut is a part of the Bleach Bros Podcast network of podcasts. Bleach Bros Podcast is a Spreaker Prime podcast. For more information:https://try.spreaker.com/prime-program/ For more Bleach Bros content, friends of the show, and similar podcasts: https://www.bleachbros.com/friends-of-the-show/

Gene talks to Washington D.C. playwright Craig Houk about his plays COLD RAIN, SYD, and BRUTE FARCE.

O Juca traz hoje pra vocês a excelente banda japa Coldrain! Uma das que furaram a bolha do underground e chegaram no mainstream por aqui! Nos sigam em nossas redes sociais! @dropzillacast - Facebook - Instagram - Twitter - Discord Ouçam também os podcasts No Japão, do Victor e o WasabiCast do Juca! Dêem uma checada nos podcasts da #PodNipoBr

Aretha Franklin "Don't Play That Song"Sonny Terry & Brownie McGhee (with Lightin' Hopkins) "Everybody's Blues"Sonny Terry & Brownie McGhee "Trouble In Mind"Cat Power "Do the Romp"Paul Westerberg "Knockin on Mine"Justin Townes Earle "Far From Me"Nina Simone "Revolution (Pts. 1 and 2)"Cory Branan "You Make Me"The Handsome Family "The Bottomless Hole"Songs: Ohia "Farewell Transmission"Bob Dylan "Meet Me In the Morning"Bob Dylan "Gotta Serve Somebody"George Jones & Ernest Tubb "Half a Mind"Woody Guthrie "Going Down the Road"Etta James "Almost Persuaded"Margo Price "Twinkle Twinkle"Millie Jackson "If Loving You Is Wrong I Don't Want to Be Right"Arthur Conley "Shake, Rattle & Roll"Wilson Pickett "Mini-Skirt Minnie"Gladys Knight & The Pips "Midnight Train to Georgia"Bonnie Raitt "I Thank You"Ted Hawkins "There Stands The Glass"Vic Chesnutt "Guilty By Association"Candi Staton "I'm Just a Prisoner (Of Your Good Lovin')"Solomon Burke "Proud Mary"Patterson Hood "Heat Lighting Rumbles In the Distance"Centro-matic "Iso-Residue"Counting Crows "Omaha"Pedro The Lion "First Drum Set"Mos Def "Close Edge"M. Ward "Never Had Nobody Like You"Bettye Swann "Stand By Your Man"Craig Finn "This is What It Looks Like"Widespread Panic "Contentment Blues"Buddy Guy "She's Got The Devil In Her"Waylon Jennings "Midnight Rider"Mildred Anderson "Cool Kind of Poppa (Good Kind Daddy)"Lucinda Williams "It's Nobody's Fault But Mine"Grateful Dead "Cold Rain and Snow"Little Milton "That's What Love Will Make You Do"Steve Earle "Feel Alright"Naomi Shelton & the Gospel Queens "What Have You Done?"Jason Isbell "Hurricanes and Hand Grenades"David Ramirez "That Ain't Love"

In this week's episode of It's Raining Mets, Tom and Ed talk about the cold rain expected for Mother's Day Weekend and the permanent, warmer pattern afterwards! They also discuss their expectations on the upcoming tropical season... which is just over 3 weeks away!

coldrain is a post-hardcore band from Nagoya with songs entirely in English and a strong following in their home country of Japan as well as the U.S. and U.K. Vocalist Masato transitions effortlessly between clean and growled vocals. Learn all about coldrain in today's episode with Andy and Shanna!Scripted & Quality Assured by: NolaHosted by: Andy & ShannaAudio Edited by: HaruUploaded by: JackSupport this podcast at — https://redcircle.com/japan-top-10-ri-ben-nototsupu10-jpop-hits/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of Here's Help the cold, rain and homeless all come together.

In the 99th episode of The Main Street Electrical Podcast, Jenn & Dave share a great conversation first about the torrential rainstorm last weekend and upcoming openings and re-opening -- including the uncomfortably named Moist Kingdom.  First, Dave shares a few stories from the trip he just returned from, including thoughts on Port Orleans refurbishment, traveling with autism, some great snackage, and the tale of the broken stroller in the Hollywood Studios monsoon. Then, a quick look at the upcoming events at The World, like Guardians getting an opening date... Hoop de Doo Revue getting a re-opening date... All Star Sports now opening again... and character hugs finally returning!!  Plus... Coach purses cost a lot of money... more dining plan predictions... Mickey teasing Dave with Annual Passes... characters at Artist Point...

The Weather: Hot, Cold, Rain or Snow --- Send in a voice message: https://anchor.fm/kathleen-smith/message

Essential dedicado al metal Japonés. Un programa sin locución (salvo la introducción) donde propondremos al oyente, lo mejor del país nipón según nuestro criterio... 🤘 – “ALL MALE BAND” 🤘🤘 – “MIXED BAND” 🤘🤘🤘 – “ALL FEMALE BAND” B’z – Unite 🤘 Gacharic Spin – Mindset 🤘🤘🤘 PassCode – Miss Unlimited 🤘🤘🤘 Brats – No more NO more 🤘🤘🤘 Fear, and Loathing in Las Vegas – Let me Hear 🤘 Band-Maid – Choose me 🤘🤘🤘 Triden – NoRegret 🤘🤘🤘 Blood Stain Child – Stargazer 🤘🤘 Mary’s Blood – Starlight - 🤘🤘🤘 Ironbunny – 23 – Twenty three – 🤘🤘🤘 Bridear – Brave New World Revisited - 🤘🤘🤘 Wagamama Rakia – Joker - 🤘🤘🤘 Doll$Boxx – Shout Down - 🤘🤘🤘 Band-Maiko – Secret Maiko Lips – 🤘🤘🤘 Aldious – We Are - 🤘🤘🤘 Nemophila – Revive - 🤘🤘🤘 Loudness – Soldier of Fortune - 🤘 Lovebites – Rising - 🤘🤘🤘 Show-ya – Eye to Eye – 🤘🤘🤘 Serenity in Murder – The Black Sun - 🤘🤘 A Crowd of Rebellion – M1917 - 🤘 Hanabie – We love sweets 🤘🤘🤘 Telecide – Cycle of Addiction 🤘🤘🤘 Crossfaith – Monolith 🤘 Babymetal – Gimme Chocolate!! 🤘🤘 SIM – Existence 🤘 Before My Life Fails – Let it Die 🤘 Coldrain – Mayday - 🤘 Crystal Lake – Apollo - 🤘 Vamps – Underworld - 🤘 Maximum The Hormone – What’s up, people?! - 🤘🤘

Essential dedicado al metal Japonés. Un programa sin locución (salvo la introducción) donde propondremos al oyente, lo mejor del país nipón según nuestro criterio... 🤘 – “ALL MALE BAND” 🤘🤘 – “MIXED BAND” 🤘🤘🤘 – “ALL FEMALE BAND” B’z – Unite 🤘 Gacharic Spin – Mindset 🤘🤘🤘 PassCode – Miss Unlimited 🤘🤘🤘 Brats – No more NO more 🤘🤘🤘 Fear, and Loathing in Las Vegas – Let me Hear 🤘 Band-Maid – Choose me 🤘🤘🤘 Triden – NoRegret 🤘🤘🤘 Blood Stain Child – Stargazer 🤘🤘 Mary’s Blood – Starlight - 🤘🤘🤘 Ironbunny – 23 – Twenty three – 🤘🤘🤘 Bridear – Brave New World Revisited - 🤘🤘🤘 Wagamama Rakia – Joker - 🤘🤘🤘 Doll$Boxx – Shout Down - 🤘🤘🤘 Band-Maiko – Secret Maiko Lips – 🤘🤘🤘 Aldious – We Are - 🤘🤘🤘 Nemophila – Revive - 🤘🤘🤘 Loudness – Soldier of Fortune - 🤘 Lovebites – Rising - 🤘🤘🤘 Show-ya – Eye to Eye – 🤘🤘🤘 Serenity in Murder – The Black Sun - 🤘🤘 A Crowd of Rebellion – M1917 - 🤘 Hanabie – We love sweets 🤘🤘🤘 Telecide – Cycle of Addiction 🤘🤘🤘 Crossfaith – Monolith 🤘 Babymetal – Gimme Chocolate!! 🤘🤘 SIM – Existence 🤘 Before My Life Fails – Let it Die 🤘 Coldrain – Mayday - 🤘 Crystal Lake – Apollo - 🤘 Vamps – Underworld - 🤘 Maximum The Hormone – What’s up, people?! - 🤘🤘

Nick shares some great listener responses to the questions 'what's the worst you've screwed up at work?' and 'what is your most hated type of weather?' Thanks for the answers and keep 'em coming! Write NFW at weaklypodcast@gmail.com Support NFW at www.ko-fi.com/nickflanagan

Wind, Cold, Rain, Snow! No one deserves to be left on the streets in these conditions, but for many men, women, and children in the US and abroad, the street is their home. What is...

Wind, Cold, Rain, Snow! No one deserves to be left on the streets in these conditions, but for many men, women, and children in the US and abroad, the street is their home. What is the solution for the Homeless?

Here's the latest encouraging word from out on the farm. Enjoy. --- Send in a voice message: https://anchor.fm/ken-pierpont/message

 I think anytime I come across an excellent sounding tape from 1970 it is a real treat. There are so few great tapes from that year and the band is having so much fun that when I do I want to share. So this week here is one from the Fillmore East on November 16, 1970.  There are some anomalies - there is some Elton John music playing through the house PA at one point - don't freak out ! :) I had to leave it in just to keep the atmosphere of the venue and the date.   I love hearing Pigpen here as well as the energy which just explodes through this music.  I hope you dig it too..   Grateful Dead Fillmore East New York, NY 11/16/70 Partial Show Bill Graham intro>Casey Jones                        [05:01] Me and My Uncle                                      [04:37] House P.A. Music: Elton John, //Honky Tonk Women//   [02:49] //Friend of the Devil                                [02:14] Cold Rain and Snow                                   [06:04] King Bee                                             [07:17] China Cat Sunflower >                                [05:46] I Know You Rider                                     [04:42] Stage Talk/Steve Winwood Arrives On Stage            [02:07] Hard To Handle *                                     [08:07] //Big Railroad Blues * +                             [05:13] Not Fade Away > *                                    [09:18] Goin' Down the Road Feelin' Bad > *                  [05:44] Not Fade Away *                                      [02:52] Stage Talk                                           [02:00] Frozen Logger                                        [01:26] Mama Tried                                           [03:37] Truckin' > +                                         [05:47] The Other One +                                      [11:24] Uncle John's Band +                                  [07:04]                                                                        * Steve Winwood on Pigpen's Hammond Organ. Steve Winwood also provides vocal accompaniment on NFA>GDTRFB>NFA and 1st vocal verse of NFA. + Will Scarlet on harmonica.    You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod110521.mp3    Be well my friends, and thank you for your support.   

Our hosts discuss pickle ball and cartoon characters with whom they are in love. Then they listen to a bunch of versions of one of their favorite tunes.   Versions: 2/25/1966 Ivar Theater (LA) 3/25/1966 Trouper's Hall (LA) 3/18/1967 Winterland 6/7/1969 Fillmore West 5/14/1970 Merramac Comm. Col. (Kirkwood, MO) 4/17/1972 Tivolis Koncertsal (Copenhagen, Denmark) 12/27/1977 Winterland 10/12/1984 Augusta Civic Center (ME) 7/4/1989 Rich Stadium (Buffalo)

We reflect on the summer of 2020 and election season.You can JOIN THE COMMUNITY HERE.  We have peer support check-in groups, an art group, a lego group, movie groups, and social events.  Additional zoom groups are optional, but only available by joining the groups. Join us!  To submit an email to the podcast:    podcast@systemspeak.comContent Note: Content on this website and in the podcasts is assumed to be trauma and/or dissociative related due to the nature of what is being shared here in general.  Content descriptors are generally given in each episode.  Specific trigger warnings are not given due to research reporting this makes triggers worse.  Please use appropriate self-care and your own safety plan while exploring this website and during your listening experience.  Natural pauses due to dissociation have not been edited out of the podcast, and have been left for authenticity.  While some professional material may be referenced for educational purposes, Emma and her system are not your therapist nor offering professional advice.  Any informational material shared or referenced is simply part of our own learning process, and not guaranteed to be the latest research or best method for you.  Please contact your therapist or nearest emergency room in case of any emergency.  This website does not provide any medical, mental health, or social support services. ★ Support this podcast on Patreon ★

Maybe it's just the weather: Cold rain, wind and fog. Repeat. If there is any lesson I have learned while praying in the rain, while I have tried to pray in the damp, dreary mess that is my life, if there is any one thing I have learned it is this: God is where I am, not where I wish I were or think I should be; God is near the brokenhearted; God has mercy on sinners.