Podcast appearances and mentions of Peter Eisenman

The American architect, known for challenging the idea of form, reflects on his life and the experiences that shape his work, from his days as a lieutenant in the Korean War to his time studying in Europe. He founded the Institute for Architecture and Urban Studies and is the author of several books on architecture and design, including Lateness. Peter Eisenman spoke with Eleanor Wachtel in 2011.

Welcome to USModernist Radio, where we talk and laugh with people who enjoy, own, create, dream about, preserve, love, and hate Modernist architecture, the most exciting and controversial buildings in the world. It's especially exciting in New York City, which punches way above its weight in architecture and architects, and today we'll talk with three from that city, Peter Eisenman, Esther Sperber, and Richard Olcott. 

Explore Marlon Blackwell's architectural journey, from childhood explorations near the Everglades to a career of merging art and design. His interdisciplinary approach, shaped by nature and storytelling, enriches innovative designs resonating on multiple levels. Marlon's wife Meryati Johari Blackwell and cameo appearance of Michael Malone all discuss the insights into urban versus natural settings and collaborative problem-solving in projects like the Lamplighter. Dive into the significance of liminal spaces and ecological design, fostering seamless educational environments. Delve into the collaborative design process and the profound impact of light on space. Lastly, ponder their hypothetical final projects, one envisioning a house as a culmination of architectural essence, the other contemplating a studio at nature's edge, embracing creativity beyond formal practice.Marlon Blackwell, FAIA, is a prominent architect based in Fayetteville, Arkansas, and holds the E. Fay Jones Distinguished Professorship at the University of Arkansas. He oversees all aspects of design, from inception to completion, at Marlon Blackwell Architects, fostering close client relationships and ensuring project success. His firm has earned numerous accolades, including the 2016 Cooper Hewitt National Design Award and top rankings in the Architect 50 survey. Marlon's contributions to architecture have been celebrated with prestigious honours such as the 2020 AIA Gold Medal. He is also recognized for his excellence in education, having been named the 2020 SEC Professor of The Year and honoured as one of Design Intelligence magazine's "30 Most Admired Educators" in 2015. Throughout his career, Marlon has held various esteemed academic positions and collaborated with renowned architects like Peter Eisenman and Julie Snow.Meryati Blackwell, AIA, ASID, LEED AP, is a Principal and Director of Interiors at Marlon Blackwell Architects. Meryati has been a guiding force in the growth of MBA, helping to transform the firm from a sole proprietorship to the thriving international practice it is today. She continues to work closely with Marlon and project teams to deliver thoughtful and award-winning designs that are both sensual and sensible. Hosted on Acast. See acast.com/privacy for more information.

In the 9th episode of Architecture Talks, I have the pleasure of welcoming New York-based architect Andre Kikoski. Andre is the founder and CEO of Andre Kikoski Architect, a boutique firm with a global portfolio spanning skyscrapers, oceanfront estates, and even a restaurant within the Guggenheim. His distinctive approach to architecture involves drawing upon memories and embracing an open mindset to innovate design solutions. With early career collaborations with influential architects like Peter Eisenman, I.M. Pei, and Henry Cobb, Andre's experiences are truly exceptional.In the episode, we discuss the 75 Kenmare and The Wright at the Guggenheim Museum. Follow us on Instagram under the name Architecture.Talk to get a visual experience of our conversation. Hosted on Acast. See acast.com/privacy for more information.

Episode No. 600 features artist Anna Tsouhlarakis and curator Michael Hartman. Anna Tsouhlarakis is in several exhibitions around the United States. A solo presentation of her "The Native Guide Project" (2019-present) is at the Wexner Center for the Arts at The Ohio State University through July 9. The indoor-outdoor exhibition presents the Wexner's commissioning of "The Native Guide Project: Columbus," which includes boldface phrases such as "I LIKE HOW YOU SEE NATIVE AMERICANS AS YOUR INTELLECTUAL EQUAL" both within and around the Wexner's famed Peter Eisenman-designed building. The presentation was curated by Kelly Kivland with Bethani Blake. Tsouhlarakis is among the artists included in the second edition of the St. Louis triennial Counterpublic, which weaves contemporary art into the fabric of St. Louis. Counterpublic's curatorial ensemble included Allison Glenn, Diya Vij, NEw Red Order, and Risa Puleo. Counterpublic is on view through July 15. At the Scottsdale Museum of Art through August 27, Tsouhlarakis is in "Language in Times of Miscommunication," an exhibition of artworks that use language to critically examine the complexities of social reality. It was curated by Lauren R. O'Connell with Keshia Turley. Next month the Museum of Contemporary Art Denver will present a survey of Tsouhlarakis's Indigenous Absurdities sculptures which center Indigenous knowledge and systems as ways of teaching starting points. Curated by Leilani Lynch, the exhibition will be on view from June 14 to September 10. Tsouhlarakis, who is Navajo, Creek and Greek, often challenges and stretches the aesthetic and conceptual boundaries of Native art, often with humor and even sarcasm. Michael Hartman discusses "Historical Imaginary," at the Hood Museum of Art at Dartmouth College. The exhibition pairs an unfinished study for Emanuel Leutze's Washington Crossing the Delaware with other works to explore how artists have constructed American memory. It's on view through November 11.

In Episode 16 of Season 2 of A is for Architecture, I speak with Gevork Hartoonian, Professor of the History and Theory of Architecture at the University of Canberra, Australia, about his 2012 book, Architecture and Spectacle: A Critique, published by Routledge. The issue of the architectural spectacle has perhaps been the dominant idea in urban and architectural thinking for the last two or three decades, most explicitly seen in Frank Gehry's Guggenheim Museum at Bilbao, a model of design that has been replicated globally since that building's opening, but permeating design education and practice almost everywhere, in the near universal pursuit of spectacular solutions to the postmodern urban condition. Gevork's book discusses this phenomenon, ‘[f]ocusing on six leading contemporary architects: Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Holl' and putting forward ‘a unique and insightful analysis of "neo-avant-garde" architecture [and] discusses the spectacle and excess which permeates contemporary architecture in reference to the present aesthetic tendency for image making, but [also] by applying the tectonic of theatricality discussed by the 19th-century German architect Gottfried Semper. In doing so, it breaks new ground by opening up a dialogue between the study of the past and the design of the present.' Gevork's professional profile is linked above, he's on LinkedIn here too, and his Instagram can be found here. There's a great wee critique by Gevork on Zaha Hadid on The Charnel House here. There's a serious academic piece by Gevork in the Journal of Architecture (v7/ 2 2002), on the merits of Gehry too: Frank Gehry: roofing, wrapping, and wrapping the roof. Happy listening! + + + + + + + + + + + + + + + Music credits: Bruno Gillick + + + + + + + + + + + + + + + aisforarchitecture.org Apple: podcasts.apple.com Spotify: open.spotify.com Google: podcasts.google.com Amazon: music.amazon.co.uk

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO's influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building's visual style, function with its stated purpose—and constrain architecture's possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant's dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO's influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building's visual style, function with its stated purpose—and constrain architecture's possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant's dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO's influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building's visual style, function with its stated purpose—and constrain architecture's possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant's dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO's influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building's visual style, function with its stated purpose—and constrain architecture's possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant's dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Corrente architettonica che è caratterizzata da forme che rompono le tradizione di una architettura razionalista. L'inizio si può considerare nel 1988 con la mosta “Deconstructivist Architecture” a New York quando furono esposti progetti di Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Bernard Tschumi e del gruppo Coop Himmelb(l)au.

Schneider, Annewww.deutschlandfunkkultur.de, Studio 9Direkter Link zur Audiodatei

Peter Eisenman gehört zu den großen internationalen Stararchitekten. Jetzt wird er 90 Jahre alt. In Berlin hat er das Holocaust-Mahnmal entworfen - ein Stelenfeld, über das vor seiner Errichtung heftig debattiert wurde. Inzwischen ist es eine Touristenattraktion. Was Peter Eisenman mit dem Mahnmal wollte und was ihn als Architekten ausmacht, darüber sprechen wir mit unserem Architekturkritiker Nikolaus Bernau.

Torkar, Felixwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

„Eisenman war für Generationen von Architekten seit den 1970er Jahren eine ganz zentrale Figur,“ sagt Nikolaus Bernau. Architektur müsse laut Eisenman einem breiten Publikum etwas vermitteln, was es sonst nirgendwo sehen könne. So wie bei Eisenmans weltweit bekanntestem Bauwerk, dem Holocaust-Mahnmal in Berlin. Architekturkritiker Bernau weiter: „Er hat sie nie auf eine Interpretation des Mahnmals festlegen lassen.“ Ob es an einen Friedhof erinnere oder an die Megalith-Komplexe in der Bretagne – Eisenman habe alle Deutungen zugelassen. Mehr Theoretiker als Bauherr hat Eisenman seine Ansichten vor allem in Schriften und Vorträgen zur Diskussion gestellt. Wie anregend diese sind, zeige sich laut Nikolaus Bernau auch daran, dass nach 20 Jahren nach wie vor über das Holocaust-Mahnmal diskutiert werde.

Parc de la Villette was emblematic of the strong ties made between the disciplines of architecture and philosophy in the1980's, where “Deconstructivism” in particular became a theoretical framework through which buildings and landscapes were both designed and interpreted. Visual fragmentation and conceptual links to semiotic analysis characterised this period of architecture, and originating in projects such as Chora L. Works. A collaboration between Peter Eisenman and Jaques Derrida, the unrealised Chora project was intended to stand within the Parc de la Villette complex as an ode to a dialogue between architecture and philosophy. In light of such pressing issues as climate change, decolonisation and spatial inequality, the formal experimentation and philosophical inquiry of Chora L Works can appear abstract and disengaged; In this episode Andre Patrao reflects on this period of recent architectural history and what can we learn from it.Power & Public Space is a co-production of Drawing Matter & the Architecture Foundation See acast.com/privacy for privacy and opt-out information.

Andre Kikoski, "Row Twice As Hard", Principal at Andre Kikoski Architect shares his story on Global Luxury Real Estate Mastermind with Michael Valdes Podcast #198 Andre Kikoski is one of the most respected and accomplished global architects. He has won over 40 international design awards and has been featured in over 1,000 articles in over 30 countries. His design aesthetic is singular and epic. More About Andre Kikoski:  Andre Kikoski, AIA, LEED AP, is the founding principal of Andre Kikoski Architect -- an internationally renowned firm that consistently creates compelling design in a variety of social and cultural contexts. The firm's diverse portfolio includes iconic cultural, residential, hospitality and retail projects for accomplished entrepreneurs, industry leaders, and taste-makers including The Guggenheim Museum, The Related Companies at Hudson Yards, The Howard Hughes Corporation, The Kohler Companies, Ligne Roset, Saks Fifth Avenue, Swarovski Crystal, and most recently DHA Capital at 75 Kenmare Street.  Grounded by enduring architectural principles and driven by innovation, the firm is currently engaged in projects are located throughout North America, Asia and Europe.  Andre Kikoski Architect's fastidious approach produces architecture that unifies people by engaging their memory, activating their senses and creating emotional connection points.  The Wright at the Guggenheim is a unique place to converge in and around art, literally weaving artistry into the very fabric of design. One Hudson Yards features amenities and residences that provide comfort and conviviality, condensing the social landscape of an entire neighborhood inside a single new building.  75 Kenmare's handcrafted cast concrete exterior elevates a common building material to create inspired architecture for the benefit of residents and the community alike. Whether designing a building, an interior, or anything in between, the firm's mission is to provide places for people to come together and create community.    A recipient of the American Institute of Architect's Institute Honor Award, Andre Kikoski Architect has garnered over 44 international design awards and is featured in over 1,000 publications across 30 countries.  A frequent lecturer in Asia, Europe and North and South America, Andre received his Master's degree in Architecture at Harvard University, where he earned Distinctions for Innovation in Design and Technology, and is a Trustee of the Van Alen Institute and Alumni Council Emeritus at the Harvard University Graduate School of Design. Prior to founding the firm, Andre trained in the offices of I. M. Pei, Richard Meier, and Peter Eisenman. About Michael Valdes:  Michael Valdes is the President of eXp Global. He is currently the only Latino President of a publicly traded real estate company in the country (Nasdaq: EXPI). In his first year of joining, he has led a team that has opened 12 countries in 12 months without ever getting on a plane which is a feat that has never been done in the industry. This model has successfully touched the lives of thousands of people across the globe and given them an opportunity to change their lives. Michael was the former Senior Vice President of Global Servicing for Realogy Corporation. In that role he oversaw the international servicing platform for all Realogy brands including Century 21, Coldwell Banker, ERA, Better Homes & Garden, Corcoran, Climb and Sotheby's International Realty in 113 countries. He had been with Realogy in a variety of roles for 15 years. Prior to that, Mr. Valdes was Director of Private Banking at Deutsche Bank for a decade where he oversaw a book of business of just under $1 billion. He has the distinction of being the first Director in the United States of Latino descent. Mr. Valdes is the Chair of the AREAA Global Advisory Board and co-host of the 2020 AREAA Global Luxury Summit. He is also a current member of the NAHREP Corporate Board of Governors. Additionally, he is a the Executive Chair of eXp Latino and former member of the Realogy Diversity Board as well as the Executive Chair of the ONE VOZ, Hispanic ERG. He is a former Board Member of Mount Sinai Hospital in Miami Beach as well as the Shanti Organization in San Francisco. Michael was also a Board Member of Pink & Blue for 2, an organization started by Olivia Newton-John to promote breast and prostate cancer awareness. Michael is also the host of "The Global Luxury Real Estate Mastermind" podcast which focuses on interviewing global leaders in the industry. It is currently distributed in over 90 countries and has over 10 million impressions. He is also a current member of the Forbes Real Estate Advisory Council. He currently resides in New York City and has a home in Miami.

This week features a conversation between C-3 Board member Francesca Redetzke and architect, designer, and San Diego State University lecturer Jim Brown. They speak about Jim's approach to design, how architecture has changed in recent decades, and insights into the San Diego design and architecture scene. They also explore Friendship Park and the shared art and design culture of San Diego and Tijuana, which is featured prominently in Jim's Logan Heights Artists' Workspace Bread & Salt.   Timestamps: [1:19] Francesca introduces architect, designer, and San Diego State University lecturer Jim Brown, who recounts the Romeo and Juliet project that he worked on with Peter Eisenman. [5:56] Workflow differences between riffing on 3D and physical models may not be that significant after all. [8:35] The meditative process that comes with physically creating a model opens up possibilities for the next discoveries to be made. [12:13] Jim's “disaster” experience with entering the field of architecture was set right with good mentors. [14:57] The value systems in San Diego are illustrated in Ted Smith's GoHome project and Jim's early career endeavors. [20:48] Jim met his wife while working as a furniture maker, and paid her for some extra materials by taking her out to dinner. [24:05] The warm and authentic trademark of Jim's style makes it easy to spot throughout San Diego. He reflects on his inspiration from Ted Smith, Peter Eisenman, Rob Quigley and the transformation of his design thought processes. [32:16] The essential role of collaboration and design in creating a sense of community starts with relinquishing a measure of control to the unknown. [38:10] Early projects helped Jim develop the tools — and social skills — that allow him to now freely accept suggestions from outside influences. [40:07] Bread & Salt illustrates the ways that architecture can be used as a form of art that serves and develops communities. [47:21] The future of San Diego is not in parking lots, it's in creating places for people to gather. Jim isn't afraid to say that he is helping to create the need for public transportation throughout the city. [49:47] San Diego serves as a bi-national area with Tijuana and the art of 100 local artists is on display at Balboa Park and Bread & Salt. [52:45] The Bread & Salt artist and residency program serves four galleries and they have a full year of exhibitions ahead. [53:41] Jim shares his work with and vision for Friendship Park and the upcoming exhibitions that will support the mission of the park. He argues that the best security we can possibly have with Mexico is to be good neighbors.   About C-3 In its 60 years of existence, Citizens Coordinate for Century 3 (C-3) has brought together local thought leaders from planning, design, policy, academia, community development, and more to address our region's distinctive and pressing land use challenges. In founding C-3 almost 60 years ago, architect Lloyd Ruocco's vision was to bring together our region's most creative minds from the arts, sciences, academia, and government to share ideas, learn new perspectives, and build fellowship around the idea of creating livable communities.   Opportunities for Advocacy and Engagement: C3sandiego.org Bread & Salt Bread & Salt Podcast The Red Office GoHome Mujeres Brew House Friendship Park

Versione audio: Il Memoriale per gli ebrei assassinati d’Europa, conosciuto soprattutto come Memoriale dell’Olocausto o Memoriale della Shoah, è un monumento commemorativo che si trova a Berlino, poco lontano dalla Porta di Brandeburgo, in un’area di 19.000 m² originariamente occupata dal palazzo e dalle proprietà del gerarca nazista Joseph Goebbels. Progettato dall’architetto americano, ed ebreo, Peter Eisenman (1932) è concepito […] L'articolo Il Memoriale dell’Olocausto e Yolocaust proviene da Arte Svelata.

"Si Gehry est l'architecte de la présence, sans doute pourrait-on considérer Peter Eisenman comme celui de l'absence. Ses projets dessinés, comme ses maquettes et ses réalisations expérimentales, renoncent obstinément à toute plénitude pour mieux mettre en exergue leurs contradictions. Comme s'ils voulaient se libérer des valeurs transcendantales - fondation, surrection, intériorisation... - auxquelles l'architecture est assujettie depuis son origine... Trames en rotation, strates superposées, cubes évidés et découpés : les formes s'autogénèrent dans une relative indifférence au contexte comme à l'usage. L'acte de construire est assimilé à la production d'un système de traces proche de l'écriture et qui rapproche le rôle de l'architecte de celui de l'essayiste ou du critique. Comme en témoigne sa collaboration avec le philosophe Jacques Derrida pour l'un des jardins thématiques du Parc de la Villette à Paris qui ne verra malheureusement jamais le jour". Richard Scoffier, au Pavillon de l'Arsenal en février 2016. « Traces : Peter Eisenman » est le deuxième chapitre de l'Université Populaire 2016 du Pavillon de l'Arsenal qui poursuit l'interrogation initiée en 2014 sur les différentes« manières pour les architectes de construire des mondes ». Cette saison rassemble quatre figures de l'architecture contemporaine analysées de Richard Scoffier, architecte, philosophe, professeur des Écoles Nationales Supérieures d'Architecture.

Bienvenidos a todos al episodio número 12 de Punto de fuga, mi nombre es Nuria Heras y en el programa de hoy vamos a hablar del Pabellón de España en la Expo de Bruselas de 1958. Proyecto que rompió moldes y arrebato las miradas de la joya arquitectónica de la Feria llamada Atomium y que hasta hace muy poquito se encontraba en total abandono. Sus arquitectos José Antonio Corrales y Ramón Vázquez Molezún fueron un referente en la arquitectura de la post guerra española y promovieron un tipo de arquitectura moderna y fresca en una época de sobriedad y rigidez. Para los que no conozcáis el pabellón acompañarme en este episodio porque este edificio no os dejará indiferentes. Os dejo algunos links qué os pueden resultar interesantes: 1. El Pabellón de los hexágonos de la Expo de Bruselas de 1958 http://www.coam.es/media/Default%20Files/fundacion/biblioteca/revista-arquitectura-100/1946-1958/docs/revista-articulos/revista-nacional-arquitectura-1958-n198-pag01-13.pdf 2. El edificio Seagrams de Mies Van der Rohe – 1958 https://www.metalocus.es/es/noticias/el-edificio-mas-importante-del-milenio-el-seagram 3. Brasilia de Oscar Niemeyer - 1956 – 1960 https://www.architecturaldigest.com/gallery/stunning-modern-architecture-oscar-niemeyer 4. Torres Satélite de Luis Barragán – 1958 https://www.domusweb.it/en/local-editions/central-america-caribbean/architecture/2018/07/04/between-art-and-architecture---torres-de-satlite-1958.html 5. Edificio Johnson Wax se construyó del 1936 al 1939 https://www.scjohnson.com/es/a-family-company/architecture-and-tours/frank-lloyd-wright/designed-to-inspire-sc-johnsons-frank-lloyd-wright-designed-administration-building 6. Atomium https://www.atlasobscura.com/places/the-atomium-brussels-belgium 7. Edificio Phillips. Le Corbusier y Iannis Xenakis https://www.archdaily.com/157658/ad-classics-expo-58-philips-pavilion-le-corbusier-and-iannis-xenakis 8. ¨Poeme electronique¨. Celebración del progreso y critica de bombas atómicas y campos de concentración https://www.youtube.com/watch?v=UWsuDV0KN94 9. Colegio de Salesianos en Herrera del Pisuerga 1954-1959 https://www.stepienybarno.es/blog/2009/09/09/corrales-y-molezun-grupo-escolar-en-herrera-de-pisuerga-1958/ 10. La Casa Huarte en puerta de Hierro 1966 https://www.metalocus.es/es/noticias/una-visita-a-la-casa-huarte-de-corrales-y-molezun 11. Residencia infantil de Miraflores con Alejandro de la Sota 1958 https://www.arquitecturayempresa.es/noticia/de-la-sota-corrales-y-vazquez-molezun-residencia-infantil-en-miraflores 12. Edificio de Bankunion http://hiddenarchitecture.net/bankunion/ 13. Le elogio de la luz #2 https://www.youtube.com/watch?v=rGgWuw0Dmm0 14. El Orfanato de Amsterdam de Aldo Van Eyck Modulos cuadrados 15. El Centro Artesano de Sevres de Candilis, Josic y Wood Modulos cuadrados 16. Homenaje a las victimas del holocausto judío de Berlín – Peter Eisenman - 2005 https://eisenmanarchitects.com/Berlin-Memorial-to-the-Murdered-Jews-of-Europe-2005 17. The Awakening the Álvaro Urbano en la Casa Encendida https://www.youtube.com/watch?v=AMBJYl2PD3k Hasta aquí el episodio de hoy, espero que os haya gustado y mil gracias por estar al otro lado porque sin vosotros ésto no sería posible. Si os ha gustado el episodio agradezco vuestras valoraciones de 5 estrellas en iTunes y vuestros likes en iVoox y Spotify así cómo vuestros comentarios, recomendaciones y preguntas en cualquiera de nuestras redes sociales @punto_d_fuga y/o en mi página web http://www.nuria-heras.com/ Os espero para fugarnos juntos en el siguiente episodio…….Hasta entonces os deseo un muy buen día y mejor inicio de semana!

A great privilege was attained to the highly recognized architectural platform on Instagram, ParametricArchitecture; the founder, Hamid Hassanzadeh interviewed one of New York Five; Peter Eisenman, architect, educator, and founder of Eisenman Architects. Peter Eisenman has been one of architecture’s foremost theorists of recent decades, but also has an apathy for current trends that architects engage in. He is an internationally acknowledged architect and educator whose award-winning large-scale housing and urban design projects, innovative facilities for educational institutions, and series of inventive private houses attest to a career of excellence in design. Eisenman has built little, despite his symbolic influence to the field. The most ground-breaking works include: House VI, the Memorial to the Murdered Jews of Europe, the City of Culture of Galicia and the Wexner Center for the Arts. Please subscribe to PA Talks podcast on Spotify, Apple Podcast, and Google Podcast in order not to miss a single episode. Please share this podcast with the URL. Also you can use #patalks on twitter, Instagram, facebook to give us a feedback about the podcasts. Thank you!

Want to design a libertarian micronation?  Daniela Ghertovici, Founder and Director of ArchAgenda LLC, joins us to discuss the Liberland Design Competition 2020, which she is curating. https://designliberland2020.splashthat.com/ Daniela is also curating the Free Private Cities Architecture Symposium on July 18, 2020. It's a free online event with no less than three former Anarchitecture guests: Patrik Schumacher, Titus Gebel, and Scott Beyer. Register now at https://freeprivatecitiesarchitecture.splashthat.com/ We can't mention Patrik Schumacher without talking about parametricism, which ArchAgenda LLC was established to promote. Patrik is Daniela's PhD advisor, and together with Lars Van Vianen they are launching Parametricism.com Use hashtag #ana031 to reference this episode in a tweet, post, or comment View full show notes at http://anarchitecturepodcast.com/ana031. ----more---- Intro  Liberland "Greenfieldism" (building a new system) as a third alternative to political action (changing an existing system) or agorism (working around an existing system) Discussion ArchAgenda's Mission and Liberland involvement ArchAgenda LLC is a research-based architectural and computational design lab, which aims to advance and promote a new agenda of radical innovation for 21st century architecture and design, known as Parametricism. Daniela's introduction to anarcho-capitalism, libertarianism, and Liberland by Patrik Schumacher (Principal of Zaha Hadid Architects) Liberland Design Competition 2020 What is Liberland? Micronation, established in 2015 by its current president, Vit Jedlicka. Based on the principles of liberty and anarcho- capitalism, powered by a decentralized peer-to-peer computational network (blockchain) Liberland is situated on a territory between Serbia and Croatia, previously a Terra Nillius (no man’s land) which has not been claimed by either country prior to the establishment of Liberland. Liberland encompasses only 7 square kilometers of land along the Danube River, which periodically floods. Geography and history of how Liberland was made possible Goals of the competition Envision how maximum design freedom can result in a complex legible order Ecological sensitivity is of upmost importance A lucid development process for a multi-stage evolution towards a fully functional, architecturally sophisticated, and intelligently adaptive city. Design Parameters Can Liberland’s radical new possibilities for liberty, an unleashed free market economy, and a transparent distributed peer-to-peer computational network (blockchain) stimulate a radical transformation of the built environment? How can maximum design freedom result in a complex legible order? The vitality of a fertile network society is dependent on the presence of three stabilizing factors: the radical autonomy of its constituent agents (liberty), a commitment to unregulated affiliation (free markets), and a transparent distributed peer-to-peer network (blockchain). Patrik Schumacher's Prospective Urban Planning Regimes Sponsored Order: Anticipated Curated Rule-based Self-governed Order Spontaneous Order (Wild Zones) Liberland as a building site Density - Maximum 120,000 residents / 7 square kilometers Earthquake risk A global network of distributed intelligences, and e-residency program Virtual marketplace for architecture Napredak development Napredak is an approximately 5-hectare zone within Apatin, situated approximately 10km south of Liberland along the Danube River where Liberland docks its boats Bitcoin Freedom boat Floating Man festival Design for near-future development Napredak's strategic location Judges ARCHITECT, THEORIST AND EDUCATOR Patrik Schumacher ARCHITECT AND THEORIST Vedran Mimica ARCHITECT Raya Ani, FAIA ARCHITECT Bruno Juricic BLOCKCHAIN EXPERT Jillian Godsil LIBERTARIAN POLICY RESEARCHER Vera Kichanova PHILOSOPHER Garet Crossman ARCHITECT Jan Petrs ARCHITECT Shady Albert Michael Prizes Negotiate a contract with Liberland to further develop a portion of their competition design scheme Liberland "Merits" cryptocurrency towards citizenship Schedule May 16, 2020 - Competition Launch August 16, 2020 - Registration & Questions Deadline October 16, 2020 - Design Submission Deadline November 2020 - Winners Announced Registration Fees Professionals $60, Students with current ID $30. One registration fee per team A 30% discount for professional and student registration will be in effect July 18 - July 25. 2015 Liberland Design Competition The requirement to utilize BLOCKCHAIN as a concept generator and design driver is the most pronounced difference between the 2015 and 2020 Liberland Design Competitions. Blockchain as the 8th mass media A comprehensive information technology for any form of asset registry, inventory, and exchange JOE IS A #NOCOINER Free Private Cities Architecture Symposium - July 18, 2020 SESSION 1: FREEDOM AND URBAN DESIGN Participants: Patrik Schumacher, Titus Gebel, Shajay Bhooshan, Scott Beyer, Vera Kichanova. Discussion will focus on freedom, private cities, charter cities, market urbanism, liquid democracy, economics, markets, distributed intelligence, blockchain powered governance and services, urban and architectural design for free private cities, the migration of architecture to cyberspace, and more. SESSION 2: CITIES AND DIGITAL TRANSFORMATION Participants: Lev Manovich, Philippe Morel, Neil Leach, Sanford Kwinter. Discussion will focus on big data, cultural analytics, planetary scale computation, terraforming, complex epigenetic systems, soft systems, artificial life and intelligence, biology as information theory, virtual reality, augmented reality, internet of things, blockchain, robotics, and more. About ArchAgenda ArchAgenda Debates at the 2015 Chicago Architecture Biennial Patrik Schumacher, Peter Eisenman, Jeffrey Kipnis, Reinier de Graaf, and Theodore Spyropoulos Parametricism as best practice The Cambrian Explosion in architecture after modernism - tension between experimentation and refinement Parametricism.com Publish project imagery and research Foldism, blobism, swarmism, tectonism Architectural Semiology Architecture's tasks: Organization Articulation Phenomenological Articulation Semiological Articulation Agent-based parametric semiology The Migration of Architecture to Cyberspace A/B testing Those kids and their Minecrafts Liberty Minecraft - Diamonds are a libertarian's best friend ArchAgenda Future Plans Liberland Virtual Market - A blockchain powered virtual reality platform for architecture Virtual Symposium at Dutch Design Week in October ArchAgenda Debates at the Chicago Architecture Biennial in October 2021 Year-long series of virtual symposiums, in collaboration with Bruno Juricic  Links/Resources ArchAgenda LLC - https://archagenda.com/about Liberland Design Competition 2020 - https://designliberland2020.splashthat.com/ Free Republic of Liberland - https://liberland.org/en/ Liberland Design Competition 2015 winners - https://liberlandpress.com/2016/05/20/winners-liberlands-architectural-competition/ Free Private Cities Architecture Symposium, July 18 2020 at 9am-2pm EDT (13:00-18:00 GMT). Register at https://freeprivatecitiesarchitecture.splashthat.com/ Guests can only participate in the Q&A via Zoom: Live on ZOOM: https://zoom.us/j/99058462823 Live stream on ARCHAGENDA YouTube Channel: https://www.youtube.com/channel/UCbrjtfQRDE2pL1GAxxyUDIA Live stream on LIBERLAND Facebook Page: https://www.facebook.com/liberland/ Patrik Schumacher's Prospective Urban Planning Regimes - https://liberlandpress.com/2020/02/19/liberlands-prospective-urban-planning-regime/ Parametricism.com ArchAgenda Debates at the 2015 Chicago Architecture Biennial - https://archagenda.com/archagenda-debates Liberty Minecraft - https://www.libertyminecraft.com/ Woulda Coulda Shoulda (The #Nocoiner anthem) by Diametric (Our band) on Spotify Diametric home page - check out all of our tunes for free, with links to various streaming services Episodes Mentioned Patrik Schumacher Series - https://anarchitecturepodcast.com/category/podcast/patrik-schumacher-series/ ana025: Free Private Cities | Titus Gebel Interview - https://anarchitecturepodcast.com/ana025/ ana030: The ABC’s of Market Urbanism | Scott Beyer Interview - https://anarchitecturepodcast.com/ana030/

In our second episode on Christopher Alexander, we discuss 'A Pattern Language', the book he wrote with Murray Silverstein and Sara Ishikawa, published in 1977. The text proposes a list of patterns, derived from experience, imagination and vernacular traditions, from the scale of the city to the balcony and the flowerbed. The text has been influential on many professions, from architects to computer programmers, and its blend of universal claims, spatial analysis, political idiosyncrasy and design logic makes it a unique and intriguing piece of theory. We then discuss some of Alexander's buildings, which we admittedly have not been to visit, but generally we find them to be somewhat wanting! Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Check out our most recent bonus on the debate between Christopher Alexander and Peter Eisenman at Harvard in 1982. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We’re on the web at aboutbuildingsandcities.org This podcast is powered by Pinecast.

Quote ดีๆ จากสถาปนิกชื่อดัง และประวัติของแต่ละท่านทำให้เรารู้ว่ามีความเชื่อมโยงระหว่างสถานศึกษากับการทำงานอย่างไรในยุคต่าง ๆ ของเวลาที่น่าจดจำ Mie van der Rohe, Louis Sullivan, Le Corbusier, Louis Kahn, I.M.Pei, Frank Gehry, Zaha Hadid, Peter Eisenman, Helmut Jahn และ Tadao Ando ถ้าท่านอยากจะให้รีวิวหนังสือเรื่องใด ท่านสามารถเขียน inbox มาที่ https://humancdesign.com --- Send in a voice message: https://anchor.fm/sakol/message

Elisa Iturbe is a critic at the Yale University School of Architecture (YSoA), where she also coordinates the dual-degree program between YSoA and the Yale School of Forestry & Environmental Studies. Her writings have been published in Log, Dearq, and Pulp, in addition to a forthcoming piece in Perspecta. Most recently she guest edited Log 47, titled Overcoming Carbon Form, an issue dedicated to redefining the relationship between architectural form and our dominant energy paradigm. She also co-wrote a book with Peter Eisenman titled Lateness, forthcoming in May 2020. In addition, she teaches studio, formal analysis, and a course on carbon form at the Cooper Union. She is cofounder of Outside Development, an architectural practice.

Ghibah Arsitektur#3 ini akan mengulas lebih lanjut tentang salah satu dari Arsitek yang terhabung dalam Newyork 5 yaitu Peter Eisenman, duo host kita (widi dan rhenaldi) akan mengulas karakter disain, pendekatannya dan serta hal hal lain yang terkait. Selamat mendengarkan!

Dartmouth Films presents, Five Seasons: The Gardens of Piet Oudolf. Directed by Thomas Piper which Premieres in the UK at Picturehouse Central, 13 June 2019. On todays episode Thomas talks with Peter Donegan. The Sodshow is available weekly in iTunes, spotify, Youtube and all good podcast stores.  Five Seasons: The Gardens of Piet Oudolf is an immersion in the life and work of the most influential landscape designer of the last 50 years. Piet is responsible for New York’s High Line and many other iconic urban spaces. Closer home, Piet designed the landscaping for the entire site at Hauser & Wirth Somerset. He is in great demand for his revolutionary ideas of what gardens and public spaces can be, and the impact they can have. More than just a movie for gardeners, Five Seasons changes the way all of us think about and ultimately see beauty itself. The Sodshow: Twitter: @sodshow facebook: The Sodshow instagram: sodshow About Five Seasons: Celebrated by gardeners for his revolutionary designs, by ecologists for his significant contributions to bio-diversity, by horticulturalists and botanists for his unrivalled knowledge of plants, and by the art, design and fashion worlds for his innovative aesthetics, Piet Oudolf has achieved a level of influence and cultural relevance, rarely, if ever, attained by, in his own words, a modest plantsman. Over the course of the documentary, Piet leads filmmaker Thomas Piper and his camera on a wandering journey, visiting many of his iconic works, including his own garden in Holland and the great public works in New York, Chicago, and the UK, as well as far-flung sources of inspiration, from German industrial parks to the deep woods of Pennsylvania, and a Texas wildflower explosion. In between travel, we are afforded an exclusive look at the entire process of creating a garden — from winter studio sketches to foggy spring planting and, finally, a late September opening celebration — all through a single project, what Piet now refers to as his masterpiece, the 7000 square metre public garden for the art gallery, Hauser & Wirth Somerset. With meditative cinematography and intimate conversations, Five Seasons follows Piet over the course of a year, a structure that accentuates the element of time in Piet’s designs. Beginning in late autumn, the remnants of summer opulence in his gardens give way to the ‘skeletons’ and seed heads of winter. With spring, the cycle begins again, through the peak of summer flowers, and by the return of fall, a complex subject has helped us to appreciate his complex work, forever changing the way we see the world around us. Piet Oudolf: Piet Oudolf was born in 1944 in Haarlem, Netherlands. Since 1982, he has lived and worked in Hummelo, a tiny village in east Netherlands, where he started a nursery with his wife Anja, to grow perennials. His garden has since become renowned for its radical approach and ideas about planting design. Oudolf also co-founded Future Plants, a company specialising in selecting, growing, breeding and protecting plants for landscaping and public areas. Oudolf’s recent public projects include No. 5 Culture Chanel, Paris, France; The High Line, New York NY; Lurie Garden, Millennium Park, Chicago IL; Serpentine Gallery, London, England, and the Venice Biennale, Venice, Italy. Oudolf is also a successful author, having co-written numerous books such as; “Planting: A New Perspective” (2013); “Landscape in Landscapes” (2011); “Gardening with Grasses” (1998); “Designing with Plants and Planting Design” (1999); “Dream Plants for the Natural Garden” (2000); “Planting the Natural Garden” (2003), and “Planting Design: Gardens in Time and Space” (2005). In his 35-year career, Oudolf has achieved international acclaim, and has recently been awarded an Honorary Fellowship from RIBA for developing radical ideas in Planting Design (2012) and the Prince Bernhard Cultural Foundation Award (2013). Thomas Piper: Thomas Piper is an award-winning non-fiction filmmaker, specialising in documenting the contemporary arts. He holds the role of Director of Production for Checkerboard Films, and has directed, photographed and edited more than 25 films on contemporary painters, sculptors, photographers, architects, and writers. His 2008 film, Ellsworth Kelly: Fragments, won the Best Film for Television award at the prestigious International Festival of Films on Art (FIFA) in Montreal. As an independent producer, he was commissioned by the Guggenheim Museum to make Art, Architecture, and Innovation: Celebrating the Guggenheim Museum, a documentary marking the 50th anniversary of the Frank Lloyd Wright museum building. He is currently in production on a documentary about the cult architecture firm, Lot-ek. His feature length documentary, Diller Scofidio + Renfro: Reimagining Lincoln Center and the High Line, was broadcast on PBS affiliates around the US, and accepted over 25 festivals around the world. Other subjects have included the artists Sol Lewitt and Kiki Smith, the writer James Salter, the art historian Vincent Scully, the architects Peter Eisenman, Steven Holl, Jean Nouvel and Thom Mayne, and MacArthur “genius” grant winner, Jeanne Gang.

The New Age of TV: Bringing the Look of Cinema to the Small Screen - Sight, Sound & Story: The Art of Cinematography 2018 Moderator: David Leitner (Director, Producer, and Cinematographer) Panelist: Robert McLachlan, ASC, CSC ("Game of Thrones," "Westworld," "Ray Donovan," "The Affair") Meet the Cinematographer who brought some of the most fantastical and gritty moments from "Game of Thrones" to life, Rob McLachlan ASC, CSC. Rob has directed one of the biggest budget episodes of television in history, "The Spoils of War" and one of the most viral moments of modern television "The Red Wedding." Here with David Leitner, Cinematographer of the critically acclaimed "Trembling Before G-d", serving as moderator, Rob dissects his most recent television work. Rob offers his generous insight into the choices behind his camerawork on "Ray Donovan," "WestWorld," and of course, "Game of Thrones." About Robert McLachlan, ASC, CSC: Robert was born in San Francisco. He became involved with photography and film at an early age thanks to an artistic father. Since then, Robert has moved on with unusual ease between television and theatrical films of all sizes. In the process, winning many awards and amassing hundreds of credits including close to 50 Theatrical and television movies; as well as over 550 episodes of Television that include "MacGyver" in the late ’80s and the groundbreaking, "Millennium" in the mid’90ss. Recently he shot what is regarded as the most famous episode of TV ever - best known as “The Red Wedding”, in addition to the biggest episode of TV ever made, "The Spoils of War." Both of these episodes are from the international phenomenon, "Game of Thrones." His other TV credits include "Westworld" for HBO and Showtime’s critically acclaimed, "Ray Donovan." Along the way, he has returned to wearing both Director and cinematographer hats on the movies "The Golden Compass" and "Dragonball Evolution" on their second units and more recently he has directed episodes of "Ray Donovan." About the Moderator: David Leitner is a director, producer, and Emmy-nominated DP (Chuck Close: Portrait in Progress), with over eighty credits in feature-length dramas and documentaries, including eight Sundance Film Festival premieres. These include his own Vienna is Different: 50 Years After the Anchluss, Alan Berliner’s Nobody’s Business, Sandi Dubowski’s Trembling Before G-d, the Oscar-nominated documentary For All Mankind, for which he spent nine months at NASA’s Johnson Space Center restoring original 16mm lunar footage, and Memories of Overdevelopment, a Cuban follow-up to 1968’s film classic, Memories of Underdevelopment. For over 25 years, as DP, he has photographed hour-long documentaries on iconic writers, artists, and architects for New York’s Checkerboard Film Foundation. Subjects include Brancusi, Picasso, James Salter, Joel Shapiro, Sir John Soane, Ellsworth Kelly, Milton Glaser, Daniel Libeskind, Dorothea Rockburne, Peter Eisenman, Roy Lichtenstein, Eric Fischl, Jeff Koons, Frank Stella, and Sol LeWitt. Leitner is also an author, columnist, motion picture technologist and industry consultant. From 1977-1985 he was Director of New Technology at DuArt Film & Video in New York, where he created innovations in optical printing, cine lens testing, film-to-tape transfer, and played a key role introducing Super 16 to the U.S. He is a Fellow of the Society of Motion Picture and Television Engineers. This year’s fourth annual Sight, Sound & Story: The Art of Cinematography event we'll go behind the lens to better understand the challenges and decisions made by top visual artists in the realm of narrative TV, documentary and feature films. Our event series is where we hope many pieces of the creative puzzle fit together - a familiar enclave for the exchange of ideas and a celebration of this unique collaborative process. For more information go to https://SightSoundandStory.com.

The 1990s were when computers really entered the mainstream of architecture. The rise of personal computing, with wider access to inexpensive machines, the world wide web, advances in software and hardware, all took place against the background of global political transformation that at the time was theorised as the End of History, the breakup of the Soviet Union, democratisation, and the apparent rise of a single, global, liberal capitalist world order. But the exploration of CAD, rendering, generative design and CNC manufacture would all be theorised through a pre-existing set of ideas and agendas, drawing heavily on ‘French theory’ — Derrida, (and particularly) Deleuze — and a partially pre-digested blend of complexity mathematics. We find ourselves — among the blobs, deformed surfaces, landscapes and evolutionary forms — in a world of ‘affective singularities’, ‘the Fold’, pliancy, Catastrophe Theory… We talk technology, key actors, and attempt a glossary of key concepts… Under discussion —  — Frank Gehry’s fish sculpture — Revit / BIM — The F117 and B2 defense projects — Peter Eisenman — John Frazer — MIT Computer Lab — the Bilbao Guggenheim — Cardiff opera house — Yokohama ferry terminal — NOX’s Freshwater and Saltwater pavilions — The Affective — Catastrophe Theory — D’Arcy Thompson — The Fold — Singularity — Max Reinhardt Haus — Phallogocentrism & Helene Cixous Recordings are from Peter Eisenman’s Lecture ‘Architecture in the Age of Electronic Media’ (1993) (AA archive)[https://www.aaschool.ac.uk//VIDEO/lecture.php?ID=737] Music — Lee Rosevere ‘Quizitive’ Lee Rosevere ‘Curiosity’ Lee Rosevere ‘Thoughtful’ all from (Free Music Archive)[freemusicarchive.org] Clips of —  Awesome 3 ‘Don’t Go’ (1992) Liquid ‘Sweet Harmony’ (1992) 2 Bad Mice ‘Bombscare’ (1992) M.A.N.I.C ‘I’m Coming Hardcore’ (Original Mix) (1991) *Support the show on Patreon to receive bonus content for every show. *Follow us on twitter // instagram // facebookWe’re on the web at aboutbuildingsandcities.orgThis podcast is powered by Pinecast.

Juliette Cezzar is a designer, writer, and educator. She's currently an Assistant Professor of Communication Design at the New School’s Parsons School of Design, where she was the Director of the BFA Communication Design and BFA Design & Technology programs from 2011–2014. She served as President of the board of directors of AIGA/NY from 2014–2016 and recently finished a sabbatical where she focused on the relationship between design and the transmission of cultural ideas. In this episode, Juliette and I talk about her first job working for Peter Eisenman, how writing and teaching influence her design practice, and how to write about design clearly and simply. Links from this episode can be found at scratchingthesurface.fm.

James Biber is an architect and partner in the firm Biber Architects, based in New York. James is responsible many of his firms most notable projects.  Biber's most recent project is the USA Pavilion for Expo Milano 2015. Biber’s career has also included the design of the Harley-Davidson Museum in Milwaukee, 2008; oceanfront houses in Montauk, NY; a restoration of the 1934 Sten-Frenke house in Santa Monica, by Richard Neutra; along with projects at Celebration, Florida; store, suites and lounges in the Arizona Cardinals Football Stadium (by Peter Eisenman) in Phoenix, Arizona; Headquarters for the Muzak corporation in Fort Mill, SC. In this episode, we discuss: His background How he got into the world of architecture with a background in art in science What he's most obsessed with today Show notes are available at ObsessedShow.com.

Kunlé Adeyemi founded NLÉ in Amsterdam and Lagos in 2010, after over eight years at OMA. Raised in Kaduna, Nigeria, with an architect father who was constantly redesigning his childhood home, Adeyemi studied architecture in Lagos before getting an MArch II at Princeton, studying with Peter Eisenman. His work at OMA included pivotal roles in projects such as Lagos’ master plan and the Shenzhen Stock Exchange. Throughout his work, he focuses on issues of rapid urbanization and climate change in the Global South. I spoke with Kunlé this past August, for his keynote presentation at the AIA Tennessee Convention in Chattanooga. We cover his work in wide breadth: how he focuses on cities’ relationships to water and infrastructure, quickly iterating projects like the Makoko Floating School prototypes in Lagos and at the Venice Biennale, and why he left OMA to start his own firm in the first place. Due to a technical glitch in the live recording, the episode starts about ten minutes into our conversation.

Dr. Armin Nassehi, ordentlicher Professor für Soziologie an der Ludwig-Maximilians-Universität München, unterhält sich mit Dr. Udo Thiedeke über uns als Architekten vergänglicher Dauerhaftigkeiten in einer Gesellschaft dauerhafter Vergänglichkeiten.Shownotes:#00:05:03# Hier kommt Kant auf die "Beharrlichkeit der Substanz" zu sprechen: Immanuel Kant, 1781: Critik der reinen Vernunft. Riga: Hartknoch. S. 212#00:07:11# Zur Idee der "digitalisierten Codierung der Gesellschaft": Armin Nassehi, 2015: Die letzte Stunde der Wahrheit. Warum links und rechts keine Alternativen mehr sind und Gesellschaft ganz anders beschrieben werden muss. Hamburg: Murmann. S. 159ff.#00:07:58# Alois Hahn, 1983: Konsensfiktionen in Kleingruppen. Dargestellt am Beispiel von jungen Ehen, in: Friedhelm Neidhardt (Hrsg.): Gruppensoziologie. Perspektiven und Materialien. Sonderheft 25 der Kölner Zeitschrift für Soziologie und Sozialpsychologie. Köln: Westdeutscher Verlag. S. 210-232.#00:10:06# Hinweise auf Derridas Metaphysikkritik an Architekten und Architektur finden sich in seinem Briefwechsel mit Peter Eisenman, siehe: Peter Eisenman, 1995: Aura und Exzeß. Zur Überwindung der Metaphysik in der Architektur. Herausgegeben von Ullrich Schwarz. Wien: Passagen.#00:11:20# Siehe zur Bauweise und sozialen Konfiguration der "bürgerlichen Wohnung" im 19. Jhr.: Sophie Hellgardt, 2011: Zehn Zimmer: Die bürgerliche Stadtwohnung des 19. Jahrhunderts. Eine Analyse nach Norbert Elias. Köln: PapyRossa-Verlag.#00:12:10# Schon seit Jahrzehnten bevorzugen Architekturbüros loftähnliche Arbeitsumgebungen. Online#00:13:17# Ein Beispiel zur Architektur von Zaha Hadid, hier die Bergstation der Hungerburgbahn bei Innsbruck. Online #00:13:48# So sieht sie aus, die "Architecture" der BMW-Welt, wo Design die Funktion "trifft". Online#00:14:26# Der in Wien niedergelassene Architekt und Literat Adolf Loos polemisierte 1908 in seinem Vortrag "Ornament und Verbrechen" u.a. gegen die ornamentale Baukunst. In Auszügen siehe hier: Online#00:16:00# Zur Kleidermode als individuelles Reflexionsmedium siehe Udo Thiedeke, 2009: "Nur der zuletzt empfundene Eindruck ist wichtig" Mode als paradoxes Reflexionsmedium, in: Herbert Willems (Hrsg.): Theatralisierung der Gesellschaft. Bd. 1: Soziologische Theorien und Zeitdiagnose. Wiesbaden. VS-Verlag. S. 183-201.#00:18:55# Die angesprochene systemtheoretische Perspektive einer funktional, also nach Funktionen, Funktionssystemen und Funktionserwartungen differenzierten, Gesellschaft geht auf Niklas Luhmann zurück. Siehe z.B.: Niklas Luhmann, 1998: Die Gesellschaft der Gesellschaft. 2. Teilband. Frankfurt/M. besonders S. 743ff.#00:24:17# Zur Kritik von Subjektivierungsprozessen siehe etwa bereits in den 1970er Jahren: Louis Althusser, 1976: Idéologie et appareils idéologiques d'État. Notes pour une recherche, in: Ders.: Positions. Paris. Éditions sociales. S. 79-137. Inzwischen in einer praxistheoretischen Fassung, etwa: Thomas Alkemeyer, 2013: Subjektivierung in sozialen Praktiken. Umrisse einer praxeologischen Analytik. in: Thomas Alkemeyer, Gunilla Budde, Dagmar Freist (Hrsg.): Selbst-Bildungen. Soziale und kulturelle Praktiken der Subjektivierung. Bielefeld: transcript. S. 29-64.#00:27:15# Die Protestantisierung der Diskurse mit Verweis auf Max Weber spielt auf dessen Untersuchung "Die protestantische Ethik und der Geist des Kapitalismus" an, siehe: Max Weber, 1920: Gesammelte Aufsätze zur Religionssoziologie I Tübingen: J.C.B. Mohr. S. 1-206.#00:28:50# Siehe zum Konzept des Habitus bei Pierre Bourdieu: Pierre Bourdieu, 1982: Die feinen Unterschiede - Kritik der gesellschaftlichen Urteilskraft. Frankfurt/M.: Suhrkamp.#00:31:15# Wolfgang Streeck, 2013: Gekaufte Zeit. Die vertagte Krise des demokratischen Kapitalismus. Frankfurt/M.: Suhrkamp.#00:33:55# Zur Konfliktregulation durch Institutionen siehe z.B.: M. Rainer Lepsius, 1990: Interessen, Ideen und Institutionen. Opladen: Westdeutscher Verlag.#00:36:18# Zu den angesprochenen Übersetzungspraktiken: Armin Nassehi, 2015: Die letzte Stunde der Wahrheit. Warum links und rechts keine Alternativen mehr sind und Gesellschaft ganz anders beschrieben werden muss. Hamburg: Murmann. S. 267ff.#00:36:54# Zur Bedeutung von Organisationen für Individuen und die Mitgliedschaft in Organisationen siehe z.B. Niklas Luhmann, 2006: Organisation und Entscheidung. Wiesbaden: Verlag für Sozialwissenschaften. Siehe auch Kap. XIV "Organisation und Gesellschaft" in: ders., 1998: Die Gesellschaft der Gesellschaft. Frankfurt/M.: Suhrkamp. S. 826ff.#00:43:28# das DFG Projekt „Übersetzungskonflikte" (Antragsteller: Armin Nassehi und Irmhild Saake) untersucht seit dem 1.4.2015 am Institut für Soziologie der LMU München, wie sich in ausgewählten Konfliktfällen der Gesellschaft (z.B. Palliativmedizin, Beschneidungsdebatte, Lebendorganspende) Sprecher unterschiedlicher Provenienz aufeinander beziehen und die unterschiedlichen Logiker in Echtzeit ineinander übersetzt werden.#00:47:00# Jürgen Habermas hat sich bereits in den 1970er Jahren Gedanken über die Revisionsfähigkeit politischer Entscheidungen gemacht. Siehe: Jürgen Habermas, 1976: Zur Rekonstruktion des Historischen Materialismus, Frankfurt/M.: Suhrkamp. S. 117.#00:49:29# In Bezug zu den angesprochenen "Büroarbeitsplätzen ganz neuen Typs" bei Unicredit Hypo Vereinsbank München, siehe das Für und Wider in der Umsetzung z.B. von sog. Open-Space-Arbeitsplatzkonzepten: Online#00:54:40# Zum computergesteuerten, 'algorithmischen' Handel an den Börsen (Algotrading) und seinen Konsequenzen, siehe: Lothar Lochmaier, 2010: Algotrading: Wie selbst zerstörerisch ist der automatisierte Computerhandel? in Telepolis 18.10.2010. Online#00:56:30# Zur Vision von Howard Rheingold zur Virtual Commonity siehe: Howard Rheingold, 1993: The virtual community: homesteading on the electronic frontier. Reading Mass.: Addison-Wesley. Deutsche Ausgabe, 1994: Virtuelle Gemeinschaft: Soziale Beziehungen im Zeitalter des Computers. Bonn, Paris, Reading Mass.: Addison-Wesley.#00:57:07# Zu den Verknüpfungs- und Analysevisionen grosser Datenmengen im I-Net (Big Data), siehe etwa eher feuilletonistisch: Heinrich Geiselberger und Tobias Moorstedt (Redaktion), 2013: Big Data. Das neue Versprechen der Allwissenheit. 2. Aufl. Berlin: Suhrkamp.#00:57:59# Hier der Verweis auf die "letzte Stunde": Armin Nassehi, 2015: Die letzte Stunde der Wahrheit: warum rechts und links keine Alternativen mehr sind und Gesellschaft ganz anders beschrieben werden muss. Hamburg: Murrmann.#00:59:45# Zu Übersicht über die utopischen Entwürfen der Gartenstadt und ihre Realisationen. Online#01:08:35# Gina Atzeni, 2016: Professionelles Erwartungsmanagement. Zur soziologischen Bedeutung des Arzt-Narrativ. Baden-Baden: Nomos.#01:09:38# Zur Siedlung Emmertsgrund auf dem Boxberg bei Heidelberg, die unter planerischer Mitwirkung von Alexander Mitscherlich entstand. Online#01:10:41# Ansatz und Problem der sog. Modernisierungstheorie in der Soziologie und Politikwissenschaft war vor allem in den 1960er und 70er Jahren gewesen, nicht nur theoretisch/empirische Einschätzungen der Entwicklung von Nationalstaaten, sondern Modelle für diese Entwicklung insbesondere unter Konvergenzgesichtspunkten hin zu einem "westlichen" Modell von Modernisierung zu liefern. Hierzu grundlegend: Daniel Lerner, 1958: The Passing of Traditional Society. Modernizing the Middle East. London: Macmillan.[alle Links aktuell Mai/Juni 2015]Dauer 01:15:28 Folge direkt herunterladen

L'incontro fa parte del ciclo MI/ARCH | 8 Lezioni Pubbliche di Architettura Urbana, organizzato in occasione del 150° del Politecnico di Milano.

Craig Buckley, Beatriz Colomina, Peter Eisenman, Carlos Labarta, Jeffrey Schnapp, Felicity Scott, Bernard Tschumi, Anthony Vidler, Enrique Walker, and Mark Wigley Followed by a reception for Architects' Journeys: Building Traveling Thinking, Craig Buckley and Pollyanna Rhee, Eds. (GSAPP Books and T6 Ediciones, 2011). #wood111811

A discussion between Yale School of Architecture Charles Gwathmey Professor in Practice Peter Eisenman and Dean of the Cooper Union Irwin S. Chanin School of Architecture Anthony Vidler, in which they discuss the work and influence of the Pritzker Prize winning architect and former Yale professor, James Stirling.

How and why did Seattle build that hideous new public library? asks one listener from that city. James Howard Kunstler tells us how cities get hoodwinked into a status fashion contest to have a museum or library built by one of the celebrity architects of the day. Rem Koolhass, Frank Gehry, Peter Eisenman and others are deliberately designing these disastrous, anxiety-inducing mothership UFOs in order to mystify people into thinking they're supernaturally brilliant. And then we're stuck with these Gillette Blue Blade-clad fun houses for decades. (Info about program and theme music at KunstlerCast.com)Direct Download (7.1 MB): KunstlerCast_05.mp3