Podcasts about Chi McBride

In this penultimate episode of The Pod Charles Cinecast, your hosts Jonathan Foster and Fil Freitas are back with a Brucie Bonus, as we see the return of BRUCE WILLS US – the bonus series where we occasionally dip into the films of Bruce Willis. With Christmas nearly here, we'd figure we'd dip into one of Bruno's most magical movies, that would be a sure-fire holiday classic had it been set in December, DISNEY'S THE KID (2000). Bruce Willis plays a self-absorbed 40-year-old image consultant who is mysteriously confronted by the eight-year-old version of himself (Spencer Breslin), and is forced to confront the traumas of his past to become a better man. The film features a nice supporting cast of Emily Mortimer, Lily Tomlin, Chi McBride and Jean Smart. It's a pretty wholesome family film, that shows a really sweet side to Bruce, but there is a bit of a "time travel" twist that if you think about too much, makes absolutely no sense. Also, deep inside the film contains a pretty strong man going through therapy and confronting his inner child theme; something that didn't get much play back in those days. So of course we loved it. So, even though it's not a Christmas movie, we think it has enough magic to play this time of year. Give it a spin, and meet us on the airwaves for one last normal episode... Next Week is the end, and it will be a doozy. "Aww, somebody call the waahmbulance!"For full listings and tickets visit: princecharlescinema.com  If you enjoy the podcast, leave a Rating and Review! It really helps us out! As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcast

Hi! My name is Terry J. Aman, marking my 96th episode of VideoFuzzy, reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. While this set covers discs 1651 to 1675 in my Classic Collection, my Fuzzy Feature is again a bit of a departure, exploring my recent local theater production of Edward Albee's "Who's Afraid of Virginia Woolf?" I talk about my role as George, my thoughts about taking a second run at this character, and my goal of getting a deeper exploration of him in this TruNorthTheatre.org production. I also added the classic 1966 Liz Taylor/Richard Burton movie to my current collection, and encountered a couple of interesting references to the show in my cataloging efforts for this set, entries at https://www.instagram.com/videofuzzy  In my Classic Collection, I celebrate breaking into my ninth binder of DVD transfers with a look back at highlights from Binder No. 8. I also explore a couple episodes of "Human Target" that turned up in this set. In my Current Collection, I chat about "Only Murders in the Building," "Agatha All Along" and the series finale of "The Umbrella Academy." Finally, in What I've Been Watching, I share my reaction to "The Joker: Folie a Deux." Spoiler alert: It is not positive. Currently I'm rehearsing Scrooge in a hilarious farce production "A Dickens' Christmas Carol" with Dakota Stage Ltd., coming up selected dates Dec. 5-15. Tickets and information at https://dakotastage.org/ -- come check us out! TOP TWELVE: Here's a "Top Twelve" episode guide for people looking for a quick read-in on this blog and podcast effort: https://videofuzzy.libsyn.com/about. Enjoy!

In this week's episode, we dissect Roll Bounce, a film released on September 23, 2005, starring Bow Wow, Chi McBride, Mike Epps, Meagan Good, Wesley Jonathan, and Nick Cannon. Join us as we discuss Tubi movies, braces, Sweeeeetness, stand-up routines, yellow crayons, apology skates, and more! Notable Mentions + References in This Episode: Sweetness Intro Scene Hollywood Swinging Scene Mike Johnson - 2005 Sk8-A-Thon  Wesley Jonathan Interview Hopelessly Devoted - Grease Emotions - The Bee Gees Emotions - Destiny's Child Brink! (Episode 007) You Got Served (Episode 112) Connect with us: Instagram: @in_hindsight_pod Twitter: @in_hindsightpod  Want us to dissect one of your favorite childhood movies? Send us a DM or email us at inhindsightpod@gmail.com. Thanks for listening!

James McAvoy plays a wonderful deranged crazy person.  If you've seen the trailer you know what youre getting into.  Speak No Evil is a solid watch with some solid performances though the movie is a little short on logic and good decisions, horror movie tropes be damned.       0:09:30 - Box Office and upcoming releases. 0:18:00 *** What's Streaming  *** HULU 28 WEEKS LATER, Dir. Juan Carlos Fresnadillo – Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau, Catherine McCormack, Idris Elba, Omogen Poots, 2007. GONE IN 60 SECONDS, Dir. Dominic Sena – Nicolas Cage, Angelina Jolie, Giovanni Ribisi, Scott Caan, Will Patton, Delroy Lindo, Timothy Olyphant, Chi McBride, Robert Duvall, Christopher Eccleston, Vinnie Jones, 2000. PIG, Dir. Micahel Sarnoski – Nicolas cage, Alex Wolf, 2021. 0:29:15 - Trailers:  SATURDAY NIGHT – Dylan O'Brien, Willem Dafoe, J.K. Simmons, Ella Hunt, Finn Wolfhard, Feature. BROTHERS – Glenn Close, Josh Brolin, Brenden Fraser, Marisa Tomei, Peter Dinklage, Feature. ABSOLUTION – Liam Neeson, Ron Pearlman, Daniel Diemer, Feature.   0:36:15 - SPEAK NO EVIL, Dir. James Watkins  ( Grayson 6.5 / Roger 5 / Chris 5.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Join Dom, ILL, and Q as they revisit the futuristic world of 2004's I, Robot!

SEASON 6 FINALE: Having been captured by The Boss and placed inside his new invention, "The Genre-Mat"; He is now forcing me to not only sit through one of the Worst TV Shows of All time, but do so in a way that requires funding from a grant by the Corporation for Public Broadcasting. SPONSORED BY: Dave's Archives Retrocirq Kier's Nostalgia Corner And our Patrons AND VERY SPECIAL THANKS to the Following people for lending their talents to the episode: Joan Bishop Sean Carney Kiersten Davis Andrew Dick James Hernandez Christine Long Michael Luce Darren Marlar Rob Maurer Yarnel Mois Darin Patterson and Nathan Ragland A Post-Season wrap up in August; after that, who knows? See 'ya on the Other side!

Welcome back to purgatory!!!   This week the boys are back to discuss Narc from 2002 written & directed by Joe Carnahan and it stars Jason Patric, Ray Liotta, Dan Leis, Lloyd, Lina Giornofelice, A.C. Peterson, Karen Robinson, Chi Mcbride, Micheal Van Sprang, Krista Bridges, John Ortiz, Anna Openshaw, Busta Rhymes and Richard Chevolleau!!!   Thanks for checkin us and if you'd like to find our back episodes go to podbean.com   Intro track "Big Catherine, Little Catherine" https://youtu.be/dVpJcJ9s_-c?si=pCfGnblnE8WSjAHQ Outro track "Let's sit on the house" https://youtu.be/4Yn_s_Mu5ng?si=4gV73FZ30dJUOfTx   Both tracks are from the Narc soundtrack, composed and conducted by Cliff Martinez

“Bruce Greenwood, who's surprisingly not crooked in this movie? That blew my hair back!” - Steve On this week's episode, the Summer Blockbuster Extravaganza rolls into Will Smith City with a conversation all about the absolutely dreadful I, Robot! And to help dive into this dull-ass flick, the gang welcomes back to the show, friend and film critic, Angelica Jade Bastién! Why did they want to make this movie so damn serious and not let any comedy on the screen? Is Will Smith's character listening to “Superstition” on loop every morning? Why couldn't they pump a few more bucks into these digital effects? Was Bridget Moynihan's direction just to play the character as if she was a secret robot? And why in the world weren't Shia LaBeouf's scenes cut for time? PLUS: Was the most expensive visual effect in this movie really digitally removing Will's johnson from the shower scene?  I, Robot stars Will Smith, Bridget Moynihan, Bruce Greenwood, James Cromwell, Chi McBride, Adrian Ricard, Fiona Hogan, and Alan Tudyk as Sonny; directed by Alex Proyas. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. Be sure to pick up your tickets for our summer time WORLD WIDE DIGITAL EVENT where we'll be talking all about the action classic SPEED! Head over to Moment dot co slash We Hate Movies and get your tickets now— and don't forget to bundle in your ticket for the Q&A After Party that's going down right after the show that night! Can't make it to the live show? No problem! The show will be available for replay for a full TWO WEEKS after air. So you've got 14 days to check out the show after it happens! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new SHEENPRIL, Night Vision & Too Old For This Shit designs!   Original cover art by Felipe Sobreiro.

Welcome to Bottle Episodes! The show where Daniel Crow and David Piccolomini watch the best of terrible television! This week we're covering fake racist but very horny sitcom The Secret Diary of Desmond Pfeiffer! Starring Chi McBride as a black English noble who ended up a servant at the Lincoln White House. Instead of looking at that premise, the show decides to make a show where Lincoln is essentially Bill Clinton but hornier. From sexting in the Oval office to being too afraid to hook up with a prostitute, this 6'4 president sure was unlucky in love! Really we're just excited to see Chi McBride bowl again. Comedian Chris Faga is out here trying smash Mary Todd. Check out his podcasts. High Society Radioy and Notes of a Goon   The Secret Diary of Desmond Pfeiffer Bottle Episode: S01E04 Once Upon a Mistress Watch The Secret Diary of Desmond Pfeiffer on the Youtube, or the Link Follow David on Instagram @DPicComedy and check out his special Goblin King Follow Crow @DanielFCrow  

Jeff and Kev return to the world of Human Target. The short-lived action, adventure show from Fox circa 2010-2011. The show stars Mark Valley, Chi McBride and Jackie Earle Haley. We discuss the second season and what worked and what didn't work. The changes made and it's place in the landscape of television. This is Jeff's first experience with this show! Tune in the wild antics and discussion regarding Christopher Chance and his journey! Don't hesitate, join the rest of the Screamers with the hottest podcast going today!  Amazon Affiliate Links: Human Target : Season 1 (DVD) https://amzn.to/4by8ebw Human Target : Season 1 (Bluray) https://amzn.to/3wdBfZY   You can find the podcast at SunsAndShadows.com or your podcast app of choice! Follow us on all platforms, we have frequent giveaways and always discussing something fun! Facebook: @sunsandshadows Twitter: @sunsandshadows Instagram: @sunsandshadowscast Letterbox'd: SunsAndShadows YouTube : @sunsandshadowscast Rumble : https://rumble.com/c/c-3121106 Discord: sunsandshadows_27605

Jeff and Kev dive head first into the world of Human Target. The short-lived action, adventure show from Fox circa 2010. The show stars Mark Valley, Chi McBride and Jackie Earle Haley. We discuss the first season and what worked and what didn't work. As well, the guys look towards Season Two. This is Jeff's first experience with this show! Tune in the wild antics and discussion regarding Christopher Chance and his journey! Don't hesitate, join the rest of the Screamers with the hottest podcast going today!  Amazon Affiliate Links: Human Target : Season 1 (DVD) https://amzn.to/4by8ebw Human Target : Season 1 (Bluray) https://amzn.to/3wdBfZY   You can find the podcast at SunsAndShadows.com or your podcast app of choice! Follow us on all platforms, we have frequent giveaways and always discussing something fun! Facebook: @sunsandshadows Twitter: @sunsandshadows Instagram: @sunsandshadowscast Letterbox'd: SunsAndShadows YouTube : @sunsandshadowscast Rumble : https://rumble.com/c/c-3121106 Discord: sunsandshadows_27605  

Welcome to the Instant Trivia podcast episode 1079, where we ask the best trivia on the Internet. Round 1. Category: Elemental Latin 1: Aurum. gold. 2: Ferrum. iron. 3: Plumbum. lead. 4: Argentum. silver. 5: Kalium. potassium. Round 2. Category: The Real Adams Family 1: Let's drink a beer to the memory of this man who died in Boston Oct. 2, 1803, aged 81. Sam Adams. 2: In 1900 Brooks Adams predicted that in 50 years these countries would be the world's 2 main powers. the United States and Russia. 3: On becoming president, he said he was "less possessed of your confidence... than any of my predecessors". John Quincy Adams. 4: Henry Adams lived in this city, and there's a memorial to his wife Clover in Rock Creek Cemetery there. Washington, D.C.. 5: In 1848 Charles Francis Adams was on the ticket of this 2-word party formed to oppose the extension of slavery. the Free Soil Party. Round 3. Category: Beantown Tv 1: We learned of 3 people who'd never been in Cliff Clavin's kitchen when he played "Jeopardy!" on this sitcom. Cheers. 2: Julie Bowen, Candice Bergen and Rene Auberjonois get lawyered up on this David E. Kelley drama. Boston Legal. 3: Bruce Greenwood, Ed Begley Jr. and Denzel Washington played doctors at St. Eligius on this drama. St. Elsewhere. 4: In the '70s he played Banacek, a suave Beacon Hill P.I.; in the '80s he led "The A-Team" and blew up a lot of stuff. (George) Peppard. 5: Sharon Leal, Jeri Ryan and Chi McBride educated us on this David E. Kelly drama. Boston Public. Round 4. Category: Consciousness Of Stream Writing 1: Mark Twain's memoir "Life on" it tells tales of one of America's great rivers. the Mississippi. 2: Jonathan Schneer's history of this river includes an account of the 1215 negotiation of the Magna Carta on its banks. the Thames. 3: Whistle a happy tune and name this Pierre Boulle World War II P.O.W. novel that was made into an Oscar-winning film. Bridge on the River Kwai. 4: Alan Moorehead published histories of these 2 main branches of the world's longest river. the Blue Nile and the White Nile. 5: 4 men on a canoe trip in this James Dickey novel fight to survive the wild Cahulawassee River and scary locals. Deliverance. Round 5. Category: Call Me Cat. With Cat in quotation marks 1: Something very appealing to people is likened to this "feline" herb of the mint family. catnip. 2: 19th c. consumers liked buying from folks they knew, so Mr. Montgomery Ward might send a personal note if you ordered from this. the catalog. 3: This No. 1 hit has haunted fathers since 1974 as they watch time pass all too quickly as their sons grow up. "Cat's In The Cradle". 4: Someone full of big talk without being able to back it up is said to be "all hat, no" this. cattle. 5: You're sitting in this idiomatic "seat" when you have a position of great advantage. the catbird seat. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Welcome to Bottle Episodes! The show where Daniel Crow and David Piccolomini watch the best of terrible television! This week, it's How We Roll! Pete Holmes does a network sitcom about a real-life factory worker turned pro bowler. In a cast comfortable with putting out great traditional sitcom acting, Pete is actively trying to out act them all. Adding all of the out-of-place pathos, Pete is almost in tears for this CBS bowling sitcom. Chi McBride is there as well as Smart Guy. It's a real time.   How We Roll Bottle Episode: S01E06 The Date Watch How We Roll on Amazon, or the Link Follow David on Instagram @DPicComedy and check out his special Goblin King Follow Crow @DanielFCrow            

0:07:00 - Box Office and upcoming releases. 0:21:30 *** What's Streaming  *** AMAZON GREATER, Dir. David Hunt – Neal McDonough, Chris Severio, Leslie Easterbrook, Nick Searcy, Peter Gray Lewis, M.C. Gainy. 2016 GONE IN 60 SECONDS, Dir. Nicolas Cage, Angelina Jolie, Giovanni Ribisi, Scott Caan, Will Patton, Timothy Olyphant, Chi Mcbride, Robert Duvall, Vinnie Jones. 2000 SHAUN OF THE DEAD, Dir. Edgar Wright – Simon Pegg, Nick Frost, Kate Ashfield, Peter Serafinowicz, Rafe Spall, Bill Nighy. 2004 0:34:00 - Trailers:   POOR THINGS – Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Feature BIOSPHERE- Mark Duplass, Sterling K. Brown, Feature MOB LAND, John Travolta, Stephen Dorf, Ashley Benson, Kevin Dillon. Feature. 0:39:15- TRANSFORMERS: RISE OF THE BEASTS, Dir. Steven Caple Jr. ( Grayson 6 / Roger 6 / Chris 6.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Guest appearance by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Twist up your white girl dreads (or just don't, actually) and let's ride with Nic Cage in Gone in 60 Seconds. How angry is Jerry Bruckheimer that the Fast and the Furious franchise stole his thunder? Does this movie immediately take you back to the Year 2000 (insert requisite Conan audio cue)? Was there just no room in the budget to give Angelina Jolie even like a hint of character development? And Plot? Who needs a plot? You'll get some answers if you can keep up with our need for speed.

The Blast Boys put it in gear with Ron Iver (@ronnui_) to boost 2000's GONE IN 60 SECONDS   GONE IN 60 SECONDS DIRECTED BY: Dominic Sena RELEASED: June 9th, 2000 BUDGET: $103MBOX OFFICE: $242MESTIMATED LOSS: $92MSTARRING: Nicolas Cage, Angelina Jolie, Giovanni Ribisi, Christopher Eccleston, Robert Duvall, Vinnie Jones, Delroy Lindo, Timothy Olyphant, Chi McBride, Will Patton0:00 Intro6:14 Show & tell13:04 This week's movieNEXT EPISODE: We enlist for a term of service with 1997's STARSHIP TROOPERS Show Notes:Pic of Calitri's chair-like thinghttps://imgur.com/a/fTCSSyIWood-paneled Lamborghini (not pictured because we couldn't find one)----------Blast Zone: Movies that Bombed is not a podcast about bad movies, it's a podcast about movies that did badly. Join comedians Jon Drake (@DrakeGatsby) and Ian Dukes (@ianpauldukes) as they dig up the bombs that shook Hollywood and try to find out why they went up in flames.

We didn't forget about Black History Month and Adam has something special for Melanie. They're talking the 2005 roller disco comedy Roll Bounce. From casting to the soundtrack, this movie is a good time. If you haven't heard of this gem, do yourself a favor and check it out. Please RATE, SUBSCRIBE, and leave a REVIEW. It really helps! You can also check out our back catalog, which includes discussions about Office Space, Legally Blonde, Speed, Encanto, The Fifth Element, and a wild special episode where Adam puts himself through the entire Twilight Franchise. With the tastes of the two hosts combined, there is truly something for everyone. But wait, there's more! We also have videos of Made You Watch… (a podcast) YouTube Channel. Join Adam and Melanie as they share their love of movies every Wednesday. You can find Made You Watch... (a podcast) on all music and podcast streaming services. Follow Melanie Weir: Instagram @mel.ohh.dramatic and Twitter @spoopityboop Follow Adam Mock: Instagram @mock_adam and Twitter @Ad_Mock Follow The Show: Instagram @madeyouwatchapodcast, Twitter @MadeYouWatch, TikTok @madeyouwatchapodcast, and on our YouTube Channel. Email: feedback@madeyouwatchapodcast.com (We'd love to hear from you!) --- Support this podcast: https://anchor.fm/madeyouwatch/support

We didn't forget about Black History Month and Adam has something special for Melanie. They're talking the 2005 roller disco comedy Roll Bounce. From casting to the soundtrack, this movie is a good time. If you haven't heard of this gem, do yourself a favor and check it out. Please RATE, SUBSCRIBE, and leave a REVIEW. It really helps! You can also check out our back catalog, which includes discussions about Office Space, Legally Blonde, Speed, Encanto, The Fifth Element, and a wild special episode where Adam puts himself through the entire Twilight Franchise. With the tastes of the two hosts combined, there is truly something for everyone. But wait, there's more! We also have videos of Made You Watch… (a podcast) YouTube Channel. Join Adam and Melanie as they share their love of movies every Wednesday. You can find Made You Watch... (a podcast) on all music and podcast streaming services. Follow Melanie Weir: Instagram @mel.ohh.dramatic and Twitter @spoopityboop Follow Adam Mock: Instagram @mock_adam and Twitter @Ad_Mock Follow The Show: Instagram @madeyouwatchapodcast, Twitter @MadeYouWatch, TikTok @madeyouwatchapodcast, and on our YouTube Channel. Email: feedback@madeyouwatchapodcast.com (We'd love to hear from you!) --- Support this podcast: https://podcasters.spotify.com/pod/show/madeyouwatch/support

The Superhero Show Show #464A Deep Dive on 2010's Human TargetIt's the other Human Target on an all-new episode of The Superhero Show Show!On an all-new quick bite of The Superhero Show Show, Cassie and the Boyz are taking a look at the 2010 FOX show Human Target! After dropping an in-depth analysis of the 1991 version of the show, it's time to tackle the one that is only 13 years old. Starring Keen Eddie, Chi McBride, Rorschach, Lucifer's mom, nu-Freddy Kreuger, and that foul mouthed kid from The Bad News Bears, this version of Human Target does away with all of the mask making technology to just give us a smart, handsome hero named Christopher Chance. The Taste Buds will compare and contrast the two shows, discuss the brilliance of setting something on a bullet train, and the Hall of Fame candidacy of Tricia Helfer.And next week, it's X-Men: The Animated Series time!TV EPISODES AND FILMS DISCUSSED:HUMAN TARGET #101Watch a different Human Target on YouTube!Christopher Chance is a man who seems to get his thrills on protecting people from all walks of life. In the opener, he takes a case where he needs to protect a mechanical engineer who designed California's first bullet train, capable of reaching speeds up to two hundred miles an hour.Also, don't forget to:Visit Us!Shop With Us On Amazon!Like Us!Follow Us!Write To Us! — contact@yourpopfilter.comListen to more of Cassie and Katelynn on Unnatural 20'sListen to more of Ryan on Movie of the YearListen to more of Mike on The OCDWhile Americans overwhelmingly support the right of an individual to make their own decisions about abortion, unfortunately, that right is no longer protected everywhere in the U.S.The Supreme Court overturned Roe versus Wade on June 24th.Abortion is a basic healthcare need for the millions of people who can become pregnant. Everyone should have the freedom to decide what's best for themselves and their families, including when it comes to ending a pregnancy. This decision has dire consequences for individual health and safety, and could have harsh repercussions for other landmark decisions.Restricting access to comprehensive reproductive care, including abortion, threatens the health and independence of all Americans. Even if you live in a state where abortion rights are upheld, access to safe medical procedures shouldn't be determined by location, and it shouldn't be the privilege of a small few.You can help by donating to local abortion funds. To find out where to donate for each state, visit

The Superhero Show Show #463A Deep Dive on 1992's Human TargetThe Taste Buds watch the pilot episode of 1992's Human Target, starring Rick Springfield!On an all-new, all-different episode of The Superhero Show Show, the Taste Buds find themselves with an empty television schedule! They have no choice but to turn their attention to the past, and watch 1992's Human Target! Based on a DC character from the 70's, Human Target tells the story of Christopher Chance, a superhero without any powers, especially without the power to love. Instead, Chance is hired by people who need help. Chance uses his masks and kung fu skills to replace his customers and solve mysteries.With no history or knowledge of Human Torch comics or tv shows, the Taste Buds watch the first episode and discuss it. They go through the 90's-ness of it all, the performance of Rick Springfield, and the complications that arise when you insert yourself into someone else's life. Join the gang next week, when they watch the first episode of 2010's Human Target, with Chi McBride!TV EPISODES AND FILMS DISCUSSED:HUMAN TARGET #101Watch Human Target on YouTube!Chance receives a desperate appeal for help from a construction company owner who fears that a loan shark is trying to kill him.Also, don't forget to:Visit Us!Shop With Us On Amazon!Like Us!Follow Us!Write To Us! — contact@yourpopfilter.comListen to more of Cassie and Katelynn on Unnatural 20'sListen to more of Ryan on Movie of the YearListen to more of Mike on The OCDWhile Americans overwhelmingly support the right of an individual to make their own decisions about abortion, unfortunately, that right is no longer protected everywhere in the U.S.The Supreme Court overturned Roe versus Wade on June 24th.Abortion is a basic healthcare need for the millions of people who can become pregnant. Everyone should have the freedom to decide what's best for themselves and their families, including when it comes to ending a pregnancy. This decision has dire consequences for individual health and safety, and could have harsh repercussions for other landmark decisions.Restricting access to comprehensive reproductive care, including abortion, threatens the health and independence of all Americans. Even if you live in a state where abortion rights are upheld, access to safe medical procedures shouldn't be determined by location, and it shouldn't be the privilege of a small few.You can help by donating to local abortion funds. To find out where to donate for each state, visit

Yes, it's our annual late Halloween Special.  This year we've invited writer Andy Burt back again, and again he's chosen a Michael J Fox film.  We give you ... THE FRIGHTENERS.END CREDITS- Presented by Robert Johnson and Chris Webb- Produced by Chris Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-ups by Chris Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2022 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram stillanygoodpodEmail stillanygood@gmail.comFind Andy:@AndyBurt2012Support the show

On this week's episode of Black Girl Film Club, Ashley and Britney are breaking out the roller skates and bell bottoms to watch Roll Bounce (2005), directed by Malcolm D. Lee and starring Bow Wow, Brandon T. Jackson, Chi McBride, Wesley Jonathan, Jurnee Smollett, Meagan Good and Rick Gonzalez. Your favorite podcast hosts discuss the life at the rink, teen hip hop stars of yore, and the future of the Black teen film. Our recommendation: Cooley High (1975) Support us with a Ko-fi! ko-fi.com/blackgirlfilmclub Follow us on Twitter twitter.com/blkgirlfilmclub. Check us out on Instagram www.instagram.com/blackgirlfilmclub . Visit us at www.blackgirlfilmclub.com.

Sizzling Samachar of the day - 25th May 2022Welcome to Sizzling Samachar on OTTplay , Im your host NikhilNews first up,From Better Call Saul to Madame Web, from Samuel L Jackson to Tommy Chong, and more storiesAnimated prequel to Better Call Saul releasedAs Better Call Saul reaches the midseason finale of Season 6, AMC+ has announced an animated spinoff prequel to the show titled, Slippin' Jimmy. The six-episode series portrays the misadventures of a young Jimmy McGill and his friend Marco Pasternark way before Jimmy becomes Saul Goodman. Better Call Saul writers Ariel Levine and Kathleen Williams-Foshee have written the spin-off, and the voice cast includes Chi McBride, Laraine Newman, and Sean Giambrone. Meanwhile, the remaining episodes of Better Call Saul season 6 are expected to be aired from July 11 to August 15 this year. Tommy Chong to return in That ‘90s showTommy Chong is set to reprise his role as Leo in the upcoming sequel to the popular sitcom That '70s Show. Titled That ‘90s show, the Netflix series will also feature guest appearances from the original cast members Topher Grace, Ashton Kutcher, Mila Kunis, Michael Kelso, Laura Prepon, and Wilmer Valderrama. The ten-episode series will be centred on Leia Forman, the teenage daughter of Eric and Donna. Celeste O'Connor joins Madame WebGhostbusters: Afterlife actor Celeste O'Connor has been added to the cast of Sony Pictures' upcoming Marvel film Madame Web. S.J. Clarkson is directing the film which has Dakota Johnson playing the titular character. The film is an origin story for Madame Web, a clairvoyant whose psychic abilities connect her to the Spider-Verse. Euphoria fame  Sydney Sweeney will also play a pivotal role in the film which is slated to hit theatres in July next year. Samuel L. Jackson teams up with Chris Pratt in Garfield movieVeteran actor Samuel L. Jackson is set to join Chris Pratt in the upcoming animated movie based on the comic strip Garfield. While Pratt will voice Garfield, Jackson will play Vic, Garfield's father. Cats Don't Dance director Mark Dindal is directing the film based on a script by David Reynolds, who has worked on films such as The Emperor's New Groove and Finding Nemo. Jim Davis, the creator of Garfield, serves as the executive producer along with Craig Sost and Bridget McMeel.Laurence Fishburne and Clifton Collins Jr. star in Frank & LouisThe Matrix and Apocalypse Now actor Laurence Fishburne is set to team up with Jockey actor Clifton Collins Jr. in the prison drama titled, Frank & Louis. The film revolves around a prisoner, played by Collins Jr.,  who takes up the task of caring for aged and ill inmates. Swiss-Italian director Petra Volpe will helm the film which is being produced by Tyler Perry.Family Reboot to release on June 15Disney+'s upcoming series Family Reboot follows real-life families as the parents and children try to reconnect and bond with each other amidst their busy schedules. The six-part series will premiere on the streaming platform on June 15.Thats  the Sizzling Samachar from the world of movies and entertainment for today, until the next time its your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten By Arya HarikumarSizzling Samachar of the day - 25th May 2022Welcome to Sizzling Samachar on OTTplay , Im your host NikhilNews first up,From Better Call Saul to Madame Web, from Samuel L Jackson to Tommy Chong, and more storiesAnimated prequel to Better Call Saul releasedAs Better Call Saul reaches the midseason finale of Season 6, AMC+ has announced an animated spinoff prequel to the show titled, Slippin' Jimmy. The six-episode series portrays the misadventures of a young Jimmy McGill and his friend Marco Pasternark way before Jimmy becomes Saul Goodman. Better Call Saul writers Ariel Levine and Kathleen Williams-Foshee have written the spin-off, and the voice cast includes Chi McBride, Laraine Newman, and Sean Giambrone. Meanwhile, the remaining episodes of Better Call Saul season 6 are expected to be aired from July 11 to August 15 this year. Tommy Chong to return in That ‘90s showTommy Chong is set to reprise his role as Leo in the upcoming sequel to the popular sitcom That '70s Show. Titled That ‘90s show, the Netflix series will also feature guest appearances from the original cast members Topher Grace, Ashton Kutcher, Mila Kunis, Michael Kelso, Laura Prepon, and Wilmer Valderrama. The ten-episode series will be centred on Leia Forman, the teenage daughter of Eric and Donna. Celeste O'Connor joins Madame WebGhostbusters: Afterlife actor Celeste O'Connor has been added to the cast of Sony Pictures' upcoming Marvel film Madame Web. S.J. Clarkson is directing the film which has Dakota Johnson playing the titular character. The film is an origin story for Madame Web, a clairvoyant whose psychic abilities connect her to the Spider-Verse. Euphoria fame  Sydney Sweeney will also play a pivotal role in the film which is slated to hit theatres in July next year. Samuel L. Jackson teams up with Chris Pratt in Garfield movieVeteran actor Samuel L. Jackson is set to join Chris Pratt in the upcoming animated movie based on the comic strip Garfield. While Pratt will voice Garfield, Jackson will play Vic, Garfield's father. Cats Don't Dance director Mark Dindal is directing the film based on a script by David Reynolds, who has worked on films such as The Emperor's New Groove and Finding Nemo. Jim Davis, the creator of Garfield, serves as the executive producer along with Craig Sost and Bridget McMeel.Laurence Fishburne and Clifton Collins Jr. star in Frank & LouisThe Matrix and Apocalypse Now actor Laurence Fishburne is set to team up with Jockey actor Clifton Collins Jr. in the prison drama titled, Frank & Louis. The film revolves around a prisoner, played by Collins Jr.,  who takes up the task of caring for aged and ill inmates. Swiss-Italian director Petra Volpe will helm the film which is being produced by Tyler Perry.Family Reboot to release on June 15Disney+'s upcoming series Family Reboot follows real-life families as the parents and children try to reconnect and bond with each other amidst their busy schedules. The six-part series will premiere on the streaming platform on June 15.Thats  the Sizzling Samachar from the world of movies and entertainment for today, until the next time its your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten By Arya Harikumar

View "Cosmic Slop" on YouTube: https://www.youtube.com/watch?app=desktop&v=F-yMNu7Zi00 “Cosmic Slop” from 1994 is a short-lived and difficult to find Twilight Zone style anthology series from HBO and the Hudlin brothers. Space Traders: Directed by Reginald Hudlin. Written by Trey Ellis (based upon a short story by Derrick Bell). Starring: Robert Guillaume, Jason Bernard, Michele Lamar Richards, Brock Peters, Casey Kasem, Jay Koch & George Clinton The First Commandment: Written & Directed by Warrington Hudlin. Starring Nicholas Turturro, Noelle Balfour, Richard Herd, Kelly Jo Minter & George Clinton Tang: Directed by Kevin Rodney Sullivan. Written by Kyle Baker based upon a story by Chester Himes. Starring Chi McBride, Paula Jai Parker & George Clinton How is the world wrong about Cosmic Slop From Bryan Connolly: No one remembers this show! Sure it was only 3 episodes, but man is it good. No exaggeration, Space Traders is one of the best episodes of any show ever. It never makes any Best of HBO lists. Let's change that. This is smart television at its finest.  Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

Acomi and Turk182 get behind the wheel of one of the best awfulsome movie remakes ever made. The Nicolas Cage and Angelina Jolie 2000 remake of the 1974 car theft movie Gone In 60 Seconds. A movie that proves "too big to fail" is not a real thing. Stocked full of talented actors: Will Patton, Robert Duvall, Delroy Lindo, Giovanni Ribisi, Timothy Olyphant, Anne Archer, Chi McBride and Christopher Eccleston. Only a cast this big cold make a movie this incredibly bad. Former car thief, Nic Cage, must return to a life of crime to save his brother (Ribisi), from a British gangster who loves to play with his wood. Cage has 3 days to fill a very specific request of rare stolen cars, that the gangster promised to another criminal figure, or else he'll kill his brother. Because if he doesn't have the cars in 3 days, the other criminal figure will kill him. That's right, Cage is stealing the cars so that the man threatening to kill his brother wont be killed! So, buckle up, turn on a black light, and look out for the cops - and pythons - and prepare to watch Gone In 60 Seconds (2000). Acomi and Turk182, along the occasional special guest, provide running commentary of awfulsome movie and TV shows. The hosts select movies that either one, or both, have never seen. All jokes and comments are improvised. NO PREPARED JOKES OR COMMENTS! During recording, the movies are watched at a low volume and with the subtitles on. Viewers may want to turn subtitles on as well to enhance the viewing experience. So, cue up the audio, ready the movie, and hit play when we say so. Note: This video is the commentary recorded by Acomi and Turk182, and selected screenshots. It is NOT a viewable copy of the film. The commentary can be enjoyed on its own, but if you want to experience the Let's Watch in all its glory, you'll need your own copy of the movie. Most of the movies viewed can be streamed online for free. #OMTWF #KorovaEntertainment #LetsWatch #LW #Acomi #Turk182 #awfulsome #GoneIn60Seconds #GoneIn60Secondsremake #NicCage #fastcars Follow Acomi on Twitter at @AcomiDraws and on Instagram at AcomiDraws. Follow Turk182 on Twitter at @Turk182_KE and on Instagram at Turk182_KE.

In 2004 Spielberg and Hanks teamed up for “The Terminal” a film that lives up to its name if not its reputation. AJ Gonzalez of The Directors Wall joins the podcast to discuss. Directed by Steven Spielberg Written by Sacha Gervasi & Jeff Nathanson. Starring Tom Hanks, Stanley Tucci, Catherine Zeta-Jones, Chi McBride, Diego Luna, Kumar Pallana, Zoe Saldana, Michael Nouri, & Benny Golson How is the world wrong about this movie? From Andras Jones: “The Terminal” is a fantastic example of Spielberg's ability to make an incredibly bleak film and wrap it in so much goodness you don't even know how sad it is. Meanwhile we've got Hanks doing what he does best; bringing unexpected pathos to physical comedy and vice versa. I think most people think of this (if they do at all) as lightweight fluff. It's anything but. Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

Happy Halloween! We're joined by comics scribe Daniel "D.G." Chichester to talk about the history of horror comics, Marvel's return to the genre in the early 1990s, and the macabre anti-hero Terror (whom Chichester co-created).  ----more---- Issue 18 Transcript   Mike: [00:00:00] It's small, but feisty, Mike: Welcome to Tencent Takes, the podcast where we dig up comic book characters' graves and misappropriate the bodies, one issue at a time. My name is Mike Thompson, and I am joined by my cohost, the Titan of terror herself, Jessika Frazer. Jessika: It is I. Mike: Today, we are extremely fortunate to have comics writer, Daniel, DG Chichester. Dan: Nice to see you both. Mike: Thank you so much for taking the time. You're actually our first official guest on the podcast. Dan: Wow. Okay. I'm going to take that as a good thing. That's great. Mike: Yeah. Well, if you're new to the show, the purpose of our [00:01:00] podcast as always is to look at the weirdest, silliest, coolest moments of comic books, and talk about them in ways that are fun and informative. In this case, we looking at also the spookiest moments, and how they're woven into the larger fabric of pop culture and history. Today, we're going to be talking about horror comics. We're looking at their overall history as well as their resurrection at Marvel in the early 1990s, and how it helped give birth to one of my favorite comic characters, an undead anti-hero who went by the name of Terror. Dan, before we started going down this road, could you tell us a little bit about your history in the comic book industry, and also where people can find you if they want to learn more about you and your work? Dan: Absolutely. At this point, people may not even know I had a history in comic books, but that's not true. Uh, I began at Marvel as an assistant in the mid-eighties while I was still going to film school and, semi quickly kind of graduated up, to a more official, [00:02:00] assistant editor position. Worked my way up through editorial, and then, segued into freelance writing primarily for, but also for DC and Dark Horse and worked on a lot of, semi-permanent titles, Daredevil's probably the best known of them. But I think I was right in the thick of a lot of what you're going to be talking about today in terms of horror comics, especially at Marvel, where I was fiercely interested in kind of getting that going. And I think pushed for certain things, and certainly pushed to be involved in those such as the Hellraiser and Nightbreed Clive Barker projects and Night Stalkers and, uh, and Terror Incorporated, which we're going to talk about. And wherever else I could get some spooky stuff going. And I continued on in that, heavily until about 96 / 97, when the big crash kind of happened, continued on through about 99 and then have not really been that actively involved since then. But folks can find out what I'm doing now, if they go to story maze.substack.com, where I have a weekly newsletter, which features [00:03:00] new fiction and some things that I think are pretty cool that are going on in storytelling, and also a bit of a retrospective of looking back at a lot of the work that I did. Mike: Awesome. Before we actually get started talking about horror comics, normally we talk about one cool thing that we have read or watched recently, but because this episode is going to be dropping right before Halloween, what is your favorite Halloween movie or comic book? Dan: I mean, movies are just terrific. And there's so many when I saw that question, especially in terms of horror and a lot of things immediately jumped to mind. The movie It Follows, the recent It movie, The Mist, Reanimator, are all big favorites. I like horror movies that really kind of get under your skin and horrify you, not just rack up a body count. But what I finally settled on as a favorite is probably John Carpenter's the Thing, which I just think is one of the gruesomest what is going to happen next? What the fuck is going to happen next?[00:04:00] And just utter dread. I mean, there's just so many things that combined for me on that one. And I think in terms of comics, I've recently become just a huge fan of, and I'm probably going to slaughter the name, but Junji Ito's work, the Japanese manga artist. And, Uzumaki, which is this manga, which is about just the bizarreness of this town, overwhelmed with spirals of all things. And if you have not read that, it is, it is the trippiest most unsettling thing I've read in, in a great long time. So happy Halloween with that one. Mike: So that would be mango, right? Dan: Yeah. Yeah. So you'd make sure you read it in the right order, or otherwise it's very confusing, so. Mike: Yeah, we actually, haven't talked a lot about manga on this. We probably should do a deep dive on it at some point. But, Jessika, how about you? Jessika: Well, I'm going to bring it down a little bit more silly because I've always been a fan of horror and the macabre and supernatural. So always grew up seeking creepy media as [00:05:00] a rule, but I also loves me some silliness. So the last three or so years, I've had a tradition of watching Hocus Pocus with my friend, Rob around Halloween time. And it's silly and it's not very heavy on the actual horror aspect, but it's fun. And it holds up surprisingly well. Mike: Yeah, we have all the Funkos of the Sanderson sisters in our house. Jessika: It's amazing watching it in HD, their costumes are so intricate and that really doesn't come across on, you know, old VHS or watching it on television back in the day. And it's just, it's so fun. How much, just time and effort it looks like they put into it, even though some of those details really weren't going to translate. Dan: How very cool. Mike: Yeah. Jessika: Yeah. So, but I also really like actual horror, so I'm also in the next couple of days is going to be a visiting the 1963 Haunting of Hill House because that's one of my favorites. Yeah. It's so good. And used to own the book that the movie was based on also. And seen all the [00:06:00] iterations and it's the same storyline the recent Haunting of Hill house is based on, which is great. That plot line has been reworked so many times, but it's such a great story, I'm just not shocked in the least that it would run through so many iterations and still be accepted by the public in each of its forms. Mike: Yeah. I really liked that Netflix interpretation of it, it was really good. Dan: They really creeped everything out. Mike: Yeah. There's a YouTuber called Lady Night, The Brave, and she does a really great summary breakdown explaining a lot of the themes and it's like almost two hours I think, of YouTube video, but she does these really lovely retrospectives. So, highly recommend you check that out. If you want to just think about that the Haunting of Hill House more. Jessika: Oh, I do. Yes. Mike: I'm going to split the difference between you two. When I was growing up, I was this very timid kid and the idea of horror just creeped me out. And so I avoided it like the plague. And then when I was in high [00:07:00] school, I had some friends show me some movies and I was like, these are great, why was I afraid of this stuff? And so I kind of dove all the way in. But my preferred genre is horror comedy. That is the one that you can always get me in on. And, I really love this movie from the mid-nineties called the Frighteners, which is a horror comedy starring Michael J. Fox, and it's directed by Peter Jackson. And it was written by Peter Jackson and his partner, Fran Walsh. And it was a few years before they, you know, went on to make a couple of movies based on this little known franchise called Lord of the Rings. But it's really wild. It's weird, and it's funny, and it has some genuine jump scare moments. And there's this really great ghost story at the core of it. And the special effects at the time were considered amazing and groundbreaking, but now they're kind of, you look at, and you're like, oh, that's, high-end CG, high-end in the mid-nineties. Okay. But [00:08:00] yeah, like I said, or comedies are my absolute favorite things to watch. That's why Cabin in the Woods always shows up in our horror rotation as well. Same with Tucker and Dale vs Evil. That's my bread and butter. With comic books, I go a little bit creepier. I think I talked about the Nice House on the Lake, that's the current series that I'm reading from DC that's genuinely creepy and really thoughtful and fun. And it's by James Tynion who also wrote Something That's Killing the Children. So those are excellent things to read if you're in the mood for a good horror comic. Dan: Great choice on the Frighteners. That's I think an unsung classic, that I'm going to think probably came out 10 years too early. Mike: Yeah. Dan: It's such a mashup of different, weird vibes, that it would probably do really, really well today. But at that point in time, it was just, what is this? You know? Cause it's, it's just cause the horrifying thing in it are really horrifying. And, uh, Gary Busey's son, right, plays the evil ghost and he is just trippy, off the wall, you know, horrifying. [00:09:00] Mike: Yeah. And it starts so silly, and then it kind of just continues to go creepier and creepier, and by the time that they do some of the twists revealing his, you know, his agent in the real world, it's a genuine twist. Like, I was really surprised the first time I saw it and I - Dan: Yeah. Mike: was so creeped out, but yeah. Dan: Plus it's got R. Lee Ermey as the army ghost, which is just incredible. So, Mike: Yeah. And, Chi McBride is in it, and, Jeffrey Combs. Dan: Oh, oh that's right, right. right. Mike: Yeah. So yeah, it's a lot of fun. Mike: All right. So, I suppose we should saunter into the graveyard, as it were, and start talking about the history of horror comics. So, Dan, obviously I know that you're familiar with horror comics, Dan: A little bit. Mike: Yeah. What about you, Jess? You familiar with horror comics other than what we've talked about in the show? Jessika: I started getting into it once you and I started, you know, talking more on the [00:10:00] show. And so I grabbed a few things. I haven't looked through all of them yet, but I picked up some older ones. I did just recently pick up, it'll be more of a, kind of a funny horror one, but they did a recent Elvira and Vincent Price. So, yeah, so I picked that up, but issue one of that. So it's sitting on my counter ready for me to read right now. Mike: Well, and that's funny, cause Elvira actually has a really long, storied history in comic books. Like she first appeared in kind of like the revival of House of Mystery that DC did. And then she had an eighties series that had over a hundred issues that had a bunch of now major names involved. And she's continued to have series like, you can go to our website and get autographed copies of her recent series from, I think Dynamite. Jessika: That's cool. Mike: Yeah. Jessika: Nice. Mike: Speaking of horror comedy Elvira is great. Jessika: Yes. Mike: I recently showed Sarah the Elvira Mistress of the Dark movie and she was, I think really sad that I hadn't showed it to her sooner. Jessika: [00:11:00] That's another one I need to go watch this week. Wow. Don't- nobody call me. I'm just watching movies all week. Dan: Exactly. Mike: It's on a bunch of different streaming services, I think right now. Well it turns out that horror comics, have pretty much been a part of the industry since it really became a proven medium. You know, it wasn't long after comics became a legit medium in their own, right that horror elements started showing up in superhero books, which like, I mean, it isn't too surprising. Like the 1930's was when we got the Universal classic movie monsters, so it makes a lot of sense that those kinds of characters would start crossing over into comic books, just to take advantage of that popularity. Jerry Siegel and Joel Schuster, the guys who created Superman, actually created the supernatural investigator called Dr. Occult in New Fun Comics three years before they brought Superman to life. And Dr. Occult still shows up in DC books. Like, he was a major character in the Books of Magic with Neil Gaiman. I think he may show up in Sandman later on. I can't remember. Jessika: Oh, okay. Dan: I wouldn't be surprised. Neil would find ways to mine that. [00:12:00] Mike: Yeah. I mean, that was a lot of what the Sandman was about, was taking advantage of kind of long forgotten characters that DC had had and weaving them into his narratives. And, if you're interested in that, we talk about that in our book club episodes, which we're currently going through every other episode. So the next episode after this is going to be the third episode of our book club, where we cover volumes five and six. So, horror comics though really started to pick up in the 1940s. There's multiple comic historians who say that the first ongoing horror series was Prized Comics, New Adventures of Frankenstein, which featured this updated take on the original story by Mary Shelley. It took place in America. The monster was named Frankenstein. He was immediately a terror. It's not great, but it's acknowledged as being really kind of the first ongoing horror story. And it's really not even that much of a horror story other than it featured Frankenstein's monster. But after that, a number of publishers started to put out adaptations of classic horror stories for awhile. So you had [00:13:00] Avon Publications making it official in 1946 with the comic Erie, which is based on the first real dedicated horror comic. Yeah. This is the original cover to Erie Comics. Number one, if you could paint us a word picture. Dan: Wow. This is high end stuff as it's coming through. Well it looks a lot like a Zine or something, you know it's got a very, Mac paint logo from 1990, you know, it's, it's your, your typical sort of like, ooh, I'm shaky kind of logo. That's Eerie Comics. There's a Nosferatu looking character. Who's coming down some stairs with the pale moon behind him. It, he's got a knife in his hand, so, you know, he's up to no good. And there is a femme fatale at the base of the stairs. She may have moved off of some train tracks to get here. And, uh, she's got a, uh, a low, cut dress, a lot of leg and the arms and the wrists are bound, but all this for only 10. cents. So, I think there's a, there's a bargain there.[00:14:00] Mike: That is an excellent description. Thank you. So, what's funny is that Erie at the time was the first, you know, official horror comic, really, but it only had one issue that came out and then it sort of vanished from sight. It came back with a new series that started with a new number one in the 1950s, but this was the proverbial, the shot that started the war. You know, we started seeing a ton of anthology series focusing on horror, like Adventures into the Unknown, which ran into the 1960s and then Amazing Mysteries and Marvel Tales were repurposed series for Marvel that they basically changed the name of existing series into these. And they started doing kind of macabre, weird stories. And then, we hit the 1950s. And the early part of the 1950s was when horror comics really seemed to take off and experienced this insane success. We've talked about how in the post-WWII America, superhero comics were kind of declining in [00:15:00] popularity. By the mid 1950s, only three heroes actually had their own books and that was Superman, Batman, and Wonder Woman. Which, I didn't realize that until I was doing research. I didn't, I just assumed that there were other superhero comics at the time. But we started seeing comics about horror and crime and romance really starting to get larger shares of the market. And then EC Comics was one of those doing gangbuster business during this whole era. Like, this was when we saw those iconic series, the Haunt of Fear, the Vault of Horror, the Crypt of Terror, which was eventually rebranded to Tales from the Crypt. Those all launched and they found major success. And then the bigger publishers were also getting in on this boom. During the first half of the 1950s Atlas, which eventually became Marvel, released almost 400 issues across 18 horror titles. And then American Comics Group released almost 125 issues between five different horror titles. Ace comics did almost a hundred issues between five titles. I'm curious. I'm gonna ask both of you, what [00:16:00] do you think the market share of horror comics was at the time? Dan: In terms of comics or in terms of just like newsstand, magazine, distribution. Mike: I'm going to say in terms of distribution. Dan: I mean, I know they were phenomenally successful. I would, be surprised if it was over 60%. Mike: Okay. How about. Jessika: Oh, goodness. Let's throw a number out. I'm going to say 65 just because I want to get close enough, but maybe bump it up just a little bit. This is a contest now. Dan: The precision now, like the 65. Jessika: Yes. Mike: Okay. Well, obviously we don't have like a hard definite number, but there was a 2009 article from reason magazine saying that horror books made up a quarter of all comics by 1953. So, so you guys were overestimating it, but it was still pretty substantial. At the same time, we were also seeing a surge in horror films. Like, the 1950s are known as the atomic age and media reflected [00:17:00] societal anxiety, at the possibility of nuclear war and to a lesser extent, white anxiety about societal changes. So this was the decade that gave us Invasion of the Body Snatchers The Thing from Another World, which led to John Carpenter's The Thing eventually. Um, and the Creature from the Black Lagoon. Hammer horror films also started to get really huge during this time. So we saw the beginning of stuff like Christopher Lee's, Dracula series of films. So the fifties were like a really good decade for horror, I feel. But at the same time, violent crime in America started to pick up around this period. And people really started focusing on juvenile criminals and what was driving them. So, there were a lot of theories about why this was going on and no one's ever really come up with a definite answer, but there was the psychiatrist named Frederick Wortham who Dan, I yeah. Dan: Oh yeah, psychiatrist in big air quotes, yeah. Mike: In quotes. Yeah. [00:18:00] Yeah. And he was convinced that the rise in crime was due to comics, and he spent years writing and speaking against them. He almost turned it into a cottage industry for himself. And this culminated in 1954, when he published a book called Seduction of the Innocent, that blamed comic books for the rise in juvenile delinquency, and his arguments are laughable. Like, I mean, there's just no way around it. Like you read this stuff and you can't help, but roll your eyes and chuckle. But, at the time comics were a relatively new medium, you know, and people really only associated them with kids. And his arguments were saying, oh, well, Wonder Woman was a lesbian because of her strength and independence, which these days, I feel like that actually has a little bit of credibility, but, like, I don't know. But I don't really feel like that's contributing to the delinquency of the youth. You know, and then he also said that Batman and Robin were in a homosexual relationship. And then my favorite was that Superman comics were [00:19:00] un-American and fascist. Dan: Well. Mike: All right. Dan: There's people who would argue that today. Mike: I mean, but yeah, and then he actually, he got attention because there were televised hearings with the Senate subcommittee on juvenile delinquency. I mean, honestly, every time I think about Seduction of the Innocent and how it led to the Comics Code Authority. I see the parallels with Tipper Gore's Parent Music Resource Center, and how they got the Parental Advisory sticker on certain music albums, or Joe Lieberman's hearings on video games in the 1990's and how that led to the Electronic Systems Reading Board system, you know, where you provide almost like movie ratings to video games. And Wortham also reminds me a lot of this guy named Jack Thompson, who was a lawyer in the nineties and aughts. And he was hell bent on proving a link between violent video games and school shootings. And he got a lot of media attention at the time until he was finally disbarred for his antics. But there was this [00:20:00] definite period where people were trying to link video games and violence. And, even though the statistics didn't back that up. And, I mean, I think about this a lot because I used to work in video games. I spent almost a decade working in the industry, but you know, it's that parallel of anytime there is a new form of media that is aimed at kids, it feels like there is a moral panic. Dan: Well, I think it goes back to what you were saying before about, you know, even as, as things change in society, you know, when people in society get at-risk, you know, you went to Invasion of the Body Snatchers, Right. Which is classically thought to be a response to communism, you know, and the feelings of communist oppression and you know, the different, you know, the other, and it's the same thing. I think every single one of these is just a proof point of if you want to become, suddenly well-known like Lieberman or Wortham or anything, you know, pick the other that the older generation doesn't really understand, right? Maybe now there are more adults playing video games, but it's probably still perceived as a more juvenile [00:21:00] thing or comics or juvenile thing, or certain types of movies are a juvenile thing, you know, pick the other pick on it, hold it up as the weaponized, you know, piece, and suddenly you're popular. And you've got a great flashpoint that other people can rally around and blame, as if one single thing is almost ever the cause of everything. And I always think it's interesting, you know, the EC Comics, you know, issues in terms of, um, Wortham's witch hunt, you know, the interesting thing about those is yet they were gruesome and they are gruesome in there, but they're also by and large, I don't know the other ones as well, but I know the EC Comics by and large are basically morality plays, you know, they're straight up morality plays in the sense that the bad guys get it in the end, almost every time, like they do something, they do some horrific thing, but then the corpse comes back to life and gets them, you know, so there's, there's always a comeuppance where the scales balance. But that was of course never going to be [00:22:00] an argument when somebody can hold up a picture of, you know, a skull, you know, lurching around, you know, chewing on the end trails of something. And then that became all that was talked about. Mike: Yeah, exactly. Well, I mean, spring boarding off of that, you know, worth them and the subcommittee hearings and all that, they led to the comics magazine association of America creating the Comics Code Authority. And this was basically in order to avoid government regulation. They said, no, no, no, we'll police ourselves so that you don't have to worry about this stuff. Which, I mean, again, that's what we did with the SRB. It was a response to that. We could avoid government censorship. So the code had a ton of requirements that each book had to meet in order to receive the Comics Code Seal of Approval on the cover. And one of the things you couldn't do was have quote, scenes dealing with, or instruments associated with walking dead or torture, which I mean,[00:23:00] okay. So the latter half of the 1950's saw a lot of these dedicated horror series, you know, basically being shut down or they drastically changed. This is, you know, the major publishers really freaked out. So Marvel and DC rebranded their major horror titles. They were more focused on suspense or mystery or Sci-Fi or superheroes in a couple of cases, independent publishers, didn't really have to worry about the seal for different reasons. Like, some of them were able to rely on the rep for publishing wholesome stuff like Dell or Gold Key. I think Gold Key at the time was doing a lot of the Disney books. So they just, they were like, whatever. Dan: Right, then EC, but, but EC had to shut down the whole line and then just became mad. Right? I mean, that's that was the transition at which William, you know, Gains - Mike: Yeah. Dan: basically couldn't contest what was going on. Couldn't survive the spotlight. You know, he testified famously at that hearing. But had to give up all of [00:24:00] that work that was phenomenally profitable for them. And then had to fall back to Mad Magazine, which of course worked out pretty well. Mike: Yeah, exactly. By the end of the 1960s, though, publishers started to kind of gently push back a little bit like, Warren publishing, and Erie publications, like really, they didn't give a shit. Like Warren launched a number of horror titles in the sixties, including Vampirilla, which is like, kind of, I feel it's sort of extreme in terms of both sex and horror, because I mean, we, we all know what Vampirilla his costume is. It hasn't changed in the 50, approximately 50 years that it's been out like. Dan: It's like, what can you do with dental floss, Right. When you were a vampire? I mean, that's basically like, she doesn't wear much. Mike: No, I mean, she never has. And then by the end of the sixties, Marvel and DC started to like kind of steer some of their books back towards the horror genre. Like how some Mystery was one of them where it, I think with issue 1 75, that was when they [00:25:00] took away, took it away from John Jones and dial H for Hero. And they were like, no, no, no, no. We're going to, we're going to bring, Cain back as the host and start telling horror morality plays again, which is what they were always doing. And this meant that the Comics Code Authority needed to update their code. So in 1971, they revised it to be a little bit more horror friendly. Jessika: Scenes dealing with, or instruments associated with, walking dead or torture shall not be used. Vampires, ghouls and werewolves shall be permitted to be used when handled in the classic traditions, such as Frankenstein, Dracula, and other high caliber literary works written by Edgar Allen Poe, Saki, Conan Doyle, and other respected authors whose works are read in schools around the world. Mike: But at this point, Marvel and DC really jumped back into the horror genre. This was when we started getting books, like the tomb of Dracula, Ghost Rider, where will finite and son of Satan, and then DC had a [00:26:00] bunch of their series like they had, what was it? So it was originally The Dark Mansion of Forbidden Love, and then it eventually got retitled to Forbidden Tales of the Dark Mansion. Like, just chef's kiss on that title. Dan: You can take that old Erie comic and throw, you know, the Dark Mansion of Forbidden Love as the title on that. And it would work, you know. Mike: I know. Right. So Dan, I'm curious, what is your favorite horror comic or comic character from this era? Dan: I would say, it was son of Satan, because it felt so trippy and forbidden, and I think comics have always, especially mainstream comics you know, I've always responded also to what's out there. Right. I don't think it's just a loosening the restrictions at that point, but in that error, what's going on, you're getting a lot of, I think the films of Race with the Devil and you're getting the Exorcist and you're getting, uh, the Omen, you know, Rosemary's baby. right. Satanism, [00:27:00] the devil, right. It's, it's high in pop culture. So true to form. You know, I think Son of Satan is in some ways, like a response of Marvel, you know, to that saying, let's glom onto this. And for a kid brought up in the Catholic church, there was a certain eeriness to this, ooh, we're reading about this. It's like, is it really going to be Satanism? And cause I was very nervous that we were not allowed even watch the Exorcist in our home, ever. You know, I didn't see the Exorcist until I was like out of high school. And I think also the character as he looks is just this really trippy look, right. At that point, if you're not familiar with the character, he's this buff dude, his hair flares up into horns, he just wears a Cape and he carries a giant trident, he's got a massive pentacle, I think a flaming pentacle, you know, etched in his chest. Um, he's ready to do business, ya know, in some strange form there. So for me, he was the one I glommed on to the most. [00:28:00] Mike: Yeah. Well, I mean, it was that whole era, it was just, it was Gothic horror brought back and Satanism and witchcraft is definitely a part of that genre. Dan: Sure. Mike: So, that said, kind of like any trend horror comics, you know, they have their rise and then they started to kind of fall out of popularity by the end of the seventies or the early eighties. I feel like it was a definite end of the era when both House of Mystery and Ghost Writer ended in 1983. But you know, there were still some individual books that were having success, but it just, it doesn't feel like Marvel did a lot with horror comics during the eighties. DC definitely had some luck with Alan Moore's run of the Swamp Thing. And then there was stuff like Hellblazer and Sandman. Which, as I mentioned, we're doing our book club episodes for, but also gave rise to Vertigo Comics, you know, in the early nineties. Not to say that horror comics still weren't a thing during this time, but it seems like the majority of them were coming from indie publishers. Off the top of my head, one example I think of still is Dead World, which basically created a zombie apocalypse [00:29:00] universe. And it started with Aero comics. It was created in the late eighties, and it's still going today. I think it's coming out from IDW now. But at the same time, it's not like American stopped enjoying horror stuff. Like this was the decade where we got Friday the 13th, Nightmare on Elm street, Evil Dead, Hellraiser, Poltergeist, Child's Play, just to name a few of the franchises that we were introduced to. And, I mentioned Hellraiser. I love Hellraiser, and Dan, I know that you have a pretty special connection to that brand. Dan: I do. I put pins in my face every night just to kind of keep my complexion, you know? Mike: So, let's transition over to the nineties and Marvel and let's start that off with Epic Comics. Epic started in the eighties, and it was basically a label that would print, create our own comics. And they eventually started to use label to produce, you know, in quotes, mature comics. So Wikipedia says that this was your first editorial job at Marvel was with the [00:30:00] Epic Line. Is that correct? Dan: Well, I'll go back and maybe do just a little correction on Epic's mission if you don't mind. Mike: Yeah, yeah. Dan: You know, first, which is it was always creator owned, and it did start as crude. And, but I don't think that ever then transitioned into more mature comics, sometimes that just was what creator-owned comics were. Right. That was just part of the mission. And so as a creator-owned imprint, it could be anything, it could be the silliest thing, it could be the most mature thing. So it was always, you know, part of what it was doing, and part of the mission of doing creator-owned comics, and Archie Goodwin was the editor in chief of that line, was really to give creators and in to Marvel. If we gave them a nice place to play with their properties, maybe they would want to go play in the mainstream Marvel. So you might get a creator who would never want to work for Marvel, for whatever reason, they would have a great Epic experience doing a range of things, and then they would go into this. So there was always levels of maturity and we always looked at it as very eclectic and challenging, you know, sometimes in a good [00:31:00] way. So I'll have to go back to Wikipedia and maybe correct them. My first job was actually, I was on the Marvel side and it was as the assistant to the assistant, to the editor in chief. So I would do all of the grunt work and the running around that the assistant to the editor in chief didn't want to do. And she would turn to me and say, Dan, you're going to go run around the city and find this thing for Jim Shooter. Now, then I did that for about five or six months, I was still in film school, and then left, which everyone was aghast, you don't leave Marvel comics, by choice. And, but I had, I was still in school. I had a summer job already sort of set up, and I left to go take that exciting summer job. And then I was called over the summer because there was an opening in the Epic line. And they want to know if I'd be interested in taking on this assistant editor's job. And I said, it would have to be part-time cause I still had a semester to finish in school, but they were intrigued and I was figuring, oh, well this is just kind of guaranteed job. [00:32:00] Never knowing it was going to become career-like, and so that was then sort of my second job. Mike: Awesome. So this is going to bring us to the character of Terror. So he was introduced as a character in the Shadow Line Saga, which was one of those mature comics, it was like a mature superhero universe. That took place in a few different series under the Epic imprint. There was Dr. Zero, there was St. George, and then there was Power Line. Right. Dan: That's correct, yep. Mike: And so the Shadow Line Saga took his name from the idea that there were these beings called Shadows, they were basically super powered immortal beings. And then Terror himself first appeared as Shrek. He's this weird looking enforcer for a crime family in St. George. And he becomes kind of a recurring nemesis for the main character. He's kind of like the street-level boss while it's hinting that there's going to be a eventual confrontation between the main character of St. George and Dr. Zero, who is kind of [00:33:00] a Superman character, but it turns out he has been manipulating humanity for, you know, millennia at this point. Dan: I think you've encapsulated it quite well. Mike: Well, thank you. So the Shadow Line Saga, that only lasted for about what a year or two? Dan: Probably a couple of years, maybe a little over. There was about, I believe, eight to nine issues of each of the, the main comics, the ones you just cited. And then we segued those over to, sort of, uh, an omni series we call Critical Mass, which brought together all three characters or storylines. And then try to tell this, excuse the pun, epic, you know story, which will advance them all. And so wrapped up a lot of loose ends and, um, you know, became quite involved now. Mike: Okay. Dan: It ran about seven or eight issues. Mike: Okay. Now a couple of years after Terror was introduced under the Epic label, Marvel introduced a new Ghost Rider series in 1990 that hit that sweet spot of like nineties extreme with a capital X and, and, you know, [00:34:00] it also gave us a spooky anti heroes like that Venn diagram, where it was like spooky and extreme and rides a motorcycle and right in the middle, you had Ghost Rider, but from what I understand the series did really well, commercially for Marvel. Comichron, which is the, the comic sales tracking site, notes that early issues were often in the top 10 books sold each month for 91. Like there are eight issues of Ghost Rider, books that are in the top 100 books for that year. So it's not really surprising that Marvel decided to go in really hard with supernatural characters. And in 1992, we had this whole batch of horror hero books launch. We had Spirits of Vengeance, which was a spinoff from Ghost Rider, which saw a Ghost Rider teaming up with Johnny Blaze, and it was the original Ghost Writer. And he didn't have a hellfire motorcycle this time, but he had a shotgun that would fire hell fire, you know, and he had a ponytail, it was magnificent. And then there was also the Night Stalkers, [00:35:00] which was a trio of supernatural investigators. There was Hannibal King and Blade and oh, I'm blanking on the third one. Dan: Frank Drake. Mike: Yeah. And Frank Drake was a vampire, right? Dan: And he was a descendant of Dracula, but also was a vampire who had sort of been cured. Um, he didn't have a hunger for human blood, but he still had a necessity for some type of blood and possessed all the attributes, you know, of a vampire, you know, you could do all the powers, couldn't go out in the daylight, that sort of thing. So, the best and worst of both worlds. Mike: Right. And then on top of that, we had the Dark Hold, which it's kind of like the Marvel equivalent of the Necronomicon is the best way I can describe it. Dan: Absolutely. Yup. Mike: And that's showed up in Agents of Shield since then. And they just recently brought it into the MCU. That was a thing that showed up in Wanda Vision towards the end. So that's gonna clearly reappear. And then we also got Morbius who is the living vampire from [00:36:00] Spider-Man and it's great. He shows up in this series and he's got this very goth rock outfit, is just it's great. Dan: Which looked a lot like how Len Kaminsky dressed in those days in all honesty. Mike: Yeah, okay. Dan: So Len will now kill me for that, but. Mike: Oh, well, but yeah, so these guys were all introduced via a crossover event called Rise of the Midnight Sons, which saw all of these heroes, you know, getting their own books. And then they also teamed up with Dr. Strange to fight against Lilith the mother of demons. And she was basically trying to unleash her monstrous spawn across the world. And this was at the same time the Terror wound up invading the Marvel Universe. So if you were going to give an elevator pitch for Terror in the Marvel Universe, how would you describe him? Dan: I actually wrote one down, I'll read it to you, cause you, you know, you put that there and was like, oh gosh, I got to like now pitch this. A mythic manifestation of fear exists in our times, a top dollar mercenary for hire using a supernatural [00:37:00] ability to attach stolen body parts to himself in order to activate the inherit ability of the original owner. A locksmith's hand or a marksman, his eye or a kickboxer his legs, his gruesome talent gives him the edge to take on the jobs no one else can, he accomplishes with Savage, restyle, scorn, snark, and impeccable business acumen. So. Mike: That's so good. It's so good. I just, I have to tell you the twelve-year-old Mike is like giddy to be able to talk to you about this. Dan: I was pretty giddy when I was writing this stuff. So that's good. Mike: So how did Terror wind up crossing into the Marvel Universe? Like, because he just showed shows up in a couple of cameos in some Daredevil issues that you also wrote. I believe. Dan: Yeah, I don't know if he'd showed up before the book itself launched that might've, I mean, the timing was all around the same time. But everybody who was involved with Terror, love that Terror and Terror Incorporated, which was really actual title. Love the hell out of [00:38:00] the book, right. And myself, the editors, Carl Potts, who was the editor in chief, we all knew it was weird and unique. And, at one point when I, you know, said to Carl afterwards, well I'm just gonna take this whole concept and go somewhere else with it, he said, you can't, you made up something that, you know, can't really be replicated without people knowing exactly what you're doing. It's not just another guy with claws or a big muscle guy. How many people grab other people's body parts? So I said, you know, fie on me, but we all loved it. So when, the Shadowline stuff kind of went away, uh, and he was sort of kicking out there is still, uh, Carl came to me one day and, and said, listen, we love this character. We're thinking of doing something with horror in Marvel. This was before the Rise of the Midnight Sons. So it kind of came a little bit ahead of that. I think this eventually would become exactly the Rise of the Midnight Sons, but we want to bring together a lot of these unused horror characters, like Werewolf by Night, Man Thing, or whatever, but we want a central kind of [00:39:00] character who, navigates them or maybe introduces them. Wasn't quite clear what, and they thought Terror, or Shrek as he still was at that point, could be that character. He could almost be a Crypt Keeper, maybe, it wasn't quite fully baked. And, so we started to bounce this around a little bit, and then I got a call from Carl and said, yeah, that's off. We're going to do something else with these horror characters, which again would eventually become probably the Midnight Sons stuff. But he said, but we still want to do something with it. You know? So my disappointment went to, oh, what do you mean? How could we do anything? He said, what if you just bring him into the Marvel Universe? We won't say anything about what he did before, and just use him as a character and start over with him operating as this high-end mercenary, you know, what's he going to do? What is Terror Incorporated, and how does he do business within the Marvel world? And so I said, yes, of course, I'm not going to say that, you know, any quicker and just jumped into [00:40:00] it. And I didn't really worry about the transition, you know, I wasn't thinking too much about, okay. How does he get from Shadow Line world, to earth 616 or whatever, Marcus McLaurin, who was the editor. God bless him, for years would resist any discussion or no, no, it's not the same character. Marcus, it's the same character I'm using the same lines. I'm having him referenced the same fact that he's had different versions of the word terrors, his name at one point, he makes a joke about the Saint George complex. I mean, it's the same character. Mike: Yeah. Dan: But , you know, Marcus was a very good soldier to the Marvel hierarchy. So we just really brought him over and we just went all in on him in terms of, okay, what could a character like this play in the Marvel world? And he played really well in certain instances, but he certainly was very different than probably anything else that was going on at the time. Mike: Yeah. I mean, there certainly wasn't a character like him before. So all the Wikias, like [00:41:00] Wikipedia, all the Marvel fan sites, they all list Daredevil 305 as Terror's first official appearance in. Dan: Could be. Mike: Yeah, but I want to talk about that for a second, because that is, I think the greatest villain that I've ever seen in a Marvel comic, which was the Surgeon General, who is this woman who is commanding an army of like, I mean, basically it's like a full-scale operation of that urban myth of - Dan: Yeah. Mike: -the dude goes home with an attractive woman that he meets at the club. And then he wakes up in a bathtub full of ice and he's missing organs. Dan: Yeah. You know, sometimes, you know, that was certainly urban myth territory, and I was a big student of urban myths and that was the sort of thing that I think would show up in the headlines every three to six months, but always one of those probably friend of a friend stories that. Mike: Oh yeah. Dan: Like a razor an apple or something like that, that never actually sort of tracks back. Mike: Well, I mean, the thing now is it's all edibles in candy and they're like, all the news outlets are showing officially [00:42:00] branded edibles. Which, what daddy Warbucks mother fucker. Jessika: Mike knows my stand on this. Like, no, no, nobody is buying expensive edibles. And then putting them in your child's candy. Like, No, no, that's stupid. Dan: No, it's the, it's the, easier version of putting the LSD tab or wasting your pins on children in Snickers bars. Jessika: Right. Dan: Um, but but I think, that, that storyline is interesting, Mike, cause it's the, it's one of the few times I had a plotline utterly just completely rejected by an editor because I think I was doing so much horror stuff at the time. Cause I was also concurrently doing the Hellraiser work, the Night Breed work. It would have been the beginning of the Night Stalkers work, cause I was heavily involved with the whole Midnight Sons work. And I went so far on the first plot and it was so grizzly and so gruesome that, Ralph Macchio who was the editor, called me up and said, yeah, this title is Daredevil. It's not Hellraiser. So I had to kind of back off [00:43:00] and realize, uh, yeah, I put a little too much emphasis on the grisliness there. So. Mike: That's amazing. Dan: She was an interesting, exploration of a character type. Mike: I'm really sad that she hasn't showed back up, especially cause it feels like it'd be kind of relevant these days with, you know, how broken the medical system is here in America. Dan: Yeah. It's, it's funny. And I never played with her again, which is, I think one of my many Achilles heels, you know, as I would sometimes introduce characters and then I would just not go back to them for some reason, I was always trying to kind of go forward onto something new. Mike: Yeah. Jessika: Is there anything about Terror's character that you related to at the time, or now even. Dan: Um, probably being very imperious, very complicated, having a thing for long coats. Uh, I think all of those probably, you know, work then and now, I've kind of become convinced weirdly enough over time, that Terror was a character who [00:44:00] and I, you know, I co-created him with Margaret Clark and, and Klaus Janson, but I probably did the most work with him over the years, you know? So I feel maybe a little bit more ownership, but I've sort of become convinced that he was just his own thing, and he just existed out there in the ether, and all I was ultimately was a conduit that I was, I was just channeling this thing into our existence because he came so fully formed and whenever I would write him, he would just kind of take over the page and take over the instance. That's always how I've viewed him, which is different than many of the other things that I've written. Mike: He's certainly a larger than life personality, and in every sense of that expression. Jessika: Yes. Mike: I'm sorry for the terrible pun. Okay. So we've actually talked a bit about Terror, but I [00:45:00] feel like we need to have Jessika provide us with an overall summary of his brief series. Jessika: So the series is based on the titular character, of course, Terror, who is unable to die and has the ability to replace body parts and gains the skill and memory of that limb. So he might use the eye of a sharpshooter to improve his aim or the arm of an artist for a correct rendering. And because of the inability for his body to die, the dude looks gnarly. His face is a sick green color. He has spike whiskers coming out of the sides of his face, and he mostly lacks lips, sometimes he has lips, but he mostly lacks lips. So we always has this grim smile to his face. And he also has a metal arm, which is awesome. I love that. And he interchanges all of the rest of his body parts constantly. So in one scene he'll have a female arm and in another one it'll sport, an other worldly tentacle. [00:46:00] He states that his business is fear, but he is basically a paid mercenary, very much a dirty deeds, although not dirt cheap; Terror charges, quite a hefty sum for his services, but he is willing to do almost anything to get the job done. His first job is ending someone who has likewise immortal, air quotes, which involves finding an activating a half demon in order to open a portal and then trick a demon daddy to hand over the contract of immortality, you know, casual. He also has run-ins with Wolverine, Dr. Strange Punisher, Silver Sable, and Luke Cage. It's action packed, and you legitimately have no idea what new body part he is going to lose or gain in the moment, or what memory is going to pop up for him from the donor. And it keeps the reader guessing because Terror has no limitations. Mike: Yeah. Dan: was, I was so looking forward to hearing what your recap was going to be. I love that, so I just [00:47:00] want to say that. Jessika: Thank you. I had a lot of fun reading this. Not only was the plot and just the narrative itself, just rolling, but the art was fantastic. I mean, the things you can do with a character like that, there truly aren't any limits. And so it was really interesting to see how everything fell together and what he was doing each moment to kind of get out of whatever wacky situation he was in at the time.So. And his, and his quips, I just, the quips were just, they give me life. Mike: They're so good. Like there was one moment where he was sitting there and playing with the Lament Configuration, and the first issue, which I, I never noticed that before, as long as we ready this time and I was like, oh, that's great. And then he also made a St. George reference towards the end of the series where he was talking about, oh, I knew another guy who had a St. George complex. Dan: Right, right. Right, Mike: Like I love those little Easter eggs. Speaking of Easter eggs, there are a lot of Clive Barker Easter eggs throughout that whole series. Dan: [00:48:00] Well, That's it. That was so parallel at the time, you know. Mike: So around that time was when you were editing and then writing for the HellRaiser series and the Night Breed series, right? Dan: Yes. Certainly writing for them. Yeah. I mean, I did some consulting editing on the HellRaiser and other Barker books, after our lift staff, but, primarily writing at that point. Mike: Okay. Cause I have Hellraiser number one, and I think you're listed as an editor on it. Dan: I was, I started the whole Hellraiser anthology with other folks, you know, but I was the main driver, and I think that was one of the early instigators of kind of the rebirth of horror at that time. And, you know, going back to something you said earlier, you know, for many years, I was always, pressing Archie Goodwin, who worked at Warren, and worked on Erie, and worked on all those titles. You know, why can't we do a new horror anthology and he was quite sage like and saying, yeah. It'd be great to do it, but it's not going to sell there's no hook, right? There's no connection, you know, just horror for her sake. And it was when Clive Barker [00:49:00] came into our offices, and so I want to do something with Archie Goodwin. And then the two of them said, Hellraiser can be the hook. Right. Hellraiser can be the way in to sort of create an anthology series, have an identifiable icon, and then we developed out from there with Clive, with a couple of other folks Erik Saltzgaber, Phil Nutman, myself, Archie Goodwin, like what would be the world? And then the Bible that would actually give you enough, breadth and width to play with these characters that wouldn't just always be puzzle box, pinhead, puzzle box, pinhead, you know? And so we developed a fairly large set of rules and mythologies allowed for that. Mike: That's so cool. I mean, there really wasn't anything at all, like Hellraiser when it came out. Like, and there's still not a lot like it, but I - Jessika: Yeah, I was going to say, wait, what else? Mike: I mean, I feel like I've read other books since then, where there's that blending of sexuality and [00:50:00] horror and morality, because at the, at the core of it, Hellraiser often feels like a larger morality play. Dan: Now, you know, I'm going to disagree with you on that one. I mean, I think sometimes we let it slip in a morality and we played that out. But I think Hellraiser is sort of find what you want out of it. Right. You go back to the first film and it's, you know, what's your pleasure, sir? You know, it was when the guy hands up the book and the Centobites, you know, or angels to some demons, to others. So I think the book was at its best and the movies are at their best when it's not so much about the comeuppance as it is about find your place in here. Right? And that can be that sort of weird exploration of many different things. Mike: That's cool. So going back to Terror. Because we've talked about like how much we enjoyed the character and everything, I want to take a moment to talk about each of our favorite Terror moments. Dan: Okay. Mike: So Dan, why don't you start? What was your favorite moment for Terror [00:51:00] to write or going back to read? Dan: It's a great question, one of the toughest, because again, I had such delight in the character and felt such a connection, you know, in sort of channeling him in a way I could probably find you five, ten moments per issue, but, I actually think it was the it's in the first issue. And was probably the first line that sort of came to me. And then I wrote backwards from it, which was this, got your nose bit. And you know, it's the old gag of like when a parent's playing with a child and, you know, grabs at the nose and uses the thumb to represent the nose and says, got your nose. And there's a moment in that issue where I think he's just plummeted out of a skyscraper. He's, you know, fallen down into a police car. He's basically shattered. And this cop or security guard is kind of coming over to him and, and he just reaches out and grabs the guy's nose, you know, rips his arm off or something or legs to start to replace himself and, and just says, got your nose, but it's, but it's all a [00:52:00] build from this inner monologue that he's been doing. And so he's not responding to anything. He's not doing a quip to anything. He's just basically telling us a story and ending it with this, you know, delivery that basically says the guy has a complete condescending attitude and just signals that we're in his space. Like he doesn't need to kind of like do an Arnold response to something it's just, he's in his own little world moments I always just kind of go back to that got your nose moment, which is just creepy and crazy and strange. Mike: As soon as you mentioned that I was thinking of the panel that that was from, because it was such a great moment. I think it was the mob enforcers that had shot him up and he had jumped out of the skyscraper four and then they came down to finish him off and he wound up just ripping them apart so that he could rebuild himself. All right, Jessika, how about you? Jessika: I really enjoyed the part where Terror fights with sharks in order to free Silver Sable and Luke Cage. [00:53:00] It was so cool. There was just absolutely no fear as he went at the first shark head-on and, and then there were like five huge bloodthirsty sharks in the small tank. And Terror's just like, what an inconvenience. Oh, well. Mike: Yeah. Jessika: Like followed by a quippy remark, like in his head, of course. And I feel like he's such a solitary character that it makes sense that he would have such an active internal monologue. I find myself doing that. Like, you know, I mean, I have a dog, so he usually gets the brunt of it, but he, you know, it's, it is that you start to form like, sort of an internal conversation if you don't have that outside interaction. Dan: Right. Jessika: And I think a lot of us probably relate to that though this pandemic. Mike: Yeah. Jessika: But the one-liner thoughts, like, again, they make those scenes in my opinion, and it gave pause for levity. We don't have to be serious about this because really isn't life or death for Terror. We know that, and he just reminds us that constantly by just he's always so damn nonchalant. [00:54:00] Dan: Yeah. He does have a very, I'm not going to say suave, but it's, uh, you know, that sort of very, I've got this, you know, sort of attitude to it. Mike: I would, say that he's suave when he wants to be, I mean, like the last issue he's got his whiskers tied back and kind of a ponytail. Dan: Oh yeah. Jessika: Oh yeah. Dan: Richard Pace did a great job with that. Mike: Where he's dancing with his assistant in the restaurant and it's that final scene where he's got that really elegant tuxedo. Like. Dan: Yeah. It's very beautiful. Mike: I say that he can be suave and he wants to be. So I got to say like my favorite one, it was a visual gag that you guys did, and it's in issue six when he's fighting with the Punisher and he's got this, long guns sniper. And he shoots the Punisher point blank, and Terror's, like at this point he's lost his legs for like the sixth time. Like he seems to lose his legs, like once an issue where he's just a torso waddling around on his hands. And so he shoots him the force skids him back. [00:55:00] And I legit could not stop laughing for a good minute. Like I was just cackling when I read that. So I think all of us agree that it's those moments of weird levity that really made the series feel like something special. Dan: I'm not quite sure we're going to see that moment reenacted at the Disney Pavilion, you know, anytime soon. But, that would be pretty awesome if they ever went that route. Mike: Well, yeah, so, I mean, like, let's talk about that for a minute, because one of the main ways that I consume Marvel comics these days is through Marvel unlimited, and Terror is a pretty limited presence there. There's a few issues of various Deadpool series. There's the Marvel team up that I think Robert Kirkman did, where Terror shows up and he has some pretty cool moments in there. And then there's a couple of random issues of the 1990s Luke Cage series Cage, but like the core series, the Marvel max stuff, his appearance in books like Daredevil and Wolverine, they just don't seem to be available for consumption via the. App Like I had to go through my personal [00:56:00] collection to find all this stuff. And like, are the rights just more complicated because it was published under the Epic imprint and that was create her own stuff, like do you know? Dan: No, I mean, it wouldn't be it's choice, right. He's probably perceived as a, if people within the editorial group even know about him, right. I was reading something recently where some of the current editorial staff had to be schooled on who Jack Kirby was. So, I'm not sure how much exposure or, you know, interest there would be, you know, to that. I mean, I don't know why everything would be on Marvin unlimited. It doesn't seem like it requires anything except scanning the stuff and putting it up there. But there wouldn't be any rights issues. Marvel owned the Shadow Line, Marvel owns the Terror Incorporated title, it would have been there. So I'm not really sure why it wouldn't be. And maybe at some point it will, but, that's just an odd emission. I mean, for years, which I always felt like, well, what did I do wrong? I [00:57:00] mean, you can find very little of the Daredevil work I did, which was probably very well known and very well received in, in reprints. It would be like, there'd be reprints of almost every other storyline and then there'd be a gap around some of those things. And now they started to reappear as they've done these omnibus editions. Mike: Well, yeah, I mean, you know, and going back the awareness of the character, anytime I talk about Terror to people, it's probably a three out of four chance that they won't have heard of them before. I don't know if you're a part of the comic book historians group on Facebook? Dan: I'm not. No. Mike: So there's a lot of people who are really passionate about comic book history, and they talk about various things. And so when I was doing research for this episode originally, I was asking about kind of the revamp of supernatural heroes. And I said, you know, this was around the same time as Terror. And several people sat there and said, we haven't heard of Terror before. And I was like, he's great. He's amazing. You have to look them up. But yeah, it seems like, you know, to echo what you stated, it seems like there's just a lack of awareness about the character, which I feel is a genuine shame. And that's part of the [00:58:00] reason that I wanted to talk about him in this episode. Dan: Well, thank you. I mean, I love the spotlight and I think anytime I've talked to somebody about it who knew it, I've never heard somebody who read the book said, yeah, that sucks. Right. I've heard that about other things, but not about this one, invariably, if they read it, they loved it. And they were twisted and kind of got into it. But did have a limited run, right? It was only 13 issues. It didn't get the spotlight, it was sort of promised it kind of, it came out with a grouping of other mercenary titles at the time. There was a new Punisher title. There was a Silver Sable. There was a few other titles in this grouping. Everyone was promised a certain amount of additional PR, which they got; when it got to Terror. It didn't get that it like, they pulled the boost at the last minute that might not have made a difference. And I also think maybe it was a little bit ahead of its time in certain attitudes crossing the line between horror and [00:59:00] humor and overtness of certain things, at least for Marvel, like where do you fit this? I think the readers are fine. Readers are great about picking up on stuff and embracing things. For Marvel, it was kind of probably, and I'm not dissing them. I never got like any negative, you know, we're gonna launch this title, what we're going to dismiss it. But I just also think, unless it's somebody like me driving it or the editor driving it, or Carl Potts, who was the editor in chief of that division at that point, you know, unless they're pushing it, there's plenty of other characters Right. For, things to get behind. But I think again, anytime it kind of comes up, it is definitely the one that I hear about probably the most and the most passionately so that's cool in its own way. Mike: Yeah, I think I remember reading an interview that you did, where you were talking about how there was originally going to be like a gimmick cover or a trading card or something like that. Dan: Yeah. Mike: So what was the, what was the gimmick going to be for Terror number one? Dan: What was the gimmick going to be? I don't know, actually, I if I knew I [01:00:00] can't remember anymore. But it was going to be totally gimmicky, as all those titles and covers were at the time. So I hope not scratch and sniff like a, uh, rotting bodies odor, although that would have been kind of in-character and cool. Mike: I mean, this was the era of the gimmick cover. Dan: Oh, absolutely. Mike: Like,that was when that was when we had Bloodstrike come out and it was like the thermographic printing, so you could rub the blood and it would disappear. Force Works is my favorite one, you literally unfold the cover and it's like a pop-up book. Dan: Somebody actually keyed me in. There actually was like a Terror trading card at one point. Mike: Yeah. Dan: Like after the fact, which I was like, shocked. Mike: I have that, that's from Marvel Universe series four. Dan: Yeah. we did a pretty good job with it actually. And then even as we got to the end of the run, you know, we, and you can sort of see us where we're trying to shift certain aspects of the book, you know, more into the mainstream Marvel, because they said, well, we'll give you another seven issues or something, you know, to kind of get the numbers up. Mike: Right. Dan: And they pulled the plug, you know, even before that. So, uh, that's why [01:01:00] the end kind of comes a bit abruptly and we get that final coda scene, you know, that Richard Pace did such a nice job with. Mike: Yeah. I mean, it felt like it wrapped it up, you know, and they gave you that opportunity, which I was really kind of grateful for, to be honest. Dan: Yeah. and subsequently, I don't know what's going on. I know there was that David Lapham, you know, series, you did a couple of those, which I glanced at, I know I kind of got in the way of it a little bit too, not in the way, but I just said, remember to give us a little created by credits in that, but I didn't read those. And then, I know he was in the League of Losers at one point, which just didn't sound right to me. And, uh. Mike: It's actually. Okay. So I'm going to, I'm going to say this cause, it's basically a bunch of, kind of like the B to C listers for the most part. And. So they're called the Legal Losers. I think it's a really good story, and I actually really like what they do with Terror. He gets, she's now Spider Woman, I think it's, Anya Corazon, but it was her original incarnation of, Arana. And she's got that spider armor that like comes out of her arm. And so she [01:02:00] dies really on and he gets her arm. And then, Dan: That's cool. Mike: What happens is he makes a point of using the armor that she has. And so he becomes this weird amalgamation of Terror and Arana's armored form, which is great. Dan: Was that the Kirkman series? Is that the one that he did or. Mike: yeah. That was part of Marvel Team-Up. Dan: Okay. Mike: it was written by Robert Kirkman. Dan: Well, then I will, I will look it up. Mike: Yeah. And that one's on Marvel unlimited and genuinely a really fun story as I remembered. It's been a couple of years since I read it, but yeah. Dan: Very cool. Mike: So we've talked about this a little bit, but, so

On the way to Halloween, we're checking in with a ghostly con man who runs afoul of a serial-killing specter in Peter Jackson's The Frighteners. With a stacked cast including Michael J. Fox, Chi McBride, Jeffrey Combs, and Jake Busey, we dive into the fun of the movie and why it might not completely hang together despite being a bloody good time. Hope you enjoy this, and come back each and every day for a new movie. Also, join the discussion on our Facebook group, Twitter, or Instagram. You can hear the show exclusively on Legion Podcasts, so be sure to subscribe on Apple Podcasts, Google, Spotify, Android, Pandora, iHeartRadio, Stitcher, Podchaser, or wherever podcasts are found. The post Legion Podcasts 31 Days of Halloween: Day 26 – The Frighteners first appeared on Legion.

On the way to Halloween, we're checking in with a ghostly con man who runs afoul of a serial-killing specter in Peter Jackson's The Frighteners. With a stacked cast including Michael J. Fox, Chi McBride, Jeffrey Combs, and Jake Busey, we dive into the fun of the movie and why it might not completely hang together despite being a bloody good time. Hope you enjoy this, and come back each and every day for a new movie. Also, join the discussion on our Facebook group, Twitter, or Instagram. You can hear the show exclusively on Legion Podcasts, so be sure to subscribe on Apple Podcasts, Google, Spotify, Android, Pandora, iHeartRadio, Stitcher, Podchaser, or wherever podcasts are found. The post Legion Podcasts 31 Days of Halloween: Day 26 – The Frighteners first appeared on Legion.

Harlly, Jeaun and Lawson must be the dumbest smart people in the world. ALSO DISCUSSED* American Horror Story: Double Feature (2021)* Cellular (2004)* Collateral (2004)* The Manchurian Candidate (2004)* Open Water (2003)* Open Water 2: Adrift (2006)* Open Water 3: Cage Dive (2017)* Salem's Lot (2004)* Squid Game: Season 1 (2021)Reach us on Twitter at: https://twitter.com/IDontKnowWhyWe1Read Harlly and Jeaun's Blog at https://onthebrightsidemedia.home.blog/Read Lawson's Blog athttps://exitthroughthecandycounter.wordpress.com/

Monica, Samantha & Greg guess the plot of movies/TV shows: Scott Pilgrim VS The World & Gone in 60 Seconds. Follow us on: www.instagram.com/implotsters/ www.twitter.com/implotsters www.facebook.com/implotsters www.youtube.com/channel/UCNt0P8dGWkM1OdnhKO3pXKg TikTok @Implotsters Visit our website: www.implotsters.com

ABOUT SIOBHAN FALLON HOGANSiobhan Fallon Hogan is the writer, producer and star of RUSHED. Fallon Hogan and Peter Hogan established Emerald Caz Productions in 2019. The actress has been in three Lars Von Trier films since 2000 including the Palme D' Or winner Dancer in the Dark, Dogville and The House that Jack Built. Lars Von Trier's Zentropa Films coproduced Rushed with Fallon Hogan. The actress has been in several block busters over the years including Men in Black, Forrest Gump, Holes, New In Town, Going In Style, Charlotte's Web and Funny Games. Her televisions credits include Saturday Night Live, Seinfeld, Billions, Wayward Pines, 30 Rock, Law & Order and many more. Fallon Hogan has penned a new script Shelter In Solitude with Chi McBride, Robert Patrick, Dan Castellaneta and Fallon Hogan. Filming will begin in the fall in Syracuse, New York. She will be seen this summer in HBO's new series Love Life, as well as, in the soon to be released Paramount film, Clifford the Big Red Dog. Fallon Hogan and Peter Hogan have been married for 29 years and have three children Bernadette, 26, a political reporter for the New York Post, Peter, 22, an actor and music producer and Sinead, an actress, and sophomore at Virginia Tech.Here's a clip of Siobhan from Baby Mama: https://www.youtube.com/watch?v=VUGhvs8zMZ8 ABOUT RUSHED, IN THEATERS AUGUST 27THVertical Entertainment has acquired North American distribution rights to thriller RUSHED which stars Siobhan Fallon Hogan (Saturday Night Live), Robert Patrick (Terminator 2: Judgement Day), Jake Weary (Animal Kingdom), Peri Gilpin (Frasier) and newcomers rapper Fat Nick, Justin Linville, Jay Jay Warren, former NFL player Phil Villpiano, Peter Munson Hogan, Sinead Hogan, and Lily Rosenthal. RUSHED is the story of Barbara O'Brien, an Upstate NY, Irish Catholic mother who says her rosary daily, then swears profusely as she drives her kids to school. Barbara's life is ruined when her son Jimmy, a college freshman, is involved in a fraternity hazing incident. Barbara resorts to extreme measures when she encounters empty promises in Washington, D.C."I wrote the film because as a mother of three, I understand that Hell hath no fury like a mother scorned. After I completed the script, I sent it to Zentropa Films as I have worked as an actress with Lars Von Trier for over 25 years in his films, Dancer in The Dark, Dogville and The House That Jack Built. They immediately called me and agreed to co-produce the film which was fantastic. I am thrilled to have the film with Vertical Entertainment domestically and Octane Entertainment internationally," said writer, producer and star Siobhan Fallon Hogan.Check out the trailer:https://www.youtube.com/watch?v=NNN7D3AKVT0

País Estados Unidos Dirección Harold Becker Guion Lawrence Konner, Mark Rosenthal. Novela: Ryne Douglas Pearson Música John Barry Fotografía Michael Seresin Reparto Bruce Willis, Alec Baldwin, Chi McBride, Robert Stanton, Miko Hughes, Kim Dickens, Camryn Manheim, Peter Stormare, Lindsey Ginter, Kevin Conway, Bodhi Elfman, Carrie Preston, John Carroll Lynch, ver 28 más Sinopsis Art Jeffries es un agente del FBI bastante insolente con sus superiores, razón por la cual le asignan las escuchas telefónicas. Por fin, un día, le encargan la investigación del caso de un niño desaparecido, cuyos padres han sido asesinados. Cuando lo encuentra, resulta ser un autista de nueve años que tiene una prodigiosa capacidad para interpretar códigos del gobierno teóricamente indescifrables.

On today's BRAND NEW EPISODE of Renegades Reviews, J.J. finishes up Tom Hanks Month with the 2004 Drama, The Terminal. Which also stars Catherine Zeta-Jones, Stanley Tucci, Chi McBride and Zoe Saldana. --- Support this podcast: https://anchor.fm/renegadesreviews/support

Skipper & Ray review I, Robot (2004), which features a friendly ginger who never asked for this killer robot nonsense. The Will Smith vehicle was inspired by the work of Isaac Asimov. Bridget Moynahan, Alan Tudyk, James Cromwell, Bruce Greenwood, Chi McBride, Shia LaBeouf, Alex Proyas, Jeff Vintar, Akiva Goldsman. Get exclusive bonus content by supporting Skipper & Ray at pod.fan/catsonfilmpod Transcript bit.ly/CFPtranscript-IRobotCats on Film Pod is voiced and produced by Ray Ilyn, with music by The DōsMan, and additional sounds from FreeSound.org. FREE full episodes & more at www.catsonfilmpod.comOur videos have captions & illustrations to help you follow along with each episode! https://youtu.be/m_z01xJGC3s Instagram @CatsOnFilmPodTwitter @CatsOnFilmPod

On this week's episode, the 2020 Summer Blockbuster Extravaganza takes a layover to JFK to chat about Steven Spielberg's low stakes sap-fest, The Terminal! Why doesn't Tucci's character get his at the end? Why couldn't Catherine Zeta-Jones play an investigative reporter who breaks Viktor's story instead of a flight attendant that does nothing? And on what planet is this guy getting a New York City airport Burger King cheeseburger for 74 cents in 2004? PLUS: Memento, except it's ketchup packets instead of insulin!WHM is donating 100% of our 2020 merch income to causes fighting for racial justice. For more information on how you can pitch in, head over to our website.The Terminal stars Tom Hanks, Catherine Zeta-Jones, Stanley Tucci, Chi McBride, Diego Luna, Barry Shabaka Henley, Kumar Pallana, and Zoe Saldana; directed by Steven Spielberg.This week's episode is sponsored by Serial Box! Get an exclusive 40% discount on select titles by going to serialbox.com/WEHATEMOVIES or redeeming code: WEHATEMOVIES.

The eleventh episode of our season on the awesome movie year of 1996 features our producer David Rosen’s personal pick, Peter Jackson’s The Frighteners. Directed and co-written (with Fran Walsh) by Peter Jackson and starring Michael J. Fox, Trini Alvarado, Jeffrey Combs, Peter Dobson, Dee Wallace, Chi McBride and Jim Fyfe, The Frighteners was a box-office disappointment but helped launch Jackson’s career in Hollywood. The post The Frighteners (1996 Dave’s Pick) appeared first on Awesome Movie Year.

Hosts Sonia Mansfield and Margo D. put on their roller skates and dork out about 2005’s ROLL BOUNCE, starring Bow Wow, Meagan Good, Jurnee Smollett, Brandon T. Jackson, Wesley Jonathan, Chi McBride, Kellita Smith, and Nick Cannon.  Learn how to be a better ally Justice in June was compiled by Autumn Gupta and Bryanna Wallace, and it’s a starting place for individuals trying to become better allies. Dork out everywhere … Subscribe on Apple Podcasts Google Play Spotify  Libsyn Tune In  Stitcher http://dorkingout.com/ https://twitter.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

Welcome to purgatory and the afterlife!!!! This week Deason and Jeremy talk about Peter Jackson's underrated masterpiece The Frightners from 1996, starring Michael J. Fox, Trini Alvarado, John Astin, Jeffrey Combs, Dee Wallace, Chi Mcbride, Jim Fyfe, Troy Evans and Jake Busey. Thanks for listening everyone!!! send us feedback at PCPpodcast666@gmail.com   outro track "superstar" cover by Sonic Youth

Coming to ears near you real soon, "Whaddya Mean Ya Haven't Seen" is a podcast about sharing. Specifically sharing movies with each other, that some of us haven't seen. This month Brian introduces Bob and Jon to one of his favorite movies, 2002's Blaxploitation parody "Undercover Brother". Directed by Malcolm D. Lee and starring Eddie Griffin, Chris Kattan, Denise Richards, Dave Chappelle, Aunjanue Ellis, Neil Patrick Harris, Chi McBride, and Billy Dee Williams.Featuring: Brian Adams, Bob Rudenborg, Jon MarekEditing: Jon MarekTheme: Brian AdamsOur Site: https://whaddymeanyahaventseen.buzzsprout.com/Facebook: https://www.facebook.com/Whaddya-Mean-Ya-Havent-Seen-106797194090475/YouTube: https://www.youtube.com/channel/UCwIG9xj26eXw6H_cs3tDViA/Instagram: https://www.instagram.com/whaddyameanyahaventseen/Jon's Insta: https://www.instagram.com/jonisnh_collectibles/Bob's Insta: https://www.instagram.com/asmallfrogart/Brian's Insta: https://www.instagram.com/winchesterghostsband/

The frighteners (Agárrame esos fantasmas) 1996 Comedia. Fantástico | Sobrenatural. Casas encantadas. Fantasmas Dirección Peter Jackson Guion Frances Walsh, Peter Jackson Música Danny Elfman Reparto Michael J. Fox, Trini Alvarado, Jeffrey Combs, Dee Wallace, Jim Fyfe, Peter Dobson, John Astin, Chi McBride, Troy Evans, Elizabeth Hawthorne, Jake Busey, Melanie Lynskey, R. Lee Ermey, Angela Bloomfield Sinopsis Frank Bannister es un charlatán que posee extraordinarias facultades psíquicas, pero no las usa para hacer el bien, sino para ganar dinero hostigando a sus clientes con la ayuda de algunos espectros que trabajan a su servicio. La situación cambiará cuando en el pueblo empiecen a producirse una serie de muertes inexplicables.

This one broke us a little. Could it be that 1998's "The Secret Diary of Desmond Pfieffer" starring Chi McBride has unseated Cop Rock for being the Absolute Worst? Find out if this Civil War-set "comedy" has what it takes to be The Worst Show on Earth! We have a show email address and we'd love to hear from you! Drop us a line at worstshowonearth@gmail.com. Follow Tocci on Instagram! https://www.instagram.com/michaeltocci1/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It's Monday and it's time for a CAGE MATCH! The Late Night Fright continues its celebration of the filmography of Nicolas Kim Coppola, a.k.a. Nicolas Cage, a.k.a. Nic Cage, a.k.a. The Cage! This week's matchup pits 1987's award winning romantic comedy MOONSTRUCK against 2000's action spectacle GONE IN 60 SECONDS. Moonstruck stars Cage as Ronny Cammareri, a bread baker with one hand who falls for Cher's character Loretta Castorini. Cher won an Oscar for her role and the picture was nominated for 6 Academy Awards including Best Picture. In Gone In 60 Seconds Cage stars as Memphis Raines, a car thief who comes out of retirement to help his brother pay a debt to an international gangster. The picture also stars Angelina Jolie, Chi McBride and the legendary Robert Duvall. This is the third collaboration between Cage and producer Jerry Bruckheimer. Which film will emerge victorious? Pour yourself a cup of coffee, put your feet up, tune in and find out! 

On this week's Summer Break episode, the gang is live from the D.C. Improv chatting about the super-silly Nicolas Cage remake, Gone in 60 Seconds! What's with Cage's character's name in this? What on earth is with that Giovanni Ribisi breakfast recipe? And how long do those two guys wait for that dog to... give back those keys? PLUS: PUR-PLE! RAIN!Gone in 60 Seconds stars Nicolas Cage, Giovanni Ribisi, Angelina Jolie, Scott Caan, Will Patton, Delroy Lindo, Timothy Olyphant, Chi McBride, Robert Duvall, Christopher Eccleston, Vinnie Jones, and Grace Zabriskie; directed by Dominic Sena.

This week's episode was the latest winner of our Facebook poll, chosen by you our lovely listeners. The movie chosen was Gone in 60 Seconds a 2000 "classic" that has finally gave us the opportunity to watch a Nicolas Cage film. Listen as we discuss the plausibility of this whole movie and why the LAPD doesn't know how to properly use a helicopter. We question why some characters were given way too much screen time (Mirror Man we are looking at you) while others (Sway, Donny, pretty much everyone else) didn't. As always, we award the best and worst. Will Nicolas Cage himself win the coveted award named after him? Listen to find out! Also don't forget to check out our Instagram and Facebook to show us some love!

Gone like a freight train. Gone like yesterday. Gone like a Nic Cage in the Civil War. Bang Bang. The boys done gone and done it, I tell you what. They watched Nic Cage's seminal '00 classic "Gone in 60 Seconds." We can say that this movie co-starred Angelina Jolie. But did it? Really? Does that count? The fellas were...underwhelmed. Before all that, they discuss their Bert and Ernie-style plans for childcare, Brian retreats back into his gripe corner to talk about the restaurant, and we check in on Charley. Find us on our Social Media, if you're so inclined:Twitter: @WeGaugeCagePodInstagram: @WeGaugeCageAnd, as always, rate and review us on Apple Podcasts if you can or haven't already.

Hey, folks! It's time for a brand-new episode of Mousterpiece Cinema, and it's another episode all about little boys who want to become big boys, and big boys who come into contact with their little-boy selves. OK, that last part might be unique to today's movie, Disney's The Kid (not to be confused with the Charlie Chaplin classic, which you all were going to do, DON'T LIE). Josh and Scott talk in-depth about the 2000 comedy featuring a very young Spencer Breslin playing the young version of a very grouchy Bruce Willis. This one's got a very overqualified cast, including Jean Smart, Chi McBride, and Lily Tomlin, and is from longtime Disney journeyman director and recent The Meg filmmaker Jon Turteltaub. But is it any good? Should The Kid be remembered as an underrated gem, or has it been rightly forgotten? And how hard does this movie's score need to chill out? Find out on the new episode!

It's a back-to-back Boston spectacular! Our hosts learn all about the rough-and-tumble lives of the students of Carl Winslow High School, and get plenty of sage advice from Chi McBride. Tony Roma’s, pill dinners, Home Improvement, Dazed and Confused, The Town, It’s Pat, and fiduciary rock are also discussed.

This week, the Film Club is all about everyone's favourite actor, Tom Hanks. Charlotte spends today talking about Hanks' role in 2004 Drama-comedy 'The Terminal'.Hanks stars as Viktor Navorski, an Eastern European tourist who arrives at JFK airport in New York as war breaks out in his country, leaving him caught up in international politics. Because of the war, the Department of Homeland Security won't let him enter or exit the United States. He's trapped at JFK -- indefinitely. While living inside the airport, Viktor finds himself falling for a flight attendant played by Catherine Zeta-Jones.Directed by Steven Spielberg, Stanley Tucci, Chi McBride and Diego Luna also feature. 

Have you ever heard of "The Goat", or the "Bat-Wing"? It's rather debatable that the game that features these titles is in any way a good thing...but the Film they are from, most certainly is.   "Waiting..." is the subject of this week's episode, the movie The Underground Boys are hanging out with! Anna Faris, Justin Long and Ryan Reynolds pull together a pretty good cast for a movie inspired by the likes of Clerks. Luis Guzman, Dane Cook and Chi McBride also have some of that spotlight!!!   The boyos ride the tangent train, but subject matter never gets too far from the core question: "Just how close to actual restaurant life is this film?"   You're going to find out.    Strap in, and get your laugh's primed!   Show notes by Igor the Intern​Underground Inc, where your favorite movies come to hang out.This episode contains spoilers to this film and possible other movies.www.undergroundinc.infowww.facebook.com/undergroundinc3www.twitter.com/UndergroundInc3www.thepodcastarcade.comhttps://itunes.apple.com/kg/podcast/underground-inc/

Kirsten Vangsness joins me to watch Undercover Brother and discuss how beyond the sillier jokes this comedy has aged fairly well and is still very relevant in the world today.IMDB: http://www.imdb.com/title/tt0279493/?ref_=nv_sr_4Directed by: Malcolm D. LeeWritten by: John Ridley, Michael McCullersStarring: Eddie Griffin, Chris Kattan, Denise Richards, Aunjanue Ellis, Dave Chappelle, Chi McBride, Neil Patrick Harris, Gary Anthony Williams, Billy Dee WilliamsMovie Trailer: https://www.youtube.com/watch?v=nDsHC3iFeTIWikipedia: https://en.wikipedia.org/wiki/Undercover_BrotherRotten Tomatoes: https://www.rottentomatoes.com/m/undercover_brotherBuy on Amazon: https://www.amazon.com/Undercover-Brother-Widescreen-Collectors-Griffin/dp/B000071ZZJ/ref=sr_1_2?ie=UTF8&qid=1499804394&sr=8-2&keywords=undercover+brotherIf you are enjoying I Will Watch Anything Once, please subscribe, rate and review on iTunes, like it on Facebook and follow IWWAO on Twitter, Instagram, Snapchat and Tumblr.Additional Links:Kirsten Vangsness - Twitter: https://twitter.com/VangsnessInstagram: https://www.instagram.com/kirstenvangsness/Criminal Minds: http://www.cbs.com/shows/criminal_minds/The Mess (One Person Show) in Porterville, CA July 22nd & 23rd tickets: http://barntheater.porterville.com  See acast.com/privacy for privacy and opt-out information.

País Estados Unidos Director Alex Proyas Guión Jeff Vintar, Akiva Goldsman (Relatos: Isaac Asimov) Música Marco Beltrami Fotografía Simon Duggan Reparto Will Smith, Bridget Moynahan, Bruce Greenwood, Chi McBride, Alan Tudyk, James Cromwell, Jerry Wasserman, Shia LaBeouf Sinopsis: Chicago, año 2035. Vivimos en completa armonía con robots inteligentes. Cocinan para nosotros, conducen nuestros aviones, cuidan de nuestros hijos y confiamos plenamente en ellos debido a que se rigen por las Tres Leyes de la Robótica que nos protegen de cualquier daño. Inesperadamente un robot se ve implicado en el crimen de un brillante científico y el detective Del Spooner (Will Smith) queda a cargo de la investigación.

Ronnie Ray and Chaz Rodgers discuss: Open Mic Days, Starting off in Stand-Up Comedy, His Short Lived TV Career, Chi McBride, His Stage Names, His Comedy Influences, His Favorite Clubs, Following Great Comedians and much more.

Título original The Terminal Año 2004 Duración 128 min. País Estados Unidos Estados Unidos Director Steven Spielberg Guión Sacha Gervasi & Jeff Nathanson (Historia: Andrew Niccol) Música John Williams Fotografía Janusz Kaminski Reparto Tom Hanks, Catherine Zeta-Jones, Stanley Tucci, Chi McBride, Diego Luna, Eddie Jones, Barry Shabaka Henley, Zoe Saldana, Kumar Pallana Productora DreamWorks Pictures Género Comedia. Drama. Romance | Comedia dramática. Basado en hechos reales Web oficial http://www.theterminal-themovie.com/ Sinopsis Victor Navorski, un ciudadano de un pequeño país del Este europeo, se ve involuntariamente exiliado en la terminal internacional del aeropuerto JFK de Nueva York cuando estalla una guerra civil en su tierra de origen. A raíz del conflicto, el pasaporte de Victor queda anulado y se ve obligado a quedarse en la terminal, ya que no puede pisar suelo estadounidense ni subir a ningún avión. Durante su estancia, hará de todo para sobrevivir y entablará relación con el personal que trabaja en el aeropuerto, especialmente con una bella azafata y con el estricto responsable de seguridad de la instalación. Película inspirada en el caso real de un exiliado iraní que estuvo viviendo 18 años en la terminal internacional del aeropuerto Charles De Gaulle de París.

In this episode of Spiraken Movie Review, Lethal, Raze and Xan get down with their bad selves as they review the 2002 comedy blaxoplotation parody film, "Undercover Brother" directed by Malcolm D. Lee and starring Eddie Griffin, Denise Richards, Aunjanue Ellis, Chris Kattan, Chi McBride, Dave Chappelle, Neil Patrick Harris, Billy D. Williams and a guest appearance by James Brown Besides discussion on the nuiances of this fine theatrical release, our hosts talk about the death of Marice Wallace, Xan's upcoming Vacation, the grossness of mayonaise, rant about Black Friday, the upcoming Dr Who 50th Anniversary and a variety of game related rants at the stinger of the podcast. Hope you enjoy Please send us any comments concerns and ideas on how to make this podcast better. Let us know so we can do something about it. Rate us on iTunes, check out the facebook fangroup Spiraken Movie Review, purchase some stuff from our amazon store in order to fund this podcast and finally, listen to the primary podcast, The Spiraken Manga Review and check out Xan's sidekickery on the fightbait.com podcast. Hope you enjoy the episode. Music For Episode: Intro Music - Give Up The Funk (Tear The Rood off the Sucker) by Parliment and Snoop Dogg ( Undercover Brother OST), Background Music -Brick House by The Commodores ( Undercover Brother OST), Background Music - Play That Funky Music by Wild Cherry ( Undercover Brother OST), Background Music - Say It Loud by James Brown ( Undercover Brother OST), Ending Music - Undercover Brother Theme by Stanley Clarke ( Undercover Brother OST) Our Website http://www.spiraken.com Our Email Spirakenmovie@gmail.com My Email xan@spiraken.com Guest Host's Email baz@spiraken.com Our Twitter Spirakenmovie Our facebook fangroup Spiraken Movie Review Our Amazon Store www.amazon.com/shops/Spiraken Xboxlive Gamertag Xan Spiraken Random Question of the Week: Would you like to try the General's Fried Chicken?

Join Steve and Ryan as they look back at memorable moments from The Late Late Show with Craig Ferguson from the week of August 29, 2011. Highlights include: GP and the Fergs, Wilford Brimley at a local grocery store's salad bar, diabeetus, TSA cockatoo, Katy Perry hat, creepy guy in the basement, careful Icarus, Shark Night 3D, William Shatner, Chi McBride, Kloe Kardashian and Frankenberry, Kathy Griffin, and tootsie-frootsie ratings.

Yet another round table from SDCC! Jimmy chatted with series stars Chi McBride (Winston), Mark Valley (Christopher Chance) and new showrunner Matt Miller. Lots of exciting things coming your way this year on Human Target!

Our thoughts and prayers are with the family of Andrew Koenig tonight. TV: Fringe renewed for 3rd season Smallville renewed for 10th season, Chuck has another season but……so does Heroes. The curse of Chi McBride continues as The Human Target tanks and will not be renewed. Pat from Double Midnight talks about GraniteCon – March […]

If you missed out on the incredible panel, don’t worry your pretty little heads. Here is the entire PUSHING DAISIES Comic-Con 2008 Panel audio for your enjoyment.  Listen as Barry Sonnenfeld guides Lee Pace, Anna Friel, Chi McBride, Bryan Fuller, Dan Jinks, Kristin Chenoweth, Ellen Greene and Swoosie Kurtz through fan questions and the glorious and imaginative world of Pushing Daisies.

ThePieMaker.com is back with another Pushing Daisies Piecast Podcast.  Coming to you from The Paley Festival in Los Angeles, Kath and Dan recap the Daisies panel, the poop, the scoop, the skinny of it all and even tempt everyone with some spoilers revealed both during the panel and on the DL!  It was a magical evening with Bryan Fuller, Lee Pace, Anna Friel, Chi McBride, Ellen Greene, Kristin Chenoweth, Peter Ocko, Dan Jinks and Bruce Cohen so sit back and let's dish some pie!

Género: Comédia Realização: Bob Odenkirk Actores: Dax Shepard, Will Arnett, Chi Mcbride, David Koechner, Dylan Baker, Michael Shannon