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Catheryn had a prayer journal idea she literally sketched out on paper before she ever touched a design program. Here's how she went from that sketch to a successful Kickstarter — and what she learned about faith, fear, and following through. Today I am sitting down with Catheryn, founder of Heartfelt Pages and Print School alumni. In this episode of the Dream Printing Podcast, Catheryn shares the story behind A Letter to God — a lined vegan leather prayer journal built around the simple format of Dear God to In Jesus' Name, Amen — and how eight years of personal journaling became a published product. You'll hear why Catheryn chose a Kickstarter to fund her first print run (and the faith conviction behind that decision), what the difference between print on demand and working with a quality manufacturer actually felt like in her hands, and the mindset shifts she had to work through around pricing, marketing, and putting herself out there. Her reminder that faith is an action verb is one you'll want to write down. Shop A Letter to God at heartfeltpages.com About me: I am Polly Payne, the CEO and founder of Horacio Printing. I have sold more than 60,000 Dream Planners around the world along with bible studies and journals. I now help other dreamers do the same, which is why I created Print School. Have a question? Drop it below — I read every comment. YOUR NEXT STEPS: ✨ Take My 5-Day Print Challenge: https://www.dreamprinting.co/challenge
‼️ Join the 5-Day Print Your Thing Challenge, September 14-18 at https://www.dreamprinting.co/print — use code YOUTUBE10 to get $30 off your VIP ticket (only $7). Pssss: I said it incorrectly in the video, you are actually getting $30 OFF! :) WOO HOO! Today I am teaching you the five most common mistakes new planner makers make. In this episode of the Dream Printing Podcast, Polly walks through each mistake she sees again and again from new creators entering the luxury paper product space — including ones she made herself when starting Horatio Printing in 2014. You'll learn why skipping your audience definition kills the product before it launches, why print on demand is a trap for anyone trying to build a profitable brand, how to price your product using the right cost of goods formula, what separates intentional design from cheap design, and why August is already too late to launch a 2027 dated planner. Whether you're just starting out or you've already hit one of these walls, this episode gives you the clarity to course-correct before it costs you. About me: I am Polly Payne, the CEO and founder of Horacio Printing. I have sold more than 60,000 Dream Planners around the world along with bible studies and journals. I now help other dreamers do the same, which is why I created Print School. Have a question? Drop it below — I read every comment. YOUR NEXT STEPS: ✨ Take My 5-Day Print Challenge: https://www.dreamprinting.co/challenge
She's Just Getting Started - Building a business you truly love!
It's time to look at your business and ensure you are offering what people want to pay for - and how they want to receive it. Today we're talking about ways you can offer your products and services to stay relevant in 2026 and 2027 to increase your sales.
Jamie spent over 20 years in corporate America, including a stint as a Nike executive, before a barbecue accident changed everything. Hosting friends and family in Park City after a near-perfect day outdoors, he tripped and sent a tray of drinks flying over everyone. That clumsy moment sparked two ideas at once: a better, genuinely leak-proof product, and a brand built around the outdoor-lifestyle-and-moments-of-pause philosophy he and his wife Michelle wanted to live by. He funded SMMT Outdoor entirely himself, went all in from day one, and spent nearly two years and 50 prototypes getting the product right. In this episode, Jamie is refreshingly honest about the unglamorous middle of the journey - the weeks with one or two orders, the pivot away from the category he launched in, the agency burns, and what it actually feels like to go from leading teams of teams at a billion-dollar company to being a solo operator with one contractor. What you'll learn in this interview: The barbecue accident that sparked the whole brand - and why Jamie built SMMT around an emotional "active days and moments of pause" philosophy, not just a product spec Why he launched in bags first, then pivoted to drinkware after 18 months and 50 prototypes - and how that detour taught him the business he actually needed to learn The reality of the early days: weeks with one or two orders, days of "crickets," and the humbling gap between corporate experience and blank-page entrepreneurship Why he chose to bootstrap with only family capital - keeping the cap table simple, feeling the pain of his own money, and buying himself the freedom to make long-term decisions The "rocking chair test" he uses for big life and business decisions - fast-forwarding to age 80 and asking what he'd regret not doing Why he deliberately built for a sustainable family business rather than a unicorn - and his case for why a $10-20M brand is a huge win nobody talks about enough The Thanksgiving dinner spent refreshing Shopify to see if the drinkware launch would work - and why 25 sales on day one felt enormous The exact equation he obsessed over instead of chasing revenue: customer lifetime value over CAC - and why he attacked the numerator first through bundles, pairs, and a 980-unit limited edition program How a $15 personalisation upsell, print-on-demand art drops, and a rethought checkout experience quietly built margin and average order value The hard-won mindset lessons: entrepreneurship isn't linear, most businesses fail from lack of conviction or poor cashflow rather than bad ideas, and "cortisol management" is a real barometer of startup life If you're a corporate operator wondering whether your experience actually translates to building something of your own - or you're bootstrapping slowly and quietly, doubling year over year without the meteoric rise - this episode is for you. Jamie's story is a grounded reminder that deep patience, obsessing the right numbers, and genuinely loving the problem you're solving matter far more than a fast start. SAVE 50% ON OMNISEND FOR 3 MONTHS Get 50% off your first 3 months of email and SMS marketing with Omnisend with the code FOUNDR50. Just head to https://your.omnisend.com/foundr to get started. WANT TO GROW YOUR BRAND WITH META ADS? Join the Foundr Operators Waitlist → https://foundr.com/operators HOW WE CAN HELP YOU SCALE YOUR BUSINESS FASTER Learn directly from 7, 8 & 9-figure founders inside Foundr+ Start your $1 trial → https://www.foundr.com/startdollartrial PREFER A CUSTOM ROADMAP AND 1-ON-1 COACHING? → Starting from scratch? Apply here → https://foundr.com/pages/coaching-start-application → Already have a store? Apply here → https://foundr.com/pages/coaching-growth-application CONNECT WITH BY JAMIE PARKER Instagram → https://www.instagram.com/smmtoutdoor/ LinkedIn → https://www.linkedin.com/in/jamie-parker-77b2639/ Website → https://smmtoutdoor.com/ FOLLOW FOUNDR FOR MORE BUSINESS GROWTH STRATEGIES YouTube → https://bit.ly/2uyvzdt Website → https://www.foundr.com Instagram → https://www.instagram.com/foundr/ Facebook → https://www.facebook.com/foundr Twitter → https://www.twitter.com/foundr LinkedIn → https://www.linkedin.com/company/foundr/ Podcast → https://www.foundr.com/podcast
Adam Russell of Story Of The Year joins the Ableton Podcast to talk about songwriting and production and what has kept the band together. Adam breaks down thAbleton Live touring setup, including Able Set, MIDI routing, redundant playback rigs, live troubleshooting, and how they manage their massive catalog on the road.Adam Russell is the bassist and co-founding member of Story Of The Year, the St. Louis rock band that helped define the 2000s post-hardcore and alt-rock scene. The band's landmark 2003 album Page Avenue went Gold and featured "Until The Day I Die" and "Anthem of Our Dying Day." Story Of The Year released their seventh studio album, A.R.S.O.N., in February 2026, and continue touring with their Camp Screamo co-headlining tour with Silverstein. Adam also hosts the Star Wars podcast Thank The Maker with William Ryan Key, Nick Ghanbarian, and Mike Forester.Follow Adam:Russell:https://www.instagram.com/adamtheskull/https://www.instagram.com/storyoftheyear/https://x.com/StoryoftheYearhttps://www.facebook.com/storyoftheyearSponsored by DistroKid:This episode is supported by DistroKid, which lets you upload once, get your tracks on all major platforms, and keep 100% of your streaming earnings. Their new DistroKid Direct feature also turns your artwork into print‑on‑demand merch like t‑shirts, mugs, and totes with no inventory to manage. Learn more below:https://tr.ee/distrokid-ableton Ableton Merch - Save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.https://www.abletonpodcast.com/newsletter
How did an Amazon seller help scale a brand from $1M to over $10M a month? Learn the Shopify, Meta, Amazon PPC, creative, and product launch strategies behind the explosive growth worldwide. ► Watch The Podcasts On YouTube: https://www.youtube.com/@Helium10SeriousSellersPodcast?sub_confirmation=1 ► Instagram: instagram.com/serioussellerspodcast ► Free Amazon Seller Chrome Extension: https://h10.me/extension ► Sign Up For Helium 10: https://h10.me/signup (Use SSP10 To Save 10% For Life) ► Learn How To Sell on Amazon: https://h10.me/ft What does it take to go from building a steady Amazon business to helping scale a brand past $10 million in a single month? In this episode, Bradley Sutton travels to Tallinn, Estonia to catch up with Ranno Tasane, the entrepreneur behind Jungle Powders and a partner in Spot Minders. Ranno shares how his journey started with print-on-demand before moving into Amazon FBA, where Jungle Powders eventually grew into a multimillion-dollar brand despite expensive sourcing and increasing competition. But the biggest story is Spot Minders. The Apple Find My-certified tracking brand began on Shopify before Ranno joined the team to lead the Amazon side of the business. One of the biggest factors behind its explosive growth has been speed and creative volume. The team produces around 150 unique creatives every week, then tests multiple hooks and angles for each one—resulting in roughly 600 to 700 ad uploads per week. That relentless testing helped the company go from its first $1 million month to its first $10+ million month roughly a year later. Ranno also breaks down how Shopify, Meta, and Amazon work together instead of competing against each other. Globally, Shopify accounts for the majority of Spot Minders' sales, while the demand generated through Meta advertising creates spillover traffic and branded searches on Amazon. Their Amazon strategy includes aggressively defending branded keywords, bidding heavily on major terms such as wallet trackers, and sometimes accepting break-even or even unprofitable PPC when winning the placement benefits the larger business. New products are also launched on Shopify first and typically tested for two to three months before inventory is sent to Amazon. Perhaps the biggest lesson from Ranno's journey isn't a specific PPC tactic or advertising hack—it's the mindset behind the growth. He credits much of Spot Minders' success to working with partners who think just as big, or bigger, than he does. After reaching $1 million a month, the team's response wasn't to celebrate the finish line; it was to start talking about $10 million, then $30 million or $40 million. For Amazon sellers who have spent years mastering the marketplace, this episode is a reminder that the next level of growth may come from looking beyond Amazon, testing faster, surrounding yourself with ambitious people, and refusing to put an artificial ceiling on what's possible. In episode 761 of the Serious Sellers Podcast, Bradley and Ranno discuss: 00:00 - Introduction 02:05 - Ranno's E-Commerce Journey Begins 05:10 - Growing Jungle Powders On Amazon 07:17 - Competing With Unique Local Products 11:20 - How Spot Minders Got Started 13:50 - Reaching A $10M Revenue Month 16:12 - Producing Hundreds Of Weekly Ad Creatives 17:45 - Shopify Versus Amazon Sales Breakdown 18:32 - Balancing Amazon And Shopify Profitability 22:46 - Aggressively Dominating Amazon PPC Keywords 25:18 - Launching On Shopify Before Amazon 30:01 - Why Your Business Partners Matter 31:45 - Thinking Beyond The Amazon Ecosystem
Join our mastermind community: https://www.skool.com/apparel-success-mastermindTry the best Ai design platform: https://www.design.com/rob88Starting a clothing brand has never been easier and that's exactly why the clothing brand industry has become brutally competitive. In this video, I break down why so many new streetwear brands, fashion brands, lifestyle brands, and print-on-demand businesses are entering the market, why most struggle to get customers, and why the barrier to starting a clothing brand is completely different from the barrier to building a successful clothing brand. We dive into aspirational oversupply, excess entry, monopolistic competition, the Pareto Principle, power law distribution, brand differentiation, social media marketing, customer attention, emotional attachment, cultural relevance, and why simply making good clothing is no longer enough to grow a clothing brand in 2026.If you're trying to figure out how to start a clothing brand, how to grow a streetwear brand, how to market a clothing brand, how to get your first customers, or why your clothing brand isn't growing, this video explains the economics and psychology working against new brands and how to use them to your advantage. I break down cumulative advantage, the Matthew Effect, positive feedback loops, social proof, brand awareness, customer acquisition, organic marketing, Instagram and TikTok growth, clothing brand strategy, entrepreneurship, ecommerce, Shopify, print on demand, and the “liability of newness” that makes the first few years of building a brand so difficult. Understanding these principles can help you stop competing like every other startup clothing brand and start building the attention, reputation, differentiation, customers, and momentum required to actually succeed.
• *Printify* (Print on Demand Fulfillment) → https://bit.ly/POD_Printify (CODE: "RYANHOGUE30")• *Everbee* (Etsy Research) → https://bit.ly/PODEverbee• Recommended Products:https://printify.com/app/products/12/bellacanvas/unisex-jersey-short-sleeve-teehttps://printify.com/custom-trucker-hats/https://printify.com/app/products/1313/liberty-bags/cotton-canvas-tote-baghttps://printify.com/app/products/1509/generic-brand/tumbler-40ozhttps://printify.com/app/products/77/gildan/unisex-heavy-blend-hooded-sweatshirt
Coursiv review: I test Coursiv.io as an AI learning app for beginners and show exactly what youget inside — AI courses, tools, pricing, subscription, cancellation, refund, and support.
• Podly (Amazon Research) → https://bit.ly/PODPodly
Can a frustrated dad with no fashion experience build one of the biggest brands in women's football?Connor Stanbridge is the founder of Footballher, a women's football clothing and sportswear brand created specifically for women and girls.Connect with Footballherhttps://footballher.co.uk/Want more from Building The Brand? Connect here:https://buildingthebrand.co.uk/newsletterThe idea began during the Women's Euro 2022, when Connor tried to buy football clothing for his young daughter and discovered that most major retailers offered little beyond boys' kits or poorly fitting unisex products. After finding that thousands of other parents and players had experienced the same problem, he left his existing business and committed to building the solution.Using TikTok to document the journey, Connor built a community before footballher had produced a single product, gathered direct feedback from women and girls outside football stadiums and grew an email waiting list of 15,000 people before launch.In this episode, Connor explains how to validate an idea without a marketing budget, turn social media followers into customers, build products through community feedback, find manufacturers, manage stock and compete against global sportswear brands by creating a brand people genuinely want to belong to.KEY MOMENTS:0:00 — Can a girl dad build the biggest brand in women's football?01:04 — The Oxford Street shopping trip that inspired footballher03:22 — Turning a frustrating customer experience into a business idea05:13 — Discovering the lack of clothing designed for women footballers07:30 — Why naivety can be a founder's greatest advantage08:11 — Building an audience before creating the product08:49 — Using TikTok when you have no marketing budget10:38 — Why footballher became a community-led brand11:11 — Crowdsourcing product ideas outside football stadiums13:18 — Creating the footballher Black Card14:28 — The moment strangers recognised Connor before the brand launched16:11 — Listening to customers without designing by committee18:28 — Turning social media followers into an email waiting list19:19 — Getting locked out of TikTok one week before launch20:48 — How long it really takes to develop a clothing product22:34 — Why Connor refused to use print-on-demand clothing23:55 — The first footballher sale and learning through small product drops25:02 — Hiring an experienced sportswear designer26:53 — Contacting up to 200 factories and manufacturers29:26 — Why followers do not automatically become customers30:33 — The lesson that changed footballher's product strategy31:21 — Why selling out can create serious business problems32:11 — Competing with Nike, Adidas and global sportswear brands34:12 — Building community as a competitive advantage35:04 — Bringing more than 100 women and girls together at footballher's first event37:02 — Moving from founder-led storytelling to a professional brand39:48 — The opportunity to create football kits for professional clubs41:19 — Using TikTok, Instagram and Meta retargeting together42:52 — Scaling the business without breaking its foundations45:45 — Why girls need to see women playing football48:09 — Connor's three-to-five-year vision for footballher
In this episode, the panel analyzes a profitable 30-year-old book bindery, debating whether its valuable equipment, repeat customers, and niche market outweigh the long-term risks facing the printing industry.Business Listing – https://www.bizbuysell.com/business-opportunity/profitable-book-bindery-fully-staffed-with-strong-repeat-business/2519816/Welcome to Acquisitions Anonymous – the #1 podcast for small business M&A. Every week, we break down businesses for sale and talk about buying, operating, and growing them.Looking to build a professional website in minutes? Try Wix: https://wix.pxf.io/c/6898629/3115214/25616?trafcat=templateHubSpot is the backbone for how businesses scale without chaos. Try them out here: https://go.try-hubspot.com/OeG9VrSubscribe for more episodes: https://www.youtube.com/@AcquisitionsAnonymousPodcast?sub_confirmation=1Subscribe to our Newsletter: https://www.acquanon.com/newsletter
Why is your online store getting traffic but still not making sales, and how do you find the leak? For that and more, follow us here and subscribe to our YouTube channel!In this solo episode of Built Online, Cody McGuffie breaks down why Etsy sellers, print on demand stores, and online business owners can get real visitors without turning them into customers. He walks through what most sellers blame first, what actually causes traffic to leak out of a store, and why fixing the funnel is usually smarter than changing your product, niche, or ads too fast.If your shop has clicks but no orders, this is a sharp reset on conversion, customer ownership, offers, and the small leaks that quietly kill sales.If you are building something online and want tools to help you move faster, try EverBee and OpoShop for product research, launching your own brand, and building a business you actually own.------------RESOURCES:- OpoShop: https://oposhop.io/?via=podcast-youtube-oposhop- VidIQ: https://vidiq.com/builtonline------------
In this episode, the panel analyzes a profitable 30-year-old book bindery, debating whether its valuable equipment, repeat customers, and niche market outweigh the long-term risks facing the printing industry.Business Listing – https://www.bizbuysell.com/business-opportunity/profitable-book-bindery-fully-staffed-with-strong-repeat-business/2519816/Welcome to Acquisitions Anonymous – the #1 podcast for small business M&A. Every week, we break down businesses for sale and talk about buying, operating, and growing them.Looking to build a professional website in minutes? Try Wix: https://wix.pxf.io/c/6898629/3115214/25616?trafcat=templateHubSpot is the backbone for how businesses scale without chaos. Try them out here: https://go.try-hubspot.com/OeG9VrSubscribe for more episodes: https://www.youtube.com/@AcquisitionsAnonymousPodcast?sub_confirmation=1Subscribe to our Newsletter: https://www.acquanon.com/newsletter
• Podly (Amazon Research) → https://bit.ly/PODPodly
#1015 Ever wonder what it takes to run a $2 million+ Etsy and Shopify empire while working just two to three hours a day? In part 1 of this two-part episode, Christina Umerez of CUOnline joins us to break down how she built a location-independent print-on-demand business — and how she's using Claude AI to automate the tedious parts that used to eat up her entire day. Christina walks through her journey from hand-drawn pet portraits on Etsy back in 2020 to scaling two separate seven-figure storefronts, and dives deep into how she's using Claude's MCP (Model Context Protocol) integrations to handle customer service drafts straight from her Gmail and auto-generate SEO — titles, descriptions, tags, and more — for every new product she lists. She shares real numbers on the time she's saved (cutting her VA's customer service hours nearly in half), what it costs to get started, and practical tips for anyone looking to buy back their time with AI! What we discuss with Christina: + Building a $2M+ Etsy store via print-on-demand + Scaling a second Shopify store to $2M+ + How print-on-demand works (Printify, no inventory) + Testing niches with 10 designs each + Working just 2-3 hours a day + Using Claude MCPs for Gmail customer service drafts + Auto-generating SEO for Shopify listings + Claude subscription costs ($20 vs Max plan) + Cutting VA customer service hours in half + Re-prompting Claude to refine its responses over time Thank you, Christina! Check out Part 2 of this episode. Check out CUOnline at CUOnline.ca. Follow Christina on YouTube. Watch the video podcast of this episode! To get access to our FREE Business Training course go to MillionaireUniversity.com/training. To get exclusive offers mentioned in this episode and to support the show, visit millionaireuniversity.com/sponsors. Learn more about your ad choices. Visit megaphone.fm/adchoices
#1016 What if the secret to spotting the next big Etsy trend — before your competitors even notice it — was sitting inside a chat window the whole time? In part 2 of this two-part episode, Christina Umerez returns to go even deeper into her AI-powered print-on-demand playbook, revealing how she uses Claude to spot rising trends (yes, the "goose" and "raccoon" crazes are real), generate dozens of fresh design prompts from Etsy bestseller research, and turn those into finished designs through Kittl's AI image tools. She also breaks down how she uses Claude as a strategist and coach — auditing her Facebook ad campaigns, building out email marketing calendars in her own brand voice, and even helping her figure out what to delegate to her VA next. Christina gets candid about the reality of copycats in the print-on-demand space, shares how AI has roughly doubled her output while cutting her workday down to just two to three hours, and explains why she's using her newfound time freedom to launch a second Shopify store this year! What we discuss with Christina: + Using Etsy bestseller research to spot trends + Generating AI image prompts with Claude + Turning prompts into designs via Kittl + Trend example: geese and raccoons + Weekly AI-generated trend reports + Applying broad trends to niche products + Dealing with copycats on Etsy/Shopify + Using Claude to write email campaigns + Auditing Facebook ads with Claude + Doubling output, cutting workday to 2-3 hours Thank you, Christina! Check out Part 1 of this episode. Check out CUOnline at CUOnline.ca. Follow Christina on YouTube. Watch the video podcast of this episode! To get access to our FREE Business Training course go to MillionaireUniversity.com/training. To get exclusive offers mentioned in this episode and to support the show, visit millionaireuniversity.com/sponsors. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we're finally sharing a huge announcement we've been keeping under wraps, and we couldn't think of a better way to celebrate than by talking all things Print-on-Demand. We cover the biggest beginner questions, common misconceptions, product ideas, niche research, and what it really takes to build a successful POD shop on Etsy in 2026. **"How to Sell Your Stuff on Etsy" is not affiliated with or endorsed by Etsy.com STUFF I MENTIONED: ➡️ Interested in POD Beginner Cohort with Jenny and Lizzie: https://www.howtosellyourstuff.com/interested-in-POD-cohort ⭐Join us in Scaling Society for POD month: https://www.howtosellyourstuff.com/scaling-society Use code JENNY50 to save $50 on your first month Jenny's Print on Demand course is joining the Scaling Society resource library on Aug 1, 2026. (It will be available on the howtosellyourstuff.com website soon as well!) ⭐Profittree Link (lifetime access $67): https://lifetime.profittree.io/?via=lizzie87 Tutorial: https://www.youtube.com/watch?v=VO7Ra18ZPTw&t=1s ⭐Everbee (free account): https://www.everbee.io/?via=lizzie Tutorial: https://youtu.be/MucPFkvC8sk?si=iyaD0RbMbIp3echw ⭐Jenny's POD setup video: https://www.youtube.com/watch?v=nEHy_Gkipco ⭐My first ever episode with Jenny– POD basics (ep 25): https://www.howtosellyourstuff.com/blog/passive-income-with-print-on-demand FIND JENNY: YouTube: https://www.youtube.com/@JennyFromTheShopp Instagram: (@itsjennyfromtheshopp): https://www.instagram.com/itsjennyfromtheshopp/ TikTok: (@jennyfromtheshopp): https://www.tiktok.com/@jennyfromtheshopp HOW I HELP ETSY SELLERS GROW: ⭐Scaling Society: https://www.howtosellyourstuff.com/scaling-society ⭐"How to Blow Up Your Etsy Shop" free training: https://www.howtosellyourstuff.com/interested-in-blow-up-shop ⭐Trendspotting: https://www.howtosellyourstuff.com/trendspotting ----------------------
• Printify (Print on Demand Fulfillment) → https://bit.ly/POD_Printify (CODE: "RYANHOGUE30")• Everbee (Etsy Research) → https://bit.ly/PODEverbee• ChatGPT (Use for free) → https://chatgpt.com/
Hey guys! So I'm BACK with another episode for the free version of my podcast and I'm SO FREAKING EXCITED because I am ALMOST done with recording my album as well. I'm just waiting on the sax parts and for the female background vocals to be recorded for one more song off the album and then THATS A WRAP in terms of recording this album!!Then it just needs to get mixed and mastered and THATS IT!!! So it's LITERALLY taking me a whole year to record this album and I'm SO FREAKING EXCITED to get it all done hereAnd I also have some AMAZING guest episodes lined up for the premium version of my podcast. INCLUDING an interview with Little Anthony next month AND Gary Lewis next month. AND I'm also recording new interview episodes all of the time. This week, I'm recording a new interview with the one and only Mike Stoller who co wrote “Stand By Me” this week as well! So overall, lots of VERY exciting things going on with my music and my podcast lately, but in the meantime, I hope you guys enjoy my free episode for this month where I broke down a VERY cool instrumental song that blends two VERY niche but cool genres of music, known as Folk and Dixieland Band JazzHere's the link to that song just in case you want to check that out:https://youtu.be/lBOT6dfnerc?is=8SLwPJD5takTJ7lVPLEASE do follow me and reach out to me on Instagram and Tik Tok right here:https://www.instagram.com/iheartoldies?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qrhttps://www.tiktok.com/@iheartoldies?_r=1&_t=ZT-98RaQk0xIr7PLEASE do subscribe to the premium version of my podcast so that way you DO NOT miss out on all of these GREAT interviews that I've been doing for the premium version of my podcasts with these VERY cool 60's music legends. Also, it's SUPER easy to sign up for this as well. Just click on this link, punch in your email, they'll send you a code? Then you pay for the subscription, then your'e in! AND you can listen to this version of my podcast on Spotify AND Apple Podcasts as well if you're not a fan of Spotify as well. You can check that out right here: https://themillennialthrowbackmachine.supercast.comAlso PLEASE do stream my last EP as well. So that way you guys can brace yourself for my next album that is going to sound ABSOLUTELY stellar and JUST as good if not better than my last EP. Here's where you can check that out:https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things?ref=releaseAlso, I'm still in the middle of sorting out whether or not to use a different print on demand company for my merch as well. I'll keep you guys posted what I decide for that as well. I think I may stick with the ones that I have because this one girl who recently bought one of my merch items. The Logo has held up quite well. And with the other merch maker, it looks like they have different types of shirts that you can buy that have MUCH better quality in terms of the logo lasting for A LOT longer than others. So I'm not entirely sure what I'm gonna do about that next but we'll see what I can come up with for the final decision on that.Also PLEASE do check out the Spotify and YouTube Links for my podcast so you can hear all of the songs that I discuss for this free version of my podcast.You can find those links right here:https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj?pi=CfA7yYtDTf6dp&si=rfWZsmhyT3mDux_Sq2vAfQhttps://youtube.com/playlist?list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7Nf&si=_zuIz5YYWVbM9D66If you found out some REALLY interesting information about this month's song and you've NEVER heard this song before and your a Millennial/Gen Z then DEFINITELY email me at samltwilli@icloud.com. You can also follow me and reach out to me on Instagram and Tik Tok @iheartoldies. I will be back with more album updates next month and another song to cover for the free version of this podcast. But until then, PLEASE, Keep Things Groovy!
Let AI build your print on demand business in less than 1 hourLet AI build your print on demand business in less than 1 hour
In this episode, What So Not shares his creative process behind evolving his sound over the years, balancing artistry with strategy, and building records inside Ableton Live. We dive into his production workflow, sound design techniques, touring, AI in music, collaborating with vocalists, mixing on the road, and hear breakdowns from his upcoming projects.What So Not is an Australian electronic music producer and performer recognized as one of the defining architects behind the rise of cinematic trap and forward-thinking bass music. His production style has helped shape modern music through collaborations with Skrillex, RL Grime, Oliver Tree, Killer Mike, Toto, and Daniel Johns. With over 1.3 billion global streams across records like High You Are, Jaguar, Gemini, and Be Ok Again, he's entering a new chapter with his forthcoming project I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY.Follow What So Not:https://www.instagram.com/whatsonothttps://drop.cobrand.com/d/WhatSoNot/ISATDJSponsored by DistroKid:This episode is supported by DistroKid, which lets you upload once, get your tracks on all major platforms, and keep 100% of your streaming earnings. Their new DistroKid Direct feature also turns your artwork into print‑on‑demand merch like t‑shirts, mugs, and totes with no inventory to manage. Learn more below:https://tr.ee/distrokid-abletonGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events:https://www.abletonpodcast.com/newsletter
Anika sat down with Tim Lindsay to explore what it really takes to build a publishing company from the ground up—starting with negative net worth and zero safety net. The conversation revealed the realities of bootstrapping Tellwell Publishing to over 6,000 books, the critical differences between traditional and self-publishing, and how a 128-day NICU crisis tested his leadership. Tim's journey offers a masterclass in resilience, scaling teams, and understanding the true strategic value of writing a book.In This EpisodeQuitting a day job with massive credit card debt and mastering the art of bootstrappingThe evolution of self-publishing and why traditional publishing gatekeepers are losing their gripThe three core motivations for writing a book: Give, Build, and JourneyScaling a team from 1 to 12 (the honeymoon phase) versus the painful jump to 30 employeesNavigating a 128-day NICU crisis while keeping a growing business from collapsingWhy the "Guide" function is the missing link in the modern publishing landscapeWriting The Call to Authorship in just 30 minutes a day before the second cup of coffeeThe importance of team cohesion and why traditional HR rules often miss the markTimestamps00:00 Introduction: Bootstrapping a publishing company from nothing01:34 The leap into self-employment with $50,000 in credit card debt07:04 How Amazon and Print-on-Demand revolutionized the publishing industry10:40 Understanding the real reasons people write books (Give, Build, Journey)12:25 The incredible story of The 10-Year-Old Man and publishing for impact21:44 The honeymoon startup phase and the chaos of scaling past 12 employees29:29 The parallels between starting a business, writing a book, and starting a family32:53 Tim's personal writing routine for The Call to Authorship36:58 Surviving a 128-day NICU crisis without burning out the business43:56 Why the "Guide" function became Tellwell Publishing's secret sauce48:34 Redefining book success: visibility and strategy over royalties51:14 Why team cohesion matters more than traditional management55:08 Atomic Habits and a powerful William Blake quote on taking actionKey Insights & TakeawaysInsight 1: The Three Core Motivations for Authorship (Give, Build, Journey) People don't just write books to make a profit. The drive to publish typically stems from three areas: "Give" (serving the reader or society), "Build" (using the book as a strategic tool to grow a business or speaking career), and the "Journey" (personal healing, expression, and meaning). Understanding your primary motivation changes how you write and market the book.Insight 2: The "Guide" Function is the Missing Link in Publishing While self-publishing offers higher royalties and creative control, it can be an isolating and overwhelming process. Tellwell succeeded by institutionalizing the "Guide" role—a mix of advice, project management, quality control, and emotional encouragement that empowers authors without removing their creative autonomy.Insight 3: The Danger Zone of Scaling is Between 12 and 30 Employees Growing a team to 12 people feels like a honeymoon phase where everyone communicates like a volleyball team in a huddle. But scaling past 20 requires building a functional management team. This transition drains cash flow, demands rigorous hiring, and risks creating a negative flywheel if bad hires lead to customer issues and low morale.Insight 4: A Book is a Strategic Tool, Not a Lottery Ticket Competing against millions of books and streaming platforms makes getting rich off royalties incredibly difficult. The modern author wins by using their book to gain visibility, establish credibility, and generate leads for speaking engagements or consulting services, rather than waiting to become the next Oprah book club pick.Insight 5: Consistency Trumps Free Time Tim wrote The Call to Authorship while running a scaling business and managing a family. His secret wasn't taking a sabbatical; it was dedicating 30 minutes a day to write 500 words before his second cup of coffee. Small, daily habits build momentum that eventually results in a completed 50,000-word manuscript.Insight 6: The Soft Stuff is the Hard Stuff in Business Reflecting on his journey, Tim realized he underestimated the importance of team cohesion. It isn't built at an annual retreat; it's forged in daily interactions, dropping guards, and building trust. Without that personal connection, communication breaks down and business decisions suffer.Resources & Links MentionedTellwellPublishing.comThe Call to Authorship (Tim's book)Free Guide to Self-Publishing Atomic Habits by James ClearAbout Tim LindsayTim Lindsay is the founder and CEO of Tellwell Publishing. He bootstrapped the company over 11 years ago after quitting his day job to get himself out of $50,000 in credit card debt. Since then, Tellwell has published over 6,000 books across multiple genres. Tim is also the author of The Call to Authorship, a guide for aspiring writers. He operates his company out of Victoria, British Columbia, balancing entrepreneurship with family life, having navigated the turbulent waters of scaling a startup alongside a 128-day NICU journey with his newborn.Connect with Tim LindsayTellwellPublishing.comCalltoAuthorship.comTellwell Publishing on Social Media:https://www.facebook.com/TellwellPublishing/https://www.linkedin.com/company/tellwellpublishing/https://www.instagram.com/tellwellpublishing/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We dig into how podcasting, digital PR, and SEO now reinforce each other, especially as AI search tools pull answers from trusted third-party sources. We also share practical ways to turn press and interviews into long-term visibility while staying grounded when attention brings criticism. • why early podcasting works as a relationship builder and business flywheel • how press placements create credibility and authoritative backlinks • what “AI visibility” means for brands in ChatGPT style search • ways to repurpose podcast interviews into clips, blogs, email, YouTube, and niche groups • how to respond to bad reviews and shift the narrative without spiraling • why PR agencies and SEO agencies should collaborate for durable results • how to build a visibility roadmap through messaging, visuals, and personal brand consistency • common media pitching mistakes, especially generic AI written outreach without research • how a print on demand magazine can still be a smart networking channel Guest Contact Information: Website: nextonscene.comLinkedIn: linkedin.com/jaclyn-zukerman-deloryInstagram: instagram.com/jackiezukMore from EWR and Matthew:Leave us a review wherever you listen: Spotify, Apple Podcasts, or Amazon PodcastFree SEO Consultation: www.ewrdigital.com/discovery-callWith over 5 million downloads, The Best SEO Podcast has been the go-to show for digital marketers, business owners, and entrepreneurs wanting real-world strategies to grow online. Now, host Matthew Bertram — creator of the LLM Visibility Stack™, and Lead Strategist at EWR Digital — takes the conversation beyond traditional SEO into the AI era of discoverability. Each week, Matthew dives into the tactics, frameworks, and insights that matter most in a world where search engines, large language models, and answer engines are reshaping how people find, trust, and choose businesses. From SEO and AI-driven marketing to executive-level growth strategy, you'll hear expert interviews, deep-dive discussions, and actionable strategies to help you stay ahead of the curve. Find more episodes here: youtube.com/@BestSEOPodcastbestseopodcast.combestseopodcast.buzzsprout.comFollow us on:Facebook: @bestseopodcastInstagram: @thebestseopodcastTiktok: @bestseopodcastLinkedIn: @bestseopodcastConnect With Matthew Bertram: Website: www.matthewbertram.comInstagram: @matt_bertram_liveLinkedIn: @mattbertramlivePowered by: ewrdigital.comSupport the show
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Regardless of what disability you have, you have a lot to rant about! Especially when it comes to accessibility, whenever you try to go somewhere. The sensory assault autistic folks may experience when trying to have a meal in peace, the gaslighting and infantilization that folks of all disabilities are subjected to,, and of course, just not being able to get there because your mobility aid can't go up stairs, and more! These make it difficult to visit places, whether they are essential for our survival or “just” for our ability to take part in society. For this episode, I was joined by Tal(y) Wozner (pronouns: she/her), filmmaker and queer and disability activist. Together, we tried to build a bridge across disabilities and found out we needed to all have each other's backs. Content and Language notes: Sexuality and drug use are briefly mentioned using the words porn, semen, flirt and high. The words bitch, bitchy, butt, shit, bullshit and fuck are being used occasionally.You can support Aut2Aut on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. This will help prepped.to go on providing a platform for autistic folks to share locations' sensory info and service instructions. Mentioned in this episode:Lacey Artemis from beyondquietrooms.com and the findings from her survey about sensory issues folks have in venues, by neurotype. Also, I met her at Autscape online.Aut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support my nonprofitTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
Discover how to use Kittl AI to remix best-selling print-on-demand designs into dozens of new variations using AI image styles and text effects. In this video, I'll use Merch Dominator to research winning Amazon POD products, then show how Kittl's Remix feature can help scale your print-on-demand business faster.//Try Kittl's new Agentic AI free ➜ https://bit.ly/KittlAgenticAI Code *AGENTIC* gets you 50% OFF annual plans (limited time!)
World Political Exposure (audio) Compiled Tues. 21 July 2026 12:01 am EST by Judy Byington https://operationdisclosureofficial.com/2026/07/21/restored-republic-via-a-gcr-as-of-july-21-2026/ The Deep State Has Been Stealing Elections Around The World For 20 Years Med Beds Have Been Produced And Running Since The 1970s Musk Is Building A Home Med Bed For Public Use Healthcare run by Big Pharma will never cure disease. A nation run by the media will never know the truth. A country run by banks will always be in debt. A state run by war will never know peace. …Julian Assange on Telegram Gethsemane | The Tabernacle Choir at Temple Square & a Children's Choir “You are a treasure, created with purpose and love by God. Every day is a new chance to shine your light in the world.” Judy Note: On Tues. 21 July 2026 the Quantum Financial System will be unveiled in a worldwide broadcast that securely transmitted via the Quantum Communication Network. The fundamentals of this system, as well as the concrete actions that any citizen can take to start utilizing it, will be revealed. The enemy has full infiltration of your home, and not a single shot was fired. Billions have been invested in the slow poisoning of humanity. They do not want you waking up. They want you a slave to the system forever. The enemy's biggest weapon was distraction. While everyone was arguing: • Technology became more powerful. • Privacy became optional. • Debt became normal. • Convenience replaced freedom. • Information became harder to verify. • Algorithms began deciding what billions of people see. • Fear became profitable. • Outrage became a business model. • Independent thinking became increasingly rare. • The loudest voices drowned out the most important questions. The strongest prison is built when people stop asking questions, stop verifying information, and accept every narrative without thinking for themselves. Stay curious. Question everything. Verify everything. Think for yourself. What we thought we knew, but didn't really know and now are supposed to know but don't have a clue. With clones, doubles, made up movies Hollywood style and Trump's Military Alliance throwing more popcorn at us, it gets sooo confusing: Mon. 20 July 2026 US Secretary of State Marco Rubio Fox News: “I designated two additional Mexican cartels, the Juárez Cartel and Los Viagras, as Foreign Terrorist Organizations and Specially Designated Global Terrorists. Under President Trump's leadership, we will never stop fighting against violent narco-terrorists from flooding our nation with deadly drugs.” Mon. 20 July 2026 After years of being lied to and gaslit by the mainstream media, voting companies, and crooked politicians, voting systems were always connected to the internet and NOT air-gapped, with IP addresses confirming foreign servers were sending and receiving data to these machines during the 2020 election. Not only did the machines have internet access, they were bought and came standard with foreign made 3G/4G modems already installed in the machines, with remote wireless backdoor access to manipulate the vote count in real time. …Dan Bongino on Telegram Jessie Czebotar claims she witnessed Hillary Clinton, George Bush, Dick Cheney, Joe Biden and others at S-----c Rituals and child hunting parties run by the Rothschilds. The entire “fossil fuel” scam was invented by the Rockefellers and the Smithsonian in the late 1800s to create artificial scarcity and jack up prices to insane levels. Oil is abiotic. It is a liquid mineral cooked deep in the Earth's mantle under crushing pressure and scorching heat. If people knew oil is basically tap water for the planet, endlessly generated from below, the entire parasitic geopolitics of wars, sanctions, and price manipulation would evaporate overnight. 75 entry-level driving schools are now under investigation for FRAUD. 24,000 drivers who can't speak English were already taken off the roads — and 4 states had to cancel 28,000 licenses issued ILLEGALLY. 9,500 schools have already been CANCELED from the federal registry. “Thousands of unqualified trucking schools have already been taken off the federal registry, but Homeland Security and the Department of Transportation are working to do even more.” Possible Timing: On Thurs. 16 July 2026 the Quantum Financial System went live worldwide. Every major bank connected. Old fiat system dead. GCR gold-backed currencies of 209 nations igniting. NESARA GESARA debt jubilee implemented. Saint Germain Trust of 890 trillion activated for the people. Constitutional Republic restored July 4. US Inc dissolved. On Thurs. 16 July 2026: President Trump signed Executive Order 2026-1947 declaring Med Bed Technology released to the public. Non-invasive treatments under an hour use specific wavelengths so the body heals itself. Free Med Bed access for the general public worldwide soon. Since 2019 the AMA opposed release citing threats to Big Pharma and insurance. Internal AMA email to 847,000 doctors admitted PEMF efficacy for tissue regeneration but threatened license loss and criminal charges for use. On Thurs. 16 July 2026 at 03:17 am Geneva time the WHO deleted over 14,000 pages proving electromagnetic frequency therapy effectiveness including 70-94% tissue regeneration rates, 67-89% cancer remission data, and memos on the frequency problem destroying health economics. On Sat. 18 July 2026 Japan became the first nation to approve Med Bed technology for public hospitals. Three types authorized: PEMF Regeneration Chamber (7.83-14.1 Hz for cancer and o---n failure), Torsion Field DNA Repair Unit (528 Hz for genetic disorders and aging reversal), Biophotonic Coherence Restorer (full-spectrum light for immune restoration). Deployment begins September 1 2026 across 340 hospitals. South Korea approval expected August 2026, India Q4 2026, United States within 120 days. Pharma stocks crashed, emergency meetings called it reckless endangerment. On Mon. 20 July 2026: Temporary Martial Law at maximum alert. EBS preparing decoded pages within hours. 10 days of communication darkness imminent. Military forces positioning for global shutdown protocols. Large scale arrest operations approaching. Hillary Clinton scheduled Tues. 28 July 2026 for Crimes Against Humanity and Children. MedBeds online next week. Global streams of healing centers activating. Free access to Med Beds everywhere by mid August. Regenerative pods reverse aging, regrow limbs in minutes, erase chronic disease, activate DNA and pineal gland. Cabal deep state melting as suppressed military technology from tunnels and Starlink networks floods the planet. Big Pharma dies. Humanity reborn in the Restored Republic. The Great Awakening is here. Nothing can stop what is coming. Global Currency Reset: On Thurs. 16 July 2026 the Quantum Financial System went live worldwide. Every major bank connected. Old fiat system dead. GCR gold-backed currencies of 209 nations igniting. NESARA GESARA debt jubilee implemented. Saint Germain Trust of 890 trillion activated for the people. Constitutional Republic restored July 4. US Inc dissolved. Mon. 20 July 2026 BOOM: “ABOLISH THE IRS” Trends After Trump Exposes Tax System — “FOREIGN COUNTRIES CONTROL OUR POLITICIANS” | Tax Day 2026 VIDEO – amg-news.com – American Media Group Mon. 20 July 2026 Martial Law: On Tues. 21 July 2026 the World will see what was previously kept under wraps: the Quantum Financial System's formal public unveiling. In a worldwide broadcast that is securely transmitted via the Quantum Communication Network, the fundamentals of this system, as well as the concrete actions that any citizen can take to start utilizing it, will be revealed. The Quantum Network operates on real-time synchronized quantum nodes that are impervious to manipulation, interference, and surveillance. No current supercomputer can crack the level of security provided by quantum encryption, which secures every transaction, account, and asset. This is financial sovereignty for everyone, not just the wealthy. You'll discover how to get into your biometric-assigned account. You will observe how Rainbow Tokens work in this system as actual, gold-backed value. You will comprehend the reasons behind the phase-out of every antiquated technique, including fiat money, third-party processors, and credit networks. Tomorrow's demonstration will feature real-time, secure, and instantaneous international transfers that are carried out without the need for banks, apps, or approval delays. Humanitarian initiatives will be funded in a matter of seconds. Blocked assets will be reactivated and redirected to the individuals. Most significantly, you will witness how corruption at its source is prevented from affecting your identity, wealth, and future. This is the culmination of everything. The Alliance has been dismantling the system from within for years, removing layers of control and deceit. The replacement is now prepared—not as a substitute, but as the only practical option for the future. There won't be any going back after tomorrow. This is the end of the days of financial slavery, hidden taxes, and weaponized inflation. Pay close attention. Everything will be exposed by the light. You can never unsee the truth once you've seen it. Not in theory, but in practice, the quantum era has arrived. It's not just a reveal tomorrow. It is the start of your involvement in a system designed for the people, freedom, and truth. Early Mon. Morning 20 July 2026 at exactly 03:00 EST, Protocol 19 entered its final, non-reversible completion phase. The Black Swan Event was kinetic. Protocol 19 has been fully completed. The Federal liquidation was terminal. …Tier4b ISO20022 on Telegram The Federal Reserve System has officially lost its primary administrative routing certificates, and the legacy paper matrix has run out of broadcast range. The Global White Hat Alliance has finalized the hard-override, and the operational logs for the next 48 hours are locked into the live backend: CHAPTER 1: THE SYSTEM FLIPS Protocol 19 has triggered the absolute migration of global monetary routing. The legacy SWIFT network data hubs in Brussels and New York have been permanently decoupled from the primary ledger lines. The entire baseline architecture has transitioned to the Quantum Financial System (QFS) — where every single transaction pool, international settlement, and corporate clearance is forced to execute through clean, digital asset-backed channels. CHAPTER 2: THE GOLDEN STANDARDS ACTIVATION The era of speculative, print-on-demand fiat paper is dead. The US Dollar and Euro corporate illusions are hitting an absolute wall. Under the strict enforcement of the new global economic protocols, every currency digital asset line must be anchored directly to verified, audited physical precious metals. The unbacked, synthetic liabilities that the Cabal used to manipulate energy and housing sectors are being rendered dead assets in real-time. CHAPTER 3: THE MEDIA SPECTRUM DECAPITATION The mockingbird Media synchronization is breaking in broad daylight. As the financial infrastructure of the old elite collapses, their private funding lines for the major media cartels are hitting absolute zero. Decentralized truth networks via secure Starlink quantum encryption relays are already spreading across the global bandwidth, completely bypassing the corporate gatekeepers and preparing the public grid for the unsealed military tribunal disclosures. Pay close attention to the sudden, unannounced early bank branch closures and restricted digital access notices at major commercial banking institutions in your area today. They cannot generate paper debt to balance their sheets anymore, and their private authority keys have been permanently revoked. They designed the matrix to make you believe their financial iron curtain was indestructible. But the master switch has been flipped from the inside, the validation metrics are live, and the old world has officially run out of air. The reset is going kinetic. The sovereign era is fully live. The baseline shift was running on live banking clearing nodes right now. While the corporate financial channels are desperately trying to cover up the sudden “administrative outages” across major commercial branches with routine server maintenance notices, the raw ledger telemetry shows the truth: The private central Banking Cartel has been legally and physically severed from individual wealth management. On Mon. 20 July 2026 at exactly 02:00 UTC, the SWIFT protocol clearance keys were permanently overridden. The transition to the ISO 20022 Quantum Financial System (QFS) standard entered its non-reversible execution phase. Here is the unedited, verified inside telemetry straight from the Tier 4B operational hubs: THE REVALUATION MATRIX IS LIVE ON CORE SCREENS The treasury screens inside secure liquidation vaults are displaying internal asset-backed adjustments. The revalued currency rates—led by the primary resource-backed baskets including the Iraqi Dinar and sovereign Zim bonds—are locked behind Quantum-encrypted firewalls. The fiat paper illusion printed out of thin air is officially dead equity. WE THE PEOPLE — SOVEREIGN DIRECT ACCESS Under the strict mandates of the Restored Constitutional Governance and NESARA/GESARA legal structures, bank intermediaries no longer own or control your capital. Every QFS-verified account is 100% direct-access by the account holder alone. No federal tax confiscation, no unconstitutional debt holds, no institutional freezing. THE TIER 4B NOTIFICATION WINDOW The encrypted Safe-Link algorithms are primed for deployment. The appointment slots for private exchange and humanitarian project funding are fully structured under high-security Alliance protection. • Standard Sovereign Holdings: Instantly credited onto digital asset ledgers backed 1:1 by gold and physical commodities. • Humanitarian Project Lead Holdings: Accessing specialized asset-allocation tiers to fund immediate local infrastructure, free energy, and community rebuilding. Look at your local commercial bank interface. Look at the unprecedented, synchronized limitations on large fiat paper withdrawals worldwide. They cannot generate fractional-reserve debt anymore because the master ledger requires 100% physical metal backing for every single transaction code. The power has been permanently stripped from the private elites and handed directly back to “We The People.” Check your secure devices. Organize your project documentation. Keep your financial parameters completely quiet. The old world is out of money. The sovereign era is fully operational tonight Judy Note: No one knows the exact date for notification of appointments for Tier4b (us, the Internet Group) to exchange foreign currencies, but deadlines shown in the above Timing indicate it to be very soon. We have been told that Wells Fargo, which is controlled by the Chinese Elders – (the ones who own the gold behind the Global Currency Reset) – will send out emails to currency and bond holders worldwide telling them how to set redemption & exchange appointments. It is advised to exchange/redeem your foreign currency at an official Redemption Center (RC) rather than a bank. You can only redeem Zim at a RC, the Dinar Contract Rate can only be given at a RC and banks will offer you lower exchange rates than what you can obtain at a RC. You can only set up your new wallet (bank account) at a RC. It was my understanding that most banks were under control of the Cabal and would soon play a different roll in the Global Financial System. Mon. 20 July 2026: Iran just hit Kuwait's power grid. Iran just attacked Bahrain. Israel claims Netanyahu's arrest is imminent. And somewhere in a classified bunker, someone just activated a contingency protocol. A protocol called “Global Lockdown.” …Mr. Pool Final Chapter on Telegram A military strategist from Pentagon's War Games Division revealed,”Iran attacks on Kuwait, Bahrain aren't random. Coordinated with Israel collapse. Netanyahu arrest destabilizes. Perfect moment for lockdown card.” “Lockdown protocol ready for years. Pandemic 2.0. Economic collapse. Martial law. Deep state waiting. They tried 2020. Trying again now.” “Trump knows. Military knows. We've been watching. When they move, we counter. When they lock down, we unlock.” “Iran escalation is real but distraction. While world watches, deep state moves pieces. Activating protocols. Preparing lockdown.” “Netanyahu arrest isn't justice. It's destabilization. Creating chaos for lockdown. We see it. We're stopping it.” Why now: “Evidence overwhelming. Lockdown protocol documented. Deep state plans exposed. Move now or they execute.” “Trump authorized military countermeasures. Not Iran retaliation. Counter-ops against deep state. Against lockdown machinery.” “Iran escalation is cover. Netanyahu chaos is cover. Underneath, dismantling lockdown apparatus. Destroying their ability.” “When public, people understand. Not about conflict. About preventing enslavement. Stopping final takeover.” What's coming: “More exposure. More evidence. Lockdown was planned. Chaos orchestrated. Deep state ready for control.” “Military moving. Trump moving. Evidence compiled. Truth prepared for release.” “Lockdown protocol exposed, world wakes. People understand: one crisis from permanent control. Everything changes.” Operation Unlock ✓ activated Phase 1: Evidence Gathering ✓ complete Phase 2: Deep State Exposure ⟳ live (Iran chaos cover) Phase 3: Lockdown Protocol Destruction ⟳ July 20-August 5 Phase 4: Truth Release ⟳ August 6-31 The lockdown isn't happening. The Deep State is falling. The control grid is being destroyed. Trump authorized it. The military is executing it. Freedom is real. The world isn't locking down. The world is waking up. Everything changes. Operation code: Unlock-7719 Status: active Target: global lockdown apparatus Fri. 17 July 2026 THE METRICS FOR THE PLANETARY RESET ARE RUNNING LIVE ON THE TERMINALS….Tier4b ISO20022 on Telegram The sudden, unprecedented data sync drops hitting international administration hubs today (Fri. 17 July 2026) are not technical failures. The global apparatus is entering the primary activation sequence. The operational strategy is mapped directly onto the verified 3-Day Bay of Pigs defense protocol, immediately triggering the subsequent 10-Day full-spectrum shutdown of the legacy grid. The Military EBS is fully primed for direct, un-censored broadcast to all TV and Radio frequencies worldwide. Simultaneously, the old corporate government structures are being systematically stood down to make way for the definitive GESARA Blockchain Elections. The future administrative model will be exactly 10% the size of the current matrix—run entirely by uncorrupted, vetted sovereigns. The entire planet is transitioning into the QUANTUM GESARA baseline. We are witnessing the absolute, non-reversible shift: • Quantum Financial System (QFS) • Quantum Voting System (QVS) • Quantum Healing Matrix • Quantum Internet Framework The old infrastructure is being completely erased. The legacy internet network—built under Operation Mockingbird to control human consciousness—is hitting a terminal wall. No more Microsoft dominance. No more corporate media monopolies. The entire digital field is being rebooted through secure Starlink nodes. The private intelligence networks used by the old establishment to weaponize society are being permanently disassembled as we speak. The Mossad, Five Eyes, and CIA architectures have lost their cryptographic master access. Moving forward, the only validated network on the planet will be Military Intelligence operating under Alliance directives. The baseline of the new economy is locked into the metal-backed Rainbow Treasury Notes and the internationally regulated, gold-standard ISO 20022 USA Coins. The MOAB (Mother of All Bombs) is no longer a kinetic threat—it is the synchronized execution of the Global Currency Reset, the return of the Precious Metal Standard, the full deployment of Quantum GESARA, and the absolute DECLAS (Declassification) of everything on Earth. Look closely at the irregular technical groundings and the sudden system “freezes” across international sectors tonight. The old world is losing its broadcast range. THE RESTORATION IS FULLY LIVE. What We Think We Know as of Tues. 21 July 2026: Mon. 20 July 2026 Iran Nuclear Facility About to Bomb US, Destroyed by US: Iran Thought 2,000 Feet Of Granite Protected Fordow… Then America UNLEASHED This Mon. 20 July 2026 BREAKING SPECIAL REPORT: Trump's Election Bombshell & The Rubio-Bessent “SHADOW GOVERNMENT” Exposure – The Empire's War on Builders [VIDEO] – amg-news.com – American Media Group Mon. 20 July 2026 BOMBSHELL ALERT: Treasury Secretary Scott Bessent Orders MASSIVE BANK AUDITS by IRS in $18 Billion Minnesota Welfare Laundering Scandal | VIDEO – amg-news.com – American Media Group Mon. 20 July 2026 EXPLOSIVE REPORT: THE $100,000,000,000 “DEATH” RACKET: RFK Jr. Exposes the Massive Healthcare Fraud Draining America [VIDEO] – amg-news.com – American Media Group Mon. 20 July 2026 TOP INTEL OPERATIVES FACE JUDGMENT DAY: DOJ Launches Grand Jury To Crush Obama, Clinton & Russiagate Traitors In History's Biggest Political Coup Case – amg-news.com – American Media Group Mon. 20 July 2026 MIRACLE ALERT: The Secret Healing Power of MORINGA Is Finally Exposed – Rejuvenate Your Body, Boost Immunity & Fight Inflammation Naturally! – amg-news.com – American Media Group Mon. 20 July 2026 BOOM: “ABOLISH THE IRS” Trends After Trump Exposes Tax System — “FOREIGN COUNTRIES CONTROL OUR POLITICIANS” | Tax Day 2026 VIDEO – amg-news.com – American Media Group Mon. 20 July 2026 Hillary Clinton's email to John Podesta: confirms that the Kenyan Administration: Barack Obama + Hillary Clinton + Saudi Arabia + Qatar founded ISIS. …Nesara Gesara on Telegram Julian Assange: “ISIS is funded by Saudi Arabia and Qatar. This is the most significant email in the whole collection… The Government of Saudi and the Government of and Qatar that has been funding ISIS… Under Hillary Clinton and Clinton emails revealed… the largest ever arms deals in the world was made in Saudi Arabia, more than $80 Billion dollars. In fact during her tenure as Secretary of State total arms exports from the United States in terms of the dollar value doubled…” In other words, during Hillary Clinton's time as Secretary of Bribery, the Obama's State Department approved massive arms sales — particularly to Saudi Arabia. The result was the rise of terrorist groups like ISIS, funded largely by the very people who were bribing the Clinton Foundation. In short, the death, the be-headings, and the destruction were, in large part, due to Barack Obama and Hillary Clinton. Mon. 20 July 2026 Fox News: Border Czar Tom Homan claims ICE Agents under siege from leftist hate, but delivered record results: Border czar calling it like it is, agents facing 9000% threat spike, vehicle attacks, rhetoric turning families into targets. Dems and media vilifying them daily as “N---s” and “secret police” while they enforce the laws THEY passed. Yet ICE is smashing records: Historic June arrests, 40%+ increase, removing criminals and threats. Prioritizing public safety despite 100+ injunctions and shutdown sabotage. Homan: “I have their six.” Real Americans stand with our ICE heroes, moms, dads, patriots keeping us safe. Enough with the hate that endangers lives. Back the Blue (and ICE)! Deportations continue. America First.” Mon. 20 July 2026 THE OBAMA FILES ARE WORSE THAN WE THOUGHT. His lawyers didn't show up to negotiate. They showed up to BEG. …The Great Awakening on Telegram Here's what Bondi's team found inside the Tehran servers under Obama's codename — RENEGADE: — 14 wire transfers to a Swiss account linked to Hezbollah between 2014-2016. Total: $1.7 billion. The same $1.7 billion he told Congress was “frozen Iranian assets.” — A signed directive authorizing the CIA to stand down during the Benghazi attack. Not typed. HANDWRITTEN. — Communications with Epstein's handler, dated March 2015, discussing “the island arrangement” and “the Chicago package.” — A backchannel to Tehran through Valerie Jarrett, active from 2012 to 2024. Yes. 2024. Two years AFTER he left office. He didn't just betray America. He was running a shadow government from his basement in D.C. while pretending to be retired. His lawyers are now offering FULL COOPERATION in exchange for immunity. Trump said no. No deals. No mercy. No escape. The man who divided America for 8 years is about to face the America he tried to destroy. And she's awake. Mon. 20 July 2026 THEY HAVE BEEN LYING TO YOU ABOUT OIL FOR 150 YEARS. …The Great Awakening on Telegram Oil is not rare. It is not made from dead dinosaurs. It is the second most common liquid on Earth after water and it is literally the planet's lifeblood. The entire “fossil fuel” scam was invented by the Rockefellers and the Smithsonian in the late 1800s to create artificial scarcity and jack up prices to insane levels. They fed you the biotic lie so you would believe oil is some finite dinosaur soup that is about to run dry. Total fabrication. Oil is abiotic. It is a liquid mineral cooked deep in the Earth's mantle under crushing pressure and scorching heat. It is the natural lubricant for tectonic plates and the grease that keeps the planet's massive gears turning smoothly. That is why wells drilled dry in the 1970s are filling back up again today. The Earth is pumping fresh oil from below and regenerating it nonstop. It does not run out. We are sucking the lubricant out of the planet's engine and now the whole machine is starting to shake. More earthquakes. Creaking faults. Grinding plates. Coincidence? No. We are stripping the oil that keeps the Earth's crust sliding properly and the system is literally seizing up. The so-called “fossil theory” is the greatest economic hack in human history. Real crude oil has almost zero biological markers. No nitrogen, no phosphorus, nothing that would survive if it came from dead organisms. It is pure polymeric hydrocarbons, primordial stuff from the Earth's own formation. Thomas Gold tried to warn the world. He proved hydrocarbons like methane and oil rise from the deep mantle, not from ancient swamps. The establishment destroyed his reputation because the truth would collapse their entire control grid. If people knew oil is basically tap water for the planet, endlessly generated from below, the entire parasitic geopolitics of wars, sanctions, and price manipulation would evaporate overnight. They do not want you to know the Earth makes its own oil. They need you scared, dependent, and paying through the nose while they bleed the planet dry. Wake up. The dinosaurs had nothing to do with it. This is the biggest lie they ever sold us and it is k-----g the engine of the world. Mon. 20 July 2026 DHS is aggressively TARGETING CDL truck driving schools who fraudulently give licenses to foreigners and illegal aliens that end up k-----g Americans. GOOD! SHUT THEM ALL DOWN! …Dan Bongino on Telegram President Trump is also moving to replace illegals with VETERANS in the truck driver workforce. 75 entry-level driving schools are now under investigation for FRAUD. 24,000 drivers who can't speak English were already taken off the roads — and 4 states had to cancel 28,000 licenses issued ILLEGALLY 9,500 schools have already been CANCELED from the federal registry “Thousands of unqualified trucking schools have already been taken off the federal registry, but Homeland Security and the Department of Transportation are working to do even more.” “The two federal agencies are announcing a collaboration to enforce rules and regulations at trucking schools all across the country.” Sun. 19 July 2026 Fox News BREAKING: DEEP STATE DESPERATION EXPOSED! They tried to K--L President Trump mid-flight. …Robert F. Kennedy Jr. on Telegram On July 9, 2026, as Trump departed Turkey aboard the brand-new Qatari-donated Boeing 747-8 — his future Air Force One — the Deep State launched a cowardly cyber strike from Langley, Virginia. They targeted the plane's electronic controls in a blatant assassination attempt. But Trump — always ten steps ahead — switched to the older Air Force One at the last second. What the Fake News called a “routine security precaution” was actually a brilliant trap. This was the beginning of the Great Purification. Encrypted comms intercepted. Traitors scrambling. NYT journalists hit with emergency subpoenas because they had obituaries and “air disaster” stories pre-written and ready to publish. They were waiting for the crash. THEY. FAILED. AGAIN. Trump just exposed the entire rat nest. The storm is here. Justice is coming. Sun. 19 July 2026: They've been stealing elections for at least 15 to 20 years, not just here in the United States, but around the world. Now they're exposed and running out of options….Steve Bannon on Telegram In the Georgia 2020 election at the State Farm Arena, we have them on video pulling out hidden suitcases full of ballots that were separate from all of the other ballots and running the same stacks of ballots through machines all throughout the night, with NO observers present, which is completely illegal, after they stopped the count, lied to observers, telling everyone they're going home. We have multiple states and counties destroying evidence, no chain-of-custody documents, counterfeit ballots, dead people voting, 120% voter turnouts, IP addresses from outside the country confirmed communicating with our election machines, etc… Members of our own government, the CIA, DHS, CISA, the EAC, all knew these machines and companies were compromised, but cleared them anyway for use in U.S. elections. That alone should tell you how deep and corrupt the system really is and what we are truly up against. Sun. 19 July 2026 Unclassified & Un-redacted Files Pending Release. …Julian Assange, The 17th Letter (JFK Jr.) on Telegram: The Benghazi files. The JFK files. The Jeffrey Epstein files The MLK Files. The RFK files. The 9/11 files. The Seth Rich files. The Hunter Biden laptop files. The January 6th files. The C---D-19 origin files. The Fauci files. The Nord Stream sabotage files. The Roswell files. The UFO/UAP files. The Malcolm X files. The Tuskegee Experiment files. The MKUltra files (full scope). The Operation Northwoods files. The Iran-Contra files (unredacted). The Snowden leaks (classified portions). The Las Vegas shooting files. The Clinton email server files. The George Floyd autopsy files (unreleased details). The Area 51 files (beyond Roswell). Mon. 20 July 2026 A FORMER NSA ELECTION SECURITY DIRECTOR JUST WENT PUBLIC. TRUMP'S DECLASSIFICATION REVEALED EVERYTHING. THE VULNERABILITIES WERE WORSE THAN ANYONE IMAGINED. …QAnon on Telegram He contacted us through an encrypted channel 48 hours ago. His identity has been verified by three independent cybersecurity experts. He worked in NSA's Election Security Division 2016-2024. He calls it “The Silent Breach.” His words. Unedited: “Foreign actors penetrated our election infrastructure for 8 years. Real-time breaches. We did nothing.” “In 2016, I documented 47 vulnerabilities in 12 states. They said: ‘This stays classified.'” “By 2018, Chinese intelligence accessed voter databases in 7 states. We knew. We did nothing.” “By 2020, evidence of foreign interference in 19 states. Logs. Timestamps. Everything.” “I told my director we must go public. He said: ‘It destroys confidence. We can't allow that. So they classified it. They buried it. They silenced me.” “In 8 years, I witnessed:” 127 confirmed foreign intrusion attempts into election infrastructure 34 successful penetrations of voter registration systems 19 states with documented vulnerabilities Zero public disclosures Zero accountability “Millions voted in systems we knew were compromised. Foreign actors had access. We could have fixed it. I couldn't sleep. For 8 years.” WHY HE'S TALKING NOW: “Trump's declassification changed everything. The documents are coming out. The vulnerabilities are being exposed. The truth cannot be hidden anymore.” “I have 8 years of documentation. I have the intrusion logs. I have the foreign IP addresses. I have the names of officials who covered this up. I have the proof that this was known and ignored.” “I am ready to testify. Under oath. Before Congress. Before the American people.” “127 foreign intrusion attempts. 34 successful breaches. 19 compromised states. Zero accountability. That's not national security. That's treason.” HIS FINAL MESSAGE: “To every American who voted: Your vote might have been compromised. I'm sorry. We knew. We did nothing.” “To every election official who was kept in the dark: You were lied to. The vulnerabilities existed. Your superiors knew.” “To the people who silenced me: The truth is coming. And you cannot stop it.” OPERATION ELECTION TRUTH ✓ ACTIVATED PHASE 1: Declassification ✓ LIVE PHASE 2: Public Exposure ⟳ JULY 21-25 PHASE 3: Accountability ⟳ AUGUST 1 The documents are being released. The vulnerabilities are being exposed. The cover-up is ending. Trump declassified it. The NSA tried to hide it. But the truth is coming out. SHARE THIS. WAKE THEM UP. DEMAND ACCOUNTABILITY. The election security cover-up is finished. Med Bed Body Regeneration Therapy Since 1898 when famed inventor Nicola Tesla first discovered Med Bed Regenerative Therapy, it has been known to heal the body without use of drugs or surgery. Back then American doctors were healing people from all kinds of diseases and injuries using Frequencies, Light, Sound and Electromagnetic Fields taught at universities and practiced in hospitals. By 1910 the Rockefeller Foundation, wanting to make money off of pharmaceuticals, bought and closed over 160 Medical Schools that taught Homeopathy. In their quest for wealth the Rockefeller Foundation's influence also soon covered the legal aspects. Doctors refusing to prescribe drugs lost their license. Researchers studying Frequency based healing lost their funding. By 2019 the American Medical Association were forced to formerly recognize the healing affects of Med Beds, “The AMA acknowledges that peer-reviewed evidence supports the biological efficacy of PEMF therapy in tissue regeneration, pain management, and immune modulation. However, widespread adoption would destabilize existing treatment revenue models and insurance reimbursement structures.” However, concerned about a loss of income in both medical practice and pharmaceuticals, the AMA sent a warning to all 847,000 Licensed American Doctors: “Any physician who recommends, prescribes, endorses, or refers patients to electromagnetic frequency-based therapy will face immediate license revocation, removal from insurance networks, and potential criminal liability under state medical practice statutes.” On Wed. 15 July 2026 President Trump reviewed a 3,400-page classified report that documented 61 years of suppressed frequency healing research on Med Bed technology. It proved that Med Bed treatments could reverse aging, detox cells, activate stem cells, rewire nervous systems and naturally regenerate o----s including heart, liver and kidneys. Trump immediately signed Executive Order 2026-1947, which declassified Med Bed Technology for civilian use, then warned the Medical/Drug Professions of possible indictment if they held up deployment of Med Beds. [Note: NSFW content, CSA/SA content, medical speculation, and other sensitive content in this report was redacted for safety. The full unredacted report can be downloaded below.]
Everybody sees the brand… but they don't see the sleepless nights, the setbacks, or the work it took to get there.On Episode 236: Gracy Print On Demand, M. Davis and Reggie sit down with Olivia, founder of Gracy Print On Demand, to talk about building a 10,000-square-foot print operation after coming from China to Los Angeles.We get into the business behind the business—from DTF printing, DTG printing, embroidery, gang sheets, rush orders, quality control, pricing, and scaling a clothing brand to what it really takes to survive in the apparel game.If you've ever wanted to start your own clothing line, level up your brand, or learn how successful creators get their merch made, this episode is packed with real game from someone who's living it every day.We still ain't editing sh*t.Just real conversations, real experiences, and the kind of game you can actually use.This is the first episode of Season 11 of the RIDINOUTALLDAY Podcast.Available now on Apple Podcasts, Spotify, YouTube, and all major streaming platforms.Follow everyone:RIDINOUTALLDAY: @ridinoutalldayM. Davis: @mdavisReggie: @jones.boyzGracy Print On Demand: @gracytextile
In this episode I'm sharing 5 print on demand niches that you can target to increase your sales in the near future
Print on Demand can still be an incredible business model– but most sellers never make it past a few hundred dollars a month. In this episode, Heather and I unpack the habits, decisions, and blind spots that separate hobby shops from thriving businesses, including what successful POD sellers are doing differently in today's market. If your shop feels stuck, this conversation will help you focus on the things that actually move the needle. **"How to Sell Your Stuff on Etsy" is not affiliated with or endorsed by Etsy.com STUFF I MENTIONED: Profittree Link (lifetime access $67): https://lifetime.profittree.io/?via=lizzie87 Tutorial: https://www.youtube.com/watch?v=VO7Ra18ZPTw&t=1s ➡️ Heather's Claude Plugin: Free Prompt Guides from Heather: https://studio.heatherxstudio.com/10aiprompts AI Magic Masterclass: https://aimagic.heatherstudio.com/ FIND HEATHER: YouTube: https://www.youtube.com/@itsheatherstudio Instagram: https://www.instagram.com/itsheatherstudio/ HOW I HELP ETSY SELLERS GROW: ⭐Scaling Society: https://www.howtosellyourstuff.com/scaling-society ⭐"How to Blow Up Your Etsy Shop" free training: https://www.howtosellyourstuff.com/interested-in-blow-up-shop ⭐Trendspotting: https://www.howtosellyourstuff.com/trendspotting ----------------------
Exact Sciences are things folks who consider themselves rational and logical assume can be trusted. And they would be, but scientists are only human, and some of them aren't even autistic, gasp! I had the privilege of pursuing an academic career in Natural Sciences, and there I found hard-working, dedicated professors, who would base their calculations on values with dubious origins, and reject valid findings to scoop the author's work and publish it as their own. In this scientific episode I will be joined by Dr. Mary Sims (pronouns: she/her), and together we will spill the tea about science shenanigans, and on the way, you might even learn some random details about atmospheric aerosols, vibrational spectroscopy and self-assambled monolayers. You can find Dr Mary Sims' podcast, Clinical Misfits on the Autistic Culture Podcast Network here.You can support Aut2Aut on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. This will help prepped.to go on providing a platform for autistic folks to share locations' sensory info and service instructions.My cat Merlin has a message for you at the end of the episode.Mentioned in this episode:Dr. Mary Sims' podcast, Clinical Misfits [APCN please insert link here]My paper about the refractive index of Elemental CarbonMy paper about using the Vibrational Stark effect to investigate Self-Assambled MonolayersFafarman et al. 2010 about the effect of hydrogen bonding on the Star tuning rate. Correction: the numbers I'm referring to are not in a table but a chart in their supplementary material section.Where physicists upload their papers without peer review: arXiv.orgAut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support my nonprofitTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
“Bestseller” has become one of the easiest words to fake in publishing, and it's costing authors money and readers' trust. I sit down with publishing expert Michele DeFilippo, who brings decades of real-world experience helping authors produce high-quality books without giving away control, rights, or royalties.We talk about why self-publishing no longer carries the old vanity-press stigma, and why the power has shifted now that Amazon and print-on-demand make global book distribution accessible. Michelle breaks down the difference between needing a publisher and needing professional publishing services, plus the red flags of hybrid publishing companies that charge authors upfront and still take a cut of sales. We also get practical about what “professional” actually looks like: editing, cover design, book typesetting, ebook formatting, and the kind of investment it can take to make your book compete with traditional releases.We also dug into author scams, including how “bestseller” schemes game Amazon's algorithm, what a real bestseller metric looks like, and why distribution tools like Amazon KDP and IngramSpark still don't do your marketing for you.If you're planning to self-publish, want to avoid costly traps, or simply want your book to look unmistakably legit, hit play, subscribe, share with a writer friend, and leave a review so more authors can find the show.Send us Fan MailSupport the show
In this episode I'm sharing 5 print on demand niches that you can target to increase your sales in the near future
As the Director of IngramSpark, Paige Allen has built the platform into a global print-on-demand and ebook distribution solution for authors who want to self-publish their works and provide hard-copy distribution to its massive network of over 40,000 retailers, libraries, and online stores, including Amazon and Barnes & Noble. Key features include: • Global Distribution: Reaches major international markets through extensive wholesale networks. • Format Variety: Prints high-quality paperbacks, hardcovers, and diverse trim sizes. • Wholesale Pricing: Allows authors to set standard discounts, making books attractive to physical bookstores. • Free Title Setup: Offers no-fee standard book creation to lower upfront costs. Learn more at www.ingramspark.com.
As the Director of IngramSpark, Paige Allen has built the platform into a global print-on-demand and ebook distribution solution for authors who want to self-publish their works and provide hard-copy distribution to its massive network of over 40,000 retailers, libraries, and online stores, including Amazon and Barnes & Noble. Key features include: • Global Distribution: Reaches major international markets through extensive wholesale networks. • Format Variety: Prints high-quality paperbacks, hardcovers, and diverse trim sizes. • Wholesale Pricing: Allows authors to set standard discounts, making books attractive to physical bookstores. • Free Title Setup: Offers no-fee standard book creation to lower upfront costs. Learn more at www.ingramspark.com. United Public Radio & UFO Paranormal Radio www.uprntalkradio.com
Content warning: mentions of self-harm, suicidal ideation, eating disorders and medical gaslightingWhat happens when you go to a mental health professional who has zero information about what it means when you, their patient, may be autistic? For this episode I was joined by Rey Rissanen (pronouns: they/them). Together we will rant and tell you about the horrors of needing help with our mental health, and instead of getting it, getting misdiagnosed, gaslighted and harmed by misinformed mental health professionals, and how great it is to finally realize you're autistic and to learn to self-advocate in the mental health setting.Rey is an artist who creates beautiful crochet designs, including crochet stim toys and houseplants, and they're also the one who came up with the idea for prepped.to, a platform for autistic folks to share locations' sensory info and service instructions, and you can see their beautiful illustrations of their story on our blog. You can support Aut2Aut and its platform prepped.to on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. Mentioned in this episode:Rey's crochet designs: @rainbowrey.crafts and their art on InstagramAut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support my nonprofitTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
Amazon just rolled out AI-powered visual search — and it's live first on apparel. On its own, that's just a search update. But put it next to a listing Amazon already runs — where customers upload their own design and Amazon keeps 100% of the sale, no creator royalty at all — and a pretty uncomfortable pattern starts to show up.In this video I break down exactly what Amazon's new AI search actually does, show you the existing Amazon listing that already cuts creators out of print-on-demand entirely, and explain why this is really about who captures the equity in this market going forward — plus 4 things you should start doing now to protect yourself.
dnksaus (Carter) explores the future of Ableton Live, creative sound design workflows, Max for Live tools, and the new Ableton Extensions feature. They dive deep into building custom tools, making better "mud pies," AI-assisted coding, workflow optimization, and how producers can stay inspired while finishing more music. dnksaus is a producer, Max for Live developer, and sound designer known for his innovative Ableton tutorials and custom devices. His Max for Live devices and Ableton racks are used by producers including Marshmello, Skrillex, and RÜFÜS DU SOL. Carter has collaborated with Ableton on educational content and presentations, contributed to Sounds of KSHMR Vol. 5, and has become known for unconventional production techniques that help producers unlock new creative workflows.Sponsored by DistroKid:This episode is supported by DistroKid, which lets you upload once, get your tracks on all major platforms, and keep 100% of your streaming earnings. Their new DistroKid Direct feature also turns your artwork into print‑on‑demand merch like t‑shirts, mugs, and totes with no inventory to manage. Learn more below:https://bit.ly/distrokid-musicFollow dnksaus Below:https://dnksaus.comGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events:https://www.abletonpodcast.com/newsletter
In this episode I'm sharing 5 print on demand niches that you can target to increase your sales in the near future
Have you ever gone to the doctor with some symptoms and had them not find anything wrong with you? We've all run into medical staff who don't know we were autistic or what that even meant, never suspected EDS, POTS, ME, endometriosis or autoimmune conditions. They either dismissed us right off or ran a battery of tests on us. But in the end, the conclusion was the same: There doesn't seem to be anything medically wrong with you. For this episode I am joined by Simo_tier (pronouns: it/they), so we can rant about some of these frustrating stories that literally take years off our lives. Simo_tier is a multi-media artist and activist, influenced by its lived reality as a disabled, Indigenous, agender, white, gay, AuDHD femme. It is deeply passionate about lifting up and supporting QTBIPoC voices and projects, as well as breaking down barriers to create a community based on Disability Justice and reformative change. If you want to read about Simo_tier's activism (in German), check out its website https://vamky.de/ where you can also find a podcast (also in German) about disabilities and exclusion by society and inside the community. If you want to keep up to date with events it organizes, check out Instagram @simo_tier You can support Aut2Aut on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. This will help prepped.to go on providing a platform for autistic folks to share locations' sensory info and service instructions. Mentioned in this episode:Aut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support prepped.toTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@]gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
Everybody hates bureaucracy. So many of the things we need to survive entail torturously collecting documents, attempting to upload them to websites that may or may not work, filling forms with mystery fields, and horror of horrors, calling the authorities on the phone. I recently founded Aut2Aut, a nonprofit that provides free digital platforms and content by and for the autistic community, and believe you me, the German authorities weren't exactly going out of their ways to make it a seamless, easy process. In the meantime, I've also had some adventures in the welfare system.So if you've ever stood powerless in the face of the powers that be, a half-filled form in one hand, and a phone that's been on hold for the past 30 minutes in the other, and you want to feel less alone with your experience, or learn how to start a nonprofit in Germany, this is the episode for you. You can support Aut2Aut on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. This will help prepped.to go on providing a platform for autistic folks to share locations' sensory info and service instructions. Mentioned in this episode:FrauenLoop, free tech education and network for anyone who identifies as a womanAut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support my nonprofitTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
Our Season Finale guest is Rachel Dratch, a comedy LEGEND who was a cast member of Saturday Night Live from 1999-2006, during which she developed and performed such iconic characters as Debbie Downer, “The Love-ahs” with Will Ferrell, and the Boston teen Denise "Zazu" McDenna. (And she still pops up there from time to time to play Senator Amy Klobuchar.) She's appeared in countless TV shows including The King of Queens, Frasier, 30 Rock, and Broad City, and in films including Down with Love, Wine Country, and A Clüsterfünke Christmas which she co-wrote with her co-star and fellow SNL alum Ana Gasteyer.Rachel has starred in several Broadway shows, earning her two Tony nominations, the first for POTUS in 2022, and the second just this year in The Rocky Horror Show which she's starring in now. She is also the author of the memoir Girl Walks into a Bar...: Comedy Calamities, Dating Disasters, and a Midlife Miracle, and she's the host of the supernatural podcast, Woo Woo with Rachel Dratch. On this episode, Rachel discusses the occult aspects of improv, the inspiration behind her most iconic sketch characters, and the importance of staying open to magic.Pam also talks about bewitching comedy guru Del Close, and answers a listener question about forging one's own eclectic spiritual path.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Witchspace, Weiser Books, Blessed Be Magick, BetterHelp, and Mithras Candle.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
You know how they tell you that websites and apps follow your every move and then design their product to get the most out of you? And you know how each and every time a digital product gets updated it gets worse and harder to use? How can both of these be true? Well, let me get you in on a Product Analytics secret: It's true that most websites and apps collect your data, but most of them just let it rot in dashboards nobody looks at, and release major features and redesigns without performing any mathematically rigorous analysis of the users' response. This is only one of many reasons why it's so hard to be autistic in Tech. My Product Analytics ex-colleague, Carolina (pronouns: she/they), will join me on this episode to rant with all our accumulated frustrations about the sad sad fact that most digital product providers really don't care about your data, and also just in general about being autistic in Tech.You can find Carolina on Instagram @millenialspinster Language note: The words Shit and Bullshit are being said a few times in the episode. You can support Aut2Aut on Betterplace and Gofundme, or buy our #ActuallyAutistic designs in our print-on-demand shop. This will help prepped.to go on providing a platform for autistic folks to share locations' sensory info and service instructions. Mentioned in this episode:Aut2Aut, the nonprofit I founded, providing free platforms and content by and for autistic peopleprepped.to is the website I created where autistic folks can upload and consult sensory info and service instructions about places, so folks can prep and script before going thereHow to support my nonprofitTheme music composed and produced by Lir Lutau Shahar (pronouns: he/fae/sea): YouTube, Soundcloud. For collaborations: lutaoshzh@gmail.com Follow Dr. Gal Schkolnik on LinkedIn, Mastodon or Tumblr
#954 Ever wonder how a side hustle born in a guest bedroom can grow into a nationwide licensed apparel brand? In this episode, host Kirsten Tyrrel sits down with entrepreneur Megan Smalley, founder of Scarlet & Gold, to explore her 13-year journey building a thriving apparel company that creates products people actually want to wear. Megan shares how she evolved from running a small side hustle out of her guest bedroom to managing a licensed apparel brand serving universities nationwide. She opens up about the twists and turns of entrepreneurship — from shutting down her business during motherhood, to relaunching with a print-on-demand model, to scaling into wholesale and overseas manufacturing. Megan also offers valuable insight into leadership, building team culture, managing growth, and breaking into the wholesale market. Whether you're an aspiring entrepreneur or a seasoned business owner, this episode is packed with real-world lessons on pivoting, perseverance, and creating meaningful products! (Original Air Date - 10/20/25) What we discuss with Megan: + From guest bedroom to national brand + Building licensed collegiate apparel + Transitioning from retail to print-on-demand + Overcoming challenges during motherhood + Scaling through wholesale and manufacturing + Breaking into the NCAA licensing space + Managing a growing in-person team + Creating strong company culture and values + Wholesale tips for boutique partnerships + Lessons on leadership and business pivots Thank you, Megan! Check out Scarlet & Gold at ScarletandGoldShop.com. Follow Megan on Instagram. Watch the video podcast of this episode! To get access to our FREE Business Training course go to MillionaireUniversity.com/training. To get exclusive offers mentioned in this episode and to support the show, visit millionaireuniversity.com/sponsors. Learn more about your ad choices. Visit megaphone.fm/adchoices
How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.
Lindsay Mack is an intuitive tarot teacher, writer, and founder of Tarot for the Wild Soul, as well as the host of the popular podcast of the same name, which has been downloaded over ten million times. Lindsay's new book Tarot for the Wild Soul: A Trauma-Informed Approach for Growth, Healing, and Grounding in the Present Moment is out now, as is their new tarot deck Soul Tarot, illustrated by Chelsea Granger.Through Lindsay's beloved workshops, retreats, and online Tarot courses, they have taught Soul Tarot to many tens of thousands of students from all around the world. And as a queer, neurodivergent, and (now) joyful survivor of childhood abuse living with complex PTSD and chronic pain, Lindsay is passionately dedicated to honoring and helping to bring space, light, and healing to those who are experiencing any kind of suffering.On this episode, Lindsay discusses how to use tarot as a tool for understanding the present, why it's OK to show up to your deck “messy,” and their gender-transcending interpretations of the cards.Pam also talks about seeking more tender tarot, and answers a listener question about magical support for a life-giving medical procedure.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Weiser Books, Enchanted Heart Shadow Work Oracle Deck, Blessed Be Magick, BetterHelp, The Body Oracle Deck from North Atlantic Books, and Bridgette the StrangeWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
Lindsay Mack is an intuitive tarot teacher, writer, and founder of Tarot for the Wild Soul, as well as the host of the popular podcast of the same name, which has been downloaded over ten million times. Lindsay's new book Tarot for the Wild Soul: A Trauma-Informed Approach for Growth, Healing, and Grounding in the Present Moment is out now, as is their new tarot deck Soul Tarot, illustrated by Chelsea Granger.Through Lindsay's beloved workshops, retreats, and online Tarot courses, they have taught Soul Tarot to many tens of thousands of students from all around the world. And as a queer, neurodivergent, and (now) joyful survivor of childhood abuse living with complex PTSD and chronic pain, Lindsay is passionately dedicated to honoring and helping to bring space, light, and healing to those who are experiencing any kind of suffering.On this episode, Lindsay discusses how to use tarot as a tool for understanding the present, why it's OK to show up to your deck “messy,” and their gender-transcending interpretations of the cards.Pam also talks about seeking more tender tarot, and answers a listener question about magical support for a life-giving medical procedure.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Weiser Books, Enchanted Heart Shadow Work Oracle Deck, Blessed Be Magick, BetterHelp, The Body Oracle Deck from North Atlantic Books, and Bridgette the StrangeWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
What do a baby sleep mask, a detail van, and a print-on-demand candle have in common? They're all quietly generating serious income for real people — and in this episode, we dig into the numbers behind six of the most interesting side hustle stories making the rounds right now. I'm joined by Cody Berman — co-host of The FI Show and author of Retire by 30: How to Build Wealth, Gain Freedom, and Live Life on Your Own Terms — for a roundtable breakdown of the latest Side Hustle Headlines. Each story comes with real numbers, honest reactions, and ideas for how the same model might work in your own life. Listen to Episode 742 of the Side Hustle Show to learn: how a first-time mom built a $90k/month business in 20-minute bursts between feedings why a "boring" service side hustle is quietly keeping pace with a six-figure salary what the print-on-demand candle boom reveals about finding underserved niches Full Show Notes: $60k/mo Selling Baby Sleep Masks, the $72k “Secret” Detailing Business, $500k in Print on Demand Candles, and more New to the Show? Get your personalized money-making playlist here! Sponsors: Indeed – Start hiring NOW with a $75 sponsored job credit to upgrade your job post! Quo (formerly OpenPhone) — Get 20% off of your first 6 months! Shopify — Sign up for a $1 per month trial! Gusto — Get 3 months free of the leading payroll, benefits, and HR provider for modern small businesses! Whatnot — Whatnot will match your first $150 sold in the first month! About The Side Hustle Show This is the entrepreneurship podcast you can actually apply! The award-winning small business show covers the best side hustles and side hustle ideas. We share how to start a business and make money online and offline, including online business, side gigs, freelancing, marketing, sales funnels, investing, and much more. Join 100,000+ listeners and get legit business ideas and passive income strategies straight to your earbuds. No BS, just actionable tips on how to start and grow your side hustle. Hosted by Nick Loper of Side Hustle Nation.