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Tonight on The Last Word: Donald Trump's Iran war is causing rising gas prices and fertilizer costs. Also, Trump is focused on vanity projects during the Iran war. Plus, nearly 40 million Americans are under a heat advisory on the first day of spring. And Democrats look to flip a local House seat in Trump's Palm Beach County district. Rep. Eugene Vindman, Rep. Eric Swalwell, Michael Mann, and Emily Gregory join Ali Velshi. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Three of our favorite segments from the week, in case you missed them. Gov. Hochul Hopes to Delay Implementing Climate Law (First) | The Growth of DHS Detention Camps (Starts at :40) | Opera and Democracy (Starts at 1:15) If you don't subscribe to the Brian Lehrer Show on iTunes, you can do that here. Image: An original poster for Wolfgang Amadeus Mozart's opera, The Marriage of Figaro (not stated, Public domain, via Wikimedia Commons)
In the Oval Office during a bilateral meeting focused on the U.S.-Iran conflict and securing the Strait of Hormuz, President Donald Trump defended the lack of advance notice to allies about strikes on Iran. Turning to Japanese Prime Minister Sanae Takaichi, he said, "We didn't tell anybody about it because we wanted surprise. Who knows better about surprise than Japan? Why didn't you tell me about Pearl Harbor?" The conversation then shifted back to bilateral ties and Japan's role in global security. The lighthearted yet edgy banter, captured on video and widely shared, highlighted the mix of humor and tension in the meeting between the two leaders. WE ALSO COVER: WNBA reaches a new deal with players. Climate change is killing animals? Israeli Prime Minister Benjamin Netanyahu is NOT dead. Fraud continues, and now California is on the hot seat. CBS News breaks down the fraud in government. 00:00 Pat Gray UNLEASHED! 00:17 BYU Talk 03:30 WNBA Reaches New Deal 10:39 Trump & Japanese PM 11:25 Trump's Pearl Harbor Joke 13:37 Trump on U.S. Troops in Iran 16:47 No More Election Day? 19:10 Mike Lee on Voter ID 24:05 Birthright Citizenship 27:47 Drones Fly over Fort McNair 31:32 Fat Five 48:22 First Day of Spring 49:23 Joe Kent on his Resignation 52:33 Iranian Vessels Sunk! 53:35 Netanyahu on President Trump 54:22 Netanyahu's Strange Quote 58:46 Netanyahu's AI Sleeve? 1:00:24 No Gayatollah in Sight 1:03:37 Shootings Connected through Internet Cult? 1:12:24 March Madness: High Point Broadcasters 1:15:54 Umpire Jen Pawol's Call Overturned 1:18:40 Kathy Hochul - Then and Now 1:23:23 CBS News Sheds Light on Fraud in California 1:33:35 Netanyahu Coffee Video Learn more about your ad choices. Visit megaphone.fm/adchoices
Climate solutions aren’t out of reach. They’re already here, and California is leading the way. In 2025, the state hit a historic milestone: for more than 200 days, its grid hit 100 percent clean energy, often for hours at a time, making it the largest economy in the world to reach this goal. In this episode, host Gloria Riviera speaks with Mary Creasman, CEO of California Environmental Voters, about the state’s race toward total clean energy by 2045, what this transformation means for tackling wildfires, flooding and droughts, and how we can all push politics toward climate solutions that work. This episode was made in partnership with California Environmental Voters. To learn more about their work, visit envirovoters.org. See omnystudio.com/listener for privacy information.
In this newscast: Alaska Seaplanes announced this week that it would be implementing a 6% temporary fuel surcharge on fares beginning Friday. The company cites a nearly 40% increase in fuel costs due to the ongoing conflict in the Middle East; The City and Borough of Juneau plans to move into a new City Hall by the end of this year. That means the current building could be up for sale in the coming months; Voting begins Wednesday for University of Alaska staff across the state to decide on forming a union. The group is called the Coalition of Alaska University Employees for Equity; Climate change has caused winter in Alaska's largest cities to warm more dramatically than other major cities across the U.S. But as KTOO's Alix Soliman reports, this winter in Juneau doesn't match the overall trend; The filing deadline for this year's Alaska Permanent Fund dividend is March 31, and if Rep. Nick Begich III has his way, this year's dividend will be tax free.
A scathing critique of proposals to geoengineer our way out of climate disaster, by the bestselling authors of Overshoot The world is crossing the 1.5°C global warming limit, perhaps exceeding 2°C soon after. What is to be done when these boundaries, set by the Paris Agreement, have been passed? In the overshoot era, schemes proliferate for muscular adaptation or for new technologies to turn the heat down at a later date by removing CO2 from the air or blocking sunlight. Such technologies are by no means safe; they come with immense risks and provide an excuse for those who would prefer to avoid limiting emissions in the present. But do they also hold out some potential? Can the catastrophe be reversed, masked or simply adapted to once it is a fact? Or will any such roundabout measures simply make things worse?The Long Heat: Climate Politics When It's Too Late (Verso Books, 2025)maps the new front lines in the struggle for a liveable planet and insists on the climate revolution long overdue. In the end, no technology can absolve us of responsibility for our planet and each other. Cody Skahan is a DPhil student at the University of Oxford as a recipient of a Grand Union ESRC doctoral training partnership. His work focuses on the intersections of people, the environment, and technology. Currently, he is focusing on the emergence of carbon capture and storage and carbon dioxide removal, as well as running a series of public engagement workshops across the UK and the Arctic around the topic of geoengineering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A scathing critique of proposals to geoengineer our way out of climate disaster, by the bestselling authors of Overshoot The world is crossing the 1.5°C global warming limit, perhaps exceeding 2°C soon after. What is to be done when these boundaries, set by the Paris Agreement, have been passed? In the overshoot era, schemes proliferate for muscular adaptation or for new technologies to turn the heat down at a later date by removing CO2 from the air or blocking sunlight. Such technologies are by no means safe; they come with immense risks and provide an excuse for those who would prefer to avoid limiting emissions in the present. But do they also hold out some potential? Can the catastrophe be reversed, masked or simply adapted to once it is a fact? Or will any such roundabout measures simply make things worse?The Long Heat: Climate Politics When It's Too Late (Verso Books, 2025)maps the new front lines in the struggle for a liveable planet and insists on the climate revolution long overdue. In the end, no technology can absolve us of responsibility for our planet and each other. Cody Skahan is a DPhil student at the University of Oxford as a recipient of a Grand Union ESRC doctoral training partnership. His work focuses on the intersections of people, the environment, and technology. Currently, he is focusing on the emergence of carbon capture and storage and carbon dioxide removal, as well as running a series of public engagement workshops across the UK and the Arctic around the topic of geoengineering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
A scathing critique of proposals to geoengineer our way out of climate disaster, by the bestselling authors of Overshoot The world is crossing the 1.5°C global warming limit, perhaps exceeding 2°C soon after. What is to be done when these boundaries, set by the Paris Agreement, have been passed? In the overshoot era, schemes proliferate for muscular adaptation or for new technologies to turn the heat down at a later date by removing CO2 from the air or blocking sunlight. Such technologies are by no means safe; they come with immense risks and provide an excuse for those who would prefer to avoid limiting emissions in the present. But do they also hold out some potential? Can the catastrophe be reversed, masked or simply adapted to once it is a fact? Or will any such roundabout measures simply make things worse?The Long Heat: Climate Politics When It's Too Late (Verso Books, 2025)maps the new front lines in the struggle for a liveable planet and insists on the climate revolution long overdue. In the end, no technology can absolve us of responsibility for our planet and each other. Cody Skahan is a DPhil student at the University of Oxford as a recipient of a Grand Union ESRC doctoral training partnership. His work focuses on the intersections of people, the environment, and technology. Currently, he is focusing on the emergence of carbon capture and storage and carbon dioxide removal, as well as running a series of public engagement workshops across the UK and the Arctic around the topic of geoengineering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Gov. Hochul has recently made it clear that she intends to try to postpone the implementation of New York's 2019 climate law, that required cutting greenhouse gas emissions. Jon Campbell, Albany reporter for WNYC and Gothamist, reports on why she is doing this, and just how mad it's making environmental groups and others who supported the law. Photo: Governor Kathy Hochul speaks during a press briefing at office on 3rd Avenue in Manhattan, on air quality affecting all counties of the state because of wildfires in Canada. (Photo by Lev Radin/Pacific Press/LightRocket via Getty Images)
As the climate warms, mosquitoes, ticks and other disease carriers are moving into new areas, spreading illnesses into new places.
New York's largest student-led climate action, TREEage, held its 5th annual Youth Day of Action on March 17th at the Capitol, in partnership with NY Renews, Invest in Our New York, Make the Road NY, and others. An estimated 1000 attended to tell Governor Hochul to maintain hard-fought mandates under the Climate Leadership and Community Protection Act, and address additional, timely, pressing issues like tax inequality and passing New York for All to protect immigrants. At a rally on the Million Dollar Staircase, we hear from Assembly Members Jessica González-Rojas, Anna Kelles, Sarahana Shestha, Diana Moreno, Senator Kristen Gonzales, and Assemblymember Claire Valdez. By Mark Dunlea for Hudson Mohawk Magazine.
In episode 249 of America Adapts, host Doug Parsons takes a deep dive into the growing climate-driven insurance crisis reshaping housing and communities across the United States. Doug first speaks with Rob Moore and Alfonso Pating of the Natural Resources Defense Council about their new reports on the nation's emerging insurability crisis—why premiums are rising, insurers are retreating from high-risk areas, and what state policies can do to reduce risk and keep homes insurable. Then filmmaker George Siegal joins the show to discuss his documentary Built to Last: Buyer Beware, which reveals how many American homes are simply not built to withstand the disasters they face. Together, these conversations connect the dots between climate risk, insurance markets, and the way we build our communities—showing how insurance is becoming one of the clearest warning signals of climate change in action. https://www.americaadapts.org/episodes/an-uninsurable-country-what-rising-climate-risk-means-for-homeowners Experts in this Episode: Rob Moore - Director of the Climate Adaptation Division at NRDC Alfonso Pating - Global financial regulations specialist with NRDC. George Siegal - Award-winning documentary filmmaker, Director, Producer and owner of Move the World Films Key Themes Covered in This Episode What an "insurability crisis" is—and why it's emerging across the U.S. Why premiums are rising, policies are disappearing, and insurers are pulling back What makes a home insurable: risk, location, and construction The role of states in shaping insurance markets, building codes, and land use How FAIR Plans work and why they're rapidly expanding Whether FAIR Plans can become tools for resilience, not just backstops How insurance markets are acting as a signal of climate risk Why many homes are not built to withstand today's disasters The tension between affordability and resilient construction What this all means for the future of housing and adaptation For Educators & Students How insurance markets are responding to climate risk The role of states in shaping insurance, building codes, and land use The connection between housing, affordability, and resilience Insurance as an economic signal of climate change Professors are welcome to assign this episode or excerpts in syllabi Who Should Listen to This Episode Climate adaptation and resilience professionals State and local officials focused on housing, risk, and planning Urban planners and developers working in high-risk areas Insurance and finance professionals tracking climate risk Climate communicators and educators explaining these shifts Transcript of Rob Moore and Alfonso Pating interview avaible here. Transcript of George Siegal interview available here. This episode was generously sponsored by the Natural Resources Defense Council Check out the America Adapts Media Kit here! Subscribe to the America Adapts newsletter here. Donate to America Adapts Facebook, Linkedin and Twitter: https://www.facebook.com/americaadapts/ @usaadapts https://www.linkedin.com/in/doug-parsons-america-adapts/ Links in this episode: An Uninsurable Country https://www.nrdc.org/resources/uninsurable-country https://www.nrdc.org/resources/insurance-fair-future https://builttolastmovie.com/ Doug Parsons and Speaking Opportunities: If you are interested in having Doug speak at corporate and conference events, sharing his unique, expert perspective on adaptation in an entertaining and informative way, more information can be found here! Facebook, Linkedin and Twitter: https://www.facebook.com/americaadapts/ https://bsky.app/profile/americaadapts.bsky.social https://www.linkedin.com/in/doug-parsons-america-adapts/ Donate to America Adapts Follow on Apple Podcasts Follow on Android Now on Spotify! List of Previous Guests on America Adapts Follow/listen to podcast on Apple Podcasts. Donate to America Adapts, we are now a tax deductible charitable organization! The 10 Best Sustainability Podcasts for Environmental Business Leadershttps://us.anteagroup.com/news-events/blog/10-best-sustainability-podcasts-environmental-business-leaders Join the climate change adaptation movement by supporting America Adapts! Please consider supporting this podcast by donating through America Adapts fiscal sponsor, the Social Good Fund. All donations are now tax deductible! For more information on this podcast, visit the website at http://www.americaadapts.org and don't forget to subscribe to this podcast on Apple Podcasts. Podcast Music produce by Richard Haitz Productions Write a review on Apple Podcasts ! America Adapts on Facebook! Join the America Adapts Facebook Community Group. Check us out, we're also on YouTube! Subscribe to America Adapts on Apple Podcasts Doug can be contacted at americaadapts @ g mail . com
Jennie Nash launches a brand-new Hot Seat Coaching series on the podcast—real, on-air coaching sessions where listeners get to hear a story develop in real time.In the first episode, Jennie brings #amwriting podcast producer Andrew Parrella out from behind the microphone as he begins work on his first novel. Fresh off completing the Blueprint challenge, Andrew shares his gothic horror premise: a Dracula-inspired story set in 1920s London, where Abriana Harker—the daughter of Mina Harker—faces a string of mysterious deaths unfolding against the backdrop of the suffrage movement.Jennie and Andrew pressure-test the blueprint together, refining the novel's central point, exploring how Van Helsing's legacy shapes the world of the story, and identifying ways to strengthen Abriana's role so the plot is driven by her choices. Andrew leaves with clear next steps—and this is just the beginning: he'll return in future episodes as Jennie continues coaching him through the process of developing the novel.You can connect with Andrew via his website AndrewParrella.com#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash and you're listening to the hashtag am Writing podcast. The place where we help writers of all kinds play big in your writing life. Love the process, and stick with it long enough to finish what matters most. Hi, I'm Jenny Nash and you're listening to the hashtag am Writing podcast.This is something new. It's a hot seat coaching episode where we're gonna work through a real challenge in real time with a real writer. And today. I'm joined by a really special guest. His name is Andrew Perella, and he has been the producer of this podcast for many, many years and is stepping out from behind the microphone to write his first novel.Andrew participated in the Winter Blueprint challenge that we recently completed. Which is to say he answered all 14 of the blueprint questions during our challenge and, and produced a [00:01:00] finished blueprint. And so I wanted to get on with him and talk about what do we do next? How do we go from there to the next thing?And he agreed to do that to help show our listeners how it goes. And I'm so excited about it because. He just did incredible work and also has so much work to go, so hopefully we're gonna get to, we're gonna get to follow Andrew as he does this for a few episodes and bring you along on the journey. So welcome Andrew from Behind the Microphone.Andrew: So much work to go. Thank you, Jenny. I'm really excited to be here.Jennie: So Andrew is, has a long career in public radio and is a producer of podcast for many people and is a storytelling guy, you know, as well as a sound guy. So this is, this is a big move. I feel like this is a right big move for you for sure, for deciding.This is the time to embrace the fact that you wanna do this thing. Does it [00:02:00] feel like that to you?Andrew: It, it feels like a right big move for me that I'm kind of prioritizing now this writing project for me. I'm prioritizing my project, um, over, over, uh, the projects of others whom, whom I help with projects.Yeah. So this is a big, big a right big moment for me.Jennie: It is totally a riping moment and. You're in the hot seat personal coaching, which I, I really appreciate you being willing to do So, um, where we stand today is, as I said, you, you finished the blueprint, you did all the work, you did the thing. So I'm just curious to sort of check in.How do you feel? Do you feel like that's an accomplishment? Do you feel some momentum? Like, what, where are you feeling, what are you feeling? Um,Andrew: I, I feel like it is a, a really big accomplishment because as we were working through the blueprint, I was getting feedback, uh, from you and KJ Dium about, uh, about, uh, how I was, how I was creating my [00:03:00] blueprint.It got me, it forced me to think about the book in some very real terms, in ways that I hadn't yet, and in ways that, you know, I had been kind of thinking about the book in more abstract notions. Um, and like this was putting pen to paper, uh, on so many things to think about, you know, beyond the, beyond the simple plot structure.Um, and I realized as I was going through this. How much I hadn't yet considered, and I think this helped to show me where the holes in my story were. Um. And he, even, even as I've finished, quote unquote, finished the blueprint, it's like I finished one inter iteration of it and like already the story has changed since I first started work on the blueprint.And so already I know I gotta go back and start reiterating on, on, on this, uh, uh, as we go along here.Jennie: Yeah. I mean, and that's the point, right? Yeah. Is the whole point is this is a tool that reveals. [00:04:00] What's working and what's not working? Is this what I want? Does this reflect my vision? And you get to, to play with that wet clay of the idea.So that's really what what we're doing. But the reason that I thought you'd be such a good candidate for coaching live in this way is your story. It really hangs together in so many ways. It's so great in so many ways and it, it would be easy to feel like, oh, I'm, I'm not that far. I got this. I could, I could start right?I can start writing. Yeah. But I hope, I hope what we're gonna show is, is really pushing yourself to answer core questions is gonna just make it so much stronger.Andrew: Absolutely.Jennie: So, um, all that being said, do you. What do you think the best way to share what you're writing with our listeners is? Do you think reading your book jacket copy feels good or do you wanna just say it out [00:05:00] loud?Andrew: Um, I feel like the book jacket copy, I. Um, that I, that I wrote doesn't quite, doesn't quite capture, I think in many ways what I think the book is going to be so Well,Jennie: and we're gonna actually getAndrew: to that. So I, and we're gonna get to that, I think. Yeah.Jennie: So why don't you just, just share what, what it is.Andrew: So, uh, the premise of the book is this happens, uh.Uh, the, the novel, it happens 20 years after the events of, uh, Bram Stoker's Dracula. Um, and so. It involves some of the same characters, and then it also involves the next generation of these characters. So these, those characters children. Um, the, uh, our protagonist is a Abriana Harker, who is the daughter of Mina Harker, who was, um, kind of the female, uh, lead in, in, in Dracula.And she was, she was bitten by Dracula in, in the original novel. [00:06:00] Um, and she is, uh, someone who is defended, um. Uh, by her, uh, by her friends and, and counterparts in, in that story, Abriana is her daughter. And Abriana is now facing a similar challenge. There are bodies that are turning up around her circle and uh, they appear to have similar injuries that Dracula's victims had 20 years ago, and some people recognize that and are.Going to begin trying to unravel the mystery. And this is all set against the backdrop of the universal suffrage movement, which is also happening in, uh, you know, 1920s London, where, where the novel is, novel is set. And so in broad strokes, that is, that is the, the, the primary premise of the book.Jennie: So the genre is horror.Gothic and I, I did some, some digging. I'm not a big reader of horror, so I did some digging into the genre to make sure that that was right. Because there [00:07:00] there's also thriller elements. There's mystery elements. Mm-hmm. There's, you know, there's other elements and it is, I always liked to, to test. Is this right?Is this right? Could it be tweaked? Could it be better? And it feels, it feels like there's really no question about the genre. Right. Do you feel thatAndrew: I, I feel that, I feel definitely, definitely feel that. And I think I, I, like gothic is, is, is a genre that I really enjoy and I want to develop some of those gothic themes in the story a little bit more than I have so far.But yes, I think gothic and, and horror is very much where, where this, where this book lives. Yeah.Jennie: Yeah. And that is something I wanna talk about for sure when we get to the inside outline. But I wanna start with, um, the second question of the blueprint is what's your point? And I know this is something you've struggled with a little bit.Yeah. Um, but so the current point that you have here is. I feel like maybe this came from me. So, [00:08:00] uh, I, it's, you can't change the world without upsetting people. The more you want to change, the more people you upset, and that's fine, but it, but it doesn't, it does, it doesn't feel like it captures. There's a real moral, philosophical debate at the center of your story.Right.Andrew: Yeah, absolutely. I think, you know, the, the characters are certainly, uh, in the midst of a paradigm shift, you know, there's the, there, the, the world order is changing as, uh, as suffrage is, is being opened to more and more people. Um, and times a world order like that changes. There are people who are for it and there are a lot of people who are against it.And so I think that's. That's an element in, in play here in the, in the novel. And that, and that's something that I wanted to explore. And obviously there are parallels in current times as well for, uh, for this, for this sort of change. So I think that's, I think that's, that's certainly, that's certainly part of, uh, of, of [00:09:00] the story.Yeah.Jennie: So I was, when I, when I review a blueprint, and for anybody who's, who's got one all on the page and, and you, you like it and it feels pretty good. The step is to, to really pressure test everything. So I, I read through the whole thing. I love looking at a blueprint. A blueprint as a whole rather than piece by piece.And in this particular case, it's like this. Yeah. This point feels bloodless, which is something we definitely don't want in this story. So I went back to your why and your why is really powerful and really personal and really political. Um, it's, it's fiery, it's articulate, like there's so much about your why that I.You can see my comments on the page. Mm-hmm. Not the listener, but Andrew can Right where I was going. Great. Yes. Very powerful. Awesome. You know, it's just, it's excellent. And you had some lines in there [00:10:00] about the, the monster in this story is not the vampire, but a man who is refusing to change with the times basically.And. That felt to me, given everything else you're saying about the parallels between this, the milieu of this story and the milieu we live in right now, the, the fraught. Climate, political climate. Cultural climate that felt more potent as a point. And I, I wondered what you thought about that.Andrew: Yeah, I mean, I think that that is as mu that is as much a part of the, the premise as I've conceived it, as, as anything else that I've, I've said, um, you know, the, the, the.Spoiler alert, the the murders aren't being committed by, by the vampire, uh, or vampires. Uh, the murders are being committed by an old white dude who is not [00:11:00] happy with how the politics are shifting under his feet and how the world is changing around him, um, and is trying to, at all costs, prevent that from happening, even sacrificing a bit of his own humanity in, in the process.And so I think that is. Is is something that certainly resonates, but I think it yeah. Is, as you say, there's a passion, there's a blood there that in in, in the why that didn't quite make it to my point. Um,Jennie: yeah, yeah, yeah. So I would suggest for the next iteration mm-hmm. To, to really push that point and.It's gonna keep changing, it's gonna keep, um, you know, getting refined as you go. But I think it's important to move it forward as you keep writing. So the, um, yeah, something that's, that's fiery and that's, um, about, ‘cause that's a, that's a, you're flipping an important trope in a. In a [00:12:00] classic novel, right?Mm-hmm. That it, it's not the vampire. So like, why that? Why, why are we flipping out? What is that showing us? What is the point of, of doing that in the story? That, so I would really play with that. Um, does that make sense? Mm-hmm.Andrew: Yes, it does. Okay. Yes, it does.Jennie: Okay, so the next thing I wanna talk about is your super, your super simple story.Mm-hmm. And. What's interesting about the super simple story is, I mean, I love everybody always. Here's me say this, who's listened to me for very long, but I love a constraint on in creativity. And this, trying to get this story in a really short space often reveals something. And what it, when it was revealing to me is, so you've got, you've got a abriana, she wants to, uh, become a doctor.Because of her mother's, [00:13:00] her mother died in childbirth with her. Um, so that's the, that's the storyline. You've got the murders that are happening and, and then you've got the universal suffragette movement, this political debate that's going on. So there's these three threads and. Even in the super simple story, it was feeling a little bit like they're disconnected.I don't think they're disconnected in your mind. I think they're disconnected on the page.Andrew: Okay.Jennie: So I wanted to just ask you to articulate that a little bit more. ‘cause you hint in the um, book jacket copy later, AA has things in common with Finn halting who's. Her uncle, the Vampire Hunter. Are you comfortable sharing what those are?Andrew: Yeah.Jennie: What those commonalities are?Andrew: Yeah, I think, I think, [00:14:00] um, uh, Abraham Von Helsing is, is a character from the original novel, um, and he helps guide the team to, uh, uh, find, track down and destroy Dracula. Um. In the world of my novel, his understanding of vampires changes as he's, as he continues to do research on them.And so he's discovered, he's discovered more about them. That will spell out a little bit more in the, uh, in the novel, but. First and foremost, and one of the, one of the primary roles he plays in the, in, in the original novel is a, as a doctor. And that's one thing that Abriana really admires about him. He becomes a bit of a, a, um, a surrogate.Parent to her with her mother dying and her, uh, her father's grief, turning into a little bit of emotional distance from, uh, from Abriana. And so von uh, van Helsing kind of fills that gap and so she associates her. I think her desire [00:15:00] to become a doctor stems from both her birth, you know, ultimately killing her mother, but also because, and, and, and wanting to prevent that from happening to other women, but also because she's seen, you know, van Helsing.Perform his, his service as a doctor. He, she's seen it in action and what it can do and wants to, and wants to, wants to emulate that. And so, and, and I think one of the, one of the things that, that I get excited about is incorporating a little bit of like historic realism into, into the novel as well. And there was in, uh, the 1920s a, a medi, the London School of Medicine for women.Um, it had it, it had been. Open for a, a decade or so. It was still a fairly new school at the time. And so that there was an, uh, a real place that she would've been able to go and get an education is something that, uh, is something that I'm, I'm excited to have part of, part of the novel and like that school wouldn't have been possible if it was not for the Women's Liberation [00:16:00] Movement, which resulted obviously in the universal.In the universal suffrage movement. And so all of that I feel, kind of ties, ties together in a way that I haven't explained very well in my super simple copy, super simple story explanation there.Jennie: So, so that's what I'm trying to get at is Adrianna is not just some random young woman. No, I mean she's, she's very clearly descended from.A, a particular, uh, family who's had a particular thing happen and you know, there several generations. So have you designed her as a protagonist using those elements of the family yet, or, or is it more kind of just convenient that she's there? Does that make sense?Andrew: I think so, [00:17:00] and I think it's probably somewhere in the middle.I think I like the idea of tying her into these characters that who have an existing history, and it then gives her a little bit of, a little bit of, uh, gravitas for the listener when they, when they start digging in that maybe they, maybe they, maybe they have read Dracula, are familiar with those characters and so, okay, this is the next, this is the next generation.But yeah, I mean, I think Abriana reflects. A lot of other things that, that aren't in, that aren't represented in the original novel. Um,Jennie: I guess what I, I guess what I'm saying is it feels, one of my concerns is it feels as if you could write this story about Adriana and not have her beat from this family.She could, she could be kind of. Anyone Gotcha. In this [00:18:00] situation? Gotcha. Does that, am I, am I missing, am I missing that? What would make, you know, let's just, um, I know there's, there's several women in the novel who have, have important roles. So I'm gonna pick a name that's not them. Let's say that, uh, there's a young woman, Catherine, you know, not connected to, um.Ben Helsing not connected to her mother, not connected to that whole thing. And same time period, same motivation. She wants to be a doctor. Maybe she had someone in her family die, and that's her motivation. You know, like suffrages, like that whole story could still play out with Catherine. Uh, am I wrong? I want you to prove me wrong.Andrew: So like, yes, it could, I feel like, I feel like one of the things I like about tying in Van Helsing is it, it presents a red herring, um, in the sense that it's like, oh, we all think. [00:19:00] That we're gonna find out vampires are responsible for all of these deaths. Um, like, I don't know, like, and I, and I can kind of slow burn the, you know, the reveal of vampires in general and, and, and how they end up not actually being the antagonists in this By, by which is So by borrowing, by borrowing his name and sharing his glory a little bit.Yeah.Jennie: Right. But back to Catherine, our, our mm-hmm. Mythical protagonist.Andrew: Yeah.Jennie: Same thing could happen there. Everybody thinks, oh, the vampires are back. Um, Catherine, you know, they, they keep happening around her. She's gotta figure it out. You know what I mean? So,Andrew: well, so, soJennie: isAndrew: Yeah,Jennie: no, go ahead.Andrew: The question, the question I, I think that I've been grappling a bit with too is do we exist in a world where.Is, does the novel, does the world of the novel, a place where people [00:20:00] have recognized the efforts of Van Helsing and that vampires exist? Is that, is that common knowledge in this world, or is all of that still unknown to folks?Jennie: Okay, this. Is the piece that I've been missing.Andrew: Okay.Jennie: That's exactly the piece that I've been missing.That's totally it. That, so here, this is world building. If anybody's writing anything with magic, fantasy, sci-fi, even just straight up history, and maybe it's a retelling or a re um, imagining, you often know those, those questions for sure. And especially for where for. My understanding, I, I'm, like I said, I'm not a horror reader, but I do know a little bit about Dracula, but the, it was a, a sort of science versus, um, like science played a big role in that.What [00:21:00] can we know? Mm-hmm. What can we prove? What is, what is unknowable?Andrew: Mm-hmm.Jennie: Those sorts of things. Absolutely. So that, you've gotta know that here. Mm-hmm. Has it been proved? Is it. Accepted knowledge. Is Van Helsing a hero who's locked away in his lab continuing to, you know, with funding and whatever to research his thing?Or is he some. You know, recluse who was shamed in the public eye and people think he's crazy, like that's gonna color everything. Mm-hmm. Okay. And that's gonna be, that's gonna then be the answer I'm looking for. Like, why Adriana as our protagonist and not Catherine. Right. So she's gonna have that, you imagine her going to medical school with.Those two different stories behind her, how different it's [00:22:00] gonna be when she shows up in the classroom and people know, you know, or when they know who she is.Andrew: Right? Yeah.Jennie: So there, there's a real, the reveal to the reveal to the reader about her connection and who she is and then her, her reveal to the society she lives in about.Who she is and you know, the meaning she makes from all that you know, and did, no matter what you decide about Van Helsing, she then you have to all just also decide about her. Does she agree with the prevailing wisdom? If everybody thinks he's a hero, does she think he, he is too? Or does she think he's kind of whacked and then, um, learns otherwise or, you know, like the or, or the other wayAndrew: around?Jennie: Yeah. Or the other way around. Yeah. Yeah. Right. So yeah, this is the piece that's missing is I feel like you have, and this is what I felt the second I heard you talk about your story. I'm like, oh, this could be so [00:23:00] good. Like, this is so potent, but you're like, you're missing it. You're just, it's like it's, it's like it's not landing as as solid as it should, and I think this is why.Right. I had not been able to figure it out, but. And you have, so I gotta make sure I understand the character. So a Adriana's dad is the brother of Van Helsing.Andrew: Uh, they're not related in the original, in the original novel. They're, they're, uh, they're just friends. Okay. Okay. But they're, but they're clo Okay.They're, they're close friends. And because Van Helsing ultimately saved both of their lives, uh, he is kind of a, a, a surrogate uncle. So, uncle, uncle in quotation marks. Yeah,Jennie: yeah, yeah. Uncle is Is an honorific.Andrew: An honorific, exactly. Yeah, yeah, yeah. Okay. Yep.Jennie: That confused me. Okay. So I thought that there was a direct lineage there.Andrew: Right.Jennie: But there's not No,Andrew: no genetic link. Yeah, yeah, yeah. [00:24:00]Jennie: But a link through. Her mother a link to Van Healthing Through the mother.Andrew: Yes.Jennie: Um, and, and what happened to her. So, okay. Yeah. We have to understand his role, who he is, what he's doing in the world, what people think of him. Mm-hmm. Um, and also this is important for.Just the environment of your story, because we've got this division, political division around the suffragette movement. Is there, is there o, are there other, um, like, I wanna say mood, like what's the mood of the place where she's, this story's taking place? Is it, you know, a creeping sense of doom on many levels?Uh, is the do the vampire, like, is the fact, oh, maybe the vampires are [00:25:00] back. Does that make sense for the times? Um, like you and I are talking right now in 2026, um, during very extreme political upheaval and also during the time when there's this been this kidnapping of this prominent. Um, media personalities, family member that hasn't been solved.And there's this sense like, well of course this is happening now. Like this, you know, is there a weird, are we gonna have a, um, famous serial killer? Story unfolding in our time. Right. Like, that's what I keep thinking, right? Like there's a sense of, of course these things are going to start happening now ‘cause things are, feel so unstable and unsettled.Andrew: Yeah.Jennie: Is that what's going on there? [00:26:00]Andrew: I mean, I think potentially yes. I, I've, because yeah, I feel like this, it, it, it, it was an unsettled moment politically. And also a little bit medically as they as like the medical establishment is transitioning from miasma theory to germ theory. And that was kind of late, late, uh, 19th century, early 20th century.But like there's, there's kind of been a, a paradigm shift there. So I think, I feel like yeah, there does wanna be, as you were saying, kind of like this constant, creepy. Creepy feeling. Yeah. I'm like, I'm like to lean into the gothic, like I thought, like, I really want that to pervade every, every chapter, every page.I want that kind of like creeping sensation that that doom is around the corner. Um, that, thatJennie: Right. And doom for many sources. Right. Because I think that that's kind of one of your points.Andrew: Mm-hmm.Jennie: Is well, what I'm going back to what [00:27:00] the point, point was. The point we're kind of, um. Leaning toward is people who review, refuse to evolve.When the world demands, it can become monsters. So the world is evolving in many different ways and probably getting the opportunity for a lot of different people to have to evolve in a lot of different ways. It's not just one way. It's not just like, oh, get on this bus, or you're missing. Get on, you know, what's the metaphor?Like you'll miss the boat if you don't get on the boat. But it feels like there's all kinds of boats one, one might miss here, right? Um, I think so. And so that's that. Yeah. Okay, so, so in terms of what to do next, I think your, your homework here is you've gotta get to know Van Haling. Yeah. And the, and the world a little bit better.So I would do some character [00:28:00] development work on, on him and what the world thinks of him and what a Brianna's stepping into the, the light by. Insisting on going to medical school does to Van Haling. Does it delight him? Does it challenge him? Does it, um, you know, what does he think of that? I think that's important.Andrew: Yeah.Jennie: Um, to know too.Andrew: Yeah.Jennie: Um,Andrew: a couple, a couple of things that are occurring to me. I think I had taken for granted the reader's knowledge of the events of Dracula, and I don't think I can do that. I think I need to. To develop these characters for my own, as you're saying, I, I gotta, I have to develop Van Van Hels, the Van Helsing character.I have to develop him for, for my own purposes for this novel. Um, which makes a lot of sense.Jennie: Well, that's actually a really good question. You defined your ideal reader in a way that I thought was. [00:29:00] Completely delightful. Like she was so fleshed out. She felt like a, a full on character and I was like, oh, I know that.I know that woman. I loved it. It was great. But an important piece you missed in that is you said that she enjoys books about. London, the city and maybe some horror and gothic, but what is her relationship to Dracula, your ideal reader? You need to know that.Andrew: Yeah. Yeah.Jennie: My, you know, this is what's funny sometimes about being a book coach is I always say that the, the writers, the god of their own story, I can't possibly know everything that the writer knows about what they're writing about, what they've read, what they've thought, how they've lived, any of it.And, and in this particular case, I don't read. I don't read horror. I, I, I could barely tell you the, the bear outlines of Dracula if, if press, [00:30:00] um, I mean, I know the, you know, cartoon, the cartoon version. I, I, I could tell you a little more about Frankenstein only because I, against my will, watched the recent, um.Retelling.Andrew: Oh yeah. I haven't actually seen that yet.Jennie: So I say against my will because I was like, oh my gosh, this is too much for me. But um, you need to know if, so here's a perfect, let me finish my sentence. You need to know if your reader is a fan, is a reader, is a immersed in the gothic world, is gonna know all these things.Know all the tropes and know all the connections or not. And the, um, perfect example of that is, remember that book, um, pride and Prejudice and Zombies?Andrew: Yes.Jennie: So that appeal to people who love Jane Austen.Outro: Mm-hmm.Jennie: Like, you're probably not gonna read that book if you're not a Jane Austen [00:31:00] fan, but if you are a Jane Austen fan, you're, you cannot wait to get your hands on that.And. Also probably if you're a zombie horror fan, you know, you would delight in that even if you didn't understand the depths of the Jane Austen piece. But that book spoke to such a very particular audience that turned out to be a massive audience. Right, right. So, yeah,Andrew: yeah, yeah.Jennie: You know, I think you need to make a decision.Are you writing for someone like me who's, who's like, I don't know, like I think when I first read it, I was like. Who's Ben Sing? And you're like, he's the famous guy from the thing, right? So are you writing for someone like me or does your, a avatar, your ideal reader hear, you know, does she watch the movie?Does she, does she read the books? Does she gobble that stuff up?Andrew: Right? Yeah.Jennie: What, what is your instinct right now?Andrew: Singling out one or the other is going to, is going to change [00:32:00] how I write the book. Um. What is my instinct? Uh, I dunno. When I think about the character that I, that the character of the reader that I fleshed out in the blueprint, um,Jennie: yeah,Andrew: I don't think she necessarily would have read Dracula.She might be familiar with the story, but she might not have, um, uh, have read, uh, Dracula itself.Jennie: Okay. So yeah, let's get to, let's get really clear on that. Mm-hmm. Because it's gonna really change. And for those listening. The ideal reader. Oftentimes people think it's just a throwaway part of the blueprint because they kind of can just picture, you know, generally who their reader is.I mean, first of all, no part of the blueprint is the throwaway. Uh, something really important can come from any one of these. So really go back to your ideal reader. And think about them in relationship to their story. ‘cause this [00:33:00] conversation reveals how drastically you would change the writing of this book, depending on your ideal reader's relationship to the, to Dracula.Andrew: Yeah.Jennie: And, and there's no right answer. Either answer's. Great. Right. So, um, so that's, I just put that on the list of, of things too, um, that you're gonna be thinking about. Um. So once you get that, so yeah, the understanding of of Van Healthy's re reputation in the universe right now is going to be the way that you bring your reader up to speed a little bit.Right? Like famous Vampire Hunter still doing his thing or, or. Famous vampire hunter, you know, shamed and, uh, not doing his thing. Um, that's, those are gonna tie [00:34:00] together,Andrew: right? Yeah, yeah, yeah.Jennie: And cement down the world that we're coming into, um, more.Andrew: Absolutely. No, I can, I can see how that will change things.Yeah.Jennie: Okay. So, um. We're not gonna have time to dig, to dig into this yet, but I just wanna touch on it so that, um, when you're doing this work, you can be thinking about, um, thinking about this piece, but the, um, there's a cause and effect trajectory that's obviously what the inside outline is. And at some really key places in yours, you miss an opportunity to to tie in.So we always want our protagonist to have agency to be making the [00:35:00] decisions that cause things to get worse or cause them to be in a worse position or, um, and, and there's several places in your inside outline where. Things just sort of happen, which is the plot, and then she sort of happens to be there.But if you understand better these parts of her and her connection to this, uh, the not her uncle now, uh, her, this guy, uh, and her connection to what's happened with her mother and those things, then we wanna use that to push the story. To push the, so the plot has to serve the story. So the things that happen are gonna push your character in ways they don't wanna be pushed to make decisions that are gonna then push them further and, and they're gonna get deeper and deeper each time.And [00:36:00] you have a murder mystery. So each murder, we wanna feel more and more as if. She is boxing herself in by what she does. By what she thinks. By what she believes, by what she wants. And the, the CLO is gonna squeeze her to the point where she asks to make a, a big decision, you know, comes, that's the climax, comes to that like, will I, in this case, um, confront.Uh, both the murderer and her father is kind of where it all ends, so,Andrew: yeah. Yeah.Jennie: You know, it's not gonna be just like, and now we arrive at a place where she confronts the people. It's gotta be like. Gut wrenching along the way. Right,Andrew: right.Jennie: So, um, there's a lot to say there, and I made some comments on the outline, which, which you'll see [00:37:00] sort of my thoughts and thinking there, but I actually think that this conversation we've had is gonna be the solution because the, the big question I had was, is it coincidental that Adriana is.These murders are sort of following her around and people think that it, she might be responsible. Is that coincidental or is there something real there? Yeah. Do you know the answer or not?Andrew: I, I, I'm, I've been thinking about that and I think there are ways that it's not entirely coincidental. I mean, obviously she's not causing the murders, but I think, I think yes, I think there are things that she does that prompts these.That prompts these women to become targets of the murderer.Jennie: That's what I hoped you were gonna say. Yeah, because that's what's gonna, that's like, it's, I think this was on the page and maybe you didn't realize it, but. [00:38:00] Being friends with Adriana is a little dangerous,right?Andrew: Yes. Yes. I think that could be, that could definitely be part of the part, part of the, part of the theme there. Yeah.Jennie: So that, that shouldn't, that shouldn't be coincidental. Well, and this is what's so, so great about the blueprint and showing it to a critique partner or a writing group or an editor or a book coach, is.Somebody else can say, do you see that you're doing this thing that's actually really cool? Or do you, do you see that you're not doing this? Like it's things are just revealed. So,Andrew: yeah. Yeah, yeah. Absolutely.Jennie: So let's just wrap this up. Your next iteration, you're gonna work on sharpening your point. You're gonna work on sharpening the super simple story so that the Dracula connection is clear.Dracula connection to your [00:39:00] protagonist is, is more clear and you're gonna under in order to do that. You're gonna understand then Helsing, the world that we live in and what his relationship of that world is 20 years after Dracula. What, what is happening with him? What is happening with the world? And and that's gonna help inform the connection between your.Protagonist in these things. And then I think you already answered the ideal reader, but just make sure that you're comfortable with that, that she's not a super fan. This is not a insider. Um, folks who know and love and read Dracula, it's, it's more someone like me. He was a little clueless. And then if you have time to dig into.How that all plays out in the cause and effect of the inside outline. That's, that's where I would go. [00:40:00] So it's, um, I had an agent, my first agent, way back in the day, used to say, run it through the typewriter one more time because we were actually writing on typewriter. Yeah. Right. Back in the day. And, uh, that's kind of what I feel, you know, with these ideas in mind, like, run it all through one more time and let, let it all flow through One more time.Um, and we'll see where it goes.Andrew: Excellent. No, this sounds good. This is, this is some good homework. I'm looking forward to, to digging into this now.Jennie: I know. I can't wait to see too, and I hope our listeners have enjoyed, uh, going along on this conversation and gotten some inspiration for what, how to pressure test your own, uh, blueprint.And if you're not doing the blueprint. Uh, also fine, but pressure test what you're writing. Uh, this is just a tool for doing that, but there's this kind of questioning and making sure that things are not [00:41:00] assumed. That's, that's the key, right? It's that you, you sort of make these assumptions, but we have to articulate them and pin them down so that we can use them to make a much better story.Well, thank you Andrew. Really thank you for being willing to, uh, expose yourself in this way. Come out from behind the mic, uh, share your journey. It's not easy to do that, and I appreciate it.Andrew: Well, it's, it's fun. Thank you for pushing me outside my comfort zone. Uh, I've really enjoyed this.Jennie: I have too. So, uh, for our list.Thanks for joining in. Now let's get back to work.Outro: The hashtag am writing podcast is produced by Andrew Perilla. Our intro music aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone [00:42:00] deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
Ocean microbes quietly power the planet. In this episode, we explore the microscopic organisms that regulate Earth's climate, produce much of the oxygen we breathe, and move enormous amounts of carbon through the ocean every day. These invisible life forms are not just background players in the ocean system; they are central to how the planet works. Synthetic biology is now pushing this idea even further. Dr. José Ángel Moreno-Cabezuelo, a synthetic biologist working in Oxford, is engineering ancient microorganisms called cyanobacteria to capture carbon dioxide using sunlight and biology. His work shows how living systems could become part of the climate solutions we desperately need. Science communication is another major theme of this conversation. After years working inside the scientific system, Dr. Moreno-Cabezuelo began questioning why so much scientific knowledge fails to connect with society. Through his book Heartbeats of Consciousness, he explores the intersection of biology, neuroscience, philosophy, and the human experience, asking a powerful question: if science understands life so well, why does it still struggle to help us understand how to live it? Listen to learn how microbes shape our planet, how biotechnology may help tackle climate change, and why clarity in science might be one of the most important tools we have for protecting the ocean. Website: https://drjoseangelmoreno.com/en/ LinkedIn: www.linkedin.com/in/josé-ángel-moreno-cabezuelo-phd Instagram: @joseangelmc_
Leyla Kazim reports from cork country in Portugal - where up to 10,000 of hectares of cork oak trees are being lost every year, despite laws protecting them from being cut down. Climate change is putting new stresses on the ancient forests, and as the cork industry worries that falling wine consumption could shrink global demand, Leyla asks why Portugal became the world's biggest producer of cork in the first place, and what it will take to keep them thriving. She meets farmers using regenerative methods of working the land to protect the montado, and plantations where thousands of new trees are being planted.Presented by Leyla Kazim Produced in Bristol for BBC Audio by Natalie Donovan
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Are you that cucked to the tech bro elite you can't stop and say, “Hey, Alex, maybe tone down the suggestion you're trying to stop female Democrats from voting?”War on Women: part 2Glass Lewis recommends voting against Starbucks director over ‘board-level E&S oversight'Because Starbucks disbanded the Environmental, Partner and Community Impact committee of the board - launched in 2023, dissolved in November 2025Committee launched after majority supported SHP to focus on labor issuesJorgen Knudstorp and Daniel Servitje, the OTHER committee members, somehow escape entirelyKnudstorp is the Lead independent director, Niccol is the CEO and chair of the board (yes, chair)But instead of targeting Niccol or even Knudstorp, Glass Lewis targeted the female chair of the committee… ONLYIf the CEO gets to be chair - doesn't the CEO have to take responsibility for board overall? If you have an LID, are they accountable?? Why would the chair of a committee be target without the chair of the board or LID? Can a committee chair dissolve their own committee??Cracker Barrel - the scapegoat was the person of color who had “diversity” in their job description, not the longest tenured director who was also chair of the board but was a white guy - and Glass Lewis suggested voting out the brown dudeWar on Women: part 3 speed roundDOGE, DEI, and climate changeBlack women were disproportionately impacted by DOGE cuts. A year later, they're rebuilding careers for themselves and each otherI Watched 6 Hours of DOGE Bro Testimony. Here's What They Had to Say For ThemselvesOver the course of a six hour long or so deposition, Justin Fox, a former investment banker turned DOGE bro, refused to define what he believes counts as DEI; admitted he used ChatGPT to scan government contracts for terms such as “Black” and “homosexual” but not “white” or “caucasian;” and said that one of the grants he helped slash was “not for the benefit of humankind” before walking that claim back.Why ‘bringing your whole self to work' is a trap, especially for womenFormer Goldman Sachs CEO says DEI programs are ‘counterproductive,' arguing ‘you're branding the people in that program'Climate change: Women face worst impacts as funding support falls shortIn 2025, a UN women report warned that under a worst-case climate scenario, up to 158.3 million more women and girls may live in extreme poverty globally as a result of climate change by 2050Headliniest of the WeekDR: Shell CEO's Pay Jumps 60% Despite Profit Drop and Fatal AccidentsDR: Jack Dorsey Defends Wearing “Love” Hat While Firing 4,000 Employees in Pivot to AI: "I wanted to approach the whole situation with love."MM: Ozempic mania has even Olive Garden and The Cheesecake Factory cutting back on portion sizesMM: Cracker Barrel sales, traffic continue to slump months after failed rebrandWho Won the Week?DR: National Museum of the American Indian and the coffee at CII, was actually pretty not grossMM: The Council for Institutional Investors Spring Conference, who got to witness Proxy Countdown livePredictionsDR: CII loses our phone numberMM: The women start the uprising now:
Carbon footprints tell you where a fund has been. But do they tell you how it's positioned for the road ahead?In this episode, we unpack new research from Positioning Portfolios for the Energy Transition (link to paper) analyzing more than 37,000 funds representing USD 50 trillion in assets. The research finds that funds with stronger energy transition positioning were associated with higher historical returns — and stronger links to decarbonization outcomes.We explore the distinction between transition pressure (risk exposure) and transition readiness (strategic preparedness), why managing transition risk is different from achieving temperature alignment, and how investors can balance financial performance with climate objectives.If you think climate analysis begins and ends with carbon intensity, this conversation may change your perspective.Host: Mike Disabato, MSCI Sustainability & ClimateGuest: Kishan Gangadia, MSCI Sustainability & Climate
SpaceTime with Stuart Gary | Astronomy, Space & Science News
Sponsor LinksThis episode is brought to you by Squarespace. When it's time to get online you need Squarespace to make the process straightforward and easy. To check out how they can help you and our special offer to get started, visit www.squarespace.com/spacetimeSpaceTime Series 29 Episode 31 *Planet Earth's balance is shifting A new study claims planet Earth's balance is shifting with the Northern Hemisphere absorbing significantly more solar energy than the Southern Hemisphere -- a shift that could reshape global weather patterns. *A unique insight into the Sun's inner life Astronomers discover that the Sun's internal structure changes from one solar cycle minimum to the next. *Landsat 9: More than just a picture For over 50 years, the Landsat program has provided the longest continuous satellite record of Earth's land surface from space. *The Science Report New warnings about the bleak future for Victoria's critically endangered Brush-tailed rock-wallabies. Study shows teens who use cannabis are more likely to develop psychiatric disorders. Research shows bird watchers develop denser attention and perception-related areas in their brains. Skeptics guide to Elon Musk's opinion on UFOs https://spacetimewithstuartgary.com https://www.bitesz.com/show/spacetime/ This week's guests include: Professor Michele Trenti from the University of Melbourne Artemis II astronaut Christina Cook Artemis II astronaut Jeremy Hanson Orion and Artemis systems food lab manager Ashua Ook NASA Artemis flight controller Wyatt Mckinley And our regular guests: Alex Zaharov-Reutt from techadvice.life Tim Mendham from Australian Skeptics And senior science writer and Sky and Telescope magazine contributor Jonathan Nally
Care More Be Better: Social Impact, Sustainability + Regeneration Now
The climate crisis is not only a technological or policy challenge — it is also a crisis of worldview. In this powerful conversation, Corinna Bellizzi speaks with Osprey Orielle Lake, founder and executive director of the Women's Earth and Climate Action Network (WECAN), about how climate justice movements around the world are working to transform our relationship with nature, power, and community. Osprey's work bridges grassroots activism, Indigenous leadership, international climate negotiations, and legal innovations like the Rights of Nature movement. Drawing from her book The Story Is in Our Bones: How Worldviews and Climate Justice Can Remake a World in Crisis, she explores how systems like colonization, extractive economics, and patriarchy have shaped today's ecological crises — and how new stories rooted in reciprocity, justice, and stewardship can guide the path forward. This conversation explores the role of Indigenous knowledge in climate solutions, the fight against fossil fuel expansion, the growing global push for legal protections for ecosystems, and the importance of community-led restoration efforts around the world. Originally recorded in 2024, this episode remains deeply relevant today as movements for climate justice, land stewardship, and ecological restoration continue to gain momentum globally. Key Topics in This Episode Why the climate crisis is fundamentally a crisis of worldview The role of Indigenous knowledge and leadership in climate solutions The Rights of Nature movement and legal frameworks that protect ecosystems The Fossil Fuel Non-Proliferation Treaty initiative Climate justice and the risks faced by frontline land defenders Reforestation projects led by women restoring ecosystems and communities Why global transformation requires both systemic change and cultural shifts About Osprey Orielle Lake Osprey Orielle Lake is the Founder and Executive Director of the Women's Earth and Climate Action Network (WECAN), an international organization that works with grassroots, Indigenous, and frontline communities to advance climate justice and a just transition to renewable energy. She serves on the Executive Committee for the Global Alliance for the Rights of Nature and the Steering Committee for the Fossil Fuel Non-Proliferation Treaty Initiative. Osprey is the author of The Story Is in Our Bones: How Worldviews and Climate Justice Can Remake a World in Crisis and the award-winning book Uprisings for the Earth: Reconnecting Culture with Nature. Transcript - FINAL - CMBB 172 O… Her work has been featured in publications including The Guardian, Earth Island Journal, The Ecologist, and Ms. Magazine. Resources & Organizations Mentioned Women's Earth and Climate Action Network (WECAN) The Story Is in Our Bones – Osprey Orielle Lake Fossil Fuel Non-Proliferation Treaty Initiative Global Alliance for the Rights of Nature Movement Rights Regeneration: Ending the Climate Crisis in One Generation – Paul Hawken Green Amendments – Maya van Rossum Guest Links Website:https://ospreyoriellelake.earth WECAN International:https://www.wecaninternational.org Instagram:https://www.instagram.com/ospreyoriellelake LinkedIn:https://www.linkedin.com/in/osprey-orielle-lake-4286bb12 Related Episodes Stand Up With The Earth: Fighting Fossil Fuels with Tzeporah Berman Regeneration: Ending the Climate Crisis in One Generation with Paul Hawken Green Amendments and Environmental Rights with Maya van Rossum Join the Conversation What stories shape how we see our relationship with nature? Share your thoughts and reflections with us — and tell us what regenerative solutions you're seeing in your community. Join Me at Bioneers 2026 I'll be attending Bioneers in Berkeley from March 26–28 and look forward to meeting Nina in person and hearing her speak live. If you're considering going, now's the time: https://conference.bioneers.org/ ***Use code BRINGAFRIEND for 2-for-1 pricing*** Let's gather, learn, and co-create regenerative solutions together. Support Care More Be Better Care More Be Better is an independent, values-driven podcast. We answer only to our collective conscience. If you believe in regenerative leadership, systems change, and social impact storytelling, please: Subscribe, Rate & Review Share this episode Support the show at: https://www.caremorebebetter.com/support Together, we can care more and be better — and we can even regenerate our leadership models to heal people, planet, and the next generation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sign up for our newsletter! On this week's episode: A new initiative called Prepare PA is gearing up to help Pennsylvanians face the big challenges of the climate crisis, like more extreme weather and flooding. And 2026 is the International Year of the Woman Farmer. Women farmers in Pennsylvania talk about the growing diversity in agriculture. A sustainable farming group had a $59 million federal contract reinstated after the federal government tried to claw it back last year. A state House committee is advancing measures meant to protect Pennsylvanians from negative effects of new data centers. The Allegheny Land Trust has partnered with the Pittsburgh Penguins and a Pittsburgh-based natural gas company to purchase local forest carbon credits. Pennsylvania agencies will collaborate on recommendations for wildlife corridors. We're independent and non-profit, and we don't get money from WESA, WPSU or any other radio station. So we must turn to you, our listeners, for support. Take action today so we can continue to keep you informed. Donate today. Or send us a check to: The Allegheny Front, 67 Bedford Square, Pittsburgh, 15203. And thanks!
It sounds like something a Bond villain would think up. A startup wants to put giant mirrors into space to reflect sunlight back toward the Earth at night. Why would someone want to do this? To disturb the sleep of everyone on the “dark side” of the planet? No, but that would happen. To help plants grow faster and feed more people? Nope. It's to keep giant solar power installations going after the sun goes down. This is a stupid, harmful idea, and we will explain why.Join The Heartland Institute's Anthony Watts, Linnea Lueken, Jim Lakely, and special guest David Legates, Ph.D., who will be speaking at our climate conference next month. We will also cover other crazy climate news of the week, including how climate change is supposedly killing penguins while also making them thrive, how a huge field of solar panels in Indiana lost a fight with a tornado, and how a new independent temperature station in Reno proves that the world isn't really as warm as alarmists say. In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!
It sounds like something a Bond villain would think up. A startup wants to put giant mirrors into space to reflect sunlight back toward the Earth at night. Why would someone want to do this? To disturb the sleep of everyone on the “dark side” of the planet? No, but that would happen. To help plants grow faster and feed more people? Nope. It's to keep giant solar power installations going after the sun goes down. This is a stupid, harmful idea, and we will explain why.Join The Heartland Institute's Anthony Watts, Linnea Lueken, Jim Lakely, and special guest David Legates, Ph.D., who will be speaking at our climate conference next month. We will also cover other crazy climate news of the week, including how climate change is supposedly killing penguins while also making them thrive, how a huge field of solar panels in Indiana lost a fight with a tornado, and how a new independent temperature station in Reno proves that the world isn't really as warm as alarmists say. In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!
Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, Blue Moon Spirits Fridays, is now available on the Spreaker Player!Starting off in the Bistro Cafe, Trump had a 12:30am meltdown as the nightmare of war scares the living shi* out of him.Then, on the rest of the menu, Live Nation employees pulled an Enron by mocking customers as ‘so stupid' in internal messages released in the multi-state antitrust court case; the Trump administration sued California over the state's nation-leading vehicle-emission rules; and, Montana halted permitting on all weekend rallies at the Capitol in a brazen move to thwart the massive upcoming ‘No Kings' event.After the break, we move to the Chef's Table where Dutch police are investigating an arson attack after a fire broke out at a Rotterdam synagogue; and, an Australian jury convicted a Sydney business consultant over deals with Chinese spies.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!The Netroots Radio Live PlayerKeep Your Resistance Radio Beaming 24/7/365!“Structural linguistics is a bitterly divided and unhappy profession, and a large number of its practitioners spend many nights drowning their sorrows in Ouisghian Zodahs.” ― Douglas Adams "The Restaurant at the End of the Universe"Become a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.
Hillsdale College Radio General Manager and Radio Free Hillsdale Hour host Scot Bertram fills in for Jim Geraghty on Thursday's 3 Martini Lunch. Join Scot and Greg Corombos as they discuss the staggering amount of hospice fraud in Southern California, CNN's repeated stumbles while reporting the New York City terrorism story, and Michigan lawmakers moving toward a mileage tax.First, they applaud CBS for reporting on hundreds of millions of dollars lost to hospice fraud, with a surprisingly large share occurring in Los Angeles County. Greg explains how the scheme harms its unwitting victims, while Scot praises CBS for pursuing the story and questions why more mainstream media outlets are not consistently investigating allegations of fraud like this.Next, they're stunned as CNN stumbles into a third retraction and apology in less than two days over the attempted terrorist attack in New York City on Saturday. Just hours after anchor Abby Phillip apologized for falsely reporting that NYC Mayor Zohran Mamdani was the target, another reporter repeated the same claim. Scot and Greg also react to a CNN commentator badly botching the Pentagon steak and lobster story.Finally, they weigh in on lawmakers in Michigan considering a mileage tax on electric semi-trailers and haulers to make up for lost gas tax revenue. While they strongly oppose government mandates pushing electric vehicles, Scot and Greg vehemently reject the idea of the government monitoring vehicles to impose a new tax or for any other purpose.Please visit our great sponsors:Unlock your healthiest skin by targeting visible aging signs at https://Oneskin.co/3ML with code 3ML for 15% off.Make this the season where no opportunity or customer slips away with Quo. Try Quo free and get 20% off your first 6 months at https://Quo.com/3MLUpgrade your wardrobe with Mizzen & Main — get 20% off your first purchase at https://MizzenandMain.com with promo code 3ML20.New episodes every weekday.
The climate crisis is not one problem. It is a crisis of water, food, energy, language, justice and power - all colliding at once. So how do we respond when climate solutions create new trade-offs of their own? And are we even using the right words to describe what is happening?In this episode, Christiana Figueres, Tom Rivett-Carnac and Paul Dickinson take on some of the knottiest questions in climate. From water stress and biodiversity loss, to geoengineering, public understanding, and the language of urgency itself. What gets overlooked? What gets simplified? And how do we navigate increasing complexity in the middle of a worsening crisis?We don't have all the answers. But as our choices grow harder, these are some of the questions that demand our attention.Learn More:
What does serious capital actually look for in the energy transition?In this episode, Nico sits down with Brendan Bell, Co-Founder of Aligned Climate Capital and a former member of the U.S. Department of Energy's Loan Programs Office, to discuss how experienced investors evaluate energy companies, infrastructure projects, and management teams.Brendan shares a practical look at:• why raising capital has become more selective• the common mistakes founders make when pitching investors• what strong management teams do differently• how infrastructure investors think about risk, scale, and long-term valueFor founders, developers, and operators building in the energy transition, this conversation offers a clear view into how institutional investors actually make decisions.Before co-founding Align Climate Capital, Brendan helped rebuild the U.S. Department of Energy's Loan Programs Office in the aftermath of the Solyndra collapse. From financing some of the earliest utility scale solar projects to backing companies like Tesla in its early days, he has spent his career sitting at the intersection of policy, infrastructure, and capital.Now at Align, Brendan and his team invest across the clean energy ecosystem. Early stage companies developing new business models. And infrastructure portfolios that own and operate solar and storage assets.If you're building, financing, or investing in the energy transition, this one is packed with insights.Listen in to understand how capital is shaping the next chapter of the global energy system.Are there other technologies you've scouted on the frontlines of the Clean Energy Revolution that you think we should be covering here on SunCast?Hit us up - team@suncast.me with your feedback & recommendations.Check out OpenSolar OS 3.0 at: https://suncast.media/opensolarIf you want to connect with today's guest, you'll find links to their contact info in the show notes on the blog at https://suncast.media/episodes/.Our Platinum Presenting Sponsor for SunCast is CPS America!SunCast is also sponsored by Nextpower!You can learn more about all the sponsors who help make this show free for you at www.suncast.media/sponsors.Remember, you can always find resources, learn more about today's guest and explore recommendations, book links, and more than 875 other founder stories and startup advice at www.suncast.media.Subscribe to Valence, our weekly LinkedIn Newsletter, and learn the elements of compelling storytelling: https://www.linkedin.com/newsletters/valence-content-that-connects-7145928995363049472/You can connect with me, Nico Johnson, on:Twitter - https://www.twitter.com/nicomeoLinkedIn - https://www.linkedin.com/in/nickalus
Tara exposes how South Carolina's state legislature plans to increase spending by 8.75% this year, far outpacing the state's 1.5% population growth. From taxpayer-funded lesbian podcasts and lewd art exhibits to corporate welfare and climate change grants, Tara breaks down how government dollars are being spent on projects the public didn't ask for. Joined by former Representative Adam Morgan, Tara digs into how a few conservative Freedom Caucus members are fighting to hold the legislature accountable while Democrat-appointed subcommittee chairs control the budget for arts, education, and healthcare—despite a Republican supermajority. Summary In this episode, Tara and Adam Morgan take listeners through the unusual and controversial spending practices in South Carolina: Budget Increase vs. Population Growth: The legislature plans an 8.75% spending increase despite just 1.5% population growth—raising questions about fiscal responsibility. Arts Commission Funding: Taxpayer money is funding queer-themed podcasts, lewd art exhibits, drag shows, and other controversial programs with little public support. Corporate Welfare & Climate Grants: Millions are allocated to corporate incentives, climate change research, and tuition mitigation programs that drive up costs instead of reducing them. Committee Control: Key budget subcommittees for arts, commerce, higher education, and healthcare are chaired by Democrats, despite a Republican supermajority, creating unexpected spending priorities. Freedom Caucus Oversight: Only a small number of conservative lawmakers actively research, amend, and oppose questionable budget allocations, highlighting the lack of accountability in Columbia. Public Engagement: Tara emphasizes the importance of constituents calling their representatives to understand how tax dollars are being spent and to demand transparency. Adam Morgan provides expert insight on how entrenched liberal leadership on budget committees enables these spending decisions and why conservative oversight is critical to stop misuse of taxpayer funds. Key Topics South Carolina state budget increase Arts Commission grants and controversial funding Taxpayer-funded LGBTQ content and podcasts Climate research and corporate welfare subsidies Republican supermajority vs. Democrat-appointed subcommittees Freedom Caucus oversight and accountability Higher education and healthcare funding priorities Public engagement in state spending decisions Social Media Post
What if green technology was actually just more profitable? Today, we're talking to Tom Chi, Google X Co-Founder and Founding Partner at At One Ventures, about his new bestselling book, Climate Capital. We discuss why the physical world is a more predictable investment than software, how his firm identifies the 30 industries responsible for over 90% of planetary damage, and why making clean technology the most profitable technology is the only climate strategy that actually scales. All of this right here, right now, on the Modern CTO Podcast! To learn more about At One Ventures, check out their website here.
Microorganisms may be invisible to the naked eye, but their impact on our planet is enormous. In this episode, Dr. Christopher Garner, assistant professor of biology at Southern Nazarene University, explores the fascinating world of microbiology and the powerful role microbes play in shaping ecosystems, influencing climate processes, and driving scientific innovation. Dr. Garner earned his Ph.D. in microbiology from the University of Oklahoma in 2024, where he taught microbiology and received the 2022 Dodge Family College of Arts and Sciences Dissertation Research Fellowship. His research focuses on methane-oxidizing bacteria, microbial ecology, and the discovery and classification of new bacterial species. In this conversation, we explore: · How mosquitoes can spread and interact with different microbiomes. · The role microbes play in environmental solutions like wastewater treatment and bioremediation. · How microbial communities adapt to environmental change and what that means for future ecosystems. From climate science and sustainability to emerging biotechnology, Dr. Garner explains why microbes are essential to solving some of the world's most pressing challenges. To learn more about Dr. Garner, visit his academic website and his SNU webpage. Episode also available on Apple Podcasts: https://apple.co/38oMlMr
Flood specialists are urging households to consider what simple and low-cost steps they could take to limit damage to their home from extreme rainfall. Climate change correspondent Kate Newton reports.
San Benito County adopts a temporary moratorium on battery energy storage facilities. And, the U.S. and Israel's war on Iran has increased nitrogen fertilizer costs as the spring planting season gets underway—are more conservation-minded farms insulated? Plus, Cal State Monterey Bay president Vanya Quiñones is stepping down.
Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, Metro Shrimp & Grits Thursdays is now available on the Spreaker Player!Starting off in the Bistro Cafe, Trump is furious Republicans are killing his election-grabbing scheme.Then, on the rest of the menu, YouTube banned Jeopardy! host Ken Jennings' podcast after the AI monitor flagged his debunking of “The Protocols of the Elders of Zion” was hate speech; the Social Security Administration's internal watchdog is investigating a whistleblower complaint into the misuse of data by an ex-DOGE employee; and, a coalition of 17 Democratic state attorneys general filed a lawsuit challenging a Trump administration policy that requires higher education institutions to collect data showing they are following the government's racist orders to be racist as MAGA is.After the break, we move to the Chef's Table where South Africa summoned new ambassador Brent Bozell to explain his demand the nation reverse its anti-Apartheid laws; and, white South African “refugees” are returning home rather than live in Trump's racist police state.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!The Netroots Radio Live PlayerKeep Your Resistance Radio Beaming 24/7/365!“Everyone in this good city enjoys the full right to pursue their own inclinations in all reasonable and, unreasonable ways.” -- The Daily Picayune, New Orleans, March 5, 1851Become a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.
Experts warn about the climate cost of modern war. Dr. Patrick Bigger, Research Director at Climate and Community Institute. Neta Crawford, Brown University, author of “The Pentagon, Climate Change, and War: Charting the Rise and Fall of U.S. Military Emissions.” Journalist Mark Hertsgaard …
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
When President Joe Biden signed the Inflation Reduction Act into law in 2022, Democrats imagined he was setting a new policy feedback loop in motion. Voters would see how the law was changing their communities — investing in new factories and solar farms — and then rally to protect it from Republicans.That didn't happen. Last summer, Republicans in Congress repealed many of the law's best climate policies. So what broke down?On this episode of Shift Key, Rob is joined by Alexander Gazmararian, a political science professor at the University of Michigan and the co-author of a new paper about why the IRA had limited political returns. Rob and Alex discuss whether voters noticed the climate law, the trade-off between taking credit for policies and de-polarizing them, and why politicians' credibility matters so much when designing economic policy.Shift Key is hosted by Robinson Meyer, the founding executive editor of Heatmap News.You can find a full transcript of the episode here.Mentioned:The new paper: Why Biden-era clean energy investment policies had limited political returnsRob's original article about the ‘Green Spiral'From Heatmap: Does More Renewable Energy Lead to More Political Support? Not in Texas.From Heatmap: Inside Form Energy's Big Google Data Center Deal--This episode of Shift Key is sponsored by …Accelerate your clean energy career with Yale's online certificate programs. Explore the 10-month Financing and Deploying Clean Energy program or the 5-month Clean and Equitable Energy Development program. Use referral code HeatMap26 and get your application in by the priority deadline for $500 off tuition to one of Yale's online certificate programs in clean energy. Learn more at cbey.yale.edu/online-learning-opportunities.Music for Shift Key is by Adam Kromelow. Hosted on Acast. See acast.com/privacy for more information.
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island's landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island's history as it's been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world. But what if that history is wrong? In The Island at the Edge of the World: The Forgotten History of Easter Island (Bloomsbury, 2025), archeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island's downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge's impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers. A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history's true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies. Mike Pitts is a writer and broadcaster, archaeologist and former museum curator. His books include A Fairweather Eden: Excavations at Boxgrove, Hengeworld, Digging for Richard III, Digging up Britain, and How to Build Stonehenge. He has also written for almost all of the important British newspapers - the Guardian, Observer, Times, Sunday Times, Telegraph, New Scientist, BBC History Magazine, Spectator and other papers and magazines - and conduct original research and publish in peer-reviewed journals. He also edited British Archaeology magazine for 20 years and is a Fellow of the London Society of Antiquaries. Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Photojournalist Bryan Anselm on Climate Change Photography, Storytelling & Changing Minds The 10 Frames Per Second podcast (new episodes every Tuesday) brings together photojournalists who turn complex stories into powerful images. In this episode, host Molly Roberts (Joe Giordano was out for this one) sits down with Bryan Anselm, a New‑York‑based photographer whose work chronicles the long‑term impacts of climate change across the United States. If you're a: Photojournalist looking for inspiration on climate‑related assignments Emerging visual storyteller seeking practical career advice Editor or curator interested in the intersection of documentary and fine‑art photography
Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island's landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island's history as it's been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world. But what if that history is wrong? In The Island at the Edge of the World: The Forgotten History of Easter Island (Bloomsbury, 2025), archeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island's downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge's impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers. A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history's true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies. Mike Pitts is a writer and broadcaster, archaeologist and former museum curator. His books include A Fairweather Eden: Excavations at Boxgrove, Hengeworld, Digging for Richard III, Digging up Britain, and How to Build Stonehenge. He has also written for almost all of the important British newspapers - the Guardian, Observer, Times, Sunday Times, Telegraph, New Scientist, BBC History Magazine, Spectator and other papers and magazines - and conduct original research and publish in peer-reviewed journals. He also edited British Archaeology magazine for 20 years and is a Fellow of the London Society of Antiquaries. Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Suncor Energy, Inc., v. Commissioners of Boulder County, the Supreme Court will consider whether state courts may use tort law to impose what amounts to a nationwide climate regulatory regime—despite Congress’s central role in addressing interstate and international emissions.Colorado local governments sued several energy companies in state court, asserting nuisance, trespass, consumer protection, and conspiracy claims for harms allegedly caused by global greenhouse-gas emissions. Although framed as state-law tort actions, the lawsuits seek damages and remedies tied to worldwide energy production and cross-border emissions—issues that are inherently national and international in scope.The energy companies argue that these claims are displaced by federal law because they attempt to regulate interstate and international pollution, an area requiring uniform federal rules. Allowing 50 different state courts to impose varying standards for global emissions, they contend, would undermine constitutional structure, interfere with federal authority, and invite judicial policymaking on questions committed to Congress and the political branches.The Colorado Supreme Court rejected those arguments, permitting the case to proceed in state court. The U.S. Supreme Court has now granted review and added an important threshold question: whether it even has jurisdiction to hear the case at this interlocutory stage—raising additional concerns about the proper limits of judicial power under Article III.This webinar will examine whether state-law climate tort suits represent a legitimate exercise of state authority or an attempt to achieve sweeping national policy changes through strategic litigation rather than the democratic process. What does constitutional structure require when global environmental regulation collides with state common law? And what are the consequences for federalism if courts become venues for resolving inherently national policy disputes?Join us for a discussion of the constitutional stakes and what this case may mean for the future of climate litigation nationwide. Featuring:Jonathan Adler, Tazewell Taylor Professor of Law and William H. Cabell Research Professor, William & Mary Law School; Senior Fellow, Property and Environment Research CenterO.H. Skinner, Executive Director, Alliance For ConsumersMichael Williams, Solicitor General, West Virginia(Moderator) Annie Donaldson Talley, Partner, Luther Strange & Associates
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination. This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures. Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Irish Millie is wasted. The Brobdingnagian Bards are in love… with alcohol. And the Gothard Sisters will send you down the road with a smile. Every song has a story worth telling. We've got the full spectrum from rowdy to reverent. Pull up a stool. Music from May Will Bloom, Brobdingnagian Bards, Rogue Diplomats, Irish Millie, The Gothard Sisters This is Pub Songs & Stories #313 0:21 - May Will Bloom "I'll Tell My Ma" from Single 2:40 - WELCOME TO PUB SONGS & STORIES Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. I am your bard, Marc Gunn, also host of the Irish & Celtic Music Podcast. If you're new to the show, please follow us. You can do that PubSong.com or Just send me an email to follow@celtfather. 5:32 - NEWS What's the Secret Word? Unlock your secret reward now. Celtic Protest Songs on Irish & Celtic Music Podcast. Maggie McGuinness show February album writing month Still making videos + Taking a step back from social media Booking gigs for St. Patrick's Day Preparing for Irish & Celtic Music PodFest 13:20 - Rogue Diplomats "Come Out Ye Black And Tans" from Whiskey Picnic 16:41 - UPCOMING SHOWS Mar 12: St Patrick's Day Music Party on Bandcamp Apr 4-11: Sherwood Forest Faire, Paige, TX with May Will Bloom and Brobdingnagian Bards Apr 17-19: JordanCon, Atlanta, Ga Apr 24-26: StellarFest, Duluth, Ga Apr 25: The Lost Druid Brewery, Avondale Estates, Ga May 30: The Lost Druid Brewery, Avondale Estates, GA 19:25 - STORY OF LOVE SONG TO ALCOHOL 24:10 - Brobdingnagian Bards "Love Song to Alcohol' from Another Faire to Remember 28:33 - TODAY'S SHOW IS BROUGHT TO BY CELTIC INVASION VACATIONS Every year, I take a small group of people on a relaxing adventure to one of the Celtic nations. We don't see everything. Instead we stay in one area. We get to know the region through its culture, history, and legends. You can join me with an auditory and visual adventure through podcasts, blogs, videos, and photos. Sign to the Celtic Invasion Vacations mailing list at CelticInvasion.com. Come hike with me on the Isle of Skye in 2027. The ads on this podcast pay for some of the hosting and podcast editing. My time producing the show is paid for by my… 29:49 - THANK YOU GUNN RUNNERS ON PATREON Thank you. Truly. Your support is the reason I'm still making music, telling stories, and showing up month after month. Patreon is how modern, independent musicians survive and thrive. Album Pins and CDs help get me on the road and in front of live audiences, but my day-to-day livelihood—the time it takes to write, record, podcast, film, and share—comes directly from Patrons of the Arts. As we continue into a new year, Patreon is where everything comes together. Patrons receive a brand-new song download every month. These are exclusive tracks you won't find anywhere else—works in progress, experiments, and finished songs that come straight from my creative desk to you. You'll also get regular updates when there's news to share, behind-the-scenes blogs, short and long-form videos, and access to a growing archive of bootleg concert recordings and special performances. You can join for as little as $5 a month. That small commitment adds up to real stability. It buys time to write songs. It funds recording and production. It keeps the creative engine running without chasing algorithms or trends. And if supporting financially isn't possible right now, that's okay. You can still join Patreon for free and receive regular updates, thoughts, and stories as they happen. Being part of the community matters, whether you're pledging or simply listening along. Patreon isn't just support—it's collaboration. It's how these songs, podcasts, and ideas exist at all. If you'd like more details, just email follow@celtfather. I'd love to have you along for the journey this year. 31:37 - COMMENTARY - THANK YOU WHAT YOU DID FOR US 34:55 - Irish Millie "WASTED" from Between Then And Now 42:38 - QUEST & CHORUS of THE GOTHARD SISTERS The Gothard Sisters are three sisters Greta, Willow and Solana. They are contemporary Celtic folk multi-instrumentalists, composers, performers and songwriters. Blending Celtic, folk, world, classical and new age musical influences, the Gothard Sisters bring songs to life with violin, acoustic guitar, mandolin, bodhran, djembe, whistle and vocal harmonies, creating music that is "vivid, inspirational and captivating." (Tim Carroll, Folk Words Review 2018) Raised and homeschooled by artists in the Pacific Northwest, USA, the Gothard Sisters grew up immersed in nature, imaginative play and traditional folk and classical music. Their music takes inspiration from folk music traditions around the world, timeless stories, new age and classical records, and nature itself. Writing and recording near their home in the Pacific Northwest, USA, the band has released 11 albums and performed over 2,000 live shows over the course of their career. 48:46 - The Gothard Sisters "See You Down the Road" from Moment in Time Complete the Quest to Unlock your secret reward now. 52:40 - CREDITS Thanks for listening to Pub Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Before we go, a quick reminder: caring about Celtic culture also means caring about the land that shaped it. The songs we love were born from fields, coasts, forests, and villages that depend on a healthy planet. Climate action doesn't have to be loud or perfect. It starts small. Walk when you can. Choose renewable energy if it's available to you. Support artists, farmers, and local businesses who care about the earth. Reduce waste. Reuse what you can. Leave a place better than you found it. When we protect the land, we protect the music, the stories, and the generations yet to sing them. Sláinte—and thank you for listening. Join the Quest and Sing Along at www.pubsong.com! #pubstories
On this episode of The ToosDay Crue, we welcome Diana Colleen — a Canadian, Seattle-based writer and psychedelic facilitator whose work explores healing, consciousness, and social transformation. After experiencing profound personal growth through psychedelic-assisted therapy, Diana committed herself to storytelling as a catalyst for change. Through fiction and reflective writing, she examines the climate crisis, power structures, billionaire accountability, and the deep inner work required to create meaningful cultural evolution. In this powerful conversation, we explore: • Psychedelic-assisted healing and personal transformation • Storytelling as a tool for social change • The role of empathy and accountability in leadership • Climate awareness and cultural responsibility • What humanity could become beyond ego-driven systems This episode challenges assumptions and invites deeper reflection on the future we are creating. Learn more: https://www.dianacolleenauthor.com
We could not help but discuss the behavior of Minnetonka's hockey team on Saturday night. California's green climate rules could cost the state its oil refineries and 500 thousand jobs. Who was Saint Homobonus. Johnny Heidt with guitar news. Heard On The Show:Lawmakers hear testimony on fraud preventionProposed bill would require new drivers 21 and under to take driver's ed before getting a license7th U.S. service member dies in war with Iran; Mojtaba Khamenei named new supreme leaderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this special episode of the Everything Electric podcast, Robert jumps into the passenger seat of a Fiat 500 Electric with Katie White MP, Minister for Climate in the Department for Energy Security and Net Zero. From her early days as a "petrol head" and Jeremy Clarkson fan to leading the charge on the UK's carbon budgets, Katie shares her unique journey into climate politics. Robert and Katie delve into the realities of being a Minister, the status of the UK's transition to a green economy, and why electric vehicles are a "dollop of joy" for any driver. 00:00 - Meeting the Minister: A Lift in a Fiat 500e 03:59 - The "Rainbow of Emotions": Life as a Climate Minister 06:26 - Why EVs are a "Dollop of Joy," Not a Sacrifice 09:45 - The Quiet Revolution: Electric Buses & Bin Lorries 14:41 - Energy Security: Why the UK Should "Buy, Not Rent" Power 18:29 - The Clarkson Effect: Farming, Nature, and Changing Minds 22:46 - Ending Range Anxiety: UK Charging Infrastructure Today 27:54 - Why British Scientists are Our Innovation Superpower 35:45 - Communicating Climate: Moving Beyond the "Hessian Shoes" 42:30 - Solar Schools and the Economic Case for Green Power 48:00 - Global Progress: Why Even "A Global Experiment" Needs Optimism Why not come and join us at our next Everything Electric expo: www.everythingelectric.show Support our StopBurningStuff campaign: https://www.patreon.com/STOPBurningStuff Become an Everything Electric Patreon: https://www.patreon.com/fullychargedshow Buy the Fully Charged Guide to Electric Vehicles & Clean Energy : https://buff.ly/2GybGt0 Subscribe for episode alerts and the Everything Electric newsletter: https://fullycharged.show/zap-sign-up/ Visit: https://FullyCharged.Show Find us on X: https://x.com/Everyth1ngElec Follow us on Instagram: https://instagram.com/officialeverythingelectric To partner, exhibit or sponsor at our award-winning expos email: commercial@fullycharged.show EE NORTH (Harrogate) - 8th & 9th May 2026 EE WEST (Cheltenham) - 12th & 13th June 2026 EE GREATER LONDON (Twickenham) - 11th & 12th Sept 2026 EE SYDNEY - Sydney Olympic Park - 18th - 20th Sept 2026 Tags: #fullychargedshow #everythingelectricshow #homeenergy #cleanenergy #battery #electriccars #electric-vehicles-uk #EverythingElectric #EVs #KatieWhiteMP #ClimateChange #NetZero #ElectricVehicles #UKPolitics #GreenEnergy #RenewableEnergy #WindPower #Sustainability #Fiat500e #CleanTech #EnergySecurity #BritishInnovation
Every year, the ocean removes billions of tons of carbon dioxide from the atmosphere. Most people assume whales, mangroves, or seagrass are responsible for this massive climate service. But the largest carbon capture system on Earth is actually microscopic. In this episode of How to Protect the Ocean, we explore the biological carbon pump, a powerful process driven by ocean microbes that captures carbon at the surface and transports it deep into the ocean for centuries. These tiny organisms, including phytoplankton and cyanobacteria, form the foundation of marine food webs and play a critical role in regulating Earth's climate. Without them, atmospheric CO₂ levels could be dramatically higher. We break down how this microbial system works, why it matters for climate stability, and how warming oceans could disrupt one of the planet's most important natural carbon storage mechanisms. Understanding the ocean's smallest organisms might be the key to understanding our planet's climate future. Support Independent Podcasts: https://www.speakupforblue.com/patreon Help fund a new seagrass podcast: https://www.speakupforblue.com/seagrass Join the Undertow: https://www.speakupforblue.com/jointheundertow Connect with Speak Up For Blue Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube
How do conflicts like the US-Israel war with Iran impact our planet?In this special bonus episode of The Climate Question podcast, we answer listeners' questions about the environmental cost of armed conflict, from Gaza to Ukraine. We examine the carbon footprint of battle itself - the jets, the bombs, the supply lines - and the impact of maintaining armies and bases during peacetime. We also ask our experts if there are any ways for the military to reduce their emissions and whether commanders now see climate change as a strategic threat.You can hear more episodes of The Climate Question every week, wherever you get your BBC podcasts. Recently, the team have looked at the climate challenge facing the Winter Olympics and Paralympics, the green energy revolution in China and what whales tells us about the state of our planet.
Bob Zimmerman details the sun's unpredictable sunspot decline and its influence on climate, alongside deep-space observations of the Cat's Eye nebula by the Euclid telescope. (16)1905