Podcasts about vogueing

Episode Summary: In an inspiring podcast episode, Heather Laura Gray recounts her evolution in dance, tracing back to her family's influence and the decisive moments that shaped her path. Heather shares tales of overcoming adversity and self-doubt during her rigorous ballet training and the subsequent transition to a broader performing arts career in Toronto.  Emphasizing the power of versatility, Heather discusses expanding her repertoire beyond dance to singing and acting, and how her experience as a certified Pilates instructor enriched her career. She gives practical advice on financial sustainability and career longevity for dancers, encouraging them to embrace continuous reinvention. Highlighting the intricacies of the film industry, Heather speaks to the collective importance of various roles and maintaining high professional standards within her teaching and creative endeavors. Her experiences underscore the value of emotional intelligence when guiding non-dancer performers. As a mentor, Heather's engagement with her Business of Dance program mentees illustrates the podcast's interactive approach to professional development. She advocates for lifelong learning and industry networking as key components of a successful dance career. This episode serves not just as a reflection of Heather's journey but also as a guidepost for emerging talents in the performing arts, emphasizing resourcefulness, resilience, and the importance of a multi-disciplinary approach in crafting a fulfilling artistic career. Show Notes: 00:00:58 - Early Life and Family Influence 00:05:47 - Turning Point and Encouragement 00:07:57 - Singing and Multi-Talent 00:21:59 - Roles and Responsibilities in Film 00:26:43 - Career Evolution and Reinvention 00:27:47 - Don't Limit Yourself 00:29:59 - Supporting Yourself in Dance 00:38:12 - Understanding Professional Standards 00:38:37 - The Business of Dance Mentorship Q&A session Biography: Heather Laura Gray in Vancouver, British Columbia, Canada, is a name that resonates deeply within the realms of dance, choreography, and the performing arts. Her journey into the world of arts and entertainment began at a young age through acting. Represented by Characters Talent Management in Vancouver, Heather worked in Film & TV, Voice Over, and Print. Her love for dance soon took center stage, leading her to train with prestigious institutions like Arts Umbrella in Vancouver, L'Ecole Superieur de Danse du Quebec in Montreal, and Goh Ballet Academy in Vancouver. Here, she honed her skills in various dance forms including Ballet, Flamenco, Chinese Fan Dancing, and Russian Character Dance. Her talent was so exceptional that she toured China and France with the Goh Ballet, performing full-length ballets. The city of Toronto became her next stage, where she expanded her repertoire to include musical theatre and street style dance skills. Heather landed roles in original musicals for Disney Cruise Lines, playing iconic characters like Cinderella and Belle. Her multidisciplinary approach also led her to act in independent films and popular TV shows like "Dead Like Me" and "The Chris Isaak Show." Returning to Vancouver after five years in Toronto, Heather continued to diversify her portfolio. She took an interest in the art of choreography and began producing plays, directing, and choreographing stage shows. She immersed herself in street style training, focusing on dance forms like Popping, B-girling, House, Waacking, and Vogueing.  Heather's choreographic brilliance has been showcased in six seasons of the CW series "Riverdale," Academy Award winner John Ridley's feature film "Needle In A Time Stack," and Jojo Siwa's movie musical "The J Team," for which she was nominated for a Children's & Family Emmy Award. Connect on Social Media: https://web.facebook.com/heatherlauragray https://www.instagram.com/hlghlg/ Webpage https://heatherlauragray.com/

8 - 03 - 23 OSHAE SIBLEY MURDERED FOR VOGUEING by Maine's Coast 93.1

A (relatively) in-depth analysis of the 1990 song Vogue by Madonna in (just under) twenty minutes. Mathew Woodall is in discussion with Dr. Andrew Webber (fellas that were in the mood...)

Is Liverpool the campest city in the UK? It's time! In this special episode in partnership with The National Lottery we are talking about EUROVISION! We are kicking off our coverage by chatting about the brilliant Euro Ball- a party hosted in Liverpool that will celebrate Eurovision in all its glory through Vogueing. We are chatting to Darren Suarez, the founder of the Vogue Ball and writer and actor Rikki Beadle Blair who will be taking on the role as master of ceremonies. And you can get involved in the fun and watch The National Lottery's Big Eurovision Welcome on BBC One and BBC iPlayer from Monday May 8 as part of a special programme, ‘Eurovision Welcomes The World'. Thank you so much to the National Lottery for making this episode possible.

Is Liverpool the campest city in the UK? It's time! In this special episode in partnership with The National Lottery we are talking about EUROVISION! We are kicking off our coverage by chatting about the brilliant Euro Ball- a party hosted in Liverpool that will celebrate Eurovision in all its glory through Vogueing. We are chatting to Darren Suarez, the founder of the Vogue Ball and writer and actor Rikki Beadle Blair who will be taking on the role as master of ceremonies. And you can get involved in the fun and watch The National Lottery's Big Eurovision Welcome on BBC One and BBC iPlayer from Monday May 8 as part of a special programme, ‘Eurovision Welcomes The World'. Thank you so much to the National Lottery for making this episode possible.

La Queer culture e l'espressione di sé attraverso la notte Milanese sono stati il focus del talk “The “Plastic” closet: nightlife as a self expression journey through club Domani”, una conversazione aperta tra regine della notte in cui sono intervenuti Andrea Ratti e Sergio Tavelli, DJ resident di Club Domani, insieme a Victoria Genzini; special guests dell'appuntamento Jury Schiavi, in arte Sissy Galore, Nettuno Battisti e Lola Kills. Registrazione ed editing di Gabriele Giuggioli, a cura di Elisa Pervinca Bellini

Camille Herron is one of the most accomplished ultra runners of all time. Famously fuelled by tacos and beer, Camille crushes world records and demolishes her competition. Two weeks ago she broke the 48-hour women's world record at the Sri Chinmoy 48-hour Festival and in doing so became the first woman to set an outright American record at any distance.  In this episode we chat about this most recent accomplishment, the narrowing gap between women and men in the ultra running world, and getting better with age.Learn more about The Shakeout Podcast and Canadian Running Magazine on our website https://runningmagazine.ca/category/shakeout-podcast/Follow The Shakeout Podcast on Twitter https://twitter.com/ShakeoutPodcastInstagram https://www.instagram.com/shakeoutpodcast/ andFacebook https://www.facebook.com/theshakeoutpodcast/Subscribe to our weekly show on Apple Podcasts https://podcasts.apple.com/ca/podcast/the-shakeout-podcast/id1224828899243

Der 1955 in Hamburg geborene Musiker und DJ wurde in der zweiten Hälfte der 1980er-Jahre auch als Schriftsteller bekannt. Neben seiner Band FSK, die er seit 40 Jahren mit seiner Ehefrau Michaela Melián und anderen Freunden hat, wurde er mit seinem Buch Tomboy (Suhrkmap) berühmt. In dem 1998 bei Suhrkamp erschienenen Buch hat er seine frühe Judith Butler Lektüre verschriftlicht. Kein Wunder, dass einer seiner Lieblingstexte „Gender Trouble“ von der Philosophin Judith Butler ist. Es ist 1991 auf deutsch unter dem Titel „Das Unbehagen der Geschlechter“ bei Suhrkamp erschienen. Und Mascha Jacobs hat ein paar Jahre später ihre Magisterarbeit über das gleiche Buch geschrieben. Das zweite von Thomas Meinecke mitgebracht Buch ist „Forschungsbericht“ von Hubert Fichte (Fischer 1989), ein Band von Fichtes „Geschichte der Empfindlichkeit“. Seine Interessen und Themen seiner Texte sind sehr breit gestreut: von der Mystik, zu Mae West, über Camp zu Anaïs Nin zu Drag Queens und Lookalikes. Genug Gesprächsstoff also für die beiden Ex-Kolleg*innen beim Zündfunk des Bayerischen Rundfunk. Sie sprechen über experimentelles Schreiben, öffentliches Sprechen, Wiederholungen, den magischen Charakter der Sprache, Bündnisse, nicht-männliches Schreiben, fanatisches Lesen, unsere Popsozialisationen, Hingabe, die Lust und Qualen des Nichtverstehens, Theorietraining mit Jean-Luc Nancy und seine Schule der Zärtlichkeit, Mediävistik. Über nicht geschlossene, nicht-männliche postmoderne Autorensubjekte und Schreibweisen in der Vormoderne, Dominoeffekt und Kettenreaktionen, campe und marginalisierte Leseweisen. Das Lesen zwischen den Zeilen, Pastiche, Parodie, Mitschriften, Palimpseste, Pop, Begehren, Vogueing, Realness, Fag Stags, Nicht-Authentisches, unakademische, hochelaborierte Szenarien und Exotismus. Es geht in einem wilden Ritt um Überschreibungen, ethnopoetologische Mitschriften, das Abtasten der Wirklichkeit und des Nicht-Authentischen und Drag Queens „als ambulante Archive von Fraulichkeit“.

Der 1955 in Hamburg geborene Musiker und DJ wurde in der zweiten Hälfte der 1980er-Jahre auch als Schriftsteller bekannt. Neben seiner Band FSK, die er seit 40 Jahren mit seiner Ehefrau Michaela Melián und anderen Freunden hat, wurde er mit seinem Buch Tomboy (Suhrkmap) berühmt. In dem 1998 bei Suhrkamp erschienenen Buch hat er seine frühe Judith Butler Lektüre verschriftlicht. Kein Wunder, dass einer seiner Lieblingstexte „Gender Trouble“ von der Philosophin Judith Butler ist. Es ist 1991 auf deutsch unter dem Titel „Das Unbehagen der Geschlechter“ bei Suhrkamp erschienen. Und Mascha Jacobs hat ein paar Jahre später ihre Magisterarbeit über das gleiche Buch geschrieben. Das zweite von Thomas Meinecke mitgebracht Buch ist „Forschungsbericht“ von Hubert Fichte (Fischer 1989), ein Band von Fichtes „Geschichte der Empfindlichkeit“. Seine Interessen und Themen seiner Texte sind sehr breit gestreut: von der Mystik, zu Mae West, über Camp zu Anaïs Nin zu Drag Queens und Lookalikes. Genug Gesprächsstoff also für die beiden Ex-Kolleg*innen beim Zündfunk des Bayerischen Rundfunk. Sie sprechen über experimentelles Schreiben, öffentliches Sprechen, Wiederholungen, den magischen Charakter der Sprache, Bündnisse, nicht-männliches Schreiben, fanatisches Lesen, unsere Popsozialisationen, Hingabe, die Lust und Qualen des Nichtverstehens, Theorietraining mit Jean-Luc Nancy und seine Schule der Zärtlichkeit, Mediävistik. Über nicht geschlossene, nicht-männliche postmoderne Autorensubjekte und Schreibweisen in der Vormoderne, Dominoeffekt und Kettenreaktionen, campe und marginalisierte Leseweisen. Das Lesen zwischen den Zeilen, Pastiche, Parodie, Mitschriften, Palimpseste, Pop, Begehren, Vogueing, Realness, Fag Stags, Nicht-Authentisches, unakademische, hochelaborierte Szenarien und Exotismus. Es geht in einem wilden Ritt um Überschreibungen, ethnopoetologische Mitschriften, das Abtasten der Wirklichkeit und des Nicht-Authentischen und Drag Queens „als ambulante Archive von Fraulichkeit“.

It's the third of my 25 '90s Beauty Moments and today its' Madonna's music video for her 1990 single Vogue. I believe this video is so valuable to not only the history of music, but also to the New York counterculture of ballroom. Before this video, the pageantry of ballroom, including the style of dance, Vogueing, would not have been seen in the mainstream. In this mini episode I break down just why this music video is so important and share information on the hair and beauty imagery we see, which is heavily influenced by artists and photographers from the 1940s. I've also created a TikTok to go with this episode and each of the other 24 episodes so head to my account @charissekenion. Do let me know if you've enjoyed this episode and feel free to give us the gift of a 5-star rating over on Spotify, or write a review on Apple Podcasts. Thank you so much for listening. BeautyMe on Twitter: https://twitter.com/beautymepodcast BeautyMe on Instagram: https://www.instagram.com/beautymepodcast/ BeautyMe newsletter: https://beautymenotes.substack.com BeautyMe on TikTok: https://www.tiktok.com/@charissekenion BeautyMe on ShopMy: https://shopmy.us/beautyme --- Send in a voice message: https://anchor.fm/beautyme/message

Ep 27 - Unfortunately I'm under the weather and I just didn't have the energy to pull a full 40-ish minute episode so instead I used this episode to do a roundup of topics that I wanted to discuss, but didn't want to spend too much time on. These topics are:Olivia Newton-John's PassingRuPaul's Drag Race All Stars (Season 7 - All Winners)Canada's Drag RaceThe Great Food Truck RaceBig BrotherPria (2017 Short Film)Toy's R UsBlind Gossip about Shawn Mendez Show Notes:Glamazonian Airways Performance - https://youtu.be/NBOVPZju8yM Maybe Cheese Born with It -  https://www.maybecheesebornwithit.com/Pria (Indonesian Short Film) - Free on Youtube - https://youtu.be/0LWfaoP4J9kMonét Vogueing to "Swish Swish" but It's a 2017 Meme - https://youtu.be/AQFnypreXiYBlind Item 1  - https://www.crazydaysandnights.net/2022/07/blind-item-6_11.htmlBlind Item 2 - https://www.crazydaysandnights.net/2022/07/blind-item-2_9.htmlDDR - Have You Never Been Mellow - This is the 20th Anniversary edition, but I think it sounds better than the one I remember as a kid - https://youtu.be/vVaWYHQpwRkOur Sponsors - FatcoThanks so much to my sponsor Fatco, which provides wonderful beauty products for everyone. Imagine rubbing beef fat all over your face, okay well, it's better than that. Tallow from grass-fed cows has a ton of natural, nourishing benefits. It contains heavy concentrations of vitamins A, D, E, and K, which are all vital for skin health! Tallow is packed with good-for-you ingredients — making it the foundation for many of FATCO's products. It's their flagship ingredient and the reason they truly believe that fat is your friend! Click here and use Promotion code PAZ to save 15% on your first purchase.Fiverr - Get NFTs Designed Especially for you!Wanna be on my podcast or just have any questions? Email me at howtogaypodcast (at) gmail.com. Read more of my thoughts and extended insight of the How to Gay Podcast by reading the blog! https://howtogaypodcast.blogspot.com/You can also follow my social media:Instagram: https://www.instagram.com/this_is_paz/ Twitter: https://twitter.com/This_Is_PazFacebook: https://www.facebook.com/ThisIsPaz/MyAnimeList (MAL) - https://myanimelist.net/profile/ThisIsPazWould you like to support me, but don't have extra money? No problem! Please listen to my music on Spotify. Each listen helps both get my music out and I'm sure it gives me like 2 cents. Click here or follow this link https://open.spotify.com/artist/4P0chxFGYL3kf4FpPWy5UY?si=ALsVH5A1TeKurqDnHomD3Q  or if you're an Apple person, here's the purchase page:  Apple/Itunes 

Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory. You can recalibrate your understanding of the […]

In this episode, we chat with Fazle, Pravini and Siela, three Indo-Surinamese or Hindostanen, about their experiences growing up and living in the Netherlands, at the heart of empire. Fazle (they/he/she/dem) - @fazle_shairmahomed Fazle Shairmahomed creates decolonizing rituals, performance art, and dance. Their work is rooted in ancestral work and intersectional activism. Through the urgency of community building their work creates spaces in which different communities are invited to nurture conversations around colonialism and the ways in which it has impacted our histories and the ways in which it exists today. The multi-sensorial approach in their work also challenges the ways in which we perceive the world around us through themes such as death, rebirth, ancestry, belonging, colonial histories, and healing. Since 2013 he is also one of the members of CLOUD danslab, an artist run dance studio which supports research and practice of dance, movement, and performance art in the Hague. The physcial work and research of Fazle is deeply rooted in ways of approaching the state of trance, through archaic movements and ritual practices mostly inspired and informed by Muslim/Sufi traditions of Gnawa, Zar, the whirling Dervish; Japanese Butoh, Surinamese Winti culture, Hindu rituals, Caribbean Bubbling, Muslim funeral practices, Vogueing, and the Club. Pravini (she/her/hers) - @pravinimusic Pravini Baboeram is an artist and activist, creating art to contribute to social change. As an independent artist she has set up her own label Pravini Productions, that has produced 5 albums, 6 singles and 5 international tours. She is co-founder of action committee Holi is not a Houseparty, a campaign against cultural appropriation of the Hindu spring festival Holi, and initiator of the Anti-racism Voting Guide. In addition, she led the campaign Tetary Must Rise, a crowdfunding campaign for the replacement of the statue of colonizer Barnet Lyon by the Hindustani warrior of resistance Janey Tetary. Pravini also set up Indian History Month to celebrate stories and contributions of people from the Indian diaspora. In 2019 she released her new album and documentary “The Uprising”, a film about the anti-racism movement in Europe. Siela (she/her/hers) Siela Ardjosemito-Jethoe is an anthropologist and sociologist. She has spent the past 20 years working in the field of diversity inclusion, with equity as its foundation. She started within welfare and social work and later on switched to higher education and the public sector at the level of national and local government. June 1st 2021 she started as the Diversity and Inclusion officer at the University of The Arts- The Hague. She also runs her own company Connecting the Dot's unlimited where she provides training, coaching and advice and she works as a wordartist. She contributed to several publications such as Superdivers! (2013), Onbeschreven Erfgoed (2017) and Diversiteit in de Samenleving (2017 and 2020), she is editor-in-chief of the latter. Furthermore, she writes a monthly column about diversity and inclusion at the Sarnamihuis and is a columnist for Cultuurpers. With her husband and children she created the podcast Diversity in Check and she is jointly responsible for the podcast ‘Zeg maar gewoon wit.' She is a supervisory board member for Mauritshuis, chairperson for Lloyds Company and board member of Het Haags Theaterhuis.

We continue our chat with Fazle, Pravini and Siela, three Indo-Surinamese or Hindostanen, about their experiences growing up and living in the Netherlands, at the heart of empire. Fazle (they/he/she/dem) - @fazle_shairmahomed Fazle Shairmahomed creates decolonizing rituals, performance art, and dance. Their work is rooted in ancestral work and intersectional activism. Through the urgency of community building their work creates spaces in which different communities are invited to nurture conversations around colonialism and the ways in which it has impacted our histories and the ways in which it exists today. The multi-sensorial approach in their work also challenges the ways in which we perceive the world around us through themes such as death, rebirth, ancestry, belonging, colonial histories, and healing. Since 2013 he is also one of the members of CLOUD danslab, an artist run dance studio which supports research and practice of dance, movement, and performance art in the Hague. The physcial work and research of Fazle is deeply rooted in ways of approaching the state of trance, through archaic movements and ritual practices mostly inspired and informed by Muslim/Sufi traditions of Gnawa, Zar, the whirling Dervish; Japanese Butoh, Surinamese Winti culture, Hindu rituals, Caribbean Bubbling, Muslim funeral practices, Vogueing, and the Club. Pravini (she/her/hers) - @pravinimusic Pravini Baboeram is an artist and activist, creating art to contribute to social change. As an independent artist she has set up her own label Pravini Productions, that has produced 5 albums, 6 singles and 5 international tours. She is co-founder of action committee Holi is not a Houseparty, a campaign against cultural appropriation of the Hindu spring festival Holi, and initiator of the Anti-racism Voting Guide. In addition, she led the campaign Tetary Must Rise, a crowdfunding campaign for the replacement of the statue of colonizer Barnet Lyon by the Hindustani warrior of resistance Janey Tetary. Pravini also set up Indian History Month to celebrate stories and contributions of people from the Indian diaspora. In 2019 she released her new album and documentary “The Uprising”, a film about the anti-racism movement in Europe. Siela (she/her/hers) Siela Ardjosemito-Jethoe is an anthropologist and sociologist. She has spent the past 20 years working in the field of diversity inclusion, with equity as its foundation. She started within welfare and social work and later on switched to higher education and the public sector at the level of national and local government. June 1st 2021 she started as the Diversity and Inclusion officer at the University of The Arts- The Hague. She also runs her own company Connecting the Dot's unlimited where she provides training, coaching and advice and she works as a wordartist. She contributed to several publications such as Superdivers! (2013), Onbeschreven Erfgoed (2017) and Diversiteit in de Samenleving (2017 and 2020), she is editor-in-chief of the latter. Furthermore, she writes a monthly column about diversity and inclusion at the Sarnamihuis and is a columnist for Cultuurpers. With her husband and children she created the podcast Diversity in Check and she is jointly responsible for the podcast ‘Zeg maar gewoon wit.' She is a supervisory board member for Mauritshuis, chairperson for Lloyds Company and board member of Het Haags Theaterhuis.

Eine sehr diverse Community trifft sich in Theatern und ähnlichen Räumen, um ihre „Balls“ abzuhalten. Diese Wettbewerbe im Vogueing sind eine Mischung aus Tanz und Performance, aber es sind auch Partys und Feste. Entstanden ist diese kulturelle Praxis in New York, als Ausdrucksform queerer Identität. Im Rahmen der jährlichen Lecture des Music and Minorities Research Center (MMRC) wurde Vogueing an der mdw zum Thema: Karin Cheng vom Kiki House of Dive trat als Performerin auf, Julia Fent vom MMRC organisierte den Rahmen. Zwischen Performance und Wissenschaft vermittelt Katrin Blantar, die von der Performance zur Forschung kam und einst als Mother eines Wiener Vogue Clubs bzw. Balls fungierte.

In this episode with our guest Fazle Shairmahomed @fazle_shairmahomed (he/they/she/dem), a Hindoestaan—or Indo-Surinamese—modern dancer who employs various decolonial methods in her art, we discuss being Indo-Surinamese in Den Haag (The Hague), The Netherlands and the meanings of dance and identity. Fazle Shairmahomed creates decolonizing rituals, performance art, and dance. Their work is rooted in ancestral work and intersectional activism. Through the urgency of community building their work creates spaces in which different communities are invited to nurture conversations around colonialism and the ways in which it has impacted our histories and the ways in which it exists today. The multi-sensorial approach in their work also challenges the ways in which we perceive the world around us through themes such as death, rebirth, ancestry, belonging, colonial histories, and healing. Since 2013 he is also one of the members of CLOUD danslab, an artist run dance studio which supports research and practice of dance, movement, and performance art in the Hague. The physcial work and research of Fazle is deeply rooted in ways of approaching the state of trance, through archaic movements and ritual practices mostly inspired and informed by Muslim/Sufi traditions of Gnawa, Zar, the whirling Dervish; Japanese Butoh, Surinamese Winti culture, Hindu rituals, Caribbean Bubbling, Muslim funeral practices, Vogueing, and the Club. Fazle was born and raised in a multicultural society in de Transvaal/Schilderswijk in Den Haag, in the Netherlands, they feel very hybrid, and identifies currently, but not exclusively, as Dutch, Surinamese-Hindustani, Indo-Caribbean, Muslim, Queer, non-binary, and as a person of color.

We continue our episode with Fazle Shairmahomed @fazle_shairmahomed(he/they/she/dem) on being Hindoestaan—or Indo-Surinamese—in The Hague, The Netherlands and the meanings of dance and identity. Fazle Shairmahomed creates decolonizing rituals, performance art, and dance. Their work is rooted in ancestral work and intersectional activism. Through the urgency of community building their work creates spaces in which different communities are invited to nurture conversations around colonialism and the ways in which it has impacted our histories and the ways in which it exists today. The multi-sensorial approach in their work also challenges the ways in which we perceive the world around us through themes such as death, rebirth, ancestry, belonging, colonial histories, and healing. Since 2013 he is also one of the members of CLOUD danslab, an artist run dance studio which supports research and practice of dance, movement, and performance art in the Hague. The physcial work and research of Fazle is deeply rooted in ways of approaching the state of trance, through archaic movements and ritual practices mostly inspired and informed by Muslim/Sufi traditions of Gnawa, Zar, the whirling Dervish; Japanese Butoh, Surinamese Winti culture, Hindu rituals, Caribbean Bubbling, Muslim funeral practices, Vogueing, and the Club. Fazle was born and raised in a multicultural society in de Transvaal/Schilderswijk in Den Haag, in the Netherlands, they feel very hybrid, and identifies currently, but not exclusively, as Dutch, Surinamese-Hindustani, Indo-Caribbean, Muslim, Queer, non-binary, and as a person of color.

Die Tänzerin und Choreografin Sophie Yukiko Hasters ist eine der Pionier:innen der deutschen Ballroom-Szene. Besondere Aufmerksamkeit bekam die queere Subkultur und das Vogueing zuletzt durch die gefeierte Netflix-Serie "Pose". Ballroom-Häuser sind familiäre Zusammenschlüsse von queeren Menschen of Color, in denen der Tanzstil des Vogueing geprägt wurde. Die Häuser sind in den 20er Jahren in New York entstanden, organisieren seitdem weltweit spektakuläre Bälle und treten in Wettbewerben gegeneinander an. Gleichzeitig sind sie aber auch Zufluchtsorte für marginalisierte Menschen der LGBTIQ* Community. Es gibt nur wenige Personen, die sich wie Sophie in der Ballroom-Community durchsetzen. Als Mutter eines Hauses trägt sie eine besondere Verantwortung. Als Performerin brachte Sophie Yukiko die Kunst des Vogueing außerdem ins Berliner Bode-Museum: https://www.sophieyukiko.com/conceptual/here Die gebürtige Kölnerin lebt heute in Berlin. Von WDR 2.

Liz Goldberg has taught Fashion Illustration at The Pratt Institute and Drexel University for the past 11 years. Her work is an exploration of the theme of the “diva” – the flamboyantly uninhibited female and the personal and political empowerment she represents. As a painter, graphic artist, and animator, Liz has been inspired by puppets and absurdist theatre, influenced by puppet–like characters reminiscent of Alfred Jarry's forerunner of absurdist theater, Ubu-Roi, the buffoons of modernist playwright Michel de Ghelderode, the existentialist mime plays of Samuel Beckett, and the symbolist and political figures of European puppet theater. Liz has developed these “diva” and puppet-inspired works into experimental animated films in collaboration with filmmaker Warren Bass, broadcast on American Public Television and cable, receiving awards and juried recognition in over 20 countries. The works use animation as an analog to painting, dance and poetry, and are intended to re-define the paradigm of what an animation can be. The process of animation has, in turn, influenced her full-scale paintings and works-on-paper producing diptychs, triptychs, and serial prints with progressive deviations. In 2018, Liz and Warren produced “Vogueing and Other Pleasures” shown at the Film Festival at the Barnes in conjunction with the Musee de Paris. In 2018, the film was also shown as part of “Contexualizing Fashion” at Pratt. A full room installation was created at Joan Shepp where Liz was a resident artist for 3 years 2017- 2020, installing the entire space with 1,750 hand-drawn cells from the animation, as well as paintings and prints.Liz's work was recently part of MINIFEST at Theaterlab - a fun and vibrant event that brought together a variety of artists to share short works throughout Theaterlab's full loft on September 18 and 19 in New York City. MINIFEST is an afternoon of tiny delights, short sparks of new work, and other small surprises. Last produced on March 8, 2020, days before theater closed. This year's MINIFEST focused on Fashion and the Body. Participating artists included Marco Casazza, Liza Cassidy, Blane Charles, Orietta Crispino, Jed Distler, Liz Goldberg, Naoki Iwakawa, Michaela Lind, Stefanie Nelson, Lisa Silvestri, Alex Sollitto, Lesley Ware, Louisa Willis, Ulisespal, Glenna Yu and Lanie Zipoy. ~~~~~~~To explore past episodes of Into the Absurd, visit our Facebook page:https://www.facebook.com/pg/Idiopathi...ORThe IRC's YouTube channel: https://www.youtube.com/playlist...And while you're there, be sure to SUBSCRIBE, so you don't miss any future episodes.

On this weeks podcast, Abel is giving you a quick recap of HBO Max's "Legendary" S2 Eps 5/6. He also talks about his love for the show, explains what some of the elements of Vogueing are and talks about his favorite and LEAST favorite judges. Follow the show: Instagram: http://instagram.com/shadybootspodcast Follow the host: IG: http://instagram.com/abelozuna4 Facebook: http://facebook.com/abelozuna04 **This is a Creative Central Network Podcast. Visit us on our website (http://creativecentralnetwork.com) or on our Insta (http://instagram.com/creativecentralnetwork) --- Send in a voice message: https://anchor.fm/shadybootspodcast/message

A cura di Alessia e Melania della 3 AL dell' IIS Margherita di Savoia di Napoli

We dined virtually tonight with artist Liz Goldberg and filmmaker Warren Bass, who talked about their artistic collaborations, including Cuban Queens (https://vimeo.com/279495510​).Cuban Queens is an experimental animated collaboration by Warren Bass (direction, animation, music), Liz Goldberg (original graphics), and Lowell Boston (animation). The film deconstructs and explores ninety-nine evolving images of Havana’s street divas. Cuban Queens is a rhythmic study of subliminal hand-drawn portraits that evolve through shifting, transient relationships of image-to-image and image-to-sound.~~~~~~~Warren Bass is an independent filmmaker and former Chair of Film & Media Arts at Temple University where he teaches directing, cinematography, and advanced workshops in documentary, fiction and animation as a full professor. He was trained at the Yale School of Drama in directing (with Honors) and at Columbia University in film as their School of the Arts Scholar. He has taught at Yale, NYU, the State University of California, and the American Film Institute, has chaired university departments in Film, Television, and Theater in New England, served as trustee of the University Film Study Center housed at Harvard/MIT, Vice President of the University Film and Video Association, guest editor of The Journal of Film and Video, and for extended periods as Director of Temple University’s graduate program in Film. His essays on visual style have been published in English, Polish, Chinese and Turkish. His textbook on camcorders is published in seven countries. His art work has been exhibited at the Smithsonian, the National Academy of Design and the Boston Museum of Fine Arts. He has directed theater at Lincoln Center, off-Broadway and in regional professional theater in six cities. His film and video productions have been aired on PBS, syndicated television and cable in the U.S. and on European, Asian and Australian Television. His work has received over 100 regional, national and international awards. Professor Bass is a recipient of both the Great Teacher Award and the Creative Achievement Award from Temple University.Liz Goldberg has taught Fashion Illustration at Pratt and Drexel University for the past 11 years. Her work is an exploration of the theme of the “diva” – the flamboyantly uninhibited female and the personal and political empowerment she represents.As a painter, graphic artist, and animator, Liz has been inspired by puppets and absurdist theatre, influenced by puppet–like characters reminiscent of Alfred Jarry’s forerunner of absurdist theater, Ubu-Roi, the buffoons of modernist playwright Michel de Ghelderode, the existentialist mime plays of Samuel Beckett, and the symbolist and political figures of European puppet theater.Liz has developed these “diva” and puppet-inspired works into experimental animated films in collaboration with filmmaker Warren Bass, broadcast on American Public Television and cable, receiving awards and juried recognition in over 20 countries. The works use animation as an analog to painting, dance and poetry, and are intended to re-define the paradigm of what an animation can be. The process of animation has, in turn, influenced her full-scale paintings and works-on-paper producing diptychs, triptychs, and serial prints with progressive deviations.In 2018, Liz and Warren produced “Vogueing and Other Pleasures” shown at the Film Festival at the Barnes in conjunction with the Musee de Paris. In 2018, the film was also shown as part of “Contextualizing Fashion” at Pratt. A full room installation was created at Joan Shepp where Liz was a resident artist for 3 years 2017- 2020, installing the entire space with 1,750 hand-drawn cells from the animation, as well as paintings and prints.

Ainhoa Vitoriak 80ko eta 90eko hamarkadetan ezaguna egin zen LGTBIQ+ kolektiboaren dantza eta askapen mugimendua ekarri digu....

Matthew "Snoopy" Cuff discusses his love and passion for the dance art of Voguing. He wants to share with world the same joy it has given him by taking it to mainstages in dance. Bio Matthew Cuff – (Snoopy) Voguing over 7 years ,Snoopy was a part of Canada's first official Ballroom house (House of Monroe). Matthew "Snoopy" Cuff was introduced to Vogue through YouTube, and was amazed by the performance driven dance style. Snoopy helped introduce Vogue internationally by being featured on So You Think You Can Dance Canada and CBC Arts: The Move (2018). Honing his skills in New York City, Snoopy has also learned from and battled some of the greatest Voguers! Also a graduated of School of Toronto Dance Theatre and with a background in Hip Hop, Vogueing can be influenced and interpreted from any dance style or individual. With numerous grand prizes, Snoopy continues to participate in Toronto's thriving Ballroom Scene. Through the art of Vogue, Snoopy hopes to inspire creativity while sharing his passion for dance. https://www.instagram.com/itz_snoopy/?hl=en

Category Is: Quarantine Extravaganza as we chat with star of FX's Pose and host of PBS' Prideland, Dyllon Burnside. In this intimate chat, we talk about religion and sexuality, opening night on Broadway, petite fours, dating co-stars, love scenes with Billy Porter, Vogueing on set, and crossing over to American Horror Story. Yaaass, Queen!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Category Is: Quarantine Extravaganza as we chat with star of FX's Pose and host of PBS' Prideland, Dyllon Burnside. In this intimate chat, we talk about religion and sexuality, opening night on Broadway, petite fours, dating co-stars, love scenes with Billy Porter, Vogueing on set, and crossing over to American Horror Story. Yaaass, Queen! 

'Vogue' de Madonna está cumpliendo 30 años. La canción ha sido uno de los éxitos más importantes de la diva estadounidense; fue número 1 en 30 países y vendió más de 6 millones de copias, convirtiéndose así en la canción más popular de 1990. Pero la historia detrás de VOGUE nace en la comunidad transgénero de Nueva York. En este podcast hablo con Kevin Staye, un joven bailarín de Singapur criado en Estados Unidos, quien me presenta al talentoso activista Luis XTravaganza, el coreógrafo de Madonna en aquel momento. En esta charla, XTravaganza, uno de los más representativos miembros de la comunidad transgénero en Estados Unidos, rehace los pasos que lo llevaron del colegio al baile clásico y posteriormente al Vogueing, una subcultura de baile nacida en lo profundo de la clandestinidad trans y convertido, gracias a él y a un séquito de bailarines excepcionales, en un paso gigantesco hacia adelante en el camino por la igualdad. 

The term “iconic” is bandied about on this podcast far too often, but when it comes to describing Madonna’s Vogue, there’s really no better adjective. At the intersection of old Hollywood glamour and the New York ballroom scene, Vogue was responsible for introducing queer POCs and their art to the mainstream on its release in 1990. Accompanied by David Fincher’s chill-inducing black and white video and *that* performance at the MTV Video Music Awards, the song immediately became required reading on the Queer Culture 101 syllabus and that position in the canon holds strong thirty years later. It is for all these reasons and more that we bring you an entire, full-length episode dedicated purely to Vogue. The subject is too big to tackle alone. As such, we begged deep biological sis of the pod – and Aural Fixation’s answer to Merle Ginsberg – Char to return to the airwaves and give her hot takes. Join us, won’t you, as we honour the human personification of Leo (on the week of her 62nd birthday no less!). Don’t just stand there, let’s get to it. Follow the pod on Instagram at @auralfixationpodcast, or the boys on @with.all.drew.respect and @andrewdoyouthinkyouare. Or go retro and email us! auralfixationpodcast@gmail.com for ya nerve.

Interview mit Aurélien Faravelon, Wie ist die aktuelle Szene in Lyon? Was ist bemerkenswert? Was ist einzigartig? Lass dich inspirieren und verbessere deine eigene Szene! Finde deine Lieblingsplattform, höre, abonniere, like, teile++++++++++++++Apple Podcasts: bit.ly/BMBDS-at-AppleSpotify: bit.ly/BMBDS-at-SpotifyDeezer: bit.ly/BMBDS-at-DeezerPodbean: beimirbistduschoen.podbean.com/Castbox: bit.ly/BMBDS-at-CastBoxOvercastFM: bit.ly/BMBDS-at-OvercastPlayerFM: de.player.fm/series/bei-mir-bist-du-schon-podcastYouTube: bit.ly/BMBDS-on-YouTube+++++++++++++++Abonniere und like unsere Seiten bei:Facebook: facebook.com/BeiMirBistDuSchoenPodcastInstagram: instagram.com/bei_mir_bist_du_schoen_podcast/Twitter: twitter.com/MirBist+++++++++++++++++++++++++BMBDS-Podcast 022 - Szenenvergleich Lyon0:00:00 Intro0:00:22 Warm-Up & Social EckeCorona Einschränkungen gelockertSolo Lindy Angebot für Tänzer ohne fester/m PartnerInAusblick für den BMBDSProteste in Amerika #blacklivesmatterBoris hat Netflix gekündigtZeit priorisierenMyth-bust #1Myth-bust #20:17:30 Hauptthema - Szenenvergleich Lyon0:20:53 Interview mit Aurélien FaravelonAurélien Faravelon aus Lyon (ursprünglich Grenoble) facebook.com/OrEtLiens/ shallweswinglyon.com/ gonaswing.fr/ SwingRoar gonaswing.fr/swing-roar/facebook.com/swingetideal Vogueing (vogue dancing)SwingBand Djoukil djoukil.com/en/Savoy Cup 2019 - Team City Battle 1/8 Finals - Lyon VS Montreal youtu.be/AjqDWAwxT3QAcknowledgement: Aurélien fördert die (lokale) Szene selbstlos und fördert auch alle Teilnehmer der Szene0:49:09 Highlights auf DeutschSchnell wachsende SzeneDas Warum eines SzenenaufbausPräsent sein in der eigenen SzeneMyth-bust #3Aktives Einbringen in die eigene SzeneUnterstützung von anderen (und den Szene-Leaders)Zentrale Plattform für Events (und Kurse)Erst umsetzen, dann verbessernVeranstaltungenVogueing (vogue dancing)Aurélien’s Empfehlung youtu.be/pm9emJoXvH0youtu.be/tRJpJZCTzAo (deutsche Reportage)Partys nur mit Livebands und die VorteileShag im Wachstum20s Partner Charleston mit Wachstumspotential 20spartnercharleston.com/Die 3 Schlussfragen swinginwiesbaden.de/deca2020dev/ facebook.com/laure.molegnanaLade uns gerne ein in deine Szene BMBDSpodcast@gmail.com 1:24:24 Surprise QuestionLaminu aka SlowBal youtu.be/nYGqZW0DvAo „unbekannte Swingtanz-Tänzer“1:29:00 Wrap up & AusblickTauscht euch persönlich mit anderen über deren Szenen ausWir stellen auch Deine Szene vorKommende EpisodenModeInterviews Intro: The Andrew Sisters - Bei mir bist Du schön youtu.be/Xe2UXccid40Outro: Slim & Slam - The Flat Foot Floogie youtu.be/S4eAapgCaZUFoto: JaninaSchuster.de Boris & Phil aus Hannover sprechen über die SwingTanz Szene in Deutschland, Europa und der Welt. Es gibt Episoden mit speziellen Themen, mit allgemeinen Themen und Interview-Specials. Alles dreht sich um die SwingTanz Welt. Ob LindyHop, Shag, Balboa, Blues, Charleston oder Solo Jazz. Schalte ein und genieße die spontane und lockere Art, in der wir unsere Sicht der Dinge wiedergeben. Viel Spaß!

Seit ihrem von der Kritik gefeierten Buch "Was weiße Menschen nicht über Rassismus hören wollen, aber wissen sollten", ist Alice Hasters die intellektuelle Stimme der jungen Schwarzen in Deutschland. Sie selbst nennt sich Schwarze Frau und schreibt schwarz mit großem S. "Es bezieht sich nicht auf die tatsächliche Farbe meiner Haut", sagt sie. "Es ist meine Selbstbezeichnung, Teil meiner Identität." Im Gespräch mit Christoph Amend und Jochen Wegner, den Gastgebern des Podcasts "Alles gesagt?" von ZEIT ONLINE und ZEITmagazin, erzählt Alice Hasters von ihren Alltagserfahrungen mit Rassismus in Deutschland und den USA, erklärt, wie er unsere Gesellschaft bis heute prägt – und was sich ändern muss. Alice Hasters ist Journalistin, Autorin, Podcasterin, geboren 1989 in Köln, dort ist sie auch aufgewachsen, sie hat in München an der Journalistenschule studiert, lebt heute in Berlin, arbeitet für den rbb und für die "Tagesschau". Ihre Stimme ist ihren Fans seit Jahren vertraut, denn seit 2016 spricht sie einmal im Monat mit ihrer Freundin, der Schauspielerin Maximiliane Häcke, über alles zwischen Politik und Popkultur – in ihrem gemeinsamen Podcast "Feuer & Brot". Ihr Buch hat Alice Hasters in fünf Kapitel aufgeteilt – Alltag, Schule, Körper, Liebe, Familie – und über all das spricht sie auch im Podcast. Und von ihrer Liebe zu Linsensuppe, über Vogueing – und über den Grund, warum sie sich lange wie die Figur Carlton aus der Serie "Der Prinz von Bel-Air" gefühlt hat. Nach 6 Stunden und 37 Minuten beendet Alice Hasters das Gespräch. Das darf bei "Alles gesagt?" nämlich nur der Gast. Diese Folge wurde am 4. Mai aufgenommen, drei Wochen vor dem gewaltsamen Tod von George Floyd in Minneapolis. Etwa alle vier Wochen veröffentlichen wir ein neues Gespräch. Wen sollen wir noch unendlich lange befragen? Schreiben Sie uns an allesgesagt@zeit.de. Produktion: Maria Lorenz/Pool Artists Fotografie: Maria Lorenz Recherche: Hannah Schraven, Vincent Mank Redaktion: Mounia Meiborg

Il fenomeno del Vogueing porta con sé una storia profonda che spesso viene dimenticata quando si valuta la sua interconnessione con l'industria della Moda. In questa puntata parliamo di arte e bellezza, storia e discriminazione e di come il Vogueing tocchi tutti i punti cardine di Ravenous Fashion Podcast: La moda: per il rapporto stretto che ha avuto con l'industria negli anni. La sostenibilità: intesa come etica e sviluppo sostenibile di un tessuto sociale libero da razzismo e discriminazioni. Il fashion marketing: molti brand di Moda hanno sfruttato il Vogueing per le proprie campagne marketing. I temi trattati nella puntata: ✅ L'origine del Vogueing ✅ Cosa sono le Houses ✅ Come entrare in una House ✅ Come il mestiere di Fashion Stylist ha aiutato Sarah nel suo percorso alla scoperta del suo stile e del Voguing ✅ Come approcciarsi nel modo giusto al Vogueing sia in Italia che all'estero. ✅ I punti di incontro tra Moda e Vogueing (ce ne sono alcuni davvero sorprendenti) ✅ Consigli su canali, video e documentari da guardare per approfondire il Vogueing Link utili citati nella puntata: https://bit.ly/2WuYdHB Parla con Sarah: IG: https://www.instagram.com/sarah_bfuji_ninja/, il suo canale di fashion styling: https://www.instagram.com/sarahdozza/ FB: https://www.facebook.com/sarah.dozza Entra nella community di Ravenous:https://beatrice-mazza.com/ravenous-family-community/ --- Send in a voice message: https://anchor.fm/ravenousfashionpodcast/message

Wir haben uns mal wieder jemanden zum Gespräch eingeladen. Jemand ganz besonderes um genau zu sein: nämlich Sophie Yukiko, Tänzerin, Choreografin UND eine von Alices zwei älteren Schwestern. Sophie hat vor 6 Jahren auf einem Ball in Rotterdam ihr Herz an die Ballroom und Voguing Scene verloren und sich seitdem zu einem festen Bestandteil der Ballroom Szene in Berlin und Deutschland aber auch international als Mitglied des angesehenen House of Saint Laurent Europe getanzt und hart erarbeitet. Was es genau mit "Houses", "Mothers" und der Geschichte des Ballroom auf sich hat - und mehr - erzählt uns Sophie Yukiko in diesem Gespräch. Obwohl von vielen noch immer als absolute Subkultur betrachtet, finden sich die Einflüsse des Ballroom nämlich überall: "Yaaas", "Werk" und "Slay Queen" dass alles sind populär-sprachliche Ausdrücke die quasi jeder junge Mensch kennt. Dass diese ihren Ursprung in der amerikanischen queeren Ballroom Culture und Drag Szene haben, weiß dagegen kaum jemand. Ebenso z.B. wie diverse "Youtube Make-up Techniken" wie "Cooking", "Baking", "Contouring", auch hierfür haben Drag Queens den Grundstein für einen allgegenwärtigen Trend, der sich gut verkauft, gelegt. Wir haben mit Sophie über Kulturelle Aneignung einer Szene, die als Raum für Marginalisierte überhaupt entstanden ist, gesprochen, ihre eigene Rolle als Cis-Frau in selbiger und darüber, warum es beim Battle im Ballroom nicht nur um eine große Regenbogenparty geht. Der "ICONS Galore BALL by Yukiko Saint Laurent" findet am 16. November im SchwuZ in Berlin statt. Interview mit Sophie Yukiko für Vogue: https://www.vogue.de/mode/artikel/interview-sophie-yukiko-vogueing-ballroom-deutschland "Paris is Burning" auf Youtube: https://www.youtube.com/watch?v=xf6Cn2y2xEc "Pose" auf Netflix: https://www.netflix.com/title/80241986 Kontakt: feuerundbrot@gmail.com Instagram, Twitter, Facebook Unterstützen: Steady + Patreon

In honor of NYC Pride this weekend we have our first straight white male, Casey James Salengo (Comedy Central Half Hour)! He's also Courtney's BF (I know we can't believe Courtney dates a straight guy either!) We compare professional Wrestling to Vogueing balls and shade the entire Met Gala. The subject this week is Courtney but listen and ask yourself, would Casey clearly rather be inside Wil? We end the first of this two part episode with our NEW game, What Gets You Harder?

This week on Qweird we talk some more about queer spaces - the need, the neglect, the now. Oh, and we find out that #NicoleIsPerfect, and she's handling it.  Please bear with us as we work out our sound issues, we may or may not be recording under water. I don't know, you tell me.  Shout Out: Lisa & Darwin, Tiffany & Whitney - thanks for Amsterdam! Sources: Pulse, Amy Spring, Detroit 70s bars, Ballroom Culture, Vogueing, Backstreet, From Glorious to Inclusive: The Past, Present, and Future of Detroit’s LGBT Spaces --- Send in a voice message: https://anchor.fm/qweird/message

We chat with professional dancer and voguer extraordinaire Kenjii Mizrahi, after his amazing Voguing Workshop for the Salento Rainbow Film Festival. Kenjii explains the history and culture of voguing - the houses, the old way, new way and vogue fem. We learn about European catwalk, American runway and the climactic dip. Follow Kenjii on Instagram @kenjii_mizrahi or on Facebook Ken Jii Mizrahi. Follow us on Instagram - @gaypugliapodcast

The Filmlordes interview Gaspar Noé on all things filmmaking, process, and climaxing. Noé's new film CLIMAX (2018) is a full-on mashup of vogueing, drug taking, sex, and violence - best enjoyed with full attention. The Filmlordes talk about how Gaspar makes films, and finally figure out what makes him truly get off. CLIMAX is released nationally in Australia on December 6. 

In "Vogueing Christmas Bears" - - What is Honey G's new career?- Which Britain's Got Talent star has a new album out?- Manx Polar bears get "friendly" in a shopping centreAnd we meet the photographic artist, Heather Glazzard.Catch up now with Cudcast 28!Recorded on Sunday, 25th of November 2018. Join us live at 2pm every Sunday afternoon at cudcast.com

In "Vogueing Christmas Bears" - - What is Honey G's new career?- Which Britain's Got Talent star has a new album out?- Manx Polar bears get "friendly" in a shopping centreAnd we meet the photographic artist, Heather Glazzard.Catch up now with Cudcast 28!Recorded on Sunday, 25th of November 2018. Join us live at 2pm every Sunday afternoon at cudcast.com

MBA steht für be in Motion, feel Better, stay Authentic. Dany ist Fitness- und Personaltrainerin, Choreografin und Hip Hop Tänzerin und lebt selbst nach ihrer Devise immer in Bewegung zu sein, sich besser zu fühlen und vor allem authentisch zu bleiben. Man sieht sie auf Facebook und Instagram überall und bei jedem Wetter beim Workout: im Wald, im Park, im Zug, zu Hause auf Putzlappen! Und immer mit dabei: gute Musik. LADIES DANCE FOUNDATION CAMP Seit über zehn Jahren arbeitet sie auch regelmäßig als Trainerin für die 2006 in Köln von Daniela Rodriguez Romero initiierte Workshop-Reihe Ladies Dance für junge Frauen. Ich habe Dany im September 2017 am letzten Tag des daraus entstandenen Ladies Dance Foundation Camp besucht. Wie dieses Camp nicht nur die Dance Skills der Frauen in verschiedenen Bereichen wie Breakdance, Popping, Boogaloo, Locking, House, Vogueing, Ragga Dancehall und Krumping verbessert, sondern auch das Selbstbewusstsein enorm stärkt, konnte ich bei meinem Interview mit Dany live erleben. Ich war am letzten Tag des Camps mit dabei und war überwältigt von dem Gemeinschaftsgefühl was dort in so kurzer Zeit unter Teilnehmern und Trainern entstanden ist. Hört rein und lasst euch selbst überzeugen! Wer sich selber dort anmelden möchte, meldet sich am besten direkt bei Ladies Dance. Dort findet ihr auch weitere Videos von den Camps. --- Send in a voice message: https://anchor.fm/thehealerhiphop/message

Michelle Visage (@michellevisage) joins me on a brand new episode of the show to talk about her collaboration with Illamasqua and the 'Visage Lash', the beauty products she adores and why she's very specific about what she puts on her skin. If you listen to Michelle's podcast What's the Tee with RuPaul and Michelle Visage - and why wouldn't you? - you'll know that Michelle has autoimmune disease and she talks in detail about the lifestyle changes she's had to make for the sake of her health.    In this hour-long conversation with also talk about role as a judge on RuPaul's Drag Race, being an advocate for the LGBTQ community and her own issues with self-doubt. We discuss the burden of being dreamers and why meditation, and specifically visualisation, is crucial if you want your wildest dreams and fantasies to come true - as long as you do it with emotion... Michelle knows a lot about being on-the-go. When she's not sitting on the judging panel on the Emmy-winning show RuPaul's Drag Race, she's on the road for nine months of the year and Michelle explains the steps she takes to shut off and put boundaries in place so she doesn't burn out.  Tune into Michelle's YouTube channel here to see, among other things, snippets from the Drag Race tour, her Vogueing back in the late 80s and videos from the RuPaul Show that used to air on VH1.  References from the Emma guns show ft. michelle visage. Michelle's lashes are available here. The Power of Now is available on Amazon.co.uk. Grain Brain is available on Amazon.co.uk. Michelle's signature scent, Illamasqua's Freak is available here. Infinite Possibilities is available on Amazon.co.uk. See acast.com/privacy for privacy and opt-out information.

Sarah and Mike review ep 2 of season 8, touch on My 600-lb Life and discuss this week's adventure, a Vogueing and Waacking dance class.

Jam, Jerusalem and an Awful Lot of Glitter When Jeannie joined her local branch of the Women's Institute in Liverpool, she hoped for a bit of distraction from an ongoing, long term illness. But what she found there was a whole lot more than jam and Jerusalem. Before you could say Victoria sponge cake, she was sashaying down a catwalk dressed as a space alien, complete with ray gun, 8 inch heels and 3 inch red eyelashes, in front of a screaming audience. Welcome to the Vogue Ball - Liverpool's 21st century version of a phenomenon that swept the streets, and then the underground clubs of New York back in the 1980's. You might remember the Madonna song "Vogue" which spread the word - but this dance movement originated in the world of excluded black, gay street kids. Vogueing was an escape from a world which was set up to exclude them. It was all about fantasy, taking on a role for one night only of your dream persona; a Wall Street Banker; a glamorous diva; a film star, or even a creature from another galaxy. In "Lives In A Landscape", Julie Gatenby follows two teams competing in the Vogue Ball - the House of Lisbon, represented by Stephen the bartender, and The House of Twisted Stiches - made up of the entrire committee of the the Iron Maidens WI, while compere of the ball, Rikki Beadle-Blair fills in the history. Producer Sara Jane Hall.