Podcasts about MCU

A little News and Feedback for you guys. Fantastic Four is about to drop on Disney+. Jeremy Renner comments on his future in the MCU. Mia Goth says she's still attached to Blade. Plus we'll get into a number of topics brought to us by the wonderful feedback of you Pandas out there. Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/mcucast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join The Stranded Panda Community! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.strandedpanda.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

We talk lost Disney lore, a new giveaway, getting wet on the Matterhorn and more!  

Halloween is almost here and Hoody is here to save the day with last-minute costumes for nerds! Join Hoody in a SOLO-DOLO episode as he also shares his thoughts on Halo: Campaign Evolved and the first TWO episode of Dispatch! Plus what did Hoody enter for the next two weeks? All that and more with the Crisis Crew!Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8GNew Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!

In this episode we chat about the final film in the MCU's Infinity Saga, Spider-Man: Far From Home. This is the from 42 minutes into the film to 1 hr 22 min. When the field trip arrives in Prague to Spider-Man getting hit by a train and Mysterio redirecting the field trip You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Spider-Man:_Far_From_Home#Plot)

The Road to Doomsday continues as Jarod and Taylore go back to Iron Man 2, the first MCU movie accused of existing to set up other movies and are joined by it's biggest defenders: our very own Travis Grossman and Mitch692!Sunday's Bloody Mary: https://sundaysbloodymary.com/shop/ Ionized Basterds: https://www.youtube.com/c/AllRemainingSystems Mitch692 Channel: https://www.youtube.com/@TheMitch692Channel Help us out by chuckin' a buck on our Patreon: https://www.patreon.com/thenerdacademypodcast

As the Christopher Reeve era comes to an end, does Superman IV: The Quest for Peace end with a bang or a whimper? PhantasticGeek.com's Pete and Matt jump into the sun to debate.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3

In the last film in our Nia DaCosta & Tessa Thompson Film Series, writer Brian Richards returns to the podcast to discuss Nia DaCosta's 2023 film, "The Marvels." Brian and Morgan discuss how this film works as apart of the MCU, the core theme of sisterhood, and the sociopolitical conversations in the film. This episode also includes Morgan trying to remember anything from comic book movies, Morgan talking about Brie Larson's pop career, and Brian and Morgan urging AMC to reinstate the rightful Nicole Kidman ad. You can find BrianBlueskyInstagramWritten WorkYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

In this weeks episode: Kev has emerged very hairy and smelly; Sheepdog is trying to blue himself; Anna has lost four of the six and Pab is enjoying the junk food . All this and much more on episode 625 of MGP!Get FM25 for £38.94 using discount LOLLUJO here:⁠⁠⁠⁠⁠⁠https://bit.ly/FM26lollujo⁠⁠⁠⁠⁠⁠Sheepdog's book, Nyaegling can be found ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠to play his game Prismyck for free! If you have any messages or questions for the gang then send them over to : ⁠⁠⁠⁠⁠Mgukpodcast@gmail.com⁠⁠⁠⁠⁠Kev now has an affiliate link with The Lego Store so if you do all your Lego shopping through this link you'll be helping ol' Kev out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blockpartyuk.shop/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev also has an affiliate link with LOADED (formerly CDKeys); so if you want the latest PC/ console games at low prices click the link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/CDKeyslollujo

Today on the Show... It is just Don and Justin this week as we were the only two that showed up! And for some reason the conversations got really odd! MCU and DCU updates The latest in streaming Sports and quick wrestle talk And trust us much much more!

One of the most iconic Marvel Movies to date. Our first visit to Wakanda and this corner of the MCU comes out swinging. Great world building, beautifully complex characters, imaginative design, amazing soundtrack. Wakanda Forever! Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/mcucast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join The Stranded Panda Community! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.strandedpanda.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Nerdpocalypse Podcast, the guys return to discuss Slow Horses, The Chair Company, The Lost Bus, The Last Frontier, The Materialists, Peacemaker season 2 finale, Task series finale, Jim Carrey in talks to star in The Jetsons live-action movie, Laurence Fishburne expresses serious interest in playing Charles Xavier in the X-Men reboot in the MCU, upcoming 'Avatar' documentary, Tron: Ares dooming Jared Leto's leading man position in movies, trailer for 'Send Help,' and more.CHECKED OUTSlow HorsesThe Chair CompanyThe Lost BusThe Last FrontierThe MaterialistsPeacemaker - Season 2 finaleTask - Series finaleTOPICS - Section 1Jim Carrey in Talks to Star in ‘The Jetsons' Live-Action MovieLaurence Fishburne wants to play Charles Xavier in MCU's version of the X-MenTOPICS - Section 2 ‘Avatar' Documentary Set at Disney+ About the Making of James Cameron's Blockbusters‘Tron: Ares' May Mark End of Jared Leto's Franchise-Leading DaysWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/scrtchsnffJay:     https://tinyurl.com/rurkinsTRAILERSSend HelpTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium) $5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcast

Hey! We get to watch a Marvel movie this week. Wait, this is pre MCU... This debuted on the Sci-Fi Channel?... It's directed by the brother that did Lawnmower Man?... Oh yeah. Hustle Muthafu-kin' Hustle baby! Support the show on Patreon - https://www.patreon.com/c/homevideohustle More Movie Reviews on LetterBoxd - https://letterboxd.com/hvhpodcast/ Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Music By: @tradevoorhees Learn more about your ad choices. Visit megaphone.fm/adchoices

Well they can't all be winners, folks. I'm not talking about the movie. The Fantastic Four: First Steps was actually pretty great. It's the second MCU film in a row that we here at Gobbledygeek HQ agree on almost entirely, and you'll hear us say lots of nice things about it. No, the non-winner I'm referring to is this episode, because you'll actually only hear SOME nice things about it. We were plagued by audio and editing issues like they were a troupe of almost-entirely-cut-from-the-final-film Super Apes stealing every third word any of us said.   Anyway, enjoy I guess.   NEXT: a speeding bullet to the box office, or another derailed cinematic locomotive? We'll find out in James Gunn's Superman.     BREAKDOWN 00:00:00  -  Disclaimer 00:02:58  -  Intro 00:18:13  -  The Fantastic Four: First Steps 02:34:34  -  Outro / Next   MUSIC “The Fantastic Four: First Steps Main Theme” by Michael Giacchino, The Fantastic Four: First Steps (Original Motion Picture Soundtrack) (2025) “Let Us Be Devoured (Studio Version)” by Andrea Datzman, The Fantastic Four: First Steps (Original Motion Picture Soundtrack) (2025)  

We need an X-Men movie now more than ever! Jason and Rosie are visiting the studio heads of the Marvel Cinematic Universe to each pitch their idea for an X-Men movie. But, what are the things the studio is most concerned with when it comes to bringing the X-Men to the big screen? After some back and forth with our studio heads, Jason and Rosie discuss the difficulties facing the creation of an X-Men movie. What would you want to see in an MCU adaptation of Wolverine, Storm, Cyclops, and co? Let us know on our Discord! Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

This is the news section of episode 225. In this section The Movie Toasters talk about Kill Bill: The Whole Bloody Affair, X-Men joining the MCU,, The Simpsons Movie 2, Heat 2, & more.Stay Toasty!!!

Welcome to the Infinite Taylorverse! Here at the Infinite Taylorverse, we talk about all things nerdy and pop culture! Movies, TV, cartoons, comics, books, video games, tabletop games, and so much more! We talk about the latest pop culture news as well as rumors and fan theories. Be advised that spoilers are eminent! In this, our 244th episode, we say Happy 40th Birthday to Billie's favorite movie of all time, Back to the Future! We talk about how Season 2 of Gen V had a huge twist in the second to last episode of the season! We talk about some celebrities who have mentioned roles they would love to have in the MCU, and so much more! As always, thanks for strapping in for a ride through The Infinite Taylorverse!

George has moved on, we need to accept that, elsewhere in a Galaxy Far Far Away Ben Solo is staying dead. Warner Bros has finally accepted its time to sell, after saying no to unwanted solicitors, Amazon paid pennies for James Bond. Xbox is sticking with the high prices, ಠ_ಠ, and more drama out of Ubisoft and Assassin's Creed. That and more on tonight's episode.

Still reeling from last week's rescue mission Angus is in need of some first aid and Sal could not be more excited to finally try out some of his home cooked remedies. The post EP143 – Sal's Secret Showdown of Cookery appeared first on PodCavern.

The Ninjas are back for another episode. The guys share their thoughts on K-pop Demon Hunters not getting a live-action movie (58:05), Jim Carrey being rumored to star in a live-action movie of The Jetsons (1:18:10), Laurence Fishburne wanting to play Professor X (140:00), and more.Picks:Domino | KPop Demon HuntersHesh | BALL x PITHelp support the show by becoming a Patron: https://www.patreon.com/ThedojoisgangSend us questions @TheDojo203@gmail.com Join the Discord: https://discord.gg/RKpjgVBUQXWatch us live on Twitch:https://www.twitch.tv/thedojoisgangSubscribe to our YouTube channel: https://www.youtube.com/@TheDojoPodcast203Become a supporter of this podcast: https://www.spreaker.com/podcast/the-dojo-w-domino-hesh-jones--4652058/support.

For TWO HOURS of bonus content — including our coverage of Ant-Man's heel turn against the super-team he co-founded in Avengers #161, plus 22 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Madness Is All In the Mind!" - Amazing Spider-Man #170, written by Len Wein, art by Ross Andru with Frank Giacoia and Mike Esposito, letters by Joe Rosen, colors by Glynis Wein, edited by Len Wein, ©1977 Marvel Comics"Star Wars" - Star Wars #1, written by George Lucas and Roy Thomas, art by Howard Chaykin, letters by Jim Novak, colors by Marie Severin, edited by Roy Thomas, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

We're doing another round of hot takes on the MCU! AC and Jake are joined by Teej and a special guest, Roderick A. Smith, to give their own MCU hot takes and then read and evaluate ones sent in by listeners. Things get interesting! Follow Roderick: @rodimusprime Follow Teej: @less_humbleteej JOIN OUR PATREON: patreon.com/mcuniversitypod Follow the show: @mcuniversitypod Follow AC: @anthonycanton_3 Follow Jake: @thejakechristie

Seanan is back in MO and we're back with a new episode talking about one of the OG Marvel films before the MCU made a trillion dollars - Blade, starring Wesley Snipes! Something something ice skating uphill!

Nick Fury once said, “There was an idea…” That idea didn't end with the Battle of New York — it became the blueprint that built an entire cinematic universe. In this powerful reflection, Eric Sequeira (aka Mr. Honest) lines up Phase One against the Multiverse Saga, exploring how Marvel's early conviction, patience, and character-first storytelling still echo across today's multiversal landscape. From Iron Man's gamble and Cap's conviction to Doctor Doom's looming debut in Phase Six, this episode asks what the MCU's future can still learn from its humble beginnings. A celebration of belief, legacy, and the ever-evolving heartbeat of Marvel. Because the idea was never just about heroes — it was about us.

Brian, Wesley, and Savon talk about their experience watching the new animated series Marvel Zombies. Who's the coolest character? Was it worth watching? Is the story enjoyable? all that and more!Don't forget to subscribe and leave us a review on Apple Podcasts and Spotify!Instagram: @confidently_podYouTube: @confidentlywrongpodcastWebsite: confidentlywrong.simplecast.comCredits:Hosted by: Wesley Nakamura, Brian Redondo, Savon JonesEdited by: Wesley NakamuraTheme Music: Implied Authority by Bass ElfLink: https://soundcloud.com/bass_elf_music

This podcast episode delves into a multitude of intriguing topics, commencing with a discussion on the significance of Golden and Silver Age comic collections showcased by NavyMontel. We explore the potential reintegration of Agents of S.H.I.E.L.D. into the Marvel Cinematic Universe (MCU), proposing innovative narrative mechanisms for such a return. Our conversation extends to the recognition of Black Scream Queens within the horror genre, emphasizing their essential contributions and the evolving landscape of horror cinema. Additionally, we highlight the Animation Showcase presented by Blerd Station, along with collaborations featuring Creative Theory World, RocBottom Studios, and others, asserting the importance of diverse voices in the animation and storytelling spheres. Join us as we navigate these compelling subjects with depth and insight, reflecting on their cultural implications and significance in contemporary media.Liked by readysetgeek_podcast and 2 othersWho said the Final Girl had to be blonde?!We're giving the Black Final Girls of Horror their flowers. From Jerilyn (Demon Knight) to Maggie (13 Ghosts) and Karla (I Know What You Did Last Summer) the survivors who don't get enough love!PLUS: Should Agents of S.H.I.E.L.D. be official MCU canon? We've got thoughts.Tune in Tuesday, Oct 21 | 8 PM EST only on YouTube & Twitch!#BlerdsEyeView #BlerdStation #BlackFinalGirls #HorrorSeason #MCU #AgentsofSHIELD #BlackHorror #NerdCulture #BlerdsUnitehttps://www.youtube.com/live/p-a6PfFXRJg?si=TIFKRpJiIql3ca3NA captivating exploration of the diverse landscape within the realms of comic books and horror, this podcast episode delves into the intriguing world of Golden and Silver Age comic collections, as prominently showcased by NavyMontel. The discussion unfolds around the pertinent question of whether Agents of S.H.I.E.L.D. should be reintroduced into the Marvel Cinematic Universe (MCU) and presents imaginative pathways for their reintegration. The hosts articulate their perspectives on the significance of this series, citing its historical context and its potential for enriching the MCU narrative. Moreover, the episode highlights the growing recognition of Black Scream Queens in horror cinema, emphasizing their pivotal roles and contributions to the genre. The conversation is further enriched by insights into the Animation Showcase hosted by Blerd Station and its partnerships with Creative Theory World and RocBottom Studios, underlining the broader cultural...

Arena Andy is back to talk about his latest picks! Find out why Apple TV's Slow Horses, starring the "animal" Gary Oldman, is one of the most underrated shows on TV. Andy also catches up on his MCU rewatch, finishing up Loki Season 2 and speculating on how it will connect to Avengers: Doomsday next year.   Plus, a review of the Channing Tatum movie, Roof Man, an Alamo Drafthouse experience that was "more like rough, man".   In reading material, Andy finished Batman Resurrection and is looking forward to the sequel, Batman Revolution, which is out later this month. Both books serve as a sequel to Batman '89.   Finally, get ready for the Gen V finale next Wednesday, which Andy might discuss with Logan, Scott, and Sam in the studio.

Arena Andy is back to talk about his latest picks! Find out why Apple TV's Slow Horses, starring the "animal" Gary Oldman, is one of the most underrated shows on TV. Andy also catches up on his MCU rewatch, finishing up Loki Season 2 and speculating on how it will connect to Avengers: Doomsday next year. Plus, a review of the Channing Tatum movie, Roof Man, an Alamo Drafthouse experience that was "more like rough, man". In reading material, Andy finished Batman Resurrection and is looking forward to the sequel, Batman Revolution, which is out later this month. Both books serve as a sequel to Batman '89. Finally, get ready for the Gen V finale next Wednesday, which Andy might discuss with Logan, Scott, and Sam in the studio.

This week, the boys head to the jungle for one of Amazon Studios' first films, James Gray's “The Lost City of Z”. That's pronounced “Zed” for you British purists. The film stars Charlie Hunnam, Robert Pattinson with a beard and glasses, and Sienna Miller. It was produced by Brad Pitt's Plan B and was SOMEHOW filmed on a $30 million budget, half of which was spent flying the dailies out of the actual Amazon jungle. We get drinking with a few mini-reviews at the top, and Jeff must have started early because he recorded with his microphone facing the wrong way. Luckily, Dave has fixed Jeff & John's crap many times before. Grab a beer and listen in! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:11 “Good Fortune” Dave & John's mini-review; 9:15 “Anemone” John's mini-review; 12:06 “Blue Moon” Dave's mini-review; 13:53 “Tron: Ares” John's mini-review; 17:54 Gripes; 19:08 2016 Year in Review; 37:17 Films of 2016: “Lost City of Z(ed)”; 1:35:45 What You Been Watching?; 1:46:51 Next Week's Episode Teaser Additional Cast/Crew: David Grann, Tom Holland, Edward Ashley, Ian McDiarmid, Matthew Sunderland, Jared Leto, Jeff Bridges, Aziz Ansari, Keanu Reeves, Seth Rogen, Keke Palmer, Sandra Oh, Stephen McKinley Henderson, Ethan Hawke, Richard Linklater, Bobby Cannavale, Margaret Qualley, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Rocky, I Play Rocky, Alex Murdaugh, Gangs of New York, Peacemaker, Invasion. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Disney+ finally receives another dose of Marvel Zombies after the What If Season 1 episode, delivering on a four episode season that brings new characters and new zombie antics. But before we dive into the MCU take on zombies, we go over the zombie news! PRIMAL Season 3 will have a zombie twist, We Bury The Dead featuring Daisy Ridley finally receives a trailer, Table Read Podcast takes on Night of the Living Dead, and Resident Evil mobile game promises not to go for your wallet (for characters that is).DiscussionStart - Dead City S2 Update and Extra Life10:08 - News24:09 - Marvel Zombies (2025)Coming up on ZAMP! Plants vs Zombies: Replanted gives us the video game revival of our dreams, so that's up next. Then it's Daryl and Carol's turn to take The Walking Dead spotlight, then we have our first Extra Life movie with The Battery. Stay tuned!Extra Life Donation = Zombie Movies to Discuss on ZAMPDonate $25 and suggest a zombie film for us to discuss on the podcast! Donate $50 and suggest three zombie films! When you donate to Ryan's Extra Life campaign be sure to include your favourite zombie film that you want us to cover on the podcast. Make sure your movie is easily obtainable in North America (rent/stream/purchase), and the deadline to donate is December 31st. Thank you for the support!Important StuffSupport us on PatreonDiscord ChannelEmail the show Hosted on Acast. See acast.com/privacy for more information.

In this the issue the guys recap some of the Marvel Television news that came out from NYCC this year. Jong and Michael discuss the confirmation that Spider-Man: Brand New Day & Daredevil: Born Again Season 2 will have connections, the return of Krysten Ritter as Jessica Jones, the first footage/details for Your Friendly Neighborhood Spider-Man/X-Men '97, what the footage shown for Vision Quest could mean for the setting of the film, and the weird rights of Kingpin/Spider-Man when working with Marvel Studios/Sony.Plus the guys discuss the first teaser trailer for Invincible Season 4, the first trailer for A Knight of the Seven Kingdoms, and DC Animation working on an animated multi-chapter adaptation of the Batman Knightfall comic run. Follow Jong and Michael on social media.  Bluesky: @one-punch.bsky.social & @producermike975.bsky.socialThreads: @producermike975Instagram: @onepunch______ & @producermike975Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com

In the latest episode of This Could Be a Podcast, Nathan and Bobby talking about Homecoming dates, Holiday traditions and Baseball.

It's the biggest upset of the year - we both like this four episode spin-off of the miserable show What If...?. It's true, this one kinda nails it and does the sort of big comic book worldbuilding we want more of in the MCU, all while killing off a bunch of characters at every twist and turn. Before that: does the Punisher have a Robin? Derek mostly liked that Ed Gein show. Marv Wolfman writes the Teen Titans to be very very mean. And what's the dumbest story in the Bible? In the highly unlikely scenario that you don't care about any of that, skip to 51:27.Next week: HBO's Watchmen TV show rewatch begins!

Marvel’s so-called First Family takes its ‘First Steps’ in the official MCU canon in a story that majors on family and dials down typical Marvel content concerns. Read the full review. If you've enjoyed listening to Plugged In Reviews, please give us your feedback.

If you had to choose the BEST Pixar movie of all time what would it be? Join Hoody and Kevin as we duke it out to make our official list of Pixar movies while also figuring out if a Jetsons movie can be relevant in this century! Plus how hyped are we for Stranger Things' final season that it's almost a month away? All that and more with the Crisis Crew!Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8GNew Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!

In this episode we chat about the final film in the MCU's Infinity Saga, Spider-Man: Far From Home. This is the first 41 minutes of the film. From the start to the end of the scene where the drone is almost attacking the bus You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Spider-Man:_Far_From_Home#Plot)

The Road to Doomsday continues as Jarod and Taylore revisit the often overlooked and underrated The Incredible Hulk and unpack an unfairly judged and strange entry in the MCU. Sunday's Bloody Mary: https://sundaysbloodymary.com/shop/ Ionized Basterds: https://www.youtube.com/c/AllRemainingSystems Mitch692 Channel: https://www.youtube.com/@TheMitch692Channel Help us out by chuckin' a buck on our Patreon: https://www.patreon.com/thenerdacademypodcast

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered all of Netflix's The Defenders Saga, the first four seasons of ABC's Agents of SHIELD, all 14 films in Fox's X-Verse, and a collection of Marvel Films from the 2000s.Welcome back to Bill vs MCU's Marvel's Animated Adventure season, where your hosts, Alex and Bill, will be catching up on all the major animated series Marvel has put out over the last four years. Alongside special guests Derick McDuff and Dave Gonzales, they dive deep into Marvel's animated anthology series 'What If...?' in this month's episode, with their Top 10 What If…? Episodes. Tune in for engaging discussions about episodes like 'What If T'Challa Became Star-Lord?' and 'What If Hela Found the Ten Rings.' They also explore the broader implications of these alternate realities within the MCU. Plus, stick around for insights into Marvel animations and more. Don't miss this ultimate ranking guide for fans of Marvel Animation!00:00 Introductions05:00 Discussing What If…? Series19:42 The Worst Episode of What If…?25:16 Personal Favorites and Underrated Episodes44:20 Ranking the Top 10 Episodes of What If…?02:12:12 The Number One Episode is Revealed02:22:15 Final Thoughts and Honorable MentionsCome back next month as they provide their thoughts on the first season of Your Friendly Neighborhood Spider-Man and X-Men ‘97. Want a refresher on these series? Check out all both seasons (along with every season of the classic X-Men cartoon from the 90s), now streaming on Disney Plus!

The B&W guys discuss another long list of celebrity deaths, big office numbers, the future of Alien: Earth, Timeless, House of David, The Rocky biopic, Mel Gibson's career, Rose is the Villain & some MCU rumors.

Our DC Film Fest once again turns back the clock, and we kick off a Harvest of Horrors by swooping down to 1983's Superman III. Is a battle in a junkyard a highlight, or a metaphor? PhantasticGeek.com's Pete and Matt fly up, up, and away.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3

Exploring the Magical Miles of runDisney with The Stride Sisters We are quickly approaching the beginning of race season out a Walt Disney World. We're just one weeks away from the Wine & Dine Half Marathon Weekend. So, we thought we'd kick it all off with a couple of new guests who do a podcast focused on the magic that is those races through the parks. Yep! On this episode we're Exploring the Magical Miles of runDisney with The Stride Sisters. Hannah & Natalie of The Stride Sisters Podcast join us for a fun-filled discussion of their Disney & running fandom. They share how they parlayed it all into a fantastic podcast that spreads the joy and positivity of the runDisney community. They also provide tips that will definitely help you if you're looking to do your first race through the Disney Parks or even your 30th. Be sure to check out the Stride Sisters Podcast here. And don't forget to check out Hannah's cool temporary tattoo company The Start Line Co so you can do race-day in style! Disney Stories of the Week Once we complete our time Exploring the Magical Miles of runDisney with The Stride Sisters, it's time for the Disney Stories of the Week. In this episode, we share another major accolade for Disney Cruise Line. We also discuss a major event coming to Disney+ for all you Swifties. And we tell you about when you can look forward to streaming more from the MCU. Certainly, that's not all. As always, we wrap it all up with tips that might help you on your next Disney vacation.   If you have any comments, questions, or requests to cover a particular topic, please feel free to Contact Us!   We also invite you to join the positive fun in our Hyperion Adventurers Facebook Group as well as our Hyperion Mornings on YouTube for a daily dose of live positive chat!   In case you're looking to take a magical trip, be sure to visit our favorite Authorized Disney Vacation Planner. Nate with Main Street and More Travel will give you concierge-level service planning for your next vacation. Be sure to tell him, “Tom & Michelle sent me!”   Thanks for listening! Cheers!  

Seekest thou the. . . PODCAST that discusses the Road in our review of Agatha All Along for Spooky Season! We are back in the MCU and get super witchy, gathering our coven, and running away from the Salem Seven and possible Aubrey Plaza, who seems a little too eager to kill everyone. We discuss the BIG questions: why no shoes, who is Teen, and what is the gut secretion of a social insect? This week Erin ponders child sacrifice, Brennan thinks a Sicilian dialect might be Polish (he was VERY wrong), and we both agree this miniseries is freakin' awesome! 

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Is Spider-Man really sitting out of Avengers: Doomsday?! New reports suggest that Tom Holland's Spider-Man might not be part of the massive upcoming Marvel event film — but what does that mean for the MCU's future? Kristian Harloff breaks down the latest rumors, news, and official quotes in today's show! We're also diving into more huge updates across Marvel and DC, including: 1️⃣ Spider-Man Sitting Out “Avengers: Doomsday”? 2️⃣ LANTERNS Official Merch Leads To Speculation That DCU Series May Introduce Or Build Towards Something Big 3️⃣ AVENGERS: DOOMSDAY Star Channing Tatum On Dialing Back Gambit's Accent & His Reaction To The Script 4️⃣ VISIONQUEST Showrunner Talks Ultron's Return & “Very Different” Episodes If you love movie news, Marvel updates, and comic book talk — hit that subscribe button and join the conversation every week on The Kristian Harloff Show! #SpiderMan #AvengersDoomsday #Marvel #MCU #TomHolland #ChanningTatum #Gambit #VisionQuest #Ultron #Lanterns #DCU #MarvelNews #DCNews #KristianHarloffShow #MovieNews #ComicBookMovies SPONSORS: NUTRAFOL:  See thicker, stronger, faster-growing hair with less shedding in just 3-6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://www.Nutrafol.com and enter the promo code KRISTIAN. UPSIDE: Upside has given back $1 Billion dollars to its users. To find out how much you could earn, Download the FREE Upside App and use promo code KRISTIAN to get an extra 25 cents back for every gallon on your first tank of gas.  STRAWBERRY.ME: Head to https://www.Strawberry.me/KRISTIAN to claim a special offer and get started. Stop settling. Start building the career you actually want! 

A stretch limo, three kids on bikes, and Pete Rock's block—by the time the crew steps out, half the neighborhood's there. That's the energy of this Unglossy crossover: Tat Wza, Mickey Factz, Pete Rock, Bun B, Jeffrey Sledge, and Tom Frank colliding over comics, hip-hop, and the MCU with zero small talk.They go from childhood comics and bodega mystery packs to hot takes on Feige, Hulk's nerfing, and whether Endgame was therapy or just fan service. Expect wild casting debates (yes, Doom gets his own mood board), sharp arguments, and a cliffhanger: Bun B's secret Marvel cameo.Big stories. Bigger opinions. No filters."Unglossy with Bun B" is produced and distributed by Merrick Studio and hosted by Bun B, Tom Frank and Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show

Welcome back! With many opinions left unchallenged, Marc and Brim return to absolutely cook Ariel about is feelings about Peacemaker Season 2. The discussion goes into the philosophical effects if hyping yourself up for something. We discuss the future of the MCU as we continue the discussion surrounding hype. Come thru and chill!

On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel discuss if James Gunn will listen to Peacemaker S2 criticism, reports that Hugh Jackman to stay as Wolverine in the MCU past Secret Wars, Jim Carrey eyed to lead a The Jetsons live action movie, our tributes to Drew Struzan and Diane Keaton and more! Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. #DC #marvel #peacemaker #jamesgunn #hughjackman #wolverine #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 1:41 Jim Carrey Eyed to Lead a The Jetsons Live Action Movie 14:30 The Rise of Skywalker Reportedly Cost $600M 29:11 Drew Struzan Passes Away, Our Tribute to His Work 35:08 Diane Keaton Tribute 39:29 Will James Gunn Listen to Peacemaker S2 Criticism? 56:28 Hugh Jackman Reportedly Staying MCU's Wolverine Past Secret Wars FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Instagram: https://www.instagram.com/the_geek_bu... Learn more about your ad choices. Visit megaphone.fm/adchoices

The Boys are back, and they are crashing out. They start with reactions to some New York Comic Con news and then discuss the greatest crash-outs in MCU history, and—spoiler—Tony Stark is mentioned a lot. (0:00) Intro (11:01) New York Comic Con Nerd News (28:01) Greatest crash-outs in MCU history (1:18:50) Outro (1:19:56) Post-credits Hosts: Van Lathan, Jomi Adeniran, and Steve Ahlman Producers: Aleya Zenieris and Jade Whaley Additional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jim Hill and Dan Graney unpack the latest Marvel headlines from New York Comic Con and beyond, starting with James Gunn's near-miss MCU to DCU crossover featuring Ryan Reynolds' Deadpool. From “Deadpool Batman” hitting comic shelves to clues about the next Avengers film, the guys trace what's real, what's rumor, and what it all means for the Marvel multiverse. James Gunn confirms he wanted Deadpool to cameo in Peacemaker Season 2 Inside the new Deadpool Batman comic by Zeb Wells Russo Brothers' cryptic “look hard” post and what it might reveal about Avengers: Doomsday Disney quietly removing a 2027 Marvel release to make room for The Simpsons Vision Quest's surprising connection to WandaVision, Agatha, and Avengers: Doomsday Marvel's future is shifting fast. Jim and Dan break down the clues, the cancellations, and the comic book crossover we never thought we'd see. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠⁠⁠⁠⁠Learn More⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Big shake-ups might be coming to the superhero world. In today's episode, Kristian Harloff breaks down the latest rumors that James Gunn could be out at DC following the reported Warner Bros. sale, plus a look at what's happening across Hollywood. Topics include: James Gunn Out At DC With Warner Bros. Sale (Exclusive) – Is DC Studios facing another reboot? Warner Bros. Rejects Paramount Takeover Bid – What does this mean for the future of WBD? “X-Men” Targets May 2028 Release – Marvel's mutants might finally be coming to the MCU! New Details On Marvel's 2026 TV Slate – What shows are coming to Disney+ next? “TRON: Ares” De-Rezzed At Box Office – What went wrong with Disney's latest sci-fi sequel? Kristian gives his full thoughts on the latest DC, Marvel, and movie industry news, and what these developments could mean for fans. #JamesGunn #DCU #WarnerBros #MCU #XMen #Marvel #TronAres #TheKristianHarloffShow #MovieNews #ComicBookMovies SPONSORS: NUTRAFOL:  See thicker, stronger, faster-growing hair with less shedding in just 3-6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://www.Nutrafol.com and enter the promo code KRISTIAN. UPSIDE: Upside has given back $1 Billion dollars to its users. To find out how much you could earn, Download the FREE Upside App and use promo code KRISTIAN to get an extra 25 cents back for every gallon on your first tank of gas.  STRAWBERRY.ME: Head to https://www.Strawberry.me/KRISTIAN to claim a special offer and get started. Stop settling. Start building the career you actually want!