American film director, screenwriter, and producer
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PETER SAPHIER is a veteran producer and creative executive at studios including Universal and Paramount. At Universal, he acquired JAWS, co-produced SCARFACE and supervised over 150 movie and TV projects. Career highlights include working with Steven Spielberg, Clint Eastwood, James Cameron, Al Pacino, Oliver Stone, Sylvester Stallone and Michelle Pfeiffer, among others. He is a member of the Motion Picture Academy, evaluated screenplays for the Academy's Nicholl Fellowships in Screenwriting for 20 years and runs a consulting firm for producers and screenwriters. Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0).
85 anni fa nasceva Brian De Palma, regista di film poi diventati cult come “Mission: Impossible” e “Scarface”. Questa puntata è dedicata proprio alla pellicola scritta da Oliver Stone e ambientata nella Miami della droga degli anni Ottanta, con Al Pacino nei panni del gangster Tony Montana.See omnystudio.com/listener for privacy information.
The week, Book Boys say goodbye to the Summer of Bad Vibes by discussing Don DeLillo's opus "Libra". We discuss paranoid reading, Lee Harvey Oswald as American everyman, Hysterial Realism. At the end, we even take a brief detour to Tinsel Town and chat a bit about Oliver Stone's "JFK".As always, we hope that you enjoy our conversation!Works Cited"Paranoid and Reparative Reading" by Eve Sedgewick"Varieties of Religious Experience" by William James
In this episode, we break down SCARFACE, Brian De Palma's legendary gangster film starring Al Pacino as Tony Montana. We talk about what makes this movie one of the most iconic crime epics ever made — from the themes of greed and power, to the brutal violence, and the way it shaped pop culture. We analyze Tony Montana's rise and fall, discuss the incredible performances, and dive into why this film still resonates with audiences decades later. Chapters: 00:00 Behind the scenes stories 5:14 The masculine urge to become Tony Montana 15:21 The softer side of Tony Montana 19:20 Manny's death & his crush on his sister 28:46 Oliver Stone living the life of Tony Montana 33:57 The fall of the gangster 41:03 Was Omar an actual snitch? 44:19 Pacino's acting method, and cuss word count 49:21 Why it's impossible not to like this movie 54:25 Our official rating & final thoughts 1:01:23 Cue the music
In this episode, we dive into the world where cinema meets the gridiron. We kick things off by revealing our Top 5 football movies, from heartfelt underdog stories to hard-hitting dramas that capture the spirit of the game. Then we shift focus to Oliver Stone's electrifying Any Given Sunday, a film that goes beyond touchdowns and tackles to expose the politics, egos, and chaos behind professional football. We'll unpack its larger-than-life characters, memorable speeches, and the way it captures both the beauty and brutality of the sport. Whether you're a film buff, a football fanatic, or both, this episode breaks down why these stories continue to inspire, challenge, and entertain.________Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.
Murder, Mayhem, and Media Frenzy! Join the CineNerds gang as they dissect the 1994 cult classic film "Natural Born Killers" directed by Oliver Stone. Get an in-depth analysis of the film's themes, characters, and its commentary on violence, media, and American culture. Tune in for CineNerds' expert discussion on this iconic and provocative film, featuring performances by Woody Harrelson and Juliette Lewis. #CineNerdsPodcast #NaturalBornKillers #OliverStone #CultClassic #90sCinema #WoodyHarrelson #JulietteLewis #ControversialFilms
Actress Ever Carradine (The Handmaid's Tale, Goliath, Shameless) joins Matt and Tim to discuss the 2008 Oliver Stone film, W.. Josh Brolin stars as George W. Bush and Richard Dreyfuss plays Dick Cheney. Matt Walsh https://www.instagram.com/mrmattwalshTimothy Simons https://www.instagram.com/timothycsimonsEver Carradine https://instagram.com/officialevercarradine Second In Command https://instagram.com/secondincommandpodcastEmail questions to: secondincommandatc@gmail.com For more full length episodes like this, and the entire back catalog of Veep rewatches, go to patreon.com/secondincommand and become a Patron.
Actress Ever Carradine (The Handmaid's Tale, Goliath, Shameless) joins Matt and Tim to discuss the 2008 Oliver Stone film, W.. Josh Brolin stars as George W. Bush and Richard Dreyfuss plays Dick Cheney. Matt Walsh https://www.instagram.com/mrmattwalshTimothy Simons https://www.instagram.com/timothycsimonsEver Carradine https://instagram.com/officialevercarradine Second In Command https://instagram.com/secondincommandpodcastEmail questions to: secondincommandatc@gmail.com For more full length episodes like this, and the entire back catalog of Veep rewatches, go to patreon.com/secondincommand and become a Patron.
Erik Childress and Peter Sobczynski look ahead in the world of physical media and reveal what you can add to your library this week and next. For those who have seen Spike Lee's remake, Highest 2 Lowest, Crtierion offers up the Kurosawa original in OK. You may have been issued it when you first bought your DVD player but now you can get the TV sci-fi adaptation with a unique stake in box office history. Universal has upgraded a pair of Best Actress-winning biopics and Warner upgrades a horror original in time for its final sequel. Oliver Stone has James Woods in one of his very best performances. Dwayne Johnson gets 4K'd in one of his few good movies. There are a pair of detective stories including the unfairly maligned sequel to Chinatown. Plus Walter Hill's prison boxing film is also worth another look4:20 - Criterion (High and Low (4K), Compensation)17:13 - Arrow (Lost in Space (1998) (4K))28:21 - Universal (Coal Miner's Daughter (4K), Erin Brockovich (4K))45:09 - Shout Factory (Salvador (4K))55:14 - Warner (The Conjuring (4K))1:01:50 - Kino (Huckleberry Finn (1931), Father Brown Detective, The Two Jakes (4K), The Lords of Discipline (4K), Smoke/Blue in the Face, The Rundown (4K), Undisputed (4K))1:56:21 - New Theatrical & TV Titles On Blu-ray (Ballerina: From the World of John Wick (4K), Jurassic World: Rebirth (4K), Elio (4K), Materialists, Ice Road: Vengeance, The Surfer, Clown in a Cornfield (4K), The Ritual, Bride Hard, Little House on the Prairie: The Complete Series (1974-1983))2:02:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com
Send us a textIn today's episode, I'm honored to chat with Le Ly Hayslip, internationally known Vietnamese-American author, philanthropist, peace activist, and speaker. Le Ly grew up in central Vietnam during the American-Vietnam War and later authored two bestselling memoirs, When Heaven and Earth Changed Places and Child of War, Woman of Peace. Her story of resilience inspired Oliver Stone's 1993 film Heaven & Earth. Beyond her writing, she founded two humanitarian organizations—East Meets West Foundation and Global Village Foundation—dedicated to rebuilding Vietnam through education, medical care, and essential resources.Episode Highlights:Her upbringing in a rice-farming family of 6 children in central Vietnam, living under the pressures of both American forces and the Viet Cong.The importance of protecting family gravesites and places of worship as a way of preserving identity and tradition.Why her book cannot be published in Vietnam, and how Oliver Stone's film adaptation offers another way to experience her story.How returning to Vietnam in the 1980s inspired her lifelong humanitarian work.Her invitation to visit the beauty of Vietnam, where she leads trips in both the spring and fall.✨ Le Ly also shared with me about the upcoming Global Village Foundation Awards Gala to celebrate 30 years of U.S. & Vietnam diplomatic relations at the on 11/15/25. You can find more information on the Global Village Foundation website. Le Ly's story is one of survival, forgiveness, and hope. As she says, “We cannot change the past. But if each of us stands up to change the world, we will change the world.”Connect with Le Ly:WebsiteGlobal Village FoundationInstagramShow NotesSome links are affiliate links, which are no extra cost to you but do help to support the show.Books and authors mentioned in the episode:Life and Teaching of the Masters of the Far East by Baird T. SpaldingMany Lives, Many Masters by Brian L. WeissRamtha: The White Book by RamthaBook FlightOn the Ho Chi Minh Trail by Sherry BuchananPerfect Spy by Larry BermanDancing in the Light by Shirley MacLaine
Welcome to a new sub-series of the podcast devoted to screenplays for movies that never got made. There are tons of famous screenplays from Oliver Stone's first draft of Conan to Del Toro's At the Mountains of Madness. For each episode in this series, we will read and review a script that never got made.In this episode, I am joined by author Anthony Trevino and Musician/Filmmaker Issa Diao to discuss The Unproduced Shadow Company by Shane Black and Fred Dekker which was supposed to be John Carpenter's follow-up to They Live in 1988. This cult classic script that was cross between Platoon and Night of the Living Dead is something of a legend. We break it down.
The CAT Club presents a long playing vinyl record . . .THE KINKS ARE THE VILLAGE GREEN PRESERVATION SOCIETYwith special guestCHRIS WADEMany regard 'The Kinks Are The Village Green Preservation Society' as Ray Davies' magnum opus. We were delighted to welcome Chris Wade along to explore the ins & outs of that 1968 album and the work of one of the greatest bands of all time.Chris is a prolific writer, musician, filmmaker and artist. He is also known for his renowned music project Dodson & Fogg. He has written music books about Bob Dylan, Madonna, Zappa, Lady Gaga, Hawkwind, Leonard Cohen, Paul McCartney, Donovan, The Beatles, Neil Young, Black Sabbath, Jethro Tull, Lou Reed, Captain Beefheart, The Velvet Underground, The Stranglers & Lindisfarne amongst many others. His critically acclaimed book, 'The Kinks Are The Village Green' was published in 2017.Chris has also had works of fiction and poetry published and he's also written about/or worked with James Woods, Dennis Hopper, Donald Sutherland, Oliver Stone, Jeff Bridges, Stacy Keach, Catherine Deneuve, Sharon Stone, Roger McGough, Ian Anderson, Paul Auster, Michael Palin, Nigel Planer, Toyah, Scarlet Rivera, Celia Humphris and Henry Jaglom.In the interviewer's chair was JASON BARNARD from The Strange Brew Podcasts..This event took place on 17th July 2025 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasons.To find out more about the CAT Club please visit: www.thecatclub.co.ukHappy Trails.
This Week for your Daily Ratings Movie News: Tarantino talks about his next project. Oliver Stone finally gets funding for his film and will be shooting this Fall. Ben Stiller is working on WW2 survival movie. James Gunn is fast tracking Superman 2 and Universal is moving quick on Jason Bourne. Want to check out all our Movie Scores and so much more? Stop by our Website! - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page! - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters! - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear! - Shop the Store!
Kiss Gergő, a Doors Emlékzenekar vezetője. Az a zenész, aki több mint két évtizede tartja életben Jim Morrison és a Doors legendáját Magyarországon. Az idei nyár különleges mérföldkő a zenekar számára: augusztus 23-án, az Aréna Pláza melletti szabadtéri STENK színpadán ünneplik a Doors megalakulásának 60. évfordulóját. Ez az este igazi rockzenei ünnep lesz – két különleges vendéggel: Menszátor Héresz Attila alapító taggal és Hobóval, aki a magyar zenei élet ikonikus alakja. Gergő számára a Doors-élmény tinédzserkorában kezdődött, amikor először látta Oliver Stone kultikus filmjét. Bár ma már tudja, hogy a filmben voltak túlzások, a zene és a színpadi energia akkor örökre megfogta. A zenekarban töltött évek alatt küldetésévé vált, hogy hitelesen adja vissza a legendás dalok szellemiségét, miközben minden koncertet frissen és megismételhetetlenül tálal. Ahogy fogalmaz: „Nincs két egyforma est, nincs két egyforma szett – ez a zenekar lényege.” A mostani jubileumi est repertoárja is ennek szellemében készül: több mint húsz dal, amelyek kétharmadát Menszátor Héresz Attila, egyharmadát pedig Hobó tolmácsolásában hallhatjuk majd. A produkció különlegessége, hogy Hobo saját magyar nyelvű szövegeivel adja elő a Doors-dalok egy részét – Gergő szerint ezek a fordítások nemcsak hűek az eredeti mondanivalóhoz, hanem önállóan is erős művészi értéket képviselnek. A Doors Emlékzenekar nem pusztán múltidézés: híd a rocktörténelem és a jelen között. Koncertjeikre nemcsak a '60-as évek rajongói járnak, hanem egyre több fiatal is, akik újra felfedezik a pszichedelikus rock és a mély tartalmú szövegek erejét. „Kevés közhely van ezekben a dalokban – inkább elgondolkodtatnak. És ez ma különösen érték” – mondja Gergő.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.
It's been a long time coming for this show, but JFK (1991) is a cult classic in every sense of the term. With a star studded cast, a frenetic pace, incredible editing and a more than loose grip on reality, the film is truly a special one. Enjoy this review of Oliver Stone's crackpot feature! Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
Andy's Nurturing Legacy and the Aura of Old Hollywood So cool to sit down with veteran entertainment advertising executive Mark Trugman to continue our tribute and honor the legacy of Andy Kuehn — a pioneer of the modern movie trailer industry and beloved founder of Kaleidoscope Films. And we're joined once again by our special co-host, Benedict Coulter. Mark shares his journey from graphic design and television promotion into the world of trailers, his first encounters with Andy, and the profound influence Andy's leadership style had on generations of creative talent. Together, they reflect on the culture Andy fostered, the careers he helped launch, and the personal memories that made him unforgettable. What We Discuss How Mark Trugman transitioned from television graphics to running one of the industry's most respected trailer companies. The leadership philosophy Andy Kuehn embodied — nurturing, non-proprietary, and deeply passionate. Inside stories about the unique culture at Kaleidoscope Films during its heyday. The ripple effect of Andy's mentorship on multiple generations of creative leaders in entertainment marketing. Anecdotes that reveal Andy's charisma, generosity, and larger-than-life presence both in and out of the office. Episode Highlights [00:02:00] Mark recalls his first job with Kaleidoscope Films — and a rookie mistake involving a “two-pop” that still makes him laugh. [00:09:00] The first meeting with Andy Kuehn, complete with a calf tan, a parrot, and quick-witted banter. [00:13:00] Life inside a small but mighty Kaleidoscope team — and the rite of passage that was Andy's 5 p.m. wine gatherings. [00:16:00] How Andy's and Steve's management styles gave editors room to create and clients reason to trust. [00:22:00] A vivid description of Andy's Moroccan villa and legendary holiday parties. [00:27:00] The last-minute speech Mark delivered at the Key Art Awards, honoring Andy after his passing. [00:36:00] Reflections on what Mark misses most about Andy and why his presence might have made the industry a kinder place. [00:42:00] The hilarious Academy Awards “seat switch” story that put Andy in Oliver Stone's spot on live television. Featured Quotes “Andy was the most passionate, supportive, enthusiastic person I've ever dealt with — there wasn't an ounce of cynicism in him.” – Mark Trugman “It wasn't about heavy-handed management; it was about giving you the space to create and the encouragement to solve problems your way.” – Mark Trugman “If you love doing something, why stop? It feeds your soul.” – Benedict Coulter “The Beatles are always going to be the Beatles for a reason… Benedict, you're one of those rock stars.” – Mark Trugman Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods!
This week in physical media with Erik Childress and Peter Sobczynski they look at a staple of Egyptian film noir as well as a noir box that features an early version of Gatsby. There's a double feature with Sylvia Sidney and a double dip of Sleepaway Camp. Hear about the horror film that Peter despises as well as the better one also getting the 4K upgrade. The Poseidon Adventure gets a modern remake and Oliver Stone does his 9/11 film. Erik also proves to be a bit fonder of the trio of anniversaries being released, particularly the one he considers to be one of the absolute best of modern comedies and kicked off an era that many wish would return to the big screen.3:16 - Criterion (Cairo Station)6:55 - Kino (Confessions of a Co-Ed/Ladies of the Big House, The Farmer's Daughter, Film Noir: The Dark Side of Cinema XXVI)22:58 – Shout Factory (World Trade Center (4K), Sleepaway Camp II: Unhappy Campers (4K), Sleepaway Camp III: Teenage Wasteland (4K))35:08 – Lions Gate (High Tension 4K, It Follows 4K)50:21 - Arrow (Poseidon (4K))54:59 - Universal (Meet the Parents (2000) (4K), Casper (4K), The 40-Year-Old Virgin (4K))1:22:35 - New Theatrical Titles & TV on Blu-ray (The Accountant 2 (4K), How to Train Your Dragon (2025) (4K), 1923: A Yellowstone Origin Story: Season Two, A Good Girl's Guide to Murder: Season One)1:24:39 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com
TVC 700.4: Part 2 of a conversation that began last week with Kathleen Bradley, the first African-American model to join ranks with Barker's Beauties on The Price is Right, and the actress known around the world as Mrs. Parker in Friday. Topics this segment include Kathleen's years traveling the world as a member of the female soul and disco group The Love Machine; the time when director Oliver Stone met with Kathleen to discuss her playing a role in one of his films; and why, in many respects, Kathleen can be considered “the Jackie Robinson of The Price is Right.” Kathleen's memoir, Backstage at The Price is Right, is available both at Amazon and at KathleenBradley.tv.
We've reached the month of August, so that means a new series from us that we are calling This Means War where we will be covering 5 movies that are at least adjacent to war. First up is Oliver Stone's Oscar-winning depiction of the Vietnam War as seen through his eyes: Platoon.Our Links: https://lnk.bio/neverseenitMovie Info: https://www.imdb.com/title/tt0091763/
There is almost no doubt at this point that the government, via the intelligence agencies, was a main player in the assassinations of both JFK and RFK. What the latest releases of files say is filled with evidence of that reality. While the Wall Street Journal and New York Times want to portray all of it as a giant nothing of a story, the real researchers and people who have spent their lives looking into this say the new documents confirm their suspicions about all of it. Today, we talk with Matt Armstrong, an independent journalist who has taken a deep look into the files and has some incredible insights to share about it. Have a listen and find out some dark truths about the government that you might have suspected, and now seem confirmed by the government's own paper trail. Matt is a friend from the Kennedy campaign days, and he found his way to politics via the Oliver Stone movie, JFK, and his subsequent curiosities about it all. In the last ten years, Matt has written extensively on the topic of the assassinations and is a citizen journalist expert on the subject. Enjoy the show.
Continuing our Oliver Stone series, we turn to Platoon (1986), the film that established Stone as a superstar director and inaugurated the most celebrated phase of his career, revolving around the ghosts of the 1960s. Brett discusses the reception of Platoon in terms of the cultural politics of New Hollywood and of the Reagan era, and he considers the real reasons for the emergence of the Vietnam film at this time. He also takes a closer look at Hemdale, the sus production company behind this and Stone's previous effort, and he offers some personal reflections on the film's legacy. Thomas discusses the neo-shamanic, countercultural spirituality invested in the Willem Dafoe character and offers an analysis of the “two fathers” theme that would come to define Stone's work. If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com
Scarface, sorti en 1983, est un film de Brian de Palma avec comme toile de fond le trafic de drogue, lʹascension dʹun petit malfrat, et les réfugiés cubains en Floride. Dans le rôle principal, Al Pacino qui incarne Tony Montana, jeune homme réfugié aux Etats-Unis, dévoré dʹambition, qui va devenir un patron de la drogue. Tony Montana est Scarface, le balafré, réplique de celui dʹHoward Hawks, sorti en 1932. Mais le remake de Brian de Palma offre un tout autre éclairage sur lʹAmérique des années 80. Ce nʹest plus le temps de la prohibition, mais le temps des malfrats de droit communs cubains, lâchés par Castro sur les USA. Scarface choque à sa sortie et ne rencontre pas le succès escompté. Le public et la critique ne pardonnent pas à De Palma de dénaturer un classique du cinéma. Encore moins à son scénariste Oliver Stone dʹavoir transformé le gangster inspiré dʹAl Capone en un clown violent, le nez plein de cocaïne. Ajoutez à cela une esthétique très assumée, où le rouge sang et le blanc neige de la drogue se fondent dans des décors très colorés, floridiens, des dialogues crus, un langage attrapé dans la rue, le mot fuck répétés plus dʹune centaine de fois, la passion des armes à feu, la drogue à gogo, et on peut imaginer que le film nʹest pas du goût de tout le monde. Mais nous allons vous raconter tout ça. Nous avons comme référence un livre sur Al Pacino de Karina Longworth, Anatomie dʹun acteur, un autre sur Brian de Palma et ses entretiens avec Samuel Blumenfeld. Nous avons des archives, des anecdotes, des extraits pour compléter notre narration. Il ne nous reste plus quʹà embarquer sur un bateau depuis Cuba, et à nous installer en Floride pour monter notre empire de la drogue. REFERENCES Samuel Blumenfeld et Laurent Vachaud, Brian de Palma, entretiens, GM, 2019 Karina Longworth, Al Pacino, Anatomie dʹun acteur, cahiers du cinéma, 2013. le making of du film https://www.youtube.com/watch?v=5cbigPPWQBY Leonardo Gandini, Brian de Palma, Du Thriller psychanalytique au pur film dʹaction, la carrière éclectique dʹun réalisateur toujours controversé, Gremese, Rome, 2002 Luc Lagier, Les mille yeux de Brian de Palma, Cahiers du cinéma, auteurs, Editions Dark Star 2003 Brian de Palma on Scarface https://www.youtube.com/watch?v=PuCqcvORq5Y
In this episode, Hal Schild shares a childhood lesson in perseverance, tales when working for THE Agency, fixing it “in post”, easier vs. better, having nothing to do, keeping the business simple, and looking at the bigger picture.Hal Schild is an award-winning editor, producer, animator, and director with over three decades of experience in the video and post-production industry. Throughout his career, he has led the creation of over 500 video projects, spanning 48 states and three continents. Hal's dynamic portfolio includes collaborations with iconic figures such as RuPaul, Mariah Carey, Steven Meisel, Oliver Stone, Donald Fagen, and Michael Jackson, demonstrating his versatility and creativity in high-profile productions. His work spans a wide range of formats, from animated educational videos to major televised events. A Grammy nominee and CINE Golden Eagle winner, he brings a deep understanding of visual storytelling and adult learning principles to every project. Hal remains a trusted creative force in the media industry.He is currently the co-founder of Missing Link, a strategy-driven, creatively fueled production co-op. From ideation to creation, Missing Link crafts human connections through intelligent, engaging, and informative content. Missing Link is based in Alexandria, VA, a women-owned, minority owned company with staff across the globe.Previously serving as SVP of Creative Services and later as SVP/COO at Yes& Agency in Alexandria, Virginia, Hal was instrumental in managing multimillion-dollar budgets, guiding creative strategy, and producing impactful multimedia content. In these roles, he also oversaw IT infrastructure and led teams in crafting social media assets, events, and videos tailored to client branding and messaging. His leadership style combined innovation with a rigorous attention to detail, consistently meeting internal benchmarks and exceeding client expectations.LinkedIn: https://www.linkedin.com/in/halschild/ Company website: https://www.missinglink.company To learn more, visit:linkedin.com/in/jason-Shupp-18b4619bListen to more episodes on Mission Matters:https://missionmatters.com/author/Jason-Shupp/
The 13th Annual Whistleblower Summit & Film Festival takes place July 30 to August 1, 2025, with hybrid events from July 27 to August 3. Join us as we celebrate those who speak truth to power and help build a more transparent, accountable world.Whistleblower FestivalFilm Link13th Annual Whistleblower Summit and Film FestivalJuly 30-August 1, 2025Washington, D.C.Fletcher Prouty was the real-life inspiration for “Man X”, unforgettably portrayed by Donald Sutherland in Oliver Stone's 1991 film “JFK”. At the time of the film's release, Prouty was a retired Air Force Colonel turned author and public speaker. Although not technically a whistleblower, Prouty had stories to tell of the hidden history of the Cold War - from its origins in postwar planning during WW2, to the rise of national security interests associated with the CIA in the 1950s, and through the controversies of the brief Kennedy administration. Utilizing Prouty's personal records, interviews, and historic archival materials, Fletcher Prouty's Cold War also features new interviews with Oliver Stone and Len Osanic describing Prouty's involvement with the “JFK” film and his influence in a wider community of interest.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
In this gripping episode of The Tracklist, hosts Daron Jenkins (@thedaronjenkins) and Chris Saunders (@chrissaunders_music) dive deep into Platoon (1986)—Oliver Stone's Oscar-winning war epic that redefined Vietnam cinema. We break down the hauntingly beautiful soundtrack, anchored by Samuel Barber's Adagio for Strings, and how it shaped the emotional tone of the film. From The Doors to Motown classics, we explore how Platoon's music elevated its brutal realism and gave voice to the soldiers' inner turmoil.We also spotlight the all-star cast—Charlie Sheen, Willem Dafoe, Tom Berenger, Forest Whitaker—and Keith David who just received his star on the Hollywood Walk of Fame!Like and subscribe to our podcast wherever you listen/watch!Please...support the podcast by purchasing a hoodie or t-shirt! Visit our Merch store at https://tracklist-shop.fourthwall.com
We end the week on yet another Filmmaker retrospect and documentary specialist Robert Cohen gets to share thoughts on Oliver Stone's overall career. TOPICS INCLUDE: *Who would've guessed he'd be the go-to guy for awhile at assembling moody biopics, business satires and war dramas? *Has he given up moviemaking to now focus on just doing interviews? *Who would've taken his place in conspiracy thrillers had he not gotten there first? *Plus, some audio clips from Stone's 2016 interview with BAFTA Guru.
Meg identifies who was actually responsible for Saturday Night Lives' worst season ever. Jessica reveals how MTV used Remote Control to increase ad sales while launching comedy legends.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica
Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Actor Toby Kebbell? #LIFEINFILM #113 Toby Kebbell is a BAFTA Nominated Actor who's big break came with Shane Meadows's 'Dead Man's Shoes', he ha gone on to work with the best including Oliver Stone, Steven Spielberg, Woody Allen, Ridley Scott & Guy Richie to name a few but insists he doesn't want to be a leading man...We chat about going from problem child to driving a Ferrari through Time Square, what to do when the phone stops ringing after two blockbuster flops, his latest boxing movie 'Salvable' with Shia LaBeouf and why it's all about putting in the effort.Toby's Credits Include - Dead Mans Shoes / Control / RocknRolla / War Horse / Dawn of the Planet of the Apes / Servant / For all Mankind / Prince of Persia / Black Mirror / Match Point / The Sorcerer's Apprentice / The Veteran / Wrath of the Titans / The Councellor / Fantastic Four / Ben-Hur / Warcraft / Kong Scull Island / Gold / The Conspirator... etc-----------------------------Host - Actor/Writer Elliot James Langridge Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new!Get 10% off with code LIFEINFILM10BetterHelp provides you with access to the largest online therapy service in the world. Get 10% off your first month at betterhelp.com/lifeinfilm-----------------------------'Salvable' is in cinemas & available to stream now-----------------------------Thank you to our guest Toby, thank you to producers Connor & Jamie, Emma at Strike Media & as always thank you to our Sponsors Movieposters.com & BetterHelp-----------------------------If you enjoyed this episode, please review and follow us on Spotify, Apple Podcasts and You Tube etc and please share. It makes a huge difference. -----------------------------Join us on Twitter, Tik Tok, Instagram, @LIFEINFILMpod. Check out the Patreon at patreon.com/Lifeinfilmpodcast & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join-----------------------------Please don't forget to LIKE & SUBSCRIBE! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!
You wanna see a pretty movie where a woman suffers at the hands of the ARVN, the Viet Cong and Tommy Lee Jones? Or perhaps you enjoy cringing discomfort? Obviously, Oliver Stone has you covered, you weird sick freak. Next week: Now even more Navarone-y. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Heaven & Earth stars Hiep Thi Le, Tommy Lee Jones, Joan Chen, Debbie Reynolds, Conchata Ferrell and Haing S. Ngor; directed by Oliver Stone. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, James and Sean review the classic, multiple Oscar-winning 1986 film Platoon, directed by Oliver Stone and based on Stone’s own experience as a soldier in the Vietnam War.See omnystudio.com/listener for privacy information.
In the conclusion of Kim Masters' two-part conversation with Barry Diller, the veteran businessman reflects on his time helping build Rupert Murdoch's Fox empire. Diller also criticizes studios for spreading misinformation—citing Oliver Stone's JFK in particular—and weighs in on the now-resolved Trump-Paramount dispute, and the prospect of a David Ellison-led studio. Plus, Paramount's looming merger with Skydance has South Park creators Matt Stone and Trey Parker lawyering up. The duo is eyeing legal action over billion-dollar licensing deals they claim are being undercut. At the center of it all: South Park's future on Paramount+. New execs Jeff Shell and David Ellison are feeling the heat; Matt Belloni and Lucas Shaw are on hand to explain what's at stake.
In the conclusion of Kim Masters’ two-part conversation with Barry Diller, the veteran businessman reflects on his time helping build Rupert Murdoch’s Fox empire. Diller also criticizes studios for spreading misinformation—citing Oliver Stone’s JFK in particular—and weighs in on the now-resolved Trump-Paramount dispute, and the prospect of a David Ellison-led studio. Plus, Paramount’s looming merger with Skydance has South Park creators Matt Stone and Trey Parker lawyering up. The duo is eyeing legal action over billion-dollar licensing deals they claim are being undercut. At the center of it all: South Park’s future on Paramount+. New execs Jeff Shell and David Ellison are feeling the heat; Matt Belloni and Lucas Shaw are on hand to explain what’s at stake.
The actual truth will likely never be known, but Oliver Stone here lays out his case that the official story of the JFK assassination is full of holes. The post A064: JFK (1991) appeared first on .
Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS. Season 15's temporal pincer movement is inverted with this week's pairing to present its earlier film first. So, one week early, we present to you SCARFACE (1983) with returning guest Erik Van Der Wolf from the Blood & Popcorn podcast filling in for Jack who had a boat to catch. After last week's meager showing with First Blood, we return to the blood-filled squib in full force in a movie whose violent reputation Erik disputes, taking a chainsaw to arguments by contemporary critics and noting the various cutaways and reaction shows in lieu of direct onscreen violence. He also makes a case that director Brian De Palma shows uncharacteristic restraint in camera flourishes. What's unrestrained— agreed then and now—is the profanity, clocked at 1.32/minute “f's” given, timed by some film nerd and diligently regurgitated by one of your chin beard hosts who watched the Blu-ray commentary. Typically, we make a halfhearted attempt here in the show notes for a plot recap, but we all know the story of Scarface who's got his word and his balls. This 1980's remake marks a rare confluence of film and actual contemporary events as its Scarface, aka cocaine cowboy Tony Montana played by Al Pacino, is a Cuban refugee, mapping the original immigrant story of the 1932 movie onto real Florida violence. The film is also credited as giving Michelle Pfiefer her breakout role (if one discounts Grease II) in portraying coke whore arm candy. And actual Cuban immigrant and total hottie Steven Bauer plays Montana's bestie (and friend's sister-fucker) Manny Ray. Blood packets explode during a hotel drug deal gone wrong and again when Montana promotes himself over his boss's dead body and then again when given cocaine super powers at the end of the film as Scarface holds off a mercenary army of hitmen, but surprising no squib explodes when Montana shoots Ray in a fit of rage for what could be interpreted as incestual cockblocking. But you knew the plot already. Listen as adult boys who grew up in the VHS era (and Thomas) discuss a film that guest Erik loves and the others find a lesser entry in the De Palma 80s filmography. Guest Erik brings a reread of the Oliver Stone screenplay and filmic muscle memory to recite scenes from the formative flick; Ryan stays bullish on the original black and white gangster picture (and on the film Two of a Kind, the 1983 feature that reunited John Travolta and Olivia Newton-John after Grease I), mainly wishing the De Palma film was closer to the original film's runtime; Ken warms to the film and to Erik; and Thomas might have an opinion after his first watch but is more interested in the sequel videogame for the PS2 and prequel novels by comic book and erotic vampire author L.A. Banks. Next week, Jack returns to discuss the school shooter film Elephant. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias
Andrew begrudgingly admits that a listener was right about something. Luke speculates on Oliver Stone's football fandom. And one of TBTL's favorite babies gets surprisingly political.
There's a lot to talk about this week in the world of physical media. Peter Sobczynski joins Erik Childress to talk about a Stanley Kubrick epic finally getting the release it deserves. Oliver Stone revisits a final cut for his own epic and there is also some epic destruction from the ‘70s. Denzel Washington looks for a serial killer, though not the one traipsing through the woods like he was Terrence Malick. They've got film noir with Glenn Ford, horror meeting blaxploitation and Peter offering his thoughts on Ryan Coogler's huge 2025 success. Finally the pair discuss Mike Nichols' now quaint adaptation of politics leading up to the Clinton years and Amy Heckerling's teen film from the ‘90s still entertaining generations decades later.2:30 - Criterion (The Big Heat (4K), Barry Lyndon (4K))21:23 – Shout Factory (Primary Colors (4K), Alexander Revisited: The Final Cut (4K), Abigail (4K))50:08 - Kino (Sugar Hill)55:37 - RJLE (In a Violent Nature (4K))1:04:59 - WB (The Little Things (4K))1:12:44 - Universal (Earthquake (4K))1:31:32 - Paramount (Clueless (4K))1:44:51 - New Theatrical & TV Titles On Blu-ray (Warfare (4K), Death of a Unicorn, The Amateur (4K), The Legend of Ochi, , Shadow Force, The Rule of Jenny Pen, Hell of a Summer, Until Dawn (4K), Sinners (4K), Fallout: Season One (4K), Lois & Clark: The New Adventures of Superman (1993-1997), See (The Complete Series))1:53:30 – New Blu-ray AnnouncementsCheck eligibilityCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com
Welcome to The B-Side! Here we sometimes talk about movie stars! We sometimes talk about movie directors! Today, we talk about both! Specifically, the B-Sides of the Mission: Impossible franchise. It's just Conor and I today folks, waxing poetic on Tom Cruise's legendary franchise and the B-Sides that we were inspired to discuss. We've chosen one for each of the Mission movies. It's also July 3rd on the day this episode is published, so happy 63rd birthday Tom Cruise! For the first Mission: Impossible, we speak on The Avengers from 1998. An adaptation of the popular British television series from the ‘60s, director Jeremiah S. Chechik's film was dismantled in post-production, slashed to ribbons following bad test screenings. The final product runs well under ninety minutes and is hard to understand. It sits on the other end of blockbusters in the ‘90s adapted from hit televisions from yesteryear. We also discuss the last five films Sean Connery made (animated film Sir Billi not included), as well as the ones he turned down. For Mission: Impossible II, we chose another John Woo American motion picture: Paycheck, starring Ben Affleck and The Avengers star Uma Thurman. This is a true B-Side, and the beginning of Affleck's now-infamous lost half-decade as a fledgling movie star. For Mission: Impossible III, we return to television inspiration. In honor of director J.J. Abrams, Conor and I go long on No Man's Land, one of the first produced screenwriting credits of Dick Wolf, who would go on to create the, ahem, Law & Order universe of shows. This Charlie Sheen/ D.B Sweeney vehicle walked so Point Break and The Fast and the Furious could run. There's chatter about David Ayer, that scene from Fire in the Sky, and how Charlie Sheen is always better when he plays the villain. For Ghost Protocol, we debate the Brad Bird B-Side Tomorrowland. We discuss libertarianism (for like two minutes) and the misbegotten message of the George Clooney blockbuster. For Rogue Nation we honor the Hitchcock homage of the opening and discuss one of Hitch's most underrated films: Topaz. Truly a can't-miss picture, which spurns a talk about the ideal Hitchcock leading man. For Fallout, there's Michael Mann's Blackhat. We appreciate the still underseen hacker epic, and make the claim that Chris Hemsworth is the best movie star of the original Avengers (Marvel this time, not British) not named Robert Downey Jr. For Dead Reckoning Part 1, Conor goes long on Hayao Miyazaki's Lupin III: The Castle of Cagliostro, from the little yellow car to the action to the animation. And, finally, for The Final Reckoning, we celebrate John Sturges' Ice Station Zebra. The second act of the final film in the series is a reimagining of sorts of the 1968 submarine epic, with way more stunts and underwater photography. There's also mention of the Billy Crystal 1997 Oscars opening, this lovely promo for the Albert Brooks movie Mother (ok it's not mentioned I just love it), and the Oliver Stone episode of the Light the Fuse podcast.
Welcome to The B-Side! Here we sometimes talk about movie stars! We sometimes talk about movie directors! Today, we talk about both! Specifically, the B-Sides of the Mission: Impossible franchise. It's just Dan and Conor today folks, waxing poetic on Tom Cruise's legendary franchise and the B-Sides that we were inspired to discuss. We've chosen one for each of the Mission movies. It's also July 3rd on the day this episode is published, so happy 63rd birthday Tom Cruise! For the first Mission: Impossible, we speak on The Avengers from 1998. An adaptation of the popular British television series from the ‘60s, director Jeremiah S. Chechik's film was dismantled in post-production, slashed to ribbons following bad test screenings. The final product runs well under ninety minutes and is hard to understand. It sits on the other end of blockbusters in the ‘90s adapted from hit televisions from yesteryear. We also discuss the last five films Sean Connery made (animated film Sir Billi not included), as well as the ones he turned down. For Mission: Impossible II, we chose another John Woo American motion picture: Paycheck, starring Ben Affleck and The Avengers star Uma Thurman. This is a true B-Side, and the beginning of Affleck's now-infamous lost half-decade as a fledgling movie star. For Mission: Impossible III, we return to television inspiration. In honor of director J.J. Abrams, Conor and I go long on No Man's Land, one of the first produced screenwriting credits of Dick Wolf, who would go on to create the, ahem, Law & Order universe of shows. This Charlie Sheen/ D.B Sweeney vehicle walked so Point Break and The Fast and the Furious could run. There's chatter about David Ayer, that scene from Fire in the Sky, and how Charlie Sheen is always better when he plays the villain. For Ghost Protocol, we debate the Brad Bird B-Side Tomorrowland. We discuss libertarianism (for like two minutes) and the misbegotten message of the George Clooney blockbuster. For Rogue Nation we honor the Hitchcock homage of the opening and discuss one of Hitch's most underrated films: Topaz. Truly a can't-miss picture, which spurns a talk about the ideal Hitchcock leading man. For Fallout, there's Michael Mann's Blackhat. We appreciate the still underseen hacker epic, and make the claim that Chris Hemsworth is the best movie star of the original Avengers (Marvel this time, not British) not named Robert Downey Jr. For Dead Reckoning Part 1, Conor goes long on Hayao Miyazaki's Lupin III: The Castle of Cagliostro, from the little yellow car to the action to the animation. And, finally, for The Final Reckoning, we celebrate John Sturges' Ice Station Zebra. The second act of the final film in the series is a reimagining of sorts of the 1968 submarine epic, with way more stunts and underwater photography. There's also mention of the Billy Crystal 1997 Oscars opening, this lovely promo for the Albert Brooks movie Mother (ok it's not mentioned I just love it), and the Oliver Stone episode of the Light the Fuse podcast. Listen here and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!
Mr. X (Donald Sutherland) in the movie JFK by Oliver Stone was based off of the military career of Col. L. Fletcher Prouty. Prouty's military career started before Pearl Harbour, where he was assigned as a Horse Cavalryman. After horses were replaced with tanks in 1941, Prouty joined the Tank Corps under General Creighton Abrams. Abrams went on to be the Senior Military officer in Vietnam during the Vietnam War from 1968-1972. Already a licensed pilot in the Tank Corp, the Air Force recruited Prouty; he transferred quickly to flight school in Africa. Prouty served in the Africa Middle East wing of the Air Transport Command. Prouty being sent to the Cairo Conference in 1943 was the start of Prouty's career with clandestine operations. The Cairo Conference was attended by Churchill, Roosevelt & Chiang Kai-Shek from China. From there, Prouty was sent directly to the Tehran Conference between Churchill, Roosevelt & Stalin met for the 1st time. Why haven't historians been told that Chiang Kai-Shek was ALSO at the Tehran Conference? Prouty knows Chiang Kai-Shek attended the Tehran Conference because he was the pilot that flew him there. A friend of Prouty's was the pilot who flew Elliot Roosevelt to the same Tehran Conference in 1943. After the conferences Prouty was sent to Pacific, flying heavy transport, mostly patients to the hospital, until the war ended. The unit Prouty was flying in was asked to fly immediately into Japan once the war was over in August 1945. The only air base that the US hadn't bombed in anticipation of invading was the major underground Japanese base at Atsugi. The CIA utilized the Atsugi base, where men like Lee Harvey Oswald were later stationed. When Prouty flew back to Okinawa he noticed a huge stockpile of military equipment being loaded onto US ships. The Harbour Master told Prouty the equipment was being sent to Vietnam and Korea. Who had given the orders for the relocation of the military equipment? How early were plans made to invade Vietnam? Prouty was ordered by the Army to report to Yale University to help start a new aviation program. Prouty taught at Yale for three years before being sent to NY to write a text book on Aeronautics for the US Army. After publishing the first text book, Prouty was asked to write another book on rockets and missiles. Given full authority by the government to go anywhere, and interview anyone, Prouty interviewed Werner Von Braun. Von Braun explained to Prouty in 1949 how he would land a rocket on the moon. After helping to set up the NORAD operation in Colorado Springs, after a year Prouty was sent to Tokyo. While the US was an occupation force in Japan, the US military ran the country while Japan was rebuilt. Tokyo had been completely devastated. Prouty was installed as the airport manager for the International Tokyo Airport. Prouty had never seen anywhere as destroyed as Tokyo was by the end of the war. In the Korean war period, after the airport was given back to the Japanese, Prouty helped fly supplies to Lansdale. In 1952-1953 CIA's Edward G. Lansdale built up a covert army in the Philippines under the leadership of Ramon Magsaysay. President Quirino had been the leader of the Philippine government before Magsaysay was installed in 1953. In 1955 Prouty was sent back to US to attend the Armed Forces Staff College run by the Joints Chiefs of Staff. Prouty was then brought into the Pentagon. In 1955 under Eisenhower, CIA would get assistance and funds from military conduits to support their covert operations. In order to enable this plan, an office and system had to be created to handle this global operation. As Chief of Special Operations for the Air Force, Prouty was given the task of heading and creating the office and system. Lansdale was also in the Pentagon at this time, developing programs which later turned into the Special Forces.
How We Seeez It! Episode 291 The Doors (1991) “This is the strangest life I've ever known.” Jim Morrison. In the Docudrama genre we get a look at the past that might have actually been or a could have happened. Depending on the writer, director, and actors we get a look into who someone might have been. I the case of this movie Val Kilmer becomes Jim Morrison of the Doors. Not just playing the man but enough that he can sing the songs at level that some might never know which is Jim and which is Val. Along with the rest of the story that Oliver Stone wanted to tell of the Doors, maybe not what the other members of the band might have wanted to be told. We cover our thoughts on it and there is so much to talk about in this one, so join us for the discussion and don't forget about our cocktails for this episode. There should be some good ones. As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps. Drinks for the episode: “The Eagle's Drink” A cocktail inspired by The Lost Writings of Jim Morrison: "Bourbon is a wicked brew, recalling courage milk, refined poison of cockroach & tree-bark, leaves & fly-wings scraped from the land, a thick film; menstrual fluids no doubt add their splendour. It is the eagle's drink." 2 oz Heaven's Door Revival Bourbon ½ oz Cynar ½ oz Blood orange juice ¼ oz Amontillado sherry ½ oz 2:1 Turbinado syrup 1 egg white 4 drops Peychaud's bitters “Riders on the dark and stormy” 1.5 oz kraken gold spiced rum 1.5 oz Black Strap Rum 1 oz lime infused simple syrup Topped with Ginger Beer Show links: HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !! You can also email the Podcast at the.HWSI.podcast@gmail.com
In this episode, we take a deep dive into Oliver Stone's powerful 1989 biographical drama Born on the Fourth of July, starring Tom Cruise in a career-defining role as Vietnam veteran Ron Kovic. We explore how the film portrays Kovic's journey from idealistic youth and proud Marine to paralyzed anti-war activist, examining its raw depiction of trauma, disillusionment, and the cost of blind patriotism.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.
If the American dream died in Dealey Plaza on November 22, 1963, then who killed it? According to the crime novelist Terrence McCauley, the JFK assassination was carried out by organized crime. That's the heart of his new novel, Twilight Town, in which McCauley reexamines the JFK assassination in Dallas. But this wasn't Oliver Stone style CIA or shadowy government conspirators, pulling well-oiled strings from their deep state offices. Instead, McCauley argues it was something far more mundane yet chilling: a street-level contract hit executed by mob-connected criminals with intelligence ties. These were the same underworld figures who ran guns to Cuba, operated training camps for Bay of Pigs veterans, and had both the means and motive to eliminate a President they saw as soft on communism and hard on organized crime. In McCauley's vision, America's Camelot ended not through some grand operatic conspiracy, but through the banal efficiency of professional killers.1. The JFK Assassination Was a "Street Crime," Not a High-Level Government Plot "I approach it as the way I thought it was. And that is a contract hit and a street crime, which is ultimately what happened on the streets of Dallas that morning." McCauley argues the assassination was carried out by mob-connected criminals with intelligence ties, not CIA masterminds in smoke-filled rooms.2. Only a Small Group Knew the Full Plan "I think maybe 10 or 20 at the most who knew all the details and much fewer than that who knew exactly what was going to happen and when." McCauley believes the conspiracy was deliberately kept small, citing FBI recordings of Joseph Milteer who said such operations only work with minimal participants.3. Lee Harvey Oswald Didn't Pull the Trigger "I never was able to put a gun in Oswald's hands that day... I don't think he did. No, I think he was involved with the people who did." McCauley argues Oswald was connected to the plotters but wasn't the actual shooter, pointing to inconclusive gunpowder residue tests.4. The Assassination Marked "The End of American Innocence" "It was certainly the end of American innocence, where we thought we were always the good guys, where we were the liberators, and where we were one hope of the world against the ongoing threat of communism." McCauley sees November 22, 1963, as the moment America lost its post-WWII optimism.5. The Cover-Up Happened Because Intelligence Agencies Recognized Their Own Assets "The coverup happened because these organizations looked into it. They realized, well, so-and-so could have this off, and we worked with them for 10 years, let's back away from that." McCauley suggests the cover-up wasn't planned but emerged when agencies discovered their own connected operatives were involved.The American Dream has more lives than cats. It was supposed to have died in November 1963 in Dallas, then in 1968 with the assassinations of MLK and RFK, then in the Fall of Saigon, then at the Watergate Building, then at the Twin Towers on 9/11. And then, of course, there is Trump, who is supposed to have slain the American Dream not once but twice. And yet today, a couple of days before Independence Day, my sense is that the Dream is alive all over America. The promise of individual agency continues to inspire new generations of both native and immigrant Americans. JFK might be gone, but the Dream remains the defining quality of the American experience. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Talking Trash is a show to discuss movies that some people deem to be garbage, mediocre or just one that people never knew existed, we talk through the plot in spoiler fashion while asking "is this a bad movie?" And if not "what is the worst movie ever made?"It's July, and we've been tasked with exploring the bad sub genre of horror that is KILLER BODY PARTS, by friend of the show Bec over on Instagram @This.girl.loves.horror First up is Oliver Stones early horror film "The Hand". A movie about a pissed off comic book artist, played by Michael Caine, who loses a hand but gains a killer severed one. Its that crazy. Come listen to us discuss this wonky flick. Music by Karl Casey @whitebataudio on Instagram and YouTube.You can find us on Instagram @justanothermovienight and @thecraftymisfitNew episode every Tuesday.Thanks for listening! We appreciate you.
This episode is sponsored by AlixPartners The Disruption Matters special podcast miniseries is back for its fourth season, and this year, leading industry experts will discuss how private markets can deliver “weatherproof growth”, despite the headwinds of a tech revolution, geopolitics and volatile global markets. In this second episode, we focus on how best to assess, manage and, where necessary, recruit leaders capable of delivering growth in the face of such macroeconomic uncertainty. We learn about the very special “PhDs” that are fit for the moment, how technology can help with such a task, and how analog issues still matter most when it comes to leadership. Guests include Ted Bililies, global co-leader of transformative leadership at AlixPartners; Jason McDannold, Americas co-leader of private equity at AlixPartners; Hoyoung Pak, global co-leader, AI and data at AlixPartners; Allison Walker, head of talent for FTV Capital; Tyler Wolfram, managing partner of Oak Hill Capital Partners; Ditte Marstrand Wulf, head of leadership and culture at Triton; Andrew Weinberg, founder, CEO and co-chair of Brightstar Capital Partners; and Erik Brooks, founder and managing partner of Ethos Capital. For further reading on this show's topics: Transformative Leadership: What it is and why it matters The Golden Age Of AI Experimentation For CEOs | AlixPartners (part one of two) AI Alone Won't See Companies Succeed: Leadership Will | AlixPartners (part two of two) Clips Any Given Sunday, Oliver Stone, Warner Bros. Patton, Franklin J Schaffner, 20th Century Fox Stand and Deliver, Ramón Menéndez, Warner Bros.
So who killed JFK? We still don't know, but we're concluding our series on DeLillo's conspiratorial history with Episode 27: Libra (3). This episode begins by focusing on the unexpected injection of humor and depth that comes with Jack Ruby, another reluctant shooter, in the novel's second part. We draw into this episode some comparisons of Libra to other artists' paranoid visions of conspiracy, including Oliver Stone, Norman Mailer, and Thomas Pynchon. We spend ample time on the newspaper-clipping and TV-watching of CIA wife Beryl Parmenter, one of several figures here who make Libra a canny narrative of media and information history. And we close with detailed debate and speculation about why DeLillo's concluding “Author's Note” – with its powerful notion that “readers may find refuge here” – has changed over the years. Like Nicholas Branch, we're overwhelmed by all that still could be said about Libra (and we may still say it in a future episode!), but we conclude our three-part analysis here. References and corrections for this episode: “Don DeLillo: The Word, the Image, and the Gun.” BBC Documentary, September 27, 1991. https://www.youtube.com/watch?v=0DTePKA1wgc Sigmund Freud, “Mourning and Melancholia.” chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.sas.upenn.edu/~cavitch/pdf-library/Freud_MourningAndMelancholia.pdf JFK (dir. Oliver Stone, 1991). Frank Lentricchia, “Libra as Postmodern Critique.” In Frank Lentricchia, ed., Introducing Don DeLillo (Durham, NC: Duke U. Press, 1991), 193-215. George F. Will, “Shallow Look at the Mind of an Assassin.” Washington Post, September 22, 1988. Correction and references on Carmine Latta and Sam Giancana: DeLillo's character Carmine Latta is indeed based on Carlos Marcello (https://en.wikipedia.org/wiki/Carlos_Marcello), but we misstate the name of mobster Sam Giancana (https://en.wikipedia.org/wiki/Sam_Giancana). Interlude clips include the voices of Jack Ruby and Marguerite Oswald.
Love beats the demon. This week Jack and Corey are joined by author/filmmaker Andrew Schrader (Unnamable, The Age of Reason) to talk Oliver Stone's maximalist horror satire NATURAL BORN KILLERS (1994)! The three talk 1994, serial killer epics, playing football with Tom Sizemore, Halloween costumes, writing books, media's obsession with true crime, Quentin Tarantino's feuds, Oliver Stone's cocaine style, Robert Downey Jr.'s Australian accent, Juliet Lewis' muscles, Tommy Lee Jones' campy acting, Woody Harrelson's killer dad, Trent Reznor's soundtrack credit, copy cat crimes, prison riots and Key Lime Pie.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.
Val Kilmer played Jim Morrison in 1991's The Doors to great acclaim but was, alas, snubbed by the Academy. People are strange, eh? Yes, the movie's release was attacked by fans and former band members of The Doors for its alleged inaccuracies and exaggerations. But now, years later, were movie audiences just riders on the storm of bad press? Upon rewatch, does the Oliver Stone movie provide some truth among the spectacle? And was Meg Ryan the best choice for Pam? The Old Roommates attempt to light your fire with a revisit through their middle-aged lens. Join us for a sobering chat and a wild time.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#TheDoors #JimMorrison #ValKilmer #MegRyan #KathleenQuinlan #KyleMcLachlan
5/28/25 - Hour 2 Rich and the guys react to Hall of Fame QB Terry Bradshaw blasting the Steelers for pursuing Aaron Rodgers. Director/actress Elizabeth Banks joins Rich in-studio to discuss her new ‘The Better Sister' Amazon Prime Video series co-starring Jessica Biel, making ‘Pitch Perfect 2' with members of the Green Bay Packers, and talks '40-Year-Old Virgin,' ‘Hunger Games,' ‘Cocaine Bear,' ‘Wet Hot American Summer,' the time Val Kilmer and 50 Cent rolled up to the set of Oliver Stone's ‘W' set in a convertible Bentley, and more in a round of ‘Celebrity True or False.' The guys reveal which NFL and MLB teams they would root for if they had to give up cheering for their current favorites. Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices
Katie speaks to filmmaker Oliver Stone and author and JFK researcher Jim DiEugenio about the JFK files. Then she speaks to author and journalist Nick Bryant who published Epstein's black book about Epstein and Epstein victim Virginia Giuffre, who died by suicide last month. Finally, Katie plays a clip of Gabor Maté talking about surviving the Holocaust and the genocide in Gaza. The clip comes from a talk he gave in New York City on May 3. For the full discussion with Nick Bryant, please join us on Patreon at - https://www.patreon.com/posts/patreon-nick-128330783 Oliver Stone is an Award-winning director, producer, screenwriter whose films include , Snowden, Savages, Untold History, Platoon, Wall Street, JFK and the documentary JFK Revisited. He is the author of Chasing the Light. Jim DiEugenio is a researcher and writer who focuses on the political assassinations of the 1960s, including the killing of JFK. He is the author of two books, Destiny Betrayed (1992/2012) and The JFK Assassination: The Evidence Today (2018), co-author of The Assassinations, and co-edited Probe Magazine (1993-2000). Nick Bryant is a journalist, author and activist. Nick published Jeffrey Epstein's black book in 2015 and is the founder of Epstein Justice, which you can find at https://epsteinjustice.com/. Nick is also the author of "The Franklin Scandal: A Story of Powerbrokers, Child Abuse, and Betrayal" and "The Truth About Watergate: A Tale of Extraordinary Lies and Liars." Gabor Maté is an internationally renowned speaker with expertise on addiction, trauma, childhood development, and the relationship of stress and illness. For his groundbreaking medical work and writing he has been awarded the Order of Canada, his country's highest civilian distinction, and the Civic Merit Award from his hometown, Vancouver. His books include "In the Realm of Hungry Ghosts: Close Encounters With Addiction"; "When the Body Says No; The Cost of Hidden Stress"; "Scattered Minds: The Origins and Healing of Attention Deficit Disorder"; and most recently, "The Myth of Normal: Trauma, Illness & Healing in a Toxic Culture." He is also an outspoken advocate for Palestinian rights and critic of Israel. He and his parents survived the Holocaust but his grandparents were killed. As he relates in this clip, his mother handed him of to a Christian woman who was a complete stranger on the street in Budapest. She asked the stranger to bring him to other family members who lived in relative safety. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram https://www.instagram.com/kthalps/