Podcasts about hahnem

Themen: - Start - Los geht's - Begrüßung - Housekeeping - Keinen mp3-Feed mehr auf Youtube - Cashback-Vorteile für Canon imagePROGRAF Systeme - Taschen für den guten Zweck - nachhaltig und einzigartig! - Nikon Image Space, Nikon Imaging Cloud oder einfach eine Nikon ID - E-Passbild - seit dem 01.05.2025 aktiv - Registrierung als zugelassener Fotograf - Mal wieder: Alte Bilder revisited - Mehrwert Bilder Wiederaufnahme des Themas - Macro mit dem IPhone - mit zusätzlicher Linse - Camp Snap Tour 2025 startet - seid mit dabei! - Capture One Pro, zwei interessante Features in der neuen Beta - PS-Beta: Neue Entfernen-Funktion - PS: Neue (cloudbasierte) Selektion des Motivs... WOW! - Hörerfeedback/Fragen/#fragen-für-kommende-folgen -- Fünf Kaffee von Olli und 25 Auphonic Stunden von Torsten -- Exkurs: Demenz mit Humor nehmen -- Und weitere 50,-€ Spende für den Festivalverein in Baden - Tipps und Tricks -- LrC: Nachtrag zu "Virtuelle Kopien bändigen" - Ausstellungen/Veranstaltungen -- Last Call: 16. Fürstenecker Fototage 2025 -- Nach Baden zum Fotogipfel Oberstdorf - mit fpc-Hörertreffen -- Hahnemühle "Wir machen den Druck" Workshop mit Mega Passepartout-Album -- QT-Albums: Fineart meets Sustainability -- Imaging World 2025: Neues Leit-Event der Branche -- Zusammenfassung der Termine im Discord-Channel - Bitte anschauen - bitte anhören -- Lucia Moholy -- Fotografinnen auf Reisen in Ingelheim -- USA Fotografie Gestern und Heute - Was hast Du in den letzten 4 Wochen fotografiert? -- Ulrike: Frühlings ICM -- Ulrike: Chagalls König David -- Neufi: Karlskirche Wien -- Neufi: moderne Architektur in Wien -- Neufi: Zugabe der Architektur -- Neufi´s Highlight der Wien-Tour -- Michael: Langzeitbelichtung und Stabi Canon Eos R5 Mark II -- Michael: Lebe im Hier und Morgen....oder nur noch Heute! -- Thomas: Sichelschrecke -- Thomas: Starrails an der Mosel - Bilder der Hörer aus dem Discord-Channel --Andreas Blomeyer: Beim Hundeturnier -- Oliver Schlecht: Es wird wieder Sommer in der Stadt -- Andreas Bong: Leica Q3 in Aktion -- Carsten Rübsam: Ronneburg -- Peter Reinold: Holy Hill -- Andreas Kühnel: Gran Via -- Eik Deistung: Kleiner Seeskorpion -- Rolf Hecker: Kirche St. Peter -- Birgit Theisges: Füßchen - Danke! - Ausblick auf kommende spannende Themen - Eure Unterstützung - Und tschüss... - Outtake...

Themen: - Begrüßung - Vorstellung Jan Wölfle - Der erste Kontakt mit Papier... - Vielseitige Einsatzmöglichkeiten für Hahnemühle Papiere - 440 Jahre Hahnemühle - Tradition und Qualität - Gewährleistung einer gleichbleibenden Qualität - Tradition trifft die Moderne - FineArt-Papiere sind ganz besonders - Der Life-Science-Bereich von Hahnemühle - Die neuen, nachhaltigen Fineart-Papiere von Hahnemühle - Neue Märkte für die Hahnemühle FineArt GmbH - Kundenwünsche werden respektiert und die Hahnemühle-App - Service wird großgeschrieben - Das Thema Nachhaltigkeit bei Hahnemühle - Das Qualitätsversprechen von Hahnemühle - Zufriedene Mitarbeiter*innen und Mitarbeiterbindung - Papier erlebbar machen... - Wo sieht man Hahnemühle in der Zukunft? - Zusammenfassung und Verabschiedung

Themen: - Begrüßung - Heutiger Workshopbesuch: Naturfotografie am Fellhorn - verzaubert im zarten Morgenlicht - Heutiger Workshopbesuch: Tierfotografie - den Eichhörnchen ganz nah - Das heutige Bühnenprogramm: Uifach so- Live & Open Air - Das heutige Bühnenprogramm: Frank Fischer mit - Neufis Print-Erlebnis am Hahnemühle Print Cart - Heutiger Workshopbesuch: Die Kalibrierung des Monitors - die Basis einer jeden Bildbearbeitung - Das erwartet euch am Sonntag - Die Workshops - Das Rahmenprogramm vom Sonntag -- Das Frühschoppenkonzert der Musikkapelle Oberstdorf -- Der Familiennachmittag im Kurpark -- Auftritt der Jugendtrachtengruppen des Trachtenvereins Oberstdorf -- Die Magische Seifenblasenshow für die ganze Familie -- "Abenteuer Vulkan" - Kindervortrag von Ulla Lohmann -- Die Magischen Seifenblasen - Reload! -- Double Drums - Live & Open Air -- Die Finissage des 12. Fotogipfel Oberstdorf in der Villa Jauß - Die Canon Aktionen - Das Hahnemühle Print Cart - Verleih- und Testcenter für Ferngläser von Leica auf dem Nebelhorn - Sigma und Tamron erwarten euch im CEWE Haus der Fotografie - Der CEWE Showtruck - Kommt vorbei und erlebt den Fotogipfel Oberstdorf!

Themen: - Begrüßung - Die Fotogipfel-Pressekonferenz zur Ausstellung von Ulla Lohmann "Feuer der Erde" - Die Podiumsdiskussion mit Schwerpunkt KI und deren rechtlichen Rahmenbedingungen - Der Gipfelwalk mit Ulla Lohmann - Das Print-Cart von Hahnemühle auf 1932m - Workshopbesuch bei Herrmann Will: "Mach ein Meisterfoto aus deinem Bild" - Workshop von Eric Scheuermann "Die Magie der kleinen Dinge" - Workshop von Eberhard Schuy: "Fotografie on Location - Arbeiten mit Effekten - Die Workshops für morgen, Freitag den 21.06.2024 - Das Bühnenprogramm - Musik auf der Open Air Bühne im Kurpark: Ben Stone Live & Open Air - Vortrag von Thomas Pöhler: "Die Kraft der seriellen Fotografie" - Der legendäre CEWE-Abend - Aufruf zur Teilnahme am Fotoworkshop auf dem Fotogipfel Oberstdorf mit Rabattcode - Weitere Angebote der Fotogipfel-Partner

Themen: - Start - Begrüßung - wir sind in Oberstdorf! - Die heutigen Workshops - Erstes Public Viewing und feierliche Eröffnung am Abend - Was erwartet euch am Donnerstag? - Musikalische Kultur im Kurpark: De nada - live - Die Ausstellungseröffnung von Ulla Lohmann mit anschließendem Gipfelwalk auf dem Nebelhorn - Vortrag von Alexander Cartellieri, Hahnemühle zu Vortrag 440 Jahre FineArt Papiere - Kulturhistorische Bedeutung - Die Ulla Lohmann Community ULF präsentiert: "Leben“ - Ausstellungsführung „Time Travellers“ von und mit Petra Gerwers - Signierstunde mit Ulla Lohmann - „Vulkanmenschen - ein Leben am Limit“ - der Vortrag von Ulla Lohmann - Der Fotogipfel in Oberstdorf - kommt vorbei! - Fragen an Alexander Hassenstein - heute von Tobias - Und Tschüss...

Themen: - Begrüßung - Der Einstieg in den Nachklapp - Feedback von Kai - Anreise und Ankommen - Beginn der Fototage - Goodiebags von Hahnemühle - Voucher von XPOZER - Druckgelegenheit mit dem Canon imagePROGRAF PRO-2600 - Papierausstattung von Hahnemühle - Danke an alle Unterstüzer - Der offizielle Start der Fürstenecker Fototage - Die ersten zwei Tage - Vortrag "Fake in der Fotografie" von Michael Ebert - Der dritte Tag beginnt mit Makro-Fotografie - Keine Katastrophen? - Alles super! - Präsentation der Bilder - Die GewinnerInnen wurden gekührt - Und dann kam das Ende der Fototage - O-Ton Alex Hagmann - Feedback einiger TeilnehmerInnen und Dozenten - Fragen zur EM an Alexander Hassenstein - Und Tschüss...

Themen: - Begrüßung - Der Fotogipfel Obertsdorf - was ist das und was erwartet die Besucher? - Der Fotogipfel Oberstdorf - Feuer der Erde - die Ausstellung der Schirmfrau Ulla Lohmann auf dem Nebelhorn Gipfel - weitere Ausstellungen & Workshops - Leben und den Fotogipfel erleben - „Abenteuer Vulkan“: Reise zum Mittelpunkt der Erde - Kindervortrag von Ulla Lohmann - Ulla Lohmann beim Fotogipfel Oberstdorf 2024 - Aufruf von Ulla Lohmann die die fotopodcast.de-Community - Vulkanmenschen ein Leben am Limit - der Vortrag von Ulla Lohmann - ULF - die Ulla Lohmann Community auf der Parkbühne - Ein jeder ist zum Fotogipfel willkommen! - An wen richtet sich das Angebot? - Das Rahmenprogramm 2024 - Feuer der Erde - Ausstellungseröffnung von Ulla Lohmann - Travellers - Exklusive Ausstellungführungsführung mit Petra Gewers - Die Kraft der seriellen Fotografie - Vortrag von Thomas Pöhler - Der CEWE-Abend - Fotoexperten-Talk mit Frank Fischer, Sarah Ziegler und David Lohmüller - Tipps und Eindrücke vom Profi - Vorträge von Frank Fischer - Terra - Gesichter der Erde - Vortrag am Samstagabend von Michael Martin - Die zünftige Fotogipfel Afterparty - Evangelischer Gottesdienst zum Thema "Leben" - Oberstdorf lebt den Fotogipfel - Frühschoppenkonzert der Musikkapelle Oberstdorf - Der Familiennachmittag am Sonntag - „Abenteuer Vulkan“: Reise zum Mittelpunkt der Erde - Kindervortrag von Ulla Lohmann - Finnisage in der Villa Jauss - Empfehlung eigene Bilder auf Hahnemühle Papier drucken zu lassen! - Ergänzung zum Vortrag: Die Kraft der seriellen Fotografie - Impulsvortrag zur Kalibrierung des Monitors - die Basis einer jeden Bildbearbeitung - Die Fußball-Europameisterschaft 2024 - Public Viewing - Fotogipfel Oberstdorf - kommt vorbei! - Ein Dankeschön an das Orga-Team! - Das neue Fotogipfel Logo - wie gefällt es euch? - In Oberstdorf wird Gastfreundschaft groß geschrieben - Ulla Lohmann erleben! - Verabschiedung

Themen: - Begrüßung - Was ist die Drupa? - So begann es für uns... - Interview mit Alexander Cartellieri von Hahnemühle FineArt - Unser Besuch bei Canon - Der Talk mit Klaus Terhat, Sales Development Professional LFP / Canon - Der Software-Tip von Canon: Professional Print & Layout - Vielen Dank für die tolle Unterstützung! - HP - unübersehbar! - Fazit zur Drupa 2024 - Und Tschüss...

In Platemark s3e45, host Ann Shafer talks with Bob Schneider, who is best known for his music but is a serious artist as well. You may know some of his best-loved songs like 40 Dogs (Like Romeo and Juliet), Honeypot, Deep Blue Sea, and Peaches, but you will be delighted to learn about his print output. These are gorgeous etchings primarily made with Katherine Brimberry at Flatbed Press in Bob's hometown, Austin, TX.  In the episode, Bob and Ann talk about all sorts of things including anxiety, AI, and creativity. Their discussion about creativity is fascinating: he's a surrealist at heart and subscribes to the idea that images emerge unbidden from his subconscious. In fact, he believes he is just cultivating things that are already there. Numerous etchings by the artist are online at flatbedpress.com. As you look through them online, you can guess which one is in Ann's collection. His digital compositions, collages, and paintings are available at Yard Dog Gallery.  Bob plays a lot of live shows in Texas, including weekly Monday nights sets at Saxon Pub in Austin. He plays select shows in other places; check his website for tour dates near you. He's a consummate performer and is worth seeking out.  USEFUL LINKS Bob's website bobschneider.com YouTube Music music.youtube.com/channel/UCfzxdvRc4RzUyYeQiIyHASQ Spotify open.spotify.com/artist/4YOxTnmYogOpUPxrNTacvQ Facebook facebook.com/bobschneidermusic Instagram instagram.com/bob_schneider_music X (Twitter) twitter.com/Bob_Schneider FRUNK bobschneidermusic.bandcamp.com Merch bobschneider.myshopify.com   Bob Schneider (American, born 1965). The Night Way, 2008–17. Etching. Plate: 29 x 22 ¼ in.; sheet: 45 x 34 ¾ in. Published by Flatbed Press, Austin. Bob Schneider (American, born 1965). Atama, 2008. Etching. Plate: 26 7/8 x 24 3/8 in.; sheet: 43 ¾ x 34 ¾ in. Published by Flatbed Press, Austin. Bob Schneider (American, born 1965). Lucretia, 2000. Etching. Plate: 18 x 24 in.; sheet: 22 x 30 in. Published by Flatbed Press, Austin. Bob Schneider (American, born 1965). Woman, 2000. Etching and aquatint. Plate: 42 ½ x 30 in. Published by Flatbed Press, Austin. Bob Schneider (American, born 1965) and Justin Barker (American, born 1979). Illustration for Bob's graphic novel, FAYM. Bob Schneider (American, born 1965) and Justin Barker (American, born 1979). Illustration for Bob's graphic novel, FAYM. Bob Schneider and Justin Barker at Saxon Pub, Austin, November 2023. Bob Schneider (American, born 1965). We're Never Really Sure if the Life We Live Here Belongs to Us. Digital print on Hahnemühle 100% cotton photo rag fine art paper. 21 x 15 ¾ in. Yard Dog Gallery, Austin. Bob Schneider (American, born 1965). Abe II. Digital print on Hahnemühle 100% cotton photo rag fine art paper. 21 x 15 ¾ in. Yard Dog Gallery, Austin. Bob Schneider (American, born 1965). Who Isn't Born Again Into Heaven. Oil on canvas. 20 x 16 in. Yard Dog Gallery, Austin.   Bob Schneider (American, born 1965). Each Moment is a Place You've Never Been. Oil on canvas. 20 x 16 in. Yard Dog Gallery, Austin.  Digital art by AI and Bob Schneider for FRUNK, recordings of each of Bob's performances. Bob Schneider and Clint Wells's podcast I'm OK, you're OK; I'm not OK, you're not OK. Bob Schneider prints spread out at Flatbed Press, Austin.    

In this week's episode of Platemark (s3e38), host Ann Shafer talks with Jillian Ross, collaborative master printer and publisher with an eponymous imprint, Jillian Ross Print, in Saskatoon, Saskatchewan, Canada.   Ross returned to her native Saskatoon after many years in Johannesburg, South Africa, where she was the master printer at the David Krut Workshop (DKW) from 2003 to 2020.  There, she worked with over 100 South African and international artists, most notably William Kentridge. Ross and partner Brendan Copestake founded Jillian Ross Print in 2021 in Saskatoon, where they continue working on collaborative projects in South Africa as well as developing new relationships abroad.   Ross has collaborated with William Kentridge since 2006 on major, complicated, and multi-part print projects, including the Triumphs and Laments Woodcuts (2016–21), The Universal Archive (2011–15), The Noses (2006–10) at DKW, and the recently released Studio Life Gravures (2020–22) from Jillian Ross Print (co-published with DKW). Her collaboration with Kentridge continues.   Other recent projects include a partnerships with Latitudes Online, South African artists Cinthia Sifa Mulanga and Puleng Mongale, and the technical team at The University of Alberta in Canada. Ross recently realized an exhibition, William Kentridge: The Colander, at Griffin Art Projects in Vancouver, BC, with curator Lisa Baldissera, the Kentridge Studio, and David Krut Projects in Johannesburg.   Throughout her work, particularly in the publicly accessible open-studio format of DKW at Arts on Main in Johannesburg, Ross has promoted and enhanced artist, collector, and public knowledge of printmaking through mentorship, educational workshops, and knowledge sharing.   Episode image: Lucy MacGarry   USEFUL LINKS https://www.jillianrossprint.com https://www.instagram.com/jillianrossprint_/ https://www.facebook.com/jillian.ross.520 https://www.linkedin.com/in/jillianrossprint https://www.griffinartprojects.ca/exhibitions/william-kentridge-the-colander https://latitudes.online/artworks.html https://latitudesartfair.com/about-the-event/ https://remaimodern.org/about/remai-modern-museum/   Jillian Ross working on William Kentridge's photogravure plates at the University of Alberta, Edmonton. Jillian Ross (on ladder) working on William Kentridge prints at David Krut Workshop, Johannesburg, South Africa. William Kentridge looks at a print with (from l-r) Brendan Copestake, David Krut, Jillian Ross, Roxy Kaczmarek, and Kim-Lee Loggenberg. Jillian Ross (right) inspecting proofs with (from l-r) Sarah Judge, David Krut, and William Kentridge at David Krut Workshop, Johannesburg, South Africa. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with Arakaji Natural Gampi and White Gampi MM20 chine collé on Hahnemühle Natural White 300gsm paper. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Universal Archive: Big Tree, 2012. Linoleum cut on 15 sheets of Encyclopedia Britannica pages. Sheet: 82 x 90 cm. (32 ¼ x 35 3/8 in.); image: 77 x 72.4 cm. (30 3/8 x 28 ½ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Nose: #25, 2009. Drypoint, etching, and liftground aquatint. Plate: 35 x 14.9 cm. (13 ¾ x 6 in.); sheet: 40 x 35 cm. (15 ¾ x 13 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Jillian Ross creating assembly instructions, charts, and maps for Kentridge's Triumphs and Laments, 2018–19. Jillian Ross working on the complicated print Triumphs and Laments: Refugees, 2018–19, by William Kentridge. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Mantegna, 2016–17. Relief printed from 13 woodblocks and 1 linoleum cut on Somerset Velvet Soft White 300 gsm. Overall: 76 ¾ x 78 3/8 (195 x 199 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021. William Kentridge and DKW printer Kim-Lee Loggenberg. A scene from William Kentridge's Self-Portrait as a Coffee Pot. Giorgio Morandi (Italian, 1890–1964). Grande natura morta con la caffettiera (Large Still Life with Coffeepot), 1933, printed later. Etching. Plate: 11 11/16 x 15 3/8 in. (29.7 x 39 cm.); sheet: 15 1/16 x 20 1/8 in. (38.3 x 51.1 cm.). Published by Calcografia Nazionale, Rome. Museum of Modern Art, New York. William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published by Jillian Ross. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with chine collé. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge in studio. Components of William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published David Krut Projects, Johannesburg, South Africa. David Krut watches William Kentridge work in his studio on Eight Vessels. Installation view of William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021, featuring Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge's Triumphs and Laments, Tiber River. William Kentridge (South African, born 1955). Tree (17), 2022. Direct gravure with drypoint on gampi chine with red pencil. 563.5 x 62.9 cm. Published by David Krut Workshop and Jillian Ross Print. Cinithia Sifa Mulanga (South African, born 1997). Vulnerable, 2022. Direct gravure with photogravure on chine collé and collage. Plate: 40.5 x 30.2 cm.); sheet: 51 x 40.5 cm.). Published by David Krut Projects, Johannesburg, South Africa. Puleng Mongale signing the edition of Grounded, 2021. Photogravure with etching with color roll on surface Gampi chine collé. 48.5 x 62.5 cm. Co-published by Latitudes Online and Jillian Ross Print. William Kentridge (South African, born 1955). The Old Gods Have Retired, 2022. Photogravure with liftground aquatint, direct gravure, drypoint and chine collé with found ledger paper and hand painting. Sheet: 175 x 210 cm. Co-published by David Krut Projects and Jillian Ross Print. Jillian Ross assembling a multi-part Kentridge print. William Kentridge working on Mantegna from the Triumphs and Laments series. Latitudes Online website. Shepstone Gardens, site of the RMB Latitudes Art Fair. Johannesburg, South Africa. RMB Latitudes Art Fair. Johannesburg, South Africa. Remai Modern Museum, Saskatoon, Sasketchawan. Nick Cave (American, born 1959).  Spinner Forest, 2020. Installation view at Remai Modern, 2023. Photo: Carey Shaw. Chad Cordiero and Sbongiseni Khulu printing one of 77 elements for Kentridge's Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Robyn Penn prints in process. Lithographs on Awagami Kitkata chine collé pn Zerkall White. Each: 76 x 63.5 cm. Published by Jillian Ross Print. William Kentridge at work. William Kentridge and David Krut inspect an impression of Tree (17).

Themen: - Begrüßung - Die ersten Eindrücke der Photopia 2023 - Hahnemühle auf der Photopia 2023 - Kundenbetreuung und Atmosphäre der Photopia - Alte Papiere neu aufgelegt - Ausrichtung - Die Pro-App - Bilder erlebbar machen - Neonfarben - Die Hahnemühle Postkartenbox - Workshops in Berlin und Köln in Kooperation mit Sigma - Haus des Papiers - Verabschiedung

Themen: - Begrüßung - Vorstellung des Canon imagePROGRAF PRO-1000 - Einrichtung des Druckers - Installation von Hahnemühle ICC-Profilen und PS-Softproof - Erläuterung des PS-Hardproof - Das Drucken, die Dauer und die Qualität der Drucke - Michael Haipeter zum imagePROGRAF PRO-1000 - Die Fadenlupe, bzw. der Fadenzähler - Photopaper Pro und Platinum von Canon - Hahnemühle Papiere - Die Auswahl des richtigen Papiers - Absolute Kostenkontrolle, aber nicht ausschalten - Tintenkosten - Erfahrungen, die uns überrascht haben - Fazit zum Canon imagePROGRAF PRO-1000 - La Plaza de España, Madrid auf Hahnemühle PhotoRag Metallic - Erlebt Hahnemühle mit neuen Papieren auf der Photopia 2023 - Honig auf Hahnemühle PhotoRag metallic - Last Call zum aktuellen Gewinnspiel zum Thema "Frieden" - Ein ganz, ganz großes Dankeschön an Canon und Hahnemühle - Und Tschüss...

Themen: - Begrüßung - David DuChemin: Amputated - Frauen fotografieren Frauen - PC-Praxis: Adobe Creative Cloud für 108 € - Neue Photoshop-Version (Mai 2023) - Nikon Z8-was kann sie nun wirklich? - Spectaculum 2023 in Oberwesel - Generative Füllung in Photoshop-Beta - 5 Fragen an Eldagsen in der DOCMA - 14. Fürstenecker Fototage - Masterclass Lichtsetzung - Masterclass Storytelling von Ulla Lohmann - Drucke auf Hahnemühle Fineart - Fototage Classic - Ulrikes neue Jägerserie - Die Workshops der Fototage Classic - Gerhard Kromschröder bei den Fototagen - Weitere Workshops der Fototage - Canon ProGraf 1000 - Danke an Canon - Das Abschlussevent der Fototage - Fürstenecker Fotomarathon - Fazit: 14. Füstenecker Fototage 2023 - Photopoeths Hackademy - bei Interesse melden - Canon CPS jetzt kostenpflichtiog - Feedback von Roger Salzmann zum Fotografieren auf dem Bahnhof - Neues Fotofestival Photon Festival im Saarland - Neue Lammerhuber Fotochallenge - Mara Tröger Mar del Plastico - Generative Füllung für hohe Auflösungen - Fotobuch zu den Lofoten von Maik Herfurth - Was hast Du in den letzten 4 Wochen fotografiert? - Bilder der Hörer aus dem Slack-Channel - Der 4 Wochen-Nachzügler Michael - O-Töne der Fürstenecker Fototage - DANKE an den Shownoterheld Kai - Und Tschüss...

Themen: - Ausverkauf Canon 5D Mark IV? Angebot bei iBood - Are You Ready? - Countdown zu Nikon-Event am 10. Mai - Der deutsche Fotorat und KI – pen-and-tell - Gewinner des Sony Photo awards bekennt, dass das Bild KI generiert ist und lehnt Preis ab - Fotografieren am Bahnsteig - Neue (iPhone-)CamApp: ReeHeld - Aus dem Arbeitsalltag: Anfrage zurückgezogen zugunsten iPhone-Foto - Neues Werkzeug in Photoshop (Beta) - Interview mit Marina Cano, Angebot zu Luminar Neo über Digital Photo - Luminar Neo - Neu in Lightroom 12.3 - Neue KI-Entrauschung - Hörerfeedback/Fragen/#fragen-für-kommende-folgen - Andreas: Abstand und Bildwinkel - Oli: Welche Möglichkeiten ausser der angestaubten Model-Kartei gibt es, um TFP Models zu finden? - Oli: Bilder aus Lightroom in bestimmter Reihenfolge exportieren - Oli: Weißabgleich für Serie - Tipps und Tricks: Auffrischung Perspektiven... - Ausstellungen/Veranstaltungen - Die zweite Lammerhuber Fotochallenge - CAR ART Gallery von Rene Staud in Zusammenarbeit mit Hahnemühle - Hörertreffen in Berlin - Last-Call zum Cewe Photo Award 2023 - Last Call Fürstenecker Fototage 2023 - Was hast du in den letzten vier Wochen fotografiert? - Bilder der Hörer aus dem Slack-Channel - Und tschüss...

Nancy Janes has had a long career in innovation with HP before making the decision to have a career break and reassess her life and career.In this episode, Marcus and Nancy discuss her background, her time in print both with HP and the various innovative and global roles,  and now in her new position as UK&I MD for Hahnemühle FineArt - Paper.Subscribe to the FuturePrint podcast nowVisit the FuturePrint websiteVisit the Hahnemühle FineArt - Paper websiteConnect with Nancy Janes on LinkedInConnect with Marcus Timson on LinkedIn

Dans le GRAND DÉBAT, nous vous proposons une grande discussion avec le journaliste spécialisé, tireur et photographe Patrick Lévêque sur les papiers d'impression Fine Art. Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages du photographe Quentin Caffier; de Julien de Lagaye, Spécialiste Digital Fine Art chez Hahnemühle et de Didier Fontan du laboratoire les 3 univers de l'image. Cette émission est présentée par CANON et sa gamme ImagePrograf Pro, des imprimantes photos qui offrent des rendus parfaits sur tout type de support papier jusqu'au format A2+ pour une créativité sans limite. Ce GRAND DÉBAT est issu de l'épisode " S505 - Les papiers d'impression Fine Art " diffusé le 13 octobre 2022. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Patrick Lévêque et Quentin Caffier, Julien Lagaye, Didier Fontan, Thomas Pesquet, Aëlia Gallot, Dina Abdel Gelil Hamza, Alexandre Péribé, Michael Ingouf.

Themen: - Begrüßung - Vorstellung - Das Traditionsunternehmen Hahnemühle - Papier im Wandel der Zeit - Produkte und Zielgruppen - Produktempfehlungen für individuelle Einsatzgebiete - Das Haus des Papieres in Berlin - Ein Ausblick - Verabschiedung

Dans l'épisode S505 du podcast Faut Pas Pousser les ISO, nous recevons le le journaliste spécialisé, tireur et photographe Patrick Lévêque pour une grande émission dédiée aux papiers d'impression Fine Art. Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages du photographe Quentin Caffier; de Julien de Lagaye, Spécialiste Digital Fine Art chez Hahnemühle et de Didier Fontan du laboratoire les 3 univers de l'image. Cette émission est présentée par CANON et sa gamme ImagePrograf Pro, des imprimantes photos qui offrent des rendus parfaits sur tout type de support papier jusqu'au format A2+ pour une créativité sans limite. Dans le FLASH ACTU présenté par PHOX.FR, nous faisons un focus sur le premier bilan de l'édition 2022 du Salon de la Photo avec des témoignages de visiteurs, nous vous révélons les lauréats catégorie photo du Prix Bayeux Calvados-Normandie des Correspondants de Guerre 2022 et nous vous présentons la programmation du prochain Festival du Regard. Dans la STORY, présentée par MPB, la première plateforme mondiale d'achat, de vente et d'échange de kit photo et vidéo d'occasion, Benjamin nous partage en exclusivité un échange bonus avec l'astronaute Thomas Pesquet réalisé à l'occasion de la grande conférence "3 regards, 1 seule planète" organisée par Nikon en marge du Salon de la Photo. Découvrez également le DÉBRIEF du grand débat et le QUIZ qui fait la part belle aux questions des auditeurs. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Patrick Lévêque et Quentin Caffier, Julien Lagaye, Didier Fontan, Thomas Pesquet, Aëlia Gallot, Dina Abdel Gelil Hamza, Alexandre Péribé, Michael Ingouf.

Mike reflects on the Wild Wonder 2022 Nature Journal Conference and some art he has been working on. Mike is then joined by Maria Coryell-Martin to talk about her journey and how her job as an expeditionary artist led her to create her own company, Art Toolkit, supplying tools for nature journalers and urban sketchers worldwide. They talk about her various destinations and how we can use some of those experiences right in our own areas. Perpetual journal (Mushrooms, Buckeye leaves) Quick studies (Wood frog, Pill bug/roly poly isopod, Blue-spotted salamander) Bobcat in graphite (WIP) Juneau Icefield Research Program Thomas J. Watson Fellowship L'Anse aux Meadows Art Toolkit discount code (10% off using code MHDRAWS10 which is valid until December 31, 2022) Arches paper Canson Mi-Teintes paper Niaqornat (Greenland) blog post Norway Residency (2022) blog post Singla Creative Residency Thomas Moran (National Park Service) Emily Carr Kristin Laidre - Narwhal scientist Solastagia - Wikipedia Rosemary and Co (Art Toolkit store) Hahnemühle Toned Watercolor Book (Art Toolkit) Blue shop towels (Mike's Kit site) Pentel water brush (Mike's Kit site) Niji Flat Water Brush Captain Tom podcast (Episode 17) Aki Kurose animated story Inspiring Girls Expeditions ===== How to reach Maria Coryell-Martin ===== Expeditionary Art Art Toolkit Instagram @expeditionaryart and @arttoolkit ===== How to reach Mike Hendley ===== MikeHendley.com Instagram @Mike_Hendley Twitter @MikeHendley Mike's drawing kit Show notes at DrawingInspiration.fm ===== Support the Podcast ===== Become a patron of the show Buy Me a Paintbrush if you like the show or my work Rate and Review on Apple Podcasts Etchr Lab use the code ‘mikeh' for 10% off Share the podcast with friends and family Podcast theme music is “Acid Jazz” By Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

Join Mandi Kerr and Maren Krings on Tuesday morning's episode of Moving ^HEMP Forward. Maren is the author of the book "H is for HEMP" and a photographer and Climate Impact Storyteller from Germany. Her work is published and exhibited internationally, and she authored four photo books. For six years she documented the worldwide rediscovery of industrial hemp in 26 countries on four continents. Krings photographed over 200 projects and interviewed more than 80 industry experts to show proof of the plant's potential to mitigate the socio-ecological crisis. The encyclopedia is printed on tree-free exclusively produced hemp paper by German paper manufacturer Hahnemühle. For this morning we'll talk about: Importance of network for the development of the hemp industry. How can the book H is for HEMP be used by the hemp industry for broader educational purposes? How can hemp help to create social justice? Which are Maren's top two topics in Hemp?

Join Mandi Kerr and Maren Krings on Tuesday morning's episode of Moving ^HEMP Forward. Maren is the author of the book "H is for HEMP" and a photographer and Climate Impact Storyteller from Germany. Her work is published and exhibited internationally, and she authored four photo books. For six years she documented the worldwide rediscovery of industrial hemp in 26 countries on four continents. Krings photographed over 200 projects and interviewed more than 80 industry experts to show proof of the plant's potential to mitigate the socio-ecological crisis. The encyclopedia is printed on tree-free exclusively produced hemp paper by German paper manufacturer Hahnemühle. For this morning we'll talk about: Importance of network for the development of the hemp industry. How can the book H is for HEMP be used by the hemp industry for broader educational purposes? How can hemp help to create social justice? Which are Maren's top two topics in Hemp?

Heather's Etegami: Kunio Koike's motto: Clumsiness is no problem. Clumsy makes it better.   Hahnemühle Watercolor Cards 230gsm Cold Pressed:  Réflexions Premier Watercolor Postcard Tin from Jerry's Artarama:    CraftLit Library PDF: CraftLit Glitch Report Form: FOR FB EVENT TUES Please Register here to get the meeting link for the FREE weekly chat: FOR FB EVENT THURS Please Register here to get the meeting link for the FREE ongoing weekly chat:

Hahnemühle manufacturers unique papers for unique works of art since 1584. If you want to understand Artist Paper, Joe breaks it down for you in easy to understand language. Hahnemühle is one of the leading European paper producers. The distinguishing feature of Hahnemühle was and will be the ability to combine tradition with modern technologies. This way, paper is produced according to old recipes, passed from generation to generation, and it continues to meet the highest demands of present-day standards. If you want to understand paper, this is a must listen to podcast! To learn more about Hahnemühle click here.Art Supply InsidersClick here to subscribe & follow (and be notified of every new podcast): Subscribe & FollowPlease leave a comment (we love feedback!): CommentsSupport the show

It's not often that an artist gets to see almost a quarter of a century of their work in one space but in this episode Steve Lopes tells me what that feels like. The impressive survey exhibition 'Encountered', curated by Kon Gouriotis and now showing at the S.H.Ervin Gallery in Sydney, brings together 120 of Steve Lopes' works including over 80 paintings and drawings, sketchbooks, prints and collages. This is a must-see exhibition especially for those interested in figurative painting. In my previous interview with Steve, he expressed the view that to be successful, a painting requires a gritty element - a bit of 'poison'. When I visited the exhibition a couple of weeks ago, though, it wasn't only that grittiness that struck me but also the humanity evident in the works, not only in the figures but also in the environments they inhabit. Desolate wartime landscapes hinting at the loss of human life, a dog wandering across a suburban backlot, figures enigmatically positioned on a coastal landscape; these scenes exude an air of melancholy but often also a familiarity. Steve has exhibited in close to 40 solo shows across Australia and in London and Hong Kong. He has won the Gallipoli Art Prize, the Kings School Art Prize and has been shortlisted in many others. His work is held in the National Gallery of Australia, the Parliament House Collection, the State Library of NSW and many other public and private collections. We met at the S.H.Ervin gallery as the exhibition was being installed and we talked about a selection of works (pictured below), the story behind them as well as insights into his practice. The show continues at the S.H.Ervin Gallery until 8 May 2022 and will then travel to Orange Regional Gallery where it will run from 21 May. To hear the podcast episode click 'play' beneath the above feature photo. Time stamps for each painting 3:30 Trench Life8:25 Aurora Track12:45 Creek Bed Study16:00 Uncommon Figures27:15 Warren Ellis etching and painting29:49 Railway Club Exhibition details Survey exhibition 'Encountered', S.H Ervin Gallery, Sydney, 26 March to 8 May 2022, then touring to:Survey exhibition 'Encountered', Orange Regional Gallery, 21 May to 17 July 2022 Links Steve Lopes websiteLopes at Stella Downer Fine ArtLopes at Mitchell Fine ArtLopes at Queenscliff GalleryLopes at Penny Contemporary Talking with Painters 2019 interview with Steve Lopes Guy Warren Euan MacleodLuke Sciberras'Aesop' by Jusepe di Ribera acquired by the AGNSW 'Trench Life', 2015, oil on canvas, 130 x 180cm 'Aurora Track', 2017, 130 x 130 cm, oil on canvas 'Exposed Wood, Mont St Quentin', 2017, 140 x 160 cm, oil on canvas, Gallipoli Club CollectionWinner 2018 Gallipoli Art Prize 'Creek Bed Study', 2018, oil on canvas, 90 x 90cm 'Uncommon Figures', 2020, 152 x 153 cm, oil on canvas 'Warren Ellis', 2017, oil on canvas, 180 x 130cm 'Warren Ellis', 2017, intaglio etching on Hahnemühle paper, 70 x 50cm 'Railway Club', 2020, oil on canvas, 100 x 120cm

“Thawra ! Révolution !”Soudan, histoire d'un soulèvementà l'Église des Trinitaires,Les Rencontres de la photographie d'Arles – 52e éditiondu 4 juillet au 26 septembre 2021Interview de Juliette Agnel, co-commissaire de l'exposition,par Anne-Frédérique Fer, à Arles, le 9 juillet 2021, durée 21'51.© FranceFineArt.Communiqué de presse HOME  |  AGENDA CULTUREL  |  “THAWRA ! RÉVOLUTION !” À L'ÉGLISE DES TRINITAIRES, LES RENCONTRES DE LA PHOTOGRAPHIE D'ARLES – 52E ÉDITION, DU 4 JUILLET AU 26 SEPTEMBRE 2021 “Thawra ! Révolution !” à l'Église des Trinitaires, Les Rencontres de la photographie d'Arles – 52e édition, du 4 juillet au 26 septembre 2021Partage“Thawra ! Révolution !”Soudan, histoire d'un soulèvementà l'Église des Trinitaires,Les Rencontres de la photographie d'Arles – 52e éditiondu 4 juillet au 26 septembre 2021Les Rencontre de la photographie d'Arleséditions SolebPODCAST – Interview de Juliette Agnel, co-commissaire de l'exposition,par Anne-Frédérique Fer, à Arles, le 9 juillet 2021, durée 21'51.© FranceFineArt.Thawra ! Révolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !Thawra ! Rvolution !©Anne-Fréderique Fer,visite de l'exposition avec Juliette Agnel, le 9 juillet 2021.Couverture Soudan, année zéro,aux éditions Soleb, 2021.Ahmed Ano.Des civils escaladent d'énormes panneaux publicitaires pour crier « Liberté, paix et justice ».Sit-in, quartier général militaire, Khartoum, 19 avril 2019.Muhammad Salah.Un manifestant dont l'inscription au dos de sa chemise signifie « Un révolutionnaire de Kalakla, que la dictature tombe ! » ; il se tient sur la ligne ferroviaire centrale de Khartoum qui faisait partie de la zone de sit-in du QG de l'armée. Khartoum,Soudan, 13 avril 2019.Extrait du communiqué de presse :Commissaire de l'exposition :Juliette Agnel et Duha Mohammed.Avec Ahmed Ano (1993), Suha Barakat (1986), Saad Eltinay (1995), Eythar Gubara (1988), Metche Jaafar (1998), Hind Meddeb (1978), Duha Mohammed (1993), Ula Osman (1998), Muhammad Salah (1993)Après trente ans de dictature religieuse et militaire et des années de guerre civile, le 11 avril 2019, les Soudanais ont entraîné la chute d'Omar el-Bechir, l'homme qui leur avait imposé un règne sans partage depuis son coup d'État en 1989. Le soulèvement populaire soudanais débute en décembre 2018. Malgré le risque de se faire arrêter et torturer par la police politique du régime, pendant cinq mois, les Soudanais descendent par milliers dans la rue. Portée par le désir de documenter la résistance et la répression, une nouvelle génération de photographes se distingue. Ils ont entre 19 et 30 ans, diffusent leurs images sur les réseaux sociaux, et sont à la fois acteurs et observateurs de ce moment historique. L'exposition montre le travail de huit photographes issus de cette scène émergente, et celui de la cinéaste Hind Meddeb qui a documenté les étapes de cette transition fragile, aux côtés d'une jeunesse prête à défier les forces militaires et religieuses.Publication : Soudan, année zéro, aux éditions Soleb, 2021.https://www.soleb.com/livres/soudan-annee-zero/index.htmlExposition présentée dans le cadre de la Saison Africa2020, avec le soutien de son Comité des mécènes. Avec le soutien de l'Institut français régional du Soudan, Hahnemühle FineArt et VII Académie.Eythar Gubara, Metche Jaafar et Duha Mohammed sont nommées dans le cadre du Prix de la Photo Madame Figaro 2021. À l'unanimité par le jury, Eythar Gubara a été nommée 5ème lauréate du Prix de la Photo Madame Figaro.https://madame.lefigaro.fr/celebrites/eythar-gubara-laureate-du-5e-prix-de-la-photo-madame-figaro-arles-090721-197378 Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Welcome to the MUSEA Podcast! This is episode #72 featuring Veronica Cotter who is the Education Developer and Western Region Manager for Hahnemühle USA. This episode is for the print lovers out there. We talk about the history of Hahnemühle, why their print products are some of the best in the world, and the importance of printing your work.

Hannes Norberg. Freier Künstler aus Düsseldorf. Hannes Norberg wurde 1969 in Worms geboren, lebt und arbeitet in Düsseldorf. Er studierte an der Kunstakademie Düsseldorf bei Christian Megert und Gerhard Merz. Seine Arbeiten sind eigens für die Kamera im Studio konstruierte architektonische Modelle und Landschaften. Er hatte zahlreiche Ausstellungen und Arbeitsstipendien für Paris, New York, Florenz, Xiamen, São Paulo und Seoul. 2002 erhielt er für seine Arbeit den Villa Romana-Preis. Seit 2008 lehrt er künstlerische Fotografie an diversen Hochschulen, aktuell am Institut für Kunst und Kunsttheorie an der Universität zu Köln. www.hannesnorberg.de https://neuefotografie.com/ Gemeinsam mit Thyra Schmidt betreibt er die Plattform https://neuefotografie.com/ – ein Forum zu aktuellen Diskursen über das Medium Fotografie im Bereich der bildenden Kunst. Gäste waren bereits u.a. Juergen Staack (Fotografie Neu Denken Episode #009) und Berit Schneidereit (Fotografie Neu Denken Episode #015). Halbjährlich zu wechselnden Themen oder in Form von Einzelunterricht betreuen sie individuelle fotografische Projekte auf Grundlage einer künstlerischen Bildbesprechung und Vermittlung kunstgeschichtlicher medienübergreifender Zusammenhänge. Und sie laden Künstlerinnen und Künstler zu Gastbeiträgen auf der Website https://neuefotografie.com/ oder zur persönlichen Begegnung im Rahmen ihres Buchsalons ein. Thyra Schmidt studierte an der Hochschule für Bildende Künste Braunschweig bei Dörte Eißfeldt und an der Kunstakademie Düsseldorf bei Thomas Ruff. Ausgehend von einer fotografischen Sichtweise konzipiert sie medienübergreifende Arbeiten und Installationen für Innen- und Außenräume. Die Basis bilden selbstverfasste Texte, welche als bild- und raumerzeugende Elemente in Kombination mit fotografischen und filmischen Techniken in unterschiedlichen Formen umgesetzt werden. Ihre Arbeiten werden in Ausstellungen im In- und Ausland präsentiert. Sie erhielt zahlreiche Stipendien, darunter ein Arbeitsstipendium der Stiftung Kunstfonds. Des Weiteren ist sie kollaborativ in diversen Ausstellungs- und Publikationsprojekten tätig. Zuletzt lehrte sie künstlerische Fotografie am Institut für Kunst und Kunsttheorie an der Universität zu Köln. Aktuelle Informationen und den Newsletter unter: https://neuefotografie.com/ oder folgen auf Facebook und Instagram. Erwähnte Personen: Thyra Schmidt http://thyraschmidt.de/ Bernd Becher https://de.wikipedia.org/wiki/Bernd_und_Hilla_Becher Soeben erschienen: »Hannes Norberg / 27«, Künstlerbuch, DCV, Berlin, 2020 https://dcv-books.com/produkt/hannes-norberg-27/ Klappenbroschur, 23x25 cm, 72 Seiten, 30 s-w Abbildungen, Text deutsch/englisch, ISBN 978-3-96912-000-2 Erhältlich im Buchhandel, beim Verlag oder bei Hannes Norberg. €28,- inklusive Versand & MwSt. Zum Buch erscheint eine Vorzugsausgabe als Edition von 50 nummerierten und signierten Exemplaren, Archival Pigment Print auf Hahnemühle Papier, 14x15cm, 2020. Zusammen mit signiertem, nummeriertem und gestempeltem Buch, €85,- inklusive Versand & MwSt. Bei Interesse bitte bei Hannes Norberg melden unter: https://www.hannesnorberg.de/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Privat Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020. Der Initiator ist Andy Scholz, Jahrgang 1971, geboren in Varel am Jadebusen. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Fotografie in Essen an der Folkwang Universität der Künste (ehemals Gesamthochschule Duisburg-Essen) u.a. bei Jörg Sasse und Bernhard Prinz. Andy Scholz ist freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 hatte er verschiedene Lehraufträge u.a. Universität Regensburg, Fachhochschule Würzbu

Cette semaine nous allons nous intéresser au tirage fine art, une activité qui est souvent l'aboutissement d'une démarche photographique. C'est pour certains un métier exercé dans des laboratoires professionnels et pour d'autre un complément d'activité. Nous allons découvrir les différents enjeux et étapes qui interviennent dans la préparation et la réalisation d'un tirage d'art d'une photographie. Nous accueillons aux micros le photographe, galeriste et tireur Patrick Blin de la galerie Blin plus Blin et le photographe Philippe Haumesser. Ils seront accompagnés du photographe et journaliste spécialisé Patrick Lévêque et du "digital fine art specialist" Julien Lagaye de Hahnemülhe France. Parallèlement à ce grand débat nous ferons également un point commenté sur les dernières actualités avec les annonces de la dernière caméra professionnelles de Sony et des optiques pour hybrides Tokina et Voigtländer. Enfin nous déouvrirons l'offre de beaux livres dédicacés de la libraire La Comète.  Benjamin nous fera découvrir les derniers ouvrages de la collection Photo Poche et le changement de mentalité avec la mise en avant de plus de femmes photographes. Le Flash Actu est présenté par Phox.fr, le nouveau site des spécialistes de l'image. Merci également à Nikon de soutenir l'émission.

Welcome to the wonderful (and slightly alternative) world of Danish photographer Lars Daniel.Lars Daniel is always joyfully reasserting and contradicting initial responses to his photography, and this conversation is no different.As a conceptual photographer, Lars Daniel sees the human form and the environment in which they exist in his images as otherworldly, dreamlike and somewhat removed from reality.  All literal meaning is therefore lost and any alternative view is open to be experienced. The BIG SLEEP series, Cultural Baggage II and Freedom & Happiness are all images which intrigue and require contemplation.You can view Lars Daniel's and current installation at HANSA Malmö on the second floor as part of are HANSA LOVES ART concept until the end of November 2020.All prints are available in a limited edition of  10 + 1 AP printed on matte Hahnemühle paper, mounted & framed in handcrafted, dark solid smoked oak frames and available to view and purchase online.  Contact the gallery for complimentary international shipping.

The UK Sub's Charlie Harper is a creative guy and just can't stop the flow. When he's not touring the world with one of the most iconic punk rock bands in history he's raising money for charity by...well...painting...errr...cats!    Now, many people may not think of cats as very punk but, let's be honest, anyone who has owned or come into contact with a cat will know that nothing has more 'attitude' than those little feline creatures. And here, at CATtales, we love them...how could we not?   So, when Charlie put his artistic talents into producing a cat painting especially for us, we were holding onto our tails with anticipation! And the result was a stunning, fun, piece of art that truly captures the spirit of CATtales and is as unique as the show itself.   Now, you can WIN your very own unframed A4, fine art print of Charlie’s cat! The print will be produced using a professional Giclée process within a rigorously colour-managed environment on Hahnemühle Photo Matte paper, which has an archival figure of over 200 years – so you can be sure it will always look as fabulous as the day it was painted.   For details about the ts&cs and how to enter the draw, head over to cattales.co.uk/win, follow the links and Charlie’s cat print could be yours! Good luck!   #win

On this episode of Optics, Paula Tognarelli, Executive Director and Curator at the Griffin Museum of Photography interviews Rick Wright. Rick is a Philadelphia based fine artist, architectural photographer and instructor. He is showing the series "Vessels of the Late Petroleum Age" which features 27 digital photographs printed with tri-tone pigment ink on Hahnemühle Bamboo paper. The exhibition will be on display at the Griffin Gallery at WinCAM from January 18th - April 16th with a reception held on March 19th which is free and open to the public.

Our offices are just a few blocks from the convention center where the annual PhotoPlus Expo is held, and each year we wander over with our portable recorders to chat with the exhibitors whose new gear catches our eye. We approach large vendors and small and try to give our listeners a peek into the “the largest photography and imaging event in North America.” This year, we spoke with representatives from Sky-Watcher regarding this company’s motorized astro-photography mounts; Chimera about its new lighting products; and Orangemonkie about its portable lightbox studios. We also chatted with a rep from Fujifilm about the new X-Pro3 Mirrorless camera; with folk from Hahnemühle, the oldest active paper mill in Germany, and their new natural line of inkjet papers; with a representative from Viltrox, about their new lenses and adapters; and finally, with Allesandro Gibellini, the founder of Gibellini cameras and its beautiful large format cameras.   After a short break, we are joined by the two winners of our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes. This sweepstakes concluded in August, but we wanted the winners to have time to experiment with their new cameras and lenses before we requested feedback from them on how they like the gear and how it might effect their photography. We are joined by Joseph Lockwood, of Baton Rouge, Louisiana, winner of the Panasonic Lumix DC-S1 Mirrorless Digital Camera with 24-105mm lens; and then by Roger Longenbach, winner of the Panasonic LUMIX DC-G95 Mirrorless Camera with 12-60mm lens. Join us for this very informative episode. Guests: Joseph Lockwood and Roger Longenbach Photograph © John Harris

Today’s topic is printers. This is something that’s very interesting to me because I love printing. I love it so much I made an online course about it to help you get going quickly with creating fine prints.  I recently finished an in-person class on printing and the student was just all smiles. She couldn’t believe the creative doors that had been opened because she learned to print. She was very timid going into it and almost afraid to make it happen. But by following my process and taking things one step at a time she quickly gained the confidence she needed to wrestle those various printer settings and controls to do what she wanted them to do and she made some excellent prints.  If you want to add more “wow” to your photography I encourage you to learn to print fine gallery-quality images. Whether you do it on your own printer or if you use an online lab, it’s a valuable process to go through. Speaking of online labs, as I record this I’m in the middle of adding my bonus feature to the online course where I order from at least six different online labs. I walk you through the entire ordering process and do a print analysis at the end comparing the different print labs. I’ll turn this into a future episode of the podcast as well. Alright, on with the show, selecting a printer. In this episode I’m going to assume you’re buying a printer for the first time. I’m also going to assume you want to have maximum control and freedom of paper to put into your printer. Towards the end I’ll look at large format or grand format printers. Where to begin For me, the end result is all about the image on paper. The machine you use to make that happen is just an intermediary device. Your image is key, I can help you there, but not in this episode, and the paper is key. But even with paper, where to begin? There’s so many options available. It can get quite frustrating to tackle this daunting task of deciding which paper to go on. The reason I suggest you start here is so you can easily identify which printer you “Shouldn’t” be buying. Your end goal is to create fine gallery-quality images. And we’ll get there, but we need to also start there at least for a few moments so all the other decisions we have to make are the right ones that will help us achieve that end goal. Recommendations on paper manufacturers I really like Canson Infinity papers. There’s also Moab Papers and Hahnemühle. I just went for it and jumped to the finest quality papers on the planet. This may seem strange since this is not going to be your starting point when you make your first print. This is about understanding where you want to be with your print making once you have all the skills. There are literally hundreds of different paper types to choose from between just these manufacturers, and I’ve only mentioned three manufacturers.  The first thing to do on these manufacturers websites is to simply read about the different types of digital papers they offer. Much of it won’t make any sense to you. That’s OK. Please do however look for some keywords that do interest you. Maybe it’s something like the word texture, or smooth, or warm tone. Anything like that. Just get a basic feel for it. Once you’ve looked at a few items to see if there’s anything that interests you, it’s time to look at their ICC profile downloads. This is THE reason I had you come to the paper manufacturers first. The ICC profile is a little tidbit of information that’s needed so the printer puts down the proper amount of ink on that specific paper it’s made for in order to get accurate color. It’s possible to make your own Profile, and I cover that in my online course, but that’s not usually something people want to get into, and that’s totally fine, no need to worry about that at this time. You’re probably already feeling overwhelmed with all the paper options. ICC Profile, so what? The whole purpose here is to simply verify that the paper manufacturer supports the printer you have, or the printer you want to buy. At this point you don’t know which printer you want to buy, but if it’s in this list, it’s going to have a thumbs up from me. If the printer isn’t in this list then you can’t control the color coming out of it very easily and printing will be a continual act of frustration for you since you won’t be able to get consistent results. So take a look at these profile pages, see the many, many options of printers that are supported and revisit these pages once you start looking at specific printer models. If the printer model you’re interested in buying isn’t supported by the paper manufacturers, then don’t buy it. A few thoughts on that, just to clarify further because photography is one of those lovely fields where someone can make a blanket statement and then instantly he can be proven wrong for that statement given certain circumstances. And printing is certainly one of them. In this case, the only caveats to this rule is if the printer manufacturer provides profiles for various papers or if you have your own calibration device and you want to make your own profiles. Those devices are expensive so I’m assuming in this episode you won’t want to make your own profiles. Printer specifications, what to look for Let’s talk about the printing hardware for a bit now and what to look for in deciding upon a printer. For the most part, to be on the ICC profile list of a paper manufacturer, your printer will have to be classified as a “photo” printer or some such by the printer manufacturer. Also, very few letter-sized printers are supported by the paper manufacturers too. So, I recommend looking at the 13×19 print size printers to start out with. They are capable of printing amazingly good quality photographs straight out of the box, but with proper training you can do so much more. If you want to go with a 17” wide printer that’s awesome. And there’s other models that are 24” 44” and even 64 inches wide. Those would be some amazingly large prints. If you’re doing canvas or something like that the larger formats make sense. But let’s get back to reality. In the range of 13×19 printers, there’s not a whole lot of selection. And those of you that are HP fans I’m going to disappoint. I don’t have any experience with HP printers. In the photo printing field they just haven’t achieved anything notable in the market share side of things, and I just don’t have experience with them. I do have experience with Canon and Epson printers, so I’ll focus on these two printer brands. If you go to Epson’s website and click on the “photo printers for home” link you’ll get a selection of seven printers at the time of this recording in late June 2019.  https://epson.com/For-Home/Printers/Photo/c/h120 The first four printers are the smaller format models and are not supported by Moab paper at least. If you click the “photo printers for work” link you’ll only be shown the four models that we’re interested in. https://epson.com/For-Work/Printers/Photo/c/w120 These are the XP-15000, P400, P600 and P800 with the P800 being 17” wide. All of these printers are supported by Moab paper with ICC profiles, and I would assume the other paper manufactures have them covered as well. Let’s take a look at Canon. Their models were a bit tougher to filter out online, so I’ve included a link here:  https://www.usa.canon.com/internet/portal/us/home/products/list/professional-large-format-printers/professional-inkjet-printers/professional-inkjet-printers The two we’re interested in from Canon are the Pixma Pro-100 and the Pixma Pro-10. They also have the Pro-1000 but that’s a 17” wide printer. Epson Ink Sets Let’s start with Epson again. The XP-15000 uses a six-color Claria Photo HD inkset “with all-new Red and Gray” inks. The Claria ink is a dye-based inkset. More on Dye vs. Pigment inks in a moment. Epson doesn’t readily disclose the size of the ink cartridges but they are about $11 each. In looking at the website for this printer, Epson seems to be targeting this printer at the home crafter. It’s geared towards higher production with the large paper tray in front and a rear paper feed. The P400 uses and 8-color Epson UltraChrome HD ink. They are 14ml each and cost about $18. The P600 uses a 9-color Epson UltraChrome HD inkset. They are 25.9ml per cartridge and they cost about $32 each.  The P800, while a larger printer, uses the same 9-color inks, but they are in larger cartridges at 80ml and they cost about $63 each. That’s a huge cost for replacing the ink, but they are available individually. You won’t have to replace all inks at the same time. By far, the P800 will be the cheapest printer to operate and would be worth the extra investment if you’re going to print a lot. At just over a $1/ml of ink, the P600 strikes a nice balance in ink cost vs. printer cost. I should mention the Epson UltraChrome inks are a pigment inkset. Canon Ink Sets The Pixma Pro-100 uses the Canon ChromaLife 100 inks. It’s comprised of eight individual inks and each cartridge is about 14ml. At $17 each it’s not cheap, but about a $1 cheaper than the Epson counterparts. There’s a black and two gray inks in this set which is nice for making B&W prints. The Canon print driver has an option to do true B&W prints which can be nice since it will only use these Black and grey inks. The Pixma Pro-10 and the Pro-1000 are pigment based inks. The Pro-1000 model uses 11 inks plus a chroma optimizer and they are 80ml for about $55. The Pro-10 uses 9 inks with a chroma optimizer. This chroma optimizer is said to “reduce bronzing” and to provide an even ink height which helps reduce surface reflection. This bronzing effect is most noticeable with large sections of black ink. When you hold the print at an angle and you move it back and forth in the light you might notice a secondary color that is present, this is the bronzing they’re talking about. It’s also known as metamerism. It’s not usually a problem, but these pigment inks will have two different blacks, one for matte papers and another for glossy papers. Pigment vs. Dye inks The “more affordable” printers use the dye-based inks. And those inks are cheaper to purchase as well, so you might ask, why the difference? The reason is longevity of the print. Printer manufacturers have come a long way in their dye-based systems. It’s quite impressive. It used to be that if you wanted longevity you went with a pigment-based ink, and if you wanted a wider color gamut you went with a dye-based ink set. Today, it almost doesn’t matter. However, for me, I still prefer the pigment-based inks. The color these printers are capable of producing are very near that of our high-quality monitors so that’s no longer the limiting factor.  I suppose we should get into the specific differences between the two types of inks. Dye inks are those where the colorant is dissolved into the liquid carrier. When it’s squirted onto the paper it’s more fully absorbed into the special coating that’s applied to photo papers. For a pigment ink system, the colorant is a ground up substance that is suspended in the liquid carrier. When the ink dries it’s more likely to have less absorption due to the nature of the colorant, and that’s also why it’s possible to get the bronzing effect with pigment-based printers. But I’d like to stress, this is 2019 and this hasn’t been a serious issue for at least 10 years. Probably more. I’ve been printing for about 13 years now and this just isn’t an issue anymore. If you want more information on ink longevity, check out Wilhelm Research. Their website needs some help in the design, but they have excellent guidance when it comes to understanding ink sets and their longevity. http://wilhelm-research.com Printer resolution Does resolution really matter? Canon advertises 4800×2400 dots per inch for the Pixma Pro-10 and 100 models and 2400×1200 for the Pixma Pro-1000. Epson Lists their droplet size as small as 1.5 picoleters. The XP-15000, P400 and P600 have a resolution of 5760×1440. The P800 has a 2880×1440 resolution. For simplification of discussion let’s focus on each manufacturers lower number. For Canon 13×19 printers that’s 2400 dots per inch. For Epson it’s 1440 dots per inch. And for the Canon 17” wide machine it’s 1200 dots per inch. Does this even matter? For the most part I say no. Each of these are very high and will produce very fine photo quality results. Quite frankly the only reason I find this to be of any interest is that I like to set my image resolution in Photoshop to an even multiplier of these lower numbers. So for a 2400 dpi printer, I set my resolution to either 300 ppi, 240 ppi or 200 ppi, depending on the level of detail I need out of the print or the physical size I’m making the print (these two notions go hand in hand). For the Epson, it’s either 360 ppi, 240 ppi or 180 ppi. Do you notice a common number in there? 240 works for each model. Maybe that’s why the default resolution when bringing an image from LR into PS is 240 ppi? I’ve not talked with anyone at Adobe, but it seems it would make sense. I like to have this even multiplier of ppi to dpi just to make translating the image from PS to the printer easier on the print driver. I get pretty picky when it comes to my sharpening settings and I don’t want any surprises. Standardizing my printing resolutions will help me do that. More on Ink Sets, why all the different colors… Epson and Canon have formulated these ink sets to deliver excellent quality. The primaries in the printing world are Cyan, Magenta and Yellow. Black has to be added so we have good contrast. Beyond that the most popular expansion inks are going to be called Photo Cyan, Photo Magenta, Gray, Light Gray (Light Black or Light Light Black for Epson) and then we have an assortment of other inks such as green, orange and red. By including these other inks, the ones beyond the CMYK colors, the manufacturers are more easily able to get their printer to reproduce all the colors in the sRGB or Adobe RGB color spaces (or models). These are the two color spaces we’re most interested in with our printing. So is one better than the other? In short, yes. More color options does give you the opportunity to print more colors and you’ll be able to have, theoretically speaking anyway, a better chance at having accurate colors being reproduced. With that said, my Epson printer at work has a Green and an Orange ink. And they hardly ever get used. So there’s at least part of the whole thing that is a marketing gimmick of sorts. But when you need it, those colors are available. My Canon Pixma Pro-10, my personal printer at home, has a Red ink, I’ve not used it enough to see if it’s anything of a high use with my prints. Certainly it depends on the type of images you’re producing. I have a feeling Canon put the Red ink in there to save on Magenta and Yellow when reds are used since Magenta and Yellow very easily make a perfect Red. I’d like to see a printer with two or three different greens in it though since those are the colors that are hardest to accurately reproduce. Ink head technologies Both Manufacturers have different technologies for squirting ink onto your paper. “Back in the day” I used to prefer Epson because their printers would get clogged less, or rather, when it got clogged, I wouldn’t have to replace a print head. With Canon I would have to replace a head every now and then. Today, however, both manufacturers have done really well at getting good cleaning processes figured out. They even have sensors on the ink heads now that will detect when a nozzle is clogged and it will use the other nozzles to print in its place. You can always run a nozzle check and I recommend you do at least that once a month if you ever have a period of time where you’re not printing. Replacing print heads can be expensive and if it happens to you it might be better to just buy another printer. On the Canon iPF 5100 I had a while back, it cost about $1,700 new, but then I ended up replacing three print heads because I just never printed during the summer. At $500 a pop that got ridiculous. So I bought an Epson and have always been able to unclog it. I know Canon printers have gotten better though, but I don’t have specific experience of not printing for 3 months to see if I can resurrect it when it gets clogged.  Getting started with your new printer Both manufacturers have made printing very easy right out of the box. It’s amazing how simple printing is. However, the simplicity they offer does come at a cost. My recommendation is to get your feet wet. Install the driver and the profiles and utilities that is available for your printer. And if you’re buying a used printer that is a discontinued model get on the manufacture’s website and be sure they still support your computer and operating system with a current driver and utilities. Use the manufacturer branded paper to start out with. Canon and Epson especially make some really fine papers. And they make it easy by preinstalling the ICC profiles for you. Use their recommendations to get started, but once you have the basics down, start bringing in other papers as that’s where the true magic can happen. The image should be printed on a paper that helps accentuate the image, not detract from it. If you’re showing a print to an average viewer and their first comment is something to do with the paper then you’ve probably missed the mark. It takes a lot of practice and a lot of experience but once you’ve graduated to the finer quality papers that we first talked about you’ll see what I mean and you’ll understand what I’m talking about. Paper Handling We started with paper, and it’s probably good to end with paper. The different papers have different handling of paper. I prefer to put my paper in one at a time. I’m guaranteed not to let it set to long on the printer that way, and in my current office setup the rear paper tray is unusable on my printer. So I feed it in single sheets on the top. If your printer has a tray I say use it for the standard papers. But not the fine papers we’ve been talking about from Moab and the like. They have a good surface that needs to be treated right and stacking the paper in a tray and allowing the printer to drag it across the other sheets is a bit of a travesty. This is probably just me being extra picky, but when it comes to my art I think it’s good to be picky. Now what? Once you’ve gotten a few prints out and you’re getting used to the process of printing I encourage you to find buddies or other resources that help you achieve even more in your printing. I’m sure you know I’ve got an online course that dives very deep into the world of printing. Getting even better results out of your photography on one of these printers is possible, but it’s one of those things where until you see the difference it’s hard to understand what you’re missing out on. That’s why I offer a 30-day money back guarantee on my course. Plus, there’s monthly group sessions for the first six months where we get together online and we share our questions and successes with learning this print process. Printing gallery quality prints is possible, and with the help of others we can have you printing with WOW in just a few short weeks. Maybe even less. Join a workshop and learn it even faster! And if you really want to learn it fast, join me on the Oregon coast this August. We’re going to shoot the coast and learn printing too in the hotel conference room. All the info is available on the website, I hope you can make it. It’s limited to 8 participants for the first session, and then I have a compressed session from in the very beginning of September, going over Labor Day weekend. That’s limited to 4 participants. So whatever you’re in for, let’s get together and print this summer!

We get a return visit from the amazing shooter and expedition leader, Don Hamilton aka "The Print Doc" to talk about the latest safari and how printing can improve your photography. Along for the ride with some technical data is Travis McConnaghy from Hahnemühle USA. We talk about an upcoming workshop for PhotoExpo in Memphis on printing your art - from unboxing the printer to setting up your color management to printing on art paper.Remember, if it's worth capturing... it's worth printing!Hint: Bedford Camera & Video can print on Hahnemühle stock in the stores. Ask a team member for details and help choosing the best art paper for your image.

Hahnemühle FineArt Papers at #WPPI Show Hahnemuehle.com

Hahnemühle FineArt Papers at #WPPI Show Hahnemuehle.com The post The Chris Voss Show Podcast 272 Hahnemühle FineArt Papers at #WPPI Show appeared first on Chris Voss Official Website.

Welcome to the Truly Myrtle podcast!In episode 56 I'm chatting about my mood board, I'm looking for a structure for my capsule wardrobe and I'm sharing some resources to figure out our style.Do you want a podcast link and show notes sent to your email box every week? Sign up here!Come and join the Ravelry thread to join in the Capsule Wardrobe Adventure chatter.MOOD BOARDI mentioned Tui birds - they are one of my favourites of the NZ native birds with such a glorious call.I really like Hahnemühle Sketch & Note books - they're made from lovely art paper, come in packs of 2 and are very reasonable. I use the A4 size.FINDING STRUCTURE FOR YOUR CAPSULEThe most well-known way to structure a capsule wardrobe is probably Project 333. Thirty three items of clothing for 3 months. It sounds like a neat way to roll with the changing seasons.I'm drawn to the Sudoku method promoted by Colleen Hammond. Sixteen items that can all mix and match to create 10 coordinated outfits. Here's the basic template.Lucky Lucille (Rochelle New) has been working on her #makenine for the last few years. Check out #2017makenine on instagram to see what nine items people are working on this year.FINDING YOUR STYLEI thoroughly enjoyed Carol Tuttle's course Live Your Truth and learned a lot about myself. I discovered I'm a type 3 and it was liberating to hear my embarrassing quirks are very normal traits of a type 3 ;)Recently I've been following Stasia (Stay-sha) Savasuk from thriftmepretty.com. Her enthusiasm is infectious and I really enjoy her layered, bouncy but feminine style. She runs courses to help you find your style too.Thanks for listening!Have a great weekend,Love Lib xxx 

http://www.adorama.comAdoramaTV presents Hahnemühle Fine Art Paper. Join AdoramaTV Host Diane Wallace as she discusses the benefits of using photography and fine art papers by Hahnemühle.Artists have the highest standards for the property and pureness of the basis of their work, papers and boards. Valuing artists' creative needs, Hahnemühle has created a comprehensive range of papers for professional artists and hobby painters.AdoramaTV features talented hosts including: Mark Wallace, Gavin Hoey, Joe McNally, Joe DiMaggio, Tamara Lackey, Bryan Peterson and Rich Harrington.Related Products:Hahnemühle Photo Rag 308 http://www.adorama.com/IHUPR3111725.html?refby=videoPhoto Rag 308 Archival Storage Boxhttp://www.adorama.com/FSBP1117.html?refby=videoFine Art Baryta 325 http://www.adorama.com/IHUFB131925.html?refby=videoBamboo Fiber Inkjet Paper http://www.adorama.com/IHUPEDB290.html?refby=videoAlbrecht Durer Inkjethttp://www.adorama.com/IHUAD111725.html?refby=video11x17 Photo Rag Book and Album http://www.adorama.com/IHUPBA111725.html?refby=videoEpson Stylus Pro 3880 Signature Worthy Edition 17" Inkjet Printerhttp://www.adorama.com/IESS3880SW.html?refby=videoIf you have questions, share them with us at: adotv@adorama.com

This week's Podcast is a video in which I show you how to make a gallery wrap with the Hahnemühle Pro Gallerie Wrap System. For details of items used and full sized video, visit the blog: http://bit.ly/mbp257 Music created and produced by UniqueTracks.

This week's Podcast is a video in which I show you how to make a gallery wrap with the Hahnemühle Pro Gallerie Wrap System. For details of items used and full sized video, visit the blog: http://bit.ly/mbp257 Music created and produced by UniqueTracks.